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Tonight on our show, it's our hands across the ocean special. | 0:00:02 | 0:00:05 | |
-I've got stars from America... BOTH: -USA! USA! | 0:00:05 | 0:00:08 | |
-..and stars from Britain. -Hello. | 0:00:08 | 0:00:12 | |
LAUGHTER | 0:00:12 | 0:00:13 | |
Let's start the show! | 0:00:13 | 0:00:15 | |
CHEERING AND APPLAUSE | 0:00:15 | 0:00:19 | |
This programme contains strong language. | 0:00:23 | 0:00:27 | |
Hello! Hello! | 0:00:30 | 0:00:33 | |
Too kind, thank you very much. Thank you, thank you! | 0:00:33 | 0:00:36 | |
Very nice of you, welcome one, welcome all, | 0:00:37 | 0:00:40 | |
yes, it is a packed programme tonight. Not just those four stars. | 0:00:40 | 0:00:44 | |
Later in the show, we'll be joined by Sir David Attenborough, ladies and gentlemen! | 0:00:44 | 0:00:48 | |
CHEERING AND APPLAUSE Yes! | 0:00:48 | 0:00:52 | |
Ah! Sir David! | 0:00:52 | 0:00:56 | |
There's Sir David there, just securing his 2-for-1 cinema tickets. | 0:00:56 | 0:01:00 | |
LAUGHTER Erm, everyone... | 0:01:00 | 0:01:03 | |
What's happened to those animals? It's so... | 0:01:03 | 0:01:06 | |
Everyone loved the series Life On Earth, | 0:01:06 | 0:01:08 | |
where David met gorillas in their natural habitat. | 0:01:08 | 0:01:11 | |
Now, gorillas are expert communicators. | 0:01:11 | 0:01:13 | |
And apparently, they had a subtle way of letting David know | 0:01:13 | 0:01:16 | |
when they'd had enough of being filmed... | 0:01:16 | 0:01:19 | |
We hear ya. Let's get some guests on! | 0:01:19 | 0:01:22 | |
CHEERING AND APPLAUSE | 0:01:22 | 0:01:24 | |
Later, we'll have music from hot American export Elle King. | 0:01:24 | 0:01:28 | |
But first, as Dr House MD, he was the most watched star in the world. | 0:01:28 | 0:01:33 | |
Now he's back on the BBC in the new Le Carre thriller, The Night Manager. | 0:01:33 | 0:01:37 | |
It's Hugh Laurie, everybody! CHEERING AND APPLAUSE | 0:01:37 | 0:01:40 | |
-Whoo! It is! -Thank you. -It is! Hello! Really nice to see you. | 0:01:40 | 0:01:45 | |
Thank you, thank you. | 0:01:45 | 0:01:48 | |
She is the double Bafta-winning star of Peepshow, 2012, | 0:01:50 | 0:01:54 | |
The Iron Lady and Broadchurch. | 0:01:54 | 0:01:55 | |
And one of the country's best-loved actresses. | 0:01:55 | 0:01:57 | |
It's Olivia Colman, ladies and gentlemen! | 0:01:57 | 0:02:01 | |
CHEERING AND APPLAUSE Yay! | 0:02:01 | 0:02:03 | |
Look at you! It's like Extreme Makeover. You look fabulous. | 0:02:03 | 0:02:07 | |
-Thank you very much. -Come and join your co-star. | 0:02:07 | 0:02:09 | |
-Say hello to your co-star. -Hello! | 0:02:09 | 0:02:13 | |
Right, he's the most successful stand-up comedian in America | 0:02:13 | 0:02:15 | |
and a fully fledged movie star. Now he's in the sequel | 0:02:15 | 0:02:18 | |
to the smash hit Ride Along, it's Kevin Hart, everybody! | 0:02:18 | 0:02:21 | |
CHEERING AND APPLAUSE Yeah! | 0:02:21 | 0:02:24 | |
-Hello, sir! Really nice to meet you. -Hello, how you doing? | 0:02:24 | 0:02:29 | |
CHEERING DROWNS OUT SPEECH | 0:02:29 | 0:02:32 | |
And starring with Kevin, he's the Godfather of gangsta rap | 0:02:32 | 0:02:35 | |
turned Hollywood heavyweight, his films have grossed almost 2 billion. | 0:02:35 | 0:02:40 | |
Straight out of Compton, it's Ice Cube! | 0:02:40 | 0:02:44 | |
CHEERING AND APPLAUSE | 0:02:44 | 0:02:46 | |
-It is Ice Cube! -Hey! What's up? -Really nice to see you. | 0:02:46 | 0:02:50 | |
CHEERING DROWNS OUT SPEECH | 0:02:50 | 0:02:53 | |
-Ah, everyone good? -Yes, thank you! -Whoo! | 0:02:55 | 0:02:59 | |
Now, the weird thing is, Ice Cube, we could be related. | 0:03:00 | 0:03:04 | |
Because, erm... LAUGHTER | 0:03:04 | 0:03:07 | |
Apparently, apparently there is some Irish stock in your past. | 0:03:07 | 0:03:11 | |
-No. -LAUGHTER | 0:03:11 | 0:03:13 | |
I mean, there could be. You never know. Erm... | 0:03:13 | 0:03:16 | |
-But you have an Irish name. -Do I? O'Shea. -O'Shea is a Irish name! | 0:03:16 | 0:03:21 | |
It couldn't be more Irish. Has no-one told you that until now? | 0:03:21 | 0:03:24 | |
No, I've been told. But, you know, I think my mother just liked the name. | 0:03:24 | 0:03:30 | |
-OK, so, it's your Christian name? -Yes, my...I think? -Listen. | 0:03:30 | 0:03:35 | |
Let me educate you on something. | 0:03:35 | 0:03:37 | |
Black people, black people are notorious for picking things | 0:03:37 | 0:03:40 | |
that they saw one day and saying, "That's my baby's name." | 0:03:40 | 0:03:43 | |
LAUGHTER | 0:03:43 | 0:03:45 | |
That's all it was. That's all that was, Graham. | 0:03:45 | 0:03:48 | |
There was no amazing story behind it. | 0:03:48 | 0:03:50 | |
I would love to tell you, "Yes, it came from the Irish forefather that did this..." | 0:03:50 | 0:03:54 | |
That's not the case. His mother was reading the paper, | 0:03:54 | 0:03:58 | |
and she was eating some cereal, and somebody in the back said, "O'Shea!" | 0:03:58 | 0:04:01 | |
She said, "That'd be a good name for this baby." And that's it. | 0:04:01 | 0:04:05 | |
-That's how it happened! That's it. -LAUGHTER AND APPLAUSE | 0:04:05 | 0:04:09 | |
Here's a thing. You are here promoting your movie, but, Kevin, you're working at the same time. | 0:04:11 | 0:04:15 | |
-You're doing stand-up gigs. -Yeah, double dipping. -Yes! | 0:04:15 | 0:04:18 | |
-LAUGHTER -Uh, doing a ton of stand-up shows. | 0:04:18 | 0:04:21 | |
My What Now? Tour is here as well. | 0:04:21 | 0:04:23 | |
Uh, major thank-you to the UK fans. The tour sold out in, like, | 0:04:23 | 0:04:26 | |
-literally, two days. So, you guys are amazing. Way back when. -Wow! | 0:04:26 | 0:04:30 | |
CHEERING AND APPLAUSE | 0:04:30 | 0:04:33 | |
So, we did that and then after that we came over here for promo. | 0:04:33 | 0:04:37 | |
What Cube and myself love doing | 0:04:37 | 0:04:39 | |
is really getting involved with the fans. | 0:04:39 | 0:04:41 | |
You know, we love putting our feet on the street and really being active | 0:04:41 | 0:04:45 | |
-and interacting. So, we've been doing a ton of pop-ups. -Yeah. | 0:04:45 | 0:04:48 | |
Just delivering the movie, the best of our ability, which is live and in person. | 0:04:48 | 0:04:52 | |
-And we're splitting all the tour money. -That is not true. | 0:04:52 | 0:04:55 | |
-LAUGHTER You got him here. -And I'm here. -That's not true. | 0:04:55 | 0:04:59 | |
-You know he bum-rushed my stage the other day? -Oh, did he? -Without telling me. | 0:04:59 | 0:05:03 | |
He tackled me from the back. Scared the living mess out of me. | 0:05:03 | 0:05:06 | |
-LAUGHTER -It was one of the most frightening moments of my life, to be honest. | 0:05:06 | 0:05:09 | |
I think we may have another frightening moment for you. This is you in Manchester. | 0:05:09 | 0:05:14 | |
Now, do you even know the name of that show? | 0:05:14 | 0:05:16 | |
-LAUGHTER -I was the only black guy there that day! | 0:05:18 | 0:05:22 | |
-I remember that. -Or ever. | 0:05:22 | 0:05:24 | |
-Uh, that's Coronation Street, right? -Well done! | 0:05:25 | 0:05:28 | |
CHEERING AND APPLAUSE | 0:05:28 | 0:05:30 | |
