Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Hi, I'm Eddie Redmayne. -And I'm Benedict Cumberbatch. | 0:00:02 | 0:00:04 | |
-BOTH: -And welcome to The Graham Norton Show. | 0:00:04 | 0:00:07 | |
Oh! Oh, hello! | 0:00:24 | 0:00:25 | |
Hello, hello, hello! | 0:00:25 | 0:00:27 | |
Hello! Hi, hi! | 0:00:27 | 0:00:29 | |
Hello, everybody! You're here! | 0:00:29 | 0:00:32 | |
You're here! Hello! | 0:00:32 | 0:00:33 | |
Good evening, everybody! | 0:00:35 | 0:00:36 | |
Oh, you're... It's too kind. | 0:00:37 | 0:00:39 | |
Everyone looking forward to Halloween, yeah? | 0:00:42 | 0:00:44 | |
CHEERING | 0:00:44 | 0:00:45 | |
Now, I didn't know this but apparently there's a code. | 0:00:45 | 0:00:47 | |
If you don't mind people knocking on your door, | 0:00:47 | 0:00:50 | |
you leave a pumpkin outside. That's how it works. | 0:00:50 | 0:00:53 | |
It's sort of like flashing your headlights in a car park, I think. | 0:00:53 | 0:00:56 | |
It's that sort of thing. | 0:00:56 | 0:00:57 | |
LAUGHTER | 0:00:57 | 0:00:59 | |
No? | 0:00:59 | 0:01:00 | |
Have I got that wrong? | 0:01:01 | 0:01:03 | |
Now, if you're going to be celebrating Halloween, | 0:01:03 | 0:01:05 | |
I must warn you - a shortage of pumpkins this year. | 0:01:05 | 0:01:09 | |
Did you know that? | 0:01:09 | 0:01:10 | |
Although, if you can't get one and you need something round and orange | 0:01:10 | 0:01:13 | |
to scoop the inside out of... | 0:01:13 | 0:01:15 | |
Yeah. | 0:01:15 | 0:01:16 | |
LAUGHTER | 0:01:16 | 0:01:19 | |
CHEERING | 0:01:19 | 0:01:21 | |
I know. | 0:01:21 | 0:01:23 | |
I mean, it's not even our election and I'm so relieved | 0:01:23 | 0:01:27 | |
it's just over a week until it's all over. | 0:01:27 | 0:01:30 | |
I mean, it has been a fascinating campaign. | 0:01:30 | 0:01:32 | |
One of my favourite bits was when those Donald Trump statues | 0:01:32 | 0:01:35 | |
suddenly started appearing all over the country. | 0:01:35 | 0:01:37 | |
Did you see those? | 0:01:37 | 0:01:38 | |
Yeah. | 0:01:38 | 0:01:40 | |
LAUGHTER | 0:01:40 | 0:01:41 | |
Makes a change - him being groped. | 0:01:41 | 0:01:43 | |
LAUGHTER | 0:01:43 | 0:01:45 | |
I wonder if Hillary's seen them. | 0:01:45 | 0:01:47 | |
I'm guessing yes. | 0:01:47 | 0:01:48 | |
Let's get some guests on! | 0:01:48 | 0:01:50 | |
Later, we'll have music from country music star LeAnn Rimes. | 0:01:52 | 0:01:55 | |
CHEERING | 0:01:55 | 0:01:57 | |
But first, this man won four Emmys for his role in Breaking Bad | 0:01:57 | 0:02:01 | |
and now he's turned author. | 0:02:01 | 0:02:03 | |
Please welcome, for the first time, Mr Bryan Cranston! | 0:02:03 | 0:02:05 | |
CHEERING | 0:02:05 | 0:02:06 | |
There he is! | 0:02:06 | 0:02:07 | |
Hello, sir! Really nice to see you. | 0:02:09 | 0:02:11 | |
-Bryan Cranston! -Hello! | 0:02:11 | 0:02:12 | |
Right! | 0:02:14 | 0:02:16 | |
This man, he won an Oscar for his role as Stephen Hawking | 0:02:16 | 0:02:19 | |
in The Theory Of Everything, and now he's starring in the latest | 0:02:19 | 0:02:22 | |
incarnation of the Harry Potter franchise, | 0:02:22 | 0:02:24 | |
Fantastic Beasts And Where To Find Them. | 0:02:24 | 0:02:26 | |
Please welcome, Eddie Redmayne! CHEERING | 0:02:26 | 0:02:29 | |
There he is! | 0:02:29 | 0:02:31 | |
Love a cord! | 0:02:31 | 0:02:32 | |
Love a cord! | 0:02:32 | 0:02:33 | |
And from Hamlet to Sherlock Holmes, this man has conquered | 0:02:36 | 0:02:40 | |
stage and screen, now he joins the Marvel universe | 0:02:40 | 0:02:43 | |
as Doctor Strange, welcome back the great Benedict Cumberbatch! | 0:02:43 | 0:02:47 | |
CHEERING | 0:02:47 | 0:02:49 | |
Hello! Very nice to see you. | 0:02:51 | 0:02:52 | |
You know everybody. | 0:02:52 | 0:02:54 | |
Sit down! Sit down. | 0:03:01 | 0:03:03 | |
CHEERING | 0:03:03 | 0:03:06 | |
What a great audience. | 0:03:06 | 0:03:07 | |
That's nice, that's good, right? Some weeks it's nothing. | 0:03:10 | 0:03:14 | |
That was a nice welcome. | 0:03:14 | 0:03:15 | |
-You're very welcome. -Thank you. -Welcome back to you two. | 0:03:15 | 0:03:18 | |
And, Bryan, first time. Lovely to see you. | 0:03:18 | 0:03:20 | |
-HE IMITATES A POSH ENGLISH ACCENT: -Well, first of all, let me thank you for allowing me to... | 0:03:20 | 0:03:24 | |
rid myself of that dreadful American accent that I've used for | 0:03:24 | 0:03:28 | |
60 bloody years! | 0:03:28 | 0:03:30 | |
Finally, finally! | 0:03:31 | 0:03:33 | |
-Oh, my God! -You've come home! | 0:03:33 | 0:03:34 | |
You guys... Now, you were both on last year's honours list. | 0:03:34 | 0:03:39 | |
-So you're a CBE, Benedict, is that right? -That is right. | 0:03:39 | 0:03:42 | |
-And you're an OBE? -I'm not angry. | 0:03:42 | 0:03:44 | |
-Oh, is that better than an OBE? -I'm not angry. | 0:03:44 | 0:03:46 | |
He got an Oscar, we're fine. | 0:03:46 | 0:03:48 | |
CHEERING AND APPLAUSE | 0:03:50 | 0:03:52 | |
I'm just disappointed. | 0:03:54 | 0:03:56 | |
And deservedly so, I might add. | 0:03:56 | 0:03:57 | |
We're fine, we're fine. | 0:03:57 | 0:03:59 | |
For the Yank on the couch, what does that mean now, the OBE and the SVE? | 0:03:59 | 0:04:03 | |
That's a very good question. | 0:04:03 | 0:04:04 | |
Over to you, boys. | 0:04:04 | 0:04:06 | |
LAUGHTER | 0:04:06 | 0:04:07 | |
-CBE is Commander of the British Empire. -Ooh. | 0:04:07 | 0:04:10 | |
And does that involve...? Have you had the moment? | 0:04:10 | 0:04:13 | |
No, I think the sword is the knight's... | 0:04:13 | 0:04:15 | |
So, there are no swords involved? | 0:04:15 | 0:04:17 | |
-Not in the ceremony. -Do you have the nuclear codes? | 0:04:17 | 0:04:19 | |
LAUGHTER | 0:04:19 | 0:04:22 | |
I do. Oh, yeah, they're there. | 0:04:22 | 0:04:23 | |
No. | 0:04:23 | 0:04:24 | |
-What is the process? -It sounds like I have to do something | 0:04:24 | 0:04:27 | |
really, really important. | 0:04:27 | 0:04:29 | |
Cos Eddie hasn't even bothered to collect his yet. | 0:04:29 | 0:04:32 | |
I've been busy. I'm getting it soon... | 0:04:32 | 0:04:34 | |
-That's cool, isn't it? -I'm sweating. | 0:04:34 | 0:04:36 | |
"Oh, yeah, I got an OBE, yeah... Can you send it to me?" | 0:04:36 | 0:04:38 | |
-That's brilliant. -I haven't got it yet, but only because | 0:04:38 | 0:04:41 | |
I've been filming. | 0:04:41 | 0:04:42 | |
Do you have to go or can they just post it to you? | 0:04:42 | 0:04:45 | |
-No, I'm desperate to go. -Got to turn up and take it in person. | 0:04:45 | 0:04:47 | |
I think Her Majesty appreciates that. | 0:04:47 | 0:04:49 | |
-Do you wear a uniform? -No, no, just a smart suit and... | 0:04:49 | 0:04:52 | |
-Smart suit, yeah. -..something respectful. | 0:04:52 | 0:04:54 | |
And can you boss him around because now you outrank him? | 0:04:54 | 0:04:57 | |
-Yes! -Oh, yeah. | 0:04:57 | 0:04:58 | |
But actually, you mentioned the Oscar, | 0:05:00 | 0:05:02 | |
this is a very odd couch. I don't think we've ever had | 0:05:02 | 0:05:04 | |
this before. Because last year, the two of you were nominated | 0:05:04 | 0:05:08 | |
and he won. But then the two of you were nominated this year, | 0:05:08 | 0:05:12 | |
you for Trumbo and A Danish Girl. | 0:05:12 | 0:05:14 | |
I don't think we've ever had that before. | 0:05:14 | 0:05:15 | |
-That's a lot of Oscar... -Double nominee. Double nominee! | 0:05:15 | 0:05:19 | |
Double nominee! CHEERING | 0:05:19 | 0:05:21 | |
That's pretty good. | 0:05:21 | 0:05:23 | |
In consecutive years. | 0:05:23 | 0:05:24 | |
I think that's got to be some kind of record, | 0:05:24 | 0:05:26 | |
