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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
Holy talk show! It's Friday night and it's superhero night. Chat! Anecdote! Mindless applause! | 0:00:04 | 0:00:08 | |
Let's start the show! | 0:00:08 | 0:00:12 | |
APPLAUSE | 0:00:12 | 0:00:16 | |
APPLAUSE | 0:00:26 | 0:00:29 | |
Oh! Oh! | 0:00:29 | 0:00:31 | |
Hello! | 0:00:31 | 0:00:32 | |
Yes! | 0:00:34 | 0:00:35 | |
Welcome, one! Welcome, all! | 0:00:36 | 0:00:39 | |
We're back. It's a good one, ladies and gentlemen. | 0:00:39 | 0:00:41 | |
We've got Batman, we've got Superman and we've got Lois Lane right here on this show. | 0:00:41 | 0:00:46 | |
Who here likes Batman? | 0:00:46 | 0:00:47 | |
CHEERING | 0:00:47 | 0:00:50 | |
Who here likes Superman? | 0:00:50 | 0:00:51 | |
CHEERING | 0:00:51 | 0:00:53 | |
Who here doesn't care, as long as they get their tops off? CHEERING | 0:00:53 | 0:00:58 | |
HE LAUGHS | 0:00:58 | 0:00:59 | |
Seriously, though. | 0:00:59 | 0:01:00 | |
Seriously, though! | 0:01:00 | 0:01:02 | |
Batman or Superman - it's a difficult choice, you know, | 0:01:02 | 0:01:05 | |
cos Batman's got the cool suit, the car, the butler, | 0:01:05 | 0:01:08 | |
the millions of pounds, while Superman... Yeah! | 0:01:08 | 0:01:10 | |
WOLF WHISTLE | 0:01:10 | 0:01:12 | |
LAUGHTER | 0:01:12 | 0:01:13 | |
He doesn't have a shirt. But I tell you, in this film, Superman really has it in for Batman. | 0:01:13 | 0:01:17 | |
Not sure if I can think of a rich power-crazed American businessman whose face I'd like to punch. | 0:01:17 | 0:01:22 | |
LAUGHTER | 0:01:22 | 0:01:25 | |
Hey, that's all to come - | 0:01:25 | 0:01:26 | |
plus music and chat from Pet Shop Boys. | 0:01:26 | 0:01:29 | |
So let's get those guests on. | 0:01:30 | 0:01:33 | |
First, is it a bird? Is it a plane? No, it's Superman himself. Henry Cavill! | 0:01:33 | 0:01:36 | |
APPLAUSE | 0:01:36 | 0:01:40 | |
-Superman - hello, sir. -Hey, how you doing? | 0:01:40 | 0:01:42 | |
-Come and sit down. -Thank you. | 0:01:42 | 0:01:44 | |
Hot off the press, it's only Lois Lane. | 0:01:45 | 0:01:49 | |
Please welcome five-times Oscar nominee - Amy Adams, everybody! | 0:01:49 | 0:01:52 | |
Yay! | 0:01:52 | 0:01:55 | |
Hello, how are you? | 0:01:55 | 0:01:58 | |
-How are you? -I'm very well. Come and sit down. -Thank you. | 0:01:58 | 0:02:03 | |
And holy double Oscar winner - the Batman is here. | 0:02:03 | 0:02:06 | |
Welcome for the first time to the show Mr Ben Affleck. | 0:02:06 | 0:02:09 | |
CHEERING AND APPLAUSE | 0:02:09 | 0:02:15 | |
Gang's all here! Welcome, one. Welcome, all. | 0:02:21 | 0:02:24 | |
-Are you all well? -Yes, thank you very much. | 0:02:24 | 0:02:27 | |
Good, good, good. | 0:02:27 | 0:02:28 | |
And it's welcome back now, Amy and Henry, you were here before. | 0:02:28 | 0:02:31 | |
-Ben, you've never been here before. -No, it's very intimidating. | 0:02:31 | 0:02:35 | |
-No, they told you - it's easy. -They told me it was very easy, yeah. | 0:02:35 | 0:02:39 | |
-Nothing, really. -It's fine. | 0:02:39 | 0:02:41 | |
And before we do another thing, congratulations to Amy Adams, | 0:02:41 | 0:02:44 | |
cos you're now a lady, married wife? | 0:02:44 | 0:02:45 | |
-Yeah. Officially married. We've been together a really long time but we finally got married. -Why finally? | 0:02:45 | 0:02:51 | |
My daughter was really into the idea, so we said OK. | 0:02:51 | 0:02:55 | |
So she could be a bridesmaid, you got married! | 0:02:56 | 0:02:58 | |
No, that's the funny thing - she ended up not being into it at all. | 0:02:58 | 0:03:01 | |
She just wanted the ice cream, which I think was her plan all along. | 0:03:01 | 0:03:04 | |
-She'd heard about receptions. -Yeah, exactly. | 0:03:04 | 0:03:07 | |
As a married lady, though - here you are, you know, in a whole heap of hotness. | 0:03:07 | 0:03:11 | |
-Yeah! I have a very understanding husband. -Yeah. | 0:03:11 | 0:03:14 | |
-It's nice, he lets me be...the meat in this manwich, they are, so... -Yeah! | 0:03:14 | 0:03:18 | |
Henry Cavill, are you the hottest man in the world right now? | 0:03:19 | 0:03:22 | |
WOMEN CHEER | 0:03:22 | 0:03:26 | |
Doesn't sound it! | 0:03:26 | 0:03:28 | |
No, I can tell you - actually, you're the fourth. You're the fourth. | 0:03:28 | 0:03:31 | |
LAUGHTER | 0:03:31 | 0:03:33 | |
-That's good to know. -Ben, you were the hottest man in the world, weren't you? | 0:03:33 | 0:03:36 | |
-I didn't know that. -Oh, you were. -Now I'm going to find out I'm 86th or something. | 0:03:36 | 0:03:40 | |
It's worse than that. You're 99th. | 0:03:40 | 0:03:42 | |
-There you go! -But you're hotter than Javier Bardem. Thank God. Yeah. | 0:03:42 | 0:03:48 | |
I've never even broken the top ten so you guys should feel OK. | 0:03:48 | 0:03:51 | |
Cos in this movie, Ben, you are in incredible shape in this film. | 0:03:51 | 0:03:55 | |
So what was your standing start? Cos he obviously had been Superman already. | 0:03:55 | 0:03:59 | |
Well, yeah, I saw him in the Superman movie before | 0:03:59 | 0:04:02 | |
and I was kind of...pissed me off, because I was, | 0:04:02 | 0:04:04 | |
"Great, now you're going to set this whole..." | 0:04:04 | 0:04:06 | |
I was hoping he'd be kind of normal-looking, and then... | 0:04:06 | 0:04:08 | |
he's the alien, I'm just a man, so I could kind of roll out of bed and... | 0:04:08 | 0:04:12 | |
But, no. But you know, we worked out every day and, er, I hated every minute of it. | 0:04:12 | 0:04:18 | |
Glad when it was over. | 0:04:18 | 0:04:19 | |
But was there...? There must be... Because you can't help it, when you finally get | 0:04:19 | 0:04:23 | |
on set together, you must be kind of like, "His arms aren't THAT big." | 0:04:23 | 0:04:26 | |
That was when we slept together... | 0:04:28 | 0:04:30 | |
LAUGHTER | 0:04:30 | 0:04:33 | |
APPLAUSE | 0:04:33 | 0:04:35 | |
Deleted scenes. | 0:04:35 | 0:04:36 | |
I didn't stay over! | 0:04:36 | 0:04:39 | |
Henry, that picture we were looking at at the top of the show there. | 0:04:39 | 0:04:43 | |
What...? You posted it. I didn't go looking. | 0:04:43 | 0:04:46 | |
YOU posted that picture. | 0:04:46 | 0:04:47 | |
In fairness, if I looked like that, I'd be sitting with my top off right now. | 0:04:47 | 0:04:51 | |
Now, you posted that on Facebook, didn't you? | 0:04:51 | 0:04:53 | |
Er, yes, Facebook and Instagram. | 0:04:53 | 0:04:55 | |
Yeah, somebody did. And, well, the comments - the comments were... | 0:04:55 | 0:04:59 | |
That's actually from my Facebook page! | 0:04:59 | 0:05:02 | |
I was going to do worse than that. | 0:05:02 | 0:05:05 | |
I was going to do less than that! | 0:05:05 | 0:05:07 | |
"Do not exceed this." | 0:05:07 | 0:05:10 | |
The comments on Facebook, though. | 0:05:10 | 0:05:12 | |
I love that people, like, bother to put these things. | 0:05:12 | 0:05:15 | |
"I think I just wet my panties..." | 0:05:15 | 0:05:18 | |
Then this next person, "I have the weirdest boner right now." | 0:05:18 | 0:05:21 | |
LAUGHTER | 0:05:21 | 0:05:24 | |
We're hoping that's a man. | 0:05:24 | 0:05:26 | |
I wanted to know what was weird about it! | 0:05:26 | 0:05:28 | |
I know! And then, this one, I just love this one. | 0:05:28 | 0:05:31 | |
This is just... "Holy sweet little 7-pound baby Jesus." | 0:05:31 | 0:05:35 | |
-What does that even mean? -Happy Easter? I don't know. | 0:05:35 | 0:05:39 | |
It's very random. | 0:05:41 | 0:05:43 | |
Ben, there is this kind of funny club now. | 0:05:43 | 0:05:45 | |
There's a kind of elite group of people who have all worn the outfit. | 0:05:45 | 0:05:49 | |
So did you reach out to any of them? | 0:05:49 | 0:05:51 | |
You know, I didn't reach out to any of them. | 0:05:51 | 0:05:53 | |
I have talked to many of them since. | 0:05:53 | 0:05:55 | |
I had a really interesting encounter. | 0:05:55 | 0:05:57 | |
