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-Well, hello, Chris Hemsworth! -Well, g'day, Graham! | 0:00:02 | 0:00:04 | |
As Thor, you've got a hammer, in The Huntsman, you've got an axe. | 0:00:04 | 0:00:07 | |
-As an Aussie, how good are you with a boomerang? Let's see. -I'm amazing! Watch this! | 0:00:07 | 0:00:11 | |
Ooh! SWOOSHING | 0:00:11 | 0:00:15 | |
METALLIC CLANG | 0:00:15 | 0:00:17 | |
LAUGHTER | 0:00:17 | 0:00:18 | |
Oh... Let's start the show! | 0:00:18 | 0:00:20 | |
This programme contains some strong language. | 0:00:23 | 0:00:30 | |
CHEERING AND APPLAUSE | 0:00:35 | 0:00:39 | |
Oh! Oh! Oh! Hello! | 0:00:39 | 0:00:43 | |
Hello, everyone! Good evening. | 0:00:43 | 0:00:46 | |
Welcome one, welcome all! | 0:00:46 | 0:00:50 | |
Yes, thank you very much! Lovely to see you all. | 0:00:50 | 0:00:54 | |
Two things to say. OK, two things to say... | 0:00:54 | 0:00:57 | |
Firstly, very exciting, under one person's seat tonight | 0:00:57 | 0:01:01 | |
are the keys to this brand-new car. So, have a look if you want. | 0:01:01 | 0:01:05 | |
Have a look, there you go. By the way, the second thing... | 0:01:05 | 0:01:08 | |
April fool. | 0:01:08 | 0:01:10 | |
LAUGHTER | 0:01:10 | 0:01:12 | |
Some of you got genuinely excited. Yes, it... Yes, today is April Fools' Day! | 0:01:12 | 0:01:16 | |
So, let's get our guests on. | 0:01:16 | 0:01:19 | |
Later, you have music and chat from Raleigh Ritchie! Yeah! | 0:01:20 | 0:01:23 | |
But first, from Green Wing to Episodes, | 0:01:23 | 0:01:26 | |
he's one of Britain's finest comedy actors - now starring in | 0:01:26 | 0:01:28 | |
supernatural crime drama Houdini And Doyle, it's Stephen Mangan, everybody! | 0:01:28 | 0:01:33 | |
Here he is! | 0:01:33 | 0:01:35 | |
CHEERING AND APPLAUSE | 0:01:35 | 0:01:38 | |
APPLAUSE DROWNS OUT SPEECH | 0:01:38 | 0:01:41 | |
This Hollywood star began her career at the age of three, | 0:01:43 | 0:01:47 | |
and her hit films range from Bring It On | 0:01:47 | 0:01:49 | |
and Interview With A Vampire to Spider-Man. | 0:01:49 | 0:01:51 | |
Now starring in the indie sci-fi thriller, Midnight Special, | 0:01:51 | 0:01:54 | |
please welcome Kirsten Dunst! CHEERING AND APPLAUSE | 0:01:54 | 0:01:57 | |
-Oh, hello! -Hello! -Welcome back! Lovely to see you! | 0:01:57 | 0:02:02 | |
Come in, come in, come in! Stephen, Kirsten. | 0:02:02 | 0:02:05 | |
She wowed us with her performances in Zero Dark Thirty, | 0:02:06 | 0:02:09 | |
The Help and The Martian. Now, she's kicking ass | 0:02:09 | 0:02:11 | |
in The Huntsman: Winter's War, | 0:02:11 | 0:02:14 | |
it's always a pleasure to welcome Jessica Chastain, everybody! | 0:02:14 | 0:02:17 | |
-CHEERING AND APPLAUSE -Oh! -Hello! Look at you! | 0:02:17 | 0:02:21 | |
Look at YOU, baby! | 0:02:21 | 0:02:23 | |
-Kicking ass! Mwah! Sit down! -Thank you. Hello. | 0:02:23 | 0:02:26 | |
And joining Jessica is The Huntsman himself, he is the God of Thunder from down under, | 0:02:26 | 0:02:30 | |
please welcome Chris Hemsworth! CHEERING AND APPLAUSE | 0:02:30 | 0:02:34 | |
-Whoo! Hello, sir! Lovely to see you. -Good to see you. | 0:02:34 | 0:02:38 | |
Grab a seat... | 0:02:38 | 0:02:40 | |
APPLAUSE DROWNS OUT SPEECH | 0:02:40 | 0:02:43 | |
Ah! Very nice to see you all. | 0:02:45 | 0:02:47 | |
-Thank you very much. -Was there some bonding backstage? Was it all good? | 0:02:47 | 0:02:50 | |
-CHRIS: -Yep, yep. | 0:02:50 | 0:02:52 | |
-STEPHEN: -Good boomerang throwing. I liked that! -I was so impressed with that! | 0:02:52 | 0:02:55 | |
-We rehearsed all week for that, didn't we? -It's in your blood. | 0:02:55 | 0:02:58 | |
-LAUGHTER -I was born with a boomerang, so it's easy... | 0:02:58 | 0:03:01 | |
-Of course you were! Can you REALLY do it? -I can throw it - | 0:03:01 | 0:03:04 | |
-I don't know if it's going to come back! -So, essentially, in your hands, it's a stick! -It's a stick. | 0:03:04 | 0:03:09 | |
-LAUGHTER -It hit you in the head like a stick. -Now, it is April Fools' Day. | 0:03:09 | 0:03:12 | |
-And Kirsten Dunst, you really, you liked it a lot, growing up, didn't you? -Oh, yeah. | 0:03:12 | 0:03:16 | |
Well, it was... | 0:03:16 | 0:03:18 | |
It was one of my cat's birthdays too, | 0:03:18 | 0:03:20 | |
so it was a special holiday for me! | 0:03:20 | 0:03:23 | |
-OK...! -Also, telling your mom you're pregnant... -Sorry? | 0:03:23 | 0:03:26 | |
I always would tell my mom I was pregnant. | 0:03:26 | 0:03:28 | |
-LAUGHTER -And depending on my age, | 0:03:28 | 0:03:31 | |
she was either really excited or very disappointed in me. | 0:03:31 | 0:03:33 | |
-Oh! -But she falls for it every year. -LAUGHTER | 0:03:33 | 0:03:36 | |
Still no joy. One day... | 0:03:36 | 0:03:39 | |
But hey, ladies and gentlemen, we must say a big, | 0:03:39 | 0:03:42 | |
big congratulations because there is a brand-new daddy on our couch. | 0:03:42 | 0:03:46 | |
-Mr Stephen Mangan! -Thank you very much! | 0:03:46 | 0:03:49 | |
CHEERING AND APPLAUSE | 0:03:49 | 0:03:51 | |
-Thank you. -Was it this time last week? -It's exactly a week. | 0:03:51 | 0:03:54 | |
-He is a week old today. -How are you here? -I know. -You must be so tired! | 0:03:54 | 0:03:58 | |
-This is a holiday for me. -You can drink. | 0:03:58 | 0:03:59 | |
-Oh, no, you're not even drinking! -No, I can't drink. | 0:03:59 | 0:04:02 | |
-I'm doing the night shift. -CHRIS: -Breast-feeding! | 0:04:02 | 0:04:04 | |
-Aw, that's lovely. This is number three. -Number three. Yeah! -So, is it all boys now? | 0:04:04 | 0:04:08 | |
-All three boys. -Oh, wow. | 0:04:08 | 0:04:10 | |
-Wow. -I mean, it's... it was little surprise, this one. | 0:04:10 | 0:04:13 | |
-Oh, really? -Yeah! A little, pleasant... | 0:04:13 | 0:04:15 | |
-LAUGHTER -If it was a girl, we were going to call it Cilla. Surprise, Surprise! | 0:04:15 | 0:04:19 | |
-LAUGHTER -I was filming, we were about to do a take, I got a text from | 0:04:19 | 0:04:23 | |
my wife, a picture of the positive pregnancy test with WTF next to it. | 0:04:23 | 0:04:26 | |
The fellas came up and said, "Can we go for a take?" | 0:04:26 | 0:04:29 | |
and I said, "Just, just give me one second..." | 0:04:29 | 0:04:31 | |
Went round the corner and went... | 0:04:31 | 0:04:33 | |
-And came back and carried on. -Wow. | 0:04:33 | 0:04:36 | |
-But you know how it happened? -I think so. | 0:04:36 | 0:04:39 | |
-LAUGHTER -We need to work that out. -Yeah, you really need to work backwards. | 0:04:39 | 0:04:43 | |
-Because, how many have you got now, Chris? -Three, I think. Yeah. | 0:04:43 | 0:04:47 | |
-LAUGHTER -You kind of lose track of them, you know? | 0:04:47 | 0:04:50 | |
One was easy, then two, and three and they get busy... | 0:04:50 | 0:04:53 | |
-Oh, OK! -They go in different directions constantly. | 0:04:53 | 0:04:55 | |
-Now, you made the choice to bring your children back to Australia. -Yeah, yeah. | 0:04:55 | 0:04:59 | |
So, were they all born in America and then you brought them back? | 0:04:59 | 0:05:01 | |
Erm, no, my daughter was born here in London, actually. | 0:05:01 | 0:05:04 | |
-Oh, right! -Yep. And then the boys were born in America. | 0:05:04 | 0:05:07 | |
Then we moved back to Australia and...live there. | 0:05:07 | 0:05:11 | |
Now, you've posted pictures online and it makes me think, | 0:05:11 | 0:05:13 | |
was bringing your children back there that wise? | 0:05:13 | 0:05:16 | |
Like, that's your house! LAUGHTER | 0:05:16 | 0:05:19 | |
-Yeah, that is one of the bedrooms. Yeah. -Is it one of the children's bedrooms? | 0:05:19 | 0:05:23 | |
