Browse content similar to Episode 16. Check below for episodes and series from the same categories and more!
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On tonight's show, we're keeping up with the Joneses, | 0:00:02 | 0:00:04 | |
lovely couple, the amazing Mr Smith and the gorgeous Mr Reynolds. | 0:00:04 | 0:00:07 | |
All the big names are here, let's start the show! | 0:00:07 | 0:00:09 | |
CHEERING | 0:00:09 | 0:00:11 | |
This programme contains strong language. | 0:00:13 | 0:00:20 | |
CHEERING AND APPLAUSE Oh! Oh! | 0:00:23 | 0:00:26 | |
Oh! Oh! | 0:00:26 | 0:00:29 | |
Good evening, everybody! | 0:00:31 | 0:00:32 | |
You all in a good mood? Yes! | 0:00:36 | 0:00:38 | |
It's Friday night, ladies and gentlemen. Yes, it is! | 0:00:38 | 0:00:42 | |
Woohoo, I tell you. | 0:00:42 | 0:00:44 | |
Some great names on my sofa tonight. I feel so lucky. | 0:00:44 | 0:00:46 | |
I feel luckier than a 48-year-old granny | 0:00:46 | 0:00:48 | |
who's left her lottery ticket in the washing machine. | 0:00:48 | 0:00:51 | |
You can't blame a granny for trying, can you? | 0:00:51 | 0:00:54 | |
Did anyone see the nude picture? | 0:00:54 | 0:00:57 | |
Release the balls! | 0:00:57 | 0:00:59 | |
LAUGHTER | 0:00:59 | 0:01:01 | |
Let's get our guests on. | 0:01:01 | 0:01:02 | |
Later, we'll have music from our good friend, | 0:01:02 | 0:01:05 | |
the extraordinary Laura Mvula. | 0:01:05 | 0:01:06 | |
But, first, he is one of our finest character actors, | 0:01:08 | 0:01:11 | |
who is leading the charge as Captain Mainwaring | 0:01:11 | 0:01:14 | |
in the new Dad's Army film. | 0:01:14 | 0:01:15 | |
It's Toby Jones, ladies and gentlemen. | 0:01:15 | 0:01:17 | |
CHEERING AND APPLAUSE | 0:01:17 | 0:01:19 | |
Hello, sir. Very nice to see you. | 0:01:19 | 0:01:21 | |
Have a seat, do. | 0:01:21 | 0:01:23 | |
Toby Jones. | 0:01:23 | 0:01:24 | |
This lady went from the Welsh Valleys | 0:01:26 | 0:01:28 | |
to the Hollywood Hills, | 0:01:28 | 0:01:29 | |
and won an Oscar for her standout performance in Chicago. | 0:01:29 | 0:01:32 | |
Please welcome the fabulous Catherine Zeta-Jones! | 0:01:32 | 0:01:35 | |
CHEERING AND APPLAUSE | 0:01:35 | 0:01:37 | |
Wowzer! | 0:01:37 | 0:01:38 | |
Wow! You look fabulous, darling! | 0:01:38 | 0:01:42 | |
Come in and sit down. | 0:01:42 | 0:01:43 | |
Catherine Zeta-Jones! | 0:01:43 | 0:01:45 | |
It's really her. | 0:01:45 | 0:01:48 | |
He's one of Hollywood's hottest leading men, | 0:01:48 | 0:01:50 | |
now he is turning the superhero genre on its head in Deadpool. | 0:01:50 | 0:01:54 | |
Please welcome, for the first time, Ryan Reynolds, everybody! | 0:01:54 | 0:01:58 | |
CHEERING AND APPLAUSE | 0:01:58 | 0:01:59 | |
Ryan Reynolds! Hello! | 0:01:59 | 0:02:02 | |
Very nice to see you. Come in. Sit down. | 0:02:02 | 0:02:05 | |
That's Ryan Reynolds. | 0:02:05 | 0:02:06 | |
And... And... | 0:02:07 | 0:02:11 | |
He's not just one of my favourite guests, | 0:02:11 | 0:02:13 | |
he is one of the biggest movie stars in the world, | 0:02:13 | 0:02:15 | |
from West Philadelphia, born and raised, | 0:02:15 | 0:02:18 | |
it's a warm welcome back to Will Smith! | 0:02:18 | 0:02:20 | |
CHEERING AND APPLAUSE | 0:02:20 | 0:02:22 | |
Oh! | 0:02:22 | 0:02:24 | |
So good to see you. | 0:02:24 | 0:02:26 | |
Hello, hello, hello. | 0:02:26 | 0:02:28 | |
Sit down. | 0:02:28 | 0:02:29 | |
-Hey! -Oh, man. | 0:02:36 | 0:02:37 | |
I tell you, not a bad haul. | 0:02:37 | 0:02:39 | |
Not a bad haul, ladies and gentlemen. | 0:02:39 | 0:02:41 | |
Very cool. | 0:02:41 | 0:02:42 | |
Ooh, but actually, very quickly, before we say another thing, | 0:02:42 | 0:02:45 | |
I should just say, if you are a Zayn Malik fan, | 0:02:45 | 0:02:48 | |
I am really sorry... | 0:02:48 | 0:02:50 | |
and he's not here! | 0:02:50 | 0:02:51 | |
LAUGHTER | 0:02:51 | 0:02:53 | |
I'm out of here! | 0:02:53 | 0:02:54 | |
-You were upset. Ryan was upset. -I was. | 0:02:55 | 0:02:59 | |
I saw with your tweet. | 0:02:59 | 0:03:01 | |
You were hurt. | 0:03:03 | 0:03:05 | |
Zayn Malik is really making me regret | 0:03:05 | 0:03:06 | |
this Zayn Malik tattoo I have on my back. | 0:03:06 | 0:03:09 | |
He's making it difficult. | 0:03:09 | 0:03:12 | |
Ryan tweeted when he heard the news of the cancellation... | 0:03:12 | 0:03:15 | |
LAUGHTER | 0:03:18 | 0:03:21 | |
True story. True story. | 0:03:21 | 0:03:23 | |
-Maybe not for nothing. -Maybe not for nothing. | 0:03:23 | 0:03:25 | |
-Hello! -Anyway, we don't know where he is. | 0:03:28 | 0:03:30 | |
But, hey, lovely to see you all. | 0:03:30 | 0:03:32 | |
This is special, ladies and gentlemen. | 0:03:32 | 0:03:34 | |
In the world of show business, we don't often get to say this, | 0:03:34 | 0:03:36 | |
four happily married people on the couch. | 0:03:36 | 0:03:39 | |
Not to each other! The Joneses not related in any way. | 0:03:39 | 0:03:42 | |
I need to make an announcement before we... | 0:03:44 | 0:03:46 | |
LAUGHTER | 0:03:46 | 0:03:48 | |
That would be so weird, if down the sofa... | 0:03:50 | 0:03:54 | |
Anyway! | 0:03:54 | 0:03:56 | |
Totes awks. | 0:03:56 | 0:03:58 | |
So, Ryan, you and Blake have been married for...? | 0:03:59 | 0:04:02 | |
Oh, God. Don't do this to me. | 0:04:02 | 0:04:04 | |
Two...uh...four years. | 0:04:04 | 0:04:06 | |
-Three years! -Are you guessing? | 0:04:06 | 0:04:09 | |
(Three-and-a-half!) | 0:04:09 | 0:04:10 | |
Yeah, three-and-a-half, you just go, you know... | 0:04:10 | 0:04:14 | |
OK, good luck with getting to four! | 0:04:14 | 0:04:16 | |
LAUGHTER | 0:04:16 | 0:04:20 | |
And Catherine and Michael, you have been together a long time now. | 0:04:20 | 0:04:23 | |
15. Together 17, married 15. | 0:04:23 | 0:04:25 | |
-How do you know that?! -Will and Jada? | 0:04:25 | 0:04:29 | |
Together 22, married 18. | 0:04:29 | 0:04:30 | |
Very good. | 0:04:30 | 0:04:32 | |
But Toby and Karen beat you all. | 0:04:32 | 0:04:35 | |
Together 26, married 1. | 0:04:35 | 0:04:38 | |
Wow! | 0:04:38 | 0:04:40 | |
What happened there? | 0:04:40 | 0:04:42 | |
LAUGHTER | 0:04:42 | 0:04:44 | |
Like, were you saving? | 0:04:44 | 0:04:46 | |
-"I want it to be really nice." -I have to be very careful what I say. | 0:04:50 | 0:04:53 | |
-No, What happened? -Well... -Sorry, this is none of my business! | 0:04:53 | 0:04:58 | |
It's just interesting. | 0:04:58 | 0:04:59 | |
We proposed and accepted about three or four times. | 0:04:59 | 0:05:04 | |
Every time I proposed once, | 0:05:04 | 0:05:05 | |
"Yeah, let's do that, let's do that." Then... | 0:05:05 | 0:05:09 | |
"Yeah, we'll do that..." | 0:05:09 | 0:05:11 | |
And then the next time nothing happened, | 0:05:11 | 0:05:14 | |
and the next time she proposed on a leap year. | 0:05:14 | 0:05:16 | |
I said, "Yeah, absolutely." | 0:05:16 | 0:05:18 | |
Nothing happened... | 0:05:18 | 0:05:20 | |
And then the third time, I proposed again, nothing happened. | 0:05:20 | 0:05:23 | |
Then we said we've got to stop proposing. | 0:05:23 | 0:05:25 | |
We couldn't really agree on how to do it. | 0:05:25 | 0:05:28 | |
