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Hi, I'm Niall Horan, welcome to the Graham Norton show! | 0:00:02 | 0:00:05 | |
CHEERING AND APPLAUSE | 0:00:05 | 0:00:08 | |
Oh, yes! Oh! | 0:00:21 | 0:00:24 | |
Oh! Thank you so much! | 0:00:25 | 0:00:29 | |
Thank you very much! | 0:00:31 | 0:00:33 | |
Thank you. Oh! Thank you. | 0:00:33 | 0:00:38 | |
Thank you very much. What a warm and unexpected welcome! LAUGHTER | 0:00:38 | 0:00:44 | |
Thank you very much. Hello! Hello, hello. We've got a great line-up tonight, I tell you. | 0:00:44 | 0:00:48 | |
That sofa is going to be hotter than a Samsung Galaxy phone, | 0:00:48 | 0:00:51 | |
it really is. | 0:00:51 | 0:00:54 | |
But we start, ladies and gentlemen, of course with sad showbiz news. | 0:00:54 | 0:00:58 | |
Will Young has quit Strictly. Even sadder news - | 0:00:58 | 0:01:02 | |
Ed Balls hasn't. LAUGHTER | 0:01:02 | 0:01:05 | |
Here's Ed Balls doing his dance this week as The Mask. | 0:01:05 | 0:01:08 | |
Yeah, somebody stop him! | 0:01:08 | 0:01:10 | |
No, seriously, somebody STOP him. | 0:01:10 | 0:01:13 | |
Poor Ed. I mean, it's awful, isn't it? | 0:01:13 | 0:01:15 | |
You've got to think, who is voting to keep him in? | 0:01:15 | 0:01:18 | |
Knowing he's going to be humiliated week after week? | 0:01:18 | 0:01:21 | |
LAUGHTER AND APPLAUSE | 0:01:22 | 0:01:25 | |
And, ladies and gentlemen, in other scary news, | 0:01:27 | 0:01:29 | |
Britain is caught up in clownmageddon - | 0:01:29 | 0:01:32 | |
clownmageddon - yeah, no, that's not another name for Brexit. | 0:01:32 | 0:01:36 | |
No, this is the spate of scary clowns going around | 0:01:36 | 0:01:40 | |
terrifying people, yeah? | 0:01:40 | 0:01:42 | |
Apparently, it all started in America. Mm-hm. | 0:01:42 | 0:01:45 | |
LAUGHTER | 0:01:45 | 0:01:48 | |
APPLAUSE That is a scary clown! | 0:01:48 | 0:01:52 | |
Less than a month till the American election and Donald Trump is | 0:01:53 | 0:01:57 | |
in trouble for his rude comments about women. | 0:01:57 | 0:02:00 | |
He was heard saying he likes to have a Tic Tac on hand in case | 0:02:00 | 0:02:04 | |
he gets to kiss a beautiful lady. | 0:02:04 | 0:02:06 | |
Cos, erm, that's right, Donald, it's your breath that's the problem. | 0:02:06 | 0:02:11 | |
Oh, NOW I will, yeah! | 0:02:11 | 0:02:14 | |
Trump said the comments were "locker room banter". | 0:02:14 | 0:02:18 | |
What a fat, odious tosser! | 0:02:18 | 0:02:21 | |
CHEERING AND APPLAUSE If you're watching, Donald, it's just banter. It's just banter. | 0:02:21 | 0:02:25 | |
That's all that is. Yeah. The whole thing is being called "Pussygate". Yeah. | 0:02:25 | 0:02:30 | |
Mind you, if you Google the words "Trump" and "pussy", you get this. | 0:02:30 | 0:02:34 | |
I know, right? Let's get some guests on! All right, | 0:02:37 | 0:02:40 | |
later we'll be meeting One Directioner star, Niall Horan. | 0:02:40 | 0:02:44 | |
CHEERING Yeah! He will be giving us a world exclusive performance | 0:02:44 | 0:02:48 | |
of his solo single. But first, what a treat | 0:02:48 | 0:02:51 | |
to welcome back one of Ireland's funniest actors, | 0:02:51 | 0:02:53 | |
he's the star of Bridesmaids, This Is 40 and the award-winning Moone Boy, | 0:02:53 | 0:02:57 | |
it's Chris O'Dowd, everybody! | 0:02:57 | 0:03:00 | |
There he is! CHEERING AND APPLAUSE | 0:03:00 | 0:03:05 | |
Hugging... Have a seat, Chris O'Dowd! | 0:03:06 | 0:03:09 | |
CHEERING AND APPLAUSE | 0:03:09 | 0:03:12 | |
He's the Oscar-nominated star of The Hurt Locker, American Hustle and | 0:03:12 | 0:03:15 | |
the blockbusting Avengers movies. | 0:03:15 | 0:03:18 | |
I all a quiver. It's Jeremy Renner! | 0:03:18 | 0:03:22 | |
-Here he is, come on in. Hello, sir. How are you? -How you doing? -I'm very well. | 0:03:22 | 0:03:27 | |
Lovely to see you. That's Chris O'Dowd, that's Jeremy! | 0:03:27 | 0:03:32 | |
This actress has played everything from Giselle in Enchanted | 0:03:32 | 0:03:35 | |
to Lois Lane in Superman. | 0:03:35 | 0:03:37 | |
Along the way, she's collected five, uh-huh, FIVE Oscar nominations. | 0:03:37 | 0:03:41 | |
Ladies and gentlemen, it's Amy Adams! | 0:03:41 | 0:03:45 | |
CHEERING DROWNS SPEECH | 0:03:45 | 0:03:49 | |
Va-va-voom! Hello, welcome. Come in, sit down, say hello to everybody. | 0:03:49 | 0:03:52 | |
APPLAUSE CONTINUES | 0:03:52 | 0:03:56 | |
Welcome, all! Now, I think, Chris, you could shove up a little. | 0:03:57 | 0:04:02 | |
-Sure! -Yeah, go on. Pretend to like each other, go on. -Oh, that's nice. | 0:04:02 | 0:04:05 | |
It's show business. It's show business. | 0:04:05 | 0:04:07 | |
I must say, I was very impressed. We've never had this before. | 0:04:07 | 0:04:10 | |
-When Chris O'Dowd came out, somebody waved a full Irish flag. -What?! | 0:04:10 | 0:04:17 | |
CHEERING AND APPLAUSE | 0:04:17 | 0:04:21 | |
-Wow! -I'm so sorry. No stars and stripes. I mean, it's just rude. | 0:04:21 | 0:04:27 | |
-It's just rude. Is that for Chris or for Niall Horan? CHRIS: -It's for Chris! | 0:04:27 | 0:04:31 | |
-WOMAN: -Chris! -Oh, it's for Chris! Lovely. | 0:04:31 | 0:04:34 | |
I'll tell you, it is exciting, of course, | 0:04:34 | 0:04:36 | |
-because we are having a One Directioner on later. -I know. | 0:04:36 | 0:04:39 | |
-Are you all fans of the One Direction? -Very much so. -Good. | 0:04:39 | 0:04:42 | |
Good, good. Obviously, he's in a very successful band. | 0:04:42 | 0:04:46 | |
But quite a musical couch. | 0:04:46 | 0:04:49 | |
-Because Amy, obviously we know you can sing because of Enchanted. -Yeah. | 0:04:49 | 0:04:52 | |
But in school, you weren't in a band. | 0:04:52 | 0:04:55 | |
-I wasn't in a band but I dated a guy in a band. -Oh, hello. -And he played guitar. | 0:04:55 | 0:04:59 | |
I thought he was very talented cos I didn't know | 0:04:59 | 0:05:01 | |
anything about Led Zeppelin and I thought he wrote Stairway To Heaven. | 0:05:01 | 0:05:05 | |
-Is that because he told you he did? -I think he thought it would get him... | 0:05:05 | 0:05:09 | |
-Further... -It didn't work? -We don't need to talk about that. -That's OK. | 0:05:09 | 0:05:14 | |
Was it a stairway to heaven? | 0:05:14 | 0:05:16 | |
Jeremy Renner, you WERE in a band? | 0:05:17 | 0:05:20 | |
-Yeah, back in the day, I was. Yeah. -What was the name of your band? | 0:05:20 | 0:05:23 | |
-Erm, well... Hot Ice. -LAUGHTER | 0:05:23 | 0:05:26 | |
-That's my favourite kind of ice. -Yeah, yeah. | 0:05:26 | 0:05:29 | |
Close your eyes and imagine what the band Hot Ice might look like. OK? | 0:05:32 | 0:05:36 | |
-Did you come up with this? -1986... | 0:05:37 | 0:05:39 | |
LAUGHTER | 0:05:39 | 0:05:42 | |
-Oh, that's a full sexy mullet there. -Yeah, it was terrible. | 0:05:42 | 0:05:48 | |
-Was he the drummer? -No, I was the drummer! -Oh, you were the drummer! | 0:05:48 | 0:05:51 | |
-I'm the drummer, yeah. -What was he? -He played guitar. -Oh, OK. | 0:05:51 | 0:05:54 | |
-Was he the singer? -He's the singer. -Oh, OK, correct. | 0:05:54 | 0:05:57 | |
By the way, we all learned how to play the instruments... | 0:05:57 | 0:06:00 | |
Nobody knew how to play anything. So, we just started... | 0:06:00 | 0:06:02 | |
"OK, you're going to be the drummer." | 0:06:02 | 0:06:04 | |
I'm like, "OK, I'll get some sticks and start banging on shit..." | 0:06:04 | 0:06:07 | |
And then we started a band. Ultimately, the best thing about this band is that we broke up. | 0:06:07 | 0:06:11 | |
It got us out of jail and we didn't do anything bad. Except play bad music. | 0:06:11 | 0:06:16 | |
