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Hi, I'm Tom Cruise, and welcome to The Graham Norton Show. | 0:00:02 | 0:00:05 | |
This programme contains some strong language | 0:00:06 | 0:00:14 | |
Oh! Oh, oh! | 0:00:20 | 0:00:24 | |
Thank you very much. Thank you. | 0:00:24 | 0:00:27 | |
Hello. Hello. | 0:00:27 | 0:00:29 | |
Hello to you, you. Hi, up there. Hi. Hi, hi. | 0:00:29 | 0:00:32 | |
Hello, everybody. Good evening. Welcome one, welcome all. | 0:00:32 | 0:00:37 | |
Yes, it's Tom Cruise night, everybody. | 0:00:37 | 0:00:39 | |
CHEERS AND APPLAUSE Yeah. | 0:00:39 | 0:00:42 | |
In the building. Very excited to have Tom back on the show. | 0:00:42 | 0:00:45 | |
Actually, how annoying is this? We've just missed Tom Cruise Day. | 0:00:45 | 0:00:50 | |
We have. This is true. | 0:00:50 | 0:00:51 | |
In Japan, 10th October is officially Tom Cruise Day. It is. | 0:00:51 | 0:00:56 | |
I mean, I feel awful, I didn't get him a card or anything. | 0:00:56 | 0:01:00 | |
You'd think, what an honour to have a day named after you. | 0:01:00 | 0:01:03 | |
I wonder how people would celebrate a Graham Norton Day. | 0:01:03 | 0:01:06 | |
LAUGHTER | 0:01:06 | 0:01:09 | |
Every day is Graham Norton Day. | 0:01:11 | 0:01:13 | |
Now, Tom joins us at a very exciting time in American politics. | 0:01:14 | 0:01:18 | |
This week saw the last of the big presidential debates in Las Vegas. | 0:01:18 | 0:01:22 | |
There they are in Vegas. | 0:01:22 | 0:01:24 | |
Wouldn't it be great if they'd wandered | 0:01:24 | 0:01:26 | |
into the wrong room and got married? | 0:01:26 | 0:01:27 | |
LAUGHTER | 0:01:27 | 0:01:30 | |
You both lose. | 0:01:30 | 0:01:32 | |
Trump, of course, had his own hotel to stay in. Lucky him. | 0:01:33 | 0:01:37 | |
Mind you, he had to stay in a standard room. | 0:01:37 | 0:01:39 | |
Yeah, Hillary had already booked the presidential suite. | 0:01:39 | 0:01:42 | |
LAUGHTER | 0:01:42 | 0:01:44 | |
From my mouth to God's ears. Now... | 0:01:44 | 0:01:47 | |
Here's Trump turning up for the debate with his children. | 0:01:47 | 0:01:50 | |
There they are. Ivanka Trump, Tiffany Trump, | 0:01:50 | 0:01:53 | |
Trumpety Trump, Somebody Trump. | 0:01:53 | 0:01:55 | |
I don't know. Anyway, there they all are. | 0:01:56 | 0:01:58 | |
Five little Trumps followed by a big orange shit. | 0:01:58 | 0:02:01 | |
It's happened to the best of us. Let's get some guests on. | 0:02:03 | 0:02:07 | |
Later, we'll have music from the mighty Kings of Leon. | 0:02:07 | 0:02:10 | |
CHEERING Yeah. Yeah. | 0:02:10 | 0:02:13 | |
But first, she has given us some of TV's funniest characters, | 0:02:13 | 0:02:16 | |
from foul-mouthed Nan to schoolgirl Lauren. | 0:02:16 | 0:02:19 | |
Am I bovvered? Yes, I am. It's Catherine Tate, everybody! | 0:02:19 | 0:02:22 | |
CHEERS AND APPLAUSE | 0:02:22 | 0:02:23 | |
-Wow! -Argh! -I hadn't seen the full gown. | 0:02:23 | 0:02:27 | |
I know. It is so exciting. | 0:02:27 | 0:02:28 | |
-I'm so excited! -I know! | 0:02:28 | 0:02:30 | |
You've seen them, you've seen them out there. He's out there. | 0:02:30 | 0:02:33 | |
From Talented Mr Ripley to Cold Mountain and Sherlock Holmes, | 0:02:33 | 0:02:37 | |
now he's playing the Young Pope. | 0:02:37 | 0:02:39 | |
Praise be, it's Jude Law, everybody! | 0:02:39 | 0:02:42 | |
CHEERS AND APPLAUSE Velvet! In some Velvet! Very nice. | 0:02:42 | 0:02:46 | |
Lovely to see you. Have a seat. Catherine, Jude. | 0:02:46 | 0:02:49 | |
This actress rose to fame on TV's How I Met Your Mother, and now | 0:02:50 | 0:02:56 | |
she's in the action-packed thriller Jack Reacher, Never Go Back. | 0:02:56 | 0:02:59 | |
It's Cobie Smulders. | 0:02:59 | 0:03:01 | |
CHEERS AND APPLAUSE Hey! Hello, lovely. Welcome. | 0:03:01 | 0:03:05 | |
-Thank you. -Your first time. Have a seat on the couch. | 0:03:05 | 0:03:08 | |
-Cobie Smulders. -Thank you, thank you. | 0:03:08 | 0:03:10 | |
And...Jack Reacher's here. DRUMROLL | 0:03:10 | 0:03:13 | |
Yes, it's the biggest movie star in all the world. | 0:03:13 | 0:03:16 | |
Ladies and gentlemen, please welcome Tom Cruise. | 0:03:16 | 0:03:19 | |
# Take my breath away... # | 0:03:19 | 0:03:22 | |
-Pleasure to be here. -It's Tom Cruise, everybody! | 0:03:24 | 0:03:27 | |
# Take my breath away. # | 0:03:29 | 0:03:33 | |
-GRAHAM LAUGHS -Oh, that's funny. | 0:03:34 | 0:03:37 | |
Oh! It's your fourth... It never gets old, it never gets old. | 0:03:37 | 0:03:41 | |
It's Tom Cruise. It's exciting, it's exciting. | 0:03:41 | 0:03:43 | |
So you're all very welcome, very, very welcome to the couch, | 0:03:43 | 0:03:46 | |
but especially Tom. | 0:03:46 | 0:03:47 | |
No, you're all very welcome. You're very welcome. | 0:03:49 | 0:03:51 | |
I mentioned the thing about Tom Cruise Day - is that a real thing? | 0:03:51 | 0:03:54 | |
-Yes. -And what happens? | 0:03:54 | 0:03:56 | |
-I don't really know. -You haven't been yourself. | 0:03:58 | 0:04:01 | |
No, I haven't been able to make it. | 0:04:01 | 0:04:03 | |
Yeah, it just came up, and they just named the day after me. | 0:04:03 | 0:04:06 | |
I felt very, very honoured, you know. | 0:04:06 | 0:04:07 | |
-It was after I did Last Samurai. -Oh, of course. | 0:04:07 | 0:04:10 | |
I did Last Samurai and it was something that we brought kind of | 0:04:10 | 0:04:13 | |
bushido back into their culture | 0:04:13 | 0:04:14 | |
and something that they didn't really know a lot about | 0:04:14 | 0:04:17 | |
and something that we studied. | 0:04:17 | 0:04:19 | |
So they started studying their own culture again in schools | 0:04:19 | 0:04:22 | |
and it was really wonderful. | 0:04:22 | 0:04:23 | |
-And now there's a Tom Cruise Day. -I know, I feel very honoured. | 0:04:23 | 0:04:26 | |
You must get half-price somewhere or something. | 0:04:26 | 0:04:28 | |
There must be discounts available. | 0:04:28 | 0:04:30 | |
-And, Cobie, you've just spent so much time with Tom. -Yes. | 0:04:30 | 0:04:33 | |
-You've been working with Tom... -So much time. SO MUCH time. | 0:04:33 | 0:04:38 | |
I liked, at the end of filming, Cobie wrote a tweet | 0:04:38 | 0:04:43 | |
that sort of summed up her experience on the film. | 0:04:43 | 0:04:45 | |
-LAUGHTER -There was so much running. | 0:04:51 | 0:04:54 | |
There is a lot of running. | 0:04:54 | 0:04:55 | |
He was so fast, and he would kind of give me shit, too... | 0:04:55 | 0:04:59 | |
-Yeah, yeah. -..if I wasn't keeping up. | 0:04:59 | 0:05:01 | |
So I was very determined to at least look like I could keep up. | 0:05:01 | 0:05:04 | |
She kept up. I'd be behind her, going, "Go, go, go." | 0:05:04 | 0:05:08 | |
-"Arms, arms." -"Arms, arms." -"Knees, knees." | 0:05:08 | 0:05:11 | |
Like, to look perfect. | 0:05:11 | 0:05:13 | |
-Because you have the famous movie run. -Cos he looks...perfect! | 0:05:13 | 0:05:16 | |
And I was watching and I could see | 0:05:16 | 0:05:18 | |
you had gone to the Tom Cruise School of Movie Running. | 0:05:18 | 0:05:21 | |
I did. I have my diploma, I am a graduate. | 0:05:21 | 0:05:24 | |
-Yeah, she's a graduate. -Yes. -She got her bachelors. -Yeah. | 0:05:24 | 0:05:27 | |
Cos, Catherine, famously, you were the Runaway Bride in Doctor Who. | 0:05:27 | 0:05:31 | |
Did you get... LAUGHTER | 0:05:31 | 0:05:34 | |