I was buying my kids...one Tuesday afternoon, | 0:05:57 | 0:06:00 | |
we went to a costume shop, a Halloween shop. | 0:06:00 | 0:06:02 | |
There was nobody in the place. | 0:06:02 | 0:06:04 | |
The woman proprietor didn't recognise me, | 0:06:04 | 0:06:06 | |
or didn't care at all that I was in the shop. | 0:06:06 | 0:06:09 | |
I was in there with my kids and I heard this voice say, | 0:06:09 | 0:06:12 | |
-IN BRITISH ACCENT: -"Oi, is that you? Ben? Affleck? Is that you?" | 0:06:12 | 0:06:15 | |
I looked around - that's my British accent. | 0:06:15 | 0:06:17 | |
-Very good. -Thank you. Thank you very much. Thank you. | 0:06:17 | 0:06:21 | |
APPLAUSE | 0:06:21 | 0:06:23 | |
I looked around and I saw Christian Bale. | 0:06:23 | 0:06:26 | |
And the first thing I thought was, "Christian Bale's British? | 0:06:26 | 0:06:30 | |
"He's such a good actor!" I thought... | 0:06:30 | 0:06:32 | |
And he was very friendly. He was buying... | 0:06:32 | 0:06:36 | |
He was there with his kid buying Halloween costumes too. | 0:06:36 | 0:06:39 | |
And apparently she didn't recognise him either. | 0:06:39 | 0:06:42 | |
This is quite the store! | 0:06:42 | 0:06:43 | |
It was...it was just a Los Angeles costume shop. | 0:06:43 | 0:06:47 | |
And he was very generous and kind - wonderful guy, and he said, | 0:06:47 | 0:06:52 | |
"Make sure they put a zipper in that suit. | 0:06:52 | 0:06:54 | |
"I did three movies with no zipper in my outfit." | 0:06:54 | 0:06:57 | |
So he gave me some very practical advice, and... | 0:06:57 | 0:07:01 | |
-Did you take that advice? -I did take that advice and it proved quite useful. | 0:07:01 | 0:07:05 | |
Yes. | 0:07:05 | 0:07:07 | |
And he was very, very kind to me and very sweet and I appreciated it, | 0:07:07 | 0:07:11 | |
cos it would've felt awful if I thought that he was going around, going, | 0:07:11 | 0:07:14 | |
"Can you believe who they're putting in that Batman next?" | 0:07:14 | 0:07:17 | |
Um, and I ended up running into Michael Keaton and I talked to Clooney briefly - | 0:07:17 | 0:07:23 | |
whose advice was unrepeatable. | 0:07:23 | 0:07:24 | |
-And... -What was his advice? | 0:07:24 | 0:07:27 | |
Just a string of epithets. | 0:07:27 | 0:07:30 | |
-That's George. -OK. | 0:07:30 | 0:07:33 | |
-And now, Amy Adams, you're back as Lois Lane. -Yes. | 0:07:33 | 0:07:36 | |
I don't mean to be rude, but on set, | 0:07:36 | 0:07:38 | |
you do sound like you're very annoying. | 0:07:38 | 0:07:41 | |
-Yes. -That's not rude at all. | 0:07:41 | 0:07:42 | |
That's all right. I'm annoying off set, too. | 0:07:42 | 0:07:45 | |
It's like... I'm used to it so that's OK. | 0:07:45 | 0:07:47 | |
No, you sing a lot. That must irritate people. | 0:07:47 | 0:07:50 | |
Henry? | 0:07:50 | 0:07:51 | |
-Er... -No! | 0:07:51 | 0:07:53 | |
I actually sing... | 0:07:53 | 0:07:55 | |
I'm not looking for an audience. It's not as though I'm like, "Everybody stand still. | 0:07:55 | 0:07:59 | |
"I've just worked on this number, so..." The world doesn't stop. | 0:07:59 | 0:08:02 | |
It's more like to myself, which...somewhere, I'm just weird. | 0:08:02 | 0:08:05 | |
-OK. -But...yeah. -It was in the trailer that you were singing. | 0:08:05 | 0:08:08 | |
I do sing in the trailer. No, I sing...Zack, actually - | 0:08:08 | 0:08:11 | |
our kids are about the same age, | 0:08:11 | 0:08:13 | |
so I was stuck singing a lot of Disney songs. | 0:08:13 | 0:08:16 | |
And he would make suggestions but they had a sign on set that | 0:08:16 | 0:08:19 | |
says "Days since Let It Go was sung", and it was always on zero. | 0:08:19 | 0:08:23 | |
I'm sorry, guys. My daughter was singing it on repeat at home. | 0:08:23 | 0:08:26 | |
But do you sing on every...? Like, when you're in things like The Fighter or American Hustle... | 0:08:26 | 0:08:31 | |
-I do. -Really? David O Russell is cool with you singing Let It Go on set? | 0:08:31 | 0:08:35 | |
I sang Dream A Little Dream on that set | 0:08:35 | 0:08:37 | |
and I was usually in a corner by myself, like, trying to calm down. | 0:08:37 | 0:08:40 | |
I know, right? | 0:08:40 | 0:08:42 | |
I'm not really improving. You guys aren't laughing now - you're just scared! | 0:08:42 | 0:08:46 | |
Funny, like, "She really is the most annoying person." | 0:08:46 | 0:08:49 | |
"Yeah, we're never going to be in a film with her." | 0:08:49 | 0:08:52 | |
But actually, in the film, Amy - we see a lot of Amy Adams. | 0:08:52 | 0:08:55 | |
Yeah. A little bit, yeah. | 0:08:56 | 0:08:59 | |
-You're naked. -Well, in a tub, with milk salts or whatever. | 0:08:59 | 0:09:02 | |
-Makes it cloudy. -I thought it was lovely. -Oh, thank you. | 0:09:02 | 0:09:06 | |
I was surprised... It wasn't that cloudy. | 0:09:06 | 0:09:08 | |
LAUGHTER | 0:09:08 | 0:09:10 | |
It wasn't that cloudy. | 0:09:10 | 0:09:12 | |
-Cos you're in the bath as well. -Yes. -Yeah. | 0:09:14 | 0:09:17 | |
We're really selling tickets here. | 0:09:17 | 0:09:19 | |
Can I just say, the tickets are flying out the door. | 0:09:19 | 0:09:21 | |
I'm completely naked in the tub! | 0:09:21 | 0:09:23 | |
And Wonder Woman's in the bath too! | 0:09:24 | 0:09:28 | |
Sorry! No, they actually put you in very unflattering modesty garments, | 0:09:28 | 0:09:31 | |
so there's really, it's... Yeah. There's, like, stick-on things and... | 0:09:31 | 0:09:35 | |
Don't they float off, like plasters in the bath? | 0:09:35 | 0:09:38 | |
-Yes! -Oh, they do! | 0:09:38 | 0:09:41 | |
Yes, they do! I'm like, "Sorry, Henry!" | 0:09:41 | 0:09:43 | |
"I've got something on my back. What is it, what is it?" | 0:09:43 | 0:09:47 | |
They do float to the top when you're trying to do a scene and there's, like, a little Band-Aid. | 0:09:47 | 0:09:51 | |
"Sorry. I promise that's off my boob." | 0:09:51 | 0:09:53 | |
But then that doesn't sound much better either! | 0:09:53 | 0:09:56 | |
Yeah, cos then you'd start looking around, like, what else could it be off? I don't know! | 0:09:56 | 0:10:00 | |
Batman v Superman: Dawn of Justice - | 0:10:01 | 0:10:04 | |
it is out tonight. | 0:10:04 | 0:10:06 | |
And we've got a clip. | 0:10:06 | 0:10:07 | |
This is Batman v Superman, wouldn't you know it? | 0:10:07 | 0:10:10 | |
-You're not in it, Amy. -That's cool. | 0:10:10 | 0:10:12 | |
-You're very good in the film. -Thank you. -But just not in this bit. | 0:10:12 | 0:10:15 | |
-That's all right. -LAUGHTER | 0:10:15 | 0:10:17 | |
-Show the boys. -Here we go. | 0:10:17 | 0:10:19 | |
HEAVY BREATHING | 0:10:32 | 0:10:33 | |
Stay down! | 0:10:39 | 0:10:40 | |
If I wanted it you'd be dead already. | 0:10:40 | 0:10:43 | |
Oooh. | 0:11:00 | 0:11:02 | |
CHEERING AND APPLAUSE | 0:11:02 | 0:11:04 | |
Faster than a speeding bullet. | 0:11:06 | 0:11:07 | |
-Yeah. -Yeah. | 0:11:07 | 0:11:08 | |
Now, obviously, for you, Henry - you know, a young actor | 0:11:10 | 0:11:12 | |
looking for that big break, Superman comes along, | 0:11:12 | 0:11:14 | |
it's an amazing opportunity. | 0:11:14 | 0:11:16 | |
But Ben Affleck - busy, busy, busy. | 0:11:16 | 0:11:18 | |
The writing, the directing, the acting. | 0:11:18 | 0:11:21 | |
And to take on something like Batman, | 0:11:21 | 0:11:23 | |
it's quite a high-risk thing to do. | 0:11:23 | 0:11:25 | |
-You're telling me! -So how did they talk you round? | 0:11:25 | 0:11:28 | |
Well, it was an unusual choice, definitely. | 0:11:28 | 0:11:31 | |
I had a number of different sort of opportunities, | 0:11:31 | 0:11:34 | |
and for one thing, the risk was very appealing. | 0:11:34 | 0:11:36 | |
It was a very compelling screenplay written by a guy named Chris Terrio, | 0:11:36 | 0:11:39 | |
who wrote Argo, which was a movie that I directed. | 0:11:39 | 0:11:42 | |
And I really liked what Henry had done | 0:11:42 | 0:11:45 | |
and Amy had done in Man Of Steel. | 0:11:45 | 0:11:47 | |
And I really liked the version of the Batman that they were doing, | 0:11:47 | 0:11:50 | |
