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-Hi, I'm Tom Cruise. -Hello, I'm Jennifer Lawrence. | 0:00:02 | 0:00:04 | |
-And I'm Chris Pratt. -I'm Danny DeVito. | 0:00:04 | 0:00:05 | |
-And I'm Miranda Hart. -Hi. I'm Nicole Kidman. | 0:00:05 | 0:00:07 | |
Hi, I'm Chris from Coldplay. | 0:00:07 | 0:00:08 | |
-Good evening, I'm Tom Hiddleston. -Hey, I'm Whoopi Goldberg. | 0:00:08 | 0:00:11 | |
-I'm Eddie Redmayne. -And I'm Benedict Cumberbatch. | 0:00:11 | 0:00:14 | |
I'm Tom Hanks and this is The Graham Norton Show. | 0:00:14 | 0:00:17 | |
This programme contains some strong language. | 0:00:17 | 0:00:24 | |
Hello! | 0:00:39 | 0:00:40 | |
Hello, oh! | 0:00:40 | 0:00:42 | |
What a lovely welcome. | 0:00:42 | 0:00:44 | |
That is... That's... Oh! | 0:00:44 | 0:00:46 | |
No, thank you. | 0:00:48 | 0:00:49 | |
What a mature, seasoned welcome that was. | 0:00:50 | 0:00:53 | |
And welcome to this special look back at some of | 0:00:53 | 0:00:56 | |
the highlights from the past series. | 0:00:56 | 0:00:57 | |
So many wonderful moments, starting with this. | 0:00:57 | 0:01:01 | |
We need to settle a little controversy. Little controversy. | 0:01:02 | 0:01:06 | |
There was a picture... | 0:01:06 | 0:01:07 | |
You've probably seen this, it was on the internet and in | 0:01:07 | 0:01:10 | |
the papers and things, and it's this picture here. | 0:01:10 | 0:01:13 | |
-Now... -Oh, yeah! | 0:01:13 | 0:01:14 | |
So, people were trying to decide if that was Bill Murray or Tom Hanks. | 0:01:14 | 0:01:20 | |
Right. | 0:01:20 | 0:01:22 | |
Well, I've been doing a pale imitation of Bill Murray | 0:01:22 | 0:01:24 | |
for most of my career, so it actually works out. | 0:01:24 | 0:01:27 | |
I know that it's not me because I did not take that picture. | 0:01:27 | 0:01:32 | |
Listen, I've had a cranial plate shift that, you know, is medicinal. | 0:01:32 | 0:01:36 | |
-That's not me. -But even looking at you, it does look very like you. | 0:01:36 | 0:01:40 | |
It does. Yeah, I could make that face. | 0:01:40 | 0:01:43 | |
-But don't you have a thing where you think you've got sides? -Oh, I do. | 0:01:44 | 0:01:48 | |
Oh, we all know what our good side is. I'll show it | 0:01:48 | 0:01:52 | |
-if you can come close... -OK. | 0:01:52 | 0:01:54 | |
-..in a hideously-embarrassing close-up. -OK. | 0:01:54 | 0:01:56 | |
I'll show you right now. | 0:01:56 | 0:01:58 | |
-Should I start with the good side or the bad side? -Good side. -Really? | 0:01:58 | 0:02:00 | |
-Yeah. -OK, all right. | 0:02:00 | 0:02:02 | |
This is my good side. | 0:02:02 | 0:02:04 | |
Now, I don't know why, but I have a jaw and I have a chin and, | 0:02:04 | 0:02:08 | |
you know, back of the... | 0:02:08 | 0:02:09 | |
Actually, could you come around sort of like three quarters-ish | 0:02:09 | 0:02:12 | |
a little bit? OK, there. OK, there, there, is that it? | 0:02:12 | 0:02:15 | |
Come in a little tighter, please. Little tighter. | 0:02:15 | 0:02:18 | |
All right, so far we're still doing OK. It's all right, it's not bad. | 0:02:18 | 0:02:21 | |
All right, now, stay there and just watch this. | 0:02:21 | 0:02:25 | |
LAUGHTER | 0:02:28 | 0:02:31 | |
Oh, dear, look at that! | 0:02:31 | 0:02:33 | |
The neck goes away, the nose becomes this malformed thing, | 0:02:33 | 0:02:38 | |
I've got half a cheek sticking out right here. | 0:02:38 | 0:02:41 | |
So, I essentially kind of go from Richard Gere to Richard Nixon. | 0:02:41 | 0:02:46 | |
LAUGHTER DROWNS SPEECH | 0:02:46 | 0:02:49 | |
APPLAUSE | 0:02:50 | 0:02:52 | |
You have nothing but good sides. | 0:02:52 | 0:02:54 | |
We just thought, while you're here, to settle things, | 0:02:54 | 0:02:57 | |
to avoid confusion in the future, we might re-enact that... | 0:02:57 | 0:03:02 | |
-Oh, do you have an orange jumper? -I do. I am fully costumed. | 0:03:02 | 0:03:07 | |
Oh, great. | 0:03:07 | 0:03:08 | |
-I've got some orange things there. -OK. | 0:03:08 | 0:03:11 | |
Now, Gemma, would you mind being...? | 0:03:11 | 0:03:13 | |
I think she's the mother of the baby. | 0:03:13 | 0:03:15 | |
So, there's some sunglasses there. | 0:03:15 | 0:03:18 | |
And, now, would you mind being the baby? | 0:03:18 | 0:03:21 | |
Absolutely! | 0:03:21 | 0:03:22 | |
Oh, you can do that? Actually, that's better. | 0:03:22 | 0:03:25 | |
-That's better, why didn't we think of that? -All right. | 0:03:25 | 0:03:27 | |
-OK, so I'm, like, here? -You're down in there. Down you go. There you go. | 0:03:27 | 0:03:32 | |
-Squeeze in, squeeze in. -Like that? -Like that, smiling. | 0:03:32 | 0:03:35 | |
There we go, that is really good! | 0:03:37 | 0:03:40 | |
CHEERING AND APPLAUSE | 0:03:40 | 0:03:42 | |
That is good! | 0:03:42 | 0:03:43 | |
Is the hey, hey game still popular in your family? | 0:03:47 | 0:03:50 | |
Well, we've sort of suspended the hey, hey game temporarily. | 0:03:50 | 0:03:55 | |
The hey, hey game, it was a really strange thing | 0:03:55 | 0:03:58 | |
and it's this bizarre universal truth, right? | 0:03:58 | 0:04:01 | |
And we've tested it on many continents. | 0:04:01 | 0:04:04 | |
And if you walk up behind a person and you, you know, | 0:04:04 | 0:04:08 | |
you stick your finger, you know, in... | 0:04:08 | 0:04:11 | |
You know, you just sort of ram your finger... | 0:04:11 | 0:04:13 | |
Up their butthole. | 0:04:13 | 0:04:14 | |
Everybody in every language in the world says, "Hey, hey!" | 0:04:14 | 0:04:19 | |
LAUGHTER | 0:04:19 | 0:04:20 | |
I'm telling you, right? I'm telling you, try it. | 0:04:23 | 0:04:25 | |
Try it. | 0:04:25 | 0:04:26 | |
Somebody's here from Botswana, right? | 0:04:26 | 0:04:29 | |
I'm telling you, try it, and they'll be, "Hey, hey!" | 0:04:29 | 0:04:33 | |
-We've just... -And how many times have you been arrested? | 0:04:33 | 0:04:38 | |
LAUGHTER | 0:04:38 | 0:04:40 | |
APPLAUSE | 0:04:40 | 0:04:42 | |
OK, now, we don't want to make anyone cry, | 0:04:45 | 0:04:47 | |
but sad days in the publishing world in Australia. | 0:04:47 | 0:04:51 | |
I don't know if you're aware of this, but I'm afraid... | 0:04:51 | 0:04:55 | |
Dolly magazine has shut its doors, Nicole. | 0:04:55 | 0:04:59 | |
Dolly magazine is no more. | 0:04:59 | 0:05:01 | |
Dolly magazine was very important to you when you | 0:05:01 | 0:05:03 | |
were starting out, wasn't it? | 0:05:03 | 0:05:04 | |
-Yeah. -Yeah. -Yeah. -I got on the cover of Dolly magazine. | 0:05:04 | 0:05:09 | |
-There you are on the cover. -Oh, no! | 0:05:09 | 0:05:11 | |
Yeah! Looking stunning. | 0:05:11 | 0:05:13 | |
-They've got a giant... -Are you being facetious? -No, you... | 0:05:14 | 0:05:17 | |
-No, you look fabulous! -Mm. | 0:05:17 | 0:05:19 | |
They dyed my hair red. I was only, like, 14. | 0:05:19 | 0:05:23 | |
-Is your...? -It wasn't red like that. | 0:05:23 | 0:05:24 | |
Everyone always thinks it was that red and it wasn't. | 0:05:24 | 0:05:27 | |
No, they dyed it red. | 0:05:27 | 0:05:28 | |
-Inside there was some fabulous high fashion shots of you. -Oh, God! | 0:05:28 | 0:05:31 | |
No, this is beautiful! | 0:05:31 | 0:05:33 | |
This just gives you an idea of the quality of fashion | 0:05:33 | 0:05:37 | |
in Dolly magazine. | 0:05:37 | 0:05:40 | |
-That is a lovely... -Yes! | 0:05:40 | 0:05:43 | |
It's a lovely shiny jacket and I have to say, these rope seams... | 0:05:43 | 0:05:47 | |
I'm not sure they ever caught on, the rope seams. | 0:05:47 | 0:05:51 | |
I've never seen it before in my life. | 0:05:51 | 0:05:53 | |
-But this next picture, this is... -Oh, God, you're brutal! | 0:05:53 | 0:05:57 | |
So, no, there's only one more, only one more. So... | 0:05:57 | 0:06:01 | |
I honestly wish my hair was like that now. It's so dreadful. | 0:06:01 | 0:06:06 | |
Because, I have to say, anyone that has curly hair that's young, | 0:06:06 | 0:06:09 | |
keep your curly hair, don't straighten it, | 0:06:09 | 0:06:12 | |
-because after a while. you don't get your curls back. -Really? | 0:06:12 | 0:06:17 | |