-Did you get special coaching? -That looks fantastic. | 0:05:34 | 0:05:36 | |
Or was it just kind of... "Do some British running"? | 0:05:36 | 0:05:40 | |
And I was running against David Tennant - | 0:05:40 | 0:05:42 | |
he's a whippersnapper. | 0:05:42 | 0:05:44 | |
He can, like, run like that, and I was... | 0:05:44 | 0:05:46 | |
He always, very kindly... | 0:05:46 | 0:05:48 | |
It doesn't sound like you were afforded the same hospitality. | 0:05:48 | 0:05:52 | |
David used to factor in reasons to stop so I could catch up. | 0:05:52 | 0:05:57 | |
Aw! Jude, I don't think of you as a runner. | 0:05:57 | 0:06:01 | |
Thanks, Graham. | 0:06:01 | 0:06:03 | |
I'm trying to think... | 0:06:03 | 0:06:04 | |
I'm not really in the right company to boast about running... | 0:06:04 | 0:06:07 | |
-Have I seen you running before? -East London. | 0:06:07 | 0:06:09 | |
-Don't you have to run in east London? -I run from everyone. | 0:06:09 | 0:06:12 | |
Yeah. | 0:06:12 | 0:06:13 | |
-"Jude"! -LAUGHTER | 0:06:15 | 0:06:18 | |
I've done a bit of running in my time. I'm trying to think. | 0:06:18 | 0:06:21 | |
I had to run once in character. | 0:06:21 | 0:06:23 | |
I was playing this guy who was out of prison, | 0:06:23 | 0:06:26 | |
and so I put on a bit of weight for the part, | 0:06:26 | 0:06:29 | |
and I was wearing these skintight - SKINTIGHT - trousers. | 0:06:29 | 0:06:32 | |
And we decided, for some reason, that he would wear | 0:06:32 | 0:06:34 | |
these huge Cuban heel boots, and running in those... | 0:06:34 | 0:06:38 | |
-Were you running in heels? -No, thankfully... | 0:06:38 | 0:06:40 | |
Yeah, I was running in heels. | 0:06:40 | 0:06:42 | |
-And you ran in heels also. -Yeah. -It's hard! | 0:06:42 | 0:06:45 | |
It's really divided the couch, it's divided the couch. | 0:06:45 | 0:06:47 | |
Heels, no heels. | 0:06:47 | 0:06:49 | |
-Heels, from here... -No heels. | 0:06:49 | 0:06:52 | |
-Fast... -Heels. -Not so fast! -..heels! | 0:06:52 | 0:06:57 | |
Jack Reacher, it's lots of action, lots of fights, lots of stunts, | 0:06:57 | 0:07:00 | |
and we rarely hear about you getting injured, | 0:07:00 | 0:07:02 | |
but, apparently, in the first Jack Reacher, you did hurt your foot. | 0:07:02 | 0:07:05 | |
Yes. Yes. | 0:07:05 | 0:07:07 | |
There's more to this story, I'm guessing. | 0:07:07 | 0:07:10 | |
-So... -Yeah. -That's my cue? OK, good. -Yeah, yeah. | 0:07:10 | 0:07:12 | |
-And... -The anecdote. | 0:07:12 | 0:07:14 | |
So, you know when you're kicking someone in the balls... | 0:07:17 | 0:07:20 | |
In movies, they wear a strap, a leather strap | 0:07:22 | 0:07:24 | |
that they put in one shoe, and it goes all the way | 0:07:24 | 0:07:26 | |
down through their groin, all the way down to the other. | 0:07:26 | 0:07:29 | |
There's a leather strap there so you can really give 'em one, you know? | 0:07:29 | 0:07:32 | |
-I never knew that. -I know. | 0:07:32 | 0:07:34 | |
It's an old cowboy thing they developed | 0:07:34 | 0:07:36 | |
so that they could do the kick in the balls. | 0:07:36 | 0:07:38 | |
And Newman did it for Butch Cassidy - Sundance Kid. | 0:07:38 | 0:07:42 | |
So they pulled the strap out for the ball kick, | 0:07:42 | 0:07:44 | |
and I ended up having to do it, like, almost 50 times. | 0:07:44 | 0:07:48 | |
And my foot was swollen for a week from kicking them in the balls. | 0:07:48 | 0:07:51 | |
-I never thought, in all the stunts I've done... -Right. -Come on. | 0:07:51 | 0:07:56 | |
Being the guy who's balls swelled Tom Cruise's foot. | 0:07:56 | 0:08:01 | |
He would stand there with the strap like this, | 0:08:01 | 0:08:03 | |
and of course we had to warm up, you know what I mean? | 0:08:03 | 0:08:05 | |
So I had to get the angle right | 0:08:05 | 0:08:06 | |
and I just kept kicking him in the balls. | 0:08:06 | 0:08:08 | |
And I was like, "Didn't we get this? | 0:08:08 | 0:08:10 | |
"Because my foot is killing me." | 0:08:10 | 0:08:12 | |
All right... Tom and Cobie, they're here | 0:08:14 | 0:08:17 | |
with Jack Reacher, the new Jack Reacher - Never Go Back. | 0:08:17 | 0:08:20 | |
It's out everywhere now. | 0:08:20 | 0:08:22 | |
The thing is, Jack Reacher books, | 0:08:22 | 0:08:24 | |
-am I right in thinking there's 20 Jack Reacher books? -Yes. | 0:08:24 | 0:08:27 | |
Yeah, he's coming out with his 21st next month, I think. Yeah. | 0:08:27 | 0:08:29 | |
So this is book 18, which seems quite random to pick, | 0:08:29 | 0:08:33 | |
just go to the shelf and pick 18. So how does that happen? | 0:08:33 | 0:08:37 | |
-Just random. Random. -Just threw dice? -Yeah. | 0:08:38 | 0:08:42 | |
It's just the story, there's so many of them | 0:08:42 | 0:08:44 | |
and it just seemed like a nice one to go to | 0:08:44 | 0:08:47 | |
because of the relationship that he has with the major, | 0:08:47 | 0:08:50 | |
who's played by Cobie. | 0:08:50 | 0:08:52 | |
She has Reacher's old job, | 0:08:52 | 0:08:54 | |
and he goes back to take her out on a date, basically. | 0:08:54 | 0:08:58 | |
Because he's intrigued by... | 0:08:58 | 0:09:00 | |
-She's helped him at the beginning of the movie. -Yes. -Intrigued... | 0:09:00 | 0:09:02 | |
-She gives good phone, good phone... -Good phone talk. | 0:09:02 | 0:09:05 | |
-Excellent on the phone. -Great phone talk. | 0:09:05 | 0:09:07 | |
And then a whole journey ensues with... | 0:09:07 | 0:09:11 | |
..corruption and it gets drawn into the story | 0:09:13 | 0:09:15 | |
and there's lots of beatings. | 0:09:15 | 0:09:17 | |
-Have you read all the Jack Reacher books? -Yeah. | 0:09:17 | 0:09:20 | |
-Have you read all of the books? Really? -Yes. | 0:09:20 | 0:09:21 | |
-Of course he has - he's Tom Cruise. -So have I. Every single one. | 0:09:21 | 0:09:25 | |
-They were all enjoyable. -LAUGHTER | 0:09:25 | 0:09:28 | |
It's very hard to choose a favourite. | 0:09:28 | 0:09:30 | |
-Did you read Never Go Back? -I read that one. | 0:09:30 | 0:09:32 | |
-Did you read the book? -I did read ours, I read ours, yeah. | 0:09:32 | 0:09:35 | |
-You read the script. -I read the script and the book. | 0:09:35 | 0:09:37 | |
-Did you? -And all the other books... as well, | 0:09:37 | 0:09:40 | |
cos I'm a committed actor, to my craft. | 0:09:40 | 0:09:43 | |
And thank you for the job. | 0:09:43 | 0:09:45 | |
But, as you say, Jack Reacher, he's on the run, | 0:09:47 | 0:09:50 | |
but, Cobie, you're kind of with him the whole way, you're... | 0:09:50 | 0:09:54 | |
Yeah, yeah, we're sort of paired together, | 0:09:54 | 0:09:56 | |
because our characters are both used to being in command, | 0:09:56 | 0:10:01 | |
it's a pairing that is quite awkward at first. | 0:10:01 | 0:10:03 | |
-Two commanders. -Two commanders. | 0:10:03 | 0:10:05 | |
As you can tell - two commanders. On the road. | 0:10:05 | 0:10:09 | |
What's good is there's that frisson romance, | 0:10:09 | 0:10:11 | |
but there's no sense of damsel in distress. | 0:10:11 | 0:10:14 | |
It's very... You're both on it. | 0:10:14 | 0:10:16 | |
No, she's just as bright and tough as Reacher, | 0:10:16 | 0:10:20 | |
and she's a great character. | 0:10:20 | 0:10:22 | |
-You crushed it, I have to say. -You too. | 0:10:22 | 0:10:25 | |
We've got a clip. | 0:10:25 | 0:10:26 | |
-This is the two of you interrogating a witness. -OK. | 0:10:26 | 0:10:31 | |