which was... You know, Zack came to me and said, | 0:11:50 | 0:11:54 | |
"I want you to do this Batman," | 0:11:54 | 0:11:56 | |
and I said, "I don't think I'm really right for this. | 0:11:56 | 0:11:58 | |
"You know, the young guy who's avenging his parents' death | 0:11:58 | 0:12:01 | |
"and goes and put on a cowl and fights super villains. | 0:12:01 | 0:12:03 | |
"Maybe at one time..." But he said, "No, no, no, that's not it. | 0:12:03 | 0:12:07 | |
"He's completely broken down. | 0:12:07 | 0:12:09 | |
"He's older. He's falling apart. | 0:12:09 | 0:12:11 | |
"He's on the verge of moral bankruptcy. | 0:12:11 | 0:12:13 | |
"You're perfect for it!" | 0:12:13 | 0:12:15 | |
LAUGHTER | 0:12:15 | 0:12:17 | |
APPLAUSE | 0:12:17 | 0:12:18 | |
You talked about the risk, the high risk. | 0:12:20 | 0:12:22 | |
Did the studio kind of manage your expectations about that? | 0:12:22 | 0:12:25 | |
They did, actually. They said, "Look, we want you to know | 0:12:25 | 0:12:27 | |
"that these announcements now, the fans are really engaged | 0:12:27 | 0:12:30 | |
"and they feel a great sense of proprietorship over these choices." | 0:12:30 | 0:12:34 | |
And they showed me, actually, some of the reactions | 0:12:34 | 0:12:36 | |
to when Heath Ledger was cast as the Joker, | 0:12:36 | 0:12:40 | |
who of course did a magnificent job, and the reaction - | 0:12:40 | 0:12:44 | |
I was shocked at this internet... You know, this bile. | 0:12:44 | 0:12:46 | |
And they said, "This just happens. | 0:12:46 | 0:12:48 | |
"People, if it's not who they expect or who they want, | 0:12:48 | 0:12:51 | |
"they can be, you know, unpleasant." | 0:12:51 | 0:12:53 | |
And I said, "No, that won't... Not with me." | 0:12:53 | 0:12:56 | |
-LAUGHTER -"It's going to be fine." | 0:12:56 | 0:12:58 | |
And the first time after the announcement went out, | 0:12:58 | 0:13:00 | |
I looked on the internet, and I just saw one person | 0:13:00 | 0:13:03 | |
and it just said, "Nooooooo!" | 0:13:03 | 0:13:06 | |
LAUGHTER | 0:13:06 | 0:13:08 | |
APPLAUSE | 0:13:08 | 0:13:09 | |
And I would have thought, Amy, because people are very - | 0:13:11 | 0:13:13 | |
-you know, they really care about these things... -Sure. | 0:13:13 | 0:13:16 | |
..did you have to fight for Lois Lane to be a redhead? | 0:13:16 | 0:13:20 | |
No, I was actually prepared to dye my hair. | 0:13:20 | 0:13:22 | |
I thought, "For sure, they're going to colour my hair." | 0:13:22 | 0:13:24 | |
But Zack liked the idea that she was just who she was. | 0:13:24 | 0:13:27 | |
And I was a little concerned | 0:13:27 | 0:13:28 | |
cos I thought people would have a hard time accepting it, | 0:13:28 | 0:13:30 | |
and I'm sure I did not read the comments | 0:13:30 | 0:13:33 | |
because don't want to know. | 0:13:33 | 0:13:34 | |
-"Noooooo!" -"Nooo!" I'm sure there was plenty of that. | 0:13:34 | 0:13:37 | |
"Gingeeeeeer!" | 0:13:37 | 0:13:38 | |
I know! Well, it's so funny - in the States, | 0:13:38 | 0:13:40 | |
if you have red hair you're, like, sassy and fiery | 0:13:40 | 0:13:42 | |
and ready to go, and here it's like, "You're a ginger." | 0:13:42 | 0:13:45 | |
LAUGHTER | 0:13:45 | 0:13:47 | |
I'll stay over there, OK. | 0:13:47 | 0:13:49 | |
And now, the voice. | 0:13:49 | 0:13:52 | |
-Christian Bale - he did it himself. -Yes, he did. | 0:13:52 | 0:13:55 | |
But this time it's a different version. | 0:13:55 | 0:13:57 | |
Well, like I say, Christian's a great actor. | 0:13:57 | 0:13:59 | |
For me, I required electronic manipulation of the voice to do it. | 0:13:59 | 0:14:03 | |
We kind of thought - | 0:14:03 | 0:14:05 | |
we posited that he was a famous billionaire, | 0:14:05 | 0:14:08 | |
and so the people would recognise his real voice | 0:14:08 | 0:14:10 | |
and it would give away his identity, | 0:14:10 | 0:14:12 | |
so within the cowl is an electronic device | 0:14:12 | 0:14:16 | |
that changes Batman's voice for him so that he's not recognised. | 0:14:16 | 0:14:19 | |
So it digitally manipulates the voice. So I performed the voice | 0:14:19 | 0:14:22 | |
and then Zack was able to change it with a computer later on. | 0:14:22 | 0:14:26 | |
So I just played the part and then, you know, | 0:14:26 | 0:14:28 | |
when I watched the movie, the voice is different. It's electronic. | 0:14:28 | 0:14:31 | |
Cos we've got a mic, and I think this is set up... | 0:14:31 | 0:14:33 | |
IN BATMAN'S VOICE: Is this set up? | 0:14:33 | 0:14:35 | |
Ooh, it is! LAUGHTER | 0:14:35 | 0:14:37 | |
Isn't that amazing that it can do that? | 0:14:37 | 0:14:39 | |
BATMAN'S VOICE: Isn't it amazing? | 0:14:39 | 0:14:41 | |
Do you do the thing when you know that it's going to do it, | 0:14:41 | 0:14:45 | |
but you still do it too? | 0:14:45 | 0:14:47 | |
-Yeah. -Like, you do it on top of the thing. -You do. | 0:14:47 | 0:14:49 | |
-Can you give us some, like, lines? -Sure, sure, sure. | 0:14:49 | 0:14:53 | |
-IN BATMAN'S VOICE: -I'd like a large pizza. | 0:14:53 | 0:14:55 | |
LAUGHTER | 0:14:55 | 0:14:57 | |
Pepperoni. | 0:14:57 | 0:14:58 | |
Two Pepsis. | 0:15:00 | 0:15:02 | |
LAUGHTER | 0:15:02 | 0:15:03 | |
Oh, you try a bit, Amy Adams. Let's see it with a girl's voice. | 0:15:03 | 0:15:06 | |
I actually want to sound like Batman. | 0:15:06 | 0:15:08 | |
Do you bleed? | 0:15:09 | 0:15:11 | |
LAUGHTER AND APPLAUSE | 0:15:11 | 0:15:13 | |
That's so cool! | 0:15:13 | 0:15:14 | |
Deep! | 0:15:15 | 0:15:16 | |
I'm glad you didn't do that before me. You'd have taken my job. | 0:15:16 | 0:15:19 | |
That was really good. Have a go, Henry. Why not? | 0:15:19 | 0:15:23 | |
What would Superman say? | 0:15:23 | 0:15:25 | |
I'm Batman. | 0:15:25 | 0:15:26 | |
LAUGHTER | 0:15:26 | 0:15:28 | |
And I'm secretly in love with Superman. | 0:15:28 | 0:15:30 | |
LAUGHTER | 0:15:30 | 0:15:32 | |
OK, let's stop. Let's stop, let's stop. | 0:15:32 | 0:15:35 | |
There's been a lot - I think more than normal this time round - | 0:15:36 | 0:15:40 | |
a lot's been made about Superman's disguise | 0:15:40 | 0:15:44 | |
as Clark Kent. | 0:15:44 | 0:15:46 | |
Yeah. | 0:15:46 | 0:15:47 | |
LAUGHTER | 0:15:47 | 0:15:50 | |
And how really light it is. | 0:15:50 | 0:15:52 | |
It's a very light disguise. | 0:15:52 | 0:15:54 | |
-Seemingly so, yeah. -Really. | 0:15:54 | 0:15:56 | |
Like, I've got the glasses, so if you just pop them on | 0:15:56 | 0:15:59 | |
so we can see the difference that the glasses make. | 0:15:59 | 0:16:01 | |
-Just pass them down. -Thank you. -Here we go. | 0:16:01 | 0:16:04 | |
Prepare to be amazed. | 0:16:05 | 0:16:06 | |
LAUGHTER | 0:16:06 | 0:16:08 | |
GASPS | 0:16:09 | 0:16:10 | |
Where's Henry gone?! | 0:16:10 | 0:16:12 | |
LAUGHTER | 0:16:12 | 0:16:14 | |
That's really creepy. Crazy. | 0:16:14 | 0:16:16 | |
It's even creepier when you say it in that voice. | 0:16:17 | 0:16:20 | |
LAUGHTER | 0:16:20 | 0:16:22 | |
Because it is one of those things - | 0:16:22 | 0:16:23 | |
it's amazing that they haven't come up | 0:16:23 | 0:16:26 | |
with some sort of back story or... | 0:16:26 | 0:16:28 | |
You kind of think in 2016, | 0:16:28 | 0:16:29 | |
they wouldn't just put you in some glasses and say, | 0:16:29 | 0:16:32 | |
"And no-one will know who you are." | 0:16:32 | 0:16:34 | |
LAUGHTER | 0:16:34 | 0:16:35 | |
-But actually, didn't you do an experiment? -I did indeed, yeah. | 0:16:35 | 0:16:39 | |
-To be a counterpoint to what you're talking about. -Yep. | 0:16:39 | 0:16:42 | |
To prove you wrong, in fact. | 0:16:42 | 0:16:43 | |
A friend of mine and I were discussing the idea | 0:16:43 | 0:16:46 | |
of these glasses not being good enough disguise, | 0:16:46 | 0:16:48 | |
and we decided to go to Times Square to test the theory. | 0:16:48 | 0:16:52 | |
I wore a Superman T-shirt and no glasses | 0:16:52 | 0:16:56 | |
and stood underneath the giant wraparound Batman v Superman posters | 0:16:56 | 0:17:00 | |
