
Browse content similar to Episode 18. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Aww. It's Valentine's weekend and romance is in the air. | 0:00:02 | 0:00:04 | |
I've got a letter from someone in the audience. | 0:00:04 | 0:00:08 | |
Now, their partner knows nothing about this. | 0:00:08 | 0:00:12 | |
The letter asks, | 0:00:12 | 0:00:14 | |
"Can I propose to my loved one on national television?" | 0:00:14 | 0:00:19 | |
DRUMROLL | 0:00:19 | 0:00:21 | |
No. | 0:00:23 | 0:00:24 | |
Let's start the show! APPLAUSE | 0:00:24 | 0:00:27 | |
Hello, hello! | 0:00:44 | 0:00:47 | |
Good evening, everybody! | 0:00:49 | 0:00:50 | |
Welcome to the show! | 0:00:51 | 0:00:55 | |
Some really relieved faces over there. | 0:00:55 | 0:00:57 | |
LAUGHTER | 0:00:57 | 0:00:59 | |
"Urghh... Ah, it's OK." | 0:00:59 | 0:01:01 | |
Great guests for you tonight. | 0:01:01 | 0:01:03 | |
An Oscar-winning actress, Britain's most loved double act | 0:01:03 | 0:01:05 | |
and one of my favourite comedy stars, who's in a great new romcom. | 0:01:05 | 0:01:08 | |
Perfect for Valentine's weekend! | 0:01:08 | 0:01:11 | |
-AUDIENCE: -Oooh! | 0:01:11 | 0:01:13 | |
Aw, Valentines! | 0:01:13 | 0:01:15 | |
The time of the year when you look into your partner's eyes | 0:01:15 | 0:01:18 | |
and say those magical words - | 0:01:18 | 0:01:19 | |
"You'll do." | 0:01:19 | 0:01:21 | |
Has everyone sent their Valentine's cards? Have they sent them? | 0:01:21 | 0:01:25 | |
FAINT WHOOP Wow. Love is in the air in here(!) | 0:01:25 | 0:01:28 | |
"What? What's he talking about?" | 0:01:28 | 0:01:31 | |
It's strange, you know? On Valentine's Day, | 0:01:31 | 0:01:33 | |
you can write a sexy, anonymous message to a virtual stranger | 0:01:33 | 0:01:36 | |
and it's romantic. | 0:01:36 | 0:01:38 | |
But here's a tip - the rest of the year, that's stalking. | 0:01:38 | 0:01:41 | |
Everyone wants to do something special on Valentine's Day, | 0:01:42 | 0:01:45 | |
but don't leave it till the last minute, | 0:01:45 | 0:01:47 | |
or everything is booked up and you end up... | 0:01:47 | 0:01:50 | |
Oh, I don't know - going to a free recording of a television show. | 0:01:50 | 0:01:53 | |
You know who you are! | 0:01:53 | 0:01:55 | |
Let's welcome the guests on! | 0:01:55 | 0:01:57 | |
CHEERING AND APPLAUSE | 0:01:57 | 0:01:59 | |
Later, we'll be having music from double Brit nominated Little Mix! | 0:01:59 | 0:02:04 | |
But first, one of Hollywood's hottest comedy stars | 0:02:04 | 0:02:07 | |
thanks to break-out roles in Bridesmaids and Pitch Perfect. | 0:02:07 | 0:02:10 | |
Now, she's here to tell us How To Be Single. | 0:02:10 | 0:02:12 | |
Please welcome the hilarious Rebel Wilson! | 0:02:12 | 0:02:15 | |
CHEERING AND APPLAUSE | 0:02:15 | 0:02:18 | |
-Wow! -Woo! | 0:02:18 | 0:02:20 | |
-Wow! -I know! -Look at you! | 0:02:20 | 0:02:22 | |
Hello, darling. Lovely to see you. Shiny. Rebel Wilson! | 0:02:22 | 0:02:27 | |
CHEERING | 0:02:28 | 0:02:30 | |
From Byker Grove to I'm A Celebrity, | 0:02:30 | 0:02:32 | |
these two have been entertaining the nation for nearly 30 years | 0:02:32 | 0:02:35 | |
and have become one of Britain's most loved television double acts. | 0:02:35 | 0:02:38 | |
Please welcome the multi-award-winning Ant and Dec! | 0:02:38 | 0:02:43 | |
CHEERING AND APPLAUSE | 0:02:43 | 0:02:46 | |
Hello, lovely to see you. | 0:02:46 | 0:02:48 | |
-30 years. -Is it? -You're old. You're older than I am. -30 years?! | 0:02:48 | 0:02:51 | |
We've loved this actress in so many great films - | 0:02:56 | 0:02:58 | |
The Big Lebowski, Boogie Nights, The Hours | 0:02:58 | 0:03:00 | |
and last year's Oscar-winning performance in Still Alice. | 0:03:00 | 0:03:02 | |
Her latest film is the powerful drama, Freeheld. | 0:03:02 | 0:03:04 | |
It's a warm welcome back to Julianne Moore! | 0:03:04 | 0:03:07 | |
CHEERING AND APPLAUSE | 0:03:07 | 0:03:10 | |
Good couch. | 0:03:21 | 0:03:23 | |
-It's very nice to see you all. -It's nice to see you too. | 0:03:23 | 0:03:26 | |
And it's sort of Geordie land in a Hollywood lady sandwich. | 0:03:26 | 0:03:30 | |
Yeah! | 0:03:30 | 0:03:32 | |
With a Geordie filling. | 0:03:32 | 0:03:33 | |
Julianne, last time you were here, we teased you, | 0:03:33 | 0:03:36 | |
because you had lost so many Oscars. | 0:03:36 | 0:03:37 | |
-Yeah. -But now, loser no more! | 0:03:37 | 0:03:40 | |
-Because she had lost loads of them. -I'd lost... Yeah. Four of them. Lost four. | 0:03:41 | 0:03:45 | |
That's careless, isn't it? | 0:03:45 | 0:03:48 | |
But now, big winner. Big winner for Still Alice. Congratulations! | 0:03:48 | 0:03:51 | |
Thank you. | 0:03:51 | 0:03:52 | |
CHEERING AND APPLAUSE | 0:03:52 | 0:03:55 | |
Was it everything you'd hoped, on the night? | 0:03:58 | 0:04:00 | |
-Or was it an anti-climax after waiting all that time? -It was... | 0:04:00 | 0:04:03 | |
No, it was great. It was very exciting. | 0:04:03 | 0:04:06 | |
I tried to stay calm and present, | 0:04:06 | 0:04:08 | |
but you know, it's three hours long! | 0:04:08 | 0:04:10 | |
And I was the very last award before best film, | 0:04:10 | 0:04:13 | |
so it was agonising, yeah. | 0:04:13 | 0:04:16 | |
I have to say, I do know all about losing. Ant and Dec... | 0:04:18 | 0:04:21 | |
LAUGHTER | 0:04:21 | 0:04:23 | |
How many National Television Awards have you won now? | 0:04:23 | 0:04:27 | |
-Um... 15, in a row. -Wow! | 0:04:27 | 0:04:29 | |
It's pretty good. | 0:04:29 | 0:04:32 | |
"In a row" is irrelevant. | 0:04:32 | 0:04:34 | |
15?! | 0:04:34 | 0:04:36 | |
It's brilliant, it's brilliant. | 0:04:36 | 0:04:38 | |
But look, my heart doesn't bleed for you. | 0:04:38 | 0:04:40 | |
You've won a few awards yourself. | 0:04:40 | 0:04:41 | |
You've got a BAFTA in your opening titles. | 0:04:41 | 0:04:44 | |
Which we were just throwing into a pond. | 0:04:44 | 0:04:47 | |
-You've won Lifetime Achievement - is it twice now? -Yeah. | 0:04:47 | 0:04:51 | |
Is that for both lives? Is that how that works? | 0:04:51 | 0:04:54 | |
I don't know what it's called. | 0:04:55 | 0:04:57 | |
We won something and it was some sort of Outstanding Contribution | 0:04:57 | 0:05:00 | |
or something and then we won it again a couple of years ago, | 0:05:00 | 0:05:03 | |
so I don't quite understand how that works. | 0:05:03 | 0:05:05 | |
Nor do I! | 0:05:05 | 0:05:07 | |
I really don't. | 0:05:08 | 0:05:10 | |
Have you ever had to do loser face? | 0:05:10 | 0:05:13 | |
-Oh, yeah, we've had to. -Over the years, yeah. | 0:05:13 | 0:05:15 | |
-Rebel, do you have a loser face? -Uh... | 0:05:15 | 0:05:17 | |
Well, I haven't been nominated yet for an Oscar, | 0:05:17 | 0:05:20 | |
cos they're racists. | 0:05:20 | 0:05:21 | |
LAUGHTER | 0:05:21 | 0:05:24 | |
So, I haven't... | 0:05:24 | 0:05:26 | |
Um... | 0:05:28 | 0:05:29 | |
I guess if I went to the Oscars and then I lost, | 0:05:31 | 0:05:34 | |
I'd just be like... | 0:05:34 | 0:05:35 | |
-show a tit, or something. -LAUGHTER | 0:05:35 | 0:05:38 | |
At least I'd get a lot of attention | 0:05:38 | 0:05:40 | |