We knew how to do it, obviously, | 0:05:28 | 0:05:29 | |
but didn't agree how to do it, as it were. | 0:05:29 | 0:05:31 | |
We're still talking about getting married now? | 0:05:31 | 0:05:33 | |
-Yes. -Yes, OK. LAUGHTER | 0:05:33 | 0:05:35 | |
He's obviously good at proposing. | 0:05:38 | 0:05:40 | |
Proposing? Yeah, they've got that down! | 0:05:40 | 0:05:42 | |
He proposed the hell out of that woman! | 0:05:42 | 0:05:45 | |
You finally got there? | 0:05:45 | 0:05:47 | |
After 25 years, it seemed like a good thing to do. | 0:05:47 | 0:05:50 | |
Very good. | 0:05:50 | 0:05:51 | |
Of course, Ryan, married to beautiful Blake, | 0:05:51 | 0:05:53 | |
the sexiest man in the world. | 0:05:53 | 0:05:55 | |
She is the sexiest man in the world! | 0:05:55 | 0:05:58 | |
You've done well there. | 0:05:58 | 0:05:59 | |
That's a good shot right there. | 0:05:59 | 0:06:01 | |
-Look at you. -Beautiful and happy. | 0:06:01 | 0:06:04 | |
So annoying! | 0:06:04 | 0:06:06 | |
Sorry about that, yeah. | 0:06:06 | 0:06:08 | |
No, but to cheer us up, | 0:06:08 | 0:06:09 | |
when you started kind of being interested in girls, | 0:06:09 | 0:06:11 | |
you weren't that cool or smooth with it. | 0:06:11 | 0:06:13 | |
-No! No, not at all. -I don't believe it. | 0:06:13 | 0:06:16 | |
No, I really... | 0:06:16 | 0:06:17 | |
I went through puberty at, like, 27. | 0:06:17 | 0:06:19 | |
LAUGHTER | 0:06:19 | 0:06:20 | |
It was a freak thing. It was not good. | 0:06:20 | 0:06:24 | |
-The voice changing. -Who was the girl in school? | 0:06:24 | 0:06:26 | |
The first girl? | 0:06:26 | 0:06:27 | |
-I was obsessed with this girl, Fiona Gorchinski, who... -Mm! | 0:06:27 | 0:06:33 | |
She used to actually take the bus the opposite way of my actual home. | 0:06:35 | 0:06:41 | |
I would get on the bus just to sit next to her | 0:06:41 | 0:06:43 | |
for 45 minutes the wrong way. | 0:06:43 | 0:06:46 | |
There is something wonderful about that. | 0:06:46 | 0:06:48 | |
-Yeah... -And moronic. | 0:06:48 | 0:06:49 | |
LAUGHTER | 0:06:49 | 0:06:51 | |
I love it - when you're young it's so cute, | 0:06:51 | 0:06:53 | |
when you're older, it's just stalking. | 0:06:53 | 0:06:57 | |
You're, like, on some kind of watch list. | 0:06:57 | 0:06:59 | |
But I remember, I couldn't have been more than, | 0:06:59 | 0:07:02 | |
I don't know, 11 years old. | 0:07:02 | 0:07:03 | |
I was just about to get off the bus, cos enough is enough, | 0:07:03 | 0:07:06 | |
I'm about to enter, like, Seattle or something. | 0:07:06 | 0:07:09 | |
I'm starting to get off the bus. | 0:07:09 | 0:07:10 | |
I decided to kind of hit her with this cool look or something. | 0:07:10 | 0:07:13 | |
Like one of these real, like, Don Johnson, Miami Vice things. | 0:07:13 | 0:07:15 | |
Let me feel it. Let me feel it. | 0:07:15 | 0:07:17 | |
-Yeah, you feel that? -I threw up in my mouth a bit. | 0:07:21 | 0:07:24 | |
I do this move as I'm getting down off the bus | 0:07:26 | 0:07:29 | |
and I sort of delay a little too long | 0:07:29 | 0:07:31 | |
and the bus doors close on my backpack. | 0:07:31 | 0:07:33 | |
On my backpack. | 0:07:33 | 0:07:35 | |
The bus just starts to leave... | 0:07:35 | 0:07:37 | |
LAUGHTER | 0:07:37 | 0:07:38 | |
I'm sort of doing this dance, like... | 0:07:38 | 0:07:40 | |
I'm banging on the side of the bus. | 0:07:40 | 0:07:43 | |
The bus driver finally stops, opens the door, | 0:07:43 | 0:07:45 | |
releases my idiot backpack, | 0:07:45 | 0:07:48 | |
and I could never look at her again. | 0:07:48 | 0:07:49 | |
-Aw! -It was terrible. | 0:07:49 | 0:07:51 | |
-Well, she's looking at you now. -Yeah, she sure is. | 0:07:51 | 0:07:54 | |
LAUGHTER | 0:07:54 | 0:07:56 | |
Can you imagine? "He's the guy with the backpack?!" | 0:07:56 | 0:08:00 | |
"He's the idiot with the Ren And Stimpy backpack." | 0:08:00 | 0:08:03 | |
Catherine Zeta-Jones and Michael, obviously been married... | 0:08:03 | 0:08:08 | |
-15. -..15 years. | 0:08:08 | 0:08:09 | |
Couples, when they've been together a long time, | 0:08:09 | 0:08:11 | |
they have rituals and ways to keep the relationship fresh, | 0:08:11 | 0:08:14 | |
but you have one involving golf. Is this right? | 0:08:14 | 0:08:17 | |
Yeah, that old thing. | 0:08:17 | 0:08:21 | |
-I'm pretty good. -I don't think I can handle this. | 0:08:21 | 0:08:24 | |
-I can...kick his ass in golf, if I say so. -Wow! | 0:08:24 | 0:08:28 | |
Don't you make these bets when you're playing golf? | 0:08:28 | 0:08:30 | |
Yeah, if he duffs a shot and can't get his ball | 0:08:30 | 0:08:34 | |
over the lady's tee, he has to take his pants off. | 0:08:34 | 0:08:38 | |
He will drop them. | 0:08:38 | 0:08:39 | |
-TOBY: -On the pitch? -On the pitch?! | 0:08:39 | 0:08:41 | |
LAUGHTER | 0:08:41 | 0:08:43 | |
You're worse than I am! Even I know that! | 0:08:43 | 0:08:47 | |
-On the course! -On the course, yes. | 0:08:47 | 0:08:49 | |
It's pitch and putt! | 0:08:49 | 0:08:52 | |
Crazy golf. | 0:08:54 | 0:08:56 | |
-Well, expose himself in some way. -And does he do it?! | 0:08:56 | 0:08:59 | |
But it's not just my husband, it's any man I play with. | 0:08:59 | 0:09:01 | |
LAUGHTER | 0:09:01 | 0:09:04 | |
APPLAUSE | 0:09:04 | 0:09:06 | |
I have questions too. | 0:09:06 | 0:09:09 | |
He doesn't have a question, he was volunteering to play golf! | 0:09:09 | 0:09:13 | |
Drop them on the course? What are the paparazzi doing all day?! | 0:09:13 | 0:09:17 | |
There has been an issue with paparazzi, | 0:09:17 | 0:09:19 | |
but I made him go into the bushes and drop his pants. | 0:09:19 | 0:09:22 | |
A deal is a deal. | 0:09:24 | 0:09:25 | |
Will, you and Jada, you are kind of a real Hollywood couple, | 0:09:27 | 0:09:30 | |
power couple now, married 18 years. | 0:09:30 | 0:09:33 | |
That is my wife. | 0:09:33 | 0:09:34 | |
Still interested, look at that! | 0:09:34 | 0:09:36 | |
LAUGHTER | 0:09:36 | 0:09:38 | |
Are you looking at her boobs? | 0:09:38 | 0:09:39 | |
That is not a good... That picture - why did you do that? | 0:09:39 | 0:09:42 | |
I'm looking at her like food! | 0:09:43 | 0:09:45 | |
I'm looking like I'm still breast-feeding! | 0:09:48 | 0:09:52 | |
Jeez! | 0:09:57 | 0:09:59 | |
It's a good thing that's my wife! | 0:09:59 | 0:10:01 | |
Just before we move on, I must, of course, say to you, Will, | 0:10:02 | 0:10:05 | |
cos it's been a weird year because of the Oscars | 0:10:05 | 0:10:08 | |
and all the controversy and everything. | 0:10:08 | 0:10:11 | |
It must be odd for you talking about it, | 0:10:11 | 0:10:13 | |
because you are kind of part of it. | 0:10:13 | 0:10:15 | |
People are talking about your performance, that movie, | 0:10:15 | 0:10:17 | |
so where are you officially now, where are you standing? | 0:10:17 | 0:10:20 | |
The thing that is most important for me | 0:10:20 | 0:10:22 | |
is that the spirit of it has to maintain. | 0:10:22 | 0:10:26 | |
The media creates the us and them. | 0:10:26 | 0:10:30 | |
For me, there is no us and them, it's we. | 0:10:30 | 0:10:34 | |
I'm a member of the Academy. | 0:10:34 | 0:10:38 | |
I felt very seriously that there is a sort of a... | 0:10:38 | 0:10:44 | |