That's you and Beverley Callard. | 0:05:30 | 0:05:32 | |
But THIS picture, this looks like you have been Photoshopped in. | 0:05:32 | 0:05:36 | |
-Yeah! -LAUGHTER | 0:05:36 | 0:05:38 | |
Are you really there? Roy's Rolls can't be that big. | 0:05:38 | 0:05:42 | |
First of all, it looks like I grew up there. | 0:05:42 | 0:05:45 | |
LAUGHTER AND APPLAUSE | 0:05:45 | 0:05:49 | |
And Olivia, with Broadchurch, | 0:05:49 | 0:05:51 | |
presumably your kind of level of recognition has gone up. | 0:05:51 | 0:05:54 | |
-You must get recognised all the time now. -Yes. -Yes, I do. | 0:05:54 | 0:05:57 | |
Oh, I know where you're going with this. | 0:05:57 | 0:06:00 | |
-Yes. Yes, well, do tell them. -Erm, I hope my mum's not watching. | 0:06:00 | 0:06:04 | |
-LAUGHTER -There was a slight road-rage incident. | 0:06:04 | 0:06:08 | |
And you know those crossings where they're absolutely, | 0:06:08 | 0:06:11 | |
I don't know if it's the same rules apply, but they're not staggered, | 0:06:11 | 0:06:15 | |
they're straight crossroad thing... Do you know what I mean? | 0:06:15 | 0:06:17 | |
I have no idea what you're talking about, | 0:06:17 | 0:06:20 | |
-but keep going. -So, to turn right, you have to turn in front of each other, | 0:06:20 | 0:06:23 | |
not behind each other on a staggered crossing. | 0:06:23 | 0:06:25 | |
-Do you know what I mean? -No! | 0:06:25 | 0:06:27 | |
-Does anyone know what I mean? -PEOPLE IN AUDIENCE: -Yes! | 0:06:27 | 0:06:30 | |
-So, so... -No, don't! | 0:06:30 | 0:06:32 | |
OK, and you've got to go behind each other. | 0:06:32 | 0:06:35 | |
No, you have to go in front because it was an equal thingy. | 0:06:35 | 0:06:37 | |
-You had to go in front of each other? -Yes. -OK. | 0:06:37 | 0:06:39 | |
So, this woman was coming towards me and wanting to go right, her right. | 0:06:39 | 0:06:42 | |
And I was going right. So, I turned to go in front of her. | 0:06:42 | 0:06:45 | |
And she went... And, as if I had tried to drive into her. | 0:06:45 | 0:06:48 | |
And I thought, "OK, well, there's no-one else coming. | 0:06:48 | 0:06:50 | |
"So, I'll just, to keep her happy, I'll do what's wrong | 0:06:50 | 0:06:53 | |
"but I'll go behind her." And she was, like, doing that...in the car. | 0:06:53 | 0:06:56 | |
And it was starting to really piss me off | 0:06:56 | 0:06:58 | |
because I was right and I was helping her out. | 0:06:58 | 0:07:01 | |
And then I suddenly got this red mist. | 0:07:01 | 0:07:03 | |
Just as our cars were coming next to each other, I suddenly went, | 0:07:03 | 0:07:06 | |
"Fuck you!" | 0:07:06 | 0:07:09 | |
-LAUGHTER -And just as she was doing that, she went, "Ah!" | 0:07:09 | 0:07:13 | |
LAUGHTER AND APPLAUSE | 0:07:15 | 0:07:18 | |
And now, Hugh Laurie, straight out of Oxford... | 0:07:21 | 0:07:24 | |
LAUGHTER You have had some rap experience. | 0:07:24 | 0:07:28 | |
LAUGHTER | 0:07:28 | 0:07:31 | |
-I think you, you may have been misinformed there. -We've got evidence. | 0:07:31 | 0:07:36 | |
Well, well now, well now... | 0:07:36 | 0:07:39 | |
-Have you started? -Yeah, that's the opening line. | 0:07:39 | 0:07:44 | |
Where can I take it from there? Well, now. It's called Well Now. | 0:07:44 | 0:07:48 | |
I... I dabbled. | 0:07:48 | 0:07:50 | |
-It was you and Stephen Fry. -Yeah. -And what was it actually called? | 0:07:50 | 0:07:54 | |
It was called... It was called I'm A Good-Ass Motherliker. | 0:07:54 | 0:07:59 | |
That's what I like to hear. | 0:07:59 | 0:08:02 | |
-Yes, it was nice, polite rap. It was polite, English rap. -Yeah. | 0:08:02 | 0:08:05 | |
-We've got a little clip, just so you can enjoy it. -Oh, no, you haven't! | 0:08:05 | 0:08:09 | |
Yes, here's Hugh Laurie doing his polite rap. | 0:08:09 | 0:08:12 | |
# Get home to my bitch She be waitin' all alone | 0:08:12 | 0:08:15 | |
# I put water in her bowl And I give her a bone | 0:08:15 | 0:08:17 | |
# Neighbours come callin' Holdin' out a cup | 0:08:17 | 0:08:20 | |
# So I get out the sugar And I fill it right up | 0:08:20 | 0:08:22 | |
# Be nice | 0:08:22 | 0:08:24 | |
# Be nice Cos I'm a good-ass motherliker. # | 0:08:24 | 0:08:29 | |
HE MOUTHS | 0:08:29 | 0:08:30 | |
CHEERING AND APPLAUSE | 0:08:30 | 0:08:34 | |
That thing was hot! Everything was hot except the pants. | 0:08:36 | 0:08:40 | |
-Yeah, the pants was off. -Everything else was great. | 0:08:41 | 0:08:44 | |
First of all, it was 1995, for God's sake. | 0:08:45 | 0:08:50 | |
I mean, your swag is on 1,000 right now! | 0:08:50 | 0:08:53 | |
Now, the guys are here because they've got the sequel to Ride Along, | 0:08:53 | 0:08:57 | |
entitled Ride Along 2... | 0:08:57 | 0:09:00 | |
-Yes. -LAUGHTER | 0:09:00 | 0:09:02 | |
-Watch out, Graham. You nailed it. You nailed that. -Sweet. | 0:09:02 | 0:09:05 | |
I've got the facts, ladies and gentlemen. | 0:09:05 | 0:09:07 | |
Now, it opens here tonight. | 0:09:07 | 0:09:09 | |
But, of course, it's already opened in America. Huge hit. | 0:09:09 | 0:09:11 | |
Knocked Star Wars off the top of the tree. All that. | 0:09:11 | 0:09:14 | |
So, what is the premise of the movie? | 0:09:14 | 0:09:16 | |
The premise of the movie, I play a crack detective out of Atlanta. | 0:09:16 | 0:09:21 | |
And I have this bug, mosquito, by the name of Kevin Hart. | 0:09:21 | 0:09:27 | |
-That's not it. -He wants to marry my sister. | 0:09:27 | 0:09:32 | |
So, you know, it's the whole thing of, you always hate the guy | 0:09:32 | 0:09:36 | |
that wants to marry your sister, so, you know, I hate him over here. | 0:09:36 | 0:09:39 | |
That's a strong word. You dislike me. | 0:09:39 | 0:09:43 | |
-LAUGHTER -And I'm trying to scare him from not being a cop by taking him | 0:09:43 | 0:09:47 | |
on a ride along and it doesn't work cos he ends up helping me | 0:09:47 | 0:09:51 | |
solve the case. | 0:09:51 | 0:09:54 | |
There's a lot of stuff that happens on that ride. | 0:09:54 | 0:09:57 | |
I mean, you're looking at a relationship with two guys that's a grounded, genuine relationship. | 0:09:57 | 0:10:01 | |
You know, my character, Ben Barber, aspires to be what James is. | 0:10:01 | 0:10:04 | |
What means the most to me is this man's approval. | 0:10:04 | 0:10:06 | |
But getting that approval is tough. | 0:10:06 | 0:10:09 | |
So, along this road, it's about me proving myself above and beyond | 0:10:09 | 0:10:12 | |
and eventually getting the attention of the guy that I look up to. | 0:10:12 | 0:10:15 | |
And reading interviews between you, it's unclear, like, do you get on, on set? | 0:10:15 | 0:10:19 | |
-Or do you genuinely annoy each other? -That's my best friend. -OK. | 0:10:19 | 0:10:23 | |
-Say it! -LAUGHTER | 0:10:23 | 0:10:26 | |
Say it! Come on, man. Say it! We're in the UK. | 0:10:26 | 0:10:30 | |
Say it, let 'em know how you feel. Best friend touch, come on, man. | 0:10:30 | 0:10:34 | |
Come on, man. There it is. | 0:10:35 | 0:10:38 | |
CHEERING AND APPLAUSE | 0:10:38 | 0:10:41 | |
-But didn't he steal your catchphrase? -He always steals everything. | 0:10:43 | 0:10:46 | |