and wouldn't feel like the night was a total waste. | 0:05:40 | 0:05:43 | |
Rather than just doing the classic... | 0:05:43 | 0:05:46 | |
-Yeah, just get a tit out. -Yeah, do it. | 0:05:47 | 0:05:50 | |
Nominated next year. | 0:05:51 | 0:05:53 | |
There you go - NTA awards. | 0:05:53 | 0:05:55 | |
Just a peek of nip, through the shirt. | 0:05:55 | 0:05:58 | |
But Rebel, you do go to awards. | 0:05:58 | 0:06:01 | |
Was it an awards show where you were sat next to Kelly Osbourne? | 0:06:01 | 0:06:04 | |
That was Jennifer Lopez's opening night in Las Vegas, a couple of weeks ago. | 0:06:04 | 0:06:08 | |
-You get about, don't you? -Yeah, yeah. | 0:06:08 | 0:06:10 | |
I mean, I still haven't found love, so I try to get out there. | 0:06:10 | 0:06:14 | |
You and Kelly were kind of looking for love? | 0:06:14 | 0:06:17 | |
Yeah, and then we noticed Justin Bieber was sitting | 0:06:17 | 0:06:20 | |
two rows behind us and we thought, you know what? | 0:06:20 | 0:06:22 | |
Valentine's Day is coming up, we're both single, | 0:06:22 | 0:06:25 | |
let's just make a play for him. | 0:06:25 | 0:06:27 | |
At first, we thought it would be funny, but then it actually worked. | 0:06:27 | 0:06:31 | |
And we sent Justin an note through our bodyguard... | 0:06:31 | 0:06:34 | |
-I think we've got the note. -Oh, really? | 0:06:34 | 0:06:37 | |
LAUGHTER | 0:06:45 | 0:06:47 | |
And then.... | 0:06:47 | 0:06:48 | |
LAUGHTER AND APPLAUSE | 0:06:48 | 0:06:50 | |
As you can see from exhibit A, | 0:06:53 | 0:06:56 | |
it is ticked seven times, yes? | 0:06:56 | 0:06:59 | |
So, I believe that means seven dates he owes me. Uh... | 0:06:59 | 0:07:04 | |
And I'm thinking horse riding, or a private pool party. | 0:07:04 | 0:07:08 | |
He hasn't got back in touch with me about the actual date | 0:07:08 | 0:07:12 | |
and I should probably stop talking about it, | 0:07:12 | 0:07:14 | |
cos you're going to think I'm really weird. | 0:07:14 | 0:07:17 | |
But you did get a picture taken with him? | 0:07:17 | 0:07:19 | |
-Yeah, we hung out all night. -Oh, did you? And here you are. | 0:07:19 | 0:07:22 | |
I think most girls meet Justin and be like, "Ahh!" | 0:07:22 | 0:07:25 | |
And be a bit pathetic, but I met him and just was like, | 0:07:25 | 0:07:27 | |
"Hey, what's up?" | 0:07:27 | 0:07:29 | |
LAUGHTER | 0:07:29 | 0:07:31 | |
I had really good game. Yeah, I was quite proud of myself. | 0:07:31 | 0:07:34 | |
He still looks quite nervous. | 0:07:34 | 0:07:36 | |
No, no - that's just because I was holding his balls. | 0:07:36 | 0:07:38 | |
LAUGHTER | 0:07:38 | 0:07:41 | |
APPLAUSE | 0:07:41 | 0:07:43 | |
Now, let's talk about Julianne's new movie, Freeheld. | 0:07:47 | 0:07:50 | |
It's released February 19th in cinemas and On Demand. | 0:07:50 | 0:07:54 | |
Now, your last movie, Still Alice, | 0:07:54 | 0:07:55 | |
dealt with the very difficult subject of early onset dementia. | 0:07:55 | 0:07:58 | |
So, this time, what have you brought us? | 0:07:58 | 0:08:01 | |
Marriage equality and cancer. | 0:08:01 | 0:08:03 | |
LAUGHTER AND APPLAUSE | 0:08:03 | 0:08:06 | |
Actually, it's a really, really wonderful movie | 0:08:06 | 0:08:08 | |
and it's based on a true story of this woman named Laurel Hester, | 0:08:08 | 0:08:12 | |
who was a police detective in New Jersey | 0:08:12 | 0:08:14 | |
and she wanted to leave her pension | 0:08:14 | 0:08:16 | |
to her younger partner, Stacie Andree, | 0:08:16 | 0:08:18 | |
when she was diagnosed with lung cancer. | 0:08:18 | 0:08:21 | |
And the county officials turned her down. | 0:08:21 | 0:08:23 | |
This only happened ten years ago, when it really was their fight | 0:08:23 | 0:08:26 | |
during the last year of Laurel's life that changed history | 0:08:26 | 0:08:30 | |
and really paved the way for marriage equality in the United States. | 0:08:30 | 0:08:33 | |
And it is a really uplifting and inspiring story, | 0:08:33 | 0:08:36 | |
but you have that quality that you take something | 0:08:36 | 0:08:39 | |
that should be quite depressing and make it luminous and inspiring. | 0:08:39 | 0:08:42 | |
Aw, thank you. | 0:08:42 | 0:08:44 | |
She was a really inspiring person, Laurel Hester - | 0:08:44 | 0:08:46 | |
and it was an honour to get to play her. | 0:08:46 | 0:08:48 | |
And really, it is about love | 0:08:48 | 0:08:50 | |
and how you want to continue to care for | 0:08:50 | 0:08:53 | |
the people you love in your life. | 0:08:53 | 0:08:54 | |
So, in that way, it is very uplifting. | 0:08:54 | 0:08:57 | |
And the other uplifting thing is, of course, | 0:08:57 | 0:08:59 | |
it's now - happily, in America - it's now history. | 0:08:59 | 0:09:01 | |
That's right. We have marriage equality, | 0:09:01 | 0:09:04 | |
-which is a very, very big deal. -It's very recent history. | 0:09:04 | 0:09:06 | |
So, it's a nice thing to be able to look back on this. | 0:09:06 | 0:09:08 | |
Yeah, and to celebrate what they accomplished. | 0:09:08 | 0:09:10 | |
-And her partner is still alive? -Yes, Stacie Andree. | 0:09:10 | 0:09:13 | |
-Presumably, you got to meet her? -Oh, yeah. I spent a lot of time with her. | 0:09:13 | 0:09:16 | |
She still lives in the house that they lived in | 0:09:16 | 0:09:18 | |
and I also met her police partner and so, was able to meet her family | 0:09:18 | 0:09:21 | |
and really had access to everyone in her life. | 0:09:21 | 0:09:25 | |
Wow. Let's have a look at a clip from Freeheld. | 0:09:25 | 0:09:27 | |
This is you as Laurel and your girlfriend played by Ellen Page. | 0:09:27 | 0:09:30 | |
-The wonderful Ellen Page. -She is terrific. | 0:09:30 | 0:09:33 | |
And this is just after you've formalised your civil partnership. | 0:09:33 | 0:09:37 | |
-I got something for you. -Yeah? | 0:09:37 | 0:09:39 | |
Looks like the beach. | 0:09:40 | 0:09:42 | |
Thanks. | 0:09:44 | 0:09:47 | |
-I got something for you, too. -Yeah? -Yeah. | 0:09:47 | 0:09:50 | |
It's a card from the police union. | 0:09:50 | 0:09:53 | |
Got your name on it. | 0:09:53 | 0:09:55 | |
It says we're family. | 0:09:55 | 0:09:58 | |
So, if you're stopped while you're driving - | 0:09:58 | 0:10:00 | |
and let's face it, you do drive fast - | 0:10:00 | 0:10:02 | |
just give this to the officer, you won't get a ticket. | 0:10:02 | 0:10:05 | |
"Family". | 0:10:08 | 0:10:09 | |
I guess that makes it official, huh? | 0:10:10 | 0:10:13 | |
Official, baby. | 0:10:13 | 0:10:15 | |
APPLAUSE Aw... | 0:10:15 | 0:10:17 | |
APPLAUSE | 0:10:17 | 0:10:21 | |
And Ellen Page there, she's amazing, | 0:10:21 | 0:10:23 | |
-and the film was very personal to her, I guess. -Yeah, absolutely. | 0:10:23 | 0:10:27 | |
Because before filming, she came out. | 0:10:27 | 0:10:29 | |
-She came out, yeah... -Which is commitment, can I just say? | 0:10:29 | 0:10:31 | |
That's commitment, Julianne Moore, you're slacking. | 0:10:31 | 0:10:34 | |
LAUGHTER | 0:10:34 | 0:10:35 | |
-Pretending to be a lesbian. -I know, I know. | 0:10:35 | 0:10:37 | |
What is amazing was her first role as an out gay woman, you know, | 0:10:37 | 0:10:40 | |