No, they, kind of, become just frizz mass. | 0:06:17 | 0:06:20 | |
I mean, that is frizz mass, but I, kind of, like that. | 0:06:20 | 0:06:23 | |
Yeah, it's gone, so I'm like an old woman now, where I say, | 0:06:23 | 0:06:26 | |
"Don't dye your hair and don't straighten your curls!" | 0:06:26 | 0:06:31 | |
Well, you know, with photographers in movies when they're doing | 0:06:32 | 0:06:35 | |
a fashion shoot and everyone's like, "Oh, look sexy," or, | 0:06:35 | 0:06:37 | |
"give me something, give me this," | 0:06:37 | 0:06:39 | |
-or, you know, "try this," da, da, da... -Yeah. | 0:06:39 | 0:06:42 | |
-What had the photographer said... -You're so mean! | 0:06:42 | 0:06:45 | |
-..before this picture? -Why aren't you doing this to anybody else? | 0:06:45 | 0:06:49 | |
LAUGHTER | 0:06:49 | 0:06:51 | |
APPLAUSE | 0:06:51 | 0:06:53 | |
You look great! | 0:07:01 | 0:07:02 | |
"Is this the sort of thing you're after?" | 0:07:06 | 0:07:08 | |
Here's the thing, cos, Chris, you worked in restaurants, didn't you? | 0:07:11 | 0:07:14 | |
Oh, yeah. Oh, yeah. | 0:07:14 | 0:07:15 | |
So, you worked in Hawaii, but then you worked in LA, as well. | 0:07:15 | 0:07:18 | |
-Yes, I worked at a restaurant in Beverly Hills. -So, posh? | 0:07:18 | 0:07:21 | |
It was, it tried to be. It was... | 0:07:21 | 0:07:24 | |
Look, it was a terrible restaurant and... | 0:07:24 | 0:07:27 | |
It was. It was just awful and I was a major contributing factor | 0:07:27 | 0:07:33 | |
to how terrible this restaurant was. | 0:07:33 | 0:07:35 | |
It was... It had... It was just real garbage. It's been revamped now. | 0:07:35 | 0:07:40 | |
-But I loved it... -Tell us the name. | 0:07:40 | 0:07:41 | |
-They'll give you free meals! -Oh, I mean, they will give me... | 0:07:43 | 0:07:47 | |
That's how I ate. | 0:07:47 | 0:07:48 | |
I mean, when you're in Hollywood, and in other places, like, | 0:07:48 | 0:07:52 | |
you need a job that gives you your days free | 0:07:52 | 0:07:54 | |
so you can try to audition for projects. | 0:07:54 | 0:07:56 | |
So, I'd work weekends and I'd work the nights and that would... | 0:07:56 | 0:07:59 | |
I had no money and no-one was coming to the restaurant, | 0:07:59 | 0:08:02 | |
so I wasn't making any tips. | 0:08:02 | 0:08:04 | |
I'd make, like, 20 or 30 bucks a day, maybe. | 0:08:04 | 0:08:06 | |
-And so it was really a place I'd go to... -Nourishment. -To eat, yeah. | 0:08:06 | 0:08:10 | |
That kitchen fed me for, like, the time that I was there. | 0:08:10 | 0:08:12 | |
I used to just... | 0:08:12 | 0:08:13 | |
Oh, man, do you ever do this, where, like, | 0:08:13 | 0:08:16 | |
a lady would come in and she'd be like, "What do you recommend?" | 0:08:16 | 0:08:19 | |
And I'm like, "32oz porterhouse." | 0:08:19 | 0:08:22 | |
LAUGHTER | 0:08:22 | 0:08:24 | |
And so, I'd always tell them. | 0:08:24 | 0:08:25 | |
I said, "Listen, here's how you want it - medium rare, | 0:08:25 | 0:08:27 | |
"with some mushrooms on the side, I can get you some mashed potato. | 0:08:27 | 0:08:30 | |
"You're going to love this, ma'am." | 0:08:30 | 0:08:32 | |
And she's like, you know, a 90-year-old woman. | 0:08:32 | 0:08:34 | |
And so, I'd bring the steak out to this lady, she... | 0:08:34 | 0:08:37 | |
I'm hiding in the corner, watching, like, how much is she eating? | 0:08:37 | 0:08:41 | |
How much do I get? You know? | 0:08:41 | 0:08:43 | |
I'd go back and she was like, "I can't eat another bite." | 0:08:44 | 0:08:46 | |
I was like, "Yes!" Maybe 80% of the steak is left. | 0:08:46 | 0:08:50 | |
And we had this thing called the tunnel, which is an area between | 0:08:50 | 0:08:53 | |
the dining room and the kitchen, where they'd keep | 0:08:53 | 0:08:55 | |
all the soft drinks and, like, the silverware and stuff, and that's... | 0:08:55 | 0:08:57 | |
I'd been busted so many times eating off people's plates | 0:08:57 | 0:09:00 | |
that they were like, "You have to stop doing that. | 0:09:00 | 0:09:02 | |
"Like, it's really, really bad." | 0:09:02 | 0:09:04 | |
So, anything I ate, I had to eat in the tunnel. | 0:09:04 | 0:09:07 | |
-Because it was my safe zone, where... -Safe zone! -From judgment. | 0:09:08 | 0:09:12 | |
From judgment! | 0:09:12 | 0:09:13 | |
The customers aren't going to see me eat their food | 0:09:13 | 0:09:15 | |
and the chef's not going to yell at me for eating the food. | 0:09:15 | 0:09:17 | |
So, it was like... I had about 14, maybe, | 0:09:17 | 0:09:20 | |
ounces of steak that I had to get down in about ten feet. | 0:09:20 | 0:09:23 | |
I was straight up like a komodo dragon. | 0:09:23 | 0:09:26 | |
LAUGHTER | 0:09:26 | 0:09:28 | |
And I'd wolf this steak down, you know? | 0:09:30 | 0:09:32 | |
And I'd get it and I'm like, "Ha-ha, cha-cha-cha, that's, like, | 0:09:32 | 0:09:34 | |
"three days' worth of protein right there." | 0:09:34 | 0:09:37 | |
And I'd walk back out and the lady was like, | 0:09:37 | 0:09:39 | |
"Listen, I'd love to get that steak to go." | 0:09:39 | 0:09:42 | |
And I'm like... | 0:09:44 | 0:09:45 | |
"Oh, oh, gosh, ma'am... Let me go check." | 0:09:45 | 0:09:48 | |
And I was like, "Oh, what do I do? What do I do?" | 0:09:48 | 0:09:51 | |
And I said, "I'm so sorry, I already threw it in the trash. | 0:09:51 | 0:09:53 | |
"I threw it in the trash." | 0:09:53 | 0:09:55 | |
And she said, "It's for my dog. It's fine. | 0:09:55 | 0:09:57 | |
"If you don't mind, just fish it out, put it in a box. | 0:09:57 | 0:10:00 | |
"It's my dog who'll eat it." I was like, "You bet, you bet. | 0:10:00 | 0:10:03 | |
"Of course, ma'am, absolutely. Will do." | 0:10:03 | 0:10:05 | |
And I walked in like, "Freddie! I need a porterhouse on the fly, man! | 0:10:05 | 0:10:08 | |
"Don't ask any questions, just give me one right now!" | 0:10:08 | 0:10:10 | |
And so he started cooking the steak and I was like... | 0:10:10 | 0:10:13 | |
I was so full of shit I went up to her and I was like, | 0:10:13 | 0:10:16 | |
"Ma'am, I'm going to get you that steak. | 0:10:16 | 0:10:17 | |
"They just took the garbage out to the dumpster. | 0:10:17 | 0:10:19 | |
"I'm going to roll up my sleeves, jump in that dumpster, | 0:10:19 | 0:10:22 | |
"and I'm going to get it for you because... What kind of dog? | 0:10:22 | 0:10:24 | |
"Pomeranian, no way, I love that. So sweet." | 0:10:24 | 0:10:26 | |
And so I walked out and I'm like, "Freddie, where's that steak?" | 0:10:26 | 0:10:29 | |
And she ended up being so, like, | 0:10:29 | 0:10:31 | |
happy that I would be willing to dig through the garbage for her dog | 0:10:31 | 0:10:34 | |
that she gave me a giant tip, and she left early because | 0:10:34 | 0:10:37 | |
she couldn't wait for the steak to be done, so I got another steak. | 0:10:37 | 0:10:40 | |
CHEERING AND APPLAUSE | 0:10:40 | 0:10:43 | |
We all have our dance moves that we break out, right? | 0:10:46 | 0:10:49 | |
So we were asking the audience about kind of their signature dance moves. | 0:10:49 | 0:10:53 | |
-So... Yes. -I see cameras turning around. | 0:10:53 | 0:10:56 | |
-Everybody got really giggly all of a sudden. -I see everyone... Yeah. | 0:10:56 | 0:11:00 | |
-OK, OK, let's do this. -Yeah. -Where's Caleb? There's Caleb! | 0:11:00 | 0:11:04 | |
Caleb's is really specific. | 0:11:04 | 0:11:06 | |
What's... Oh, take out your gum. | 0:11:06 | 0:11:08 | |
It's called spit the gum. It's... | 0:11:10 | 0:11:12 | |
It's really good. | 0:11:14 | 0:11:15 | |
Classy, Caleb, cos who knew I was coming to you next? | 0:11:15 | 0:11:18 | |
"They're doing that dancing item they told me about." | 0:11:19 | 0:11:22 | |
Was that in a tissue or anything or is your friend just holding that? | 0:11:24 | 0:11:27 | |
LAUGHTER | 0:11:27 | 0:11:30 | |
You're a good friend! | 0:11:30 | 0:11:31 | |
APPLAUSE | 0:11:31 | 0:11:33 | |
I've got to say, though, Caleb, I respect your humility. | 0:11:33 | 0:11:37 | |
Because you decided there's no way you could possibly do this | 0:11:37 | 0:11:40 | |
dance move and chew gum at the same time. | 0:11:40 | 0:11:43 | |
