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This programme contains some strong language | 0:00:02 | 0:00:04 | |
-Selma Hayek, you're from Mexico. -Exactly. | 0:00:04 | 0:00:06 | |
-And I actually speak a "poco" of Spanish. -I see. | 0:00:06 | 0:00:09 | |
So I wonder, how would I say "let's start the show" en Espanol? | 0:00:09 | 0:00:13 | |
SHE SPEAKS SPANISH RAPIDLY | 0:00:13 | 0:00:16 | |
LAUGHTER | 0:00:16 | 0:00:17 | |
GRAHAM GASPS Oh! | 0:00:21 | 0:00:23 | |
LAUGHTER | 0:00:26 | 0:00:28 | |
SHE SPEAKS SPANISH RAPIDLY | 0:00:28 | 0:00:30 | |
LAUGHTER | 0:00:32 | 0:00:33 | |
And I just hope that they don't do | 0:00:35 | 0:00:37 | |
some...some lame Silence Of The Lambs bit. | 0:00:37 | 0:00:40 | |
LAUGHTER | 0:00:40 | 0:00:42 | |
CHEERING AND APPLAUSE | 0:00:42 | 0:00:44 | |
SHE SPEAKS SPANISH EXCITEDLY | 0:00:44 | 0:00:47 | |
LAUGHTER | 0:00:47 | 0:00:48 | |
Bueno. LAUGHTER | 0:00:51 | 0:00:53 | |
Let's start the show! | 0:00:53 | 0:00:55 | |
CHEERING AND APPLAUSE | 0:00:55 | 0:00:57 | |
Oh! Oh! CHEERING AND APPLAUSE | 0:01:11 | 0:01:13 | |
Oh! Oh! | 0:01:13 | 0:01:15 | |
APPLAUSE Welcome one, welcome all! | 0:01:15 | 0:01:19 | |
You are very kind. It's compilation time, everybody! | 0:01:19 | 0:01:23 | |
CHEERING Yes, it is. Oh, yeah. | 0:01:23 | 0:01:26 | |
It's time to take a look back | 0:01:26 | 0:01:27 | |
at some of the highlights from the past series. | 0:01:27 | 0:01:29 | |
So many highlights. Starting with this. | 0:01:29 | 0:01:33 | |
Jack and I met on a magical night out, | 0:01:33 | 0:01:36 | |
when I humiliated myself | 0:01:36 | 0:01:37 | |
-more than I ever have before. -Yeah, that was... | 0:01:37 | 0:01:40 | |
It was probably the best moment of my life. | 0:01:40 | 0:01:42 | |
-LAUGHTER -It may be the worst of Jen's? -Worst moment of mine. | 0:01:42 | 0:01:46 | |
-LAUGHTER -For the first time ever, like, in my career... | 0:01:46 | 0:01:49 | |
I never assume anyone knows who I am, | 0:01:49 | 0:01:52 | |
and I saw Harrison Ford and JJ Abrams | 0:01:52 | 0:01:57 | |
and I was, like, "Yeah, this is fun. We're all co-workers. | 0:01:57 | 0:02:01 | |
"Like I can just go..." So I was like, "Be right back, guys, | 0:02:01 | 0:02:05 | |
"I'm going to go and say hi to the Star Wars dudes." | 0:02:05 | 0:02:07 | |
And I approached their table, was like... | 0:02:07 | 0:02:09 | |
LAUGHTER | 0:02:09 | 0:02:11 | |
And they all... The whole table was just like... | 0:02:11 | 0:02:14 | |
LAUGHTER | 0:02:14 | 0:02:15 | |
And so I realised, while I was dancing, "They have no idea I am." | 0:02:15 | 0:02:19 | |
"They have no idea who I am." | 0:02:19 | 0:02:21 | |
And so I just turned around | 0:02:21 | 0:02:22 | |
-and walked back...just dying. -LAUGHTER | 0:02:22 | 0:02:26 | |
Cos I had done this show with Harrison Ford, | 0:02:26 | 0:02:29 | |
so he's like the only A-list Hollywood star that I know. | 0:02:29 | 0:02:32 | |
I mean, he's the only one that I have. | 0:02:32 | 0:02:34 | |
So, she had just been blanked and I was like, "Hey, it's all right, | 0:02:34 | 0:02:37 | |
-"I'll go say hi to Harrison." -LAUGHTER | 0:02:37 | 0:02:39 | |
Everyone in the group was like, "Jack, don't do this. | 0:02:39 | 0:02:42 | |
"You will be humiliated." | 0:02:42 | 0:02:43 | |
I was like, "Nah, me and Harrison are tight." | 0:02:43 | 0:02:45 | |
They genuinely had no idea. | 0:02:45 | 0:02:47 | |
So I get up. I walk over and, at this point, I'm like, | 0:02:47 | 0:02:49 | |
"Oh, God! Maybe he won't remember me and I will be humiliated as well." | 0:02:49 | 0:02:52 | |
I walked over. And literally, as I walked over, he was like, "Hey, Jack!" | 0:02:52 | 0:02:56 | |
LAUGHTER | 0:02:56 | 0:02:58 | |
You're a superstar! | 0:02:58 | 0:03:00 | |
-That was so funny! -APPLAUSE | 0:03:00 | 0:03:02 | |
-Now, Emilia Clarke, did you get to chat with everyone backstage? -Yes. | 0:03:02 | 0:03:05 | |
-Erm, yeah, kind of. -Did you get to talk to him? -Yeah, kind of. | 0:03:05 | 0:03:09 | |
LAUGHTER | 0:03:09 | 0:03:10 | |
Emilia Clarke loves Matt LeBlanc! | 0:03:10 | 0:03:13 | |
LAUGHTER | 0:03:13 | 0:03:15 | |
Hi! Hi. | 0:03:15 | 0:03:17 | |
LAUGHTER | 0:03:17 | 0:03:18 | |
I'm actually blushing. Erm, yeah, I just think you're wicked. | 0:03:18 | 0:03:22 | |
ALL: Aw! | 0:03:22 | 0:03:24 | |
APPLAUSE | 0:03:24 | 0:03:25 | |
Are you returning the favour? Do you watch Game Of Thrones, Matt? | 0:03:25 | 0:03:28 | |
I watched it the first season and then I kind of fell out of it. | 0:03:28 | 0:03:31 | |
-And I tried to watch it this season. -That's OK. That's OK. | 0:03:31 | 0:03:33 | |
And I don't know what's going on. I can't keep up. | 0:03:33 | 0:03:35 | |
There's lots of stuff going on. | 0:03:35 | 0:03:37 | |
-There's so much going on. -Yeah, there is. There really is. It's OK. | 0:03:37 | 0:03:40 | |
-LAUGHTER -It's all right. -I could lie, but I don't want to lie. -No. No, no, no. | 0:03:40 | 0:03:45 | |
You've seen the good bits. You've seen the first season. | 0:03:45 | 0:03:48 | |
-LAUGHTER -Is it all downhill? | 0:03:48 | 0:03:50 | |
-I will watch, I promise. -No, I know. | 0:03:50 | 0:03:53 | |
-I do have one slight request from you, though. -What's that? | 0:03:53 | 0:03:56 | |
So, would you be able to ask me how I'm doing? | 0:03:56 | 0:03:58 | |
Oh, let's do that. | 0:03:58 | 0:04:01 | |
CHEERING AND APPLAUSE | 0:04:01 | 0:04:03 | |
Oh. | 0:04:03 | 0:04:05 | |
You can say no. Everyone'll hate you, but you can say no. | 0:04:05 | 0:04:08 | |
Yeah, yeah, yeah. No. Yes. | 0:04:08 | 0:04:10 | |
Well, since, you know, I haven't been up to speed on the show, | 0:04:10 | 0:04:13 | |
-I will say... -Thank you. -How you doing? | 0:04:13 | 0:04:16 | |
CHEERING AND APPLAUSE | 0:04:16 | 0:04:18 | |
-I caught that from back here. -It works! -Yes, very well. | 0:04:18 | 0:04:21 | |
What's really embarrassing is, when Matt walked out, | 0:04:21 | 0:04:24 | |
I went, "How you doing?" | 0:04:24 | 0:04:25 | |
LAUGHTER | 0:04:25 | 0:04:27 | |
And then I was like, "Oh, shut up! What are you doing?!" | 0:04:27 | 0:04:29 | |
Is it true, Samuel L Jackson, | 0:04:29 | 0:04:31 | |
takes aren't a thing... You're not keen on... | 0:04:31 | 0:04:33 | |
I'm here to bear witness to the fact that Sam likes to move fast. Yeah. | 0:04:33 | 0:04:36 | |
LAUGHTER | 0:04:36 | 0:04:38 | |
-Very true. -LAUGHTER | 0:04:38 | 0:04:41 | |
I don't... I don't vary that much. I'm not that actor. | 0:04:41 | 0:04:44 | |
I do the same thing all the time. | 0:04:44 | 0:04:46 | |
But sometimes, and I can speak from experience... | 0:04:46 | 0:04:48 | |
Like Sam is so charismatic... | 0:04:48 | 0:04:51 | |
and he has been for as many years as you've been making movies. | 0:04:51 | 0:04:55 | |
-And sometimes... -LAUGHTER | 0:04:55 | 0:04:58 | |
But sometimes you're in a scene with Sam | 0:04:58 | 0:05:00 | |
and you just kind of go out of the scene | 0:05:00 | 0:05:02 | |
and you're just watching Sam being Sam. | 0:05:02 | 0:05:04 | |
And it's really powerful and you go, | 0:05:04 | 0:05:06 | |
"Hang on a second, what's my line?" | 0:05:06 | 0:05:08 | |
LAUGHTER | 0:05:08 | 0:05:09 | |
I've only had that... Well, I was doing a movie with Dustin Hoffman | 0:05:09 | 0:05:13 | |
and, in the middle of the shot, | 0:05:13 | 0:05:15 | |
Dustin just stops and goes, "Wait. Cut. Cut. Sam, I saw you." | 0:05:15 | 0:05:19 | |
I said, "You saw me what?" He said, "I saw you say to yourself, | 0:05:19 | 0:05:22 | |
" 'Oh, my God! That's Dustin Hoffman!' " | 0:05:22 | 0:05:24 | |
LAUGHTER | 0:05:24 | 0:05:26 | |
APPLAUSE | 0:05:26 | 0:05:27 | |
I was like... | 0:05:27 | 0:05:29 | |
-"Shut up!" -APPLAUSE | 0:05:29 | 0:05:32 | |
Now, another addition to the cast, our good friend Chris Hemsworth. | 0:05:32 | 0:05:37 | |
-Yes. -I mean... | 0:05:37 | 0:05:38 | |
