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Hi, I'm Carrie Fisher and this is the Graham Norton Show! | 0:00:02 | 0:00:04 | |
CHEERING | 0:00:04 | 0:00:06 | |
Oh! Oh! Oh! Oh! CHEERING | 0:00:22 | 0:00:27 | |
Oh! Oh! | 0:00:27 | 0:00:29 | |
Ah! | 0:00:29 | 0:00:31 | |
Hello, everybody. | 0:00:31 | 0:00:33 | |
Too much. Hey, everybody, it's Friday night! Yes, it is. | 0:00:35 | 0:00:39 | |
Did you all have a good week? | 0:00:40 | 0:00:42 | |
-AUDIENCE: -Yes! -So far. | 0:00:42 | 0:00:44 | |
We've got a great sofa for you this week including, ladies and | 0:00:44 | 0:00:47 | |
gentlemen... Princess Leia herself, Carrie Fisher is on the show. | 0:00:47 | 0:00:50 | |
Yes. CHEERING | 0:00:50 | 0:00:52 | |
Now, she's talking about her diaries, | 0:00:52 | 0:00:55 | |
including the revelation that | 0:00:55 | 0:00:57 | |
this kiss with Harrison Ford wasn't the only one they enjoyed. | 0:00:57 | 0:01:02 | |
Get my drift, get my drift, get my drift? Yup. | 0:01:02 | 0:01:04 | |
Yeah, Carrie has finally admitted | 0:01:04 | 0:01:06 | |
she had an affair with Harrison Ford. | 0:01:06 | 0:01:08 | |
Yes. Of course, not the only | 0:01:08 | 0:01:10 | |
Star Wars co-star she left broken-hearted. | 0:01:10 | 0:01:12 | |
AS YODA: Call me the next morning she didn't. | 0:01:14 | 0:01:16 | |
That's good, I'm going on tour. | 0:01:17 | 0:01:19 | |
Also on the show I'm delighted to welcome the artist | 0:01:19 | 0:01:22 | |
Grayson Perry, ladies and gentlemen. | 0:01:22 | 0:01:24 | |
We love Grayson, that's him with his pottery creation for which | 0:01:26 | 0:01:29 | |
he won the Turner Prize. Yeah, he did. | 0:01:29 | 0:01:32 | |
And actually, earlier this week, the Turner Prize winner was announced. | 0:01:32 | 0:01:35 | |
This was, of course, one of the finalists that got all the press. | 0:01:35 | 0:01:39 | |
And you do sort of think, "Quite glad it didn't win." | 0:01:39 | 0:01:42 | |
I mean, you wouldn't want the Queen attending that opening, would you? No. | 0:01:42 | 0:01:45 | |
A huge golden arsehole. | 0:01:49 | 0:01:52 | |
Have I shown a picture of some golden arseholes before? | 0:01:52 | 0:01:55 | |
Oh, exactly, yes. Let's get some guests out. | 0:01:55 | 0:01:57 | |
Later we will be meeting everyone's favourite Bake Off winner. | 0:01:59 | 0:02:01 | |
Nadia Hussain will be here. | 0:02:01 | 0:02:03 | |
And we've music from the comeback kids, Busted. Yeah. | 0:02:04 | 0:02:09 | |
But first, she's one of the funniest women in Britain and | 0:02:09 | 0:02:11 | |
now she's the new host of QI, | 0:02:11 | 0:02:13 | |
please welcome the great Dane herself, it's Sandi Toksvig. | 0:02:13 | 0:02:15 | |
Wow. | 0:02:15 | 0:02:18 | |
Look at you. It's a new person. Hello. Lovely to see you. | 0:02:19 | 0:02:23 | |
Sandi Toksvig, have a seat. | 0:02:23 | 0:02:25 | |
This artist puts the OTT into pottery, | 0:02:26 | 0:02:29 | |
he's won not only the Turner Prize but also two Baftas and is | 0:02:29 | 0:02:32 | |
one of the best-known figures in the contemporary art world. | 0:02:32 | 0:02:34 | |
Please welcome Grayson Perry, everybody. | 0:02:34 | 0:02:38 | |
Hello. Hi, hi, hi, hi. | 0:02:38 | 0:02:40 | |
Lovely...to see you. Come in, sit down. Sandi, Grayson. | 0:02:40 | 0:02:43 | |
And from a galaxy far, far away comes an actress, | 0:02:45 | 0:02:47 | |
a bestselling author and one of the most famous pop-culture icons | 0:02:47 | 0:02:50 | |
in the world, it is Princess Leia herself, Carrie Fisher. | 0:02:50 | 0:02:54 | |
Oh, look at that! | 0:02:56 | 0:02:58 | |
It's the actual Carrie Fisher. Hello. | 0:02:58 | 0:03:00 | |
Welcome, all, very nice to see you all. Welcome back, welcome back. | 0:03:07 | 0:03:11 | |
-First-time for Grayson Perry. -Yes. | 0:03:11 | 0:03:13 | |
-Now, Carrie... -Yes. -..Sandi, you look lovely... | 0:03:13 | 0:03:17 | |
-But... -..one guest made an effort. | 0:03:17 | 0:03:20 | |
That's all I'm saying. | 0:03:20 | 0:03:22 | |
He borrowed the dress from me, so... | 0:03:22 | 0:03:24 | |
I know that people would be disappointed if I didn't wear | 0:03:24 | 0:03:27 | |
