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On the show tonight, the stars of the remake of one of Hollywood's biggest comedies. | 0:00:02 | 0:00:05 | |
There's something strange in your neighbourhood. | 0:00:05 | 0:00:09 | |
Who you gonna call? | 0:00:09 | 0:00:10 | |
-Ghostbusters! -She did it! Let's start the show! | 0:00:10 | 0:00:14 | |
Oh! Oh! | 0:00:28 | 0:00:31 | |
Oh! Oh! Oh! | 0:00:31 | 0:00:35 | |
Thank you very much. | 0:00:35 | 0:00:36 | |
Thank you. Thank you... | 0:00:38 | 0:00:39 | |
Thank you very much. Thank you. | 0:00:39 | 0:00:43 | |
Welcome to the show. It's Friday night. Yes, it is. It's the weekend. | 0:00:43 | 0:00:47 | |
Now, are you all enjoying the football in France? | 0:00:47 | 0:00:49 | |
CHEERING | 0:00:49 | 0:00:51 | |
Mm, how best to sum it up? | 0:00:51 | 0:00:53 | |
Liberte, egalite... | 0:00:53 | 0:00:55 | |
brutalite. | 0:00:55 | 0:00:56 | |
Whoa, it's rough, innit? | 0:00:57 | 0:00:58 | |
I tell you, it's so nice that the English fans have adopted | 0:00:58 | 0:01:01 | |
the French culture of just drinking on the pavement. | 0:01:01 | 0:01:04 | |
Yeah. Ha-her! | 0:01:04 | 0:01:06 | |
After the violence of the England-Russia game, | 0:01:06 | 0:01:09 | |
police accused some Russian fans of smuggling flares into the ground. | 0:01:09 | 0:01:13 | |
One of them's trouble. Honestly, look at that! | 0:01:15 | 0:01:17 | |
Hey, we've got a great show for you tonight. | 0:01:17 | 0:01:19 | |
Later, we'll be joined by the stars of the new Ghostbusters movie. | 0:01:19 | 0:01:23 | |
Yes, we will. Yeah. CHEERING | 0:01:23 | 0:01:26 | |
They'll be here. | 0:01:26 | 0:01:27 | |
And we'll have music from French singer-songwriter | 0:01:27 | 0:01:30 | |
Christine and the Queens. | 0:01:30 | 0:01:33 | |
Oh! | 0:01:33 | 0:01:34 | |
Elle est super chouette! Mignonne! | 0:01:34 | 0:01:37 | |
Hey, but let's meet my first guest tonight. | 0:01:37 | 0:01:39 | |
This controversial Hollywood star found fame in Platoon, | 0:01:39 | 0:01:42 | |
Wall Street and in the hit sitcom Two And A Half Men. | 0:01:42 | 0:01:45 | |
He's here in Britain to talk about how | 0:01:45 | 0:01:46 | |
he went from the highest-paid TV actor in the world to | 0:01:46 | 0:01:49 | |
one of the most spectacular falls from grace in recent years. | 0:01:49 | 0:01:52 | |
Please welcome the one and only Charlie Sheen, everybody! | 0:01:52 | 0:01:55 | |
Here he is! CHEERING AND WHISTLING | 0:01:56 | 0:02:00 | |
Hello, sir. Very nice meeting you. Come in, sit down. | 0:02:00 | 0:02:04 | |
It's Charlie Sheen! | 0:02:04 | 0:02:05 | |
Thank you. | 0:02:05 | 0:02:07 | |
It's the actual Charlie Sheen. | 0:02:07 | 0:02:08 | |
CHEERING AND WHISTLING | 0:02:08 | 0:02:12 | |
GRAHAM LAUGHS | 0:02:12 | 0:02:13 | |
-We never thought we'd see the day. -Mm. -Now, Charlie Sheen... | 0:02:13 | 0:02:17 | |
-Sorry, likewise. -So, first of all, thank you very much for being here. | 0:02:17 | 0:02:21 | |
No, thanks for having me. | 0:02:21 | 0:02:23 | |
A lot of times, guests sit down, I say, "How are you?" | 0:02:23 | 0:02:25 | |
-And it's just chat. -Right. -But it's a real question. How are you? | 0:02:25 | 0:02:29 | |
I mean, are you in a good place now? Where is Charlie Sheen right now? | 0:02:29 | 0:02:32 | |
-I'm in a great place. -Oh, good. -Can't you tell? | 0:02:32 | 0:02:35 | |
LAUGHTER | 0:02:35 | 0:02:36 | |
-AMERICAN ACCENT: You're on my show! -Brilliant. | 0:02:36 | 0:02:39 | |
-But now, you're in town, you're doing a show? -I am, yes. | 0:02:39 | 0:02:41 | |
-You're doing An Evening With Charlie Sheen... -Yes, yes. -..at the Theatre Royal. | 0:02:41 | 0:02:45 | |
Which, back in the day, used to cost ME money. | 0:02:45 | 0:02:48 | |
-AUDIENCE MEMBER LAUGHS -Thank you. | 0:02:48 | 0:02:49 | |
LAUGHTER | 0:02:49 | 0:02:51 | |
An Evening With Charlie Sheen. | 0:02:51 | 0:02:53 | |
-That could go either way. -Yeah. -Really? -Wow. Chapter 11, anyone? | 0:02:53 | 0:02:57 | |
-Drury Lane theatre on Sunday night. -Yes. | 0:02:57 | 0:02:59 | |
So, when people go to Drury Lane, what's going to happen? | 0:02:59 | 0:03:02 | |
-What can they expect? -Um, it's with Piers... -Piers Morgan? -Yes. | 0:03:02 | 0:03:07 | |
So we're just going to talk about all things past, present and future. | 0:03:07 | 0:03:13 | |
-OK. -Cos that's not going to cover too much ground, right? | 0:03:13 | 0:03:17 | |
No, I'm excited to, you know... | 0:03:17 | 0:03:20 | |
First of all, thank you for all the fan mail | 0:03:20 | 0:03:22 | |
and all the interest that I get from the UK. | 0:03:22 | 0:03:24 | |
You guys are awesome. Thank you. | 0:03:24 | 0:03:26 | |
Thank you. | 0:03:26 | 0:03:27 | |
Um... | 0:03:29 | 0:03:31 | |
So, you know, I was invited to come and do this | 0:03:31 | 0:03:36 | |
and I thought, what better place to come and engage in some | 0:03:36 | 0:03:40 | |
face time and tell people exactly, you know, what's really going on? | 0:03:40 | 0:03:45 | |
And you're doing, I believe, maybe I'm wrong, | 0:03:45 | 0:03:47 | |
there's a Q&A with the audience, the audience are going to ask questions? | 0:03:47 | 0:03:50 | |
-It's going to be at the end. -OK, yeah. -Yeah, once they have all the facts. | 0:03:50 | 0:03:54 | |
Does that make you nervous, | 0:03:54 | 0:03:56 | |
like, just throwing it open to the audience? | 0:03:56 | 0:03:58 | |
That's the unpredictable moment of it all | 0:03:58 | 0:04:01 | |
but if somebody's off-colour, off-base, | 0:04:01 | 0:04:06 | |
and it's a question I don't really think is | 0:04:06 | 0:04:08 | |
appropriate for the moment or for the night, | 0:04:08 | 0:04:09 | |
then I just tell them, is that really a question that you | 0:04:09 | 0:04:12 | |
-would ask me in front of my parents at a dinner party, you know? -Wow. | 0:04:12 | 0:04:17 | |
Is that where we're going? | 0:04:17 | 0:04:19 | |
LAUGHTER | 0:04:19 | 0:04:21 | |
They usually say yes. Um... | 0:04:21 | 0:04:24 | |
No, but it's, um...you know, these days, I... | 0:04:24 | 0:04:28 | |
I feel like the worm has turned or is turning | 0:04:28 | 0:04:30 | |
and it's been nothing but love and support and compassion and... | 0:04:30 | 0:04:34 | |
people reaching out to just, you know, wish me good tidings | 0:04:34 | 0:04:38 | |
and all that, you know. | 0:04:38 | 0:04:40 | |
Well, no, I... Genuinely, the applause is... | 0:04:40 | 0:04:42 | |
-People, I think, are happy to see you doing better and to see you in a better place. -Is that true? | 0:04:42 | 0:04:47 | |
CHEERING AND APPLAUSE | 0:04:47 | 0:04:49 | |
Thank you. You're very kind. | 0:04:50 | 0:04:52 | |
Now, I have to say, | 0:04:52 | 0:04:54 | |
slightly surprised that Piers Morgan's doing it, | 0:04:54 | 0:04:56 | |
cos he, I don't know if you know this, he's a big Donald Trump supporter. | 0:04:56 | 0:04:59 | |
-And I know you're not a fan. -I'm really not. I'm really not, no. | 0:04:59 | 0:05:04 | |
I am... I am reminded of a time, about five years ago, | 0:05:04 | 0:05:08 | |
I was at a dinner with my ex-wife Brooke and her family and this and that, | 0:05:08 | 0:05:12 | |
and about halfway through, I... | 0:05:12 | 0:05:15 | |
I noticed, um...Donald staring at my watch. | 0:05:15 | 0:05:19 | |
And so he started saying, you know, | 0:05:20 | 0:05:22 | |
"Listen, I'm sorry that I wasn't invited to your wedding," this and that, | 0:05:22 | 0:05:25 | |
or, "I'm sorry I can't make your wedding." | 0:05:25 | 0:05:27 | |