LAUGHTER | 0:05:23 | 0:05:25 | |
Occasionally, yeah. Not since that snake lives there. | 0:05:25 | 0:05:29 | |
And then, there's this one as well. Is that in your house? | 0:05:29 | 0:05:31 | |
-AUDIENCE GASP -It is, yeah. | 0:05:31 | 0:05:34 | |
-They're better than paparazzi, though, those animals. -OK! | 0:05:34 | 0:05:36 | |
-There's a lot more paparazzi in LA. -I would take paparazzi over the spider and the snake! -Would you? | 0:05:36 | 0:05:41 | |
Yeah... You know that snake? What you don't see, we'd had a couple of drinks | 0:05:41 | 0:05:44 | |
that night when we discovered that snake in the bedroom. And... | 0:05:44 | 0:05:49 | |
I love Australians. I LOVE Australians! | 0:05:49 | 0:05:52 | |
"We'd had a few drinks when we found the snake in the bedroom." | 0:05:52 | 0:05:54 | |
We did, it was a Friday or Saturday night. | 0:05:54 | 0:05:57 | |
And we were all standing there, going, "What is it?" | 0:05:57 | 0:05:59 | |
And someone's like, "It's a brown snake," which can kill you, | 0:05:59 | 0:06:02 | |
you know, very quickly. Someone's like, "No, it's a tree-python." | 0:06:02 | 0:06:05 | |
"It's something else, it's this..." And I just launched into, like, action mode, | 0:06:05 | 0:06:09 | |
grabbed it by the tail, picked it up, and everyone starts freaking out and it starts to kind of coil | 0:06:09 | 0:06:13 | |
itself back up towards me, which is getting ready to strike. | 0:06:13 | 0:06:17 | |
And I remember thinking, "What the hell am I doing?" | 0:06:17 | 0:06:19 | |
So, I just kind of threw the snake back into the bedroom. | 0:06:19 | 0:06:22 | |
-LAUGHTER -And shut the door! And we don't go in that bedroom any more. | 0:06:22 | 0:06:27 | |
We just sort of nailed, boarded that thing up. | 0:06:27 | 0:06:29 | |
-STEPHEN: -We have a little mobile with stars and suns on it, that just | 0:06:29 | 0:06:32 | |
-goes around... -Boring! | 0:06:32 | 0:06:36 | |
Now, Jessica Chastain, you are a lover of the Australian wildlife. | 0:06:38 | 0:06:42 | |
-Yes, I am! -No, because, was this picture taken in Australia, | 0:06:42 | 0:06:46 | |
of you with a kangaroo? | 0:06:46 | 0:06:48 | |
-No, that was actually taken in New York. -Oh! | 0:06:48 | 0:06:50 | |
-That was a New York kangaroo. -It's a travelling kangaroo. -Yes! | 0:06:50 | 0:06:53 | |
-Now, is that a baby kangaroo? -That is a baby kangaroo, but what makes | 0:06:53 | 0:06:56 | |
me slightly disappointed is it's totally upstaging me on that cover. | 0:06:56 | 0:06:59 | |
In fairness, it is. | 0:06:59 | 0:07:00 | |
-Right? I mean, look at that model face that it's giving. -Oh, my... | 0:07:00 | 0:07:03 | |
-CHRIS: -It's pretty cute. You both look pretty cool. | 0:07:03 | 0:07:05 | |
I'm guessing the kangaroo was quite squirmy. | 0:07:05 | 0:07:08 | |
Yeah, I mean, they're very hoppy. | 0:07:08 | 0:07:10 | |
-STEPHEN: -Yeah, technical term! | 0:07:10 | 0:07:13 | |
And...you know...likes to play, likes to hop around. | 0:07:13 | 0:07:18 | |
But was very, very happy whenever I had the bottle | 0:07:18 | 0:07:20 | |
because they would do anything for the milk. | 0:07:20 | 0:07:23 | |
I feel you'd had enough of the hoppy because there is a picture | 0:07:23 | 0:07:25 | |
inside the magazine of you with the kangaroo. | 0:07:25 | 0:07:28 | |
-LAUGHTER -That's so cute! | 0:07:30 | 0:07:32 | |
It's so sad because it looks like I'm just, like, "Love me, love me, | 0:07:32 | 0:07:36 | |
"I love you so much." And it's just like, "Give me the food, lady." | 0:07:36 | 0:07:39 | |
They could at least have Photoshopped the bottle out, right? | 0:07:39 | 0:07:42 | |
LAUGHTER | 0:07:42 | 0:07:44 | |
Yeah, that would have looked weirder. | 0:07:44 | 0:07:46 | |
Like it had rabies, frothing at the mouth. | 0:07:46 | 0:07:49 | |
-Now, Kirsten, big animal lover, Kirsten Dunst, as well. -Yeah. | 0:07:49 | 0:07:53 | |
Now, cats, you've already mentioned a cat. Cats are your first love. | 0:07:53 | 0:07:57 | |
Well, I like, yeah, I do like cats. Not my first love! | 0:07:57 | 0:08:00 | |
-But I am a cat person. -OK. | 0:08:00 | 0:08:02 | |
-And you just got a new cat? -Well, that cat adopted me. -Oh, I see. | 0:08:02 | 0:08:06 | |
-So, new to you. -Yeah, yeah, yeah. | 0:08:06 | 0:08:07 | |
-Like, did it wander in? -Yeah, it just wandered in, | 0:08:07 | 0:08:10 | |
started feeding and now he sleeps in bed with me every night. | 0:08:10 | 0:08:13 | |
-So, he just... -Aww... -Yeah! -It is weird. You would never do that with a person. | 0:08:13 | 0:08:17 | |
LAUGHTER | 0:08:17 | 0:08:19 | |
It's always specific to animals! And what's the name of the cat? | 0:08:19 | 0:08:22 | |
Tito. I thought it was a boy for the longest time... | 0:08:22 | 0:08:25 | |
Usually, those orange stripy cats are boys. | 0:08:25 | 0:08:28 | |
I don't know why I know this. | 0:08:28 | 0:08:30 | |
But then my friend came over and was, like, | 0:08:30 | 0:08:32 | |
"Those balls are very small, I don't think that's a boy." | 0:08:32 | 0:08:36 | |
Hang on, girls don't have SMALL balls! | 0:08:36 | 0:08:38 | |
LAUGHTER | 0:08:38 | 0:08:41 | |
I know. It was like, if it's a he, she, whatever it is, I don't care... | 0:08:41 | 0:08:45 | |
Still, Tito's a fine name for it. And so, yeah, it's a boy. | 0:08:45 | 0:08:48 | |
I think this is a picture of Tito. And Tito is SUCH a boy. | 0:08:48 | 0:08:51 | |
Look at that. That is a BOY! LAUGHTER | 0:08:51 | 0:08:54 | |
Look at the manspread on that! | 0:08:54 | 0:08:56 | |
-CHRIS: -Has he got a third leg or is that its tail? | 0:08:56 | 0:08:59 | |
-That's its tail! -Definitely a boy. -That is a very, very cute cat. | 0:08:59 | 0:09:03 | |
He just looks like he wants a hug, really. | 0:09:03 | 0:09:06 | |
-STEPHEN: -I think he wants a beer and some chips. | 0:09:06 | 0:09:08 | |
Is that the way he sits all the time? | 0:09:08 | 0:09:10 | |
No, he's just mid-lick. Very clean. | 0:09:10 | 0:09:12 | |
Oh, those tiny balls, he was just making clean. | 0:09:12 | 0:09:15 | |
They're small but they're really clean! | 0:09:15 | 0:09:18 | |
Right! Ladies and gentlemen, we must talk about The Huntsman: Winter's War. | 0:09:19 | 0:09:24 | |
It opens on April 4, next Monday. Obviously, it stars Chris Hemsworth. | 0:09:24 | 0:09:28 | |
You are The Huntsman. Well, Jessica Chastain, you're also a huntsman? | 0:09:28 | 0:09:31 | |
-Yes. -Or a huntsperson? -I'm a huntsperson. | 0:09:31 | 0:09:35 | |
That is a very PC, politically correct word. | 0:09:35 | 0:09:37 | |
Now, you weren't in the first one, so how did you get into this one? | 0:09:37 | 0:09:40 | |
In the first movie, | 0:09:40 | 0:09:42 | |
The Huntsman, Eric, has a speech about his wife and this former love. | 0:09:42 | 0:09:46 | |
And I play that. It's a prequel and a sequel. So, I'm Sara. | 0:09:46 | 0:09:50 | |
Yeah, it picks up the back story of my character with | 0:09:50 | 0:09:53 | |
the love of his life, who he loses, who we THINK he loses. And... | 0:09:53 | 0:09:57 | |
Then Ravenna, played by Charlize Theron, who is evil | 0:09:57 | 0:10:00 | |
and fantastic in the first film, is back. | 0:10:00 | 0:10:02 | |
But she has a sister who is equally as evil and cunning, which is | 0:10:02 | 0:10:06 | |
played by Emily Blunt. And she's the Frost Queen, the Ice Queen. And... | 0:10:06 | 0:10:10 | |
She's like our Mommie Dearest in this movie. | 0:10:10 | 0:10:12 | |
-Yeah, very twisted kind of relationship. -Yeah. | 0:10:12 | 0:10:14 | |
