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Ladies and gentlemen, I can't stop the feeling about this guy. | 0:00:02 | 0:00:04 | |
I mean, he's just... he's bringing sexy back. | 0:00:04 | 0:00:07 | |
LAUGHTER | 0:00:07 | 0:00:09 | |
He's back! | 0:00:09 | 0:00:10 | |
Whatever, I didn't write this cold opening! | 0:00:12 | 0:00:14 | |
Cry me a river, welcome to The Graham Norton Show! | 0:00:14 | 0:00:17 | |
APPLAUSE | 0:00:17 | 0:00:19 | |
This programme contains very strong language. | 0:00:19 | 0:00:22 | |
WHISTLING | 0:00:22 | 0:00:24 | |
Oh! | 0:00:33 | 0:00:34 | |
Oh! Oh, yes! | 0:00:34 | 0:00:36 | |
Yes! Yes! | 0:00:36 | 0:00:38 | |
It's me! | 0:00:38 | 0:00:40 | |
APPLAUSE CONTINUES | 0:00:40 | 0:00:42 | |
I did that! I did that! I did! | 0:00:42 | 0:00:45 | |
Hello! | 0:00:45 | 0:00:47 | |
Oh, too kind! | 0:00:47 | 0:00:49 | |
Good evening! Good evening, | 0:00:49 | 0:00:52 | |
you're very welcome. | 0:00:52 | 0:00:54 | |
Yes, we're back for the new season. | 0:00:54 | 0:00:55 | |
I must say, we've got a great show for you tonight. | 0:00:55 | 0:00:58 | |
I am so excited about this evening. | 0:00:58 | 0:01:00 | |
Honestly, I'm like Keith Vaz when his wife goes out. | 0:01:00 | 0:01:02 | |
LAUGHTER | 0:01:02 | 0:01:04 | |
That's excited, isn't it? | 0:01:04 | 0:01:05 | |
That is very excited. | 0:01:05 | 0:01:07 | |
It seems like I've been away for ages, | 0:01:07 | 0:01:10 | |
ladies and gentlemen. | 0:01:10 | 0:01:12 | |
To give you some idea, the last time I was here, | 0:01:12 | 0:01:15 | |
Labour had just elected Jeremy Corbyn as their leader | 0:01:15 | 0:01:18 | |
and the England football team was looking for a new manager. Hm? | 0:01:18 | 0:01:21 | |
LAUGHTER | 0:01:21 | 0:01:23 | |
Times, they change. | 0:01:23 | 0:01:25 | |
Yes, Big Sam has quit after being caught up in a £400,000 deal. | 0:01:25 | 0:01:30 | |
Here is Big Sam. | 0:01:30 | 0:01:32 | |
Big, not necessarily clever. | 0:01:32 | 0:01:34 | |
LAUGHTER | 0:01:34 | 0:01:36 | |
Don't you think, though, that's not a great nickname, is it? Do you know what I mean? | 0:01:36 | 0:01:39 | |
You're not The Special One, The Chosen One, no, | 0:01:39 | 0:01:42 | |
just "Big". That's all it is. | 0:01:42 | 0:01:44 | |
Big Sam. What a legend. | 0:01:44 | 0:01:46 | |
The only England manager, I'm here to tell you, | 0:01:46 | 0:01:49 | |
never to have been beaten. | 0:01:49 | 0:01:51 | |
Played one, won one. That's it! | 0:01:51 | 0:01:53 | |
LAUGHTER | 0:01:53 | 0:01:55 | |
The Chilean miners lasted longer, ladies and gentlemen. | 0:01:55 | 0:01:58 | |
LAUGHTER | 0:01:58 | 0:02:00 | |
What else have I missed? | 0:02:03 | 0:02:05 | |
Well, in television news, | 0:02:05 | 0:02:07 | |
Channel 4 bought The Great British Bake Off for £75 million. | 0:02:07 | 0:02:11 | |
-AUDIENCE: -Ooh! | 0:02:11 | 0:02:13 | |
Where did Channel 4 get that money? | 0:02:13 | 0:02:16 | |
How busy is that restaurant in First Dates? I mean, really. | 0:02:16 | 0:02:19 | |
LAUGHTER | 0:02:19 | 0:02:21 | |
Mary and Mel and Sue, they're staying, | 0:02:21 | 0:02:24 | |
so Channel 4 has basically spent £75 million on a tent, | 0:02:24 | 0:02:29 | |
a big bag of flour and Paul Hollywood. | 0:02:29 | 0:02:31 | |
The tent and the bag of flour I get, but Paul Hollywood? | 0:02:31 | 0:02:35 | |
Actually, the real reason Mary Berry isn't going | 0:02:35 | 0:02:38 | |
is because she got drunk and punched a producer. | 0:02:38 | 0:02:41 | |
LAUGHTER | 0:02:41 | 0:02:43 | |
Sherry trifle, lethal! | 0:02:43 | 0:02:44 | |
And finally, disturbing royal news about Pippa Middleton. | 0:02:44 | 0:02:49 | |
GRAHAM GASPS | 0:02:49 | 0:02:50 | |
She has been granted an injunction preventing the publication | 0:02:50 | 0:02:54 | |
of "intimate and personal" photos. You know... | 0:02:54 | 0:02:59 | |
Mind you, if you know where to look, they're already on the internet. | 0:02:59 | 0:03:03 | |
LAUGHTER | 0:03:03 | 0:03:04 | |
You know they have! | 0:03:04 | 0:03:06 | |
Right, we've got a great sofa for our first show, | 0:03:06 | 0:03:08 | |
so let's get some guests on! WHOOPING AND CHEERING | 0:03:08 | 0:03:11 | |
Later we'll be chatting to the fabulous Robbie Williams! Yeah! | 0:03:11 | 0:03:15 | |
And he'll be performing a single from his new album. | 0:03:15 | 0:03:18 | |
But first, he started out as the world's most famous child star, | 0:03:18 | 0:03:21 | |
then broke the mould to become | 0:03:21 | 0:03:23 | |
one of our most daring and interesting actors | 0:03:23 | 0:03:25 | |
on both stage and screen. | 0:03:25 | 0:03:27 | |
It's our very good friend, Daniel Radcliffe! | 0:03:27 | 0:03:29 | |
CHEERING AND APPLAUSE | 0:03:29 | 0:03:31 | |
Oh, I'll do that! | 0:03:31 | 0:03:33 | |
I will greet you. Hello, sir, lovely to see you! Hi! | 0:03:33 | 0:03:36 | |
There you go. | 0:03:36 | 0:03:37 | |
Daniel Radcliffe. Daniel Radcliffe, right there. Yes. | 0:03:37 | 0:03:41 | |
She's the Oscar-nominated star of Up In The Air, Into The Woods | 0:03:41 | 0:03:45 | |
and the hugely successful Pitch Perfect movies. | 0:03:45 | 0:03:48 | |
Now she's voicing Princess Poppy in the new film Trolls. | 0:03:48 | 0:03:51 | |
Please welcome Anna Kendrick, everybody. | 0:03:51 | 0:03:53 | |
APPLAUSE Oh! Welcome! | 0:03:53 | 0:03:56 | |
Hi! | 0:03:56 | 0:03:57 | |
All right? There she is, Anna Kendrick! | 0:03:57 | 0:04:00 | |
Make her welcome. | 0:04:00 | 0:04:03 | |
And starring alongside Anna in Trolls, | 0:04:03 | 0:04:06 | |
this man went from hit boyband NSYNC | 0:04:06 | 0:04:08 | |
to become one of the world's biggest music stars... | 0:04:08 | 0:04:10 | |
WHOOPING Yeah! | 0:04:10 | 0:04:12 | |
It's a very warm first-time welcome to Grammy-winning, | 0:04:12 | 0:04:15 | |
Emmy-winning, actor extraordinaire, Justin Timberlake! | 0:04:15 | 0:04:18 | |
APPLAUSE | 0:04:18 | 0:04:19 | |
Yes! Yes! There he is! | 0:04:19 | 0:04:22 | |
That's it! That is him! | 0:04:23 | 0:04:25 | |
Hi, we should've warned you about her, we should've warned you. | 0:04:25 | 0:04:28 | |
You're very welcome. | 0:04:28 | 0:04:30 | |
Justin Timberlake, everybody! | 0:04:30 | 0:04:32 | |
CHEERING AND APPLAUSE | 0:04:32 | 0:04:34 | |
APPLAUSE DROWNS SPEECH | 0:04:34 | 0:04:36 | |
Sit down! Sit down! | 0:04:36 | 0:04:38 | |
Did you just do a piece of physical comedy? | 0:04:38 | 0:04:41 | |
-I was trying to do my Peter Sellers bit. -OK. | 0:04:41 | 0:04:44 | |
-How did it go? -Nobody liked it. | 0:04:44 | 0:04:47 | |
-No-one saw? -LAUGHTER | 0:04:47 | 0:04:49 | |
They were busy clapping, they love you. | 0:04:49 | 0:04:50 | |
Now, Justin Timberlake, you've never been here before? | 0:04:50 | 0:04:53 | |
-My first time with you. -That is weird. | 0:04:53 | 0:04:55 | |
WHOOPING | 0:04:55 | 0:04:56 | |
-I'm already comfortable, by the way. -That's good, I'm glad. | 0:04:56 | 0:05:00 | |
-Already comfortable. -You should be, you should be. | 0:05:00 | 0:05:02 | |
-Drink your tea. -Yes! | 0:05:02 | 0:05:03 | |
LAUGHTER | 0:05:03 | 0:05:05 | |
-Anna Kendrick... -Or is it? | 0:05:05 | 0:05:06 | |
Drink it quickly! Er... LAUGHTER | 0:05:08 | 0:05:11 | |
I have a cab waiting. Now, Anna Kendrick... | 0:05:11 | 0:05:14 | |
LAUGHTER AND APPLAUSE | 0:05:14 | 0:05:16 | |
Anna Kendrick... | 0:05:16 | 0:05:17 | |
You started that! | 0:05:17 | 0:05:19 | |
Anna Kendrick, you join us here in Britain at sad times, | 0:05:19 | 0:05:22 | |
sad times, because The Great British Bake Off... | 0:05:22 | 0:05:25 | |
-I can't talk about it! -You're genuinely upset, aren't you? | 0:05:25 | 0:05:28 | |
I'm really upset. | 0:05:28 | 0:05:30 | |
-She's... -You're all upset, it's fine. | 0:05:30 | 0:05:32 | |
We've been doing press together for Trolls | 0:05:32 | 0:05:35 | |
and she's actually mentioned how, like, obsessed... | 0:05:35 | 0:05:38 | |
-she is. -Don't make me sound weird. -No... | 0:05:38 | 0:05:41 | |
It's a very popular show, we're all obsessed by it. | 0:05:41 | 0:05:44 | |
-You wouldn't be excited about...cake. -Idiots. | 0:05:44 | 0:05:47 | |
LAUGHTER | 0:05:47 | 0:05:49 | |
Yeah, I'm very sad, but also it's so great that it | 0:05:49 | 0:05:53 | |