a dress and, being on telly, you want to kind of have something to look | 0:03:27 | 0:03:30 | |
-at because telly is a visual medium. -Yes. -And I can do civvies any time. | 0:03:30 | 0:03:35 | |
Are people disappointed when you're out and about and you're not | 0:03:35 | 0:03:37 | |
-dressed like this? -One day I was just pulling up | 0:03:37 | 0:03:39 | |
some road works on my bicycle and the man who was sort of digging | 0:03:39 | 0:03:42 | |
the hole sort of looked up and he said, "Shouldn't you be in a dress?" | 0:03:42 | 0:03:46 | |
-Even he was disappointed. -In fact, do you know what? | 0:03:48 | 0:03:51 | |
We were talking about this, | 0:03:51 | 0:03:52 | |
I think you are the first artist we've ever had on the show. | 0:03:52 | 0:03:55 | |
So I've got to carry the baggage | 0:03:55 | 0:03:57 | |
of the entire contemporary-art community. | 0:03:57 | 0:04:00 | |
Yes, if you go well, we're going to have artists every week. | 0:04:00 | 0:04:04 | |
-If you mess it up, that's it, it's finished. -Finished, finished. | 0:04:04 | 0:04:06 | |
Because, Carrie, you buy a lot of art, don't you? | 0:04:06 | 0:04:09 | |
I do buy a lot of art. | 0:04:09 | 0:04:10 | |
-I like my art to be, like, video art a little bit. -Oh... -Oh... | 0:04:10 | 0:04:14 | |
Uh-oh. It was all going so well! | 0:04:14 | 0:04:18 | |
No, that's only because I discovered it recently and I couldn't | 0:04:18 | 0:04:22 | |
believe the paintings were... | 0:04:22 | 0:04:24 | |
I always look at it and just think, "Hmm, it's sort of boring telly." | 0:04:24 | 0:04:28 | |
There are butterflies! Butterflies! | 0:04:28 | 0:04:31 | |
Oh, no... | 0:04:33 | 0:04:35 | |
I'd take something still from you any time. | 0:04:35 | 0:04:38 | |
-Why do you like the video art? What is it about it that you like so much? -It moves me. | 0:04:38 | 0:04:41 | |
Honestly, I had one that moved really slowly and I'm being, | 0:04:42 | 0:04:47 | |
like, sort of a super person watching the painting... | 0:04:47 | 0:04:50 | |
Like watching paint dry but this watches paintings move, | 0:04:50 | 0:04:53 | |
so it was just one step up from the other. | 0:04:53 | 0:04:56 | |
I have still paintings and drink prosecco, it has the same effect. | 0:04:56 | 0:04:59 | |
-APPLAUSE -I can't drink. | 0:04:59 | 0:05:03 | |
See, that's the trouble with being an ex-drug addict. | 0:05:03 | 0:05:05 | |
-Yeah, I know. -Sorry. | 0:05:05 | 0:05:06 | |
Let's start, there's lots to talk about. | 0:05:06 | 0:05:08 | |
Carrie Fisher, Carrie Fisher has a new book out. | 0:05:08 | 0:05:11 | |
It's called, The Princess Diarist. | 0:05:11 | 0:05:14 | |
It's out now and it is... It's a real treat for anyone | 0:05:14 | 0:05:18 | |
but for Star Wars fans in particular. | 0:05:18 | 0:05:20 | |
Now, the book begins when you find these diaries, and had you | 0:05:20 | 0:05:23 | |
lost them or did you forget you wrote them? | 0:05:23 | 0:05:25 | |
I forgot that I wrote them and I handwrite everything, | 0:05:25 | 0:05:28 | |
so they were sort of in a storage room under my bedroom - mysterious! | 0:05:28 | 0:05:33 | |
I've been in your bedroom, where's the storeroom? | 0:05:33 | 0:05:36 | |
Well, you have to go outside to find it. | 0:05:36 | 0:05:38 | |
-I don't like to go there because there's spiders. -Yes. | 0:05:38 | 0:05:41 | |
And so we brought all these things up thinking, | 0:05:42 | 0:05:45 | |
"Well, I have to put things in a book, maybe there will be a line that's funny." | 0:05:45 | 0:05:48 | |
That didn't happen and... But I found these three... | 0:05:48 | 0:05:52 | |
I wrote these diaries here and I was a little... | 0:05:52 | 0:05:58 | |
..saddened by them. | 0:05:59 | 0:06:01 | |
I'm very insecure in the books and I didn't recall | 0:06:01 | 0:06:05 | |
that I was that insecure. | 0:06:05 | 0:06:08 | |
No, because we were talking and you were saying that you haven't | 0:06:08 | 0:06:12 | |
-altered the diaries at all. -At all. | 0:06:12 | 0:06:14 | |
The diaries are precisely | 0:06:14 | 0:06:15 | |
what 19-year-old Carrie Fisher was writing. | 0:06:15 | 0:06:18 | |