playing a gay character, so it was really meaningful to her. | 0:10:40 | 0:10:43 | |
I bet it was. But wasn't it that she | 0:10:43 | 0:10:45 | |
thought you were going to be Miss Method and serious? | 0:10:45 | 0:10:48 | |
Yeah, she thought I was really methody. I'm not. | 0:10:48 | 0:10:50 | |
-Are you really not? -No, I'm just pretending. | 0:10:50 | 0:10:54 | |
Yeah, it's all pretending. | 0:10:54 | 0:10:56 | |
So do real methody people then get annoyed with you, because...? | 0:10:56 | 0:10:59 | |
Sometimes they do because of how much I talk. | 0:10:59 | 0:11:02 | |
Because I like to talk between takes about what I had for lunch | 0:11:02 | 0:11:05 | |
and what I'm going to do this weekend and these shoes that | 0:11:05 | 0:11:07 | |
I bought and, "Do you like the shoes that I bought? | 0:11:07 | 0:11:10 | |
"Should I take the shoes back? What do you think? | 0:11:10 | 0:11:12 | |
"Do you want to have lunch or should we have lunch later? | 0:11:12 | 0:11:14 | |
"Do you want a snack?" All the way up to action. | 0:11:14 | 0:11:16 | |
And every once in a while, someone will say, like, "Please be quiet! | 0:11:16 | 0:11:20 | |
-"For one minute!" -And don't you sing a lot? | 0:11:20 | 0:11:22 | |
Yes. Yeah. I do. | 0:11:22 | 0:11:24 | |
It does sound quite annoying. | 0:11:24 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:28 | |
-It is, it is. -And what sort of songs do you sing? -Like... | 0:11:28 | 0:11:30 | |
# Peanut butter jelly time Peanut butter jelly time | 0:11:30 | 0:11:34 | |
# Peanut butter jelly time... # | 0:11:34 | 0:11:35 | |
It's getting more annoying. | 0:11:35 | 0:11:38 | |
What's the weird thing at home that your kids don't believe you | 0:11:38 | 0:11:41 | |
when you laugh? | 0:11:41 | 0:11:42 | |
Oh, my daughter says I have a fake laugh. | 0:11:42 | 0:11:45 | |
I think I'm just trying to be... | 0:11:45 | 0:11:46 | |
You know when your kids say something, | 0:11:46 | 0:11:48 | |
you're like, "Oh, honey, yeah..." | 0:11:48 | 0:11:50 | |
And it's like, "That's not funny." | 0:11:50 | 0:11:51 | |
If I was a kid, I'd be going, "No, this isn't working." | 0:11:53 | 0:11:56 | |
That's not funny, that's completely fake, Mom. "No, I laugh like that." | 0:11:56 | 0:11:59 | |
Ha-ha-ha-ha! | 0:11:59 | 0:12:00 | |
Now, forgive me, because of course, Ant and Dec, | 0:12:02 | 0:12:05 | |
we forget, you are actors. | 0:12:05 | 0:12:07 | |
-We started as actors. -I know, you did. Byker Grove. | 0:12:07 | 0:12:10 | |
I'm not sure if Rebel or Julianne are familiar with Byker Grove. | 0:12:10 | 0:12:14 | |
It sounds very dramatic. | 0:12:14 | 0:12:16 | |
-Oh, it was. -Some very hard-hitting storylines in Byker Grove. | 0:12:18 | 0:12:21 | |
LAUGHTER | 0:12:21 | 0:12:23 | |
I thought you were a girl in that one. | 0:12:23 | 0:12:25 | |
LAUGHTER | 0:12:25 | 0:12:28 | |
Then I realised it was leaves, yeah. | 0:12:28 | 0:12:30 | |
This is a very rare picture because this is Dec and Ant. | 0:12:30 | 0:12:33 | |
-Oh, yeah, the wrong way round. -You're the wrong way round. | 0:12:33 | 0:12:35 | |
Are you always in the same position? | 0:12:35 | 0:12:37 | |
We try, so people can remember which one's which, but it fails. | 0:12:37 | 0:12:40 | |
It doesn't work. | 0:12:40 | 0:12:42 | |
-Doesn't work. -That's Dec and Ant or Duncan and PJ. | 0:12:42 | 0:12:44 | |
You were PJ and Duncan. Now, in the show, which one of you went blind? | 0:12:44 | 0:12:48 | |
Me, my character. PJ went blind. He was shot in the eyes. | 0:12:48 | 0:12:51 | |
Shot in the eyes! | 0:12:51 | 0:12:54 | |
At paintballing. | 0:12:54 | 0:12:56 | |
That's funny to you. | 0:12:56 | 0:12:59 | |
Shot in the head and went blind. | 0:12:59 | 0:13:01 | |
LAUGHTER | 0:13:01 | 0:13:03 | |
Shot in the eyes. | 0:13:03 | 0:13:05 | |
It was, er, it was a freak paintballing accident where PJ was | 0:13:05 | 0:13:07 | |
in the middle of a love triangle | 0:13:07 | 0:13:09 | |
and the two girls he was kind of messing around with | 0:13:09 | 0:13:12 | |
shot at the same time, and both paintballs hit him in the eyes. | 0:13:12 | 0:13:17 | |
That'll teach 'em. That'll teach 'em. | 0:13:17 | 0:13:19 | |
No shame in soap opera acting | 0:13:19 | 0:13:20 | |
because Julianne Moore, Oscar winner - I think I mentioned it earlier - | 0:13:20 | 0:13:24 | |
-you... That was your first job. -Yeah, As The World Turns | 0:13:24 | 0:13:27 | |
-it was called, mm-hm. -How many years were you in that? -Three. | 0:13:27 | 0:13:30 | |
It was my first big job. There's my family, my soap family. | 0:13:30 | 0:13:33 | |
Me and my mom and Dad and my grandparents and my brother | 0:13:33 | 0:13:35 | |
and my little brother and my sister-in-law. | 0:13:35 | 0:13:38 | |
-And for three years, like, a LOT of things happened to you. -Sure, sure. | 0:13:38 | 0:13:42 | |
I was kidnapped. I didn't go blind. I did have amnesia. I did... | 0:13:42 | 0:13:46 | |
It turned out that my boyfriend was a killer, and he also slept with my | 0:13:46 | 0:13:51 | |
half-sister slash cousin cos it was dark and he couldn't tell us apart. | 0:13:51 | 0:13:57 | |
LAUGHTER | 0:13:57 | 0:14:00 | |
Could happen to anyone. | 0:14:00 | 0:14:02 | |
I was like, "Oh! You couldn't tell us apart! Oh, OK." | 0:14:02 | 0:14:05 | |
Did you forgive him? | 0:14:05 | 0:14:07 | |
Yeah, of course, yeah, but then he turned out to be a killer | 0:14:07 | 0:14:10 | |
so it was a mess. | 0:14:10 | 0:14:11 | |
Oh, bad news bears. | 0:14:11 | 0:14:13 | |
Rebel, lots of actors who make it big in Hollywood have come | 0:14:13 | 0:14:16 | |
through the Australian soaps. | 0:14:16 | 0:14:18 | |
Yeah, the soaps like Home And Away, Neighbours. Not me. | 0:14:18 | 0:14:22 | |
-My very first... -Did you audition for them or anything? | 0:14:22 | 0:14:24 | |
I didn't even get a chance to audition. | 0:14:24 | 0:14:26 | |
My very first agent meeting, I got rejected cos they, like, | 0:14:26 | 0:14:30 | |
looked me up and down and said, | 0:14:30 | 0:14:32 | |
"Yeah, you're not ever going to be on Home And Away. | 0:14:32 | 0:14:34 | |
-"So we're not going to take you." -Is that the only job in Australia? | 0:14:34 | 0:14:39 | |
One of them, yeah. | 0:14:39 | 0:14:41 | |
You tweeted this picture recently of yourself when you were starting out. | 0:14:41 | 0:14:45 | |
Is this, like, a head shot you would use for auditions? | 0:14:45 | 0:14:47 | |
-This is my first acting head shot. -Aw! | 0:14:47 | 0:14:50 | |
-There are a lot of questions... -OK. | 0:14:50 | 0:14:53 | |
LAUGHTER | 0:14:53 | 0:14:57 | |
OK, why am I holding a softball mitt and a softball? | 0:14:57 | 0:15:01 | |
Just in case you didn't get that I was sporty. | 0:15:01 | 0:15:04 | |
-Oh! -Yeah. -You can play athletes, is that what you were saying? | 0:15:04 | 0:15:08 | |
Yeah, I guess. | 0:15:08 | 0:15:10 | |
And then I'm wearing, like, the world's finest gold chain. | 0:15:10 | 0:15:14 | |
-Cos you're feminine as well. -Yeah. | 0:15:17 | 0:15:19 | |
And an oversized T-shirt. I've just let my hair go feral. | 0:15:19 | 0:15:23 | |
LAUGHTER | 0:15:23 | 0:15:25 | |