just consecutive years. That's extraordinary. | 0:05:26 | 0:05:28 | |
Did you meet each other on the night, or are you kept separate | 0:05:28 | 0:05:31 | |
by studios and things? | 0:05:31 | 0:05:32 | |
Yeah, we see each other backstage and then, you know, | 0:05:32 | 0:05:35 | |
he's throwing up in the trash can. | 0:05:35 | 0:05:38 | |
I say, "It's all right." | 0:05:38 | 0:05:40 | |
-You're cooking the crystal. -Yeah. | 0:05:40 | 0:05:42 | |
"Here, take this, it'll make you feel better." | 0:05:42 | 0:05:45 | |
And it's odd for you, Bryan, cos presumably you thought | 0:05:45 | 0:05:47 | |
when you were in Malcolm In The Middle | 0:05:47 | 0:05:49 | |
that you were famous. | 0:05:49 | 0:05:51 | |
And then Breaking Bad came along and you must have realised, | 0:05:51 | 0:05:54 | |
"Oh, no, no, no, THIS is famous." | 0:05:54 | 0:05:55 | |
Well, I never really realise it. | 0:05:55 | 0:05:58 | |
-I doubt that anyone on this couch... -AUDIENCE WHOOPS | 0:05:58 | 0:06:00 | |
..wanted to be a star. We wanted to be actors. | 0:06:00 | 0:06:03 | |
They're whooping you in your pants, by the way. | 0:06:03 | 0:06:05 | |
That's what that whoop was. | 0:06:05 | 0:06:07 | |
You're welcome! | 0:06:07 | 0:06:08 | |
I was thinking it was the word "couch". | 0:06:09 | 0:06:11 | |
Thought it was that easy. | 0:06:12 | 0:06:13 | |
But before fame, Bryan Cranston, you went on, | 0:06:13 | 0:06:16 | |
-was it a two-year motorcycle trip... -I did, yeah. | 0:06:16 | 0:06:19 | |
..you went round America? | 0:06:19 | 0:06:20 | |
And you... In the book... | 0:06:20 | 0:06:22 | |
We'll talk about your book properly in a little bit, | 0:06:22 | 0:06:26 | |
but there's a story in the book about where you got involved | 0:06:26 | 0:06:29 | |
in a situation in a restaurant. Was the chef Pete Wong? | 0:06:29 | 0:06:32 | |
Peter Wong, yes. It was a Polynesian restaurant. | 0:06:32 | 0:06:36 | |
My brother and I were on this trip to find ourselves, really. | 0:06:36 | 0:06:39 | |
We were young, I was 20. | 0:06:39 | 0:06:41 | |
And we got restaurants because we were broke, waiter jobs. | 0:06:41 | 0:06:46 | |
And this guy, this chef, was a horrible human being. | 0:06:46 | 0:06:50 | |
Hated everyone and everyone hated him. | 0:06:50 | 0:06:54 | |
And we would have fun with the waiters as we were having | 0:06:54 | 0:06:57 | |
a bite to eat and getting that meeting before we start our shift, | 0:06:57 | 0:07:00 | |
and everyone would talk about how you would kill Peter Wong. | 0:07:00 | 0:07:04 | |
I said, "I think I would slice him... Slice him up and put him | 0:07:04 | 0:07:10 | |
"in a wok and then cook Moo goo gai Peter. | 0:07:10 | 0:07:14 | |
"And put it over, you know, some sticky rice." | 0:07:14 | 0:07:17 | |
So, at the end of the season, my brother and I were ready | 0:07:19 | 0:07:23 | |
to take off again. We do take off. | 0:07:23 | 0:07:25 | |
What we didn't know is that the same time we took off | 0:07:25 | 0:07:30 | |
to go on our trip again, | 0:07:30 | 0:07:32 | |
Peter Wong was murdered. | 0:07:32 | 0:07:34 | |
AUDIENCE GASPS | 0:07:34 | 0:07:36 | |
No! | 0:07:36 | 0:07:37 | |
-And the detectives... -Oh, I didn't think it was going there, did you? | 0:07:37 | 0:07:40 | |
LAUGHTER | 0:07:40 | 0:07:43 | |
No, you're by yourself. | 0:07:47 | 0:07:50 | |
See, what was happening, was that Peter constantly tried | 0:07:50 | 0:07:53 | |
to move away from me! | 0:07:53 | 0:07:54 | |
He just tried to move away from me! | 0:07:54 | 0:07:56 | |
And it was irritating! | 0:07:56 | 0:07:58 | |
Oh, he's going all Walter White! | 0:07:58 | 0:08:00 | |
So we didn't know until... We took about four months | 0:08:01 | 0:08:04 | |
to travel some more and came back down to Florida | 0:08:04 | 0:08:07 | |
to start working again, cos we were broke again, | 0:08:07 | 0:08:09 | |
and our friend said, "Did they catch up with you?" | 0:08:09 | 0:08:12 | |
And we said, "What do you mean?" | 0:08:12 | 0:08:13 | |
And he said, "The cops were looking for you. | 0:08:13 | 0:08:16 | |
"The put out on APB for you two guys." | 0:08:16 | 0:08:18 | |
Because the detectives came in and said, | 0:08:18 | 0:08:21 | |
"Is there anybody who's not working here any more | 0:08:21 | 0:08:23 | |
"who ever talked about hurting or killing Peter Wong?" | 0:08:23 | 0:08:27 | |
Oh, no. Oh, God. | 0:08:27 | 0:08:28 | |
And our friends were like... "Cranston brothers...?" | 0:08:28 | 0:08:32 | |
And, yeah, sure enough. | 0:08:33 | 0:08:35 | |
And he was, you know... | 0:08:35 | 0:08:36 | |
Unfortunately, he was bludgeoned and thrown in the back of a car. | 0:08:36 | 0:08:41 | |
-It's a sweet story. -I was gonna to say, "Great!" | 0:08:41 | 0:08:43 | |
And also, isn't it great to know it was so easy to evade capture? | 0:08:43 | 0:08:48 | |
Now it's a chat show anecdote! | 0:08:48 | 0:08:50 | |
"And they never caught us!" | 0:08:50 | 0:08:52 | |
Yet. | 0:08:54 | 0:08:55 | |
Now, Benedict's movie tonight - the Marvel family has expanded. | 0:08:57 | 0:09:00 | |
New addition is Doctor Strange and you are Doctor Strange. | 0:09:00 | 0:09:04 | |
-I am. -Out now. And, now, the odd thing is, apparently, | 0:09:04 | 0:09:07 | |
somebody suggested the role of Doctor Strange to you years ago? | 0:09:07 | 0:09:11 | |
Yeah, I was doing press in LA and this journalist said, | 0:09:11 | 0:09:14 | |
"You'd make a great Doctor Strange." | 0:09:14 | 0:09:17 | |
And I went, "Doctor who?" And he went, "That too." | 0:09:17 | 0:09:20 | |
I said, "Who's Doctor Strange?" And he pitched who he is | 0:09:20 | 0:09:24 | |
in the comics and I thought, "Right, I'll have a read of that." | 0:09:24 | 0:09:26 | |
And it was very strange. No pun intended. | 0:09:26 | 0:09:29 | |
I don't quite see the fit, he's clever and he's arrogant, | 0:09:29 | 0:09:32 | |
and that fits with, I suppose, another well-known character | 0:09:32 | 0:09:34 | |
I play, but apart from that, very different. | 0:09:34 | 0:09:36 | |
And, basically, yeah, he's a New York neurosurgeon, | 0:09:36 | 0:09:39 | |
he's at the top of his game, but he's kind of built this gilded cage | 0:09:39 | 0:09:43 | |
around him from his success. He's arrogant and materialistic | 0:09:43 | 0:09:45 | |
and funny and charming, but lost in a world of material wealth | 0:09:45 | 0:09:49 | |
with no-one to share it with. | 0:09:49 | 0:09:51 | |
He then has a cataclysmic car crash, which nearly kills him | 0:09:51 | 0:09:54 | |
and destroys his hands and prevents him from being able | 0:09:54 | 0:09:56 | |
to perform as a neurosurgeon. | 0:09:56 | 0:09:58 | |
So he takes a one-way trip to a place in Kathmandu, | 0:09:58 | 0:10:01 | |
called Kamar-Taj, which is the last, last, last, last hint he gets | 0:10:01 | 0:10:05 | |
of salvation. And it's beyond Western science, | 0:10:05 | 0:10:07 | |
but this guy just says, "Look, I went there and I was healed." | 0:10:07 | 0:10:10 | |
So he goes and he meets the Ancient One, | 0:10:10 | 0:10:12 | |
played by Tilda Swinton, and literally has his mind blown | 0:10:12 | 0:10:15 | |
into the multiverse, comes round from that experience | 0:10:15 | 0:10:19 | |
and trains to become a sorcerer and realises this new power he has | 0:10:19 | 0:10:23 | |
in his hands. | 0:10:23 | 0:10:24 | |
We've got a clip. This is you meeting the Ancient One, | 0:10:24 | 0:10:27 | |
-played by Tilda Swinton. -OK. | 0:10:27 | 0:10:29 | |
I spent my last dollar getting here, one-way ticket, | 0:10:29 | 0:10:31 | |