And I wanted to take some of the stuff out and I should have. | 0:06:18 | 0:06:21 | |
No, I think you were right to leave it all in. | 0:06:21 | 0:06:23 | |
-It's good. It's good to show your vulnerability. -Everything. | 0:06:23 | 0:06:26 | |
Because that's what people warm to. | 0:06:26 | 0:06:28 | |
Because I think if you'd edited the diaries to try and make | 0:06:28 | 0:06:30 | |
yourself seem more sophisticated or something, it would be terrible. | 0:06:30 | 0:06:33 | |
No, it sounds like a 19-year-old girl who's having (an affair) | 0:06:33 | 0:06:38 | |
with a 34-year-old...man. | 0:06:38 | 0:06:42 | |
LAUGHTER | 0:06:42 | 0:06:44 | |
Let's call him a man. | 0:06:44 | 0:06:45 | |
Let's go with that. | 0:06:47 | 0:06:48 | |
Because the heart of this book, of course, | 0:06:48 | 0:06:50 | |
is the love affair between yourself and Harrison. | 0:06:50 | 0:06:54 | |
-Now, given that it did happen 40 years ago... -I just remembered. | 0:06:54 | 0:06:59 | |
One, there's that, but also it has caused a sensation. | 0:07:01 | 0:07:07 | |
You would think that people would kind of go, | 0:07:07 | 0:07:09 | |
"Oh, two young actors, yeah, of course they...had an affair." | 0:07:09 | 0:07:12 | |
But this has caused ructions. | 0:07:12 | 0:07:15 | |
400,000 news services picked it up. | 0:07:15 | 0:07:18 | |
-Wow. -And it became a little embarrassing for me. | 0:07:19 | 0:07:24 | |
But here's the thing - and I do find this extraordinary - | 0:07:24 | 0:07:27 | |
so 40 years ago you have this affair over the months of | 0:07:27 | 0:07:30 | |
the movie, and you say you literally never spoke about it again. | 0:07:30 | 0:07:36 | |
And yet you've been seeing him off and on for the whole time. | 0:07:36 | 0:07:39 | |
I've seen him more on than... | 0:07:39 | 0:07:41 | |
I became friends with his second wife then and we saw | 0:07:41 | 0:07:45 | |
each other a lot and, no, I can literally remember three times that | 0:07:45 | 0:07:51 | |
we... I, of course, made some oblique reference to it and he went... | 0:07:51 | 0:07:56 | |
-SHE GRUMBLES: -"Rrrgh." | 0:07:56 | 0:07:57 | |
But now he's going to have to talk about it for the rest of his life. | 0:08:01 | 0:08:04 | |
That's what you... | 0:08:04 | 0:08:06 | |
I never thought of that and leave it to Graham to now... | 0:08:06 | 0:08:08 | |
But if you talk like that, if he goes, "Rrrgh," | 0:08:08 | 0:08:11 | |
you should have used that quote on the front of the book. | 0:08:11 | 0:08:13 | |
"Rrrgh." - Harrison. | 0:08:13 | 0:08:16 | |
"A good read...a good rrrgh." | 0:08:16 | 0:08:17 | |
And the thing is, also, because now Star Wars fans - or anyone, really - | 0:08:20 | 0:08:24 | |
that they've got this, | 0:08:24 | 0:08:25 | |
they can see things in the films that they didn't see before. | 0:08:25 | 0:08:30 | |
Like we have this clip from The Empire Strikes Back. | 0:08:30 | 0:08:32 | |
That is when the actual love affair between Princess Leia and Han Solo | 0:08:32 | 0:08:35 | |
sort of begins in the movie and there's the famous scene where, | 0:08:35 | 0:08:38 | |
I think it's well known that Harrison improv-ed the line at the end. | 0:08:38 | 0:08:41 | |
We'll just have a quick look. | 0:08:41 | 0:08:43 | |
I love you. | 0:08:53 | 0:08:55 | |
I know. | 0:08:55 | 0:08:56 | |
Ohh! | 0:08:56 | 0:08:58 | |
It was originally... It was originally written, | 0:09:00 | 0:09:03 | |
"I love you." "I love you." | 0:09:03 | 0:09:07 | |
Which wasn't that clever. And Harrison changed it to, "I know." | 0:09:07 | 0:09:11 | |
-Which, well, when you think of the... -Yes. | 0:09:11 | 0:09:14 | |
But you were still young there. | 0:09:14 | 0:09:16 | |
Was that a bit of a slap in the face, like, "You're saying WHAT?" | 0:09:16 | 0:09:20 | |
But he doesn't... He's not a very verbal person. | 0:09:21 | 0:09:26 | |
But when he is, he's very witty. | 0:09:26 | 0:09:28 | |
But he's no people pleaser, so it's not like, | 0:09:28 | 0:09:30 | |
"Have you heard this one?". | 0:09:30 | 0:09:33 | |
It comes out witty and you have to take | 0:09:33 | 0:09:35 | |
a second sometimes to realise it was funny. | 0:09:35 | 0:09:37 | |