kind of a regression in America in general, | 0:10:44 | 0:10:48 | |
a regression towards separatism and racial and religious exclusion. | 0:10:48 | 0:10:55 | |
So, for me, it is more about putting my hand up | 0:10:55 | 0:10:58 | |
and reminding my community, the Hollywood community, | 0:10:58 | 0:11:01 | |
that we have to lead. | 0:11:01 | 0:11:03 | |
Diversity is America's superpower. | 0:11:03 | 0:11:07 | |
That is what makes our country great. | 0:11:07 | 0:11:10 | |
It is really important. | 0:11:10 | 0:11:12 | |
In Hollywood, we've got to be pushing forward, | 0:11:12 | 0:11:15 | |
even in a time of a wider regression. | 0:11:15 | 0:11:19 | |
-Well, hopefully something good comes out of it. -It always does. | 0:11:19 | 0:11:22 | |
As my grandmother says, that's the only thing that can come out of it, | 0:11:22 | 0:11:25 | |
if you lead with love and light, | 0:11:25 | 0:11:27 | |
good is only going to come out of it. | 0:11:27 | 0:11:29 | |
Wise man! | 0:11:29 | 0:11:30 | |
Wise man, Will Smith. | 0:11:30 | 0:11:31 | |
APPLAUSE | 0:11:31 | 0:11:33 | |
Right, Will Smith, ladies and gentlemen, | 0:11:36 | 0:11:38 | |
you are here with a film - Concussion. | 0:11:38 | 0:11:40 | |
It tells an extraordinary true story. | 0:11:40 | 0:11:43 | |
Was this story well-known in America? | 0:11:43 | 0:11:45 | |
Cos it wasn't well-known here. | 0:11:45 | 0:11:47 | |
You know, it wasn't really well-known in America at the time. | 0:11:47 | 0:11:51 | |
Since I took the film, it has been really well-known. | 0:11:51 | 0:11:55 | |
But it's the story of essentially there's a brain disease | 0:11:55 | 0:12:00 | |
that American football players... | 0:12:00 | 0:12:02 | |
It's actually expanded beyond American football players - | 0:12:02 | 0:12:06 | |
rugby, and the Australian rules and soccer, even - | 0:12:06 | 0:12:10 | |
but this is the doctor who discovered the brain disease | 0:12:10 | 0:12:14 | |
that the players are getting. | 0:12:14 | 0:12:16 | |
-It opens here on... -It's a big comedy! | 0:12:16 | 0:12:18 | |
It is a terrific story. | 0:12:21 | 0:12:22 | |
It opens here on the 12th of February. | 0:12:22 | 0:12:24 | |
I think often in this country if we hear a movie | 0:12:24 | 0:12:27 | |
is about American football or baseball or something, | 0:12:27 | 0:12:29 | |
we think we won't get it. | 0:12:29 | 0:12:30 | |
But this is really accessible because it is told from the doctor | 0:12:30 | 0:12:33 | |
who also doesn't know about football. | 0:12:33 | 0:12:36 | |
Absolutely, yeah. The doctor, he was a Nigerian immigrant. | 0:12:36 | 0:12:39 | |
He came and he discovered the disease. | 0:12:39 | 0:12:41 | |
He's a forensic pathologist. | 0:12:41 | 0:12:43 | |
So I had to see autopsies to prepare for this role. | 0:12:43 | 0:12:46 | |
-Oh! -Yeah. | 0:12:46 | 0:12:48 | |
Don't go to autopsies. | 0:12:48 | 0:12:50 | |
LAUGHTER | 0:12:50 | 0:12:52 | |
That's as a general rule. As a general rule. If somebody, | 0:12:52 | 0:12:55 | |
"Hey, man, we're going to an autopsy tomorrow", just don't go. | 0:12:55 | 0:12:59 | |
It was definitely a jarring experience. | 0:12:59 | 0:13:04 | |
Yes. | 0:13:04 | 0:13:05 | |
-TOBY: -Is there no solution to the problem? | 0:13:05 | 0:13:08 | |
What it is, is that for American football, | 0:13:08 | 0:13:11 | |
the helmet actually presents a greater problem. | 0:13:11 | 0:13:15 | |
Your brain is completely disconnected from the skull, | 0:13:15 | 0:13:19 | |
sitting in a fluid. | 0:13:19 | 0:13:21 | |
So in the film, we use the illustration | 0:13:21 | 0:13:25 | |
of an onion inside of a jar. | 0:13:25 | 0:13:28 | |
It is just free flowing. There is nothing you can do. | 0:13:28 | 0:13:31 | |
You can put an exoskeleton over it, you put the helmet over it, | 0:13:31 | 0:13:34 | |
but you still don't stop the onion from hitting inside, | 0:13:34 | 0:13:37 | |
and that's what happens to the human brain. | 0:13:37 | 0:13:41 | |
Also it's a multibillion dollar industry. | 0:13:41 | 0:13:43 | |
It's a very difficult thing to stop. | 0:13:43 | 0:13:45 | |
Toby, you should not play American football! | 0:13:45 | 0:13:47 | |
LAUGHTER | 0:13:47 | 0:13:49 | |
Just give that dream up, Toby! | 0:13:50 | 0:13:54 | |
Just give it up, give it up. | 0:13:54 | 0:13:55 | |
You can't take a man's dream like that! | 0:13:55 | 0:13:57 | |
We've got a clip. This is you as Dr Bennet Omalu pleading | 0:13:58 | 0:14:02 | |
with a representative from the governing body of football, the NFL. | 0:14:02 | 0:14:06 | |
Sir, I am not done. | 0:14:07 | 0:14:09 | |
History laughs. | 0:14:09 | 0:14:11 | |
If you continue to deny my work, | 0:14:12 | 0:14:15 | |
the world will deny my work. | 0:14:15 | 0:14:17 | |
But men, your men... | 0:14:20 | 0:14:24 | |
continue to die, their families left in ruins. | 0:14:24 | 0:14:28 | |
Tell the truth. | 0:14:31 | 0:14:33 | |
Tell the truth. | 0:14:35 | 0:14:37 | |
Are you sure you want to do this? | 0:14:47 | 0:14:51 | |
I would ask you that same question. | 0:14:51 | 0:14:53 | |
Powerful stuff. | 0:14:57 | 0:14:59 | |
Dr Omalu, he loves that this film has been made, | 0:15:04 | 0:15:08 | |
he loves that he is now you. | 0:15:08 | 0:15:09 | |
Oh, yeah, look at that. | 0:15:09 | 0:15:11 | |
That's what his face looks like all the time. | 0:15:11 | 0:15:15 | |
He is so completely happy. All the things that he suffered. | 0:15:15 | 0:15:18 | |
It's funny, he sent me a link. | 0:15:18 | 0:15:20 | |
There was a Nigerian comedian that was talking about my performance | 0:15:20 | 0:15:25 | |
in the movie, and he said... | 0:15:25 | 0:15:28 | |
-NIGERIAN ACCENT: -"Will Smith is doing a Nigerian accent in his film, | 0:15:28 | 0:15:33 | |
"and the haters will say that it is no good, | 0:15:33 | 0:15:36 | |
"but I think that is not true. | 0:15:36 | 0:15:38 | |
"I think he sounds like a Nigerian with a concussion." | 0:15:38 | 0:15:41 | |
LAUGHTER | 0:15:41 | 0:15:43 | |
That's about the best compliment they can pay. | 0:15:45 | 0:15:48 | |
Four actors, you all have to do accents, | 0:15:54 | 0:15:56 | |
but, Ryan, we don't think of Canadians as having accents, | 0:15:56 | 0:16:00 | |
-and yet you... -Oh, we do. | 0:16:00 | 0:16:01 | |
You've lost your accent, you would say? | 0:16:01 | 0:16:03 | |
Yeah, I sort of trained myself out of it. | 0:16:03 | 0:16:05 | |
But, you know, I go back home and it pops up again. | 0:16:05 | 0:16:07 | |
That's all Ottawa. I hear that's all Ottawa. I can hear it. | 0:16:07 | 0:16:11 | |
Oh, yeah, it gets that. Mm! | 0:16:11 | 0:16:13 | |
Say "about". | 0:16:13 | 0:16:14 | |
Well, in Canada it is "aboot". | 0:16:14 | 0:16:16 | |
That's what I'm saying. Say it the way you say it. | 0:16:16 | 0:16:19 | |
What are you talking aboot? What are you talking aboot? But... | 0:16:19 | 0:16:22 | |
It's a bad word, I'm sorry. | 0:16:22 | 0:16:23 | |
You handle everything with, "Oh, fuck, buddy." | 0:16:23 | 0:16:26 | |
Is it something about the Canadian accent | 0:16:29 | 0:16:31 | |