You are a specialist, aren't you, Prudhomme, right? | 0:10:31 | 0:10:33 | |
Spoke to two MPs. Sergeants Mirkovich and Cibelli. | 0:10:35 | 0:10:39 | |
They interviewed you in Bagram. | 0:10:40 | 0:10:42 | |
No, no, I've never heard of them. | 0:10:42 | 0:10:44 | |
Sergeants Mirkovich and Cibelli! | 0:10:45 | 0:10:48 | |
Mirkovich had a six-year-old daughter. | 0:10:48 | 0:10:51 | |
Cibelli's wife is pregnant with their first. | 0:10:51 | 0:10:53 | |
Now look at me. Tell me what happened. | 0:10:53 | 0:10:56 | |
They'll kill me! | 0:10:56 | 0:10:57 | |
She'll kill you. | 0:10:58 | 0:11:00 | |
CHEERS AND APPLAUSE | 0:11:00 | 0:11:02 | |
APPLAUSE DROWNS OUT SPEECH | 0:11:04 | 0:11:08 | |
She'd never done action before, but she was very natural at doing that. | 0:11:09 | 0:11:13 | |
-Yeah, the bang... It was good. -Yeah, it was really nasty. | 0:11:13 | 0:11:17 | |
That's really nasty. | 0:11:17 | 0:11:19 | |
And in the movie, I don't think I've ever heard, | 0:11:19 | 0:11:23 | |
in an American movie, anybody call anybody else a dickhead. | 0:11:23 | 0:11:25 | |
That seems to be a very British... Is that a very British thing? | 0:11:25 | 0:11:29 | |
I think it is a British thing, | 0:11:29 | 0:11:30 | |
but we... Yeah, it rolled off the tongue very easily. | 0:11:30 | 0:11:33 | |
-Yeah! -She said it very easily. -You said it a few times. | 0:11:33 | 0:11:36 | |
She said it a few times. | 0:11:36 | 0:11:37 | |
-As a matter of fact, she ad-libbed a couple. -Oh, OK. | 0:11:37 | 0:11:40 | |
-Yeah. -I was like, really? -Yeah. | 0:11:40 | 0:11:44 | |
Yeah, I guess we say it quite a bit. | 0:11:44 | 0:11:46 | |
I'd just never heard an American say it before. | 0:11:46 | 0:11:48 | |
I mean, I say it all the time. | 0:11:48 | 0:11:50 | |
Now, Tom Cruise, every time you're here, I sound like your mother, | 0:11:51 | 0:11:54 | |
because you do the stunts, and I worry for you! | 0:11:54 | 0:11:58 | |
I just think, "Stop now! Luck running out!" | 0:11:58 | 0:12:02 | |
You know, there's only so many times you can do these crazy things. | 0:12:02 | 0:12:05 | |
Like, the last Mission Impossible, | 0:12:05 | 0:12:07 | |
you've learnt how to hold your breath underwater. | 0:12:07 | 0:12:10 | |
Tell the people how long... This is incredible. | 0:12:10 | 0:12:12 | |
How long can you hold your breath for underwater? | 0:12:12 | 0:12:14 | |
-Six-and-a-half minutes. -GASPS | 0:12:14 | 0:12:16 | |
Good, right? | 0:12:16 | 0:12:18 | |
Those takes underwater, because it took from the time | 0:12:18 | 0:12:21 | |
you get rid of the regulator, get rid of the bubbles, | 0:12:21 | 0:12:23 | |
get on the side, and we wanted to do it in one shot. | 0:12:23 | 0:12:26 | |
So they're very, very long shots. | 0:12:26 | 0:12:28 | |
These takes took... | 0:12:28 | 0:12:29 | |
I'd have to hold it consistently, you know, | 0:12:29 | 0:12:32 | |
safely up to four minutes, almost, for every take. | 0:12:32 | 0:12:35 | |
-Almost to the point of, why bother? -Yeah. | 0:12:35 | 0:12:37 | |
Like... | 0:12:39 | 0:12:40 | |
I know, but we were committed. | 0:12:42 | 0:12:44 | |
-Everyone was there, the camera was set up... -Might as well. | 0:12:44 | 0:12:47 | |
I'm just like, what am I going to say? It was too late to say no. | 0:12:47 | 0:12:50 | |
-How is that possible? It is circular breathing? -No, no. | 0:12:50 | 0:12:54 | |
You just have these free divers that came in | 0:12:54 | 0:12:56 | |
and trained me how to do it, and it's...not pleasant. | 0:12:56 | 0:13:02 | |
-Do you panic? Do you get to a moment... -No. | 0:13:02 | 0:13:04 | |
Actually, you get to the moment where you train your system to... | 0:13:04 | 0:13:09 | |
I'm now...I'm controlling the breath. | 0:13:09 | 0:13:12 | |
So I've got a low heart rate anyway, a very low heart rate, | 0:13:12 | 0:13:15 | |
which means my body's not using as much oxygen, | 0:13:15 | 0:13:17 | |
but also we did stuff to bring the heart rate down lower | 0:13:17 | 0:13:21 | |
in certain breathing exercises. | 0:13:21 | 0:13:23 | |
And I trained for a long time, | 0:13:23 | 0:13:24 | |
to the point when I finished the sequence, | 0:13:24 | 0:13:26 | |
there would be times I'd be sitting there talking in meetings | 0:13:26 | 0:13:29 | |
and I wouldn't breathe. | 0:13:29 | 0:13:30 | |
I realised, I am not breathing, | 0:13:30 | 0:13:32 | |
and had to turn my autonomic system to breathe again. | 0:13:32 | 0:13:36 | |
That's bad! That's bad, Tom! | 0:13:36 | 0:13:39 | |
I know. That was a little... I did that, so I'm done with that. | 0:13:39 | 0:13:43 | |
-Actually, Jude, though... -Oh... -No, now, stop it. | 0:13:43 | 0:13:47 | |
-Stop it. -Come on, Jude. | 0:13:47 | 0:13:49 | |
Thanks, mate. First the running... | 0:13:49 | 0:13:51 | |
-No, but... -..now the breath-holding. | 0:13:51 | 0:13:54 | |
In The Young Pope, you do hold your breath. | 0:13:54 | 0:13:56 | |
Yeah, for about 40 seconds, yeah. | 0:13:56 | 0:13:58 | |
No, it was quite a long time. | 0:13:58 | 0:14:00 | |
It was no six-and-a-half minutes, but it was a long time. | 0:14:00 | 0:14:02 | |
Yeah, it's no six-and-a-half minutes. Thank you. | 0:14:02 | 0:14:05 | |
Did you train for it? So you know you start that feeling of agony. | 0:14:05 | 0:14:09 | |
-I mean... -It's painful. | 0:14:09 | 0:14:10 | |
I didn't, actually, because it really isn't that long. | 0:14:10 | 0:14:13 | |
LAUGHTER | 0:14:13 | 0:14:16 | |
Basically, it was in the script that he's had this trauma - | 0:14:16 | 0:14:20 | |
-I don't want to give anything away... -Give a little bit away. | 0:14:20 | 0:14:23 | |
He has a prayer and he decides that he wants to get away from everyone, | 0:14:23 | 0:14:26 | |
so he's in the bottom of his palatial swimming pool. | 0:14:26 | 0:14:29 | |
So the shot starts on the back of me, | 0:14:29 | 0:14:31 | |
and we had to time the length of the prayer. | 0:14:31 | 0:14:33 | |
I think it was... over a minute - let's say that. | 0:14:33 | 0:14:36 | |
And it comes round, and we had to time it so that it comes around. | 0:14:36 | 0:14:39 | |
The thing that takes the longest is, once you're down there, | 0:14:39 | 0:14:41 | |
-you're waiting for the bubbles to clear. -Yes. | 0:14:41 | 0:14:43 | |
And they're ready and then you hear... | 0:14:43 | 0:14:45 | |
Cos they've got microphones in, you hear it. "Action." | 0:14:45 | 0:14:48 | |
I'm underwater... | 0:14:48 | 0:14:51 | |
I was like that. | 0:14:51 | 0:14:52 | |
-Did you start to feel... -You do a little. | 0:14:52 | 0:14:54 | |
A pain starts to come, you feel the oxygen going. | 0:14:54 | 0:14:57 | |
That's why I asked about the panic. | 0:14:57 | 0:14:58 | |
Cos I was just trying to count it, or recite the prayer, | 0:14:58 | 0:15:01 | |
but then I worried that the prayer would start changing speed, | 0:15:01 | 0:15:03 | |
so I started counting, | 0:15:03 | 0:15:05 | |
and then I knew every time I got to, like, 70, | 0:15:05 | 0:15:07 | |
I was almost starting to think, "OK, I hope they're there soon." | 0:15:07 | 0:15:10 | |
Cos then I had to trust that they were in front of me | 0:15:10 | 0:15:12 | |
for when I opened my eyes, do this, and then I go up. So... | 0:15:12 | 0:15:15 | |
-Wow. -But it was no six-and-a-half minutes. | 0:15:15 | 0:15:17 | |
Still, you know that pain. I mean, I had to train. | 0:15:17 | 0:15:20 | |