Now, I think...I think I've got a picture of Chris Hemsworth. | 0:05:38 | 0:05:42 | |
-Do I? -Is he crying? -I do. I do, yes. | 0:05:42 | 0:05:45 | |
WOMEN SCREAM | 0:05:45 | 0:05:47 | |
GRAHAM LAUGHS | 0:05:47 | 0:05:49 | |
That's just him coming out of the trailer. | 0:05:49 | 0:05:51 | |
-That's him coming out of the trailer. -It's too much. | 0:05:51 | 0:05:54 | |
-It's crazy, isn't it? -I just... | 0:05:54 | 0:05:56 | |
At a certain point, I thought, | 0:05:56 | 0:05:58 | |
"I have never rooted for someone maybe to be just an unbelievable jerk." | 0:05:58 | 0:06:02 | |
-I just needed something to be wrong with him. -And there was nothing. -Nothing. | 0:06:02 | 0:06:07 | |
And, for the four of you, it must be annoying, | 0:06:07 | 0:06:10 | |
because you kind of think, "We're very funny and here's this hunk." | 0:06:10 | 0:06:13 | |
-He's annoyingly funny. -He's hilarious. | 0:06:13 | 0:06:15 | |
We were like, "Did you bring writers or something?" | 0:06:15 | 0:06:18 | |
Cos he was killing it. Like, killing it. | 0:06:18 | 0:06:20 | |
He was funny like a guy that had to fight his way off the playground his whole life, | 0:06:20 | 0:06:24 | |
and he had to be funny so he didn't get his ass kicked. | 0:06:24 | 0:06:27 | |
-Which is... I mean, it was very strange. -That's how funny he was. | 0:06:27 | 0:06:30 | |
And, at one point, he started... I don't know, we were talking about music or playing something, | 0:06:30 | 0:06:34 | |
and I said, "What song are you talking about?" And he started singing. | 0:06:34 | 0:06:38 | |
And I did not mean to, but very... | 0:06:38 | 0:06:40 | |
It was deep and guttural, I was like, "You shut up!" | 0:06:40 | 0:06:43 | |
LAUGHTER | 0:06:43 | 0:06:45 | |
"Will you shut up, Chris?" | 0:06:45 | 0:06:46 | |
Because, also, he started to sound like a songbird. | 0:06:46 | 0:06:51 | |
It was like, "You can't have another thing!" | 0:06:51 | 0:06:53 | |
I said, "Can you sing?" And he was like, "Well, I can carry a tune." | 0:06:53 | 0:06:56 | |
-I was like, "You shut up!" -LAUGHTER | 0:06:56 | 0:06:59 | |
I'm going to pretend you're a terrible singer, so I know you're human. | 0:06:59 | 0:07:03 | |
I bet he doesn't even have boogers. | 0:07:03 | 0:07:05 | |
-I bet it's just a hollow tube. -It's a hollow tube. | 0:07:05 | 0:07:08 | |
Or, if he does have boogers, they taste like cornflakes. | 0:07:08 | 0:07:11 | |
LAUGHTER | 0:07:11 | 0:07:12 | |
APPLAUSE | 0:07:12 | 0:07:14 | |
Mmm! Crispy. Crispy like that, too. | 0:07:15 | 0:07:18 | |
-Yeah. -Yeah. | 0:07:18 | 0:07:20 | |
Russell Crowe, what was the thing with Michael Jackson? | 0:07:20 | 0:07:23 | |
-This is such an odd story. -What?! | 0:07:23 | 0:07:25 | |
Oh, he just got into the habit of, wherever I was staying, | 0:07:25 | 0:07:29 | |
he's just call the hotel | 0:07:29 | 0:07:30 | |
and ask for my room and put on funny voices. | 0:07:30 | 0:07:33 | |
I actually... Yeah, I know. | 0:07:33 | 0:07:36 | |
I'd never met him, you know. | 0:07:36 | 0:07:38 | |
LAUGHTER | 0:07:38 | 0:07:39 | |
And, the thing is, the first couple of people that I said it to, | 0:07:39 | 0:07:42 | |
I was like... I didn't want to sound like I was insane, right? | 0:07:42 | 0:07:45 | |
But... "Michael prank called me today." | 0:07:45 | 0:07:49 | |
But when I actually started talking to people who really knew him well, | 0:07:49 | 0:07:52 | |
they'd go, "Man, he does it all the time." | 0:07:52 | 0:07:54 | |
But, yeah, it was like... I used to do that when I was like 11 and 12. | 0:07:54 | 0:07:58 | |
I used to pretend I was a radio announcer | 0:07:58 | 0:08:01 | |
and, like, give people prizes on the phone. | 0:08:01 | 0:08:03 | |
Trips to the Fiji and all this sort of the stuff, and they would get excited, you know. | 0:08:03 | 0:08:07 | |
Then I'd just hang up and go, "Well, that was a job well done. | 0:08:07 | 0:08:10 | |
-"I made that person..." -LAUGHTER | 0:08:10 | 0:08:12 | |
-But yeah. -Who did Michael Jackson pretend to be? | 0:08:12 | 0:08:15 | |
He would...always start off being kind of gruff, | 0:08:15 | 0:08:18 | |
like he was the hotel management and there was some kind of problem. | 0:08:18 | 0:08:21 | |
I'd say that's less surprising than saying you're Michael Jackson. | 0:08:21 | 0:08:24 | |
-LAUGHTER -Right. And then, if I got kind of irritated, he'd go... | 0:08:24 | 0:08:28 | |
HE MIMICS MICHAEL LAUGHING | 0:08:28 | 0:08:30 | |
Oh, Russell, it's only Michael. | 0:08:30 | 0:08:33 | |
LAUGHTER | 0:08:33 | 0:08:35 | |
APPLAUSE | 0:08:35 | 0:08:36 | |
APPLAUSE DROWNS OUT GRAHAM | 0:08:38 | 0:08:39 | |
Is that real? | 0:08:39 | 0:08:41 | |
But when people travel, you know, they collect things, | 0:08:41 | 0:08:44 | |
postcards, dolls in national dress, | 0:08:44 | 0:08:46 | |
but you collect animals, | 0:08:46 | 0:08:49 | |
like living animals. | 0:08:49 | 0:08:51 | |
Well, no, I don't collect them, I rescue them. | 0:08:51 | 0:08:54 | |
-Oh, OK. -I rescue them. | 0:08:54 | 0:08:56 | |
So did you "rescue" anything when you were in Sicily and Tuscany? | 0:08:56 | 0:09:00 | |
Not in that one, but in the movie I did right after, in Bulgaria, I did. | 0:09:00 | 0:09:05 | |
-OK. -And I had...I had promised my husband I was going to stop, | 0:09:05 | 0:09:09 | |
because, at that time, I had ten dogs, | 0:09:09 | 0:09:12 | |
five parrots, I had alpacas, horses, cats. | 0:09:12 | 0:09:18 | |
And, by the way, one without a tail, | 0:09:18 | 0:09:21 | |
-the other one without a leg, you know. -LAUGHTER | 0:09:21 | 0:09:24 | |
And always they find me. | 0:09:24 | 0:09:26 | |
They come to me, these animals, which he doesn't believe me, | 0:09:26 | 0:09:29 | |
but they do, and I promise him, "No more." | 0:09:29 | 0:09:31 | |
OK? We were up to 30 animals, | 0:09:31 | 0:09:35 | |
-I...I swore no more. -LAUGHTER | 0:09:35 | 0:09:37 | |
And I was there and a little puppy, | 0:09:37 | 0:09:40 | |
who was abandoned and was going to die, | 0:09:40 | 0:09:43 | |
I won't tell you the sad story, | 0:09:43 | 0:09:45 | |
because it's a comedic show and I'll start crying, | 0:09:45 | 0:09:47 | |
he came to me and I couldn't help it and I picked him up. | 0:09:47 | 0:09:51 | |
And his name is Ochoa, after the goalie of the soccer team in Mexico, | 0:09:51 | 0:09:57 | |
it was the World Cup. | 0:09:57 | 0:09:59 | |
And I took him and then I was terrified, | 0:09:59 | 0:10:01 | |
"How am I going to explain this to my husband? I promised. I promised." | 0:10:01 | 0:10:05 | |
And so I came up with this brilliant idea | 0:10:05 | 0:10:08 | |
-to pretend that I was having an affair. -Hmm. | 0:10:08 | 0:10:11 | |
LAUGHTER | 0:10:11 | 0:10:12 | |
-And then... -With Ochoa? | 0:10:12 | 0:10:14 | |
No, with somebody to make him think I was having an affair | 0:10:14 | 0:10:17 | |
and, at the end, I would say, "No, it's not an affair, | 0:10:17 | 0:10:19 | |
"I picked up a dog." And then we would feel better... | 0:10:19 | 0:10:21 | |
-LAUGHTER -..that I picked up a dog and was not having an affair. -This is clever. | 0:10:21 | 0:10:25 | |
-It's a good plan. -So I left him a message, | 0:10:25 | 0:10:27 | |
"You must call me at this time. We need to talk, it's very important." | 0:10:27 | 0:10:32 | |
And I never do that. And this time, "OK, what happened? What happened?" | 0:10:32 | 0:10:35 | |
And I said, "Listen, I feel so terrible, | 0:10:35 | 0:10:39 | |
"I don't know how to say this to you. | 0:10:39 | 0:10:42 | |
"And I know this is not going to go down well, | 0:10:42 | 0:10:46 | |
-"and I'm really nervous. And, please, have mercy on me. -LAUGHTER | 0:10:46 | 0:10:50 | |
"Have patience and be understanding." | 0:10:50 | 0:10:53 | |
"It's just it's been so stressful and I'm so tired! | 0:10:53 | 0:10:56 | |
"And I was so lonely here for so many days! | 0:10:56 | 0:10:59 | |