-in Times Square. -I think we've got a picture. | 0:17:00 | 0:17:02 | |
-Oh, there you are. -There you go, yeah. | 0:17:02 | 0:17:04 | |
And took a bunch of other photos | 0:17:04 | 0:17:06 | |
and some video as well. | 0:17:06 | 0:17:08 | |
And got stopped twice. | 0:17:08 | 0:17:10 | |
Once by someone exiting the subway | 0:17:10 | 0:17:12 | |
asking for directions to Central Station. | 0:17:12 | 0:17:15 | |
LAUGHTER | 0:17:15 | 0:17:16 | |
And the other time was in a coffee shop where someone said, | 0:17:16 | 0:17:18 | |
"Could you please stop taking photos?" | 0:17:18 | 0:17:20 | |
LAUGHTER | 0:17:20 | 0:17:22 | |
-And that was it. -That is bizarre. -Yeah. -Yeah. | 0:17:22 | 0:17:25 | |
It's apparently very easy to do. | 0:17:25 | 0:17:26 | |
Either that or I have an incredibly boring face. | 0:17:26 | 0:17:29 | |
You just look really comfortable in those glasses. | 0:17:29 | 0:17:31 | |
-And smart. -Oh! For once. | 0:17:31 | 0:17:33 | |
LAUGHTER | 0:17:33 | 0:17:35 | |
And you are going to be busy with Superman for quite a while now, | 0:17:35 | 0:17:38 | |
cos the Justice League films, they're coming up. | 0:17:38 | 0:17:40 | |
But I am contractually obliged, I must ask you - | 0:17:40 | 0:17:43 | |
-because James Bond, the gig seems to be up. -Right. | 0:17:43 | 0:17:46 | |
-Last time, you came second, didn't you? -Yeah. | 0:17:46 | 0:17:50 | |
-You were the other choice. -Yeah. | 0:17:50 | 0:17:52 | |
-The first loser. -Yeah, the first loser. | 0:17:52 | 0:17:55 | |
The person who was closest to not being him. | 0:17:55 | 0:17:58 | |
LAUGHTER | 0:17:58 | 0:17:59 | |
So this time round, do you think? What? What's the story? | 0:17:59 | 0:18:02 | |
Er, do I think? I don't know. It all depends. | 0:18:02 | 0:18:05 | |
I mean, I obviously am very busy with the Superman stuff. | 0:18:05 | 0:18:07 | |
If there were any windows and if they wanted me | 0:18:07 | 0:18:09 | |
to do that kind of role, it would be great. I'd love to do it. | 0:18:09 | 0:18:12 | |
It depends on what everyone here thinks. I mean, if you guys think... | 0:18:12 | 0:18:15 | |
CHEERING AND APPLAUSE | 0:18:15 | 0:18:16 | |
Shameless! | 0:18:18 | 0:18:19 | |
-Shameless. -So I guess I should do it. -Yeah, yeah. | 0:18:19 | 0:18:22 | |
I think walking the streets begging is a bad look. | 0:18:22 | 0:18:25 | |
You're better than that, Henry, you're better than that! | 0:18:25 | 0:18:28 | |
-No, I am not. -LAUGHTER | 0:18:28 | 0:18:30 | |
I think it seems a bit greedy to be Superman AND James Bond. | 0:18:30 | 0:18:34 | |
Greedy or awesome? | 0:18:34 | 0:18:35 | |
LAUGHTER | 0:18:35 | 0:18:37 | |
Awesome for you. Yes, true. | 0:18:37 | 0:18:39 | |
The odd thing is, I suppose, there's an awful lot of people in America | 0:18:39 | 0:18:42 | |
who don't know you are British. | 0:18:42 | 0:18:43 | |
-Yes. -Because I have to say, your American accent is... | 0:18:43 | 0:18:45 | |
I didn't even know Christian Bale was British! | 0:18:45 | 0:18:47 | |
LAUGHTER | 0:18:47 | 0:18:49 | |
-But his accent is good, isn't it? -Very good. | 0:18:49 | 0:18:51 | |
It's not just British people who think it's good. | 0:18:51 | 0:18:54 | |
There are some Brits who come to... | 0:18:54 | 0:18:56 | |
The Brits have completely taken over America | 0:18:56 | 0:18:58 | |
in terms of film and television. | 0:18:58 | 0:19:00 | |
You can't turn on the TV without - it's all British people | 0:19:00 | 0:19:03 | |
on our television sets. | 0:19:03 | 0:19:05 | |
Not that there's anything wrong with that. | 0:19:05 | 0:19:07 | |
They've taken over, and some of them - | 0:19:07 | 0:19:10 | |
I'm not going to name any names, | 0:19:10 | 0:19:11 | |
not that there's anything wrong with it - | 0:19:11 | 0:19:13 | |
do accents that sort of sound like this: | 0:19:13 | 0:19:15 | |
-EXAGGERATED AMERICAN ACCENT: -"Hello, there. | 0:19:15 | 0:19:17 | |
"We're pronouncing our Rs. Can't you tell?" | 0:19:17 | 0:19:19 | |
And then there are those like Henry | 0:19:19 | 0:19:21 | |
and Christian and others whose accents are impeccable, | 0:19:21 | 0:19:24 | |
and to whom you must tip your hat. Wouldn't you say? | 0:19:24 | 0:19:27 | |
-Yes, I would agree. -I was wondering if he was going to answer the question directly then or not, | 0:19:27 | 0:19:31 | |
or just skirt over the fact, be like, | 0:19:31 | 0:19:32 | |
"Yeah, yeah, lots of people have good American accents." | 0:19:32 | 0:19:35 | |
"Henry does, right?" | 0:19:35 | 0:19:37 | |
-"Well, I think, American TV, British actors, and..." -"Some people do!" | 0:19:37 | 0:19:40 | |
-"Yeah, a lot do. Christian, in particular, amazing." -LAUGHTER | 0:19:40 | 0:19:43 | |
Yours is good. It's particularly Midwestern, which is specific. | 0:19:43 | 0:19:46 | |
-You honed in on Kansas. -Was the idea. -Of course, yes. | 0:19:46 | 0:19:49 | |
-Goodness, I was doing my job. -LAUGHTER | 0:19:49 | 0:19:51 | |
You can take your glasses off now, if you want to. | 0:19:51 | 0:19:54 | |
-Or are you comfortable in them? -Yeah. | 0:19:54 | 0:19:55 | |
-GRAHAM GASPS Henry's back! -Oh, my God! | 0:19:55 | 0:19:58 | |
Surprise. | 0:19:58 | 0:19:59 | |
LAUGHTER | 0:19:59 | 0:20:00 | |
Is this pathetic? He does look quite different without them now. | 0:20:00 | 0:20:04 | |
I've sort of been convinced. | 0:20:04 | 0:20:05 | |
And, Amy, your English accent, though, | 0:20:05 | 0:20:08 | |
-was very good in American Hustle. -Thank you. Thank you. | 0:20:08 | 0:20:10 | |
-Yeah. -It was tricky. -WOLF WHISTLE | 0:20:10 | 0:20:12 | |
But people must have been quite distracted | 0:20:12 | 0:20:14 | |
by your outfits in American Hustle. | 0:20:14 | 0:20:16 | |
-Yep. -LAUGHTER | 0:20:16 | 0:20:18 | |
It's not the outfits they're distracted by. | 0:20:18 | 0:20:20 | |
LAUGHTER | 0:20:20 | 0:20:22 | |
Did the other actors find that distracting? | 0:20:22 | 0:20:24 | |
Um, everyone else was really polite about it. | 0:20:24 | 0:20:27 | |
Jennifer was the only one who really commented, | 0:20:27 | 0:20:30 | |
like, "Can you put them away? God, do I have to see them again?" | 0:20:30 | 0:20:32 | |
Cos I would slouch in the blue dress when we had the scene, | 0:20:32 | 0:20:35 | |
and she's like, "Nipple. Nipple." | 0:20:35 | 0:20:37 | |
LAUGHTER | 0:20:37 | 0:20:38 | |
Like, really. | 0:20:38 | 0:20:40 | |
And I eventually drew a face on it | 0:20:40 | 0:20:43 | |
so it would at least look friendly to her. | 0:20:43 | 0:20:46 | |
LAUGHTER | 0:20:46 | 0:20:47 | |
And you, when you're doing an accent, you stay in it? | 0:20:48 | 0:20:51 | |
Are you one of those actors? | 0:20:51 | 0:20:52 | |
I don't mean to all the time, but, yeah, I do stay in it. | 0:20:52 | 0:20:55 | |
I was doing Big Eyes - I don't know if you guys have seen it - | 0:20:55 | 0:20:58 | |
I play a really southern woman with this great hairdo, | 0:20:58 | 0:21:01 | |
-which is kind of big. -I love that film. It's great. -And it was the bigger wig than this. | 0:21:01 | 0:21:05 | |
My husband had a kidney stone, but it collapsed at home. | 0:21:05 | 0:21:08 | |
So I leave the set, I'm running, in the ambulance, | 0:21:08 | 0:21:10 | |
I get to the hospital. All this, I'm going through this whole thing, | 0:21:10 | 0:21:13 | |
and I realise I still have the wig on | 0:21:13 | 0:21:15 | |
and I'm asking all these medical questions in a southern accent. | 0:21:15 | 0:21:18 | |
I was like... | 0:21:18 | 0:21:19 | |
-IN A SOUTHERN ACCENT: -"Is he going to be all right, or are we...?" | 0:21:19 | 0:21:22 | |
I'm still in character. | 0:21:22 | 0:21:23 | |
Like, "I'm not sure what a kidney stone is." | 0:21:23 | 0:21:26 | |
-LAUGHTER -I caught myself in the mirror when I was washing my hands, and I thought, | 0:21:26 | 0:21:30 | |
"Oh, I am really just batshit crazy." | 0:21:30 | 0:21:31 | |
So I started singing. | 0:21:33 | 0:21:34 | |