She loses her child, so then raises an army. Which is us. | 0:10:14 | 0:10:18 | |
But says, "Do not love." | 0:10:18 | 0:10:20 | |
That's the one rule that is bestowed upon the kingdom. | 0:10:20 | 0:10:23 | |
So, we broke that rule, fall in love and all hell breaks loose. | 0:10:23 | 0:10:27 | |
It really does! And there is... There are nods to Frozen, | 0:10:27 | 0:10:30 | |
there's nods to lots of fairytales along the way. | 0:10:30 | 0:10:33 | |
-Less singing than Frozen. But... -There is less singing, yes. | 0:10:33 | 0:10:35 | |
-My favourite was your solo, though. -Yeah. -Do you want to sing a little bit of that now? | 0:10:35 | 0:10:40 | |
Wouldn't everyone love to hear it? | 0:10:40 | 0:10:42 | |
CHEERING AND APPLAUSE | 0:10:42 | 0:10:45 | |
People will be sitting through the movie, like, "It's an hour and a half in..." | 0:10:45 | 0:10:49 | |
-When does he sing? -My God, when does Chris sing? -Still no song! | 0:10:49 | 0:10:52 | |
We sang in between. Yeah. | 0:10:52 | 0:10:54 | |
And is it true that, Jessica, you were in it | 0:10:54 | 0:10:57 | |
because Chris was the person who asked you? | 0:10:57 | 0:10:59 | |
Well, erm, I mean, I loved the first film and then Chris | 0:10:59 | 0:11:02 | |
and I met at the Critics' Choice Awards and he was so nice. | 0:11:02 | 0:11:06 | |
And I said, "Listen, | 0:11:06 | 0:11:07 | |
"I'm not interested in doing a movie like this if I'm playing the | 0:11:07 | 0:11:11 | |
"wife that stays at home while the husband goes out and has all the cool stuff." | 0:11:11 | 0:11:15 | |
And he's like, "No, no, no, you're going to kick some..." | 0:11:15 | 0:11:18 | |
-Am I allowed to say "ass"? -Arse, yeah. -Ass? Yes! | 0:11:18 | 0:11:21 | |
Yeah, I remember you saying, "Do I get to kick some arse?" | 0:11:21 | 0:11:23 | |
-Yeah, I did actually. -And I said, "We'll make sure of it." And she does. | 0:11:23 | 0:11:26 | |
She kicks my arse in the film and kicks many other arses. A lot of arse kicking - if you like that? | 0:11:26 | 0:11:30 | |
-The last time I was here, I think I took you to the ground. -You did! | 0:11:30 | 0:11:34 | |
-Yes, a little Krav Maga action. -Yeah, I remember... I had forgotten what it was called... | 0:11:34 | 0:11:38 | |
But I do remember that. I think of it sometimes still. | 0:11:38 | 0:11:41 | |
LAUGHTER | 0:11:41 | 0:11:42 | |
Now, you wanted to kick ass. So, we've got a clip. This is you kicking ass. | 0:11:42 | 0:11:46 | |
And Chris kicking, there's a lot of ass kicking. | 0:11:46 | 0:11:49 | |
With your co-stars, in The Huntsman: Winter's War. | 0:11:49 | 0:11:52 | |
-Leave my children alone! -Ugh! | 0:11:52 | 0:11:56 | |
ICE SHATTERS | 0:12:02 | 0:12:04 | |
DRAMATIC MUSIC PLAYS | 0:12:05 | 0:12:09 | |
CHEERING AND APPLAUSE | 0:12:24 | 0:12:29 | |
Now, we must, Chris, very quickly, mention Thor. | 0:12:31 | 0:12:36 | |
-Mostly, so we can show this picture. -Sure. | 0:12:36 | 0:12:39 | |
-AUDIENCE: -Woo! | 0:12:39 | 0:12:42 | |
-Are you embarrassed? -Why would you be embarrassed? God! | 0:12:42 | 0:12:46 | |
It just looks like a lot of dieting and exercise to me. | 0:12:46 | 0:12:49 | |
I'm, like, "No, thanks, no." | 0:12:49 | 0:12:51 | |
But also, now, apparently, is this true, that people... This is odd. | 0:12:51 | 0:12:54 | |
So, people come up to you and they want you to tell a specific joke? | 0:12:54 | 0:12:58 | |
Oh, they just come and tell me Thor jokes. | 0:12:58 | 0:13:01 | |
-The old Thor lines and stuff. -Oh, I see! -Like... -Go! | 0:13:01 | 0:13:04 | |
Do you know the joke about Thor spends a night with this woman | 0:13:04 | 0:13:09 | |
and the next morning he says, "I have to tell you who I am." | 0:13:09 | 0:13:12 | |
You know, "I'm Thor." She says, "YOU'RE Thor? I can hardly walk!" | 0:13:12 | 0:13:15 | |
LAUGHTER | 0:13:15 | 0:13:17 | |
It's a good joke. It's a good joke, ladies and gentlemen! | 0:13:17 | 0:13:20 | |
-APPLAUSE -It's good the first time. The next 27 times, you know? | 0:13:20 | 0:13:24 | |
Now, here's a thing, | 0:13:24 | 0:13:26 | |
Stephen Mangan, I would have thought your look is quite unique. | 0:13:26 | 0:13:29 | |
-You would think, wouldn't you? -You would! | 0:13:29 | 0:13:32 | |
I get told I look like everyone's mate. Anyone with curly hair and teeth. | 0:13:32 | 0:13:36 | |
Put a horse in a wig, and it's me. | 0:13:36 | 0:13:38 | |
I get told I look like Elliott Gould, Jerry Seinfeld, Ruud van Nistelrooy, Mika. | 0:13:38 | 0:13:43 | |
-Oh, my God! -The donkey from Shrek... | 0:13:43 | 0:13:46 | |
LAUGHTER I have to say, though, | 0:13:46 | 0:13:49 | |
we have a picture of the donkey off Shrek and you do look remarkably alike. | 0:13:49 | 0:13:54 | |
LAUGHTER AND APPLAUSE | 0:13:55 | 0:13:58 | |
-CHRIS: -One of the most lovable characters... | 0:13:58 | 0:14:00 | |
-Exactly. -STEPHEN: -Separated at birth. | 0:14:00 | 0:14:02 | |
No, I thought someone was exaggerating, | 0:14:02 | 0:14:04 | |
then we looked at the picture and it was like, actually, it does! | 0:14:04 | 0:14:07 | |
It actually does. Someone said to me, "You don't SOUND like him." | 0:14:07 | 0:14:10 | |
-I said, "That's because it's Eddie Murphy, of course I don't sound like him!" -Oh, dear. | 0:14:10 | 0:14:14 | |
Now, Kirsten Dunst, your new movie is Midnight Special. | 0:14:14 | 0:14:18 | |
It opens next Friday. You KNOW this, I'm really telling the people. | 0:14:18 | 0:14:21 | |
Like, your new movie... You'll be interested to find out, | 0:14:21 | 0:14:24 | |
you're in a movie called Midnight Special. It opens next Friday. | 0:14:24 | 0:14:27 | |
Now, it's part science-fiction thriller, | 0:14:27 | 0:14:30 | |
part sort of dark family drama. So, we'll talk about it in a minute. | 0:14:30 | 0:14:33 | |
But to give us a taste, here's some of the trailer. | 0:14:33 | 0:14:36 | |
Alton! | 0:14:37 | 0:14:39 | |
ATMOSPHERIC MUSIC PLAYS | 0:14:42 | 0:14:46 | |
-What if Alton doesn't belong with us? -You don't know that. | 0:14:51 | 0:14:56 | |
That's remarkable. I know where they're going. | 0:14:56 | 0:15:00 | |
-He believes in something. -Good people die every day believing in things. | 0:15:01 | 0:15:06 | |
-You don't have to worry about me. -I'll always worry about you, Alton. | 0:15:06 | 0:15:09 | |
I like worrying about you. | 0:15:10 | 0:15:14 | |
-That's the deal. -It's OK. | 0:15:14 | 0:15:16 | |
I know why I'm here. | 0:15:18 | 0:15:20 | |
APPLAUSE DROWNS OUT SPEECH | 0:15:23 | 0:15:26 | |
I really enjoyed it because I had no idea what to expect. | 0:15:28 | 0:15:31 | |
And it's one of those rare things. | 0:15:31 | 0:15:33 | |
It's a properly, sort of original movie. | 0:15:33 | 0:15:35 | |
Like, you have not seen this movie before. | 0:15:35 | 0:15:38 | |
Yeah, I mean, it harkens back to, like, Spielberg | 0:15:38 | 0:15:40 | |
and Close Encounters and ET and that kind of thing, | 0:15:40 | 0:15:44 | |
that Jeff Nichols, who also Jessica worked with on Take Shelter, | 0:15:44 | 0:15:47 | |
which, I love that film, if anyone hasn't seen that as well. | 0:15:47 | 0:15:49 | |
And Mud as well. | 0:15:49 | 0:15:51 | |
He's just, I think, one of the great auteurs of our time | 0:15:51 | 0:15:54 | |
and whatever, you know, anxiety or his personal, you know | 0:15:54 | 0:15:59 | |
struggles with having a son and everything that comes with | 0:15:59 | 0:16:02 | |
being a parent, he just purely puts it into his work. | 0:16:02 | 0:16:04 | |
And at the centre of this film is this extraordinary | 0:16:04 | 0:16:08 | |
little boy. | 0:16:08 | 0:16:10 | |