-It's fun stuff to do, though. -The first time I did it, it was like... | 0:15:20 | 0:15:24 | |
Learning that kind of stuff is, honestly, I think... | 0:15:24 | 0:15:27 | |
-No six-and-a-half minutes. -No. -But it's a perk. | 0:15:27 | 0:15:30 | |
You learn to do these weird things and wonderful things. | 0:15:30 | 0:15:33 | |
That's SO not a useful thing to know how to do. | 0:15:33 | 0:15:36 | |
-Sure it is. -Learn French! | 0:15:36 | 0:15:38 | |
Say you're out, you know, and you get thrown out of the boat | 0:15:39 | 0:15:42 | |
and you're down there - now you know how to hold your breath. | 0:15:42 | 0:15:45 | |
I can stay alive for an extra six minutes. | 0:15:45 | 0:15:47 | |
-You beat them all. -Yeah! He was the last one to die. | 0:15:49 | 0:15:53 | |
LAUGHTER DROWNS OUT SPEECH | 0:15:53 | 0:15:55 | |
-..you're the last one to go. -Yeah! | 0:15:55 | 0:15:57 | |
You get to wave them all goodbye. They all hate you as they die. | 0:15:57 | 0:16:01 | |
It's useful, you're quite right. | 0:16:01 | 0:16:03 | |
All right, we're going to watch another clip from Jack Reacher. | 0:16:03 | 0:16:06 | |
-Now, this is you, Tom, in a diner... -Mm-hm. | 0:16:06 | 0:16:09 | |
-..dealing with a sheriff who has come to arrest you. -Yes. -OK. | 0:16:09 | 0:16:12 | |
Process him and get him to County. | 0:16:12 | 0:16:14 | |
Two things are going to happen in the next 90 seconds. | 0:16:14 | 0:16:17 | |
Excuse me? | 0:16:17 | 0:16:18 | |
First, that phone over there is going to ring. | 0:16:18 | 0:16:21 | |
Second, you're going to be wearing these cuffs on your way to prison. | 0:16:21 | 0:16:26 | |
Well, that is one magnificent prophecy, Mr Reacher. | 0:16:26 | 0:16:30 | |
PHONE RINGS | 0:16:30 | 0:16:33 | |
It's just going to keep on ringing. | 0:16:36 | 0:16:37 | |
Sheriff Raymond Wood. | 0:16:47 | 0:16:49 | |
DISTANT SIRENS | 0:16:50 | 0:16:52 | |
Who the hell are you? | 0:16:58 | 0:17:00 | |
The guy you didn't count on. | 0:17:00 | 0:17:02 | |
APPLAUSE Ooh! It's intense. | 0:17:02 | 0:17:05 | |
Yeah, you get... He's a fun character to play. | 0:17:05 | 0:17:08 | |
It's like one of those movies you get to say lines like that and... | 0:17:08 | 0:17:11 | |
Know what I mean? It's one of those movies you get to... | 0:17:11 | 0:17:13 | |
Like a western, or something like that, | 0:17:13 | 0:17:15 | |
where you get to say those fun lines and have fun scenes like that. | 0:17:15 | 0:17:18 | |
Can you just turn that on? | 0:17:18 | 0:17:20 | |
Could you be that intense and just say that line to me? | 0:17:20 | 0:17:22 | |
Two things are going to happen in the next 90 seconds. | 0:17:24 | 0:17:26 | |
First, that phone over there is going to ring. | 0:17:28 | 0:17:30 | |
Second, you're going to be wearing these cuffs on your way to prison. | 0:17:32 | 0:17:37 | |
Ha-ha-ha. Well... | 0:17:37 | 0:17:39 | |
CHEERS AND APPLAUSE That's a.... | 0:17:39 | 0:17:42 | |
that's a magnificent... | 0:17:42 | 0:17:43 | |
Don't laugh! I'm having my moment. | 0:17:43 | 0:17:45 | |
That's a magnificent prophecy, Mr Reacher. | 0:17:48 | 0:17:50 | |
I've acted with Tom Cruise, everybody! | 0:17:51 | 0:17:53 | |
CHEERS AND APPLAUSE | 0:17:53 | 0:17:56 | |
I know, I know. In fairness, the phone didn't ring. | 0:17:56 | 0:17:59 | |
-I know. What happened? -I know. -But... | 0:17:59 | 0:18:01 | |
HE GASPS Wait... Oh, my God! | 0:18:01 | 0:18:04 | |
LAUGHTER | 0:18:04 | 0:18:06 | |
It's like superpowers. That was incredible, wasn't it? Yeah. | 0:18:06 | 0:18:11 | |
-See, I think it and... That's Jack Reacher. -Incredible. | 0:18:11 | 0:18:14 | |
That's better than holding your breath for six minutes - | 0:18:14 | 0:18:16 | |
I've no doubts about it. | 0:18:16 | 0:18:18 | |
Right, Catherine Tate fans, this is amazing. | 0:18:18 | 0:18:20 | |
-I've seen the ads on the telly... -Oh, my God! | 0:18:20 | 0:18:25 | |
It's so big and posh. | 0:18:25 | 0:18:26 | |
Catherine Tate is back with a new live show. | 0:18:26 | 0:18:29 | |
It's The Catherine Tate Show Live, | 0:18:29 | 0:18:32 | |
and it's kicking off in York on 31st October | 0:18:32 | 0:18:35 | |
-and then touring the country till December. -Yes. | 0:18:35 | 0:18:39 | |
Now, you've never done the characters live before. | 0:18:39 | 0:18:41 | |
No, I've never done it live. | 0:18:41 | 0:18:42 | |
-So, how does it work? -Don't know yet. | 0:18:42 | 0:18:44 | |
At the moment, er... it's a logistic thing, | 0:18:46 | 0:18:51 | |
cos I'm doing 18 different characters, | 0:18:51 | 0:18:54 | |
and I've got to get on and off and put the prosthetic stuff on | 0:18:54 | 0:18:58 | |
and get back on and... | 0:18:58 | 0:19:00 | |
It'll be a right old time of it... | 0:19:00 | 0:19:02 | |
I don't know, you guys probably aren't familiar, are you? | 0:19:02 | 0:19:04 | |
Can you explain any of these characters to Tom and Cobie? | 0:19:04 | 0:19:07 | |
I do a belligerent teenage character, | 0:19:07 | 0:19:11 | |
a belligerent old-age lady, an old-aged pensioner character. | 0:19:11 | 0:19:14 | |
I think all my characters are quite belligerent. | 0:19:14 | 0:19:17 | |
We realised, as I was writing this one, | 0:19:17 | 0:19:19 | |
it's the one thing they all have in common, | 0:19:19 | 0:19:21 | |
they tend not to like the world particularly. | 0:19:21 | 0:19:23 | |
-Hmm... -Hmm... | 0:19:23 | 0:19:26 | |
Where did I get that from? So, it's just... | 0:19:26 | 0:19:29 | |
it's just lots of different characters, yeah. | 0:19:29 | 0:19:32 | |
And Nan's voice... Cos there's an old granny, a foul-mouthed granny, | 0:19:32 | 0:19:35 | |
but, like, properly foul-mouthed. | 0:19:35 | 0:19:36 | |
-Can you do some now? -Oh, all right. Oh... | 0:19:36 | 0:19:39 | |
Well, I actually... | 0:19:39 | 0:19:41 | |
I got the voice from when I was at drama school, when I was training, | 0:19:41 | 0:19:44 | |
and they split up our year | 0:19:44 | 0:19:46 | |
and half the year went to schools | 0:19:46 | 0:19:50 | |
to give kids a really serious devised play about not taking drugs. | 0:19:50 | 0:19:55 | |
The other half, except for four of us, went to another school | 0:19:55 | 0:19:59 | |
to talk about using condoms when you start having sex. | 0:19:59 | 0:20:03 | |
-Great. -And for four of us got asked to go round | 0:20:03 | 0:20:06 | |
the local old-age pensioners' home | 0:20:06 | 0:20:10 | |
and give them a trip down memory lane. | 0:20:10 | 0:20:12 | |
Which, as it turns out, old people can't be dragged down memory lane. | 0:20:12 | 0:20:17 | |
They don't want to go. They don't want to go. | 0:20:17 | 0:20:20 | |
So we turned up. You know, I was about 18, | 0:20:20 | 0:20:23 | |
and they put old-agey clothes and hats, | 0:20:23 | 0:20:25 | |
and we used to go in to their recreation room. | 0:20:25 | 0:20:30 | |
You know, there's a table tennis with cobwebs on it. | 0:20:30 | 0:20:34 | |
It's not being used! | 0:20:34 | 0:20:36 | |
But it's their sort of recreation room, and we'd stand up in front | 0:20:36 | 0:20:40 | |
of them and sing... I think it was the Andrews Sisters, or something? | 0:20:40 | 0:20:45 | |
And they'd go... Well, we'd have to go... | 0:20:45 | 0:20:47 | |
# Dancing under the apple tree | 0:20:47 | 0:20:48 | |
# With anyone else but me... # | 0:20:48 | 0:20:50 | |
And as walked on, there was one place, it was in Temple Fortune - | 0:20:50 | 0:20:53 | |
