Browse content similar to Episode 8. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, I'm Tom Hanks and this is The Graham Norton Show! | 0:00:02 | 0:00:04 | |
CHEERING AND APPLAUSE | 0:00:04 | 0:00:05 | |
CHEERING AND APPLAUSE CONTINUES | 0:00:18 | 0:00:20 | |
Whoa! | 0:00:23 | 0:00:24 | |
Oh! Oh! | 0:00:24 | 0:00:26 | |
CHEERING AND APPLAUSE | 0:00:26 | 0:00:28 | |
Oh! Oh! | 0:00:28 | 0:00:30 | |
Ahh! Oh! | 0:00:31 | 0:00:33 | |
Oh! Oh! | 0:00:33 | 0:00:35 | |
CHEERING AND APPLAUSE CONTINUES Oh! Oh! | 0:00:35 | 0:00:37 | |
Hello! | 0:00:37 | 0:00:39 | |
Good evening. Oh, I'm going deaf, so loud. | 0:00:40 | 0:00:43 | |
Oh, too much! Calm down. | 0:00:43 | 0:00:47 | |
You're very welcome. | 0:00:47 | 0:00:48 | |
Yes, making a really big splash on our sofa tonight, | 0:00:48 | 0:00:51 | |
but in a good way, Tom Hanks is here, everybody. | 0:00:51 | 0:00:53 | |
CHEERING AND APPLAUSE | 0:00:53 | 0:00:55 | |
Good, right? | 0:00:56 | 0:00:58 | |
Now, Tom has starred in so many great films, like Castaway, | 0:00:58 | 0:01:01 | |
where he was forced to sit and talk | 0:01:01 | 0:01:03 | |
to an orange volleyball with a face drawn on it. | 0:01:03 | 0:01:06 | |
Although, to be fair, he's not the only person that's had to do that. | 0:01:06 | 0:01:10 | |
LAUGHTER | 0:01:10 | 0:01:13 | |
That must have been... | 0:01:13 | 0:01:16 | |
APPLAUSE | 0:01:16 | 0:01:18 | |
That was, ooh, totes awks! | 0:01:19 | 0:01:22 | |
Now, later in the show gold-medal winning athlete | 0:01:22 | 0:01:26 | |
Mo Farah will be joining us. | 0:01:26 | 0:01:28 | |
CHEERING AND APPLAUSE | 0:01:28 | 0:01:30 | |
Yes! | 0:01:30 | 0:01:32 | |
A sportsperson, ladies and gentlemen. | 0:01:32 | 0:01:35 | |
Nice earrings. | 0:01:36 | 0:01:38 | |
LAUGHTER | 0:01:38 | 0:01:39 | |
Fully accessorised. | 0:01:39 | 0:01:41 | |
Yes, Mo Farah - double, double Olympic record holder | 0:01:41 | 0:01:45 | |
and international Quorn star. | 0:01:45 | 0:01:47 | |
LAUGHTER | 0:01:47 | 0:01:48 | |
That's what his CV says. | 0:01:49 | 0:01:51 | |
Now, there are a lot of tactics involved in running the 5,000 | 0:01:51 | 0:01:55 | |
and 10,000 metres. | 0:01:55 | 0:01:56 | |
You have to do a sprint finish when they ring that gold bell | 0:01:56 | 0:02:00 | |
near the end, yeah? Yeah? | 0:02:00 | 0:02:01 | |
Although, interestingly, if you Google the words "gold", | 0:02:01 | 0:02:05 | |
"bell" and "end", you get this... | 0:02:05 | 0:02:07 | |
LAUGHTER | 0:02:07 | 0:02:09 | |
APPLAUSE Yes, you do. | 0:02:09 | 0:02:11 | |
Now, Mo will be joining us later | 0:02:12 | 0:02:14 | |
and we have music from pop sensation Olly Murs, ladies and gentlemen! | 0:02:14 | 0:02:17 | |
CHEERING AND APPLAUSE Yes. | 0:02:17 | 0:02:19 | |
He'll give us a number from his new album. | 0:02:19 | 0:02:22 | |
But let's get some guests on! | 0:02:22 | 0:02:23 | |
CHEERING | 0:02:23 | 0:02:25 | |
From hit sitcom Third Rock from the Sun to Hollywood blockbusters | 0:02:25 | 0:02:28 | |
like Inception, Looper and The Dark Knight Rises, | 0:02:28 | 0:02:31 | |
this actor is so hot right now it, it's Joseph Gordon-Levitt. | 0:02:31 | 0:02:34 | |
APPLAUSE AND CHEERING | 0:02:34 | 0:02:35 | |
Oh, oh! Did you do that on purpose? | 0:02:35 | 0:02:38 | |
Best entrance ever. | 0:02:42 | 0:02:44 | |
That's excellent. That is fine. | 0:02:44 | 0:02:47 | |
Yeah! | 0:02:49 | 0:02:50 | |
Yeah, beat that, Tom Hanks! | 0:02:50 | 0:02:54 | |
She was... | 0:02:54 | 0:02:56 | |
She was Made in Dagenham, and she Clashed with the Titans. | 0:02:56 | 0:02:59 | |
Now she's playing the great Joan of Arc on the West End stage. | 0:02:59 | 0:03:01 | |
Please welcome one of our brightest British stars, it's Gemma Arterton! | 0:03:01 | 0:03:04 | |
CHEERING AND APPLAUSE | 0:03:04 | 0:03:06 | |
Oh. | 0:03:06 | 0:03:08 | |
Hello, darling. | 0:03:09 | 0:03:12 | |
Lovely to see you. | 0:03:12 | 0:03:13 | |
No, no. You're there, you're there. Beer, you. There. | 0:03:17 | 0:03:20 | |
-The drink is your clue. -I might have drank some of your wine. | 0:03:20 | 0:03:23 | |
Just listen to this list of films, ladies and gentlemen - | 0:03:25 | 0:03:27 | |
Big, Saving Private Ryan, Philadelphia, | 0:03:27 | 0:03:29 | |
Castaway and Forrest Gump, need I say more? | 0:03:29 | 0:03:31 | |
It is the double Oscar-winning king of Hollywood, Mr Tom Hanks! | 0:03:31 | 0:03:35 | |
CHEERING AND APPLAUSE | 0:03:35 | 0:03:36 | |
All right, I made it, I made it. Good to see you. What a pleasure. | 0:03:42 | 0:03:46 | |
What a pleasure. Mwah. | 0:03:46 | 0:03:47 | |
And this young man... | 0:03:49 | 0:03:51 | |
That was impressive. | 0:03:51 | 0:03:52 | |
CHEERING AND APPLAUSE That was impressive. | 0:03:52 | 0:03:55 | |
You can shove up a little bit. | 0:03:57 | 0:03:59 | |
All together, all together. | 0:03:59 | 0:04:01 | |
Bring it around. | 0:04:01 | 0:04:02 | |
-Welcome back, Tom Hanks. -Always a pleasure to be back. | 0:04:02 | 0:04:06 | |
-American TV shows are copying you, left and right. -Are they? | 0:04:06 | 0:04:09 | |
Yes, they are. Why, we'll... We have no idea. No concept of why. | 0:04:09 | 0:04:14 | |
-You're welcome. -Good to be here. Joan of Arc, good Lord. | 0:04:16 | 0:04:20 | |
Gemma Arterton and of course Joseph's here. Your first time? | 0:04:20 | 0:04:22 | |
Yes, sir. Glad to be here. | 0:04:22 | 0:04:24 | |
But, already, I think the best entrance we've ever had. | 0:04:24 | 0:04:26 | |
I'm glad to hear that. Hey. | 0:04:26 | 0:04:28 | |
CHEERING AND APPLAUSE | 0:04:28 | 0:04:30 | |
That's... I mean, you've peaked. | 0:04:30 | 0:04:32 | |
There isn't an anecdote you can tell that will beat that forward roll. | 0:04:32 | 0:04:35 | |
You have nightmares every time you come on a show like this. | 0:04:35 | 0:04:38 | |
"I just hope I don't trip when I'm coming out." | 0:04:38 | 0:04:41 | |
Then I tripped when I was coming out. | 0:04:41 | 0:04:43 | |
-You didn't do it on purpose? -No, no. Not at all. | 0:04:43 | 0:04:45 | |
That's when you should have said, "Yeah, yeah." | 0:04:45 | 0:04:47 | |
Oh, yeah, right. So I could set it up later. | 0:04:47 | 0:04:49 | |
-No, I think it was new shoes, that was new shoes. -These, you mean? | 0:04:49 | 0:04:52 | |
Whoa! Turn down those socks, man. | 0:04:54 | 0:04:57 | |
LAUGHTER | 0:04:57 | 0:04:59 | |
-Wow, look at this. -Sorry. | 0:04:59 | 0:05:01 | |
You're a rebel, Joseph Gordon-Levitt. | 0:05:01 | 0:05:03 | |
This couch is interesting tonight. | 0:05:06 | 0:05:08 | |
Because everyone is playing real people, | 0:05:08 | 0:05:10 | |
either from history or from the headlines, in films and the play. | 0:05:10 | 0:05:15 | |
But before we get talking about all those things, | 0:05:15 | 0:05:17 | |
we need to settle a little controversy. A little controversy. | 0:05:17 | 0:05:20 | |
There was a picture, you have probably seen this, | 0:05:20 | 0:05:23 | |
it was on the internet and in the papers and things. | 0:05:23 | 0:05:25 | |
And it's this picture here. | 0:05:25 | 0:05:27 | |
-Now... -Oh, yeah. | 0:05:27 | 0:05:29 | |
LAUGHTER So, people are trying to decide | 0:05:29 | 0:05:32 | |
-if that was Bill Murray or Tom Hanks. -Right, right. | 0:05:32 | 0:05:36 | |
Well, I've been doing a pale imitation of Bill Murray for most of my career. | 0:05:36 | 0:05:40 | |
So it actually works out. | 0:05:40 | 0:05:42 | |
I know that it's not me because I did not take that picture. | 0:05:42 | 0:05:45 | |
Unless I've had a cranial plate shift that, you know, is medicinal. | 0:05:47 | 0:05:51 | |
That's not me. I believe that's Bill. | 0:05:51 | 0:05:53 | |
-Even looking at you now, it does look a little like you. -Yeah. | 0:05:53 | 0:05:56 | |
I can make that face. | 0:05:56 | 0:05:58 | |
But don't you have a thing where you have, you think you've got sides. | 0:05:58 | 0:06:02 | |