Obviously had not met up with a professional stylist | 0:15:25 | 0:15:28 | |
at that point in my career. | 0:15:28 | 0:15:30 | |
And then I just liked the random graffiti cos | 0:15:30 | 0:15:33 | |
I did come from kind of the ghetto area of Sydney, so... | 0:15:33 | 0:15:37 | |
Most people just have, like, a plain background. | 0:15:37 | 0:15:41 | |
-Urban. -Yeah, she's a rebel. | 0:15:41 | 0:15:44 | |
Like, yeah, | 0:15:44 | 0:15:45 | |
but no wonder nobody thought I would be a professional actress | 0:15:45 | 0:15:50 | |
with that headshot. Like, you can't stage something like that. | 0:15:50 | 0:15:55 | |
You look like you were in a great mood | 0:15:55 | 0:15:58 | |
and then you saw something truly awful. | 0:15:58 | 0:16:00 | |
Just like... | 0:16:01 | 0:16:03 | |
-Yeah, that. There you go. That's it. -Yeah. | 0:16:05 | 0:16:09 | |
Now, Ant and Dec, when you decided to kind of move away from PJ | 0:16:09 | 0:16:13 | |
and Duncan and become Ant and Dec, rebrand yourselves as Ant and Dec, | 0:16:13 | 0:16:17 | |
you went through a sort of makeover, didn't you? | 0:16:17 | 0:16:20 | |
A kind of extreme makeover. | 0:16:20 | 0:16:22 | |
Yes, yeah we did. | 0:16:22 | 0:16:24 | |
It wasn't our idea but we... | 0:16:24 | 0:16:26 | |
Yeah, we wanted to ditch the names PJ and Duncan and become Ant and Dec, | 0:16:26 | 0:16:29 | |
our real names, so I think it was Smash Hits magazine said, | 0:16:29 | 0:16:32 | |
"Well, you should do an image makeover. Why don't you do that?" | 0:16:32 | 0:16:35 | |
-So... -Take That had done one and it worked really well. | 0:16:35 | 0:16:37 | |
We thought, "Yeah. Let's do it. Take That have done it." | 0:16:37 | 0:16:39 | |
So Ant said, "I'll shave me head." | 0:16:39 | 0:16:41 | |
I'm like, "Oh, right. OK. | 0:16:41 | 0:16:42 | |
"Ooh, I don't really want to do that, that looks silly, that. | 0:16:42 | 0:16:45 | |
"I'll dye me hair." | 0:16:45 | 0:16:47 | |
So the idea was to dye my hair blonder, but it just went ginger. | 0:16:47 | 0:16:51 | |
-Nothing wrong with that, of course. -I was going to say... | 0:16:52 | 0:16:55 | |
-What I mean was it wasn't quite the look we were going for. -Right. | 0:16:55 | 0:16:58 | |
This is the cover of Smash Hits. | 0:16:58 | 0:17:00 | |
There you go. | 0:17:00 | 0:17:01 | |
LAUGHTER | 0:17:01 | 0:17:04 | |
Yeah, it's not... It's vibrant yellow. | 0:17:04 | 0:17:06 | |
What I would say is, though, that happened, | 0:17:06 | 0:17:09 | |
and you obviously saw that in vibrant colour on a newsstand. | 0:17:09 | 0:17:12 | |
You then did a shoot for a gay magazine, Attitude, | 0:17:12 | 0:17:15 | |
and you thought, "We can tone this down and sex it up." | 0:17:15 | 0:17:19 | |
LAUGHTER | 0:17:19 | 0:17:23 | |
-It's what they say down the bottom there. -Oh, yeah. | 0:17:23 | 0:17:26 | |
"Ant and Dec, Cocks of the north." | 0:17:26 | 0:17:28 | |
LAUGHTER | 0:17:28 | 0:17:32 | |
It looks like you've just put soil in your hair. | 0:17:34 | 0:17:39 | |
A bit of potting clay. | 0:17:39 | 0:17:41 | |
-That's pretty much what I did. -And then there's a brilliant picture inside. | 0:17:41 | 0:17:46 | |
-This is brilliant. -Oh, God. | 0:17:46 | 0:17:47 | |
-No, don't worry, Ant. You're safe. -Oh, good. | 0:17:47 | 0:17:50 | |
This is Dec and I don't know what the instruction was, what the | 0:17:50 | 0:17:54 | |
photographer said to Dec, but he must have said, | 0:17:54 | 0:17:56 | |
"Well, you're in a gay magazine. | 0:17:56 | 0:17:58 | |
"Do something that will really appeal to the gay readership." | 0:17:58 | 0:18:03 | |
I don't want to see this! | 0:18:03 | 0:18:05 | |
LAUGHTER | 0:18:05 | 0:18:08 | |
You've just stuck your hand down your pants! | 0:18:12 | 0:18:15 | |
You look like you're just itching your hole. | 0:18:15 | 0:18:18 | |
It was like... "The boys are going to love this!" | 0:18:18 | 0:18:22 | |
Come over here, boys, I've got an itchy arse. | 0:18:22 | 0:18:26 | |
Oh, God. | 0:18:26 | 0:18:28 | |
Oh, dear. Different times. | 0:18:28 | 0:18:30 | |
-Different times. -Is that your copy, by the way? -Yes, it is. | 0:18:30 | 0:18:35 | |
I've had it since. | 0:18:35 | 0:18:37 | |
There's a lot of stuff out there. | 0:18:37 | 0:18:39 | |
If you dig deep enough, there's a lot of bad photos of us. | 0:18:39 | 0:18:42 | |
But, hey, listen. Ant and Dec, back where they belong, | 0:18:42 | 0:18:44 | |
Saturday Night Takeaway is back on ITV on the 20th of February | 0:18:44 | 0:18:48 | |
and when people come on and say, "Oh, yeah, it's bigger and better." | 0:18:48 | 0:18:52 | |
But it really is. Like, you've got this extraordinary live finale. | 0:18:52 | 0:18:56 | |
Yeah, from a cruise ship. | 0:18:56 | 0:18:58 | |
-Oh, my God. -Where will it be? -I know! Barcelona. | 0:18:58 | 0:19:02 | |
It's a cruise round the Med, cos every year we give tickets away | 0:19:02 | 0:19:05 | |
and normally the winners fly off live on the final | 0:19:05 | 0:19:08 | |
show of the series, but this year, we're doing the entire... | 0:19:08 | 0:19:11 | |
We're giving tickets away to a cruise round the Mediterranean | 0:19:11 | 0:19:13 | |
and we're doing the entire show live from a cruise ship, | 0:19:13 | 0:19:16 | |
and it's harboured in Barcelona. | 0:19:16 | 0:19:18 | |
Hopefully, there's not an E. coli outbreak. | 0:19:18 | 0:19:20 | |
-Norovirus could bring us down. -It'd be an explosive show. | 0:19:22 | 0:19:25 | |
LAUGHTER | 0:19:25 | 0:19:28 | |
That's one of the things. We're not quite sure how it's going to go. | 0:19:28 | 0:19:31 | |
-I mean, that's the idea. -And also the link could drop out. | 0:19:31 | 0:19:34 | |
Then you don't have to do it. | 0:19:34 | 0:19:35 | |
Cut a wire. | 0:19:35 | 0:19:37 | |
Not my fault! You were there. | 0:19:37 | 0:19:40 | |
Yeah, we've got no idea and it's quite exciting. | 0:19:40 | 0:19:43 | |
It's quite scary, but that's good, I think. | 0:19:43 | 0:19:45 | |
But you've got lots of the same things coming back. | 0:19:45 | 0:19:48 | |
All the favourites. Little Ant and Dec are back. | 0:19:48 | 0:19:50 | |
Little Ant and Dec Under Cover are back. | 0:19:50 | 0:19:53 | |
And also we've got a new item called "Who Shot Simon Cowell?" | 0:19:53 | 0:19:56 | |
And it's... | 0:19:56 | 0:19:59 | |
It's a weekly drama. | 0:19:59 | 0:20:00 | |
It's like a weekly four-minute drama with cliff-hangers. | 0:20:00 | 0:20:04 | |
-Because you forget we're actually actors. -Of course! | 0:20:04 | 0:20:07 | |
And it was devised by Chris Chibnall, who wrote Broadchurch. | 0:20:07 | 0:20:12 | |
Wow! | 0:20:12 | 0:20:15 | |
We asked him on the off-chance - he went, "Yeah." We went, "What?" | 0:20:15 | 0:20:18 | |
I tell you what, to save you | 0:20:18 | 0:20:20 | |
explaining any more, we've got a clip. | 0:20:20 | 0:20:22 | |
This is the beginning of the ongoing drama of "Who Shot Simon Cowell?" | 0:20:22 | 0:20:27 | |
-I think the birthday boy's about to arrive. Come on, everybody. -Come on. | 0:20:27 | 0:20:31 | |
CHEERING | 0:20:36 | 0:20:39 | |
