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-Hi, I'm Hugh Jackman. -And I'm Patrick Stewart. | 0:00:01 | 0:00:03 | |
Welcome to The Graham Norton Show. | 0:00:03 | 0:00:05 | |
CHEERING | 0:00:05 | 0:00:07 | |
Oh! Oh! | 0:00:22 | 0:00:24 | |
Oh, yes! | 0:00:24 | 0:00:27 | |
Yes! Yes! | 0:00:27 | 0:00:29 | |
Oh-ho-ho-ho! | 0:00:29 | 0:00:31 | |
Oh! | 0:00:32 | 0:00:33 | |
Just living in the moment, living in the moment. | 0:00:33 | 0:00:37 | |
Hello! Good evening, welcome to the show. | 0:00:38 | 0:00:41 | |
Yes, Hugh Jackman and Patrick Stewart are here. Yeah! | 0:00:41 | 0:00:45 | |
CHEERING | 0:00:45 | 0:00:46 | |
How exciting is that? They are the stars of Logan. | 0:00:46 | 0:00:49 | |
Logan, the new X-Men movie. | 0:00:49 | 0:00:51 | |
In this film, an elderly, | 0:00:51 | 0:00:53 | |
ailing Professor X is being cared for by Wolverine. | 0:00:53 | 0:00:57 | |
Aww. Remind you of anyone? Yeah. | 0:00:57 | 0:01:00 | |
LAUGHTER | 0:01:00 | 0:01:02 | |
You know what? | 0:01:03 | 0:01:04 | |
I'm not sure Wolverine caring for Professor X is a great idea. | 0:01:04 | 0:01:08 | |
I mean, I wouldn't want those hands wiping your bum. | 0:01:08 | 0:01:13 | |
"Could you...? No, don't worry." | 0:01:13 | 0:01:15 | |
Hey, did everyone watch non-league Sutton play Arsenal in the FA Cup? | 0:01:15 | 0:01:19 | |
CHEERING | 0:01:19 | 0:01:21 | |
Really? I didn't. | 0:01:21 | 0:01:22 | |
Hey, much controversy, though - basically, the Sun published | 0:01:23 | 0:01:27 | |
official odds on Sutton United's reserve goalie, | 0:01:27 | 0:01:29 | |
Wayne Shaw, eating a pie on camera before the end of the game. | 0:01:29 | 0:01:33 | |
I mean, you do wonder, why is he the reserve goalie? | 0:01:33 | 0:01:37 | |
LAUGHTER | 0:01:37 | 0:01:40 | |
Yes, I see. | 0:01:40 | 0:01:41 | |
So, interestingly, once the bet was official, | 0:01:43 | 0:01:45 | |
Wayne was clearly seen eating a pie, and it raises a lot of questions. | 0:01:45 | 0:01:50 | |
Mainly, who let him be in a football team? I mean... | 0:01:50 | 0:01:53 | |
In the end, poor Wayne was forced to resign from the team. Aww. | 0:01:54 | 0:01:57 | |
He said he's left the club with a heavy heart. | 0:01:57 | 0:02:00 | |
I imagine it's all the cholesterol. | 0:02:00 | 0:02:02 | |
So, we've got a great show for you, with some surprises along the way. | 0:02:02 | 0:02:05 | |
Later we'll have the new single from the marvellous James Blunt. | 0:02:05 | 0:02:08 | |
Yes. CHEERING | 0:02:08 | 0:02:10 | |
But first, let's meet the stars of Logan. | 0:02:10 | 0:02:13 | |
He's been captain of the Enterprise, | 0:02:13 | 0:02:15 | |
the world's most powerful professor | 0:02:15 | 0:02:17 | |
and is a real-life Knight of the Realm. | 0:02:17 | 0:02:19 | |
Please welcome the great Sir Patrick Stewart, is here. | 0:02:19 | 0:02:21 | |
CHEERING Yes! Yes! | 0:02:21 | 0:02:24 | |
Come round that way. Hello, sir, so nice to see you. | 0:02:27 | 0:02:30 | |
-Lovely to see you. -You too. | 0:02:30 | 0:02:32 | |
-Look at you! -No, you! You, you! Sit down. | 0:02:32 | 0:02:35 | |
That's Sir Patrick Stewart. | 0:02:35 | 0:02:37 | |
And he's one of Australia's greatest exports. | 0:02:39 | 0:02:41 | |
He sings, he dances, he kicks ass. | 0:02:41 | 0:02:43 | |
Please welcome Wolverine himself, it's the fabulous Hugh Jackman. | 0:02:43 | 0:02:46 | |
CHEERING | 0:02:46 | 0:02:49 | |
Hello! | 0:02:49 | 0:02:50 | |
So nice to see you. | 0:02:50 | 0:02:52 | |
Come in, sit down. | 0:02:52 | 0:02:53 | |
Good to see you. | 0:02:55 | 0:02:58 | |
Oh! | 0:02:58 | 0:02:59 | |
They're happy now. They're very happy now, | 0:03:00 | 0:03:02 | |
very happy. | 0:03:02 | 0:03:03 | |
-Welcome to you both. -Where's my mum? | 0:03:04 | 0:03:06 | |
My mum's out there tonight. | 0:03:06 | 0:03:07 | |
Where's Mum? There's Mum. | 0:03:07 | 0:03:09 | |
-Hey! -Hey, Mum! | 0:03:09 | 0:03:11 | |
Wow! | 0:03:11 | 0:03:12 | |
You're a lucky man. | 0:03:15 | 0:03:16 | |
Aww, and a lucky mother, it's all good. | 0:03:18 | 0:03:20 | |
Welcome to our shores. | 0:03:20 | 0:03:22 | |
-ENGLISH ACCENT: -What do you mean, welcome to your shores? | 0:03:22 | 0:03:24 | |
Oh, careful, careful. | 0:03:24 | 0:03:26 | |
Trouble! | 0:03:26 | 0:03:27 | |
Uh-oh. | 0:03:27 | 0:03:29 | |
-Well, that was literally, like, a second into the show. -Yes. | 0:03:29 | 0:03:32 | |
And it's gone horribly wrong. Welcome to the SHOW, I said. | 0:03:32 | 0:03:35 | |
-Don't get into it, it's too complicated. -All right. | 0:03:36 | 0:03:40 | |
I trust you, you're a mother. | 0:03:41 | 0:03:43 | |
Anyway, lovely to have you here. Thank you. | 0:03:43 | 0:03:45 | |
-And thank you for your son. Now... -Yeah, thanks, Mum. | 0:03:45 | 0:03:48 | |
Welcome to you both. And, now, you've been on the show a few times. | 0:03:48 | 0:03:51 | |
-I didn't know you had a nickname. -Which one do you have? | 0:03:51 | 0:03:54 | |
The one beginning with G. | 0:03:54 | 0:03:56 | |
Oh. | 0:03:56 | 0:03:57 | |
LAUGHTER | 0:03:57 | 0:03:59 | |
Rhymes with puppy. | 0:03:59 | 0:04:01 | |
-Oh, Guppy. -Yes. -Yeah. | 0:04:01 | 0:04:03 | |
Because when I sleep I move around, and someone saw me on a plane, | 0:04:03 | 0:04:07 | |
who I know well, and I was sleeping on the plane. | 0:04:07 | 0:04:09 | |
I said I had a great sleep. They went, "Really? | 0:04:09 | 0:04:11 | |
"You were like a guppy out of water, like a fish out of water, | 0:04:11 | 0:04:13 | |
"just flip flopping around." So, Guppy. | 0:04:13 | 0:04:16 | |
-Have you seen him be a guppy? -Sleeping? -Yes. | 0:04:16 | 0:04:19 | |
-I've never seen him sleep. -All right, all right, all right. | 0:04:19 | 0:04:22 | |
I'm not hiding anything. | 0:04:22 | 0:04:24 | |
My mum's here. Hi, Mum! | 0:04:25 | 0:04:27 | |
Restless sleeper. It's quite adorable, really. | 0:04:28 | 0:04:31 | |
It's adorable, it's a little guppy. | 0:04:31 | 0:04:32 | |
-Because you had nicknames growing up, didn't you? -Yeah, I did. | 0:04:32 | 0:04:35 | |
Stewpot was one of my nicknames, Stewie was another one. | 0:04:35 | 0:04:40 | |
Of course. | 0:04:40 | 0:04:41 | |
It's different now. I'm now... | 0:04:41 | 0:04:45 | |
Well, social media, Sir Pat Stew, | 0:04:45 | 0:04:48 | |
and @SirPatStew. | 0:04:48 | 0:04:50 | |
-Nice plug. -Nice. | 0:04:50 | 0:04:52 | |
-Seamless. -Followers up. -Seamless. | 0:04:52 | 0:04:55 | |
And there's another one too - Beef Stew, which I rather like. | 0:04:55 | 0:05:00 | |
Very appropriate. | 0:05:00 | 0:05:01 | |
LAUGHTER | 0:05:01 | 0:05:04 | |
-Very appropriate. -Thank you. | 0:05:04 | 0:05:06 | |
-We'll call you Beef Stew for the rest of the show. -Would you? | 0:05:06 | 0:05:08 | |
-Yeah, Big Beefer. -And afterwards? -And afterwards, yes, yes. | 0:05:08 | 0:05:13 | |
Excellent. | 0:05:13 | 0:05:15 | |
Now, the big movie tonight is Logan. | 0:05:15 | 0:05:17 | |
-Logan, it's out Wednesday 1st March. -I like the way you said it. | 0:05:17 | 0:05:20 | |
-You should be doing the voice-over. -You should! -I'd love to do that. | 0:05:20 | 0:05:23 | |
That's great! Say it again. | 0:05:23 | 0:05:25 | |
-I don't think I could keep it up for a whole trailer, though. -Really? | 0:05:25 | 0:05:27 | |
I'd drop that and it would be... | 0:05:27 | 0:05:29 | |
DEEP VOICE: Logan. SQUEAKY VOICE: Logan. | 0:05:29 | 0:05:31 | |
Logan. Logan. | 0:05:31 | 0:05:33 | |
Wednesday 1st March, and it's one of those films... | 0:05:33 | 0:05:35 | |
Because whenever one of these X-Men films comes out | 0:05:35 | 0:05:37 | |