sort of immediately turned Mel and Sue into folk heroes | 0:05:53 | 0:05:57 | |
and we're all so proud of Mary for following suit. | 0:05:57 | 0:06:00 | |
And then it's like, of course Paul stayed! | 0:06:00 | 0:06:02 | |
LAUGHTER | 0:06:02 | 0:06:04 | |
With your bread and your goatee! | 0:06:04 | 0:06:08 | |
Nobody likes you. | 0:06:08 | 0:06:10 | |
Please don't come to America and be mean to me! | 0:06:10 | 0:06:13 | |
LAUGHTER | 0:06:13 | 0:06:14 | |
I'm so scared of you! | 0:06:14 | 0:06:16 | |
Would you actually... Can you bake? | 0:06:16 | 0:06:19 | |
Would you go on the celebrity edition? | 0:06:19 | 0:06:20 | |
-I can bake, but I like to take my time. -OK. | 0:06:20 | 0:06:23 | |
I like to put on a DVD with commentary, bake, | 0:06:23 | 0:06:28 | |
and that fills up my brain to capacity | 0:06:28 | 0:06:31 | |
and I can't be worried about "Nobody likes you," cos I'm just like... | 0:06:31 | 0:06:36 | |
-Butter and sugar! -LAUGHTER | 0:06:36 | 0:06:39 | |
Some of us have Adele in the bathtub, | 0:06:41 | 0:06:45 | |
Anna has DVD commentary and butter and sugar. | 0:06:45 | 0:06:48 | |
But, actually, don't mock her baking. | 0:06:48 | 0:06:50 | |
-You like baking. -No, I do, I do. | 0:06:50 | 0:06:52 | |
We've got photographic proof of you liking baking. | 0:06:52 | 0:06:54 | |
-Yes. -Look at that! How cool...? Look at that. | 0:06:54 | 0:06:57 | |
I'm going to bake in a beanie! | 0:06:57 | 0:06:59 | |
-I'll tell you what that is, Graham... -Ooh, yes? | 0:06:59 | 0:07:02 | |
It was chilly outside.... | 0:07:02 | 0:07:04 | |
and I'd just come from the porch of my house... | 0:07:04 | 0:07:07 | |
-Where's the photo again? -There. -Yeah, | 0:07:07 | 0:07:10 | |
that's a real man with a pink mixer, OK, bro? | 0:07:10 | 0:07:13 | |
LAUGHTER | 0:07:13 | 0:07:14 | |
That's what that is. I was having a little fun. | 0:07:14 | 0:07:17 | |
Daniel Radcliffe, the last time you were here, | 0:07:17 | 0:07:19 | |
you caused a bit of a sensation because we discovered, | 0:07:19 | 0:07:23 | |
do you remember, we did the time travelling thing? | 0:07:23 | 0:07:26 | |
Oh, right. Yeah, yeah, yeah. | 0:07:26 | 0:07:28 | |
-They did it on an American chat show with you, as well. -Yes. | 0:07:28 | 0:07:30 | |
-Yes, they nicked your bit. -I know. -There you go. | 0:07:30 | 0:07:32 | |
So, we're going to do that again. | 0:07:32 | 0:07:34 | |
This is just, we discovered, this is very weird, Daniel Radcliffe... | 0:07:34 | 0:07:37 | |
I know what you're talking about! | 0:07:37 | 0:07:39 | |
I look like many different people throughout history... | 0:07:39 | 0:07:42 | |
There's one, I hope the one you're going to show | 0:07:42 | 0:07:45 | |
is the one that simultaneously looks like a 12-year-old me and a 75-year-old woman. | 0:07:45 | 0:07:48 | |
-We've got that one. -Yeah, OK. | 0:07:48 | 0:07:50 | |
The first one is like a very easy game of Where's Wally? | 0:07:50 | 0:07:53 | |
LAUGHTER | 0:07:53 | 0:07:55 | |
Yeah, that was me... | 0:07:55 | 0:07:57 | |
This one is adorable, I love this one. | 0:07:57 | 0:08:00 | |
You just want to hang out with her, don't you? | 0:08:00 | 0:08:02 | |
Yeah, that's the one I mean! | 0:08:02 | 0:08:03 | |
LAUGHTER | 0:08:03 | 0:08:05 | |
-No, there's a better one... -How does that look like me at 12 and yet an old lady at the same time? | 0:08:05 | 0:08:09 | |
No, there's a better one of you looking like you | 0:08:09 | 0:08:11 | |
-at 12 and an old lady. -OK. -This one. | 0:08:11 | 0:08:14 | |
That one! That one! | 0:08:14 | 0:08:15 | |
Yes! But I look like so many old women! | 0:08:15 | 0:08:18 | |
It's incredible! | 0:08:18 | 0:08:19 | |
Now, we bring it up, because... | 0:08:19 | 0:08:22 | |
-apparently, you're not the only time traveller. No, no. -What? | 0:08:22 | 0:08:25 | |
Justin Timberlake, have you seen this picture? | 0:08:25 | 0:08:28 | |
I did. | 0:08:28 | 0:08:29 | |
-I think it's from 1870, this is real, 1870... -Yeah. | 0:08:29 | 0:08:34 | |
-Annoyingly, you've shaved off your facial fluff. -Right. | 0:08:34 | 0:08:38 | |
-Cos here you are in 1870. -OK. Yeah... | 0:08:38 | 0:08:41 | |
LAUGHTER | 0:08:41 | 0:08:42 | |
That looks pretty good, right? | 0:08:42 | 0:08:44 | |
-Look, see? -Can we get... -Yeah. -..like, a side-by-side? -Let's do it. | 0:08:44 | 0:08:48 | |
-I can see if I can... -Oh, look. Oh... | 0:08:48 | 0:08:50 | |
Oh, my God! | 0:08:50 | 0:08:51 | |
Oh, oh, oh, oh! | 0:08:51 | 0:08:53 | |
-That hand... -There you go. | 0:08:53 | 0:08:56 | |
-So, like... -Other way. No... | 0:08:56 | 0:08:59 | |
LAUGHTER | 0:08:59 | 0:09:00 | |
Er... | 0:09:00 | 0:09:02 | |
-LAUGHTER -No... | 0:09:02 | 0:09:05 | |
Push me in the right direction, cos I'm having, | 0:09:05 | 0:09:08 | |
I'm having, like, 50-50 dyslexia. | 0:09:08 | 0:09:11 | |
Stop moving! | 0:09:11 | 0:09:13 | |
Oh, yeah, that's it! | 0:09:15 | 0:09:16 | |
That's it! Very good. APPLAUSE | 0:09:16 | 0:09:19 | |
Uncanny. | 0:09:19 | 0:09:20 | |
Now, Justin and Anna are here | 0:09:23 | 0:09:24 | |
because you've got a new movie out, Trolls, | 0:09:24 | 0:09:27 | |
it's out on 21st October, | 0:09:27 | 0:09:29 | |
it's the latest from DreamWorks, and it's based on... | 0:09:29 | 0:09:32 | |
You're probably too young... | 0:09:32 | 0:09:34 | |
-No. -No, we're 16 years old... | 0:09:34 | 0:09:36 | |
They were popular in the '70s, troll dolls were kind of '70s. | 0:09:36 | 0:09:41 | |
They were popular... | 0:09:41 | 0:09:42 | |
Like, the little plastic ones, | 0:09:42 | 0:09:45 | |
especially, like, the pencil toppers | 0:09:45 | 0:09:46 | |
and the ones with the little jewels and the belly buttons were, like, '90s kids stuff. | 0:09:46 | 0:09:50 | |
But these are just slightly, | 0:09:50 | 0:09:51 | |
for instance, there isn't a big hole right here... | 0:09:51 | 0:09:54 | |
Excuse me? | 0:09:54 | 0:09:55 | |
LAUGHTER | 0:09:55 | 0:09:56 | |
Trolls always had a big hole so you could stick 'em on a pencil. | 0:09:56 | 0:10:00 | |
-Well, the pencil toppers ones, yes, Graham. -Yeah! | 0:10:00 | 0:10:02 | |
-But there are other types of trolls too. -Were there? -Yeah. | 0:10:02 | 0:10:05 | |
We just had... | 0:10:05 | 0:10:07 | |
Did we have other trolls? | 0:10:07 | 0:10:08 | |
I just thought, I thought they all sat on pencils! | 0:10:08 | 0:10:10 | |
They weren't just for pencil topping! | 0:10:10 | 0:10:12 | |
But it's interesting... | 0:10:12 | 0:10:14 | |
Stop saying "topping"! | 0:10:14 | 0:10:16 | |
Cos you can just... | 0:10:16 | 0:10:18 | |
You brought up the hole, man. | 0:10:18 | 0:10:19 | |
You could describe them as a pencil topper, or you can say, | 0:10:19 | 0:10:22 | |
"Yeah, they had a big hole, right here," | 0:10:22 | 0:10:24 | |
which is what you chose to do! | 0:10:24 | 0:10:25 | |
That was your choice. | 0:10:25 | 0:10:27 | |
Everyone on THIS side of the room says "pencil topper". | 0:10:27 | 0:10:30 | |
You decided you'd point out that there was a large hole... | 0:10:30 | 0:10:33 | |
-In their crotch. -Yeah. | 0:10:33 | 0:10:35 | |
You pick up a troll, find a big hole. | 0:10:35 | 0:10:37 | |
Notorious are these things, people who star in these movies, | 0:10:37 | 0:10:40 | |
this is where they meet, they meet when they're doing the promo... | 0:10:40 | 0:10:43 | |
It's not going well so far. | 0:10:43 | 0:10:45 | |
Because of the singing, presumably you did meet along the way? | 0:10:45 | 0:10:47 | |
-Yeah. -Yeah, we actually did work together. | 0:10:47 | 0:10:51 | |
We did all the music together cos Justin is the | 0:10:51 | 0:10:53 | |
executive producer of the soundtrack! | 0:10:53 | 0:10:56 | |
-Wow. -And they brought Justin on, | 0:10:56 | 0:10:57 | |
I had been doing the movie for a couple of months | 0:10:57 | 0:11:00 | |
and they were happy with how it was going | 0:11:00 | 0:11:02 | |
and they wanted to bring Justin on to the movie, | 0:11:02 | 0:11:05 | |
but the day that they told me, it was all very serious, | 0:11:05 | 0:11:08 | |
cos they wanted to make sure I was OK with it or something. | 0:11:08 | 0:11:11 | |
They were breaking it to me and I thought I was going to get fired or something. | 0:11:11 | 0:11:14 | |