"And, you know, you do crazy things when you're in this state!" | 0:10:59 | 0:11:03 | |
And he said to me, | 0:11:03 | 0:11:05 | |
"Oh, please, don't tell me you picked up another dog?!" | 0:11:05 | 0:11:07 | |
LAUGHTER | 0:11:07 | 0:11:09 | |
APPLAUSE | 0:11:09 | 0:11:10 | |
There's a thing in the... in the DVD extras. | 0:11:13 | 0:11:16 | |
There's a thing where you're directing the film, | 0:11:16 | 0:11:18 | |
-but there's a bit where you're having to direct wolves. -Yeah. | 0:11:18 | 0:11:22 | |
And you were having to encourage the wolves. | 0:11:22 | 0:11:25 | |
-Sit! -Yeah. LAUGHTER | 0:11:25 | 0:11:27 | |
Yeah, well, you know... I tell you... | 0:11:27 | 0:11:29 | |
I remember when we got these wolves, they were real wolves, | 0:11:29 | 0:11:32 | |
and I don't know, you ever think of like a salesman | 0:11:32 | 0:11:35 | |
who, you know, carpet... Carpet thing? | 0:11:35 | 0:11:38 | |
-Vacuum cleaners. -Vacuum cleaner guy. -LAUGHTER | 0:11:38 | 0:11:41 | |
-You're fired. -Yeah. -You're the worst salesman ever. | 0:11:41 | 0:11:45 | |
LAUGHTER | 0:11:45 | 0:11:46 | |
But you always see them and they come into your house | 0:11:46 | 0:11:49 | |
and they throw ashes and shit like that. | 0:11:49 | 0:11:52 | |
And they go like that and it... and it cleans it perfectly. | 0:11:52 | 0:11:56 | |
And then you call all your friends over | 0:11:56 | 0:11:58 | |
and you throw the same shit on the floor and a stain is there. | 0:11:58 | 0:12:01 | |
LAUGHTER | 0:12:01 | 0:12:02 | |
And so, when I met the guy with the wolves, | 0:12:02 | 0:12:05 | |
he showed me how they would behave. | 0:12:05 | 0:12:07 | |
You know, he would push a button and the wolf would come over here. | 0:12:07 | 0:12:10 | |
Well, when I got out there, | 0:12:10 | 0:12:12 | |
those wolves didn't do shit, just like the vacuum. | 0:12:12 | 0:12:14 | |
-I was 10 days over schedule 30 days into the movie. -Ohh! | 0:12:14 | 0:12:19 | |
And...they said, "Well, what are you going to do?" I said, "I'm not going | 0:12:19 | 0:12:23 | |
"to change the name of the movie, I've got to figure out..." | 0:12:23 | 0:12:25 | |
Dances With Dogs! LAUGHTER | 0:12:25 | 0:12:27 | |
So... You know, when it's your money, you make everything how... | 0:12:27 | 0:12:32 | |
You make them, you know... | 0:12:32 | 0:12:35 | |
-It's... You just do what you have to do. -They like having their belly rubbed, apparently. | 0:12:35 | 0:12:39 | |
-What's that? -They like their belly being rubbed. | 0:12:39 | 0:12:41 | |
-No, it's true. -Doesn't everyone? -Yeah. | 0:12:41 | 0:12:44 | |
Yeah. No, but these are real wolves. | 0:12:44 | 0:12:46 | |
No, the real wolves do. | 0:12:46 | 0:12:47 | |
My girlfriend got me a present to go with these wolves. | 0:12:47 | 0:12:51 | |
They weren't tame, but they were socialised. | 0:12:51 | 0:12:53 | |
-And they were... No, that means they just don't kill you. -Yeah. | 0:12:53 | 0:12:57 | |
And they were huge. And they liked having their belly rubbed. | 0:12:57 | 0:13:00 | |
-LAUGHTER -I've tickled a wolf's belly. | 0:13:00 | 0:13:03 | |
-Was it the belly you were tickling? -I... Oh! -LAUGHTER | 0:13:03 | 0:13:07 | |
APPLAUSE | 0:13:07 | 0:13:09 | |
CHEERING AND APPLAUSE | 0:13:09 | 0:13:11 | |
LAUGHTER | 0:13:11 | 0:13:12 | |
When you were making this movie, where did the dog...? | 0:13:15 | 0:13:17 | |
-The dog isn't in the film. -What dog? | 0:13:17 | 0:13:20 | |
You had a dog, didn't you? | 0:13:20 | 0:13:21 | |
-Oh, no, I found a dog on the... on the film. -OK. | 0:13:21 | 0:13:26 | |
Would you like me to tell that story? | 0:13:26 | 0:13:29 | |
-Yeah. -OK. -LAUGHTER | 0:13:29 | 0:13:32 | |
I can give it a go, if you want. | 0:13:32 | 0:13:33 | |
LAUGHTER | 0:13:33 | 0:13:35 | |
A big old dog it was, guys. | 0:13:36 | 0:13:39 | |
-Big old dog. -LAUGHTER | 0:13:39 | 0:13:42 | |
Three legs. | 0:13:42 | 0:13:43 | |
-All right? -Yeah, that's about right. | 0:13:43 | 0:13:46 | |
-LAUGHTER -No, the... | 0:13:46 | 0:13:48 | |
So I was staying at this sort of go-to-movie-guy house in Atlanta, | 0:13:48 | 0:13:53 | |
where, when they showed me the house, they were like, | 0:13:53 | 0:13:56 | |
-"Liam Hemsworth and Miley Cyrus just stayed here, so..." -Hmm! | 0:13:56 | 0:13:59 | |
-And they gave me one of these, you know? -LAUGHTER | 0:13:59 | 0:14:02 | |
I thought that was untoward. And... | 0:14:02 | 0:14:05 | |
But they were very precious about the house. | 0:14:05 | 0:14:07 | |
What I didn't realise was that there was a strict no dogs policy, | 0:14:07 | 0:14:10 | |
and then I was going to work one morning, and there's a little dog. | 0:14:10 | 0:14:13 | |
It's below zero, and I thought, oh, what harm can it do? | 0:14:13 | 0:14:18 | |
And I let it in the house. | 0:14:18 | 0:14:19 | |
When I came back from work, | 0:14:19 | 0:14:22 | |
it was like a faecal Jackson Pollock. | 0:14:22 | 0:14:23 | |
LAUGHTER | 0:14:23 | 0:14:26 | |
It was just... | 0:14:26 | 0:14:28 | |
It was everywhere! Know what I mean? It was, like, did he have help? | 0:14:28 | 0:14:31 | |
LAUGHTER | 0:14:31 | 0:14:33 | |
I was like, like looking up, like, "Did you get a ladder?" | 0:14:33 | 0:14:36 | |
How did he...? How does he...? How is he still alive? | 0:14:36 | 0:14:39 | |
LAUGHTER | 0:14:39 | 0:14:41 | |
And so then I had to clean it all up and then I had to hide the dog, | 0:14:41 | 0:14:44 | |
and I spent like two weeks hiding this dog, and, you know, | 0:14:44 | 0:14:48 | |
when it was over, the last day, I didn't know what | 0:14:48 | 0:14:50 | |
-I was going to do with it, and actually your driver, Bo... -Mm-hm. | 0:14:50 | 0:14:53 | |
..said that his father had just lost his dog of 16 years, | 0:14:53 | 0:14:57 | |
and so Bo took this little dog, | 0:14:57 | 0:14:59 | |
and he went and lived on a lake with 100 acres, | 0:14:59 | 0:15:01 | |
and he went to, you know, literally, dog heaven. | 0:15:01 | 0:15:04 | |
-AUDIENCE: AWW. GRAHAM: Aww. -That's a nice story. | 0:15:04 | 0:15:06 | |
-That's a lovely story. -Yeah, it is. APPLAUSE | 0:15:06 | 0:15:08 | |
That's sort of euphemistic for, "killed him." | 0:15:10 | 0:15:12 | |
-That's what they told Ryan. -Living in 100 acres now! | 0:15:12 | 0:15:16 | |
With Bo's dad! | 0:15:16 | 0:15:17 | |
So dead, that dog. | 0:15:17 | 0:15:19 | |
LAUGHTER | 0:15:19 | 0:15:20 | |
-And, Seth Rogen, you've worked with an actual tiger? -I did, yeah. | 0:15:24 | 0:15:29 | |
-But like a real, real tiger, or...? -A real tiger! Yeah. | 0:15:29 | 0:15:32 | |
It was very counterintuitive, I'll be honest. | 0:15:32 | 0:15:34 | |
LAUGHTER | 0:15:34 | 0:15:35 | |
Yeah, I made a movie called The Interview, | 0:15:35 | 0:15:37 | |
that almost started a war, you might have heard of it. | 0:15:37 | 0:15:40 | |
-CHEERING AND APPLAUSE LAUGHING: -Oh, man! | 0:15:40 | 0:15:41 | |
That must have been the oddest time for you. | 0:15:41 | 0:15:43 | |
-It was a horrible experience, yes. -Yeah. | 0:15:43 | 0:15:45 | |
It's bad to be blamed for almost starting a war. | 0:15:45 | 0:15:47 | |
LAUGHTER | 0:15:47 | 0:15:48 | |
-It's not fun. -Yeah. -It's super weird. | 0:15:48 | 0:15:51 | |
-But part of the weirdness was you actually wrote a scene... -Yeah. | 0:15:51 | 0:15:55 | |
-You wrote this. -Yes. -With a real tiger. -I wrote... Yes. | 0:15:55 | 0:15:57 | |
And we thought we'd be able to use visual effects, | 0:15:57 | 0:15:59 | |
like in Life Of Pi, and have a computer-generated tiger, | 0:15:59 | 0:16:02 | |
and then we realised that we had no money, | 0:16:02 | 0:16:04 | |
and so we had to get a real tiger from Toronto. | 0:16:04 | 0:16:08 | |
LAUGHTER | 0:16:08 | 0:16:10 | |
-A nicer tiger. -I asked the... | 0:16:10 | 0:16:11 | |
No, I actually asked the guy where the tiger came from, | 0:16:11 | 0:16:13 | |
and he said he got it from a stripper, which is... | 0:16:13 | 0:16:16 | |