Oh, I do. We all know what our good side is. | 0:06:02 | 0:06:06 | |
I'll show you, if you can come close | 0:06:06 | 0:06:08 | |
in a hideously embarrassing close-up. | 0:06:08 | 0:06:10 | |
Right, I will show you right now. | 0:06:10 | 0:06:11 | |
-Should I start with the good side or the bad side? -Good side. -Really? | 0:06:11 | 0:06:14 | |
-Yeah. -OK. This is my good side. | 0:06:14 | 0:06:17 | |
Now, I don't know why. | 0:06:17 | 0:06:19 | |
But I have a jaw and I have a chin and, you know, | 0:06:19 | 0:06:22 | |
I have a back of a... | 0:06:22 | 0:06:24 | |
Actually, could you come around sort of like | 0:06:24 | 0:06:26 | |
three quarter-ish a little bit? | 0:06:26 | 0:06:27 | |
OK, there. OK, there, there. Is that it? | 0:06:27 | 0:06:30 | |
Come in a little tighter, please. A little tighter. | 0:06:30 | 0:06:32 | |
All right, so far we're still doing OK. It's all right. | 0:06:32 | 0:06:35 | |
It's not bad. All right, now. Stay there and just watch this. | 0:06:35 | 0:06:39 | |
LAUGHTER STARTS SLOWLY AND BUILDS | 0:06:42 | 0:06:46 | |
Oh, dear. Look at that! | 0:06:46 | 0:06:47 | |
The neck goes away. | 0:06:47 | 0:06:49 | |
The nose becomes this malformed thing. | 0:06:50 | 0:06:52 | |
I've got half a cheek sticking out right here. | 0:06:52 | 0:06:55 | |
So I kind of go from like Richard Gere... | 0:06:55 | 0:06:58 | |
to Richard Nixon. | 0:06:58 | 0:07:00 | |
LAUGHTER AND APPLAUSE | 0:07:00 | 0:07:03 | |
Gemma, can we have your side? | 0:07:07 | 0:07:08 | |
Er... | 0:07:10 | 0:07:11 | |
But when you do a photo shoot, do you favour a side? | 0:07:13 | 0:07:16 | |
I... I think this is my better side. | 0:07:16 | 0:07:20 | |
-But then... -Then we can never work together. | 0:07:20 | 0:07:22 | |
LAUGHTER | 0:07:22 | 0:07:24 | |
Guess we'd have to do all of our love scenes like... | 0:07:24 | 0:07:26 | |
"I love you, Gemma, I love you. We must leave..." | 0:07:26 | 0:07:30 | |
We can never do this. | 0:07:30 | 0:07:31 | |
That's like Cary Grant and Rosalind Russell. | 0:07:32 | 0:07:35 | |
-And what about yourself, Joseph? Are you aware of a side? -Should I be? | 0:07:35 | 0:07:39 | |
-No, I don't know. -Tell me. I'm willing to learn. | 0:07:39 | 0:07:41 | |
Shall we vote? | 0:07:41 | 0:07:43 | |
-Let's vote. -OK. | 0:07:43 | 0:07:45 | |
-By applause only. -OK. | 0:07:46 | 0:07:47 | |
-All right. -This side. | 0:07:47 | 0:07:49 | |
MODERATE APPLAUSE | 0:07:50 | 0:07:51 | |
Liking it, liking it. | 0:07:51 | 0:07:53 | |
Or... | 0:07:55 | 0:07:57 | |
RAUCOUS APPLAUSE AND CHEERING | 0:07:57 | 0:07:59 | |
OK, so this side. | 0:08:00 | 0:08:02 | |
We just thought while you're here, to settle things, to avoid confusion | 0:08:02 | 0:08:07 | |
in the future, we might re-enact that... | 0:08:07 | 0:08:10 | |
Oh, do you have an orange jumper? | 0:08:10 | 0:08:13 | |
-I do, I do. I am fully costumed. -Oh, great. | 0:08:13 | 0:08:17 | |
I've got some orange things there. | 0:08:17 | 0:08:18 | |
Now, Gemma, would you mind being... | 0:08:18 | 0:08:21 | |
I think she's the mother of the baby. | 0:08:21 | 0:08:24 | |
So there's some sunglasses there. | 0:08:24 | 0:08:26 | |
And would you mind being the baby? | 0:08:26 | 0:08:29 | |
-LAUGHTER -Absolutely. | 0:08:29 | 0:08:32 | |
Oh, you can do that. Actually, that's better. | 0:08:32 | 0:08:34 | |
Why did we not think of that? | 0:08:34 | 0:08:36 | |
-Oh, OK, so I'm like here? -You're down in there. | 0:08:36 | 0:08:38 | |
Down you go. There you go. LAUGHTER | 0:08:38 | 0:08:40 | |
-You squeeze in, squeeze in. -Like that? | 0:08:40 | 0:08:43 | |
Like that, smiling. | 0:08:43 | 0:08:45 | |
LAUGHTER There we go, that is really good! | 0:08:45 | 0:08:48 | |
CHEERING AND APPLAUSE It is good. | 0:08:49 | 0:08:51 | |
I think Joseph did the most perfect imitation right there. | 0:08:54 | 0:08:59 | |
That is an instant study. | 0:09:01 | 0:09:02 | |
You can keep them if you want. | 0:09:02 | 0:09:04 | |
Isn't life weird? I never thought I'd be doing this. | 0:09:10 | 0:09:12 | |
That's some three very good actors there. | 0:09:12 | 0:09:15 | |
Hey, let's get on to your real jobs. | 0:09:15 | 0:09:17 | |
Tom's new movie - | 0:09:17 | 0:09:19 | |
this is the much anticipated Sully. | 0:09:19 | 0:09:20 | |
I remember the last time you mentioned it, | 0:09:20 | 0:09:22 | |
you mentioned what this movie was about | 0:09:22 | 0:09:24 | |
and the whole audience was like, "Ooh, that sounds good." | 0:09:24 | 0:09:26 | |
Cos it opens here next Friday, the 2nd of December. | 0:09:26 | 0:09:30 | |
It's such a great movie because some of the inherent drama we know, | 0:09:31 | 0:09:35 | |
-or we think we know. -Yeah, yeah. That is... | 0:09:35 | 0:09:39 | |
We all know Act One. | 0:09:39 | 0:09:41 | |
Hero by pluck and grit lands a plane in the Hudson River, | 0:09:41 | 0:09:45 | |
becomes the hero of the Hudson. | 0:09:45 | 0:09:47 | |
And everybody on board survived, every single person. | 0:09:47 | 0:09:51 | |
I mean, it was a miracle. | 0:09:51 | 0:09:52 | |
Little babies, ladies who couldn't walk, everybody survived. | 0:09:52 | 0:09:54 | |
It was a miracle. | 0:09:54 | 0:09:56 | |
And if you go on YouTube and look at forced water landings, | 0:09:56 | 0:09:58 | |
you can see what could have happened instead. | 0:09:58 | 0:10:01 | |
And also didn't realise, I didn't remember, it was really, | 0:10:01 | 0:10:03 | |
-really cold. -It was January, yes. -So people were in freezing water. | 0:10:03 | 0:10:08 | |
The extraordinary story is - you see the tug boats, | 0:10:08 | 0:10:11 | |
the police, those folk dropped everything they were doing | 0:10:11 | 0:10:14 | |
and went right there. | 0:10:14 | 0:10:15 | |
I spoke to one guy, I said, "How long were you out on the wing?" | 0:10:15 | 0:10:18 | |
He said, "If you had have asked me, | 0:10:18 | 0:10:19 | |
"I would have told you I was there for an hour." | 0:10:19 | 0:10:21 | |
He went back and looked at the actual footage. | 0:10:21 | 0:10:23 | |
He was on the wing for seven minutes. | 0:10:23 | 0:10:25 | |
From landing in the water to rescue - seven minutes. | 0:10:25 | 0:10:28 | |
-That's incredible. -An extraordinary thing. | 0:10:28 | 0:10:30 | |
And then everything that happens after the movie | 0:10:30 | 0:10:32 | |
is Act Two and Three of real life. | 0:10:32 | 0:10:35 | |
He withstood - it's condensed for the film - | 0:10:35 | 0:10:37 | |
but he withstood 18 months of depositions and investigation. | 0:10:37 | 0:10:41 | |
He had to answer complicated questions, | 0:10:41 | 0:10:43 | |
and very common questions, over and over, over and over and over again. | 0:10:43 | 0:10:46 | |
"Why did you do that? "Why didn't you try this? | 0:10:46 | 0:10:48 | |
"What did you have to eat the night before? | 0:10:48 | 0:10:50 | |
"Did you have a fight with your wife on the phone? | 0:10:50 | 0:10:52 | |
"Were you stressed in any way? | 0:10:52 | 0:10:53 | |
"Why didn't you turn this switch instead of that switch?" | 0:10:53 | 0:10:55 | |
And he had to answer for himself, to the point that he didn't - | 0:10:55 | 0:10:58 | |
both he and Jeff Skiles, played by Aaron Eckhart, | 0:10:58 | 0:11:00 | |
the fabulous actor Aaron Eckhart - | 0:11:00 | 0:11:02 | |
had no idea for a year and a half whether or not they were | 0:11:02 | 0:11:04 | |
going to keep their jobs, whether or not they would not be able to fly | 0:11:04 | 0:11:07 | |
for a living and whether or not | 0:11:07 | 0:11:09 | |
their reputations would be in tatters. | 0:11:09 | 0:11:11 | |
And the real man, Sully, he was around the filming? | 0:11:11 | 0:11:13 | |
-You've met him? -Oh... | 0:11:13 | 0:11:15 | |
The real Sully is the most... There he is. | 0:11:15 | 0:11:19 | |
His real first name is Chesley. | 0:11:19 | 0:11:20 | |
Which sounds like a small town off the M1. You know? | 0:11:21 | 0:11:26 | |