-And I was like, "I didn't invite you." -LAUGHTER | 0:05:27 | 0:05:29 | |
So, he says, "But, you know, I want to give you an early wedding | 0:05:29 | 0:05:32 | |
"gift as a gesture from me and Melania." | 0:05:32 | 0:05:35 | |
And she doesn't say a word. | 0:05:35 | 0:05:36 | |
She's very sweet and very pretty, but just kind of sits there. | 0:05:36 | 0:05:39 | |
-You know? -Yeah. -Anyhoo, so... | 0:05:39 | 0:05:42 | |
So, he says, "These are...these are platinum diamond Harry Winston," | 0:05:42 | 0:05:46 | |
and he pulls off his cufflinks... | 0:05:46 | 0:05:48 | |
And he gives them to me. | 0:05:48 | 0:05:50 | |
And so, I'm like, "Oh, gosh, Mr Trump. You really shouldn't do this." | 0:05:50 | 0:05:53 | |
He goes, "No, no, it's the least I can do," and, you know, "Have a great marriage," and all that. | 0:05:53 | 0:05:58 | |
-Little did he know... -LAUGHTER | 0:05:58 | 0:06:00 | |
So... | 0:06:01 | 0:06:02 | |
So, smash cut to about six months later, | 0:06:02 | 0:06:05 | |
I had some jewellery getting appraised at the house, you know? | 0:06:05 | 0:06:09 | |
And she finished and was leaving. | 0:06:09 | 0:06:12 | |
And I said, "Oh, yeah, you know, there's another couple of pieces | 0:06:12 | 0:06:15 | |
"that I have that I'm very curious about. | 0:06:15 | 0:06:18 | |
"Would you mind appraising these?" | 0:06:18 | 0:06:19 | |
She said, "No, what are they?" | 0:06:19 | 0:06:21 | |
I said, you know, I explained the dinner and this and that and these were from Donald Trump. | 0:06:21 | 0:06:25 | |
Harry Winston, you know, flawless Ds. Platinum. | 0:06:25 | 0:06:28 | |
She took the loop, spent about four seconds and, kind of, | 0:06:28 | 0:06:32 | |
recoiled from it, much like people do from Trump and... | 0:06:32 | 0:06:35 | |
LAUGHTER | 0:06:35 | 0:06:36 | |
And so... | 0:06:36 | 0:06:37 | |
So, she says, "In their finest moment, this is cheap pewter | 0:06:37 | 0:06:43 | |
"and bad zirconias." | 0:06:43 | 0:06:45 | |
And they're stamped "Trump." | 0:06:47 | 0:06:48 | |
And I just thought... | 0:06:48 | 0:06:50 | |
I just thought, "What does this really say about the man?" You know, | 0:06:50 | 0:06:54 | |
that he said, "Here's, like, a great wedding gift," and it's just... | 0:06:54 | 0:06:58 | |
It's just a bag of dog shit, you know? | 0:06:58 | 0:07:00 | |
LAUGHTER | 0:07:00 | 0:07:01 | |
Now, is it...is that the laughter I can hear coming from across the pond | 0:07:01 | 0:07:06 | |
at our country about this charlatan? | 0:07:06 | 0:07:09 | |
It's quite... Listen, it's scary times all over the place. | 0:07:10 | 0:07:13 | |
-It really is. -But you're having very scary times. | 0:07:13 | 0:07:16 | |
But I have faith that good and decent people will make the right choice | 0:07:16 | 0:07:20 | |
and the circus will leave town before it contaminates the Oval Office. | 0:07:20 | 0:07:25 | |
CHEERING AND APPLAUSE | 0:07:25 | 0:07:28 | |
-All right. Let's go back to... -Table's too far. -It is too far. | 0:07:32 | 0:07:35 | |
-I'm so sorry. It's to stop you drinking. -Thank you. | 0:07:35 | 0:07:38 | |
LAUGHTER | 0:07:38 | 0:07:40 | |
-Damn it! Damn it. -So, 2011, 2011's when it all went down. -Yes. | 0:07:40 | 0:07:44 | |
And Two And A Half Men ended and dragon's blood, the notorious tour. | 0:07:44 | 0:07:50 | |
-Tiger's blood. -Tiger's blood, not dragon's blood. | 0:07:50 | 0:07:53 | |
Haven't made it to dragon yet. | 0:07:53 | 0:07:54 | |
-That's in Lord Of The Rings, I think. -Yes. | 0:07:54 | 0:07:57 | |
CHARLIE LAUGHS | 0:07:57 | 0:07:58 | |
And when you look back or think back, do you recognise that man? | 0:07:58 | 0:08:03 | |
Do you know what was going on in Charlie Sheen's head back then? | 0:08:03 | 0:08:06 | |
I recognise him by name, not by character. | 0:08:06 | 0:08:12 | |
It's a... It's very, um... | 0:08:12 | 0:08:15 | |
You know what the shame shivers are? | 0:08:15 | 0:08:18 | |
-Sort of. -Yeah. -I can imagine what they are, yes. | 0:08:18 | 0:08:20 | |
Yeah, we all can get a sense of what, you know, like, the night before, you're driving home | 0:08:20 | 0:08:24 | |
and like, "Oh, my God, I did that?" | 0:08:24 | 0:08:26 | |
Yeah, they're shame shivers watching, um... | 0:08:26 | 0:08:30 | |
whatever incarnation of who I thought I was in those moments. | 0:08:30 | 0:08:33 | |
I just think I got so tired of saying somebody else's words | 0:08:33 | 0:08:39 | |
and being told how to say them that I decided, in perhaps | 0:08:39 | 0:08:43 | |
inappropriate or radically inappropriate moments, | 0:08:43 | 0:08:47 | |
like the ABC interview, this and that, to write my own script. | 0:08:47 | 0:08:51 | |
-You know? -Yeah. | 0:08:52 | 0:08:53 | |
And then things caught fire and the world stood up to notice | 0:08:53 | 0:08:56 | |
and I was just, sort of, along for the ride, you know? | 0:08:56 | 0:08:59 | |
Because it became a global story. | 0:08:59 | 0:09:01 | |
It went... Yeah. It went supernova. | 0:09:01 | 0:09:04 | |
-Yeah, it really... -Yeah. | 0:09:04 | 0:09:06 | |
When... | 0:09:06 | 0:09:07 | |
-Again, looking back, when you were diagnosed as HIV-positive... -Right. | 0:09:07 | 0:09:11 | |
..was that... | 0:09:11 | 0:09:12 | |
was that the thing that pushed you over the edge or was that just part of it? | 0:09:12 | 0:09:15 | |
-No, that was much later. -OK. | 0:09:15 | 0:09:18 | |
So, it was like from one winning moment to the next. | 0:09:18 | 0:09:20 | |
LAUGHTER | 0:09:20 | 0:09:22 | |
No, people think that the tiger blood thing was me, | 0:09:22 | 0:09:25 | |
-sort of, you know, issuing a hint or something... -Yeah. | 0:09:25 | 0:09:28 | |
..or some measure of I don't know what, | 0:09:28 | 0:09:31 | |
but, no, that was just what I call a... | 0:09:31 | 0:09:36 | |
-a triple C, a cosmic collision course. -Yeah. -You know? | 0:09:36 | 0:09:41 | |
So, that really had nothing to do with it, | 0:09:41 | 0:09:43 | |
but there was something radically liberating | 0:09:43 | 0:09:46 | |
and something very freeing about being able to come out, | 0:09:46 | 0:09:52 | |
you know, to say, "Look, here's what I've been dealing with." | 0:09:52 | 0:09:55 | |
Yeah, cos from the outside, from the outside looking in, that did seem like a pivotal moment, | 0:09:55 | 0:09:59 | |
-that your life was going to change. -Right, and then outside, | 0:09:59 | 0:10:01 | |
if you don't mind my mentioning, you said that when they came back to me... | 0:10:01 | 0:10:05 | |
Oh...just to explain... | 0:10:05 | 0:10:06 | |
-Yeah, go ahead. -So, if you... You could watch this on YouTube. | 0:10:06 | 0:10:09 | |
-Charlie did an interview with Matt Lauer... -Yes. | 0:10:10 | 0:10:12 | |
-..in the States, where he came forward and said that you were HIV-positive. -Sure. | 0:10:12 | 0:10:16 | |
And I was just saying, there's an amazing moment where it cut back to you, | 0:10:16 | 0:10:20 | |
and you rarely see this moment of someone who's... | 0:10:20 | 0:10:24 | |
-The weight is gone. -Right. | 0:10:24 | 0:10:25 | |
You've told your secret and the world didn't end. | 0:10:25 | 0:10:28 | |
Ethereally, that was true internally and how I felt emotionally, | 0:10:28 | 0:10:32 | |
but what I did before we went to the commercial break, | 0:10:32 | 0:10:35 | |
I caught a glimpse of myself on the monitor and I was really dark, | 0:10:35 | 0:10:39 | |
and so during the break I told Gabe to come back out, | 0:10:39 | 0:10:42 | |
my make-up artist, and make my eyes a little lighter. | 0:10:42 | 0:10:45 | |