LAUGHTER AND APPLAUSE | 0:21:34 | 0:21:36 | |
That'd be genius. | 0:21:38 | 0:21:39 | |
And while we're talking about accents, | 0:21:39 | 0:21:41 | |
we have to mention Ben Affleck in Shakespeare In Love. | 0:21:41 | 0:21:44 | |
-Cos that was a really good English accent. -Oh, thank you very much. | 0:21:44 | 0:21:47 | |
No, cos it was hard, cos you were just surrounded by British people. | 0:21:47 | 0:21:50 | |
I was the only person who hadn't been knighted in the film. | 0:21:50 | 0:21:53 | |
LAUGHTER | 0:21:53 | 0:21:54 | |
So, yeah. And Gwyneth, who's basically British - | 0:21:54 | 0:21:57 | |
let's face it, right? She's got a pass. | 0:21:57 | 0:21:59 | |
And so, yeah, I was, uh... | 0:21:59 | 0:22:01 | |
I felt very self-conscious in the movie. | 0:22:01 | 0:22:05 | |
In fact, I studied... | 0:22:05 | 0:22:07 | |
I didn't know what to... I studied the British accent by - | 0:22:07 | 0:22:10 | |
I went to the store, like, Barnes & Noble, | 0:22:10 | 0:22:13 | |
and just bought someone reading sonnets. | 0:22:13 | 0:22:15 | |
-EXAGGERATED ENGLISH ACCENT: -And it was a very British-sounding fellow. | 0:22:15 | 0:22:18 | |
Very, you know, "Trouble heaven with your bootless cries." | 0:22:18 | 0:22:21 | |
And I went home and read them out loud | 0:22:21 | 0:22:24 | |
over and over and over again. | 0:22:24 | 0:22:26 | |
And then I went to the read-through for the movie, and I swear to God, | 0:22:26 | 0:22:29 | |
the fucking guy who was reading the sonnets | 0:22:29 | 0:22:33 | |
was next to me at the read-through! | 0:22:33 | 0:22:35 | |
LAUGHTER | 0:22:35 | 0:22:37 | |
APPLAUSE | 0:22:37 | 0:22:40 | |
And I said, like, you know, | 0:22:41 | 0:22:44 | |
"I'm a little embarrassed. This is so amazing. | 0:22:44 | 0:22:47 | |
"I've been studying you and your voice for months." And he said, | 0:22:47 | 0:22:50 | |
-ENGLISH ACCENT: -"Oh, dear boy." | 0:22:50 | 0:22:52 | |
LAUGHTER | 0:22:52 | 0:22:53 | |
"It's going to be all right." | 0:22:53 | 0:22:55 | |
A couple of guys from the RSC looked at me and were like, | 0:22:55 | 0:22:58 | |
"You know that's a bit more than a pleasant touch of the knee." | 0:22:58 | 0:23:01 | |
"Oh, OK. Well, that's fine." | 0:23:01 | 0:23:04 | |
I mean, very excited. | 0:23:04 | 0:23:05 | |
But I had a great time on that movie. In fact... | 0:23:05 | 0:23:08 | |
LAUGHTER | 0:23:08 | 0:23:10 | |
-I learned the accent very well. -Very well. | 0:23:10 | 0:23:13 | |
I got to wear a codpiece, | 0:23:13 | 0:23:15 | |
which was my only experience wearing one of them. | 0:23:15 | 0:23:18 | |
They had to film me from the waist up | 0:23:18 | 0:23:20 | |
because they thought it would give us an X. | 0:23:20 | 0:23:21 | |
-Really? -Yes, I had a giant codpiece built into my costume. | 0:23:21 | 0:23:24 | |
-Oh, I see. -Yeah. -Oh, right, you weren't just going, | 0:23:24 | 0:23:27 | |
"But, yeah, it was so big!" | 0:23:27 | 0:23:29 | |
LAUGHTER | 0:23:29 | 0:23:30 | |
"They can't screen this film." | 0:23:30 | 0:23:32 | |
Oh, I see, it was a built... Why was it so big? | 0:23:34 | 0:23:36 | |
I don't know. The costumers. | 0:23:36 | 0:23:38 | |
I don't know, my friend, the reader, you know? | 0:23:38 | 0:23:40 | |
LAUGHTER | 0:23:40 | 0:23:42 | |
-"Make it bigger." -It was just the way they saw me, I guess. Yeah. | 0:23:42 | 0:23:45 | |
Now, Ben, when Matt Damon... He's been here, | 0:23:45 | 0:23:48 | |
and he talked about the night you won the Oscar for Good Will Hunting. | 0:23:48 | 0:23:52 | |
And he has a particular take on it. | 0:23:52 | 0:23:54 | |
WHOOPS AND CHEERS | 0:23:54 | 0:23:55 | |
APPLAUSE | 0:23:55 | 0:23:57 | |
I don't look very happy in that particular photograph. | 0:23:58 | 0:24:01 | |
I assure you I was. | 0:24:01 | 0:24:02 | |
-He looks thrilled. -Matt looks drunk. | 0:24:02 | 0:24:04 | |
LAUGHTER | 0:24:04 | 0:24:06 | |
Looking back, do you rejoice that you had that amazing success | 0:24:06 | 0:24:09 | |
so early on, or does a bit of you kind of... | 0:24:09 | 0:24:13 | |
not regret it, but sort of, I don't know, think it was a bit of a curse? | 0:24:13 | 0:24:16 | |
I mean, I don't think it was a curse, | 0:24:16 | 0:24:18 | |
but I couldn't really appreciate it. It was very hallucinatory. | 0:24:18 | 0:24:21 | |
I don't know if you've ever been in a traffic accident, but there's that moment where you go, | 0:24:21 | 0:24:25 | |
"Oh, my God, I'm going to crash into this wall over here." | 0:24:25 | 0:24:27 | |
Everything slows down and you're spinning around. That was how it kind of felt. | 0:24:27 | 0:24:30 | |
They said our names, and I looked at Matt and was like, "Should we get up?" | 0:24:30 | 0:24:33 | |
And we get up, and there's... | 0:24:33 | 0:24:35 | |
You know, people are clapping, and there was... | 0:24:35 | 0:24:38 | |
Jack Lemmon and Walter Matthau presented it to us. | 0:24:38 | 0:24:41 | |
And you know, Billy Crystal was hosting. | 0:24:41 | 0:24:43 | |
And he was going, "Matt and Ben! Ben and Matt!" | 0:24:43 | 0:24:45 | |
LAUGHTER | 0:24:45 | 0:24:46 | |
And you know, I was 24 years old. | 0:24:46 | 0:24:48 | |
I mean, I barely knew anything at all. | 0:24:48 | 0:24:51 | |
And it was, you know... | 0:24:51 | 0:24:53 | |
I mean, I think it was, in some ways, | 0:24:53 | 0:24:56 | |
trouble to get that much attention that young, | 0:24:56 | 0:24:58 | |
and I really didn't have any perspective on it at all. | 0:24:58 | 0:25:01 | |
It was a wonderful honour, but it was... | 0:25:01 | 0:25:04 | |
You know, I certainly appreciated later on much more what it meant. | 0:25:04 | 0:25:07 | |
And was there a kind of thing | 0:25:07 | 0:25:09 | |
where people thought you were that character? | 0:25:09 | 0:25:11 | |
Yeah, I think people thought that Matt was the math genius | 0:25:11 | 0:25:14 | |
and I was his dim-witted friend he dragged along from home. | 0:25:14 | 0:25:17 | |
You know what I mean? It was like, | 0:25:17 | 0:25:18 | |
"Give him an Oscar, too! We're very kind!" | 0:25:18 | 0:25:21 | |
-LAUGHTER -And that... | 0:25:21 | 0:25:24 | |
That stayed with me for a while. | 0:25:24 | 0:25:25 | |
"You're all right, too. You can go ahead." | 0:25:25 | 0:25:28 | |
So being back at the Oscar podium for Argo, | 0:25:28 | 0:25:31 | |
that must have been such a kind of... What a satisfying moment. | 0:25:31 | 0:25:34 | |
Hopefully no-one thought I was a dim-witted friend, anyway. | 0:25:34 | 0:25:37 | |
Yeah, no, that was. It was much more satisfying. | 0:25:37 | 0:25:40 | |
And I had been through so much stuff, | 0:25:40 | 0:25:42 | |
so many ups and downs | 0:25:42 | 0:25:44 | |
and humiliations and highs and lows. | 0:25:44 | 0:25:47 | |
And you know, at that point I had had three children | 0:25:47 | 0:25:51 | |
and I had built a whole life, | 0:25:51 | 0:25:52 | |
and it felt like something that was much more... | 0:25:52 | 0:25:55 | |
I appreciated it, and I really felt like... | 0:25:55 | 0:25:57 | |
I also knew what it meant and what it didn't mean, | 0:25:57 | 0:25:59 | |
you know what I mean? And what was important about it and what wasn't. | 0:25:59 | 0:26:03 | |
And it was a really nice night and I got to share it | 0:26:03 | 0:26:05 | |
with people I really loved, | 0:26:05 | 0:26:06 | |
and it was probably a much more healthy experience. | 0:26:06 | 0:26:09 | |
And that thing of success early on - | 0:26:09 | 0:26:11 | |
cos you know, young actors, | 0:26:11 | 0:26:13 | |
they think they've got their big break. | 0:26:13 | 0:26:16 | |
Cos Amy - that's such a weird story, | 0:26:16 | 0:26:18 | |
-the Catch Me If You Can story. -Yeah. | 0:26:18 | 0:26:20 | |
So you get cast by Steven Spielberg opposite Leonardo DiCaprio. | 0:26:20 | 0:26:23 | |
And you must have thought, | 0:26:23 | 0:26:24 | |
"This is it. It's all taking off now." | 0:26:24 | 0:26:27 | |
Yeah, I thought... Yeah. | 0:26:27 | 0:26:28 | |