# Happy birthday to you | 0:20:42 | 0:20:45 | |
# Happy birthday to you... # | 0:20:45 | 0:20:48 | |
That is so obvious. Second song? | 0:20:48 | 0:20:52 | |
What? | 0:20:52 | 0:20:53 | |
BULB EXPLODES | 0:20:55 | 0:20:56 | |
HE GROANS | 0:20:56 | 0:20:59 | |
Someone shot Simon Cowell! | 0:21:04 | 0:21:06 | |
We know, dear. We all saw it. | 0:21:06 | 0:21:09 | |
APPLAUSE | 0:21:09 | 0:21:15 | |
I love that Christopher Biggins has found a suit the same | 0:21:15 | 0:21:18 | |
colour as his skin. | 0:21:18 | 0:21:20 | |
LAUGHTER | 0:21:20 | 0:21:22 | |
That can't have been easy. In the shop going, "Is it...?" | 0:21:22 | 0:21:26 | |
Why is that other girl exposing her bush? | 0:21:27 | 0:21:30 | |
LAUGHTER | 0:21:30 | 0:21:32 | |
That's Sinitta, it's a long story. | 0:21:32 | 0:21:34 | |
I was going to say, trying to | 0:21:34 | 0:21:35 | |
explain Sinitta, it's very, very hard. | 0:21:35 | 0:21:38 | |
But, yeah, there's lots of people | 0:21:38 | 0:21:39 | |
who have a motive to shoot Simon Cowell. | 0:21:39 | 0:21:41 | |
Let's be honest. So that's it over the course of the series. | 0:21:41 | 0:21:44 | |
And I must mention, Wednesday the 24th, | 0:21:44 | 0:21:46 | |
back hosting the Brits for the third time. | 0:21:46 | 0:21:49 | |
-Yes. -Last year, a big success. | 0:21:49 | 0:21:52 | |
But... Well, the thing that everyone remembers about last year's Brits, | 0:21:52 | 0:21:57 | |
-you missed. -Yeah, we kind of missed it. -Yeah, Madonna falling... | 0:21:57 | 0:22:02 | |
Did you see this back in the States? | 0:22:02 | 0:22:04 | |
She was wearing a cape, and they pulled the cape | 0:22:04 | 0:22:06 | |
and it was tied too tight and it pulled her off the stage. | 0:22:06 | 0:22:09 | |
It was amazing. | 0:22:09 | 0:22:10 | |
No, I was in the audience. It was 20,000 people going... | 0:22:12 | 0:22:15 | |
We'd done our last link. | 0:22:15 | 0:22:17 | |
Our last thing was link into Madonna, we'd hit, you know, | 0:22:17 | 0:22:19 | |
we'd landed the plane, we were out of there. | 0:22:19 | 0:22:21 | |
And you know what it's like, as soon as you go, "Are you coming back? | 0:22:21 | 0:22:24 | |
"You're not coming back to me? Great." Earpiece out. | 0:22:24 | 0:22:27 | |
Microphone off. Champagne. | 0:22:27 | 0:22:28 | |
We clinked and went, "Well, that went well. That went smoothly." | 0:22:28 | 0:22:32 | |
And then there was just this gasp in the room | 0:22:32 | 0:22:35 | |
and we turned around and she was on her back. | 0:22:35 | 0:22:37 | |
We couldn't quite work out if it was part of the routine. | 0:22:37 | 0:22:40 | |
We weren't sure. I had champagne in my hand. | 0:22:40 | 0:22:42 | |
I wasn't too bothered, if I'm honest with you. | 0:22:42 | 0:22:44 | |
Went back to the dressing room, watched the news at ten, | 0:22:44 | 0:22:47 | |
and she'd fallen. | 0:22:47 | 0:22:49 | |
It was the news headline, wasn't it? | 0:22:49 | 0:22:51 | |
We got back to the room just in time for the news to start. | 0:22:51 | 0:22:54 | |
It was like, "Madonna has fallen at the Brits." | 0:22:54 | 0:22:56 | |
"Ooh, is that what happened?" | 0:22:56 | 0:22:58 | |
And Rebel Wilson, of course, you've hosted. You hosted the MTV... | 0:23:01 | 0:23:06 | |
Yeah, I tried to host and, yeah, it's really nerve-racking. | 0:23:06 | 0:23:10 | |
-Do you guys get nervous? -Yeah. | 0:23:10 | 0:23:12 | |
Yeah, I get, like, really nervous, especially when it's live. | 0:23:12 | 0:23:16 | |
And I think at MTV I did, like, a nip slip. | 0:23:16 | 0:23:20 | |
We've got some of your outfits. You did some very good outfits. | 0:23:20 | 0:23:23 | |
I call that one Iron Mangina. | 0:23:25 | 0:23:27 | |
Custom-made for the event. | 0:23:28 | 0:23:31 | |
-I think we've got your, your... -Yeah, that's the double nip slip. | 0:23:31 | 0:23:35 | |
LAUGHTER | 0:23:35 | 0:23:40 | |
I just had to, like, up the ante on the nip slip situation. | 0:23:40 | 0:23:45 | |
That's your Oscar loser face, right there. | 0:23:45 | 0:23:48 | |
-That got cut from the non-live telecasts. -Really? | 0:23:48 | 0:23:51 | |
Yeah, cos it really is live when you're doing those things, | 0:23:51 | 0:23:55 | |
but then when they replay it they cut out all the super rude bits. | 0:23:55 | 0:23:58 | |
And even a fake nipple would be too...? | 0:23:58 | 0:24:00 | |
Yeah, people thought it was real. | 0:24:00 | 0:24:03 | |
I'm a screw-up from Australia. | 0:24:03 | 0:24:05 | |
Weird stuff might have... | 0:24:05 | 0:24:07 | |
She could have been exposed to asbestos or something. | 0:24:07 | 0:24:11 | |
She's Australian. It could be a spider bite. | 0:24:12 | 0:24:15 | |
Now, ladies and gentlemen, it is Valentine's weekend, | 0:24:17 | 0:24:20 | |
and Rebel Wilson brings us the perfect film in How To Be Single. | 0:24:20 | 0:24:24 | |
It previews on the 14th and opens everywhere on the 19th, | 0:24:24 | 0:24:28 | |
so Rebel, what's it about? Who are you in this film? | 0:24:28 | 0:24:31 | |
I play Robin, she's, like, a functioning alcoholic. | 0:24:31 | 0:24:35 | |
So typecast again. | 0:24:36 | 0:24:38 | |
I'm one of the four main girls and... Oh, yeah. Getting smashed. | 0:24:39 | 0:24:45 | |
Whilst filming the scenes. | 0:24:45 | 0:24:47 | |
It was a really fun shoot. | 0:24:47 | 0:24:49 | |
I can't remember a lot. | 0:24:49 | 0:24:52 | |
But the movie basically follows myself, | 0:24:52 | 0:24:54 | |
Dakota Johnson, Leslie Mann, Alison Brie, | 0:24:54 | 0:24:56 | |
who are four single women just living it up in New York City | 0:24:56 | 0:24:59 | |
and they have very different | 0:24:59 | 0:25:01 | |
ways of dealing with the fact that they're single. | 0:25:01 | 0:25:03 | |
And you do get to kiss a lot of people in this movie. | 0:25:03 | 0:25:06 | |
-Yeah. -And is it true you got to hand pick them? | 0:25:06 | 0:25:09 | |
Oh, gee. OK, so one of the days, | 0:25:09 | 0:25:11 | |
we were filming a big nightclub sequence, where the director just | 0:25:11 | 0:25:14 | |
wanted me to randomly pash a lot of the guys on the dance floor, | 0:25:14 | 0:25:18 | |
so I got to choose which ones I wanted. | 0:25:18 | 0:25:22 | |
And it's really embarrassing, | 0:25:22 | 0:25:24 | |
because the assistant director yells out, "OK, | 0:25:24 | 0:25:27 | |
"if anybody does not want to kiss Rebel Wilson, stand over there." | 0:25:27 | 0:25:32 | |
Oh, no! | 0:25:32 | 0:25:34 | |
Only, like, three wankers went over there. | 0:25:34 | 0:25:38 | |
LAUGHTER | 0:25:38 | 0:25:40 | |
And then the rest, they were all lined up, | 0:25:40 | 0:25:43 | |
and then I had to parade down and, like, choose. | 0:25:43 | 0:25:47 | |
It was very embarrassing, and I chose, you know, a selection. | 0:25:47 | 0:25:51 | |
Different ethnicities, you know. | 0:25:51 | 0:25:54 | |
And then one African American gentlemen, who I chose, came up to | 0:25:56 | 0:26:00 | |
me at the end of the day, and said, | 0:26:00 | 0:26:03 | |
"I just want you to know that you've really changed my life." | 0:26:03 | 0:26:07 | |
And I was like... | 0:26:07 | 0:26:09 | |
I mean, at first I was a bit freaked out, because I was like, | 0:26:09 | 0:26:12 | |