-When people see me, they'd be like, "Yo, Cube! Yay-yay!" -Hey-hey! | 0:10:46 | 0:10:50 | |
-LAUGHTER -Good, good. I'm not going to say that. | 0:10:50 | 0:10:55 | |
-So, I say, "Hey, Cube! Yay-yay!" -Hey-hey! -That's so weak. | 0:10:55 | 0:11:00 | |
-It has no flavour to it. -We're best friends. | 0:11:00 | 0:11:05 | |
We've got a clip from the movie, erm, Ride Along 2. | 0:11:07 | 0:11:10 | |
-This is, erm, you guys trying to get into a party under cover. -Ah. | 0:11:10 | 0:11:14 | |
And your antagonism is barely concealed. | 0:11:14 | 0:11:17 | |
-Prince Admiral Steven Matumbe. And you're in consul. -Plus 2. | 0:11:17 | 0:11:23 | |
-My two servants. -I don't have you on the list. -Well, could you... | 0:11:23 | 0:11:27 | |
Then check the VIP list. And do not look me in my eye. | 0:11:27 | 0:11:30 | |
Don't look at me. You look at the pad. | 0:11:30 | 0:11:33 | |
You read the names and you look at me and you close your eyes. | 0:11:33 | 0:11:36 | |
Look at me. Don't look at me. Look at me. That was a test. You failed. | 0:11:36 | 0:11:41 | |
-You...aren't on it. -Stall him, guys. AJ is on it. | 0:11:41 | 0:11:45 | |
-Step aside, por favor. -Wait! | 0:11:45 | 0:11:50 | |
This is all your fault. | 0:11:50 | 0:11:52 | |
I'm your bodyguard, not your servant. | 0:11:52 | 0:11:57 | |
You are what I SAY you are! | 0:11:57 | 0:12:00 | |
-A traditional sign of respect. -'OK, try it now.' | 0:12:02 | 0:12:06 | |
Check the list one more time. | 0:12:06 | 0:12:08 | |
There it is. Sorry about that. | 0:12:10 | 0:12:13 | |
-You can head right in. -I cannot feel my face! | 0:12:13 | 0:12:16 | |
LAUGHTER AND APPLAUSE | 0:12:17 | 0:12:20 | |
And Ice Cube, we've got to mention Straight Outta Compton. | 0:12:23 | 0:12:27 | |
Congratulations. Oscar-nominated. | 0:12:27 | 0:12:28 | |
CHEERING AND APPLAUSE | 0:12:28 | 0:12:31 | |
-Oscar winner for best original screenplay. -Yes. | 0:12:31 | 0:12:34 | |
And obviously, cos the Oscars have now got mired in this controversy this year... | 0:12:34 | 0:12:37 | |
So, where do you stand on all of that? Like, will you go? Are you going? | 0:12:37 | 0:12:42 | |
-I never used to go anyway. So... -You're not boycotting? | 0:12:42 | 0:12:46 | |
You can't boycott something you never went to anyway. | 0:12:46 | 0:12:50 | |
-LAUGHTER -That's kind of weird. | 0:12:50 | 0:12:54 | |
No, it's, you know, I look at it like a horse race, you know | 0:12:54 | 0:12:57 | |
what I'm saying? Once your horse loses a race, | 0:12:57 | 0:12:59 | |
you tear up your ticket and go on and just back on out. | 0:12:59 | 0:13:03 | |
Because it's nothing really to put that much energy into like that. | 0:13:03 | 0:13:08 | |
It's... We don't do movies for the industry. | 0:13:08 | 0:13:12 | |
We do movies for the fans, for the people, and, you know, | 0:13:12 | 0:13:16 | |
the industry, you know, if they give you a trophy or not, or pat you on the back or not, | 0:13:16 | 0:13:21 | |
it's nice but it's not something that you should dwell on. | 0:13:21 | 0:13:25 | |
You know, we got accolades from all levels, you know, from our core fans, | 0:13:25 | 0:13:30 | |
from our curious fans, from our fans or people who, you know, | 0:13:30 | 0:13:33 | |
didn't even think they wanted to see that movie. | 0:13:33 | 0:13:37 | |
You know, I think the older generation got a understanding on why we did | 0:13:37 | 0:13:41 | |
that kind of music and the younger generation got a history lesson. | 0:13:41 | 0:13:45 | |
And we got so much praise for the movie, and it's like, how could you | 0:13:45 | 0:13:50 | |
be mad cos ONE other Academy or guild or anybody didn't say it's the number one, | 0:13:50 | 0:13:56 | |
you know, it's like crying about not having enough icing on your cake. | 0:13:56 | 0:14:03 | |
-LAUGHTER -I mean, it's just ridiculous. | 0:14:03 | 0:14:05 | |
-Because you guys have both seen the movie, haven't you? -Yes. | 0:14:05 | 0:14:08 | |
Yeah, have to say I loved it. Absolutely loved it. | 0:14:08 | 0:14:10 | |
And I think, by the way, that that's about the sanest description of this whole process | 0:14:10 | 0:14:15 | |
of awards that I've ever heard. I mean, as a way of treating it, as a way of thinking about it. | 0:14:15 | 0:14:19 | |
CHEERING AND APPLAUSE | 0:14:19 | 0:14:22 | |
And was the process of the making of the film, | 0:14:22 | 0:14:26 | |
did it kind of rebuild bridges with the existing members of NWA? | 0:14:26 | 0:14:30 | |
-Are you all kind of good and...? -Yeah, we were already cool, you know? | 0:14:30 | 0:14:34 | |
It was water under the bridge by the time we started doing the movie. | 0:14:34 | 0:14:38 | |
It was great to get with everybody and hash up all those stories. | 0:14:38 | 0:14:42 | |
And, "No, that's not how that happened," "Yeah, yeah..." | 0:14:42 | 0:14:44 | |
And then going back and forth and creating a whole, | 0:14:44 | 0:14:47 | |
uh, you know, script. It was a load of work. It was a major process. | 0:14:47 | 0:14:53 | |
A lot of cooks in the kitchen. Erm, but we got nice meal out of that. | 0:14:53 | 0:14:58 | |
You're getting back together, is that right? | 0:14:58 | 0:15:00 | |
Are you going to play Coachella? | 0:15:00 | 0:15:02 | |
Well, we're going to definitely play The Rock and Roll Hall of Fame cos NWA was inducted. | 0:15:02 | 0:15:07 | |
-CHEERING AND APPLAUSE -And now... Thank you. | 0:15:07 | 0:15:11 | |
So, that's great. And then, you know, I got Coachella. | 0:15:12 | 0:15:16 | |
I'm a try and get all the guys together and do an amazing show. | 0:15:16 | 0:15:19 | |
-I'll do it. -LAUGHTER | 0:15:19 | 0:15:23 | |
I'll do it. You don't even have to ask. I'll do it. | 0:15:23 | 0:15:26 | |
And he's not joking, is he? | 0:15:26 | 0:15:29 | |
I'm here for my friend. | 0:15:29 | 0:15:32 | |
And great, sort of extraordinary that your son did such an amazing... | 0:15:32 | 0:15:36 | |
-Oh, yeah! -..job playing you. | 0:15:36 | 0:15:38 | |
I mean, that's what I'm most proud of, you know, | 0:15:38 | 0:15:40 | |
more than having this movie, having Straight Outta Compton, | 0:15:40 | 0:15:43 | |
this, that and the other, is the fact that my son was able to take a opportunity, you know, | 0:15:43 | 0:15:48 | |
and run with it and hopefully set himself up and in, you know, | 0:15:48 | 0:15:52 | |
one of the greatest industries in the world. | 0:15:52 | 0:15:56 | |
Uh, and, you know, I'm so proud, just as a father, and, | 0:15:56 | 0:15:59 | |
oh, yeah, you know, it was a movie about NWA too. You know that? | 0:15:59 | 0:16:04 | |
But how much did he know, like, when he was doing scenes, | 0:16:04 | 0:16:07 | |
-was he going, like, "You did THIS, Dad?" -Yeah, yeah. | 0:16:07 | 0:16:11 | |
In the hotel rooms, you know, some of them scenes, it was like... | 0:16:11 | 0:16:14 | |
-LAUGHTER -Oh, man! Y'all took guns? Man! Y'all was doin' the most! | 0:16:15 | 0:16:22 | |
-Those were your favourite scenes too! -But he did know. | 0:16:23 | 0:16:28 | |
How old was he when he knew the lyrics to Straight Outta Compton? | 0:16:28 | 0:16:31 | |
Oh, they was young, man, you know, my kids... Two? Three years old? | 0:16:31 | 0:16:36 | |