I respect that humility. He wants to nail the dance move. | 0:11:44 | 0:11:47 | |
-OK, let's hear it then. It is complicated. -OK. -OK, Caleb. | 0:11:47 | 0:11:51 | |
Tonight, Caleb will be attempting.... | 0:11:51 | 0:11:53 | |
The daddy box step, with the Robert De Niro. | 0:11:55 | 0:11:59 | |
That's a lot! That's a lot. | 0:12:00 | 0:12:02 | |
OK, Caleb, out into the aisle. | 0:12:02 | 0:12:04 | |
Let's see if he can actually do this. | 0:12:04 | 0:12:06 | |
CHEERING | 0:12:06 | 0:12:09 | |
Dad box step with De Niro. | 0:12:09 | 0:12:10 | |
OK. | 0:12:12 | 0:12:13 | |
-OK, let's start the music. -I need a second. | 0:12:13 | 0:12:16 | |
Oh, he needs a second! Stop the music! | 0:12:16 | 0:12:19 | |
-I just need to get the face going. -OK. -Oh, man! -OK. | 0:12:19 | 0:12:22 | |
Oh! | 0:12:24 | 0:12:25 | |
OK, start the music, start the music, here we go. | 0:12:26 | 0:12:29 | |
MUSIC: Can't Stop The Feeling by Justin Timberlake | 0:12:29 | 0:12:31 | |
Very good! | 0:12:31 | 0:12:33 | |
Caleb, everybody! | 0:12:39 | 0:12:40 | |
CHEERING | 0:12:40 | 0:12:42 | |
You know what? | 0:12:42 | 0:12:43 | |
You can't... | 0:12:45 | 0:12:46 | |
He is so cool, he is so cool, doing that. | 0:12:46 | 0:12:48 | |
You can't... | 0:12:48 | 0:12:50 | |
-While you chew gum, you can't do it. -No! | 0:12:50 | 0:12:52 | |
Sorry, that's the best bit. She's just offered it back to him. | 0:12:56 | 0:12:59 | |
LAUGHTER DROWNS SPEECH | 0:13:03 | 0:13:07 | |
APPLAUSE | 0:13:07 | 0:13:09 | |
Emma and Ryan, everyone loves you together in La La Land, | 0:13:13 | 0:13:16 | |
but this isn't the first time you've worked together. | 0:13:16 | 0:13:18 | |
You worked together in Gangster Squad... | 0:13:18 | 0:13:19 | |
In Crazy, Stupid, Love, we've even seen you dance together before. | 0:13:19 | 0:13:22 | |
Interesting pose on me. | 0:13:22 | 0:13:25 | |
I notice you're shirtless. | 0:13:25 | 0:13:26 | |
It's a double whammy. | 0:13:28 | 0:13:29 | |
But now, what happened? | 0:13:31 | 0:13:32 | |
-Because the dancing didn't go to plan in Crazy, Stupid, Love. -Uh, no. | 0:13:32 | 0:13:36 | |
Oh, yeah. | 0:13:36 | 0:13:37 | |
-You mean the Dirty Dancing lift? -That's what I mean. -Yeah. | 0:13:37 | 0:13:40 | |
-Well... -We were meant to do that and then... What happened? | 0:13:40 | 0:13:44 | |
-Oh, you don't remember? -Well, I remember, but I'd like to hear you. | 0:13:44 | 0:13:47 | |
-You'd like to hear me tell it. -Your version of it. | 0:13:47 | 0:13:49 | |
Listen, when I was... | 0:13:49 | 0:13:51 | |
LAUGHTER | 0:13:51 | 0:13:54 | |
-Quick story. -When I was about seven years old... Quick story. | 0:13:54 | 0:13:58 | |
When I was about seven years old, I was in gymnastics class | 0:13:58 | 0:14:02 | |
and I was on these parallel bars | 0:14:02 | 0:14:03 | |
that are about six feet off the ground, | 0:14:03 | 0:14:06 | |
and I was standing on the top of the bars and the teacher was | 0:14:06 | 0:14:09 | |
holding me by the ankles. | 0:14:09 | 0:14:11 | |
And somehow or other, she let go. | 0:14:11 | 0:14:15 | |
And I was standing on this bar and I felt myself beginning to tip forward | 0:14:15 | 0:14:19 | |
and I put my arms in like this and I fell six feet | 0:14:19 | 0:14:23 | |
-to the ground and I broke both of my arms at the same time. -Wow. -Yeah. | 0:14:23 | 0:14:27 | |
And so I... You know, I spent a whole summer... | 0:14:27 | 0:14:31 | |
I lived in Arizona, which is, like, 120 degrees, which... | 0:14:31 | 0:14:34 | |
-I don't know what that is in Celsius. -Hot. | 0:14:34 | 0:14:36 | |
Quite hot. So... | 0:14:37 | 0:14:38 | |
I had a cast and all the... You know, it was miserable. | 0:14:40 | 0:14:42 | |
It was the day before the last day of school. | 0:14:42 | 0:14:44 | |
Anyway, I had internalised this experience - | 0:14:44 | 0:14:46 | |
that's a really important part of this story. | 0:14:46 | 0:14:48 | |
It's an important detail. | 0:14:48 | 0:14:50 | |
I really know how to tell a story(!) | 0:14:50 | 0:14:52 | |
So, anyway... | 0:14:53 | 0:14:55 | |
GRAHAM LAUGHS | 0:14:55 | 0:14:57 | |
Years later we do Crazy, Stupid, Love. | 0:14:57 | 0:15:00 | |
I know that we're going to do the Dirty Dancing lift. | 0:15:00 | 0:15:03 | |
I don't know, however, that I have an internalised phobia of being, | 0:15:03 | 0:15:06 | |
you know, lifted over someone's head at the height of about six feet. | 0:15:06 | 0:15:10 | |
So I run to do the lift and Ryan lifts me over his head and I... | 0:15:10 | 0:15:15 | |
What did I do, Ryan? | 0:15:15 | 0:15:18 | |
I've never had this happen, but I imagine if | 0:15:18 | 0:15:20 | |
a possum fell out of a tree and tried to scratch your eyes out... | 0:15:20 | 0:15:25 | |
..it would be something similar. | 0:15:27 | 0:15:29 | |
It was a lot. And then, it was like a full meltdown. | 0:15:30 | 0:15:34 | |
-I mean, I had like a real meltdown. -Yeah, you had to go... | 0:15:34 | 0:15:37 | |
You crawled in bed and watched... | 0:15:37 | 0:15:39 | |
-Labyrinth. -Labyrinth. | 0:15:39 | 0:15:41 | |
We were in a house and she was like, "I have to go watch Labyrinth." | 0:15:43 | 0:15:46 | |
LAUGHTER | 0:15:46 | 0:15:48 | |
For an hour, I went and lay down crying, watching Labyrinth. | 0:15:48 | 0:15:52 | |
"This is so stupid." And then Ryan came in and was like, "Yeah, right?" | 0:15:52 | 0:15:56 | |
And then the directors came in and were like, "Yeah, right? | 0:15:56 | 0:15:58 | |
"We're going to use the double." And I was like, "Great. | 0:15:58 | 0:16:02 | |
"I love the way Jennifer Connelly has a revelation in this." | 0:16:02 | 0:16:05 | |
LAUGHTER | 0:16:05 | 0:16:07 | |
Lots of big action sequences and stunts and everything, and, | 0:16:08 | 0:16:11 | |
Michael Fassbender, you learnt some special skills, | 0:16:11 | 0:16:14 | |
I believe, for this film. | 0:16:14 | 0:16:15 | |
That's right, the parkour elements. So I got to perfect the roly-poly. | 0:16:15 | 0:16:19 | |
LAUGHTER | 0:16:19 | 0:16:21 | |
Now, you must have known how to do a roly-poly at one time in your life. | 0:16:21 | 0:16:24 | |
-Think you could do one? -Not now! I'm 53! | 0:16:24 | 0:16:28 | |
Back when I was 13 I could do a roly-poly. | 0:16:28 | 0:16:30 | |
-You think you can do a roly-poly. -No, I know, cos I have tried. | 0:16:30 | 0:16:33 | |
What is it? I don't know what is it. | 0:16:33 | 0:16:34 | |
A roly-poly, it's a head over heels thing. | 0:16:34 | 0:16:37 | |
-Yeah. -Do you want to see? | 0:16:37 | 0:16:40 | |
-Oh, yes, yeah! -Shall we try a roly-poly? | 0:16:40 | 0:16:42 | |
CHEERING | 0:16:42 | 0:16:43 | |
Well, I might tear this suit, though, that's the problem. | 0:16:43 | 0:16:46 | |
-You'll have to do it with me. -But I can't do it! -Yes, you can. | 0:16:46 | 0:16:49 | |
No, I will look... | 0:16:49 | 0:16:50 | |
I will look... | 0:16:50 | 0:16:52 | |
CHEERING | 0:16:52 | 0:16:54 | |
I will look like... | 0:16:54 | 0:16:56 | |
It will look like abuse in a nursing home. | 0:16:56 | 0:16:59 | |
It will look like you've just... | 0:16:59 | 0:17:01 | |
You've dragged someone out of bed and you're kicking them | 0:17:01 | 0:17:04 | |
down the corridor. | 0:17:04 | 0:17:05 | |
-Show her how exactly it works. -You do it first. -OK. | 0:17:05 | 0:17:09 | |
-You do it first. -So, basically... | 0:17:09 | 0:17:10 | |
-I'm going to end up off the stage. -Don't do that. | 0:17:10 | 0:17:12 | |
-But are you going to do a really fancy one? -No, no. | 0:17:12 | 0:17:15 | |
So, basically, you have to keep your hand... | 0:17:15 | 0:17:17 | |
CHEERING | 0:17:17 | 0:17:19 | |
I could never do that! | 0:17:19 | 0:17:21 | |
NEVER do that! | 0:17:21 | 0:17:23 | |
-Try it. -No, no, I used to do... | 0:17:23 | 0:17:24 | |
I thought you were just going to do that thing, | 0:17:24 | 0:17:26 | |
where you do that and just roll over. | 0:17:26 | 0:17:28 | |
No, but then you hurt yourself. | 0:17:28 | 0:17:29 | |
-I could never do that! -Place your forearm down first | 0:17:29 | 0:17:32 | |
