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MUSIC: Don't You Want Me by The Human League | 0:00:02 | 0:00:05 | |
Tonight on the show - | 0:00:05 | 0:00:08 | |
one rock legend, four Hollywood stars, | 0:00:08 | 0:00:10 | |
including the man who invented Blue Steel. Can you do it? | 0:00:10 | 0:00:14 | |
Oohh! | 0:00:15 | 0:00:17 | |
Let's start the show. | 0:00:17 | 0:00:19 | |
Oh! Oh! It's me! Oh! | 0:00:35 | 0:00:39 | |
This is it! This is it, this is the show! | 0:00:39 | 0:00:42 | |
Good evening, one, good evening, all. | 0:00:42 | 0:00:44 | |
This show is so hot right now. It is so hot right now. | 0:00:44 | 0:00:48 | |
Do you feel it, do you feel it? | 0:00:48 | 0:00:49 | |
You're so hot right now. You're so hot right now. | 0:00:49 | 0:00:52 | |
Have a drink. | 0:00:52 | 0:00:53 | |
We'll talk. Yes, the stars of Zoolander 2 are here tonight - | 0:00:53 | 0:00:57 | |
Ben Stiller, Penelope Cruz and Owen Wilson will be joining us, | 0:00:57 | 0:01:00 | |
yes, they will. | 0:01:00 | 0:01:02 | |
CHEERING AND APPLAUSE | 0:01:02 | 0:01:04 | |
They will be arriving fashionably late from the big premiere. | 0:01:04 | 0:01:08 | |
Oh, Magnum! | 0:01:08 | 0:01:09 | |
LAUGHTER | 0:01:09 | 0:01:11 | |
Let's get our first guest on. | 0:01:11 | 0:01:14 | |
APPLAUSE | 0:01:14 | 0:01:16 | |
This man's movies have made over 3.5 billion worldwide, | 0:01:16 | 0:01:20 | |
he's the comedy powerhouse behind School Of Rock, Kung Fu Panda | 0:01:20 | 0:01:24 | |
and Tropic Thunder and now he's giving us Goosebumps | 0:01:24 | 0:01:27 | |
in his latest movie. Please welcome Mr Jack Black! | 0:01:27 | 0:01:30 | |
CHEERING AND APPLAUSE | 0:01:30 | 0:01:34 | |
Hello! How are you? | 0:01:34 | 0:01:37 | |
Very nice to see you. | 0:01:37 | 0:01:38 | |
I didnt know, 3.5 billion! | 0:01:38 | 0:01:42 | |
You're rich. You're very, very rich. | 0:01:42 | 0:01:45 | |
And in a career spanning five decades, | 0:01:45 | 0:01:48 | |
this musical icon has sold over 250 million albums worldwide | 0:01:48 | 0:01:52 | |
and along the way collected a Tony, an Oscar and five Grammys. | 0:01:52 | 0:01:56 | |
He's back with his 33rd album, Wonderful Crazy Night - | 0:01:56 | 0:01:59 | |
it is the Rocket Man himself, Sir Elton John, everybody! | 0:01:59 | 0:02:02 | |
CHEERING AND APPLAUSE | 0:02:02 | 0:02:04 | |
MUSIC: Rocket Man by Elton John | 0:02:04 | 0:02:07 | |
It's impressive, it's impressive. | 0:02:07 | 0:02:10 | |
DROWNED OUT BY APPLAUSE | 0:02:10 | 0:02:12 | |
Welcome, gentlemen. You both well? | 0:02:19 | 0:02:20 | |
Yeah. I didn't have time to change, sorry. | 0:02:20 | 0:02:24 | |
-You just left the house. -Yeah. -You look lovely. | 0:02:24 | 0:02:26 | |
Looking at Elton's outfit and every inch of you | 0:02:26 | 0:02:31 | |
has another amazing moment. | 0:02:31 | 0:02:34 | |
Right here, the crown. | 0:02:34 | 0:02:36 | |
Down the leg, the golden bedazzlement. But then the shoes! | 0:02:36 | 0:02:41 | |
-The man who made the shoes is in the audience. -Oh, really? | 0:02:41 | 0:02:44 | |
CHEERING AND APPLAUSE | 0:02:44 | 0:02:46 | |
-Where are you, Patrick? -He's over there. | 0:02:46 | 0:02:49 | |
Patrick Cox is one of the greatest shoemakers in the world. | 0:02:49 | 0:02:53 | |
-Ever heard of the Wannabe shoe? -No. | 0:02:53 | 0:02:56 | |
It was a huge shoe and Patrick invented it. | 0:02:56 | 0:03:00 | |
He has made all my stage shoes. He's a great cobbler. | 0:03:00 | 0:03:04 | |
Also, Cox is one of my favourite words. | 0:03:04 | 0:03:06 | |
LAUGHTER AND APPLAUSE | 0:03:06 | 0:03:09 | |
Jack Black, you are a proper Elton John fan. | 0:03:13 | 0:03:15 | |
I am. From the beginning I've been obsessed. | 0:03:15 | 0:03:20 | |
I kind of wish I was Elton John. | 0:03:20 | 0:03:23 | |
To sing like that... | 0:03:23 | 0:03:25 | |
I read in an interview, the whole interview they kept asking you | 0:03:25 | 0:03:29 | |
questions and all you could do was sing an Elton John song | 0:03:29 | 0:03:32 | |
that you couldn't remember. | 0:03:32 | 0:03:34 | |
Well, I have trouble remembering lyrics just in general. | 0:03:34 | 0:03:38 | |
I remember jams, I remember the tunes. | 0:03:38 | 0:03:41 | |
Do you remember the one you did that goes like... | 0:03:41 | 0:03:44 | |
It's just you singing and piano... | 0:03:44 | 0:03:46 | |
HE SINGS INCOMPREHENSIBLY | 0:03:46 | 0:03:50 | |
LAUGHTER AND APPLAUSE | 0:03:54 | 0:03:57 | |
Wait, this part... | 0:03:57 | 0:03:59 | |
HE SINGS INCOMPREHENSIBLY | 0:03:59 | 0:04:00 | |
# With a one-eyed danger zone | 0:04:00 | 0:04:03 | |
# Take me to the... # | 0:04:03 | 0:04:04 | |
-HE SINGS INCOMPREHENSIBLY -Oh, yeah! | 0:04:04 | 0:04:06 | |
Got you now. | 0:04:06 | 0:04:08 | |
-Take Me To The pilot! -So good. | 0:04:08 | 0:04:10 | |
This guy is great. | 0:04:10 | 0:04:12 | |
I mean, you've all seen School Of Rock, anyway. | 0:04:12 | 0:04:15 | |
This guy is a real music guy, so I love him. | 0:04:15 | 0:04:17 | |
# Take me to the pilot... # | 0:04:17 | 0:04:20 | |
GRAHAM LAUGHS | 0:04:20 | 0:04:23 | |
-I want to get to the hook. -Here's the thing, Jack Black, | 0:04:23 | 0:04:25 | |
you've just got back from - is it Korea you were in? | 0:04:25 | 0:04:28 | |
-I was in Korea and China, yeah. -Doing Kung Fu Panda? | 0:04:28 | 0:04:31 | |
We were doing Kung Fu Panda promotion, yeah. | 0:04:31 | 0:04:34 | |
-It does seem odd because it's a cartoon. -Yeah. | 0:04:34 | 0:04:37 | |
HE LAUGHS | 0:04:37 | 0:04:38 | |
I know where you're going - it's not my voice, they got a Chinese person | 0:04:38 | 0:04:42 | |
doing the voice, it's not my face, it's a cartoon - why am I there? | 0:04:42 | 0:04:46 | |
-Kind of, yeah. -OK, well... | 0:04:46 | 0:04:48 | |
Because I think it helps to have a bona fide Hollywood legend there. | 0:04:48 | 0:04:54 | |
And then I do a high-five to the Chinese actor and I pass the torch. | 0:04:54 | 0:04:58 | |
And I don't know why I'm there! | 0:04:58 | 0:05:01 | |
It was a fun trip. | 0:05:01 | 0:05:04 | |
Have your children seen Kung Fu Panda? | 0:05:04 | 0:05:07 | |
I went to the first one and took my godson, Brooklyn Beckham | 0:05:07 | 0:05:11 | |
and all of the Beckham boys. | 0:05:11 | 0:05:14 | |
We went to the Cinerama Dome in Hollywood on Sunset Boulevard | 0:05:14 | 0:05:18 | |
and we had a blast. | 0:05:18 | 0:05:20 | |
They were in the back of the car. There's Romeo, Cruz and Brooklyn. | 0:05:20 | 0:05:25 | |
And they said, "Uncle Elton" I said, "Yes?" | 0:05:25 | 0:05:28 | |
"You write songs, don't you?" I went, "Yeah." | 0:05:28 | 0:05:31 | |
They said, "Sing us one." | 0:05:31 | 0:05:32 | |
LAUGHTER | 0:05:32 | 0:05:35 | |
What do you do? | 0:05:35 | 0:05:37 | |