-Didn't. -LAUGHTER | 0:26:28 | 0:26:30 | |
How many years was it after that that you didn't work? | 0:26:30 | 0:26:33 | |
I didn't work for a full year after that, | 0:26:33 | 0:26:35 | |
and then sort of started taking... | 0:26:35 | 0:26:38 | |
getting roles again. And then, yeah, I just... | 0:26:38 | 0:26:42 | |
I don't know, I think it got too heady. | 0:26:42 | 0:26:43 | |
And again, sometimes when things happen at the wrong time, | 0:26:43 | 0:26:46 | |
it gets heady, and then I just choked. | 0:26:46 | 0:26:48 | |
Like, every audition, I just kind of was really bad. | 0:26:48 | 0:26:51 | |
So I didn't... I can't blame anybody else, | 0:26:51 | 0:26:53 | |
but it was overwhelming, the thought of... | 0:26:53 | 0:26:56 | |
You know, the thought of it was overwhelming. | 0:26:56 | 0:26:59 | |
-But then it worked out later on. -Wow. Isn't that...? -Yeah. | 0:26:59 | 0:27:02 | |
It's weird that you needed to go through that | 0:27:02 | 0:27:04 | |
to get to where you are now. | 0:27:04 | 0:27:05 | |
I think so. It's kind of, like, you had to let go. | 0:27:05 | 0:27:08 | |
You know, it's that whole saying of like, you know, | 0:27:08 | 0:27:10 | |
Let It Go. | 0:27:10 | 0:27:11 | |
LAUGHTER | 0:27:11 | 0:27:12 | |
-Wait a second! -Please, God, no! No! | 0:27:12 | 0:27:15 | |
Do you see how it happens? How easy it happens? | 0:27:15 | 0:27:18 | |
And then what is a girl to do, you know? | 0:27:18 | 0:27:20 | |
LAUGHTER | 0:27:20 | 0:27:22 | |
Da-na-na-da-da... | 0:27:22 | 0:27:23 | |
-No, I won't. -Oh, no, God. | 0:27:23 | 0:27:25 | |
-It'll cost us too much money! -Oh, sorry. | 0:27:25 | 0:27:28 | |
Henry, you are... | 0:27:28 | 0:27:30 | |
Like, there must be so many actors watching this show | 0:27:30 | 0:27:32 | |
and watching this couch, | 0:27:32 | 0:27:34 | |
and, like, Hollywood really messed with your head. | 0:27:34 | 0:27:37 | |
I mean, they nearly gave you the big gig so many times. | 0:27:37 | 0:27:42 | |
Yeah. Yeah, there was... | 0:27:42 | 0:27:44 | |
-I mean, Superman was one of them. -Oh, the first time round, yeah. | 0:27:44 | 0:27:47 | |
Yeah. Bond was another one. | 0:27:47 | 0:27:48 | |
And now I want both. | 0:27:48 | 0:27:50 | |
LAUGHTER | 0:27:50 | 0:27:52 | |
"I'll show them!" | 0:27:52 | 0:27:54 | |
Take that, Hollywood! | 0:27:55 | 0:27:57 | |
Yeah, essentially I got close to a bunch of stuff | 0:27:57 | 0:28:00 | |
and didn't get it. | 0:28:00 | 0:28:02 | |
But it's funny that people think that's a bad thing. | 0:28:02 | 0:28:05 | |
Where in Hollywood, everyone's auditioning - | 0:28:05 | 0:28:08 | |
or in the acting industry, everyone's trying to get a role, | 0:28:08 | 0:28:11 | |
and they're not necessarily getting them. | 0:28:11 | 0:28:13 | |
And so to get an opportunity to be in the limelight | 0:28:13 | 0:28:17 | |
by missing out on the big roles | 0:28:17 | 0:28:18 | |
is actually a good thing as opposed to a bad thing. | 0:28:18 | 0:28:21 | |
And I count my lucky stars for each one of those. | 0:28:21 | 0:28:24 | |
OK. You're turning it into a positive. | 0:28:24 | 0:28:26 | |
It still sounds quite shit, to just lose jobs. | 0:28:26 | 0:28:28 | |
LAUGHTER Just like, "No, didn't get it again. | 0:28:28 | 0:28:32 | |
"But it's great for my profile. I'm the guy who never works!" | 0:28:32 | 0:28:35 | |
LAUGHTER | 0:28:35 | 0:28:37 | |
Cos wasn't Twilight written for you? | 0:28:37 | 0:28:39 | |
Oh. Well, hey, I don't know... | 0:28:39 | 0:28:40 | |
I wouldn't go that far! | 0:28:40 | 0:28:42 | |
Or you can. | 0:28:43 | 0:28:44 | |
LAUGHTER | 0:28:44 | 0:28:45 | |
I think the writer of the books, | 0:28:45 | 0:28:47 | |
when the movie came around, | 0:28:47 | 0:28:49 | |
I think I was her first choice. I think. That's the rumour I heard. | 0:28:49 | 0:28:52 | |
And she wanted me to play the role, | 0:28:52 | 0:28:55 | |
but it wasn't up to her. | 0:28:55 | 0:28:58 | |
And instead, you know, a very talented actor played it instead. | 0:28:58 | 0:29:01 | |
Wow. | 0:29:01 | 0:29:02 | |
LAUGHTER | 0:29:02 | 0:29:04 | |
Who will remain nameless! | 0:29:04 | 0:29:06 | |
Not that he's angry. | 0:29:07 | 0:29:09 | |
LAUGHTER | 0:29:09 | 0:29:10 | |
Wealthy and famous but nameless. | 0:29:10 | 0:29:12 | |
Ooh, in Twilight. | 0:29:14 | 0:29:15 | |
All the Twilights, he's in them. | 0:29:15 | 0:29:18 | |
I'll be in the remake. | 0:29:18 | 0:29:19 | |
LAUGHTER | 0:29:19 | 0:29:21 | |
And very quickly, Batman v Superman - | 0:29:21 | 0:29:23 | |
of course the world is very excited to see these films, | 0:29:23 | 0:29:26 | |
but, Ben, it sounds like your son is very excited. | 0:29:26 | 0:29:30 | |
Cos how cool - his dad is Batman. | 0:29:30 | 0:29:32 | |
-How old is he? Four? -Yes, he's four. He's four years old. | 0:29:32 | 0:29:35 | |
So does he kind of think you are? | 0:29:35 | 0:29:37 | |
He actually - not even kind of, he believes that I am Batman. | 0:29:37 | 0:29:40 | |
I have kind of set a trap for myself, | 0:29:40 | 0:29:42 | |
because I showed him some of the clips and the stuff | 0:29:42 | 0:29:45 | |
and I told him, "Yeah, I'm Batman." And so now he thinks, like, | 0:29:45 | 0:29:48 | |
his dad is Batman. | 0:29:48 | 0:29:50 | |
Truly. And now when I go out of the house, | 0:29:50 | 0:29:52 | |
he says, "Are you going to the Batcave?" | 0:29:52 | 0:29:54 | |
And I have to tell him, "Yeah, going to the Batcave." | 0:29:54 | 0:29:58 | |
I'm sure that it's going to come back to haunt me | 0:29:58 | 0:30:01 | |
when he's in therapy. | 0:30:01 | 0:30:02 | |
Going, "He lied to me!" | 0:30:02 | 0:30:04 | |
LAUGHTER | 0:30:04 | 0:30:05 | |
"Batman!" | 0:30:05 | 0:30:07 | |
But, hey, it's... | 0:30:07 | 0:30:09 | |
What's the thing with the UPS guy? | 0:30:09 | 0:30:11 | |
It's not the UPS - it's the FedEx guy. | 0:30:11 | 0:30:14 | |
I don't know if in this country | 0:30:14 | 0:30:15 | |
Federal Express has the same colour combination - | 0:30:15 | 0:30:18 | |
-there's a sort of purplish tint to the uniform. -Oh, yeah, yeah. | 0:30:18 | 0:30:21 | |
But in the United States they have this purple colour, | 0:30:21 | 0:30:23 | |
and so he thinks - my son thinks the FedEx guy is the Joker. | 0:30:23 | 0:30:26 | |
LAUGHTER | 0:30:26 | 0:30:27 | |
And so every time he comes to deliver a screenplay, | 0:30:27 | 0:30:30 | |
my son tells me, like, "Dad, Joker's outside!" | 0:30:30 | 0:30:33 | |
And then he wants me to go fight him. | 0:30:33 | 0:30:36 | |
So I have to go through this whole ritual where I go out, | 0:30:36 | 0:30:38 | |
I give the guy 20 to do, like, | 0:30:38 | 0:30:41 | |
a pantomime kung fu Adam West fight with me | 0:30:41 | 0:30:44 | |
so my son will still believe I'm Batman and I can beat up the Joker. | 0:30:44 | 0:30:48 | |
I think the guys draw lots to not have to deliver scripts to me. | 0:30:48 | 0:30:51 | |
LAUGHTER | 0:30:51 | 0:30:52 | |
But didn't you give him the best birthday party, though? | 0:30:52 | 0:30:55 | |
I did. He wanted to have a superhero party, | 0:30:55 | 0:30:57 | |
and that's usually where, you know, you pay some guys | 0:30:57 | 0:31:00 | |
who dress up on Hollywood Boulevard as various superheroes, | 0:31:00 | 0:31:02 | |
and they come and do a pantomime thing. | 0:31:02 | 0:31:04 | |
And I said, "Sure, no problem." | 0:31:04 | 0:31:06 | |
And he said, "Dad, I want you to be real Batman." | 0:31:06 | 0:31:08 | |
So I said, "OK, I'll be real Batman." | 0:31:10 | 0:31:13 | |
And I called the studio and asked them | 0:31:13 | 0:31:14 | |
if they would give me the real costume, | 0:31:14 | 0:31:16 | |
and they sent costumers over, and I... | 0:31:16 | 0:31:19 | |
And it was ten in the morning. You know, it was really hot. | 0:31:19 | 0:31:22 | |
And I put the outfit on, it was broad daylight. | 0:31:22 | 0:31:25 | |
You know, Batman's sexy at night. | 0:31:25 | 0:31:27 | |