"Is it OK if we bring Justin Timberlake?" | 0:11:14 | 0:11:18 | |
Not like, "Is it OK?" but "We're going to bring Justin Timberlake | 0:11:18 | 0:11:21 | |
"on to do all the music. How do you feel about that?" | 0:11:21 | 0:11:24 | |
I was like, "OK..." | 0:11:24 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:27 | |
-It could've gone either way! Could've gone either way! -It's true. | 0:11:33 | 0:11:36 | |
-The jury's still out. -Little did she know... | 0:11:36 | 0:11:39 | |
He was there for all my music sessions and was basically the guy | 0:11:39 | 0:11:43 | |
behind the glass, he presses the button to be like, | 0:11:43 | 0:11:46 | |
"Do it better!" | 0:11:46 | 0:11:48 | |
-That was him. -LAUGHTER | 0:11:48 | 0:11:50 | |
"Do you want to be a star or not?" | 0:11:52 | 0:11:56 | |
-Yes... -I misinterpreted it that way, he was really nice. | 0:11:56 | 0:11:59 | |
"How did you feel about that one? | 0:11:59 | 0:12:01 | |
"Good? | 0:12:01 | 0:12:03 | |
"Yeah... Let's do one more!" | 0:12:03 | 0:12:05 | |
No, it was, you know, obviously, from Pitch Perfect movies, | 0:12:05 | 0:12:10 | |
this one over here's got a very, very good voice. | 0:12:10 | 0:12:15 | |
-Yeah. -So... -APPLAUSE | 0:12:15 | 0:12:17 | |
They agree! | 0:12:17 | 0:12:18 | |
That was light applause! | 0:12:18 | 0:12:21 | |
CHEERING AND APPLAUSE | 0:12:21 | 0:12:23 | |
You got to commit to it! | 0:12:25 | 0:12:27 | |
I'm leaving. | 0:12:27 | 0:12:29 | |
I love that, "My singing is better than that!" | 0:12:31 | 0:12:33 | |
That was a golf clap. | 0:12:33 | 0:12:35 | |
All right, let's take a look at a clip from Trolls. | 0:12:35 | 0:12:39 | |
This is Branch, your good self, | 0:12:39 | 0:12:41 | |
and Princess Poppy starting out on a quest to rescue their friends. | 0:12:41 | 0:12:46 | |
Bam, bam... | 0:12:46 | 0:12:48 | |
Do you have to sing? | 0:12:48 | 0:12:50 | |
I always sing when I'm in a good mood. | 0:12:50 | 0:12:51 | |
-Do you have to be in a good mood? -Why wouldn't I be? | 0:12:51 | 0:12:54 | |
By this time tomorrow, I'll be with all my friends. | 0:12:54 | 0:12:56 | |
SHE STRAINS | 0:12:56 | 0:12:57 | |
I wonder what they're doing right now. | 0:12:57 | 0:12:58 | |
-Huh! -Probably being digested. | 0:12:58 | 0:13:00 | |
-They're alive, Branch. I know it! -You don't know anything, Poppy. | 0:13:00 | 0:13:03 | |
And I can't wait to see the look on your face when you realise | 0:13:03 | 0:13:06 | |
the world isn't all cupcakes and rainbows, cos it isn't! | 0:13:06 | 0:13:09 | |
Hey, I know it's not all cupcakes and rainbows, | 0:13:11 | 0:13:13 | |
but I'd rather go through life thinking that it mostly is | 0:13:13 | 0:13:16 | |
instead of being like you. | 0:13:16 | 0:13:17 | |
You don't sing, you don't dance - so grey all the time. | 0:13:17 | 0:13:20 | |
-What happened to you? -Ssh! | 0:13:20 | 0:13:22 | |
A Bergen? | 0:13:23 | 0:13:25 | |
Maybe! | 0:13:25 | 0:13:26 | |
There's no Bergen, is there? | 0:13:30 | 0:13:31 | |
You just said that so I'd stop talking. | 0:13:31 | 0:13:34 | |
Maybe. | 0:13:34 | 0:13:35 | |
LAUGHTER AND APPLAUSE | 0:13:35 | 0:13:38 | |
APPLAUSE DROWNS SPEECH | 0:13:38 | 0:13:40 | |
-Did you? Did you? -I made some bold, bad choices. -Really? -Yeah. | 0:13:40 | 0:13:44 | |
Sorry, I'm getting bonus side stories that you don't get to know. | 0:13:44 | 0:13:48 | |
That's annoying. I'll watch the rushes. | 0:13:48 | 0:13:51 | |
Now, Justin, obviously you were in Shrek before this, | 0:13:51 | 0:13:55 | |
but is it different making a movie like this now that you're a dad, | 0:13:55 | 0:13:58 | |
-thinking... -Sure. | 0:13:58 | 0:14:00 | |
-..that, you know...? -Yeah, I mean... | 0:14:00 | 0:14:02 | |
He's amazing, by the way. | 0:14:02 | 0:14:04 | |
Ooh, actually, you posted a pic of you and him. | 0:14:04 | 0:14:07 | |
Do you mind if we show the pic of you and him? It's adorable. | 0:14:07 | 0:14:09 | |
I feel that I don't have a choice. | 0:14:09 | 0:14:11 | |
We can cut it out afterwards. But it's so cute. | 0:14:11 | 0:14:14 | |
-How cute is he? -Aw! | 0:14:14 | 0:14:15 | |
Silas. | 0:14:15 | 0:14:17 | |
-Silas, yes. -Silas. -He looks nothing like that any more. | 0:14:17 | 0:14:20 | |
I really thought you were going to say "nothing like you". | 0:14:20 | 0:14:23 | |
I will say thank God for his mother, I will say that. | 0:14:23 | 0:14:27 | |
-He's actually seen the movie. -Has he? | 0:14:27 | 0:14:30 | |
JUSTIN LAUGHS | 0:14:30 | 0:14:32 | |
One of the perks, baby, one of the perks. | 0:14:32 | 0:14:35 | |
Does he know it's you? | 0:14:35 | 0:14:38 | |
Cos you sound really different. | 0:14:38 | 0:14:39 | |
He doesn't know that I'm playing Branch, | 0:14:39 | 0:14:41 | |
but he knew Can't Stop The Feeling. | 0:14:41 | 0:14:44 | |
-OK. -That was sort of the first thing that, you know... | 0:14:44 | 0:14:48 | |
I don't know that he actually registers what it | 0:14:48 | 0:14:51 | |
really means or what it is. | 0:14:51 | 0:14:53 | |
-That his dad wrote it... -Right, exactly. Um... | 0:14:53 | 0:14:56 | |
But, you know, he's like, "Poppy sad." | 0:14:56 | 0:14:58 | |
-That's my character. That's not him. -Yeah. | 0:15:00 | 0:15:02 | |
-LAUGHTER -And, uh... | 0:15:02 | 0:15:04 | |
You know, the movie ended, and he was, "Trolls, again." | 0:15:04 | 0:15:09 | |
-Aw. -And I was like... | 0:15:09 | 0:15:11 | |
LAUGHTER | 0:15:11 | 0:15:14 | |
HE LAUGHS MANIACALLY | 0:15:18 | 0:15:20 | |
-APPLAUSE -No, that's not... | 0:15:20 | 0:15:23 | |
Aw. | 0:15:24 | 0:15:26 | |
But it's like, you know... It's... | 0:15:26 | 0:15:28 | |
You know, watching him learn something every day, it's crazy. | 0:15:28 | 0:15:33 | |
It's really... They teach you so much, too. | 0:15:33 | 0:15:37 | |
I'm sure you've all seen... | 0:15:37 | 0:15:38 | |
The video for Can't Stop The Feeling is just adorable | 0:15:38 | 0:15:42 | |
with the people dancing. | 0:15:42 | 0:15:44 | |
These people dancing, please say "Yes" | 0:15:44 | 0:15:46 | |
when I say, "Are these ordinary people?" | 0:15:46 | 0:15:50 | |
These are people that aspire to be dancers. | 0:15:50 | 0:15:54 | |
Aw. Well, we all aspire. LAUGHTER | 0:15:54 | 0:15:57 | |
-Aw, look at them go. -They were fantastic. | 0:15:57 | 0:16:00 | |
I had more fun with that than I think any sort of piece | 0:16:00 | 0:16:04 | |
that you have to do...like that. | 0:16:04 | 0:16:06 | |
Now, the thing is, we all have a dance move we break out, right? | 0:16:06 | 0:16:09 | |
So, we were asking the audience about their signature dance moves. | 0:16:09 | 0:16:13 | |
-So... -I see cameras turning around! -LAUGHTER | 0:16:13 | 0:16:16 | |
Everybody got really giggly all of a sudden. | 0:16:16 | 0:16:19 | |
-I see everyone... Yeah. I see... -OK, let's do this. -Yeah. | 0:16:19 | 0:16:22 | |
Where's Lisa? There's Lisa. Now, Lisa has two moves. | 0:16:22 | 0:16:27 | |
So, tell us the names of your two moves. | 0:16:27 | 0:16:29 | |
The Sprinkler and The Lawn Mower. | 0:16:29 | 0:16:32 | |
The Sprinkler and The Lawnmower. OK. | 0:16:32 | 0:16:33 | |
-Definitely into gardening. -She loves her gardening. | 0:16:33 | 0:16:37 | |
OK, do you want to step out into the aisle there? | 0:16:37 | 0:16:40 | |
We'll play a bit of music. We can see The Sprinkler first. | 0:16:40 | 0:16:43 | |
-And then, what is it, The Lawn Mower? -Yeah. | 0:16:43 | 0:16:45 | |
The Lawn Mower. OK. OK. So, play a bit of music. Here we go. | 0:16:45 | 0:16:48 | |
MUSIC: Can't Stop The Feeling by Justin Timberlake | 0:16:48 | 0:16:50 | |
Oh, Sprinkler! Sprinkler! Well done. | 0:16:50 | 0:16:54 | |
Lawn Mower now. Lawn Mower. Lawn Mower. | 0:16:54 | 0:16:57 | |
-Good! Yes! -Beautiful. Well done, Lisa. Very good. | 0:17:00 | 0:17:03 | |
APPLAUSE Now, next up... | 0:17:03 | 0:17:08 | |
A push mower. | 0:17:08 | 0:17:10 | |
-Not a riding mower. -Oh, no. -Yeah, that's vintage! | 0:17:10 | 0:17:14 | |
No, you're just fancy! | 0:17:14 | 0:17:17 | |
You've changed! | 0:17:17 | 0:17:19 | |
-"What's she doing?" -"What is that?" | 0:17:19 | 0:17:22 | |
LAUGHTER | 0:17:22 | 0:17:25 | |
Where is Calum? There's Calum. | 0:17:28 | 0:17:31 | |
Calum's is really specific. | 0:17:31 | 0:17:33 | |