LAUGHTER | 0:10:45 | 0:10:46 | |
-You've ruined the moment! -I'm so sorry! | 0:10:46 | 0:10:48 | |
APPLAUSE | 0:10:48 | 0:10:50 | |
GRAHAM LAUGHS | 0:10:51 | 0:10:53 | |
So, when you cut back to me, | 0:10:54 | 0:10:56 | |
I'm, like, totally lighter, younger and relieved, you know? | 0:10:56 | 0:10:58 | |
Worries of the world are gone, it was a make-up trick. | 0:10:58 | 0:11:01 | |
-And that's terrible! -There's two strokes from a genius. -This is... | 0:11:01 | 0:11:04 | |
-I talk about that moment, I talk about that moment. -Yeah. | 0:11:04 | 0:11:07 | |
It's a trip, it's a trip. | 0:11:07 | 0:11:09 | |
-No, but... -GRAHAM LAUGHS | 0:11:09 | 0:11:11 | |
I feel so duped. Thank you, good night. | 0:11:11 | 0:11:13 | |
LAUGHTER | 0:11:13 | 0:11:15 | |
Happy to help. | 0:11:15 | 0:11:16 | |
And... | 0:11:17 | 0:11:18 | |
Just to wrap up, where are you now? | 0:11:18 | 0:11:19 | |
Are you on a big health kick now? | 0:11:19 | 0:11:21 | |
Are you totally clean or do you still have a drink? | 0:11:21 | 0:11:24 | |
Yeah, I don't do drugs. | 0:11:24 | 0:11:26 | |
They don't... They just stopped working. Um... | 0:11:26 | 0:11:28 | |
LAUGHTER | 0:11:28 | 0:11:30 | |
-No, but... -APPLAUSE | 0:11:30 | 0:11:32 | |
-They were not your friends. -No, they were not. -They were not your friends. | 0:11:32 | 0:11:36 | |
But, um... | 0:11:36 | 0:11:37 | |
I...don't drink. I sip. | 0:11:37 | 0:11:40 | |
-Yeah. -Because I think that people that claim to be drinkers, | 0:11:40 | 0:11:43 | |
you know, like, "No, dude, you're a sipper. Come on. | 0:11:43 | 0:11:46 | |
"Get over your cheap self." | 0:11:46 | 0:11:47 | |
But it's not... | 0:11:47 | 0:11:49 | |
It's not for the reasons that it used to be about, you know? | 0:11:49 | 0:11:54 | |
And since it went so crazy, five years ago, you have become | 0:11:54 | 0:11:59 | |
this sort of polarising character. | 0:11:59 | 0:12:01 | |
-And you must encounter this, too... -Sure. | 0:12:01 | 0:12:03 | |
..where there is, you know, some... not ill will, | 0:12:03 | 0:12:06 | |
but people, you know, are kind of like, "Whoa, that's Charlie Sheen. I don't want to get involved." | 0:12:06 | 0:12:10 | |
Even on this show, on Twitter and Facebook and things, people were like, you know, | 0:12:10 | 0:12:13 | |
-"You shouldn't have that man on the show..." -Interesting. -"..because of his past, | 0:12:13 | 0:12:17 | |
-"his reputation with women and drugs and things like that." -Can I get those names? -You can, yeah. | 0:12:17 | 0:12:20 | |
LAUGHTER | 0:12:20 | 0:12:21 | |
But I just wonder, | 0:12:21 | 0:12:23 | |
now are you, you know, just putting one foot in front of the other | 0:12:23 | 0:12:26 | |
and getting through this, or is there a sense that you're trying | 0:12:26 | 0:12:30 | |
to redeem yourself or reinvent yourself? | 0:12:30 | 0:12:32 | |
Um... Thank you. Yeah, no, | 0:12:32 | 0:12:34 | |
I understand that laughter heals | 0:12:34 | 0:12:38 | |
and, you know, what I do professionally | 0:12:38 | 0:12:41 | |
takes people away from things they don't want to think about | 0:12:41 | 0:12:44 | |
or be engaged in, but now I genuinely feel like | 0:12:44 | 0:12:47 | |
I'm part of something really important, you know? | 0:12:47 | 0:12:51 | |
And it was not my intention to become, you know, | 0:12:51 | 0:12:54 | |
the face of HIV and Aids, | 0:12:54 | 0:12:57 | |
but there's been nobody else, | 0:12:57 | 0:12:59 | |
and what was really cool is that it brought the dialogue | 0:12:59 | 0:13:03 | |
-and the awareness out of the shadows. -Yeah. | 0:13:03 | 0:13:06 | |
And now there's a lot of people that come up to me in the street | 0:13:06 | 0:13:09 | |
or that call me and say, "Thank you for helping my brother, | 0:13:09 | 0:13:12 | |
"my father, my sister, my aunt," because now they feel comfortable... | 0:13:12 | 0:13:15 | |
-They can talk about it. -..to have that dialogue, yeah. | 0:13:15 | 0:13:17 | |
Charlie, I've really enjoyed talking to you. It's been very nice. | 0:13:17 | 0:13:20 | |
An Evening With Charlie Sheen is on Sunday night at the Drury Lane theatre. | 0:13:20 | 0:13:23 | |
-Thank you so much for coming and sharing your stories. -You're amazing. -Charlie Sheen, everybody! | 0:13:23 | 0:13:28 | |
-Thank you so much. -Thank you. | 0:13:28 | 0:13:29 | |
CHEERING AND APPLAUSE | 0:13:29 | 0:13:31 | |
Right! | 0:13:35 | 0:13:37 | |
My next guests tonight are four of the funniest women in America. | 0:13:37 | 0:13:40 | |
Together they're rebooting one of Hollywood's favourite comedies, Ghostbusters. | 0:13:40 | 0:13:43 | |
Here's a taste of them in action. | 0:13:43 | 0:13:45 | |
-Uh, Ghostbusters. -Ugh, Conductors of the Metaphysical! | 0:13:45 | 0:13:48 | |
OK, cool, see ya. | 0:13:48 | 0:13:50 | |
Hey, guys, which one of these makes me look more like a doctor? | 0:13:50 | 0:13:53 | |
-BOTH: -Who was on the phone?! | 0:13:53 | 0:13:55 | |
The Sterlingbrook Theater. | 0:13:55 | 0:13:56 | |
There's a goat on the loose. | 0:13:56 | 0:13:58 | |
I'm going to load up the car. | 0:13:59 | 0:14:01 | |
OK. OK, OK! | 0:14:01 | 0:14:03 | |
# If there's something strange... # | 0:14:03 | 0:14:04 | |
Look at this beauty! | 0:14:04 | 0:14:06 | |
-What did you do to my uncle's hearse?! -I fixed it. | 0:14:06 | 0:14:09 | |
Man, this is so inappropriate for this vehicle! | 0:14:09 | 0:14:11 | |
Whoo! | 0:14:13 | 0:14:14 | |
# I'm not afraid, not afraid | 0:14:17 | 0:14:19 | |
# Ooh, I'm not afraid | 0:14:19 | 0:14:21 | |
-# I turn my lights out -Whoo | 0:14:21 | 0:14:23 | |
# Got me scared, whoo | 0:14:23 | 0:14:24 | |
# And I leave my bed I see shadows all over my walls | 0:14:24 | 0:14:27 | |
# Man, these monsters be big and tall | 0:14:27 | 0:14:28 | |
# Ghostbusters, who you gonna call? # | 0:14:28 | 0:14:30 | |
-Let's go. -Let's go! -Oh. -Oh. -Did you wanna...? | 0:14:30 | 0:14:32 | |
-I'm sorry, I'll let you. -Next time. | 0:14:32 | 0:14:34 | |
CHEERING AND APPLAUSE | 0:14:34 | 0:14:36 | |
Please welcome Kate McKinnon! | 0:14:36 | 0:14:38 | |
CHEERING AND APPLAUSE | 0:14:38 | 0:14:40 | |
Kate McKinnon! Hello, my darling. | 0:14:40 | 0:14:42 | |
Nice to see you. | 0:14:42 | 0:14:44 | |
Leslie Jones, everybody. | 0:14:44 | 0:14:46 | |
CHEERING AND APPLAUSE | 0:14:46 | 0:14:47 | |
Hello, Leslie Jones! | 0:14:47 | 0:14:49 | |
Hi. Oh, sit down, do. | 0:14:49 | 0:14:50 | |
Kristen Wiig! | 0:14:50 | 0:14:52 | |
CHEERING AND APPLAUSE | 0:14:52 | 0:14:53 | |
Yay! Hello, lovely lady! | 0:14:53 | 0:14:55 | |
Hi, nice to see you. | 0:14:55 | 0:14:57 | |
And Melissa McCarthy! | 0:14:57 | 0:14:58 | |
CHEERING AND APPLAUSE | 0:14:58 | 0:15:00 | |
Wow. Showbiz, look at you! | 0:15:00 | 0:15:02 | |
Sit down, sit down. | 0:15:04 | 0:15:06 | |
-Oh. -I had to be the non-lady. | 0:15:07 | 0:15:09 | |
I like the way our invisible waitress has arrived very quickly. | 0:15:09 | 0:15:13 | |
It's like lady, lady, lady, fella. | 0:15:13 | 0:15:16 | |
LAUGHTER | 0:15:16 | 0:15:18 | |
I'm taking that pineapple to go. | 0:15:18 | 0:15:20 | |
-Oh, how are you all? -Great! -Great, really. | 0:15:20 | 0:15:24 | |
-It's all happening, guys. -This is so pretty and bright and festive! | 0:15:24 | 0:15:27 | |
-Yeah, it's like a television studio! -Yeah. | 0:15:27 | 0:15:29 | |
LAUGHTER | 0:15:29 | 0:15:30 | |
Kinda. Kind of. | 0:15:30 | 0:15:32 | |
Now, congratulations on the movie. | 0:15:32 | 0:15:34 | |
Thank you! | 0:15:34 | 0:15:35 | |
