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-Hello, I'm Jennifer Lawrence. -And I'm Chris Pratt. | 0:00:02 | 0:00:04 | |
-BOTH: -Welcome to the Graham Norton Show! | 0:00:04 | 0:00:07 | |
CHEERING AND APPLAUSE | 0:00:07 | 0:00:09 | |
This programme contains strong language. | 0:00:11 | 0:00:15 | |
Oh! Oh! Ha-ha! CHEERING AND APPLAUSE | 0:00:24 | 0:00:29 | |
Oh! Thank you very much! | 0:00:29 | 0:00:33 | |
Thank you, thank you. Oh, too kind! | 0:00:33 | 0:00:37 | |
Oh, thank you. Whoop, whoop! Whoop, whoop! | 0:00:37 | 0:00:39 | |
Hello, good evening and welcome to the show. | 0:00:39 | 0:00:43 | |
We've got a great line-up for you tonight. Oh, I tell you, we have. | 0:00:43 | 0:00:47 | |
Our sofa couldn't be any cooler if we left it out overnight. | 0:00:47 | 0:00:50 | |
Chilly, isn't it? Ooh! Cold snap - break a hip. | 0:00:50 | 0:00:52 | |
Now... It's been quite a week, hasn't it, ladies and gentlemen? | 0:00:52 | 0:00:55 | |
Praise be, Honey G was voted off The X Factor, | 0:00:55 | 0:00:59 | |
Ed Balls left Strictly. | 0:00:59 | 0:01:00 | |
Sanity has been restored, ladies and gentlemen. | 0:01:00 | 0:01:03 | |
I say that - sanity has been restored(!) | 0:01:03 | 0:01:06 | |
Yeah, have you seen what's been happening at Ukip central? | 0:01:06 | 0:01:09 | |
Woohoo! There they are. Old and new together. Remind you of anyone? | 0:01:09 | 0:01:15 | |
LAUGHTER | 0:01:15 | 0:01:18 | |
The good news is, at last Nigel Farage has left party politics | 0:01:18 | 0:01:21 | |
and now, finally, he can go home and spend more time with his wife. | 0:01:21 | 0:01:25 | |
Noooo! | 0:01:26 | 0:01:29 | |
Listen, we've got another great line-up of guests for you tonight. | 0:01:29 | 0:01:31 | |
Later, we'll be joined by rapper and music mogul, will.i.am, ladies and gentlemen! | 0:01:31 | 0:01:35 | |
CHEERING | 0:01:35 | 0:01:37 | |
Yes! And, we will have music from the stunning Emeli Sande! | 0:01:37 | 0:01:41 | |
CHEERING | 0:01:41 | 0:01:44 | |
Yeah! But let's get my first guests on. | 0:01:44 | 0:01:46 | |
He went from Naked Chef to the most successful TV cook of all time, | 0:01:46 | 0:01:49 | |
and, just in time for Christmas, | 0:01:49 | 0:01:51 | |
he's back with his 19th cook book - it's Jamie Oliver, everybody! | 0:01:51 | 0:01:55 | |
APPLAUSE | 0:01:55 | 0:01:57 | |
Oh, oh, oh. Suited and booted. Hello. Sit down, sit down. | 0:01:57 | 0:02:00 | |
CHEERING AND APPLAUSE Jamie Oliver! | 0:02:02 | 0:02:04 | |
From Guardians of the Galaxy, to Jurassic World, | 0:02:04 | 0:02:07 | |
this Hollywood star is the go-to leading man of the moment. | 0:02:07 | 0:02:10 | |
Now, he's back in space in the sci-fi thriller Passengers - | 0:02:10 | 0:02:13 | |
it's Chris Pratt, everybody! | 0:02:13 | 0:02:16 | |
CHEERING AND APPLAUSE Hey! | 0:02:16 | 0:02:19 | |
Hello. You're very welcome, have a seat. | 0:02:19 | 0:02:22 | |
Sit beside Jamie. Do. Yeah, love him. | 0:02:22 | 0:02:25 | |
And, starring alongside Chris, | 0:02:27 | 0:02:29 | |
she's the Oscar-winning star of Silver Linings Playbook, | 0:02:29 | 0:02:31 | |
American Hustle | 0:02:31 | 0:02:33 | |
and the block-busting franchises X-Men and Hunger Games. | 0:02:33 | 0:02:36 | |
It's always a pleasure to welcome, Jennifer Lawrence! | 0:02:36 | 0:02:39 | |
CHEERING AND APPLAUSE Whoo! Whoo! | 0:02:39 | 0:02:43 | |
Hello. I have done so much whooping already. | 0:02:43 | 0:02:46 | |
Have a seat, do! | 0:02:46 | 0:02:48 | |
-I didn't notice that. -My seven foot tall shoes? | 0:02:50 | 0:02:53 | |
-They are incredible. -Thank you. | 0:02:53 | 0:02:55 | |
How weird that I didn't even notice those earlier. That's incredible. | 0:02:55 | 0:02:59 | |
-It was very dark. -It WAS very dark. | 0:02:59 | 0:03:01 | |
Just to check with our American friends, do you...you must know Jamie Oliver? | 0:03:01 | 0:03:05 | |
Have you met Jamie Oliver before? | 0:03:05 | 0:03:07 | |
It's the first time we've ever met, but, of course, I know who he is. | 0:03:07 | 0:03:09 | |
-Yeah. -Yeah, good answer. LAUGHTER | 0:03:09 | 0:03:13 | |
Now, I don't mean to depress Jamie, but, Chris Pratt, | 0:03:13 | 0:03:15 | |
you've been less than kind about British cooking. | 0:03:15 | 0:03:18 | |
-Well... -Chris, come on, man. -I... | 0:03:18 | 0:03:22 | |
Look, I know that, in America, we're a real melting pot. | 0:03:22 | 0:03:26 | |
We've got great Italian restaurants and great Japanese restaurants | 0:03:26 | 0:03:30 | |
and like, Indian food, | 0:03:30 | 0:03:31 | |
but there's not like, "Hey, let's go get British tonight!" | 0:03:31 | 0:03:33 | |
Do you know what I mean? We don't have that. | 0:03:33 | 0:03:37 | |
You guys are good at the drinking, which I love! | 0:03:37 | 0:03:40 | |
Yeah, I'm with you there. | 0:03:40 | 0:03:41 | |
Your food is, basically, coat the stomach | 0:03:41 | 0:03:44 | |
so the ale and the whisky and the scotch | 0:03:44 | 0:03:46 | |
and all that stuff has a place to live. | 0:03:46 | 0:03:48 | |
An Irish friend of mine, she calls dinner "soakage." | 0:03:48 | 0:03:50 | |
-I cooked a whole meal and she went, "That was great soakage." -Exactly. | 0:03:52 | 0:03:57 | |
Essentially, it's potatoes five ways. | 0:03:57 | 0:03:59 | |
Yeah. Fish, fried fish and chips. | 0:03:59 | 0:04:01 | |
I've got to be careful what I eat, | 0:04:01 | 0:04:03 | |
-cos I have got fat guy genes. -So do I! | 0:04:03 | 0:04:05 | |
-I have to replace food with alcohol. -Yeah! | 0:04:05 | 0:04:08 | |
-You know what? -You balance that diet! | 0:04:08 | 0:04:10 | |
-It's a depressing choice at times. -Let's have a little snack, shall we? | 0:04:10 | 0:04:13 | |
-Come on. -Cheers, everyone! -Yes, yay! Cheers... -As you do. | 0:04:13 | 0:04:18 | |
Here's to sensible calories. | 0:04:18 | 0:04:19 | |
I get nervous that I'm going to say something | 0:04:19 | 0:04:22 | |
and then I'm nervous | 0:04:22 | 0:04:23 | |
and I'm like, "Ooh, I better drink." That doesn't help! | 0:04:23 | 0:04:25 | |
Oh, boy, I hope I don't go on TV and say something silly. | 0:04:27 | 0:04:31 | |
LAUGHTER AND APPLAUSE | 0:04:31 | 0:04:34 | |
The perfect recipe. Now, often on the show, ladies and gentlemen, | 0:04:38 | 0:04:41 | |
we check people's yearbooks and things. | 0:04:41 | 0:04:44 | |
And I have to say, tonight bodes well for a chat show. | 0:04:44 | 0:04:47 | |
On a chat show, what do you want? | 0:04:47 | 0:04:48 | |
Well, Jennifer Lawrence - | 0:04:48 | 0:04:50 | |
voted, back in high school, "most talkative". | 0:04:50 | 0:04:52 | |
-Whoo! -Two years in a row! | 0:04:52 | 0:04:55 | |
-Oh! -Two consecutive years. -That's very impressive. | 0:04:55 | 0:04:58 | |
-Yeah, it was hard to get. -Chris Pratt, he was voted "class clown". | 0:04:58 | 0:05:04 | |
-Oh, my God! -Ideal! | 0:05:04 | 0:05:06 | |
-You were so handsome! -We didn't have a yearbook in Essex. | 0:05:08 | 0:05:11 | |
Jamie Oliver didn't have a yearbook, but if they had, you might have got | 0:05:11 | 0:05:14 | |
-"most likely to win Princess Leia lookalike competition". -Really? Why? | 0:05:14 | 0:05:17 | |
Wow. | 0:05:19 | 0:05:20 | |
-Is that your own hair? -Yup. -That's incredible! | 0:05:21 | 0:05:25 | |
-Yeah, I know. I'm trying to grow it again. -Well, I wouldn't. | 0:05:25 | 0:05:29 | |
-Did you have to set that? -Yep. -Yourself? -It was like... | 0:05:31 | 0:05:35 | |
It was like a bouffant. Jeez. I thought I was cool, as well. | 0:05:35 | 0:05:38 | |
You were cool. Trust me, you were cool. | 0:05:38 | 0:05:40 | |
I know my brother looked exactly like that, | 0:05:40 | 0:05:42 | |