Up near Whipsnade Zoo. "Hey, let's go to Chesley today." | 0:11:26 | 0:11:29 | |
So he goes by Sully. | 0:11:31 | 0:11:32 | |
He was very particular about how we portrayed the procedure | 0:11:32 | 0:11:37 | |
and the emotions of what the movie was. | 0:11:37 | 0:11:39 | |
Listen, we've got a clip... | 0:11:39 | 0:11:40 | |
Oh, let's watch the clip. | 0:11:40 | 0:11:41 | |
LAUGHTER | 0:11:43 | 0:11:45 | |
This is the moment when you, as Sully, | 0:11:45 | 0:11:48 | |
make the decision about what you're going to do. | 0:11:48 | 0:11:52 | |
Mayday, Mayday. This is Cactus 1549. | 0:11:52 | 0:11:53 | |
We've lost thrust on both engines, | 0:11:53 | 0:11:55 | |
we are turning back towards LaGuardia. | 0:11:55 | 0:11:57 | |
-'Which engine did you lose?' -Both. Both engines. | 0:11:57 | 0:12:00 | |
-Ignition. -Ignition. -Thrust levers confirmed idle. -Idle. | 0:12:04 | 0:12:07 | |
'Cactus, 1549. | 0:12:08 | 0:12:10 | |
'If we can get a view, do you want to try to land runway 13?' | 0:12:10 | 0:12:14 | |
We are unable. We may end up in the Hudson. | 0:12:14 | 0:12:16 | |
'It's going to be left traffic, runway 31.' | 0:12:17 | 0:12:20 | |
-Unable. -'OK. What do you need to land?' | 0:12:20 | 0:12:22 | |
BEEPING | 0:12:22 | 0:12:25 | |
-No relay after 30 seconds. Master one and two confirmed off. -Off. | 0:12:29 | 0:12:34 | |
-RECORDING: -Too low. Terrain. Too low. Terrain. | 0:12:34 | 0:12:37 | |
Too low. Terrain. | 0:12:37 | 0:12:38 | |
This is the captain. | 0:12:44 | 0:12:45 | |
Brace for impact. | 0:12:45 | 0:12:47 | |
Now you know... | 0:12:47 | 0:12:48 | |
APPLAUSE | 0:12:48 | 0:12:50 | |
Because this, this... | 0:12:52 | 0:12:54 | |
This is who the man is. This is who the man is. | 0:12:54 | 0:12:57 | |
He said brace for impact for a very specific reason. | 0:12:57 | 0:13:01 | |
"Brace for impact" is essentially saying, "Get ready for a bump. | 0:13:01 | 0:13:05 | |
"Be prepared, we're going to have some..." | 0:13:05 | 0:13:07 | |
He did not say, "This is the captain. | 0:13:07 | 0:13:09 | |
"We're going to land in the Hudson River. | 0:13:09 | 0:13:11 | |
"It's going to be very cold..." | 0:13:11 | 0:13:12 | |
He didn't give them instructions about what was going to happen, | 0:13:12 | 0:13:15 | |
because he wanted to keep the panic down to an absolute minimum. | 0:13:15 | 0:13:18 | |
"Brace for impact, lean forward, do what you're told." | 0:13:18 | 0:13:21 | |
"Get ready for a water landing," | 0:13:21 | 0:13:22 | |
means who knows what to 150 people in a plane. | 0:13:22 | 0:13:26 | |
"Brace for impact" is still quite bowel loosening, I'd have thought. | 0:13:26 | 0:13:29 | |
LAUGHTER | 0:13:29 | 0:13:31 | |
I mean, it was nice of him but... | 0:13:32 | 0:13:34 | |
LAUGHTER | 0:13:34 | 0:13:36 | |
I'm going to bring this up with him. | 0:13:37 | 0:13:39 | |
-Has this made you a more nervous flyer? -Not at all, no. | 0:13:39 | 0:13:42 | |
I like adventure in the air, I like it to bump around up there. | 0:13:42 | 0:13:46 | |
You ever do this? | 0:13:46 | 0:13:48 | |
You ever just try not to buckle your seatbelt when they're walking round? | 0:13:48 | 0:13:51 | |
LAUGHTER | 0:13:51 | 0:13:53 | |
Just hold your hands over it and just not really... | 0:13:55 | 0:13:59 | |
just to see if they're going to check you or not? | 0:13:59 | 0:14:01 | |
Oh... That will do it. I like adventure. | 0:14:04 | 0:14:07 | |
Are you a good flyer, Gemma? | 0:14:07 | 0:14:08 | |
I think I'm a pretty good flyer. | 0:14:08 | 0:14:11 | |
I too quite enjoy a bump. Yeah, yeah. | 0:14:11 | 0:14:12 | |
But I've never... I've been lucky not to have been in anything too drastic. | 0:14:12 | 0:14:16 | |
-You? -I don't want a bump. | 0:14:16 | 0:14:18 | |
-LAUGHTER -I keep my seatbelt on. | 0:14:18 | 0:14:21 | |
I don't want any bumps. | 0:14:21 | 0:14:23 | |
Presumably, this is one of those films, | 0:14:23 | 0:14:24 | |
they're never going to show this on a plane, are they? | 0:14:24 | 0:14:27 | |
LAUGHTER | 0:14:27 | 0:14:29 | |
No, you know... Would you imagine it - | 0:14:30 | 0:14:32 | |
"Ladies and gentlemen, the in-flight entertainment..." | 0:14:32 | 0:14:35 | |
LAUGHTER | 0:14:35 | 0:14:36 | |
"..is Sully." Whoa. | 0:14:38 | 0:14:40 | |
-I've seen Castaway on a plane. -Really?! | 0:14:40 | 0:14:44 | |
-Best plane crash in movie history. -They showed that on a plane, really? | 0:14:44 | 0:14:47 | |
No, I just made it up. | 0:14:47 | 0:14:49 | |
-Oh, right. -LAUGHTER | 0:14:49 | 0:14:50 | |
Do they do something, they have a little disclaimer | 0:14:50 | 0:14:53 | |
at the beginning and go, yeah, "This contains footage..." | 0:14:53 | 0:14:55 | |
"This will not happen to you." | 0:14:55 | 0:14:57 | |
LAUGHTER | 0:14:57 | 0:14:59 | |
Now, the thing about you, Tom Hanks, | 0:15:01 | 0:15:02 | |
because when we talk to you about films, | 0:15:02 | 0:15:04 | |
we always imagine that any director, you're in the film, | 0:15:04 | 0:15:06 | |
-they'll be quite intimidated by having you. -Gee, I wish! | 0:15:06 | 0:15:10 | |
-But this time the director's Clint Eastwood. -Oh, dear. | 0:15:10 | 0:15:14 | |
So how did that dynamic pan out? | 0:15:14 | 0:15:16 | |
Well, you don't want to get one of those Clint Eastwood looks | 0:15:16 | 0:15:19 | |
from him, you know? You know? | 0:15:19 | 0:15:21 | |
I can't do it. But, you know, where he kind of just raises... | 0:15:21 | 0:15:25 | |
-He looks at you. -WHISTLES SPAGHETTI WESTERN THEME | 0:15:25 | 0:15:28 | |
You go, "Clint, I have this idea. | 0:15:28 | 0:15:29 | |
"Maybe for the scene if I do that and then throw that over to Aaron and then you can cut." | 0:15:29 | 0:15:33 | |
He's like... | 0:15:33 | 0:15:35 | |
LAUGHTER | 0:15:35 | 0:15:37 | |
Yeah. I wanted... | 0:15:37 | 0:15:38 | |
There was a guy playing a saxophone in Times Square. | 0:15:38 | 0:15:42 | |
We were done with the shot. | 0:15:42 | 0:15:43 | |
I said, "Go over there and give that guy 50 bucks," | 0:15:43 | 0:15:46 | |
just let loose with some of those "ohh-ee-ohh-ee-ohh..." | 0:15:46 | 0:15:49 | |
But he... He treats his actors like horses. | 0:15:50 | 0:15:54 | |
-Um... -LAUGHTER | 0:15:54 | 0:15:56 | |
Because, because, when he was doing... | 0:15:58 | 0:16:00 | |
There's a great show, Rawhide. | 0:16:00 | 0:16:01 | |
I don't know if you're old enough to remember Rawhide - a Western. | 0:16:01 | 0:16:05 | |
And he had all these old directors there who directed movies | 0:16:05 | 0:16:09 | |
that made a big deal about yelling "action." | 0:16:09 | 0:16:12 | |
"We're rolling, all right, standby. This is a take, everybody ready. | 0:16:12 | 0:16:16 | |
"3-2-1, action." | 0:16:16 | 0:16:19 | |
And every time they would do that, the horses they were on would bolt. | 0:16:19 | 0:16:23 | |
"Action!" And they'd have to go like... | 0:16:23 | 0:16:26 | |
So when you're in a Clint Eastwood movie, | 0:16:26 | 0:16:28 | |
you don't even know the camera's rolling and you just hear | 0:16:28 | 0:16:31 | |
over your shoulder... | 0:16:31 | 0:16:33 | |
-MIMICS EASTWOOD: -All right, go ahead. | 0:16:35 | 0:16:37 | |
APPLAUSE | 0:16:43 | 0:16:45 | |
You know... | 0:16:45 | 0:16:47 | |
Sometimes you're doing some pretty hard stuff and you just | 0:16:47 | 0:16:51 | |
keep doing it until you hear him say... | 0:16:51 | 0:16:53 | |
-AS EASTWOOD: -"That's enough of that." | 0:16:53 | 0:16:56 | |
And then you move on and you're on to the next set-up. | 0:16:56 | 0:16:59 | |
It's intimidating as hell. | 0:16:59 | 0:17:00 | |
-Wait, is it that every time, "That's enough of that"? -Yeah. -Every time? | 0:17:00 | 0:17:04 | |
-Instead of cut. -He doesn't say... | 0:17:04 | 0:17:06 | |
No, he'll stay stop if it means you're going to do it again. | 0:17:06 | 0:17:10 | |
-But it's mostly... -AS EASTWOOD: -That's enough of that. | 0:17:10 | 0:17:13 | |