and you're talking to me about healing through belief? | 0:10:31 | 0:10:35 | |
You're a man looking at the world through a keyhole, | 0:10:35 | 0:10:37 | |
and you've spent your whole life trying to widen that keyhole | 0:10:37 | 0:10:40 | |
to see more, to know more, and now on hearing that it can | 0:10:40 | 0:10:44 | |
be widened, in ways you can't imagine, you reject the possibility. | 0:10:44 | 0:10:48 | |
I reject it because I do not believe in fairy tales | 0:10:48 | 0:10:50 | |
about chakras, or energy, or the power of belief. | 0:10:50 | 0:10:54 | |
There is NO such thing as spirit! | 0:10:54 | 0:10:57 | |
We are made of matter and nothing more. | 0:10:57 | 0:10:59 | |
You're just another tiny momentary speck within | 0:10:59 | 0:11:02 | |
an indifferent universe. | 0:11:02 | 0:11:04 | |
You think too little of yourself. | 0:11:04 | 0:11:05 | |
Oh, you think you see through me, do you? Well, you don't. | 0:11:05 | 0:11:09 | |
But I see through you! | 0:11:09 | 0:11:11 | |
What did you just do to me? | 0:11:29 | 0:11:30 | |
I pushed your astral form out of your physical form. | 0:11:30 | 0:11:32 | |
What's in that tea? | 0:11:32 | 0:11:34 | |
-Psilocybin? LSD? -It's just tea... | 0:11:34 | 0:11:36 | |
..with a little honey. | 0:11:37 | 0:11:40 | |
CHEERING AND APPLAUSE | 0:11:40 | 0:11:42 | |
-And you filmed on location in Nepal... -Yes. | 0:11:48 | 0:11:51 | |
..and often, I think, actors, they get movies and think, | 0:11:51 | 0:11:53 | |
"Oh, great, I get to go to that place." | 0:11:53 | 0:11:55 | |
This is unbelievable, I think, the way that television... | 0:11:55 | 0:11:58 | |
-I mean, I know it's a broadcast medium but... -Yeah. | 0:11:58 | 0:12:00 | |
..you get to Nepal and they know who you are. | 0:12:00 | 0:12:03 | |
Yeah, it was unbelievable. | 0:12:03 | 0:12:06 | |
I was quite... I was in that stage of the film, | 0:12:06 | 0:12:08 | |
so I'm quite bearded up and all scraggly and desperate | 0:12:08 | 0:12:12 | |
and even despite that, I was on the first day photographed | 0:12:12 | 0:12:14 | |
and that was it. | 0:12:14 | 0:12:16 | |
And by the end, there were thousands of people surrounding us. | 0:12:16 | 0:12:19 | |
There was one very scary moment, these people started crowding | 0:12:19 | 0:12:21 | |
round the car, we couldn't move. | 0:12:21 | 0:12:23 | |
And it was literally like being the opposite... | 0:12:23 | 0:12:26 | |
It was like being in a mobile cage that wasn't going anywhere | 0:12:26 | 0:12:28 | |
in a zoo. It was really weird. | 0:12:28 | 0:12:30 | |
So I had conversations with them and then it was like... | 0:12:30 | 0:12:33 | |
"Don't really know what to say... | 0:12:33 | 0:12:35 | |
"That's a nice shirt." | 0:12:36 | 0:12:38 | |
And then I thought, "No, we're kind of like half an hour late," | 0:12:38 | 0:12:41 | |
and the car started rocking a bit with the new people turning up, | 0:12:41 | 0:12:43 | |
pushing the new people... I think the first people to arrive | 0:12:43 | 0:12:46 | |
were a bit embarrassed cos their faces were basically | 0:12:46 | 0:12:48 | |
pressed against the glass! | 0:12:48 | 0:12:49 | |
So we sort of slowly pushed the car door open saying, | 0:12:49 | 0:12:52 | |
"Sorry, sorry, we really have to go," and just ran. | 0:12:52 | 0:12:54 | |
There were hundreds of people by the end. | 0:12:54 | 0:12:56 | |
And it's Sherlock, it's incredible. It's just got that... | 0:12:56 | 0:12:59 | |
And it is. | 0:12:59 | 0:13:00 | |
Cos you are like a nerd's wet dream. | 0:13:00 | 0:13:02 | |
Cos you've got... | 0:13:02 | 0:13:03 | |
You've got Sherlock, Star Trek and now Marvel. | 0:13:04 | 0:13:08 | |
Ah, fangasm! | 0:13:08 | 0:13:09 | |
I know, it's like... CHEERING | 0:13:09 | 0:13:11 | |
That's your pension, right there. | 0:13:11 | 0:13:13 | |
You can just do conventions. | 0:13:13 | 0:13:15 | |
Get properly lazy doing what I actually do and just go | 0:13:15 | 0:13:17 | |
and sign pictures of my face. | 0:13:17 | 0:13:19 | |
There was a shot... I think you were on location in New York. | 0:13:19 | 0:13:23 | |
Oh, yeah. Oh, yeah. | 0:13:23 | 0:13:24 | |
This is without the special effects. | 0:13:24 | 0:13:27 | |
So this is Doctor Strange. | 0:13:27 | 0:13:29 | |
-Is that...? What do you call it...? -I'm about to take off. | 0:13:29 | 0:13:32 | |
-Oh, you're taking off? -Yeah, that's me about to fly. | 0:13:32 | 0:13:35 | |
OK! He's about to fly. | 0:13:35 | 0:13:36 | |
Anyway, for some reason, the way these things do, | 0:13:36 | 0:13:39 | |
that image just captured people's imaginations. | 0:13:39 | 0:13:43 | |
-God. -So they've taken Benedict, put him in different places. | 0:13:43 | 0:13:46 | |
So here's Benedict on a zip wire. | 0:13:46 | 0:13:48 | |
LAUGHTER | 0:13:48 | 0:13:50 | |
He's also very sporty. | 0:13:50 | 0:13:52 | |
There he is. | 0:13:52 | 0:13:53 | |
LAUGHTER | 0:13:53 | 0:13:54 | |
He's also cultured, music is his life. | 0:13:55 | 0:13:58 | |
LAUGHTER There he is. | 0:13:58 | 0:13:59 | |
And very good at the ice skating, ladies and gentlemen. | 0:14:00 | 0:14:03 | |
LAUGHTER | 0:14:03 | 0:14:06 | |
That looks like it's real. | 0:14:06 | 0:14:08 | |
That looks like a Donald Trump move. | 0:14:08 | 0:14:10 | |
Urgh! AUDIENCE GROANS | 0:14:10 | 0:14:12 | |
By the way, we're sorry. | 0:14:12 | 0:14:14 | |
-We're so sorry. -It's nearly over, it's nearly over. | 0:14:15 | 0:14:18 | |
CHEERING AND APPLAUSE | 0:14:18 | 0:14:22 | |
Bryan... Now, you know, you guys put the work in. | 0:14:25 | 0:14:28 | |
Bryan Cranston, wow. The dedication to your craft. | 0:14:28 | 0:14:32 | |
Cos Malcolm In The Middle, you would think, | 0:14:32 | 0:14:34 | |
"Oh, a sitcom, how hard could that be?" | 0:14:34 | 0:14:36 | |
But the writers really... They pushed you to extreme situations. | 0:14:36 | 0:14:40 | |
They did. | 0:14:40 | 0:14:41 | |
They often would say, "What would Bryan not do?" | 0:14:41 | 0:14:44 | |
I was covered... Naked, covered in blue paint, | 0:14:46 | 0:14:49 | |
I was attached to the front of a city bus. | 0:14:49 | 0:14:52 | |
I roller skated and, one time, the creator of the show came to me | 0:14:54 | 0:15:00 | |
and said, "I know I told you that I would never ask you | 0:15:00 | 0:15:03 | |
"to do something I wouldn't do. What I'm about to ask you, | 0:15:03 | 0:15:06 | |
"I wouldn't do. | 0:15:06 | 0:15:08 | |
"Would you wear... | 0:15:08 | 0:15:10 | |
"75,000 honeybees on your body?" | 0:15:10 | 0:15:13 | |
And I said, "Yeah, I think that sounds cool." | 0:15:13 | 0:15:16 | |
And you did! We have a picture of it. There you are. | 0:15:16 | 0:15:19 | |
Wow. | 0:15:19 | 0:15:20 | |
Now, are they all bees? | 0:15:20 | 0:15:21 | |
Oh, they're about three to four inches thick on there. | 0:15:21 | 0:15:24 | |
-Oh, my God. -It looks like chain mail, doesn't it? | 0:15:24 | 0:15:28 | |
It looks like there's a few bees and the rest of it's made up. | 0:15:28 | 0:15:30 | |
-Oh, no, no. -So it's all bees? -Is that in the | 0:15:30 | 0:15:32 | |
-Guinness Book of Records? -Sorry, I have a lot of questions about this. | 0:15:32 | 0:15:36 | |
Can we just halt the proceedings to go through these? | 0:15:36 | 0:15:38 | |
Sorry, but did you get stung? | 0:15:38 | 0:15:39 | |
-I did get stung. -Ow. -Well, yes. -How many times? | 0:15:39 | 0:15:42 | |
OK, so the first thing, when you're wearing 75,000 bees, | 0:15:42 | 0:15:46 | |
it should not come as a surprise if you get stung. | 0:15:46 | 0:15:49 | |