-and he was the coolest guy. That was cool. -Thank you. | 0:05:42 | 0:05:45 | |
And actually, here's the weird thing, | 0:05:45 | 0:05:46 | |
cos in school, I mean, joking aside, school can't have been easy, | 0:05:46 | 0:05:49 | |
because you're dyslexic, so that must have been... | 0:05:49 | 0:05:51 | |
Yeah, I wasn't...I had a pretty... | 0:05:51 | 0:05:53 | |
I wasn't very academic at school, let's put it that way. | 0:05:53 | 0:05:55 | |
I was in what you would call... | 0:05:55 | 0:05:57 | |
they called it "special needs" in those days, | 0:05:57 | 0:05:59 | |
so I did five years of "special needs". | 0:05:59 | 0:06:00 | |
I know. It wasn't the best for your confidence! | 0:06:00 | 0:06:02 | |
But - but, just to fast forward, what an inspiring thing. | 0:06:02 | 0:06:06 | |
So here is this guy, dyslexic in school. | 0:06:06 | 0:06:09 | |
Ladies and gentlemen, I give you the bestselling non-fiction writer | 0:06:09 | 0:06:13 | |
in this country of all time ever. | 0:06:13 | 0:06:17 | |
EVER! CHEERING | 0:06:17 | 0:06:20 | |
-I'm quite proud of that! -You should be really proud of that. | 0:06:21 | 0:06:25 | |
Mrs Murphy, bless you. | 0:06:27 | 0:06:30 | |
In fact, the only person who has outsold you at all is JK Rowling. | 0:06:32 | 0:06:34 | |
Yes, but by quite a lot! There's a big gap. | 0:06:34 | 0:06:38 | |
I did well, don't get me wrong, but, like, the next level! | 0:06:38 | 0:06:41 | |
-But, apparently, you're reading books now? -Well... | 0:06:41 | 0:06:44 | |
OK, this is going to make me... | 0:06:44 | 0:06:47 | |
So I can read, but I really struggled with narrative books. | 0:06:47 | 0:06:51 | |
I always fell asleep after 12, 13 pages. | 0:06:51 | 0:06:55 | |
And then when I saw Jennifer in Hunger Games, I loved it so much, | 0:06:55 | 0:06:59 | |
and you were amazing, I wanted to see the next show straightaway, | 0:06:59 | 0:07:01 | |
but I couldn't be bothered to wait, so I got the book and I read it. | 0:07:01 | 0:07:04 | |
-Oh, my God! -Which, for me, was a big deal. | 0:07:04 | 0:07:07 | |
And anyone that's dyslexic will know how that feels. | 0:07:07 | 0:07:09 | |
But...erm, so, yeah, and it was amazing to have a place, | 0:07:09 | 0:07:12 | |
a quiet place, where I could kind of get into it. | 0:07:12 | 0:07:15 | |
-Yeah! -But also, I've just started wearing glasses, | 0:07:15 | 0:07:18 | |
so I realised I'm blind as well! | 0:07:18 | 0:07:19 | |
Life just got better, basically! | 0:07:21 | 0:07:23 | |
-The odds were stacked against you. -APPLAUSE | 0:07:23 | 0:07:25 | |
Let's talk about our movie tonight - | 0:07:25 | 0:07:27 | |
Jennifer Lawrence and Chris Pratt together at last in Passengers. | 0:07:27 | 0:07:30 | |
It's out on the 21st of December. | 0:07:30 | 0:07:33 | |
Somehow, it seems like you should have been in a movie already. | 0:07:33 | 0:07:36 | |
-Like, did you know each other before? -We'd never even met. | 0:07:36 | 0:07:38 | |
-We'd never met. -That's so weird. Yeah. | 0:07:38 | 0:07:40 | |
-Now, it's like I don't remember... -We just met six months ago | 0:07:40 | 0:07:43 | |
and did a movie together. No, we never met. | 0:07:43 | 0:07:45 | |
-I was going to go really sweet. You were? Yeah. -Go on, do it. | 0:07:45 | 0:07:48 | |
-Nah, fuck it. -It's not too late. | 0:07:48 | 0:07:50 | |
Awww! Awww! We had a great time. | 0:07:53 | 0:07:57 | |
I, of course, knew her work and when I read the script it was... | 0:07:57 | 0:08:02 | |
It really was the greatest script I'd ever read. I loved it so much. | 0:08:02 | 0:08:06 | |
It's original. It's really complicated and interesting and, | 0:08:06 | 0:08:10 | |
when I read it, they said, you know, | 0:08:10 | 0:08:13 | |
I was instructed by my manager, | 0:08:13 | 0:08:14 | |
who said, "Imagine Jennifer Lawrence as the lead." | 0:08:14 | 0:08:17 | |
I was like, "Are you kidding me?" So I did and it just fit so well. | 0:08:17 | 0:08:21 | |
I just thought, if this thing came together and she was in it, | 0:08:21 | 0:08:24 | |
like, how awesome would that be? | 0:08:24 | 0:08:26 | |
And, you know, she loved it as well, | 0:08:26 | 0:08:28 | |
and so she did it and now we're best friends for life. | 0:08:28 | 0:08:32 | |
-Now we're blood brothers. -CHEERING AND APPLAUSE | 0:08:32 | 0:08:35 | |
Not only... | 0:08:35 | 0:08:38 | |
It's one of those things, not only are you in this movie together, | 0:08:39 | 0:08:42 | |
you're kind of the only people in it. | 0:08:42 | 0:08:45 | |
-I know. -Almost. -For people who don't know, | 0:08:46 | 0:08:49 | |
explain the premise, how this happens? | 0:08:49 | 0:08:51 | |
Well, Chris is better at it than me, | 0:08:51 | 0:08:52 | |
but you're making eye-contact with me. | 0:08:52 | 0:08:54 | |
So, I'll say it. | 0:08:54 | 0:08:56 | |
We are both passengers on a ship... | 0:08:56 | 0:09:01 | |
That's not right. | 0:09:01 | 0:09:03 | |
On a ship, a 120-year journey, we are in a hyper sleep, | 0:09:03 | 0:09:05 | |
something goes wrong with the ship. | 0:09:05 | 0:09:07 | |
I'm trying to just vision the studio note in my head. | 0:09:07 | 0:09:11 | |
Something goes wrong with the ship. | 0:09:11 | 0:09:13 | |
We wake up and we're the only people awake on the ship for | 0:09:13 | 0:09:16 | |
a very mysterious and bad reason. | 0:09:16 | 0:09:20 | |
-Um... -There's 90 years left to go. | 0:09:20 | 0:09:22 | |
90 years left to go, so we're basically going to just die | 0:09:22 | 0:09:24 | |
on this ship, but then I wake up and I'm like, "Well, he's cute." | 0:09:24 | 0:09:28 | |
-Every cloud! -Yeah... | 0:09:28 | 0:09:30 | |
That's the movie. You're welcome, Sony. | 0:09:33 | 0:09:35 | |
-Yeah, pretty much. -You can send me flowers later! | 0:09:37 | 0:09:40 | |
-Stuff happens after that, though. -Yeah. | 0:09:41 | 0:09:43 | |
We're stuck together on this ship and alone and we don't know, | 0:09:43 | 0:09:46 | |
we're trying to unravel the mystery of why we woke up | 0:09:46 | 0:09:49 | |
and through the course of doing so, we start to fall for one another. | 0:09:49 | 0:09:51 | |
And then, uh, you know, that gets interrupted by, like, | 0:09:51 | 0:09:55 | |
-the imminent collapse of this... -Robots! | 0:09:55 | 0:09:58 | |
No, again, she keeps thinking | 0:09:58 | 0:10:00 | |
that there's bad robots in the movie, and there aren't. | 0:10:00 | 0:10:03 | |
-I don't think she read the script! -They're rising up! | 0:10:03 | 0:10:06 | |
-There's some apes, it's really bad. -Yeah. A talking dog. | 0:10:06 | 0:10:10 | |
Again, no, there's not. Yeah. | 0:10:10 | 0:10:13 | |
Then all hell breaks loose and we have to, you know, | 0:10:13 | 0:10:17 | |
have an awesome action movie. | 0:10:17 | 0:10:20 | |
We've got a clip. | 0:10:20 | 0:10:21 | |
This is after you've both woken up | 0:10:21 | 0:10:23 | |
and you decide to finally go on a date. | 0:10:23 | 0:10:26 | |
'You have a visitor.' | 0:10:28 | 0:10:30 | |
Wow. | 0:10:35 | 0:10:37 | |
You clean up pretty good yourself. | 0:10:37 | 0:10:39 | |
You went shopping. | 0:10:39 | 0:10:41 | |
I went shoplifting. | 0:10:41 | 0:10:42 | |
You two look fine this evening. | 0:10:46 | 0:10:48 | |
-We're on a date. -Very nice. | 0:10:48 | 0:10:51 | |
It took you long enough to ask. | 0:10:54 | 0:10:56 | |
-I was giving you space. -Oh. | 0:10:56 | 0:10:59 | |
Space - the one thing I do not need more of. | 0:10:59 | 0:11:02 | |
CHEERING AND APPLAUSE Very good. | 0:11:04 | 0:11:07 | |
-And...our own Michael Sheen. -Yes. | 0:11:07 | 0:11:11 | |
Was he there? | 0:11:11 | 0:11:13 | |
Yeah! | 0:11:13 | 0:11:14 | |
-You know what I mean? -Um... -You know how these things happen! | 0:11:14 | 0:11:18 | |