You go, "Hey, thanks for the vote of confidence(!)" | 0:17:14 | 0:17:17 | |
-LAUGHTER AND APPLAUSE -Please stop. | 0:17:17 | 0:17:21 | |
Right, now also playing a heroic role is Gemma Arterton. | 0:17:23 | 0:17:27 | |
Because she is Joan of Arc in Saint Joan, | 0:17:27 | 0:17:30 | |
at the Donmar Warehouse from the 9th of December | 0:17:30 | 0:17:33 | |
till the 18th of February. | 0:17:33 | 0:17:35 | |
But you are doing one of those beamed into cinemas | 0:17:35 | 0:17:38 | |
-all over the world on the 16th of February? -Yes, we are. | 0:17:38 | 0:17:41 | |
Pop that into your diaries now. Plan ahead. | 0:17:41 | 0:17:43 | |
Now, George Bernard Shaw, he wrote the play in the 1920s. | 0:17:43 | 0:17:46 | |
-Now, this version is very different, I'm told. -Yeah. | 0:17:46 | 0:17:50 | |
I don't want to say too much about it, but... | 0:17:50 | 0:17:53 | |
-OK, we'll move on. -No, no, no! | 0:17:53 | 0:17:55 | |
But I think post-Brexit and post Trump, | 0:17:57 | 0:18:00 | |
I think it's quite interesting. | 0:18:00 | 0:18:02 | |
Wait, Trump? What? | 0:18:02 | 0:18:04 | |
He won?! | 0:18:05 | 0:18:07 | |
You're on your press tour, you get home - what?! | 0:18:07 | 0:18:09 | |
But, I mean, you can tell us that it's kind of set now. | 0:18:10 | 0:18:14 | |
Yeah, it's sort of like as if a medieval saint walked into Deutsche Bank. | 0:18:14 | 0:18:19 | |
Oh, OK. That sounds good. I'm liking it already. | 0:18:19 | 0:18:23 | |
And in the original play, I think I'm right, that you don't, | 0:18:23 | 0:18:27 | |
obviously cos it's quite difficult to get through the actresses, | 0:18:27 | 0:18:30 | |
but you don't burn at the stake every night? | 0:18:30 | 0:18:33 | |
They stop just before that. | 0:18:33 | 0:18:34 | |
But are you going to try and do a bit of burning at the stake? | 0:18:34 | 0:18:37 | |
We don't know yet. | 0:18:37 | 0:18:38 | |
We're only midway through rehearsals, | 0:18:38 | 0:18:40 | |
so it's still up for grabs. | 0:18:40 | 0:18:42 | |
-I kind of hope not. Because... -Yeah. | 0:18:42 | 0:18:46 | |
Because usually that's when you go off and you have a glass of wine. | 0:18:46 | 0:18:50 | |
But, yeah, no, I don't know. We'll see. | 0:18:50 | 0:18:52 | |
You have to come and see it and then you can find out. | 0:18:52 | 0:18:55 | |
Or we'll just see the Donmar's now in ashes and we'll go, | 0:18:55 | 0:18:58 | |
"I guess they went with the fire idea." | 0:18:58 | 0:19:00 | |
LAUGHTER | 0:19:00 | 0:19:01 | |
Fire? | 0:19:01 | 0:19:02 | |
But, I have to say, you could be burnt at the stake. | 0:19:04 | 0:19:06 | |
Because you rarely live through anything. | 0:19:06 | 0:19:10 | |
What do you mean? | 0:19:10 | 0:19:12 | |
Well, drowned in oil in Bond, killed by vampires in Byzantium. | 0:19:12 | 0:19:15 | |
Head cut off in The Voices. | 0:19:15 | 0:19:16 | |
Stabbed in the back - Clash of the Titans, | 0:19:16 | 0:19:18 | |
fell into a chasm in Prince of Persia | 0:19:18 | 0:19:20 | |
and possibly worst of all, | 0:19:20 | 0:19:21 | |
chokes to death on a piece of bread in Gemma Bovery. | 0:19:21 | 0:19:25 | |
-Yes. -Have you ever lived throughout an entire film? | 0:19:25 | 0:19:28 | |
There was a period of time where I died every time. | 0:19:28 | 0:19:32 | |
I think it's this tragic heroine thing, isn't it? | 0:19:32 | 0:19:36 | |
But I have also been resurrected twice. | 0:19:36 | 0:19:39 | |
And this will be the third time, | 0:19:39 | 0:19:40 | |
because I'm resurrected in Saint Joan. | 0:19:40 | 0:19:42 | |
Spoiler alert(!) | 0:19:44 | 0:19:46 | |
LAUGHTER | 0:19:46 | 0:19:49 | |
I just saved 20 quid. | 0:19:49 | 0:19:50 | |
And, obviously she's a French heroine. But it's set in England. | 0:19:54 | 0:20:00 | |
Yeah. | 0:20:00 | 0:20:01 | |
-Cos, do you live in France now? -No. | 0:20:01 | 0:20:03 | |
I live in London, but I work there a lot so I'm often there. | 0:20:03 | 0:20:08 | |
Because your French is... | 0:20:08 | 0:20:09 | |
You have spoken French in films. | 0:20:09 | 0:20:11 | |
-I mean, you've... -Yeah. | 0:20:11 | 0:20:12 | |
Which suggests your French is very good, I would say. | 0:20:12 | 0:20:14 | |
C'est pas mal. | 0:20:14 | 0:20:15 | |
J'ai entendu que vous parlez francais aussi? | 0:20:15 | 0:20:18 | |
Moi je parle un peu de francais, oui. | 0:20:18 | 0:20:20 | |
Ah, c'est impressionant! | 0:20:20 | 0:20:21 | |
AUDIENE: Ooh | 0:20:21 | 0:20:23 | |
Merci. | 0:20:23 | 0:20:24 | |
Mais c'est bien quand une femme parle francais, je crois. | 0:20:26 | 0:20:29 | |
-C'est feminin. -D'accord. | 0:20:29 | 0:20:31 | |
Nigel Farage's just thrown his television at the window. | 0:20:31 | 0:20:34 | |
LAUGHTER | 0:20:34 | 0:20:36 | |
I know who that is! | 0:20:36 | 0:20:38 | |
APPLAUSE | 0:20:38 | 0:20:40 | |
Do you speak other languages? | 0:20:42 | 0:20:43 | |
-Me, no. -Have you ever tried? | 0:20:43 | 0:20:45 | |
No. I now, you know, swear words in a few languages. | 0:20:45 | 0:20:48 | |
Can insult people in Greek. | 0:20:50 | 0:20:51 | |
Oh, they like it. Insult us. | 0:20:53 | 0:20:56 | |
You travel a lot and I read somewhere where you have | 0:20:56 | 0:21:00 | |
-packing down. That is a fine art in the Hanks' household. -Oh, yeah. | 0:21:00 | 0:21:06 | |
Well, often for work, you're going to be gone for a long time, | 0:21:06 | 0:21:09 | |
so you've got a number of bags you've got to have at the ready. | 0:21:09 | 0:21:12 | |
So, yeah, my routine is pretty simple. | 0:21:12 | 0:21:15 | |
I strip down completely naked and give myself two hours. | 0:21:15 | 0:21:20 | |
-So I... -LAUGHTER | 0:21:20 | 0:21:21 | |
-That's my routine for something else. -LAUGHTER | 0:21:25 | 0:21:28 | |
-Two hours? -Oh, yeah. | 0:21:28 | 0:21:30 | |
APPLAUSE | 0:21:30 | 0:21:33 | |
Yeah, you got to put, you know, you may be wearing underwear, | 0:21:34 | 0:21:37 | |
you're going to need... | 0:21:37 | 0:21:38 | |
So, you know, you start with a blank canvas and build-up. | 0:21:38 | 0:21:43 | |
The dog, I have a dog that worships me. | 0:21:43 | 0:21:45 | |
The dog is often confused by those two hours. | 0:21:45 | 0:21:47 | |
Are we going for a walk? | 0:21:51 | 0:21:53 | |
LAUGHTER | 0:21:53 | 0:21:55 | |
You have some ideas that I am not familiar with. | 0:21:55 | 0:21:59 | |
Listen, we're going to talk about another movie tonight | 0:21:59 | 0:22:03 | |
and its Joseph Gordon-Levitt's Snowden, | 0:22:03 | 0:22:04 | |
which is another fascinating portrayal | 0:22:04 | 0:22:07 | |
of a real figure from recent years. | 0:22:07 | 0:22:08 | |
-It's out on December 9th. It is. -It is. | 0:22:08 | 0:22:12 | |
Now, he's not Julian Assange. He's the other one. | 0:22:12 | 0:22:14 | |
That's... Yeah, well that's true. | 0:22:14 | 0:22:16 | |
And I'll admit, I confused the two before really looking into it. | 0:22:16 | 0:22:20 | |
They're easy to confuse. Yeah, Julian Assange runs WikiLeaks. | 0:22:20 | 0:22:24 | |
Edward Snowden is someone else. | 0:22:24 | 0:22:25 | |
He worked at the NSA and the CIA. Sort of like GCHQ here, I suppose. | 0:22:25 | 0:22:31 | |
And he took classified information and he handed it over | 0:22:32 | 0:22:35 | |
to journalists at the Guardian, actually. | 0:22:35 | 0:22:37 | |
And that information revealed that the government was conducting | 0:22:38 | 0:22:42 | |
illegal and, you know arguably unethical mass surveillance, | 0:22:42 | 0:22:47 | |
that goes against the constitution of the United States. | 0:22:47 | 0:22:50 | |
Because he has been kind of really demonised. | 0:22:50 | 0:22:53 | |
-But he was sort of trying to protect people's rights? -Yeah. | 0:22:53 | 0:22:56 | |
I mean, look, I understand why people call him a criminal. | 0:22:56 | 0:22:59 | |
That's because he committed a crime, you know. | 0:22:59 | 0:23:01 | |
When he took that classified information, he broke the law, | 0:23:01 | 0:23:04 | |