Yeah, and filming together... | 0:09:37 | 0:09:39 | |
LAUGHTER | 0:09:39 | 0:09:41 | |
That is going to be in the Daily Mail tomorrow. | 0:09:41 | 0:09:45 | |
You were filmed together for The Force Awakens, | 0:09:46 | 0:09:49 | |
obviously you came back together again, and there's a picture of you | 0:09:49 | 0:09:52 | |
at Comic-Con and you kind of think, | 0:09:52 | 0:09:53 | |
"Did Mark Hamill really not know?" I mean... | 0:09:53 | 0:09:56 | |
He really didn't know and I actually thought, "Well, he must have..." | 0:09:56 | 0:10:00 | |
And when I told him he was shocked. | 0:10:00 | 0:10:03 | |
-I think he felt a little betrayed, quite honestly. -Because...? | 0:10:03 | 0:10:08 | |
Well, we were brother and sister and there's that problem with | 0:10:08 | 0:10:11 | |
that kiss in the second movie. | 0:10:11 | 0:10:13 | |
Yes, there's all of that but did nobody on the set know? | 0:10:13 | 0:10:16 | |
I promise you, no-one knew. | 0:10:16 | 0:10:18 | |
So no-one's come out since the book and went... | 0:10:18 | 0:10:20 | |
"Oh, I knew that!" | 0:10:20 | 0:10:22 | |
No, but the fans had also started calling it Carrison. | 0:10:22 | 0:10:25 | |
So they'd been speculating on it. | 0:10:25 | 0:10:26 | |
I get fan mail that says, "If Harrison's there, say hi." | 0:10:26 | 0:10:29 | |
I mean, they really like to think... | 0:10:29 | 0:10:31 | |
So we were Han and Leia during the week and, you know... | 0:10:31 | 0:10:35 | |
-Carrison at the weekend. -Yes. -Nice. | 0:10:35 | 0:10:37 | |
In terms of diaries, Grayson, | 0:10:37 | 0:10:38 | |
you have kept journals over the years, haven't you? | 0:10:38 | 0:10:41 | |
Yeah, when I kind of... Before the Turner Prize, but I just thought... | 0:10:41 | 0:10:46 | |
I'd already published my biography up until I was 22 and | 0:10:46 | 0:10:50 | |
so I thought at some point I may want to publish another one and | 0:10:50 | 0:10:55 | |
so I keep a diary, I've kept a diary for decades. | 0:10:55 | 0:10:58 | |
So you can publish quickly. "Yeah, publish those. | 0:10:58 | 0:11:00 | |
-"I've already written it, there you go." -Isn't that what they say? | 0:11:00 | 0:11:03 | |
-Keep a diary so one day it'll keep you. I think that's what they say. -Hello. | 0:11:03 | 0:11:07 | |
That's what they said. | 0:11:10 | 0:11:12 | |
Grayson Perry, Grayson Perry has also written a book. | 0:11:14 | 0:11:17 | |
It's called, The Descent Of Man and it's out now. | 0:11:17 | 0:11:21 | |
And I suppose it's really about what purpose masculinity has now. | 0:11:21 | 0:11:27 | |
Yeah, there's a kind of redundancy about it and, you know, | 0:11:27 | 0:11:30 | |
what really spurred me on was, | 0:11:30 | 0:11:32 | |
sometimes I think the newsreaders, | 0:11:32 | 0:11:34 | |
especially as a female newsreader, | 0:11:34 | 0:11:36 | |
I'd like them to sort of come up at the beginning of | 0:11:36 | 0:11:38 | |
the news and say, "Let's see what shit men have been up to now." | 0:11:38 | 0:11:41 | |
Because you look at the troubles of the world, | 0:11:43 | 0:11:45 | |
it's men who are doing most of it. | 0:11:45 | 0:11:47 | |
Of course, most men are lovely but most crime is done by men, | 0:11:47 | 0:11:50 | |
most of the awful things are done by men. | 0:11:50 | 0:11:52 | |
I'm looking at masculinity and seeing how we could change it. | 0:11:52 | 0:11:55 | |
And the thing I want to say to men is - it's not all about loss. | 0:11:55 | 0:11:59 | |
You know, a lot of the traditional things we regard as masculine, | 0:11:59 | 0:12:02 | |
about kind of wearing this kind of | 0:12:02 | 0:12:04 | |
armour, I think it's an unburdening and you might find that there's | 0:12:04 | 0:12:06 | |
a positive side to changing what it is to be masculine. | 0:12:06 | 0:12:10 | |
You might like it. You might have better friendships. | 0:12:10 | 0:12:12 | |
But do you not think, Grayson, that you credit men in | 0:12:12 | 0:12:15 | |
a way with more emotional intelligence than we have? | 0:12:15 | 0:12:18 | |
I don't want to be too harsh because I don't want to stereotype them. | 0:12:18 | 0:12:21 | |