"What was that?! | 0:15:49 | 0:15:50 | |
"Oh, my God, I got stung by a BEE!" | 0:15:52 | 0:15:55 | |
"How did that...?!" | 0:15:55 | 0:15:57 | |
So the thing you realise is that when you're wearing bees, | 0:15:58 | 0:16:03 | |
you realise that the sting of a bee, about 95% of the pain | 0:16:03 | 0:16:08 | |
is actually the surprise factor. | 0:16:08 | 0:16:10 | |
"Ow! What? Oh, God!" | 0:16:10 | 0:16:12 | |
-Tell me you didn't do that? -No, I didn't do that! | 0:16:12 | 0:16:15 | |
So the beekeeper said, "If you get stung, let me know | 0:16:15 | 0:16:19 | |
"and I'll immediately flip out the stinger | 0:16:19 | 0:16:22 | |
"with the sack of venom in it." | 0:16:22 | 0:16:24 | |
Because if you flick it out, then it won't get pumped into your system. | 0:16:24 | 0:16:28 | |
How is he going to find the sting amongst 35,000 bees?! | 0:16:28 | 0:16:31 | |
Talk about a sting in a haystack. | 0:16:31 | 0:16:34 | |
I had to stand that way, I had to stand, | 0:16:34 | 0:16:37 | |
and in the scene I need to turn and that's when I got stung. | 0:16:37 | 0:16:42 | |
I said, "Oh..." I felt just a little pinprick, | 0:16:42 | 0:16:47 | |
and I went, "Oh, I think I got stung," | 0:16:47 | 0:16:49 | |
and the beekeeper goes, "Where?" He's ready! | 0:16:49 | 0:16:53 | |
And I said, "In the ball sack." | 0:16:53 | 0:16:57 | |
And he goes, "Sorry, man!" | 0:17:00 | 0:17:02 | |
APPLAUSE | 0:17:04 | 0:17:06 | |
-Not going there. -Oh, my God! | 0:17:06 | 0:17:11 | |
Now, Eddie Redmayne, Fantastic Beasts And Where To Find Them, | 0:17:13 | 0:17:16 | |
it opens on November 18th, | 0:17:16 | 0:17:18 | |
and you were on this programme, I believe, moaning about | 0:17:18 | 0:17:21 | |
not being in Harry Potter. Did JK Rowling hear you? | 0:17:21 | 0:17:26 | |
If so, thank you. This is like the greatest talk show ever! | 0:17:26 | 0:17:32 | |
Maybe, who knows? | 0:17:32 | 0:17:34 | |
You were annoyed, because there's even a ginger family in Harry Potter! | 0:17:34 | 0:17:38 | |
True. I would say disappointed rather than annoyed. | 0:17:38 | 0:17:42 | |
-You were the only actor in Equity not to be in it! -Literally! | 0:17:42 | 0:17:47 | |
Yes, because all our friends were in it, | 0:17:47 | 0:17:50 | |
or at least getting auditions. | 0:17:50 | 0:17:52 | |
But then I actually had an audition to play the young Voldemort | 0:17:52 | 0:17:55 | |
while I was still at university, | 0:17:55 | 0:17:56 | |
and it was with the assistant of the assistant of the assistant | 0:17:56 | 0:17:59 | |
of the casting director, and I didn't. | 0:17:59 | 0:18:01 | |
I don't think she even allowed me to finish the audition. | 0:18:01 | 0:18:05 | |
-It was a sad moment. -Her loss. | 0:18:05 | 0:18:06 | |
A big moment for me. | 0:18:06 | 0:18:08 | |
Your whole career has been leading up to this moment. | 0:18:10 | 0:18:12 | |
"Look at me now!" | 0:18:12 | 0:18:14 | |
Now this is a prequel to the Harry Potter story. | 0:18:17 | 0:18:20 | |
You don't need to have ever seen a Harry Potter film. | 0:18:20 | 0:18:24 | |
It is set in the 1920s in the jazz age in New York | 0:18:24 | 0:18:28 | |
and it's about the wizarding world. | 0:18:28 | 0:18:30 | |
It's about you. About YOU! | 0:18:30 | 0:18:32 | |
It's about me! It's about this guy Newt Scamander | 0:18:32 | 0:18:35 | |
who is an English magizoologist, don't you know, | 0:18:35 | 0:18:38 | |
who comes over to New York | 0:18:38 | 0:18:39 | |
with all these extraordinary magical creatures in his case, | 0:18:39 | 0:18:43 | |
and one of them gets out or maybe a few of them get out, | 0:18:43 | 0:18:46 | |
and it sets a load of events into motion, | 0:18:46 | 0:18:49 | |
and it was so much fun to make | 0:18:49 | 0:18:51 | |
and we had the most wonderful time doing it. | 0:18:51 | 0:18:54 | |
It's exciting. | 0:18:54 | 0:18:55 | |
Let's have a taste of Fantastic Beasts And Where To Find Them. | 0:18:55 | 0:18:59 | |
GROWLING | 0:19:15 | 0:19:18 | |
Fenestrae! | 0:19:18 | 0:19:20 | |
Oh! | 0:19:21 | 0:19:23 | |
Very good! | 0:20:02 | 0:20:03 | |
CHEERING AND APPLAUSE Excellent. | 0:20:03 | 0:20:05 | |
You nailed it! You nailed it! | 0:20:09 | 0:20:12 | |
-Wow! -In terms of preparing for roles, | 0:20:14 | 0:20:17 | |
apparently JK Rowling was very hands-on with you. | 0:20:17 | 0:20:20 | |
She had specific requests. | 0:20:20 | 0:20:22 | |
It was amazing meeting her, because we only got to meet her | 0:20:22 | 0:20:26 | |
a week or three before we started filming | 0:20:26 | 0:20:30 | |
and all the sort of pleasantries of, "Nice to meet you," | 0:20:30 | 0:20:33 | |
went very quickly and we just started talking | 0:20:33 | 0:20:37 | |
at each other about Newt. | 0:20:37 | 0:20:38 | |
One of the things was she had written this scene | 0:20:38 | 0:20:41 | |
that Newt... He seems like a slender lad and halfway through | 0:20:41 | 0:20:44 | |
he takes off his shirt and you realise he has scars. | 0:20:44 | 0:20:48 | |
For an actor, if you look like me, it's a complete shag, | 0:20:48 | 0:20:51 | |
because you're like, "Oh, no, that means seven months in the gym | 0:20:51 | 0:20:54 | |
"attempting to get a six-pack." And so, that all happened | 0:20:54 | 0:20:58 | |
and we did all that and I did that thing of, like, | 0:20:58 | 0:21:01 | |
you're pumping iron before the take and sweating | 0:21:01 | 0:21:04 | |
and everyone thinks you look like a complete fool. | 0:21:04 | 0:21:06 | |
Doing the whole take going, "Hnng!" | 0:21:06 | 0:21:11 | |
Obviously, the scene was cut! | 0:21:11 | 0:21:14 | |
LAUGHTER | 0:21:14 | 0:21:16 | |
Could Newt have been a little pot-bellied? | 0:21:17 | 0:21:21 | |
I think he could have been, but the problem was... | 0:21:21 | 0:21:24 | |
The problem was that JK Rowling | 0:21:24 | 0:21:26 | |
wanted to see you with your shirt off! | 0:21:26 | 0:21:28 | |
I don't know whether the scene was cut | 0:21:31 | 0:21:33 | |
because the director sweetly said, "It just didn't feel right," | 0:21:33 | 0:21:36 | |
or because my acting was so bad because I was busy going, "Hnng!" | 0:21:36 | 0:21:39 | |
He's ripped but he's really constipated! | 0:21:41 | 0:21:44 | |
Does Newt Scamander have signature moves? | 0:21:44 | 0:21:47 | |
Basically, what was extraordinary was the whole wandy thing. | 0:21:49 | 0:21:53 | |
When you get to hold a wand, like, you don't realise... | 0:21:53 | 0:21:56 | |
I was obsessed with magic when I was a kid, | 0:21:56 | 0:21:59 | |
your inner nine-year-old is having a field day, | 0:21:59 | 0:22:02 | |
but then I got the wand in my hand | 0:22:02 | 0:22:05 | |
and I didn't know what to do with it. | 0:22:05 | 0:22:07 | |
I was like, "Oh, this is the greatest moment I've ever expected," | 0:22:07 | 0:22:10 | |
and it was a bit flimsy, slightly odd, felt a bit weird, | 0:22:10 | 0:22:14 | |
-so you're sent off to wand school... -Of course. | 0:22:14 | 0:22:17 | |
..and you watch all the other films and steal from Dan Radcliffe. | 0:22:17 | 0:22:21 | |
What was weird were these moments... | 0:22:21 | 0:22:24 | |
I remember Colin Farrell and I being in the trailer one morning | 0:22:24 | 0:22:28 | |
and we'd done a scene the day before that involved wands, | 0:22:28 | 0:22:31 | |
and I looked over and I saw him gently holding his arm | 0:22:31 | 0:22:34 | |
and I had a real pain in my upper arm | 0:22:34 | 0:22:36 | |
and he turned to me and he was like, "Have you got wand wrist? | 0:22:36 | 0:22:40 | |
"Wizard's elbow!" | 0:22:40 | 0:22:43 | |