I mean, it was playing all the time. | 0:16:36 | 0:16:39 | |
And, you know, they were rapping and would censor themselves. | 0:16:39 | 0:16:42 | |
They would like rap the lyrics, like, | 0:16:42 | 0:16:43 | |
# Straight Outta Compton, Crazy mo...named Ice Cube | 0:16:43 | 0:16:46 | |
# From the...called...With Attitudes #. | 0:16:46 | 0:16:49 | |
Profanity, you know what I mean? It's just funny. | 0:16:49 | 0:16:53 | |
And, Hugh Laurie, you've got kids | 0:16:53 | 0:16:54 | |
but none of them have followed in your footsteps, have they? | 0:16:54 | 0:16:57 | |
-STERNLY: -No. | 0:16:57 | 0:17:00 | |
LAUGHTER | 0:17:00 | 0:17:02 | |
-No, they haven't. I mean... -Do they have proper jobs? | 0:17:02 | 0:17:06 | |
They all do different... proper jobs, yeah. | 0:17:06 | 0:17:08 | |
They all did a bit. They all tried it. And were good at it, actually, I thought. | 0:17:08 | 0:17:11 | |
But didn't want to, erm, | 0:17:11 | 0:17:14 | |
I just think it's an amazing thing to think of your son doing this. | 0:17:14 | 0:17:17 | |
Because I, you know, most men are in some version, | 0:17:17 | 0:17:21 | |
-trying to play their father anyway. -Mm-hm. | 0:17:21 | 0:17:24 | |
You know, either imaginary or real, | 0:17:24 | 0:17:26 | |
they're trying to sort of play the role of their father, | 0:17:26 | 0:17:29 | |
until they find out, you know, if they ever DO, some don't, | 0:17:29 | 0:17:33 | |
if they ever find out who they are. | 0:17:33 | 0:17:35 | |
I think that's just an incredible thing. | 0:17:35 | 0:17:38 | |
I mean, I had a very, very sort of mild version of it. | 0:17:38 | 0:17:41 | |
Because I was playing, | 0:17:41 | 0:17:43 | |
I spent almost ten years playing a doctor and my father WAS a doctor. | 0:17:43 | 0:17:47 | |
And I felt like I was a fake version of what he really was | 0:17:47 | 0:17:51 | |
and I felt all this, sort of, constantly guilty about that. | 0:17:51 | 0:17:55 | |
Erm, because I think a lot of men do actually grow up feeling like that. | 0:17:55 | 0:17:59 | |
Feeling like fake versions of their own, until you hopefully get | 0:17:59 | 0:18:03 | |
to a point where you think that, "Well, I am the real thing, in some form." | 0:18:03 | 0:18:08 | |
-Yeah, yeah. -It is, whatever it is, it's real. | 0:18:08 | 0:18:10 | |
-Because, Olivia, how many kids have you got now? -Three! -Three? | 0:18:10 | 0:18:12 | |
So, if one of them, or indeed all of them came to you and said, "Yay! | 0:18:12 | 0:18:15 | |
"We're going to be an actor or actress," would you be thrilled? Horrified? | 0:18:15 | 0:18:19 | |
I don't know, it's quite a hard thing to answer. | 0:18:19 | 0:18:21 | |
Because I love it. I love my job. But I know I've been lucky. | 0:18:21 | 0:18:24 | |
So, it would be quite hard for my kids to go into it and be less lucky or... | 0:18:24 | 0:18:29 | |
Yes, you wouldn't say, I'd like you to be a SUCCESSFUL actor. | 0:18:29 | 0:18:34 | |
-Teach them to be lucky. -They're also very clever. | 0:18:34 | 0:18:37 | |
They're much cleverer than me, so, erm, well, it's hard to know with the baby but, erm... | 0:18:37 | 0:18:40 | |
It doesn't walk into walls or anything. That's good. | 0:18:44 | 0:18:47 | |
Yeah, I'd like to think that maybe they'll do something, | 0:18:47 | 0:18:49 | |
you know, save people or change the world. | 0:18:49 | 0:18:52 | |
-Oh, wow. -No pressure! | 0:18:52 | 0:18:54 | |
LAUGHTER | 0:18:54 | 0:18:56 | |
And Kevin, your kids, do they aspire to be a performer like you? | 0:18:56 | 0:18:59 | |
Oh, yeah, I'm in trouble. My kids are just like me. It's scary. | 0:18:59 | 0:19:04 | |
It's so scary. No, my son, my son is a little slower. | 0:19:04 | 0:19:07 | |
My daughter is just... | 0:19:07 | 0:19:10 | |
That's my son. I catch my son... | 0:19:10 | 0:19:14 | |
I catch my son doing some of the stupidest stuff. | 0:19:14 | 0:19:18 | |
Son, why you licking that wall? Don't lick the wall, boy. | 0:19:18 | 0:19:23 | |
"I'm just playing." No! You're not playing, licking the wall, son! | 0:19:23 | 0:19:27 | |
Go over there and just play with that stuff. | 0:19:27 | 0:19:30 | |
My daughter is just, she's in love with what I do. She fully gets it. | 0:19:30 | 0:19:34 | |
My daughter is ten years old. | 0:19:34 | 0:19:37 | |
And, you know, I'm big on letting my kids see me in my work environment, | 0:19:37 | 0:19:42 | |
whether it's on set, whether it's on stage, tour, | 0:19:42 | 0:19:46 | |
I let them be around their dad, so they can really understand what I do. | 0:19:46 | 0:19:50 | |
My daughter sits, like, when I'm on stage, I don't let them, | 0:19:50 | 0:19:53 | |
they're only allowed to watch the first 7 to 10 minutes of my show | 0:19:53 | 0:19:57 | |
because that part is clean. | 0:19:57 | 0:19:59 | |
-Then it gets filthy after that. -LAUGHTER | 0:19:59 | 0:20:01 | |
So, the first 10 minutes, she just sits and she watches | 0:20:01 | 0:20:04 | |
and she mimics me in the house. My daughter has got a tight 5 minutes. | 0:20:04 | 0:20:09 | |
She's like, "Dad, introduce me," like, she's got my mannerisms. | 0:20:09 | 0:20:14 | |
She comes on the stage and she's like, "What do you do? | 0:20:14 | 0:20:17 | |
"What's your job? What's your name?" | 0:20:17 | 0:20:19 | |
It's scary! It's really scary. | 0:20:19 | 0:20:22 | |
LAUGHTER AND APPLAUSE | 0:20:22 | 0:20:24 | |
So, Ice Cube had his son in this movie. | 0:20:24 | 0:20:26 | |
Olivia Colman has gone one further, ladies and gentlemen, | 0:20:26 | 0:20:29 | |
because in her new show, she had her daughter IN her, | 0:20:29 | 0:20:33 | |
in the thing, it's like Russian dolls! | 0:20:33 | 0:20:35 | |
-Yeah! -LAUGHTER | 0:20:35 | 0:20:39 | |
-And your bump plays a role. -Yes! | 0:20:39 | 0:20:41 | |
-This is The Night Manager, the new series that you're in. -Oh, IN her! Oh! | 0:20:41 | 0:20:45 | |
-In her! -LAUGHTER | 0:20:45 | 0:20:47 | |
-Where were you going? -I don't know... | 0:20:47 | 0:20:50 | |
You guys nodding, going, "OK..." | 0:20:50 | 0:20:52 | |
It's a UK thing. All right. I got it. I got it. | 0:20:52 | 0:20:56 | |
But they wrote the bump in. | 0:20:56 | 0:20:59 | |
Yeah, when I first went to meet the director | 0:20:59 | 0:21:01 | |
and I had just found out I was pregnant and I thought, "Oh, I can't lie." | 0:21:01 | 0:21:04 | |
Because it's going to become obvious. And so I said I was pregnant. | 0:21:04 | 0:21:07 | |
And Susanne went, "Oh! Oh, OK..." She said, "I must talk to the producers." | 0:21:07 | 0:21:15 | |
This is my impression of Susanne. | 0:21:15 | 0:21:17 | |
-LAUGHTER -Lucky she's not here cos then I can tell you it's really good. | 0:21:18 | 0:21:22 | |
-OK. -It is. It's absolutely spot on. | 0:21:22 | 0:21:25 | |
And I was going, "If you remember Fargo, Frances McDormand | 0:21:25 | 0:21:28 | |
"was pregnant and it really added to it. I think it would help," sort of, fingers crossed. | 0:21:28 | 0:21:32 | |
And they came back and said, "Yeah, OK, | 0:21:32 | 0:21:34 | |
"we can do pregnant, yeah. Erm, yeah, we'll write it in." So... | 0:21:34 | 0:21:37 | |