You look like you're having fun in the movie, | 0:15:35 | 0:15:37 | |
so is this bit fun, too? | 0:15:37 | 0:15:39 | |
I mean, not THIS bit, let's not push it, | 0:15:39 | 0:15:41 | |
but the travelling the world, | 0:15:41 | 0:15:43 | |
the promoting it everywhere - is this still fun, | 0:15:43 | 0:15:46 | |
or is this kind of like, "ugh"? | 0:15:46 | 0:15:47 | |
-I like it. -When we get to do it together, yeah. | 0:15:47 | 0:15:49 | |
Yeah, when we do it together it's fun. | 0:15:49 | 0:15:51 | |
Yes, I love it. | 0:15:51 | 0:15:53 | |
LAUGHTER | 0:15:53 | 0:15:54 | |
I love it! | 0:15:54 | 0:15:56 | |
No, really quiet down the end there! I was like, whoa. | 0:15:56 | 0:15:58 | |
This is so fun. | 0:15:58 | 0:15:59 | |
And this is funny because I ordered a white-wine spritzer, | 0:15:59 | 0:16:02 | |
and this is just straight white wine. So we'll see. | 0:16:02 | 0:16:05 | |
We'll give you the soda later. | 0:16:05 | 0:16:07 | |
And then you can jump up and down. | 0:16:07 | 0:16:09 | |
-This could really take a turn. -Good, I hope it does! | 0:16:09 | 0:16:12 | |
LAUGHTER | 0:16:12 | 0:16:14 | |
So obviously, all friends now, but, Kristen and Melissa, | 0:16:14 | 0:16:18 | |
we knew that you knew each other, | 0:16:18 | 0:16:19 | |
-cos of course, Bridesmaids, famously. -Even before then. -Yeah. | 0:16:19 | 0:16:23 | |
CHEERING AND APPLAUSE | 0:16:23 | 0:16:25 | |
We go way back to the Groundlings Theater. | 0:16:27 | 0:16:29 | |
Like, Kristen was at my wedding. | 0:16:29 | 0:16:31 | |
-Yeah, we go way, way back. -Yeah, years and years before Bridesmaids. -One hundred years! | 0:16:31 | 0:16:35 | |
"In the land before Bridesmaids..." | 0:16:35 | 0:16:38 | |
LAUGHTER | 0:16:38 | 0:16:39 | |
So on Bridesmaids - you did do a lot of proper bonding on Bridesmaids. | 0:16:39 | 0:16:44 | |
Didn't you have, like, party nights and stuff? | 0:16:44 | 0:16:46 | |
-We did a pre... -There was a pre. | 0:16:46 | 0:16:49 | |
My co-writer Annie and I had the idea to get all the girls together, | 0:16:49 | 0:16:53 | |
plus the script supervisor, wardrobe, just all the women on the film, to bond. | 0:16:53 | 0:16:56 | |
-There were 40, I would say. -There were a lot of people. | 0:16:56 | 0:16:58 | |
-40 women? -Yeah. -It was pitched to me as research, | 0:16:58 | 0:17:02 | |
because initially there was a scene | 0:17:02 | 0:17:04 | |
-where we went to a gentlemen's entertainment parlour. -Yeah. | 0:17:04 | 0:17:09 | |
LAUGHTER | 0:17:09 | 0:17:10 | |
-Or a strip club. -A strip club. -A guys' strip club. | 0:17:10 | 0:17:12 | |
-Oh, a guys' strip club? -Yeah. -OK. | 0:17:12 | 0:17:15 | |
So we got a party bus with a lot of alcohol. | 0:17:15 | 0:17:18 | |
We had, like, a lot of booze. | 0:17:18 | 0:17:20 | |
Weird poles, which I was like, is that to hang on or dance? | 0:17:20 | 0:17:23 | |
-Did it have the disco lights in the bus? -Oh, yeah. -Oh, fabulous! | 0:17:23 | 0:17:25 | |
And then we went to a strip club. | 0:17:25 | 0:17:28 | |
-Um, and we watched the show. -They did vignettes. | 0:17:28 | 0:17:32 | |
-They did vignettes. It was not... -There was like, Backdraft! | 0:17:32 | 0:17:35 | |
Like, they would all come out in firemen's stuff. | 0:17:35 | 0:17:38 | |
And then it was like... | 0:17:38 | 0:17:40 | |
Everything had the same theme, and everything involved... | 0:17:40 | 0:17:42 | |
It seemed like every number had a duster. | 0:17:42 | 0:17:45 | |
Everything had a long trench coat to the floor. | 0:17:45 | 0:17:47 | |
-A lot of equipment. -But they did do... | 0:17:47 | 0:17:49 | |
-Do you remember The Matrix? -The Matrix one, yeah. | 0:17:49 | 0:17:52 | |
Somebody was playing Neo. | 0:17:52 | 0:17:54 | |
Wonderfully. | 0:17:54 | 0:17:55 | |
LAUGHTER | 0:17:55 | 0:17:56 | |
There was a lot of long trenches and guys in suits, | 0:17:56 | 0:17:59 | |
and everybody had these very cheap glasses on. | 0:17:59 | 0:18:01 | |
But I couldn't figure out - | 0:18:01 | 0:18:03 | |
one guy had a huge, huge thick rope around his waist, | 0:18:03 | 0:18:06 | |
and I was like, "I have not seen the Matrix in a while." | 0:18:06 | 0:18:10 | |
-I couldn't figure out... Do you remember? -Yes. | 0:18:10 | 0:18:12 | |
We were all like, "What's the rope about?! I don't remember a rope in The Matrix." | 0:18:12 | 0:18:16 | |
And they're, like, doing this synchronised dancing | 0:18:16 | 0:18:18 | |
and all the clothes are coming off. And we're like, "Put it on!" | 0:18:18 | 0:18:22 | |
And it went on and on. I'm still like, "I don't get what the rope is about." | 0:18:22 | 0:18:25 | |
And then the big move comes where, you know, the bullets come | 0:18:25 | 0:18:28 | |
and he does the back bend. | 0:18:28 | 0:18:30 | |
Clearly, this professional dancer could not do a back bend, | 0:18:30 | 0:18:33 | |
so the big move was like... | 0:18:33 | 0:18:35 | |
All of a sudden it's like, "Whoa!" | 0:18:35 | 0:18:37 | |
And somebody off stage is clearly holding the rope. | 0:18:37 | 0:18:40 | |
LAUGHTER | 0:18:40 | 0:18:42 | |
APPLAUSE | 0:18:42 | 0:18:43 | |
And a huge... Not like a thin string, | 0:18:43 | 0:18:46 | |
a huge rope held this guy up as he was like, | 0:18:46 | 0:18:49 | |
"Gaaaah!" | 0:18:49 | 0:18:50 | |
LAUGHTER | 0:18:50 | 0:18:52 | |
-That was... -Yes. | 0:18:52 | 0:18:53 | |
That was a standout moment. | 0:18:53 | 0:18:55 | |
-Lot of themes. Lot of themes. -A lot of themes. -That's hilarious. | 0:18:55 | 0:18:58 | |
And Saturday Night Live also was a big bonding thing. | 0:18:58 | 0:19:01 | |
Now, Kristen, did you know Leslie and K-K... | 0:19:01 | 0:19:04 | |
HE STAMMERS: K-K-Kate? | 0:19:04 | 0:19:06 | |
-THEY IMITATE HIM: -K-K-Ka-Ka? -K-K-Ka. Ka, Ka! | 0:19:06 | 0:19:08 | |
We met... | 0:19:08 | 0:19:10 | |
-I think we met when I hosted... -Masterminds. | 0:19:10 | 0:19:12 | |
Oh, no, we did a movie together. | 0:19:12 | 0:19:14 | |
-Then we worked together after that. -After that. OK, yeah. | 0:19:14 | 0:19:17 | |
But now, you guys are still in Saturday Night Live. | 0:19:17 | 0:19:19 | |
Most people, I'm sure, know, | 0:19:19 | 0:19:21 | |
but it's a big comedy sketch show in America. | 0:19:21 | 0:19:24 | |
You've worked together for how many years now? | 0:19:24 | 0:19:26 | |
-It's been two. After one... -LESLIE LAUGHS | 0:19:26 | 0:19:29 | |
Right? It's been three? | 0:19:29 | 0:19:31 | |
-Maybe three. I don't know. -It's been three. | 0:19:31 | 0:19:33 | |
And for the first year, Leslie - my name is Kate McKinnon, and she... | 0:19:33 | 0:19:37 | |
LAUGHTER | 0:19:37 | 0:19:39 | |
I know that, but she came up to me and she said, | 0:19:39 | 0:19:42 | |
after a year of knowing me... | 0:19:42 | 0:19:44 | |
.."You all right, Kate Middleton?" | 0:19:46 | 0:19:48 | |
LAUGHTER | 0:19:48 | 0:19:50 | |
And were you joking? | 0:19:55 | 0:19:57 | |
No, I was not. | 0:19:57 | 0:19:59 | |
LAUGHTER | 0:19:59 | 0:20:00 | |
And I was like, "Who's Middleton, then?" | 0:20:00 | 0:20:03 | |
She was like, "A princess, bitch!" | 0:20:03 | 0:20:05 | |
LAUGHTER | 0:20:05 | 0:20:07 | |
I like that name. | 0:20:08 | 0:20:11 | |
I like Kate Middleton, I think she's awesome. | 0:20:11 | 0:20:13 | |
Her hair's awesome. | 0:20:13 | 0:20:15 | |
And, Kate, you do some great characters | 0:20:16 | 0:20:18 | |
-on Saturday Night Live. -Thank you! | 0:20:18 | 0:20:20 | |
Your Justin Bieber is spookily accurate. | 0:20:20 | 0:20:23 | |
-Look at that! -Incredible. -That is incredible. | 0:20:23 | 0:20:26 | |