I went to Central, in north London - | 0:20:53 | 0:20:56 | |
and they sent us to this place, and one lady, | 0:20:56 | 0:20:58 | |
as I walked on, she went... | 0:20:58 | 0:21:01 | |
-IN NAN'S VOICE: -"So...here we go." | 0:21:01 | 0:21:04 | |
CHEERING AND APPLAUSE | 0:21:05 | 0:21:07 | |
And I remember thinking, "This is extraordinary," | 0:21:10 | 0:21:12 | |
and as I was doing my stuff, and we did it for about 20 minutes, | 0:21:12 | 0:21:15 | |
and all the time she was just like, | 0:21:15 | 0:21:17 | |
"Well, this is all I need, innit, this?" | 0:21:17 | 0:21:19 | |
And at the end of it, and we'd been doing | 0:21:19 | 0:21:21 | |
a very professional job as well, 18 or whatever it was... | 0:21:21 | 0:21:25 | |
# It's a long way to Tipperary... # Join in! | 0:21:25 | 0:21:28 | |
And at the end of it she went, | 0:21:28 | 0:21:31 | |
"Is she going to stand in front of that fucking telly all day?" | 0:21:31 | 0:21:35 | |
LAUGHTER AND APPLAUSE | 0:21:35 | 0:21:38 | |
And so I thought, "I'll remember that." | 0:21:48 | 0:21:51 | |
-I bet your mother is terrified... -Fantastic. | 0:21:51 | 0:21:54 | |
..that people will think it's her mother? | 0:21:54 | 0:21:55 | |
No, my mum does say, "You mustn't keep swearing," | 0:21:55 | 0:21:58 | |
cos in the show that I do I took that character and made her | 0:21:58 | 0:22:01 | |
a grandmother and she swears a lot, and my mum is very concerned, | 0:22:01 | 0:22:05 | |
she says, "You mustn't keep doing that | 0:22:05 | 0:22:07 | |
"cos people will think that's Nanny." | 0:22:07 | 0:22:10 | |
-And it's not! -Who was it... Was it your godmother gave you a line? | 0:22:10 | 0:22:13 | |
My godmother - and I actually did use it in the show - | 0:22:13 | 0:22:16 | |
my godmother said, when my cousin had had a baby - | 0:22:16 | 0:22:21 | |
she said, "Theresa's had the baby. | 0:22:21 | 0:22:25 | |
"She's, eh... She's calling it Tesco's." | 0:22:26 | 0:22:30 | |
Tesco's is the name of a supermarket. | 0:22:32 | 0:22:35 | |
And I said, "I'm almost certain she's not called the baby Tesco's." | 0:22:35 | 0:22:38 | |
She went, "She has. | 0:22:38 | 0:22:40 | |
"Well, I can't pronounce it anyway." | 0:22:40 | 0:22:43 | |
And I rung up my cousin, and I said, "Theresa, what's the baby called?" | 0:22:44 | 0:22:48 | |
And she said, "Francesca." | 0:22:48 | 0:22:50 | |
Tesco's! | 0:22:53 | 0:22:55 | |
GRAHAM LAUGHS | 0:23:01 | 0:23:02 | |
-Fantastic. -Does any of this ring true with you, Cobie? | 0:23:02 | 0:23:05 | |
-Cos isn't your mum British? -My mom is British, yeah. | 0:23:05 | 0:23:07 | |
-ENGLISH ACCENT: -She's from Norfolk here. | 0:23:07 | 0:23:10 | |
Is that why you use the word "dickhead" all the time? | 0:23:10 | 0:23:12 | |
-Me? Good old Mom! -That's what it is! | 0:23:12 | 0:23:14 | |
Just heard it round the house! | 0:23:15 | 0:23:18 | |
Is it a British thing where you are just so cruelly honest | 0:23:18 | 0:23:21 | |
-a lot of the time? -Mmm... | 0:23:21 | 0:23:23 | |
Cos I had this one moment with my mother, | 0:23:23 | 0:23:27 | |
I was in the 12th grade in high school, and we put on | 0:23:27 | 0:23:31 | |
the production of Singin' In The Rain, | 0:23:31 | 0:23:33 | |
and instead of giving me a part where I spoke, | 0:23:33 | 0:23:36 | |
they gave me a part where I sang, which I'm not great at. | 0:23:36 | 0:23:40 | |
And it wasn't great, it wasn't terrible, but it wasn't great. | 0:23:40 | 0:23:44 | |
And my mom came to our first performance and, you know, | 0:23:44 | 0:23:48 | |
we were all excited, and I was flushed and I felt really great, | 0:23:48 | 0:23:51 | |
and I did it, I nailed it, even though it was a challenge for me. | 0:23:51 | 0:23:54 | |
I came off stage and she said... | 0:23:54 | 0:23:56 | |
-ENGLISH ACCENT: -"Cobie, you were so wonderful. | 0:23:56 | 0:23:59 | |
"You couldn't sing a note of it but you just sang it anyway!" | 0:23:59 | 0:24:02 | |
And I was... I still had, like, eight shows to go, | 0:24:06 | 0:24:11 | |
so as I'm in there, by the way singing Putting On The Ritz - | 0:24:11 | 0:24:15 | |
which is not in Singin' in the Rain - | 0:24:15 | 0:24:18 | |
it was just in my mind and it was horrible. | 0:24:18 | 0:24:20 | |
Yeah, that's a British mother! Yeah. Or an Irish mother. | 0:24:20 | 0:24:24 | |
Here's another British mother thing. | 0:24:24 | 0:24:25 | |
"Going out, I'm going out." | 0:24:25 | 0:24:27 | |
"All right, go out, yeah, you look great." | 0:24:27 | 0:24:29 | |
You're going to a first night or whatever. "You look nice." | 0:24:29 | 0:24:31 | |
"Does my hair look all right?" "Looks all right from the back!" | 0:24:31 | 0:24:35 | |
Oh, no! | 0:24:39 | 0:24:40 | |
Catherine Tate, good luck with your tour, | 0:24:40 | 0:24:42 | |
-I'm sure it will be a huge success. -Thank you. -The people have spoken. | 0:24:42 | 0:24:45 | |
CHEERING AND APPLAUSE | 0:24:45 | 0:24:48 | |
Now, eh... | 0:24:48 | 0:24:50 | |
Jude Law, Jude Law. | 0:24:52 | 0:24:53 | |
You've got your brilliant new TV drama, | 0:24:53 | 0:24:55 | |
it's The Young Pope, it starts Thursday at nine on Sky Atlantic. | 0:24:55 | 0:24:59 | |
It's a huge, lavish... | 0:24:59 | 0:25:01 | |
It's extraordinary the way television's going now | 0:25:01 | 0:25:04 | |
with the production values, the scale of these things are enormous, | 0:25:04 | 0:25:07 | |
and the premise is that you play this kind of | 0:25:07 | 0:25:10 | |
-young, charming bloke... -Lenny Belardo his name is. | 0:25:10 | 0:25:13 | |
Yeah, but kind of kick-ass... almost more like a politician? | 0:25:13 | 0:25:16 | |
Ish. It's current day, he's just been inaugurated as Pope Pius XIII. | 0:25:16 | 0:25:23 | |
The conclave, the College of Cardinals have no idea | 0:25:23 | 0:25:28 | |
how he's been elected because no-one can work out | 0:25:28 | 0:25:30 | |
who voted for him, they are all trying to figure out | 0:25:30 | 0:25:33 | |
what kind of a Pope he's going to be, | 0:25:33 | 0:25:35 | |
because nobody knows much about him. | 0:25:35 | 0:25:37 | |
Is he going to be liberal, reformist, dogmatic, progressive? | 0:25:37 | 0:25:43 | |
He doesn't really know who he can trust. | 0:25:43 | 0:25:46 | |
And the story really unpeels, | 0:25:46 | 0:25:50 | |
you learn more about his background, he was a child orphan, | 0:25:50 | 0:25:53 | |
you learn through his relationships | 0:25:53 | 0:25:55 | |
with various cardinals, priests, nuns | 0:25:55 | 0:25:58 | |
in the Vatican what his aim is and why he's been put in this position. | 0:25:58 | 0:26:03 | |
But, yes, he is the first American Pope, | 0:26:03 | 0:26:06 | |
he's the youngest pontiff in history, | 0:26:06 | 0:26:08 | |
so he's got a certain expectation. | 0:26:08 | 0:26:11 | |
He smokes, he drinks Coke, | 0:26:11 | 0:26:14 | |
but he's also got a lot of secrets that maybe you aren't expecting. | 0:26:14 | 0:26:19 | |
And the brilliant Diane Keaton is in it. | 0:26:19 | 0:26:21 | |
Yeah, Diane plays Sister Mary, who is the nun that raised him | 0:26:21 | 0:26:25 | |
in his orphanage, and she comes over as a kind of confidante. | 0:26:25 | 0:26:29 | |
It's got a wonderful international cast, because of course | 0:26:29 | 0:26:32 | |