-But Chris O'Dowd, you were in a band as well. -Very much so. | 0:06:16 | 0:06:19 | |
-Why are you looking at me like that? -I don't know. | 0:06:19 | 0:06:21 | |
I think you're interested in music. | 0:06:21 | 0:06:25 | |
I was in a band as a teenager called The Basket Weavers. | 0:06:25 | 0:06:28 | |
We were a quartet. But only one of us could play an instrument. | 0:06:30 | 0:06:34 | |
And that guy only knew songs by, and I guess this places us in | 0:06:36 | 0:06:39 | |
a time, he only knew songs by the Crash Test Dummies. | 0:06:39 | 0:06:43 | |
And sadly, we fell apart because he got shingles. | 0:06:44 | 0:06:48 | |
-So... -Now, Chris also has another connection to music. | 0:06:50 | 0:06:53 | |
-And you guys may not get this. -OK. | 0:06:53 | 0:06:58 | |
But you apparently get sent this a lot. | 0:06:58 | 0:07:01 | |
You know the way on websites, you get those things on the bottom, | 0:07:01 | 0:07:05 | |
"20 child actors, you won't believe what they look like now." | 0:07:05 | 0:07:09 | |
-Oh, Jesus! -LAUGHTER | 0:07:09 | 0:07:12 | |
So, this is one called "20 photos that will shock you". | 0:07:12 | 0:07:16 | |
It's a list of celebs ruined by drugs. OK? | 0:07:16 | 0:07:19 | |
Celebs ruined by drugs. | 0:07:19 | 0:07:22 | |
This is number 12. | 0:07:22 | 0:07:23 | |
LAUGHTER | 0:07:26 | 0:07:29 | |
-Yeah, it's amazing. Amazing. I mean... -APPLAUSE | 0:07:31 | 0:07:35 | |
HE'S a celebrity. | 0:07:35 | 0:07:37 | |
-Ah! -That's Shane MacGowan. He used to be in a band called The Pogues. | 0:07:37 | 0:07:41 | |
He's a fantastic kind of punk... | 0:07:41 | 0:07:43 | |
What's frustrating about the photo is I can see it. You know? | 0:07:43 | 0:07:48 | |
-You're not way off. -It's like a Sunday morning for you? | 0:07:48 | 0:07:52 | |
I get sent it a lot. I mean, he's a fantastic... | 0:07:52 | 0:07:56 | |
I met him once, randomly, at an Irish awards thing and he is. | 0:07:56 | 0:08:01 | |
He's a great kind of, I suppose we would call it, like, | 0:08:01 | 0:08:04 | |
punk trad, is that what you'd call it? | 0:08:04 | 0:08:06 | |
But fantastic singer and I met him at, like, an Irish awards thing and he was | 0:08:06 | 0:08:10 | |
getting a lifetime achievement and I was getting some nonsense for comedy. | 0:08:10 | 0:08:13 | |
And at some stage, his manager came over and said, "You know, Shane would love to meet you." | 0:08:13 | 0:08:17 | |
And he'd be a big hero of mine. | 0:08:17 | 0:08:19 | |
And "Shane would love to meet you, he's a big fan." | 0:08:19 | 0:08:21 | |
So, I was like, "Great," and it was like, it was a black-tie thing. | 0:08:21 | 0:08:24 | |
But it was during the summer, | 0:08:24 | 0:08:26 | |
so I'd taken my jacket off and I went over and sat with him. | 0:08:26 | 0:08:28 | |
And I was babbling on. And he wasn't making a lot of conversation. | 0:08:28 | 0:08:31 | |
But I was like, "I'm talking to Shane MacGowan, this is a big moment!" | 0:08:31 | 0:08:35 | |
And then eventually, he said, "I'll just have a vodka tonic". | 0:08:35 | 0:08:41 | |
And I realised, he thought I was a waiter. | 0:08:41 | 0:08:44 | |
LAUGHTER | 0:08:44 | 0:08:46 | |
I crumbled. | 0:08:46 | 0:08:48 | |
-I had to get it for him! -Of course you did! | 0:08:48 | 0:08:51 | |
Right, ladies and gentlemen. Three great films tonight. | 0:08:51 | 0:08:54 | |
Amy and Jeremy, they're in a big new sci-fi movie together. | 0:08:54 | 0:08:56 | |
It's called Arrival. And it opens on 10 November. | 0:08:56 | 0:08:59 | |
And it's one of those things, it involves aliens and it's got | 0:08:59 | 0:09:02 | |
everything you want, the big budget, the special effects. | 0:09:02 | 0:09:05 | |
But at the same time, it's a very thoughtful film. | 0:09:05 | 0:09:08 | |
Yeah, it definitely has an emotional heartbeat to it. | 0:09:08 | 0:09:10 | |
And it has an intimacy to it. And, yeah, it's really compelling. | 0:09:10 | 0:09:15 | |
-It really is. -Yeah. -Now, you can tell us who you play. | 0:09:15 | 0:09:18 | |
I mean, we can't talk about the plot much because it will give | 0:09:18 | 0:09:21 | |
-everything away. -Yes. -But we can know who you are. | 0:09:21 | 0:09:23 | |
Yes, I play Louise Banks, | 0:09:23 | 0:09:25 | |
who's a linguist brought in to help decipher the alien language. | 0:09:25 | 0:09:28 | |
-And we work together as a team. -Yeah, and I play a mathematician... uhm...physicist, | 0:09:28 | 0:09:32 | |
that teams up with her to help communicate with the | 0:09:32 | 0:09:35 | |
-alien beings. -And now, apparently the science behind this film. | 0:09:35 | 0:09:40 | |
Now, bear with us. | 0:09:40 | 0:09:42 | |
-It's sort of based in some reality, the science behind this film. -Yes. | 0:09:42 | 0:09:47 | |
But bear with us! Because I'm not very good at science, | 0:09:47 | 0:09:50 | |
so I can't explain it to you. | 0:09:50 | 0:09:52 | |
So, I just had to sort of accept it and every time it would get too | 0:09:52 | 0:09:54 | |
scientific my brain goes, like straight to my musical theatre, | 0:09:54 | 0:09:57 | |
like, # O-o-o-klahoma! # | 0:09:57 | 0:10:00 | |
That's the only thing that saves me. Jeremy's much better at science. | 0:10:00 | 0:10:03 | |
Did you wrap your head around it? | 0:10:03 | 0:10:05 | |
Uh, well, I don't know about my head but I got an idea of what we were talking about. | 0:10:05 | 0:10:11 | |
But it's not really the most interesting to talk about | 0:10:11 | 0:10:13 | |
so I wanted to create some sort of emotional content, | 0:10:13 | 0:10:16 | |
to zeros and ones and binary, otherwise, it's really quite boring. | 0:10:16 | 0:10:20 | |
So, you know, to be excited about zeros and ones, you know, or whatever, | 0:10:20 | 0:10:25 | |
-I had to create emotional content to it. -Because the director, | 0:10:25 | 0:10:29 | |
am I right in thinking his first language isn't English? | 0:10:29 | 0:10:31 | |
-That is correct. -Yeah. -OK, well, I'm glad we cleared that up. | 0:10:31 | 0:10:36 | |
Yes! He's French-Canadian, so he speaks French as a first language. | 0:10:36 | 0:10:40 | |
Definitely. And makes little effort to try to speak English. | 0:10:40 | 0:10:44 | |
Which is fine but when you're working with people who don't | 0:10:44 | 0:10:48 | |
understand French... It gets a little complicated. | 0:10:48 | 0:10:51 | |
Maybe that's why the set felt so calm to us. | 0:10:51 | 0:10:53 | |
Like, he might be saying bad things about us but he was just | 0:10:53 | 0:10:55 | |
saying it in French, so, we're like, "He is so sweet, that..." | 0:10:55 | 0:10:58 | |
Just love him! | 0:10:58 | 0:11:00 | |
He is a really calm and docile and loving and emotionally intelligent guy. | 0:11:00 | 0:11:05 | |
But he would say the weirdest things because of his inability to | 0:11:05 | 0:11:09 | |
really get his point across in English. | 0:11:09 | 0:11:11 | |
He would try to direct us on his very quiet sets and he said something really, | 0:11:11 | 0:11:16 | |
very inappropriate. What did he say to you? | 0:11:16 | 0:11:20 | |
He said, "I loved that very much | 0:11:20 | 0:11:24 | |
"and I will now take you from behind. | 0:11:24 | 0:11:27 | |
LAUGHTER | 0:11:27 | 0:11:30 | |
I said, "I'm so sorry," I was in the middle of a serious scene. | 0:11:30 | 0:11:33 | |
I said, "I'm so sorry, Denis, I don't mean to be laughing." | 0:11:33 | 0:11:36 | |
He was like, "What have I said? | 0:11:36 | 0:11:38 | |
"No, no, no, I think you mistook me. I mean, I will take you from behind but use a camera." | 0:11:38 | 0:11:41 | |