there's huge excitement, but this one, it's exciting for the audience, | 0:05:37 | 0:05:41 | |
but it must be kind of tinged with sadness for both of you. | 0:05:41 | 0:05:44 | |
Well, it is my last outing. | 0:05:44 | 0:05:47 | |
I'm not saying... It's not your last outing. | 0:05:47 | 0:05:49 | |
You're not out, right? | 0:05:49 | 0:05:51 | |
I'll tell you about it in a moment, should the opportunity arise. | 0:05:51 | 0:05:55 | |
I think it's arisen. This is the opportunity. | 0:05:55 | 0:05:58 | |
Chat show, chatting. | 0:05:58 | 0:06:00 | |
LAUGHTER | 0:06:00 | 0:06:02 | |
Go. | 0:06:04 | 0:06:05 | |
Hugh has been on record for some time | 0:06:05 | 0:06:07 | |
that this is his last appearance as Logan, as Wolverine. | 0:06:07 | 0:06:10 | |
I never thought about that, whether it was mine - | 0:06:10 | 0:06:12 | |
it was another great opportunity to be in this franchise. | 0:06:12 | 0:06:16 | |
But on Friday night we were in Berlin at the film festival | 0:06:16 | 0:06:20 | |
and it screened there. | 0:06:20 | 0:06:21 | |
Hugh and I were sitting side-by-side, | 0:06:21 | 0:06:23 | |
although the other way around, and when it got into the... | 0:06:23 | 0:06:27 | |
LAUGHTER | 0:06:27 | 0:06:29 | |
Facing the screen, right? | 0:06:29 | 0:06:31 | |
LAUGHTER AND APPLAUSE | 0:06:34 | 0:06:36 | |
-No, it wasn't like that at all. -At all, at all. | 0:06:43 | 0:06:46 | |
We got into the last five or six minutes of the movie | 0:06:46 | 0:06:48 | |
and it's a very emotional ending, | 0:06:48 | 0:06:51 | |
and I saw Hugh just do this a little bit and I suddenly realised, | 0:06:51 | 0:06:56 | |
oh, Lord, I need to do the same thing. | 0:06:56 | 0:06:58 | |
And then this is what I felt. | 0:06:58 | 0:07:00 | |
Oh, really? Aww. | 0:07:02 | 0:07:05 | |
I swear, that was what happened, and Hugh held my hand. | 0:07:05 | 0:07:09 | |
And of course, I was done. | 0:07:09 | 0:07:10 | |
I was finished and just weeping and sobbing. | 0:07:10 | 0:07:13 | |
But then we had to wait for the credits to roll | 0:07:13 | 0:07:15 | |
before we could go up on stage and be introduced, | 0:07:15 | 0:07:17 | |
and while the credits were rolling, | 0:07:17 | 0:07:19 | |
because they are long in these movies, I realised, | 0:07:19 | 0:07:23 | |
if this is the end, there is no more perfect and beautiful way | 0:07:23 | 0:07:27 | |
to say au revoir, goodbye, adios, | 0:07:27 | 0:07:30 | |
than what has just happened. | 0:07:30 | 0:07:32 | |
So I think it's the end for me too. | 0:07:32 | 0:07:34 | |
-What? Wow, really? -Yeah. -Really? | 0:07:34 | 0:07:38 | |
Why would I want to do another go at this | 0:07:38 | 0:07:40 | |
after what we've done in this movie? | 0:07:40 | 0:07:42 | |
Because this movie is really, really good, and Hugh is amazing in it. | 0:07:42 | 0:07:46 | |
-It is terrific. -Oh, that is... | 0:07:46 | 0:07:48 | |
-Are you going to show something? -Don't worry, we'll get to that bit. | 0:07:48 | 0:07:51 | |
-You're not putting it off? -Oh, no, we've got clips and all sorts. -OK. | 0:07:51 | 0:07:54 | |
-Yeah, yeah. -OK. -We prepared. -Of course. | 0:07:54 | 0:07:57 | |
I've got emotional... Sorry to interrupt, sorry. | 0:07:57 | 0:07:59 | |
No, but it is a very emotional film, it is. | 0:07:59 | 0:08:02 | |
Yeah, and I think, as we made it, as we prepared it, | 0:08:02 | 0:08:05 | |
James Mangold, the film-maker, who wrote it as well, | 0:08:05 | 0:08:08 | |
for two and a half years, and Patrick was there, | 0:08:08 | 0:08:11 | |
there was a small band of real believers... | 0:08:11 | 0:08:13 | |
I thought the studio would say no, to be honest, but they didn't. | 0:08:13 | 0:08:15 | |
Emma and Steve said yes and it was... | 0:08:15 | 0:08:18 | |
We made this film that was deeply personal | 0:08:18 | 0:08:20 | |
and a very different kind of X-Men film. | 0:08:20 | 0:08:23 | |
I kind of want people to go and see it who have never seen | 0:08:23 | 0:08:25 | |
an X-Men film, never seen the comic book movie. | 0:08:25 | 0:08:27 | |
We wanted to make a movie that was true to that character. | 0:08:27 | 0:08:29 | |
As I sat there in Berlin, I did, | 0:08:29 | 0:08:31 | |
I reached and I grabbed Patrick's hand. | 0:08:31 | 0:08:33 | |
A, because it was 17 years since we first started playing them. | 0:08:33 | 0:08:38 | |
I mean, you go to school for 12 years - | 0:08:38 | 0:08:40 | |
that's a long time at school, right? | 0:08:40 | 0:08:41 | |
This is 17 years and I couldn't quite believe that there I was, | 0:08:41 | 0:08:46 | |
sitting next to one of my heroes. | 0:08:46 | 0:08:48 | |
And I'm not just saying that to be nice, | 0:08:48 | 0:08:51 | |
I was at drama school watching the John Barton | 0:08:51 | 0:08:53 | |
How To Play Shakespeare tapes with Patrick playing Shylock, | 0:08:53 | 0:08:57 | |
and I thought, "One day I want to work with him," and there I was. | 0:08:57 | 0:09:00 | |
It was a dream come true and it was a very... | 0:09:00 | 0:09:02 | |
I realised how lucky I am and will forever be grateful to be | 0:09:02 | 0:09:07 | |
in this movie, and I was very emotional. | 0:09:07 | 0:09:09 | |
Why now, though? Because you could have... | 0:09:09 | 0:09:11 | |
Because Wolverine is such a popular character, won't you feel | 0:09:11 | 0:09:15 | |
just gutted if they recast and someone else is playing Wolverine? | 0:09:15 | 0:09:19 | |
I think I'll be fine. I mean, look, if I wake up one day | 0:09:19 | 0:09:22 | |
and I find out Daniel Day-Lewis is playing the part | 0:09:22 | 0:09:24 | |
and he wins the Oscar, I'm going to be a little bit upset, all right? | 0:09:24 | 0:09:28 | |
And everyone says, "Wow, now THAT is Wolverine." | 0:09:28 | 0:09:32 | |
-Curses! -It won't happen. -Curses! -It won't happen. | 0:09:32 | 0:09:35 | |
I'll tell you what, | 0:09:35 | 0:09:37 | |
-let's have a taste of what to expect in the movie. -At last! | 0:09:37 | 0:09:40 | |
You're in it, you'll love it, you'll love it. | 0:09:40 | 0:09:42 | |
You're excellent in this. | 0:09:42 | 0:09:44 | |
# And you could have it all | 0:09:46 | 0:09:49 | |
# My empire of dirt | 0:09:51 | 0:09:54 | |
# I will let you down | 0:09:57 | 0:09:59 | |
# I will make you hurt | 0:10:01 | 0:10:04 | |
# I would keep myself | 0:10:07 | 0:10:09 | |
# I would find a way. # | 0:10:12 | 0:10:16 | |
Logan, you still have time. | 0:10:16 | 0:10:19 | |
APPLAUSE Even that's emotional. | 0:10:22 | 0:10:25 | |
So good. | 0:10:25 | 0:10:26 | |
APPLAUSE DROWNS SPEECH | 0:10:26 | 0:10:28 | |
No, but even that isn't like a normal kind of, you know, | 0:10:31 | 0:10:35 | |
Marvel trailer. It's fantastic. It's beautiful. | 0:10:35 | 0:10:38 | |
It's not, it's very different and I remember being there when | 0:10:38 | 0:10:41 | |
-they first played us that trailer, you remember? -Oh, yeah. | 0:10:41 | 0:10:43 | |
With that Johnny Cash song, which just seemed so perfect. | 0:10:43 | 0:10:46 | |
And, of course, our director did Walk The Line, | 0:10:46 | 0:10:49 | |
so he didn't know they were going to use that Johnny Cash song. | 0:10:49 | 0:10:52 | |
But it is perfect. We're very proud of it and...yeah. | 0:10:52 | 0:10:55 | |
So, tell us about what the last film is, a taste of what happens. | 0:10:55 | 0:10:58 | |
Well, they've even given a date for this one. | 0:10:58 | 0:11:01 | |
It's 2029, so it's 12 years ahead of now. | 0:11:01 | 0:11:06 | |
We are a little older. | 0:11:06 | 0:11:08 | |