it's in the Vatican, where all the cardinals | 0:26:32 | 0:26:35 | |
from all over the world... | 0:26:35 | 0:26:36 | |
So we have wonderful French actors, Spanish actors, | 0:26:36 | 0:26:39 | |
Italian actors, Chilean actors. | 0:26:39 | 0:26:41 | |
James Cromwell is an American cardinal who is my confidante. | 0:26:41 | 0:26:45 | |
-Where'd you shoot it? -In Rome. | 0:26:45 | 0:26:47 | |
All... Well, seven months in Rome, a month in Venice | 0:26:47 | 0:26:50 | |
and a little bit in South Africa cos... | 0:26:50 | 0:26:52 | |
Oh, poor you(!) | 0:26:52 | 0:26:54 | |
We have got a clip of The Young Pope, and this is you, | 0:26:55 | 0:26:58 | |
as a brand-new Pope, sort of laying town the law. | 0:26:58 | 0:27:01 | |
My top priorities are, | 0:27:01 | 0:27:04 | |
one, the Radio Vatican signal needs boosting, | 0:27:04 | 0:27:08 | |
it's unacceptable the reception is so poor. | 0:27:08 | 0:27:11 | |
Two, the Pope wants to see all the gifts the Pope receives. | 0:27:11 | 0:27:16 | |
Have a storage facility fitted out for storing all the gifts I receive. | 0:27:16 | 0:27:20 | |
Three, the Vatican must immediately buy back the Papal Tiara | 0:27:20 | 0:27:24 | |
from the Basilica in Washington DC, | 0:27:24 | 0:27:28 | |
which my predecessors - who favoured sobriety over tradition - | 0:27:28 | 0:27:33 | |
imprudently let go. | 0:27:33 | 0:27:35 | |
And four, Sister Mary will also look after you. | 0:27:35 | 0:27:41 | |
She will oversee all your activities and report directly back to me. | 0:27:43 | 0:27:48 | |
She'll be your guardian angel. | 0:27:50 | 0:27:52 | |
I am 60 years old, Holy Father, | 0:27:54 | 0:27:57 | |
I don't need a guardian angel. | 0:27:57 | 0:27:59 | |
Oh, we all need a guardian angel, Voiello, | 0:27:59 | 0:28:03 | |
especially unscrupulous, ambiguous men. | 0:28:03 | 0:28:07 | |
There's a very funny thing about, | 0:28:15 | 0:28:18 | |
you know, you notice Popes always have their hands here, or here, | 0:28:18 | 0:28:24 | |
and I always thought, it must be some ritualistic symbol. | 0:28:24 | 0:28:27 | |
Then we realise they have got no pockets. | 0:28:27 | 0:28:30 | |
So I put it on every morning, | 0:28:30 | 0:28:32 | |
and you need help putting it on | 0:28:32 | 0:28:34 | |
because there are so many buttons and layers... | 0:28:34 | 0:28:36 | |
But it becomes a very comfortable position to keep your hands. | 0:28:36 | 0:28:40 | |
Then I'd go out for dinner at night in jeans or whatever, | 0:28:40 | 0:28:43 | |
and I would still be walking around like this, | 0:28:43 | 0:28:45 | |
and my kids would always say, | 0:28:45 | 0:28:47 | |
"Dad, you're holding your hands like the Pope." | 0:28:47 | 0:28:50 | |
It's actually very comfortable. | 0:28:50 | 0:28:52 | |
Listen, we must move on, but very quickly, | 0:28:52 | 0:28:55 | |
-obviously Jack Reacher is Jack Reacher II... -Yes. | 0:28:55 | 0:28:57 | |
..but apart from the Mission: Impossible movies, | 0:28:57 | 0:28:59 | |
we don't associate Tom Cruise with franchises or sequels. | 0:28:59 | 0:29:04 | |
And yet, exciting news, is it true there's going to be a Top Gun II? | 0:29:04 | 0:29:09 | |
-AUDIENCE: -Woo! -I know. | 0:29:09 | 0:29:11 | |
-No. -Oh, come on, this was on the... | 0:29:11 | 0:29:15 | |
Here we go. | 0:29:15 | 0:29:17 | |
There's Jerry Bruckheimer. "Discuss a little Top Gun 2." | 0:29:17 | 0:29:20 | |
Yes, we're discussing it. | 0:29:20 | 0:29:22 | |
COBIE GIGGLES | 0:29:22 | 0:29:23 | |
We're discussing it. We're trying to figure it out. | 0:29:23 | 0:29:26 | |
-Oh, do it, go on! -We're trying, we're trying. -Look! | 0:29:26 | 0:29:29 | |
CHEERING AND APPLAUSE | 0:29:29 | 0:29:31 | |
You've sold 600 tickets, right there. 600 tickets! | 0:29:31 | 0:29:35 | |
If we can figure it out, I'd love to work on it. | 0:29:35 | 0:29:38 | |
Again, it goes back to... | 0:29:38 | 0:29:41 | |
I've heard you in interviews talking about | 0:29:41 | 0:29:43 | |
the trials of being in one of those jets. | 0:29:43 | 0:29:47 | |
It's horrific! Or would you be better now? | 0:29:47 | 0:29:49 | |
Oh, no, cos I fly aerobatics now, | 0:29:49 | 0:29:51 | |
but when you first start flying, you get sick, you know. | 0:29:51 | 0:29:54 | |
-Properly sick? -Properly, like fill-a-bag sick. | 0:29:54 | 0:29:57 | |
I know, the first day... | 0:29:58 | 0:30:00 | |
-Yeah, you know, you've flown in... -Yeah. You get really sick. | 0:30:00 | 0:30:06 | |
I flew with the Blue Angels, and when we were filming, my deal was... | 0:30:06 | 0:30:10 | |
I said, "I've got to fly in the F-14," I made it with the studio, | 0:30:10 | 0:30:15 | |
and I had to be filmed in the F-14 live, | 0:30:15 | 0:30:19 | |
so I had to go through all the ejector-seat training, | 0:30:19 | 0:30:24 | |
and I couldn't wait to fly. | 0:30:24 | 0:30:26 | |
So in the morning, the first pilot I flew with, his name was Bozo. | 0:30:26 | 0:30:31 | |
-Yeah... -Gives you confidence(!) | 0:30:31 | 0:30:35 | |
"Hi, how are you? Bozo." "Bozo?!" | 0:30:35 | 0:30:39 | |
We were up there, we had five minutes of film, | 0:30:39 | 0:30:41 | |
and we had to coordinate, he and I, | 0:30:41 | 0:30:43 | |
we had other aeroplanes coming in on us, and there was | 0:30:43 | 0:30:46 | |
air combat manoeuvres, very detailed briefings and everything. | 0:30:46 | 0:30:50 | |
So we're going out, and we're right... I don't know, | 0:30:50 | 0:30:54 | |
a couple of feet off the deck in the desert. | 0:30:54 | 0:30:56 | |
We're sweating, I'm sweating in the F-14, | 0:30:56 | 0:30:59 | |
because we were doing heavy manoeuvres. | 0:30:59 | 0:31:02 | |
And we did a really heavy manoeuvre, pulled like 9.5 Gs, | 0:31:02 | 0:31:05 | |
and I, you have got a G-suit on, but you just kind of black out. | 0:31:05 | 0:31:10 | |
When I came to, I had my barf bag here at the side, | 0:31:10 | 0:31:13 | |
I was like, "OK, now I'm going to go get it done," | 0:31:13 | 0:31:16 | |
so I could do the next take. | 0:31:16 | 0:31:18 | |
So I leaned down like this, pulled it, I was like... | 0:31:18 | 0:31:20 | |
Just went down like this, and he at that point decided to pull up, | 0:31:20 | 0:31:24 | |
and he pulled up so hard and for so long... | 0:31:24 | 0:31:27 | |
I mean, I can't do it now. | 0:31:27 | 0:31:29 | |
My head literally was touching the ground with the G-force. | 0:31:29 | 0:31:33 | |
My spine. The tog's right here, I was going like this... | 0:31:33 | 0:31:37 | |
-STRAINED: -"Bozo, Bozo, Bozo..." | 0:31:37 | 0:31:39 | |
He was going up for ever! | 0:31:39 | 0:31:42 | |
So finally, he levelled off, and I had the bag in my hand, | 0:31:42 | 0:31:45 | |
-and I was like, "Bozo!" -GRAHAM LAUGHS | 0:31:45 | 0:31:49 | |
"What...? Didn't you see?! | 0:31:49 | 0:31:52 | |
"You didn't tell me you were going to do that, | 0:31:52 | 0:31:54 | |
"my head was like..." | 0:31:54 | 0:31:55 | |
He says, "Yeah, they don't call me Bozo for nothing." | 0:31:55 | 0:31:58 | |
LAUGHTER AND APPLAUSE | 0:31:58 | 0:32:00 | |
I had my barf bag, I held that, you know... | 0:32:00 | 0:32:03 | |
Eh, Tom and Cobie have been touring the world, | 0:32:05 | 0:32:08 | |
you've been to China, New Orleans, LA, you've done the London premiere. | 0:32:08 | 0:32:12 | |
-Tennessee. -..Tennessee. London premiere has been done. | 0:32:12 | 0:32:14 | |