-and then tuck your head over. -I can't do that! -Try it. | 0:17:32 | 0:17:35 | |
I'll die! | 0:17:35 | 0:17:37 | |
CHEERING AND APPLAUSE | 0:17:37 | 0:17:40 | |
This is awful! | 0:17:40 | 0:17:41 | |
I'll just stand here, in case you go off the edge. | 0:17:41 | 0:17:44 | |
-But I wasn't really paying attention. So you... -Yeah, so you... | 0:17:44 | 0:17:48 | |
-Hand, forearm... -Yes. -..and then tuck your shoulder over. | 0:17:48 | 0:17:51 | |
And stay on that side, don't go straight down your spine. | 0:17:51 | 0:17:54 | |
-Hand, arm, and just tuck your head in. -OK. | 0:17:54 | 0:17:57 | |
Don't think about it too much. | 0:17:57 | 0:17:59 | |
LAUGHTER | 0:17:59 | 0:18:01 | |
-Hand... Hang on, hand, arm... -Yeah. -And then I just go over? | 0:18:01 | 0:18:05 | |
-This bit here. -Yeah. | 0:18:05 | 0:18:06 | |
-Hand, this bit, and then just roll. -OK. | 0:18:06 | 0:18:09 | |
-I won't get over! -Yeah, you will. | 0:18:09 | 0:18:11 | |
CHEERING | 0:18:13 | 0:18:15 | |
That wasn't it. | 0:18:15 | 0:18:17 | |
That wasn't it! | 0:18:17 | 0:18:18 | |
APPLAUSE | 0:18:18 | 0:18:20 | |
That was amazing. | 0:18:25 | 0:18:26 | |
LAUGHTER | 0:18:26 | 0:18:29 | |
New Year's resolution. | 0:18:29 | 0:18:31 | |
I got to see something there from a third person's point of view | 0:18:33 | 0:18:37 | |
of something that I've been a part of many, many times, | 0:18:37 | 0:18:39 | |
which was I'm saying to Michael, "I don't think I can keep going," | 0:18:39 | 0:18:42 | |
and you're like, "Yeah, you can." | 0:18:42 | 0:18:43 | |
Just really quietly and confidently telling you you can until you do. | 0:18:43 | 0:18:48 | |
It looked like an advert for Injury Lawyers 4 U. | 0:18:48 | 0:18:51 | |
-Have you had an accident at work? -Yes, I have. | 0:18:53 | 0:18:55 | |
LAUGHTER | 0:18:55 | 0:18:57 | |
The thing is, I've heard you in interviews talking about the trials | 0:18:57 | 0:19:00 | |
-of being in one of those jets. -Yeah. -I mean, it's horrific. | 0:19:00 | 0:19:04 | |
Or would you be better now because you've done...? | 0:19:04 | 0:19:06 | |
I fly aerobatics now, | 0:19:06 | 0:19:07 | |
but when you first start flying, you get sick, you know. | 0:19:07 | 0:19:11 | |
-Like properly sick? -Yeah, properly. Like, fill a bag sick, you know? | 0:19:11 | 0:19:14 | |
I know, the first day when... You know, you've flown in... | 0:19:14 | 0:19:19 | |
-Yeah. -Yeah. -You get really sick. -Yeah. | 0:19:19 | 0:19:22 | |
Yeah! | 0:19:22 | 0:19:23 | |
I flew with the Blue Angels and then I went... | 0:19:23 | 0:19:25 | |
When we were filming, my deal was, when I made my deal I said, | 0:19:25 | 0:19:28 | |
"I've got to fly in the F-14." I made it with the studio. | 0:19:28 | 0:19:32 | |
And I had to be filmed in the F-14 live. | 0:19:32 | 0:19:36 | |
And so I had to go through all the ejector seat training | 0:19:36 | 0:19:40 | |
and couldn't wait to fly. | 0:19:40 | 0:19:41 | |
So, in the morning, my first pilot that I flew with, | 0:19:41 | 0:19:46 | |
-his name was Bozo... -LAUGHTER | 0:19:46 | 0:19:49 | |
-Yeah. -Gives you confidence! | 0:19:49 | 0:19:52 | |
He says, like, "Hi, how are you? Bozo." "Bozo?" | 0:19:52 | 0:19:55 | |
When we were up there, | 0:19:55 | 0:19:56 | |
we had five minutes of film and we had to turn... | 0:19:56 | 0:19:58 | |
You know, we had to co-ordinate, he and I, | 0:19:58 | 0:20:00 | |
and we had other aeroplanes coming in on us and there was | 0:20:00 | 0:20:02 | |
air combat manoeuvres and very detailed briefings and everything. | 0:20:02 | 0:20:06 | |
So, we're going out and we're just right, | 0:20:06 | 0:20:09 | |
you know, I don't know, | 0:20:09 | 0:20:10 | |
a couple of feet off the deck in the desert | 0:20:10 | 0:20:12 | |
and we're just sweating, I'm sweating in the F-14 and... | 0:20:12 | 0:20:15 | |
cos we're doing heavy manoeuvres. | 0:20:15 | 0:20:17 | |
And we did a really heavy manoeuvre, we pulled like 9.5Gs and I... | 0:20:17 | 0:20:21 | |
You know, you go out, you've got a G suit on, but you, | 0:20:21 | 0:20:24 | |
you know, you just kind of black out. | 0:20:24 | 0:20:26 | |
And when I came to, it was like I had my barf bag | 0:20:26 | 0:20:29 | |
right here on the side of my thing. | 0:20:29 | 0:20:30 | |
And I was like, "OK, so now I'm going to go get it done, | 0:20:30 | 0:20:32 | |
"so I can do the next take." | 0:20:32 | 0:20:34 | |
So I leaned down like this, pulled it out I was like... | 0:20:34 | 0:20:37 | |
Just went down like this and he at that point decided to pull up! | 0:20:37 | 0:20:41 | |
And he pulled up so hard and for so long, I mean, | 0:20:41 | 0:20:45 | |
I can't do it now, my head, literally, was touching the ground | 0:20:45 | 0:20:48 | |
with the G-force and my spine. | 0:20:48 | 0:20:50 | |
And it pushed the togs right here, I was going like this... | 0:20:50 | 0:20:53 | |
-STRAINED: -"Bozo, Bozo, Bozo..." | 0:20:53 | 0:20:55 | |
It was like, you know, I mean, he was going up forever. | 0:20:55 | 0:20:58 | |
So, finally he levelled off and I just, I had the bag in my hand, | 0:20:58 | 0:21:01 | |
and I was like, "Bozo!" | 0:21:01 | 0:21:03 | |
GRAHAM LAUGHS | 0:21:03 | 0:21:06 | |
"What's...? Didn't you see? I... | 0:21:06 | 0:21:08 | |
"You could've checked, you didn't tell me you were going to that. | 0:21:08 | 0:21:10 | |
"My head was, like, what..." | 0:21:10 | 0:21:12 | |
He says, "Yeah, they don't call me Bozo for nothing!" | 0:21:12 | 0:21:14 | |
LAUGHTER AND APPLAUSE | 0:21:14 | 0:21:16 | |
So, I had my barf bag, I held that, you know... | 0:21:16 | 0:21:18 | |
APPLAUSE | 0:21:18 | 0:21:20 | |
I see... Kelly, obviously not here, Diane not here. | 0:21:22 | 0:21:25 | |
So I thought, just a treat, if I... | 0:21:25 | 0:21:29 | |
I could be Kelly, | 0:21:29 | 0:21:31 | |
if we could recreate this very, very quickly. | 0:21:31 | 0:21:34 | |
So, if you stand up and get out... | 0:21:34 | 0:21:38 | |
No, just to there, just to there. | 0:21:39 | 0:21:41 | |
So, in what order...? | 0:21:41 | 0:21:42 | |
So you're down this end. You're down this end, Robert. | 0:21:42 | 0:21:45 | |
And then what is it? It's Robert, then I'd be in the gap, | 0:21:45 | 0:21:49 | |
then who's next? Then... Yep, yep. | 0:21:49 | 0:21:51 | |
-And then you're at the end. -Yeah. -OK. Now I do have some props. | 0:21:51 | 0:21:55 | |
I need to see this a bit clearer. | 0:21:55 | 0:21:56 | |
Embarrassingly, I'm dressed in almost exactly the same way. | 0:21:56 | 0:21:59 | |
That's right! | 0:21:59 | 0:22:00 | |
Did you know we were doing this, Ewan? | 0:22:00 | 0:22:03 | |
-You're like, "I've shaved my head especially for this!" -Yeah! | 0:22:03 | 0:22:06 | |
-I did, yeah! -That's for you, a little moustache and a cigarette. | 0:22:06 | 0:22:09 | |
Thank you very much. | 0:22:09 | 0:22:11 | |
-There's Spud's glasses. -Wicked. | 0:22:11 | 0:22:13 | |
Now, Jonny, if you want to go... | 0:22:13 | 0:22:16 | |
Do you want to go full blonde? | 0:22:16 | 0:22:18 | |
-How can I not?! -OK, do it, do it, do it. OK. | 0:22:18 | 0:22:20 | |
APPLAUSE AND CHEERING | 0:22:20 | 0:22:23 | |
I've got my Kelly wig. | 0:22:25 | 0:22:27 | |
OK. You're doing very well. OK, now... | 0:22:27 | 0:22:30 | |
Now, if we put up the graphics... | 0:22:30 | 0:22:33 | |
You're... No, no, you're that way. That way. | 0:22:35 | 0:22:37 | |
I'm this way. | 0:22:37 | 0:22:38 | |
So you're there. | 0:22:38 | 0:22:39 | |
Oh, no. Yep, you're good. OK. | 0:22:39 | 0:22:43 | |
And we're all doing it to that camera. | 0:22:43 | 0:22:45 | |
So, which one am I leaning against? | 0:22:45 | 0:22:46 | |
-I'm leaning towards you, aren't I? -Seductively. | 0:22:46 | 0:22:49 | |
-Are we all doing it? Are we all doing it? -Yeah... | 0:22:51 | 0:22:54 | |
CHEERING | 0:22:54 | 0:22:56 | |
We did it. Very good. Excellent! | 0:22:56 | 0:22:59 | |
Now, here's a thing, ladies and gentlemen. | 0:23:01 | 0:23:04 | |
Whoopi Goldberg, your first big film role, | 0:23:04 | 0:23:07 | |
-your first Oscar nomination, Color Purple... -Yes. | 0:23:07 | 0:23:09 | |