In my case, only a little older. | 0:11:08 | 0:11:12 | |
Charles is 90, 90-ish, thereabouts. | 0:11:12 | 0:11:16 | |
He's frail, weak, | 0:11:16 | 0:11:19 | |
defenceless, troubled, | 0:11:19 | 0:11:22 | |
aggressive, hostile, | 0:11:22 | 0:11:24 | |
confused, and most importantly... | 0:11:24 | 0:11:27 | |
-Funny. -Oh, funny occasionally. -Funny. | 0:11:27 | 0:11:29 | |
-Yeah, yeah, funny. Thank you for that. -Yeah. | 0:11:29 | 0:11:32 | |
-And might I add, sexy. -Ooh. | 0:11:32 | 0:11:34 | |
I'm just saying. I'm throwing them out there. | 0:11:34 | 0:11:37 | |
Beef Stew, don't look at me that way, Beef Stew! | 0:11:38 | 0:11:40 | |
No, the last adjective I was going to add was... | 0:11:42 | 0:11:44 | |
LAUGHTER | 0:11:44 | 0:11:46 | |
-Juicy. -No! | 0:11:46 | 0:11:48 | |
OK, juicy. And very, very dangerous. | 0:11:50 | 0:11:54 | |
He has lost control of this power that he has in his brain | 0:11:54 | 0:11:59 | |
and so this guy has got a day-time and night-time job | 0:11:59 | 0:12:03 | |
trying to make a little bit of money, | 0:12:03 | 0:12:05 | |
living in this part of desert northern Mexico, | 0:12:05 | 0:12:08 | |
in order to pay for my medications. | 0:12:08 | 0:12:12 | |
Is that familiar to anybody at all? | 0:12:12 | 0:12:14 | |
That's the kind of movie this is, with storylines like that. | 0:12:14 | 0:12:18 | |
Normally when you see a film, | 0:12:18 | 0:12:20 | |
the film stars in the film look even better than they do in real life. | 0:12:20 | 0:12:24 | |
LAUGHTER | 0:12:24 | 0:12:26 | |
Not being rude... | 0:12:26 | 0:12:28 | |
-You both look a bit rough around the edges in this film. -Yeah. -Yeah. | 0:12:28 | 0:12:32 | |
I mean, Patrick kind of said it was quite shocking, | 0:12:32 | 0:12:35 | |
-because you'd lost 21 pounds. -Uh-huh. | 0:12:35 | 0:12:36 | |
And I remember you telling me you were this... | 0:12:36 | 0:12:39 | |
Like, you were, at 14, the same weight you've been your entire life. | 0:12:39 | 0:12:42 | |
-Uh-huh. -And I spent about six hours every morning in make-up, | 0:12:42 | 0:12:45 | |
you know, to get... | 0:12:45 | 0:12:47 | |
No, it was literally like six seconds, get out of the car. | 0:12:47 | 0:12:50 | |
I said, "I'll go to make up? | 0:12:50 | 0:12:51 | |
They're like, "You're good. Let's go." | 0:12:51 | 0:12:53 | |
No, we've got to say, though, just in case people are worried, | 0:12:53 | 0:12:56 | |
when Wolverine takes his shirt off, | 0:12:56 | 0:12:59 | |
you're still in quite the condition. | 0:12:59 | 0:13:02 | |
CHEERING | 0:13:02 | 0:13:04 | |
For people who are kind of going, | 0:13:04 | 0:13:05 | |
"Oh, yeah, I'll go to the gym, I'll look like that," | 0:13:05 | 0:13:08 | |
describe the lead-up to a day when you know | 0:13:08 | 0:13:11 | |
you're filming a shirt-off scene. | 0:13:11 | 0:13:14 | |
Well, yeah, there's a thing called dehydration. | 0:13:14 | 0:13:17 | |
So, do not try this at home, but you can lose up to ten pounds, | 0:13:17 | 0:13:21 | |
which is four kilos of weight on your surface. | 0:13:21 | 0:13:24 | |
So, all of this under here is water. | 0:13:24 | 0:13:27 | |
So you drink a lot of water for a week, | 0:13:27 | 0:13:29 | |
getting up to maybe ten litres a day, | 0:13:29 | 0:13:32 | |
and then you stop about 30 hours before you film. | 0:13:32 | 0:13:36 | |
And so, for the next ten hours, | 0:13:36 | 0:13:38 | |
you're just peeing constantly because you've been drinking, | 0:13:38 | 0:13:41 | |
so your body's used to it, and then all this water is going. | 0:13:41 | 0:13:44 | |
You have, like, half a baked potato | 0:13:44 | 0:13:47 | |
and a few other things that suck water from the inside. | 0:13:47 | 0:13:50 | |
And then it's kind of not fun, | 0:13:50 | 0:13:52 | |
but the results end up being pretty good. | 0:13:52 | 0:13:54 | |
Again, do not try this at home. | 0:13:54 | 0:13:57 | |
Unless you're getting married next weekend. | 0:13:57 | 0:14:00 | |
-Use it for the final push for the dress. -Yeah. | 0:14:00 | 0:14:03 | |
But you will have a massive headache throughout the entire wedding. | 0:14:05 | 0:14:08 | |
Do you just feel awful? You must feel terrible. | 0:14:08 | 0:14:10 | |
-You feel bad and you have a headache. -Tell them about the meals. | 0:14:10 | 0:14:14 | |
-You know, you standing on the set... -You eat every two hours... -A meal! | 0:14:14 | 0:14:18 | |
Like, 6,500 calories a day. So, for me, it was a lot. | 0:14:18 | 0:14:23 | |
And, Mum, not your cooking. | 0:14:23 | 0:14:24 | |
-Like, steamed chicken and steamed broccoli. -That was it. | 0:14:24 | 0:14:27 | |
-Not like your beautiful stuff. -But then... | 0:14:27 | 0:14:29 | |
-So, that's how you did it in a film. -Yes. -Patrick, how did you do...? | 0:14:29 | 0:14:33 | |
You're not even in a film in this picture. | 0:14:33 | 0:14:35 | |
This is just you hanging out. | 0:14:35 | 0:14:38 | |
What?! | 0:14:38 | 0:14:39 | |
Come on! Look at you! | 0:14:39 | 0:14:41 | |
That's last year, right? | 0:14:41 | 0:14:43 | |
CHEERING | 0:14:43 | 0:14:45 | |
Do you just gym? Do you gym all the time? | 0:14:49 | 0:14:51 | |
No, sir, I do not. | 0:14:51 | 0:14:54 | |
I just think clean thoughts and... | 0:14:54 | 0:14:57 | |
LAUGHTER | 0:14:57 | 0:14:59 | |
I'm embarrassed about that photograph. | 0:15:01 | 0:15:03 | |
The whole purpose of the photograph was that pink motif. | 0:15:03 | 0:15:07 | |
The shoes, the shorts, the cocktail. | 0:15:07 | 0:15:09 | |
It doesn't go with Beef Stew. | 0:15:09 | 0:15:11 | |
It doesn't suggest Beef Stew. | 0:15:11 | 0:15:14 | |
-But, no, you're in fantastic condition. -Thank you. | 0:15:14 | 0:15:17 | |
-Is it yoga? -No. You know, I was born... | 0:15:17 | 0:15:20 | |
Thank you, my mother and father, | 0:15:20 | 0:15:21 | |
they gave me great skin and they gave me this... | 0:15:21 | 0:15:24 | |
But you did do yoga. Maybe over the years you... | 0:15:24 | 0:15:26 | |
No, no, no, I tried it, it was not for me. | 0:15:26 | 0:15:29 | |
-Right. -It hurt. | 0:15:29 | 0:15:31 | |
LAUGHTER Tell us about it. | 0:15:31 | 0:15:33 | |
And this is weird. | 0:15:35 | 0:15:36 | |
And don't answer this question if you don't want to, Patrick, | 0:15:36 | 0:15:39 | |
but I have... | 0:15:39 | 0:15:40 | |
I don't know why you brought this up, but I did hear you discuss, | 0:15:40 | 0:15:43 | |
you had an extraordinary disagreement | 0:15:43 | 0:15:46 | |
with your wife about yourself. | 0:15:46 | 0:15:49 | |
-Do you know what I'm talking about? -By myself you mean...? -Yes. -Yeah. | 0:15:49 | 0:15:52 | |
Ooh. | 0:15:52 | 0:15:54 | |
Er... | 0:15:54 | 0:15:55 | |
-Yes. -Listen, do you know this story? -I do not know this story. | 0:15:55 | 0:15:58 | |
-Listen with interest. -Well... | 0:15:58 | 0:16:00 | |
One night, as you do, we were talking about stuff and... | 0:16:00 | 0:16:04 | |
And I just happened to mention... | 0:16:05 | 0:16:07 | |
And of course, being circumcised, I said... | 0:16:07 | 0:16:09 | |
LAUGHTER | 0:16:09 | 0:16:11 | |
They were chatting. They're married! They're married, they're allowed. | 0:16:11 | 0:16:15 | |
And she said... | 0:16:15 | 0:16:16 | |
She said, "You're not circumcised." | 0:16:17 | 0:16:21 | |
I said, "What do you mean? "You've only known me a few..." | 0:16:21 | 0:16:25 | |
All my life, I remember my mother telling me why, | 0:16:25 | 0:16:27 | |
because it was fashionable at the time. | 0:16:27 | 0:16:29 | |
She said, "You're not circumcised." I said, "That's ridiculous! | 0:16:29 | 0:16:33 | |