It's a real thing, when you are doing spells, | 0:22:44 | 0:22:47 | |
but there's nothing to, like, hit against. | 0:22:47 | 0:22:50 | |
A lot of wizards talk about it. | 0:22:50 | 0:22:53 | |
Replacement surgery and... | 0:22:53 | 0:22:55 | |
We're suing Warner Brothers. | 0:22:55 | 0:22:58 | |
Now, a lot of people don't know this, | 0:22:58 | 0:23:00 | |
but Eddie is in fact a highly trained master magician. | 0:23:00 | 0:23:04 | |
-Are you a member of the Magic Circle? -Um...no. | 0:23:04 | 0:23:07 | |
LAUGHTER | 0:23:07 | 0:23:10 | |
Wow! | 0:23:14 | 0:23:16 | |
That moment was one of deep despair and loss. | 0:23:16 | 0:23:18 | |
It was a dream when I was a child. | 0:23:18 | 0:23:20 | |
-Was it really? -Please tell me you're about to present me | 0:23:20 | 0:23:23 | |
-with some Magic Circle.... -I know that you can do amazing magic. | 0:23:23 | 0:23:27 | |
-We have here just a totally ordinary colouring book. -Oh! | 0:23:27 | 0:23:32 | |
This is totally ordinary. | 0:23:32 | 0:23:34 | |
But Eddie can do magic with it. | 0:23:34 | 0:23:38 | |
-Isn't that right, Eddie? -I mean... | 0:23:38 | 0:23:40 | |
Are you sitting comfortably, children? | 0:23:42 | 0:23:45 | |
-No! -Oh! | 0:23:45 | 0:23:46 | |
It's totally ordinary, but you mustn't touch it! | 0:23:48 | 0:23:51 | |
OK. | 0:23:53 | 0:23:54 | |
-Eddie's got it. -So excited. | 0:23:54 | 0:23:57 | |
So, I loved Paul Daniels. | 0:23:57 | 0:23:58 | |
You probably won't know who Paul Daniels is. | 0:23:58 | 0:24:01 | |
The late Paul Daniels was an amazing magician who used to be on telly | 0:24:01 | 0:24:04 | |
every Saturday night and I was obsessed with him. | 0:24:04 | 0:24:07 | |
This is my moment to be on television doing magic. | 0:24:07 | 0:24:09 | |
-Ben, are you ready? -I'm ready. | 0:24:09 | 0:24:11 | |
This is a colouring book, there is nothing weird, odd or bizarre | 0:24:11 | 0:24:14 | |
about it, other than it says the word "magic" on the front of it. | 0:24:14 | 0:24:19 | |
There is actually nothing in the colouring book. I'm showing you. | 0:24:19 | 0:24:22 | |
-Do you see? -There is nothing. -Nothing in it. | 0:24:22 | 0:24:26 | |
-But, Bryan... -Yes. | 0:24:26 | 0:24:29 | |
Will you blow on the colouring book? | 0:24:29 | 0:24:32 | |
I beg your pardon? | 0:24:32 | 0:24:33 | |
No, harder than that. | 0:24:37 | 0:24:39 | |
LAUGHTER | 0:24:39 | 0:24:41 | |
Come on! Blow hard! | 0:24:44 | 0:24:46 | |
APPLAUSE | 0:24:46 | 0:24:49 | |
I'm going to blow hard. | 0:24:49 | 0:24:50 | |
Ah! Let's see what that's done, shall we? | 0:24:50 | 0:24:53 | |
Oh! Oh! Wow! | 0:24:55 | 0:24:58 | |
Pictures, don't you know! | 0:24:58 | 0:25:00 | |
That is some crazy magic! | 0:25:00 | 0:25:02 | |
-There's more, there's more. -More?! | 0:25:02 | 0:25:04 | |
-There's more! -Don't stop me right now. | 0:25:04 | 0:25:08 | |
OK, so the next stage is... | 0:25:08 | 0:25:10 | |
-Now we have pictures, Ben, we have pictures. -I can see the pictures. | 0:25:10 | 0:25:13 | |
-Will you blow on it? -I will. | 0:25:13 | 0:25:17 | |
-Give me your full Smaug. -I will blow hard. | 0:25:17 | 0:25:20 | |
Pah! | 0:25:20 | 0:25:21 | |
Was it hard enough? | 0:25:21 | 0:25:24 | |
I should do panto! | 0:25:24 | 0:25:26 | |
Oh, yes! Was it hard enough? | 0:25:26 | 0:25:29 | |
-We've talked about this, Mum! -Let's see. | 0:25:29 | 0:25:31 | |
-No, it wasn't hard enough. -Oh! | 0:25:31 | 0:25:34 | |
I'm a wizard. | 0:25:34 | 0:25:36 | |
Oh! | 0:25:36 | 0:25:39 | |
That was good! | 0:25:39 | 0:25:41 | |
-It's been sitting there awkwardly for the whole show. -Don't spoil it! | 0:25:41 | 0:25:45 | |
And maybe, for full-on Marvel, like, wizarding crossover, | 0:25:45 | 0:25:52 | |
-the potential for Doctor Strange... -We might get sued for this. | 0:25:52 | 0:25:56 | |
Will you give us a spell, Ben? | 0:25:56 | 0:25:59 | |
-Aza-ka-zham! -Good! -Very good. | 0:25:59 | 0:26:02 | |
Actually, better than I did. | 0:26:02 | 0:26:04 | |
Drumroll? | 0:26:04 | 0:26:06 | |
There you go! | 0:26:06 | 0:26:08 | |
Oh, my! Oh! Oh! Oh! | 0:26:11 | 0:26:16 | |
APPLAUSE | 0:26:16 | 0:26:19 | |
I spent months trying to do that. | 0:26:19 | 0:26:22 | |
Very good. They loved it, Eddie! | 0:26:22 | 0:26:26 | |
Thank you for praising my greatest moment. | 0:26:26 | 0:26:29 | |
-Burn him! Burn him! -The witch! | 0:26:29 | 0:26:33 | |
Now, Bryan Cranston, an extraordinary life, | 0:26:33 | 0:26:36 | |
and you have put it all into an excellent book | 0:26:36 | 0:26:39 | |
called A Life In Parts, and it's in shops now. | 0:26:39 | 0:26:43 | |
It's not just a straightforward autobiography. | 0:26:43 | 0:26:45 | |
It's a collection of stories, of moments in your life. | 0:26:45 | 0:26:48 | |
Yeah, stories I've been telling all my life | 0:26:48 | 0:26:51 | |
and what you realise is that storytelling | 0:26:51 | 0:26:54 | |
is really the wonderful thing about human beings. | 0:26:54 | 0:26:58 | |
It's probably the first memory that we have, | 0:26:58 | 0:27:01 | |
of dragging a book to our parent's lap, and being told a story, | 0:27:01 | 0:27:04 | |
and whether you're two or 102, | 0:27:04 | 0:27:06 | |
it's the most wonderful thing about human beings. | 0:27:06 | 0:27:09 | |
There's a select few of us who are so fortunate to be able to be | 0:27:09 | 0:27:14 | |
also the storytellers in our lives, and to be able to put it in paper | 0:27:14 | 0:27:19 | |
and have people read about the ups and downs | 0:27:19 | 0:27:23 | |
and the times that I was insecure and doubted | 0:27:23 | 0:27:26 | |
where my next meal was coming from | 0:27:26 | 0:27:30 | |
or a challenging childhood with abandonment and alcoholism | 0:27:30 | 0:27:35 | |
and all kinds of interesting, unfortunate things. | 0:27:35 | 0:27:39 | |
But I try to look at it that, you know, | 0:27:39 | 0:27:41 | |
when something unfortunate happens, | 0:27:41 | 0:27:43 | |
you have built-in conflict, | 0:27:43 | 0:27:45 | |
and that ultimately is what's going to make a good story. | 0:27:45 | 0:27:49 | |
It's a really varied mix of stories. | 0:27:49 | 0:27:52 | |
-You are an ordained minister. -I am indeed, son. | 0:27:52 | 0:27:55 | |
Yes. There was a very busy minister | 0:27:55 | 0:27:57 | |
who encouraged you to pick up the slack. | 0:27:57 | 0:28:02 | |
One of my summer jobs was on Catalina Island | 0:28:02 | 0:28:05 | |
off the coast of California and I befriended a guy named Reverend Bob | 0:28:05 | 0:28:10 | |
who was a great guy, didn't drink, didn't do any drugs. | 0:28:10 | 0:28:13 | |
He was just looking for a good time | 0:28:13 | 0:28:16 | |
and he was a Universal Life Church Reverend, | 0:28:16 | 0:28:19 | |
which was actually started as a tax haven, | 0:28:19 | 0:28:23 | |
but they also did weddings! | 0:28:23 | 0:28:25 | |
LAUGHTER | 0:28:25 | 0:28:27 | |
So I was attracted to this. | 0:28:27 | 0:28:29 | |
He came to me one day and said, | 0:28:29 | 0:28:31 | |
"Bryan, I need you to perform a wedding, because I have booked | 0:28:31 | 0:28:34 | |
"two weddings, same day, same time, different locations." | 0:28:34 | 0:28:37 | |
I went, "What are you talking about? I can't do that." | 0:28:37 | 0:28:39 | |
He said, "No, you can, I'll just put the certificate in the typewriter | 0:28:39 | 0:28:44 | |
"and type in your name, we send it off to the Secretary of State, | 0:28:44 | 0:28:48 | |
"it gets registered and you are legally an ordained minister." | 0:28:48 | 0:28:52 | |
And I said, "I can't do this, I really can't." | 0:28:52 | 0:28:55 | |