Now, the audition for that, for Steven Spielberg, | 0:23:09 | 0:23:12 | |
did you do like a whole show for him? | 0:23:12 | 0:23:14 | |
Yeah, I'd been doing my show in New York, | 0:23:14 | 0:23:17 | |
and when we were just about finished, | 0:23:17 | 0:23:20 | |
my manager said, | 0:23:20 | 0:23:22 | |
"Oh, Steven Spielberg can't make it to the show in New York. | 0:23:22 | 0:23:27 | |
"He'd like you to come to LA and do your show at Amblin Studios", | 0:23:27 | 0:23:34 | |
which is his studio. | 0:23:34 | 0:23:36 | |
And I was like, "What?!" | 0:23:36 | 0:23:38 | |
They said, "He wants you to come." I said, "But why?" | 0:23:39 | 0:23:42 | |
They said, "Cos he wants to see the show." | 0:23:42 | 0:23:45 | |
I said, "Oh, OK." | 0:23:46 | 0:23:48 | |
Because I thought they were, I thought they were kidding. | 0:23:48 | 0:23:51 | |
And so, when I got to Los Angeles and got to the studio, | 0:23:51 | 0:23:56 | |
I thought, "Oh, maybe this... Maybe this is real!" | 0:23:56 | 0:23:59 | |
And so, I go in... | 0:23:59 | 0:24:02 | |
his secretary comes and he comes and gets me | 0:24:02 | 0:24:05 | |
and all I can think of is... | 0:24:05 | 0:24:07 | |
"Oh, shit!" | 0:24:07 | 0:24:09 | |
Wait, wait, there's, like, no other people there? I mean... | 0:24:09 | 0:24:12 | |
-No! It's just... -There wasn't like a sound stage... | 0:24:12 | 0:24:15 | |
-No, it was just... -..in all of the Amblin and friends? | 0:24:15 | 0:24:18 | |
No, they took me right into his office. | 0:24:18 | 0:24:20 | |
He's sitting there... | 0:24:20 | 0:24:21 | |
He's sitting there and he's smiling at me and he said, | 0:24:21 | 0:24:24 | |
"I want to see your show." | 0:24:24 | 0:24:25 | |
-Come on! -I swear to God. -Come on! | 0:24:25 | 0:24:28 | |
So, this is what happened. | 0:24:28 | 0:24:30 | |
So, I did the show and he laughed a lot, | 0:24:30 | 0:24:33 | |
he liked it, and then he said, "More." | 0:24:33 | 0:24:35 | |
And I had been instructed not to do any more than the show. | 0:24:35 | 0:24:39 | |
-So, what happened? -Well... | 0:24:39 | 0:24:42 | |
I had one more piece, called Blee Tee, | 0:24:42 | 0:24:45 | |
B-L-E-E T-E-E, | 0:24:45 | 0:24:47 | |
about what would happen if ET landed in Oakland. | 0:24:47 | 0:24:53 | |
Now, Oakland, California, at the time, was a very, you know, | 0:24:53 | 0:24:58 | |
it was a rough area, you know, phones didn't work, so... | 0:24:58 | 0:25:01 | |
It was a whole thing, so Blee Tee lands, | 0:25:01 | 0:25:03 | |
he meets these two kids, they take him to the projects. | 0:25:03 | 0:25:06 | |
He wants to phone home, no phones work. | 0:25:06 | 0:25:10 | |
And he then falls in with some guys who are running prostitutes | 0:25:10 | 0:25:15 | |
and he gets a Jheri curl. | 0:25:15 | 0:25:18 | |
I don't know if you remember, Jheri curls were... | 0:25:18 | 0:25:20 | |
Black folks had this thing where we would put this stuff in our hair, | 0:25:20 | 0:25:24 | |
and it would make it look wet and drippy. | 0:25:24 | 0:25:27 | |
And he had a powder blue suit and he was running whores. | 0:25:27 | 0:25:31 | |
And when his people came to get him, | 0:25:31 | 0:25:34 | |
he shot them up, he killed him, cos he... | 0:25:34 | 0:25:37 | |
LAUGHTER | 0:25:37 | 0:25:39 | |
He didn't recognise, he didn't his people. | 0:25:39 | 0:25:42 | |
And the whole point of doing Blee Tee was to remind people | 0:25:42 | 0:25:46 | |
that it's OK to assimilate, but you can never forget who you are. | 0:25:46 | 0:25:51 | |
So, he's on the floor and I'm thinking, "This can't be good." | 0:25:51 | 0:25:55 | |
And then he said, "I want to talk to you, | 0:25:56 | 0:25:58 | |
"I want you to play Celie in The Color Purple." | 0:25:58 | 0:26:01 | |
I said, "Come on, man, what?!" | 0:26:01 | 0:26:03 | |
And he said "Yeah," and I burst into tears. | 0:26:03 | 0:26:06 | |
And I said, "I think I could really suck at this." | 0:26:06 | 0:26:10 | |
And he said, "Have you sucked before?" | 0:26:10 | 0:26:12 | |
APPLAUSE | 0:26:16 | 0:26:19 | |
And I said, "I got to tell you, yeah!" | 0:26:19 | 0:26:21 | |
He said, "Well, then, this one won't bother you." | 0:26:22 | 0:26:25 | |
-And that's how I got to make that movie. -Wow, and aren't we glad! | 0:26:25 | 0:26:29 | |
Yes! APPLAUSE | 0:26:29 | 0:26:31 | |
Now, very quickly, as it's Christmas time, | 0:26:34 | 0:26:37 | |
and we have the nearest thing to royalty on our sofa. | 0:26:37 | 0:26:40 | |
Dame Helen, I wonder, would you do us a little Christmas message? | 0:26:40 | 0:26:43 | |
An inspirational Christmas message. Now, what we're doing, | 0:26:43 | 0:26:45 | |
if you move down to the end of the sofa, | 0:26:45 | 0:26:48 | |
so that the Christmas tree is in behind you. | 0:26:48 | 0:26:50 | |
-Oh, man! -OK. -It's like good production. | 0:26:50 | 0:26:53 | |
-There are words up there. -Yes. -OK. | 0:26:53 | 0:26:56 | |
-Are you all set. Whoa! Oh! Oh! -Hey! Hey! | 0:26:56 | 0:26:59 | |
LAUGHTER AND APPLAUSE | 0:26:59 | 0:27:01 | |
We're not going to have a hey hey! | 0:27:03 | 0:27:05 | |
-It has to come when you're not expecting it. -Yeah, yeah! | 0:27:21 | 0:27:25 | |
OK. So, if you look down, we've got some suitable music for you. | 0:27:25 | 0:27:29 | |
-Here we go. -OK. | 0:27:29 | 0:27:30 | |
NATIONAL ANTHEM PLAYS | 0:27:30 | 0:27:34 | |
Hello. | 0:27:36 | 0:27:38 | |
At this time of celebration and togetherness, | 0:27:38 | 0:27:41 | |
we have the chance to reflect on the year gone by | 0:27:41 | 0:27:44 | |
and I think we can all agree | 0:27:44 | 0:27:46 | |
that 2016 has been a big pile of shit. | 0:27:46 | 0:27:50 | |
LAUGHTER | 0:27:50 | 0:27:51 | |
So, my advice to you is drink responsibly and be merry. | 0:27:59 | 0:28:04 | |
Have a very happy Christmas but, above all, | 0:28:04 | 0:28:08 | |
go see Collateral Beauty, out on Boxing Day, | 0:28:08 | 0:28:11 | |
at all good cinemas. | 0:28:11 | 0:28:14 | |
CHEERING AND APPLAUSE | 0:28:14 | 0:28:16 | |
And that's Helen. Out. | 0:28:17 | 0:28:19 | |
Oh, dear. | 0:28:24 | 0:28:27 | |
Now, a lot of people don't know this, | 0:28:27 | 0:28:29 | |
but Eddie is in fact a highly-trained master magician. | 0:28:29 | 0:28:32 | |
-Are you a member of the Magic Circle? -Um...no. | 0:28:32 | 0:28:36 | |
LAUGHTER | 0:28:36 | 0:28:38 | |
-Wow! -That moment was one of deep despair and loss. | 0:28:41 | 0:28:46 | |
It was a dream when I was a child, but never happened. | 0:28:46 | 0:28:48 | |
-Was it really? -Please tell me you're about to present me | 0:28:48 | 0:28:51 | |
-with some Magic Circle.... -I know that you can do amazing magic, | 0:28:51 | 0:28:54 | |
-because we have here just a totally ordinary colouring book. -Oh! | 0:28:54 | 0:28:59 | |
-This is totally ordinary. -Oh! | 0:28:59 | 0:29:02 | |
But Eddie can do magic with it. | 0:29:02 | 0:29:06 | |
-Isn't that right, Eddie? -I mean... | 0:29:06 | 0:29:08 | |
Are you sitting comfortably, children? | 0:29:10 | 0:29:13 | |
-No! -Oh! | 0:29:13 | 0:29:15 | |
It's totally ordinary, | 0:29:15 | 0:29:17 | |
-but you mustn't touch it! -Nothing unusual, at all. | 0:29:17 | 0:29:19 | |
-OK. -Eddie's got it. -So excited. | 0:29:21 | 0:29:25 | |
So, I loved Paul Daniels. | 0:29:25 | 0:29:27 | |
You probably won't know who Paul Daniels is. | 0:29:27 | 0:29:29 | |
The late Paul Daniels was an amazing magician, who used to be on telly | 0:29:29 | 0:29:32 | |
every Saturday night, and I was obsessed with him. | 0:29:32 | 0:29:34 | |
This is my moment to be on television doing magic. | 0:29:34 | 0:29:37 | |
-Ben, are you ready? -I'm ready. | 0:29:37 | 0:29:38 | |
This is a colouring book, there is nothing weird, odd or bizarre | 0:29:38 | 0:29:42 | |
about it, other than it says the word "magic" on the front of it. | 0:29:42 | 0:29:46 | |
There is actually nothing in the colouring book. I'm showing you. | 0:29:46 | 0:29:50 | |
-Do you see? -There is nothing. -Nothing in it. | 0:29:50 | 0:29:53 | |
-But, Bryan... -Yes. | 0:29:54 | 0:29:56 | |