so it's understandable why people would be upset with him. | 0:23:04 | 0:23:06 | |
This thing is is that the NSA - and, by the way, GCHQ - | 0:23:06 | 0:23:10 | |
they are also committing crimes | 0:23:10 | 0:23:12 | |
and they are violating freedoms that are enshrined in our Bill of Rights. | 0:23:12 | 0:23:15 | |
You know, we have the freedom to have the right to privacy | 0:23:15 | 0:23:18 | |
and the government's not allowed to invade our privacy without a warrant. | 0:23:18 | 0:23:21 | |
But what these agencies are doing is just collecting everybody's | 0:23:21 | 0:23:24 | |
information, through our phones and computers, without warrants. | 0:23:24 | 0:23:27 | |
-You know? -Because the webcam thing is terrifying. | 0:23:27 | 0:23:29 | |
They can turn on your webcam, they can turn on the microphone | 0:23:29 | 0:23:31 | |
on your phone, they can turn on the camera in your phone. Yeah. | 0:23:31 | 0:23:34 | |
-GEMMA GASPS Gemma? -Hmm. -Jeez. | 0:23:34 | 0:23:36 | |
LAUGHTER | 0:23:36 | 0:23:37 | |
That was a funny noise you just made. | 0:23:37 | 0:23:41 | |
LAUGHTER | 0:23:41 | 0:23:42 | |
Where's your phone? | 0:23:42 | 0:23:44 | |
Where is my phone? | 0:23:45 | 0:23:47 | |
Listen, we've got a clip. | 0:23:47 | 0:23:49 | |
This is when, you - as Snowden - | 0:23:49 | 0:23:51 | |
realises the full spying capabilities of the NSA. | 0:23:51 | 0:23:55 | |
Exhibit A. Oakland resident Justin Pinski posted on a message board. | 0:23:55 | 0:24:00 | |
"Romania has a storied history of executing their leaders. | 0:24:00 | 0:24:02 | |
"Couldn't they do us a solid and take out Bush?" | 0:24:02 | 0:24:05 | |
Oh, this looks juicy. This is from a G-chat. | 0:24:06 | 0:24:09 | |
"With the biggest python you've ever seen." | 0:24:11 | 0:24:13 | |
How is all this possible? | 0:24:16 | 0:24:19 | |
Keyword selectors - "attack", "take out bush". | 0:24:19 | 0:24:23 | |
So think of it as a Google search, | 0:24:23 | 0:24:25 | |
except instead of searching only what people make public, we're also looking at everything they don't. | 0:24:25 | 0:24:30 | |
-So, e-mails, chats, SMS, whatever. -Yeah, but which people? | 0:24:30 | 0:24:34 | |
The whole kingdom, Snow White. | 0:24:34 | 0:24:36 | |
APPLAUSE | 0:24:39 | 0:24:40 | |
Scary. | 0:24:42 | 0:24:43 | |
Edward Snowden, he's in Moscow. | 0:24:45 | 0:24:48 | |
He's in exile in Moscow. | 0:24:48 | 0:24:49 | |
-But you got to spend time with him? -I did, yeah. | 0:24:49 | 0:24:53 | |
Before we shot, I went over to Moscow and I sat with him | 0:24:53 | 0:24:56 | |
in an office for about four hours. | 0:24:56 | 0:24:58 | |
I mean, you know, | 0:24:58 | 0:25:00 | |
there's other places in the world where you can't, you can't | 0:25:00 | 0:25:03 | |
stand up and say, "Hey, I think the government's doing something wrong." | 0:25:03 | 0:25:06 | |
We're really lucky to get to live in countries where we can have these | 0:25:06 | 0:25:10 | |
kind of conversations, especially here on TV, I'm really grateful. | 0:25:10 | 0:25:13 | |
So I'm happy that he did what he did, | 0:25:13 | 0:25:15 | |
just so that we can all be having this conversation right now. | 0:25:15 | 0:25:18 | |
And, of course, I mean... APPLAUSE | 0:25:18 | 0:25:20 | |
Yes. | 0:25:20 | 0:25:21 | |
Obviously, other people are affected. | 0:25:26 | 0:25:29 | |
And I... I read, I think it was an interview that you gave, | 0:25:29 | 0:25:32 | |
where you talked about meeting his parents. | 0:25:32 | 0:25:34 | |
Yeah. Yeah, yeah. His parents came to the premiere. | 0:25:34 | 0:25:37 | |
And this is the thing about when you play a real-life person. | 0:25:37 | 0:25:41 | |
I don't suppose you can meet Joan of Arc's parents. | 0:25:41 | 0:25:45 | |
But, you know, you get certain feedback when you're an actor, | 0:25:45 | 0:25:48 | |
and that's meaningful. | 0:25:48 | 0:25:49 | |
It's meaningful when an audience likes the movie or, you know, | 0:25:49 | 0:25:52 | |
it gets good reviews or maybe it gets good box office or whatever. | 0:25:52 | 0:25:55 | |
And that's all great. | 0:25:55 | 0:25:57 | |
But when the parents of this guy, | 0:25:57 | 0:25:59 | |
who stood up for what he believed in | 0:25:59 | 0:26:02 | |
and is now living in exile, he can't come home. | 0:26:02 | 0:26:05 | |
His mom took me aside and was like, "You reminded me of my son." | 0:26:05 | 0:26:10 | |
And his dad took me aside and he make sure to look me in the eye | 0:26:10 | 0:26:13 | |
and he said, "I want to thank you for what you did because I know | 0:26:13 | 0:26:16 | |
"this was risky for you and you're going to," you know, | 0:26:16 | 0:26:19 | |
"some people aren't going to like you for it. | 0:26:19 | 0:26:21 | |
"But I really appreciate you doing this for my son." | 0:26:21 | 0:26:24 | |
And, I mean, I've never received feedback like that | 0:26:24 | 0:26:27 | |
for an acting job that I did. | 0:26:27 | 0:26:29 | |
It really means something? | 0:26:29 | 0:26:31 | |
It meant so much to me. | 0:26:31 | 0:26:32 | |
I mean, it really made my year to have those moments with his parents. | 0:26:32 | 0:26:36 | |
And isn't there some hope that Obama might, | 0:26:36 | 0:26:39 | |
one of the last things he does, might be to pardon him? | 0:26:39 | 0:26:42 | |
I mean, yeah. | 0:26:42 | 0:26:43 | |
There's a lot of important and influential human rights groups | 0:26:43 | 0:26:46 | |
like Amnesty International and the ACLU | 0:26:46 | 0:26:48 | |
that have appealed to President Obama to pardon Edward Snowden, | 0:26:48 | 0:26:52 | |
because, you know, ultimately what he did was | 0:26:52 | 0:26:54 | |
a great service to the country and to the world. | 0:26:54 | 0:26:57 | |
-You know, whether Obama will do that or not remains to be seen. -Yeah. | 0:26:57 | 0:27:02 | |
Obviously one of the last things Obama will have done in office | 0:27:02 | 0:27:06 | |
is to give Mr Tom Hanks the highest civilian honour in America, | 0:27:06 | 0:27:10 | |
-the Medal of Freedom. -Oh, yeah. | 0:27:10 | 0:27:12 | |
Really? That's so cool, man. | 0:27:12 | 0:27:14 | |
CHEERING AND APPLAUSE | 0:27:14 | 0:27:16 | |
Congratulations. | 0:27:16 | 0:27:18 | |
Did you meet him? | 0:27:18 | 0:27:19 | |
-The man himself? -Obama, yeah? | 0:27:19 | 0:27:21 | |
-Oh, yeah, I've met him a couple of times. -You have? | 0:27:21 | 0:27:23 | |
-He's the coolest dude in the room. -I don't doubt it. | 0:27:23 | 0:27:26 | |
-I would really like to meet him. -He is so much the man, it's crazy. | 0:27:26 | 0:27:29 | |
And it's one of those things, | 0:27:29 | 0:27:30 | |
cos you have had so many awards, what does that mean? | 0:27:30 | 0:27:33 | |
It's mind-numbing, you know. | 0:27:33 | 0:27:35 | |
It's the Medal of Freedom, which means somehow... | 0:27:36 | 0:27:39 | |
It's funny talking about Edward Snowden, | 0:27:39 | 0:27:43 | |
there is this... | 0:27:43 | 0:27:44 | |
We have something which is the freedom that you're talking about. | 0:27:44 | 0:27:48 | |
I guess it's a look at the work | 0:27:48 | 0:27:50 | |
that I've done that has both celebrated it and promoted it | 0:27:50 | 0:27:55 | |
and tried to protect it as well. | 0:27:55 | 0:27:57 | |
Look, I'm with Admiral Grace Potter, | 0:27:57 | 0:28:00 | |
the scientist who literally measured out the nanosecond. | 0:28:00 | 0:28:05 | |
Her, Kareem Abdul-Jabbar, me. It's a pretty good spread. | 0:28:05 | 0:28:09 | |
It's quite good company, yeah. | 0:28:09 | 0:28:10 | |
Rubbing elbows at the buffet. | 0:28:10 | 0:28:12 | |
Yeah, back in a nanosecond. | 0:28:15 | 0:28:16 | |
LAUGHTER | 0:28:16 | 0:28:17 | |
The film-maker Michael Moore, | 0:28:19 | 0:28:21 | |
who actually did call out this whole election. | 0:28:21 | 0:28:23 | |
I mean, he kind of saw how it was panning out. | 0:28:23 | 0:28:26 | |
He has now said and... He said that he wants you. | 0:28:26 | 0:28:29 | |