What's... Oh, take out your gum. LAUGHTER | 0:17:33 | 0:17:37 | |
It's called Spit The Gum. | 0:17:37 | 0:17:39 | |
It's really good. LAUGHTER | 0:17:39 | 0:17:41 | |
Classy, Calum, because who knew I was coming to you next? | 0:17:41 | 0:17:45 | |
"They're doing that dancing item they told me about!" | 0:17:46 | 0:17:50 | |
Was that in a tissue or anything or is your friend just holding that? | 0:17:52 | 0:17:55 | |
-LAUGHTER AND APPLAUSE -You're a good friend! | 0:17:55 | 0:17:58 | |
I've got to say, though, Calum, I respect your humility... | 0:18:00 | 0:18:04 | |
..because you decided there's no way | 0:18:04 | 0:18:06 | |
you could possibly do this dance move | 0:18:06 | 0:18:08 | |
and chew gum at the same time! | 0:18:08 | 0:18:11 | |
I respect that humility. He wants to nail the dance move. | 0:18:11 | 0:18:15 | |
-It is complicated. -OK. -OK, Calum. | 0:18:15 | 0:18:18 | |
Tonight, Calum will be attempting... | 0:18:18 | 0:18:20 | |
The Daddy Box Step with The Robert De Niro. | 0:18:22 | 0:18:27 | |
OK, that's a lot. That is a lot. OK, Calum, out into the aisle. | 0:18:27 | 0:18:32 | |
-Let's see if he can actually do this. -The Daddy Box Step? | 0:18:32 | 0:18:36 | |
-It's Dad Box Step with De Niro. -OK. -OK. OK, let's start the music. | 0:18:36 | 0:18:41 | |
-MUSIC PLAYS -I need a second. -He needs a second! | 0:18:41 | 0:18:43 | |
Stop the music! LAUGHTER | 0:18:43 | 0:18:46 | |
-I just need to get the face going. -Oh, man! -OK. | 0:18:46 | 0:18:49 | |
LAUGHTER AND CHEERING Oh! | 0:18:49 | 0:18:53 | |
OK. Now start the music. Start the music. Here we go. | 0:18:53 | 0:18:55 | |
MUSIC: Can't Stop The Feeling by Justin Timberlake | 0:18:55 | 0:18:58 | |
Very good! | 0:18:58 | 0:18:59 | |
Calum, everybody! Good! | 0:19:06 | 0:19:09 | |
You know what? | 0:19:09 | 0:19:10 | |
-He has so pulled. He has so pulled doing that. -You can't... | 0:19:13 | 0:19:16 | |
-You can't... While you chew gum, you can't do it. -No! | 0:19:16 | 0:19:19 | |
LAUGHTER | 0:19:19 | 0:19:22 | |
-That was terrifying! -That's the best bit. | 0:19:22 | 0:19:25 | |
-She's just offered it back to him! -LAUGHTER | 0:19:25 | 0:19:28 | |
-I've got a feeling... -LAUGHTER AND CHEERING | 0:19:31 | 0:19:34 | |
Wow. | 0:19:36 | 0:19:38 | |
-Wow. -Oh, dear! | 0:19:39 | 0:19:43 | |
Where is Susie? Susie. Oh, there's Susie. | 0:19:43 | 0:19:46 | |
-Hiya. -Hi. -What is the name of yours now? | 0:19:46 | 0:19:48 | |
-Uh, The Shopping Cart. -She remembered. Well done. | 0:19:48 | 0:19:51 | |
Can you do it in your seat or do you need to come out into the aisle? | 0:19:51 | 0:19:54 | |
-I do need to come out. -Oh, she needs to come out. | 0:19:54 | 0:19:56 | |
-Let her out. She needs space! -Make way. -She needs space for it. | 0:19:56 | 0:19:59 | |
-Oh, man. -OK, here she comes. | 0:19:59 | 0:20:02 | |
OK. Yeah, yeah. Just there. | 0:20:04 | 0:20:06 | |
-Yeah. Good, good. -Nice. -OK, play some music. | 0:20:06 | 0:20:08 | |
-We'll do The Shopping Cart. Here we go. -I'll go help. -Oh, he's going. | 0:20:08 | 0:20:11 | |
MUSIC: Can't Stop The Feeling by Justin Timberlake | 0:20:11 | 0:20:14 | |
-Hi. -We've got to be in sync. | 0:20:17 | 0:20:21 | |
What am I doing? | 0:20:21 | 0:20:22 | |
-That's your trolley. -OK. | 0:20:24 | 0:20:25 | |
-That's your hand. -OK. -You can do that arm. -This arm? | 0:20:25 | 0:20:29 | |
You grab an item and you push it for a while. | 0:20:29 | 0:20:31 | |
-Oh, so we're pushing the same cart? -We can do. -OK. | 0:20:31 | 0:20:33 | |
All right, I'm ready. | 0:20:33 | 0:20:35 | |
-We're doing it. -CHEERING | 0:20:36 | 0:20:39 | |
One, two, three. | 0:20:40 | 0:20:43 | |
Oh, yes! Oh! CHEERING | 0:20:43 | 0:20:46 | |
That is... | 0:20:46 | 0:20:47 | |
-That's really good. -Very good. | 0:20:49 | 0:20:52 | |
Well done! Well done, Susie. | 0:20:55 | 0:20:59 | |
Right, now, Daniel Radcliffe, you've got a couple of films, | 0:21:06 | 0:21:10 | |
neither of which is suitable for children. | 0:21:10 | 0:21:11 | |
-I think that's fair to say. -Yes, no. They're not. | 0:21:11 | 0:21:14 | |
They are not... | 0:21:14 | 0:21:15 | |
Yeah. Go take your kids to see Trolls, | 0:21:15 | 0:21:17 | |
not Imperium or Swiss Army Man. | 0:21:17 | 0:21:18 | |
Send them into Trolls, and then you go into the other screen. | 0:21:18 | 0:21:21 | |
-Yeah. There you go. -That's what you've got to do. -Absolutely. | 0:21:21 | 0:21:23 | |
Imperium, let's talk about Imperium. | 0:21:23 | 0:21:25 | |
Imperium is out now. And this is an extraordinary... It's a true story. | 0:21:25 | 0:21:28 | |
Yeah, it's based on the experiences of a real FBI agent | 0:21:28 | 0:21:31 | |
who went undercover with neo-Nazi | 0:21:31 | 0:21:33 | |
white supremacist groups for 12 years, | 0:21:33 | 0:21:34 | |
and it's a sort of amalgam of lots of his different experiences. | 0:21:34 | 0:21:37 | |
But everything in the film has happened to him or someone else. | 0:21:37 | 0:21:40 | |
A musical as well. | 0:21:40 | 0:21:41 | |
-LAUGHTER -It's a musical, yes. | 0:21:41 | 0:21:44 | |
It is a musical. | 0:21:44 | 0:21:45 | |
And it's actually very... It's similar to Trolls. | 0:21:45 | 0:21:48 | |
-Um... -It is not... | 0:21:48 | 0:21:51 | |
-It is not similar... -..similar to trolls. | 0:21:51 | 0:21:55 | |
-No. Sorry, DreamWorks. -But you met the... | 0:21:55 | 0:21:57 | |
I met the real guy. Yeah. | 0:21:57 | 0:21:59 | |
One of the coolest things about my job is that I get to, | 0:21:59 | 0:22:01 | |
you know, talk to a real FBI agent, and he's a very interesting guy. | 0:22:01 | 0:22:05 | |
His name is Mike German, and he now sort of does work... | 0:22:05 | 0:22:07 | |
Seriously, his name is Mike German? | 0:22:07 | 0:22:09 | |
-Mike German, yes. -LAUGHTER | 0:22:09 | 0:22:11 | |
Which is less funny in America. | 0:22:11 | 0:22:13 | |
Um, but, yeah, | 0:22:13 | 0:22:16 | |
and he went undercover with a lot of Nazis. | 0:22:16 | 0:22:20 | |
And, yeah, it's a really fun... | 0:22:20 | 0:22:23 | |
It's not a fun movie. It was fun to make. | 0:22:23 | 0:22:25 | |
-It's not fun to watch. -But even making it, though, | 0:22:25 | 0:22:28 | |
must've been uncomfortable because the things you have to say... | 0:22:28 | 0:22:31 | |
-Right, yes. Yeah. -..and the words you have to use... | 0:22:31 | 0:22:34 | |
-Yeah, it's not fun. -And you're saying them to real people. -Yes. | 0:22:34 | 0:22:37 | |
I mean, obviously, everyone understands that it's acting, | 0:22:37 | 0:22:39 | |
but it still feels weird and horrible to say that stuff, | 0:22:39 | 0:22:44 | |
so I sort of found myself going up to people in between takes | 0:22:44 | 0:22:47 | |
and being, "I'm so sorry." | 0:22:47 | 0:22:49 | |
-And you're British. You must've been SO sorry. -I was! | 0:22:49 | 0:22:52 | |
-LAUGHTER -"I'm so sorry! I'm so... | 0:22:52 | 0:22:54 | |
-"I'm SO sorry!" -Levels of apology as yet unfathomed. | 0:22:54 | 0:22:58 | |
It was really... I felt awful. | 0:22:58 | 0:23:00 | |
And also when we were doing scenes | 0:23:00 | 0:23:02 | |
where we'd be filming a massive KKK rally scene, | 0:23:02 | 0:23:06 | |
and we're quite a small crew, | 0:23:06 | 0:23:08 | |
so there's only one guy with the camera. | 0:23:08 | 0:23:10 | |
So, from a distance, you just see a KKK rally. | 0:23:10 | 0:23:12 | |
And so people would be driving by getting really angry, | 0:23:12 | 0:23:15 | |
and then all the skinheads and me, | 0:23:15 | 0:23:17 | |
we'd all be just like, "No, it's fine! We're not really! | 0:23:17 | 0:23:20 | |
-"This white power..." -They do that, though! -They would be real but... | 0:23:20 | 0:23:23 | |
-But, yeah, it was very... It was odd. -Yeah. -Yeah. | 0:23:23 | 0:23:26 | |
Listen, we've got a clip. | 0:23:26 | 0:23:27 | |
This is where one of the gang leaders | 0:23:27 | 0:23:29 | |
-is beginning to suspect... -Yes. -..that you may not be the real deal. | 0:23:29 | 0:23:33 | |
Chris Sullivan, yeah. | 0:23:33 | 0:23:34 | |
What's your opinion on infiltration? | 0:23:34 | 0:23:36 | |
Uh, how do you mean? | 0:23:39 | 0:23:41 | |
How do we prevent it? | 0:23:42 | 0:23:44 | |
Well, uh, it's tough. | 0:23:44 | 0:23:46 | |
For one thing, you got to keep guys | 0:23:46 | 0:23:48 | |