Will you blow on the colouring book? | 0:29:57 | 0:29:59 | |
I beg your pardon? | 0:30:00 | 0:30:02 | |
No, harder than that. | 0:30:05 | 0:30:07 | |
LAUGHTER | 0:30:07 | 0:30:10 | |
Come on! Blow hard! | 0:30:13 | 0:30:14 | |
APPLAUSE | 0:30:14 | 0:30:16 | |
I'm going to blow hard. OK. Ah! | 0:30:16 | 0:30:19 | |
Let's see what that's done, shall we? | 0:30:19 | 0:30:21 | |
Oh! Oh, wow! | 0:30:23 | 0:30:26 | |
Pictures, don't you know! | 0:30:26 | 0:30:28 | |
-Wow. -That is some crazy magic! | 0:30:28 | 0:30:30 | |
-There's more, there's more. -More?! -Don't stop me right there. | 0:30:30 | 0:30:33 | |
There's more! | 0:30:33 | 0:30:34 | |
OK, so the next stage is... | 0:30:34 | 0:30:37 | |
-Now we have pictures, Ben, we have pictures. -I can see the pictures. | 0:30:37 | 0:30:41 | |
-Will you blow on it? -I will. | 0:30:41 | 0:30:45 | |
-Give me your full Smaug. -I will blow hard. | 0:30:45 | 0:30:48 | |
-Pah! -OK, good. | 0:30:48 | 0:30:50 | |
Was it hard enough? | 0:30:50 | 0:30:52 | |
I should do panto! Oh, yes! | 0:30:52 | 0:30:55 | |
-Was it hard enough? -Look, Mum. We've talked about this, Mum! -Let's see. | 0:30:55 | 0:30:58 | |
-No, it wasn't hard enough. -Oh! | 0:30:58 | 0:31:01 | |
But I'm a wizard. | 0:31:01 | 0:31:03 | |
-And I've got my wand. -Oh! CHEERING | 0:31:03 | 0:31:06 | |
That was good! | 0:31:07 | 0:31:09 | |
-It's been sitting there awkwardly for the whole show. -Don't spoil it! | 0:31:09 | 0:31:13 | |
Sorry. And maybe, for full-on Marvel, like, wizarding crossover, | 0:31:13 | 0:31:21 | |
-the potential for Doctor Strange... -We might get sued for this. | 0:31:21 | 0:31:24 | |
Will you give us a spell, Ben? | 0:31:24 | 0:31:26 | |
-Aza-ka-zham! -Good! -Very good. | 0:31:27 | 0:31:30 | |
Actually, better than I did. | 0:31:30 | 0:31:33 | |
Drumroll? | 0:31:33 | 0:31:35 | |
There you go! | 0:31:35 | 0:31:37 | |
Oh, my! Oh! Oh! Oh! | 0:31:39 | 0:31:42 | |
APPLAUSE | 0:31:42 | 0:31:44 | |
That's good! | 0:31:45 | 0:31:47 | |
Now, Nadiya, so, Bake Off, winning Bake Off, I think... | 0:31:47 | 0:31:52 | |
I mean, I think... You are everyone's favourite winner. | 0:31:52 | 0:31:55 | |
-I mean, that final was just so emotional and lovely. -Yeah. | 0:31:55 | 0:31:58 | |
-Are you recognised everywhere you go now? -Yes. Yes. -Everywhere? | 0:31:58 | 0:32:04 | |
It's not a bad thing. | 0:32:04 | 0:32:05 | |
You know, people are lovely, people are so nice. Some not so nice, | 0:32:05 | 0:32:07 | |
but mostly nice. | 0:32:07 | 0:32:08 | |
-Um... And... -LAUGHTER | 0:32:08 | 0:32:11 | |
Yeah, mostly nice. | 0:32:11 | 0:32:13 | |
But I recently went... | 0:32:13 | 0:32:15 | |
And I'm not shy, we've all got to do it. I went for my smear test... | 0:32:15 | 0:32:19 | |
All been there. LAUGHTER | 0:32:19 | 0:32:21 | |
Yes, yes. | 0:32:21 | 0:32:23 | |
-And, as you do. -Yep. | 0:32:23 | 0:32:25 | |
And it's that God-awful fear, where you think, | 0:32:25 | 0:32:27 | |
"Oh, I really don't want to go. I just want to get this over with. | 0:32:27 | 0:32:30 | |
"I've shaved my legs. Let's do this, come on." | 0:32:30 | 0:32:33 | |
And then, you turn up and I just thought, | 0:32:33 | 0:32:35 | |
"Please don't recognise me, please don't recognise me. | 0:32:35 | 0:32:37 | |
"I hope she doesn't recognise me. Just go in, get it done, get out." | 0:32:37 | 0:32:41 | |
-There I was, speculum... -LAUGHTER | 0:32:41 | 0:32:45 | |
..and she said, "So, is Paul Hollywood really that good looking?" | 0:32:45 | 0:32:49 | |
LAUGHTER | 0:32:49 | 0:32:50 | |
-That's a way to get you to relax! -LAUGHTER | 0:32:55 | 0:32:58 | |
Comes at you with the Eiffel Tower. | 0:32:58 | 0:33:01 | |
APPLAUSE | 0:33:01 | 0:33:05 | |
I wonder what made her think of him. | 0:33:05 | 0:33:08 | |
-The beard? -LAUGHTER | 0:33:08 | 0:33:11 | |
-Too much? -Yeah, maybe! | 0:33:13 | 0:33:16 | |
But the thing is, we didn't get this. I don't think we got it here, | 0:33:16 | 0:33:19 | |
called The Voyage Of The Mimi. | 0:33:19 | 0:33:21 | |
How old were you when you presented Voyage Of The Mimi? | 0:33:21 | 0:33:23 | |
I did it over a period of time. I'm not sure which clips you have, | 0:33:23 | 0:33:26 | |
there's some where I'm ten and some where I'm 13. | 0:33:26 | 0:33:28 | |
-I think this might be a later... -I was even 14, when I came to England. | 0:33:28 | 0:33:33 | |
You might be 14 in this one, cos this is in England. | 0:33:33 | 0:33:35 | |
This is to just give you a taste of Voyage Of The Mimi. | 0:33:35 | 0:33:38 | |
Hi, I'm Ben Affleck. | 0:33:38 | 0:33:40 | |
Archaeologists, like the ones in the second Voyage Of The Mimi, | 0:33:40 | 0:33:43 | |
are a lot like detectives, but their clues are hundreds, | 0:33:43 | 0:33:46 | |
even thousands, of years old and they can never really be sure | 0:33:46 | 0:33:49 | |
if they've solved their mysteries, you know, | 0:33:49 | 0:33:51 | |
never really know what was happening back in the past. | 0:33:51 | 0:33:54 | |
Well, there's a man here, 60 miles south-west of London, England, | 0:33:54 | 0:33:57 | |
who's doing some archaeology that might help provide some new clues | 0:33:57 | 0:34:01 | |
for some old mysteries. | 0:34:01 | 0:34:02 | |
Oooh. APPLAUSE | 0:34:02 | 0:34:05 | |
Beautiful work. | 0:34:05 | 0:34:07 | |
Very relaxed. | 0:34:07 | 0:34:10 | |
-I knew how to set up a story. -You just looked really relaxed. | 0:34:10 | 0:34:13 | |
Those jeans said, "Hands in pockets," didn't they? | 0:34:13 | 0:34:17 | |
You know when you get a laugh just on saying, "I'm Ben Affleck." | 0:34:17 | 0:34:21 | |
I was a very gangly young man, who came to England and was... | 0:34:21 | 0:34:27 | |
There was a documentary, I think, about Greenwich Mean Time. | 0:34:27 | 0:34:29 | |
I'd never been to England before, | 0:34:29 | 0:34:31 | |
I was all excited about the time difference. | 0:34:31 | 0:34:33 | |
-It was a big thrill. -Now, when you were talking, | 0:34:33 | 0:34:34 | |
obviously you're a very bright man, | 0:34:34 | 0:34:36 | |
did you understand what they were saying to you? | 0:34:36 | 0:34:40 | |
No, it was totally beyond me. I had no idea. | 0:34:40 | 0:34:43 | |
They worked me to the bone, so I was half asleep all the time. | 0:34:43 | 0:34:45 | |
They would get to my reaction shots, at the end of the day, | 0:34:45 | 0:34:47 | |
you know, I was just kind of going like, "Yeah." | 0:34:47 | 0:34:50 | |
You are a very good actor, but I have to say, | 0:34:50 | 0:34:52 | |
you do seem a little unengaged in some of your listening shots. | 0:34:52 | 0:34:56 | |
We just put together a few, a selection. | 0:34:56 | 0:34:58 | |
Also, so, there are two things to enjoy here. | 0:34:58 | 0:35:02 | |
It's Ben Affleck's unengaged listening face and the experts, who, | 0:35:02 | 0:35:07 | |
I don't know who you are, experts, but you are amazing. | 0:35:07 | 0:35:11 | |
I'm not really involved with the physics of these machines. | 0:35:11 | 0:35:14 | |
My job is to design these big magnetic devices. | 0:35:14 | 0:35:19 | |
So those oscillations in skin temperature represent turning on, | 0:35:19 | 0:35:23 | |
sweating, evaporative cooling. | 0:35:23 | 0:35:25 | |
Turning off, sweating, | 0:35:25 | 0:35:27 | |
waiting until the skin temperature gets hot again. | 0:35:27 | 0:35:29 | |
And then it cycles. | 0:35:29 | 0:35:31 | |
What happens to us here in the stone yard, Ben, | 0:35:31 | 0:35:33 | |
is to actually follow the life of one stone in particular, | 0:35:33 | 0:35:37 | |
right the way from the quarry, | 0:35:37 | 0:35:39 | |
as we get it here in the rough block... | 0:35:39 | 0:35:41 | |
Other animals pant, | 0:35:41 | 0:35:43 | |
breathing rapidly over their tongue and mucous membranes | 0:35:43 | 0:35:45 | |
to get evaporative cooling there and some through the foot pads. | 0:35:45 | 0:35:49 | |
There's a little bit of temperature and heat exchange through | 0:35:49 | 0:35:51 | |
their foot pads, but mostly panting. | 0:35:51 | 0:35:53 | |
APPLAUSE | 0:35:53 | 0:35:58 | |