that makes you a really bad liar? | 0:16:31 | 0:16:33 | |
Well, yeah, we are not good at lying or fighting, really. | 0:16:33 | 0:16:38 | |
-That's good. -It's all slappy, it's not very sexy. | 0:16:38 | 0:16:42 | |
Weren't you caught at the border...? | 0:16:42 | 0:16:44 | |
Yeah. My wife is a foodie, and she loves these apple pies they make | 0:16:44 | 0:16:50 | |
at this place in Vancouver, where I grew up. | 0:16:50 | 0:16:52 | |
We grabbed a bunch of them and headed... | 0:16:52 | 0:16:54 | |
We were driving back down to the States, we crossed the border. | 0:16:54 | 0:16:57 | |
You're not allowed to cross the border with vegetables, | 0:16:57 | 0:16:59 | |
-it is illegal. -Yeah, it's illegal. | 0:16:59 | 0:17:00 | |
This guy knew something was going on. | 0:17:00 | 0:17:02 | |
-We get up to the border crossing... -TOBY: -Pie smugglers. | 0:17:02 | 0:17:04 | |
Yeah, pie smugglers. I'm an actor. | 0:17:04 | 0:17:06 | |
Most Hollywood actors, they have a kilo of cocaine in their car! | 0:17:06 | 0:17:10 | |
I've just got pies. | 0:17:10 | 0:17:11 | |
But he knew something was going on, right? | 0:17:14 | 0:17:16 | |
-You had the pie face. -I totally had the pie face. | 0:17:16 | 0:17:19 | |
I've got the worst poker face... Worst pie face ever. | 0:17:19 | 0:17:22 | |
And, yeah... | 0:17:22 | 0:17:24 | |
And he says... And my voice always gets really high when I'm lying. | 0:17:24 | 0:17:28 | |
He said, "Have you got anything? Any fruit, any vegetables?" | 0:17:28 | 0:17:31 | |
-And I was like... -HIGH-PITCHED TONE: -No! | 0:17:31 | 0:17:34 | |
-HIGH-PITCHED TONE: -Why the hell would I have fruits and vegetables, man? | 0:17:34 | 0:17:37 | |
-HIGH-PITCHED TONE: -Crazy! | 0:17:37 | 0:17:38 | |
-HIGH-PITCHED TONE: -Who would bring fruits and vegetables? | 0:17:38 | 0:17:42 | |
Basically, he just had me on the hook. | 0:17:42 | 0:17:45 | |
He looked at me and goes, "You remember that movie you did, | 0:17:45 | 0:17:47 | |
"that movie, Just Friends?" I was like, "Yeah, yeah." | 0:17:47 | 0:17:49 | |
He said, "You know that song at the end of it | 0:17:49 | 0:17:51 | |
"where you sing I Swear by All-4-One?" "Yeah, yeah." | 0:17:51 | 0:17:54 | |
He was like, "Go ahead." | 0:17:54 | 0:17:55 | |
LAUGHTER No! | 0:17:55 | 0:17:58 | |
Basically, he was saying, "Dance, monkey." | 0:17:58 | 0:18:01 | |
-I bet you danced. -I danced. | 0:18:03 | 0:18:06 | |
I sang that thing in the best falsetto I had | 0:18:06 | 0:18:08 | |
and I was on my way through the border eating pie by the next stop. | 0:18:08 | 0:18:12 | |
Catherine Zeta-Jones, you, famously for us, you are from Wales. | 0:18:13 | 0:18:17 | |
From Wales! | 0:18:17 | 0:18:18 | |
There's loads of roles for Welsh girls around. | 0:18:18 | 0:18:22 | |
Finally! | 0:18:22 | 0:18:23 | |
After Mask Of Zorro... | 0:18:25 | 0:18:27 | |
Oh, they thought I was Spanish. | 0:18:27 | 0:18:29 | |
Yeah, I had to go to the red carpet and everyone would go, "Hola". | 0:18:29 | 0:18:33 | |
All I said was, "Gracias, gracias." | 0:18:36 | 0:18:40 | |
They could have been saying anything about me. | 0:18:40 | 0:18:42 | |
"Gracias. Muy bien. Muchas gracias." | 0:18:42 | 0:18:44 | |
-To me, you still have a Welsh accent. -Yeah. | 0:18:47 | 0:18:50 | |
But is that because you are here? | 0:18:50 | 0:18:51 | |
I've been with my mam and dad this whole weekend and my brother, | 0:18:51 | 0:18:54 | |
and it gets stronger. | 0:18:54 | 0:18:56 | |
When I first met Michael, I'd be on the phone to my mother, | 0:18:56 | 0:18:58 | |
and I'd get off the phone and he'd say, | 0:18:58 | 0:19:00 | |
"Oh, it's a beautiful language, Welsh." I went... | 0:19:00 | 0:19:02 | |
-EXAGGERATED ACCENT: -"What are you talking about? | 0:19:02 | 0:19:04 | |
-"I'm speaking English." -LAUGHTER | 0:19:04 | 0:19:08 | |
I have to say, the night you won the BAFTA, | 0:19:08 | 0:19:10 | |
you were suddenly the Welsh-est woman alive. | 0:19:10 | 0:19:14 | |
I know! | 0:19:14 | 0:19:15 | |
It's that humble thing that comes on. | 0:19:15 | 0:19:17 | |
-EXAGGERATED ACCENT: -"I'm from Swansea, I don't deserve this!" | 0:19:17 | 0:19:19 | |
Because you must have had friends there, | 0:19:21 | 0:19:23 | |
American friends in the audience | 0:19:23 | 0:19:25 | |
who mustn't have known what you were doing. | 0:19:25 | 0:19:27 | |
You did the big chant and everything. | 0:19:27 | 0:19:28 | |
I did "Oggy Oggy", didn't I? | 0:19:28 | 0:19:31 | |
I think Wales won that day, actually. | 0:19:31 | 0:19:33 | |
Was that what it was? | 0:19:33 | 0:19:35 | |
Something that jogged my memory | 0:19:35 | 0:19:36 | |
about how important "Oggy Oggy" was in my life. | 0:19:36 | 0:19:39 | |
These two are smiling and nodding. | 0:19:39 | 0:19:42 | |
Oggy oggy. Oggy oggy. | 0:19:42 | 0:19:45 | |
If I did the "Oggy Oggy", you'd know what to do, right? | 0:19:45 | 0:19:47 | |
-To show the Americans. -AUDIENCE: Yeah! | 0:19:47 | 0:19:49 | |
All right. Ready? | 0:19:49 | 0:19:50 | |
Oggy oggy oggy. | 0:19:51 | 0:19:53 | |
Oi! Oi! Oi! | 0:19:53 | 0:19:55 | |
Oggy oggy oggy! | 0:19:55 | 0:19:57 | |
Oi! Oi! Oi! | 0:19:57 | 0:19:58 | |
-Oggy! -Oi! | 0:19:58 | 0:19:59 | |
-Oggy! -Oi! | 0:19:59 | 0:20:01 | |
Oggy oggy oggy! | 0:20:01 | 0:20:02 | |
Oi! Oi! Oi! | 0:20:02 | 0:20:03 | |
Now you can do it. | 0:20:03 | 0:20:04 | |
-I'm going to take that home. -Yeah, we're going to take that back. | 0:20:06 | 0:20:09 | |
Ours is more like... | 0:20:09 | 0:20:11 | |
Say ho-ohh. | 0:20:11 | 0:20:12 | |
Ho-ohh! | 0:20:12 | 0:20:13 | |
It's really simple. | 0:20:13 | 0:20:14 | |
In Canada it's... | 0:20:16 | 0:20:17 | |
"Sorry about that". | 0:20:17 | 0:20:19 | |
LAUGHTER | 0:20:19 | 0:20:20 | |
APPLAUSE | 0:20:22 | 0:20:24 | |
Finally, ladies and gentlemen, Ryan Reynolds brings us Deadpool. | 0:20:28 | 0:20:32 | |
CHEERING AND APPLAUSE | 0:20:32 | 0:20:34 | |
I love that poster. | 0:20:36 | 0:20:37 | |
That poster tells you everything you need to know about this movie. | 0:20:37 | 0:20:40 | |
That is a really good poster. | 0:20:40 | 0:20:42 | |
A man in a very tight red body suit. | 0:20:42 | 0:20:46 | |
It opens here on February 10th. | 0:20:46 | 0:20:48 | |
This must feel great for you. | 0:20:48 | 0:20:50 | |
This has been a labour of love, getting this made. | 0:20:50 | 0:20:53 | |
Yes, yeah. | 0:20:53 | 0:20:54 | |
It's been the best and worst relationship I've ever been in. | 0:20:54 | 0:20:57 | |
11 years. 11 years I've been trying to get this movie made. | 0:20:57 | 0:21:01 | |
We wrote a script, we did that about six years ago. | 0:21:01 | 0:21:04 | |
Then we did a little bit of test footage for this movie. | 0:21:04 | 0:21:07 | |
That test footage sat on a shelf at Fox for four years. | 0:21:07 | 0:21:09 | |
Then about a year and a half ago, | 0:21:09 | 0:21:12 | |
somebody accidentally leaked it on the internet. | 0:21:12 | 0:21:15 | |
-(Was that you?) -Super crazy. | 0:21:15 | 0:21:16 | |
Oh, no. It had nothing to do with me. | 0:21:16 | 0:21:19 | |
I had nothing to do with that. | 0:21:19 | 0:21:20 | |
Very un-Canadian of you. | 0:21:20 | 0:21:22 | |