-Yes, tonight. -Cobie, is Tom doing that thing where he causes | 0:32:14 | 0:32:18 | |
a sensation on red carpets? | 0:32:18 | 0:32:20 | |
-Yes. -He does? You do, though. | 0:32:20 | 0:32:23 | |
I mean, look at this face. | 0:32:23 | 0:32:25 | |
But you do, you love meeting the fans on the red carpet, | 0:32:25 | 0:32:29 | |
you really spend a lot of time doing it, talking on phones, | 0:32:29 | 0:32:32 | |
taking selfies and all that. | 0:32:32 | 0:32:33 | |
So we thought we might spread a little Tom Cruise love | 0:32:33 | 0:32:37 | |
here this evening. | 0:32:37 | 0:32:38 | |
-AUDIENCE: -Woo! | 0:32:38 | 0:32:40 | |
Now, now, just think on. Would you like a selfie with Tom Cruise? | 0:32:40 | 0:32:43 | |
-AUDIENCE: -Yes! | 0:32:43 | 0:32:45 | |
OK, calm down, what we're doing is looking for the people | 0:32:45 | 0:32:48 | |
who have come the furthest, not just people from abroad who live here... | 0:32:48 | 0:32:54 | |
You. | 0:32:54 | 0:32:55 | |
..people who have travelled, people who have travelled to be here, | 0:32:56 | 0:32:59 | |
and we'll see how many we can get around. | 0:32:59 | 0:33:01 | |
-New Zealand! -PEOPLE SHOUT OUT | 0:33:01 | 0:33:03 | |
Calm down, calm down! OK, are you up for this? | 0:33:03 | 0:33:06 | |
-Yeah, let's do it. -Let's do as many as we can. | 0:33:06 | 0:33:10 | |
Now come with me. Here we go. | 0:33:10 | 0:33:12 | |
MUSIC: Theme from Mission: Impossible | 0:33:12 | 0:33:14 | |
APPLAUSE OK, who are you? | 0:33:14 | 0:33:16 | |
-Where are you from? -Australia. -OK, come on. What's your name? | 0:33:16 | 0:33:18 | |
-Brad. -Bradley. OK, quick, quick. | 0:33:18 | 0:33:21 | |
-Here we go, here we go. -Here we go. | 0:33:21 | 0:33:23 | |
Done. OK, another one. Where are you from? | 0:33:23 | 0:33:25 | |
Leeds? Not so far away. | 0:33:25 | 0:33:27 | |
We've got a Pennsylvania! | 0:33:29 | 0:33:31 | |
She's from Leeds, she can't have one! That's cheating! | 0:33:31 | 0:33:35 | |
Pennsylvania right here. | 0:33:35 | 0:33:37 | |
Here we go, quick. I'm in it - sorry. | 0:33:37 | 0:33:40 | |
LAUGHTER | 0:33:40 | 0:33:43 | |
-Let's do somebody over the other side. Let's go. -Let's go. | 0:33:43 | 0:33:47 | |
Oh, no, no, can we do... | 0:33:47 | 0:33:49 | |
-Trinidad, Trinidad. -OK, Trinidad. | 0:33:49 | 0:33:51 | |
Can we do Tom Cruise running? | 0:33:54 | 0:33:57 | |
-OK, Tom Cruise running! -Slow motion? | 0:33:57 | 0:34:00 | |
-OK, I'm doing it. -Slow motion. | 0:34:00 | 0:34:02 | |
They'll speed it up in post. | 0:34:02 | 0:34:04 | |
We're in a rush, come on, quick, quick. | 0:34:04 | 0:34:06 | |
Who have we got, who's foreign? | 0:34:06 | 0:34:08 | |
-India. -India? Very good. | 0:34:08 | 0:34:11 | |
OK. There you go. Any more? | 0:34:11 | 0:34:14 | |
PEOPLE SHOUT OUT | 0:34:14 | 0:34:15 | |
-Holland! -Are you really... You're not from Holland. | 0:34:15 | 0:34:18 | |
-I am from Holland! -Are you? OK, go on. What's your name? | 0:34:18 | 0:34:21 | |
-Joyce. -OK, go, Joyce. | 0:34:21 | 0:34:23 | |
Oh, we've got a Ghana, Ghana. | 0:34:24 | 0:34:26 | |
Quick, quick, quick. | 0:34:26 | 0:34:28 | |
-Beautiful. -My hair... | 0:34:30 | 0:34:32 | |
Do you want a Switzerland? Switzerland, Switzerland. | 0:34:33 | 0:34:38 | |
-OK. -You both in? -That's the last one, well done! Thank you. | 0:34:38 | 0:34:42 | |
No more. Run, run! | 0:34:42 | 0:34:44 | |
Tom Cruise running on steps. Can we do this? | 0:34:44 | 0:34:46 | |
OK. Oh, it's an action sequence! | 0:34:46 | 0:34:49 | |
I'm exhausted. HE SIGHS | 0:34:49 | 0:34:54 | |
Well done, you. Well done, round of applause. | 0:34:54 | 0:34:57 | |
Right, it's time for music. | 0:34:59 | 0:35:02 | |
I'm so excited to welcome this Grammy-winning rock band | 0:35:02 | 0:35:05 | |
to the show for the first time, performing their new single | 0:35:05 | 0:35:08 | |
Waste A Moment from their new album WALLS, | 0:35:08 | 0:35:10 | |
it is the mighty Kings of Leon! | 0:35:10 | 0:35:12 | |
-AUDIENCE: -Woo! | 0:35:12 | 0:35:14 | |
AUDIENCE CLAPS ALONG | 0:35:24 | 0:35:25 | |
# All the way from Waco to WeHo | 0:35:43 | 0:35:46 | |
# With a rabbit on her chain | 0:35:46 | 0:35:48 | |
# Drove a little slick car to tend bar | 0:35:48 | 0:35:52 | |
# With the static on her brain | 0:35:52 | 0:35:55 | |
# She's a little burner, burner Gonna blow you all away | 0:35:55 | 0:36:01 | |
# Little ticking time bomb Time bomb, gonna blow us all away | 0:36:01 | 0:36:06 | |
# Take the time to waste a moment | 0:36:10 | 0:36:14 | |
# Never ask to be forgiven | 0:36:16 | 0:36:20 | |
# Tex, he was her boyfriend with no kin | 0:36:32 | 0:36:35 | |
# Always running from the law | 0:36:35 | 0:36:37 | |
# Every other weekend, the week ends with his back in her claw | 0:36:39 | 0:36:43 | |
# He's a live wire, wired Shooting sparks in the night | 0:36:43 | 0:36:48 | |
# He's a gun for hire Hired with a bead in his sight | 0:36:50 | 0:36:55 | |
# Take the time to waste a moment | 0:37:00 | 0:37:02 | |
# Facing where the lines are broken | 0:37:05 | 0:37:09 | |
# Name your price to all this living | 0:37:11 | 0:37:15 | |
# Never ask to be forgiven | 0:37:18 | 0:37:21 | |
# Take the time to waste a moment | 0:37:45 | 0:37:48 | |
# Facing where the lines are broken | 0:37:51 | 0:37:54 | |
# Name your price to all this living | 0:37:57 | 0:38:01 | |
# Never ask to be forgiven. # | 0:38:03 | 0:38:07 | |
CHEERING AND APPLAUSE | 0:38:14 | 0:38:16 | |
Woo! | 0:38:16 | 0:38:17 | |
Kings of Leon! | 0:38:19 | 0:38:21 | |
Come on over, boys. Very good. | 0:38:21 | 0:38:23 | |
Here they come. Do you have an order you sit in? Hello, sir. | 0:38:27 | 0:38:32 | |
Hello, very nice to see you, go and join the gang. | 0:38:32 | 0:38:35 | |
Lovely to see you. Hello, very nice to see you. Come in, come in. | 0:38:35 | 0:38:40 | |
Nice to meet you. | 0:38:40 | 0:38:42 | |
OK, is there room? We are all in, we're in, we're in. | 0:38:44 | 0:38:48 | |
It's a tight car, but we're not going far. | 0:38:48 | 0:38:50 | |
That is from the new album WALLS, it's out now, and this is recorded | 0:38:50 | 0:38:55 | |
on Thursday, so I'm pretty sure by tomorrow | 0:38:55 | 0:38:57 | |
that's going to be number one, right? | 0:38:57 | 0:38:59 | |
-We hope so. -We think so, yeah. | 0:38:59 | 0:39:01 | |
AUDIENCE: Woo! | 0:39:01 | 0:39:03 | |
Nothing else has happened, yeah. | 0:39:03 | 0:39:06 | |
It is, it is... | 0:39:06 | 0:39:08 | |
And, so, Kings of Leon, it's three brothers... | 0:39:08 | 0:39:11 | |
-Then cousin on the end there? -That's right. -Aww. | 0:39:11 | 0:39:15 | |
Is that weird? Do you feel kind of excluded because you're the cousin? | 0:39:17 | 0:39:21 | |
Absolutely not, we've always been really close since we were... | 0:39:21 | 0:39:24 | |
-You did put him on a stool, I mean... -Yeah... | 0:39:24 | 0:39:27 | |
It's our... It's like Christmas, yeah. | 0:39:27 | 0:39:31 | |
There's a funny card table with some plastic on it, and that stool. | 0:39:31 | 0:39:34 | |
But now, your mum, she is very involved - | 0:39:34 | 0:39:37 | |
not YOUR mother, obviously, you're just the cousin... | 0:39:37 | 0:39:40 | |
LAUGHTER "Your mother"(!) | 0:39:40 | 0:39:42 | |
She's very involved, she clears all the material, is that right? | 0:39:42 | 0:39:45 | |
She tries to. She says she does. | 0:39:45 | 0:39:48 | |