And playing his mom, do you sort of feel responsible for him? | 0:16:10 | 0:16:13 | |
Well, I mean, yeah, of course, it's my child in the film. | 0:16:13 | 0:16:17 | |
I feel responsible. It's the whole point of the movie! | 0:16:17 | 0:16:20 | |
-"Oh, THAT?" -You meet my character, Sarah. | 0:16:20 | 0:16:24 | |
-Did you say your character's name was Sarah too? -Yeah. | 0:16:24 | 0:16:27 | |
-OK, so my character, the other Sarah... -That's some lazy writing. | 0:16:27 | 0:16:30 | |
You meet my character, she hasn't seen her son in two years. | 0:16:30 | 0:16:34 | |
And she's been excommunicated from this religious ranch. | 0:16:34 | 0:16:37 | |
So, the rest of the film is kind of a crusade to get him | 0:16:37 | 0:16:42 | |
where he needs to be. These coordinates. | 0:16:42 | 0:16:44 | |
I don't want to give away too much. | 0:16:44 | 0:16:46 | |
But it's basically that kind of vibe. Yeah. | 0:16:46 | 0:16:49 | |
-And he's amazing, that boy. -Yeah. | 0:16:49 | 0:16:52 | |
He is a wise, wise, little gifted young actor. Yeah. | 0:16:52 | 0:16:56 | |
Yeah, and I guess, weirdly, you were in a unique position to know what he's experiencing. | 0:16:56 | 0:17:00 | |
Yeah, no, of course, I mean, you know, the only thing | 0:17:00 | 0:17:03 | |
I did say to Jaeden was, like, "Go to normal schools if you can." | 0:17:03 | 0:17:06 | |
Like, he's home-schooled and I always went to, you know, | 0:17:06 | 0:17:08 | |
I had prom, I went to the football game, I did everything. | 0:17:08 | 0:17:11 | |
So, to me, it's a good balance to be able to go back to school | 0:17:11 | 0:17:14 | |
and have your friends always. | 0:17:14 | 0:17:16 | |
Cos that time, when everyone kind of discovered you in | 0:17:16 | 0:17:18 | |
-Interview With A Vampire, I mean, how old were -you then? I was ten. -Wow. | 0:17:18 | 0:17:23 | |
And for you to be thrown, did you know who the rest of the cast were? | 0:17:23 | 0:17:27 | |
Yeah, of course, yeah. I'd watched A River Runs Through It! | 0:17:27 | 0:17:31 | |
-It's a lot of famous people to be in a movie. -These are so funny, these. Good old '90s crimping right there. | 0:17:31 | 0:17:39 | |
LAUGHTER | 0:17:39 | 0:17:41 | |
And like, long hair on the dudes. Yeah... | 0:17:41 | 0:17:44 | |
-Has Tom Cruise kept in touch since then? -Yeah, yeah. | 0:17:44 | 0:17:48 | |
He gives me a cake every Christmas. | 0:17:48 | 0:17:50 | |
It's, we call it the Cruise cake at my house. | 0:17:50 | 0:17:52 | |
It's just this coconut cake. | 0:17:52 | 0:17:54 | |
It's the best coconut cake I've ever had in my life. | 0:17:54 | 0:17:56 | |
It's from a bakery in the Valley. So, sorry everybody. | 0:17:56 | 0:17:59 | |
In England, you can't have it unless you go to California! But it's really good. | 0:17:59 | 0:18:02 | |
And, yeah, we get it every Christmas. Yeah. | 0:18:02 | 0:18:06 | |
We're like, all our family is like, "Cruise cake's here!" | 0:18:06 | 0:18:09 | |
It's like a major thing. All devoured that night. We're like, "Thank you, Tom." | 0:18:09 | 0:18:12 | |
-Love it! -That's a lovely thing. | 0:18:12 | 0:18:15 | |
I guess that's kind of a tradition, actors give each other gifts. | 0:18:15 | 0:18:18 | |
So, Chris, what did you get Jessica at the end of The Huntsman? | 0:18:18 | 0:18:20 | |
-Yeah, what did you get me, Chris? -LAUGHTER | 0:18:20 | 0:18:23 | |
Erm, well, how about what did you give me at the start? | 0:18:23 | 0:18:25 | |
I gave you, I gave Chris a candle from Le Labo, | 0:18:25 | 0:18:29 | |
in which you can actually have the person's name on the label. | 0:18:29 | 0:18:32 | |
-Which I didn't realise. So, I gave it back... -Yeah... | 0:18:32 | 0:18:35 | |
LAUGHTER | 0:18:35 | 0:18:38 | |
-Awkward, wasn't it, yeah? -Yes, super-awkward. -It smelt horrible. | 0:18:38 | 0:18:43 | |
You're never getting anything for free now. | 0:18:43 | 0:18:46 | |
I thought the trailer started to smell funny, | 0:18:46 | 0:18:48 | |
-so I lent her the candle. -Oh... -No? -No, and I had to tell you. | 0:18:48 | 0:18:52 | |
-I was like, "No, Chris, you can't give me the gift I gave you." -Damn it. | 0:18:52 | 0:18:57 | |
-The same candle? -Yeah, it was the same one. -Anyway... | 0:18:57 | 0:19:01 | |
Does Matt Le Blanc buy you really lovely things at the end of Episodes? | 0:19:01 | 0:19:04 | |
He does not, no. No, he does not. | 0:19:04 | 0:19:07 | |
He doesn't buy me anything. | 0:19:07 | 0:19:10 | |
And now he's earning all that Top Gear money. Where is my gift, Matt? | 0:19:10 | 0:19:14 | |
-LAUGHTER So, essentially, Tom Cruise is ruining it for everyone. -Yeah. -Yeah. | 0:19:16 | 0:19:20 | |
-He needs to cancel that cake. -So, he not only gives presents on wrap but continuously, | 0:19:20 | 0:19:24 | |
-for years afterwards? -Yeah, years after. -See, that's impressive, isn't it? Impressive. | 0:19:24 | 0:19:28 | |
It is. I've never done that. Except for my parents. | 0:19:28 | 0:19:31 | |
LAUGHTER | 0:19:31 | 0:19:33 | |
-But they are great! -Yeah, they're really good! | 0:19:33 | 0:19:37 | |
Now, before the Interview With A Vampire thing, of course you did lots of commercials. | 0:19:37 | 0:19:41 | |
-Yeah. -You were like the go-to girl for commercials. But you were! | 0:19:41 | 0:19:44 | |
Yeah, I booked the first commercial I ever went out on. It's like, "This kid's a star!" | 0:19:44 | 0:19:49 | |
-You were tiny, you were, like, three or something? -I was little. | 0:19:49 | 0:19:52 | |
Like, three years old I started doing commercials | 0:19:52 | 0:19:54 | |
-and modelling and stuff in New York, yeah. -Wow. | 0:19:54 | 0:19:57 | |
But you went to a regular school, so, presumably, | 0:19:57 | 0:19:59 | |
the other kids, did they give you stick for things you were in? | 0:19:59 | 0:20:02 | |
One, because it was a baby doll that, it would put yellow... | 0:20:02 | 0:20:07 | |
It would have a diaper you could change and it was either | 0:20:07 | 0:20:09 | |
yellow or brown, and there is a great song that went along with it. | 0:20:09 | 0:20:13 | |
So, on the bus, I got sang that song for a very long time. | 0:20:13 | 0:20:16 | |
And that was really great for me. | 0:20:16 | 0:20:17 | |
I was like, "Ha-ha, I made so much money!" | 0:20:17 | 0:20:19 | |
-LAUGHTER -I didn't realise that it was just going into the college fund. | 0:20:19 | 0:20:24 | |
-I was like... I had no idea. -Wow. | 0:20:24 | 0:20:26 | |
-So, it won't be traumatic if we show that commercial? -I don't care. | 0:20:26 | 0:20:29 | |
-I was a cute little girl. I don't care. -It's adorable! Oh, good. -Look where I am now, it's fine! | 0:20:29 | 0:20:33 | |
It's not a tragedy! | 0:20:33 | 0:20:35 | |
It's not like you're trapped here. "It's the only thing people want to talk to me about!" | 0:20:35 | 0:20:40 | |
-LAUGHTER Anyway, so, the product was called Baby Uh-Oh. -Yes, you're right. | 0:20:40 | 0:20:45 | |
-LAUGHTER That was a great marketing meeting. Baby Uh-Oh. -Very simple, yeah. | 0:20:45 | 0:20:49 | |
-Because it's...it soiled itself, Jessica. Uh-oh, baby! -Oh! | 0:20:49 | 0:20:54 | |
This is like being at home for you, Stephen! | 0:20:54 | 0:20:57 | |
-It's worse at home, though, it's, like, actual. -Yeah, it's real. | 0:20:57 | 0:21:02 | |
-But this stuff wasn't real, no? -This stuff is just coloured water. | 0:21:02 | 0:21:05 | |
-OK, good. -So, you're not the main girl. You're the blonde friend. -Yes. | 0:21:05 | 0:21:09 | |
-I think you're wearing a pink top. -OK. -Here's Baby Uh-Oh. | 0:21:09 | 0:21:13 | |
-Oh, a dirty diaper. -# Baby Uh-Oh | 0:21:13 | 0:21:16 | |