LAUGHTER | 0:16:16 | 0:16:17 | |
-..crazy! -That's quite the act. -I said so myself! A stripper and a tiger... -Where to tip, though? | 0:16:17 | 0:16:21 | |
Yeah! Exactly. Don't touch her! | 0:16:21 | 0:16:24 | |
LAUGHTER | 0:16:24 | 0:16:25 | |
And the tiger trainer, God bless him, | 0:16:26 | 0:16:29 | |
if you were to make a list of things you do not want to hear a tiger trainer say, | 0:16:29 | 0:16:33 | |
he systematically ticked every single thing on that list. | 0:16:33 | 0:16:36 | |
LAUGHTER | 0:16:36 | 0:16:37 | |
He would be, like... We'd be, like, is it safe? | 0:16:37 | 0:16:40 | |
He'd be like, "Well, they ARE killing machines." You know. | 0:16:40 | 0:16:42 | |
-LAUGHTER -OK, that's cool. | 0:16:42 | 0:16:44 | |
And he's... So we're like, "Is this going to be OK to shoot?" | 0:16:44 | 0:16:47 | |
He's like, "Yeah! You don't plan on shooting this at night?" | 0:16:47 | 0:16:50 | |
We're, like, "Yeah, it's at night." "Well, they hunt at night." | 0:16:50 | 0:16:53 | |
LAUGHTER | 0:16:53 | 0:16:54 | |
We're like, "Is it more dangerous at night?" | 0:16:54 | 0:16:56 | |
He's like, "It's around 30 to 40% more dangerous." | 0:16:56 | 0:16:58 | |
LAUGHTER | 0:16:58 | 0:17:00 | |
And we're like, "30 to 40% more than what?" | 0:17:00 | 0:17:02 | |
Like, "What's our baseline tiger level of danger?" | 0:17:02 | 0:17:04 | |
LAUGHTER | 0:17:04 | 0:17:05 | |
He's like, "As long as it's not in a big open space." | 0:17:05 | 0:17:08 | |
And we're like, "It IS in a big open space." | 0:17:08 | 0:17:09 | |
LAUGHTER | 0:17:09 | 0:17:10 | |
Then we were just, "Should we not do this?" Like, should we just not do it? And there was, I'm not joking, | 0:17:10 | 0:17:15 | |
15 seconds of silence. | 0:17:15 | 0:17:17 | |
And he goes, "No, we can do it!" | 0:17:17 | 0:17:18 | |
LAUGHTER | 0:17:18 | 0:17:21 | |
And then the trainer's son, who was 18 years old, | 0:17:21 | 0:17:24 | |
was the guy who was training it, | 0:17:24 | 0:17:25 | |
and we were, like, "Why is your 18-year-old son doing it?" | 0:17:25 | 0:17:28 | |
He was like, "He has a much better relationship with the tiger." | 0:17:28 | 0:17:31 | |
LAUGHTER | 0:17:31 | 0:17:33 | |
And there was one moment, | 0:17:33 | 0:17:34 | |
he got in a fight with his dad while they're holding the tiger. | 0:17:34 | 0:17:37 | |
And he's there like, "Shut up, Dad! I'm doing this!" | 0:17:37 | 0:17:39 | |
And we're just like, "There's a fucking tiger here right now!" | 0:17:39 | 0:17:42 | |
LAUGHTER | 0:17:42 | 0:17:44 | |
-No-one got killed by the tiger. -Hurray! -Thank you. -Happy ending. | 0:17:44 | 0:17:47 | |
APPLAUSE | 0:17:47 | 0:17:49 | |
LAUGHTER | 0:17:49 | 0:17:50 | |
Now, Hugh Grant, let me talk about your co-stars. | 0:17:50 | 0:17:52 | |
You're quite open about talking about your colleagues. | 0:17:52 | 0:17:55 | |
I don't know if you remember, you gave an interview to Elle magazine, | 0:17:55 | 0:17:58 | |
and they asked you about your various leading ladies. | 0:17:58 | 0:18:02 | |
Do you remember some of the things you said about them? | 0:18:02 | 0:18:04 | |
-I think it was regrettable. -LAUGHTER | 0:18:04 | 0:18:06 | |
Well, Emma Thompson - clever, funny, mad as a chair. | 0:18:08 | 0:18:11 | |
LAUGHTER | 0:18:11 | 0:18:12 | |
-That's true, you know Emma. -Yes, in fairness... | 0:18:12 | 0:18:14 | |
LAUGHTER | 0:18:14 | 0:18:15 | |
..quite a mad chair. | 0:18:15 | 0:18:17 | |
LAUGHTER | 0:18:17 | 0:18:18 | |
Renee Zellweger - delightful, also far from sane. | 0:18:18 | 0:18:21 | |
LAUGHTER | 0:18:21 | 0:18:22 | |
Fair. | 0:18:22 | 0:18:24 | |
LAUGHTER | 0:18:24 | 0:18:25 | |
-She is, I mean, she is genuinely lovely. -Yeah. | 0:18:25 | 0:18:27 | |
But her e-mails are 48 pages long. | 0:18:27 | 0:18:29 | |
LAUGHTER | 0:18:29 | 0:18:31 | |
-Wow! -Can't understand a word of them. | 0:18:31 | 0:18:33 | |
-I'll put them on Twitter. -Do! | 0:18:33 | 0:18:35 | |
LAUGHTER | 0:18:35 | 0:18:37 | |
Sandra Bullock is a genius, a German, but too many dogs. | 0:18:37 | 0:18:40 | |
-LAUGHTER -Way too many dogs! Yeah. | 0:18:40 | 0:18:43 | |
Then we get into a run of these. | 0:18:43 | 0:18:45 | |
Julianne Moore - brilliant actress, loathes me. | 0:18:45 | 0:18:47 | |
LAUGHTER | 0:18:47 | 0:18:49 | |
-Yes. -Rachel Weisz - clever, beautiful, despises me. -Yes, yes. | 0:18:49 | 0:18:52 | |
Drew Barrymore - made her cry, hates me. | 0:18:52 | 0:18:54 | |
LAUGHTER | 0:18:54 | 0:18:55 | |
-That can't be true. -No, no, no. -Erm... | 0:18:55 | 0:18:58 | |
-Well, Julianne definitely hates me. -LAUGHTER | 0:18:58 | 0:19:00 | |
No, Rachel Weisz, I think we got on fine. | 0:19:00 | 0:19:02 | |
I don't know why I said that. | 0:19:02 | 0:19:04 | |
Maybe I was going for a comedy triple, I don't know. | 0:19:04 | 0:19:06 | |
LAUGHTER | 0:19:06 | 0:19:07 | |
-I don't know. Who was the third one? -Drew Barrymore. | 0:19:08 | 0:19:12 | |
She made the mistake of giving me notes, which... | 0:19:12 | 0:19:14 | |
How would you take that? | 0:19:14 | 0:19:16 | |
-Well... -When you're acting with someone... | 0:19:16 | 0:19:18 | |
I took them very well, didn't I? | 0:19:18 | 0:19:20 | |
LAUGHTER | 0:19:20 | 0:19:23 | |
APPLAUSE | 0:19:23 | 0:19:25 | |
Wowser! | 0:19:25 | 0:19:26 | |
APPLAUSE AND LAUGHTER | 0:19:26 | 0:19:29 | |
I'm kidding! I'm kidding, I'm kidding, I'm kidding! | 0:19:29 | 0:19:32 | |
-But they believed you, they believed you! -Oh, no, no, no. | 0:19:32 | 0:19:34 | |
LAUGHTER | 0:19:34 | 0:19:36 | |
But here's an interesting question I meant to ask you, | 0:19:36 | 0:19:38 | |
all these months and never dared. Are you ever nervous? | 0:19:38 | 0:19:42 | |
Were you ever nervous? | 0:19:42 | 0:19:44 | |
-You DID ask me that. -Did I? -Yes. | 0:19:44 | 0:19:45 | |
-And what was your answer? -Every day you asked me that. | 0:19:45 | 0:19:47 | |
LAUGHTER | 0:19:47 | 0:19:50 | |
"Aren't you nervous?" "No, I'm..." | 0:19:50 | 0:19:52 | |
LAUGHTER | 0:19:52 | 0:19:53 | |
"It's the second week, I'm not nervous, obviously!" | 0:19:53 | 0:19:56 | |
No, I get nervous. I get nervous on chat shows. Chat shows are hard. | 0:19:56 | 0:19:59 | |
-Oh, stop it. -You're a genius, I don't know how you do it. | 0:19:59 | 0:20:02 | |
You put the most uptight people at relaxed, but it is very tough. | 0:20:02 | 0:20:06 | |
-But you ARE all relaxed, you're nice. -I'm really uptight still! | 0:20:06 | 0:20:09 | |
LAUGHTER | 0:20:09 | 0:20:11 | |
And Batman v Superman. | 0:20:11 | 0:20:13 | |
Of course, the world is very excited to see these films, | 0:20:13 | 0:20:16 | |
but, Ben, it sounds like your son is very excited. | 0:20:16 | 0:20:19 | |
Because how cool...? His dad is Batman! | 0:20:19 | 0:20:22 | |
Like, how old is he, is he four? | 0:20:22 | 0:20:23 | |
-Yes, he's four, he's four years old. -So does he kind of think you are? | 0:20:23 | 0:20:26 | |
He actually, not even kind of, he believes that I'm Batman. | 0:20:26 | 0:20:29 | |
I've kind of set a sort of trap for myself, | 0:20:29 | 0:20:32 | |
because I showed him some of the clips, and the stuff, | 0:20:32 | 0:20:34 | |
and I told him, "Yeah, you know, I'm Batman," | 0:20:34 | 0:20:37 | |
and so now, he thinks, like, his dad is Batman. | 0:20:37 | 0:20:39 | |
-LAUGHTER -Now, when I leave the house, | 0:20:39 | 0:20:41 | |
he's like, "Are you going to the Batcave?" | 0:20:41 | 0:20:43 | |
LAUGHTER | 0:20:43 | 0:20:45 | |
And I have do tell him, "Yup, I'm going to the Batcave!" | 0:20:45 | 0:20:47 | |
-LAUGHTER -And I'm sure that, you know, | 0:20:47 | 0:20:49 | |
it's going to come back to haunt me when he's in therapy. | 0:20:49 | 0:20:52 | |
-Going, like, "HE LIED TO ME! -LAUGHTER | 0:20:52 | 0:20:55 | |
-"THE BATMAN!" -LAUGHTER | 0:20:55 | 0:20:56 | |
-But didn't you give him like the best birthday party, though? -I did. | 0:20:56 | 0:20:59 | |