LAUGHTER | 0:31:27 | 0:31:29 | |
He's not that cool at ten in the morning | 0:31:29 | 0:31:31 | |
when you're sweaty and hot. | 0:31:31 | 0:31:33 | |
I was prepared for it thinking it was a lot of little kids. | 0:31:33 | 0:31:36 | |
But then I realised they all brought their parents. | 0:31:36 | 0:31:39 | |
So it's sort of like being on this show in broad daylight | 0:31:39 | 0:31:42 | |
in my Batman outfit with my scary voice. | 0:31:42 | 0:31:45 | |
And I came trundling out there. | 0:31:45 | 0:31:47 | |
I walked out, saw the look on all these adults' faces, | 0:31:47 | 0:31:50 | |
kind of going, "Wow..." | 0:31:50 | 0:31:53 | |
"Batman!" | 0:31:54 | 0:31:55 | |
LAUGHTER AND APPLAUSE | 0:31:55 | 0:31:58 | |
-IN BATMAN'S VOICE: -"Leave me alone. It's important to my son." | 0:31:58 | 0:32:02 | |
Right, it is time for music. Now, over the last three decades, | 0:32:03 | 0:32:06 | |
this group have become the most successful British duo of all time. | 0:32:06 | 0:32:10 | |
Here performing The Pop Kids, | 0:32:10 | 0:32:12 | |
please welcome Pet Shop Boys! | 0:32:12 | 0:32:14 | |
CHEERING AND APPLAUSE | 0:32:14 | 0:32:17 | |
# Remember those days | 0:32:33 | 0:32:35 | |
# The early '90s | 0:32:35 | 0:32:37 | |
# We both applied for places | 0:32:37 | 0:32:39 | |
# At the same university | 0:32:39 | 0:32:41 | |
# Ended up in London | 0:32:41 | 0:32:43 | |
# Where we needed to be | 0:32:43 | 0:32:45 | |
# To follow our obsession | 0:32:45 | 0:32:46 | |
# With the music scene | 0:32:46 | 0:32:48 | |
# Wherever we went | 0:32:48 | 0:32:50 | |
# Whatever we did | 0:32:50 | 0:32:52 | |
# We knew the songs | 0:32:52 | 0:32:55 | |
# They called us the Pop Kids | 0:32:55 | 0:32:58 | |
# Cos we loved the pop hits | 0:32:59 | 0:33:01 | |
# And quoted the best bits | 0:33:03 | 0:33:05 | |
# So we were the Pop Kids | 0:33:06 | 0:33:09 | |
# I loved you | 0:33:10 | 0:33:12 | |
# I loved you | 0:33:18 | 0:33:19 | |
# They called us the Pop Kids | 0:33:21 | 0:33:24 | |
# I studied history | 0:33:27 | 0:33:28 | |
# While you did biology | 0:33:28 | 0:33:30 | |
# To you the human body | 0:33:30 | 0:33:32 | |
# Didn't hold any mystery | 0:33:32 | 0:33:34 | |
# We were young but imagined we were so sophisticated | 0:33:34 | 0:33:38 | |
# Telling everyone we knew | 0:33:38 | 0:33:40 | |
# That rock was overrated | 0:33:40 | 0:33:42 | |
# We stayed out till late | 0:33:42 | 0:33:43 | |
# Five nights a week | 0:33:43 | 0:33:45 | |
# And felt so chic | 0:33:45 | 0:33:47 | |
# They called us the Pop Kids | 0:33:48 | 0:33:51 | |
# Cos we loved the pop hits | 0:33:52 | 0:33:55 | |
# And quoted the best bits | 0:33:56 | 0:33:58 | |
# So we were the Pop Kids | 0:34:00 | 0:34:02 | |
# I loved you | 0:34:03 | 0:34:05 | |
# I loved you | 0:34:11 | 0:34:12 | |
# They called us the Pop Kids | 0:34:15 | 0:34:18 | |
# It was a wet Wednesday night | 0:34:26 | 0:34:27 | |
# We worried that no-one would be going out | 0:34:27 | 0:34:30 | |
# How wrong we were | 0:34:30 | 0:34:31 | |
# When we turned the corner there was already a queue | 0:34:31 | 0:34:33 | |
# Stretching down the street | 0:34:33 | 0:34:35 | |
# We swept straight in and you said | 0:34:35 | 0:34:37 | |
# Ooh, I like it here | 0:34:39 | 0:34:42 | |
# Ooh, I love it | 0:34:43 | 0:34:46 | |
# Ooh, I like it here | 0:34:47 | 0:34:50 | |
# Ooh, I am never going home | 0:34:51 | 0:34:55 | |
# I loved you | 0:35:01 | 0:35:02 | |
# They called us the Pop Kids | 0:35:08 | 0:35:11 | |
# Cos we loved the pop hits | 0:35:12 | 0:35:15 | |
# And quoted the best bits | 0:35:16 | 0:35:19 | |
# So we were the Pop Kids | 0:35:20 | 0:35:22 | |
# I loved you. # | 0:35:23 | 0:35:25 | |
CHEERING AND APPLAUSE | 0:35:25 | 0:35:28 | |
Pet Shop Boys, everybody! | 0:35:28 | 0:35:31 | |
Come and join me, do. | 0:35:31 | 0:35:33 | |
Hello. Beautiful job. | 0:35:35 | 0:35:37 | |
Nice to see you. Congratulations. | 0:35:38 | 0:35:40 | |
That's Neil, Henry, | 0:35:41 | 0:35:42 | |
Amy, Ben, Neil, Chris... | 0:35:42 | 0:35:45 | |
There you go. Hi, hi, hi. | 0:35:46 | 0:35:49 | |
Sitty down, sitty down. | 0:35:49 | 0:35:51 | |
Does the cap stay on? | 0:35:51 | 0:35:53 | |
-The cap? -The lights, I mean. | 0:35:53 | 0:35:55 | |
Oh, no, I can switch them off. Do you want them off? | 0:35:55 | 0:35:57 | |
Well, it's a bit blinding. I feel like I'm in traffic! | 0:35:57 | 0:36:00 | |
LAUGHTER | 0:36:00 | 0:36:01 | |
I can flash. | 0:36:01 | 0:36:04 | |
Oh, look at that! | 0:36:04 | 0:36:05 | |
It's all very hi-tech. | 0:36:07 | 0:36:08 | |
Is it the feeling you get before a road accident? | 0:36:08 | 0:36:11 | |
-Do you want them off? -No, no. It's up to you. | 0:36:11 | 0:36:13 | |
-I don't mind flashing. -Flashing is actually more annoying. | 0:36:13 | 0:36:16 | |
Leave them on or off. | 0:36:16 | 0:36:17 | |
-Where are we? Oh, there we go. -There you go. | 0:36:17 | 0:36:20 | |
So that is off the album Super. | 0:36:20 | 0:36:23 | |
Look at me, I've got... Look. | 0:36:23 | 0:36:25 | |
Oooh. Olde worlde vinyl, ladies and gentlemen. | 0:36:25 | 0:36:29 | |
-It's not olde worlde any more. -No, it's very popular now! | 0:36:29 | 0:36:32 | |
Very. Sainsbury's... | 0:36:32 | 0:36:34 | |
LAUGHTER | 0:36:34 | 0:36:36 | |
-..I read in the paper, are starting to sell them. -Really? -Yeah. | 0:36:36 | 0:36:39 | |
-Vinyl records? -Vinyl records, yeah. | 0:36:39 | 0:36:41 | |
It's a world gone mad, isn't it? | 0:36:41 | 0:36:43 | |
What'll they do with them? Does anyone have a record player? | 0:36:44 | 0:36:47 | |
It's funny, everyone's talking about people buying vinyl, | 0:36:47 | 0:36:49 | |
but where do you buy a record player? | 0:36:49 | 0:36:51 | |
-Erm, well, sort of DJ shops you can buy... -Oh! -Yeah. | 0:36:51 | 0:36:55 | |
You can get your Technics decks, you know? | 0:36:55 | 0:36:58 | |
He's down with the kids! Very good. | 0:36:58 | 0:37:00 | |
So that is out now. Oh, no, it's not. | 0:37:00 | 0:37:02 | |
It's out on April the 1st, but The Pop Kids is out now. | 0:37:02 | 0:37:06 | |
And you're doing - | 0:37:06 | 0:37:07 | |
is it three nights at the Royal Opera House or five? | 0:37:07 | 0:37:10 | |
-It's four, actually. -OK. | 0:37:10 | 0:37:12 | |
"It's none of those, Graham!" | 0:37:12 | 0:37:14 | |
LAUGHTER | 0:37:14 | 0:37:16 | |
Actually, I could have worked it out, | 0:37:16 | 0:37:18 | |
cos it says here, from the 20th to the 23rd. | 0:37:18 | 0:37:20 | |
That would be four nights. | 0:37:20 | 0:37:22 | |
Of July. At the Royal Opera House, though - posh. | 0:37:22 | 0:37:25 | |
The Royal Opera House, yeah. They asked us... | 0:37:25 | 0:37:27 | |
Actually, they asked us last year and we said no. | 0:37:27 | 0:37:29 | |
But this year we had a new album out. | 0:37:29 | 0:37:31 | |
And it's sort of a special thing, playing at the Royal Opera House. | 0:37:31 | 0:37:34 | |
And when you're putting together the show, | 0:37:34 | 0:37:36 | |
Chris, do you go to rehearsals at all? | 0:37:36 | 0:37:39 | |
LAUGHTER | 0:37:39 | 0:37:40 | |
Erm, I've always done as little as possible. | 0:37:41 | 0:37:43 | |
LAUGHTER | 0:37:43 | 0:37:45 | |
No, but seriously, do you show up on the night | 0:37:45 | 0:37:47 | |
and just go, "Where's the Yamaha? And I'll go stand there." | 0:37:47 | 0:37:50 | |
We have used a body double in the past. | 0:37:50 | 0:37:52 | |
-You just didn't show? You phoned in sick? -No, we haven't! | 0:37:52 | 0:37:54 | |
-We have, when I was sick in Barcelona. -Oh, just once, yeah. | 0:37:54 | 0:37:58 | |
-LAUGHTER -No-one knows. | 0:37:58 | 0:38:00 | |
No, they did. | 0:38:00 | 0:38:02 | |
Listen, the album Super is out on April the 1st. | 0:38:02 | 0:38:06 | |
Ladies and gentlemen, the Pet Shop Boys! | 0:38:06 | 0:38:08 | |
CHEERING AND APPLAUSE | 0:38:08 | 0:38:09 | |
We've just got time before we go | 0:38:12 | 0:38:14 | |