Thank you so much. | 0:20:26 | 0:20:27 | |
-You've done it in front of him, haven't you? -I have not. | 0:20:27 | 0:20:30 | |
-Oh, you haven't? -Have not breached the wall yet. | 0:20:30 | 0:20:34 | |
I met him before, cos he hosted SNL once. | 0:20:34 | 0:20:37 | |
That was before I started doing the impression of him. | 0:20:37 | 0:20:40 | |
But I was so struck by how... | 0:20:40 | 0:20:42 | |
This was before he got really beefy for those Calvin Klein ads. | 0:20:42 | 0:20:45 | |
And now he looks like, you know, a big beefcake. | 0:20:45 | 0:20:48 | |
But he was really very delicate, | 0:20:48 | 0:20:50 | |
and he had a very tender, beautiful, | 0:20:50 | 0:20:52 | |
just such a beautiful face, | 0:20:52 | 0:20:54 | |
and such a big, big hat, | 0:20:54 | 0:20:57 | |
and such big clothes, and just the most beautiful... | 0:20:57 | 0:21:00 | |
And I am a huge fan of his, and I love it. | 0:21:00 | 0:21:03 | |
Now, you have a special way of preparing the face, haven't you? | 0:21:03 | 0:21:07 | |
-Yes. -Um, yes. | 0:21:07 | 0:21:09 | |
You want to look as though you've done something wrong, but like... | 0:21:09 | 0:21:14 | |
it's cute. | 0:21:14 | 0:21:15 | |
LAUGHTER | 0:21:15 | 0:21:18 | |
That is very good! | 0:21:27 | 0:21:29 | |
CHEERING AND APPLAUSE | 0:21:29 | 0:21:31 | |
And if somebody plays their cards right, | 0:21:34 | 0:21:36 | |
soon you'll be getting to play the President of the United States. | 0:21:36 | 0:21:40 | |
-Yeah! -Yeah. | 0:21:40 | 0:21:42 | |
We've got a picture of you - you DID do it with her, though. | 0:21:42 | 0:21:45 | |
-Oh, my God. -There's the real Hillary and then you. | 0:21:45 | 0:21:48 | |
I mean, did you tone it down when she was there? | 0:21:48 | 0:21:51 | |
No. | 0:21:51 | 0:21:52 | |
LAUGHTER | 0:21:52 | 0:21:54 | |
No. | 0:21:54 | 0:21:55 | |
Um, no. | 0:21:55 | 0:21:57 | |
No, I did it just the same, | 0:21:57 | 0:21:59 | |
and, oh, God, it was a great day. | 0:21:59 | 0:22:01 | |
It was just one of the greatest days. | 0:22:01 | 0:22:03 | |
I think we're friends. | 0:22:03 | 0:22:05 | |
I don't think she thinks we're friends. | 0:22:05 | 0:22:08 | |
I doubt that she thinks we're friends, | 0:22:08 | 0:22:09 | |
but in my mind we are friends, and I have her phone number. | 0:22:09 | 0:22:12 | |
I don't. But in my mind, I do, | 0:22:12 | 0:22:14 | |
and I can text her any time I want and say, | 0:22:14 | 0:22:17 | |
"Great speech, you killed it." | 0:22:17 | 0:22:19 | |
-You know. -You're friends. -But I don't have it, right? | 0:22:19 | 0:22:23 | |
Melissa, you've met her as well. | 0:22:23 | 0:22:25 | |
-We've got a picture of you. -I did. -There you are. | 0:22:25 | 0:22:28 | |
LAUGHTER | 0:22:28 | 0:22:30 | |
The one time in my life I'm going to be able to take a picture | 0:22:30 | 0:22:33 | |
with Hillary Clinton, I was so excited, and afterwards, | 0:22:33 | 0:22:36 | |
I was like, "I got her!" | 0:22:36 | 0:22:38 | |
And then Leslie goes, "I know, I photobombed you." | 0:22:38 | 0:22:40 | |
LAUGHTER | 0:22:40 | 0:22:42 | |
I got a selfie with everybody except for her, and I was like, | 0:22:47 | 0:22:50 | |
"I'm getting my selfie!" | 0:22:50 | 0:22:52 | |
LAUGHTER | 0:22:52 | 0:22:54 | |
-Leslie, you still do stand-up, right? -Yes. | 0:22:54 | 0:22:57 | |
But you... This is such an extraordinary story - | 0:22:57 | 0:23:00 | |
so, you opened for Jamie Foxx? | 0:23:00 | 0:23:03 | |
Yeah, it was, like, the second time I ever performed, ever. | 0:23:03 | 0:23:06 | |
How was that possible? | 0:23:06 | 0:23:07 | |
OK, so, I went to college on a scholarship, | 0:23:07 | 0:23:10 | |
and they entered me into this Funniest Person on Campus, | 0:23:10 | 0:23:13 | |
and I won the contest and I was like, oh, | 0:23:13 | 0:23:15 | |
I'm the next Eddie Murphy, and I quit college and everything... | 0:23:15 | 0:23:19 | |
-I had a scholarship and everything... -No! | 0:23:19 | 0:23:21 | |
Oh, no, the conversation with my father was the best one. | 0:23:21 | 0:23:24 | |
I called my father and I was like, "Yeah, you know, um, | 0:23:24 | 0:23:26 | |
"I gave up the scholarship, I'm going to be a comedian." | 0:23:26 | 0:23:29 | |
He was like, "What?!" | 0:23:29 | 0:23:31 | |
I was like, "I'm going to be the next Eddie Murphy." | 0:23:31 | 0:23:33 | |
He was like, "Eddie Murphy?! Eddie Murphy?!" | 0:23:33 | 0:23:36 | |
Then he called my mom and he was like, | 0:23:36 | 0:23:38 | |
"Ma! Hey! Tell her... Who told her she was funny? | 0:23:38 | 0:23:42 | |
"You have never been funny your whole life! | 0:23:42 | 0:23:45 | |
"I've known you your whole life, you have never made me laugh, ever! | 0:23:45 | 0:23:49 | |
"Who told you you was funny?! Who told you you was funny?!" | 0:23:49 | 0:23:55 | |
I was like, "Uh... | 0:23:55 | 0:23:58 | |
"Uh... | 0:23:58 | 0:24:00 | |
"Uh... All the people in the audience said I was funny, Daddy." | 0:24:01 | 0:24:06 | |
"THEY CRAZY!" | 0:24:06 | 0:24:08 | |
Oh, dear. Let's talk about the movie. | 0:24:12 | 0:24:14 | |
Ghostbusters, it opens everywhere on July 11, | 0:24:14 | 0:24:16 | |
-directed by Paul Feig, who also directed Bridesmaids... -Yay! | 0:24:16 | 0:24:20 | |
-Yeah, very good. And indeed Spy... -And Spy, and The Heat. | 0:24:20 | 0:24:23 | |
Why does he look so surprised in that picture? | 0:24:23 | 0:24:26 | |
Did they surprise him when they took it? | 0:24:26 | 0:24:28 | |
Like, "WHOA!" | 0:24:28 | 0:24:30 | |
It's always a challenge when you kind of dare to touch | 0:24:30 | 0:24:34 | |
a kind of fan favourite, but it's fair to say, | 0:24:34 | 0:24:36 | |
when you guys announced there was going to be this female reboot | 0:24:36 | 0:24:40 | |
of Ghostbusters, there was, like, Nerdageddon. I mean... | 0:24:40 | 0:24:44 | |
Oh, my God, that's the perfect word! | 0:24:44 | 0:24:46 | |
There was a meltdown in Nerdland. | 0:24:46 | 0:24:50 | |
Yup, yup. | 0:24:50 | 0:24:51 | |
Fellas all across the world in their mothers' basements rose up... | 0:24:51 | 0:24:55 | |
It was really fascinating. | 0:24:58 | 0:24:59 | |
You said a funny thing, you were like, | 0:24:59 | 0:25:01 | |
"It's like they announced they cast it with animals." | 0:25:01 | 0:25:03 | |
Like they weren't even going to have human beings in the movie. | 0:25:03 | 0:25:06 | |
It was also like, the announcement came out and it was like, | 0:25:06 | 0:25:09 | |
we are going to burn every version of the original two, | 0:25:09 | 0:25:13 | |
never to be seen again. | 0:25:13 | 0:25:14 | |
It's like, it's not an either-or thing, guys, | 0:25:14 | 0:25:18 | |
it's all still remaining. | 0:25:18 | 0:25:19 | |
It's a film about funny people fighting ghosts. You know, let's... | 0:25:19 | 0:25:23 | |
Thank you... Oh, sorry! | 0:25:23 | 0:25:25 | |
It's a movie, people! | 0:25:25 | 0:25:27 | |
And I think when people see it, they will be won over, because | 0:25:27 | 0:25:30 | |
they'll enjoy it, it's funny, and so, in this world, who are you all? | 0:25:30 | 0:25:33 | |
How do you become Ghostbusters? | 0:25:33 | 0:25:35 | |
Well... Do you want to take this? | 0:25:35 | 0:25:37 | |
Well, we're physi... | 0:25:37 | 0:25:39 | |
She's a physicist and she's a physicist and I'm a physicist, | 0:25:39 | 0:25:42 | |
-and... -I work for the trains. | 0:25:42 | 0:25:44 | |
So, we kind of lose our job - I publish a book, | 0:25:46 | 0:25:49 | |
Kristen loses her tenure at a university, | 0:25:49 | 0:25:52 | |