And it's good because you didn't have to carry a bag in front of yourself or wear baggy coats or anything. | 0:21:37 | 0:21:42 | |
I got so big, there would have been no hiding it. | 0:21:42 | 0:21:44 | |
And also, I was waddling quite a lot. | 0:21:44 | 0:21:47 | |
And Susanne once said, "Could you walk less pregnant?" | 0:21:47 | 0:21:51 | |
LAUGHTER | 0:21:51 | 0:21:53 | |
My pelvis was like that! | 0:21:54 | 0:21:57 | |
-So, this is The Night Manager, coming up on BBC One next month. -See that? | 0:21:57 | 0:22:01 | |
I looked like someone, like I've snuck into the back of shot. | 0:22:01 | 0:22:06 | |
-LAUGHTER -It's clearly, it's like a model shoot. | 0:22:06 | 0:22:11 | |
-And then this spherical being. -It's like when they left the paper cups on the mantelpiece in Downton. | 0:22:11 | 0:22:16 | |
-ICE CUBE: -She looks like she's back there fixing his suit! A wardrobe person! | 0:22:19 | 0:22:23 | |
-OLIVIA: -Exactly! | 0:22:23 | 0:22:24 | |
You shouldn't, if she didn't say it, but when she said that, I thought, | 0:22:24 | 0:22:28 | |
"It kind of does look a little bit like that!" | 0:22:28 | 0:22:30 | |
If anyone's watching in America, by the way, it's also on there. | 0:22:30 | 0:22:34 | |
It's on BBC America and it's on AMC. | 0:22:34 | 0:22:37 | |
And I guess because of all that involvement, it looks amazing. | 0:22:37 | 0:22:40 | |
-It's got a huge budget, it looks like, for it TV show. -Yes. | 0:22:40 | 0:22:43 | |
Americans do know how to make things look very good! It's exciting! | 0:22:43 | 0:22:46 | |
Obviously, it's the famous John le Carre novel but, | 0:22:46 | 0:22:49 | |
if people don't know, what can you tell us about it? | 0:22:49 | 0:22:52 | |
Who do you play within the film? | 0:22:52 | 0:22:54 | |
-I play, I'm proud to say, the worst man in the world. -Ooh! | 0:22:54 | 0:22:58 | |
-We actually play sworn enemies. -Yes. | 0:22:58 | 0:23:00 | |
This is sort of the angel of vengeance | 0:23:00 | 0:23:02 | |
and I am the worst man in the world. | 0:23:02 | 0:23:05 | |
-And we... Let's say that, because there are no other actors here, let's say it's all about us. -OK! | 0:23:05 | 0:23:11 | |
We wind up in, right at the end of the thing, | 0:23:11 | 0:23:14 | |
in a sort of final confrontation between, really, good and evil. | 0:23:14 | 0:23:19 | |
Erm, it's about arms dealing. | 0:23:19 | 0:23:21 | |
It's about a conspiracy to pull off a very terrible arms deal | 0:23:21 | 0:23:26 | |
with very terrible people. | 0:23:26 | 0:23:28 | |
And Olivia's character sets about trying to undo | 0:23:28 | 0:23:32 | |
the villain of the piece, the worst man in the world, which is me. | 0:23:32 | 0:23:35 | |
And why, because it's been changed, it wasn't a woman originally? | 0:23:35 | 0:23:39 | |
Yes, no, that's right. My character, Burr, was a man. | 0:23:39 | 0:23:42 | |
And they thought they'd like to... | 0:23:42 | 0:23:44 | |
Burr would be a good person to turn into a woman. | 0:23:44 | 0:23:46 | |
I think you probably were there more than me in that discussion. | 0:23:46 | 0:23:50 | |
I was a horse. And I thought, we could have a talking horse. | 0:23:50 | 0:23:55 | |
Or why don't we have a person? | 0:23:55 | 0:23:58 | |
ICE CUBE SNIGGERS | 0:23:58 | 0:24:01 | |
But Hugh Laurie, you love this book. | 0:24:02 | 0:24:05 | |
I love... Well, Le Carre is... This is holy text for me. | 0:24:05 | 0:24:09 | |
-Erm, and I loved... -You know him, right? | 0:24:09 | 0:24:12 | |
Well, yes, I would like to say now I do, a little bit. | 0:24:12 | 0:24:17 | |
I don't think he'd blank me in the street. | 0:24:17 | 0:24:19 | |
-Weren't you at his birthday party? -I did. I got taken. -I didn't! | 0:24:19 | 0:24:24 | |
LAUGHTER | 0:24:24 | 0:24:26 | |
I got taken as Stephen Fry's date, | 0:24:26 | 0:24:29 | |
to his 70th birthday party, at a restaurant in Hampstead. | 0:24:29 | 0:24:32 | |
And at this party were... I don't quite know who these people were | 0:24:32 | 0:24:36 | |
because you're not supposed to know anyway. | 0:24:36 | 0:24:39 | |
But it was something like the head of the CIA | 0:24:39 | 0:24:42 | |
and the head of the KGB were at this dinner. Big, big cheeses anyway. | 0:24:42 | 0:24:45 | |
And the place was crawling with bodyguards. | 0:24:45 | 0:24:47 | |
There was a lot of earpieces and people were packing. | 0:24:47 | 0:24:51 | |
-LAUGHTER -Yeah. | 0:24:51 | 0:24:53 | |
Was this in Compton? Was this in Compton? | 0:24:53 | 0:24:56 | |
-I think I know that spot. -LAUGHTER | 0:24:56 | 0:25:00 | |
-I have the lingo! -LAUGHTER AND APPLAUSE | 0:25:00 | 0:25:04 | |
During the dinner, one of his sons went whispering round the table. | 0:25:08 | 0:25:12 | |
There was a piano in the room and he went whispering round the table, | 0:25:12 | 0:25:15 | |
he said, "Does anybody know how to play Happy Birthday?" | 0:25:15 | 0:25:18 | |
And I said, "Well, if no-one else does, yeah, I'll do it if you want." | 0:25:18 | 0:25:21 | |
So they said, "OK. | 0:25:21 | 0:25:22 | |
"You sneak over to the piano, no-one's looking, sneak over to | 0:25:22 | 0:25:25 | |
"the piano, sit down there, we'll signal the kitchen, they'll light | 0:25:25 | 0:25:28 | |
"the candles on the cake and then they'll bring it in, | 0:25:28 | 0:25:30 | |
"you start playing." I said, "OK," so I sort of snuck over, | 0:25:30 | 0:25:33 | |
I sat down and I lifted the lid like this and I was all poised | 0:25:33 | 0:25:36 | |
and I could see the kitchen where they were lighting the... | 0:25:36 | 0:25:39 | |
I could see them fussing over the cake. | 0:25:39 | 0:25:41 | |
And they lit the candles, 70 of them, | 0:25:41 | 0:25:43 | |
so I'll shorten that bit, obviously. | 0:25:43 | 0:25:45 | |
And then the last thing they did, | 0:25:46 | 0:25:48 | |
because obviously this was the restaurant's habit, the last thing | 0:25:48 | 0:25:51 | |
they did before they brought out the cake was switch off the lights. | 0:25:51 | 0:25:54 | |
So the place went dark and there was an eruption of guns | 0:25:54 | 0:25:59 | |
and walkie-talkies. | 0:25:59 | 0:26:01 | |
"Nobody move, everybody on the floor!" | 0:26:01 | 0:26:03 | |
And I had to sort of... "No, really! | 0:26:03 | 0:26:06 | |
"Honestly, I am literally just the piano player." | 0:26:06 | 0:26:08 | |
-But order was restored, nobody died. -Wow. | 0:26:10 | 0:26:14 | |
Pretty exciting moment. | 0:26:14 | 0:26:15 | |
But it also shows you the respect in which le Carre is | 0:26:15 | 0:26:18 | |
held in the world of spying and intelligence. | 0:26:18 | 0:26:22 | |
We've got a clip but it's more of a taster of the whole series, | 0:26:22 | 0:26:25 | |
so here it is. | 0:26:25 | 0:26:26 | |
War's a spectator sport. | 0:26:30 | 0:26:31 | |
What do you want, Miss Burr? | 0:26:33 | 0:26:35 | |
I want to make you an offer. Bring down Richard Roper. | 0:26:35 | 0:26:38 | |
I want to put you inside his operation. | 0:26:38 | 0:26:40 | |
You will be in so deep, you'll worry that you'll never get out. | 0:26:40 | 0:26:43 | |
My name's Pine, I'm the night manager. | 0:26:43 | 0:26:45 | |