with rap sheets out of important positions. | 0:23:48 | 0:23:50 | |
That's how they flip most people. | 0:23:50 | 0:23:52 | |
We have a polygraph back at the compound. | 0:23:53 | 0:23:55 | |
Maybe we should make everybody take it. | 0:23:59 | 0:24:01 | |
I think someone who's trained can beat a polygraph without blinking. | 0:24:03 | 0:24:07 | |
Yeah. | 0:24:08 | 0:24:10 | |
Maybe we should just do background checks for everybody, | 0:24:11 | 0:24:15 | |
get everyone's records and documents together. | 0:24:15 | 0:24:18 | |
Yeah, I mean, for informants, that might work, | 0:24:18 | 0:24:21 | |
but for the law enforcement, they just forge whatever they need. | 0:24:21 | 0:24:24 | |
Yeah, but with a few phone calls, you know... | 0:24:24 | 0:24:27 | |
..cover only runs so deep. | 0:24:28 | 0:24:30 | |
Do you suspect someone? | 0:24:32 | 0:24:33 | |
-APPLAUSE Oh! -That's fascinating. | 0:24:35 | 0:24:37 | |
It's a really... It actually turned out really well. Yeah. | 0:24:37 | 0:24:40 | |
-Looks great. -Thank you, dude. Cheers. | 0:24:40 | 0:24:43 | |
Because, you know, movies are a long time in the planning, | 0:24:45 | 0:24:47 | |
but the release does seem quite timely, | 0:24:47 | 0:24:49 | |
because you do kind of fear that these sorts of attitudes | 0:24:49 | 0:24:52 | |
-are becoming sort of legitimised and more mainstream. -Absolutely. | 0:24:52 | 0:24:55 | |
Like, we had no idea. | 0:24:55 | 0:24:56 | |
It's not like none of these things were a problem | 0:24:56 | 0:24:58 | |
when we made the film. That's obviously why we've made it. | 0:24:58 | 0:25:00 | |
But at no point when we were making it | 0:25:00 | 0:25:03 | |
did we think that so much of those views would be shifting | 0:25:03 | 0:25:05 | |
into the mainstream. | 0:25:05 | 0:25:06 | |
Like, you know, Mike - Mike German - he talks about how, you know, | 0:25:06 | 0:25:11 | |
these views were expressed in the '90s, | 0:25:11 | 0:25:13 | |
were just told about in basements and behind closed doors, | 0:25:13 | 0:25:16 | |
and now it's obviously in a very public platform. | 0:25:16 | 0:25:18 | |
Now, talking of public platform, | 0:25:18 | 0:25:20 | |
I heard you talking on a show where you met Donald Trump. | 0:25:20 | 0:25:24 | |
-Yes. -But not particularly because you wanted to. -No. | 0:25:24 | 0:25:28 | |
I was like, "Oh, I love real estate! | 0:25:28 | 0:25:30 | |
"I have to go meet him," when I was really young. | 0:25:30 | 0:25:32 | |
-LAUGHTER -No, I was, like, 11 or 12, | 0:25:32 | 0:25:35 | |
and it was when we were doing press for the first Potter movie | 0:25:35 | 0:25:39 | |
where they took us to New York and it was the first time | 0:25:39 | 0:25:41 | |
doing the morning shows in New York. | 0:25:41 | 0:25:43 | |
And I was about to go on The Today Show. | 0:25:43 | 0:25:45 | |
I've never been on American morning TV before, | 0:25:45 | 0:25:48 | |
and I was quite nervous. | 0:25:48 | 0:25:50 | |
And Donald Trump had also been on that day, and so... | 0:25:50 | 0:25:52 | |
That's Donald Trump, | 0:25:52 | 0:25:53 | |
for those of you who had blissfully forgotten what he looked like. | 0:25:53 | 0:25:56 | |
LAUGHTER | 0:25:56 | 0:25:58 | |
But then they walked me over to him, cos clearly they were like... | 0:25:58 | 0:26:02 | |
Somebody said, "Want to meet the kid who plays Harry Potter?" | 0:26:02 | 0:26:04 | |
And he was like, "Sure." I don't know how that conversation went. | 0:26:04 | 0:26:07 | |
But they walked me over to him, and he said, | 0:26:07 | 0:26:09 | |
"Hi. Nice to meet you," and I said, "Nice to meet you." | 0:26:09 | 0:26:11 | |
And he said, "How are you?" | 0:26:11 | 0:26:13 | |
I said, "Really, I'm quite nervous. I've never been on TV before. | 0:26:13 | 0:26:15 | |
"I don't know what I'm going to talk about." | 0:26:15 | 0:26:17 | |
And he, brilliantly, just said, | 0:26:17 | 0:26:18 | |
"You just tell them you met Mr Trump." | 0:26:18 | 0:26:20 | |
-LAUGHTER -To me, that's like... | 0:26:20 | 0:26:23 | |
That is the Everest of self-confidence. | 0:26:23 | 0:26:26 | |
Like, imagine if I'd just been to you, | 0:26:26 | 0:26:28 | |
"When you go on that show, just talk about me." | 0:26:28 | 0:26:31 | |
"Don't even talk about your stuff." | 0:26:31 | 0:26:33 | |
-Look at the two Americans, and we are both just like... -Sad. | 0:26:33 | 0:26:35 | |
-Yeah. -.."Oh." -They're laughing. You're really sad. | 0:26:35 | 0:26:38 | |
-I know. You're all laughing. -Yeah. -LAUGHTER | 0:26:38 | 0:26:41 | |
-But also, this is kind of the problem... -It's funny now... | 0:26:41 | 0:26:43 | |
-..cos you do end up talking about him. -Yeah. | 0:26:43 | 0:26:45 | |
And we should be talking about the other people. | 0:26:45 | 0:26:47 | |
Cos I know you're... | 0:26:47 | 0:26:48 | |
Well, the beauty of the whole thing is you have to, | 0:26:48 | 0:26:50 | |
cos he just doesn't talk about himself. | 0:26:50 | 0:26:52 | |
-You feel like you have to... -LAUGHTER | 0:26:52 | 0:26:55 | |
-Someone promote this guy. -Yeah, exactly. | 0:26:55 | 0:26:58 | |
You're a big Hillary supporter. I know you've done benefits and... | 0:26:58 | 0:27:01 | |
-Yes. -Yeah. -I am. | 0:27:01 | 0:27:03 | |
But you must know the White House very well, | 0:27:03 | 0:27:05 | |
because you seem to go there a lot. | 0:27:05 | 0:27:07 | |
-Oh, yeah. I'm there all the time. -What's the...? | 0:27:07 | 0:27:10 | |
Have you played basketball there or something? | 0:27:10 | 0:27:12 | |
Well, so, I was asked by President Obama to... | 0:27:12 | 0:27:18 | |
Everyone hates you already. | 0:27:18 | 0:27:20 | |
Well, it was more or less, like, you know... | 0:27:21 | 0:27:24 | |
-IMITATES OBAMA: -.."Just come and sing something." | 0:27:24 | 0:27:26 | |
LAUGHTER | 0:27:26 | 0:27:29 | |
But I got there early cos they offered to give us a tour | 0:27:29 | 0:27:33 | |
of the White House...again, and you had heard these... | 0:27:33 | 0:27:36 | |
LAUGHTER | 0:27:36 | 0:27:38 | |
You know, cos I had been there with... | 0:27:38 | 0:27:40 | |
Yeah, I know. We so heard the "again". Yeah. | 0:27:40 | 0:27:42 | |
-Yeah. -Guys, stay with me. | 0:27:42 | 0:27:45 | |
-"I'd love to see what you've done with the place." -Yeah. | 0:27:45 | 0:27:47 | |
"So, it's different. | 0:27:47 | 0:27:50 | |
"Wow. You've really done a lot with the kitchen." | 0:27:50 | 0:27:53 | |
No, so, I'd heard these rumours | 0:27:53 | 0:27:56 | |
that President Obama had his own basketball court, | 0:27:56 | 0:27:59 | |
to which I had never heard that there was even a basketball court. | 0:27:59 | 0:28:02 | |
You always heard about presidents playing golf, | 0:28:02 | 0:28:05 | |
so I was like, "Can I see the basketball court?" | 0:28:05 | 0:28:08 | |
And they let me go to the basketball court, | 0:28:08 | 0:28:11 | |
and the balls have "President Barack Obama"... | 0:28:11 | 0:28:14 | |
-That's awesome. -..stitched in, like, "Spalding NBA..." | 0:28:14 | 0:28:17 | |
-Did you steal one? -No. | 0:28:17 | 0:28:20 | |
I didn't. | 0:28:20 | 0:28:21 | |
I asked for one, and they said no. | 0:28:21 | 0:28:24 | |
So, but I was shooting hoops on the court, | 0:28:26 | 0:28:31 | |
and I was able to have my manager film me, | 0:28:31 | 0:28:34 | |
and I made a half-court shot. | 0:28:34 | 0:28:36 | |
It only took me, like, 40-something tries. | 0:28:36 | 0:28:39 | |
I made a half-court shot and videotaped it, | 0:28:39 | 0:28:41 | |
and then there's a picture... | 0:28:41 | 0:28:44 | |
-I think we've got the picture, yeah. -So, I'm actually showing him... | 0:28:44 | 0:28:47 | |
Because, you know, everything you do there, | 0:28:48 | 0:28:52 | |
everyone obviously knows about it. | 0:28:52 | 0:28:56 | |
I showed up and he goes, | 0:28:56 | 0:28:57 | |
"I heard you were trying to play basketball on my court." | 0:28:57 | 0:29:01 | |
-And... -And you're like, "I was good, though!" | 0:29:01 | 0:29:03 | |
And I was like... | 0:29:03 | 0:29:04 | |
"Trying"? OK, hold on...President. | 0:29:06 | 0:29:10 | |
You know, and then I showed him the... He... | 0:29:11 | 0:29:15 | |
I mean, can we just talk about what an amazing president...? | 0:29:15 | 0:29:21 | |