-Oh, stereotypes... -I don't want to make men too defensive. | 0:12:21 | 0:12:26 | |
I want them to be open to change, you know? | 0:12:26 | 0:12:27 | |
So I didn't want to kind of say, "You're like this, you're like this." | 0:12:27 | 0:12:30 | |
I wanted to say, "Look, I'm a bit like this too but, hey, look, | 0:12:30 | 0:12:33 | |
"you could change, it might be nice." | 0:12:33 | 0:12:35 | |
But isn't so much of that behaviour just about trying to get laid? | 0:12:35 | 0:12:38 | |
Yeah, a lot of it is. | 0:12:38 | 0:12:40 | |
And a big problem with our sexuality is it suffers from what | 0:12:40 | 0:12:44 | |
I would call cultural lag. | 0:12:44 | 0:12:46 | |
So our sexuality was formed when we were young in our childhood, | 0:12:46 | 0:12:49 | |
so therefore it's kind of attached to how the world was then | 0:12:49 | 0:12:52 | |
as well a bit. So therefore, you know, | 0:12:52 | 0:12:54 | |
men - and women to a certain extent - | 0:12:54 | 0:12:56 | |
they like an old-fashioned version of what turns them on. | 0:12:56 | 0:12:59 | |
I was talking to some women when researching the book and this | 0:12:59 | 0:13:03 | |
woman was saying, "Oh, middle-class men, | 0:13:03 | 0:13:05 | |
"they're not as macho as they used to be." | 0:13:05 | 0:13:07 | |
I said, "Would you REALLY want a man like that? | 0:13:07 | 0:13:10 | |
"You know, a kind of domineering, sexist man." | 0:13:10 | 0:13:12 | |
She said, "Oh, in the bedroom." | 0:13:12 | 0:13:14 | |
Sort of "pull me back into the cave" kind of thing? | 0:13:14 | 0:13:17 | |
Yeah, because you look at... Fifty Shades Of Grey sold | 0:13:17 | 0:13:20 | |
-incredibly well but I bet it didn't sell very well in Afghanistan. -No. | 0:13:20 | 0:13:25 | |
Do you know what I mean? It's like submissiveness... | 0:13:25 | 0:13:27 | |
Good point well made. | 0:13:27 | 0:13:29 | |
Submissiveness as a leisure activity, I'm sort of thinking. | 0:13:29 | 0:13:33 | |
Fifty Shades sales in Afghanistan never occurred to me. | 0:13:33 | 0:13:37 | |
I'm going to Google it now. | 0:13:37 | 0:13:39 | |
It's one of the markets she's really trying to break into. | 0:13:39 | 0:13:42 | |
But there is a point about how most of the world is designed for | 0:13:43 | 0:13:47 | |
men and men of an average height. | 0:13:47 | 0:13:49 | |
So if you're a woman and you go to a service station and you wash | 0:13:49 | 0:13:51 | |
your hands and you go to dry them, | 0:13:51 | 0:13:53 | |
the drier is set by some bloke who's put it on the wall and | 0:13:53 | 0:13:55 | |
immediately you do that and the water all runs down your elbow. | 0:13:55 | 0:13:58 | |
Or lecterns. Lecterns are a really interesting thing. | 0:13:58 | 0:14:00 | |
I was at the Hay Festival. Have you done the Hay Festival, Carrie? Yeah. | 0:14:00 | 0:14:03 | |
At the Hay Festival, you stand up and talk at a lectern | 0:14:03 | 0:14:05 | |
and it comes to here on me. Lecterns are designed for men to say important things. | 0:14:05 | 0:14:08 | |
They're not designed for women, | 0:14:08 | 0:14:09 | |
like Carrie and myself, to say important things. | 0:14:09 | 0:14:11 | |
Actually, it's funny, the subtle sexist things like that. | 0:14:11 | 0:14:14 | |
In the book you talk about air conditioning, which I'd never thought about. | 0:14:14 | 0:14:17 | |
There was a news story last year that said that air conditioning | 0:14:17 | 0:14:19 | |
was sexist because it was always set for men's comfort because | 0:14:19 | 0:14:22 | |
they wear suits, so therefore they're wearing a bit more clothes. | 0:14:22 | 0:14:25 | |
Whereas women in dresses and less heavy clothes, | 0:14:25 | 0:14:28 | |
they're always complaining about being... | 0:14:28 | 0:14:29 | |
And they have smaller bodies as well, so they get colder easier. | 0:14:29 | 0:14:32 | |
I always thought in Star Wars they have | 0:14:32 | 0:14:34 | |
no female planet that is overtly female. | 0:14:34 | 0:14:38 | |
You know, where there's spas and the caricature of females. | 0:14:38 | 0:14:40 | |
They do caricature of males. | 0:14:40 | 0:14:42 | |