-LAUGHTER -I'm like, that's not going to get any better, OK... | 0:11:41 | 0:11:46 | |
He was like, "Amy, Amy, I'm going to come very close here | 0:11:46 | 0:11:49 | |
"and the focus..." He says "fuc-as" instead of focus. | 0:11:49 | 0:11:53 | |
He says, "Is it right for fuc-as?" | 0:11:53 | 0:11:56 | |
"Fuc-as!" I'm like, "What's he talking about?" | 0:11:56 | 0:11:58 | |
He's like, "Jeremy, I'm going to come over here and take the camera and now come on YOUR face." | 0:11:58 | 0:12:05 | |
LAUGHTER AND APPLAUSE | 0:12:05 | 0:12:07 | |
I'm like, "No, man, you don't get to say that to me..." | 0:12:07 | 0:12:10 | |
All right, let's see a clip from Arrival. | 0:12:12 | 0:12:15 | |
-This is the two of you kind of trying to communicate with the aliens. -Yes. | 0:12:15 | 0:12:21 | |
-RADIO: -Doctor Banks? -It's OK. | 0:12:26 | 0:12:29 | |
-What are you doing? -I'm fine. | 0:12:29 | 0:12:32 | |
-Are you insane? -They need to see me. | 0:12:32 | 0:12:36 | |
She's taking off her hazmat suit. Doctor Banks! Is she OK? | 0:12:36 | 0:12:41 | |
LOW HUM | 0:12:46 | 0:12:49 | |
SHE BREATHES HEAVILY | 0:12:51 | 0:12:54 | |
TENSE MUSIC BUILDS | 0:12:56 | 0:12:59 | |
Argh! It's good, right? APPLAUSE | 0:13:01 | 0:13:06 | |
I heard you talking, Jeremy, you're not a fan of being in those suits. | 0:13:11 | 0:13:15 | |
-The hazmat suits? -Is that what they are? | 0:13:15 | 0:13:17 | |
Yeah, they were real hazmat suits and, yeah, | 0:13:17 | 0:13:20 | |
I don't think it's really, I mean, you have to be careful what you eat. | 0:13:20 | 0:13:24 | |
And drink. Because it's like a Hefty bag, right? | 0:13:26 | 0:13:29 | |
-And it's just not pleasant. Like, "Oh, man..." -HE SNIFFS | 0:13:29 | 0:13:32 | |
"It smells like vodka in here. I'm not sure why... | 0:13:32 | 0:13:35 | |
"And Indian food, strangely." | 0:13:37 | 0:13:40 | |
Yeah, they didn't breathe and they weren't, | 0:13:40 | 0:13:42 | |
compared to the bomb suit in Hurt Locker, it was really kind of | 0:13:42 | 0:13:45 | |
nothing but still kind of awkward, and you have this thing on. | 0:13:45 | 0:13:48 | |
-And there was a fan in there, right? Remember those fans? -Yeah. | 0:13:48 | 0:13:51 | |
But it wasn't to cool you down, it was just to make sure you can see. | 0:13:51 | 0:13:54 | |
-From the only little foggy... -I thought you meant someone who liked you. | 0:13:54 | 0:13:59 | |
-LAUGHTER -Oh, that kind of fan! Who was inside with me? | 0:13:59 | 0:14:02 | |
-You do it so well! -LAUGHTER | 0:14:02 | 0:14:05 | |
Awesome. | 0:14:05 | 0:14:08 | |
Because Chris O'Dowd, are you finished your big sci-fi film or are you in the middle of it now? | 0:14:08 | 0:14:12 | |
Oh, yeah, I've just wrapped on, like, a space movie(!) | 0:14:12 | 0:14:16 | |
-Which was... -It's JJ Abrams. I mean, it's big. | 0:14:16 | 0:14:20 | |
-It's going to be great(!) -LAUGHTER | 0:14:20 | 0:14:23 | |
I don't know why I'm saying it like that. It's going to be great! | 0:14:23 | 0:14:28 | |
LAUGHTER | 0:14:28 | 0:14:30 | |
Again, still not. But I struggled at times because I found the kind of suspension | 0:14:30 | 0:14:35 | |
of disbelief difficult. Just to kind of be like, "Oh, we're, you know, not on Earth." | 0:14:35 | 0:14:42 | |
So, we would kind of do the normal dialogue and I guess I only | 0:14:42 | 0:14:48 | |
got a glimpse of your movie but it's again, there's a lot of peril. | 0:14:48 | 0:14:52 | |
We're trying to save, erm, the world... | 0:14:52 | 0:14:55 | |
And there are moments of great tension. | 0:14:55 | 0:14:59 | |
And then you get to the end of the scene and the written dialogue and there might be | 0:14:59 | 0:15:02 | |
a little kind of improv or something. | 0:15:02 | 0:15:05 | |
And usually I'm feeling kind of comfortable in those situations | 0:15:05 | 0:15:09 | |
but here I would be like, "Pfff! Space..." | 0:15:09 | 0:15:14 | |
-LAUGHTER -"What's it all about?" | 0:15:14 | 0:15:18 | |
I just couldn't get quite into believing that I was in space. | 0:15:18 | 0:15:24 | |
-Which, when you're doing a space movie, is tricky. -Yes! | 0:15:24 | 0:15:29 | |
-Did you annoy the other actors? -Absolutely. | 0:15:29 | 0:15:32 | |
It's also one of my favourite things to do, is to be annoying on set. | 0:15:32 | 0:15:37 | |
-We talked about that before. -She loves to sing. She loves to sing. | 0:15:37 | 0:15:40 | |
-Oh, that would be nice. I would like that. -Not in a hazmat suit. | 0:15:40 | 0:15:45 | |
Oh, show tunes, man. That's all she did. | 0:15:45 | 0:15:48 | |
-Like, all these...songs.... -Do one! | 0:15:48 | 0:15:51 | |
-She knows them all. -I tried singing Let It Go last time. | 0:15:51 | 0:15:54 | |
But you said something about the rights and it would get expensive. | 0:15:54 | 0:15:57 | |
Oh, that's true. Very true. Yes. That was so clever of me! | 0:15:57 | 0:16:01 | |
To shut it down like that! | 0:16:01 | 0:16:03 | |
LAUGHTER AND APPLAUSE | 0:16:03 | 0:16:06 | |
And, very quickly, Amy, we've heard the rumour... | 0:16:08 | 0:16:10 | |
Enchanted 2, is that really happening? | 0:16:10 | 0:16:13 | |
-Yeah, they're starting to develop Enchanted 2. -CHEERING | 0:16:13 | 0:16:17 | |
It's called Disenchanted. And that's for real. | 0:16:17 | 0:16:19 | |
And, yeah, they've got a director attached and they're writing a script. | 0:16:19 | 0:16:22 | |
-And you are in it, right? -I'm hoping. | 0:16:22 | 0:16:24 | |
It doesn't open at your funeral or something? | 0:16:24 | 0:16:27 | |
-No, I hope not. Not unless... I'm not going to let anybody else play Giselle. -No! -No. | 0:16:27 | 0:16:32 | |
No! Will your daughter be geeked that you're going back to Giselle? | 0:16:32 | 0:16:35 | |
-No. No, she won't. -She doesn't care. -Yeah, she's so cool. | 0:16:35 | 0:16:40 | |
I'm Momma to her. Like, she doesn't think of me as an actress at all. | 0:16:40 | 0:16:42 | |
Like, she makes fun of me, like when I FaceTime her, | 0:16:42 | 0:16:45 | |
She's like, "Oh, my God, it's Amy Adams! Hi!" And I'm like... | 0:16:45 | 0:16:49 | |
She's six, by the way! Yeah. | 0:16:49 | 0:16:52 | |
By the way, she's got such a cool attitude, she's like, | 0:16:52 | 0:16:54 | |
sometimes you're not even Momma, she's like, "Oh, yeah, that's just a chick | 0:16:54 | 0:16:58 | |
-"that cleans my room and cooks..." -It's true. It's true. -She's awesome. | 0:16:58 | 0:17:01 | |
She's pretty level-headed. | 0:17:01 | 0:17:04 | |
Because after The Avengers movies, presumably you've got | 0:17:04 | 0:17:06 | |
a lot of children that come up to you, wanting pictures and things? | 0:17:06 | 0:17:09 | |
Yeah, that's the best part of it all. Yeah, for sure. | 0:17:09 | 0:17:11 | |
You know, before The Avengers, the kids would run away from me. | 0:17:11 | 0:17:15 | |
But now, I play a superhero and they come around and it's the most amazing thing. | 0:17:15 | 0:17:20 | |
But why did you frighten children? LAUGHTER | 0:17:20 | 0:17:24 | |
-It's just... Uh... -You were thinking it. | 0:17:24 | 0:17:28 | |
You were thinking, "Why are the children running away?" | 0:17:28 | 0:17:32 | |
-You mean other than, it's really fun? -It's his resting face. | 0:17:32 | 0:17:35 | |
It's my resting face I was born with. | 0:17:35 | 0:17:38 | |
And I built a career around it, so it's awesome. | 0:17:38 | 0:17:41 | |
-So, right now, you look kind of twinkly. -Well, because I'm smiling. | 0:17:41 | 0:17:44 | |
But when I'm just thinking about, "Hey, that's a really amazing-looking suit." | 0:17:44 | 0:17:48 | |
LAUGHTER | 0:17:48 | 0:17:51 | |