"Were you gay and then now I've turned you?" | 0:26:12 | 0:26:15 | |
LAUGHTER | 0:26:15 | 0:26:17 | |
Or, you know, "Did you have some | 0:26:17 | 0:26:19 | |
"disease and you've passed it on to me? | 0:26:19 | 0:26:23 | |
"Now I'm going to sue you and your life's really going to be changed." | 0:26:23 | 0:26:27 | |
No, but really, he was just | 0:26:27 | 0:26:29 | |
so honoured out of the sea of men to have been selected. | 0:26:29 | 0:26:32 | |
-Aw. -By me and it was like, "I feel like I've done good today." | 0:26:32 | 0:26:36 | |
LAUGHTER | 0:26:36 | 0:26:39 | |
And, of course, you mentioned, one of your co-stars, | 0:26:39 | 0:26:42 | |
Dakota Johnson, and was this right after Fifty Shades of Grey? | 0:26:42 | 0:26:45 | |
Yeah, she'd just done Fifty Shades of Grey | 0:26:45 | 0:26:47 | |
and I had the day I started filming this movie, | 0:26:47 | 0:26:50 | |
Pitch Perfect 2 came out and we're really on the streets of New York | 0:26:50 | 0:26:53 | |
City, so we had, like, | 0:26:53 | 0:26:56 | |
teenage girls and late middle-aged perverts | 0:26:56 | 0:27:00 | |
coming up to us. | 0:27:00 | 0:27:03 | |
Could you see them coming? | 0:27:03 | 0:27:05 | |
-Could you kind of go, "Dakota, one of yours." -Yeah, yeah. | 0:27:05 | 0:27:08 | |
The guy holding the flower. | 0:27:08 | 0:27:10 | |
"Dakotes, that's for you." | 0:27:10 | 0:27:13 | |
-And masking tape. -Yeah. | 0:27:13 | 0:27:15 | |
Our clip is your character giving | 0:27:19 | 0:27:22 | |
Dakota some tips on how to text boys. | 0:27:22 | 0:27:25 | |
If Tom texts you, which he won't cos it's still daylight, | 0:27:25 | 0:27:28 | |
-wait four hours to respond. -I was not even thinking about Tom. | 0:27:28 | 0:27:31 | |
Anything sooner implies that you're needy and really co-dependent | 0:27:31 | 0:27:34 | |
and incapable of a simple hook-up, which is all he's good for. | 0:27:34 | 0:27:37 | |
I think that I could be actually, like, a good... | 0:27:37 | 0:27:39 | |
And when you respond, do not respond in full sentences, | 0:27:39 | 0:27:41 | |
and if you use an emoji, I will tit punch you. | 0:27:41 | 0:27:43 | |
-Fine. -Fine. | 0:27:43 | 0:27:45 | |
PHONE BUZZES | 0:27:45 | 0:27:47 | |
-No, no! Oh, no! -You can have this back at the end of the day. | 0:27:54 | 0:27:58 | |
An emoji! | 0:28:00 | 0:28:02 | |
LAUGHTER | 0:28:02 | 0:28:04 | |
APPLAUSE | 0:28:04 | 0:28:08 | |
Fifty Shades of Grey all over again! | 0:28:11 | 0:28:13 | |
That girl cannot catch a break. | 0:28:13 | 0:28:15 | |
And I really did connect with her tit. | 0:28:15 | 0:28:19 | |
I didn't mean to. | 0:28:19 | 0:28:21 | |
You know, cos you do it about five or six times, | 0:28:21 | 0:28:23 | |
and five out of the six I didn't connect. | 0:28:23 | 0:28:26 | |
One out of the six it was just like right on the nipple. | 0:28:26 | 0:28:29 | |
Yeah. | 0:28:29 | 0:28:31 | |
Now, the film has lots of kind of advice on dating | 0:28:31 | 0:28:33 | |
and how to navigate dating and some of the rules I was aware of. | 0:28:33 | 0:28:38 | |
There were some I... | 0:28:38 | 0:28:39 | |
So I was not aware of this. Explain dick sand. | 0:28:39 | 0:28:44 | |
OK. Dick sand is where a girl meets a guy and she kind of | 0:28:44 | 0:28:49 | |
-loses herself cos she falls into his dick sand. -Oh, yeah. | 0:28:49 | 0:28:53 | |
What? | 0:28:53 | 0:28:55 | |
-See, Julianne knows. -It's like quicksand. | 0:28:55 | 0:28:58 | |
-Exactly, but it's dick sand. -With dicks. -You got it. | 0:28:58 | 0:29:02 | |
LAUGHTER | 0:29:02 | 0:29:05 | |
You said that out loud. | 0:29:05 | 0:29:07 | |
You weren't just thinking that. You said it. | 0:29:08 | 0:29:11 | |
"Oh, it's like quicksand, but with a... Oh..." | 0:29:11 | 0:29:14 | |
-Clever! -You girls. | 0:29:16 | 0:29:18 | |
No, but you see it happen with girls all the time. | 0:29:18 | 0:29:21 | |
They, like, just become part of the relationship and lose who they | 0:29:21 | 0:29:26 | |
are and that's really what happens to Dakota's character in the film. | 0:29:26 | 0:29:29 | |
But doesn't that happen to boys as well? | 0:29:29 | 0:29:31 | |
-Don't boys get lost in their girlfriends? -In the vadge pond. | 0:29:31 | 0:29:34 | |
LAUGHTER | 0:29:34 | 0:29:37 | |
Well, I can tell you, | 0:29:37 | 0:29:38 | |
we spent hours trying to think what they'd call that. | 0:29:38 | 0:29:41 | |
We got men get lose in the labia-rinth. | 0:29:43 | 0:29:46 | |
Oh, yeah! | 0:29:46 | 0:29:49 | |
That's good. Yeah. I say "we", but I didn't come up with it. | 0:29:49 | 0:29:53 | |
But I did think, "Ooh, that's very good. I'll have it." | 0:29:53 | 0:29:56 | |
"I'll say that on the show and appear clever." | 0:29:56 | 0:29:59 | |
-And Ant and Dec, obviously, both married now. -Yeah. | 0:29:59 | 0:30:02 | |
-You just got married last year, wasn't it? -Last year, August, yeah. | 0:30:02 | 0:30:05 | |
-Congratulations. -Thank you. -And now... | 0:30:05 | 0:30:07 | |
-Ant? -Yep? -You are married, | 0:30:07 | 0:30:09 | |
but I do think, | 0:30:09 | 0:30:11 | |
-how the hell does your wife put up with you? -I think this! Yeah! | 0:30:11 | 0:30:15 | |
Like, "..and happily married." Why? | 0:30:15 | 0:30:18 | |
Tell them, tell them. You know the story. This is so mean. | 0:30:18 | 0:30:22 | |
-This is such a mean prank. -Yeah, we were a lot younger. | 0:30:22 | 0:30:24 | |
So, I've been with my wife...we've been married ten years this year. | 0:30:24 | 0:30:27 | |
We've been together about 20 years. | 0:30:27 | 0:30:29 | |
When we first started getting together, | 0:30:29 | 0:30:32 | |
we shared a flat in London, in Fulham. | 0:30:32 | 0:30:35 | |
And I thought it would be hilarious one night, | 0:30:35 | 0:30:37 | |
we'd been out for a drink or something, | 0:30:37 | 0:30:39 | |
she was in the flat on her own and I said, "Wouldn't it be funny | 0:30:39 | 0:30:42 | |
"if you pretended to be me and get | 0:30:42 | 0:30:43 | |
"into bed with her and then see what the reaction is." | 0:30:43 | 0:30:46 | |
-That's like what happened on my soap opera. -Yes, yes! | 0:30:46 | 0:30:50 | |
-It is true. -So I was like, "Well, I'm game." | 0:30:50 | 0:30:52 | |
LAUGHTER | 0:30:52 | 0:30:55 | |
-Sounds funny to me! -"How long are you going to be?" | 0:30:55 | 0:30:58 | |
No, so he was like, "What would you normally say?" | 0:30:59 | 0:31:02 | |
I said, "Hiya, pet", | 0:31:02 | 0:31:04 | |
or "hi, babe", and he'd practise it with a deep voice. | 0:31:04 | 0:31:07 | |
I said, "A bit deeper than that." | 0:31:07 | 0:31:08 | |
I said, "I'm quite clumsy around the bedroom, | 0:31:08 | 0:31:10 | |
"so just make sure you bang into some things." | 0:31:10 | 0:31:12 | |
And then, when he got into bed, I'd leave it a minute or two, | 0:31:12 | 0:31:15 | |
then open the door, put the light on and go, | 0:31:15 | 0:31:17 | |
"what the bloody hell's going on here?" | 0:31:17 | 0:31:19 | |
Absolutely hated the guy. Didn't find it funny at all. | 0:31:19 | 0:31:22 | |
Still hasn't forgive us. So, yeah, I do wonder how she puts up with me. | 0:31:22 | 0:31:25 | |