You know, I thought he was deranged | 0:28:29 | 0:28:31 | |
or was not deranged right up until he said that. | 0:28:31 | 0:28:34 | |
-He wants you to run as president. -Yeah OK. All right, fine. | 0:28:34 | 0:28:37 | |
He says you're the only hope... APPLAUSE AND CHEERING | 0:28:37 | 0:28:40 | |
Oh, please. Oh, dear Lord. | 0:28:40 | 0:28:41 | |
Dear Lord. | 0:28:41 | 0:28:43 | |
-It's just four years of your life. Do it, Tom! -Yeah, yeah. | 0:28:45 | 0:28:48 | |
If you cared, you'd do it. | 0:28:48 | 0:28:51 | |
I'm not qualified | 0:28:52 | 0:28:54 | |
to be the president of the Three Stooges fan club. | 0:28:54 | 0:28:56 | |
-Well... -I might take that job. | 0:28:56 | 0:28:58 | |
Right, it is time to meet my next guest. | 0:28:59 | 0:29:03 | |
Now, at the Rio Olympics, he won double gold for the second time. | 0:29:03 | 0:29:07 | |
He's quite simply the greatest long-distance runner of all time. | 0:29:07 | 0:29:11 | |
Ready, steady, Mo, it's Mr Mo Farah! | 0:29:11 | 0:29:13 | |
CHEERING AND APPLAUSE | 0:29:13 | 0:29:14 | |
Hello, sir. Lovely to see you again. Have a seat. | 0:29:19 | 0:29:22 | |
-Hi. -What a pleasure. Hi, how you doing? | 0:29:25 | 0:29:28 | |
-Joseph. -Pleased to meet you. | 0:29:28 | 0:29:29 | |
CHEERING AND APPLAUSE CONTINUES | 0:29:29 | 0:29:31 | |
I like... I like that you've still got running shoes on. | 0:29:34 | 0:29:38 | |
-They're comfortable. -At any moment, he could go for a race. | 0:29:38 | 0:29:43 | |
Very good. Well welcome, Mo. | 0:29:43 | 0:29:45 | |
-Are you a bit starstruck? -I am, I am big-time. | 0:29:45 | 0:29:47 | |
I'm like, "Ooh." | 0:29:47 | 0:29:50 | |
LAUGHTER | 0:29:50 | 0:29:52 | |
Cos what is it, Captain Phillips that...? | 0:29:52 | 0:29:54 | |
My favourite movie of Tom is Captain Phillips. | 0:29:54 | 0:29:57 | |
And I've seen The Green Mile. There's so many of them, | 0:29:57 | 0:30:00 | |
but my favourite one, because, as you know, | 0:30:00 | 0:30:02 | |
I was born in Somalia and the guy who was acting, | 0:30:02 | 0:30:05 | |
he was born in Somalia, Mogadishu, was Barkhad, the guy. | 0:30:05 | 0:30:07 | |
-And I know him. -You know Barkhad? -Yeah. -Oh. | 0:30:07 | 0:30:10 | |
-So it was just... -LAUGHTER | 0:30:10 | 0:30:12 | |
That's like "Oh, you're from England. Do you know my cousin?" | 0:30:13 | 0:30:17 | |
If you were to meet backstage, you'd say, "Hi, I'm from Somalia." | 0:30:18 | 0:30:20 | |
I'd say, "Hey, do you know Barkhad Abdi?" | 0:30:20 | 0:30:22 | |
That's what happens. In Somalia, everybody knows each other and it's just... | 0:30:24 | 0:30:27 | |
-It's a small world. -But you and he must be like kings. | 0:30:27 | 0:30:31 | |
Yeah, they've done very well. They've done very well. | 0:30:31 | 0:30:35 | |
Now, double-double, that's something else. A round of applause for that. | 0:30:35 | 0:30:39 | |
APPLAUSE AND CHEERING | 0:30:39 | 0:30:41 | |
But, I don't know, cos in America maybe you didn't follow the story, | 0:30:44 | 0:30:49 | |
but you really put the nation through it. | 0:30:49 | 0:30:52 | |
Because when you tripped, right at the start of the 10,000, | 0:30:52 | 0:30:56 | |
there you are. | 0:30:56 | 0:30:57 | |
Like, when you got up again, did you think, "Is it worth bothering now?" | 0:30:57 | 0:31:02 | |
No, because there was a point where I had to make a split decision. | 0:31:03 | 0:31:07 | |
When you go down and you get nervous and it's just... You panic. | 0:31:07 | 0:31:11 | |
Every human does. You panic and you're like, "Oh, my God, I've just fallen down. | 0:31:11 | 0:31:14 | |
"It's over, the race is over." But I just had to get over it and think, | 0:31:14 | 0:31:17 | |
"God, I worked four years for this. I can't let that happen." | 0:31:17 | 0:31:21 | |
I was just like, "Just be patient, be patient." | 0:31:21 | 0:31:23 | |
And, secondly, I promised my daughter Rihanna | 0:31:23 | 0:31:26 | |
I was going to get her a gold medal. | 0:31:26 | 0:31:27 | |
So her for her birthday, I told her I was going | 0:31:27 | 0:31:29 | |
to get her a gold medal cos I was training so hard. | 0:31:29 | 0:31:31 | |
Wow! | 0:31:32 | 0:31:33 | |
APPLAUSE | 0:31:33 | 0:31:35 | |
That's... That's some motivation. | 0:31:35 | 0:31:37 | |
I've got four kids. The twins, I got two medals from London. | 0:31:37 | 0:31:43 | |
And then my son got a medal now. | 0:31:43 | 0:31:44 | |
And Rihanna was just the one only missing. | 0:31:44 | 0:31:46 | |
As an 11-year-old, you know, they ask questions, "Dad, Dad?" | 0:31:46 | 0:31:50 | |
Because she kept asking me - "You got the twins a medal, where's my medal, where's my medal?" | 0:31:50 | 0:31:53 | |
I was like... That was years ago, a couple of years ago. | 0:31:53 | 0:31:57 | |
I'm like, "OK, I'll work towards it." And I couldn't let her down. | 0:31:57 | 0:32:00 | |
That's what's kept me going. | 0:32:00 | 0:32:02 | |
So, do you need to have another child to get another gold medal? | 0:32:02 | 0:32:05 | |
Is that how that works? | 0:32:05 | 0:32:07 | |
Is that part of your training? | 0:32:07 | 0:32:09 | |
I think four is a good number. | 0:32:09 | 0:32:13 | |
Now, you've brought out a DVD. | 0:32:13 | 0:32:15 | |
This is a sort of film, it's all about the lead-up to Rio and your experiences in Rio, is that right? | 0:32:15 | 0:32:21 | |
Yeah. It's about, basically about my life and what it takes to be | 0:32:21 | 0:32:24 | |
a champion and, you know, I've got four kids. | 0:32:24 | 0:32:27 | |
It's not easy having four kids. I'm away six months of the year. | 0:32:27 | 0:32:30 | |
It's basically going inside of my life, what I do day in, day out. | 0:32:30 | 0:32:34 | |
And I just want to get, you know, show people. | 0:32:34 | 0:32:37 | |
So if you are an aspiring athlete or if you... | 0:32:37 | 0:32:40 | |
Will it help people with motivation and stuff? | 0:32:40 | 0:32:42 | |
I hope it does because that's the whole point of doing this DVD. | 0:32:42 | 0:32:46 | |
People out there just see you and TV, like, and think, | 0:32:46 | 0:32:49 | |
"Oh, my God, I can never get up there." | 0:32:49 | 0:32:51 | |
But you can. I started at the age of 12 | 0:32:51 | 0:32:53 | |
and it's just been hard work and year after year. | 0:32:53 | 0:32:55 | |
And now, finally, you know what, I have achieved. | 0:32:55 | 0:32:58 | |
I did dream of myself becoming a four-time Olympic champion. | 0:32:58 | 0:33:01 | |
Once, I remember watching the Sydney Olympics and thinking, | 0:33:01 | 0:33:05 | |
"I want to become Olympic champion." | 0:33:05 | 0:33:06 | |
And then, leading up to Beijing, I didn't even make the final. | 0:33:06 | 0:33:09 | |
And I had to wait for another four years. And then London, I do double. | 0:33:09 | 0:33:12 | |
And then another four years in Rio. You know, it is incredible. | 0:33:12 | 0:33:16 | |
It really is. What's interesting is seeing you again. | 0:33:16 | 0:33:19 | |
-When were you on the show before? -Just after London. | 0:33:19 | 0:33:22 | |
-Was just after London? -Maybe. -You're like a different person. | 0:33:22 | 0:33:24 | |
You're so kind of, you know, self-assured. | 0:33:24 | 0:33:26 | |
Because the last time, you were quite nervous. | 0:33:26 | 0:33:28 | |
And now you're just like, "Yeah. Tom Hanks, whatever." | 0:33:28 | 0:33:31 | |
LAUGHTER | 0:33:31 | 0:33:33 | |
I've been watching too many movies. | 0:33:33 | 0:33:35 | |
You know, man, he's been to Rio. | 0:33:35 | 0:33:37 | |
Once you get back from Rio, it's all... | 0:33:37 | 0:33:40 | |
No Easy Mile is the name of the DVD, | 0:33:40 | 0:33:42 | |
it's out on Monday the 5th of December | 0:33:42 | 0:33:44 | |
and here's a little taste. | 0:33:44 | 0:33:45 | |
He's unquestionably one of the very best. | 0:33:47 | 0:33:50 | |
For the last six years I've been away from my family six months of the year. | 0:33:56 | 0:33:59 | |