It looks like I might want to hurt you. Right? | 0:17:51 | 0:17:54 | |
But I'm thinking, "Oh, my God, that's a beautiful suit." | 0:17:54 | 0:17:56 | |
But if I'm just thinking about it, it looks like I might want to choke you. | 0:17:56 | 0:18:01 | |
LAUGHTER Yes! yes, I see it! That is scary. | 0:18:01 | 0:18:05 | |
Yeah. | 0:18:05 | 0:18:07 | |
What's the thing about your daughter wanting to make you cry? | 0:18:10 | 0:18:13 | |
Oh, we were talking about what I do for a living and I was | 0:18:13 | 0:18:17 | |
explaining how I just make believe like she does when she plays. | 0:18:17 | 0:18:21 | |
And she was like, "Can you make yourself laugh?" And I said, "Yeah." | 0:18:21 | 0:18:24 | |
She goes, "Can you make yourself cry?" I said, "Yeah." And she goes, "Do it!" | 0:18:24 | 0:18:28 | |
-LAUGHTER -I said, "You've got to give me a story." So, we made up a story. | 0:18:28 | 0:18:31 | |
And I've done it before for people. About Sriracha? | 0:18:31 | 0:18:34 | |
-I don't want to go back into this, Graham, OK? -No, no! -No. OK. | 0:18:34 | 0:18:38 | |
-What is Sriracha? TEARFULLY: -The Sriracha plant is... They're shutting it down | 0:18:38 | 0:18:41 | |
because the fumes kind of go into the community. And, uh, yeah... | 0:18:41 | 0:18:45 | |
But I've done this. This is redundant now. | 0:18:45 | 0:18:47 | |
-SHE LAUGHS -It's really weird. Everyone's, like, really weirded out. | 0:18:47 | 0:18:51 | |
That was awesome. I didn't even know what you were talking about. | 0:18:51 | 0:18:54 | |
-They're like, "Now I don't trust her AT ALL." -That's amazing. | 0:18:54 | 0:18:57 | |
-It's almost kind of creepy. It's amazing. -Yeah, she made me, it is, right? | 0:18:57 | 0:19:00 | |
-You should be an actress! -I know. -Right? | 0:19:00 | 0:19:03 | |
-Mind you, Chris O'Dowd, you can make yourself cry as well. -Yeah, do it now! Cue! Now! Go! | 0:19:03 | 0:19:08 | |
-There's this Sriracha plant... -LAUGHTER AND APPLAUSE | 0:19:08 | 0:19:11 | |
APPLAUSE DROWNS SPEECH | 0:19:11 | 0:19:14 | |
No, I don't know. I guess, I don't know if I can make myself cry. | 0:19:17 | 0:19:20 | |
I do that thing where, definitely, if you are in the midst of | 0:19:20 | 0:19:24 | |
a scene, you can start, if you're really in it, it's kind of fine. | 0:19:24 | 0:19:28 | |
But then when you get to, and you guys know, | 0:19:28 | 0:19:31 | |
on to take kind of 15 or 16, then you've got to start playing some tricks. | 0:19:31 | 0:19:35 | |
To make your subconscious cry or something. | 0:19:35 | 0:19:38 | |
And you start thinking of sad things or, for me, it's like, | 0:19:38 | 0:19:44 | |
Battersea Dogs Home commercials... | 0:19:44 | 0:19:47 | |
Or, for some reason, I don't know why, because I'm a pacifist. | 0:19:47 | 0:19:52 | |
I keep watching these videos on YouTube of, like, | 0:19:52 | 0:19:56 | |
soldiers coming back from war and seeing their animals. | 0:19:56 | 0:20:01 | |
-Have you seen these? -Yes! -It's a killer. | 0:20:02 | 0:20:06 | |
So, when, sometimes when you're watching me on screen, | 0:20:06 | 0:20:11 | |
that's what I'm thinking! | 0:20:11 | 0:20:13 | |
LAUGHTER AND APPLAUSE | 0:20:15 | 0:20:18 | |
I love this guy. I just want to put him in my pocket. | 0:20:18 | 0:20:21 | |
I love this guy. | 0:20:21 | 0:20:22 | |
He wouldn't fit but I just want to put him in my pocket. | 0:20:22 | 0:20:25 | |
-He could be your fan hazmat suit. -In my hazmat! -Oh, yes! | 0:20:25 | 0:20:28 | |
-I also eat curry. -LAUGHTER | 0:20:28 | 0:20:31 | |
Now, Chris O'Dowd has a movie. It's called Mascots. | 0:20:31 | 0:20:34 | |
And it's on Netflix now and is the latest faux documentary by | 0:20:34 | 0:20:38 | |
Christopher Guest, who made Spinal Tap, Best In Show, and all those things. | 0:20:38 | 0:20:42 | |
So, before we talk about it, let's see a clip, | 0:20:42 | 0:20:45 | |
-because it kind of explains the mascot you play. -Super. | 0:20:45 | 0:20:48 | |
My name is Tommy, also known as The Fist. | 0:20:52 | 0:20:55 | |
I am the official mascot of the Blue Lake Mallards. | 0:20:56 | 0:20:59 | |
A lot of people say I'm the bad boy of sports mascotry | 0:20:59 | 0:21:01 | |
and, to be fair, I am currently | 0:21:01 | 0:21:03 | |
serving six temporary suspensions from different stadiums | 0:21:03 | 0:21:06 | |
for some physical incidents that took place | 0:21:06 | 0:21:09 | |
between myself and some opposing players and team mascots. | 0:21:09 | 0:21:12 | |
I'm also currently serving a lifetime ban from | 0:21:14 | 0:21:17 | |
the Calgary Cavaliers for a... | 0:21:17 | 0:21:20 | |
..sexual incident that took place between myself and their team owner's wife. | 0:21:21 | 0:21:25 | |
Get off! | 0:21:28 | 0:21:30 | |
Hey, stop it! Get off my wife! | 0:21:33 | 0:21:36 | |
APPLAUSE | 0:21:38 | 0:21:42 | |
It's funny. | 0:21:43 | 0:21:44 | |
Were you IN The Fist costume? | 0:21:47 | 0:21:49 | |
Whenever we see The Fist, is it always you? | 0:21:49 | 0:21:51 | |
Yeah, pretty much. Pretty much. I got kind of comfortable in there. | 0:21:51 | 0:21:55 | |
Erm, just being on my own. Just really thinking about stuff. | 0:21:55 | 0:21:59 | |
Erm, all of the... | 0:22:01 | 0:22:03 | |
Obviously, because he's an ice hockey mascot, | 0:22:03 | 0:22:05 | |
I have to do a lot of skating. | 0:22:05 | 0:22:08 | |
And so, I learned how to ice skate, even though I don't, like, | 0:22:08 | 0:22:12 | |
I'm never seen in the thing. | 0:22:12 | 0:22:14 | |
I just thought, you know, why not? Definitely me! | 0:22:14 | 0:22:19 | |
LAUGHTER | 0:22:19 | 0:22:21 | |
Definitely me and not some skater with a giant fist on it. | 0:22:21 | 0:22:24 | |
I did wonder. | 0:22:25 | 0:22:27 | |
I thought, "I'm sure we'd know if Chris O'Dowd could skate like that." | 0:22:27 | 0:22:30 | |
-I would tell people. -And it's all these different mascots, coming together. -Yeah. | 0:22:30 | 0:22:36 | |
-Is that competition real? -That's a great question. -LAUGHTER | 0:22:36 | 0:22:41 | |
There are definitely competitions like that. | 0:22:41 | 0:22:44 | |
Probably more regionalised than a giant kind of annual, erm...national event. | 0:22:44 | 0:22:49 | |
But it's, like you say, it's a big ensemble piece, | 0:22:49 | 0:22:52 | |
loads of people that Chris Guest normally work with are there, | 0:22:52 | 0:22:56 | |
like Jennifer Coolidge and Ed Begley and Jane Lynch and loads of great... | 0:22:56 | 0:23:00 | |
It's really funny, so, everybody's kind of playing different | 0:23:00 | 0:23:04 | |
-mascots or judges or whatever. -And lots of actors, | 0:23:04 | 0:23:07 | |
when they're starting out, DO do those kinds of jobs, kind of, | 0:23:07 | 0:23:10 | |
you know, dressed as a hot dog outside the restaurant and stuff. | 0:23:10 | 0:23:12 | |
Now, you did something a bit like that, didn't you? | 0:23:12 | 0:23:15 | |
There was a job I did where I used to do like pizza, like, what do you call it? | 0:23:15 | 0:23:19 | |
-Like in a supermarket, where you get out samples. -Oh, yes! -Ah... | 0:23:19 | 0:23:23 | |
When I was in college, there was a commercial on TV at the time for Domino's frozen pizza. | 0:23:23 | 0:23:29 | |
Where... Not Domino's. Goodfellas. | 0:23:29 | 0:23:32 | |
Frozen pizza, hey, go, Goodfellas, frozen pizza! | 0:23:32 | 0:23:37 | |
Where the commercial on TV was like two Italian-American guys | 0:23:37 | 0:23:40 | |
kind of going, "Hey, badabing, you want pepperoni? I got pepperoni!" | 0:23:40 | 0:23:44 | |
-And we would have to do that in the supermarket. -LAUGHTER | 0:23:44 | 0:23:48 | |