Kate and I are working at a terrible university, | 0:25:52 | 0:25:54 | |
they also throw us out, so, we're kind of forced to say there | 0:25:54 | 0:25:57 | |
are these problems in the world and maybe somebody needs our help. | 0:25:57 | 0:26:01 | |
And of course, we saw in the clip there, | 0:26:01 | 0:26:03 | |
another addition to the cast, our good friend Chris Hemsworth. | 0:26:03 | 0:26:05 | |
-Yes. -I mean... -THEY SIGH | 0:26:05 | 0:26:07 | |
I think I've got a picture of Chris Hemsworth. Do I? | 0:26:07 | 0:26:13 | |
I do, I do, yes. | 0:26:13 | 0:26:15 | |
WHOOPING AND CHEERING | 0:26:15 | 0:26:17 | |
That's just him coming out of his trailer. | 0:26:17 | 0:26:20 | |
-That's him coming out of his trailer. -It's too much. | 0:26:20 | 0:26:23 | |
It's crazy, isn't it? | 0:26:23 | 0:26:24 | |
I just, at a certain point, I thought, I have never | 0:26:24 | 0:26:27 | |
rooted for someone maybe to be just an unbelievable jerk. | 0:26:27 | 0:26:32 | |
-I just needed something to be wrong with him. -And there was nothing! | 0:26:32 | 0:26:36 | |
And also, the four of you, it must be annoying, | 0:26:36 | 0:26:38 | |
because you kind of think, oh, we are very funny and here's | 0:26:38 | 0:26:41 | |
this hunk - he's annoyingly funny! | 0:26:41 | 0:26:44 | |
He is hilarious. We were like, did you bring writers or something? | 0:26:44 | 0:26:47 | |
He was killing it, like, killing it. | 0:26:47 | 0:26:50 | |
He was funny like a guy that had to fight his way off the playground | 0:26:50 | 0:26:52 | |
his whole life and he had to be funny | 0:26:52 | 0:26:55 | |
-so he didn't get his ass kicked. -Seriously, that's how funny he was. | 0:26:55 | 0:26:58 | |
It was very strange, and at one point, he started... | 0:26:58 | 0:27:01 | |
I don't know, we were talking about music or playing something, | 0:27:01 | 0:27:04 | |
and I said, "What song are you talking about?" | 0:27:04 | 0:27:06 | |
And he started singing, and I did not mean to, | 0:27:06 | 0:27:08 | |
but it was deep and guttural, | 0:27:08 | 0:27:11 | |
I was like, "YOU SHUT UP! You shut up, Chris!" | 0:27:11 | 0:27:15 | |
Because it was also... | 0:27:15 | 0:27:17 | |
He started to sound like a songbird, | 0:27:17 | 0:27:19 | |
and it was like, you can't have another thing! Just be quiet. | 0:27:19 | 0:27:23 | |
I don't tell people to shut up, but I was like, "You shut up!" | 0:27:23 | 0:27:27 | |
And I said, "Can you sing?" He was like, "Well, I can carry a tune." | 0:27:27 | 0:27:31 | |
I was like, "You shut up!" | 0:27:31 | 0:27:32 | |
Just never find out... I'm going to pretend | 0:27:32 | 0:27:35 | |
you're a terrible singer so I know you're human. | 0:27:35 | 0:27:38 | |
I bet he doesn't even have boogers. I bet it's just a hollow tube. | 0:27:38 | 0:27:42 | |
Yeah, or if he does have boogers, they taste like cornflakes. | 0:27:42 | 0:27:46 | |
Mm! Crispy! Kristen likes that, too. | 0:27:50 | 0:27:53 | |
-They taste sweet, right? -Like Frosted Flakes. | 0:27:53 | 0:27:57 | |
-Yeah! -He's hot, man. -Can I just say, I think... | 0:27:57 | 0:28:00 | |
I think we've spent too long now, this is wrong. | 0:28:00 | 0:28:03 | |
You can't spend this long discussing someone on a show! | 0:28:03 | 0:28:06 | |
We were sad when he left - he got a cake, it was a lot. | 0:28:06 | 0:28:10 | |
-And he ate it and didn't get fat. -He did not! | 0:28:10 | 0:28:14 | |
As he was eating cake, he got more chiselled. | 0:28:14 | 0:28:19 | |
But weirdly, I didn't have any cake, and when he was eating his, | 0:28:19 | 0:28:23 | |
I gained, like, six pounds. | 0:28:23 | 0:28:25 | |
Hemsworth! | 0:28:28 | 0:28:31 | |
We must talk about one more element of the film, | 0:28:31 | 0:28:33 | |
because it's in the original and it's back with a vengeance - | 0:28:33 | 0:28:36 | |
the slime. Where there were ghosts, there was... | 0:28:36 | 0:28:39 | |
-What is it supposed to be, ectoplasm or something? -Mm-hm. | 0:28:39 | 0:28:42 | |
-It's supposed to be. -Sorry, I said that like a doubter! | 0:28:42 | 0:28:46 | |
"Oh, it's ECTOPLASM?" | 0:28:46 | 0:28:49 | |
And, Kristen, you get the bulk of it. | 0:28:49 | 0:28:52 | |
-Yup. -Yeah... | 0:28:52 | 0:28:54 | |
When I read it in the script, I was like, oh, cool, I get slimed a lot. | 0:28:54 | 0:28:58 | |
And after the first time when I... | 0:28:58 | 0:29:01 | |
found out what it was made of and how to "get it off", | 0:29:01 | 0:29:06 | |
because you can't put water on it, | 0:29:06 | 0:29:09 | |
-because it, like, multiplies... -It gets slimier. | 0:29:09 | 0:29:12 | |
-It's a real phenomenon, I don't know... -Who came up with that?! | 0:29:12 | 0:29:17 | |
I don't know! | 0:29:17 | 0:29:18 | |
There was always, like, four guys in masks going, "It's perfectly safe." | 0:29:18 | 0:29:23 | |
I'm like, well, why are you in... Aaagh! | 0:29:23 | 0:29:27 | |
You can't walk anywhere, it was so slippery. | 0:29:27 | 0:29:30 | |
You had to take, like, a dry washcloth - | 0:29:30 | 0:29:33 | |
which just feels great anyway - and just, like, get as much | 0:29:33 | 0:29:36 | |
as you can, and then you get in the shower and it just, like... | 0:29:36 | 0:29:39 | |
-Bloop, bloop! It comes back. -It's a two-day... | 0:29:39 | 0:29:43 | |
-That must have taken you for ever to get it out! -It did, it did! | 0:29:43 | 0:29:46 | |
Because you were encased in it. | 0:29:46 | 0:29:48 | |
I used her a lot to block it, I never got slimed. | 0:29:48 | 0:29:50 | |
There's a scene in the movie where Leslie literally picks | 0:29:50 | 0:29:54 | |
Kristen up and blocks her body. I may also have... | 0:29:54 | 0:29:59 | |
close-ups of Kristen on the ground getting violently slimed, | 0:29:59 | 0:30:03 | |
and I was like, I want to be supportive, but I'm just going to... | 0:30:03 | 0:30:06 | |
-There was a lot of... -Yeah. -They like a close-up during this torment. | 0:30:08 | 0:30:12 | |
Hey, good luck with the film. | 0:30:12 | 0:30:13 | |
Ghostbusters is out in cinemas from 11 July, | 0:30:13 | 0:30:16 | |
and here you all are taking on a ghost in the New York subway. | 0:30:16 | 0:30:21 | |
-What? No! -It happened! | 0:30:21 | 0:30:23 | |
Do you see that? The eyes! | 0:30:26 | 0:30:29 | |
-Holtzmann, now is not the time to mess with me, all right? -No. | 0:30:29 | 0:30:32 | |
-That is unsettling. -Patty, can I get some | 0:30:32 | 0:30:34 | |
illumination on the subject? | 0:30:34 | 0:30:35 | |
Yeah, I can give you some light on that. | 0:30:35 | 0:30:37 | |
-Oh! -Oh, boy. | 0:30:37 | 0:30:39 | |
Where are these ghosts coming from? | 0:30:39 | 0:30:41 | |
-We are taking this pretty boy back to the lab. Holtzmann? -Yeah? | 0:30:41 | 0:30:44 | |
-Power us up. -OK, going to plug these things in here. Erin, come here. | 0:30:44 | 0:30:49 | |
Hold that thing like this... | 0:30:49 | 0:30:51 | |
Why am I operating the untested nuclear laser? | 0:30:51 | 0:30:53 | |
You have the longest arms. | 0:30:53 | 0:30:55 | |
This is just a little bit of grounding | 0:30:55 | 0:30:56 | |
-so you don't die immediately. -You HAVE done this before, right? | 0:30:56 | 0:31:00 | |
Ready, aim...fire! | 0:31:00 | 0:31:03 | |
LAUGHTER AND APPLAUSE | 0:31:06 | 0:31:08 | |
THEY MAKE "SAD TROMBONE" NOISE | 0:31:08 | 0:31:10 | |
OK, it is time for our musical act tonight. | 0:31:12 | 0:31:15 | |
I love this lady, she is a huge hit in her home country of France | 0:31:15 | 0:31:18 | |