Yeah, he skyped it in. He was there. | 0:11:18 | 0:11:21 | |
He spent, you know, he spent a few weeks with us, | 0:11:21 | 0:11:24 | |
and he plays Arthur, | 0:11:24 | 0:11:25 | |
who is an android, and we're two people who are so in desperate | 0:11:25 | 0:11:30 | |
need of inter-personal connection and, like, a human connection | 0:11:30 | 0:11:33 | |
because we're essentially in this state of solitary confinement. | 0:11:33 | 0:11:36 | |
So we are seeking that with him. | 0:11:36 | 0:11:39 | |
There's some humour that comes from it. | 0:11:39 | 0:11:41 | |
It's a little ominous and a little dark. I mean, he's fabulous. | 0:11:41 | 0:11:44 | |
He's so great in the movie. | 0:11:44 | 0:11:46 | |
As you were saying, there's lots of kind of elements to this movie. | 0:11:46 | 0:11:48 | |
There's the romance, the action, the drama | 0:11:48 | 0:11:51 | |
and all that kind of, you know, what you want | 0:11:51 | 0:11:53 | |
-from a big science fiction movie. -Yeah. | 0:11:53 | 0:11:55 | |
(But, I have to say. There was more sex in this film than I thought...) | 0:11:55 | 0:12:00 | |
-LAUGHTER -Why are you talking like that? | 0:12:00 | 0:12:02 | |
-More sex than you thought? -MORE sex than I thought. Yes. | 0:12:02 | 0:12:05 | |
Really? You didn't mention that bit. | 0:12:05 | 0:12:08 | |
That's all they want to know about, right? | 0:12:08 | 0:12:11 | |
-Oh, right. -Hi, Dad! -Chris Pratt offers up his butt. | 0:12:12 | 0:12:15 | |
-He does, really. -Yeah! -More than once. | 0:12:15 | 0:12:18 | |
Yeah, you see me fully naked in this movie. | 0:12:18 | 0:12:20 | |
-WHOOPING -Come for the fully naked, | 0:12:20 | 0:12:22 | |
stay for the spaceship and shit. | 0:12:22 | 0:12:24 | |
LAUGHTER | 0:12:24 | 0:12:26 | |
Because you've talked on here, Jennifer, about when you | 0:12:26 | 0:12:30 | |
prepare for more intimate scenes about, particularly, your breath. | 0:12:30 | 0:12:32 | |
So, how did Chris fare in the breath control? | 0:12:32 | 0:12:36 | |
Well, I said, whenever I had to kiss Josh and Liam for the Hunger Games, | 0:12:36 | 0:12:41 | |
"Who cares?" | 0:12:41 | 0:12:42 | |
You know, I'd eat, like, mustard and tuna, who cares? | 0:12:42 | 0:12:46 | |
Then I went off and I did the American Hustle, | 0:12:46 | 0:12:49 | |
and it was like Christian Bale, I was like, "Oh, damn!" | 0:12:49 | 0:12:51 | |
And I was, like, really clean. | 0:12:51 | 0:12:53 | |
And...mints, mints, mints. And with Pratt... | 0:12:53 | 0:12:57 | |
-..I ate mints. -Awww! | 0:12:58 | 0:13:01 | |
-No big deal... -Did you see the suspense I built? -Yeah, I know! | 0:13:01 | 0:13:05 | |
I was thinking mince as in mincemeat. | 0:13:05 | 0:13:09 | |
You really shouldn't eat mincemeat. | 0:13:11 | 0:13:15 | |
-Lovely. Mmm! -But for Chris, it was corned beef! | 0:13:15 | 0:13:18 | |
Which I loved. | 0:13:18 | 0:13:20 | |
Actually, talking of sexy scenes, I don't know if you were aware, | 0:13:20 | 0:13:23 | |
when Jamie started, he was called The Naked Chef. | 0:13:23 | 0:13:27 | |
-AUDIENCE MEMBER: -Whoo! -Yes. -Yeah, yeah. | 0:13:27 | 0:13:29 | |
One person remembers that! I know it's nearly 20 years. | 0:13:29 | 0:13:32 | |
We were talking about that back there. | 0:13:32 | 0:13:35 | |
-Because I don't think about that, it was about 20 years ago. -Yeah. | 0:13:35 | 0:13:38 | |
-You never appeared naked. -No, technically, no. | 0:13:38 | 0:13:40 | |
Why was it called the Naked...? | 0:13:40 | 0:13:41 | |
-I'd be pissed... -It was all about stripping restaurant food | 0:13:41 | 0:13:44 | |
down to its bare essentials. | 0:13:44 | 0:13:45 | |
-Oh, come on! -And it was a phenomenon. No, it is was great. | 0:13:45 | 0:13:52 | |
It was a moment when cooking was for girls and I was trying to | 0:13:52 | 0:13:56 | |
teach the British boys that cooking got you girls. | 0:13:56 | 0:13:59 | |
-And... -You did do some naked cooking in your own house, though? | 0:13:59 | 0:14:03 | |
I've done that once, thank you very much for that. | 0:14:03 | 0:14:07 | |
-For Valentine's Day. -Nice idea. | 0:14:07 | 0:14:09 | |
-I made a meal... -Uh-huh. -Whole sea bass, stuffed with herbs, | 0:14:09 | 0:14:13 | |
-a little red onion, in a bag... -A little bit of Jamie? | 0:14:13 | 0:14:16 | |
-Yeah... -LAUGHTER | 0:14:16 | 0:14:19 | |
A side of Oliver sauce? | 0:14:20 | 0:14:22 | |
I'm just hearing my wife going, "Don't embarrass the teenagers." | 0:14:25 | 0:14:29 | |
Don't embarrass them. So there was no sauce. But I did have a new oven. | 0:14:29 | 0:14:34 | |
-And it was fan assisted. And... -LAUGHTER | 0:14:34 | 0:14:39 | |
And I laid the table. I put Sade on... | 0:14:39 | 0:14:41 | |
As if, you know, the full romance thing. | 0:14:41 | 0:14:43 | |
And when I opened the convection oven... | 0:14:43 | 0:14:45 | |
-Oh, by the way, I was naked... -OK. -..with a pinny. | 0:14:45 | 0:14:49 | |
When I opened the oven, a jet of hot steam attacked my penis, | 0:14:49 | 0:14:54 | |
and the pain was SO incredible. | 0:14:54 | 0:14:58 | |
I mean, honestly, have you ever burned... | 0:14:58 | 0:15:00 | |
Burned my dick on a sea bass? | 0:15:00 | 0:15:02 | |
LAUGHTER AND APPLAUSE | 0:15:02 | 0:15:03 | |
-Tell him - yes! -Yes, I have! | 0:15:10 | 0:15:13 | |
Seriously, bearing in mind | 0:15:13 | 0:15:14 | |
it was supposed to be a night of romance, | 0:15:14 | 0:15:17 | |
I genuinely ended up sitting just in | 0:15:17 | 0:15:19 | |
-utter pain in a leather seat with... -SINGS: -Green Giant! | 0:15:19 | 0:15:23 | |
..on my old fella. Really bad. | 0:15:23 | 0:15:26 | |
So basically, the reason I'm happy to tell this story | 0:15:26 | 0:15:29 | |
is because it's a public service announcement. | 0:15:29 | 0:15:32 | |
-Yes. -Do not cook in the nude. -But the sea bass was delicious. | 0:15:32 | 0:15:37 | |
It was pretty good. Thanks for bringing that up, by the way! | 0:15:37 | 0:15:41 | |
And talking about getting naked, Chris Pratt, | 0:15:41 | 0:15:43 | |
you apparently like getting naked, and at one point, | 0:15:43 | 0:15:46 | |
you tried to turn that into your source of income? | 0:15:46 | 0:15:49 | |
-What?! -Well, not... -How...? -Uh, you know... | 0:15:49 | 0:15:54 | |
-I'm real happy that question wasn't for me. -Really? | 0:15:54 | 0:15:57 | |
-Yeah, for a while I stripped for money. -Bless you, I love that. | 0:15:57 | 0:16:03 | |
-Yeah. -No, you didn't! -Successfully? | 0:16:03 | 0:16:08 | |
Well, I mean, how...? If, when you need 40 bucks and you get 40 bucks, | 0:16:08 | 0:16:13 | |
I consider that success! | 0:16:13 | 0:16:16 | |
I didn't do it like... It never got...like, un-innocent. | 0:16:16 | 0:16:21 | |
You know what I mean? | 0:16:21 | 0:16:22 | |
Like, I actually did it maybe three or four times, | 0:16:22 | 0:16:25 | |
and then decided I was going to go and, like, audition | 0:16:25 | 0:16:29 | |
at an actual nightclub, like a strip club for men. | 0:16:29 | 0:16:32 | |
And I... With male strippers, you know. | 0:16:32 | 0:16:35 | |
And I went and I did an audition, but when I was there, | 0:16:35 | 0:16:38 | |
there was like a guy sleeping in his car, | 0:16:38 | 0:16:40 | |
waiting for the club to open cos he was a dancer there, | 0:16:40 | 0:16:43 | |
and I just felt this darkness that I was like, | 0:16:43 | 0:16:45 | |
"This is about to turn," | 0:16:45 | 0:16:46 | |
this is, like, going from fun, funny story-telling thing | 0:16:46 | 0:16:50 | |
that, you know, in 15 years I can tell on the Graham Norton Show | 0:16:50 | 0:16:54 | |
to, you know, I could be that guy. | 0:16:54 | 0:16:55 | |