-But, like, around Ireland. -LAUGHTER | 0:23:48 | 0:23:52 | |
And we would be like, "Hey, you want some peppers and whatnot?" | 0:23:52 | 0:23:56 | |
And then, like, people would be walking by and going, "Chris?" | 0:23:56 | 0:24:00 | |
Hey, you want pizza?! | 0:24:00 | 0:24:04 | |
Awful. | 0:24:04 | 0:24:06 | |
But actors do do lots of things because Amy Adams, | 0:24:06 | 0:24:09 | |
you're one of those people that I think, | 0:24:09 | 0:24:10 | |
whatever job you're given, you take it VERY seriously. | 0:24:10 | 0:24:14 | |
-Now, how old were you when you were working in Gap? -Oh, I was...18? -OK. | 0:24:14 | 0:24:19 | |
-And you were the woman at the door. -Yes. The greeter. -The greeter. OK. | 0:24:19 | 0:24:23 | |
-I used to do that at Abercrombie and Fitch. -Did you? -LAUGHTER | 0:24:23 | 0:24:27 | |
-Shirtless? -Erm, yeah. -You were shirtless? Like, with all that cologne all over you? | 0:24:27 | 0:24:31 | |
I mean, this was like six, seven weeks ago now but, like... | 0:24:31 | 0:24:33 | |
It was good. I enjoyed it. I enjoyed it. I wasn't employed there. | 0:24:33 | 0:24:37 | |
-I just used to do it. -LAUGHTER | 0:24:37 | 0:24:41 | |
-Just take your shirt off and just stand there. -What's the problem? | 0:24:41 | 0:24:46 | |
You don't like bellies? | 0:24:46 | 0:24:48 | |
-That's amazing. -Sorry. -But you were the best greeter ever. | 0:24:50 | 0:24:53 | |
I mean, I did my job, I showed up. | 0:24:53 | 0:24:57 | |
-I believe in doing things 110%, so, yeah! Yeah. -That's a lot of percent. -It is. | 0:24:57 | 0:25:02 | |
LAUGHTER | 0:25:02 | 0:25:05 | |
You would tell them everything that was in the store, essentially? | 0:25:05 | 0:25:08 | |
Essentially, yeah. | 0:25:08 | 0:25:10 | |
You greet them and you tell them a lot and, I don't know, | 0:25:10 | 0:25:12 | |
I don't know why they kept me up there. | 0:25:12 | 0:25:14 | |
I probably chased more people away than kept them there. | 0:25:14 | 0:25:17 | |
But I would get so bored, I would think of new things to say. | 0:25:17 | 0:25:19 | |
You know, like, "Hey, check out our polo shirts. They have two buttons. | 0:25:19 | 0:25:22 | |
"And new colours, sandy taupe." And they're like running away. You know. | 0:25:22 | 0:25:25 | |
-And didn't you have a celebrity client once? -Whitney Houston. | 0:25:25 | 0:25:29 | |
-What?! -Yeah, scared her right into the dressing room. | 0:25:29 | 0:25:32 | |
And she asked for anybody but me. I did! Somebody dared me to do it. | 0:25:32 | 0:25:37 | |
And I was like, "Oh, OK." Because, you know, I'll take just about any dare I'm given... | 0:25:37 | 0:25:43 | |
Do you think she went to the till and she was like, "I have NOTHING. | 0:25:43 | 0:25:46 | |
-"Nothing! Nothing!" -APPLAUSE | 0:25:46 | 0:25:51 | |
All right, let's talk about Amy Adams's other film. Busy actress. | 0:25:55 | 0:26:00 | |
Nocturnal Animals. It's out on 4 November. | 0:26:00 | 0:26:05 | |
This is Tom Ford's second film, after The Single Man, | 0:26:05 | 0:26:08 | |
-which was a big success. -Yeah. -And it's a wonderful film. | 0:26:08 | 0:26:11 | |
It's you and Jake Gyllenhal and it's sort of, a story within a story. | 0:26:11 | 0:26:16 | |
It is. It tells the story of Susan, whom I play, | 0:26:16 | 0:26:20 | |
who's an LA art gallerist and she's sort of disenchanted - | 0:26:20 | 0:26:24 | |
there we go - little tie-in. | 0:26:24 | 0:26:28 | |
Disenchanted with her life and so, she receives | 0:26:28 | 0:26:31 | |
a manuscript from her ex-husband and she begins to read it. | 0:26:31 | 0:26:34 | |
And as she reads it, that story unfolds and we examine her past, | 0:26:34 | 0:26:37 | |
which sort of ties into it all. | 0:26:37 | 0:26:39 | |
And it's much grittier than you would expect a Tom Ford movie to be. | 0:26:39 | 0:26:43 | |
Yeah, it's very gritty. | 0:26:43 | 0:26:45 | |
It's very dark and he spends a lot of time in the desert with... | 0:26:45 | 0:26:48 | |
Although, I heard that he had like a desert outfit, you know, | 0:26:48 | 0:26:51 | |
like, so, everybody else looks like hell and he's wearing cowboy boots | 0:26:51 | 0:26:55 | |
and turquoise jewellery. I know he smells good. | 0:26:55 | 0:26:59 | |
But he's a fabulous director to work with. | 0:26:59 | 0:27:02 | |
But, yeah, it definitely has a lot of darkness to it. | 0:27:02 | 0:27:04 | |
Because you have an odd role, in a way, | 0:27:04 | 0:27:07 | |
because you are reading the novel we are watching. | 0:27:07 | 0:27:09 | |
Yeah, I spend a lot of time reading and the camera spends | 0:27:09 | 0:27:13 | |
a lot of time watching me read. | 0:27:13 | 0:27:15 | |
Which sounds like it might be boring. It's not. | 0:27:15 | 0:27:17 | |
-It really isn't, it really isn't. -It's not like my Sriracha bit. | 0:27:17 | 0:27:21 | |
So... But it was a lot of fun. | 0:27:21 | 0:27:24 | |
And I worked with Jake Gyllenhal and a wonderful cast... | 0:27:24 | 0:27:27 | |
Most of the time was spent alone, just a couple of other scenes with other people. | 0:27:27 | 0:27:30 | |
And it's already done very well. It's picked up some awards already. | 0:27:30 | 0:27:33 | |
-It did, yeah! -It picked up the audience award in Venice. | 0:27:33 | 0:27:36 | |
-So, that was thrilling. -APPLAUSE | 0:27:36 | 0:27:40 | |
-Thank you. -All right, let's watch a clip from the Nocturnal Animals. | 0:27:40 | 0:27:45 | |
This is you in a flashback, bumping into your old friend, Jake Gyllenhal. | 0:27:45 | 0:27:50 | |
-Hi! -Susan! Hi! -How are you? -God, good to see someone I know. | 0:27:51 | 0:27:56 | |
-Good to see you. -You look beautiful. As always. | 0:27:56 | 0:28:01 | |
-What are you doing in New York City? -Erm, I'm... | 0:28:01 | 0:28:05 | |
-Here for an interview for a scholarship at Columbia. -Columbia? | 0:28:05 | 0:28:09 | |
I thought you were at the University of Texas, becoming a great writer. | 0:28:09 | 0:28:13 | |
A great writer? I mean, I don't think... Well, I am. | 0:28:13 | 0:28:17 | |
But aren't you at Yale becoming a great artist? | 0:28:17 | 0:28:21 | |
-I graduated Yale but I'm at Columbia getting my Masters degree. -Oh, wow! | 0:28:21 | 0:28:25 | |
-Yeah, art history. -That's great! | 0:28:25 | 0:28:28 | |
-Listen, do you know anybody else in New York? -Erm, just you. -Just me. | 0:28:28 | 0:28:33 | |
OK. Well, would you like to go to dinner? | 0:28:33 | 0:28:36 | |
-Absolutely. -OK. OK, great. Just let me... | 0:28:36 | 0:28:41 | |
Just let me drop off my packages at my apartment. | 0:28:42 | 0:28:44 | |
-Do you want me to grab them for you? -Yeah, great! Thank you. | 0:28:44 | 0:28:47 | |
-Oh, I miss Texas men. -You don't have blisters like this in Texas. | 0:28:47 | 0:28:50 | |
APPLAUSE | 0:28:50 | 0:28:53 | |
Thank you. | 0:28:53 | 0:28:54 | |
Right. It is time to meet our musical guest tonight. | 0:28:56 | 0:29:00 | |
He is a member of the biggest boyband in the world and now | 0:29:00 | 0:29:03 | |
he's broken records with the release of his first solo single, | 0:29:03 | 0:29:07 | |
This Town. Please welcome Niall Horan! | 0:29:07 | 0:29:11 | |
CHEERING AND APPLAUSE | 0:29:11 | 0:29:14 | |
There he is! Ah! Hello, sir, how you doing? Meet everybody. | 0:29:14 | 0:29:18 | |
Amy... | 0:29:18 | 0:29:20 | |
Sit-ee down. Sit-ee down. | 0:29:24 | 0:29:27 | |
Oh, look at that. Lovely, nice! | 0:29:27 | 0:29:30 | |
Now, here's the thing. I would introduce you. | 0:29:30 | 0:29:32 | |
-But I think, you've certainly, you've met Amy before. -Yes! | 0:29:32 | 0:29:35 | |