Being good's not enough to win a gold medal. | 0:34:01 | 0:34:03 | |
You've got to be excellent. | 0:34:03 | 0:34:05 | |
You only get one chance, one moment. And this is my moment. | 0:34:08 | 0:34:12 | |
-APPLAUSE -Wow. | 0:34:15 | 0:34:16 | |
Now, running, as we know, a very sexy sport. | 0:34:22 | 0:34:24 | |
Proof of that is Mr Tom Hanks. | 0:34:24 | 0:34:27 | |
I believe your wife, one of her favourite scenes is you running. | 0:34:27 | 0:34:31 | |
Oh...Oh, dear. The running away scene. | 0:34:31 | 0:34:35 | |
Yes. Every interview will be about Forrest Gump at some point. | 0:34:35 | 0:34:39 | |
You'll have the same thing. | 0:34:39 | 0:34:40 | |
You'll be answering questions about St Joan for the rest of your life. | 0:34:40 | 0:34:44 | |
I was... I had done, not the workouts, | 0:34:44 | 0:34:48 | |
but I had worked out quite a bit and it was all about running. | 0:34:48 | 0:34:51 | |
And I must say that my "butt-ocks", | 0:34:51 | 0:34:54 | |
as Forrest would say, were as firm as tinned hams. | 0:34:54 | 0:34:59 | |
They were just... They were just the... | 0:34:59 | 0:35:01 | |
I've seen the movie and I've seen it and every now and again | 0:35:01 | 0:35:05 | |
if it comes by on the cable, | 0:35:05 | 0:35:07 | |
my wife will just go, "Just leave it here, honey. | 0:35:07 | 0:35:10 | |
"I want to see that one scene where you're running away from the camera. | 0:35:10 | 0:35:14 | |
"I want to have a look at that fine Hanks' ass!" | 0:35:14 | 0:35:16 | |
LAUGHTER | 0:35:16 | 0:35:18 | |
APPLAUSE | 0:35:18 | 0:35:21 | |
But it's not there any more. | 0:35:21 | 0:35:22 | |
But in the day, man, it was... | 0:35:22 | 0:35:25 | |
I must say, I even think it's a beautiful thing to behold. | 0:35:25 | 0:35:28 | |
And actually there's another link between Mo and Tom. | 0:35:30 | 0:35:33 | |
Because the last time you were on, remember those memes | 0:35:33 | 0:35:36 | |
people would do, the Mo Farah running away from things. | 0:35:36 | 0:35:39 | |
-So, Mo Farah running away from a bear. -Oh! | 0:35:39 | 0:35:44 | |
Mo Farah in a bull run. | 0:35:44 | 0:35:46 | |
Mo Farah in the Sound of Music. | 0:35:46 | 0:35:49 | |
LAUGHTER | 0:35:49 | 0:35:52 | |
And there is one of Mo Farah running away from Forrest Gump. | 0:35:52 | 0:35:56 | |
One of the reasons I remember Tom | 0:36:03 | 0:36:05 | |
and obviously it's amazing what he does, | 0:36:05 | 0:36:07 | |
is when you go out for a run, "Run, Forrest, run!" | 0:36:07 | 0:36:11 | |
-But it's a nice thing, it's a compliment. -It's lovely. | 0:36:12 | 0:36:15 | |
You've got to think, you've gone to all that trouble of becoming | 0:36:15 | 0:36:17 | |
a famous runner, and they're still calling you another name. | 0:36:17 | 0:36:20 | |
How hard is Mo? | 0:36:20 | 0:36:21 | |
LAUGHTER | 0:36:21 | 0:36:23 | |
Run, Farah, run. Maybe that could work. See, there you go. | 0:36:23 | 0:36:26 | |
-Run, Farah run. Take it, folks. It is my gift unto you. -They are. | 0:36:26 | 0:36:33 | |
Actually, could you do a lovely thing, Tom, | 0:36:33 | 0:36:35 | |
could you do a lovely thing? | 0:36:35 | 0:36:36 | |
Just cos Mo's here - he's the greatest runner in the world. | 0:36:36 | 0:36:39 | |
Could you do the line from Forrest Gump where | 0:36:39 | 0:36:41 | |
he suddenly discovers how much he likes running? | 0:36:41 | 0:36:44 | |
I would be happy to do it, | 0:36:44 | 0:36:45 | |
but you must show the lady with the cue card, | 0:36:45 | 0:36:47 | |
cos otherwise people will think that I've actually memorised this. | 0:36:47 | 0:36:51 | |
Show the lady with the cue card, cut over to her. Just show... See? | 0:36:51 | 0:36:56 | |
There she is. She's there. | 0:36:56 | 0:36:58 | |
I will in fact do it. OK, it is... | 0:36:58 | 0:36:59 | |
-This is for you, Mo. -This is for you, Mo. | 0:36:59 | 0:37:02 | |
"Now you wouldn't believe me if I told you, but I could run | 0:37:02 | 0:37:05 | |
"like the wind blows. | 0:37:05 | 0:37:07 | |
"From that day on, if I was going somewhere, I was RUNNING." | 0:37:07 | 0:37:12 | |
CHEERING AND APPLAUSE | 0:37:13 | 0:37:16 | |
It's going to haunt you for the rest of your days. | 0:37:16 | 0:37:19 | |
Don't embrace it too much. | 0:37:19 | 0:37:21 | |
It makes us happy. | 0:37:23 | 0:37:24 | |
All right, it's time for our musical performance. | 0:37:24 | 0:37:28 | |
This man has gone from X Factor hopeful | 0:37:28 | 0:37:30 | |
to one of Britain's biggest music stars. | 0:37:30 | 0:37:33 | |
Performing his single Years and Years, it's Olly Murs! | 0:37:33 | 0:37:36 | |
CHEERING AND APPLAUSE | 0:37:36 | 0:37:37 | |
# When I'm alone, in the dark | 0:37:40 | 0:37:42 | |
# I paint a picture inside my mind | 0:37:42 | 0:37:47 | |
# Of all the things that I wanted | 0:37:48 | 0:37:50 | |
# But I never thought I would find | 0:37:50 | 0:37:54 | |
# And it blows my mind | 0:37:55 | 0:37:58 | |
# Because there you are by my side | 0:37:58 | 0:38:04 | |
# Maybe you know, maybe you don't | 0:38:04 | 0:38:06 | |
# But it's a question I have to ask | 0:38:06 | 0:38:09 | |
# I know we're young, and we've got life | 0:38:11 | 0:38:14 | |
# But life always goes so fast | 0:38:14 | 0:38:17 | |
# But while you're mine | 0:38:19 | 0:38:22 | |
# Yeah, it feels like time's on our side | 0:38:22 | 0:38:27 | |
# Years and years, forever young | 0:38:28 | 0:38:32 | |
# Years and years, yet to come | 0:38:32 | 0:38:35 | |
# I take every second of every minute | 0:38:35 | 0:38:38 | |
# Long as you're in it, you know I'm winning | 0:38:38 | 0:38:41 | |
# Years and years, we won't forget | 0:38:44 | 0:38:48 | |
# The time and place that we met | 0:38:48 | 0:38:51 | |
# And I remember it all so clear | 0:38:51 | 0:38:55 | |
# You signed your name on my heart Saying you were here | 0:38:55 | 0:38:59 | |
# No, we're not at the end | 0:39:03 | 0:39:05 | |
# But we came close maybe once or twice | 0:39:05 | 0:39:08 | |
# We got burned but we learned not to listen to bad advice | 0:39:11 | 0:39:17 | |
# Now I know you're mine | 0:39:17 | 0:39:21 | |
# Cos it feels like time's on our side | 0:39:21 | 0:39:26 | |
# Years and years, forever young | 0:39:27 | 0:39:31 | |
# Years and years, yet to come | 0:39:31 | 0:39:34 | |
# I take every second of every minute | 0:39:34 | 0:39:37 | |
# Long as you're in it, you know I'm winning | 0:39:37 | 0:39:41 | |
# Years and years, we won't forget | 0:39:43 | 0:39:46 | |
# The time and place that we met | 0:39:46 | 0:39:50 | |
# And I remember it all so clear | 0:39:50 | 0:39:53 | |
# You signed your name on my heart | 0:39:54 | 0:39:56 | |
# Saying you were here | 0:39:56 | 0:39:58 | |
# It doesn't matter where we go | 0:39:58 | 0:40:02 | |
# It's all I want, it's all I know | 0:40:02 | 0:40:05 | |
# This feeling's never ever getting old | 0:40:06 | 0:40:11 | |
# It's all I know, oh-oh oh-oh | 0:40:11 | 0:40:17 | |
# Know, oh-oh oh-oh | 0:40:17 | 0:40:20 | |
# Years and years, forever young | 0:40:22 | 0:40:26 | |
# Years and years, yet to come | 0:40:26 | 0:40:29 | |
# I take every second of every minute | 0:40:29 | 0:40:32 | |
# Long as you're in it, you know I'm winning | 0:40:32 | 0:40:36 | |
# Years and years, we won't forget | 0:40:38 | 0:40:41 | |
# The time and place that we met | 0:40:41 | 0:40:45 | |
# And I remember it all so clear | 0:40:45 | 0:40:48 | |
# You signed your name on my heart | 0:40:49 | 0:40:51 | |
# Saying you were here | 0:40:51 | 0:40:53 | |
# Years and years | 0:40:53 | 0:40:57 | |
# Years and years | 0:40:57 | 0:41:01 | |
# Years and years | 0:41:01 | 0:41:05 | |
# You signed your name on my heart | 0:41:05 | 0:41:07 | |
# Saying you were here. # | 0:41:07 | 0:41:10 | |
APPLAUSE AND CHEERING | 0:41:11 | 0:41:14 | |
Thank you very much. | 0:41:16 | 0:41:17 | |
Olly Murs! | 0:41:18 | 0:41:19 | |