-He's amazing. -APPLAUSE | 0:29:22 | 0:29:24 | |
Now, Daniel Radcliffe, we must also mention... | 0:29:28 | 0:29:30 | |
Honestly, this is already | 0:29:30 | 0:29:32 | |
one of the most talked about movies of the year. | 0:29:32 | 0:29:34 | |
-Swiss Army Man. -Right. -It's out today. -Yes. | 0:29:34 | 0:29:37 | |
And it's one of those movies, people see it and they love it, | 0:29:37 | 0:29:40 | |
or they see it and they go, "What was that?" | 0:29:40 | 0:29:43 | |
No, it is. There's pretty much only two reactions to it. | 0:29:43 | 0:29:46 | |
I mean, it's the thing that I've done that I honestly think | 0:29:46 | 0:29:50 | |
I'm the most proud of, just because it's absolutely crazy. | 0:29:50 | 0:29:54 | |
It's completely gross and completely beautiful | 0:29:54 | 0:29:57 | |
and completely dumb and very, very clever at the same time. | 0:29:57 | 0:30:01 | |
And the fact that it manages all that stuff... | 0:30:01 | 0:30:03 | |
Somebody said it was like a Terrence Malick film | 0:30:03 | 0:30:05 | |
written by the Farrelly brothers. | 0:30:05 | 0:30:06 | |
It's just like an amazing combination of, like, | 0:30:06 | 0:30:09 | |
the most beautiful things you've ever seen | 0:30:09 | 0:30:11 | |
and stupidity. But it's... | 0:30:11 | 0:30:14 | |
Honestly, if I could... | 0:30:14 | 0:30:16 | |
It's a very hard one to pitch, but if I could explain it very quickly, | 0:30:16 | 0:30:19 | |
then we wouldn't have had to make it. | 0:30:19 | 0:30:21 | |
I'm sure you'll do better than we did with Trolls. | 0:30:21 | 0:30:23 | |
-LAUGHTER -It's a kids' movie. No, it is... | 0:30:23 | 0:30:27 | |
Basically, Paul Dano plays a guy who is a sort of suicidal man | 0:30:27 | 0:30:31 | |
on a desert island, and just as he's about to top himself | 0:30:31 | 0:30:33 | |
at the beginning of the movie, | 0:30:33 | 0:30:35 | |
he sees a dead body wash up on the shore. | 0:30:35 | 0:30:37 | |
-Bring the kids. -Yeah, bring your kids. | 0:30:37 | 0:30:40 | |
And that body is played by me. He... | 0:30:40 | 0:30:42 | |
After a few minutes, | 0:30:42 | 0:30:44 | |
he's trying to make his final speech and his last words, | 0:30:44 | 0:30:47 | |
and every time he gets to the point where he's about finished, | 0:30:47 | 0:30:49 | |
he just hears gas escaping from this body, so he's like, | 0:30:49 | 0:30:52 | |
"I can't make this sort of profound thing | 0:30:52 | 0:30:55 | |
"while this corpse is farting in front of me," | 0:30:55 | 0:30:57 | |
and sort of ruining his last moments. | 0:30:57 | 0:30:59 | |
And then he notices that the body starts to move around | 0:30:59 | 0:31:02 | |
in the water, and within about two minutes, | 0:31:02 | 0:31:04 | |
he rides me like a jet ski across the open ocean to safety, | 0:31:04 | 0:31:10 | |
and then the movie gets sort of progressively weird from there. | 0:31:10 | 0:31:13 | |
LAUGHTER | 0:31:13 | 0:31:15 | |
I have to say, you play a dead body throughout... | 0:31:15 | 0:31:18 | |
-Yeah. -..and yet strangely, | 0:31:18 | 0:31:20 | |
it is one of the most life-affirming films you'll see. | 0:31:20 | 0:31:22 | |
-Yeah, it is. -It's joyous. -It is joyous. | 0:31:22 | 0:31:24 | |
It's about joy. Like, the principal... | 0:31:24 | 0:31:27 | |
You mean he literally rides you like a jet ski? | 0:31:27 | 0:31:29 | |
-Yeah. -LAUGHTER | 0:31:29 | 0:31:31 | |
It's amazing. Seriously. | 0:31:31 | 0:31:33 | |
And the music, the soundtrack is amazing. | 0:31:33 | 0:31:35 | |
-It just registered with me. -Yeah. -I must see this movie. | 0:31:35 | 0:31:40 | |
Really, it's really, really special, and, yeah, just like nothing else. | 0:31:40 | 0:31:45 | |
We've got a few visual things. | 0:31:45 | 0:31:47 | |
Just because you're not playing just a corpse. | 0:31:47 | 0:31:49 | |
Yeah, I play a sort of magical dead guy. | 0:31:49 | 0:31:50 | |
-So, you produce water. -I am the Swiss Arm Man. | 0:31:50 | 0:31:52 | |
You can sort of walk a bit. | 0:31:52 | 0:31:54 | |
That's Paul puppeteering me, telling me I'm special. | 0:31:54 | 0:31:58 | |
This is amazing. You can shoot things out. | 0:31:58 | 0:31:59 | |
Look at that. That's good. You shoot things. | 0:31:59 | 0:32:02 | |
That thing is a machine gun. | 0:32:02 | 0:32:04 | |
-Chopping stuff. -You're useful. LAUGHTER | 0:32:04 | 0:32:07 | |
-Yeah. I'm... -You're really useful. -That is the Swiss Army Man. -Yeah. | 0:32:07 | 0:32:11 | |
LAUGHTER | 0:32:11 | 0:32:14 | |
People who are in film look at that and go, | 0:32:14 | 0:32:16 | |
"Cool! That looks like nothing else. That looks really exciting," | 0:32:16 | 0:32:19 | |
-which is a nice... -That looks fucking rad. | 0:32:19 | 0:32:21 | |
LAUGHTER | 0:32:21 | 0:32:23 | |
-Put that on the poster. -Get that on the poster. | 0:32:23 | 0:32:26 | |
"Fucking rad" - Justin Timberlake. | 0:32:26 | 0:32:30 | |
-Sorry. -Actually, cut your whole explanation, and just use that. | 0:32:30 | 0:32:32 | |
Yeah. In fact, don't even ask me about the film. Just ask Justin. | 0:32:32 | 0:32:36 | |
The dead eye thing, you can do the dead eye thing. | 0:32:36 | 0:32:38 | |
Yes, the dead eye thing was a thing I thought everybody could do, | 0:32:38 | 0:32:41 | |
where I just make one of my eyes go a bit lazy and weird. Yeah, see? | 0:32:41 | 0:32:44 | |
-I can do that too. -Some other people can do it. You're doing something. | 0:32:44 | 0:32:47 | |
-It's effective. I don't know. Yeah. -Now I'm embarrassed... | 0:32:47 | 0:32:51 | |
cos I don't know if I can do it. | 0:32:51 | 0:32:52 | |
I think I've got a slightly lazy eye anyway, | 0:32:52 | 0:32:54 | |
and so I just did that and it just makes me look very dead on screen. | 0:32:54 | 0:32:58 | |
And they put all the other make-up on and stuff, and when I saw that, | 0:32:58 | 0:33:00 | |
it was like, "OK, I don't have to worry about playing dead. | 0:33:00 | 0:33:03 | |
"I look really, really dead." | 0:33:03 | 0:33:04 | |
-But they made a dead Daniel. -Yes, they did make a dead me. | 0:33:04 | 0:33:07 | |
I've had dead me's made before, | 0:33:07 | 0:33:08 | |
but this was the one that got put through the ringer, like, a lot. | 0:33:08 | 0:33:11 | |
But Paul Dano wanted me on his back most of the time. | 0:33:11 | 0:33:13 | |
-He got very strong carrying me around. -I bet he did. | 0:33:13 | 0:33:16 | |
And dead Daniel, much excitement, because dead Daniel is here. | 0:33:16 | 0:33:21 | |
-CHEERING -We should call him Manny, really. | 0:33:21 | 0:33:24 | |
-He's right here. -I feel sick. -Here is dead Daniel. | 0:33:24 | 0:33:28 | |
-He was there the whole time?! -Look at that. | 0:33:28 | 0:33:30 | |
Where do you want to sit him? | 0:33:30 | 0:33:32 | |
It's weird, because it's like he's dead. | 0:33:32 | 0:33:34 | |
-It's like he's dead. -Don't put it next to me, please. | 0:33:34 | 0:33:37 | |
No, no, no. Will he sit up? | 0:33:37 | 0:33:40 | |
Not really. | 0:33:40 | 0:33:42 | |
So, yeah. | 0:33:42 | 0:33:44 | |
-Touch his hand. Touch his hand. -No! No, no, no. | 0:33:44 | 0:33:47 | |
-It's so creepy. -No. -Yeah, that's weird. | 0:33:47 | 0:33:50 | |
Come on, dude. | 0:33:50 | 0:33:52 | |
He really is sort of falling apart at this point, | 0:33:54 | 0:33:56 | |
but he's been sent down rivers, he got mauled by a bear. | 0:33:56 | 0:33:59 | |
Like, this was all things we did to him during filming. | 0:33:59 | 0:34:02 | |
It's really good, though. Look at the eyebrows and stuff. | 0:34:02 | 0:34:05 | |
-SHE GAGS -Yeah. | 0:34:05 | 0:34:07 | |
LAUGHTER | 0:34:07 | 0:34:10 | |
It's strangely horrible. I don't know. | 0:34:10 | 0:34:12 | |
I don't know what's happening to it at the end of the press tour, | 0:34:12 | 0:34:14 | |
so if anybody, you know, wants it... | 0:34:14 | 0:34:17 | |
CHEERING | 0:34:17 | 0:34:19 | |
Maybe not, actually. | 0:34:19 | 0:34:20 | |
Given your enthusiasm, I feel like maybe you should not have this. | 0:34:20 | 0:34:23 | |
LAUGHTER Yeah, he will look worse. | 0:34:23 | 0:34:28 | |
-LAUGHTER -But, yeah... | 0:34:28 | 0:34:31 | |
-So... -Based on that reaction, | 0:34:31 | 0:34:34 | |
there's no telling what type of experience dead Daniel could have. | 0:34:34 | 0:34:38 | |