Myself and Amy did... Well, she did it and we were there, SNL. | 0:29:35 | 0:29:39 | |
-Saturday Night Live in New York. -Oh, yes! -She was the host of it. | 0:29:39 | 0:29:41 | |
-We were there. There we are. -You were very sweet. | 0:29:41 | 0:29:44 | |
You got to hold my feet, I don't know how fortunate that is. | 0:29:44 | 0:29:47 | |
-But your band member on the other end, is it Zayn? -Mm. | 0:29:47 | 0:29:50 | |
Forgive me if I get it wrong. | 0:29:50 | 0:29:52 | |
He was quivering because my upper body apparently was too heavy for him. | 0:29:52 | 0:29:56 | |
-LAUGHTER Wow! -I highly doubt that. -He really was. | 0:29:56 | 0:30:00 | |
Because by the end, we took so many takes, you know, | 0:30:00 | 0:30:02 | |
I was a bit heavy for him, I think he's used to lighter girls. | 0:30:02 | 0:30:05 | |
LAUGHTER | 0:30:05 | 0:30:07 | |
Now, the last One Direction concert, that was about a year ago, | 0:30:07 | 0:30:11 | |
-wasn't it? -Yeah, around this time, yeah. -By my reckoning, that's kind of a year off. -Yeah. | 0:30:11 | 0:30:15 | |
So, that's a lot of Judge Rinder... | 0:30:15 | 0:30:17 | |
-So, like, what are you doing? -Definitely not watching Judge Rinder anyway. | 0:30:17 | 0:30:22 | |
-LAUGHTER -At the start of the year, the plan was to go backpacking. -Lovely. | 0:30:22 | 0:30:28 | |
So, I did it. So, me and two of my cousins. | 0:30:28 | 0:30:31 | |
And we met, one of my cousins was living in Melbourne, Australia. | 0:30:31 | 0:30:34 | |
And he was actually moving back home. So, we just said, "Right, we'll meet in Australia | 0:30:34 | 0:30:38 | |
"and then we'll work our way back across." | 0:30:38 | 0:30:40 | |
So we went up through, we went to Bali first, | 0:30:40 | 0:30:43 | |
pissed rain for four days. No good. | 0:30:43 | 0:30:46 | |
We nearly got my wallet robbed by a monkey. So, that wasn't great. | 0:30:46 | 0:30:50 | |
Then we went up to the Philippines | 0:30:50 | 0:30:52 | |
to a couple of islands in the Philippines. | 0:30:52 | 0:30:54 | |
-We went across to Vietnam, Cambodia and they had all the temples and stuff. -It sounds amazing. | 0:30:54 | 0:30:59 | |
Is this the trip where you had a very strict budget? | 0:30:59 | 0:31:02 | |
Yeah, well, yeah, we just wanted to do it properly because, like, | 0:31:02 | 0:31:06 | |
all my friends got to do it but I was travelling the world in | 0:31:06 | 0:31:09 | |
-a different way. -Yeah. | 0:31:09 | 0:31:11 | |
So, I just thought, it's only fair I get to do it. | 0:31:11 | 0:31:13 | |
-So, you were staying in youth hostels and things? -Yeah. | 0:31:13 | 0:31:16 | |
-Now, were your cousins not pissed off? -Well, not really hostels. | 0:31:16 | 0:31:19 | |
Your cousins must be thinking, "He's a multimillionaire! | 0:31:19 | 0:31:23 | |
"And I'm sleeping in a bunk." LAUGHTER | 0:31:23 | 0:31:27 | |
Yeah, they probably were but they would never say it to me! | 0:31:27 | 0:31:31 | |
No...we just, it wasn't really hostels. | 0:31:31 | 0:31:33 | |
We went to the hostels when we were going drinking because they | 0:31:33 | 0:31:36 | |
are always good craic. But you'd be surprised what 20 quid gets you. | 0:31:36 | 0:31:40 | |
I don't want to know. LAUGHTER | 0:31:40 | 0:31:45 | |
Mind you, it's good you went travelling when you did! | 0:31:45 | 0:31:49 | |
-CHRIS: -That's pretty cool, though. I mean, like, fair play. | 0:31:49 | 0:31:52 | |
Like, putting a budget on yourself when you're a thing. | 0:31:52 | 0:31:55 | |
-That's pretty... -LAUGHTER | 0:31:55 | 0:31:58 | |
Did you not break it sometimes? Did you not think... | 0:31:58 | 0:32:02 | |
Oh, yeah, after about a month. We got to Hanoi in Vietnam. | 0:32:02 | 0:32:06 | |
And you bought the city. LAUGHTER | 0:32:06 | 0:32:11 | |
"I own Hanoi now." LAUGHTER | 0:32:11 | 0:32:16 | |
-"I cracked. I just love the place. I just loved it." -Yeah. | 0:32:16 | 0:32:22 | |
We were just like, we'll just get a hotel. A nice one this time. | 0:32:22 | 0:32:26 | |
OK, so you own a hotel in Hanoi. OK. LAUGHTER | 0:32:26 | 0:32:29 | |
-A couple. -It's like Monopoly. The Hanoi board. | 0:32:29 | 0:32:35 | |
And because, obviously, when it ends, when you go on the break, | 0:32:35 | 0:32:39 | |
it must be lovely. You must just go, "Oh, thank God for that." | 0:32:39 | 0:32:42 | |
But have you started to miss the others yet? | 0:32:42 | 0:32:44 | |
Is it kind of weird now being back in music without them? | 0:32:44 | 0:32:47 | |
Yeah, of course. You know, I suppose, until recently, | 0:32:47 | 0:32:52 | |
I haven't kind of noticed as much, in the sense of, I've just been in the studio. | 0:32:52 | 0:32:57 | |
And we always kind of, when we were writing, we'd always, like, | 0:32:57 | 0:33:00 | |
go off into different groups and kind of do our own writing | 0:33:00 | 0:33:03 | |
and then bring it all back to when everyone was recording. | 0:33:03 | 0:33:07 | |
But recently, I've kind of noticed that, you know, like, OK, this is it now. | 0:33:07 | 0:33:11 | |
I have this song. I'm writing an album for me. | 0:33:11 | 0:33:14 | |
And I'm probably going to tour it on my own. So, yeah, | 0:33:14 | 0:33:18 | |
this is my first performance. This one here. So, looking forward to it. | 0:33:18 | 0:33:22 | |
-Good on ya, buddy! -CHEERING AND APPLAUSE | 0:33:22 | 0:33:26 | |
Yeah! We're looking forward to it. | 0:33:26 | 0:33:30 | |
LAUGHTER | 0:33:30 | 0:33:32 | |
Do you get back to Ireland much? | 0:33:32 | 0:33:34 | |
Do you cause a huge sensation when you go back? Is it Mullingar? | 0:33:34 | 0:33:37 | |
Mullingar, yeah. I go home, like, a couple of times a year. | 0:33:37 | 0:33:40 | |
It gets, my dad still lives in the same spot. | 0:33:40 | 0:33:44 | |
So, it gets kind of hectic around the house. | 0:33:44 | 0:33:45 | |
-Do girls live in holes in the garden and things? -Yeah. I remember... Yeah! Under the wall! | 0:33:45 | 0:33:50 | |
I remember Robbie Williams once said something to me. | 0:33:50 | 0:33:53 | |
He was like, "My mum closed the curtains in '92 and never opened them again." | 0:33:53 | 0:33:57 | |
LAUGHTER | 0:33:57 | 0:34:00 | |
I get it. | 0:34:00 | 0:34:02 | |
So, yeah, but, yeah, it's good, like, | 0:34:02 | 0:34:05 | |
I get to go home and go out and see the lads and stuff like that, | 0:34:05 | 0:34:08 | |
see the family and it's, yeah, I like that side of it. | 0:34:08 | 0:34:11 | |
But, yeah, I miss Ireland. | 0:34:11 | 0:34:12 | |
Obviously, I would like to go there a lot more. | 0:34:12 | 0:34:14 | |
And do people kind of, do they look out for you, kind of going, | 0:34:14 | 0:34:17 | |
"Ooh, he's changed." Is it all that? | 0:34:17 | 0:34:19 | |
-Do you have to be incredibly careful when you go home? -Sometimes, you'll be there, | 0:34:19 | 0:34:23 | |
kind of like the backpacking thing, you'll be buying, like a pint, for two or three of the lads. | 0:34:23 | 0:34:27 | |
And then the barman will be going, "Oh, someone's doing all right. He's doing good." | 0:34:27 | 0:34:31 | |
It's like, it's only a few pints, I don't know if it makes any difference. | 0:34:31 | 0:34:35 | |
But, yeah, like, sometimes if I'm walking home, right, I'll walk home, | 0:34:35 | 0:34:40 | |
if I go home around Christmas and there's no taxis then I'll start walking home. | 0:34:40 | 0:34:45 | |
And the police will drive past me and pick me up and bring me home! | 0:34:45 | 0:34:48 | |
LAUGHTER | 0:34:48 | 0:34:51 | |
-I remember when they used to do that for a different reason. -LAUGHTER | 0:34:51 | 0:34:54 | |