This is the mid-'70s, "I can't do this, I really can't." | 0:28:55 | 0:28:58 | |
"It pays 200," and I go, "I'll do it!" | 0:28:58 | 0:29:01 | |
He said, "Here's a copy of Kahlil Gibran, people like that, | 0:29:02 | 0:29:06 | |
"just talk to them, have the bride sign here, the groom sign here, | 0:29:06 | 0:29:10 | |
"you're done." | 0:29:10 | 0:29:11 | |
OK. I had hair down to here, | 0:29:11 | 0:29:15 | |
I was sunburned, I had shorts, flip-flops and a Hawaiian shirt. | 0:29:15 | 0:29:20 | |
I show up... It was at an airport, | 0:29:20 | 0:29:22 | |
and I'm looking around and I thought, | 0:29:22 | 0:29:24 | |
"Oh, my." This guy says, "Who are you?" | 0:29:24 | 0:29:28 | |
I went, "I'm the Minister. | 0:29:28 | 0:29:32 | |
"Where are we going to do this?" | 0:29:32 | 0:29:33 | |
He said, "We are going to go into a six-seater aeroplane. | 0:29:33 | 0:29:37 | |
"Once we get over the Hollywood sign, | 0:29:37 | 0:29:39 | |
"we want to start the ceremony." | 0:29:39 | 0:29:41 | |
I go, "Piece of cake, no problem." Inside, of course, I'm like that. | 0:29:41 | 0:29:45 | |
We get inside, I'm next to the pilot, the bride and groom, | 0:29:45 | 0:29:49 | |
the witnesses in the back. | 0:29:49 | 0:29:50 | |
That's a twin engine prop plane. So, I have to scream. | 0:29:50 | 0:29:55 | |
I'm in the back, going... | 0:29:55 | 0:29:58 | |
"REMEMBER, LOVE ONE ANOTHER! | 0:29:58 | 0:30:02 | |
"DON'T STAND IN EACH OTHER'S SHADOW! | 0:30:02 | 0:30:06 | |
"THE WILLOW AND THE OAK! | 0:30:06 | 0:30:09 | |
"TRUST THE FOUNDATION OF LOVE! | 0:30:09 | 0:30:12 | |
"WHATEVER YOU ARE IN DOUBT, TRUST YOUR LOVE TOGETHER!" | 0:30:13 | 0:30:18 | |
They're holding hands in the back. | 0:30:20 | 0:30:22 | |
I'm just wheeling and dealing, | 0:30:24 | 0:30:27 | |
but it was an acting exercise. | 0:30:27 | 0:30:30 | |
They were holding hands and looking to me, the figure of authority. | 0:30:30 | 0:30:35 | |
I went, "Oh, man, don't mess this up." | 0:30:35 | 0:30:38 | |
Again, how many connections are on this couch? | 0:30:38 | 0:30:41 | |
Benedict, you can marry people. Is this right? | 0:30:41 | 0:30:44 | |
We're going to have a wedding-off, now. | 0:30:46 | 0:30:49 | |
Yes, it sort of is, yes. | 0:30:49 | 0:30:52 | |
-You have married people? -I married Rob Rinder to his partner, Seth. | 0:30:52 | 0:30:57 | |
Judge Rinder, you know, Judge Rinder. He married him. | 0:30:57 | 0:31:00 | |
I mean, he didn't marry him. He officiated. | 0:31:00 | 0:31:03 | |
-That would be a bit sticky. -On Ibiza. | 0:31:03 | 0:31:05 | |
There are so many bits of it that are unlikely. | 0:31:05 | 0:31:09 | |
It's you, it's Judge Rinder, it's Ibiza. It's a wedding! | 0:31:09 | 0:31:12 | |
Way back when he was Rob Rinder, that's who I was marrying. | 0:31:14 | 0:31:17 | |
You weren't marrying him. | 0:31:17 | 0:31:21 | |
No, I was, I was performing the ceremony to Seth, his partner. | 0:31:21 | 0:31:24 | |
He's a judge now. I am pretty sure I could do that, | 0:31:24 | 0:31:31 | |
but I didn't ever see any documentation. | 0:31:31 | 0:31:34 | |
I'm sure it's legitimate. | 0:31:34 | 0:31:38 | |
To be honest, I think they had done the serious stuff, | 0:31:38 | 0:31:41 | |
probably with Bryan in an aeroplane. | 0:31:41 | 0:31:43 | |
-On the way! -The real serious stuff. | 0:31:43 | 0:31:45 | |
I was just a bit of icing on the cake in Ibiza. | 0:31:45 | 0:31:47 | |
It was an amazing thing to do. I didn't have to fight the noise, | 0:31:47 | 0:31:50 | |
but it was in the baking heat of Ibiza at the edge of a cliff. | 0:31:50 | 0:31:53 | |
To be honest, it's still, whatever the situation, | 0:31:53 | 0:31:56 | |
to be near people making that vow, it's fantastic. | 0:31:56 | 0:31:59 | |
It's an incredible thing to witness. | 0:31:59 | 0:32:00 | |
Also, odd to now witness what has happened to him. | 0:32:00 | 0:32:03 | |
-He's now Judge Rinder, he's on Strictly Come Dancing. -Very odd. | 0:32:03 | 0:32:06 | |
It's just extraordinary. | 0:32:06 | 0:32:09 | |
I think I have the same... | 0:32:09 | 0:32:10 | |
-Yes, there he is. -Did you know he could dance? | 0:32:10 | 0:32:13 | |
Not like that, no. | 0:32:13 | 0:32:15 | |
It's extraordinary. | 0:32:17 | 0:32:18 | |
He is a dear friend. | 0:32:18 | 0:32:19 | |
To watch anyone you know do something unexpectedly brilliant | 0:32:19 | 0:32:22 | |
like that, yeah, you're just filled with pride. | 0:32:22 | 0:32:25 | |
It's very funny and very brilliant. | 0:32:25 | 0:32:27 | |
-Are you voting? -Not yet. I haven't been in the country to vote. | 0:32:27 | 0:32:29 | |
I've been catching up. When it gets crucial, yes. | 0:32:29 | 0:32:32 | |
-Yeah, yeah, yeah. -Multiple dialling. | 0:32:32 | 0:32:35 | |
Friends to vote. | 0:32:35 | 0:32:37 | |
Eddie Redmayne, your wedding sounds like one of those classic weddings | 0:32:37 | 0:32:40 | |
where your wife was late, but she was properly late? | 0:32:40 | 0:32:45 | |
-Yeah, no, she was. -You mean she was already pregnant? | 0:32:45 | 0:32:48 | |
LAUGHTER | 0:32:48 | 0:32:50 | |
Um, no... | 0:32:52 | 0:32:54 | |
Not that I'm aware. | 0:32:54 | 0:32:57 | |
Um, she... No, she was properly late, | 0:32:57 | 0:33:00 | |
but she's always just generally late in life. | 0:33:00 | 0:33:03 | |
So... It transpired we got married somewhere where the chapel | 0:33:03 | 0:33:07 | |
was right next to where she was getting ready and changed. | 0:33:07 | 0:33:11 | |
Part of the choice was knowing that I could go and scream up to her room | 0:33:11 | 0:33:15 | |
if she didn't come. | 0:33:15 | 0:33:16 | |
But I was actually relatively mellow and standing at the front. | 0:33:16 | 0:33:19 | |
But, er, everyone else, after 45 minutes, was going... | 0:33:19 | 0:33:22 | |
I was like, "No, she's never been on time for anything in her life. | 0:33:22 | 0:33:26 | |
"It's absolutely good and right and as it should be." | 0:33:26 | 0:33:29 | |
That's so... Like, what was she doing? | 0:33:29 | 0:33:30 | |
I always think that's so weird, when people are 45 minutes late | 0:33:30 | 0:33:33 | |
for their own wedding. What the... | 0:33:33 | 0:33:34 | |
You knew this was happening. LAUGHTER | 0:33:34 | 0:33:36 | |
-You've been planning it for a year. -I know, but I... | 0:33:36 | 0:33:39 | |
-She's pregnant, get off her back! -LAUGHTER | 0:33:39 | 0:33:43 | |
She was adjusting the dress! | 0:33:43 | 0:33:45 | |
Letting it out a little bit. | 0:33:45 | 0:33:47 | |
A little bit, yeah. | 0:33:47 | 0:33:48 | |
Her lovely grandfather had to be restrained from going | 0:33:48 | 0:33:52 | |
and summoning her. | 0:33:52 | 0:33:53 | |
But it was good, she arrived and it was all fun. | 0:33:53 | 0:33:56 | |
I'm annoyed on your behalf. | 0:33:56 | 0:33:57 | |
Thank you. | 0:33:57 | 0:33:58 | |
Now, the dating, the dating agency. | 0:33:58 | 0:34:01 | |
Bryan's life... seriously, get this book. | 0:34:01 | 0:34:03 | |
The best life ever. | 0:34:03 | 0:34:05 | |
Just because I'm old. | 0:34:05 | 0:34:07 | |
Was the dating agency before the weddings or after the weddings? | 0:34:07 | 0:34:10 | |
It was actually after. | 0:34:10 | 0:34:13 | |
This is a lovely thing, well, they weren't lovely, | 0:34:13 | 0:34:17 | |
but we don't have them any more. | 0:34:17 | 0:34:19 | |
This was... You were filming people's video profiles? | 0:34:19 | 0:34:23 | |
Right, before the online companies of dating and that sort of thing, | 0:34:23 | 0:34:27 | |
you actually had to go into an office. | 0:34:27 | 0:34:29 | |