"You wrote The Lion King? Oh, that's great. Sing Circle Of Life." | 0:05:37 | 0:05:41 | |
It was fantastic and the film was great. | 0:05:41 | 0:05:45 | |
And it was just a great experience, it's such a fun movie. | 0:05:45 | 0:05:49 | |
They are brilliant movies. | 0:05:49 | 0:05:51 | |
Now, the new album, Wonderful Crazy Night, | 0:05:51 | 0:05:54 | |
it's out today. | 0:05:54 | 0:05:56 | |
CHEERING AND APPLAUSE | 0:05:56 | 0:06:00 | |
-You've got the big vinyl version. -Yeah. -Cos vinyl is back. Yeah! | 0:06:00 | 0:06:05 | |
Vinyl is so great. I've just started collecting it again. | 0:06:05 | 0:06:08 | |
I sold all my vinyl in 1991. | 0:06:08 | 0:06:09 | |
It was the first thing I did for the AIDS Foundation. I had so much of it | 0:06:09 | 0:06:12 | |
and I sold it all in one go to someone in St Louis. | 0:06:12 | 0:06:15 | |
And now I'm buying back all the old vinyl because it sounds better. | 0:06:15 | 0:06:20 | |
And it's the wonderful kind of process of doing it, it's the ritual | 0:06:20 | 0:06:24 | |
of getting the record, putting it on and it sounds amazing. | 0:06:24 | 0:06:27 | |
Did you call the guy in St Louis | 0:06:27 | 0:06:29 | |
-and say "I'd like to buy some of those back."? -No, I shelled out. | 0:06:29 | 0:06:32 | |
Every record I sold, I bought back. | 0:06:32 | 0:06:35 | |
Jack Black seems like the sort of person who would collect vinyl. | 0:06:35 | 0:06:38 | |
I do play vinyl. I have a limited library. | 0:06:38 | 0:06:41 | |
I like just listening to an album that way, | 0:06:41 | 0:06:44 | |
listening to a full side the way it was intended - | 0:06:44 | 0:06:47 | |
instead of piecemeal, one at a time, 99 cents. | 0:06:47 | 0:06:52 | |
Exactly, it's the ritual. The kids are rediscovering it and love it. | 0:06:52 | 0:06:55 | |
Every new artist now releases their album on vinyl. | 0:06:55 | 0:06:58 | |
-But also record signings are a thing again. -Yeah. | 0:06:58 | 0:07:01 | |
-I have a statistic here. You did a record signing this week. -Yes. | 0:07:01 | 0:07:05 | |
The last one you did was 43 years ago. | 0:07:05 | 0:07:09 | |
-That's how long vinyl... -That's when 78s were out. | 0:07:09 | 0:07:13 | |
There you are. I love these fans, it looks like they all went to the same | 0:07:13 | 0:07:17 | |
barbers and said, "I'd like a shitty '70s haircut, please." | 0:07:17 | 0:07:20 | |
LAUGHTER | 0:07:20 | 0:07:23 | |
And then, randomly, there's this person down here. Look at her! | 0:07:23 | 0:07:26 | |
LAUGHTER | 0:07:26 | 0:07:30 | |
-Was it fun to do a record signing? -It was so great. | 0:07:30 | 0:07:34 | |
And people were so great. | 0:07:34 | 0:07:35 | |
People came from New Zealand, for a record signing! | 0:07:35 | 0:07:39 | |
I mean, really amazing. | 0:07:39 | 0:07:41 | |
People came from Spain, Germany, Japan. Amazing. | 0:07:41 | 0:07:46 | |
For a record signing. It was fun. | 0:07:46 | 0:07:48 | |
And when you tour now, do you still do the thing of booking hotels | 0:07:48 | 0:07:51 | |
-under ridiculous names? -Yes, I do. | 0:07:51 | 0:07:54 | |
Tell us some of the names you've chosen over the years. | 0:07:54 | 0:07:57 | |
Um...oh, Sir Binky Poodle Clip. | 0:07:57 | 0:08:01 | |
Um... | 0:08:01 | 0:08:03 | |
There was one called Fanny Beaver Snatchclit. | 0:08:03 | 0:08:05 | |
LAUGHTER | 0:08:05 | 0:08:08 | |
Which the hotel operator wouldn't use. | 0:08:08 | 0:08:11 | |
And Sir Horace Pussy. | 0:08:11 | 0:08:14 | |
And in Las Vegas I'm usually - cos I'm at Caesars - | 0:08:14 | 0:08:17 | |
I'm Judas Fart. | 0:08:17 | 0:08:19 | |
"Judas Fart?" "No, I didn't. No." | 0:08:19 | 0:08:22 | |
LAUGHTER AND APPLAUSE | 0:08:22 | 0:08:25 | |
I get it. I get it. | 0:08:25 | 0:08:29 | |
Does Sir Horace Pussy mean something when you put it together? | 0:08:29 | 0:08:32 | |
Sir Horace Pussy? It doesn't mean anything. | 0:08:32 | 0:08:35 | |
Cos Judas Fart... I thought maybe "Sir Horace Pussy." | 0:08:35 | 0:08:39 | |
My mother had to ring and ask for Sir Horace Pussy. | 0:08:39 | 0:08:41 | |
"I can't believe you asked me to ring Sir Horace Pussy." | 0:08:41 | 0:08:45 | |
-Did she do it? -She did, yeah. | 0:08:45 | 0:08:49 | |
There was one in the Ritz Hotel in Paris where they had special | 0:08:49 | 0:08:52 | |
stationery made up. | 0:08:52 | 0:08:54 | |
So...yes, it's fun. | 0:08:54 | 0:08:57 | |
When you go on the road, it's so boring you have to do something | 0:08:57 | 0:09:00 | |
to make yourself cheerful. | 0:09:00 | 0:09:01 | |
-So every time they ring the room... -I was the Marquis of Minge. | 0:09:01 | 0:09:04 | |
LAUGHTER AND APPLAUSE | 0:09:04 | 0:09:07 | |
It said, "For the visit of the Marquis of Minge." | 0:09:10 | 0:09:13 | |
I've still got it. | 0:09:13 | 0:09:14 | |
They made the writing paper up. | 0:09:14 | 0:09:17 | |
Now, here's the thing, you are performing for us tonight, but now | 0:09:17 | 0:09:20 | |
you've been in the papers saying you're winding down the performing. | 0:09:20 | 0:09:24 | |
Is this a kind of a last chance to see... | 0:09:24 | 0:09:26 | |
do we need to hurry and book and see you? | 0:09:26 | 0:09:29 | |
Yes, I'm entering a monastery tomorrow. | 0:09:29 | 0:09:32 | |
No, I'm gradually going to wind down | 0:09:32 | 0:09:34 | |
because I want to see my boys grow up. I mean, what's the point | 0:09:34 | 0:09:37 | |
of having children unless you don't spend time with them? | 0:09:37 | 0:09:40 | |
At the moment, I see a lot of them but not enough. | 0:09:40 | 0:09:43 | |
So we're getting to the point where, in the next few years, | 0:09:43 | 0:09:47 | |
we'll be winding down and I want to see them grow up. | 0:09:47 | 0:09:50 | |
I've had so many years on the road, I've had so many concerts | 0:09:50 | 0:09:53 | |
and the most important thing in my life - our life - are our children. | 0:09:53 | 0:09:57 | |
-I don't want to leave them behind. -Yeah. Makes sense. | 0:09:57 | 0:10:01 | |
APPLAUSE And also you have that luxury. | 0:10:01 | 0:10:04 | |
It's not as if I'm in mid-career, I'm the Gracie Fields of rock. | 0:10:04 | 0:10:09 | |
No, it's... | 0:10:09 | 0:10:11 | |
They are so beautiful, so funny | 0:10:11 | 0:10:14 | |
and I don't want to miss it, I would hate to do that. | 0:10:14 | 0:10:17 | |
I want to be there for them. | 0:10:17 | 0:10:19 | |
Because you can have any hit record you want, any great tour, | 0:10:19 | 0:10:23 | |
any success in the world - | 0:10:23 | 0:10:25 | |
doesn't compare to one second with your kids. It doesn't. | 0:10:25 | 0:10:29 | |
So are you saying, Elton, you're gearing up for the farewell tour, | 0:10:29 | 0:10:33 | |
is that what's coming here? | 0:10:33 | 0:10:35 | |