-I should go do Guardians Of The Galaxy. -Yeah. -Yeah! | 0:16:55 | 0:16:58 | |
Anyways, moved in with the guy in his car... | 0:16:58 | 0:17:01 | |
We became roommates and he's now my manager! | 0:17:01 | 0:17:05 | |
That's worked out well! | 0:17:05 | 0:17:07 | |
APPLAUSE | 0:17:07 | 0:17:10 | |
Oh, dear. | 0:17:10 | 0:17:11 | |
Ladies and gentlemen, Christmas is coming, | 0:17:11 | 0:17:14 | |
and one man knows what to do - it is Jamie Oliver, | 0:17:14 | 0:17:17 | |
and it's his Christmas cookbook, everybody! | 0:17:17 | 0:17:20 | |
CHEERING Yay! It's... | 0:17:20 | 0:17:25 | |
It's in shops now. | 0:17:25 | 0:17:26 | |
We often get, you know, cookbooks and things on the show. | 0:17:26 | 0:17:29 | |
This, I was flicking through it yesterday thinking, | 0:17:29 | 0:17:33 | |
"I'll find some funny bits to show." | 0:17:33 | 0:17:35 | |
It's so good. It is just... This is your 19th book. | 0:17:35 | 0:17:39 | |
You don't need to write a 20th. Everything is in this. | 0:17:39 | 0:17:41 | |
It's like a Delia Smith. It is like a Bible. | 0:17:41 | 0:17:44 | |
Well, it's a Christmas cookbook. It had to be classic, greatest hits. | 0:17:44 | 0:17:48 | |
But it's not just Christmas. It's all... | 0:17:48 | 0:17:51 | |
-It's parties, really. Dinner parties. -Dinner parties. | 0:17:51 | 0:17:53 | |
-And if you have eight people, ten people, it's all in here. -Thank you. | 0:17:53 | 0:17:58 | |
Yeah, I'm chuffed with it, I've got to say. | 0:17:58 | 0:18:00 | |
I mean, I like to normally be humble, | 0:18:00 | 0:18:02 | |
-but it is probably... -LAUGHTER | 0:18:02 | 0:18:05 | |
-It's probably the best book I've ever written. -Yeah. | 0:18:05 | 0:18:08 | |
No, look, I think Christmas has got everything going for it. | 0:18:08 | 0:18:12 | |
It's emotional, it's family, it's about bringing people together. | 0:18:12 | 0:18:15 | |
It's that time of year when most people cook, | 0:18:15 | 0:18:17 | |
even the people that don't cook, | 0:18:17 | 0:18:19 | |
and, like, helping them get their plan of action together | 0:18:19 | 0:18:22 | |
is what it's all tuned in for. | 0:18:22 | 0:18:24 | |
And if you need any more convincing, ladies and gentlemen, page 106, | 0:18:24 | 0:18:27 | |
an entire chapter begins called The Wonderful World Of Potatoes. | 0:18:27 | 0:18:31 | |
-Yes! I had to convince my editor of that. -And they are delicious. | 0:18:31 | 0:18:36 | |
No, they're ridiculous. And those roast potatoes are nuts. | 0:18:36 | 0:18:40 | |
-Look at this, look at this! -What's that? | 0:18:40 | 0:18:42 | |
-Go to the mash, go to the mash! -That's Champ pie! | 0:18:42 | 0:18:46 | |
Yeah, that's a new creation. Forget the body, Chris, forget it! | 0:18:46 | 0:18:49 | |
I'm getting that for Anna. She has a bunch of your books, by the way. | 0:18:49 | 0:18:53 | |
-Really? -Yeah, you're naked on the cover. -I didn't know about that one. | 0:18:53 | 0:18:58 | |
But that must be the bootleg variety. | 0:18:58 | 0:19:00 | |
Look, there's My Pommes Anna. | 0:19:00 | 0:19:02 | |
-Ooh! -Oh! | 0:19:02 | 0:19:04 | |
We're going to make that for Anna. Actually, she's going to make it. | 0:19:04 | 0:19:07 | |
Yeah, she'll make it for Anna. | 0:19:07 | 0:19:08 | |
She'll make it for me - or she'll make it for her, yeah! | 0:19:08 | 0:19:11 | |
And the whole book is very sweet. | 0:19:11 | 0:19:12 | |
-You dedicated it to your nan. -Yes, I did. | 0:19:12 | 0:19:14 | |
-Your nan loved Christmas... -Yeah. | 0:19:14 | 0:19:16 | |
..but Christmas didn't love her quite so much. | 0:19:16 | 0:19:18 | |
Well, I dedicated it to her, and I thought, | 0:19:18 | 0:19:21 | |
you say a few words when you dedicate it to your late nan, | 0:19:21 | 0:19:24 | |
and, yeah, one of my earliest memories of Christmas was my nan | 0:19:24 | 0:19:30 | |
enthusiastically reaching for some Brussels sprouts. | 0:19:30 | 0:19:32 | |
And in Britain we have crackers. I know you don't know what they are. | 0:19:32 | 0:19:36 | |
You pull them and they snap, and then you have a present and a joke | 0:19:36 | 0:19:38 | |
and you put a hat on and it's very cheap, but it's nice. | 0:19:38 | 0:19:42 | |
And as you lean over, my nan's hat caught fire to the candle, | 0:19:42 | 0:19:45 | |
which by default caught fire to her hair-sprayed blue rinse, | 0:19:45 | 0:19:49 | |
-and then she became a human candle. -LAUGHTER | 0:19:49 | 0:19:52 | |
My memory was looking up and my dad was, like, beating her up, | 0:19:53 | 0:19:57 | |
and I was like... | 0:19:57 | 0:19:59 | |
And I thought, "That's wrong!" | 0:20:00 | 0:20:02 | |
But I didn't realise he was putting her out. | 0:20:02 | 0:20:05 | |
And when he'd finally, you know, put her out, | 0:20:05 | 0:20:09 | |
we carried on eating our dinner | 0:20:09 | 0:20:11 | |
and I thought, that's Christmas. That is Christmas. | 0:20:11 | 0:20:14 | |
And it never necessarily goes the way you expect it, | 0:20:14 | 0:20:17 | |
there is always stress there but, you know... | 0:20:17 | 0:20:20 | |
You know what? It was a pleasure to write that book. | 0:20:20 | 0:20:22 | |
The last two books were very tough. This one was a pleasure to write. | 0:20:22 | 0:20:26 | |
OK, brilliant. And we've established, Chris, | 0:20:26 | 0:20:28 | |
-so Anna does the cooking in your house. -Yeah, yeah. | 0:20:28 | 0:20:32 | |
Anna pretty much does the cooking. | 0:20:32 | 0:20:33 | |
Jennifer Lawrence, do you cook? | 0:20:33 | 0:20:35 | |
I do. Well, I mean, yeah... | 0:20:35 | 0:20:37 | |
-Well, you do Christmas? -No. Oh, my God, no. | 0:20:37 | 0:20:41 | |
I roasted a chicken recently and no-one got sick. | 0:20:41 | 0:20:44 | |
LAUGHTER | 0:20:44 | 0:20:46 | |
But I'm hardly the candidate for cooking for young children. | 0:20:46 | 0:20:51 | |
LAUGHTER | 0:20:51 | 0:20:53 | |
Who invited THEM? | 0:20:53 | 0:20:55 | |
-I don't know... -"It's Christmas. Look, there's small people!" | 0:20:56 | 0:21:00 | |
So where will you be for Christmas? | 0:21:00 | 0:21:02 | |
-I'll be in Kentucky. -OK. -I'll be in a swamp. -Who will do the cooking? | 0:21:02 | 0:21:05 | |
My mom does the cooking. | 0:21:05 | 0:21:08 | |
I help, you know, I talk to her while I drink wine... | 0:21:08 | 0:21:10 | |
LAUGHTER | 0:21:10 | 0:21:13 | |
Chain-smoke out the window. "That looks miserable!" | 0:21:13 | 0:21:16 | |
Here's the thing, because, Chris, you worked in restaurants, | 0:21:18 | 0:21:21 | |
-didn't you? -Oh, yeah. Oh, yeah. | 0:21:21 | 0:21:23 | |
So you worked in Hawaii but then you worked in LA, as well. | 0:21:23 | 0:21:25 | |
-Yes, I worked at a restaurant in Beverly Hills. -So, posh? | 0:21:25 | 0:21:29 | |
It was, it tried to be... | 0:21:29 | 0:21:31 | |
Look, it was a terrible restaurant and... It was. | 0:21:31 | 0:21:35 | |
It was just awful and I was a... | 0:21:35 | 0:21:38 | |
a major contributing factor to how terrible this restaurant was. | 0:21:38 | 0:21:43 | |
It was... It had... It was just real garbage. | 0:21:43 | 0:21:46 | |
-It's been revamped now, but I loved it. -Tell us the name. | 0:21:46 | 0:21:49 | |
LAUGHTER | 0:21:49 | 0:21:51 | |
They'll give you free meals! | 0:21:51 | 0:21:53 | |
I mean, they will give me free meals, that's how I ate. | 0:21:53 | 0:21:56 | |
I mean, when you're in Hollywood, in other places, like... | 0:21:56 | 0:22:00 | |
You need a job that gives you your days free | 0:22:00 | 0:22:02 | |
so you can try to audition for projects, | 0:22:02 | 0:22:04 | |
so I'd work weekends and I'd work nights and I had no money, | 0:22:04 | 0:22:07 | |
no-one was coming to the restaurant so I wasn't making any tips. | 0:22:07 | 0:22:11 | |