Yeah. | 0:34:38 | 0:34:40 | |
So, shall I leave him here or should I put him back? | 0:34:40 | 0:34:42 | |
-Leave him there for a bit. -OK. You tell me when you want him gone. | 0:34:42 | 0:34:45 | |
I mean, it's quite disconcerting because he is sort of staring at me. | 0:34:45 | 0:34:49 | |
Oh, no. Wait. | 0:34:49 | 0:34:50 | |
-There we go. -There you go. | 0:34:53 | 0:34:54 | |
-God. -Wow. | 0:34:57 | 0:34:59 | |
I'm, like, only very slightly paler than him, though. | 0:34:59 | 0:35:04 | |
Just, like, one shade. | 0:35:04 | 0:35:06 | |
It's beautiful. He's beautiful. | 0:35:06 | 0:35:08 | |
Right, ladies and gentlemen, | 0:35:08 | 0:35:09 | |
it's time to meet our musical guest tonight. | 0:35:09 | 0:35:11 | |
He rose to fame as a member of Take That, | 0:35:11 | 0:35:14 | |
before becoming one of the biggest selling solo artists of all time. | 0:35:14 | 0:35:18 | |
Now, he's back with his 11th studio album. | 0:35:18 | 0:35:21 | |
Yes, The Heavy Entertainment Show. | 0:35:21 | 0:35:22 | |
Please welcome Robbie Williams! | 0:35:22 | 0:35:25 | |
APPLAUSE | 0:35:25 | 0:35:26 | |
# I don't wanna rock, DJ... # | 0:35:26 | 0:35:29 | |
Yeah! | 0:35:29 | 0:35:30 | |
So nice to see you. Thank you so much for doing this. | 0:35:30 | 0:35:33 | |
Good to see you. | 0:35:33 | 0:35:36 | |
-Good to see you, man. -Good to see you, too. | 0:35:36 | 0:35:39 | |
Anna... | 0:35:39 | 0:35:40 | |
Hello, hello. | 0:35:40 | 0:35:42 | |
-Hi, mate. Hello, hello, hello. -Here you go. Have a seat. | 0:35:42 | 0:35:45 | |
-Yeah! -Hi, everyone. | 0:35:45 | 0:35:47 | |
Robbie Williams. APPLAUSE | 0:35:47 | 0:35:50 | |
-Oh... -So nice to see you. | 0:35:52 | 0:35:53 | |
-Oh, it's nice to see you, too. -Nice to see you. | 0:35:53 | 0:35:56 | |
Let's see what trouble I can get you in tonight. | 0:35:56 | 0:35:58 | |
Have you met Justin Timberlake before? | 0:35:58 | 0:36:00 | |
-We have. -Yeah, ages ago, but we've never got to hang out. | 0:36:00 | 0:36:03 | |
I'd like to do that at some point. That would be great. | 0:36:03 | 0:36:06 | |
-How are you doing, mate? -I'm in. | 0:36:06 | 0:36:08 | |
-OK, cool. It's on. -It's on. -We're doing it. | 0:36:08 | 0:36:10 | |
You, me, and Dead Daniel. | 0:36:10 | 0:36:11 | |
Dead Dan looks like me, pre-rehab. | 0:36:13 | 0:36:16 | |
This new album... | 0:36:20 | 0:36:21 | |
The Heavy Entertainment Show. Now, this album... | 0:36:21 | 0:36:25 | |
These are good stats, ladies and gentlemen. | 0:36:25 | 0:36:27 | |
If this album goes to number one - it will go to number one - | 0:36:27 | 0:36:31 | |
you will tie with Elvis Presley | 0:36:31 | 0:36:33 | |
for the most number one albums by a male solo artist. | 0:36:33 | 0:36:36 | |
Geez! | 0:36:36 | 0:36:37 | |
CHEERING AND APPLAUSE | 0:36:37 | 0:36:39 | |
Thank you. | 0:36:39 | 0:36:41 | |
There is a lady over your shoulder that made the face like, | 0:36:43 | 0:36:45 | |
"That shouldn't be happening." | 0:36:45 | 0:36:48 | |
And then when she saw me staring at her, she was like... | 0:36:48 | 0:36:50 | |
Yeah, no, it's incredible. | 0:36:53 | 0:36:56 | |
You know, you get many of those "pinch yourself" moments | 0:36:56 | 0:36:59 | |
throughout your life, but then, you sort of go, | 0:36:59 | 0:37:01 | |
"Is this real? Is this really what's happening?" | 0:37:01 | 0:37:04 | |
But I'm here, I'm still knocking about, still singing songs. | 0:37:04 | 0:37:08 | |
-Seems to be going OK. -Yeah! | 0:37:08 | 0:37:09 | |
What are you going to be singing for us tonight? | 0:37:09 | 0:37:11 | |
It's a song called Party Like A Russian. | 0:37:11 | 0:37:14 | |
LAUGHTER | 0:37:14 | 0:37:16 | |
I hear you. Yeah. | 0:37:16 | 0:37:18 | |
OK, cool. | 0:37:18 | 0:37:20 | |
Obviously, you know, inspiration for songs comes from all over the place. | 0:37:20 | 0:37:24 | |
You know... But there is one track on here | 0:37:24 | 0:37:28 | |
that I think most people wouldn't assume was inspired | 0:37:28 | 0:37:31 | |
by your new baby son. | 0:37:31 | 0:37:33 | |
Yeah. I wrote a song about my daughter, | 0:37:33 | 0:37:35 | |
and it's called Go Gentle. | 0:37:35 | 0:37:36 | |
-It's beautiful. -Thank you very much. | 0:37:36 | 0:37:38 | |
And it is definitely a, sort of, loving, | 0:37:38 | 0:37:40 | |
"I'm having a daughter." | 0:37:40 | 0:37:42 | |
# If you date my daughter | 0:37:42 | 0:37:44 | |
# And you come round to my place | 0:37:44 | 0:37:46 | |
# I'll bludgeon you with a teacup | 0:37:46 | 0:37:48 | |
# And smash you in the face. # | 0:37:48 | 0:37:50 | |
LAUGHTER | 0:37:50 | 0:37:51 | |
It's protective, and then, you know...I sort of... | 0:37:51 | 0:37:55 | |
..had my son, Charlie, | 0:37:57 | 0:37:59 | |
and with a boy, you're kind of like... | 0:37:59 | 0:38:01 | |
# Come on, get up, you can do this. # | 0:38:01 | 0:38:03 | |
You know. "You know, get up..." | 0:38:03 | 0:38:05 | |
So I decided to write a song for him. | 0:38:05 | 0:38:08 | |
It's called Motherfucker. | 0:38:08 | 0:38:10 | |
LAUGHTER | 0:38:10 | 0:38:12 | |
-ANNA: -Oh, wow! | 0:38:12 | 0:38:13 | |
-Yep. -APPLAUSE | 0:38:13 | 0:38:16 | |
Can't stop the feeling. | 0:38:18 | 0:38:20 | |
# I've got the feeling coming on Dance, dance, dance... # | 0:38:20 | 0:38:24 | |
It can be the first dance at his wedding. | 0:38:24 | 0:38:26 | |
I'm sure it will be. Yeah. | 0:38:26 | 0:38:29 | |
So, now that you, you know... | 0:38:30 | 0:38:32 | |
Here you are, the 11th album and, you know, happily married, | 0:38:32 | 0:38:36 | |
you've got your children, now. | 0:38:36 | 0:38:38 | |
But over the years, I mean, fans... | 0:38:38 | 0:38:40 | |
You must have had, kind of, some wild fans. | 0:38:40 | 0:38:44 | |
What's the maddest thing a fan has given you or done or whatever? | 0:38:44 | 0:38:48 | |
Herpes. | 0:38:48 | 0:38:49 | |
LAUGHTER AND APPLAUSE | 0:38:49 | 0:38:54 | |
Justin knows you can't get it twice. | 0:39:01 | 0:39:03 | |
So... | 0:39:06 | 0:39:07 | |
But I'll get...I'll get in... | 0:39:09 | 0:39:11 | |
I'll get in a lot of trouble for telling the story. | 0:39:11 | 0:39:14 | |
-Ooh! -OK. | 0:39:14 | 0:39:16 | |
-It's not too late to back out. -It is, shut up! | 0:39:16 | 0:39:19 | |
-Oh, sorry, sorry, sorry. -I'm in. -Go. | 0:39:19 | 0:39:22 | |
Oh, my God. I can't believe I'm telling this, but I will. | 0:39:22 | 0:39:25 | |
So, back in the day, I was renting a castle, right? | 0:39:25 | 0:39:29 | |
Of course you were! | 0:39:29 | 0:39:31 | |
Cos that's my life, I was renting a castle, | 0:39:31 | 0:39:33 | |
and we were renting it to rehearse in for a tour. | 0:39:33 | 0:39:36 | |
And I was in this big room in this castle. | 0:39:36 | 0:39:38 | |
I had gone to sleep and I'd woken up and I was lying on my bed | 0:39:38 | 0:39:41 | |
and I was cognisant and I was awake, but I hadn't opened my eyes yet. | 0:39:41 | 0:39:46 | |
And I was getting more and more confused, | 0:39:46 | 0:39:48 | |
because I could swear there was somebody in my room, | 0:39:48 | 0:39:51 | |
and I could swear that they were, sort of, | 0:39:51 | 0:39:54 | |
tidying up or cleaning or something. | 0:39:54 | 0:39:56 | |
And sure enough, I opened my eyes, | 0:39:56 | 0:39:59 | |
and there was a lady at the bottom of the bed. | 0:39:59 | 0:40:02 | |
And she could have been anywhere from 28 to 58. | 0:40:02 | 0:40:06 | |
And she'd got this headset on, and it had Sellotape on, | 0:40:07 | 0:40:11 | |
and the lead went down to a cassette player. | 0:40:11 | 0:40:14 | |
Now, we were way in the days of CDs at this time, | 0:40:14 | 0:40:16 | |
and I was like, "Wow... The situation is really odd." | 0:40:16 | 0:40:19 | |
But you just woke up, so you don't really know what is going on. | 0:40:19 | 0:40:22 | |
So she looks at me and I look at her, | 0:40:22 | 0:40:24 | |
and I went, "All right?" | 0:40:24 | 0:40:27 | |
And she went, "All right?" | 0:40:28 | 0:40:30 | |
And she looked on the floor, where my underpants were, | 0:40:30 | 0:40:33 | |
and she went, "Calvin Kleins?" | 0:40:33 | 0:40:36 | |
And I went, "Yeah." | 0:40:36 | 0:40:38 | |
She went, "Pussy." | 0:40:38 | 0:40:40 | |
I'm like, "OK, this is definitely really weird." | 0:40:42 | 0:40:47 | |