-You're gearing down. -I am gearing down. -But not yet. -Not yet. | 0:10:35 | 0:10:40 | |
I'm not old enough quite yet. | 0:10:40 | 0:10:43 | |
But when you announce that, then the people - | 0:10:43 | 0:10:45 | |
the people are flocking to you, anyway. | 0:10:45 | 0:10:47 | |
If you said it's the farewell tour, then everyone... | 0:10:47 | 0:10:50 | |
-There will be a time when that will happen. -Wow. | 0:10:50 | 0:10:53 | |
Are you teaching the little ones how to tickle the ivories? | 0:10:53 | 0:10:56 | |
I'm not teaching them but Zachary takes piano lessons - | 0:10:56 | 0:10:58 | |
nothing to do with me - that's my eldest. | 0:10:58 | 0:11:00 | |
It's only because the girl who lives at the house on the grounds, | 0:11:00 | 0:11:05 | |
-he loves her and she takes piano lessons and so he wants to. -Yeah. | 0:11:05 | 0:11:10 | |
-So they can do it together. It's a budding romance thing. -Aw! | 0:11:10 | 0:11:13 | |
Everybody is fascinated on the idea of Elton John | 0:11:13 | 0:11:17 | |
being this hands-on dad. Like, you do the school run at home. | 0:11:17 | 0:11:21 | |
I do the school run, of course I do. | 0:11:21 | 0:11:23 | |
On Saturdays, our ritual is we go to Pizza Hut in Windsor for lunch, | 0:11:23 | 0:11:28 | |
then David and I take them to Waterstones and buy them a book. | 0:11:28 | 0:11:31 | |
They get to choose one thing they can have as a treat, | 0:11:31 | 0:11:34 | |
like a Lego thing. We walk round the town, come home, | 0:11:34 | 0:11:38 | |
they have an ice cream and a balloon, maybe. | 0:11:38 | 0:11:41 | |
Yeah, of course, that's what kids love to do. | 0:11:41 | 0:11:43 | |
We go to Lapland, we've been to Legoland, Disneyland. | 0:11:43 | 0:11:46 | |
It's what you do with children - that's the fun thing about it. | 0:11:46 | 0:11:49 | |
There must be so many parents here. | 0:11:49 | 0:11:51 | |
The great thing is watching them and see their faces. | 0:11:51 | 0:11:53 | |
It's like, "Oh, my God." | 0:11:53 | 0:11:55 | |
And you don't get really bothered by other people. You go to Legoland | 0:11:55 | 0:11:58 | |
and find people are so intent on watching their own kids | 0:11:58 | 0:12:01 | |
and they're so proud of them, they don't bother me. | 0:12:01 | 0:12:04 | |
-Do you dress down for Legoland? -Of course. | 0:12:04 | 0:12:07 | |
LAUGHTER | 0:12:07 | 0:12:10 | |
Going to your wardrobe for Legoland. | 0:12:10 | 0:12:13 | |
LAUGHTER | 0:12:13 | 0:12:17 | |
Jack Black, how old are Tommy and Sammy? | 0:12:17 | 0:12:20 | |
-Sammy and Tommy are seven and nine. -OK. | 0:12:20 | 0:12:23 | |
I take them to school, too, not to brag. | 0:12:23 | 0:12:26 | |
LAUGHTER | 0:12:26 | 0:12:30 | |
-We're so normal. -I feel guilty that I should be taking them | 0:12:30 | 0:12:34 | |
to buy a book every time. I always take them to the frozen yoghurt. | 0:12:34 | 0:12:39 | |
Will you - cos seven and nine - | 0:12:39 | 0:12:42 | |
will you be taking them to see your new movie, Goosebumps? | 0:12:42 | 0:12:45 | |
Oh, they have seen it. They were the first in the world, | 0:12:45 | 0:12:47 | |
as a matter of fact. I pulled some strings and I got a screening | 0:12:47 | 0:12:51 | |
at their school, which was pretty thrilling for them. | 0:12:51 | 0:12:54 | |
-How cool to have a dad who can do that. -It was cool. | 0:12:54 | 0:12:58 | |
But they didn't sit with me. | 0:12:58 | 0:13:00 | |
They wanted to sit with their friends over there. | 0:13:00 | 0:13:03 | |
Not the old guy who's in the film, yeah, we don't want him. | 0:13:03 | 0:13:06 | |
It just goes to show, no matter how cool your dad is, | 0:13:06 | 0:13:09 | |
it's still very embarrassing to sit with him. | 0:13:09 | 0:13:12 | |
It is a scary film, it has proper frights in it. | 0:13:12 | 0:13:15 | |
Yeah, it does, but we were careful not to traumatise. | 0:13:15 | 0:13:20 | |
Just enough to thrill, no nightmares, not a drop of blood. | 0:13:20 | 0:13:25 | |
-My guarantee. -Just a little bit of wee. | 0:13:25 | 0:13:28 | |
Yeah, there's some goo. | 0:13:28 | 0:13:31 | |
No, I meant myself. I pissed myself. | 0:13:31 | 0:13:34 | |
LAUGHTER | 0:13:34 | 0:13:35 | |
-Was it the poodle? -The poodle is terrifying. -Spoiler alert! | 0:13:35 | 0:13:39 | |
-Beware the poodle. It's the scariest part. -It opens tonight. | 0:13:39 | 0:13:43 | |
The Goosebumps series of books, RL Stine wrote them, | 0:13:43 | 0:13:47 | |
-but you've really opened it out. You are RL Stine in the movie. -Yes. | 0:13:47 | 0:13:51 | |
It's a little confusing. I play RL Stine, the great author, | 0:13:51 | 0:13:55 | |
who has a magic typewriter. | 0:13:55 | 0:13:57 | |
One night, all of his monsters that he's ever created | 0:13:57 | 0:14:01 | |
escape from the original manuscripts. | 0:14:01 | 0:14:03 | |
And the whole movie is me and the kids from the neighbourhood | 0:14:03 | 0:14:06 | |
trying to recapture the monsters | 0:14:06 | 0:14:08 | |
-and get them back in the books from whence they came. -That sounds good. | 0:14:08 | 0:14:11 | |
It is good. And here's the thing - there are a lot of these books, | 0:14:11 | 0:14:14 | |
like over 60 of these books. | 0:14:14 | 0:14:17 | |
ELTON LAUGHS | 0:14:17 | 0:14:22 | |
He's already on Kung Fu Panda 3! | 0:14:22 | 0:14:26 | |
Goosebumps 20 I can see. | 0:14:26 | 0:14:28 | |
We kinda blew it cos we put all of the monsters into this movie | 0:14:28 | 0:14:31 | |
so I don't know how we follow it up. | 0:14:31 | 0:14:34 | |
You have kind of spoiled it for yourselves. | 0:14:34 | 0:14:37 | |
In the sequel, it could be RL Stine | 0:14:37 | 0:14:41 | |
versus JK Rowling matchup. | 0:14:41 | 0:14:44 | |
You know what I mean? | 0:14:44 | 0:14:45 | |
-Wizards versus monsters. -Sounds like a good idea. | 0:14:45 | 0:14:50 | |
Harry Bumps - I don't know. I'll think of a title later. | 0:14:50 | 0:14:54 | |
We've got a clip. This is you as a writer RL Stine | 0:14:54 | 0:14:58 | |
being reminded about one of the monsters you created. | 0:14:58 | 0:15:02 | |
Look out! | 0:15:02 | 0:15:03 | |
Are you OK? Everyone OK? | 0:15:07 | 0:15:11 | |
It came out of nowhere. | 0:15:11 | 0:15:12 | |
ALL SCREAM | 0:15:21 | 0:15:24 | |
I don't remember writing about a giant preying mantis! | 0:15:24 | 0:15:26 | |
MANTIS BELCHES | 0:15:26 | 0:15:28 | |
-Right, now I remember. -Get us out of here! | 0:15:28 | 0:15:31 | |
-Oh, my God! -Watch out! | 0:15:42 | 0:15:45 | |
CHEERING AND APPLAUSE | 0:15:51 | 0:15:54 | |
It's just incredible. | 0:15:54 | 0:15:56 | |
Very good. OK. | 0:15:58 | 0:15:59 | |
Is that overpriced cologne I can smell? | 0:16:01 | 0:16:04 | |
Yes, my next guests have arrived and they're so hot right now. | 0:16:04 | 0:16:08 | |