"I should know if I'm circumcised. Of course I am. | 0:16:33 | 0:16:36 | |
"End of conversation." | 0:16:36 | 0:16:38 | |
But the next day, I happened to be seeing my doctor for... | 0:16:38 | 0:16:42 | |
Are you OK? | 0:16:44 | 0:16:45 | |
-I was seeing my doctor for my annual physical. -Of course. | 0:16:48 | 0:16:51 | |
So, while he was down there... | 0:16:51 | 0:16:54 | |
LAUGHTER | 0:16:54 | 0:16:56 | |
-I said... -"Excuse me, Doctor." -"Oh, by the way, Irv, | 0:16:56 | 0:17:00 | |
"my wife and I had a little disagreement. | 0:17:00 | 0:17:05 | |
"I am circumcised, aren't I? Because she says I'm not." | 0:17:05 | 0:17:09 | |
And he goes... | 0:17:09 | 0:17:11 | |
"Not." | 0:17:14 | 0:17:16 | |
LAUGHTER | 0:17:16 | 0:17:18 | |
APPLAUSE | 0:17:18 | 0:17:20 | |
I said, "No, no, it's not possible!" | 0:17:22 | 0:17:25 | |
So he looked down again and he said, | 0:17:25 | 0:17:26 | |
"Hey, I'm Jewish, I know the difference." | 0:17:26 | 0:17:29 | |
-That is a bizarre story. -Too much information. | 0:17:32 | 0:17:34 | |
I have grandchildren! | 0:17:40 | 0:17:42 | |
LAUGHTER | 0:17:42 | 0:17:44 | |
You're going to have to change your Facebook status now. | 0:17:47 | 0:17:50 | |
Oh, yes, no more Beef Stew. | 0:17:50 | 0:17:52 | |
Well, there's MORE Beef Stew. | 0:17:55 | 0:17:57 | |
LAUGHTER | 0:17:57 | 0:17:59 | |
APPLAUSE | 0:18:01 | 0:18:03 | |
Oh, dear. | 0:18:07 | 0:18:09 | |
But now, what is lovely, | 0:18:09 | 0:18:10 | |
because acting is a kind of transient thing - | 0:18:10 | 0:18:12 | |
you meet people and then you don't. | 0:18:12 | 0:18:13 | |
But one of the lovely things that came out of these films | 0:18:13 | 0:18:15 | |
is your friendship with Ian McKellen. | 0:18:15 | 0:18:18 | |
-It did. -But you must have known Ian McKellen before the films. | 0:18:18 | 0:18:22 | |
Oh, yes, since I was a teenager. | 0:18:22 | 0:18:25 | |
He's two years older than me, by the way. | 0:18:25 | 0:18:27 | |
He said something the other day, really, | 0:18:29 | 0:18:31 | |
along with what he was just saying, one of the nicest things ever. | 0:18:31 | 0:18:34 | |
He said, "Yeah, Patrick Stewart and I, | 0:18:34 | 0:18:36 | |
"I really feel that last I have a brother." | 0:18:36 | 0:18:40 | |
Aww! That's adorable. | 0:18:40 | 0:18:42 | |
He might have said father, of course. | 0:18:42 | 0:18:44 | |
You have kind of a theory about the way he speaks, | 0:18:47 | 0:18:50 | |
the way Ian McKellen speaks. | 0:18:50 | 0:18:52 | |
-Well, we did an animated movie together as well as these. -You did? | 0:18:52 | 0:18:55 | |
Yeah. It was called Flushed Away. I really loved... | 0:18:55 | 0:18:58 | |
My son often says, "Why was there no sequel to that?" | 0:18:58 | 0:19:01 | |
And I say, "Because it lost a lot of money," but... | 0:19:01 | 0:19:04 | |
I always remember he played the Toad. | 0:19:04 | 0:19:06 | |
"Rita. Hello, Rita." | 0:19:06 | 0:19:08 | |
And I was always like, he can get, like, | 0:19:08 | 0:19:11 | |
consonants where there's nothing. | 0:19:11 | 0:19:13 | |
Like, he can make a one-syllable word into 20. | 0:19:13 | 0:19:16 | |
-OK, here's a test for you, here's a test for you. -Yes. | 0:19:16 | 0:19:18 | |
-If you shut your eyes. -Yes. -Shut your eyes, OK. | 0:19:18 | 0:19:21 | |
Is this the real voice of Ian McKellen or is it somebody | 0:19:21 | 0:19:24 | |
-doing Ian McKellen? -OK. | 0:19:24 | 0:19:26 | |
Graham, is there room for another mutant on that sofa of yours? | 0:19:26 | 0:19:31 | |
-That's real. -That's him. -That was real, yeah. -Yes, it is. | 0:19:31 | 0:19:34 | |
Come out, Ian McKellen! | 0:19:34 | 0:19:36 | |
CHEERING | 0:19:36 | 0:19:38 | |
-Are you all right? -It's so good to see you. | 0:19:45 | 0:19:47 | |
Hello, darling. Hi. Lovely to see you. | 0:19:54 | 0:19:57 | |
Have a seat, have a seat. Have a seat. | 0:19:57 | 0:20:00 | |
My two brothers. | 0:20:06 | 0:20:08 | |
My three brothers. | 0:20:08 | 0:20:10 | |
I should just explain why I'm dressed as I am. | 0:20:10 | 0:20:13 | |
I have just come down from Scotland and it took longer to get | 0:20:13 | 0:20:17 | |
from City Airport to us than it took to go from Edinburgh | 0:20:17 | 0:20:20 | |
to City Airport, so I'm still in the clothes I was wearing up there. | 0:20:20 | 0:20:24 | |
Well, you're very welcome. You look lovely. | 0:20:24 | 0:20:27 | |
-Do you recognise this? -Yes, I think I do. | 0:20:27 | 0:20:29 | |
-This is Magneto's coat. -Is it really? | 0:20:29 | 0:20:31 | |
-Yeah, they gave it to me. Do you remember the red? -Yeah. -Yes. | 0:20:31 | 0:20:34 | |
Look at it now! | 0:20:34 | 0:20:36 | |
Oh, that is so good! | 0:20:36 | 0:20:38 | |
So I'm just hoping someone's watching, | 0:20:38 | 0:20:42 | |
a needle and thread can help me. | 0:20:42 | 0:20:43 | |
-Look, I think we can drape it somewhere. -There's more. | 0:20:43 | 0:20:46 | |
My mum can do that, she's very good with that stuff. | 0:20:46 | 0:20:48 | |
No, you're not working tonight. I refuse, I refuse. | 0:20:48 | 0:20:51 | |
I'll drape it there, I'll drape it there. | 0:20:51 | 0:20:53 | |
Sit down, sit down, sit down, sit down. | 0:20:53 | 0:20:55 | |
You're very welcome, you're very welcome. | 0:20:55 | 0:20:58 | |
-I've got more to tell you about my clothes! -Please do, please do. | 0:20:58 | 0:21:01 | |
I was at Kirkcaldy High School, | 0:21:01 | 0:21:03 | |
telling them to be nice to each other. | 0:21:03 | 0:21:05 | |
I go around schools doing that. | 0:21:05 | 0:21:07 | |
-Gordon... -Ramsay? -No. | 0:21:07 | 0:21:10 | |
-Brown? -Grey. | 0:21:10 | 0:21:13 | |
The Prime Minister, yes, he'd been in that school. | 0:21:13 | 0:21:15 | |
And they gave me their school tie and I said, "Well, I'm going | 0:21:15 | 0:21:18 | |
"on the Graham Norton show and I'll wear the tie," so I had to wear it, | 0:21:18 | 0:21:21 | |
-so that's for Kirkcaldy. -Nice. -They also gave me these... | 0:21:21 | 0:21:25 | |
LAUGHTER | 0:21:25 | 0:21:27 | |
-Do you know what these are? -Shoelaces. | 0:21:27 | 0:21:29 | |
But they're rainbow coloured. | 0:21:29 | 0:21:30 | |
Are they footballer anti-bullying? | 0:21:30 | 0:21:32 | |
They are, and footballers who approve of gay people coming out | 0:21:32 | 0:21:35 | |
and being honest about themselves wear these to show their support. | 0:21:35 | 0:21:38 | |
So here we are, I'm wearing them. | 0:21:38 | 0:21:40 | |
CHEERING | 0:21:40 | 0:21:42 | |
Well, it's lovely to have you here. It's a lovely surprise. | 0:21:44 | 0:21:46 | |
Now, here's the thing, though, because the guys are talking | 0:21:47 | 0:21:50 | |
about this movie, Logan, which is part of the X-Men franchise... | 0:21:50 | 0:21:53 | |
I've never heard of it, to tell you the truth. | 0:21:53 | 0:21:55 | |
How come you're not in it? | 0:21:55 | 0:21:57 | |
Do you know? I think when you get to my age, | 0:21:59 | 0:22:02 | |
you want to leave aside those tired old franchises. | 0:22:02 | 0:22:05 | |
Move on to something fresh. | 0:22:07 | 0:22:09 | |
I sometimes cry myself to sleep. | 0:22:11 | 0:22:16 | |
I simply don't know how I... I don't know why I'm not in it, darlings! | 0:22:16 | 0:22:20 | |
-Um... When... -Could you not do another one? | 0:22:23 | 0:22:26 | |
Leave this one out. | 0:22:28 | 0:22:30 | |
It's time you died. And I tell you... | 0:22:30 | 0:22:33 | |
LAUGHTER AND APPLAUSE | 0:22:33 | 0:22:35 | |
I remember, Professor X, you did die in one of the movies. | 0:22:37 | 0:22:41 | |