I made, like, 20 or 30 bucks a day, maybe, | 0:22:11 | 0:22:13 | |
-and so it was really a place I'd go to... -Nourishment. -..to eat, yeah. | 0:22:13 | 0:22:17 | |
That kitchen fed me for the time that I was there. I used to... | 0:22:17 | 0:22:21 | |
Oh, man. Do you ever do this? | 0:22:21 | 0:22:23 | |
Where, like, a lady would come in and she'd be like, | 0:22:23 | 0:22:25 | |
"What do you recommend?" And I'm like, "32-ounce porterhouse." | 0:22:25 | 0:22:29 | |
LAUGHTER | 0:22:29 | 0:22:31 | |
I would always tell them, I said, "Listen, here's how you want it, | 0:22:31 | 0:22:34 | |
"medium rare with some mushrooms on the side. | 0:22:34 | 0:22:36 | |
"I'll get you some mashed potato. You're going to love this, ma'am." | 0:22:36 | 0:22:39 | |
She's like, you know, a 90-year-old woman | 0:22:39 | 0:22:41 | |
and so I bring this steak out to this lady. | 0:22:41 | 0:22:44 | |
I'm hiding in the corner watching, like, how much is she eating? | 0:22:44 | 0:22:48 | |
How much do I get? You know... | 0:22:48 | 0:22:51 | |
And I go back and she was like, "I can't eat another bite." | 0:22:51 | 0:22:54 | |
I was like, "Yes!" Maybe 80% of the steak is left | 0:22:54 | 0:22:58 | |
and we had this thing called the tunnel which is an area between | 0:22:58 | 0:23:01 | |
the dining room and the kitchen where they keep all the soft drinks | 0:23:01 | 0:23:03 | |
and the silverware and stuff, and that's... | 0:23:03 | 0:23:05 | |
I'd been busted so many times eating off people's plates | 0:23:05 | 0:23:08 | |
that they were like, "You have to stop doing that! | 0:23:08 | 0:23:10 | |
"Like, it's really, really bad." | 0:23:10 | 0:23:12 | |
So anything I ate, I had to eat in the tunnel. | 0:23:12 | 0:23:14 | |
Because it was my safe zone where... | 0:23:16 | 0:23:18 | |
-Safe zone! -From judgment. -From judgment! | 0:23:18 | 0:23:20 | |
The customers aren't going to see me eat their food and the chef's | 0:23:20 | 0:23:23 | |
not going to yell at me for eating the food, so it was like, | 0:23:23 | 0:23:25 | |
I had about 14, maybe, ounces of steak that I had to get down | 0:23:25 | 0:23:29 | |
in about ten feet and I'm just straight up like... | 0:23:29 | 0:23:32 | |
-Swallowing. -Komodo dragon. | 0:23:32 | 0:23:34 | |
Like, wolf this steak down, you know? And then I'm like, | 0:23:37 | 0:23:41 | |
"Ha, cha-cha-cha! That's like, three days' worth of protein right there." | 0:23:41 | 0:23:45 | |
I walk back out and the lady | 0:23:45 | 0:23:47 | |
was like, "Listen, I'd love to get that steak to go." | 0:23:47 | 0:23:50 | |
And I'm... | 0:23:50 | 0:23:52 | |
"Oh, oh, gosh, ma'am... | 0:23:52 | 0:23:55 | |
"Let me go check. I'll go check." | 0:23:55 | 0:23:56 | |
And I was like, "Oh, fuck, what do I do, what do I do?" | 0:23:56 | 0:23:58 | |
And I said, "I'm so sorry, I already threw it in the trash. | 0:23:58 | 0:24:01 | |
"I threw it in the trash." | 0:24:01 | 0:24:03 | |
And she said, "It's for my dog. It's fine. | 0:24:03 | 0:24:05 | |
"If you don't mind, just fish it out, put it in a box. | 0:24:05 | 0:24:07 | |
"It's my dog who's eating it." | 0:24:07 | 0:24:09 | |
I was like, "You bet, you bet. Yes, ma'am, absolutely. Will do." | 0:24:09 | 0:24:12 | |
And I walked in, I'm like, "Freddie! | 0:24:12 | 0:24:14 | |
"I need a porterhouse on the fly, man. Don't ask any questions, | 0:24:14 | 0:24:17 | |
"just give me one right now!" And so he started cooking that steak | 0:24:17 | 0:24:20 | |
and I was like... I'm so full of shit, I went up to her, | 0:24:20 | 0:24:22 | |
I was like, "Ma'am, I'm going to get you that steak. | 0:24:22 | 0:24:25 | |
"They just took the garbage out to the dumpster. | 0:24:25 | 0:24:27 | |
"I'm going to roll up my sleeves. | 0:24:27 | 0:24:29 | |
"I'm going to jump in that dumpster and get it for you. | 0:24:29 | 0:24:31 | |
"What kind of dog? Pomeranian? No way, I love that, so sweet." | 0:24:31 | 0:24:33 | |
And so I walked out, I'm like, "Freddie, where's that steak?" | 0:24:33 | 0:24:36 | |
And she ended up being so, like, happy that I would be willing | 0:24:36 | 0:24:39 | |
to dig through the garbage for her dog that she gave me a giant tip | 0:24:39 | 0:24:43 | |
and she left early cos she couldn't wait for the steak to be done, | 0:24:43 | 0:24:46 | |
so I got another steak and, like... | 0:24:46 | 0:24:48 | |
CHEERING AND APPLAUSE | 0:24:48 | 0:24:50 | |
Now, here's a thing. Jamie Oliver makes lovely food, | 0:24:52 | 0:24:55 | |
-he's saved Christmas... -What is coming on now? -No, no. | 0:24:55 | 0:24:58 | |
This is... This is extraordinary. | 0:24:58 | 0:25:00 | |
So you did one simple recipe | 0:25:00 | 0:25:03 | |
and it caused an international incident, right? | 0:25:03 | 0:25:06 | |
-Do you remember... -Oh. -Yes. -Yes. | 0:25:06 | 0:25:09 | |
So on Instagram you posted this. | 0:25:09 | 0:25:11 | |
Perfectly nice, look at this... | 0:25:11 | 0:25:12 | |
There you go, perfect. | 0:25:17 | 0:25:19 | |
Turns out, Spanish people - quite fussy about their food. | 0:25:19 | 0:25:22 | |
Here's just one of the comments. | 0:25:22 | 0:25:24 | |
LAUGHTER | 0:25:28 | 0:25:31 | |
-No, but you don't realise, this was... -Here's another one. | 0:25:31 | 0:25:33 | |
I like this one. | 0:25:33 | 0:25:35 | |
-Whoa! -They went medieval on me, man. It was... | 0:25:41 | 0:25:46 | |
This one is genius. This one is genius. | 0:25:46 | 0:25:48 | |
They really put a lot of work into this one. They said, like... | 0:25:48 | 0:25:51 | |
Chorizo, your chorizo. | 0:25:51 | 0:25:52 | |
That painting, the restoration of that painting. | 0:25:52 | 0:25:55 | |
LAUGHTER | 0:25:55 | 0:25:57 | |
-No, it was... -Some people also posted in Spanish. This one... | 0:26:00 | 0:26:05 | |
Apparently, if you translate that, | 0:26:07 | 0:26:09 | |
it says, "Chop off your fingers and turn them into nuggets." | 0:26:09 | 0:26:12 | |
By the way, it gets so much darker than that. | 0:26:14 | 0:26:17 | |
I mean, like, this trended for weeks, and I had death threats | 0:26:17 | 0:26:22 | |
-and all sorts because of a bit of sausage. -What? | 0:26:22 | 0:26:26 | |
Honestly, I was in Canada at the time, I was talking to the president | 0:26:26 | 0:26:29 | |
and we were doing whole things about...great things - | 0:26:29 | 0:26:32 | |
childhood obesity strategies in Canada, | 0:26:32 | 0:26:34 | |
because our one fell to pieces, | 0:26:34 | 0:26:35 | |
and then as I went out of the BA lounge, they went, | 0:26:35 | 0:26:37 | |
"Oh, you're in the paper today." | 0:26:37 | 0:26:39 | |
I went, "Brilliant. Good, solid work." | 0:26:39 | 0:26:41 | |
And she went, "Yeah, chorizo, Spanish don't like you." | 0:26:41 | 0:26:43 | |
LAUGHTER | 0:26:43 | 0:26:45 | |
Whatever I did that month was overtaken by the chorizo. | 0:26:45 | 0:26:49 | |
Yeah, this kind of says it all. This is the final one. | 0:26:49 | 0:26:52 | |
That is Spanish for, "I shit on your ancestors." | 0:26:52 | 0:26:55 | |
LAUGHTER | 0:26:55 | 0:26:57 | |
-Lovely. Nothing better than a good old dirty protest. -Wow. | 0:26:57 | 0:27:02 | |
-Don't mess. Don't mess. -But you know what, I don't mind... | 0:27:02 | 0:27:04 | |
Chorizo sounds delicious right now. | 0:27:04 | 0:27:06 | |
-They haven't said anything for 15, 20 years. -We were talking about it, now I really want it. | 0:27:06 | 0:27:09 | |
By the way, just FYI, it tastes better with chorizo. | 0:27:09 | 0:27:14 | |
Trust me or don't trust me. | 0:27:14 | 0:27:15 | |
You're starting it again! Stop it! | 0:27:15 | 0:27:18 | |
Actually, talking of sort of cultural differences, | 0:27:18 | 0:27:22 | |