-You did well. -Yeah, that is my... I still use that face. | 0:35:58 | 0:36:02 | |
That look is all over Pearl Harbor. | 0:36:02 | 0:36:05 | |
Animals, I know you've talked about animals a lot, | 0:36:05 | 0:36:08 | |
because you were very young... | 0:36:08 | 0:36:10 | |
You always were interested in nature and animals. | 0:36:10 | 0:36:12 | |
I've always been fascinated with science and nature. | 0:36:12 | 0:36:14 | |
That's probably my first love, you know, | 0:36:14 | 0:36:16 | |
before film, or comedy, or even music. | 0:36:16 | 0:36:19 | |
Yeah, and... | 0:36:19 | 0:36:20 | |
..I remember when I was about... | 0:36:21 | 0:36:24 | |
Along with that, growing up in my family, | 0:36:24 | 0:36:26 | |
everyone was winding everyone up. | 0:36:26 | 0:36:28 | |
I was the youngest of four, and I remember once when my sister, | 0:36:28 | 0:36:33 | |
she must've been about, I don't know, 25 or something. | 0:36:33 | 0:36:36 | |
I was, like, eight. | 0:36:36 | 0:36:38 | |
And they used to take me out in the woods. | 0:36:38 | 0:36:40 | |
And I used to be foraging. | 0:36:40 | 0:36:42 | |
I used to love insects and I knew about space and everything. | 0:36:42 | 0:36:45 | |
And I found a perfect little discarded snakeskin. | 0:36:45 | 0:36:50 | |
And I picked it up and my sister was scared of it. | 0:36:50 | 0:36:52 | |
And I suddenly thought, "I've got her." And I was teasing her. | 0:36:52 | 0:36:55 | |
And she was going, "Put it down, it's got germs." | 0:36:55 | 0:36:57 | |
And I was running around chasing her. | 0:36:57 | 0:36:58 | |
And she went, "You're not coming in the car with that." | 0:36:58 | 0:37:01 | |
So eventually I left it there. And then when I was about 15, | 0:37:01 | 0:37:03 | |
I was at home with a few of my mates | 0:37:03 | 0:37:05 | |
and I decided to wind her up and I started teasing her about | 0:37:05 | 0:37:08 | |
how she was scared of snakes, I chased her with a snakeskin. | 0:37:08 | 0:37:10 | |
And she chose that time to tell me that I'd actually been running | 0:37:10 | 0:37:14 | |
around with a used condom. | 0:37:14 | 0:37:16 | |
LAUGHTER | 0:37:16 | 0:37:18 | |
So, yeah... | 0:37:27 | 0:37:29 | |
"Look, it left its poison!" | 0:37:29 | 0:37:31 | |
Fifty Shades Darker, but, actually, this isn't darker. | 0:37:34 | 0:37:37 | |
It's more romantic, I would say. | 0:37:37 | 0:37:39 | |
Yeah, I think that's probably true, yeah. | 0:37:39 | 0:37:42 | |
Yes. There's probably more sex in it... | 0:37:42 | 0:37:45 | |
GIGGLING | 0:37:45 | 0:37:46 | |
LAUGHTER | 0:37:46 | 0:37:49 | |
More sex?! Jamie doesn't speak. | 0:37:49 | 0:37:52 | |
No. | 0:37:52 | 0:37:54 | |
I make noises. | 0:37:54 | 0:37:55 | |
I make, like...American-accented noises throughout. No... | 0:37:58 | 0:38:02 | |
Yeah, that's actually a question, though - do they let you do that? | 0:38:02 | 0:38:05 | |
When you're doing the scenes, does the director say, | 0:38:05 | 0:38:10 | |
"More vocalisation" or do they say less? | 0:38:10 | 0:38:13 | |
-There's often stuff... -JAMIE CHUCKLES | 0:38:13 | 0:38:16 | |
-It's like... -KEANU SCREAMS | 0:38:16 | 0:38:19 | |
-They're like, "No, that's not good." -No-one comes like that. | 0:38:19 | 0:38:22 | |
LAUGHTER AND APPLAUSE | 0:38:22 | 0:38:24 | |
Yeah, they do. Yeah, they do, man. | 0:38:26 | 0:38:30 | |
There are some scenes where they will play music, maybe... | 0:38:30 | 0:38:35 | |
If it's a wide shot and it's not all... | 0:38:35 | 0:38:39 | |
It's the closest we get to sort of, kind of, | 0:38:39 | 0:38:41 | |
just going for it in one piece. They'll play music or something. | 0:38:41 | 0:38:46 | |
My temptation is always just to try to make Dakota laugh. | 0:38:46 | 0:38:49 | |
Sometimes I'll do things like... | 0:38:49 | 0:38:51 | |
When there's a moment where I'm meant to, you know, orgasm, | 0:38:51 | 0:38:55 | |
I'll be like... | 0:38:55 | 0:38:56 | |
# Doodle-do do-do-do! # | 0:38:56 | 0:38:58 | |
LAUGHTER | 0:38:58 | 0:39:00 | |
See, people do THAT, Keanu. | 0:39:01 | 0:39:03 | |
Which, by the way, if they don't, they should. | 0:39:03 | 0:39:06 | |
It's like a Ryanair flight when a Ryanair flight lands, | 0:39:06 | 0:39:09 | |
# Doodle-do do-do-do. # | 0:39:09 | 0:39:10 | |
-Yeah. -APPLAUSE | 0:39:15 | 0:39:17 | |
And actually there's a link between Mo and Tom. | 0:39:19 | 0:39:21 | |
Because the last time you were on, you remember those memes | 0:39:21 | 0:39:25 | |
-people would do, the Mo Farah running away from things? -Yeah. | 0:39:25 | 0:39:28 | |
-So, Mo Farah running away from a bear. -Oh! | 0:39:28 | 0:39:31 | |
Mo Farah in a bull run. | 0:39:32 | 0:39:34 | |
Mo Farah in the Sound Of Music. | 0:39:35 | 0:39:38 | |
And there is one of Mo Farah running away from Forrest Gump. | 0:39:40 | 0:39:44 | |
-I like that. -One of the reasons, like, | 0:39:50 | 0:39:52 | |
I'll always remember Tom and obviously it's amazing what he does, | 0:39:52 | 0:39:55 | |
is when you go out for a run, "Run, Forrest, run!" | 0:39:55 | 0:39:58 | |
-But it's a nice thing, it's a compliment. -It's lovely. | 0:40:00 | 0:40:03 | |
You've got to think, you've gone to all that trouble of becoming | 0:40:03 | 0:40:05 | |
a famous runner, and they're still calling you another name. | 0:40:05 | 0:40:08 | |
How hard is Mo? | 0:40:08 | 0:40:10 | |
Run, Farah, run. Maybe that could work. See, there you go. | 0:40:11 | 0:40:14 | |
-Run, Farah, run. Take it, folks. It is my gift unto you. -They are. | 0:40:14 | 0:40:21 | |
Actually, could you do a lovely thing, Tom, | 0:40:21 | 0:40:23 | |
could you do a lovely thing? | 0:40:23 | 0:40:24 | |
Just cos Mo's here - he's the greatest runner in the world. | 0:40:24 | 0:40:27 | |
Could you do the line from Forrest Gump where | 0:40:27 | 0:40:29 | |
he suddenly discovers how much he likes running? | 0:40:29 | 0:40:32 | |
I would be happy to do it, | 0:40:32 | 0:40:34 | |
but you must show the lady with the cue card, | 0:40:34 | 0:40:36 | |
cos otherwise people will think that I've actually memorised this. | 0:40:36 | 0:40:39 | |
Show the lady with the cue card, cut over to her. Just show... See? | 0:40:39 | 0:40:42 | |
There she is. She's there. | 0:40:42 | 0:40:45 | |
I will in fact do it. OK, it is... | 0:40:45 | 0:40:47 | |
-This is for you, Mo. -This is for you, Mo. | 0:40:47 | 0:40:50 | |
"Now you wouldn't believe me if I told you, but I could run | 0:40:50 | 0:40:53 | |
"like the wind blows. | 0:40:53 | 0:40:55 | |
"From that day on, if I was going somewhere, I was RUNNING." | 0:40:55 | 0:41:01 | |
CHEERING AND APPLAUSE | 0:41:01 | 0:41:03 | |
It's going to haunt you for the rest of your days. | 0:41:03 | 0:41:07 | |
Don't embrace it too much. | 0:41:07 | 0:41:09 | |
It makes us all so happy. It makes us happy! | 0:41:09 | 0:41:11 | |
And the interview where you talked about your approach to the race, | 0:41:14 | 0:41:17 | |
the phrases you used in that - | 0:41:17 | 0:41:19 | |
so, explain to people what you said in that. | 0:41:19 | 0:41:22 | |
-Do you know which one? -Which one? -What did we say? | 0:41:22 | 0:41:24 | |
-About going A to B as fast as you can. -Oh, yeah. -Yeah. | 0:41:24 | 0:41:26 | |
It is a fairly simple sport, like. | 0:41:26 | 0:41:29 | |
There's a start line and a finish line. | 0:41:31 | 0:41:33 | |
Don't complicate things, like. | 0:41:33 | 0:41:35 | |
People do complicate it, like. | 0:41:35 | 0:41:37 | |
Your man says "go" at the start, and there's a hooter at the finish, | 0:41:37 | 0:41:39 | |
and if you can get from "go" to the hooter, | 0:41:39 | 0:41:42 | |
-then... -No bullshit, like. -Yeah. | 0:41:42 | 0:41:44 | |
And then this thing about closing your eyes and pull like a dog. | 0:41:46 | 0:41:49 | |
-Yeah. -That phrase, who came up with that? | 0:41:49 | 0:41:51 | |
-That was Paul. -That was mine, yeah. | 0:41:51 | 0:41:53 | |
-Is "pull like a dog" - is that a phrase? -No! | 0:41:53 | 0:41:55 | |
It is now, apparently! | 0:41:55 | 0:41:57 | |