My mum was like, "What does this button do? | 0:21:22 | 0:21:27 | |
"Ah!" | 0:21:27 | 0:21:28 | |
"Oh, well, I guess we're making the movie now." | 0:21:28 | 0:21:31 | |
It just went nuts. People started writing and flooding Fox, | 0:21:31 | 0:21:34 | |
begging and pleading for the Deadpool movie to get made. | 0:21:34 | 0:21:37 | |
Within 24 hours, we had a green light. | 0:21:37 | 0:21:39 | |
-It was that quick? -It was that quick. | 0:21:39 | 0:21:41 | |
It was so undeniable, and it felt really good. | 0:21:41 | 0:21:44 | |
Also, you must be quite pissed off | 0:21:44 | 0:21:47 | |
that you couldn't make that decision for yourselves. | 0:21:47 | 0:21:50 | |
Exactly, we tried and tried, but the fans got it made. | 0:21:50 | 0:21:53 | |
It's a great story too, this is totally fan-driven in every way. | 0:21:53 | 0:21:55 | |
People who don't know, they'll be thinking, | 0:21:55 | 0:21:57 | |
"Why wouldn't the studio want to make this? It's a superhero movie. | 0:21:57 | 0:22:00 | |
"Everyone loves them." And it is a superhero movie | 0:22:00 | 0:22:03 | |
and it's got all those things, but it does also have | 0:22:03 | 0:22:05 | |
this kind of indie movie sensibility and edginess. | 0:22:05 | 0:22:08 | |
It is meta. The character knows he's in a comic book movie, | 0:22:08 | 0:22:11 | |
but he works in the X-Men universe, | 0:22:11 | 0:22:13 | |
so he's dealing with other X-Men, he's talking about other X-Men. | 0:22:13 | 0:22:17 | |
He's making jokes about Ryan Reynolds. | 0:22:17 | 0:22:19 | |
It is rated R, which is unusual for a Marvel, X-Men type movie. | 0:22:19 | 0:22:23 | |
I think it's a certificate 15 here in the UK. | 0:22:23 | 0:22:25 | |
Yeah, we can take it. | 0:22:25 | 0:22:27 | |
LAUGHTER | 0:22:27 | 0:22:28 | |
In China it's rated go fuck yourself! | 0:22:28 | 0:22:30 | |
-Basically, they're not showing it there at all. -Washed their hands! | 0:22:32 | 0:22:35 | |
It's sad, I wish we could show it there. | 0:22:35 | 0:22:38 | |
But, yeah, it's a pretty unorthodox film. | 0:22:38 | 0:22:40 | |
Also, what's great is to reflect, like that poster, | 0:22:40 | 0:22:42 | |
but also you've done other posters that are unorthodox. | 0:22:42 | 0:22:45 | |
The marketing of this movie has been so much fun. | 0:22:45 | 0:22:47 | |
Are you involved in these things? | 0:22:47 | 0:22:49 | |
Completely. We love it. | 0:22:49 | 0:22:50 | |
We're, like, giddily texting and e-mailing each other | 0:22:50 | 0:22:52 | |
in the middle of the night. "What if we tried this?" | 0:22:52 | 0:22:55 | |
The emoji poster, I love the emoji poster. | 0:22:55 | 0:22:58 | |
-Deadpool. -Deadpool... Ha! | 0:22:58 | 0:22:59 | |
Dead - poo - L. | 0:22:59 | 0:23:00 | |
That just started as a jokey text message | 0:23:02 | 0:23:05 | |
between me and a couple other people. | 0:23:05 | 0:23:06 | |
Then the Fox marketing guys said, | 0:23:06 | 0:23:08 | |
"We're going to make that into a billboard." | 0:23:08 | 0:23:10 | |
I said, "You don't have the balls." And there it is. | 0:23:10 | 0:23:13 | |
Also, you haven't forgotten that it's opening on Valentine's weekend. | 0:23:13 | 0:23:16 | |
Of course, yeah. | 0:23:16 | 0:23:17 | |
So we've got that. | 0:23:17 | 0:23:18 | |
True love never dies. | 0:23:23 | 0:23:25 | |
There are references to Valentine's Day in it. | 0:23:28 | 0:23:30 | |
It is. There is a big love story in this film. | 0:23:30 | 0:23:33 | |
The love story quickly turns into dick-kicking revenge, | 0:23:33 | 0:23:36 | |
but, still, it's a love story. | 0:23:36 | 0:23:39 | |
I like how it shocks me, cos on American TV | 0:23:39 | 0:23:41 | |
you can't say stuff like that. | 0:23:41 | 0:23:43 | |
No, you can't say it here either. | 0:23:43 | 0:23:45 | |
LAUGHTER | 0:23:45 | 0:23:46 | |
I'll just be saying "Hi" on the couch when it airs. | 0:23:48 | 0:23:52 | |
I'll just say, "Deadpool!" | 0:23:52 | 0:23:55 | |
Then I'll go, "On to Dad's Army." | 0:23:55 | 0:23:57 | |
Also, you didn't just work on the things, | 0:23:59 | 0:24:01 | |
you did the voice-overs for some trailers. | 0:24:01 | 0:24:04 | |
Yeah, I did. | 0:24:04 | 0:24:06 | |
Exactly, yeah. I love that stuff. | 0:24:06 | 0:24:08 | |
I do it at home all the time. It drives my wife nuts. | 0:24:08 | 0:24:10 | |
You know, it's that voice... | 0:24:10 | 0:24:11 | |
-DEEP AND GRAVELLY TONE: -In a world divided by fear, | 0:24:11 | 0:24:15 | |
one man must stand alone. | 0:24:15 | 0:24:18 | |
Will Smith, Ryan Reynolds, | 0:24:18 | 0:24:20 | |
Catherine Zeta-Jones, Toby Jones, | 0:24:20 | 0:24:24 | |
in...Graham Norton's Pants, rated R. | 0:24:24 | 0:24:27 | |
LAUGHTER AND APPLAUSE | 0:24:27 | 0:24:29 | |
That's my ringtone. | 0:24:29 | 0:24:30 | |
That was really good. | 0:24:34 | 0:24:36 | |
Like Don LaFontaine. That guy's the best. | 0:24:36 | 0:24:38 | |
-Yeah, the trailer guy. -I want to see that movie! | 0:24:38 | 0:24:42 | |
Listen, we've got a clip from Deadpool. | 0:24:42 | 0:24:44 | |
This is essentially... | 0:24:44 | 0:24:46 | |
This is you and your crew, a couple of the other X people, | 0:24:46 | 0:24:51 | |
-confronting your nemesis. -Yes! | 0:24:51 | 0:24:54 | |
MUSIC: X Gon' Give It To Ya by DMX | 0:24:54 | 0:24:57 | |
Go get some. | 0:25:00 | 0:25:01 | |
She's going to do a superhero landing. Wait for it! | 0:25:01 | 0:25:04 | |
Whoo! | 0:25:07 | 0:25:08 | |
Superhero landing! | 0:25:08 | 0:25:10 | |
You know, that's really hard on your knees. | 0:25:10 | 0:25:12 | |
Totally impractical. They all do it. | 0:25:12 | 0:25:14 | |
You are a lovely lady, but I'm saving myself for Frances. | 0:25:14 | 0:25:16 | |
That's why I brought him! | 0:25:16 | 0:25:18 | |
I prefer not to hit a woman, so please... | 0:25:18 | 0:25:21 | |
METALLIC CLANG | 0:25:21 | 0:25:23 | |
I mean...that's why I brought her? | 0:25:28 | 0:25:30 | |
Oh, no, finish your tweet. | 0:25:32 | 0:25:34 | |
Just give us a second. | 0:25:34 | 0:25:36 | |
There you go, hashtag it. | 0:25:36 | 0:25:38 | |
Go get her, tiger. | 0:25:38 | 0:25:40 | |
I so pity the dude who pressures her into prom sex. | 0:25:47 | 0:25:50 | |
LAUGHTER | 0:25:50 | 0:25:53 | |
You don't think about it watching the movie, | 0:25:58 | 0:26:00 | |
but there is a weird thing - | 0:26:00 | 0:26:02 | |
is it true the director based some of the fight moves on Muhammad Ali? | 0:26:02 | 0:26:07 | |
Some of the big fight scenes, yeah. | 0:26:07 | 0:26:09 | |
Sorry. | 0:26:09 | 0:26:11 | |
We've got the other Muhammad Ali right here. | 0:26:12 | 0:26:15 | |
Some of it was based on Muhammad Ali - | 0:26:15 | 0:26:17 | |
just that idea of how he sort of got in people's heads. | 0:26:17 | 0:26:21 | |
He was punching them in the brain | 0:26:21 | 0:26:22 | |
as much as he was punching them in the face. | 0:26:22 | 0:26:24 | |
A lot of it is that, that sort of floating thing that he does, | 0:26:24 | 0:26:28 | |
it's a psychological warfare as well. | 0:26:28 | 0:26:31 | |
Because when you were preparing to play Muhammad Ali, | 0:26:31 | 0:26:33 | |
watching tapes, how many hours did you spend watching tapes? | 0:26:33 | 0:26:37 | |