-# There she goes -I give her a bottle and then... | 0:21:16 | 0:21:20 | |
# Baby Uh-Oh, there she goes Needs her diaper changed again. # | 0:21:20 | 0:21:24 | |
Baby Uh-Oh gets her diapers dirty. You rinse them clean with warm water. | 0:21:24 | 0:21:27 | |
-All clean! -Looks like diaper rash. -I'll make it better! | 0:21:27 | 0:21:30 | |
# Baby Uh-Oh There she goes. # | 0:21:30 | 0:21:33 | |
-Looks like her diaper's just right! -# Baby Uh-Oh, I love her so. # | 0:21:33 | 0:21:37 | |
Awww! | 0:21:37 | 0:21:39 | |
CHEERING AND APPLAUSE | 0:21:39 | 0:21:42 | |
I haven't seen that in so long! My mom is going to be so stoked | 0:21:42 | 0:21:45 | |
-to see that again. -That is a bizarre product. Isn't it? | 0:21:45 | 0:21:49 | |
Yeah, it's training us young! | 0:21:49 | 0:21:52 | |
Some good old-fashioned feminism right there. | 0:21:52 | 0:21:56 | |
LAUGHTER | 0:21:56 | 0:21:57 | |
Can I just say, Stephen Mangan, though, in this country, | 0:21:57 | 0:22:01 | |
-for a long time, you were king of the ads. -I did loads of them. | 0:22:01 | 0:22:03 | |
Because I only wanted to do theatre and you can't earn a living, | 0:22:03 | 0:22:06 | |
really, doing theatre, so, I did spend a lot of time | 0:22:06 | 0:22:09 | |
subsidising it with commercials, yeah. | 0:22:09 | 0:22:11 | |
I advertised everything. After Eight mints, you know, chewing gum, beer, holidays... | 0:22:11 | 0:22:17 | |
-The donkey from Shrek... -LAUGHTER | 0:22:17 | 0:22:21 | |
But why were you so castable in ads? | 0:22:21 | 0:22:24 | |
I think because a lot of those adverts have a very beautiful | 0:22:24 | 0:22:27 | |
woman and then a characterful man. | 0:22:27 | 0:22:30 | |
LAUGHTER | 0:22:30 | 0:22:32 | |
Who could sell his enjoyment of the product. | 0:22:32 | 0:22:34 | |
So, whether it's chewing gum or a cup of coffee, you'd drink it | 0:22:34 | 0:22:37 | |
and there would be a...look that they seemed to like. | 0:22:37 | 0:22:42 | |
And it would, you know, get me a lot of work! | 0:22:42 | 0:22:44 | |
But ads no more, ladies and gentlemen, because Stephen Mangan's | 0:22:44 | 0:22:47 | |
latest show is Houdini And Doyle. Now, it's running on Thursday nights. | 0:22:47 | 0:22:51 | |
-Yeah. -On ITV Encore. -Yeah, it's on Fox in the States in May, I think. | 0:22:51 | 0:22:56 | |
No, cos it's a big new show, isn't it? | 0:22:56 | 0:22:58 | |
I mean, it's by the people who made House? | 0:22:58 | 0:23:01 | |
Yeah, the same team who did House. | 0:23:01 | 0:23:03 | |
And essentially, it's sort of based on a bit of fact | 0:23:03 | 0:23:06 | |
that Arthur Conan Doyle, Sherlock creator, and Houdini, were friends? | 0:23:06 | 0:23:09 | |
They were. They were friends. | 0:23:09 | 0:23:11 | |
And they did meet up and they were on opposite ends of the spectrum | 0:23:11 | 0:23:14 | |
when it came to the supernatural. | 0:23:14 | 0:23:16 | |
Houdini believed all that stuff was utter junk and rubbish. | 0:23:16 | 0:23:20 | |
He spent half his career going around proving that psychics | 0:23:20 | 0:23:23 | |
and mystics were just talking out of their arses. | 0:23:23 | 0:23:26 | |
And I only pointed to you when I said arse because of that conversation earlier... | 0:23:26 | 0:23:31 | |
Talking out of their arses... | 0:23:31 | 0:23:33 | |
LAUGHTER | 0:23:33 | 0:23:35 | |
-Yeah, Jessica! -I could help YOU with that one. | 0:23:35 | 0:23:38 | |
And, Arthur Conan Doyle believed in the supernatural, | 0:23:38 | 0:23:42 | |
believed in life after death, and wanted to prove it scientifically. | 0:23:42 | 0:23:45 | |
So, they did meet in real life and clash. | 0:23:45 | 0:23:47 | |
And in fact, Arthur Conan Doyle was a huge fan of Houdini's magic shows. | 0:23:47 | 0:23:51 | |
He would go along and say to Houdini afterwards, | 0:23:51 | 0:23:53 | |
"What you did up there was magic." | 0:23:53 | 0:23:55 | |
And Houdini would say, "Well, no, it was a trick." | 0:23:55 | 0:23:58 | |
And Conan Doyle wouldn't have it. He said, "No, no, no, it's magic." | 0:23:58 | 0:24:01 | |
So, I don't know if he was crazy or what... | 0:24:01 | 0:24:04 | |
-LAUGHTER -But it is amazing to me | 0:24:04 | 0:24:06 | |
cos he created Sherlock, you know, one of the most rational, | 0:24:06 | 0:24:09 | |
clear-thinking, logical characters ever created, really. | 0:24:09 | 0:24:12 | |
But he also believed that there was something else going on. | 0:24:12 | 0:24:15 | |
And then, this show pits them together and they're solving crimes? | 0:24:15 | 0:24:19 | |
-Yeah. -Now, your wife is in it. -Yes. -Which is great - new baby, bills... | 0:24:19 | 0:24:23 | |
LAUGHTER | 0:24:23 | 0:24:25 | |
-But then weirdly plays your wife. -She plays my wife in the show, yeah. | 0:24:25 | 0:24:29 | |
It's really bizarre working with your actual wife. | 0:24:29 | 0:24:32 | |
And she's in a coma to begin with. So she's lying in bed, in a coma... | 0:24:32 | 0:24:37 | |
-She's very good, though. She's excellent. -She's very still. | 0:24:37 | 0:24:42 | |
And I'm standing at the end crying. | 0:24:42 | 0:24:44 | |
And it's just peculiar. And also, kissing and all that stuff. | 0:24:44 | 0:24:48 | |
It's great, it's good to see her. | 0:24:48 | 0:24:50 | |
LAUGHTER | 0:24:50 | 0:24:52 | |
We filmed it up in Manchester and Liverpool for months on end. | 0:24:52 | 0:24:56 | |
So, it was nice to catch up - between comas - on the family. | 0:24:56 | 0:24:59 | |
But also then, presumably, when you're making out, | 0:24:59 | 0:25:02 | |
-people are just going, "There's Stephen and his wife!" -I know! | 0:25:02 | 0:25:06 | |
Lots of hairy men standing around watching you. That's... | 0:25:06 | 0:25:09 | |
I imagine what dogging feels like. | 0:25:09 | 0:25:11 | |
LAUGHTER | 0:25:11 | 0:25:13 | |
APPLAUSE | 0:25:13 | 0:25:16 | |
-You know? -High-scale dogging. -You don't know what that is? | 0:25:16 | 0:25:19 | |
I learned what dogging is, when I was shooting the Huntsman here, | 0:25:19 | 0:25:22 | |
there was a show about dogging. Otherwise, I would have no idea | 0:25:22 | 0:25:26 | |
-what that is. -Yeah, it's... I don't know why I said that. | 0:25:26 | 0:25:29 | |
LAUGHTER | 0:25:29 | 0:25:30 | |
I'm in a lot of trouble when I get home. | 0:25:30 | 0:25:32 | |
No, because the Huntsman is filmed in woods, I thought | 0:25:32 | 0:25:34 | |
you were going to say, "And there was a dogging site right there." | 0:25:34 | 0:25:37 | |
One of our unit bases was in a well-known northern dogging | 0:25:39 | 0:25:42 | |
car park. And you could see that from the detritus left around. | 0:25:42 | 0:25:47 | |
GROANING Oooh! | 0:25:47 | 0:25:48 | |
And we were filming in night shoots, and every sort of 20 minutes, | 0:25:48 | 0:25:51 | |
a car would drive in and the person would stop | 0:25:51 | 0:25:54 | |
and look around and slowly reverse back. | 0:25:54 | 0:25:56 | |
It's very hard to explain. | 0:25:56 | 0:25:58 | |
-I won't even try. -I'm thinking I'll YouTube it later. | 0:25:58 | 0:26:02 | |
-LAUGHTER -Don't do it! | 0:26:02 | 0:26:05 | |
-Just kidding. I was kidding. -Some sort of firewall will explode. | 0:26:05 | 0:26:09 | |
The hotel Wi-Fi will just... | 0:26:09 | 0:26:13 | |
All right, let's have a look at a clip. | 0:26:13 | 0:26:15 | |
This is...YOU playing Arthur Conan Doyle in Houdini And Doyle. | 0:26:15 | 0:26:20 | |
Your wife has not passed. | 0:26:21 | 0:26:24 | |
No, she hasn't. | 0:26:24 | 0:26:25 | |
SINISTER MUSIC PLAYS | 0:26:25 | 0:26:28 | |
ECHOING WHISPERS | 0:26:33 | 0:26:35 | |