Please welcome the stars of Zoolander 2 - | 0:16:08 | 0:16:11 | |
Owen Wilson, Penelope Cruz and Ben Stiller! | 0:16:11 | 0:16:14 | |
CHEERING AND APPLAUSE | 0:16:14 | 0:16:16 | |
# Relax, don't do it | 0:16:16 | 0:16:18 | |
# When you want to go to it | 0:16:18 | 0:16:20 | |
# Relax, don't do it... # | 0:16:20 | 0:16:22 | |
DROWNED OUT BY APPLAUSE | 0:16:22 | 0:16:25 | |
In you go. Yeah, you stay there. They'll sit in the middle. | 0:16:35 | 0:16:39 | |
They're here! They're here! | 0:16:42 | 0:16:44 | |
MORE CHEERING AND APPLAUSE | 0:16:44 | 0:16:48 | |
We're guessing the premiere went very well? | 0:16:51 | 0:16:54 | |
-Yeah, it was exciting. Really exciting. -Was it exciting? | 0:16:54 | 0:16:57 | |
It was exciting. | 0:16:57 | 0:16:59 | |
-There you go. -We actually set a record. | 0:16:59 | 0:17:03 | |
We took, like, the world's longest selfie, I think. | 0:17:03 | 0:17:08 | |
What exactly was it? | 0:17:08 | 0:17:10 | |
Well, we took a selfie with the world's longest selfie stick. | 0:17:10 | 0:17:14 | |
-It's a Guinness Book of World Records record. -Oh, wow. OK. | 0:17:14 | 0:17:19 | |
Have you ever set a Guinness Book of World Records record | 0:17:19 | 0:17:21 | |
-for the longest anything? -No. | 0:17:21 | 0:17:24 | |
LAUGHTER AND APPLAUSE | 0:17:24 | 0:17:27 | |
Now, no need for introductions, because you guys know each other. | 0:17:30 | 0:17:34 | |
-Yes, we do. -Like properly, like friends. | 0:17:34 | 0:17:38 | |
Yeah, I was Elton's original drummer. Before Nigel. | 0:17:38 | 0:17:43 | |
We do have a picture of you drumming. There you are. | 0:17:43 | 0:17:46 | |
-That is at my Bar Mitzvah when I was 13. -Is that really you? -That is me. | 0:17:46 | 0:17:52 | |
I was in a band with a friend of mine. | 0:17:52 | 0:17:56 | |
What was the name of the band? | 0:17:56 | 0:17:58 | |
The band was called Capital Punishment. | 0:17:58 | 0:18:02 | |
-ELTON: -Is that because you were well hung or not? | 0:18:02 | 0:18:05 | |
LAUGHTER AND SCATTERED APPLAUSE | 0:18:05 | 0:18:09 | |
We were sort of like an avant-garde sort of proto-punk, | 0:18:09 | 0:18:14 | |
you know, influenced by that Eno, Bowie, you know... | 0:18:14 | 0:18:18 | |
-You actually made an album. There it is. -Yes, Road Kill. | 0:18:18 | 0:18:21 | |
LAUGHTER | 0:18:21 | 0:18:23 | |
That's me down the bottom right there. It was never released. | 0:18:23 | 0:18:28 | |
-But you made it, god dammit. -We made it. | 0:18:28 | 0:18:31 | |
Now, do you guys all know Jack? Penelope, do you know Jack Black? | 0:18:31 | 0:18:35 | |
We kind of just met just now. | 0:18:35 | 0:18:37 | |
-I think I've seen you before here and there, briefly. -Good to see you. | 0:18:37 | 0:18:41 | |
Great to see you. | 0:18:41 | 0:18:43 | |
LAUGHTER | 0:18:43 | 0:18:45 | |
He's a movie star. | 0:18:45 | 0:18:46 | |
LAUGHTER | 0:18:46 | 0:18:48 | |
And you are kind of the new member of the Zoolander gang. | 0:18:48 | 0:18:51 | |
Were you a fan of the original, did you know the original? | 0:18:51 | 0:18:54 | |
Yeah, I knew it and I was a huge fan of it. | 0:18:54 | 0:18:56 | |
I am one of those people that memorised the dialogue | 0:18:56 | 0:18:58 | |
and I have seen it, like, six, seven times. So when he called me, | 0:18:58 | 0:19:02 | |
I had no idea they were going to do the sequel, | 0:19:02 | 0:19:04 | |
so I was so happy cos I wanted to see it and then, on top of that, | 0:19:04 | 0:19:07 | |
I was going to be in it. | 0:19:07 | 0:19:10 | |
That's handy! | 0:19:10 | 0:19:11 | |
You made money out of it. So, Zoolander 2. | 0:19:11 | 0:19:15 | |
It's out next Friday. | 0:19:15 | 0:19:16 | |
Now, for anyone - and there are a couple of people in the audience | 0:19:16 | 0:19:19 | |
who didn't see the first Zoolander - | 0:19:19 | 0:19:21 | |
what's it about, what happens in this one? Go! | 0:19:21 | 0:19:25 | |
Well, Owen and I play two of the most incredibly good-looking | 0:19:25 | 0:19:30 | |
male models in the world. | 0:19:30 | 0:19:32 | |
-So, it's kind of a... -LAUGHTER | 0:19:32 | 0:19:35 | |
Kind of a documentary... | 0:19:36 | 0:19:40 | |
In the first one, yeah, in the first one that's who we are. | 0:19:40 | 0:19:44 | |
In the second one, it's been 15 years and we're out of the limelight. | 0:19:44 | 0:19:48 | |
Derek is living in reclusion up in the mountains. | 0:19:48 | 0:19:51 | |
He's had a personal tragedy. | 0:19:51 | 0:19:53 | |
He opened a centre because he wanted to teach kids how to read, | 0:19:53 | 0:19:56 | |
called the Derek Zoolander Center For Kids Who Can't Read Good | 0:19:56 | 0:19:59 | |
And Want To Learn To Do Other Stuff Good Too. | 0:19:59 | 0:20:02 | |
There is a tragedy with that building and he has to start over. | 0:20:02 | 0:20:06 | |
Owen's character, Hansel, is living in the desert | 0:20:06 | 0:20:09 | |
with about 12 people he's in a relationship with. | 0:20:09 | 0:20:13 | |
They both get called back into the fashion world | 0:20:13 | 0:20:16 | |
to be back on the scene | 0:20:16 | 0:20:19 | |
and they don't understand why. | 0:20:19 | 0:20:21 | |
And Derek's lost his son. | 0:20:21 | 0:20:22 | |
His son, he lost him because he couldn't take care of him, | 0:20:22 | 0:20:25 | |
so he's trying to reclaim his son. | 0:20:25 | 0:20:27 | |
-It's a very serious movie. -LAUGHTER | 0:20:27 | 0:20:30 | |
It's a very intricate plot. | 0:20:30 | 0:20:32 | |
Derek back. Hansel back. Penelope, who are you? | 0:20:32 | 0:20:36 | |
I play Valentina Valencia, | 0:20:36 | 0:20:38 | |
an agent for Interpol for the fashion division. | 0:20:38 | 0:20:41 | |
I take my job seriously and I have to... | 0:20:41 | 0:20:45 | |
-Can you just say Valentina Valencia again? -Valentina Valencia. | 0:20:45 | 0:20:47 | |
I love it. | 0:20:47 | 0:20:49 | |
LAUGHTER | 0:20:49 | 0:20:51 | |
And I have to solve this mystery, | 0:20:51 | 0:20:53 | |
I have to figure out who is killing some of the pop stars in the world | 0:20:53 | 0:20:57 | |
and some of the most beautiful people in the planet. | 0:20:57 | 0:21:00 | |
-So I need their help to find out. -Of course. Now it makes sense. | 0:21:00 | 0:21:06 | |
As they're dying, they're all flashing this look, | 0:21:06 | 0:21:09 | |
this Blue Steel look that... is a little bit of a clue. | 0:21:09 | 0:21:13 | |
Blue Steel is Derek's signature look. Which is... | 0:21:13 | 0:21:19 | |
CHEERING AND APPLAUSE | 0:21:19 | 0:21:22 | |
-You wrote the part especially for Penelope? -I did, yeah, when we were | 0:21:26 | 0:21:29 | |
thinking about the sequel and placing it in Europe | 0:21:29 | 0:21:32 | |
and we wanted this plot with Interpol | 0:21:32 | 0:21:36 | |
and we thought who could be the best sort of, | 0:21:36 | 0:21:39 | |