and now she's set for international stardom. | 0:31:18 | 0:31:20 | |
Here performing her current single, Tilted, | 0:31:20 | 0:31:22 | |
it's Christine and the Queens! | 0:31:22 | 0:31:24 | |
# I'll die away before Methuselah | 0:32:05 | 0:32:09 | |
# So I'll fight sleep with ammonia | 0:32:10 | 0:32:14 | |
# And every morning with eyes all red | 0:32:15 | 0:32:18 | |
# I'll miss them for the tears they shed | 0:32:19 | 0:32:22 | |
# But I'm actually good | 0:32:24 | 0:32:26 | |
# Can't help it if we're tilted | 0:32:26 | 0:32:29 | |
# I am actually good | 0:32:29 | 0:32:31 | |
# Can't help it if we | 0:32:31 | 0:32:34 | |
# I am actually good | 0:32:34 | 0:32:36 | |
# Can't help it if we're tilted | 0:32:36 | 0:32:38 | |
# I am actually good | 0:32:38 | 0:32:41 | |
# Can't help it if we're tilted | 0:32:41 | 0:32:45 | |
# I miss prosthesis and mended souls | 0:33:02 | 0:33:05 | |
# Trample over beauty while singing their thoughts | 0:33:08 | 0:33:10 | |
# I match them with my euphoria | 0:33:12 | 0:33:15 | |
# When they said, "Je suis plus folle que toi" | 0:33:17 | 0:33:20 | |
# But I'm actually good | 0:33:22 | 0:33:24 | |
# Can't help it if we're tilted | 0:33:24 | 0:33:26 | |
# I am actually good | 0:33:26 | 0:33:29 | |
# Can't help it if we | 0:33:29 | 0:33:32 | |
# I am actually good | 0:33:32 | 0:33:34 | |
# Can't help it if we're tilted | 0:33:34 | 0:33:36 | |
# I am actually good | 0:33:36 | 0:33:38 | |
# Can't help it if we're tilted... # | 0:33:38 | 0:33:42 | |
SHE RAPS: Nous et la man on est de sortie | 0:33:42 | 0:33:44 | |
Pire qu'une simple moitie On compte a demi-demi | 0:33:44 | 0:33:47 | |
Pile sur un des bas cotes Comme des origamis | 0:33:47 | 0:33:49 | |
Le bras tendu parait casse Tout n'est qu'epis et eclis | 0:33:49 | 0:33:52 | |
Ces enfants bizarres | 0:33:52 | 0:33:53 | |
Craches dehors comme par hasard | 0:33:53 | 0:33:56 | |
Cachant l'effort dans le griffoir | 0:33:56 | 0:33:58 | |
Et une creepy song en etendard Qui fait... | 0:33:58 | 0:34:01 | |
# I'm doing my face with magic marker | 0:34:01 | 0:34:06 | |
# I'm in my right place, don't be a downer | 0:34:06 | 0:34:11 | |
# I'm doing my face with magic marker | 0:34:11 | 0:34:16 | |
# I'm in my right place, yeah | 0:34:16 | 0:34:20 | |
# I am actually good | 0:34:20 | 0:34:21 | |
# Can't help it if we're tilted | 0:34:21 | 0:34:24 | |
# I am actually good | 0:34:24 | 0:34:26 | |
# Can't help it if we | 0:34:26 | 0:34:29 | |
# I am actually good | 0:34:29 | 0:34:31 | |
# Can't help it if we're tilted | 0:34:31 | 0:34:34 | |
# I'm good, hey, hey, hey | 0:34:34 | 0:34:37 | |
# Hey, hey, hey, hey | 0:34:40 | 0:34:43 | |
# Oh, I'm good, yeah | 0:34:43 | 0:34:47 | |
# Oh, I'm good, yeah | 0:34:48 | 0:34:52 | |
# I am actually good | 0:34:52 | 0:34:55 | |
# Can't help it if we're tilted | 0:34:55 | 0:34:58 | |
# Twist it, twist it, twist it, twist it | 0:35:13 | 0:35:15 | |
# Twist it, twist it, hey, hey! # | 0:35:15 | 0:35:18 | |
CHEERING AND APPLAUSE | 0:35:18 | 0:35:22 | |
Wow, Christine and the Queens! | 0:35:22 | 0:35:25 | |
That's beautiful! Come on, Christine. Where are the dancers? | 0:35:25 | 0:35:28 | |
-Those stunning dancers. Hello. -Hello. -Lovely to see you. | 0:35:28 | 0:35:32 | |
Come and meet the ladies. | 0:35:32 | 0:35:34 | |
Kate, Leslie, Kristen, Melissa, that's Christine. | 0:35:34 | 0:35:39 | |
Oh, please come to America! | 0:35:39 | 0:35:41 | |
Have a seat, do. | 0:35:44 | 0:35:45 | |
Seriously, it's so stunning, so distinctive, it's beautiful, | 0:35:47 | 0:35:50 | |
-really, really beautiful. -Thank you. | 0:35:50 | 0:35:53 | |
I'm probably blushing, because I'm a fan of every one of you, sitting. | 0:35:53 | 0:35:56 | |
I'll probably be matching the couch, I'm sorry to say it! | 0:35:56 | 0:36:00 | |
Can I be one of your dancers? | 0:36:00 | 0:36:02 | |
-You can go on tour with me whenever you want. -Yup, yeah! | 0:36:02 | 0:36:05 | |
-That has to happen. -Actually, Christine, do you always work...? | 0:36:05 | 0:36:08 | |
Are those always your dancers, if you know what I mean? | 0:36:08 | 0:36:10 | |
Yeah, yeah, we've been working together for two years now. | 0:36:10 | 0:36:14 | |
Actually, I've been improving, thanks to them. | 0:36:14 | 0:36:16 | |
Before that, I was a bit more awkward. | 0:36:16 | 0:36:18 | |
Now I'm awkward, but with style. | 0:36:18 | 0:36:20 | |
Now, the album, Chaleur Humaine... | 0:36:23 | 0:36:27 | |
-Well said! -Ooh! | 0:36:27 | 0:36:29 | |
C'est out now. | 0:36:30 | 0:36:33 | |
LAUGHTER | 0:36:33 | 0:36:36 | |
Out maintenant - I know one word. | 0:36:36 | 0:36:38 | |
Oh, there it is. And I've got that album, I love it. | 0:36:38 | 0:36:41 | |
I can't remember who recommended it to me, | 0:36:41 | 0:36:43 | |
but I just think it's a beautiful, beautiful album. | 0:36:43 | 0:36:45 | |
-Congratulations on it all. -Yes. | 0:36:45 | 0:36:48 | |
And the dancing, that is the thing, people hear your music | 0:36:48 | 0:36:51 | |
and like it, but when you see it, it's so visual. | 0:36:51 | 0:36:54 | |
Do you do that, is there a choreographer who does it all, | 0:36:54 | 0:36:57 | |
how does that happen? | 0:36:57 | 0:36:58 | |
It's starting with me basically improvising in my own bedroom, | 0:36:58 | 0:37:02 | |
then improvising on stage, just doing openings, | 0:37:02 | 0:37:04 | |
and now I'm actually working with a woman, she's really gifted, | 0:37:04 | 0:37:07 | |
she has this really genderless energy, she's a French | 0:37:07 | 0:37:10 | |
choreographer, and actually, I've met the dancers thanks to them. | 0:37:10 | 0:37:13 | |
Thanks to her. I'm French, sorry! Excuse me. | 0:37:13 | 0:37:17 | |
Actually, this is a ridiculous question to ask, | 0:37:17 | 0:37:19 | |
but, I mean, you're probably just clever and went to school, | 0:37:19 | 0:37:22 | |
but is there a reason why your English is so good? | 0:37:22 | 0:37:25 | |
Well, you know what I mean, | 0:37:26 | 0:37:27 | |
if someone can speak a second language, you think, | 0:37:27 | 0:37:30 | |
"Wow! Where did you grow up? Are you in fact British?" | 0:37:30 | 0:37:34 | |
Yes, I am - undercover! | 0:37:34 | 0:37:36 | |
No, actually, my father is going to be happy, | 0:37:36 | 0:37:38 | |
because it's actually thanks to him - he's an English teacher. | 0:37:38 | 0:37:41 | |
Obsessed with the BBC, | 0:37:41 | 0:37:43 | |
-so I've been listening to the BBC since I'm young, basically. -Oh, OK. | 0:37:43 | 0:37:46 | |
This is why I kind of sound like an English person. | 0:37:46 | 0:37:49 | |
-No. -No, I don't, OK! | 0:37:49 | 0:37:51 | |
LAUGHTER | 0:37:51 | 0:37:54 | |
I sound like an English person. I mean, I KIND OF sound | 0:37:54 | 0:37:58 | |
-like an English person. -And very exciting - you're doing Glastonbury? | 0:37:58 | 0:38:01 | |
-Yeah, I am. -Which day are you doing Glastonbury? | 0:38:01 | 0:38:05 | |
Friday. I'm playing on Friday, | 0:38:05 | 0:38:07 | |
I think in the afternoon, twenty past three. | 0:38:07 | 0:38:10 | |
Is it English when I say that? | 0:38:10 | 0:38:12 | |
Twenty past three? Yeah. | 0:38:12 | 0:38:14 | |
Twenty past three, yeah, yeah. | 0:38:14 | 0:38:15 | |
Half past three, yeah. Go on at four, I don't care. | 0:38:15 | 0:38:18 | |
People are staying there in tents, | 0:38:18 | 0:38:21 | |
it doesn't matter what time you go on, they'll be there. | 0:38:21 | 0:38:23 | |
-And which one are you on? Are you on the Pyramid? -I'm on the Other Stage. | 0:38:23 | 0:38:27 | |