-But... -But... | 0:39:48 | 0:39:50 | |
Yeah, she didn't hear this one. She was pretty upset. | 0:39:50 | 0:39:53 | |
I remember we were about to release the first single and she was like, | 0:39:53 | 0:39:57 | |
"Y'all are getting a whuppin', I haven't even heard this album yet." | 0:39:57 | 0:40:01 | |
She said, "It'll never be successful if I don't hear it first." | 0:40:01 | 0:40:05 | |
No, even on Twitter, bless her... This is such a mother tweet. | 0:40:05 | 0:40:07 | |
You - "Excited for the new single Waste A Moment. | 0:40:07 | 0:40:10 | |
"Buy it if you haven't already." | 0:40:10 | 0:40:11 | |
And underneath, that is your mum, | 0:40:11 | 0:40:13 | |
I'm guessing - BettyAnn Murphy - put, | 0:40:13 | 0:40:15 | |
"Text me how to find it...tried to last night and never did!" | 0:40:15 | 0:40:20 | |
LAUGHTER | 0:40:20 | 0:40:21 | |
And like, three angry emojis - you're in trouble. | 0:40:21 | 0:40:23 | |
Oh, yeah. | 0:40:23 | 0:40:25 | |
We're gettin' a whuppin'. | 0:40:25 | 0:40:27 | |
But hey - she didn't need to hear it, it's a huge success, it's number one. | 0:40:27 | 0:40:30 | |
-That's right. -Take that, BettyAnn Murphy! | 0:40:30 | 0:40:33 | |
LAUGHTER | 0:40:33 | 0:40:34 | |
And thanks for doing that live, | 0:40:34 | 0:40:36 | |
cos I know it's not easy to get all that equipment and everything. | 0:40:36 | 0:40:38 | |
Kings of Leon, everyone! Very good. CHEERING AND APPLAUSE | 0:40:38 | 0:40:42 | |
Very quickly, just before we go, | 0:40:45 | 0:40:47 | |
we've got time for a story or two in the Big Red Chair. | 0:40:47 | 0:40:50 | |
-Who's there? Oh, hello! -Hello. | 0:40:50 | 0:40:52 | |
My God - how tall ARE you? | 0:40:52 | 0:40:53 | |
6ft 3½in. | 0:40:53 | 0:40:55 | |
Is that all? You look about 7ft 5in. | 0:40:55 | 0:40:57 | |
These shoes are big. | 0:40:57 | 0:41:00 | |
-What's your name? -Luke. -And where are you from? -Perth, Australia. | 0:41:00 | 0:41:03 | |
-Perth! -Yeah. -Nothing. LAUGHTER | 0:41:03 | 0:41:05 | |
Do you live here, or travelling? | 0:41:05 | 0:41:07 | |
I'm living here, I'm a teacher in Tower Hamlets. | 0:41:07 | 0:41:09 | |
OK. I mean, obviously you teach children - what do you teach them? | 0:41:09 | 0:41:12 | |
Little kids. Year 2s. So, everything. | 0:41:12 | 0:41:15 | |
-Everything. -Yeah. -He knows it all, everyone. LAUGHTER | 0:41:15 | 0:41:18 | |
I'm struggling with the British history, though, a little bit. | 0:41:18 | 0:41:21 | |
Well, I'm sure they are too. Er... | 0:41:21 | 0:41:23 | |
Ofsted - it's him. | 0:41:26 | 0:41:29 | |
OK. Off you go with your story. | 0:41:29 | 0:41:31 | |
So, my wife and I were in Colombia, | 0:41:31 | 0:41:33 | |
on a bus, on a party bus. | 0:41:33 | 0:41:35 | |
We did not speak a word of Spanish | 0:41:35 | 0:41:37 | |
and no-one on the bus spoke a word of English. | 0:41:37 | 0:41:40 | |
We're having a great time sipping rum, | 0:41:40 | 0:41:43 | |
but then I got struck with probably the worst bout of food poisoning | 0:41:43 | 0:41:47 | |
I have ever had in my life - | 0:41:47 | 0:41:49 | |
like, I'm talking stage 12 critical code brown... | 0:41:49 | 0:41:53 | |
LAUGHTER | 0:41:53 | 0:41:55 | |
Nicely expressed, I thought. | 0:41:55 | 0:41:56 | |
The thing is, my wife... Because we didn't speak any Spanish, | 0:41:56 | 0:42:00 | |
she was really trying hard to explain to anyone that would listen. | 0:42:00 | 0:42:05 | |
She's a really bad mimer, | 0:42:05 | 0:42:08 | |
and she's trying to mime that I'm very, very sick, but | 0:42:08 | 0:42:12 | |
it just looked like she was miming that I really wanted to dance. | 0:42:12 | 0:42:16 | |
So all of the people were | 0:42:16 | 0:42:17 | |
just looking at me and pointing and saying, "Yeah, yeah." | 0:42:17 | 0:42:20 | |
In Spanish, obviously - "Si, si." | 0:42:20 | 0:42:22 | |
LAUGHTER | 0:42:22 | 0:42:24 | |
But yeah, it just sort of went downhill from there - | 0:42:24 | 0:42:28 | |
eventually my wife was able to | 0:42:28 | 0:42:30 | |
somehow communicate that I could get off the bus | 0:42:30 | 0:42:33 | |
and we managed to safely exit the bus. | 0:42:33 | 0:42:36 | |
No! Boring! | 0:42:36 | 0:42:38 | |
After all of that, he didn't even shit himself. | 0:42:38 | 0:42:42 | |
LAUGHTER AND APPLAUSE | 0:42:42 | 0:42:44 | |
I can only apologise. | 0:42:44 | 0:42:47 | |
What a dull story! | 0:42:47 | 0:42:49 | |
"I was a little ill, but not that ill, on a bus." LAUGHTER | 0:42:49 | 0:42:54 | |
One more. We're going to squeeze in one more. Quick, quick, quick. This is the one, this is the one. | 0:42:54 | 0:42:58 | |
-What's your name, lady? -Dawn. | 0:42:58 | 0:43:00 | |
Dawn, I've high hopes for Dawn. Where you from, Dawn? | 0:43:00 | 0:43:03 | |
The Hoo Peninsula in Kent. | 0:43:03 | 0:43:04 | |
Woo-hoo! | 0:43:04 | 0:43:06 | |
SOME WHOOPING AND CLAPPING | 0:43:06 | 0:43:07 | |
-Are you here alone? -No, there's three out there. | 0:43:08 | 0:43:11 | |
Well, they're...very quiet. | 0:43:11 | 0:43:13 | |
LAUGHTER Could someone wake Dawn's friends? | 0:43:13 | 0:43:16 | |
All right, Dawn, off you go with your story. | 0:43:16 | 0:43:18 | |
Right. When I first met my husband he used to make a lot of bread. | 0:43:18 | 0:43:21 | |
-So one day, I decided to make some myself. -Can I just say... | 0:43:21 | 0:43:24 | |
I love that, that's amazing. | 0:43:24 | 0:43:27 | |
LAUGHTER | 0:43:27 | 0:43:28 | |
I got the flour out the back cupboard and it had black bits in it - | 0:43:28 | 0:43:31 | |
wasn't sure what they was, so I sieved them and made the bread. | 0:43:31 | 0:43:33 | |
A few days later I found out what the black bits were. | 0:43:33 | 0:43:36 | |
We had mice in the cupboard. | 0:43:36 | 0:43:38 | |
GASPING | 0:43:38 | 0:43:40 | |
And he'd eaten the bread. | 0:43:40 | 0:43:42 | |
LAUGHTER | 0:43:42 | 0:43:43 | |
Is that...? See... | 0:43:43 | 0:43:45 | |
-Oh, your husband's here? -Yeah. He doesn't know. | 0:43:45 | 0:43:49 | |
LAUGHTER | 0:43:49 | 0:43:51 | |
Where's Dawn's husband? | 0:43:53 | 0:43:54 | |
There he is - hale and hearty. Well done! | 0:43:54 | 0:43:58 | |
Shall we let Dawn walk? Cos I like Dawn. | 0:43:58 | 0:44:00 | |
Dawn, you can walk, go on! | 0:44:00 | 0:44:01 | |
-Thank you. -APPLAUSE | 0:44:01 | 0:44:04 | |
Very good! | 0:44:04 | 0:44:06 | |
If you would like to join us on the show and have a go in that red chair | 0:44:06 | 0:44:09 | |
just contact us via our website at this very address... | 0:44:09 | 0:44:12 | |
That is it for tonight, ladies and gentlemen - | 0:44:12 | 0:44:14 | |
so please, say a huge thank you to my guests, it's Kings of Leon! | 0:44:14 | 0:44:17 | |
WHOOPING AND APPLAUSE | 0:44:17 | 0:44:18 | |
Catherine Tate! WHISTLING AND APPLAUSE | 0:44:20 | 0:44:24 | |
Jude Law! CHEERING AND APPLAUSE | 0:44:24 | 0:44:26 | |
Cobie Smulders! CHEERING AND APPLAUSE | 0:44:26 | 0:44:29 | |
And Mr Tom Cruise! WHOOPING, APPLAUSE AND WHISTLING | 0:44:29 | 0:44:32 | |
Join me next week with music from LeAnn Rimes, | 0:44:32 | 0:44:36 | |
Breaking Bad star Bryan Cranston, | 0:44:36 | 0:44:38 | |
and two of our hottest young British actors, | 0:44:38 | 0:44:42 | |
Benedict Cumberbatch... | 0:44:42 | 0:44:43 | |
WHOOPING ..and Eddie Redmayne. | 0:44:43 | 0:44:45 | |
I'll see you then. Good night, everybody, bye-bye! | 0:44:45 | 0:44:47 |