-Jennifer Lawrence... -Oh, no. | 0:27:22 | 0:27:23 | |
You filmed some of The Hunger Games in Hawaii. | 0:27:23 | 0:27:26 | |
Oh, God, how do you know about this? | 0:27:26 | 0:27:28 | |
You probably told it somewhere! | 0:27:28 | 0:27:31 | |
-Yeah. -Cheers! -Mustn't tell that story again! -No. | 0:27:31 | 0:27:34 | |
No, so you were filming, and where were these rocks? | 0:27:34 | 0:27:38 | |
Were they kind of on the coast or in the mountains? | 0:27:38 | 0:27:40 | |
We were filming in Hawaii and there were sacred rocks and they were... | 0:27:40 | 0:27:45 | |
I don't know, their ancestors, who knows? | 0:27:45 | 0:27:47 | |
They were sacred and you're not supposed to sit on them | 0:27:47 | 0:27:51 | |
because you're not supposed to expose your genitalia to them. | 0:27:51 | 0:27:54 | |
-Bless. -I, however, was in a wet suit for this whole shoot so... | 0:27:54 | 0:27:59 | |
So it doesn't count, right? | 0:27:59 | 0:28:01 | |
Oh, my God, they were so good for butt itching! | 0:28:01 | 0:28:04 | |
I'd just be like, "Ohhh..." | 0:28:04 | 0:28:06 | |
LAUGHTER | 0:28:06 | 0:28:08 | |
And, you know, one rock... | 0:28:10 | 0:28:13 | |
One rock, I was spud-scratching on... | 0:28:15 | 0:28:19 | |
..ended up coming loose | 0:28:20 | 0:28:23 | |
and it was a giant boulder and it rolled down this mountain | 0:28:23 | 0:28:27 | |
and almost killed our sound guy, | 0:28:27 | 0:28:29 | |
and there was a whole station that got destroyed. It was like, "Pow!" | 0:28:29 | 0:28:32 | |
Like, it was a huge dramatic deal and all the Hawaiians were like, | 0:28:32 | 0:28:35 | |
"Oh, my God, it's the curse from our ancestors!" | 0:28:35 | 0:28:39 | |
And I'm in the corner, like, going, "I'm your curse. | 0:28:39 | 0:28:42 | |
"I wedged it loose with my ass." | 0:28:42 | 0:28:45 | |
LAUGHTER AND APPLAUSE | 0:28:45 | 0:28:49 | |
Never go back to Hawaii. | 0:28:50 | 0:28:51 | |
Right, it's time for our next guest. | 0:28:51 | 0:28:54 | |
This seven-time Grammy winner found fame with the Black Eyed Peas | 0:28:54 | 0:28:57 | |
and became one of the industry's biggest names. | 0:28:57 | 0:29:00 | |
It's a warm welcome back to will.i.am! | 0:29:00 | 0:29:03 | |
CHEERING AND APPLAUSE | 0:29:03 | 0:29:05 | |
MUSIC: Where is the Love? by the Black Eyed Peas | 0:29:05 | 0:29:07 | |
Hey! Hello. Lovely to see you! | 0:29:07 | 0:29:09 | |
Whew! | 0:29:15 | 0:29:17 | |
-Hello! -Hey, are we good, guys? | 0:29:18 | 0:29:21 | |
-Now, do you have headphones in? -No. -OK. | 0:29:21 | 0:29:23 | |
LAUGHTER | 0:29:23 | 0:29:25 | |
Wow, you wedged a rock with your ass. That's awesome. | 0:29:25 | 0:29:29 | |
Listen, we played a bit of Black Eyed Peas. | 0:29:29 | 0:29:32 | |
So the Black Eyed Peas, are they back together again? | 0:29:32 | 0:29:35 | |
-We never broke up. -Oh, didn't you? | 0:29:35 | 0:29:37 | |
-No, we just took a break. -Oh, OK. For years. | 0:29:37 | 0:29:40 | |
LAUGHTER | 0:29:40 | 0:29:42 | |
No, like, we've been on since... | 0:29:42 | 0:29:45 | |
-since we started it. -OK. | 0:29:45 | 0:29:47 | |
And Fergie wanted to have a baby, so I mean, that deserves a break. | 0:29:47 | 0:29:52 | |
-Yes, I agree. -(So he's saying it was Fergie's fault!) -No! | 0:29:52 | 0:29:56 | |
And then I'm producing her solo record, | 0:29:56 | 0:30:00 | |
and now we've started a new Black Eyed Peas album, that will be... | 0:30:00 | 0:30:03 | |
I don't like saying album. We're doing a new Black Eyed Peas project. | 0:30:03 | 0:30:06 | |
-OK. -That will be out next year, so yeah, it's fresh, pretty fresh. | 0:30:06 | 0:30:10 | |
OK. Mmm! And you mentioned a few times now that you're interested in | 0:30:10 | 0:30:14 | |
technology and computers and all that sort of stuff. | 0:30:14 | 0:30:17 | |
You have big ideas about the future of food. Will.i.am... | 0:30:17 | 0:30:21 | |
No, those aren't my ideas. | 0:30:21 | 0:30:22 | |
Well, I hadn't heard them before, so you can tell me. | 0:30:22 | 0:30:25 | |
Oh, we were talking about 3D printing and how 3D printing | 0:30:25 | 0:30:29 | |
will change the food that we eat as well and how it's made, prepared. | 0:30:29 | 0:30:35 | |
I've seen awesome stuff in China and around the world where | 0:30:35 | 0:30:39 | |
they take protein, put it in a 3D printer and print things like beef. | 0:30:39 | 0:30:44 | |
-(What is a 3D printer? What?) -Really? -Yeah. | 0:30:44 | 0:30:46 | |
Jennifer isn't even au fait with a 3D printer, | 0:30:46 | 0:30:48 | |
-never mind the food coming out of it. -What? | 0:30:48 | 0:30:51 | |
-Yeah, you can print, like, chocolate... -What? | 0:30:51 | 0:30:54 | |
You can print, like, cake... | 0:30:54 | 0:30:56 | |
LAUGHTER | 0:30:56 | 0:30:57 | |
Could I send you the e-mail, like, of a recipe and it prints it out? | 0:30:57 | 0:31:01 | |
-Yes. -I would download that book in a heartbeat. Can you imagine? Or... | 0:31:01 | 0:31:06 | |
Or you invite people over and you run out of ink - | 0:31:06 | 0:31:08 | |
like, that would be a disaster. | 0:31:08 | 0:31:10 | |
Well, it wouldn't be ink, ink. | 0:31:10 | 0:31:12 | |
So, for example, so this is like 20 years from now, | 0:31:12 | 0:31:15 | |
what the world would be like. | 0:31:15 | 0:31:16 | |
-OK, I'll invite people now. -Oh, this isn't happening now. | 0:31:16 | 0:31:19 | |
-No, don't worry, it's the future. -Oh, God! | 0:31:19 | 0:31:22 | |
Yeah, so, 20 years from now we will have 3D printers that print | 0:31:22 | 0:31:27 | |
all sorts of things as well as body parts like kidneys and stuff. | 0:31:27 | 0:31:31 | |
-CHRIS: -Well, they're already doing that. -Yeah. | 0:31:31 | 0:31:33 | |
-They've already started doing that. -They sound delicious. | 0:31:33 | 0:31:35 | |
No, no, not eating kidneys! | 0:31:35 | 0:31:37 | |
Oh, sorry, my mistake! I feel awful. | 0:31:37 | 0:31:40 | |
Genome sequencing, you know, | 0:31:40 | 0:31:42 | |
you'll be sick and you need a new kidney or a liver, | 0:31:42 | 0:31:46 | |
you print it, choo-choo-choo, it will be your genome and...yeah. | 0:31:46 | 0:31:50 | |
You had me at liver. Very good. | 0:31:50 | 0:31:53 | |
But I've seen the future. | 0:31:53 | 0:31:56 | |
I saw their film. You don't eat like that in the Passengers movie. | 0:31:56 | 0:31:59 | |
-I can't wait to see that! -Oh, thank you! -Oh, thank you. | 0:31:59 | 0:32:02 | |
Really, I can't. I'm a movie... | 0:32:02 | 0:32:03 | |
I watch movies, like, all the time and, you know, I love your films. | 0:32:03 | 0:32:08 | |
-Thank you. -And I love your films. -Oh, thank you. -It's pretty awesome | 0:32:08 | 0:32:11 | |
-that I'm sitting on the couch with y'all. -Thanks. | 0:32:11 | 0:32:13 | |
Cos you guys are always on my TV and on my phone and stuff, | 0:32:13 | 0:32:15 | |
-so like, yeah, that's dope. -Thank you, man. -Thank you. | 0:32:15 | 0:32:18 | |
Don't watch Passengers on a phone. | 0:32:18 | 0:32:20 | |
I feel it deserves a bigger forum than your phone. | 0:32:20 | 0:32:23 | |
No, so, the phone is for when I miss the film, right? | 0:32:23 | 0:32:26 | |
And then I get the phone, slide it to my Apple TV, | 0:32:26 | 0:32:29 | |
boom it on my big TV and then boom it like that. | 0:32:29 | 0:32:32 | |
-Oh! -What? | 0:32:32 | 0:32:33 | |
LAUGHTER | 0:32:33 | 0:32:36 | |
You don't have Apple TV? | 0:32:36 | 0:32:37 | |
-I have Apple TV but I have to use that damn remote. -Yeah. | 0:32:37 | 0:32:41 | |
-It's taped to a wooden spoon. -Yeah, so... -I always lose it in the bed. | 0:32:41 | 0:32:45 | |
GRAHAM LAUGHS | 0:32:45 | 0:32:47 | |
-You tape it to a wooden spoon? -Yeah. -So you don't lose it? | 0:32:47 | 0:32:50 | |