I just thought there should be more female... | 0:14:42 | 0:14:45 | |
My planet blew up with my parents on it and I'm more upset | 0:14:45 | 0:14:48 | |
about Harrison going into the... | 0:14:48 | 0:14:50 | |
LAUGHTER | 0:14:50 | 0:14:53 | |
That's what we need, a feminist Star Wars. | 0:14:53 | 0:14:55 | |
There's no therapists in space. | 0:14:57 | 0:14:59 | |
But it is odd that if you are creating worlds, | 0:15:00 | 0:15:03 | |
you would create worlds with so few women in them. | 0:15:03 | 0:15:06 | |
-There's you, essentially. -It must be exhausting. | 0:15:06 | 0:15:08 | |
I was there for the whole crew. | 0:15:08 | 0:15:10 | |
APPLAUSE | 0:15:12 | 0:15:14 | |
Now, that will be in the Daily Mail! | 0:15:14 | 0:15:17 | |
More diaries to come! | 0:15:17 | 0:15:19 | |
Volume two, volume two. | 0:15:19 | 0:15:21 | |
No, I'm doing a bunch of books on men I haven't slept with. | 0:15:21 | 0:15:24 | |
Storm Trooper 456. | 0:15:24 | 0:15:26 | |
You talked earlier about how men are to blame for most things and | 0:15:28 | 0:15:31 | |
you have a radical idea in the book, a suggestion about men paying tax. | 0:15:31 | 0:15:36 | |
There was a news story this year about tampon tax about how women | 0:15:36 | 0:15:39 | |
shouldn't pay tax, VAT, on sanitary products. | 0:15:39 | 0:15:43 | |
And I thought, "Yeah, that's good." | 0:15:43 | 0:15:45 | |
If you look at... You know, men are responsible for most crime, | 0:15:45 | 0:15:48 | |
maybe women shouldn't pay tax to fund the criminal justice system. | 0:15:48 | 0:15:52 | |
Maybe men should pick up the bill for their own misdemeanours. | 0:15:52 | 0:15:55 | |
It's possible I love you. | 0:15:55 | 0:15:57 | |
-THERE'S a story. -Shall I stand for the Women's Equality Party? | 0:15:59 | 0:16:02 | |
Yes. | 0:16:02 | 0:16:04 | |
But on the other side, there's also, in terms of changing | 0:16:04 | 0:16:06 | |
things for boys, only 10% of men in this country take | 0:16:06 | 0:16:09 | |
paternity leave who are entitled to it because they think it will | 0:16:09 | 0:16:11 | |
impact adversely on their work, and it will. | 0:16:11 | 0:16:14 | |
So let's have compulsory paternity leave | 0:16:14 | 0:16:16 | |
so that men can spend time with their babies. | 0:16:16 | 0:16:18 | |
There's lots of ways in which we could sort it out so that | 0:16:18 | 0:16:20 | |
boys can have an easier time and, in fact, we can all have a better time. | 0:16:20 | 0:16:23 | |
Because you were one of the founders of the Women's Equality Party... | 0:16:23 | 0:16:26 | |
-I am. -..which is kind of what Grayson is saying - | 0:16:26 | 0:16:28 | |
it's not about losing or gaining, it's just about a parity. | 0:16:28 | 0:16:30 | |
It would be nice. Equality is better for everybody, that's it. | 0:16:30 | 0:16:33 | |
I mean, I've called the book The Descent Of Man, I'm not saying I'm | 0:16:33 | 0:16:36 | |
making them right go down to the bottom, | 0:16:36 | 0:16:37 | |
I'm saying, "Look, just come down, level." | 0:16:37 | 0:16:39 | |
You want to be careful, though, Graham, | 0:16:39 | 0:16:41 | |
there'll be women chat-show hosts and then where will we be? | 0:16:41 | 0:16:44 | |
Why I oughtta! | 0:16:44 | 0:16:46 | |
This is a terrible idea! Why am I promoting this book? | 0:16:47 | 0:16:50 | |
Talking of women chat-show hosts, | 0:16:51 | 0:16:54 | |
there is now a female panel-show host. | 0:16:54 | 0:16:57 | |
-I know! -I know! | 0:16:57 | 0:16:59 | |
CHEERING | 0:16:59 | 0:17:00 | |
I mean, you're not the first but you're one of the first. | 0:17:03 | 0:17:05 | |
I'm the first in this kind of mainstream show, yes. | 0:17:05 | 0:17:07 | |
Isn't that cr...? Because there's no heavy lifting. | 0:17:07 | 0:17:10 | |
Well, yeah, I was surprised. | 0:17:10 | 0:17:12 | |
Here's the thing I didn't know when you're the host of one of | 0:17:12 | 0:17:15 | |
those big shows, they tell you the answers beforehand. | 0:17:15 | 0:17:18 | |
So it's not that difficult. And those cards you're holding, | 0:17:18 | 0:17:20 | |
they're not as heavy as I was led to believe. | 0:17:20 | 0:17:22 | |