I think he may be playing both sides. | 0:26:46 | 0:26:48 | |
We need Richard Roper. | 0:26:48 | 0:26:50 | |
-I'm going to get you out of here. -And you think you're safe? | 0:26:51 | 0:26:54 | |
We are pulling you out. | 0:26:54 | 0:26:55 | |
Without me, you don't have an operation. | 0:26:55 | 0:26:58 | |
If you step out of line, we'll make you howl for your mother. | 0:26:58 | 0:27:02 | |
Ooh. | 0:27:10 | 0:27:12 | |
APPLAUSE | 0:27:12 | 0:27:14 | |
-I'm going to watch that. -Yeah, I'm going to watch that. | 0:27:14 | 0:27:17 | |
Watch it, wouldn't you? Yes. | 0:27:17 | 0:27:18 | |
-You're in that. -I know, I can't believe it. | 0:27:19 | 0:27:22 | |
The last time she was on, she was promoting a film, | 0:27:22 | 0:27:24 | |
she didn't know who she was playing in the film. | 0:27:24 | 0:27:27 | |
It was finished, it was in the cinema. | 0:27:27 | 0:27:29 | |
It was a long time after we'd filmed it. | 0:27:29 | 0:27:32 | |
You might have checked before you came on a chat show! | 0:27:32 | 0:27:35 | |
I love how honest she is about it. "I have no idea. I don't know." | 0:27:36 | 0:27:40 | |
I don't know why they... | 0:27:41 | 0:27:43 | |
Also, cos contractually, no offence, but we're sort of asked to come... | 0:27:43 | 0:27:46 | |
All right, fine. Thank you(!) LAUGHTER | 0:27:46 | 0:27:49 | |
Wow. | 0:27:49 | 0:27:51 | |
-She doesn't mean that. -I don't mean that. Oh, God! | 0:27:53 | 0:27:56 | |
She doesn't want to be here, ladies and gentlemen. | 0:27:56 | 0:28:00 | |
I do, that's not true. I love Graham. | 0:28:00 | 0:28:03 | |
But I do wonder why they ask me to do it. | 0:28:03 | 0:28:05 | |
I don't help, do I? | 0:28:06 | 0:28:08 | |
KEVIN CACKLES | 0:28:08 | 0:28:11 | |
Ice Cube's thinking, "She's never being in one of my films, ever." | 0:28:13 | 0:28:17 | |
She's good. | 0:28:17 | 0:28:19 | |
-I like her, I like her. -Thank you very much. I like you. | 0:28:20 | 0:28:23 | |
All right, onto my next guest. He's been on our screens for 65 years. | 0:28:28 | 0:28:34 | |
And now, on the eve of his 90th birthday, | 0:28:34 | 0:28:36 | |
he's back at the Beeb with a new natural history special. | 0:28:36 | 0:28:40 | |
Please welcome broadcasting legend Sir David Attenborough. | 0:28:40 | 0:28:44 | |
CHEERING | 0:28:44 | 0:28:47 | |
Hello, sir. How are you? So nice to see you. Come in, sit down. | 0:28:48 | 0:28:53 | |
This is Ice Cube...Kevin Hart, you know Olivia, I'm sure. | 0:28:53 | 0:28:58 | |
CHEERING | 0:29:01 | 0:29:03 | |
Sit, sit, sit, everybody. Oh. | 0:29:06 | 0:29:09 | |
-Very nice to have you, thank you very much for joining us. -Thank you. | 0:29:11 | 0:29:15 | |
You've said hello, you've met everybody. | 0:29:15 | 0:29:17 | |
I've been listening to you all. Laughing like anything. | 0:29:17 | 0:29:20 | |
You've met before, haven't you, Olivia? | 0:29:20 | 0:29:22 | |
Twice. | 0:29:22 | 0:29:23 | |
Oh, I'm so embarrassed. I was so excited to meet you. | 0:29:24 | 0:29:28 | |
Well, I didn't really meet you, I just sort of stumbled into you | 0:29:28 | 0:29:31 | |
and went, "I think you are amazing!" | 0:29:31 | 0:29:33 | |
You were very polite and then I realised I should leave | 0:29:34 | 0:29:36 | |
and then I did it a second time... | 0:29:36 | 0:29:38 | |
at a different occasion. | 0:29:38 | 0:29:40 | |
So third time lucky, there you go. | 0:29:40 | 0:29:42 | |
Friends now, friends. | 0:29:42 | 0:29:45 | |
Now, this new special, Attenborough And The Giant Dinosaur, | 0:29:45 | 0:29:48 | |
it's on on Sunday, BBC One, 6.30 | 0:29:48 | 0:29:51 | |
and it's extraordinary that these discoveries, | 0:29:51 | 0:29:55 | |
really amazing discoveries, are still being made. | 0:29:55 | 0:29:58 | |
Why had this not been discovered before? | 0:29:58 | 0:30:00 | |
I suppose, it's comparatively rare. They lived in a rather remote place. | 0:30:00 | 0:30:05 | |
They lived in Patagonia, right at the far end of South America. | 0:30:05 | 0:30:09 | |
And, yeah, dinosaur fossils aren't all that common. | 0:30:09 | 0:30:13 | |
And a local man who had a big sand...sheep farm | 0:30:13 | 0:30:18 | |
saw this enormous bone sticking out of the cliff. | 0:30:18 | 0:30:23 | |
And he told local people and eventually a palaeontologist, | 0:30:23 | 0:30:27 | |
a fossil expert, came along and said, "Yeah, that's a dinosaur. | 0:30:27 | 0:30:30 | |
"And not only is it a dinosaur, it's a very, very big dinosaur." | 0:30:30 | 0:30:34 | |
And that particular bone was the thigh bone, this one, | 0:30:34 | 0:30:38 | |
and it's nine feet tall, three metres tall. | 0:30:38 | 0:30:42 | |
So it's huge, this animal. | 0:30:42 | 0:30:44 | |
It's incredible. I'll tell you what, before we talk about it some more, | 0:30:44 | 0:30:47 | |
because talking about it doesn't really convey the size of it, | 0:30:47 | 0:30:50 | |
so we've got a clip from the show that conveys just how big | 0:30:50 | 0:30:55 | |
these things were. | 0:30:55 | 0:30:56 | |
The first sauropods to appear on Earth | 0:30:56 | 0:30:58 | |
were comparatively small creatures. | 0:30:58 | 0:31:01 | |
This is a cast of the thighbone of one of them. | 0:31:01 | 0:31:05 | |
It's not even as big as my thighbone. | 0:31:05 | 0:31:07 | |
But after about 20 million years, SOME had become pretty big. | 0:31:08 | 0:31:15 | |
This is a thighbone from one of those creatures. | 0:31:15 | 0:31:19 | |
But then, after that, | 0:31:19 | 0:31:23 | |
our giant appeared. This is its thighbone. | 0:31:23 | 0:31:27 | |
-Isn't that nuts? -Yeah. | 0:31:27 | 0:31:29 | |
You know... You know the dinosaur | 0:31:32 | 0:31:33 | |
-that's in the Natural History Museum? -Yeah. | 0:31:33 | 0:31:36 | |
Diplodocus. Fills the entrance hall, you know? | 0:31:36 | 0:31:41 | |
-This one is half as big again, the new one. -Oh, my God. | 0:31:41 | 0:31:45 | |
-Wow. -Wow. | 0:31:45 | 0:31:47 | |
And what's more, old diplodocus, | 0:31:47 | 0:31:49 | |
the one in the Natural History Museum | 0:31:49 | 0:31:51 | |
could walk underneath this one's belly. | 0:31:51 | 0:31:54 | |
-And how many...? -Mm-hmm! -LAUGHTER | 0:31:55 | 0:31:58 | |
Because they didn't just find one of these. It wasn't like a freak. | 0:31:58 | 0:32:01 | |
It wasn't like, "Oh, he's very tall for his age." | 0:32:01 | 0:32:03 | |
-There were a lot of these guys. -Well, there must have been | 0:32:05 | 0:32:08 | |
because otherwise there wouldn't be any more. | 0:32:08 | 0:32:11 | |
There were at least two. | 0:32:11 | 0:32:12 | |
-I'm with you. -Actually, it so happened | 0:32:12 | 0:32:14 | |
this particular deposit where | 0:32:14 | 0:32:16 | |
they found those bones, there are the remains of | 0:32:16 | 0:32:18 | |
seven different individuals, all of the same kind. | 0:32:18 | 0:32:21 | |
So they were all whoppers. | 0:32:21 | 0:32:23 | |
And in your own house you have some...? | 0:32:23 | 0:32:25 | |
No, I don't have one in my own house. | 0:32:25 | 0:32:27 | |
No, you do have some dinosaur things. | 0:32:29 | 0:32:32 | |
-I've got the occasional thing. -What have you got, what have you got? | 0:32:32 | 0:32:36 | |