This company was called Great Expectations. | 0:34:29 | 0:34:31 | |
It was actually very, very successful. | 0:34:31 | 0:34:34 | |
They would match people up. | 0:34:34 | 0:34:36 | |
Basically, you would go in, you would take a picture, | 0:34:36 | 0:34:38 | |
write out a profile of who you are, | 0:34:38 | 0:34:40 | |
and then you would have a short videotape | 0:34:40 | 0:34:43 | |
so that men or women can watch someone and go, | 0:34:43 | 0:34:46 | |
"I like the feel of this person. | 0:34:46 | 0:34:48 | |
"It feels genuine," or whatever. | 0:34:48 | 0:34:50 | |
So, I would conduct the videotape interviews and I would | 0:34:50 | 0:34:52 | |
have a little secret button. | 0:34:52 | 0:34:54 | |
Most of them would come in and go, "Well, I like walks on the beach | 0:34:54 | 0:34:58 | |
"and I'm very romantic, and I like to cook at home." | 0:34:58 | 0:35:00 | |
It's like, "OK, calm down. | 0:35:00 | 0:35:02 | |
"This is not going to work because you're trying too hard. | 0:35:02 | 0:35:05 | |
"Just relax." | 0:35:05 | 0:35:07 | |
So I would usually tell a joke, and then they would laugh | 0:35:07 | 0:35:09 | |
and I'd push the button when they're laughing, | 0:35:09 | 0:35:11 | |
and start the tape, and then say, "Do you have a joke?" | 0:35:11 | 0:35:14 | |
And they would say something or tell a joke, not knowing | 0:35:14 | 0:35:17 | |
they were being taped. | 0:35:17 | 0:35:19 | |
50 seconds later, I'd say, "That's it, we're done." | 0:35:19 | 0:35:21 | |
We just wanted to get a little snippet of who they really are. | 0:35:21 | 0:35:25 | |
And it really worked. | 0:35:25 | 0:35:26 | |
I don't know, because, again, all the apps and things now, | 0:35:26 | 0:35:30 | |
people have forgotten these things. | 0:35:30 | 0:35:32 | |
Somebody, very handily, | 0:35:32 | 0:35:34 | |
did a little montage of men who had done these things. | 0:35:34 | 0:35:38 | |
I don't know if you've directed any of these... | 0:35:38 | 0:35:41 | |
-It's quite possible. -We'll see the name of the company, | 0:35:41 | 0:35:43 | |
I can't remember what it is. Here we go. | 0:35:43 | 0:35:45 | |
-# Are you looking for me? -Someone, someone | 0:35:45 | 0:35:49 | |
-# I'm looking for someone -Where can you be? | 0:35:49 | 0:35:52 | |
# Where can you be? | 0:35:52 | 0:35:54 | |
# Someone, someone. # | 0:35:54 | 0:35:55 | |
OK, early to bed, early to rise | 0:35:55 | 0:35:58 | |
makes a woman healthy, | 0:35:58 | 0:36:00 | |
wealthy and wise. | 0:36:00 | 0:36:01 | |
That's why you're wiser than me. It's Stephen. | 0:36:01 | 0:36:04 | |
Hi, I'm an executive by day and a wild man by night. | 0:36:04 | 0:36:09 | |
Hi. My name is Monroe. | 0:36:09 | 0:36:11 | |
You've probably already noticed I have incredibly blue eyes. | 0:36:11 | 0:36:14 | |
Hi, my name is Phil. Most of my friends call me Big Phil. | 0:36:14 | 0:36:17 | |
LAUGHTER AND APPLAUSE | 0:36:17 | 0:36:22 | |
Genius! | 0:36:25 | 0:36:26 | |
-OK. So, er, you're the expert. You've been here. -Yes, uh-huh. | 0:36:27 | 0:36:32 | |
So, if we replay the opening, | 0:36:32 | 0:36:35 | |
I wonder if you could show the boys how it might be done. | 0:36:35 | 0:36:39 | |
-OK. -So, here we go. | 0:36:39 | 0:36:41 | |
-# Are you looking for me -Someone, someone | 0:36:41 | 0:36:44 | |
-# I'm looking for someone -Where can you be? | 0:36:44 | 0:36:47 | |
# Where can you be? | 0:36:47 | 0:36:48 | |
# Someone, someone... # | 0:36:48 | 0:36:52 | |
-Go. -Hi. -LAUGHTER | 0:36:52 | 0:36:55 | |
I'm Bryan. | 0:36:55 | 0:36:57 | |
I'm 60, and if you like threesomes, just remember, | 0:36:57 | 0:37:01 | |
I like Malcolm In The Middle. | 0:37:01 | 0:37:02 | |
LAUGHTER AND APPLAUSE | 0:37:02 | 0:37:06 | |
Very good. # I'm looking for someone... # | 0:37:06 | 0:37:08 | |
Let's go. | 0:37:08 | 0:37:09 | |
# Where can you be? Someone... # | 0:37:09 | 0:37:13 | |
LAUGHTER | 0:37:13 | 0:37:14 | |
Hi. Er...I'm Eddie. | 0:37:14 | 0:37:16 | |
I'm 34. | 0:37:16 | 0:37:18 | |
And if you're looking for a fantastic beast, | 0:37:18 | 0:37:22 | |
-I know where you'll find one. -WHOOPING AND CHEERING | 0:37:22 | 0:37:25 | |
That's a winner. That's a winner. | 0:37:25 | 0:37:27 | |
# I'm looking for someone | 0:37:27 | 0:37:30 | |
# Someone. # | 0:37:30 | 0:37:31 | |
Hi. I'm Benedict, but you can call me... | 0:37:31 | 0:37:34 | |
-Big Ben. -AUDIENCE SCREAMS AND LAUGHS | 0:37:34 | 0:37:37 | |
I'm... | 0:37:37 | 0:37:39 | |
somewhere over 30. | 0:37:39 | 0:37:41 | |
If you are feeling a bit strange... | 0:37:41 | 0:37:43 | |
..the doctor will see you now. | 0:37:45 | 0:37:46 | |
CHEERING AND APPLAUSE | 0:37:46 | 0:37:48 | |
# Are you looking for me? # | 0:37:48 | 0:37:50 | |
Beautiful. Works of art. | 0:37:50 | 0:37:52 | |
That is going to guarantee that we would all have stayed single. | 0:37:54 | 0:37:57 | |
Excellent work. Right, it's time for music. | 0:38:00 | 0:38:02 | |
This lady is the youngest Grammy winner ever, and 20 years later, | 0:38:02 | 0:38:07 | |
she's still going strong. | 0:38:07 | 0:38:08 | |
With her 16th studio album Remnants, | 0:38:08 | 0:38:10 | |
here performing The Story, it's LeAnn Rimes! | 0:38:10 | 0:38:13 | |
CHEERING AND APPLAUSE | 0:38:13 | 0:38:18 | |
# All of these lines across my face | 0:38:18 | 0:38:23 | |
# Tell you the story of who I am | 0:38:23 | 0:38:28 | |
# So many stories of where I've been | 0:38:28 | 0:38:33 | |
# And how I got to where I am | 0:38:33 | 0:38:40 | |
# Oh, but these stories don't mean anything | 0:38:41 | 0:38:48 | |
# When you've got no-one to tell them to, it's true | 0:38:48 | 0:38:55 | |
# I was made for you | 0:38:55 | 0:39:00 | |
# I climbed across a mountain top | 0:39:02 | 0:39:07 | |
# Swam all across the ocean blue | 0:39:07 | 0:39:12 | |
# I crossed all the lines and I broke all the rules | 0:39:12 | 0:39:17 | |
# And baby, I broke them all for you | 0:39:17 | 0:39:22 | |
# Oh, and it's even when I was flat broke | 0:39:22 | 0:39:28 | |
# You made me feel like a million bucks, you do | 0:39:28 | 0:39:36 | |
# Ooh, I was made for | 0:39:36 | 0:39:39 | |
# You-ou-ou-ou | 0:39:39 | 0:39:47 | |
# Oooh | 0:39:47 | 0:39:52 | |
# Ooh | 0:39:53 | 0:39:57 | |
# You see the smile that's on my mouth | 0:39:58 | 0:40:03 | |
# It's hiding the words that don't come out | 0:40:03 | 0:40:08 | |
# All of my friends who think that I'm blessed | 0:40:08 | 0:40:13 | |
# They don't know my head is a mess | 0:40:13 | 0:40:19 | |
# No, they don't know who I really am | 0:40:19 | 0:40:25 | |
# And they don't know what I've been through like you do | 0:40:25 | 0:40:32 | |
# Oh, I was made for you | 0:40:32 | 0:40:37 | |
# All of these lines across my face | 0:40:39 | 0:40:44 | |
# Tell you the story of who I am | 0:40:44 | 0:40:49 | |
# So many stories of where I've been | 0:40:49 | 0:40:54 | |
# And how I got to where I am | 0:40:54 | 0:40:59 | |
# Oh, but these stories don't mean anything | 0:40:59 | 0:41:05 | |
# When you've got no-one to tell them to, it's true | 0:41:05 | 0:41:13 | |
# Ooh, I was made for you | 0:41:13 | 0:41:18 | |
# I was made for you | 0:41:18 | 0:41:25 | |
# Yeah, well, it's true. # | 0:41:25 | 0:41:31 | |
APPLAUSE AND CHEERING | 0:41:34 | 0:41:35 | |
Whoo! LeAnn Rimes! | 0:41:41 | 0:41:45 | |
Come over and join us, do. | 0:41:45 | 0:41:47 | |
That was beautiful. | 0:41:47 | 0:41:48 | |
Thank you so much. Mwah! | 0:41:48 | 0:41:50 | |
LeAnn Rimes. | 0:41:50 | 0:41:52 | |
Come and join the boys. | 0:41:52 | 0:41:54 | |