He wanted to have a superhero party, you know, | 0:20:59 | 0:21:02 | |
and that's usually where you pay some guys who dress up, | 0:21:02 | 0:21:04 | |
like on Hollywood Boulevard, as various superheroes, | 0:21:04 | 0:21:07 | |
and they come and do pantomime things, | 0:21:07 | 0:21:09 | |
and I said sure, no problem. | 0:21:09 | 0:21:10 | |
And he said, "Dad, I want you to be REAL Batman." | 0:21:10 | 0:21:13 | |
So I said, "OK. I'll be real Batman." | 0:21:14 | 0:21:17 | |
And I called the studio, | 0:21:17 | 0:21:18 | |
and asked them if they would give me the real costume, | 0:21:18 | 0:21:20 | |
and they sent costumers over, and I... | 0:21:20 | 0:21:23 | |
It was ten in the morning, you know, it was really hot, | 0:21:23 | 0:21:26 | |
and I put the outfit on, it was broad daylight, and... | 0:21:26 | 0:21:29 | |
You know, Batman's sexy at night. | 0:21:29 | 0:21:31 | |
LAUGHTER | 0:21:31 | 0:21:33 | |
He's not that cool at ten in the morning | 0:21:33 | 0:21:35 | |
when you're sweaty and hot and... | 0:21:35 | 0:21:37 | |
I was prepared for, thinking it was a lot of little kids, | 0:21:37 | 0:21:40 | |
but then I realised they all brought their parents. | 0:21:40 | 0:21:43 | |
LAUGHTER | 0:21:43 | 0:21:44 | |
So it was sort of like being on this show in broad daylight | 0:21:44 | 0:21:46 | |
in my Batman outfit, with my scary voice. | 0:21:46 | 0:21:49 | |
I came trundling out there, and I walked out | 0:21:49 | 0:21:52 | |
and I saw the look on all these adults' faces kind of going, wow! | 0:21:52 | 0:21:56 | |
LAUGHTER | 0:21:56 | 0:21:58 | |
-MOCKING: -Batman! -LAUGHTER | 0:21:58 | 0:22:01 | |
-Great! -APPLAUSE | 0:22:01 | 0:22:03 | |
-AS BATMAN: -Leave me alone! It's important to my son! | 0:22:03 | 0:22:06 | |
LAUGHTER | 0:22:06 | 0:22:08 | |
-Now, Joanna brought to AbFab all your modelling experience. -Mm. | 0:22:08 | 0:22:11 | |
And, because only you know, you, as a model, | 0:22:11 | 0:22:14 | |
when you look through the old shots, you are incredible, | 0:22:14 | 0:22:17 | |
because you would work, you were quite prop-y as a model. | 0:22:17 | 0:22:19 | |
JENNIFER LAUGHS | 0:22:19 | 0:22:21 | |
-Oh, show me something. Fruit? -Fruit. -Fruit, smiling at fruit. | 0:22:21 | 0:22:24 | |
No, no, wait, no, no, you can work on the car! Look, here's some shots. | 0:22:24 | 0:22:27 | |
-Smile. -That's me! -Yeah, working a car! -Working a car! | 0:22:27 | 0:22:31 | |
Accessorising a car with your shoes. | 0:22:31 | 0:22:33 | |
-Yep! -Which is hard to do. | 0:22:33 | 0:22:35 | |
That's actually a handbag, it's not a car. | 0:22:35 | 0:22:37 | |
LAUGHTER | 0:22:37 | 0:22:39 | |
And that was a little black wig. | 0:22:39 | 0:22:40 | |
We had to provide all our own wigs and hairpieces. | 0:22:40 | 0:22:43 | |
Then, she's rocking a motorbike. SHE GASPS | 0:22:43 | 0:22:46 | |
-Ohh! -Look at that! AUDIENCE HOLLERS | 0:22:46 | 0:22:49 | |
-NOW you want to buy that motorbike, don't you? -Yes! | 0:22:49 | 0:22:51 | |
That wasn't when I was modelling, that was when I was really old. | 0:22:51 | 0:22:54 | |
-I was 40, there. -Really?! -What are you doing that for? | 0:22:54 | 0:22:56 | |
-How old are you now? -I was just doing... | 0:22:56 | 0:22:58 | |
LAUGHTER | 0:22:58 | 0:23:00 | |
Honestly! | 0:23:02 | 0:23:04 | |
LAUGHTER | 0:23:04 | 0:23:06 | |
-The final edit hasn't been done on the film, Rebel. Final edit... -Yes! | 0:23:06 | 0:23:10 | |
We know where that pineapple might end up. | 0:23:10 | 0:23:13 | |
LAUGHTER | 0:23:13 | 0:23:15 | |
The truth is that was a picture for something completely different, | 0:23:15 | 0:23:18 | |
but that was after I was a model. | 0:23:18 | 0:23:19 | |
-Only modelled from when I was 18 to 21. -What the hell was that for? | 0:23:19 | 0:23:22 | |
That was a picture, it was for, funnily enough, | 0:23:22 | 0:23:24 | |
it was for something like Children In Need, | 0:23:24 | 0:23:26 | |
and it was... Those are Valentine's Day things, and the dress was | 0:23:26 | 0:23:30 | |
sold in aid, and that was Patrick Lichfield's motorbike. | 0:23:30 | 0:23:32 | |
Cos, when I look at that photo, I think Children In Need. | 0:23:32 | 0:23:35 | |
LAUGHTER | 0:23:35 | 0:23:37 | |
When I was teaching, I went home one weekend, | 0:23:45 | 0:23:48 | |
and I was in my 30s, and I was probably 33 years of age. | 0:23:48 | 0:23:52 | |
I went home to see my mother, and then I went back, | 0:23:52 | 0:23:56 | |
and, while I was at home, my mother did my washing for me, | 0:23:56 | 0:23:58 | |
because I was only 33. | 0:23:58 | 0:23:59 | |
LAUGHTER | 0:23:59 | 0:24:01 | |
And then I went back and, on the Sunday night, | 0:24:01 | 0:24:04 | |
I got really drunk and then I went for a curry. | 0:24:04 | 0:24:08 | |
And then, the next day, I went into school... | 0:24:08 | 0:24:10 | |
LAUGHTER | 0:24:12 | 0:24:13 | |
I'm going to! I went into school, and it was a school in Slough, | 0:24:13 | 0:24:17 | |
and it was quite a rough school, | 0:24:17 | 0:24:18 | |
but they had a really brilliant hearing-impaired department, | 0:24:18 | 0:24:21 | |
so the hearing-impaired kids who, you know, struggle, they were... | 0:24:21 | 0:24:25 | |
They were really looked after in this school. | 0:24:25 | 0:24:27 | |
Anyway, I was really hungover, I went there, | 0:24:27 | 0:24:29 | |
and, about break time, I felt really uncomfortable. | 0:24:29 | 0:24:31 | |
I thought, something's not right, you know? | 0:24:31 | 0:24:33 | |
LAUGHTER | 0:24:33 | 0:24:34 | |
So I went to the toilet, and I pulled my trousers down | 0:24:34 | 0:24:38 | |
and some of my mother's knickers had got... | 0:24:38 | 0:24:40 | |
LAUGHTER | 0:24:40 | 0:24:42 | |
..had got mixed up in the wash she'd done. | 0:24:42 | 0:24:44 | |
And I was wearing my mother's underwear. | 0:24:44 | 0:24:47 | |
LAUGHTER | 0:24:47 | 0:24:48 | |
And I went up, "Oh, God! Oh, no! Oh!" | 0:24:48 | 0:24:51 | |
I remember going, "Oh, you loser! This is... | 0:24:51 | 0:24:53 | |
"This is such a low point, you fucking loser!" | 0:24:53 | 0:24:56 | |
-LAUGHTER -And then... | 0:24:56 | 0:24:58 | |
And then, the curry and booze kicked in from the night before. | 0:24:59 | 0:25:04 | |
So I... | 0:25:06 | 0:25:07 | |
I did like a faecal Jackson Pollock. | 0:25:07 | 0:25:09 | |
LAUGHTER | 0:25:09 | 0:25:12 | |
APPLAUSE | 0:25:12 | 0:25:13 | |
And I started... | 0:25:13 | 0:25:16 | |
I started going, "Oh, God, not this! | 0:25:16 | 0:25:18 | |
"Not this as well! | 0:25:18 | 0:25:19 | |
"Oh, Jesus!" | 0:25:19 | 0:25:21 | |
So I cleaned myself up, and I pulled my mother's pants back up. | 0:25:21 | 0:25:24 | |
LAUGHTER | 0:25:24 | 0:25:25 | |
And I went back into the classroom and I saw | 0:25:25 | 0:25:28 | |
one of the hearing-impaired kids was looking at me like this... | 0:25:28 | 0:25:32 | |
and that's when I remembered that I had a microphone directly... | 0:25:32 | 0:25:36 | |
LAUGHTER | 0:25:36 | 0:25:38 | |
..connected... | 0:25:38 | 0:25:40 | |
LAUGHTER | 0:25:40 | 0:25:41 | |
..to his hearing aid! | 0:25:41 | 0:25:43 | |
LAUGHTER AND APPLAUSE | 0:25:43 | 0:25:46 | |
APPLAUSE | 0:25:47 | 0:25:49 | |
Oh, dear. And here's a thing. | 0:25:49 | 0:25:51 | |
I didn't know, I don't know if you guys did, that, | 0:25:51 | 0:25:53 | |
-obviously, you were Obi-Wan Kenobi, but... -You didn't know that? | 0:25:53 | 0:25:56 | |
No, that I knew. That... LAUGHTER | 0:25:56 | 0:25:58 | |
But you're in the new one. You're in the new Star Wars. | 0:25:58 | 0:26:00 | |
Well, hardly. I mean, my voice is in it for a second. | 0:26:00 | 0:26:03 | |
-I recorded a little line in it or something. -When do you speak? | 0:26:03 | 0:26:06 | |
I don't know. | 0:26:06 | 0:26:08 | |
Have you seen...? Have you seen it? | 0:26:08 | 0:26:10 | |
-LAUGHTER -I did, but... | 0:26:10 | 0:26:11 | |