-There's a few of them, actually. -I just love the fact that you thought | 0:31:25 | 0:31:28 | |
-that was going to be funny in -any way. I know! | 0:31:28 | 0:31:30 | |
It's true. It's true. | 0:31:32 | 0:31:33 | |
I put a wig in the bed once and then pillows and pretended it was me, | 0:31:33 | 0:31:37 | |
and jumped out the window, went along the balcony and then watched | 0:31:37 | 0:31:40 | |
her go to bed, put her nightie on, | 0:31:40 | 0:31:43 | |
get in the bed, go to cuddle and... | 0:31:43 | 0:31:45 | |
"OH, MY..." | 0:31:45 | 0:31:47 | |
That is better. Yeah, yeah. | 0:31:47 | 0:31:49 | |
I've learned now, I don't do that kind of stuff. As much. | 0:31:49 | 0:31:52 | |
Have you got big Valentine's weekend plans? | 0:31:52 | 0:31:55 | |
-We're working on Valentine's Day. -Handy! | 0:31:55 | 0:31:58 | |
LAUGHTER | 0:31:58 | 0:32:00 | |
Worryingly, my wife is actually our manager, so she controls the diary, | 0:32:00 | 0:32:03 | |
so she obviously doesn't want to go out with me on Valentine's Day. | 0:32:03 | 0:32:06 | |
She's put me to work! | 0:32:06 | 0:32:09 | |
And Julianne, what are you doing? | 0:32:09 | 0:32:11 | |
The BAFTAs. The BAFTAs are always on Valentine's Day. | 0:32:11 | 0:32:13 | |
-Are they always? -What does that mean? Yeah, they're always | 0:32:13 | 0:32:16 | |
-on Valentine's Day. -Oh! -Yeah, so I'll be there. -Plans? | 0:32:16 | 0:32:19 | |
-I'll be at the BAFTAs as well. -Yeah. -Yeah. | 0:32:19 | 0:32:21 | |
Just looking for love. | 0:32:21 | 0:32:22 | |
LAUGHTER | 0:32:22 | 0:32:25 | |
Idris Elba. | 0:32:25 | 0:32:27 | |
LAUGHTER AND APPLAUSE | 0:32:30 | 0:32:32 | |
OK! | 0:32:36 | 0:32:37 | |
It's time for music. | 0:32:37 | 0:32:39 | |
Now, this group are the hottest girl band in the world right now. | 0:32:39 | 0:32:42 | |
They've already sold over 12 million records | 0:32:42 | 0:32:45 | |
and now have two BRIT Award nominations. | 0:32:45 | 0:32:48 | |
Here performing Secret Love Song with Jason Derulo, | 0:32:48 | 0:32:50 | |
please welcome the Little Mix! | 0:32:50 | 0:32:52 | |
CHEERING AND APPLAUSE | 0:32:52 | 0:32:54 | |
# When you hold me in the street | 0:32:57 | 0:33:01 | |
# And you kiss me on the dance floor | 0:33:01 | 0:33:05 | |
# I wish that it could be like that | 0:33:06 | 0:33:09 | |
# Why can't it be like that? | 0:33:09 | 0:33:12 | |
# Cos I'm yours | 0:33:12 | 0:33:15 | |
# We keep behind closed doors | 0:33:18 | 0:33:21 | |
# Every time I see you I die a little more | 0:33:21 | 0:33:26 | |
# Stolen moments that we steal as the curtain falls | 0:33:26 | 0:33:32 | |
# It'll never be enough | 0:33:32 | 0:33:35 | |
# But we know this | 0:33:38 | 0:33:41 | |
# We got a love that is hopeless | 0:33:41 | 0:33:45 | |
# Why can't you hold me in the street? | 0:33:48 | 0:33:52 | |
# Why can't I kiss you on the dance floor? | 0:33:52 | 0:33:56 | |
# I wish that it could be like that | 0:33:58 | 0:34:01 | |
# Why can't we be like that? | 0:34:01 | 0:34:03 | |
# Cos I'm yours... # | 0:34:03 | 0:34:07 | |
Please welcome to the stage, Jason Derulo! | 0:34:09 | 0:34:11 | |
CHEERING AND APPLAUSE | 0:34:11 | 0:34:13 | |
# When you're with him do you call his name? | 0:34:15 | 0:34:18 | |
# Like you do when you're with me? Does it feel the same? | 0:34:18 | 0:34:24 | |
# Would you leave if I was ready to settle down? | 0:34:24 | 0:34:29 | |
# Or would you play it safe and stay? | 0:34:29 | 0:34:34 | |
# Girl you know this | 0:34:35 | 0:34:38 | |
# We've got a love that is hopeless | 0:34:38 | 0:34:42 | |
# Why can't you hold me in the street? | 0:34:45 | 0:34:49 | |
# Why can't I kiss you on the dance floor? | 0:34:49 | 0:34:53 | |
# I wish that it could be like that | 0:34:55 | 0:34:57 | |
# Why can't we be like that? | 0:34:57 | 0:35:00 | |
# Cos I'm yours | 0:35:00 | 0:35:03 | |
# And nobody knows I'm in love with someone's baby | 0:35:06 | 0:35:09 | |
# I don't wanna hide us away | 0:35:09 | 0:35:12 | |
# Tell the world about the love we making | 0:35:12 | 0:35:15 | |
# I'm living for that day | 0:35:15 | 0:35:19 | |
# Someday | 0:35:19 | 0:35:22 | |
# Can I hold you in the street? | 0:35:24 | 0:35:28 | |
# Can I kiss you on the dance floor? | 0:35:28 | 0:35:32 | |
# I wish that we could be like that | 0:35:34 | 0:35:37 | |
# Why can't we be like that? | 0:35:37 | 0:35:39 | |
# Cos I'm yours | 0:35:39 | 0:35:41 | |
# I'm yours | 0:35:41 | 0:35:44 | |
# Oh, why can't you hold me in the street? | 0:35:46 | 0:35:51 | |
# Why can't I kiss you on the dance floor? | 0:35:51 | 0:35:56 | |
# I wish that it could be like that | 0:35:56 | 0:36:00 | |
# Why can't it be like that? | 0:36:00 | 0:36:02 | |
# Cos I'm yours | 0:36:02 | 0:36:06 | |
# Why can't I say that I'm in love? | 0:36:08 | 0:36:11 | |
# I wanna shout it from the rooftops | 0:36:11 | 0:36:15 | |
# I wish that it could be like that | 0:36:18 | 0:36:20 | |
# Why can't we be like that? | 0:36:20 | 0:36:23 | |
# Cos I'm yours | 0:36:23 | 0:36:27 | |
# Why can't we be like that? | 0:36:31 | 0:36:34 | |
# Wish we could be like that. # | 0:36:34 | 0:36:38 | |
CHEERING AND APPLAUSE | 0:36:43 | 0:36:46 | |
Little Mix, everyone! Great job! And Mr Derulo! | 0:36:48 | 0:36:51 | |
And Little Mix, come up and see us, do. | 0:36:51 | 0:36:53 | |
Come and see us! There we go! | 0:36:55 | 0:36:57 | |
Up, up, there you go. Welcome to the show. | 0:37:00 | 0:37:02 | |
Hello, darling. Welcome. And welcome. And welcome. | 0:37:02 | 0:37:06 | |
Little Mix! | 0:37:06 | 0:37:09 | |
Great job. | 0:37:09 | 0:37:11 | |
CHEERING AND APPLAUSE | 0:37:11 | 0:37:13 | |
Hello, hello, hello, hello. | 0:37:13 | 0:37:16 | |
Oh, It's like a reception line at a wedding. | 0:37:18 | 0:37:24 | |
Yes, shove up, shove up. | 0:37:24 | 0:37:26 | |
Two and two. There you go, lovely, lovely. | 0:37:26 | 0:37:30 | |
Thank you so much for coming, and what a nice surprise, Jason Derulo. | 0:37:30 | 0:37:34 | |
CHEERING | 0:37:34 | 0:37:35 | |
-That was very... -There's a spot for Jason here... | 0:37:35 | 0:37:39 | |
LAUGHTER | 0:37:39 | 0:37:44 | |
And of course that single is from the album, Get Weird, | 0:37:48 | 0:37:51 | |
which is out now. You know what? | 0:37:51 | 0:37:53 | |
Here is a thing, people don't make enough fuss of Little Mix. | 0:37:53 | 0:37:56 | |
ALL: Aaaw! | 0:37:56 | 0:37:58 | |
No, they don't. | 0:37:58 | 0:37:59 | |
Because that album, it outsold One Direction last year. | 0:37:59 | 0:38:02 | |
I mean, Little Mix are a big deal. | 0:38:02 | 0:38:04 | |
CHEERING AND APPLAUSE | 0:38:04 | 0:38:08 | |
Now, album, very, very good, but, and I will spare your blushes, | 0:38:08 | 0:38:12 | |
but ladies, this album, it is a little bit raunchy. | 0:38:12 | 0:38:16 | |
A little bit. Yes, we got a bit older with the lyrics. | 0:38:16 | 0:38:18 | |
-But some we had to change cos the label wasn't too happy. -Yes. | 0:38:18 | 0:38:22 | |
-For instance, A-D-I-D-A-S is not a song about sportswear. -No. | 0:38:22 | 0:38:26 | |
-Not quite. -What is it about? -Sex. -There, she said it! | 0:38:26 | 0:38:31 | |
Out of her young mouth, came that disgusting word(!) | 0:38:31 | 0:38:36 | |