It's been OK. I've loved it, I've absolutely loved it. | 0:17:25 | 0:17:27 | |
OK, so the thing about QI is, because you've done it, | 0:17:27 | 0:17:31 | |
Carrie, I've done it, in the moment you learn amazing things. | 0:17:31 | 0:17:35 | |
You think, "I'll never forget that." By the next day it's gone. | 0:17:35 | 0:17:38 | |
But I bet you remember things. | 0:17:38 | 0:17:40 | |
I'm afraid I don't have one of those retentive minds. So we just | 0:17:40 | 0:17:43 | |
did the N series, there's a different letter of the alphabet each time. | 0:17:43 | 0:17:46 | |
So we did "noises" and my favourite fact for Christmas... | 0:17:46 | 0:17:50 | |
Did you ever have partridge? Have you had partridge? | 0:17:50 | 0:17:52 | |
-It's a thing in the song, partridge in a pear tree. -I've heard of it. | 0:17:52 | 0:17:55 | |
It comes from the Greek word perdesthai, | 0:17:55 | 0:17:57 | |
and that means to break wind and | 0:17:57 | 0:18:01 | |
so the word partridge is because of the noise they make as they | 0:18:01 | 0:18:04 | |
take off in flight. It basically means fart, partridge. | 0:18:04 | 0:18:07 | |
I think that's terribly pleasing. The other one I know... | 0:18:09 | 0:18:11 | |
Do you ever have that you think your house smells and you've got | 0:18:11 | 0:18:14 | |
guests coming? And you think, "What am I going to do? | 0:18:14 | 0:18:16 | |
"I can't really tell if it smells cos I live here." | 0:18:16 | 0:18:18 | |
You can reset your nose, this is very cool. | 0:18:18 | 0:18:20 | |
So what you need to do is you need to run up and down the stairs | 0:18:20 | 0:18:23 | |
very quickly and that introduces more blood into... | 0:18:23 | 0:18:26 | |
It widens the capillaries in your nose and you will be able to | 0:18:26 | 0:18:29 | |
tell whether your house smells or not. You can reset your nose. | 0:18:29 | 0:18:32 | |
Oh, I hope you don't move next door to me. | 0:18:32 | 0:18:35 | |
So, yeah, I love those things. | 0:18:37 | 0:18:38 | |
The thing I learned when I did it, was that when you eat asparagus | 0:18:38 | 0:18:42 | |
-and your pee stinks, apparently that doesn't happen for everyone. -No. | 0:18:42 | 0:18:48 | |
Oh, actually, no, I found out something else later - it does, | 0:18:48 | 0:18:51 | |
it does, everybody's pee stinks but some people can't smell it. | 0:18:51 | 0:18:55 | |
-They need to reset their nose. -Yes. | 0:18:55 | 0:18:58 | |
-Run up and down the stairs. -What if they live in a bungalow? | 0:18:58 | 0:19:00 | |
Yeah, maybe. If they live in a bungalow, it's hell. | 0:19:00 | 0:19:02 | |
They've got to go outside at night and run round. | 0:19:02 | 0:19:05 | |
Come back in, "Oh, asparagus, yeah, awful." | 0:19:05 | 0:19:08 | |
Actually, when you get to the P, Grayson has quite | 0:19:08 | 0:19:11 | |
a good thing about the pink and blue. | 0:19:11 | 0:19:13 | |
Oh, because... Writing a book about masculinity, | 0:19:13 | 0:19:16 | |
so I was thinking about the codes of gender and of course pink and | 0:19:16 | 0:19:19 | |
blue being the most well-known, but pink was the boys colour up | 0:19:19 | 0:19:23 | |
until fairly recently, because in the late 19th century they thought | 0:19:23 | 0:19:27 | |
soldiers wore red, so maybe pink was like a junior version of red. | 0:19:27 | 0:19:32 | |
And they don't think it was until Mamie Eisenhower wore her pink gown | 0:19:32 | 0:19:36 | |
at her husband's inauguration in 1946, I think, | 0:19:36 | 0:19:40 | |
that was when then... "Pink is definitely a girl's colour." | 0:19:40 | 0:19:43 | |
And it wasn't until the '60s that it got really set in stone, | 0:19:43 | 0:19:46 | |
-or set in pink plastic. -Yeah. | 0:19:46 | 0:19:49 | |
I used it as an illustration of the way that gender, | 0:19:49 | 0:19:52 | |
a lot of the behaviours that we think of as fixed, | 0:19:52 | 0:19:54 | |
are incredibly fluid and changing all the time. | 0:19:54 | 0:19:58 | |
And men and women may be, in a century's time, doing | 0:19:58 | 0:20:01 | |
completely different things. | 0:20:01 | 0:20:02 | |
We'll all be dead. Erm... Now... | 0:20:02 | 0:20:06 | |
Here's hoping. | 0:20:06 | 0:20:07 | |