I guess it's that. | 0:38:29 | 0:38:30 | |
If you can't see her, she is on the Other Stage. | 0:38:30 | 0:38:33 | |
I'm on the Other Stage. "She's on the other one, sorry." | 0:38:33 | 0:38:35 | |
If it's 3:20 and there ain't none of that, you know | 0:38:35 | 0:38:37 | |
she's on the Other Stage. "I've made a terrible mistake, I have." | 0:38:37 | 0:38:41 | |
Christine and the Queens, welcome to the world. | 0:38:41 | 0:38:44 | |
-We love you, you're just fantastic. Christine and the Queens! -Thank you! | 0:38:44 | 0:38:48 | |
OK, that's nearly it. | 0:38:51 | 0:38:54 | |
Before we go, before we go, we are going to the red chair. | 0:38:54 | 0:38:58 | |
Now, what I'll say is, the red chair... | 0:38:58 | 0:39:00 | |
You've been here before, you know the red chair. | 0:39:00 | 0:39:03 | |
You will see what the red chair is. | 0:39:03 | 0:39:04 | |
What we've done is we've upped the ante tonight - | 0:39:04 | 0:39:07 | |
in honour of Ghostbusters, there is | 0:39:07 | 0:39:10 | |
the option of, as well as being flipped, you could be slimed. | 0:39:10 | 0:39:15 | |
-AUDIENCE: -Ooh! | 0:39:15 | 0:39:16 | |
Like I said, it's totally fine if you get slimed. | 0:39:16 | 0:39:20 | |
-It comes right off... -It's like an aloe spot treatment, it's great. | 0:39:20 | 0:39:23 | |
-It's aloe, it's aloe. -It's aloe! -You've now made me feel bad! | 0:39:23 | 0:39:26 | |
So, the story will have to be very bad to get slimed. | 0:39:26 | 0:39:29 | |
-I will attempt not to slime anyone. Who is up first? Hello! -Hello. | 0:39:29 | 0:39:32 | |
-Hi, what's your name? -My name's Andrew. | 0:39:32 | 0:39:34 | |
-And where do you live, Andrew? -In London. -Just in London. | 0:39:34 | 0:39:38 | |
-Don't try and find him! -Real vague. Real vague. | 0:39:38 | 0:39:41 | |
He's Andrew, he lives in a capital city. Don't mess with me! | 0:39:41 | 0:39:45 | |
-What do you do, Andrew? -I work in music publishing. | 0:39:45 | 0:39:49 | |
-In music publishing! Hmm! -I found it too comfortable. | 0:39:49 | 0:39:53 | |
What's your story, Andrew? | 0:39:55 | 0:39:57 | |
OK, so, couple of years ago, my family and I were on holiday, | 0:39:57 | 0:40:01 | |
staying at a hotel in Cornwall, and the hotel had, like, a spa connected | 0:40:01 | 0:40:05 | |
to it, so we decided to use the pool and sauna one afternoon. | 0:40:05 | 0:40:10 | |
So, we all went into the sauna, and lo and behold, | 0:40:10 | 0:40:12 | |
Duncan Bannatyne was sitting in there, of Dragons' Den fame... | 0:40:12 | 0:40:15 | |
-I'll stop you there. You don't know who that is. -Yeah. | 0:40:15 | 0:40:19 | |
It makes it a better story, but not if you don't know who he is. | 0:40:19 | 0:40:21 | |
Do you have Dragons' Den? | 0:40:21 | 0:40:23 | |
-No. -It's called something else, Dragons' Den. Shark Tank? | 0:40:23 | 0:40:28 | |
-Shark Tank, yes! -Oh! -He's one of our Shark Tank people. OK? | 0:40:28 | 0:40:32 | |
Slime him. | 0:40:32 | 0:40:34 | |
No, not him! Not him! | 0:40:34 | 0:40:36 | |
Wow, you have an easy trigger finger on that slime machine! | 0:40:36 | 0:40:40 | |
OK, so Duncan Bannatyne is in the spa...? | 0:40:40 | 0:40:43 | |
So, Duncan is in there, and my cousin, | 0:40:43 | 0:40:45 | |
who is sitting next to him, after a couple of minutes | 0:40:45 | 0:40:47 | |
of sitting in there, lets out this big, fat fart. | 0:40:47 | 0:40:50 | |
-LESLIE: -That's so disgusting. | 0:40:50 | 0:40:52 | |
A couple of moments of awkward silence, | 0:40:52 | 0:40:54 | |
and my cousin just looks at Duncan and goes, | 0:40:54 | 0:40:56 | |
"And for that reason, I'm out." | 0:40:56 | 0:40:58 | |
That is a very good story. | 0:41:00 | 0:41:02 | |
Will we let him walk? You can walk, you can walk, Andrew. | 0:41:02 | 0:41:05 | |
Yay! Well done, you. | 0:41:05 | 0:41:07 | |
OK, we are going to squeeze in one more. | 0:41:07 | 0:41:09 | |
OK, last one, here we go. Last one. | 0:41:09 | 0:41:12 | |
THEY SHRIEK | 0:41:12 | 0:41:15 | |
Slime him! Slime him! Slime him! | 0:41:15 | 0:41:17 | |
Slime him, for the love of God! | 0:41:17 | 0:41:20 | |
You should get slimed! | 0:41:20 | 0:41:22 | |
How dare you! How dare you, Leslie Jones! | 0:41:22 | 0:41:24 | |
-Is this someone you know? -It is Paul Feig, our lovely director. | 0:41:24 | 0:41:28 | |
-Hello. -Hello. -Slime him! Slime him! | 0:41:28 | 0:41:32 | |
See the respect I command? | 0:41:32 | 0:41:35 | |
No, but here's the thing... Do you have a story to tell? | 0:41:35 | 0:41:38 | |
Well, I actually want to throw it back on the ladies, because | 0:41:38 | 0:41:41 | |
since we are all in the business of ruining men's childhoods... | 0:41:41 | 0:41:44 | |
-Thank you. -Kristen and Melissa, | 0:41:44 | 0:41:47 | |
they came up with this way to really enrage men, which they thought | 0:41:47 | 0:41:50 | |
would be to do the folk lady version of Ghostbusters. | 0:41:50 | 0:41:53 | |
So, I would like them to perform that for you. | 0:41:53 | 0:41:55 | |
-Oh, that's so cool, yes! -Only if for sure Paul gets slimed. | 0:41:55 | 0:42:00 | |
-OK, so, that's a deal? -In my lovely suit? | 0:42:00 | 0:42:03 | |
That is a suit he would die in. | 0:42:03 | 0:42:06 | |
You do the folk Ghostbusters, then we slime Paul, | 0:42:06 | 0:42:08 | |
-is that the deal? -Paul, do you know you're about to get slimed? -What? | 0:42:08 | 0:42:11 | |
-Not his suit! -OK, we'll just aim for his face. | 0:42:11 | 0:42:14 | |
-Somebody keep him in that chair. -You have to scat, too. You have to | 0:42:17 | 0:42:22 | |
scat in it. She scats Ghostbusters too, it's awesome. | 0:42:22 | 0:42:25 | |
-It's not really scatting! -OK, I don't know what this is, but go on. | 0:42:25 | 0:42:28 | |
Please, come on. | 0:42:28 | 0:42:30 | |
# When there's something strange in your neighbourhood | 0:42:30 | 0:42:34 | |
# Who you gonna call? Ghostbusters! | 0:42:34 | 0:42:37 | |
# Be-bop, be-bop, doodle-oo Be-bop, be-bop, doodle-oo | 0:42:39 | 0:42:42 | |
# Be-bop, be-bop, doodle-oo Doo-doo-doo! # | 0:42:42 | 0:42:45 | |
CHEERING AND APPLAUSE | 0:42:45 | 0:42:47 | |
No, we're timing them, you're being slimed! | 0:42:47 | 0:42:49 | |
And now let's get rid of you. There he goes! | 0:42:55 | 0:42:59 | |
Oh, my God! | 0:43:01 | 0:43:04 | |
His suit! He didn't... | 0:43:06 | 0:43:08 | |
You don't understand how much he loves his suit! | 0:43:08 | 0:43:13 | |
-You don't even know what's going to happen to us. -You don't even know... | 0:43:13 | 0:43:18 | |
If he likes suits, he'll have another one. | 0:43:18 | 0:43:20 | |
You don't understand, Paul is going to kill us! | 0:43:21 | 0:43:25 | |
OK, if you'd like to join us on the show and have a go on the red chair, | 0:43:25 | 0:43:29 | |
you can contact us at this address. That is it for tonight. | 0:43:29 | 0:43:32 | |
Please say a huge thank you to my guests, Christine and the Queens! | 0:43:32 | 0:43:35 | |
CHEERING | 0:43:35 | 0:43:38 | |
Kate McKinnon! CHEERING | 0:43:38 | 0:43:41 | |
Leslie Jones! CHEERING | 0:43:41 | 0:43:43 | |
Kristen Wiig! CHEERING | 0:43:43 | 0:43:46 | |
Melissa McCarthy! CHEERING | 0:43:46 | 0:43:48 | |
And Mr Charlie Sheen! CHEERING | 0:43:48 | 0:43:52 | |
Join me next week with music from Josh Homme and Iggy Pop, | 0:43:52 | 0:43:55 | |
Aussie comedian Rebel Wilson | 0:43:55 | 0:43:57 | |
and the Absolutely Fabulous Joanna Lumley and Jennifer Saunders. | 0:43:57 | 0:44:00 | |
I'll see you then. Goodnight, everyone, goodbye! | 0:44:00 | 0:44:03 |