-"All I do..." -"All day I dream about ... with you." | 0:38:36 | 0:38:41 | |
-Oh, do you? Well, I'd no idea! -With him? | 0:38:41 | 0:38:44 | |
I think you're barking up the wrong tree there. | 0:38:44 | 0:38:48 | |
Yeah! It may remain a dream! | 0:38:48 | 0:38:49 | |
APPLAUSE | 0:38:49 | 0:38:53 | |
We should say, by the way, tour, starting 13th March in Cardiff, | 0:38:53 | 0:38:57 | |
and then it culminates in, who knew? | 0:38:57 | 0:38:59 | |
Sheffield Arena. Sheffield has an arena. | 0:38:59 | 0:39:01 | |
And you are going to be in it. On 23 April. | 0:39:01 | 0:39:05 | |
-Yes. -And we should just say, not just nominated for two Brit awards, | 0:39:05 | 0:39:09 | |
good luck with them, | 0:39:09 | 0:39:10 | |
but you have joined an amazing list of acts on the night. | 0:39:10 | 0:39:14 | |
Yes, we are absolutely crapping ourselves. | 0:39:14 | 0:39:17 | |
-Well that's good to know. -You guys are doing it as well, aren't you? | 0:39:17 | 0:39:24 | |
I know, it is scary. Rihanna, Justin Bieber, Adele, it is huge for us. | 0:39:24 | 0:39:29 | |
Yes, it is great. It's going to be a good night. | 0:39:29 | 0:39:31 | |
What are you doing, what are you doing? | 0:39:31 | 0:39:33 | |
We can't actually say what song we are doing. | 0:39:33 | 0:39:35 | |
-I know! -I'll tell you! -I'll tell you later, yeah. | 0:39:35 | 0:39:38 | |
-I mean, presumably you are going all bells and whistles? -Literally. | 0:39:38 | 0:39:42 | |
-We've got kneepads, sticks... -Well! | 0:39:42 | 0:39:46 | |
You're really selling it, ladies(!) | 0:39:46 | 0:39:49 | |
You've really pushed the boat out there(!) | 0:39:49 | 0:39:51 | |
Kneepads, sticks, bells, and whistles. Well! | 0:39:51 | 0:39:55 | |
That's the end of the show right there. That is it. | 0:39:57 | 0:40:00 | |
Listen, good luck, thank you for coming, | 0:40:00 | 0:40:02 | |
and best of luck at the Brits, with the nominations. | 0:40:02 | 0:40:04 | |
Little Mix, everybody! CHEERING AND APPLAUSE | 0:40:04 | 0:40:08 | |
Just before we go we do have time for a visitor to the big red chair. | 0:40:10 | 0:40:14 | |
-So let's see who is there. Hello? -Hello. -Hi. -Hi. | 0:40:14 | 0:40:17 | |
I just... LAUGHTER AND APPLAUSE | 0:40:17 | 0:40:21 | |
APPLAUSE DROWNS SPEECH | 0:40:21 | 0:40:25 | |
Just not in the mood! LAUGHTER | 0:40:25 | 0:40:29 | |
That could have been the best story in the world, but there was something, | 0:40:29 | 0:40:33 | |
it was all put together, something, in the way she spoke, | 0:40:33 | 0:40:35 | |
and I thought, this might not be a real person. | 0:40:35 | 0:40:38 | |
-If anyone is willing, we'll have one more. One more. Hello. -Hello! | 0:40:38 | 0:40:43 | |
-Hi, what's your name? -Amy. -Amy, lovely. And what do you do, Amy? | 0:40:43 | 0:40:47 | |
I work in pharmaceuticals. | 0:40:47 | 0:40:49 | |
-It does make me laugh that you have blended into that chair. -I know! | 0:40:49 | 0:40:52 | |
-It's quite well done. -Just a necklace and a head. | 0:40:52 | 0:40:56 | |
It is the opposite of Chris Biggins. | 0:40:56 | 0:40:58 | |
All right, Amy, off you go with your story. | 0:41:00 | 0:41:03 | |
OK, so it was just before Christmas, | 0:41:03 | 0:41:05 | |
my boyfriend and I went to Amsterdam, | 0:41:05 | 0:41:07 | |
and while we were in Amsterdam he said to me | 0:41:07 | 0:41:10 | |
that he had heard his friends say there was this really good bar | 0:41:10 | 0:41:14 | |
where you go and a girl would write you a postcard | 0:41:14 | 0:41:17 | |
using her downstairs area. | 0:41:17 | 0:41:19 | |
So he thought this would be really fun... | 0:41:19 | 0:41:23 | |
LAUGHTER Sorry, just before Christmas? | 0:41:23 | 0:41:26 | |
You could bring in all your cards, couldn't you? Save some time! | 0:41:26 | 0:41:31 | |
So I thought, why not? | 0:41:31 | 0:41:33 | |
So we went to this bar, and we walked in the door | 0:41:33 | 0:41:35 | |
and we had to pay to get in, obviously, | 0:41:35 | 0:41:37 | |
and unfortunately they did not take Amex, | 0:41:37 | 0:41:40 | |
which was his credit card, so I had to fork out 100 euros | 0:41:40 | 0:41:43 | |
to get into this place, | 0:41:43 | 0:41:45 | |
so we go upstairs, we meet all these lovely ladies, | 0:41:45 | 0:41:48 | |
and it turns out we have to give them even more money, | 0:41:48 | 0:41:51 | |
and then it transpires that we can't just get the postcard, | 0:41:51 | 0:41:56 | |
we have to buy a package of products. | 0:41:56 | 0:41:59 | |
So I didn't sign up for this, but Steve was like, | 0:41:59 | 0:42:03 | |
"I really, really want this postcard." | 0:42:03 | 0:42:05 | |
So I was like, OK, we'll do this. | 0:42:05 | 0:42:07 | |
LAUGHTER OK, I need to know this right now. | 0:42:07 | 0:42:10 | |
-Are you still with this man? -Yeah. -OK! | 0:42:10 | 0:42:15 | |
So anyway, so we paid her some more money | 0:42:17 | 0:42:20 | |
and then what happens is, I just think Steve is going to do | 0:42:20 | 0:42:23 | |
all this stuff, but then the woman is like, | 0:42:23 | 0:42:25 | |
"No, you have to do that as well." | 0:42:25 | 0:42:27 | |
-So I ended up... -You had to write? | 0:42:27 | 0:42:29 | |
No, no, I didn't write the postcard. | 0:42:29 | 0:42:32 | |
LAUGHTER | 0:42:32 | 0:42:33 | |
If you can do that, you can walk! | 0:42:33 | 0:42:35 | |
-Here's a pen(!) -Has anybody got a sharpener? | 0:42:38 | 0:42:41 | |
No, I definitely didn't do that. | 0:42:42 | 0:42:44 | |
OK, so, Amy, you have to do something, yes? | 0:42:44 | 0:42:47 | |
She made me massage her boobs, and her bum, | 0:42:47 | 0:42:50 | |
yes, it was pretty traumatic for me. | 0:42:50 | 0:42:53 | |
Have you got the address of this place? | 0:42:53 | 0:42:56 | |
I think she has got it written down somewhere. | 0:42:56 | 0:42:58 | |
LAUGHTER AND APPLAUSE | 0:42:58 | 0:43:01 | |
Then Steve had to do the same, thankfully, but, yeah, | 0:43:04 | 0:43:08 | |
we did get our postcard, and it is now on our fridge at home. | 0:43:08 | 0:43:11 | |
-So there's our story. -I think she deserves to walk. -Yes. | 0:43:11 | 0:43:14 | |
Walk, walk, Amy, go on. CHEERING AND APPLAUSE | 0:43:14 | 0:43:19 | |
Well, then, everyone. | 0:43:19 | 0:43:21 | |
If you'd like to join us on the show you can contact us | 0:43:21 | 0:43:24 | |
via our website at this address: | 0:43:24 | 0:43:26 | |
That is it for tonight. | 0:43:26 | 0:43:28 | |
Please say a huge thank you to my guests, Little Mix! | 0:43:28 | 0:43:30 | |
CHEERING AND APPLAUSE | 0:43:30 | 0:43:33 | |
Rebel Wilson! | 0:43:33 | 0:43:35 | |
CHEERING AND APPLAUSE | 0:43:35 | 0:43:36 | |
Ant and Dec! | 0:43:36 | 0:43:38 | |
CHEERING AND APPLAUSE | 0:43:38 | 0:43:40 | |
And Julianne Moore! | 0:43:40 | 0:43:41 | |
CHEERING AND APPLAUSE | 0:43:41 | 0:43:43 | |
We are taking a short break but we will be back later in March. | 0:43:43 | 0:43:47 | |
Meanwhile, do join me next week for a special look back | 0:43:47 | 0:43:50 | |
at some of the highlights from this series. | 0:43:50 | 0:43:52 | |
I'll see you then, goodnight everybody, bye-bye. | 0:43:52 | 0:43:55 |