Yeah, they do that, which is quite funny. | 0:34:54 | 0:34:57 | |
Because they catch you out when you go home, don't they, Chris? | 0:34:57 | 0:35:00 | |
Well, there is, like Niall said, there's this old thing where people want to catch you out a little bit. | 0:35:00 | 0:35:04 | |
Like, you'll go, even for breakfast somewhere, for lunch, | 0:35:04 | 0:35:09 | |
and I remember I was actually home this weekend and I was, | 0:35:09 | 0:35:14 | |
we went out for, you know, some eggs and stuff somewhere. | 0:35:14 | 0:35:18 | |
LAUGHTER | 0:35:18 | 0:35:21 | |
And I was like, "Oh, yeah, you know, and I'll have some orange juice." | 0:35:21 | 0:35:26 | |
-And they're like "Oo-oo-ooh!" -LAUGHTER | 0:35:26 | 0:35:29 | |
"Oh, Mr LA with his orange juice!" | 0:35:29 | 0:35:33 | |
And regardless of what, like, it doesn't need to be anything fancy. | 0:35:35 | 0:35:38 | |
I'll have, like, you know, an Americano, where it's all, "Oo-oo-ooh!" | 0:35:38 | 0:35:44 | |
Like, before I left, I used to just bathe in my own shit. | 0:35:44 | 0:35:48 | |
LAUGHTER | 0:35:48 | 0:35:51 | |
There is this kind of overcompensation. | 0:35:51 | 0:35:54 | |
There is a little bit of that. | 0:35:54 | 0:35:57 | |
But it's inundated with kind of the other side of it. | 0:35:57 | 0:36:03 | |
-Which is really kind of lovely. -Yeah, I know you're saying. | 0:36:03 | 0:36:06 | |
Amy Adams, I think because of the red hair, people assume you must be, | 0:36:06 | 0:36:09 | |
you must have some Irish... | 0:36:09 | 0:36:12 | |
Yeah, I think I've got some Irish blood in me, yeah. | 0:36:12 | 0:36:15 | |
-I can vouch for that. -LAUGHTER | 0:36:15 | 0:36:19 | |
-Wow, it was going so well. -Do you know what's weird about it? | 0:36:19 | 0:36:25 | |
It's not even like I have Irish in me. It sounds like I gave her like a blood transfusion. | 0:36:25 | 0:36:30 | |
-And I actually am a blood donor. So... -You never know. | 0:36:31 | 0:36:35 | |
-But we found a picture of you and rarely has a women looked more Irish... -Oh, no. | 0:36:35 | 0:36:39 | |
..than Amy... Look at that. | 0:36:39 | 0:36:41 | |
It's such a flattering picture. | 0:36:41 | 0:36:44 | |
CHEERING AND APPLAUSE | 0:36:44 | 0:36:47 | |
-There you go. -Is that in your caravan? -That's my three sisters. | 0:36:47 | 0:36:52 | |
-That's my three sisters right there. -There it is, folks. | 0:36:52 | 0:36:55 | |
-Yeah, that's such a flattering picture. -It's not there. | 0:36:55 | 0:37:00 | |
Stop looking at it and it will go away. | 0:37:00 | 0:37:03 | |
Now, Niall, talking about, so, the new single, This Town. This is you. | 0:37:03 | 0:37:07 | |
-It's a song. Is it about Mullingar? -Sort of, yeah. | 0:37:07 | 0:37:11 | |
It's kind of got a double meaning. | 0:37:11 | 0:37:13 | |
It's not really about anyone in particular. | 0:37:13 | 0:37:17 | |
I just kind of, when I'm writing songs, I write the concept and | 0:37:17 | 0:37:20 | |
then just kind of write a scenario and then write the song around it. | 0:37:20 | 0:37:23 | |
But I guess, with the town part of it, | 0:37:23 | 0:37:26 | |
I guess it's kind of a little bit like everything. | 0:37:26 | 0:37:29 | |
You know, there's a line in the song, "Everything comes back to you". | 0:37:29 | 0:37:32 | |
And, I still go home all the time. | 0:37:32 | 0:37:34 | |
And no matter how far you've travelled, you still get to go home and be yourself. | 0:37:34 | 0:37:39 | |
-And then it's obviously got that female aspect to it. -Yes. | 0:37:39 | 0:37:42 | |
Now, every girl in Mullingar must be thinking, "He's talking about ME!" | 0:37:42 | 0:37:45 | |
I had loads of texts, saying, like, from people, like, | 0:37:45 | 0:37:49 | |
from school, saying, "Everyone wants to know who it's about." | 0:37:49 | 0:37:53 | |
It's not about anyone. | 0:37:53 | 0:37:54 | |
-So, we've cleared it up on national television. -LAUGHTER | 0:37:54 | 0:37:58 | |
Well, your first performance awaits. The guitar's over there. If you want to go over and get ready. | 0:37:58 | 0:38:02 | |
Niall Horan, everybody! CHEERING AND APPLAUSE | 0:38:02 | 0:38:07 | |
All right, here, with his first ever TV performance of This Town, it is Mr Niall Horan! | 0:38:11 | 0:38:18 | |
CHEERING AND APPLAUSE | 0:38:18 | 0:38:21 | |
# Waking up to kiss you and nobody's there | 0:38:25 | 0:38:29 | |
# The smell of your perfume still stuck in the air | 0:38:29 | 0:38:33 | |
# It's hard | 0:38:33 | 0:38:35 | |
# Yesterday I thought I saw your shadow running round | 0:38:37 | 0:38:41 | |
# It's funny how things never change in this old town | 0:38:41 | 0:38:45 | |
# So far from the stars | 0:38:45 | 0:38:51 | |
# And I want to tell you everything | 0:38:53 | 0:38:57 | |
# The words I never got to say the first time around | 0:38:57 | 0:39:02 | |
# And I remember everything | 0:39:02 | 0:39:05 | |
# From when we were the children playing in this fairground | 0:39:05 | 0:39:09 | |
# Wish I was there with you now | 0:39:09 | 0:39:14 | |
# If the whole world was watching I'd still dance with you | 0:39:14 | 0:39:19 | |
# Drive highways and byways to be there with you | 0:39:19 | 0:39:23 | |
# Over and over the only truth | 0:39:23 | 0:39:26 | |
# Everything comes back to you | 0:39:26 | 0:39:30 | |
# Mm, mm, mm | 0:39:33 | 0:39:35 | |
# I saw that you moved on with someone new | 0:39:38 | 0:39:42 | |
# In the pub that we met he's got his arms around you | 0:39:42 | 0:39:45 | |
# It's so hard | 0:39:45 | 0:39:49 | |
# So hard | 0:39:50 | 0:39:53 | |
# And I want to tell you everything | 0:39:55 | 0:39:58 | |
# The words I never got to say the first time around | 0:39:58 | 0:40:01 | |
# And I remember everything | 0:40:03 | 0:40:05 | |
# From when we were the children playing in this fairground | 0:40:05 | 0:40:10 | |
# Wish I was there with you now | 0:40:10 | 0:40:12 | |
# Cos if the whole world was watching I'd still dance with you | 0:40:15 | 0:40:19 | |
# Drive highways and byways to be there with you | 0:40:19 | 0:40:23 | |
# Over and over the only truth | 0:40:23 | 0:40:27 | |
# Everything comes back to you | 0:40:27 | 0:40:31 | |
# You still make me nervous when you walk in the room | 0:40:32 | 0:40:36 | |
# Them butterflies they come alive when I'm next to you | 0:40:37 | 0:40:41 | |
# Over and over the only truth | 0:40:41 | 0:40:44 | |
# Everything comes back to you | 0:40:44 | 0:40:48 | |
# Mm, mm, mm | 0:40:50 | 0:40:54 | |
# And I know that it's wrong That I can't move on | 0:40:56 | 0:41:01 | |
# But there's something about you | 0:41:01 | 0:41:05 | |
# If the whole world was watching I'd still dance with you | 0:41:05 | 0:41:10 | |
# Drive highways and byways to be there with you | 0:41:10 | 0:41:14 | |
# Over and over the only truth | 0:41:14 | 0:41:18 | |
# Everything comes back to you | 0:41:18 | 0:41:22 | |
# You still make me nervous when you walk in the room | 0:41:24 | 0:41:27 | |
# Them butterflies they come alive when I'm next to you | 0:41:27 | 0:41:31 | |
# Over and over the only truth | 0:41:31 | 0:41:35 | |
# Everything comes back to you | 0:41:35 | 0:41:39 | |
# Mm, mm, mm | 0:41:41 | 0:41:44 | |
# Everything comes back to you | 0:41:46 | 0:41:50 | |
# Mm, mm, mm. # | 0:41:50 | 0:41:53 | |
CHEERING AND APPLAUSE | 0:41:56 | 0:41:59 | |
Oh! Niall Horan everybody! | 0:41:59 | 0:42:03 | |
Great job! Well done! | 0:42:03 | 0:42:06 | |
There you go! | 0:42:06 | 0:42:08 | |
You did it! You did it! Very good, congratulations. | 0:42:08 | 0:42:11 | |
Come and sit down with the others. There you go. How lovely was that? | 0:42:11 | 0:42:16 | |