And she went, "Have you got morning glory?" | 0:40:47 | 0:40:51 | |
AUDIENCE GASPS | 0:40:51 | 0:40:53 | |
This is back in the day when I used to have morning glory. | 0:40:53 | 0:40:57 | |
So, I was like... | 0:40:59 | 0:41:01 | |
"Yeah". | 0:41:01 | 0:41:02 | |
She says, "I'll wank you off." | 0:41:03 | 0:41:05 | |
GASPING AND LAUGHTER | 0:41:05 | 0:41:07 | |
Right? | 0:41:11 | 0:41:12 | |
So...so... | 0:41:14 | 0:41:16 | |
I'm a creative fellow, and I'm really young - | 0:41:16 | 0:41:19 | |
I can close my eyes and pretend that it's somebody else. | 0:41:19 | 0:41:23 | |
-INAUDIBLY: -Oh, my...! | 0:41:23 | 0:41:24 | |
So...I was like, | 0:41:25 | 0:41:28 | |
"Yeah, go on, then." | 0:41:28 | 0:41:29 | |
LAUGHTER AND APPLAUSE | 0:41:29 | 0:41:32 | |
So, anyway, anyway, anyway... | 0:41:32 | 0:41:34 | |
She does the dirty deed and it's confusing, and I felt defiled. | 0:41:34 | 0:41:39 | |
And, off she went on her merry way. | 0:41:41 | 0:41:43 | |
And that night, I was with the lady that ran the castle. | 0:41:43 | 0:41:46 | |
It was her job to run the castle. | 0:41:46 | 0:41:48 | |
I said, "You know what?" I said, "Your cleaner's weird." | 0:41:48 | 0:41:52 | |
And she said, "What do you mean?" | 0:41:52 | 0:41:54 | |
I said, "The cleaner that came in today, she's weird." | 0:41:54 | 0:41:57 | |
She said, "We don't have cleaners on a Wednesday." | 0:41:57 | 0:41:59 | |
LAUGHTER | 0:41:59 | 0:42:01 | |
Just somebody that had walked in off the street | 0:42:01 | 0:42:03 | |
with a feather duster, | 0:42:03 | 0:42:05 | |
-come up and give me a hand job... -LAUGHTER | 0:42:05 | 0:42:08 | |
..and then left. | 0:42:08 | 0:42:09 | |
But not only that - cut to, like, three years later... | 0:42:09 | 0:42:12 | |
I'm with my band and I'm like... | 0:42:12 | 0:42:15 | |
And it was just the lady that had come up, | 0:42:15 | 0:42:18 | |
gave me a hand job and left, | 0:42:18 | 0:42:19 | |
and my guitarist went, | 0:42:19 | 0:42:21 | |
"That's Maureen from the pub, | 0:42:21 | 0:42:23 | |
"she said she did that but nobody believed her!" | 0:42:23 | 0:42:26 | |
LAUGHTER AND APPLAUSE | 0:42:26 | 0:42:29 | |
Too soon? | 0:42:36 | 0:42:38 | |
No, my friend. Too late. | 0:42:38 | 0:42:40 | |
LAUGHTER | 0:42:40 | 0:42:43 | |
I mean, that's the best... We can all go home now. | 0:42:46 | 0:42:48 | |
That's the best story ever! | 0:42:48 | 0:42:50 | |
INAUDIBLE | 0:42:50 | 0:42:52 | |
You just shitted on my President Obama story! | 0:42:52 | 0:42:54 | |
LAUGHTER | 0:42:54 | 0:42:57 | |
I'll give you the address of the castle. | 0:42:57 | 0:43:00 | |
Maureen will definitely come and visit you! | 0:43:00 | 0:43:04 | |
-Oh, man. -What a lovely, lovely story! | 0:43:04 | 0:43:06 | |
LAUGHTER | 0:43:06 | 0:43:09 | |
Hi, kids! | 0:43:09 | 0:43:10 | |
Daddy's working! | 0:43:11 | 0:43:13 | |
-While we recover, shall we have some music? -Yes, please! | 0:43:14 | 0:43:17 | |
Let's do it. It looks amazing, that big screen over there. | 0:43:17 | 0:43:20 | |
Your musicians await. | 0:43:20 | 0:43:21 | |
So, if you want to go over there... | 0:43:21 | 0:43:23 | |
Robbie Williams, everybody! CHEERING AND APPLAUSE | 0:43:23 | 0:43:26 | |
All right! | 0:43:33 | 0:43:34 | |
Here we go, ladies and gentlemen. | 0:43:34 | 0:43:36 | |
Performing Party Like A Russian, | 0:43:36 | 0:43:38 | |
it is Mr Robbie Williams! | 0:43:38 | 0:43:41 | |
CHEERING AND APPLAUSE | 0:43:41 | 0:43:45 | |
# It takes a certain kind of man with a certain reputation | 0:43:51 | 0:43:54 | |
# To alleviate the cash from a whole entire nation | 0:43:54 | 0:43:58 | |
# Take my loose change and build my own space station | 0:43:58 | 0:44:03 | |
# Just because you can, man | 0:44:03 | 0:44:04 | |
# Ain't no refutin' or disputin' | 0:44:04 | 0:44:06 | |
# I'm a modern Rasputin | 0:44:06 | 0:44:07 | |
# Subcontract disputes to some brutes in Louboutin | 0:44:07 | 0:44:11 | |
# Act highfalutin while my boys put the boot in | 0:44:11 | 0:44:15 | |
# They do the can-can | 0:44:15 | 0:44:17 | |
# Spasibo | 0:44:17 | 0:44:19 | |
# Party like a Russian | 0:44:20 | 0:44:22 | |
# End of discussion | 0:44:23 | 0:44:25 | |
# Dance like you've got concussion, oh | 0:44:26 | 0:44:29 | |
# Put a doll inside a doll | 0:44:30 | 0:44:33 | |
# Party like a Russian | 0:44:33 | 0:44:35 | |
# Disco seduction | 0:44:36 | 0:44:38 | |
# Party like a Russian, oh | 0:44:39 | 0:44:42 | |
# Have it like an oligarch | 0:44:43 | 0:44:47 | |
# I got Stolly and Bolly | 0:44:59 | 0:45:01 | |
# And Molly, so I'm jolly | 0:45:01 | 0:45:03 | |
# And I'm always off my trolley so I never say sorry | 0:45:03 | 0:45:06 | |
# There's a doll inside a doll, inside a doll, inside a dolly | 0:45:06 | 0:45:10 | |
# Hello, Dolly | 0:45:10 | 0:45:12 | |
# I put a bank inside a car, inside a plane, inside a boat | 0:45:12 | 0:45:15 | |
# It takes half the western world just to keep the ship afloat | 0:45:15 | 0:45:19 | |
# I never ever smile unless there's something to promote | 0:45:19 | 0:45:22 | |
# I just won't emote | 0:45:22 | 0:45:25 | |
# Spasibo | 0:45:25 | 0:45:28 | |
# Party like a Russian | 0:45:28 | 0:45:30 | |
# End of discussion | 0:45:31 | 0:45:33 | |
# Dance like you've got concussion, oh | 0:45:34 | 0:45:37 | |
# We've got soul and we've got gold | 0:45:38 | 0:45:41 | |
# Party like a Russian | 0:45:41 | 0:45:44 | |
# Disco seduction | 0:45:44 | 0:45:47 | |
# Party like a Russian, oh | 0:45:47 | 0:45:51 | |
# Have it like an oligarch | 0:45:52 | 0:45:56 | |
# We're the Russian boys, we're everywhere | 0:46:01 | 0:46:04 | |
# There's revolution in the air | 0:46:04 | 0:46:07 | |
# Oh-oh-oh | 0:46:07 | 0:46:09 | |
# Oh-oh-oh | 0:46:09 | 0:46:12 | |
# Party like a Russian | 0:46:14 | 0:46:16 | |
# End of discussion | 0:46:17 | 0:46:20 | |
# Dance like you've got concussion, oh | 0:46:20 | 0:46:23 | |
# Put a doll inside a doll | 0:46:23 | 0:46:27 | |
# Party like a Russian | 0:46:27 | 0:46:29 | |
# Disco seduction | 0:46:30 | 0:46:32 | |
# Party like a Russian, oh | 0:46:33 | 0:46:35 | |
# Have it like an oligarch. # | 0:46:37 | 0:46:41 | |
CHEERING AND APPLAUSE | 0:46:42 | 0:46:48 | |
Robbie Williams, everybody! | 0:46:51 | 0:46:54 | |
Come back and join us. | 0:46:55 | 0:46:56 | |
Robbie Williams! | 0:46:56 | 0:46:58 | |
Great job! | 0:46:58 | 0:46:59 | |
That was excellent. Well done. | 0:46:59 | 0:47:01 | |
-Thank you. -Come back! | 0:47:01 | 0:47:03 | |
Sit at the end, there, for one second. | 0:47:03 | 0:47:05 | |
We're nearly done. Just sit there for one second. | 0:47:05 | 0:47:08 | |
Thank you, thank you, thank you. | 0:47:08 | 0:47:10 | |
I should tell everybody that the album, | 0:47:10 | 0:47:12 | |
The Heavy Entertainment Show, is out on November 4th, I believe? | 0:47:12 | 0:47:15 | |
-Yeah. -Presumably, you'll be touring and everything? | 0:47:15 | 0:47:18 | |
Yeah, next year, but there's no dates planned, | 0:47:18 | 0:47:20 | |
I just know that's it's happening. | 0:47:20 | 0:47:21 | |
Improv. Very relaxed. | 0:47:21 | 0:47:22 | |
Yeah, it's very relaxed, it always is. We'll do it right here. | 0:47:22 | 0:47:25 | |
Yeah! Thank you so much, Robbie. | 0:47:25 | 0:47:27 | |
That was great. Now... CHEERING | 0:47:27 | 0:47:30 | |
..I'm afraid that is it for tonight. | 0:47:30 | 0:47:32 | |
We've no time for red chairs, I'm afraid. | 0:47:32 | 0:47:35 | |
I know. | 0:47:35 | 0:47:37 | |
But to be fair, it would be very hard to top Robbie's story. | 0:47:37 | 0:47:40 | |
-Yeah. -So, it just remains to say a big thank you to my guests tonight. | 0:47:40 | 0:47:44 | |
Mr Robbie Williams. CHEERING | 0:47:44 | 0:47:48 | |
Daniel Radcliffe. CHEERING | 0:47:48 | 0:47:51 | |
Anna Kendrick. CHEERING | 0:47:51 | 0:47:54 | |
And Mr Justin Timberlake. CHEERING | 0:47:54 | 0:47:59 | |
Join me next week for a packed sofa. | 0:47:59 | 0:48:01 | |
Musical guest Amber Riley, | 0:48:01 | 0:48:02 | |
the hilarious John Bishop and Miranda Hart, | 0:48:02 | 0:48:05 | |
actors Sam Neill and Ewan McGregor, | 0:48:05 | 0:48:07 | |
and the great Danny DeVito. | 0:48:07 | 0:48:08 | |
I'll see you then! | 0:48:08 | 0:48:10 | |
Goodnight, everybody. Bye-bye! APPLAUSE | 0:48:10 | 0:48:12 |