What I used to do was | 0:26:37 | 0:26:39 | |
there was a way that his arm moved, and Michael Mann, the director, | 0:26:39 | 0:26:42 | |
wanted me to burn neural passages. | 0:26:42 | 0:26:47 | |
So I would sit in a dark room for 20 minutes at a time, | 0:26:47 | 0:26:51 | |
but for two or three hours a day, | 0:26:51 | 0:26:54 | |
just in a dark room and I would watch a loop of him doing the jab, | 0:26:54 | 0:26:56 | |
-doing the jab, doing the jab. -Whoa, wow. | 0:26:56 | 0:26:58 | |
-Trying to burn neural passages. -Yeah. | 0:26:58 | 0:27:00 | |
It didn't work. | 0:27:00 | 0:27:02 | |
It was a bad idea from the beginning. | 0:27:03 | 0:27:06 | |
The movie was great, something worked. | 0:27:06 | 0:27:09 | |
Toby Jones, you've been in some big superhero movies. | 0:27:09 | 0:27:11 | |
Oh, I thought you were going to say as Captain Mainwaring, | 0:27:11 | 0:27:14 | |
did I burn some neural passages? | 0:27:14 | 0:27:16 | |
I wasn't asked to do that. | 0:27:16 | 0:27:17 | |
No, you were in Captain America and Hunger Games, you were in that. | 0:27:17 | 0:27:21 | |
-Yeah, yeah. -Did you get to do stunts? | 0:27:21 | 0:27:23 | |
No, I get to watch people do stunts. | 0:27:23 | 0:27:26 | |
I contrived special powers, because in the Marvel stuff, | 0:27:26 | 0:27:29 | |
I'm Arnim Zola, a sort of German nefarious doctor, evil doctor. | 0:27:29 | 0:27:35 | |
Ooh. | 0:27:35 | 0:27:37 | |
I'm against Captain America. | 0:27:37 | 0:27:38 | |
-We may run into each other in the future. -Oh, good. | 0:27:38 | 0:27:41 | |
But at the moment I'm just preoccupied with Captain America, | 0:27:41 | 0:27:44 | |
dealing with him. | 0:27:44 | 0:27:45 | |
Is it extraordinary for you now when parents tell their children | 0:27:45 | 0:27:50 | |
that you are Dobby from Harry Potter? | 0:27:50 | 0:27:52 | |
Well, it is, because I think they look at me | 0:27:52 | 0:27:55 | |
and think, "Well, he's not that big, | 0:27:55 | 0:27:57 | |
"maybe he could fit into a costume as Dobby... Around his eyes..." | 0:27:57 | 0:28:02 | |
There's always a slight moment of assessing whether I'm tall enough. | 0:28:02 | 0:28:06 | |
And then I say I'm only partly responsible, just for the voice. | 0:28:08 | 0:28:11 | |
Then there's always the kind of, "Can you do the voice on the phone? | 0:28:11 | 0:28:15 | |
"Can you speak to my mother?" | 0:28:15 | 0:28:17 | |
Apparently being Dobby brings with it | 0:28:17 | 0:28:20 | |
its own sort of fan mail. | 0:28:20 | 0:28:22 | |
Yes. | 0:28:23 | 0:28:25 | |
There is a certain kind of fan of Dobby, you think, | 0:28:27 | 0:28:31 | |
"Well, you're not really a child. | 0:28:31 | 0:28:33 | |
"You are an adult and you are asking me to write a little legend | 0:28:34 | 0:28:39 | |
"for your partner, in which you say | 0:28:39 | 0:28:41 | |
"you've been a really, really bad Dobby." | 0:28:41 | 0:28:43 | |
As you know, Dobby gets hit around. | 0:28:46 | 0:28:50 | |
Taken in the wrong context it could be implications of sadomasochism. | 0:28:50 | 0:28:55 | |
Yes. We never imagined Harry Potter would go there. | 0:28:55 | 0:28:57 | |
It's very dark, Toby. | 0:28:57 | 0:28:58 | |
Hey, man, I only sent that letter because I appreciate it. | 0:28:58 | 0:29:02 | |
LAUGHTER | 0:29:02 | 0:29:03 | |
Can I get your e-mail? | 0:29:05 | 0:29:07 | |
Very quickly, I am so sorry there won't be more Hunger Games. | 0:29:09 | 0:29:12 | |
This character... This character deserves a spin-off. | 0:29:12 | 0:29:16 | |
CHEERING AND APPLAUSE | 0:29:16 | 0:29:18 | |
That's... | 0:29:19 | 0:29:21 | |
That's its... | 0:29:22 | 0:29:23 | |
That's its own movie. | 0:29:24 | 0:29:27 | |
-That is an amazing... -Who is that guy? | 0:29:27 | 0:29:29 | |
It looks like my aunt Kathy. | 0:29:31 | 0:29:34 | |
Yeah, she's not sending you a card now. | 0:29:35 | 0:29:37 | |
Catherine Zeta-Jones, you've done extraordinary stunt work. | 0:29:39 | 0:29:42 | |
You did a lot of the sword stuff in Mask Of Zorro? | 0:29:42 | 0:29:45 | |
A lot of the sword stuff in Zorro, yeah. | 0:29:45 | 0:29:47 | |
But I think probably my biggest stunt | 0:29:47 | 0:29:49 | |
was getting my ass through lasers in Entrapment. | 0:29:49 | 0:29:51 | |
Mm-hmm! I remember that. | 0:29:51 | 0:29:54 | |
Did you have to be able to do that? | 0:29:54 | 0:29:57 | |
LAUGHTER | 0:29:57 | 0:30:00 | |
I'm sorry, was that my external voice?! | 0:30:00 | 0:30:02 | |
We used to watch that trailer a lot. | 0:30:05 | 0:30:07 | |
I remember that scene. | 0:30:08 | 0:30:10 | |
I remember that scene. I was by myself... | 0:30:10 | 0:30:13 | |
-TOBY: -That's burnt onto a neural passage. | 0:30:15 | 0:30:19 | |
-Yes, that one worked. -Yeah, exactly! | 0:30:19 | 0:30:22 | |
APPLAUSE | 0:30:22 | 0:30:23 | |
Now, Dad's Army hits the big screens next Friday | 0:30:25 | 0:30:29 | |
with Catherine and Toby. | 0:30:29 | 0:30:30 | |
Toby, for you, taking on Captain Mainwaring, | 0:30:30 | 0:30:35 | |
I mean, Arthur Lowe is so loved and it's still on telly all the time. | 0:30:35 | 0:30:39 | |
-Yeah, every Saturday. -How daunting? | 0:30:39 | 0:30:41 | |
It was 100% daunting. | 0:30:41 | 0:30:43 | |
It was something that I thought very, very carefully about it. | 0:30:43 | 0:30:47 | |
Then I saw the script. | 0:30:47 | 0:30:48 | |
I suppose, more importantly, it was seeing the other actors involved. | 0:30:48 | 0:30:53 | |
When you think, "Oh, I can't play that part, | 0:30:53 | 0:30:57 | |
"I loved Arthur Lowe doing it", then I saw the kind of actors | 0:30:57 | 0:30:59 | |
they were getting involved with the script, | 0:30:59 | 0:31:02 | |
and then Catherine came on board. | 0:31:02 | 0:31:04 | |
It became un-turn-down-able. | 0:31:04 | 0:31:05 | |
It became a selfish decision, it just looked so much fun to do. | 0:31:05 | 0:31:09 | |
Sometimes with a job, in the end, I just want to do | 0:31:09 | 0:31:13 | |
those stupid things with those great actors. | 0:31:13 | 0:31:16 | |
That's what makes it... Cos I think everyone was nervous, | 0:31:16 | 0:31:19 | |
but then when you saw the cast, you were like, "Hang on." | 0:31:19 | 0:31:22 | |
Yeah, I want to be in that gang. | 0:31:22 | 0:31:24 | |
I want to hang with you guys for a while. | 0:31:24 | 0:31:26 | |
Less pressure for you, I guess, Catherine, | 0:31:26 | 0:31:28 | |
-because your character is new. -Yeah, completely new. | 0:31:28 | 0:31:31 | |
I get thrown into Walmington-on-Sea. | 0:31:31 | 0:31:33 | |
I'm a journalist doing an article on the Home Guard. | 0:31:33 | 0:31:36 | |
I cause a bit of havoc, really, throughout... | 0:31:36 | 0:31:38 | |
She falls for me! | 0:31:38 | 0:31:40 | |
LAUGHTER | 0:31:40 | 0:31:42 | |
I can see that. I can see that. | 0:31:42 | 0:31:44 | |
There is a big love affair that goes on. | 0:31:44 | 0:31:47 | |
But exactly the same as Toby said, | 0:31:47 | 0:31:48 | |
when I saw the plethora of fantastic actors, this one being right there, | 0:31:48 | 0:31:53 | |
I wanted to be a part of it. | 0:31:53 | 0:31:55 | |
Actually, what's nice about it is you don't... | 0:31:55 | 0:31:58 | |