Really, really lovely. Gorgeous. | 0:42:18 | 0:42:22 | |
That was fantastic. So that single is out now, album? | 0:42:22 | 0:42:27 | |
Yeah, kind of. That was like the first song that was completely finished and | 0:42:27 | 0:42:30 | |
I felt was good enough to let people know I was doing something. | 0:42:30 | 0:42:34 | |
But I'm kind of now just about to start the recording process, | 0:42:34 | 0:42:37 | |
and recording all the instruments and all that kind of stuff, | 0:42:37 | 0:42:41 | |
all the songs are written, I just need to get them all recorded. | 0:42:41 | 0:42:44 | |
My God, you're pretty in person! | 0:42:44 | 0:42:48 | |
-Same as you. -Good for you. | 0:42:48 | 0:42:52 | |
-Good for you! -Thank you! | 0:42:52 | 0:42:56 | |
Niall Horan, I have a vision of all those girls, the One Direction | 0:42:56 | 0:42:59 | |
fans sitting at home like Miss Havisham, in One Direction T-shirts | 0:42:59 | 0:43:02 | |
waiting and waiting, will you ever tell them to give up? | 0:43:02 | 0:43:06 | |
Like, what's happening? Will they wait for the rest of their lives? | 0:43:06 | 0:43:10 | |
Will they wait as long as Bros for you to come back? | 0:43:10 | 0:43:14 | |
As long as Bros! Like, for now, | 0:43:14 | 0:43:15 | |
in the moment we are kind of doing our own thing, I am doing this, | 0:43:15 | 0:43:19 | |
Harry did a movie, we are all kind of doing our own bits and pieces. | 0:43:19 | 0:43:23 | |
And then, can't really put a date on it, but, you know, it's not going to be 50 years away! | 0:43:23 | 0:43:29 | |
-Like, it's in the foreseeable. -How many years? -I don't know, in fairness! | 0:43:29 | 0:43:33 | |
We don't know. And when I do, I'll text you! | 0:43:33 | 0:43:35 | |
Anyway, thank you so much for doing that, it was beautiful. | 0:43:35 | 0:43:38 | |
Niall Horan, everybody! CHEERING AND APPLAUSE | 0:43:38 | 0:43:41 | |
OK. Nearly it - but before we go, by popular demand, it is back, | 0:43:41 | 0:43:45 | |
let's have a story from the big red chair. CHEERING | 0:43:45 | 0:43:48 | |
-Hello. -Hello, Graham. | 0:43:48 | 0:43:50 | |
-What's your name? -Justin. -Justin! And where are you from? | 0:43:50 | 0:43:55 | |
I'm originally from Aussie, Australia but now live in Clapham. | 0:43:55 | 0:43:59 | |
OK... | 0:43:59 | 0:44:01 | |
Ah! You are the ONLY Aussie in Clapham! | 0:44:01 | 0:44:04 | |
LAUGHTER DROWNS SPEECH | 0:44:04 | 0:44:08 | |
And what do you do? | 0:44:08 | 0:44:10 | |
I design bicycle parking and changing facilities for office buildings. | 0:44:10 | 0:44:14 | |
A bit random. | 0:44:14 | 0:44:16 | |
I am so tempted. LAUGHTER DROWNS SPEECH | 0:44:18 | 0:44:21 | |
-No, that's a good one. -That's useful! | 0:44:21 | 0:44:24 | |
Imagine you were sitting at a dinner party and he told you that, | 0:44:24 | 0:44:27 | |
your heart would sink. You'd just think, "Jesus..." | 0:44:27 | 0:44:30 | |
-He said it's a good one. -Off you go with your story, Justin. | 0:44:30 | 0:44:32 | |
All right. So, the other day, a couple of weeks ago I had a hangover, | 0:44:32 | 0:44:37 | |
a big hangover and decided to dust it off with | 0:44:37 | 0:44:40 | |
-a run through the local Commons of Clapham. -Oh, yes? | 0:44:40 | 0:44:43 | |
I got halfway through and I had uncontrollable stomach cramps | 0:44:43 | 0:44:47 | |
and without a toilet in sight, I thought, there's | 0:44:47 | 0:44:51 | |
a bit of density over there, I'm going to head in there and do my business. | 0:44:51 | 0:44:54 | |
So, anyway, I'm there and I'm just finishing up and the next | 0:44:54 | 0:44:58 | |
thing I see this movement to my right and there is | 0:44:58 | 0:45:00 | |
a lady walking along with her two dogs, and they're off the leash. | 0:45:00 | 0:45:04 | |
One of them starts, I pull up my pants and next thing this pit bull starts coming towards me. | 0:45:04 | 0:45:09 | |
No, I can't listen to the end of this story! | 0:45:09 | 0:45:12 | |
How did it go that long?! | 0:45:12 | 0:45:14 | |
As soon as he starts pooping in the woods, the dog... | 0:45:14 | 0:45:17 | |
As a dog owner I know what happened next! | 0:45:17 | 0:45:20 | |
LAUGHTER | 0:45:20 | 0:45:23 | |
I lost track a little bit and then I kind of tuned back in | 0:45:23 | 0:45:26 | |
and I was like, "Oh, he's shitting in a park." | 0:45:26 | 0:45:29 | |
They come over here, they shit in our parks! | 0:45:33 | 0:45:36 | |
LAUGHTER AND APPLAUSE | 0:45:36 | 0:45:39 | |
He didn't have any toilet paper, that's all I kept thinking, | 0:45:39 | 0:45:42 | |
was where's...I'm sure he didn't bring toilet paper to the park! | 0:45:42 | 0:45:47 | |
-No! -I don't think that's the biggest problem. | 0:45:47 | 0:45:50 | |
Am I ever going to get that three minutes back of my life? | 0:45:50 | 0:45:53 | |
I think the pit bull probably solved that problem! | 0:45:53 | 0:45:56 | |
GROANING DROWNS SPEECH | 0:45:56 | 0:45:59 | |
Shall we try one more? CHEERING | 0:45:59 | 0:46:01 | |
OK, Here we go, this is the one, this is the charm. | 0:46:01 | 0:46:04 | |
Hello, they love you! | 0:46:04 | 0:46:08 | |
-What's your name? -My name's Sean. -Sean! Lovely. Where are you from? | 0:46:08 | 0:46:11 | |
-I am from Donegal. -He's from Donegal! | 0:46:11 | 0:46:14 | |
Marvellous. Do you live here or there? | 0:46:14 | 0:46:16 | |
-I live in London now. -What do you do, Sean? | 0:46:16 | 0:46:19 | |
-I work in sales. So... -Yeah, yeah, I know. Pays the bills. | 0:46:19 | 0:46:23 | |
OK, off you go with your story, Sean. | 0:46:23 | 0:46:25 | |
A few years ago I was at a wedding, | 0:46:25 | 0:46:28 | |
and the ceremony happened and it was lovely and we went to the reception. | 0:46:28 | 0:46:32 | |
And at the reception, everyone started doing speeches and then the groom stood up | 0:46:32 | 0:46:36 | |
and said to everyone, "We're going to play a game". | 0:46:36 | 0:46:39 | |
So, he asked everyone to stand up, so everyone stood up and was kind of giggling | 0:46:39 | 0:46:42 | |
and he asked everyone to flip over their plate | 0:46:42 | 0:46:44 | |
and if there was a red dot at the bottom of their plate, | 0:46:44 | 0:46:47 | |
please stay standing. So, everyone did it and it kind of filtered out | 0:46:47 | 0:46:51 | |
and there were eight guys left standing. | 0:46:51 | 0:46:53 | |
He said, "Ladies and gentlemen, can you all please look at the eight gentlemen left standing. | 0:46:53 | 0:46:56 | |
"They have slept with my wife since we've been engaged. | 0:46:56 | 0:46:59 | |
"I am now going for an annulment." | 0:46:59 | 0:47:00 | |
And he walked straight out of the room. | 0:47:00 | 0:47:03 | |
Good one! APPLAUSE | 0:47:03 | 0:47:05 | |
Love that story! Well done, Sean! You walk! | 0:47:05 | 0:47:09 | |
OK, if you'd like to join us on the show | 0:47:11 | 0:47:13 | |
and have a go on that red chair, | 0:47:13 | 0:47:15 | |
contact us via the website, at this very address. | 0:47:15 | 0:47:18 | |
That is it for tonight, please say a big thank you to my guests, | 0:47:18 | 0:47:21 | |
Niall Horan! | 0:47:21 | 0:47:24 | |
Chris O'Dowd! | 0:47:24 | 0:47:27 | |
Jeremy Renner! And Amy Adams! | 0:47:27 | 0:47:31 | |
Join me next week, with music from the mighty Kings Of Leon, | 0:47:33 | 0:47:36 | |
the hilarious Catherine Tate, the brilliant Jude Law, | 0:47:36 | 0:47:39 | |
the beautiful Cobie Smulders and the Hollywood legend that is | 0:47:39 | 0:47:43 | |
Mr Tom Cruise. I'll see you then. Good night, everybody, bye-bye! | 0:47:43 | 0:47:47 | |
CHEERING AND APPLAUSE | 0:47:48 | 0:47:52 |