-That's my invention. -That's pretty smart. -I like that. | 0:32:50 | 0:32:54 | |
It's old technology and new technology working together. | 0:32:54 | 0:32:57 | |
Yeah, we're all stealing that idea. | 0:32:57 | 0:32:59 | |
I'm embarrassed, he came on talking about genome sequencing, | 0:32:59 | 0:33:01 | |
I'm like, "I get it, I got an Apple TV remote taped to a wooden spoon!" | 0:33:01 | 0:33:05 | |
Listen, you are spending a long time in the UK because, of course, | 0:33:07 | 0:33:10 | |
-you're back with The Voice. -Yes. -The Voice is on ITV now. | 0:33:10 | 0:33:13 | |
Now, obviously it's got ads in it, but apart from that, | 0:33:13 | 0:33:16 | |
-will it be different? Will it be the same? -It's different. | 0:33:16 | 0:33:19 | |
One of the things that's different, if we don't turn for somebody, | 0:33:19 | 0:33:22 | |
the chairs don't turn and then we don't get to say anything to them. | 0:33:22 | 0:33:25 | |
They're just standing there like, "What the fuck?" | 0:33:25 | 0:33:27 | |
-And so, that's the new rule. -That's humiliating. -Sorry... | 0:33:27 | 0:33:30 | |
-I like that, though. -Oh, you can curse on here? | 0:33:30 | 0:33:33 | |
A little bit - but I like the idea they're just like, | 0:33:33 | 0:33:35 | |
their footsteps just going clunk, clunk, clunk. | 0:33:35 | 0:33:37 | |
Yeah, that sucks, cos you can't give them any feedback. | 0:33:37 | 0:33:40 | |
Do people clap, at least, as they walk off? No? | 0:33:40 | 0:33:42 | |
-Sometimes they're booing that we didn't turn. -Oh, I see. | 0:33:42 | 0:33:46 | |
Oh, do the contestants think that they're being booed? | 0:33:46 | 0:33:48 | |
-No, they know it. -Oh, they know. -Yeah, they know that... | 0:33:48 | 0:33:51 | |
There's times when we should have turned but we're all, | 0:33:51 | 0:33:54 | |
you know, in our own head thinking that we're waiting for Jesus Christ | 0:33:54 | 0:33:58 | |
-to come singing and blow our ears off. -Yeah. -Wow. | 0:33:58 | 0:34:00 | |
But Jesus Christ doesn't come. | 0:34:00 | 0:34:03 | |
So then everybody starts booing. | 0:34:03 | 0:34:06 | |
Wouldn't that be interesting if that's how he came back, though? | 0:34:06 | 0:34:09 | |
LAUGHTER AND APPLAUSE | 0:34:09 | 0:34:11 | |
That would be. Yeah. | 0:34:15 | 0:34:18 | |
"And on the third verse they did not turn again." | 0:34:20 | 0:34:23 | |
LAUGHTER | 0:34:23 | 0:34:25 | |
So it returns on ITV in the New Year. | 0:34:28 | 0:34:31 | |
Obviously other programmes are available on BBC ONE. | 0:34:31 | 0:34:34 | |
But you brought us a little sneak peek, | 0:34:34 | 0:34:37 | |
and this is you and the other judges having a laugh at the auditions. | 0:34:37 | 0:34:40 | |
Whoever's coming up next, if you can hear me back there, | 0:34:40 | 0:34:43 | |
don't be nervous! | 0:34:43 | 0:34:45 | |
Just bring that fi-ah! | 0:34:45 | 0:34:46 | |
Well, we could do Great Balls of Fire. | 0:34:48 | 0:34:50 | |
-Come on! -OK! | 0:34:50 | 0:34:52 | |
CHEERING | 0:34:52 | 0:34:54 | |
# You shake my nerves and you rattle my brain | 0:34:54 | 0:34:58 | |
# Too much love drives a man insane | 0:34:58 | 0:35:01 | |
# You broke my will | 0:35:01 | 0:35:03 | |
# Oh, what a thrill | 0:35:03 | 0:35:05 | |
# Goodness, gracious | 0:35:05 | 0:35:06 | |
# Great balls of fire! | 0:35:06 | 0:35:08 | |
# I laughed at love cos I thought it was funny | 0:35:08 | 0:35:12 | |
# You came along and moved me, honey | 0:35:12 | 0:35:15 | |
# I've changed my mind | 0:35:15 | 0:35:17 | |
# This love is fine | 0:35:17 | 0:35:19 | |
# Goodness, gracious Great balls of fire! # | 0:35:19 | 0:35:22 | |
CHEERING AND APPLAUSE | 0:35:23 | 0:35:25 | |
Yeah! | 0:35:29 | 0:35:31 | |
Wow! CHEERING AND APPLAUSE | 0:35:31 | 0:35:33 | |
Er, listen, it's time for our musical performance. | 0:35:33 | 0:35:36 | |
This lady's first album was the biggest seller of 2012 | 0:35:36 | 0:35:38 | |
and went seven times platinum. | 0:35:38 | 0:35:40 | |
Performing her new single, Breathing Underwater, | 0:35:40 | 0:35:42 | |
please welcome Emeli Sande! | 0:35:42 | 0:35:45 | |
CHEERING AND APPLAUSE | 0:35:45 | 0:35:47 | |
# I believe in miracles | 0:36:02 | 0:36:06 | |
# Cos it's a miracle I'm here | 0:36:06 | 0:36:10 | |
# Guess you could call me spiritual | 0:36:14 | 0:36:19 | |
# Cos physical is fear | 0:36:19 | 0:36:23 | |
# And it's safe to say | 0:36:24 | 0:36:28 | |
# The storm's gone away | 0:36:28 | 0:36:31 | |
# And I'm dancing on the morning after | 0:36:31 | 0:36:37 | |
# Yes, I'd love to stay | 0:36:37 | 0:36:40 | |
# But my home's the other way | 0:36:40 | 0:36:43 | |
# And I miss the love and laughter | 0:36:43 | 0:36:48 | |
# Something like flying | 0:36:48 | 0:36:52 | |
# Hard to describe it | 0:36:52 | 0:36:56 | |
# My God, I'm breathing underwater | 0:36:56 | 0:37:01 | |
# Something like freedom | 0:37:01 | 0:37:05 | |
# Freedom | 0:37:05 | 0:37:08 | |
# My God, I'm breathing underwater | 0:37:08 | 0:37:13 | |
# Every moon and every star | 0:37:16 | 0:37:21 | |
# Knows who you are, you know | 0:37:21 | 0:37:25 | |
# So ever if it gets too dark | 0:37:29 | 0:37:33 | |
# You never are alone | 0:37:33 | 0:37:38 | |
# And it's safe to say | 0:37:39 | 0:37:42 | |
# You surrender your days | 0:37:42 | 0:37:45 | |
# To pay back all the love you borrowed | 0:37:45 | 0:37:52 | |
# Yes, hopes are high | 0:37:52 | 0:37:55 | |
# You survived yesterday | 0:37:55 | 0:37:58 | |
# And today is jealous of tomorrow | 0:37:58 | 0:38:03 | |
# Something like flying | 0:38:03 | 0:38:07 | |
# Hard to describe it | 0:38:07 | 0:38:10 | |
# My God, I'm breathing underwater | 0:38:10 | 0:38:15 | |
# Something like freedom | 0:38:15 | 0:38:20 | |
# Freedom | 0:38:20 | 0:38:22 | |
# My God, I'm breathing underwater | 0:38:23 | 0:38:28 | |
# Something like flying | 0:38:28 | 0:38:32 | |
# Hard to describe it | 0:38:32 | 0:38:35 | |
# My God, I'm breathing underwater | 0:38:35 | 0:38:40 | |
# Something like freedom | 0:38:40 | 0:38:43 | |
# Freedom | 0:38:45 | 0:38:48 | |
# My God I'm breathing underwater. # | 0:38:48 | 0:38:53 | |
CHEERING AND APPLAUSE | 0:38:58 | 0:39:00 | |
Emeli Sande, everybody! | 0:39:05 | 0:39:07 | |
Beautiful job! Please come and join us, do! | 0:39:07 | 0:39:11 | |
Oh, that was amazing! | 0:39:12 | 0:39:14 | |
Emeli Sande, hello, darling. | 0:39:14 | 0:39:16 | |
-Mwah, mwah, go and join the others, do. -Thank you. | 0:39:16 | 0:39:18 | |
And the band, the singers, everybody there. | 0:39:18 | 0:39:21 | |
That's Jamie, we've got Chris, we've got Jennifer, | 0:39:22 | 0:39:25 | |
we've got will.i.am! | 0:39:25 | 0:39:26 | |
APPLAUSE | 0:39:26 | 0:39:28 | |
Very good. | 0:39:28 | 0:39:29 | |
OK, ooh, he's coming round, he's coming round. | 0:39:29 | 0:39:32 | |
-You're awesome, I love that song. -Thank you. -It was beautiful. | 0:39:32 | 0:39:35 | |
Now, if everyone squashes up, there's room for everybody. | 0:39:35 | 0:39:37 | |
There we go, lovely, marvellous. | 0:39:37 | 0:39:38 | |
-Congratulations on that, that was gorgeous. -Thank you. | 0:39:38 | 0:39:41 | |
Thank you very much, and that's the new single, | 0:39:41 | 0:39:43 | |
-it's off the album Long Live The Angels, which is out now. -Yes. | 0:39:43 | 0:39:47 | |
So, I was trying to figure out, is it four years since...? | 0:39:47 | 0:39:49 | |
Yeah, 2012 was the last album, so it's been a while, yeah. | 0:39:49 | 0:39:52 | |
Yeah, and I know people want to talk to you about it | 0:39:52 | 0:39:55 | |
and, blah, blah, blah, | 0:39:55 | 0:39:56 | |
but I suppose it is that thing when, you know, | 0:39:56 | 0:39:58 | |