to make our first visit of the series to the Big Red Chair. | 0:38:14 | 0:38:17 | |
Who awaits? | 0:38:17 | 0:38:18 | |
-Hello. -Hello! -What's your name? | 0:38:18 | 0:38:20 | |
-My name is Janice. -Janice. And where are you from, Janice? | 0:38:20 | 0:38:23 | |
I'm from Minnesota. | 0:38:23 | 0:38:24 | |
-Are you really? -Yes. | 0:38:24 | 0:38:26 | |
Cos you sound like you're pretending. | 0:38:26 | 0:38:28 | |
-LAUGHTER -No, I'm from Minnesota. | 0:38:28 | 0:38:30 | |
It's like, "I'm going to sound like I'm from Minnesota | 0:38:30 | 0:38:32 | |
"and I'm going to dress like someone from Minnesota." | 0:38:32 | 0:38:35 | |
LAUGHTER | 0:38:35 | 0:38:36 | |
I don't know why I think they wear knitted hoodies. | 0:38:36 | 0:38:39 | |
But there you go, I thought they did. | 0:38:39 | 0:38:41 | |
Are you here on your holidays? | 0:38:41 | 0:38:43 | |
No, we're actually living here for a few months. | 0:38:43 | 0:38:45 | |
-Oh, right, what are you doing? -My husband is an IT specialist. | 0:38:45 | 0:38:48 | |
-He's an IT specialist? Is he from Minnesota too? -Yes, he is. | 0:38:48 | 0:38:52 | |
Oh, right. But you normally live in Minnesota | 0:38:52 | 0:38:54 | |
-but you've come here for the few months? -Yes. | 0:38:54 | 0:38:56 | |
-To install something? -Yes. | 0:38:56 | 0:38:59 | |
-Do you know what? -No. | 0:38:59 | 0:39:01 | |
LAUGHTER | 0:39:01 | 0:39:03 | |
So where are you getting to stay? | 0:39:03 | 0:39:04 | |
We're in Kensington. | 0:39:04 | 0:39:06 | |
GRAHAM GASPS Oh, I tell you - | 0:39:06 | 0:39:08 | |
oh, she's far from Minnesota now, ladies and gentlemen! | 0:39:08 | 0:39:11 | |
Wow! | 0:39:11 | 0:39:12 | |
-You've landed on your feet, Janice. -Oh, good! -Yeah! | 0:39:12 | 0:39:16 | |
LAUGHTER | 0:39:16 | 0:39:18 | |
-No, he's a catch, the old IT guy. -Oh, yeah, he is. | 0:39:18 | 0:39:21 | |
How long have you been married? | 0:39:21 | 0:39:23 | |
Um, a lot of years. | 0:39:23 | 0:39:24 | |
LAUGHTER | 0:39:24 | 0:39:26 | |
-We'll leave it at that, Janice! -16? | 0:39:27 | 0:39:30 | |
I went to art school. 16! | 0:39:30 | 0:39:32 | |
LAUGHTER | 0:39:34 | 0:39:36 | |
16 years, Janice is married! | 0:39:36 | 0:39:38 | |
Well done. | 0:39:38 | 0:39:40 | |
OK, Janice, I look forward to this story. | 0:39:41 | 0:39:44 | |
Off you go with your story. | 0:39:44 | 0:39:46 | |
OK, so a long time ago I went on a date with a guy | 0:39:46 | 0:39:49 | |
who thought he was Indiana Jones, complete with hat and jacket. | 0:39:49 | 0:39:53 | |
And he picked me up in his car and we drove to dinner, | 0:39:53 | 0:39:56 | |
and as we were driving to dinner, | 0:39:56 | 0:39:58 | |
he had a flaky booger on the end of his nose. | 0:39:58 | 0:40:00 | |
And he was telling me his adventuresome tales, | 0:40:00 | 0:40:03 | |
because his father was an archaeologist, | 0:40:03 | 0:40:05 | |
but I couldn't look at him, because every time I looked, | 0:40:05 | 0:40:08 | |
the booger would just go like this in the wind. | 0:40:08 | 0:40:10 | |
And so then we sat down to dinner, and it was still there. | 0:40:10 | 0:40:13 | |
And I thought, "Oh, my gosh, | 0:40:13 | 0:40:15 | |
"this is going to totally come out in his food!" | 0:40:15 | 0:40:18 | |
So I didn't... All I know was Africa, something. | 0:40:18 | 0:40:21 | |
I don't even remember what he was talking about. | 0:40:21 | 0:40:23 | |
Then we got in the parking lot, he slipped on the ice. | 0:40:23 | 0:40:26 | |
His hat flew. He got up and pretended nothing happened. | 0:40:26 | 0:40:29 | |
He had a big messy situation. | 0:40:29 | 0:40:31 | |
But the fall did dislodge his booger. | 0:40:31 | 0:40:33 | |
I never went out with him again. | 0:40:33 | 0:40:35 | |
That's a terrible story. | 0:40:37 | 0:40:38 | |
Oh! | 0:40:38 | 0:40:39 | |
LAUGHTER | 0:40:39 | 0:40:42 | |
It seems... | 0:40:45 | 0:40:46 | |
Oh! Oh! oh! | 0:40:46 | 0:40:48 | |
LAUGHTER AND APPLAUSE | 0:40:48 | 0:40:50 | |
Oh, poor Janice. | 0:40:58 | 0:41:00 | |
I had such high hopes for Janice's story! | 0:41:02 | 0:41:05 | |
The life that woman's led | 0:41:05 | 0:41:07 | |
and the best story she had was just somebody with a booger. | 0:41:07 | 0:41:11 | |
That was poor. I'd hoped for more. | 0:41:12 | 0:41:14 | |
Has the chair been repaired? | 0:41:14 | 0:41:16 | |
LAUGHTER | 0:41:16 | 0:41:19 | |
What? Oh, we are. OK, one more. One more. OK. Here we go. | 0:41:19 | 0:41:22 | |
-Hello. -Hi! -Hi, what's your name? | 0:41:22 | 0:41:24 | |
-Louise. -Louise. Are you - are you from Britain? | 0:41:24 | 0:41:26 | |
-I am. I'm from London. -Wow! | 0:41:26 | 0:41:28 | |
CHEERING AND APPLAUSE | 0:41:28 | 0:41:30 | |
How amazing! | 0:41:30 | 0:41:31 | |
OK, Louise, off you go with your story. | 0:41:31 | 0:41:34 | |
OK, well, my story involves a female-only sauna, | 0:41:34 | 0:41:37 | |
a very tiny towel, and eight men in uniform. | 0:41:37 | 0:41:40 | |
Oh, very good. Now, can I just say, | 0:41:40 | 0:41:42 | |
that's a very good opening to a story. | 0:41:42 | 0:41:44 | |
We're all vaguely interested now. | 0:41:44 | 0:41:45 | |
There's something for everyone in that story, isn't there? | 0:41:45 | 0:41:48 | |
Off you go. | 0:41:48 | 0:41:50 | |
OK, so a few years ago I lived in Paris | 0:41:50 | 0:41:52 | |
and I was at the gym one evening and went to the sauna afterwards. | 0:41:52 | 0:41:56 | |
And I went in the sauna with this teeny-weeny little towel. | 0:41:56 | 0:42:01 | |
It was women only. | 0:42:01 | 0:42:03 | |
The French women, the Parisian women, are very laid-back. | 0:42:03 | 0:42:05 | |
And as I was climbing up to get onto my seat - | 0:42:05 | 0:42:08 | |
you know there are wooden benches in the sauna - | 0:42:08 | 0:42:10 | |
my leg went through the wooden bench. One of the slats broke, | 0:42:10 | 0:42:13 | |
my leg went through. And I was jammed. Could not get out. | 0:42:13 | 0:42:16 | |
And so my friend went off to get help. | 0:42:16 | 0:42:19 | |
After about 30 minutes of standing there, | 0:42:19 | 0:42:22 | |
sweating in the sauna, all of a sudden the door opens... | 0:42:22 | 0:42:25 | |
Wait a minute, they didn't turn the sauna off?! | 0:42:25 | 0:42:27 | |
LAUGHTER | 0:42:27 | 0:42:29 | |
The door opens and not one, not two, | 0:42:29 | 0:42:32 | |
but eight firemen | 0:42:32 | 0:42:33 | |
walked in, decided it was a job for eight of them. | 0:42:33 | 0:42:36 | |
LAUGHTER | 0:42:36 | 0:42:38 | |
And managed to pull my leg out of there. These men were very burly. | 0:42:38 | 0:42:41 | |
My friend told me afterwards they were very good-looking. | 0:42:41 | 0:42:44 | |
I wouldn't have known, I couldn't look them in the face! | 0:42:44 | 0:42:46 | |
I was just too mortified. | 0:42:46 | 0:42:48 | |
Yeah, that was it. That was my story. | 0:42:48 | 0:42:50 | |
Aw, bless. I do need to flip you, though. | 0:42:50 | 0:42:53 | |
LAUGHTER AND APPLAUSE There you go. | 0:42:53 | 0:42:54 | |
Well done, everyone, and if you would like to join us on the show | 0:42:54 | 0:42:57 | |
and have a go on the Red Chair, you can contact us via our website | 0:42:57 | 0:43:00 | |
at this very address. That's it for tonight. | 0:43:00 | 0:43:02 | |
Please say thank you to my guests - Pet Shop Boys! | 0:43:02 | 0:43:05 | |
CHEERING AND APPLAUSE | 0:43:05 | 0:43:07 | |
Henry Cavill! | 0:43:07 | 0:43:08 | |
CHEERING AND APPLAUSE | 0:43:08 | 0:43:10 | |
Amy Adams! | 0:43:10 | 0:43:11 | |
CHEERING AND APPLAUSE | 0:43:11 | 0:43:13 | |
And Ben Affleck! | 0:43:13 | 0:43:14 | |
CHEERING AND APPLAUSE | 0:43:14 | 0:43:17 | |
Join me next week with music from Raleigh Ritchie, | 0:43:17 | 0:43:20 | |
actor Stephen Mangan, | 0:43:20 | 0:43:21 | |
Hollywood stars Kirsten Dunst and Jessica Chastain, | 0:43:21 | 0:43:24 | |
and the mighty Thor himself, Chris Hemsworth. | 0:43:24 | 0:43:26 | |
I'll see you then! Good night, everybody, goodbye! | 0:43:26 | 0:43:29 | |
CHEERING AND APPLAUSE | 0:43:29 | 0:43:31 |