from the fashion police of Interpol, who would be the best agent? | 0:21:39 | 0:21:42 | |
-I thought, you know... -Yes. -Right? -Yes. | 0:21:42 | 0:21:47 | |
I think Penelope is a very unique, incredibly beautiful person, | 0:21:47 | 0:21:52 | |
but she's also an amazing actor and she takes her work very seriously | 0:21:52 | 0:21:56 | |
and I just wanted to hang out with her. | 0:21:56 | 0:22:00 | |
LAUGHTER | 0:22:00 | 0:22:02 | |
-Thank you so much. -You say Zoolander in a particular way. | 0:22:02 | 0:22:06 | |
I think it's written for you to say it in a particular way. | 0:22:06 | 0:22:09 | |
No, because when he called me and I said yeah, you are going to do | 0:22:09 | 0:22:11 | |
"Thoo-lander 2" and he said, | 0:22:11 | 0:22:13 | |
"By the way I want you to keep saying it like this in the movie. | 0:22:13 | 0:22:17 | |
"You are Spanish. You play a Spanish person that works in Italy | 0:22:17 | 0:22:21 | |
"and also speaks Italian. But you are Spanish." | 0:22:21 | 0:22:23 | |
So I got away with saying Thoolander... | 0:22:23 | 0:22:27 | |
Cos I didn't realise that when you went to Hollywood first | 0:22:27 | 0:22:30 | |
you really didn't speak English. | 0:22:30 | 0:22:32 | |
I spoke so little. I basically just knew my lines. | 0:22:32 | 0:22:36 | |
So I was really freaking out when everybody was talking, the actors, | 0:22:36 | 0:22:40 | |
and director and I had no idea what they were saying, | 0:22:40 | 0:22:43 | |
it was really frustrating. | 0:22:43 | 0:22:45 | |
-Apparently it led to embarrassment at the hairdressers? -Yeah. | 0:22:45 | 0:22:49 | |
It is true that once I went to the hairdresser | 0:22:49 | 0:22:52 | |
and asked for a blow job instead of a blow-dry. | 0:22:52 | 0:22:55 | |
LAUGHTER | 0:22:55 | 0:22:57 | |
DROWNED OUT BY APPLAUSE | 0:23:01 | 0:23:03 | |
They were thinking, "He is so convincing." | 0:23:05 | 0:23:09 | |
I've done that, too. | 0:23:09 | 0:23:11 | |
LAUGHTER AND APPLAUSE | 0:23:11 | 0:23:14 | |
And the cameos in this movie are insane. | 0:23:17 | 0:23:20 | |
Yeah, I think the fashion world first time around didn't really know | 0:23:20 | 0:23:23 | |
what we were doing. Nobody knew who the character was | 0:23:23 | 0:23:26 | |
and over the years, they've sort of taken to the movie. | 0:23:26 | 0:23:28 | |
So the second time, it was great to have real fashion icons | 0:23:28 | 0:23:31 | |
-be a part of the movie. -Valentino is in it. -Yes, Mr Valentino. | 0:23:31 | 0:23:35 | |
He was just there for the selfie. | 0:23:35 | 0:23:37 | |
-Yes. -Oh, wow. -And Anna Wintour. | 0:23:37 | 0:23:40 | |
Queen of laughter. | 0:23:40 | 0:23:42 | |
LAUGHTER | 0:23:42 | 0:23:43 | |
-She's pretty good in the movie. -Now, I have to say... | 0:23:43 | 0:23:46 | |
-Why isn't Sir Elton in the film? -I know. -Yeah. | 0:23:46 | 0:23:51 | |
I feel like I took your outfits | 0:23:51 | 0:23:54 | |
and appropriated them for Derek in the movie. | 0:23:54 | 0:23:57 | |
I was going to say when people watch the movie, do they dress up | 0:23:57 | 0:24:00 | |
as the characters? They must do, right? Like Rocky Horror Show? | 0:24:00 | 0:24:03 | |
We have had that at some of the premieres in Australia, | 0:24:03 | 0:24:06 | |
people came dressed up like Derek which was fun. | 0:24:06 | 0:24:08 | |
They dress like that in Australia, anyway. | 0:24:08 | 0:24:10 | |
LAUGHTER | 0:24:10 | 0:24:12 | |
And looking at another fashion icon - Jack Black not in the film. | 0:24:12 | 0:24:14 | |
Thank you. Well, what happened? | 0:24:14 | 0:24:17 | |
-Didn't we talk about it the first time? -We did. I was busy! | 0:24:17 | 0:24:22 | |
LAUGHTER | 0:24:22 | 0:24:25 | |
But we got to work together, anyway. | 0:24:25 | 0:24:27 | |
It's not kosher talk about the parts you turned down, but see, it's true. | 0:24:27 | 0:24:31 | |
"Gave it away, you son of a bitch!" | 0:24:31 | 0:24:34 | |
Let's watch a clip. This is your character, Penelope, meeting Derek | 0:24:34 | 0:24:39 | |
and Hansel for the first time. | 0:24:39 | 0:24:42 | |
Derek Zoolander. | 0:24:42 | 0:24:44 | |
Yes. | 0:24:44 | 0:24:46 | |
Valentina Valencia. Interpol. | 0:24:46 | 0:24:48 | |
Global Fashion division. | 0:24:48 | 0:24:50 | |
Fashion police? We're clean, lady, go harass somebody else. | 0:24:50 | 0:24:53 | |
Besides, I'm out of fashion. | 0:24:53 | 0:24:56 | |
I need to talk to you. | 0:24:56 | 0:24:58 | |
It has to do with the death of Justin Bieber. | 0:24:58 | 0:25:00 | |
His death is not my problem. | 0:25:00 | 0:25:02 | |
I can use the database on Interpol to help you find your son. | 0:25:03 | 0:25:07 | |
If you help me. | 0:25:09 | 0:25:11 | |
I think we got to play ball with her. | 0:25:13 | 0:25:15 | |
She's got some kind of database or something she says that will help us | 0:25:15 | 0:25:19 | |
find little Derek. | 0:25:19 | 0:25:20 | |
And she's hot. I trust her. | 0:25:23 | 0:25:26 | |
That's your motorcycle outfit there. You ride this motorbike around. | 0:25:35 | 0:25:39 | |
I should say that I did but...I can't. | 0:25:39 | 0:25:43 | |
You did have a have a stunt double but it must have been, for you, | 0:25:43 | 0:25:46 | |
-like looking into a mirror when you saw your stunt double. -Yes. | 0:25:46 | 0:25:50 | |
I think we have a picture of your stunt double. | 0:25:50 | 0:25:53 | |
LAUGHTER AND APPLAUSE | 0:25:53 | 0:25:55 | |
That's the lamest stunt double! | 0:25:55 | 0:25:58 | |
He is one of the best motorcycle riders in Italy. | 0:25:58 | 0:26:02 | |
He got such a crush on Penelope | 0:26:02 | 0:26:04 | |
that they were just happy to see that guy. | 0:26:04 | 0:26:07 | |
GRAHAM LAUGHS | 0:26:07 | 0:26:09 | |
You must have been, "THAT'S my stunt double?!" | 0:26:09 | 0:26:13 | |
Those boobs are actually real. | 0:26:13 | 0:26:15 | |
LAUGHTER | 0:26:15 | 0:26:18 | |
Even he looks kind of like, "This is bad." | 0:26:18 | 0:26:21 | |
Now, Ben, obviously, you directed the film | 0:26:22 | 0:26:24 | |
and you have worked with Owen a lot in the past. | 0:26:24 | 0:26:28 | |
And yet it seems, just reading about the two of you, | 0:26:28 | 0:26:31 | |
that your approach to the concept of work is quite different. | 0:26:31 | 0:26:36 | |
Oh, well, Owen, I mean... | 0:26:36 | 0:26:39 | |
Owen, do you have an approach to the concept of work? | 0:26:39 | 0:26:42 | |
LAUGHTER | 0:26:42 | 0:26:43 | |
-I don't even know... -Well, I just try to say the actor's prayer | 0:26:43 | 0:26:47 | |
and just show up and... | 0:26:47 | 0:26:51 | |
-What is the actor's prayer? -It goes... What is it? | 0:26:51 | 0:26:54 | |
It's like, "God, grant me the serenity to let direction | 0:26:54 | 0:26:58 | |