I mean, it is a stand-alone. | 0:31:58 | 0:31:59 | |
It's not full of in-jokes. | 0:31:59 | 0:32:01 | |
Well, obviously a TV comedy is 25 minutes long - | 0:32:01 | 0:32:04 | |
in a movie, what is great about the script is they had to find a way | 0:32:04 | 0:32:08 | |
of extending it. They could do a scale, | 0:32:08 | 0:32:10 | |
a story of scale, in a way that you can't do | 0:32:10 | 0:32:12 | |
in a half-hour studio sitcom. | 0:32:12 | 0:32:15 | |
So, there's... | 0:32:15 | 0:32:18 | |
It's based on a true story, what happens in the movie. | 0:32:18 | 0:32:20 | |
It was Operation Bodyguard, where the Allies used... Can I say this? | 0:32:20 | 0:32:25 | |
-..inflatable tanks. -Yeah. | 0:32:25 | 0:32:27 | |
Ugh! You blew everything! | 0:32:27 | 0:32:28 | |
Spoiler alert! | 0:32:30 | 0:32:31 | |
The inflatable tanks won't ruin your enjoyment. | 0:32:33 | 0:32:37 | |
Let's see a bit of Catherine, Toby and the boys in Dad's Army. | 0:32:37 | 0:32:41 | |
This is a taste of the trailer. | 0:32:41 | 0:32:44 | |
Bravo, Mainwaring. | 0:32:44 | 0:32:45 | |
Eyes front, soldiers back. | 0:32:47 | 0:32:48 | |
You're a sergeant in the Home Guard, not a sack of potatoes. | 0:32:48 | 0:32:51 | |
It's all hands on deck. | 0:32:52 | 0:32:54 | |
'An enemy spy is operating somewhere near here.' | 0:32:54 | 0:32:56 | |
I'll catch him, sir. | 0:32:58 | 0:32:59 | |
What does he look like? | 0:32:59 | 0:33:00 | |
We don't know, Frank, that's rather the point with spies. | 0:33:00 | 0:33:03 | |
Stupid boy. | 0:33:03 | 0:33:04 | |
HORN BLARES | 0:33:06 | 0:33:07 | |
Associated Press. I'm doing an article on the Home Guard. | 0:33:07 | 0:33:09 | |
You come highly recommended. | 0:33:09 | 0:33:11 | |
You remind me of someone... | 0:33:11 | 0:33:12 | |
Winston Churchill. | 0:33:12 | 0:33:14 | |
I like to think that if we met, | 0:33:14 | 0:33:16 | |
we'd both be the richer for it. | 0:33:16 | 0:33:18 | |
Oh, yes. | 0:33:18 | 0:33:19 | |
I took my mum, she loved it. Laughed like a drain. | 0:33:26 | 0:33:28 | |
-She like it, your mum? -She did, laughed like a drain. | 0:33:28 | 0:33:30 | |
I was telling her to shut up. | 0:33:30 | 0:33:32 | |
Actually, Dad's Army, did they ever show it in America? No? | 0:33:32 | 0:33:35 | |
It replaced religion in Canada! | 0:33:35 | 0:33:37 | |
No, we don't know. Here it is, like, they're reverent of it. | 0:33:40 | 0:33:43 | |
They just love it. They were talking about it all day today on my junket. | 0:33:43 | 0:33:46 | |
When did they stop making it? | 0:33:46 | 0:33:47 | |
They stopped making it in '70-something? | 0:33:47 | 0:33:49 | |
It's still on every week on BBC Two. | 0:33:49 | 0:33:51 | |
It reruns and everyone watches it, though. | 0:33:51 | 0:33:53 | |
Yeah. The figures are great still. | 0:33:53 | 0:33:55 | |
-CATHERINE: -Just when you think you've seen every episode, | 0:33:55 | 0:33:58 | |
you turn it on, another one pops up. | 0:33:58 | 0:33:59 | |
You might need some more promotion in the African-American community. | 0:33:59 | 0:34:03 | |
LAUGHTER | 0:34:03 | 0:34:04 | |
APPLAUSE | 0:34:07 | 0:34:09 | |
Right, it's music time. | 0:34:12 | 0:34:14 | |
I don't know if you are familiar with this lady, but she is stunning. | 0:34:14 | 0:34:17 | |
We have been waiting over three years for this moment. | 0:34:17 | 0:34:20 | |
But she is back now with her second album. | 0:34:20 | 0:34:23 | |
Here performing her current single, Overcome, | 0:34:23 | 0:34:25 | |
it is a warm welcome back to the lovely Laura Mvula! | 0:34:25 | 0:34:29 | |
CHEERING AND APPLAUSE | 0:34:29 | 0:34:31 | |
# When your heart is broken down, down, down | 0:34:37 | 0:34:41 | |
# And your head don't reach the sky | 0:34:43 | 0:34:46 | |
# Take your broken wings and fly | 0:34:50 | 0:34:52 | |
# When your head is hanging low, low, low | 0:34:56 | 0:35:00 | |
# And the tears, they keep falling | 0:35:02 | 0:35:05 | |
# Take your broken feet and run | 0:35:09 | 0:35:12 | |
# Run | 0:35:12 | 0:35:13 | |
# Oh, oh | 0:35:13 | 0:35:15 | |
# Oh, oh, oh | 0:35:15 | 0:35:19 | |
# Run | 0:35:19 | 0:35:20 | |
# Oh, oh | 0:35:20 | 0:35:22 | |
# Oh, oh, oh | 0:35:22 | 0:35:25 | |
# With the world upon your shoulders | 0:35:28 | 0:35:32 | |
# Nowhere left to hide | 0:35:34 | 0:35:37 | |
# Oh | 0:35:39 | 0:35:41 | |
# Keep your head up, carry on | 0:35:41 | 0:35:43 | |
-# Oh, oh -Keep your head up | 0:35:43 | 0:35:45 | |
# Oh, oh, oh | 0:35:45 | 0:35:48 | |
# Keep your head up | 0:35:48 | 0:35:49 | |
# Oh, oh | 0:35:49 | 0:35:51 | |
# Oh, oh, oh | 0:35:51 | 0:35:57 | |
-# Oh, oh -Oh-oh-oh, oh-oh-oh, yeah | 0:35:57 | 0:35:59 | |
# Oh, oh, oh | 0:35:59 | 0:36:03 | |
# Oh, oh | 0:36:03 | 0:36:05 | |
# Oh, oh, oh | 0:36:05 | 0:36:09 | |
# Ain't no time to die, die, die | 0:36:11 | 0:36:15 | |
# Even though we suffer | 0:36:17 | 0:36:22 | |
# Come together, we pray | 0:36:25 | 0:36:28 | |
# Come together | 0:36:28 | 0:36:30 | |
# All God's children | 0:36:30 | 0:36:32 | |
# Round the mountain | 0:36:35 | 0:36:38 | |
# All God's children run | 0:36:38 | 0:36:40 | |
# Round the mountain | 0:36:44 | 0:36:46 | |
# All God's children run | 0:36:46 | 0:36:49 | |
# Round the mountain | 0:36:52 | 0:36:55 | |
# All God's children run | 0:36:55 | 0:36:58 | |
# Round the mountain | 0:37:01 | 0:37:04 | |
# All God's children run, run | 0:37:04 | 0:37:07 | |
# Round the mountain | 0:37:11 | 0:37:13 | |
# All God's children run, run, run | 0:37:13 | 0:37:17 | |
# Round the mountain | 0:37:19 | 0:37:21 | |
# All God's children run, run, run | 0:37:21 | 0:37:26 | |
# Round the mountain | 0:37:28 | 0:37:30 | |
# All God's children run, run, run, run | 0:37:30 | 0:37:34 | |
# Round the mountain run | 0:37:34 | 0:37:37 | |
# Round the mountain | 0:37:37 | 0:37:39 | |
# All God's children run | 0:37:39 | 0:37:41 | |
# All God's children | 0:37:41 | 0:37:43 | |
# Run round the mountain run. # | 0:37:43 | 0:37:46 | |
CHEERING AND APPLAUSE | 0:37:46 | 0:37:49 | |
Laura Mvula! | 0:37:52 | 0:37:54 | |
Simply stunning. Come and join us, do. | 0:37:54 | 0:37:56 | |
Thank you to the dancers and the singers. Thanks to all of them. | 0:37:56 | 0:38:00 | |
-Congratulations. -Thank you very much. | 0:38:00 | 0:38:02 | |
Come and sit down. | 0:38:02 | 0:38:04 | |
That's Toby Jones. This is Catherine. | 0:38:04 | 0:38:08 | |
Ryan, Will. | 0:38:08 | 0:38:12 | |
It's all good! | 0:38:12 | 0:38:14 | |
Oh! | 0:38:16 | 0:38:18 | |
CHEERING AND APPLAUSE | 0:38:18 | 0:38:21 | |
Excited. | 0:38:21 | 0:38:23 | |
Now, I'm hoping Toby doesn't suffer from allergies! | 0:38:26 | 0:38:30 | |
Sorry! | 0:38:30 | 0:38:31 | |
Sorry. | 0:38:32 | 0:38:34 | |
That is gorgeous, thank you so much for that. | 0:38:34 | 0:38:37 | |
Really, really lovely. | 0:38:37 | 0:38:38 | |
-It's the new single, Overcome. It is out now. -It is out now. | 0:38:38 | 0:38:42 | |
-It is! -Oh, my goodness. | 0:38:42 | 0:38:43 | |
I've heard it on the radio and everything, Laura Mvula. | 0:38:43 | 0:38:46 | |
It must be so nice for you to have a new song out. | 0:38:46 | 0:38:48 | |