-What do you want? -Well, I don't know. | 0:32:36 | 0:32:38 | |
What will you give me? | 0:32:42 | 0:32:43 | |
You've got a dinosaur...footprint, is it a footprint you've got? | 0:32:43 | 0:32:47 | |
-I've got a dinosaur footprint. -OK. | 0:32:47 | 0:32:49 | |
Footprints, dinosaur footprints are quite common in Texas. | 0:32:49 | 0:32:53 | |
You can buy 100 yards of dinosaur footprint. | 0:32:53 | 0:32:55 | |
Kevin Hart's shopping already. | 0:32:55 | 0:32:58 | |
I was about to ask the price for that thighbone. | 0:32:58 | 0:33:00 | |
I know what I want to do with my money. | 0:33:00 | 0:33:03 | |
Something good to show off to my friends. | 0:33:03 | 0:33:05 | |
There was a Texas millionaire... | 0:33:05 | 0:33:07 | |
It became the fashion to buy 50 yards of dinosaur footprint | 0:33:07 | 0:33:12 | |
and put them in your garden, you see. | 0:33:12 | 0:33:15 | |
So jealous now. Kevin Hart looks so jealous. | 0:33:15 | 0:33:18 | |
Bought 20 yards and laid them out and very proud of it | 0:33:18 | 0:33:22 | |
and then invited the next-door neighbour, | 0:33:22 | 0:33:24 | |
who was also a millionaire, | 0:33:24 | 0:33:25 | |
to come over and look at his dinosaur footprint. | 0:33:25 | 0:33:28 | |
So the visitor came in, | 0:33:28 | 0:33:30 | |
saw these immense footprints around and said, "My God, what are those?" | 0:33:30 | 0:33:36 | |
And he said, "They're dinosaur footprints." | 0:33:36 | 0:33:38 | |
And the millionaire visitor said, | 0:33:38 | 0:33:40 | |
"I had no idea they'd come so close to the house." | 0:33:40 | 0:33:44 | |
LAUGHTER | 0:33:44 | 0:33:47 | |
Now, I don't want to embarrass you but we have to mention you do | 0:33:50 | 0:33:54 | |
-have quite a large birthday very, very soon. -Yes. | 0:33:54 | 0:33:58 | |
It's, well, 90, we can say it, it's 90. It's a thing to be celebrating. | 0:33:58 | 0:34:02 | |
APPLAUSE | 0:34:02 | 0:34:05 | |
How is it going to be marked personally? | 0:34:09 | 0:34:12 | |
How is it going to be marked by the BBC? What's happening? | 0:34:12 | 0:34:14 | |
I would like to ignore the whole issue. | 0:34:14 | 0:34:17 | |
The BBC is talking now about doing some kind of programme. | 0:34:18 | 0:34:21 | |
I don't know what but they're going to do something. | 0:34:21 | 0:34:24 | |
-They'll have to do something. -Oh, something. A cake. | 0:34:24 | 0:34:26 | |
And Hugh Laurie can play Happy Birthday. | 0:34:28 | 0:34:30 | |
Well, I'm...I'm there, I'm there. | 0:34:30 | 0:34:33 | |
APPLAUSE | 0:34:33 | 0:34:36 | |
OK, it's time for music. Now this Grammy-nominated singer-songwriter | 0:34:36 | 0:34:40 | |
is destined for great things. | 0:34:40 | 0:34:42 | |
Here, singing her hit single Ex's & Oh's, | 0:34:42 | 0:34:45 | |
please welcome Elle King. | 0:34:45 | 0:34:47 | |
APPLAUSE | 0:34:47 | 0:34:49 | |
# I had me a boy Turned him into a man | 0:34:56 | 0:34:59 | |
# Showed him all the things that he didn't understand | 0:34:59 | 0:35:02 | |
# Whoa | 0:35:02 | 0:35:04 | |
# Then I let him go | 0:35:04 | 0:35:06 | |
# Now there's one in California who's been cursing my name | 0:35:09 | 0:35:12 | |
# Cos I found me a better lover in the UK | 0:35:12 | 0:35:15 | |
# Hey | 0:35:15 | 0:35:18 | |
# Until I make my getaway | 0:35:18 | 0:35:19 | |
# One, two, three They're going to run back to me | 0:35:22 | 0:35:26 | |
# Cos I'm the best baby that they never got to keep | 0:35:26 | 0:35:29 | |
# One, two, three They're going to run back to me | 0:35:29 | 0:35:32 | |
# Always want to come but they never want to leave | 0:35:32 | 0:35:36 | |
# Exes and the oh-oh-ohs They haunt me | 0:35:36 | 0:35:41 | |
# Like gho-o-osts They want me to make 'em a-a-all | 0:35:41 | 0:35:46 | |
# They won't let go | 0:35:46 | 0:35:49 | |
# Exes and ohs | 0:35:49 | 0:35:50 | |
# I had a summer lover down in New Orleans | 0:35:56 | 0:35:59 | |
# I kept him warm in the winter Left him frozen in the spring | 0:35:59 | 0:36:02 | |
# My, my, how the seasons go by | 0:36:02 | 0:36:07 | |
# I get high and I love to get low | 0:36:09 | 0:36:13 | |
# So the hearts keep breaking and the heads just roll | 0:36:13 | 0:36:16 | |
# You know that's how the story goes | 0:36:16 | 0:36:21 | |
# One, two, three They're going to run back to me | 0:36:23 | 0:36:26 | |
# Cos I'm the best baby that they never got to keep | 0:36:26 | 0:36:30 | |
# One, two, three They're going to run back to me | 0:36:30 | 0:36:33 | |
# They always want to come but they never want to leave | 0:36:33 | 0:36:37 | |
# Exes and the oh-oh-ohs They haunt me | 0:36:37 | 0:36:41 | |
# Like gho-o-osts They want me to make 'em a-a-all | 0:36:41 | 0:36:46 | |
# They won't let go | 0:36:46 | 0:36:50 | |
# My exes and the oh-oh-ohs They haunt me | 0:36:50 | 0:36:54 | |
# Like gho-o-osts They want me to make 'em a-a-all | 0:36:54 | 0:37:00 | |
# They won't let go | 0:37:00 | 0:37:03 | |
# Exes and ohs | 0:37:03 | 0:37:05 | |
# One, two, three They're going to run back to me | 0:37:17 | 0:37:20 | |
# Climbing over mountains and sailing over seas | 0:37:20 | 0:37:24 | |
# One, two, three They're going to run back to me | 0:37:24 | 0:37:27 | |
# They always want to come but they never want to leave | 0:37:27 | 0:37:30 | |
# My exes and the oh-oh-ohs They haunt me | 0:37:30 | 0:37:35 | |
# Like gho-o-osts They want me to make 'em a-a-all | 0:37:35 | 0:37:40 | |
# They won't let go | 0:37:40 | 0:37:44 | |
# Exes and the oh-oh-ohs They haunt me | 0:37:44 | 0:37:48 | |
# Like gho-o-osts They want me to make 'em a-a-all | 0:37:48 | 0:37:54 | |
# They won't let go | 0:37:54 | 0:37:56 | |
# Exes and ohs. # | 0:37:56 | 0:37:59 | |
APPLAUSE | 0:38:04 | 0:38:08 | |
Elle King, everybody. Come and join us, come and join us. | 0:38:08 | 0:38:12 | |
Come and join us, Elle King. | 0:38:12 | 0:38:15 | |
That was so fun, I love that song. | 0:38:15 | 0:38:17 | |
There you go, there you go, my dear. | 0:38:17 | 0:38:20 | |
Come and join us. We've got you a stool. | 0:38:21 | 0:38:24 | |
Amazing, thank you. | 0:38:24 | 0:38:26 | |
That's Hugh Laurie...Olivia... | 0:38:26 | 0:38:28 | |
-Hi, so nice to meet you. -And you. | 0:38:28 | 0:38:31 | |
Hi, nice to meet you. Oh, so nice to meet you. | 0:38:31 | 0:38:34 | |
Oh, my goodness. | 0:38:34 | 0:38:35 | |
Everyone, sit down, sit down, sit down. | 0:38:35 | 0:38:37 | |
-Do you want to take your seat first? -OK. -Sit. | 0:38:37 | 0:38:40 | |
I thought you might have wanted to be part of the... I don't know. | 0:38:40 | 0:38:43 | |
Oh, see, I just automatically think, | 0:38:43 | 0:38:44 | |
"Oh, he's being mean, he wants my seat." | 0:38:44 | 0:38:46 | |
We're not in the back of a car! | 0:38:46 | 0:38:48 | |
"I'll sit in the middle, I don't mind." | 0:38:48 | 0:38:51 | |
-No. We must tell the people, that is from the album Love Stuff. -Yeah. | 0:38:51 | 0:38:56 | |
Where did the name come from? | 0:38:56 | 0:38:58 | |
-Erm... -SHE GIGGLES | 0:38:58 | 0:39:00 | |
A sex shop in Florida. | 0:39:00 | 0:39:02 | |
Anyone familiar? | 0:39:03 | 0:39:04 | |
Yup! | 0:39:04 | 0:39:06 | |
Yes, I am. | 0:39:07 | 0:39:08 | |