people go out there, they look for success, they want success, | 0:39:58 | 0:40:01 | |
but nothing can prepare you for it. | 0:40:01 | 0:40:03 | |
So did it kind of freak you out when that album went so big? | 0:40:03 | 0:40:06 | |
Yeah, a little bit. | 0:40:06 | 0:40:07 | |
I mean, it was amazing to sing the songs and to perform | 0:40:07 | 0:40:10 | |
and connect with people, but I'm quite a shy, introverted person, | 0:40:10 | 0:40:14 | |
so to be out there all of a sudden, it was quite, erm, | 0:40:14 | 0:40:17 | |
unusual for me, and I felt like I had to go back to, er, | 0:40:17 | 0:40:20 | |
to real life to really get to grips with songwriting again, | 0:40:20 | 0:40:24 | |
get better at what I do. So it was important for me to take time away. | 0:40:24 | 0:40:27 | |
Also, I guess if you're writing music, | 0:40:27 | 0:40:28 | |
-you've got to have a bit of a life! -Yeah, exactly. | 0:40:28 | 0:40:31 | |
You can't sing songs about waiting for your luggage | 0:40:31 | 0:40:33 | |
at the first class lounge! | 0:40:33 | 0:40:34 | |
Yeah, yeah, I want to talk about real life | 0:40:36 | 0:40:38 | |
and I want to talk about real feelings. | 0:40:38 | 0:40:39 | |
-It's true. -I wrote a song about that last night! | 0:40:39 | 0:40:41 | |
LAUGHTER | 0:40:41 | 0:40:43 | |
Never record it. Erm, now, you've never... | 0:40:45 | 0:40:48 | |
In this country, you've never really toured before, have you? | 0:40:48 | 0:40:51 | |
Well, I've toured, but, erm, | 0:40:51 | 0:40:53 | |
not on the level where we're going to do next year. | 0:40:53 | 0:40:56 | |
Oh, so, what's happening? Tell us. | 0:40:56 | 0:40:57 | |
Well, I'm going to do my first arena tour, erm, and, yeah, | 0:40:57 | 0:41:00 | |
it's going to be announced and tickets go on sale next Wednesday, | 0:41:00 | 0:41:04 | |
so that's a dream come true for me, and, yeah, I can't wait. | 0:41:04 | 0:41:08 | |
Oh, wow, yeah... | 0:41:08 | 0:41:09 | |
CHEERING AND APPLAUSE | 0:41:09 | 0:41:11 | |
Fantastic - and, seriously, thank you for that performance, | 0:41:13 | 0:41:16 | |
it was absolutely stunning. | 0:41:16 | 0:41:17 | |
Emeli Sande, everybody. Very good. | 0:41:17 | 0:41:19 | |
Now, er... CHEERING AND APPLAUSE | 0:41:19 | 0:41:21 | |
That's nearly it, | 0:41:21 | 0:41:23 | |
but before we go we've got time for a visit to the Big Red Chair. | 0:41:23 | 0:41:26 | |
Who's there? Hello! | 0:41:26 | 0:41:27 | |
-Hello! -Hi, what's your name? -Pamela. | 0:41:27 | 0:41:30 | |
-Lovely, and where are you from, Pamela? -St Albans. | 0:41:30 | 0:41:32 | |
St Albans! Oh, it's a game of two halves, St Albans. | 0:41:32 | 0:41:36 | |
Some of it's lovely. Erm... LAUGHTER | 0:41:36 | 0:41:38 | |
-And what do you do in St Albans, Pamela? -I'm retired now. | 0:41:38 | 0:41:41 | |
Oh, right. What did you do? | 0:41:41 | 0:41:43 | |
-I was in education. -In education? -Yes. | 0:41:43 | 0:41:46 | |
Teacher, perhaps? | 0:41:46 | 0:41:48 | |
-Well, yes, and then I went into management and... -OK. | 0:41:48 | 0:41:52 | |
-..exchange management. -Well, I'm not a detective, I won't keep going. | 0:41:52 | 0:41:55 | |
All right, Pamela, off you go with your story. | 0:41:55 | 0:41:59 | |
Well, when I was a teenager, I was really naive, | 0:41:59 | 0:42:03 | |
and when I was about 17 or 18, | 0:42:03 | 0:42:06 | |
I was at a party and somebody told a joke. | 0:42:06 | 0:42:10 | |
And everybody laughed, but this joke went way over my head. | 0:42:10 | 0:42:12 | |
But I thought I'd better laugh, | 0:42:12 | 0:42:14 | |
because everybody else laughed, so it must be funny. | 0:42:14 | 0:42:17 | |
And then the next week, I was at another party, so I thought, | 0:42:17 | 0:42:21 | |
"Oh, I'll tell that joke." | 0:42:21 | 0:42:23 | |
So I said, "OK, everybody, how do you circumcise a whale?" | 0:42:23 | 0:42:26 | |
And somebody said, "I don't know, how do you circumcise a whale?" | 0:42:28 | 0:42:31 | |
And I said, "You send down five skin divers." | 0:42:31 | 0:42:35 | |
And there was absolute silence. | 0:42:35 | 0:42:38 | |
And I thought, "Oh, my God, everybody laughed last week." | 0:42:38 | 0:42:40 | |
And then somebody said, "Do you not mean FOUR?" | 0:42:40 | 0:42:44 | |
And I said, "Oh, well, that's what they said last week!" | 0:42:44 | 0:42:47 | |
LAUGHTER AND APPLAUSE | 0:42:47 | 0:42:49 | |
So I thought, the more the merrier! | 0:42:49 | 0:42:51 | |
That was really good! Can Pamela walk? Pamela can walk! | 0:42:53 | 0:42:56 | |
Come on, walk, Pamela! Very good. | 0:42:56 | 0:42:59 | |
Yeah, jokes can be in the details. | 0:43:03 | 0:43:05 | |
Er, OK, who have we got next? | 0:43:07 | 0:43:09 | |
-Hello! -Hello, Graham! -Hi, what's your name? -Jackie. | 0:43:09 | 0:43:12 | |
-And where are you from, Jackie? -I'm from Shoreham, near Brighton. | 0:43:12 | 0:43:15 | |
Shoreham, it's a very nice part of Brighton, that, | 0:43:15 | 0:43:18 | |
very nice part of Brighton. | 0:43:18 | 0:43:19 | |
-And what do you do down there? -I'm a mother of two, | 0:43:19 | 0:43:21 | |
and I look after the accounts in my husband's company. | 0:43:21 | 0:43:24 | |
Ooh, Shoreham's a very nice part of the world, OK? | 0:43:24 | 0:43:27 | |
Er, all right, off you go with your story. | 0:43:27 | 0:43:29 | |
Right, so, my husband comes downstairs one day, | 0:43:29 | 0:43:32 | |
and announces he is in so much pain - | 0:43:32 | 0:43:34 | |
he thinks he's got piles and could I take a look? | 0:43:34 | 0:43:37 | |
-So I said... -Great opening to any story! | 0:43:38 | 0:43:41 | |
LAUGHTER | 0:43:41 | 0:43:43 | |
-That's good. -So I said, "Not happening. | 0:43:43 | 0:43:44 | |
"You think you've got piles, go to the doctor." | 0:43:44 | 0:43:47 | |
But he goes on and on and on, he's saying things like, "There's nothing | 0:43:47 | 0:43:51 | |
"I wouldn't do for you, I've seen you give birth, please take a look." | 0:43:51 | 0:43:56 | |
So, anyway, eventually, he wears me down, I said OK. | 0:43:56 | 0:44:00 | |
In the bathroom he goes, I'm at a safe three-metre distance. | 0:44:00 | 0:44:03 | |
He pulls his pants down, | 0:44:04 | 0:44:07 | |
and I see this huge, shiny red bubble, and I'm like, | 0:44:07 | 0:44:11 | |
"Oh, my God, Paul, you need to go to the doctor, this isn't good! | 0:44:11 | 0:44:15 | |
"We need to go to the hospital!" | 0:44:15 | 0:44:17 | |
And he starts laughing, and says, | 0:44:17 | 0:44:19 | |
"I don't need to go to the hospital for that," | 0:44:19 | 0:44:21 | |
and pulls out a cherry tomato. | 0:44:21 | 0:44:22 | |
LAUGHTER | 0:44:22 | 0:44:24 | |
-Did you like it? -I liked it. | 0:44:29 | 0:44:30 | |
-Jennifer Lawrence says you can walk, OK. -Thanks, Graham! | 0:44:30 | 0:44:34 | |
APPLAUSE What a mad household! | 0:44:34 | 0:44:36 | |
Well done, everyone! | 0:44:36 | 0:44:37 | |
If you'd like to join us on the show and have a go in the Big Red Chair, | 0:44:37 | 0:44:41 | |
you can contact us via website at this very address. | 0:44:41 | 0:44:44 | |
That's it for tonight, | 0:44:44 | 0:44:45 | |
please say thank you to my guests, Emeli Sande! | 0:44:45 | 0:44:47 | |
will.i.am! | 0:44:47 | 0:44:49 | |
Jamie Oliver! | 0:44:49 | 0:44:52 | |
Chris Pratt! | 0:44:52 | 0:44:53 | |
And Jennifer Lawrence! | 0:44:53 | 0:44:55 | |
CHEERING AND APPLAUSE | 0:44:55 | 0:44:57 | |
Join me next week with Bake-Off star Nadiya Hussain, | 0:44:57 | 0:45:00 | |
new QI host Sandi Toksvig, artist Grayson Perry, | 0:45:00 | 0:45:02 | |
and Princess Leia herself, Carrie Fisher. | 0:45:02 | 0:45:05 | |
I'll see you then. Goodnight, everybody, bye-bye! | 0:45:05 | 0:45:08 |