This is special, because remember, my first ever TV moment | 0:38:48 | 0:38:51 | |
-was with you. -Yes, it was. -You remember that? -I do! | 0:38:51 | 0:38:54 | |
-Three years ago. -And look at you now! | 0:38:54 | 0:38:56 | |
-Thank you. And I have feathers! -You've killed a flock of something! | 0:38:56 | 0:39:00 | |
LAUGHTER | 0:39:00 | 0:39:02 | |
"Driving the countryside, picking up roadkill. | 0:39:03 | 0:39:06 | |
"And now I'm back!" | 0:39:06 | 0:39:07 | |
Well done, you. And there's a whole album. Finally. | 0:39:09 | 0:39:12 | |
The fans, I'm one of them, we have been waiting. | 0:39:12 | 0:39:16 | |
It is called The Dreaming Room, which is a lovely name. | 0:39:16 | 0:39:19 | |
That is out on the 6th of May. | 0:39:19 | 0:39:20 | |
-Yes, it is. -Gorgeous. | 0:39:20 | 0:39:22 | |
Yeah, it took me three years to come up with some new songs. | 0:39:22 | 0:39:24 | |
I'm not ashamed of that. | 0:39:24 | 0:39:26 | |
It was a lovely song. I'd wait for it. | 0:39:26 | 0:39:29 | |
It's taken me, like, 14 years, so... | 0:39:29 | 0:39:31 | |
It would take me 100,000! | 0:39:33 | 0:39:34 | |
-Thank you! -You'd have to die and be born again. | 0:39:39 | 0:39:42 | |
It is so lovely to have you back. | 0:39:43 | 0:39:46 | |
Congratulations on the single. I hope it does really well. | 0:39:46 | 0:39:48 | |
I can't wait for the album. Laura Mvula, everybody. | 0:39:48 | 0:39:51 | |
CHEERING AND APPLAUSE | 0:39:51 | 0:39:54 | |
All right, before we head away, | 0:39:55 | 0:39:58 | |
there is just time for a visit to the big red chair. | 0:39:58 | 0:40:00 | |
Who is there? Hello, sir. | 0:40:00 | 0:40:02 | |
-Hey, Graham. -Hi, what's your name? -I'm David. | 0:40:02 | 0:40:04 | |
-David, lovely. Where are you from, David? -Hungary. | 0:40:04 | 0:40:07 | |
Oh, Hungary. OK. What do you do here? | 0:40:07 | 0:40:11 | |
I have two jobs. My main one is a hospital job, | 0:40:11 | 0:40:13 | |
the other is a weekend job working as a receptionist at a gym. | 0:40:13 | 0:40:16 | |
He's got it covered, ladies and gentlemen. | 0:40:16 | 0:40:19 | |
Hospitals, gyms. | 0:40:19 | 0:40:21 | |
He has made Britain healthier while he's been here. | 0:40:21 | 0:40:24 | |
Thank you. We all thank you. | 0:40:24 | 0:40:26 | |
Off you go with the story. | 0:40:26 | 0:40:28 | |
I'm originally from Hungary, but my first visit to New York, | 0:40:28 | 0:40:32 | |
I was at a Christmas party | 0:40:32 | 0:40:33 | |
with a bunch of people I didn't know very long. | 0:40:33 | 0:40:37 | |
It was before cellphones. | 0:40:37 | 0:40:38 | |
There was a phone in the living room. | 0:40:38 | 0:40:40 | |
I made a phone call to my cousin, | 0:40:40 | 0:40:42 | |
had a brief conversation in Hungarian. | 0:40:42 | 0:40:44 | |
At the end of the conversation I was like, | 0:40:44 | 0:40:46 | |
"Pussy, pussy, mwah, mwah, mwah." | 0:40:46 | 0:40:49 | |
Oh. | 0:40:49 | 0:40:51 | |
Everybody in the room froze, looked at me. | 0:40:51 | 0:40:54 | |
I was like, telling my cousin, "Why is everyone looking at me?" | 0:40:54 | 0:40:58 | |
My cousin said, "Do you know what you said in English?" | 0:40:58 | 0:41:02 | |
Because in Hungarian, "puszi" means a kiss on the cheek. | 0:41:02 | 0:41:07 | |
It doesn't mean that here. | 0:41:07 | 0:41:10 | |
Exactly, but I didn't realise... | 0:41:10 | 0:41:11 | |
I doubt it means that in Hungary. | 0:41:11 | 0:41:13 | |
I didn't realise it either until everybody looked. | 0:41:15 | 0:41:19 | |
And there was children. | 0:41:19 | 0:41:20 | |
It was a Christmas party with kids in there... | 0:41:20 | 0:41:22 | |
Oh, that's wrong. | 0:41:22 | 0:41:23 | |
Dispose of him! | 0:41:26 | 0:41:28 | |
-WILL: -Hold on. One second. | 0:41:29 | 0:41:31 | |
On the cheek, here we go. | 0:41:31 | 0:41:33 | |
Now you know what I can say! | 0:41:33 | 0:41:35 | |
-"Dear Diary..." -I was just a speed bump on his way to "puszi" there. | 0:41:39 | 0:41:43 | |
You slowed him, but you didn't stop him. | 0:41:48 | 0:41:50 | |
OK, who is up next? Hello, sir. | 0:41:50 | 0:41:53 | |
-Hello. -Who are you? -I'm Paul. | 0:41:53 | 0:41:55 | |
Paul, lovely. What do you do, Paul? | 0:41:55 | 0:41:57 | |
-I'm a tour guide. -A tour guide? -Yes. | 0:41:57 | 0:42:00 | |
Oh, around what or where? | 0:42:00 | 0:42:01 | |
The BBC. | 0:42:01 | 0:42:03 | |
LAUGHTER | 0:42:03 | 0:42:06 | |
You want me to just flip him? | 0:42:06 | 0:42:08 | |
(If the walls could talk!) | 0:42:10 | 0:42:11 | |
"And in this room... No, never mind." | 0:42:15 | 0:42:18 | |
OK. | 0:42:18 | 0:42:20 | |
-Is your story about that, Paul? -No, it's not. -OK. | 0:42:20 | 0:42:24 | |
Off you go with your story. | 0:42:24 | 0:42:26 | |
My son Jay is about 18 now, so he will kill me for telling this story, | 0:42:26 | 0:42:30 | |
but when he was very little, I took him swimming. | 0:42:30 | 0:42:32 | |
It was his first time there out of nappies. | 0:42:32 | 0:42:36 | |
Before we headed to the pool, I said, "Do you need the toilet?" | 0:42:36 | 0:42:39 | |
-CATHERINE: -I don't like toilet stories, can I flip him? | 0:42:39 | 0:42:42 | |
He said no. We got in the pool eventually | 0:42:42 | 0:42:44 | |
and as soon as we got in the pool, he needed the toilet. | 0:42:44 | 0:42:47 | |
We went to the toilet and came back. | 0:42:47 | 0:42:48 | |
I was a very bad father then. I whispered in his ear, | 0:42:48 | 0:42:51 | |
"If you need to wee again, just do it in the pool. | 0:42:51 | 0:42:54 | |
"No-one will know, everybody does it, it's OK." | 0:42:54 | 0:42:58 | |
Of course I regretted this five minutes later | 0:42:58 | 0:43:00 | |
when he stood very proudly on the side of the pool... | 0:43:00 | 0:43:03 | |
LAUGHTER | 0:43:03 | 0:43:06 | |
..peeing into the water very majestically, | 0:43:06 | 0:43:10 | |
like an ornamental fountain, | 0:43:10 | 0:43:13 | |
whilst all the swimmers dived for cover | 0:43:13 | 0:43:16 | |
and all the lifeguards blew their whistles. | 0:43:16 | 0:43:18 | |
Oh, you can walk. Well done, Paul! Very good. | 0:43:18 | 0:43:21 | |
Good story. Good story. | 0:43:21 | 0:43:23 | |
Well done, everyone. | 0:43:23 | 0:43:25 | |
If you'd like to join us on the show | 0:43:25 | 0:43:27 | |
and have a go in that red chair, | 0:43:27 | 0:43:28 | |
you can contact us via our website at this very address. | 0:43:28 | 0:43:31 | |
Sadly, that is it for tonight. | 0:43:31 | 0:43:33 | |
So just say a huge thank you to my guests tonight - | 0:43:33 | 0:43:36 | |
Laura Mvula! | 0:43:36 | 0:43:39 | |
Toby Jones, everybody! | 0:43:39 | 0:43:42 | |
Catherine Zeta-Jones! | 0:43:42 | 0:43:45 | |
Ryan Reynolds! | 0:43:45 | 0:43:48 | |
And Mr Will Smith! | 0:43:48 | 0:43:50 | |
CHEERING AND APPLAUSE | 0:43:50 | 0:43:52 | |
Join me next week with comedy actor Jack Black, | 0:43:52 | 0:43:55 | |
from Zoolander 2, Owen Wilson, Penelope Cruz and Ben Stiller, | 0:43:55 | 0:43:59 | |
plus the fabulous Sir Elton John. | 0:43:59 | 0:44:01 | |
I'll see you then! Goodnight, everyone. Bye-bye. | 0:44:01 | 0:44:03 | |
CHEERING AND APPLAUSE | 0:44:03 | 0:44:06 |