"I disagree with go in one ear and out the other." | 0:26:58 | 0:27:02 | |
No... But with Ben as a director, sometimes it was hard to, | 0:27:02 | 0:27:08 | |
because he is dressed as Derek Zoolander, | 0:27:08 | 0:27:10 | |
so that you see Zoolander and the first instinct isn't "advice." | 0:27:10 | 0:27:17 | |
"That's who I want shaping my performance." | 0:27:17 | 0:27:22 | |
But, um... | 0:27:22 | 0:27:24 | |
Then I don't know if it was being in Rome, | 0:27:24 | 0:27:27 | |
but sometimes it seemed like it was almost like the ghost of Mussolini, | 0:27:27 | 0:27:31 | |
you had a very sort of dictatorial... | 0:27:31 | 0:27:34 | |
I guess it was the megaphone you would use to shout. | 0:27:34 | 0:27:37 | |
You were kind of a hands-on director. | 0:27:37 | 0:27:40 | |
Like literally just move you around. | 0:27:40 | 0:27:44 | |
LAUGHTER | 0:27:44 | 0:27:46 | |
-Does this all sound true, Penelope? -Yeah, it is true. | 0:27:46 | 0:27:50 | |
It was really hard not to laugh. | 0:27:50 | 0:27:53 | |
He does get very serious | 0:27:53 | 0:27:54 | |
and he forgets he is wearing all the shiny stuff. | 0:27:54 | 0:27:57 | |
LAUGHTER | 0:27:57 | 0:27:59 | |
There you go. | 0:27:59 | 0:28:01 | |
Jack and I worked together. | 0:28:01 | 0:28:03 | |
We had a good time - we worked on Tropic Thunder together. | 0:28:03 | 0:28:06 | |
We did, it was amazing. | 0:28:06 | 0:28:08 | |
The movie turned out great, so who cares | 0:28:08 | 0:28:11 | |
if you're a little bit of a dictator? | 0:28:11 | 0:28:14 | |
LAUGHTER | 0:28:14 | 0:28:16 | |
I had fun the whole time, except for the one water buffalo incident | 0:28:16 | 0:28:21 | |
where I went flying off... I was naked on the back of a water buffalo | 0:28:21 | 0:28:25 | |
in my tighty whities, not naked. | 0:28:25 | 0:28:27 | |
And the water buffalo freaked out for some reason and just | 0:28:27 | 0:28:31 | |
buckin' bronco'd me off and I literally went head over heels | 0:28:31 | 0:28:35 | |
flying and landed precariously | 0:28:35 | 0:28:38 | |
between two boulders, miraculously uninjured. | 0:28:38 | 0:28:42 | |
There was, like, a few seconds for me to catch my breath | 0:28:42 | 0:28:45 | |
and then Ben over the megaphone, | 0:28:45 | 0:28:47 | |
"Can we take that from the top, Jack?" | 0:28:47 | 0:28:49 | |
LAUGHTER | 0:28:49 | 0:28:51 | |
He wasn't joking! He meant it! And I was saying, | 0:28:51 | 0:28:54 | |
"No, we will not take it from the top!" The stuntman got up on there. | 0:28:54 | 0:28:58 | |
It turned out the buffalo was pregnant. We didn't know. | 0:28:58 | 0:29:02 | |
We didn't know it was a female. | 0:29:02 | 0:29:04 | |
LAUGHTER | 0:29:04 | 0:29:05 | |
-She was pregnant. -But the story had a happy ending, didn't it? | 0:29:05 | 0:29:09 | |
-We named the baby... It got named Jack. -Oh, right, right. | 0:29:09 | 0:29:13 | |
They named the baby Jack. | 0:29:13 | 0:29:15 | |
Apparently, there is a water buffalo somewhere with my name. | 0:29:15 | 0:29:18 | |
That's a lovely story. | 0:29:18 | 0:29:20 | |
LAUGHTER | 0:29:20 | 0:29:24 | |
So, 15 years since the first movie. | 0:29:24 | 0:29:26 | |
A lot of things have changed in the cultural landscape | 0:29:26 | 0:29:30 | |
but one of the things Derek Zoolander gave us - the selfie face. | 0:29:30 | 0:29:35 | |
I guess he did, though he existed before the selfie actually existed. | 0:29:35 | 0:29:39 | |
When we made the first movie, there was no phone cameras, | 0:29:39 | 0:29:41 | |
they didn't really exist. | 0:29:41 | 0:29:43 | |
They emerged about 11 years ago. We made the movie 14 years ago. | 0:29:43 | 0:29:47 | |
So it felt like Derek needed a camera in front of his face | 0:29:47 | 0:29:52 | |
because the look he does is the look that people seem to do | 0:29:52 | 0:29:55 | |
-when they take a selfie now. -But apparently even you do it now. | 0:29:55 | 0:29:58 | |
Me? Yeah. I do it... Lately, because we've been doing the movie, | 0:29:58 | 0:30:03 | |
or we'll go to a premier or something people say, | 0:30:03 | 0:30:05 | |
"Hey, can you do Blue Steel?" I'm trained to do it. | 0:30:05 | 0:30:08 | |
And someone will say. | 0:30:08 | 0:30:09 | |
"Can I take a picture?" And I just do the look. | 0:30:09 | 0:30:12 | |
They're not asking for the look. "Why are you doing that?" | 0:30:12 | 0:30:15 | |
I'm just like a trained animal. | 0:30:15 | 0:30:17 | |
You didn't do Blue Steel but do you get asked for it? | 0:30:17 | 0:30:20 | |
I do, I would try for a couple of years and say, | 0:30:20 | 0:30:23 | |
"That's not my character." | 0:30:23 | 0:30:25 | |
Then I just gave up and started doing my Blue Steel. | 0:30:25 | 0:30:28 | |
Let's see it, please. | 0:30:28 | 0:30:30 | |
Mine has a sound effect. | 0:30:30 | 0:30:33 | |
Everybody has a Blue Steel, they're like fingerprints. | 0:30:33 | 0:30:37 | |
-Give me a countdown. -Three, two, one, go. | 0:30:37 | 0:30:40 | |
HE EXHALES | 0:30:40 | 0:30:43 | |
Beautiful, he breathed out. | 0:30:43 | 0:30:45 | |
APPLAUSE | 0:30:45 | 0:30:47 | |
,Earlier I was talking to Elton about the idea | 0:30:50 | 0:30:53 | |
of going to record signings. It's old-school. | 0:30:53 | 0:30:56 | |
It's all changed over the years. What is the least and most annoying? | 0:30:56 | 0:31:02 | |
Did you prefer signing things or do you prefer taking selfies? | 0:31:02 | 0:31:08 | |
I don't like camera phones very much. I don't mind signing things. | 0:31:08 | 0:31:14 | |
I don't own a phone. I'm not in the camera world at all. | 0:31:14 | 0:31:17 | |
OK. I guess at that signing, everyone also wanted a picture. | 0:31:17 | 0:31:20 | |
Yeah, but we told them they couldn't. | 0:31:20 | 0:31:23 | |
Otherwise I would still be there. | 0:31:23 | 0:31:26 | |
That answers that question. | 0:31:26 | 0:31:28 | |
A lot of people have been trying to do Blue Steel. | 0:31:28 | 0:31:32 | |
Ben, you created the Blue Steel how do you do it? | 0:31:32 | 0:31:35 | |
-It's a six-part process... -Uh-huh. -..that starts with a thought, | 0:31:35 | 0:31:41 | |
the inception of it and, secondly, it's starting to feel it | 0:31:41 | 0:31:44 | |
in the lower part of your body and allowing it to come up | 0:31:44 | 0:31:47 | |
and then really pushing through from the diaphragm up through the throat | 0:31:47 | 0:31:50 | |
and them out through the nose. Without thinking at all. | 0:31:50 | 0:31:53 | |
You have to clear your mind, that's the biggest thing. | 0:31:53 | 0:31:56 | |
Is it a pout or a jaw...? | 0:31:56 | 0:31:59 | |
It's a combination of... | 0:31:59 | 0:32:01 | |
It's really... It's... | 0:32:01 | 0:32:03 | |
LAUGHTER | 0:32:03 | 0:32:05 | |
It's more... It's not even the result, | 0:32:05 | 0:32:08 | |