-Yeah, I was vaporised. -But he's resurrected. | 0:22:41 | 0:22:44 | |
Yeah, but that's nothing. | 0:22:44 | 0:22:45 | |
It was only at the level of DNA that he was vaporised. | 0:22:45 | 0:22:48 | |
-Of course, he can come back together. -Oh, I see. | 0:22:48 | 0:22:50 | |
-Come on. -Yeah, yeah. -I remember... | 0:22:50 | 0:22:52 | |
Can I just say - because I wanted to say thank you to all these years, | 0:22:52 | 0:22:56 | |
I'm sure I have, I hope I have. | 0:22:56 | 0:22:58 | |
I was very nervous on that first film. I started three weeks in. | 0:22:58 | 0:23:01 | |
-It was my first movie. -Yes, I know. | 0:23:01 | 0:23:03 | |
And there was a lot going on. | 0:23:03 | 0:23:05 | |
And there was a lot of people and I remember you | 0:23:05 | 0:23:07 | |
pulling me aside and saying, | 0:23:07 | 0:23:09 | |
"This, at times, is going to feel uncomfortable, | 0:23:09 | 0:23:11 | |
"it's going to feel overwhelming, | 0:23:11 | 0:23:13 | |
"but you're in good hands and everything's going to be OK." | 0:23:13 | 0:23:15 | |
And you, both of you, were such heroes of mine, I was a little | 0:23:15 | 0:23:18 | |
starstruck, but it was the first day I met you and you saying that | 0:23:18 | 0:23:22 | |
-to me, I never ever forgot it. -Don't think I was in love with you. | 0:23:22 | 0:23:25 | |
-And then we kissed. -I'd seen you at the National Theatre in a musical. | 0:23:28 | 0:23:32 | |
What was it? | 0:23:32 | 0:23:34 | |
It was Oklahoma! | 0:23:34 | 0:23:36 | |
# Oh, what a beautiful morning! # | 0:23:36 | 0:23:37 | |
-You know. -I took your dressing room straight after you. | 0:23:37 | 0:23:40 | |
-Did you? -I took a photo. | 0:23:40 | 0:23:42 | |
Did I leave anything behind? | 0:23:43 | 0:23:46 | |
-A surprise. -Had I known it was you, I would have done. | 0:23:46 | 0:23:50 | |
-This is a very saucy show. -It certainly is! | 0:23:53 | 0:23:56 | |
Patrick was talking before you came out about that you'd sort of | 0:23:56 | 0:24:00 | |
known each other over the years, | 0:24:00 | 0:24:02 | |
but were you kind of rivals in your careers or not? | 0:24:02 | 0:24:06 | |
No, only recently. | 0:24:06 | 0:24:08 | |
I've never thought of having rivals. | 0:24:09 | 0:24:11 | |
Everyone gets on with what they can do. | 0:24:11 | 0:24:13 | |
And there's plenty of room for everybody. | 0:24:13 | 0:24:15 | |
But sometimes I think I am Patrick Stewart, except that he's Yorkshire. | 0:24:15 | 0:24:20 | |
I'm sorry about that, but you are. | 0:24:20 | 0:24:23 | |
-Lancastrian. -I'm from Lancashire. | 0:24:23 | 0:24:26 | |
But our interests are the same, as far as career's concerned. | 0:24:26 | 0:24:30 | |
We started with the RSC, we wanted to do Shakespeare, | 0:24:30 | 0:24:33 | |
wanted to be taken seriously as actors. | 0:24:33 | 0:24:35 | |
But given the chance of another sort of work, | 0:24:35 | 0:24:38 | |
a very popular sort of work, of course, we leapt at it and | 0:24:38 | 0:24:41 | |
-couldn't quite believe our luck that we'd been asked. -Absolutely. | 0:24:41 | 0:24:45 | |
Or in your case, asked back again and again. | 0:24:45 | 0:24:48 | |
So young and so bitter! | 0:24:50 | 0:24:52 | |
But I heard you talking about Ian and talking about how you | 0:24:54 | 0:24:57 | |
-were intimidated by his beauty. -Yes. | 0:24:57 | 0:25:00 | |
Well... Please tell me you have a photograph. | 0:25:00 | 0:25:04 | |
This was a long time ago. | 0:25:04 | 0:25:06 | |
-Gorgeous! -I think we do have a photograph. | 0:25:06 | 0:25:08 | |
We've got a photograph of Ian as Coriolanus. | 0:25:08 | 0:25:10 | |
-Here you are. -Look at that! Come on! -My Lord! | 0:25:10 | 0:25:14 | |
Wolverine, eat your heart out! | 0:25:14 | 0:25:17 | |
Having said that, you do look great there, Ian, | 0:25:17 | 0:25:19 | |
but check out Patrick Stewart. | 0:25:19 | 0:25:22 | |
-AUDIENCE: -Whoo! | 0:25:22 | 0:25:24 | |
-Yeah. -Well, you know. -You know? | 0:25:24 | 0:25:26 | |
This is what you've got to look forward to. | 0:25:28 | 0:25:30 | |
I'll tell you something, you've been hearing about this amazing body. | 0:25:33 | 0:25:38 | |
It is absolutely amazing. | 0:25:38 | 0:25:41 | |
And a privilege to be so close. | 0:25:41 | 0:25:43 | |
But Magneto, the character I used to play in this tired old franchise, | 0:25:45 | 0:25:52 | |
-was also pretty muscular, wasn't he? -Yeah. | 0:25:52 | 0:25:54 | |
-He was. -And there, you can see. | 0:25:54 | 0:25:57 | |
But the trick is that I am wearing underneath my costume a suit which | 0:25:57 | 0:26:02 | |
is sculpted to look as if I've put all the effort as he has into it? | 0:26:02 | 0:26:06 | |
-What?! -You knew that. | 0:26:06 | 0:26:07 | |
-Did you know that? -No. I was told - you've got to work out. | 0:26:07 | 0:26:10 | |
McKellen's working out, you've got to work out. | 0:26:10 | 0:26:13 | |
I just put on the suit and I tell you what, I've still got it at home. | 0:26:13 | 0:26:17 | |
I do wear on occasion. | 0:26:18 | 0:26:19 | |
Why have you two got drinks and I don't? | 0:26:21 | 0:26:24 | |
-Yeah, that's a good point. -Would you like a drink? | 0:26:24 | 0:26:27 | |
-We've got red wine, if you want it. -Red wine. -Red wine, red wine. | 0:26:27 | 0:26:30 | |
Oh, look at that. | 0:26:30 | 0:26:31 | |
-Psychic! -Oh, Lord! -Water and red wine. | 0:26:31 | 0:26:34 | |
-Thank you. -APPLAUSE | 0:26:34 | 0:26:37 | |
Let's just shout out drinks and see if they show up. | 0:26:37 | 0:26:41 | |
Any nibbles? | 0:26:41 | 0:26:42 | |
Rack of lamb? | 0:26:43 | 0:26:45 | |
-Oh, we're doing... -Cheers, darling. -Cheers. | 0:26:45 | 0:26:48 | |
-Cheers, cheers. -It's lovely to see you. -Lovely to see you. | 0:26:48 | 0:26:51 | |
Oh, look. People. | 0:26:51 | 0:26:54 | |
What's all this about you being circumcised? | 0:26:54 | 0:26:57 | |
-Come on, you shared a dressing room! -I know. -You know. | 0:27:00 | 0:27:03 | |
So, you worked together. You worked together on Broadway. | 0:27:03 | 0:27:06 | |
-You did two plays together on Broadway. -They were brilliant. | 0:27:06 | 0:27:09 | |
-Oh, yes. -Yes. | 0:27:09 | 0:27:12 | |
You know, there are not many plays where there are two wonderful | 0:27:12 | 0:27:17 | |
parts for actors of the same age. | 0:27:17 | 0:27:20 | |
So, you can go through your life never working with the people | 0:27:20 | 0:27:24 | |
you admire and the people who you have an awful lot in common with. | 0:27:24 | 0:27:27 | |
Shakespeare's not bad, to that extent. | 0:27:27 | 0:27:29 | |
But there are a few plays and one of them is Waiting For Godot, | 0:27:29 | 0:27:32 | |
there are two wonderful parts for people of the same age. | 0:27:32 | 0:27:35 | |
And another one is No Man's Land by Harold Pinter | 0:27:35 | 0:27:37 | |
and we've done them both. | 0:27:37 | 0:27:39 | |
And we've just finished doing No Man's Land in London. | 0:27:39 | 0:27:42 | |
Though don't despair, if you missed it, you can catch on NT Live. | 0:27:42 | 0:27:45 | |
-They record a performance. -Oh, the cinema. -They show it in cinemas. | 0:27:45 | 0:27:50 | |
-I have just had an idea. -What? | 0:27:50 | 0:27:54 | |
This is awesome. | 0:27:54 | 0:27:55 | |
LAUGHTER | 0:27:55 | 0:27:58 | |
For some time now, I have been teasing Hugh but getting more | 0:27:58 | 0:28:03 | |
and more serious about a theatre job we might do together. | 0:28:03 | 0:28:07 | |
-Oh? -I have been saying to this man for a long time, | 0:28:07 | 0:28:10 | |