Yes, I thought it was very good, I can't... | 0:26:11 | 0:26:13 | |
LAUGHTER | 0:26:13 | 0:26:16 | |
That line? Excellent! | 0:26:16 | 0:26:18 | |
LAUGHTER | 0:26:18 | 0:26:19 | |
You know that bit where there's a... I don't remember, I've no idea. | 0:26:19 | 0:26:23 | |
-Apparently Alec Guinness speaks in it as well? -Yes. | 0:26:23 | 0:26:25 | |
I think the beginning of the line is... The character's name is Rey. | 0:26:25 | 0:26:28 | |
I'm really struggling here, to try and remember. | 0:26:28 | 0:26:30 | |
-LAUGHTER -Keep going, go on! | 0:26:30 | 0:26:32 | |
I think the character's name is, of course, as you all know, Rey. | 0:26:32 | 0:26:35 | |
It is. LAUGHTER | 0:26:35 | 0:26:36 | |
I worked with a line of dialogue that said Rey... | 0:26:36 | 0:26:39 | |
LAUGHTER | 0:26:39 | 0:26:42 | |
Brilliant. Brilliant. That was brilliant. | 0:26:42 | 0:26:45 | |
You hear him say that. | 0:26:45 | 0:26:47 | |
LAUGHTER | 0:26:47 | 0:26:49 | |
-There's some other line that I say. -Yeah. -And... | 0:26:49 | 0:26:52 | |
-"Rey, these are your first steps," or something? -What? | 0:26:52 | 0:26:54 | |
-Rey, these are your first steps. -Or something. -Something. | 0:26:54 | 0:26:57 | |
-That's what he says, yes. -Something, something. | 0:26:57 | 0:26:59 | |
Rey. These are your first steps or something. | 0:26:59 | 0:27:01 | |
-That's the one. -So, they recorded me saying it, and then they took... | 0:27:01 | 0:27:04 | |
They found Alec Guinness saying "afraid." | 0:27:04 | 0:27:07 | |
And they cut the A and the D off, | 0:27:07 | 0:27:11 | |
and then they took the "ray" out of it. | 0:27:11 | 0:27:14 | |
LAUGHTER | 0:27:14 | 0:27:15 | |
So, it's Alec Guinness saying Rey... | 0:27:15 | 0:27:18 | |
-And then me saying that other line that you said. -Yeah. | 0:27:18 | 0:27:20 | |
Did you have to go all the way to Tunisia to do that? Or did you...? | 0:27:20 | 0:27:23 | |
LAUGHTER | 0:27:23 | 0:27:24 | |
I am reminded of a time about f...five years ago. | 0:27:24 | 0:27:29 | |
I was at a dinner with my ex-wife Brooke, her family, this and that, | 0:27:29 | 0:27:33 | |
and, about halfway through, I noticed Donald staring at my watch. | 0:27:33 | 0:27:40 | |
And so, he started saying, you know, "Listen, | 0:27:40 | 0:27:43 | |
"I'm sorry that I wasn't invited to your wedding," | 0:27:43 | 0:27:45 | |
this and that... "I'm sorry I can't make your wedding." | 0:27:45 | 0:27:48 | |
-And I'm like, "I didn't invite you." -LAUGHTER | 0:27:48 | 0:27:50 | |
So he says, but, you know, "I want to give you an early wedding gift, | 0:27:50 | 0:27:53 | |
"as a gesture from me and Melania." | 0:27:53 | 0:27:55 | |
And she doesn't say a word, she is very sweet, and very pretty, | 0:27:55 | 0:27:58 | |
but just kind of sits there. | 0:27:58 | 0:27:59 | |
-You know? -Yeah. -Anywho, so... | 0:27:59 | 0:28:03 | |
So he says, "These are, er... | 0:28:03 | 0:28:04 | |
"These are platinum, diamond, Harry Winston." | 0:28:04 | 0:28:07 | |
And he pulls off his cufflinks, and he gives them to me. | 0:28:07 | 0:28:11 | |
And so, I'm like, Oh, gosh, Mr Trump, you really shouldn't do this. | 0:28:11 | 0:28:14 | |
He goes, "No, no, it's the least I can do, | 0:28:14 | 0:28:16 | |
"and, you know, have a great marriage and all that." | 0:28:16 | 0:28:19 | |
Little did he know... | 0:28:19 | 0:28:21 | |
LAUGHTER | 0:28:21 | 0:28:23 | |
So smash cut to about six months later, | 0:28:23 | 0:28:27 | |
I had some jewellery getting appraised at the house, you know, | 0:28:27 | 0:28:30 | |
and she'd finished and was leaving | 0:28:30 | 0:28:33 | |
and I said, "Oh, you know, there's, | 0:28:33 | 0:28:34 | |
"there's, there's another couple of pieces that I have | 0:28:34 | 0:28:37 | |
"that I'm very curious about, would you mind appraising these?" | 0:28:37 | 0:28:40 | |
She said, "No, what are they?" | 0:28:40 | 0:28:42 | |
Well, you know, I explained the dinner, this and that, | 0:28:42 | 0:28:44 | |
and these were from Donald Trump, Harry Winston, you know flawless Ds, | 0:28:44 | 0:28:47 | |
platinum... | 0:28:47 | 0:28:49 | |
She took the loupe, spent about four seconds, | 0:28:49 | 0:28:52 | |
and kind of recoiled from it, much like people do from Trump, and... | 0:28:52 | 0:28:56 | |
LAUGHTER | 0:28:56 | 0:28:58 | |
And so... So she says, "In their finest moment, | 0:28:58 | 0:29:02 | |
"this is cheap pewter and... and bad zirconias." | 0:29:02 | 0:29:06 | |
LAUGHTER | 0:29:06 | 0:29:08 | |
-And they're stamped Trump. -AUDIENCE: Ohh! | 0:29:08 | 0:29:09 | |
And I just thought, I just thought... | 0:29:09 | 0:29:12 | |
what does this really say about the man, you know? | 0:29:12 | 0:29:15 | |
That he's said here's like a great wedding gift, and it's just... | 0:29:15 | 0:29:19 | |
and it's just a bag of dog shit, you know? | 0:29:19 | 0:29:21 | |
LAUGHTER | 0:29:21 | 0:29:22 | |
Er, this, this is a picture of Johnny Depp as Donald Trump. | 0:29:22 | 0:29:27 | |
-JOHNNY GROANS, OTHERS GASP -What? | 0:29:27 | 0:29:30 | |
LAUGHTER Isn't that amazing? | 0:29:30 | 0:29:31 | |
-Wow. What was that for, Johnny? -Oh, my God. | 0:29:31 | 0:29:33 | |
That was just for me. | 0:29:33 | 0:29:35 | |
LAUGHTER | 0:29:35 | 0:29:36 | |
You wanted to know what it felt like to be that awesome? | 0:29:36 | 0:29:38 | |
It was the weekend and, you know... | 0:29:38 | 0:29:40 | |
I never thought I wanted to kill Johnny Depp before. | 0:29:40 | 0:29:44 | |
I can only say that you should. | 0:29:44 | 0:29:47 | |
How did it come... Did you already do a Donald Trump impression? | 0:29:47 | 0:29:51 | |
No, no, no, no, and I had no idea if I could or not, | 0:29:51 | 0:29:54 | |
and I still don't, but I... | 0:29:54 | 0:29:56 | |
LAUGHTER | 0:29:56 | 0:29:57 | |
I mean, you know, Adam McKay, who I admire greatly | 0:29:57 | 0:30:00 | |
and who is one of the funniest humans alive, we had a meeting. | 0:30:00 | 0:30:04 | |
We were sitting there talking and he said, "How would you like to... | 0:30:04 | 0:30:07 | |
"How would you like to do a feature film in four days?" | 0:30:07 | 0:30:10 | |
and I went, "I like that idea." | 0:30:10 | 0:30:14 | |
And then he said, "How would you like to play Donald Trump?" | 0:30:14 | 0:30:18 | |
And I LOVED that idea. | 0:30:18 | 0:30:19 | |
LAUGHTER | 0:30:19 | 0:30:21 | |
I didn't care if I knew if I was capable or not, you know? | 0:30:21 | 0:30:24 | |
I wanted to try, so... Yeah, so I, I... | 0:30:24 | 0:30:28 | |
I did my bit as Donald Trump. | 0:30:28 | 0:30:30 | |
You don't want to be Donald Trump. | 0:30:32 | 0:30:33 | |
LAUGHTER | 0:30:33 | 0:30:35 | |
-Because he... The way he speaks is very specific. -Yeah. | 0:30:35 | 0:30:39 | |
Were you telling all the Mexicans to get off set? | 0:30:39 | 0:30:42 | |
LAUGHTER | 0:30:42 | 0:30:43 | |
-AS DONALD TRUMP: -I told them to build me that wall. | 0:30:43 | 0:30:47 | |
I want a sensational wall... | 0:30:47 | 0:30:48 | |
I want a fabulous wall... | 0:30:50 | 0:30:52 | |
I don't remember what the question was, but it doesn't matter, | 0:30:54 | 0:30:56 | |
cos I'm not going to answer it anyway. | 0:30:56 | 0:30:58 | |
LAUGHTER | 0:30:58 | 0:31:00 | |
-Wow. -Very good. -It's amazing. | 0:31:00 | 0:31:02 | |
APPLAUSE | 0:31:02 | 0:31:04 | |
APPLAUSE DROWNS OUT SPEECH | 0:31:05 | 0:31:07 | |
But in terms of, sort of, prank stories on the sofa, | 0:31:09 | 0:31:12 | |
I doubt anyone could top Kate Beckinsale's. | 0:31:12 | 0:31:15 | |
This is such a genius prank and I sort of hate asking you to tell it, | 0:31:15 | 0:31:19 | |
because I would so like to do it to someone, and this will spoil it. | 0:31:19 | 0:31:23 | |
Go. | 0:31:23 | 0:31:24 | |
SHE SIGHS, LAUGHTER | 0:31:24 | 0:31:26 | |
OK, it was a very impromptu one, cos I'd, I'd been... | 0:31:26 | 0:31:29 | |