Don't grieve, Arthur, my love. | 0:26:37 | 0:26:41 | |
She is still with you. | 0:26:41 | 0:26:43 | |
-Thank you. -APPLAUSE | 0:26:53 | 0:26:56 | |
Folks, this lady is just trying to separate you from your cash. | 0:27:02 | 0:27:05 | |
CLATTERING, THEY YELL | 0:27:05 | 0:27:07 | |
ECHOING VOICES | 0:27:07 | 0:27:10 | |
GASPING | 0:27:13 | 0:27:15 | |
Whoo! | 0:27:20 | 0:27:21 | |
-APPLAUSE -Spooky! -Spooky, man. | 0:27:21 | 0:27:24 | |
I must admit, we weren't giving it our full attention. | 0:27:26 | 0:27:28 | |
But Chris now knows what dogging is. LAUGHTER | 0:27:28 | 0:27:32 | |
Now, very quickly, Episodes. It's coming back, | 0:27:33 | 0:27:36 | |
-but is this the last series? -It probably is, yeah. | 0:27:36 | 0:27:38 | |
We start filming in a couple of weeks. | 0:27:38 | 0:27:40 | |
I spent all day costume fitting. | 0:27:40 | 0:27:41 | |
They keep trying to get me in shorts. | 0:27:41 | 0:27:43 | |
I don't think Brits look good in shorts. | 0:27:43 | 0:27:45 | |
I look like a scoutmaster who should be on some sort of register. | 0:27:45 | 0:27:48 | |
Aussies are born with shorts on, aren't they? They can handle it. | 0:27:48 | 0:27:52 | |
We are. We just cut the legs off our pants. | 0:27:52 | 0:27:55 | |
The Brits, no... | 0:27:55 | 0:27:57 | |
-Episodes is made by Showtime in the States and BBC Two here. -Yeah. | 0:27:57 | 0:28:01 | |
-So, you can kind of say what you like. -Yes, we can. | 0:28:01 | 0:28:04 | |
But then, because it's shown on aeroplanes | 0:28:04 | 0:28:06 | |
and in other countries, do you have to reshoot it? | 0:28:06 | 0:28:09 | |
-Cos it's quite rude, some of it. -It's really rude. | 0:28:09 | 0:28:11 | |
And if you say fuck, then rather than | 0:28:11 | 0:28:15 | |
later on having "fudge" dubbed on, | 0:28:15 | 0:28:18 | |
we just do a sort of TV-safe version afterwards. | 0:28:18 | 0:28:22 | |
Which is often more hilarious than the real thing. | 0:28:22 | 0:28:24 | |
And we did a scene earlier on - we play two Hollywood writers. | 0:28:24 | 0:28:28 | |
And we did a scene about... We had the word "cock" in the script, | 0:28:28 | 0:28:33 | |
and you can't say "cock" on TV. What other words are there for cock? | 0:28:33 | 0:28:36 | |
Schlong, dick... So, we did this whole scene. | 0:28:36 | 0:28:38 | |
And then we had to do a TV-safe version of the same scene, | 0:28:38 | 0:28:41 | |
which is very hard when you can't say the word | 0:28:41 | 0:28:43 | |
that you're not allowed to say in the first place. | 0:28:43 | 0:28:46 | |
So, "You can't say 'wiener', can you, on American television?" | 0:28:46 | 0:28:48 | |
-It was that kind of... -But you can. -You can say wiener. | 0:28:48 | 0:28:51 | |
You had to say a word that you COULD say | 0:28:51 | 0:28:53 | |
-and pretend you couldn't say it. -That's ridiculous. | 0:28:53 | 0:28:56 | |
-Yeah, it is ridiculous. -Have you guys all done this? -Yeah. | 0:28:56 | 0:28:59 | |
For aeroplanes, just, later on, you're just adding something in... | 0:28:59 | 0:29:04 | |
into some weird... | 0:29:04 | 0:29:06 | |
Like, "Duck! Duck!" | 0:29:06 | 0:29:08 | |
Makes no sense at all! | 0:29:08 | 0:29:10 | |
Ah, fluff! | 0:29:10 | 0:29:12 | |
Things that just don't match the scene. | 0:29:12 | 0:29:15 | |
-Not at all. -You are a fluffing idiot! | 0:29:15 | 0:29:18 | |
-LAUGHTER -Yeah. -Fluff off! | 0:29:18 | 0:29:21 | |
-Have YOU done it? -I did it for Zero Dark Thirty. | 0:29:22 | 0:29:25 | |
There's a big line in the movie, I'm not going to say it | 0:29:25 | 0:29:27 | |
-cos it's probably not allowed, but... -Try it. | 0:29:27 | 0:29:31 | |
-I'm the -BLEEP -who found this. -Oh, you can't say that. -Exactly. | 0:29:31 | 0:29:34 | |
LAUGHTER | 0:29:34 | 0:29:35 | |
But what do you do? Like, so, we were trying to, "I'm the mother..." | 0:29:37 | 0:29:41 | |
..gangster who found this place. It doesn't make any sense. | 0:29:43 | 0:29:46 | |
-It becomes a comedy. -You're like, "I'm the mother duck." | 0:29:46 | 0:29:50 | |
-It has to be the same amount of syllables. -Yeah, no, that's hard. | 0:29:50 | 0:29:53 | |
And it has to kind of look like what your mouth is doing. | 0:29:53 | 0:29:56 | |
-It's very bizarre. -But also, you've got, in your arsenal, of course, | 0:29:56 | 0:30:00 | |
you have lots of German swear words. | 0:30:00 | 0:30:02 | |
-Me? -Yeah. -Well, my dad's from Germany. | 0:30:02 | 0:30:04 | |
-What? -That's my favourite thing. | 0:30:04 | 0:30:05 | |
I worked with Daniel Bruhl and he taught me the dirtiest German stuff. | 0:30:05 | 0:30:11 | |
-I just love it. -Well, then you know! | 0:30:11 | 0:30:14 | |
Yes, it's the best. | 0:30:14 | 0:30:15 | |
-It's the best language to swear in. -Yeah. | 0:30:15 | 0:30:18 | |
I've never seen a guest more keen on a subject. | 0:30:18 | 0:30:20 | |
-Yeah, Jessica! -I thought she liked dogging, but no! | 0:30:21 | 0:30:24 | |
German swearing, that's the one. | 0:30:24 | 0:30:26 | |
What's your favourite? | 0:30:26 | 0:30:27 | |
Arschloch is a good one. | 0:30:27 | 0:30:29 | |
-I like Schlampe. -Schlampe? | 0:30:29 | 0:30:31 | |
And you got to take your time. Schlampe, which means slut. | 0:30:31 | 0:30:34 | |
Oh. | 0:30:34 | 0:30:36 | |
But Hengst is stallion. | 0:30:36 | 0:30:38 | |
But my favourite is "Kommen sie hier." | 0:30:38 | 0:30:40 | |
Come here, yeah. | 0:30:40 | 0:30:42 | |
Tanze... Wait. | 0:30:42 | 0:30:44 | |
"Tanze eine kleine... tanze, tanze," | 0:30:44 | 0:30:48 | |
which means, "Dance, you little masturbators, dance, dance! | 0:30:48 | 0:30:52 | |
You're more of a German person than I am! | 0:30:52 | 0:30:55 | |
APPLAUSE | 0:30:55 | 0:30:57 | |
Listen, it is music time. | 0:30:58 | 0:31:00 | |
Now, you're in for a treat. | 0:31:00 | 0:31:01 | |
This man is a home-grown talent whose star is | 0:31:01 | 0:31:03 | |
definitely on the rise. | 0:31:03 | 0:31:05 | |
Here performing Stronger Than Ever from his hot debut album, | 0:31:05 | 0:31:09 | |
please welcome Raleigh Richie. | 0:31:09 | 0:31:11 | |
APPLAUSE | 0:31:11 | 0:31:13 | |
# Hate me when I'm gone I'll make it worth your while | 0:31:20 | 0:31:23 | |
# When I'm successful | 0:31:23 | 0:31:24 | |
# But when I'm here I need your kindness cos the climb | 0:31:28 | 0:31:30 | |
# Is always stressful | 0:31:30 | 0:31:32 | |
# Clumsily gas myself by thinking I'll be better off alone | 0:31:35 | 0:31:40 | |
# I leave my piece in pieces all around the decent people | 0:31:43 | 0:31:46 | |
# Back at home | 0:31:46 | 0:31:47 | |
# Cos I'm a big boy, an adult now or nearly | 0:31:50 | 0:31:54 | |
# If I pull the wool back from my eyes I can see clearly | 0:31:54 | 0:31:58 | |
# The world is at my feet and I am standing on the ceiling | 0:31:58 | 0:32:01 | |
# Whoa | 0:32:01 | 0:32:04 | |
# Whoa | 0:32:04 | 0:32:06 | |
# And I fall, fall, fall when it all comes down | 0:32:06 | 0:32:10 | |
# And I won't be crushed by the weight of this town | 0:32:10 | 0:32:14 | |
# I fall from the sky but I won't fall forever | 0:32:14 | 0:32:18 | |
# I fall but when I rise I'll be stronger than ever | 0:32:18 | 0:32:21 | |
# Official man, delusions grand | 0:32:23 | 0:32:25 | |
# And now I'm a free agent | 0:32:25 | 0:32:26 | |
# I'm here to make a stand for causes I don't understand | 0:32:30 | 0:32:33 | |
# And make a statement | 0:32:33 | 0:32:34 | |
# I fall short on knowledge | 0:32:38 | 0:32:40 | |
# I don't even watch the news | 0:32:40 | 0:32:43 | |
# Can't be arsed with college, it's nothing but a human zoo | 0:32:46 | 0:32:50 | |
# Cos I'm a big boy, an adult now or nearly | 0:32:53 | 0:32:57 | |
# If I pull the wool back from my eyes I can see clearly | 0:32:57 | 0:33:00 | |
# The world is at my feet and I am standing on the ceiling | 0:33:00 | 0:33:04 | |
# Whoa | 0:33:04 | 0:33:06 | |
# Whoa | 0:33:06 | 0:33:08 | |
# I fall, fall, fall, when it all comes down | 0:33:08 | 0:33:12 | |
# And I won't be crushed by the weight of this town | 0:33:12 | 0:33:16 | |
# I fall from the sky, but I won't fall forever | 0:33:16 | 0:33:20 | |
# I fall but when I rise I'll be stronger than ever | 0:33:20 | 0:33:25 | |
# I'm not defeated | 0:33:25 | 0:33:26 | |
# I believe that I can turn this ship around | 0:33:26 | 0:33:29 | |
# Destroy the status quo until I know I've found a common ground | 0:33:32 | 0:33:36 | |
# I'm not alone I'm just focused in my zone | 0:33:40 | 0:33:43 | |
# This is easy | 0:33:43 | 0:33:45 | |
# I'm fine, I just need time to turn this into home, I'm good | 0:33:48 | 0:33:52 | |
# Believe me | 0:33:52 | 0:33:54 | |
# Believe me when I say I'm going to be | 0:33:54 | 0:33:56 | |
# Big explosions crack through thunderous mountains | 0:33:56 | 0:33:58 | |
# Hearts exploding, minds, volcanoes pop and blow | 0:33:58 | 0:34:01 | |
# I'm not alone | 0:34:01 | 0:34:02 | |
# Who am I kidding? I'm sad, no ideas coming | 0:34:03 | 0:34:06 | |
# It's driving me mad and I'm fighting it | 0:34:06 | 0:34:08 | |
# It's turning me bad, I'm loaded, rage is taking me over | 0:34:08 | 0:34:10 | |
# I just want to be home with all my friends and family | 0:34:10 | 0:34:13 | |
# It's closing in on me, I need recovery, coming home | 0:34:13 | 0:34:16 | |
# I'm coming home, I need closure | 0:34:16 | 0:34:20 | |
# I need closure | 0:34:20 | 0:34:22 | |
# I need closure | 0:34:22 | 0:34:24 | |
# I fall, fall, fall, when it all comes down | 0:34:26 | 0:34:31 | |
# I won't be crushed by the weight of this town | 0:34:31 | 0:34:34 | |
# I fall from the sky, but I won't fall forever | 0:34:34 | 0:34:37 | |
# I fall but when I rise I'll be stronger than ever. # | 0:34:39 | 0:34:43 | |
-Thank you. -Well done! | 0:34:48 | 0:34:50 | |
Raleigh Ritchie, everybody! | 0:34:51 | 0:34:54 | |
How good was that? Come over, you! | 0:34:54 | 0:34:56 | |
Great job, seriously. Really, really great job. | 0:34:58 | 0:35:02 | |
Come and meet everybody. | 0:35:02 | 0:35:03 | |
Stephen, Kirsten, Jessica, Chris. | 0:35:03 | 0:35:06 | |
Nice to meet you. | 0:35:06 | 0:35:08 | |
Very good. | 0:35:09 | 0:35:10 | |
Have a seat, have a seat. | 0:35:10 | 0:35:12 | |
Congratulations on that. | 0:35:14 | 0:35:16 | |
That is on your new album, You're A Man Now, Boy. | 0:35:16 | 0:35:19 | |
Boy. | 0:35:19 | 0:35:21 | |
And the album's great. You must be so proud of this. | 0:35:21 | 0:35:24 | |
I'm very proud of it, yeah. It's been a long time in the making. | 0:35:24 | 0:35:28 | |
It's excellent, it's excellent. And if it doesn't depress you... | 0:35:28 | 0:35:31 | |
I mean, I'm the wrong person to praise this album, | 0:35:31 | 0:35:33 | |
-but it's really good. -Why? | 0:35:33 | 0:35:34 | |
Well, cos you don't want 53-year-old people liking your music. | 0:35:34 | 0:35:37 | |
-LAUGHTER -Yes, I do. | 0:35:37 | 0:35:38 | |
See, that's career suicide. | 0:35:38 | 0:35:40 | |
The label are going, "Contract, tear it up." | 0:35:40 | 0:35:43 | |
"Non-demographic, this is all going horribly wrong." | 0:35:43 | 0:35:45 | |
By the way, if people are... | 0:35:45 | 0:35:47 | |
Cos people might be, I hate to do this, | 0:35:47 | 0:35:49 | |
people might be looking at you thinking, | 0:35:49 | 0:35:51 | |
"I know that guy" - you don't live near him. | 0:35:51 | 0:35:53 | |
Well, maybe you do. | 0:35:55 | 0:35:57 | |
But, no, you've been in lots of things. | 0:35:57 | 0:35:58 | |
You're an actor as well as a musician. | 0:35:58 | 0:36:00 | |
I have. I worked with Stephen on Episodes. | 0:36:00 | 0:36:03 | |
Yeah, you were Kevin, weren't you? | 0:36:03 | 0:36:04 | |
-You remember the name? -Yeah. | 0:36:04 | 0:36:06 | |
-I -didn't even remember the name. | 0:36:06 | 0:36:08 | |
It's all that music. | 0:36:08 | 0:36:10 | |
LAUGHTER | 0:36:10 | 0:36:12 | |
I like your music too. | 0:36:13 | 0:36:15 | |
Thank you very much. | 0:36:15 | 0:36:16 | |
I'm old as well, so... | 0:36:16 | 0:36:18 | |
Barry Manilow called, he loves it. | 0:36:18 | 0:36:20 | |
Well, that's good! | 0:36:22 | 0:36:23 | |
Also, I should say the big thing is Game Of Thrones. | 0:36:24 | 0:36:27 | |
-Yeah. -Yes. -So, who do you play? | 0:36:27 | 0:36:29 | |
You know, yes. Jessica loves it. | 0:36:29 | 0:36:31 | |
I'm obsessed. | 0:36:31 | 0:36:32 | |
APPLAUSE AND CHEERING | 0:36:32 | 0:36:35 | |
Game Of Thrones, dogging and German cursing. | 0:36:35 | 0:36:38 | |
You play... Is it Grey Worm you play? | 0:36:40 | 0:36:43 | |
Yeah, this season, though, they're changing his name to Sarah. | 0:36:43 | 0:36:46 | |
LAUGHTER | 0:36:46 | 0:36:48 | |
Good, good. | 0:36:49 | 0:36:52 | |
But in the show, you don't HAVE a grey worm. | 0:36:53 | 0:36:56 | |
No, I think the worm is there, | 0:36:57 | 0:36:59 | |
-but the worm's feet are there... -Oh. | 0:36:59 | 0:37:02 | |
-The back wheels are gone. -Back wheels, back wheels. | 0:37:02 | 0:37:05 | |
Does the worm work without the wheels? | 0:37:05 | 0:37:07 | |
-I don't know. -What is going on? | 0:37:07 | 0:37:10 | |
LAUGHTER | 0:37:10 | 0:37:12 | |
I think it's all dick euphemisms. | 0:37:12 | 0:37:14 | |
-Remember what we were talking about? -Oh, yeah, right, yeah. | 0:37:15 | 0:37:18 | |
-It's a grey worm. -Ah. | 0:37:18 | 0:37:20 | |
-But you play a eunuch. -I do, yes. | 0:37:20 | 0:37:22 | |
You'd be surprised how many conversations I have | 0:37:22 | 0:37:24 | |
with people that end up becoming all about penis-related things. | 0:37:24 | 0:37:28 | |
-That's my life. -Yeah. | 0:37:29 | 0:37:31 | |
LAUGHTER | 0:37:31 | 0:37:33 | |
There's your beer. | 0:37:33 | 0:37:34 | |
Get that down you. | 0:37:36 | 0:37:37 | |
OK, Raleigh Ritchie, everybody. | 0:37:37 | 0:37:39 | |
CHEERING AND APPLAUSE | 0:37:39 | 0:37:41 | |
Now, before we go, just time for a visit to the very large red chair. | 0:37:46 | 0:37:50 | |
So, who's there? Who's there? | 0:37:50 | 0:37:52 | |
-Hi. -Hello! Who are you? -I'm Mia. | 0:37:52 | 0:37:55 | |
Mia, lovely. And where are you from? | 0:37:55 | 0:37:57 | |
-I'm from Leicester. -Leicester! | 0:37:57 | 0:37:59 | |
Top of the league. | 0:37:59 | 0:38:01 | |
LAUGHTER | 0:38:01 | 0:38:02 | |
Never has a town got less. | 0:38:02 | 0:38:04 | |
Are you at the show by yourself? | 0:38:07 | 0:38:09 | |
No, I'm with some friends who are from London. | 0:38:09 | 0:38:11 | |
Oh, so they couldn't even be bothered to cheer. | 0:38:11 | 0:38:14 | |
Your poor friend is in the red chair and you're just going, | 0:38:14 | 0:38:17 | |
"Sit on your hands." | 0:38:17 | 0:38:18 | |
"She wanted to do it, yeah." | 0:38:19 | 0:38:21 | |
"Are you cheering? I'm not cheering." | 0:38:21 | 0:38:24 | |
And do you live here now? | 0:38:24 | 0:38:26 | |
No, no. I'm on Easter holidays, so I'm just visiting. | 0:38:26 | 0:38:29 | |
Oh, what a lovely holiday destination you've chosen. | 0:38:29 | 0:38:31 | |
LAUGHTER | 0:38:31 | 0:38:34 | |
She's all for the Brexit. | 0:38:34 | 0:38:35 | |
OK, so, off you go with your story, Mia. | 0:38:35 | 0:38:38 | |
So, I was at a university reunion in Baslow, | 0:38:38 | 0:38:41 | |
which is up north somewhere, in a big country house. | 0:38:41 | 0:38:44 | |