he should play Stephen Sondheim's Sweeney Todd. | 0:28:10 | 0:28:13 | |
It is as if the role might have been written for him. | 0:28:13 | 0:28:16 | |
And I add a rider that if he plays Sweeney Todd, I will, | 0:28:16 | 0:28:20 | |
for a limited run, play the Judge, which is a two scene role, | 0:28:20 | 0:28:25 | |
but with two numbers, including a duet between the two of them. | 0:28:25 | 0:28:29 | |
Who should play Mrs Lovett? | 0:28:29 | 0:28:32 | |
LAUGHTER AND APPLAUSE | 0:28:32 | 0:28:36 | |
That is a good idea. CHEERS AND APPLAUSE | 0:28:36 | 0:28:38 | |
# Have a little priest | 0:28:38 | 0:28:40 | |
# Have a bit of priest... # | 0:28:40 | 0:28:41 | |
-That's a good idea. -That's a really good idea! | 0:28:43 | 0:28:47 | |
And there's a nice juvenile part | 0:28:47 | 0:28:50 | |
-that Eddie Redmayne played in the movie. -Yeah. | 0:28:50 | 0:28:52 | |
I could play a pie. | 0:28:56 | 0:28:57 | |
We very briefly must mention Beauty and the Beast, Ian's new film. | 0:28:59 | 0:29:03 | |
It's in cinemas from the 17th of March and it's not just you, | 0:29:03 | 0:29:06 | |
it's fabulous people - | 0:29:06 | 0:29:07 | |
Emma Watson, Dan Stevens, Emma Thompson, Ewan McGregor. | 0:29:07 | 0:29:11 | |
And who are you in the world of Beauty and the Beast? | 0:29:11 | 0:29:13 | |
Well, in my view, the film should be called Beauty and the Clock. | 0:29:13 | 0:29:17 | |
Does that give you a clue? | 0:29:19 | 0:29:22 | |
-I play Cogsworth the Clock. -If it ain't BAROQUE, don't fix it. | 0:29:22 | 0:29:26 | |
There we go. | 0:29:26 | 0:29:27 | |
But you know, he is a great song and dance man. | 0:29:27 | 0:29:31 | |
That's how I first saw Hugh, on stage at the National Theatre, | 0:29:31 | 0:29:35 | |
singing his heart out. | 0:29:35 | 0:29:37 | |
And then he did a show on Broadway, | 0:29:37 | 0:29:40 | |
-which hasn't yet come to England, Boy From Oz. -Yeah. | 0:29:40 | 0:29:45 | |
-And you've got a one-man show when you sing and dance. -Mm. | 0:29:45 | 0:29:48 | |
Now, Patrick does a bit of singing. | 0:29:48 | 0:29:50 | |
You made a lovely record of your version of some standards, | 0:29:50 | 0:29:53 | |
haven't you, with Sunny? | 0:29:53 | 0:29:55 | |
And I thought it was time that I got into the musical side | 0:29:55 | 0:29:59 | |
-of the business. -Yes! -You're singing! | 0:29:59 | 0:30:01 | |
Well, yes. | 0:30:01 | 0:30:02 | |
-I think we've got a pic. There. This is you. -Yes, that's me. | 0:30:03 | 0:30:07 | |
-LAUGHTER -I voice that clock. -Yes. | 0:30:07 | 0:30:11 | |
And at the end, I'm not giving away any secrets, I think, | 0:30:11 | 0:30:14 | |
-when the prince stops being a beast... -The spell thing. | 0:30:14 | 0:30:17 | |
-I come back as myself and that's when you see me... -Ah! | 0:30:17 | 0:30:22 | |
-Got it! -But very briefly. | 0:30:22 | 0:30:24 | |
OK, OK. | 0:30:24 | 0:30:25 | |
-We do have a little taster. This features your clock in action. -Oh! | 0:30:25 | 0:30:29 | |
LAUGHTER | 0:30:29 | 0:30:31 | |
Look out for it. There's two hands on it. | 0:30:31 | 0:30:34 | |
The jokes write themselves. | 0:30:37 | 0:30:40 | |
Here's a taste of Beauty and the Beast. | 0:30:40 | 0:30:42 | |
I've come for my father. | 0:30:45 | 0:30:48 | |
He's a thief. | 0:30:48 | 0:30:49 | |
Come into the light. | 0:30:49 | 0:30:51 | |
I will escape, I promise. | 0:30:53 | 0:30:54 | |
-Look! A girl! -Who said that? -Hello! | 0:30:57 | 0:31:00 | |
-You can talk? -Well, of course. It's all he ever does. | 0:31:00 | 0:31:04 | |
How lovely to make your acquaintance. | 0:31:06 | 0:31:08 | |
Want to see me do a trick? | 0:31:08 | 0:31:10 | |
What happens when the last petal falls? | 0:31:11 | 0:31:14 | |
The master remains a beast forever. | 0:31:14 | 0:31:17 | |
And we become antiques. | 0:31:17 | 0:31:18 | |
Oh, very good! CHEERS AND APPLAUSE | 0:31:20 | 0:31:23 | |
You were talking about Hugh, but you've been in it. | 0:31:23 | 0:31:28 | |
That was one of my first shows. | 0:31:28 | 0:31:29 | |
-My first theatre show was Beauty and the Beast. -Stage show? -Gaston. | 0:31:29 | 0:31:32 | |
There he is as Gaston. | 0:31:32 | 0:31:34 | |
# Just one dream | 0:31:35 | 0:31:37 | |
# Nearly all your life | 0:31:37 | 0:31:39 | |
# Hoping, scheming, just one theme | 0:31:39 | 0:31:41 | |
# Will you be my wife? # | 0:31:41 | 0:31:44 | |
CHEERS AND APPLAUSE Beautiful! | 0:31:44 | 0:31:46 | |
And, Patrick, now, you are getting into the animation world as well. | 0:31:52 | 0:31:57 | |
It's just been announced, your exciting new casting. | 0:31:57 | 0:31:59 | |
Yes. | 0:31:59 | 0:32:01 | |
-Tell us who you're playing. -Why are you laughing? | 0:32:01 | 0:32:04 | |
Because I know what the answer is. | 0:32:04 | 0:32:06 | |
Well, there is to be an Emoji movie. | 0:32:07 | 0:32:11 | |
Yes, Patrick. | 0:32:12 | 0:32:14 | |
And among the top three most popular emojis of all time is one | 0:32:14 | 0:32:20 | |
that I will play and his name is... | 0:32:20 | 0:32:24 | |
Poop. | 0:32:24 | 0:32:25 | |
-There he is. -LAUGHTER AND APPLAUSE | 0:32:28 | 0:32:32 | |
Wait for this, it's Professor X-crement. | 0:32:32 | 0:32:34 | |
-Oh, yes! -Not my own. | 0:32:37 | 0:32:39 | |
-Have you got the voice for Poop yet? -Yes, he sounds rather like this. | 0:32:39 | 0:32:43 | |
He's quite grand and very well spoken. | 0:32:43 | 0:32:45 | |
Very, very, very English, which I think is a clever idea. Not mine! | 0:32:45 | 0:32:49 | |
But the producer's, that he should be very English. | 0:32:49 | 0:32:53 | |
Listen, we're about to have music. | 0:32:53 | 0:32:54 | |
But very quickly, it is Oscars weekend this weekend. | 0:32:54 | 0:32:58 | |
And, Ian, would you mind telling us the story about when you were | 0:32:58 | 0:33:02 | |
nominated for Gandalf...? | 0:33:02 | 0:33:05 | |
-Oh, yes. -And you had the beads, yes. | 0:33:05 | 0:33:08 | |
Aw! | 0:33:08 | 0:33:09 | |
Well, they weren't beads. | 0:33:10 | 0:33:12 | |
In New Zealand, where we filmed Lord of the Rings... | 0:33:14 | 0:33:17 | |
AUDIENCE WHOOP | 0:33:17 | 0:33:19 | |
CHEERS AND APPLAUSE | 0:33:19 | 0:33:21 | |
If you're lucky, when you leave, you're given a piece of green stone, | 0:33:21 | 0:33:25 | |
carved, and you wear it often enough and your chances are that | 0:33:25 | 0:33:28 | |
you'll get back to New Zealand. That's the idea. | 0:33:28 | 0:33:31 | |
And it'll bring you a bit of luck. | 0:33:31 | 0:33:34 | |
So, when those films were nominated for something like 20 Oscars | 0:33:34 | 0:33:37 | |
on that night, everybody from New Zealand was wearing their | 0:33:37 | 0:33:41 | |
green stone, their Pounamu, they're called. | 0:33:41 | 0:33:44 | |
And when we're on the red carpet, going in to the ceremony, | 0:33:44 | 0:33:47 | |
I met Maggie Smith. | 0:33:47 | 0:33:49 | |
-AS MAGGIE: -Hello, what are you here for? | 0:33:49 | 0:33:51 | |
LAUGHTER | 0:33:51 | 0:33:54 | |
I said, "Well, Lord of the Rings." | 0:33:56 | 0:33:58 | |
"Oh, yes," she said. "What's that round your neck?" | 0:33:58 | 0:34:00 | |
I said, "It's my Pounamu, Maggie." | 0:34:00 | 0:34:03 | |
"Oh, your Pounamu. What's that for?" | 0:34:03 | 0:34:05 | |
I said, "Well, if I wear it, it'll bring me luck." | 0:34:05 | 0:34:08 | |
"Oh, very nice." | 0:34:08 | 0:34:10 | |
At we went our separate ways and it lasts for three and a half | 0:34:11 | 0:34:14 | |
-or four hours. You know, don't you? -Oh, yeah. | 0:34:14 | 0:34:17 | |
God, you sit there and sit there. | 0:34:17 | 0:34:18 | |