-what you're doing with your face, it's what you are thinking. -OK. | 0:32:08 | 0:32:11 | |
Which is just like... "OK, take it already." | 0:32:11 | 0:32:15 | |
LAUGHTER | 0:32:15 | 0:32:18 | |
-ELTON: -It's Victoria Beckham. | 0:32:18 | 0:32:20 | |
-Very much so. -AUDIENCE: Ooh! | 0:32:20 | 0:32:23 | |
No, I mean she's got that look right down. | 0:32:23 | 0:32:26 | |
All the girls know how to look and the right angle. They go... | 0:32:26 | 0:32:32 | |
-There it is. -There it is. | 0:32:32 | 0:32:34 | |
You were talking about selfies earlier. | 0:32:34 | 0:32:36 | |
We have an official Blue Steel selfie stick. | 0:32:36 | 0:32:40 | |
But you've got the biggest selfie stick in the world | 0:32:40 | 0:32:43 | |
-with you apparently. -Thank you. | 0:32:43 | 0:32:45 | |
LAUGHTER | 0:32:45 | 0:32:47 | |
-We do, this came directly from the premiere. -How does this one work? | 0:32:47 | 0:32:51 | |
-Do you have it? -Yeah. | 0:32:51 | 0:32:54 | |
-So this was at the premiere... -Oh, my God! -It's bigger than that. | 0:32:54 | 0:32:57 | |
It's not telescoped out. | 0:32:57 | 0:32:59 | |
-OK. -Scope it out. -Can you make it bigger, Ben? | 0:32:59 | 0:33:03 | |
LAUGHTER | 0:33:03 | 0:33:05 | |
If you can help me, Graham. | 0:33:05 | 0:33:07 | |
I think... | 0:33:07 | 0:33:08 | |
-I don't even know how... I guess... -Oh, there you go. | 0:33:08 | 0:33:11 | |
-Here, hold on to it. -Are we going to use this? -Yeah, why not? | 0:33:11 | 0:33:14 | |
-Can we use this? -JACK: -# Let's do this. # | 0:33:14 | 0:33:17 | |
-But let's not go full... -Not full. | 0:33:17 | 0:33:19 | |
-Otherwise we'll just be dots in the distance. -That's a good length. | 0:33:19 | 0:33:22 | |
-OK. -Dude, I broke it. | 0:33:22 | 0:33:25 | |
LAUGHTER | 0:33:25 | 0:33:26 | |
-You broke my selfie stick. -I... I... I twisted when I should have... | 0:33:26 | 0:33:30 | |
-Do you have a camera? -I have a camera. Is this going to work? OK. | 0:33:30 | 0:33:34 | |
-Let me take the camera. -The cool thing is... | 0:33:34 | 0:33:36 | |
The cool thing would be to maybe do it facing the other way | 0:33:36 | 0:33:39 | |
-so the studio audience can be in the picture. -That's a nice idea. | 0:33:39 | 0:33:42 | |
CHEERING AND APPLAUSE | 0:33:42 | 0:33:44 | |
-OK. -OK. | 0:33:44 | 0:33:46 | |
OK, so... | 0:33:46 | 0:33:48 | |
-Is it on there? -Oh... | 0:33:51 | 0:33:53 | |
We nearly lost him. | 0:33:53 | 0:33:55 | |
-OK. -Is it tightened? -I'm OK. | 0:33:55 | 0:33:57 | |
LAUGHTER AND APPLAUSE | 0:33:57 | 0:34:01 | |
OK, OK. | 0:34:01 | 0:34:02 | |
-So... Are you holding that? -I'm holding it. -OK, OK. | 0:34:02 | 0:34:06 | |
-So if you're there... -OK. It's my second time with the stick. -Oh, God. | 0:34:06 | 0:34:10 | |
That looks very precarious! OK. Are we all in? | 0:34:10 | 0:34:14 | |
Elton, you're in shot? | 0:34:14 | 0:34:16 | |
And the audience. See? Everybody's in there. | 0:34:16 | 0:34:19 | |
If you go a bit lower, we can get Elton in too. Oh! | 0:34:19 | 0:34:22 | |
AUDIENCE GASPS | 0:34:22 | 0:34:23 | |
Let's abandon that. | 0:34:28 | 0:34:29 | |
Let's abandon that. | 0:34:31 | 0:34:32 | |
-It was good while it lasted. -OK, we'll just... | 0:34:35 | 0:34:37 | |
-Where is the little one? -The selfie stick thing is really... | 0:34:37 | 0:34:40 | |
We're going to do it very quickly. I'm going to do one. Here we go. | 0:34:40 | 0:34:43 | |
Quick, quick, quick. Um, on here... | 0:34:43 | 0:34:45 | |
Duh-duh-duh. I've no idea what... | 0:34:45 | 0:34:47 | |
-We could just ask someone else to take the picture. -Sorry? | 0:34:47 | 0:34:51 | |
-That would really be too much. -Shall we do it from here? | 0:34:51 | 0:34:54 | |
Elton, is this making you reconsider your stance | 0:34:54 | 0:34:56 | |
on pictures? | 0:34:56 | 0:34:58 | |
LAUGHTER | 0:34:58 | 0:35:00 | |
OK. OK, here we go, here we go. Here we go. Here we go. So... | 0:35:01 | 0:35:06 | |
-Oh, I am taking a picture. -It's happening. | 0:35:06 | 0:35:09 | |
So if you look away, look away, and turn back into it. So... | 0:35:09 | 0:35:11 | |
Three, two, one, in and... | 0:35:11 | 0:35:14 | |
CAMERA SHUTTER CLICKS Yay! | 0:35:14 | 0:35:17 | |
CHEERING AND APPLAUSE | 0:35:17 | 0:35:19 | |
-Elton. -Yes? -It's time. You may not sit down. | 0:35:23 | 0:35:27 | |
Because it's time for you to delight us with some music. | 0:35:27 | 0:35:29 | |
So your magicians are... "Your magicians"! | 0:35:29 | 0:35:31 | |
Your musicians are awaiting. | 0:35:31 | 0:35:33 | |
LAUGHTER | 0:35:33 | 0:35:35 | |
OK. | 0:35:39 | 0:35:41 | |
Shortly, we will have this week's visit to the big red chair, | 0:35:41 | 0:35:44 | |
but first, performing Blue Wonderful from | 0:35:44 | 0:35:46 | |
the album Wonderful Crazy Night, | 0:35:46 | 0:35:47 | |
it is Sir Elton John! | 0:35:47 | 0:35:50 | |
CHEERING AND APPLAUSE | 0:35:50 | 0:35:52 | |
# Every breath is a prayer of some kind | 0:36:07 | 0:36:09 | |
# I breathe in, I breathe out I just breathe | 0:36:09 | 0:36:12 | |
# And you're so well, blue wonderful | 0:36:12 | 0:36:16 | |
# Blue wonderful to me | 0:36:16 | 0:36:19 | |
# Like swimming in your eyes | 0:36:19 | 0:36:21 | |
# I dive in, I dive deep I just swim | 0:36:21 | 0:36:24 | |
# I lose myself in you, blue wonderful | 0:36:24 | 0:36:28 | |
# Blue wonderful again | 0:36:28 | 0:36:30 | |
# Don't you know, where you go I will follow? | 0:36:32 | 0:36:38 | |
# In your footsteps I find my own feet | 0:36:38 | 0:36:42 | |
# Addicted like I am to the blues | 0:36:44 | 0:36:48 | |
# Your kind of blues are all the blues I need | 0:36:50 | 0:36:54 | |
# Yesterday did someone else's song | 0:36:55 | 0:36:58 | |
# In '65, summertime, long ago | 0:36:58 | 0:37:01 | |
# Long before you came Blue wonderful | 0:37:01 | 0:37:04 | |
# Blue wonderful, I know | 0:37:04 | 0:37:07 | |
# Ain't just something I just left behind | 0:37:07 | 0:37:10 | |
# In the past, far away, used to be | 0:37:10 | 0:37:13 | |
# But your presence, my blue wonderful | 0:37:13 | 0:37:16 | |
# Blue wonderful to me | 0:37:16 | 0:37:18 | |
# Go where you want When you want to | 0:37:21 | 0:37:26 | |
# Just don't let the wind tear you free | 0:37:26 | 0:37:31 | |
# Stick around the light that brings you home | 0:37:32 | 0:37:36 | |
# Don't ever hang around with the breeze | 0:37:38 | 0:37:43 | |
# Don't you know, where you go I will follow? | 0:38:09 | 0:38:12 | |
# In your footsteps I find my own feet | 0:38:14 | 0:38:19 | |
# Addicted like I am to the blues | 0:38:20 | 0:38:24 | |
# Your kind of blues are all the blues I need | 0:38:26 | 0:38:30 | |
# Every breath is a prayer of some kind | 0:38:32 | 0:38:34 | |
# I breathe in, I breathe out I just breathe | 0:38:34 | 0:38:37 | |
# And you're so well, blue wonderful | 0:38:37 | 0:38:40 | |
# Blue wonderful to me | 0:38:40 | 0:38:43 | |
# Like swimming in your eyes | 0:38:43 | 0:38:46 | |
# I dive in, I dive deep I just swim | 0:38:46 | 0:38:49 | |
# I lose myself in you, blue wonderful | 0:38:49 | 0:38:52 | |
# Blue wonderful again | 0:38:52 | 0:38:55 | |
# I lose myself in you, blue wonderful, blue wonderful | 0:38:55 | 0:39:01 | |
# Blue wonderful | 0:39:01 | 0:39:04 | |
# Blue wonderful... | 0:39:04 | 0:39:07 | |
# Blue wonderful | 0:39:07 | 0:39:10 | |
# Again. # | 0:39:10 | 0:39:11 | |
CHEERING AND APPLAUSE | 0:39:24 | 0:39:26 | |