We'd not seen each other in a while. | 0:38:44 | 0:38:46 | |
Sorry. | 0:38:46 | 0:38:48 | |
Just having drinks, went to the pub, got a bit lairy at the pub, | 0:38:48 | 0:38:52 | |
no-pants dance, teddy bear rolls, just standard on a night out. | 0:38:52 | 0:38:55 | |
We go back, have some more drinks. | 0:38:55 | 0:38:58 | |
And then me and my friend go to get some drinks in the utility room, | 0:38:58 | 0:39:02 | |
and it's winter, it's the winter just gone, so it's really cold. | 0:39:02 | 0:39:05 | |
The door shuts and there's no handle on the other side of the door, | 0:39:05 | 0:39:08 | |
so we're like, "Oh, this is the utility room, | 0:39:08 | 0:39:10 | |
"no drinks in here anyway." Banging on the door, banging on the door. | 0:39:10 | 0:39:13 | |
Half an hour, an hour, an hour-and-a-half. | 0:39:13 | 0:39:15 | |
They've all gone to bed. | 0:39:15 | 0:39:17 | |
We realise that we're stuck in this utility room, | 0:39:17 | 0:39:19 | |
it's about minus three degrees. | 0:39:19 | 0:39:21 | |
And there's a dog basket and some coats | 0:39:21 | 0:39:24 | |
and we watched a bit of Bear Grylls. | 0:39:24 | 0:39:26 | |
I think we're just going to | 0:39:26 | 0:39:28 | |
have to... | 0:39:28 | 0:39:29 | |
get in the dog basket with my friend's parent's coats | 0:39:29 | 0:39:32 | |
all around us, tried to make a bed | 0:39:32 | 0:39:34 | |
and realised that you have to take your clothes off | 0:39:34 | 0:39:37 | |
to stay really warm cos it was really, really cold, Graham. | 0:39:37 | 0:39:39 | |
-It really was. -LAUGHTER | 0:39:39 | 0:39:42 | |
No-one's coming, we're banging on the door. | 0:39:42 | 0:39:44 | |
We've got no phones, there's no toilet. | 0:39:44 | 0:39:46 | |
I really, really need a wee at this point, there's just a bowl, | 0:39:46 | 0:39:49 | |
with the dog basket, | 0:39:49 | 0:39:51 | |
you know, that happens. | 0:39:51 | 0:39:53 | |
Then one thing leads to another... | 0:39:53 | 0:39:55 | |
LAUGHTER | 0:39:55 | 0:39:56 | |
..in the dog basket and he gets injured, anyway... | 0:39:56 | 0:39:59 | |
LAUGHTER | 0:39:59 | 0:40:00 | |
OK, there are so many bits of this story missing. | 0:40:00 | 0:40:03 | |
So, you were having sex in a dog basket... | 0:40:03 | 0:40:06 | |
No! No, I'm not, I'm not! | 0:40:06 | 0:40:08 | |
I'm absolutely not! | 0:40:08 | 0:40:10 | |
"One thing led to another" - what else does that mean?! | 0:40:10 | 0:40:13 | |
I just needed to make that innuendo. | 0:40:13 | 0:40:15 | |
Anyway, he gets injured, there's a lot of blood everywhere. | 0:40:15 | 0:40:18 | |
LAUGHTER | 0:40:18 | 0:40:20 | |
So, the dog wanders in... | 0:40:20 | 0:40:21 | |
There's no dog. Pull the lever, Graham, pull the lever. | 0:40:21 | 0:40:24 | |
I'm going to pull the lever! APPLAUSE | 0:40:24 | 0:40:27 | |
Those friends... | 0:40:27 | 0:40:29 | |
"Pull the lever", I like that. | 0:40:31 | 0:40:34 | |
Those people over there - you are not her friends. | 0:40:34 | 0:40:38 | |
"Yeah, no, tell that story, tell it. It'll be good. | 0:40:38 | 0:40:42 | |
"The one where a guy bleeds in a dog basket | 0:40:42 | 0:40:44 | |
"while you're having sex with him." | 0:40:44 | 0:40:46 | |
Is that the first time someone's pulled the lever on themselves? | 0:40:46 | 0:40:49 | |
I think it's the first time we've had hari-kari in the red chair. | 0:40:49 | 0:40:53 | |
"Too much, I can't. I don't know where this story's going." | 0:40:53 | 0:40:56 | |
Shall we try another one? Try another one, OK, here we go. | 0:40:56 | 0:40:59 | |
I didn't want to hear the ending. | 0:40:59 | 0:41:01 | |
-Hello, sir. -Hi. -CHEERING | 0:41:01 | 0:41:03 | |
Now, see, now, they love you! They love you! | 0:41:03 | 0:41:05 | |
Where are you from? | 0:41:05 | 0:41:06 | |
I'm from Stanford In The Vale near Oxford. | 0:41:06 | 0:41:09 | |
Lovely, and what do you do, sir? | 0:41:09 | 0:41:10 | |
-I'm now retired. -From? | 0:41:10 | 0:41:13 | |
From IT. | 0:41:13 | 0:41:14 | |
Oh! | 0:41:14 | 0:41:16 | |
AUDIENCE WHOOPS AND GASPS | 0:41:16 | 0:41:17 | |
LAUGHTER | 0:41:17 | 0:41:20 | |
That's a good friend, they're good friends. | 0:41:21 | 0:41:24 | |
"IT?!" | 0:41:24 | 0:41:25 | |
"Wow!" | 0:41:27 | 0:41:29 | |
Off you go with your story, sir. | 0:41:29 | 0:41:32 | |
Right, well, um... | 0:41:32 | 0:41:34 | |
My wife and I decided to take our daughter and her fiance out | 0:41:34 | 0:41:37 | |
for a celebration engagement party, or dinner, | 0:41:37 | 0:41:42 | |
at a nice Thameside restaurant. | 0:41:42 | 0:41:46 | |
We arrived at the restaurant and we, a party of eight, | 0:41:46 | 0:41:49 | |
sat down and we started on the champagne for about | 0:41:49 | 0:41:51 | |
two or three bottles, | 0:41:51 | 0:41:53 | |
and then the waitress came over, introduced herself as Christina. | 0:41:53 | 0:41:57 | |
And she said that she was the waitress for the evening | 0:41:57 | 0:42:00 | |
and that it was her birthday. | 0:42:00 | 0:42:03 | |
So, when she disappeared to get the starters, | 0:42:03 | 0:42:05 | |
I arranged for the adjoining tables and our table | 0:42:05 | 0:42:10 | |
to give her resounding chorus of "Happy Birthday, Christina." | 0:42:10 | 0:42:14 | |
So, she returned and suddenly we all broke into song | 0:42:14 | 0:42:18 | |
and wished her happy birthday, and she was very red-faced | 0:42:18 | 0:42:22 | |
and embarrassed, and disappeared and went to get her manager, | 0:42:22 | 0:42:26 | |
who came back and he immediately discovered | 0:42:26 | 0:42:29 | |
what the problem was cos he explained that, well, | 0:42:29 | 0:42:32 | |
Christina was, well, she was from the EU | 0:42:32 | 0:42:36 | |
and that she was telling us that it was her first day. | 0:42:36 | 0:42:40 | |
LAUGHTER | 0:42:40 | 0:42:42 | |
APPLAUSE | 0:42:44 | 0:42:47 | |
That's a good story! | 0:42:47 | 0:42:48 | |
-He's reddening up the most. -Blushing too! | 0:42:48 | 0:42:50 | |
-He can walk! Walk! -Thank you. | 0:42:50 | 0:42:52 | |
Good story, it was a good story. | 0:42:52 | 0:42:54 | |
Well done, everyone. | 0:42:56 | 0:42:58 | |
If you'd like to join us on the show and have a go on the red chair, | 0:42:58 | 0:43:02 | |
you can contact us via our website at this very address. | 0:43:02 | 0:43:05 | |
Listen, before we go, we would just like to say | 0:43:05 | 0:43:07 | |
a special thank-you and goodnight to the man who inspired | 0:43:07 | 0:43:10 | |
our red chair, the great Ronnie Corbett, | 0:43:10 | 0:43:13 | |
who has died at the age of 85. | 0:43:13 | 0:43:14 | |
He was always one of our favourite guests here on the show. | 0:43:14 | 0:43:17 | |
APPLAUSE | 0:43:17 | 0:43:19 | |
And we just wanted to send our love and sympathy to Anne and the family. | 0:43:19 | 0:43:25 | |
All right, that is it for tonight. | 0:43:25 | 0:43:26 | |
So, please, say a huge thank-you to my guests, | 0:43:26 | 0:43:29 | |
Raleigh Ritchie... | 0:43:29 | 0:43:32 | |
Stephen Mangan... | 0:43:32 | 0:43:33 | |
CHEERING AND APPLAUSE | 0:43:33 | 0:43:35 | |
..Kirsten Dunst... | 0:43:35 | 0:43:36 | |
Jessica Chastain... | 0:43:37 | 0:43:39 | |
..and Mr Chris Hemsworth! | 0:43:40 | 0:43:42 | |
CHEERING AND APPLAUSE | 0:43:42 | 0:43:44 | |
Join me next week, with music from Meghan Trainor | 0:43:44 | 0:43:47 | |
and a packed sofa of acting talent. | 0:43:47 | 0:43:49 | |
We've got Eric Bana, Ricky Gervais, Ewan McGregor, | 0:43:49 | 0:43:52 | |
Kevin Costner and Dame Helen Mirren. | 0:43:52 | 0:43:54 | |
I'll see you then. Goodnight, everyone, goodbye! | 0:43:54 | 0:43:57 |