And at the end, of course, everyone else wins the Oscar apart from you. | 0:34:18 | 0:34:21 | |
And a bit dejected, you're coming out, | 0:34:21 | 0:34:23 | |
looking forward to a drink and you bump into Maggie Smith | 0:34:23 | 0:34:26 | |
and she points at you and she says, | 0:34:26 | 0:34:27 | |
"Didn't work, did it?" | 0:34:27 | 0:34:29 | |
LAUGHTER AND APPLAUSE | 0:34:29 | 0:34:33 | |
OK, it is time for music. Since his breakthrough single | 0:34:37 | 0:34:40 | |
You're Beautiful went straight to number one, | 0:34:40 | 0:34:42 | |
he's sold over 20 million albums worldwide. | 0:34:42 | 0:34:46 | |
Performing his new single, Love Me Better, it's James Blunt, everybody! | 0:34:46 | 0:34:50 | |
CHEERS AND APPLAUSE | 0:34:50 | 0:34:53 | |
# People say the meanest things | 0:35:04 | 0:35:06 | |
# Yeah, I've been called a dick | 0:35:09 | 0:35:11 | |
# I've been called so many things | 0:35:11 | 0:35:14 | |
# And I know I've done some shit that I admit deserves it but that | 0:35:14 | 0:35:19 | |
# That don't mean it doesn't sting | 0:35:19 | 0:35:22 | |
# Saw you standing outside a bar | 0:35:25 | 0:35:28 | |
# Would have said you're beautiful but I've used that line before | 0:35:30 | 0:35:34 | |
# Now I've had my share of shallow nights | 0:35:35 | 0:35:38 | |
# Cos I was scared to get it right | 0:35:38 | 0:35:41 | |
# So I was hanging with whoever | 0:35:41 | 0:35:44 | |
# But, baby, then you | 0:35:44 | 0:35:46 | |
# You love, love, love me, love me better | 0:35:46 | 0:35:51 | |
# You love, love, love me, love me better | 0:35:51 | 0:35:56 | |
# There've been times I gave myself | 0:35:56 | 0:35:58 | |
# To someone else, to someone lesser than you | 0:35:58 | 0:36:02 | |
# Love, love, love me, love me better | 0:36:02 | 0:36:06 | |
# Love me | 0:36:11 | 0:36:13 | |
# Love me better | 0:36:16 | 0:36:18 | |
# Love me | 0:36:22 | 0:36:23 | |
# When I met you I was treading water | 0:36:29 | 0:36:31 | |
# And, baby, I know you know I got an eye that wanders | 0:36:34 | 0:36:39 | |
# But right now in this car that we're driving to your sister's | 0:36:39 | 0:36:44 | |
# All I'm lookin' for is something that's forever | 0:36:44 | 0:36:49 | |
# But, baby, then you | 0:36:49 | 0:36:50 | |
# You love, love, love me, love me better | 0:36:50 | 0:36:54 | |
# You love, love, love me, love me better | 0:36:54 | 0:36:59 | |
# There've been people that I've loved before | 0:36:59 | 0:37:03 | |
# But they were something lesser, cos you | 0:37:03 | 0:37:06 | |
# Love, love, love me, love me better | 0:37:06 | 0:37:10 | |
# Love me | 0:37:15 | 0:37:17 | |
# Love me better | 0:37:20 | 0:37:22 | |
# Love me | 0:37:26 | 0:37:27 | |
# Love me better | 0:37:31 | 0:37:33 | |
# People say the meanest things | 0:37:33 | 0:37:36 | |
# Yeah, but truth be told, I don't care what they think | 0:37:39 | 0:37:42 | |
# I got someone who is lying in my bed right next to me | 0:37:43 | 0:37:48 | |
# Yeah, she love, love, loves me | 0:37:48 | 0:37:51 | |
# Love, love, loves me | 0:37:51 | 0:37:55 | |
# Loves me better | 0:37:55 | 0:37:56 | |
# Loves me | 0:38:01 | 0:38:02 | |
# Loves me better | 0:38:06 | 0:38:07 | |
# Loves me | 0:38:12 | 0:38:13 | |
# Loves me better | 0:38:16 | 0:38:17 | |
# There's been times I gave myself | 0:38:17 | 0:38:20 | |
# To someone else, to someone lesser than you | 0:38:20 | 0:38:23 | |
# Love, love, love me | 0:38:23 | 0:38:26 | |
# Love me better. # | 0:38:26 | 0:38:29 | |
CHEERS AND APPLAUSE | 0:38:29 | 0:38:31 | |
James Blunt, everybody! Great job! | 0:38:33 | 0:38:36 | |
Well done, sir, lovely to see you. | 0:38:36 | 0:38:40 | |
Come in, say hello to everybody. | 0:38:40 | 0:38:43 | |
Patrick, Ian, Hugh. | 0:38:43 | 0:38:45 | |
Nice to see you. | 0:38:45 | 0:38:47 | |
-How are you? -Awesome. | 0:38:48 | 0:38:50 | |
-There you go. Have a seat, do. -Thank you so much. -Yeah, well done, you. | 0:38:50 | 0:38:53 | |
And that's off your new album, The Afterlove, | 0:38:53 | 0:38:56 | |
-which is released on the 24th of March. -Yes, thank you for the plug. | 0:38:56 | 0:39:00 | |
Well, you know, that's why you're here. | 0:39:00 | 0:39:02 | |
So, that song is about kind of some of the hate | 0:39:04 | 0:39:08 | |
you've received over the years. | 0:39:08 | 0:39:10 | |
Yeah, it's a little bit about how deeply unpopular I am, | 0:39:10 | 0:39:14 | |
but it doesn't matter, because my wife loves me. | 0:39:14 | 0:39:16 | |
-AUDIENCE: -Awww! | 0:39:16 | 0:39:18 | |
-But also... -Don't say "awww" for me, say "awww" for her, poor girl! | 0:39:18 | 0:39:21 | |
No, but you have turned it into a strength, | 0:39:21 | 0:39:24 | |
-the way that people are rude about you. -Yeah, I mess around, don't I? | 0:39:24 | 0:39:27 | |
-I mess around online, on Twitter, abusing myself before people... -Yes. | 0:39:27 | 0:39:32 | |
-Have you guys...? Do you follow him on Twitter? -No. | 0:39:32 | 0:39:34 | |
You should, he's very good. We've got some examples of James's tweets. | 0:39:34 | 0:39:39 | |
APPLAUSE | 0:39:46 | 0:39:48 | |
I like this one. | 0:39:58 | 0:39:59 | |
-Do you know what that means? -No, I have no idea. | 0:40:06 | 0:40:09 | |
This is so weird. | 0:40:16 | 0:40:17 | |
Very good! | 0:40:31 | 0:40:32 | |
-APPLAUSE -Thank you. | 0:40:32 | 0:40:35 | |
-Now, Hugh Jackman... -Yes. | 0:40:35 | 0:40:37 | |
You share something with James Blunt | 0:40:37 | 0:40:40 | |
in that you have both done | 0:40:40 | 0:40:41 | |
one of the most difficult jobs in showbusiness - | 0:40:41 | 0:40:44 | |
you have both performed at an Australian sporting event. | 0:40:44 | 0:40:49 | |
Oh, wow! Oh, yes, you did... | 0:40:49 | 0:40:51 | |
-Was it the AFL Grand Final? -I did the State of Origin. | 0:40:51 | 0:40:55 | |
-The State of Origin! That's... -What's that? | 0:40:55 | 0:40:57 | |
Which is 40,000 Aussie, drunk Aussie men, very, very aggressive, | 0:40:57 | 0:41:03 | |
macho men and for the mid-game entertainment, | 0:41:03 | 0:41:09 | |
some guy, some comedian booked James Blunt | 0:41:09 | 0:41:11 | |
to sing to 40,000 people You're Beautiful. | 0:41:11 | 0:41:14 | |
# You're beautiful... # | 0:41:14 | 0:41:16 | |
-How did it go, James? -I'm still alive, but only just. | 0:41:17 | 0:41:22 | |
-Did it turn ugly? -I wore the kind of home team's top, just to... | 0:41:22 | 0:41:26 | |
-Well done. -Just to try and, yeah, which I think was like a shield. | 0:41:26 | 0:41:30 | |
Cos which one did you do, Hugh? | 0:41:30 | 0:41:32 | |
I did the Bledisloe Cup so Australia-New Zealand at rugby, | 0:41:32 | 0:41:35 | |
that was the first thing I did, yeah, | 0:41:35 | 0:41:37 | |
singing the national anthem and I did the Rugby League Grand Final, | 0:41:37 | 0:41:40 | |
but both terrifying, absolutely... | 0:41:40 | 0:41:42 | |
I remember the... | 0:41:42 | 0:41:43 | |
I remember being introduced at the Bledisloe Cup | 0:41:43 | 0:41:47 | |
as "a star of stage and screen". | 0:41:47 | 0:41:49 | |
I'd done one stage show and one TV show at the time. | 0:41:49 | 0:41:52 | |
"Ladies and gentlemen, star of stage and screen, Mr Hugh Jackman!" Boo! | 0:41:52 | 0:41:57 | |
I realised I was stood in front of the Great Southern Stand | 0:41:57 | 0:42:00 | |
with 30,000 New Zealanders booing me | 0:42:00 | 0:42:02 | |
and the Australian captain standing next to me goes, | 0:42:02 | 0:42:05 | |
"You better bloody show 'em, mate." | 0:42:05 | 0:42:07 | |
No pressure! Anyway, yeah. | 0:42:07 | 0:42:09 | |