Thank you! | 0:39:28 | 0:39:29 | |
Sir Elton John, everybody! | 0:39:30 | 0:39:32 | |
Thank you so much. Come on back. | 0:39:34 | 0:39:36 | |
There you go. That was fantastic. You did really well. | 0:39:36 | 0:39:39 | |
-Sir Elton John! -Thank you. | 0:39:39 | 0:39:40 | |
Come up and sit in your seat. There we go. | 0:39:42 | 0:39:46 | |
-Great job! -Thank you. | 0:39:46 | 0:39:47 | |
And that is the band that's on the album, that's exactly the sound? | 0:39:50 | 0:39:54 | |
-Exactly. -Yeah, it's beautiful. Thank you so much for doing that. | 0:39:54 | 0:39:57 | |
Right, before we go, just time for a visit to the big red chair. | 0:39:57 | 0:40:00 | |
Who's there? | 0:40:00 | 0:40:02 | |
-Hello. -Hello. | 0:40:02 | 0:40:03 | |
AUDIENCE WHOOPS Wow, they love you. What's your name? | 0:40:03 | 0:40:06 | |
-My name is Michael. -Michael. And what do you do, Michael? | 0:40:06 | 0:40:09 | |
-I'm a teacher. I teach English to foreigners. -OK. Lovely. | 0:40:09 | 0:40:12 | |
That's good of you(!) | 0:40:12 | 0:40:13 | |
LAUGHTER | 0:40:13 | 0:40:16 | |
-And where are you from? -I'm from Poland, actually. | 0:40:16 | 0:40:19 | |
-You're from Poland? -Yes, but I teach English. -Are you really from Poland? | 0:40:19 | 0:40:22 | |
He's very good, isn't he? He is marvellous. | 0:40:22 | 0:40:24 | |
He knows all the English words. So... | 0:40:24 | 0:40:27 | |
Off you go, Michael, with your story. | 0:40:27 | 0:40:29 | |
So, when I was a student, I had a part-time job. | 0:40:29 | 0:40:33 | |
I worked as a film extra. | 0:40:33 | 0:40:34 | |
And I did this little film called | 0:40:34 | 0:40:37 | |
Gulliver's Travels, with Jack Black. | 0:40:37 | 0:40:40 | |
-Oh! -Oh, my gosh. | 0:40:40 | 0:40:42 | |
So we were filming in this field outside Pinewood Studios | 0:40:42 | 0:40:44 | |
and it was very, very, very hot, and I had the flu. | 0:40:44 | 0:40:48 | |
So I wasn't feeling very well at all and... | 0:40:48 | 0:40:50 | |
Oh, I see where this is going. | 0:40:50 | 0:40:52 | |
-Oh, man. -No, no. It was going to end badly. | 0:40:53 | 0:40:58 | |
He was going to get sick on somebody. | 0:40:58 | 0:41:00 | |
Do you remember somebody vomiting on you? | 0:41:00 | 0:41:02 | |
I have a vague recollection of... Yeah, some flu bug going around. | 0:41:02 | 0:41:07 | |
But not really. | 0:41:07 | 0:41:08 | |
Yeah, it was going to end in a horrible bodily function. | 0:41:08 | 0:41:12 | |
I spared you all. One more. Here we go. | 0:41:12 | 0:41:15 | |
-Oh, hello. Hi! -Hi. -Hi, what's your name? -Yasmin. -Yasmin. | 0:41:15 | 0:41:18 | |
-Lovely, Yasmin. And what do you do? -I work in publishing. -In publishing? | 0:41:18 | 0:41:22 | |
-Like books? -Yes. Like books. Yeah, actual books. -Oh, God. | 0:41:22 | 0:41:25 | |
Books, everyone! | 0:41:25 | 0:41:27 | |
-And...and where is that? In London? -It is in London, yes. | 0:41:27 | 0:41:32 | |
-Just around the corner. -Oh, right. And are they fiction books? | 0:41:32 | 0:41:35 | |
-They are fiction and non-fiction, and all kinds of... -All the books! | 0:41:35 | 0:41:38 | |
-All of the books. -Thank God for you, Yasmin, you know? -I know, I know. | 0:41:38 | 0:41:42 | |
-Yes. Off you go with your story, Yasmin. -OK. | 0:41:42 | 0:41:45 | |
So, my boyfriend Alan and I have been together for four years... | 0:41:45 | 0:41:48 | |
-Congratulations(!) -Thank you. | 0:41:48 | 0:41:49 | |
And for about three and a half of those years, | 0:41:49 | 0:41:52 | |
I've been pestering him that, you know, we should get married. | 0:41:52 | 0:41:55 | |
-And... -Wow... | 0:41:55 | 0:41:57 | |
Yeah, well, you know. | 0:41:57 | 0:41:59 | |
So we knew each other longer, | 0:41:59 | 0:42:01 | |
and, you know, he's been hinting that maybe he might do it. | 0:42:01 | 0:42:03 | |
We were in New York about a year and a half ago, and we went looking | 0:42:03 | 0:42:06 | |
at engagement rings with both our mums, so I'm thinking it's soon. | 0:42:06 | 0:42:10 | |
Like, it's coming, and I'm ready for it. | 0:42:10 | 0:42:13 | |
So a few weeks ago, we were in Paris, you know, super romantic. | 0:42:13 | 0:42:17 | |
And we went up to the Eiffel Tower. | 0:42:17 | 0:42:19 | |
So we were outside and it's beautiful, and I'm looking out | 0:42:19 | 0:42:23 | |
and from the corner of my eye, I see that Alan gets down onto one knee. | 0:42:23 | 0:42:27 | |
And I might, you know, "This is it! It's happening!" | 0:42:27 | 0:42:29 | |
And there's a crowd forming. And I'm just like, "I know it. | 0:42:29 | 0:42:32 | |
"I'm going to turn and there's going to be a ring | 0:42:32 | 0:42:34 | |
"and it's going to be perfect." | 0:42:34 | 0:42:36 | |
And I sort of get a little bit overexcited | 0:42:36 | 0:42:38 | |
and I just sort of turn around and go, "Alan, what are you doing? | 0:42:38 | 0:42:40 | |
"I do!" And he's like, "You do what? | 0:42:40 | 0:42:42 | |
-"I'm taking a picture of the top of the Eiffel Tower." -Ohhhh! | 0:42:42 | 0:42:45 | |
On behalf of Alan. | 0:42:47 | 0:42:48 | |
Well done, everyone. | 0:42:51 | 0:42:53 | |
If you'd like to join us on the red chair, you can contact us | 0:42:53 | 0:42:56 | |
via the website at this very address. That is it for tonight. | 0:42:56 | 0:42:59 | |
Please say thank you to my guests - Mr Jack Black... | 0:42:59 | 0:43:02 | |
CHEERING | 0:43:02 | 0:43:03 | |
It's Owen Wilson, everybody! | 0:43:03 | 0:43:06 | |
CHEERING AND APPLAUSE | 0:43:06 | 0:43:07 | |
Penelope Cruz! | 0:43:07 | 0:43:09 | |
CHEERING | 0:43:09 | 0:43:10 | |
Ben Stiller! | 0:43:10 | 0:43:12 | |
CHEERING AND APPLAUSE | 0:43:12 | 0:43:13 | |
And...Sir Elton John! | 0:43:13 | 0:43:15 | |
CHEERING AND APPLAUSE | 0:43:15 | 0:43:17 | |
Join me next week | 0:43:17 | 0:43:19 | |
with pop sensations Little Mix, the hilarious Rebel Wilson, | 0:43:19 | 0:43:22 | |
dynamic duo Ant and Dec, and Oscar winner Julianne Moore. | 0:43:22 | 0:43:26 | |
I will see you then. Good night, everybody. Bye-bye! | 0:43:26 | 0:43:28 | |
APPLAUSE | 0:43:28 | 0:43:31 |