You have a seat, there. | 0:41:54 | 0:41:57 | |
APPLAUSE DROWNS OUT SPEECH | 0:41:57 | 0:42:00 | |
Very good! Wow. | 0:42:00 | 0:42:02 | |
Thank you so much. | 0:42:02 | 0:42:05 | |
Congratulations. Congratulations on that performance. | 0:42:05 | 0:42:08 | |
-That was beautiful. -Thank you. I feel like I'm interrupting | 0:42:08 | 0:42:11 | |
the flow, being the only girl, but it feels very nice. | 0:42:11 | 0:42:13 | |
No, no. | 0:42:13 | 0:42:15 | |
They were missing the girls. | 0:42:15 | 0:42:17 | |
Not at all. We're just acting normal. | 0:42:17 | 0:42:18 | |
LAUGHTER | 0:42:18 | 0:42:22 | |
The vibe has changed. | 0:42:22 | 0:42:24 | |
Do you want a drink? | 0:42:24 | 0:42:25 | |
LAUGHTER | 0:42:25 | 0:42:29 | |
-I will get you a date. -I think I pulled something. | 0:42:29 | 0:42:32 | |
-The album Remnants is out now, congratulations. -Thank you. | 0:42:34 | 0:42:38 | |
Good luck with it. It deserves to do well. | 0:42:38 | 0:42:40 | |
And I was saying there, | 0:42:40 | 0:42:42 | |
you've been in the business for 20 years. | 0:42:42 | 0:42:44 | |
-But you're so young. You're still in your early 30s? -I'm 34, yeah. | 0:42:44 | 0:42:49 | |
-You were a proper child. -A baby. -How old were you for the Grammy? | 0:42:49 | 0:42:53 | |
I was a foetus when I started. | 0:42:53 | 0:42:55 | |
LAUGHTER | 0:42:55 | 0:42:57 | |
I basically was...14 when I won my... Yeah. | 0:42:57 | 0:43:00 | |
-Oh, look! -That's some fantastic hair right there. | 0:43:00 | 0:43:04 | |
-Yes. -Throwing it back, throwing it back, yes. | 0:43:04 | 0:43:07 | |
No, I'd been singing on stage since I was five. | 0:43:07 | 0:43:10 | |
Did you ever get to a point where you were nervous, | 0:43:10 | 0:43:12 | |
or because you started so young, you passed that? | 0:43:12 | 0:43:15 | |
Only as I've gotten older. | 0:43:15 | 0:43:16 | |
You realise, the humanity sets in, | 0:43:16 | 0:43:18 | |
and you realise, "Oh, well, I'm not superhuman," | 0:43:18 | 0:43:20 | |
but as a kid, I started so young that it didn't even faze me. But... | 0:43:20 | 0:43:25 | |
I think for people here, we associate you with country roots, | 0:43:25 | 0:43:29 | |
the American heartland, but you genuinely like it here, | 0:43:29 | 0:43:33 | |
you look out on an audience | 0:43:33 | 0:43:34 | |
and it's so different to the audience you see in America? | 0:43:34 | 0:43:37 | |
My audiences have always been diverse, as far as age goes. | 0:43:37 | 0:43:40 | |
But here, yeah, there's like leather and piercings, | 0:43:40 | 0:43:44 | |
everything, it's such a wide variety of people. | 0:43:44 | 0:43:47 | |
Here, they really love music. | 0:43:47 | 0:43:50 | |
They know the album. It's not just that they know the singles. | 0:43:50 | 0:43:53 | |
I'll play an obscure song | 0:43:53 | 0:43:55 | |
and people will be singing all of the words, it's really cool. | 0:43:55 | 0:43:58 | |
-That's nice. -Great audiences here. -You can just relax, can't you? | 0:43:58 | 0:44:01 | |
-Let them do it. -Exactly! You sing! | 0:44:01 | 0:44:05 | |
People want to know, will this album be toured? | 0:44:05 | 0:44:07 | |
Are you going to tour in Britain? | 0:44:07 | 0:44:09 | |
Yes, we're doing six shows here in February | 0:44:09 | 0:44:11 | |
and then we'll be back in the fall to hopefully do more shows. | 0:44:11 | 0:44:14 | |
Yeah, I love it here, I'll be back much more. | 0:44:14 | 0:44:17 | |
Come and see us again. LeAnn Rimes, everybody! | 0:44:17 | 0:44:20 | |
APPLAUSE AND CHEERING | 0:44:20 | 0:44:21 | |
OK. | 0:44:21 | 0:44:22 | |
Just before we go, we do have time to visit the big red chair. | 0:44:22 | 0:44:27 | |
Let's see who's there. | 0:44:27 | 0:44:28 | |
-Hello, sir. -Hello, good evening! | 0:44:28 | 0:44:30 | |
GRAHAM SIGHS, AUDIENCE LAUGH | 0:44:30 | 0:44:32 | |
That's right. | 0:44:32 | 0:44:34 | |
LAUGHTER | 0:44:34 | 0:44:36 | |
That wasn't just me. That wasn't just me. Bryan Cranston also. | 0:44:36 | 0:44:39 | |
He said that as well. | 0:44:39 | 0:44:41 | |
We're older, our patience has gone. | 0:44:41 | 0:44:43 | |
-Thin, thin. -Thin, thin. | 0:44:43 | 0:44:46 | |
OK, let's try somebody else. | 0:44:46 | 0:44:48 | |
-Hello. -Hi. -What's your name? | 0:44:48 | 0:44:50 | |
-Jen. -Lovely. Where are you from, Jen? | 0:44:50 | 0:44:52 | |
-Originally Canada, but I've lived here five years. -What do you do? | 0:44:52 | 0:44:55 | |
-I work in tech. -In tech. She works in tech. | 0:44:55 | 0:44:59 | |
-Sounds fishy. -No, it does. | 0:44:59 | 0:45:01 | |
I'm going to explore. What do you do in tech? | 0:45:01 | 0:45:03 | |
I lead the team that does customer management | 0:45:03 | 0:45:07 | |
for a software company. | 0:45:07 | 0:45:09 | |
I'm so sorry I asked. | 0:45:09 | 0:45:10 | |
LAUGHTER | 0:45:10 | 0:45:12 | |
-That's why I say tech. -Go even deeper. One more level deep. | 0:45:12 | 0:45:14 | |
Even she sounded bored. | 0:45:14 | 0:45:17 | |
She was smiling and trying to sound enthusiastic | 0:45:17 | 0:45:20 | |
but really she's thinking, "Jesus, I'm doing it again tomorrow." | 0:45:20 | 0:45:23 | |
Off you go with your story. | 0:45:25 | 0:45:27 | |
So, my boyfriend and I, after school, moved to Boston | 0:45:27 | 0:45:29 | |
and my parents were coming to visit. | 0:45:29 | 0:45:31 | |
We hadn't spent a ton of time as a group together | 0:45:31 | 0:45:33 | |
so I warned my boyfriend that my parents are pretty open, | 0:45:33 | 0:45:36 | |
like to say a lot of stuff. | 0:45:36 | 0:45:38 | |
And we went out shopping one day | 0:45:38 | 0:45:39 | |
and ended up at a bath and body works type of store. | 0:45:39 | 0:45:42 | |
My parents were looking at some of the products | 0:45:42 | 0:45:45 | |
and my dad picks up this pot of body powder and was talking to the woman. | 0:45:45 | 0:45:49 | |
My mum comes over and the woman says, | 0:45:49 | 0:45:51 | |
"It's really great, you can have a shower, put it on." | 0:45:51 | 0:45:54 | |
My mum looks at my dad and looks at my boyfriend and goes, | 0:45:54 | 0:45:56 | |
"Oh, you can put it on your balls after the shower." | 0:45:56 | 0:45:59 | |
Like, yeah, it'll smell amazing! | 0:45:59 | 0:46:01 | |
My boyfriend just turns totally white and walks out of the store. | 0:46:01 | 0:46:04 | |
It ended up working out. Ten years later, we're still together. | 0:46:04 | 0:46:07 | |
I... | 0:46:13 | 0:46:15 | |
I don't even know what that story was about! | 0:46:15 | 0:46:17 | |
-Balls. -How was that a story? -Powdered balls. | 0:46:20 | 0:46:23 | |
-I got the powdered balls bit. -I found it quite emotional. | 0:46:23 | 0:46:26 | |
You've had enough. | 0:46:28 | 0:46:29 | |
LAUGHTER AND APPLAUSE Well done, everyone. | 0:46:30 | 0:46:34 | |
If you'd like to join us on the show and have | 0:46:34 | 0:46:36 | |
a go in the red chair, you can contact us via our website. | 0:46:36 | 0:46:40 | |
That is it for tonight. Please say a huge thank you to my guests - | 0:46:40 | 0:46:43 | |
LeAnn Rimes, everybody... | 0:46:43 | 0:46:45 | |
APPLAUSE AND CHEERING ..Bryan Cranston... | 0:46:45 | 0:46:47 | |
APPLAUSE AND CHEERING ..Eddie Redmayne... | 0:46:47 | 0:46:50 | |
APPLAUSE AND CHEERING ..and Benedict Cumberbatch! | 0:46:50 | 0:46:54 | |
Join me next week with music from the mighty Sting, | 0:46:55 | 0:46:58 | |
actors Claire Foy and Matt Smith, | 0:46:58 | 0:47:00 | |
broadcasting legend Sir David Attenborough | 0:47:00 | 0:47:02 | |
and Hollywood star Ben Affleck. | 0:47:02 | 0:47:04 | |
I'll see you then! Goodnight, bye-bye! | 0:47:04 | 0:47:06 |