But you went for it. | 0:42:09 | 0:42:11 | |
I so went for it, it's... | 0:42:11 | 0:42:12 | |
If you ever see the tape of it, I finish singing. | 0:42:12 | 0:42:17 | |
I'm still singing and they cut off, the tape finishes, | 0:42:17 | 0:42:21 | |
they cut off the microphone and I was like... | 0:42:21 | 0:42:23 | |
HE MOUTHS | 0:42:23 | 0:42:25 | |
And I'm still singing. I've never been more nervous in my life. | 0:42:25 | 0:42:28 | |
You're right, an Australian crowd, if you do... | 0:42:28 | 0:42:30 | |
They take it very seriously. | 0:42:30 | 0:42:32 | |
Meatloaf isn't allowed back in the country | 0:42:32 | 0:42:33 | |
after his performance. | 0:42:33 | 0:42:35 | |
I have to ask, Ian, | 0:42:35 | 0:42:36 | |
have you ever sung before a national sporting event? | 0:42:36 | 0:42:39 | |
Not yet, I haven't, no. | 0:42:41 | 0:42:42 | |
Sign him up! | 0:42:42 | 0:42:44 | |
I did perform in front of 50,000 people | 0:42:45 | 0:42:50 | |
at the Gay Games in New York. | 0:42:50 | 0:42:55 | |
-Did you sing? -But I didn't sing, no. | 0:42:55 | 0:42:58 | |
I had a very good line. | 0:42:58 | 0:43:00 | |
I said, "My name's Sir Ian McKellen, but you can call me Sir-Ian-a!" | 0:43:00 | 0:43:04 | |
That went down very well. | 0:43:07 | 0:43:08 | |
-Do you think that would go down in Australia...? -Yes. -Oh, sure! | 0:43:08 | 0:43:12 | |
-Oh, yes! -Give it a whirl! | 0:43:12 | 0:43:14 | |
I mean, all Australian men are gay, aren't they? | 0:43:14 | 0:43:18 | |
There's always a little bit of ting of gay about them. | 0:43:18 | 0:43:21 | |
This is a minefield. | 0:43:24 | 0:43:26 | |
James Blunt, are you going on tour? | 0:43:27 | 0:43:29 | |
Ah, yes! | 0:43:29 | 0:43:31 | |
You can all thank me later. | 0:43:33 | 0:43:35 | |
Where are you going? Tell us, we're interested. | 0:43:35 | 0:43:38 | |
I'm going on tour round the UK in November. | 0:43:38 | 0:43:40 | |
Tickets are on sale now, Graham, but I'll get you a freebie. | 0:43:40 | 0:43:43 | |
Aww, that's very good of you! | 0:43:43 | 0:43:44 | |
And can we just say, James Blunt working on his birthday. | 0:43:44 | 0:43:47 | |
Happy birthday, James Blunt! | 0:43:47 | 0:43:49 | |
CHEERING AND APPLAUSE | 0:43:49 | 0:43:51 | |
-ALL SING: -# Happy birthday to you | 0:43:53 | 0:43:57 | |
# Happy birthday to you | 0:43:57 | 0:44:00 | |
-AUDIENCE JOIN IN -# Happy birthday, dear James | 0:44:00 | 0:44:04 | |
# Happy birthday to you! # | 0:44:04 | 0:44:07 | |
The harmonies! CHEERING AND APPLAUSE | 0:44:07 | 0:44:11 | |
Very good! That's nearly it for tonight. | 0:44:12 | 0:44:16 | |
Before we go, just time for a visit to the Big Red Chair. Who's there? | 0:44:16 | 0:44:19 | |
-Hello! -Hi, what's your name? -Jenny. -Lovely. And what do you do, Jenny? | 0:44:19 | 0:44:23 | |
I'm a wildlife veterinarian. | 0:44:23 | 0:44:26 | |
Well, now, we've never had one of those on the show before. | 0:44:26 | 0:44:29 | |
So, do you just go and look for sick animals? | 0:44:29 | 0:44:32 | |
Yes, OK. | 0:44:33 | 0:44:34 | |
That's Jenny. She's great with animals, | 0:44:34 | 0:44:36 | |
she's very good with animals. They love her. | 0:44:36 | 0:44:38 | |
-Where are you based? -At the moment, at London Zoo. | 0:44:38 | 0:44:41 | |
Oh, right, so they're quite easy to catch there. | 0:44:41 | 0:44:44 | |
Not so hard! | 0:44:47 | 0:44:48 | |
"I wonder if I'll see any animals today." | 0:44:51 | 0:44:53 | |
All right, Jenny, off you go with your story. | 0:44:56 | 0:44:58 | |
I'd just started working | 0:44:58 | 0:45:00 | |
at a chimpanzee sanctuary in Sierra Leone. | 0:45:00 | 0:45:02 | |
And an old hand was showing me around and introduced me to Chippie, | 0:45:02 | 0:45:07 | |
a young male chimp, and she said, | 0:45:07 | 0:45:10 | |
"Chippie loves rubber boots, wellies," | 0:45:10 | 0:45:13 | |
and I was wearing some beautiful flowered wellies that very day | 0:45:13 | 0:45:17 | |
so I kind of put them towards the cage | 0:45:17 | 0:45:20 | |
and an expression of delight came on Chippie's face | 0:45:20 | 0:45:23 | |
and he rushed over and I was like, "He really does like wellies!" | 0:45:23 | 0:45:29 | |
And he crouched down and immediately started | 0:45:29 | 0:45:32 | |
masturbating himself on the sole of my wellies. | 0:45:32 | 0:45:34 | |
I'm going to flip her! | 0:45:35 | 0:45:37 | |
It was in! | 0:45:39 | 0:45:41 | |
Everything about that story was hilarious. | 0:45:44 | 0:45:47 | |
Chippie the chimp - really, | 0:45:48 | 0:45:50 | |
you're running a sanctuary | 0:45:50 | 0:45:52 | |
and that's all you can come up with? Chippie? | 0:45:52 | 0:45:54 | |
Is it the only one you've got? | 0:45:54 | 0:45:56 | |
-OK, we have one more. One more, here we go. Hello! -Hi! | 0:45:58 | 0:46:01 | |
Hi, what's your name? | 0:46:01 | 0:46:02 | |
-SLIGHT LISP: -Fliss. -Fliss? | 0:46:02 | 0:46:03 | |
Yeah, terrible name with a lisp. | 0:46:03 | 0:46:04 | |
No... | 0:46:04 | 0:46:06 | |
-Great opening(!) -Fliss is your actual name? | 0:46:08 | 0:46:11 | |
-Well, Felicity. -OK, but you went with Fliss, OK. | 0:46:11 | 0:46:15 | |
All right, Fliss, off you go with your story. | 0:46:15 | 0:46:16 | |
So, me and my sister were driving to Scotland and I needed the toilet | 0:46:16 | 0:46:21 | |
so we stopped at a service station. | 0:46:21 | 0:46:23 | |
I ran in, I went into the first cubicle | 0:46:23 | 0:46:25 | |
and there was a massive big floating shit in the toilet. | 0:46:25 | 0:46:29 | |
Patrick's right here! | 0:46:29 | 0:46:31 | |
I'm so sorry! | 0:46:31 | 0:46:32 | |
-Anyway, I left... -I remember you! | 0:46:34 | 0:46:36 | |
From that angle. | 0:46:38 | 0:46:40 | |
But, yes, I walked straight out and went into the next cubicle | 0:46:40 | 0:46:44 | |
and went for a wee and then I stood washing my hands | 0:46:44 | 0:46:46 | |
and a lady walked in when I was washing my hands, | 0:46:46 | 0:46:48 | |
I caught her eye in the reflection | 0:46:48 | 0:46:51 | |
and she walked into the first cubicle, | 0:46:51 | 0:46:52 | |
obviously saw the big shit, Patrick, in the toilet... | 0:46:52 | 0:46:55 | |
-Oh, dear. -Patrick! | 0:46:55 | 0:46:57 | |
And then walked out so I just casually went up to her, like, | 0:46:57 | 0:47:00 | |
"Oh, I did that," meaning I had walked in and walked out, but... | 0:47:00 | 0:47:04 | |
I did not... Like, really proud... | 0:47:06 | 0:47:10 | |
-That was a good story! -Good story! -You can walk, well done. | 0:47:10 | 0:47:13 | |
CHEERING AND APLAUSE | 0:47:13 | 0:47:15 | |
AUDIENCE DROWNS OUT COMMENT | 0:47:15 | 0:47:18 | |
Well done, everyone. | 0:47:18 | 0:47:20 | |
If you'd like to join us on the show | 0:47:20 | 0:47:22 | |
and have a go in that Red Chair, you can. | 0:47:22 | 0:47:24 | |
Just contact us via our website at this very address. | 0:47:24 | 0:47:27 | |
That is it for tonight. | 0:47:27 | 0:47:29 | |
Please say a huge thank you to our guests - Mr James Blunt! | 0:47:29 | 0:47:31 | |
-CHEERING -Thank you. | 0:47:31 | 0:47:33 | |
Patrick Stewart! CHEERING | 0:47:33 | 0:47:37 | |
Ian McKellen! CHEERING | 0:47:37 | 0:47:39 | |
And Hugh Jackman! CHEERING | 0:47:39 | 0:47:42 | |
We're taking a short break, but we'll be back in April. | 0:47:43 | 0:47:46 | |
Do join me next week, though, | 0:47:46 | 0:47:47 | |
for a look back at some of the highlights from this series. | 0:47:47 | 0:47:50 | |
I'll see you then. Goodnight, everybody, bye-bye! | 0:47:50 | 0:47:52 | |
CHEERING AND APPLAUSE | 0:47:52 | 0:47:54 |