It's everywhere now in Ireland. | 0:41:59 | 0:42:01 | |
-Yeah. -It is. -Like, you'll be walking down the street, there, | 0:42:01 | 0:42:04 | |
in Dublin or somewhere, | 0:42:04 | 0:42:05 | |
and a fella would shout across the road, like, "Pull like a dog." | 0:42:05 | 0:42:07 | |
-"Pull like a dog," yeah. -The best ever! | 0:42:07 | 0:42:10 | |
Lads will be encouraging inside a nightclub, | 0:42:10 | 0:42:12 | |
"Close your eyes and pull like a dog." | 0:42:12 | 0:42:15 | |
Have you ever had a member of your desired sex | 0:42:19 | 0:42:23 | |
tell you to pull like a dog? | 0:42:23 | 0:42:25 | |
LAUGHTER | 0:42:27 | 0:42:28 | |
The questions are getting harder now. | 0:42:30 | 0:42:33 | |
But... But wasn't there a guy that came up to you in a...? | 0:42:33 | 0:42:36 | |
That's right. Some fella came up to Paul inside a nightclub | 0:42:36 | 0:42:39 | |
-in Skibbereen, like, and he had a... -Oh, a tattoo, yeah! | 0:42:39 | 0:42:41 | |
Like proper ink tattoo, like, | 0:42:41 | 0:42:43 | |
across his full forearm saying, "Pull like a dog". | 0:42:43 | 0:42:46 | |
-Wow. -I was like, that was nuts, like. | 0:42:46 | 0:42:49 | |
He may live to regret that. | 0:42:49 | 0:42:51 | |
Probably wanking away, there. | 0:42:51 | 0:42:54 | |
APPLAUSE | 0:42:55 | 0:42:58 | |
And the dance troupe you were in, can you tell us about it? | 0:43:05 | 0:43:08 | |
Because, apparently, young dancers, they can be quite vicious. | 0:43:08 | 0:43:12 | |
It's a cut-throat business. | 0:43:12 | 0:43:14 | |
And I had to get out. | 0:43:14 | 0:43:16 | |
LAUGHTER | 0:43:16 | 0:43:17 | |
I was on some kind of a Canadian Star Search, | 0:43:17 | 0:43:22 | |
and I somehow made it to the finals, | 0:43:22 | 0:43:24 | |
and my main competition were these two... | 0:43:24 | 0:43:28 | |
twins who were tap dancers, | 0:43:28 | 0:43:30 | |
-and they were dancing to Phil Collins' Two Hearts. -Ooh! | 0:43:30 | 0:43:34 | |
And they had big heart-shaped bows and they were just... | 0:43:34 | 0:43:37 | |
They were the ones to beat so... | 0:43:37 | 0:43:41 | |
I remember wishing them luck and going on stage | 0:43:41 | 0:43:44 | |
and I was getting ready to start. | 0:43:44 | 0:43:46 | |
I was dancing to Everybody Dance Now by C+C Music Factory, of course. | 0:43:46 | 0:43:49 | |
-Mm, yeah. -And I'm getting ready to start. | 0:43:49 | 0:43:51 | |
This is how you start a winning dance number, if you want to know. | 0:43:51 | 0:43:56 | |
I'm going to get out of your hand's way. Go ahead, go up. | 0:43:56 | 0:43:59 | |
And I look up into the... | 0:43:59 | 0:44:01 | |
just off stage and the two twins are standing there | 0:44:01 | 0:44:04 | |
like the twins from The Shining. | 0:44:04 | 0:44:08 | |
And they're just going like this... | 0:44:08 | 0:44:09 | |
LAUGHTER | 0:44:09 | 0:44:11 | |
APPLAUSE | 0:44:11 | 0:44:14 | |
And I was like, "All right, this means war," so I just shimmied | 0:44:16 | 0:44:22 | |
my way all the way to that trophy, to that tiny little trophy. | 0:44:22 | 0:44:27 | |
No, because, is this the same troupe? | 0:44:27 | 0:44:29 | |
I was going to say it's an all-girl troupe but obviously it's not, | 0:44:29 | 0:44:31 | |
-you're in it. -Right. -But... | 0:44:31 | 0:44:34 | |
-Thank you. -But you are the only boy in it. | 0:44:34 | 0:44:37 | |
-Yeah, that was the... -Was that the...? | 0:44:37 | 0:44:39 | |
-That was the point. -That was the gimmick. | 0:44:39 | 0:44:41 | |
They let me dance there for free because I was a guy, | 0:44:41 | 0:44:43 | |
because if you had a guy, you would win. | 0:44:43 | 0:44:47 | |
-Oh, OK. -Yeah. -So are you ready to see...? | 0:44:47 | 0:44:50 | |
AUDIENCE: Yes! | 0:44:50 | 0:44:53 | |
I believe you're dancing to Cathy Dennis' classic Touch Me. | 0:44:53 | 0:44:57 | |
And how old are you in this one? | 0:44:59 | 0:45:02 | |
Old enough to know better. | 0:45:02 | 0:45:03 | |
LAUGHTER | 0:45:03 | 0:45:05 | |
Enjoy. | 0:45:05 | 0:45:07 | |
LAUGHTER | 0:45:15 | 0:45:17 | |
CHEERING AND APPLAUSE | 0:45:25 | 0:45:28 | |
Hey, it's nearly time to go, | 0:45:32 | 0:45:34 | |
but we've just got time to go for the visit | 0:45:34 | 0:45:38 | |
-to the Big Red Chair. Hello! -Hello. | 0:45:38 | 0:45:40 | |
-Hello! Hi, what's your name? -James. | 0:45:40 | 0:45:42 | |
-James, lovely James. And what do you do? -I'm a civil servant. | 0:45:42 | 0:45:45 | |
A civil servant, lovely. In London here? | 0:45:45 | 0:45:47 | |
-Yes, in London. -And are you from the London area? | 0:45:47 | 0:45:50 | |
No, I live in London, but I'm originally from Suffolk. | 0:45:50 | 0:45:53 | |
-Oh... Oh! -Yeah, mate! -It's a Suffolk massive. | 0:45:53 | 0:45:56 | |
LAUGHTER | 0:45:56 | 0:45:58 | |
What school did you go to? | 0:45:58 | 0:45:59 | |
Erm, so I went to Brandeston. | 0:45:59 | 0:46:02 | |
Oh, sweet, yeah. I went there for primary school. | 0:46:02 | 0:46:05 | |
-Yeah. -OK. -Did we know each other? -Yeah. | 0:46:05 | 0:46:08 | |
-Did we? -LAUGHTER AND APPLAUSE | 0:46:08 | 0:46:10 | |
I'm not wearing my glasses. | 0:46:10 | 0:46:12 | |
-Have a look. -I'm not wearing my glasses. | 0:46:12 | 0:46:14 | |
-What was it, James? -Hello, yeah. -James. | 0:46:14 | 0:46:17 | |
-Yes. -Mee?! | 0:46:17 | 0:46:18 | |
-That's the one. -What the fuck?! | 0:46:18 | 0:46:20 | |
LAUGHTER AND APPLAUSE | 0:46:20 | 0:46:23 | |
-You do know him? -He was my best mate growing up! -You're kidding? | 0:46:23 | 0:46:26 | |
He was my best mate growing up! | 0:46:26 | 0:46:27 | |
-And now you're talking to him on a monitor. -I'm not... | 0:46:27 | 0:46:30 | |
-I'm not wearing my specs, and he's like... -Oh, my God. | 0:46:30 | 0:46:33 | |
What the hell? Can we not flip him and just get out here? | 0:46:33 | 0:46:35 | |
-Yeah, do you have a story or...? -Yeah, I did, but it's up to you. | 0:46:35 | 0:46:39 | |
-JOSH: -Please let it be about Ed. -It is about Ed. | 0:46:39 | 0:46:41 | |
-OK, tell your story... -OK, cool. | 0:46:41 | 0:46:43 | |
-..then we'll flip you and... -I'm going to sit with you. | 0:46:43 | 0:46:45 | |
Oh, OK. Tell the story, tell the story. | 0:46:45 | 0:46:47 | |
OK, cool. So, yeah, as Ed was saying... | 0:46:47 | 0:46:49 | |
-This is so random, mate! -I know, it's really weird. | 0:46:49 | 0:46:51 | |
Yeah, when we were younger, Ed used to come round my house, | 0:46:51 | 0:46:54 | |
and, yeah, like you were saying, we used to be quite good mates. | 0:46:54 | 0:46:56 | |
-Best mates. -And I remember one time, | 0:46:56 | 0:46:58 | |
one time he was coming round for tea, | 0:46:58 | 0:47:00 | |
and I had forgotten to tell Mum he was a vegetarian. | 0:47:00 | 0:47:03 | |
At that point, anyway. | 0:47:03 | 0:47:04 | |
So Mum cooked, I think it was sausages and mash for tea. | 0:47:04 | 0:47:07 | |
And Ed said, you know, after the meal, | 0:47:07 | 0:47:09 | |
"These are the best sausages I've ever tasted, | 0:47:09 | 0:47:11 | |
"where did you get them from?" | 0:47:11 | 0:47:13 | |
And Mum had to lie, cos she had no clue, | 0:47:13 | 0:47:15 | |
and so, yeah... | 0:47:15 | 0:47:17 | |
-That was the first... -16 years later, I'm really sorry! | 0:47:17 | 0:47:19 | |
The first time I ever had meat. | 0:47:19 | 0:47:21 | |
And also the first time I ever watched a Simpsons episode | 0:47:21 | 0:47:23 | |
-was round your house as well. -Yeah, that's right. | 0:47:23 | 0:47:25 | |
-OK. Well done, we're going to flip you now. -Come in! | 0:47:25 | 0:47:28 | |
We can be reunited back stage, OK? | 0:47:28 | 0:47:29 | |
-Put him on the couch! -OK. OK, there he goes. | 0:47:29 | 0:47:33 | |
-APPLAUSE -That's nuts. | 0:47:33 | 0:47:35 | |
Bring him on, bring him on, he wants to meet him. | 0:47:36 | 0:47:39 | |
I feel like Cilla Black on Surprise Surprise. | 0:47:39 | 0:47:41 | |
There he is! | 0:47:42 | 0:47:44 | |
APPLAUSE AND CHEERING | 0:47:44 | 0:47:46 | |
Come on! Have a seat, have a seat, have a seat, do! | 0:47:48 | 0:47:51 | |
LAUGHTER | 0:47:51 | 0:47:54 | |
APPLAUSE | 0:47:54 | 0:47:58 | |
APPLAUSE AND CHEERING | 0:48:18 | 0:48:21 |