Great song, come on over. | 0:41:19 | 0:41:21 | |
Wow, that's a classic. Well done. | 0:41:23 | 0:41:25 | |
Have a seat here. Here's Joseph. | 0:41:25 | 0:41:27 | |
Gemma. Tom and Mo. | 0:41:27 | 0:41:29 | |
CHEERING AND APPLAUSE CONTINUES Marvellous! | 0:41:29 | 0:41:32 | |
Sit down, sit down, sit down. | 0:41:37 | 0:41:39 | |
Thanks for bringing the whole service to town, | 0:41:40 | 0:41:42 | |
-that was a lot of people. -It's a lot of people out there. | 0:41:42 | 0:41:45 | |
-Thank you for having me. -And that was an exclusive, wasn't it? | 0:41:45 | 0:41:47 | |
Yes, exclusive, Years and Years, from the new album, 24 Hours. | 0:41:47 | 0:41:50 | |
Kerching! LAUGHTER | 0:41:50 | 0:41:52 | |
-And album - number one? -Yes. | 0:41:52 | 0:41:54 | |
-Number one last week. -CHEERING AND APPLAUSE | 0:41:54 | 0:41:57 | |
-Absolutely amazing. So, thank you. -But you are, you are such... | 0:41:59 | 0:42:03 | |
You are like a proper hard grafter, worker. | 0:42:03 | 0:42:06 | |
I think I follow you on Twitter cos I see everything you do | 0:42:06 | 0:42:09 | |
and you've been plugging away. | 0:42:09 | 0:42:10 | |
You're doing everything - breakfast shows, kid shows, everything. | 0:42:10 | 0:42:13 | |
-You're just working, working, working. -I'm everywhere. | 0:42:13 | 0:42:16 | |
No, I love my job. I think, all of us, we just love what we do. | 0:42:16 | 0:42:20 | |
So I love music, love doing it. | 0:42:20 | 0:42:21 | |
So, yeah, just get out there as much as I can. | 0:42:21 | 0:42:25 | |
So, Olly Murs, he's young. | 0:42:25 | 0:42:27 | |
You'd think of all the people here who'd understand | 0:42:27 | 0:42:30 | |
how social media works, would be him. | 0:42:30 | 0:42:32 | |
I'm older than time. | 0:42:32 | 0:42:34 | |
Every time you're on this show | 0:42:34 | 0:42:36 | |
I have to explain AGAIN how Twitter works. | 0:42:36 | 0:42:39 | |
-Thank you. -You put it on Twitter, people can see it, Olly. | 0:42:40 | 0:42:44 | |
I know. But, you know, you're giving fans what they want on Twitter, aren't you...? | 0:42:46 | 0:42:50 | |
The fans didn't deserve this, I feel, Olly. | 0:42:50 | 0:42:52 | |
-ALL: -Oh! | 0:42:52 | 0:42:55 | |
Were you packing for a trip? | 0:42:56 | 0:42:57 | |
LAUGHTER | 0:42:57 | 0:42:58 | |
APPLAUSE | 0:42:59 | 0:43:02 | |
Oh, God, you're embarrassing me. | 0:43:03 | 0:43:05 | |
What was going on in your head? | 0:43:05 | 0:43:07 | |
I get that you got a bit drunk and... | 0:43:07 | 0:43:09 | |
By the way, can I just say, for your skin tone, | 0:43:09 | 0:43:12 | |
those shorts are an awful choice. | 0:43:12 | 0:43:14 | |
LAUGHTER | 0:43:14 | 0:43:15 | |
It looks like loose skin has fallen down your legs. | 0:43:15 | 0:43:19 | |
But, anyway, I get it, you're having a laugh. You took the picture. | 0:43:19 | 0:43:22 | |
But did you need to tweet it, Olly? | 0:43:22 | 0:43:25 | |
-I'm sorry. -No, you look lovely. | 0:43:25 | 0:43:27 | |
And Gemma's getting quite the eyeful there. | 0:43:27 | 0:43:29 | |
It's on my profiles. | 0:43:31 | 0:43:33 | |
GRAHAM LAUGHS | 0:43:33 | 0:43:35 | |
Lovely(!) | 0:43:35 | 0:43:36 | |
When are you going to be touring this album? | 0:43:36 | 0:43:38 | |
I'll be touring next year. So in March next year, | 0:43:38 | 0:43:40 | |
we're going to be touring up and down the country, | 0:43:40 | 0:43:42 | |
starting in Glasgow, doing the O2 everywhere. | 0:43:42 | 0:43:43 | |
It's going to be brilliant. | 0:43:43 | 0:43:45 | |
Always lovely to see you. Come back again. | 0:43:45 | 0:43:47 | |
-Olly Murs, everybody. -Thank you. -CHEERING AND APPLAUSE | 0:43:47 | 0:43:50 | |
Nearly it, but before we go, | 0:43:51 | 0:43:53 | |
we've got time for a visit to the big red chair. | 0:43:53 | 0:43:55 | |
Who have we got? Hello, sir. | 0:43:55 | 0:43:56 | |
-Hello, sir. -Hi, what's your name? | 0:43:56 | 0:43:58 | |
LAUGHTER | 0:43:58 | 0:43:59 | |
-My name's Adam Shaw, Graham. -Adam? Adam, OK. -Yes. | 0:44:00 | 0:44:03 | |
What do you do, Adam? | 0:44:03 | 0:44:05 | |
-I'm an actor. -And where are you from? -I'm from Pudsey. | 0:44:05 | 0:44:08 | |
Pudsey? | 0:44:08 | 0:44:10 | |
LAUGHTER | 0:44:12 | 0:44:13 | |
APPLAUSE | 0:44:13 | 0:44:15 | |
Wait, that guy looks... That guy actually looks familiar to me. | 0:44:21 | 0:44:23 | |
You know him? | 0:44:23 | 0:44:24 | |
He... Have we ever worked together? | 0:44:24 | 0:44:27 | |
Let's get him back. | 0:44:27 | 0:44:29 | |
-Is he allowed to be back in the chair? -Yeah, he can come back. Adam? | 0:44:29 | 0:44:34 | |
Oh, there he is. Adam. | 0:44:34 | 0:44:35 | |
OK. Joseph took against you. | 0:44:36 | 0:44:38 | |
But Tom thought you looked familiar. | 0:44:38 | 0:44:40 | |
I am hopefully, yeah. I owe Tom quite a lot | 0:44:40 | 0:44:43 | |
because my very first acting job was Saving Private Ryan | 0:44:43 | 0:44:48 | |
and, on paper, it looked great. | 0:44:48 | 0:44:51 | |
You know, I'm working with Tom, one of the best screen actors going. | 0:44:51 | 0:44:55 | |
Working with Spielberg, one of the best directors, | 0:44:55 | 0:44:57 | |
well, still the best director in the world. | 0:44:57 | 0:44:59 | |
So, on paper, it looked great. | 0:44:59 | 0:45:01 | |
But then on my first day, I realised that I couldn't swim. | 0:45:01 | 0:45:03 | |
And they threw me over, obviously, you know the movie, | 0:45:05 | 0:45:07 | |
they threw me over the landing craft. | 0:45:07 | 0:45:08 | |
Oh, that's right! We were in the Higgins boats together. | 0:45:08 | 0:45:11 | |
And I lied about being able to swim. I lied about being American. | 0:45:11 | 0:45:14 | |
-LAUGHTER -I'm actually from Pudsey, | 0:45:14 | 0:45:19 | |
which is in Leeds, you know. | 0:45:19 | 0:45:22 | |
And then they put me in a fireproof suit and I'm going, | 0:45:22 | 0:45:26 | |
"Where's the fire?" | 0:45:26 | 0:45:28 | |
So then I was about to get burnt to death, I don't know. | 0:45:28 | 0:45:31 | |
Tom, do you remember the... The AD showed me the action. | 0:45:31 | 0:45:36 | |
-He put me in the water with you? -Yes, yes. | 0:45:36 | 0:45:38 | |
And I turned to you and I said, "I've no idea what I'm doing." | 0:45:38 | 0:45:41 | |
-You were just out of drama school. -That was it. | 0:45:44 | 0:45:47 | |
And that was the moment I told you | 0:45:47 | 0:45:49 | |
and we both questioned why I was there. | 0:45:49 | 0:45:51 | |
-Yeah. -LAUGHTER | 0:45:51 | 0:45:53 | |
Is the end of this story that Tom Hanks saved your life? | 0:45:53 | 0:45:57 | |
He did really save my life. He literally saved my life. | 0:45:57 | 0:46:00 | |
-Did he, really? -It was pretty deep water, as I recall. You know? | 0:46:00 | 0:46:05 | |
CHEERING AND APPLAUSE | 0:46:06 | 0:46:08 | |
Can he walk or flip? Walk, flip? | 0:46:08 | 0:46:09 | |
-Well... -Oh, he's walking. He walked. | 0:46:11 | 0:46:13 | |
As I recall, when it was all done, I said, | 0:46:13 | 0:46:16 | |
"Just out of drama school huh? Welcome to the big-time!" | 0:46:16 | 0:46:19 | |
APPLAUSE | 0:46:21 | 0:46:23 | |
Well done, everyone. | 0:46:23 | 0:46:24 | |
If you'd like to join us on the show and have a go on the red chair | 0:46:24 | 0:46:27 | |
you can drop us a line on the website at this very address. | 0:46:27 | 0:46:30 | |
That is it for tonight. | 0:46:30 | 0:46:32 | |
Please say thank you to my guests, Mr Olly Murs. | 0:46:32 | 0:46:35 | |
Mo Farah! | 0:46:36 | 0:46:38 | |
Jason Gordon-Levitt! | 0:46:38 | 0:46:40 | |
Gemma Arterton. | 0:46:42 | 0:46:44 | |
And Mr Tom Hanks. | 0:46:44 | 0:46:46 | |
CHEERING AND APPLAUSE | 0:46:46 | 0:46:48 | |
Join me next week with singer Emeli Sande, | 0:46:48 | 0:46:51 | |
top chef Jamie Oliver. | 0:46:51 | 0:46:53 | |
Hollywood heart-throb Chris Pratt and Oscar winner Jennifer Lawrence. | 0:46:53 | 0:46:56 | |
I'll see you, then. Until then, bye-bye! | 0:46:56 | 0:46:57 | |
CHEERING AND APPLAUSE | 0:46:57 | 0:47:00 |