Can I just say that I'm a huge, huge, huge fan | 0:39:09 | 0:39:14 | |
and Express Yourself was the first rap song | 0:39:14 | 0:39:17 | |
-that I learned every word to. -Oh, wow. -Oh, you're talking to Cube? | 0:39:17 | 0:39:21 | |
LAUGHTER | 0:39:21 | 0:39:24 | |
Sorry, it's a mix-up. Got it. | 0:39:24 | 0:39:26 | |
-I know, my eyes are so big. -Got it, go ahead. Sorry. -Wide-eyed. | 0:39:26 | 0:39:30 | |
It was my first, like, favourite hip-hop song ever | 0:39:30 | 0:39:35 | |
and I've been a crazy hip-hop fan ever since, | 0:39:35 | 0:39:38 | |
so it's awesome to be really close to you. | 0:39:38 | 0:39:41 | |
And it's awesome. Your song was crazy. | 0:39:42 | 0:39:44 | |
We was over here just nodding our head. | 0:39:44 | 0:39:46 | |
-That bass line is sick. -That's when we were talking about the bass line. | 0:39:46 | 0:39:49 | |
Thank you. | 0:39:49 | 0:39:51 | |
That's how you get to black people, with a strong bass line. | 0:39:51 | 0:39:54 | |
That's how you get us. | 0:39:56 | 0:39:58 | |
And you are a fan... | 0:39:58 | 0:39:59 | |
I know you are particularly a fan of Sir David Attenborough. | 0:39:59 | 0:40:02 | |
-I am, hi. -Are you?! | 0:40:02 | 0:40:04 | |
-Yeah. -Because you are a big animal lover. | 0:40:04 | 0:40:07 | |
I know collecting animals is a weird phrase to use. | 0:40:07 | 0:40:09 | |
No, don't make me sound crazy. People think I'm crazy enough. | 0:40:09 | 0:40:12 | |
No, I've rescued a lot of animals, I've found a lot of animals homes. | 0:40:12 | 0:40:14 | |
Crazy! | 0:40:14 | 0:40:17 | |
I only have three dogs right now, it's fine. | 0:40:17 | 0:40:19 | |
But over the years, you've rescued things that didn't | 0:40:19 | 0:40:22 | |
sound like they needed rescuing. | 0:40:22 | 0:40:24 | |
They did! To me. | 0:40:24 | 0:40:26 | |
-A rat? -That rat was amazing. | 0:40:26 | 0:40:29 | |
But did it need rescuing? | 0:40:29 | 0:40:30 | |
I know, I see your eyes, someone told me | 0:40:30 | 0:40:32 | |
that you have a terrifying rat story. | 0:40:32 | 0:40:35 | |
I don't care for them. | 0:40:35 | 0:40:37 | |
They're very... Unbelievably smart, though. | 0:40:37 | 0:40:39 | |
I... I... | 0:40:39 | 0:40:40 | |
I've been sitting on a loo in India | 0:40:40 | 0:40:44 | |
and a rat comes up... | 0:40:44 | 0:40:46 | |
-GASPS -Oh, my God! | 0:40:46 | 0:40:48 | |
It's not attractive. | 0:40:48 | 0:40:49 | |
Are you going to be over here for a while now, promoting and stuff? | 0:40:53 | 0:40:57 | |
What day is it? I don't know. | 0:40:57 | 0:40:58 | |
It's Friday now. | 0:40:59 | 0:41:01 | |
Oh, it IS Friday? Well, every day's Friday, right? | 0:41:01 | 0:41:04 | |
Yeah, on this show it is. | 0:41:04 | 0:41:06 | |
No matter when we do it, it's Friday. | 0:41:08 | 0:41:12 | |
Listen, just before we go, we've got | 0:41:12 | 0:41:14 | |
time for a visit to the big red chair, so let's do it. | 0:41:14 | 0:41:17 | |
-Who's there? Hello. -Hello. -Hi, what's your name? | 0:41:17 | 0:41:20 | |
-THICK COCKNEY ACCENT: -Tony. -Tony. Lovely Tony. | 0:41:20 | 0:41:22 | |
Nice to speak to you, Graham. | 0:41:22 | 0:41:24 | |
It's good, Tony, what do you do? | 0:41:24 | 0:41:26 | |
-I work in a secondary school. Teacher, Graham. -Oh, yes? | 0:41:26 | 0:41:29 | |
A specific subject? | 0:41:29 | 0:41:30 | |
No, I work with mainly, now, behaviour, | 0:41:30 | 0:41:32 | |
-with all the little rascals. -Oh, right. | 0:41:32 | 0:41:35 | |
LAUGHTER | 0:41:35 | 0:41:37 | |
Does anyone think Tony isn't a real person? | 0:41:37 | 0:41:39 | |
On you go with your story, Tony. | 0:41:41 | 0:41:43 | |
Yeah, what happened was, it was about five years ago... | 0:41:43 | 0:41:45 | |
LAUGHTER | 0:41:45 | 0:41:47 | |
..and we'd just gone back to school in January. I got me new suit. | 0:41:47 | 0:41:50 | |
-I always like to get a new suit for the new year. -Of course. | 0:41:50 | 0:41:53 | |
Yeah, naturally. | 0:41:53 | 0:41:54 | |
And what's happened is, I've gone into the canteen as normal, | 0:41:54 | 0:41:57 | |
cos I always like to eat with the pupils and then go out on duty. | 0:41:57 | 0:42:01 | |
So I've gone down, it's my favourite, | 0:42:01 | 0:42:02 | |
there's a little roast dinner. | 0:42:02 | 0:42:04 | |
So I've gone into the queue, nice little bit of lamb, | 0:42:04 | 0:42:06 | |
roast potatoes, greens, gravy. | 0:42:06 | 0:42:09 | |
And I thought to myself... Cos normally I don't get an after. | 0:42:09 | 0:42:12 | |
So I thought, "I'll have a little after, | 0:42:12 | 0:42:13 | |
"little bit of apple pie and custard. Lovely." | 0:42:13 | 0:42:16 | |
I've got that, got me little tray, | 0:42:16 | 0:42:17 | |
walk round where you go to get the forks and knives and, as I've gone | 0:42:17 | 0:42:21 | |
round, there must have been a bit of water, I didn't see the water. | 0:42:21 | 0:42:25 | |
Me own foot's gone. I thought, "Shit, I'm going over." | 0:42:25 | 0:42:28 | |
And it went in slow motion. I can still remember it. | 0:42:28 | 0:42:31 | |
It was slow motion and I've got the tray, | 0:42:31 | 0:42:33 | |
I'm thinking, "I've got to hold that tray." | 0:42:33 | 0:42:36 | |
I've gone over, me back's hit the floor. The tray's gone over. | 0:42:36 | 0:42:39 | |
I've got gravy, custard, apple pie and a little bit of lamb. | 0:42:39 | 0:42:43 | |
And as I've looked up through the gravy and the custard, | 0:42:43 | 0:42:46 | |
I can see 100 teenagers going, "Sir's gone over, Sir's gone over!" | 0:42:46 | 0:42:51 | |
And that's me story, Graham. | 0:42:51 | 0:42:52 | |
Oh, he can walk. APPLAUSE | 0:42:52 | 0:42:54 | |
Give me a little flip, Graham, give me a flip. | 0:42:54 | 0:42:57 | |
I'll give you a flip. Here you go. | 0:42:57 | 0:42:59 | |
Very funny. | 0:43:01 | 0:43:03 | |
Do you think Tony was real? | 0:43:04 | 0:43:07 | |
I didn't understand one word he said. | 0:43:07 | 0:43:09 | |
-ATTEMPT AT TONY'S ACCENT: -"I had me tuna, me gravy, me custard..." | 0:43:11 | 0:43:14 | |
LAUGHTER | 0:43:14 | 0:43:19 | |
There was no tuna. | 0:43:19 | 0:43:21 | |
There was no tuna! | 0:43:21 | 0:43:22 | |
Well done, everyone. If you'd like to join us | 0:43:22 | 0:43:25 | |
on the show and have a go in the red chair, you can contact us | 0:43:25 | 0:43:28 | |
via our website at this very address. | 0:43:28 | 0:43:31 | |
That's it for tonight, | 0:43:31 | 0:43:32 | |
so please say a huge thank you to my guests tonight. | 0:43:32 | 0:43:34 | |
Elle King, everybody. APPLAUSE | 0:43:34 | 0:43:37 | |
Hugh Laurie... APPLAUSE | 0:43:37 | 0:43:40 | |
..Olivia Colman... APPLAUSE | 0:43:40 | 0:43:42 | |
..Kevin Hart... APPLAUSE | 0:43:42 | 0:43:45 | |
..Ice Cube... APPLAUSE | 0:43:45 | 0:43:47 | |
..and Sir David Attenborough. CHEERING | 0:43:47 | 0:43:51 | |
Join me next week with the singer Laura Mvula, | 0:43:51 | 0:43:55 | |
from Dad's Army, Toby Jones and Catherine Zeta Jones, | 0:43:55 | 0:43:58 | |
ex-One-Directioner Zayn Malik, | 0:43:58 | 0:43:59 | |
movie star Ryan Reynolds and the one and only Will Smith. | 0:43:59 | 0:44:03 | |
I'll see you then, goodnight, everybody. Bye-bye. | 0:44:03 | 0:44:06 | |
APPLAUSE | 0:44:06 | 0:44:10 |