If somebody falls asleep next to me, | 0:31:29 | 0:31:32 | |
it's dangerous, cos I like to glue beards to them | 0:31:32 | 0:31:34 | |
or draw tattoos or whatever it is - Pirates Of The Caribbean beard, | 0:31:34 | 0:31:39 | |
all that, and I'd run out of things like that, | 0:31:39 | 0:31:42 | |
and yet I was still after the rush of doing it. | 0:31:42 | 0:31:45 | |
So, erm, I got into bed and I think I'd got a little, you know, | 0:31:47 | 0:31:50 | |
-one of those chocolates that you get by the bed. -Oh, yeah, in a hotel. | 0:31:50 | 0:31:54 | |
..and I thought, how funny would it be if I just tucked it | 0:31:54 | 0:31:58 | |
in between the person's buttocks while they were asleep? | 0:31:58 | 0:32:01 | |
LAUGHTER | 0:32:01 | 0:32:03 | |
And it was really funny, because... | 0:32:04 | 0:32:09 | |
Isn't that so good? It's so good! | 0:32:09 | 0:32:12 | |
And it just sort of came very organically. | 0:32:12 | 0:32:15 | |
My eyes fell on the chocolate and I kind of did that... | 0:32:15 | 0:32:17 | |
I see the sleeping bottom here | 0:32:17 | 0:32:21 | |
and then I thought, I'm just going to do it, and I tucked it in | 0:32:21 | 0:32:23 | |
and I thought maybe I'd get in trouble in the morning, | 0:32:23 | 0:32:26 | |
but it was a very fortuitous day, | 0:32:26 | 0:32:27 | |
because this was the morning where the person was in a terrible rush | 0:32:27 | 0:32:30 | |
and just went straight into their pants and their trousers | 0:32:30 | 0:32:33 | |
and straight to work, which didn't normally happen, | 0:32:33 | 0:32:36 | |
so, so halfway through the day at work, there was the... | 0:32:36 | 0:32:39 | |
LAUGHTER | 0:32:41 | 0:32:43 | |
..and then a kind of a scuttle backwards to the loo and then | 0:32:43 | 0:32:46 | |
the horror, horror, horror, "I've done this without even feeling it." | 0:32:46 | 0:32:51 | |
LAUGHTER AND APPLAUSE | 0:32:51 | 0:32:55 | |
-When do you put on the Speedos? -Hm? -When do you put on the Speedos? | 0:33:02 | 0:33:05 | |
-Well, I basically live in them! -Oh, do you? -Yeah, I... Quite often... | 0:33:05 | 0:33:10 | |
Jodie's on it. Jodie's on it. | 0:33:10 | 0:33:11 | |
-I want to know! -Well, we've got a picture. | 0:33:11 | 0:33:14 | |
Stella McCartney has designed the Speedos. | 0:33:14 | 0:33:16 | |
Now, sadly, she ran out of material, money and interest, so... | 0:33:16 | 0:33:21 | |
Those are the Speedos. | 0:33:23 | 0:33:24 | |
Now, they sent us a pair of the Speedos | 0:33:24 | 0:33:27 | |
and they really are quite small. | 0:33:27 | 0:33:29 | |
-Those are the ones I was wearing yesterday! -Oh... | 0:33:29 | 0:33:32 | |
LAUGHTER | 0:33:32 | 0:33:35 | |
-How lovely. -Yeah! | 0:33:35 | 0:33:37 | |
They're still damp. But, like... | 0:33:37 | 0:33:41 | |
-They are very small, Tom. -Well, everything has to stay in place. | 0:33:41 | 0:33:44 | |
Obviously. | 0:33:44 | 0:33:46 | |
If you're spinning around, the last thing you want to do is have | 0:33:46 | 0:33:49 | |
something come out of its place where it's meant to be | 0:33:49 | 0:33:54 | |
and, also, when you hit the water, you don't want things... | 0:33:54 | 0:33:57 | |
you know, flapping about, because, I mean, it would hurt, | 0:33:57 | 0:34:01 | |
so the closer you can keep it all in, the better, really. | 0:34:01 | 0:34:04 | |
You're going to ask me to put those on, aren't you? | 0:34:04 | 0:34:06 | |
LAUGHTER AND APPLAUSE | 0:34:06 | 0:34:07 | |
I wasn't! | 0:34:07 | 0:34:09 | |
APPLAUSE DROWNS OUT SPEECH | 0:34:09 | 0:34:11 | |
It would look like a very ill elephant. | 0:34:13 | 0:34:15 | |
But what I... | 0:34:17 | 0:34:19 | |
I don't want to be indelicate, but what if anything changes | 0:34:19 | 0:34:22 | |
and you're wearing those? | 0:34:22 | 0:34:24 | |
Oh... I mean, when you're stood on the end of a... | 0:34:24 | 0:34:27 | |
Have you ever stood on the end of a ten-metre platform? | 0:34:27 | 0:34:29 | |
Of course I haven't! | 0:34:29 | 0:34:31 | |
So that's probably the last thing that would go through your head, | 0:34:31 | 0:34:34 | |
is to have anything change down there. | 0:34:34 | 0:34:35 | |
What about when they're giving you the medal and you're thinking, "Look at me!" | 0:34:35 | 0:34:39 | |
-LAUGHTER -You're actually... | 0:34:39 | 0:34:42 | |
HE GRUNTS HAPPILY | 0:34:42 | 0:34:43 | |
Then leaning in and going, "Ooh, sorry." | 0:34:45 | 0:34:47 | |
You are a little bit more on the podium. | 0:34:47 | 0:34:49 | |
You actually have, like, a full-on tracksuit that you wear. | 0:34:49 | 0:34:51 | |
-Oh, that's thoughtful. -Yeah. -Is that why they wear the tracksuit? | 0:34:51 | 0:34:55 | |
I don't think that's the reason! | 0:34:55 | 0:34:57 | |
I don't think that's why they give them tracksuits... | 0:34:57 | 0:34:59 | |
in case they get a boner! | 0:34:59 | 0:35:01 | |
LAUGHTER AND APPLAUSE | 0:35:01 | 0:35:03 | |
Now, Martin, in The Hobbit, was it you and Aidan Turner... | 0:35:07 | 0:35:10 | |
Oh, Christ. | 0:35:10 | 0:35:12 | |
..that you found a way to while away the many hours | 0:35:12 | 0:35:15 | |
-you must have spent in New Zealand? -Yes. | 0:35:15 | 0:35:18 | |
One time, I said to Aidan, "OK, if there's a gun at your head... | 0:35:18 | 0:35:20 | |
"You've got to do one of these two things. | 0:35:20 | 0:35:22 | |
"You've got to either walk away from this scene, not saying | 0:35:22 | 0:35:25 | |
"anything to Peter Jackson or anybody else, you've just got to | 0:35:25 | 0:35:28 | |
"walk away and go until you reach that mountain and not say anything | 0:35:28 | 0:35:33 | |
"to anyone and when they say, 'Where's Aidan? He's got a line', | 0:35:33 | 0:35:36 | |
"you'll just be fired. | 0:35:36 | 0:35:38 | |
"That's over, cos no-one would have explained it | 0:35:38 | 0:35:41 | |
"and that'll be...certainly this job over and your name won't be..." | 0:35:41 | 0:35:44 | |
-You know, he wouldn't have done Poldark, that's for sure. -No. | 0:35:44 | 0:35:48 | |
"Or you've got to..." | 0:35:48 | 0:35:50 | |
HE SIGHS | 0:35:50 | 0:35:52 | |
"Or you've got to masturbate to completion, | 0:35:52 | 0:35:55 | |
"just in front of everyone here and don't say anything about it. | 0:35:55 | 0:35:59 | |
"There's no... | 0:35:59 | 0:36:00 | |
"There's no introduction, there's no caveat, it's just... | 0:36:00 | 0:36:03 | |
"You've got to do one and, if there was a gun at your head, which one would you do?" | 0:36:03 | 0:36:07 | |
And he thought about it, and he chose B, he chose B, | 0:36:07 | 0:36:09 | |
just because he figured he wouldn't get fired, but he would get fired. | 0:36:09 | 0:36:13 | |
LAUGHTER | 0:36:13 | 0:36:14 | |
I mean, if there's one thing I believe, it's | 0:36:14 | 0:36:16 | |
you should be fired for wanking on set. | 0:36:16 | 0:36:18 | |
-Yes. -Yeah. I'm all against that. I'm dead against that. | 0:36:18 | 0:36:21 | |
Ma... I won't ask you, Maxine. | 0:36:21 | 0:36:23 | |
-What, about masturbating on set? -No. | 0:36:23 | 0:36:26 | |
It's too long a story. | 0:36:26 | 0:36:27 | |
LAUGHTER AND APPLAUSE | 0:36:27 | 0:36:29 | |
How do you think she lost all that weight? | 0:36:29 | 0:36:32 | |
But... | 0:36:35 | 0:36:37 | |
Paul Rudd in the Ant-Man movie, | 0:36:37 | 0:36:40 | |
you went to extraordinary lengths to amuse yourself. | 0:36:40 | 0:36:44 | |
Were you trying to amuse other people or just yourself? | 0:36:44 | 0:36:46 | |
Actually, this is quite close to that. | 0:36:46 | 0:36:48 | |
-Yeah, I think this is a perfect segue. -What did you do? | 0:36:48 | 0:36:52 | |
Well, I was working opposite, er, Michael Douglas in Ant-Man, | 0:36:52 | 0:36:57 | |
and, er, you know, he's a legend and I could never completely relax | 0:36:57 | 0:37:02 | |
in front of him, even though he was very nice | 0:37:02 | 0:37:05 | |
and cordial and sweet and, finally, it was his last day of shooting | 0:37:05 | 0:37:10 | |
and I thought, ah, I want to... | 0:37:10 | 0:37:12 | |
be buddy-buddy with the guy, I want him to think that I'm cool, | 0:37:12 | 0:37:15 | |
and I thought it would be funny if, while it was on his close-up, | 0:37:15 | 0:37:19 | |
I could somehow recreate that scene from Basic Instinct... | 0:37:19 | 0:37:23 | |
LAUGHTER AND APPLAUSE | 0:37:23 | 0:37:26 | |
..sitting across from him, so I didn't tell him, | 0:37:29 | 0:37:31 | |
but I also didn't tell anybody, | 0:37:31 | 0:37:35 | |
and before we filmed the scene, I unzipped my jeans and... | 0:37:35 | 0:37:41 | |
-you know. -Unfurled. -Unfurled. | 0:37:41 | 0:37:42 | |
Not much unfurling, but I unfurled, technically, and I sat down. | 0:37:45 | 0:37:49 | |
I guess I didn't really take into account when I'm | 0:37:49 | 0:37:51 | |
sitting in a chair, everything kind of, like, my boxer shorts... | 0:37:51 | 0:37:56 | |
So, while he's doing his scene, I'm trying to re-unfurl while holding | 0:37:57 | 0:38:04 | |
my T-shirt over, so he wouldn't see it, and as I'm doing it, | 0:38:04 | 0:38:09 | |
he's saying his line and it looked as if I was doing exactly what... | 0:38:09 | 0:38:13 | |
LAUGHTER | 0:38:13 | 0:38:15 | |
-..Martin said he would never do on set. -Oh, God. | 0:38:15 | 0:38:18 | |
APPLAUSE | 0:38:18 | 0:38:20 | |
You picked option B. | 0:38:20 | 0:38:22 | |
As I'm trying to uncross my legs and it's like, kind of... | 0:38:22 | 0:38:25 | |
And he's such a pro, he didn't... he didn't stop his, you know, | 0:38:26 | 0:38:32 | |
his monologue, flicked his eyes down real quick, looked back at me | 0:38:32 | 0:38:37 | |
and then just finally stopped in the middle and said... | 0:38:37 | 0:38:41 | |
"What are you, a fuckin' pervert?" | 0:38:41 | 0:38:42 | |
LAUGHTER | 0:38:42 | 0:38:44 | |
And, in that moment, I thought, this... | 0:38:47 | 0:38:49 | |
this didn't play out as I...had anticipated. | 0:38:49 | 0:38:53 | |
-You sexually assaulted Michael Douglas! -I did! | 0:38:56 | 0:38:59 | |
And it was, the whole thing just kind of, you know... | 0:38:59 | 0:39:02 | |
..blew up in my face, I guess would be... Yeah, yeah! | 0:39:04 | 0:39:07 | |
LAUGHTER AND APPLAUSE | 0:39:07 | 0:39:10 | |
Now, listen, last night - this is true - | 0:39:13 | 0:39:15 | |
last night I set my Rock Clock and this morning, | 0:39:15 | 0:39:20 | |
could I turn that f'ing thing off? No! | 0:39:20 | 0:39:23 | |
Oh, that's a thing, by the way, | 0:39:23 | 0:39:25 | |
one of the cool things is it doesn't have a snooze button. | 0:39:25 | 0:39:28 | |
-No, it doesn't! -You can't snooze. You have to get up. | 0:39:28 | 0:39:32 | |
I was just like, "Shut up!" | 0:39:32 | 0:39:34 | |
This is it, this is it, so, you go on here | 0:39:36 | 0:39:40 | |
and there are all these different alarms, so, er, there's the... | 0:39:40 | 0:39:45 | |
This is what I had. | 0:39:45 | 0:39:46 | |
So, I woke up this morning, I could not turn this off. | 0:39:46 | 0:39:48 | |
Oh, this is the good one! | 0:39:48 | 0:39:50 | |
-THE ROCK ON PHONE: -'Beep, beep, beep, beep, beep, beep, beep... | 0:39:50 | 0:39:54 | |
'I can do this all morning. Beep, beep, beep... | 0:39:54 | 0:39:59 | |
-And it was, it went on for so long! -It just continues. | 0:39:59 | 0:40:03 | |
-I've got one that's Good Morning Sunshine. -That's you singing. -Yes. | 0:40:03 | 0:40:07 | |
This is a good one. | 0:40:07 | 0:40:08 | |
# Good morning, sunshine | 0:40:08 | 0:40:11 | |
# Yeah, that's what The Rock just said | 0:40:11 | 0:40:14 | |
# Open your eyes up | 0:40:14 | 0:40:17 | |
# Get your candy-ass out of bed. # | 0:40:17 | 0:40:21 | |
I'd get up to that. | 0:40:21 | 0:40:22 | |
And then the other cool feature is, it allows me to shoot videos | 0:40:22 | 0:40:26 | |
and they'll get downloaded to your phone immediately, | 0:40:26 | 0:40:28 | |
so, when you wake up at four, five or six or seven in the morning, | 0:40:28 | 0:40:31 | |
-you have a video message from me. -Oh, do you want to do one? | 0:40:31 | 0:40:34 | |
We should absolutely do one right now | 0:40:34 | 0:40:36 | |
and I think, if you guys want to do one with me, | 0:40:36 | 0:40:38 | |
I'll do this and then I'll turn it to you guys, | 0:40:38 | 0:40:41 | |
and you guys can wake up... millions of people. | 0:40:41 | 0:40:45 | |
-Cool. -All right. Here we go. | 0:40:45 | 0:40:48 | |
OK, there we go. All right. | 0:40:48 | 0:40:51 | |
All right, what's up, everybody? Rock Clock users? | 0:40:51 | 0:40:53 | |
Here with Jeff, here with Liam. | 0:40:53 | 0:40:55 | |
-You want to say good morning? -Beep, beep, beep, beep, beep... | 0:40:55 | 0:40:59 | |
LAUGHTER | 0:40:59 | 0:41:01 | |
# Good morning, sunshine... # | 0:41:01 | 0:41:03 | |
-And there's Graham Norton. -Hey! Hello! | 0:41:05 | 0:41:08 | |
So here's the best part about it all, everybody - | 0:41:08 | 0:41:11 | |
here's the audience. | 0:41:11 | 0:41:13 | |
CHEERING | 0:41:13 | 0:41:15 | |
Wake up! Rock Clock! | 0:41:26 | 0:41:28 | |
OK, quickly, quickly, one more. | 0:41:28 | 0:41:30 | |
-Hello. -Hello. -Hi, what's your name? | 0:41:30 | 0:41:32 | |
-I'm Debbie. -Debbie. Hi, Debbie. What do you do? -I'm a mother. | 0:41:32 | 0:41:35 | |
-That's quite enough. -OK! | 0:41:35 | 0:41:36 | |
LAUGHTER | 0:41:36 | 0:41:38 | |
-Do you have many of the children? -Two. -Two, OK. How old are they? | 0:41:38 | 0:41:41 | |
Er, 19 and eight. Er, ten, sorry. | 0:41:41 | 0:41:44 | |
LAUGHTER | 0:41:44 | 0:41:46 | |
Wow, just lost two years of her life there! | 0:41:46 | 0:41:49 | |
-Don't you start again? -Those were the drinking years! | 0:41:49 | 0:41:52 | |
-OK, where are you from? -South East London. -South East London. | 0:41:54 | 0:41:57 | |
We'll just leave it at that. All right, off you go with your story. | 0:41:57 | 0:42:00 | |
So, I'm in bed with an ex-lover of mine | 0:42:00 | 0:42:04 | |
-and we decided we'd engage in some grown-up activities. -Yes. | 0:42:04 | 0:42:08 | |
You know, dinner for two. | 0:42:08 | 0:42:10 | |
SHOCKED LAUGHTER | 0:42:10 | 0:42:11 | |
More than 68, but not quite 70. | 0:42:11 | 0:42:14 | |
So, erm, because I'm so lazy by nature, I'm on the bottom, | 0:42:15 | 0:42:19 | |
and so I can't breathe through my mouth, obviously, cos it's full... | 0:42:19 | 0:42:23 | |
LAUGHTER INTENSIFIES | 0:42:23 | 0:42:25 | |
..so I take in a very deep breath through my nose... | 0:42:25 | 0:42:28 | |
SHE INHALES | 0:42:28 | 0:42:29 | |
..at which point his...testicles | 0:42:29 | 0:42:31 | |
form a tight seal...across my nostrils, so I can't breathe at all, | 0:42:31 | 0:42:38 | |
so I'm wriggling around, panicking, he's thinking, obviously, | 0:42:38 | 0:42:41 | |
"Oh, she's loving this, she's really loving this..." | 0:42:41 | 0:42:44 | |
I'm going to do it now. | 0:42:44 | 0:42:45 | |
APPLAUSE DROWNS OUT SPEECH | 0:42:48 | 0:42:50 | |
I don't understand the... I... | 0:42:50 | 0:42:53 | |
I don't know, someone should... Maybe I need help, but... | 0:42:55 | 0:42:58 | |
Er... I envisaged two people sat like this, | 0:43:00 | 0:43:05 | |
but...if something... | 0:43:05 | 0:43:10 | |
-is in her mouth... -Yes? -..why would the thing below it be in her nose? | 0:43:10 | 0:43:16 | |
Cos she... Cos he's going that way. | 0:43:16 | 0:43:18 | |
-A 69, John. -A 69, but also... | 0:43:18 | 0:43:20 | |
69! 69! | 0:43:20 | 0:43:22 | |
LAUGHTER AND APPLAUSE | 0:43:22 | 0:43:23 | |
Also! Also! | 0:43:23 | 0:43:25 | |
Can I just say, we're leaving this conversation here! | 0:43:25 | 0:43:29 | |
She's facing that way, he's facing that way... | 0:43:29 | 0:43:31 | |
If you want to know more, go on the red button. This is it. We're done! | 0:43:31 | 0:43:34 | |
We're done! No, Sara! We're done! | 0:43:34 | 0:43:37 | |
-But why would you...? -Shut up! We're done! | 0:43:37 | 0:43:40 | |
APPLAUSE | 0:43:40 | 0:43:43 |