It's so cheerful suddenly. | 0:20:09 | 0:20:10 | |
Now, we're going to see a clip, this is Sandi in action in her new job. | 0:20:10 | 0:20:14 | |
Who are Spoon Licker, Doorway Sniffer, | 0:20:14 | 0:20:17 | |
Sausage Swiper and Meat Hook? | 0:20:17 | 0:20:19 | |
-Yes, Josh. -Is that how you refer to us four? | 0:20:21 | 0:20:24 | |
APPLAUSE | 0:20:26 | 0:20:28 | |
And if so, name names. | 0:20:32 | 0:20:35 | |
If you were to have to describe us, Sandi, | 0:20:35 | 0:20:37 | |
which one of us would be the Sausage Swiper? | 0:20:37 | 0:20:40 | |
APPLAUSE | 0:20:42 | 0:20:44 | |
I was being so careful. | 0:20:48 | 0:20:50 | |
CHEERING | 0:20:50 | 0:20:51 | |
Very good. | 0:20:51 | 0:20:52 | |
OK, everyone, it is time for my next guest. | 0:20:55 | 0:20:58 | |
Last year she won the Great British Bake Off and the hearts of | 0:20:58 | 0:21:01 | |
a nation. Now she's back with her first cookbook. | 0:21:01 | 0:21:04 | |
Please welcome Nadiya Hussain. | 0:21:04 | 0:21:06 | |
There she is. Hello. Hi. Lovely to see you. Hi. Come in. | 0:21:09 | 0:21:13 | |
-This is Carrie. -Hi, nice to meet you. | 0:21:14 | 0:21:17 | |
Grayson. Sandi. If you just shuffle down slightly, there we go. | 0:21:17 | 0:21:22 | |
And you perch there, Nadiya. | 0:21:22 | 0:21:24 | |
-How are you? -Can we take a moment to admire Grayson's shoes, please? | 0:21:24 | 0:21:27 | |
Yes, Grayson's shoes are amazing, I meant to mention them earlier. | 0:21:27 | 0:21:31 | |
I have a lovely lady called Natacha Marro who makes them for me. | 0:21:31 | 0:21:34 | |
Her name's Marro? | 0:21:34 | 0:21:35 | |
-Yeah, she's French. -Oh, I see. | 0:21:35 | 0:21:37 | |
FRENCH ACCENT: Marro, Marro, it's a shoe. | 0:21:38 | 0:21:41 | |
How are you, my dear? | 0:21:42 | 0:21:43 | |
I'm good, it's good... It's nice to be on a couch where I'm not the shortest. | 0:21:43 | 0:21:46 | |
-That's good. -Yeah, three short ladies today. -Yeah. | 0:21:46 | 0:21:49 | |
Now, Nadiya, so, Bake Off, winning Bake Off, I think... | 0:21:51 | 0:21:56 | |
You are everyone's favourite winner. | 0:21:56 | 0:21:58 | |
-That final was just so emotional and lovely. -Yeah. | 0:21:58 | 0:22:01 | |
-Are you recognised everywhere you go now? -Yes. Yes. -Everywhere? | 0:22:01 | 0:22:06 | |
It's not a bad thing. | 0:22:06 | 0:22:08 | |
You know, people are lovely, people are so nice. Some not so nice, | 0:22:08 | 0:22:10 | |
but mostly nice. | 0:22:10 | 0:22:12 | |
-Um... And... -LAUGHTER | 0:22:12 | 0:22:13 | |
But, like... Yeah, mostly nice. But I recently went... | 0:22:13 | 0:22:18 | |
And I'm not shy, we've all got to do it. I went for my smear test... | 0:22:18 | 0:22:22 | |
All been there. LAUGHTER | 0:22:22 | 0:22:25 | |
Yes, yes. And, as you do. | 0:22:25 | 0:22:28 | |
And it's that god-awful fear where you think, | 0:22:28 | 0:22:31 | |
"Oh, I really don't want to go. I just want to get this over with. | 0:22:31 | 0:22:33 | |
"I've shaved my legs. Let's do this, come on." | 0:22:33 | 0:22:36 | |
And then you turn up and I just thought, | 0:22:36 | 0:22:38 | |
"Please don't recognise me, please don't recognise me. | 0:22:38 | 0:22:41 | |
"I hope she doesn't recognise me. Just go in, get it done, get out." | 0:22:41 | 0:22:44 | |
-There I was, speculum... -LAUGHTER | 0:22:44 | 0:22:48 | |
And she said, "So, is Paul Hollywood really that good-looking?" | 0:22:48 | 0:22:52 | |
LAUGHTER | 0:22:52 | 0:22:53 | |
-That's the way to get you to relax! -LAUGHTER | 0:22:58 | 0:23:01 | |
Comes at you with the Eiffel Tower. | 0:23:01 | 0:23:05 | |
APPLAUSE | 0:23:05 | 0:23:07 | |
I wonder what made her think of him. | 0:23:07 | 0:23:11 | |
The beard? | 0:23:11 | 0:23:13 | |
LAUGHTER | 0:23:13 | 0:23:14 | |
-Too much? -Maybe! | 0:23:16 | 0:23:19 | |
-She's in the room! -Sorry. | 0:23:19 | 0:23:23 | |
But I have to say, the thing that we all... | 0:23:23 | 0:23:25 | |
And when she cried, when Mary Berry tried, | 0:23:25 | 0:23:29 | |
and then you made your speech in the final, it was so lovely. | 0:23:29 | 0:23:32 | |
And I wonder in that speech, | 0:23:32 | 0:23:33 | |
which was so inspiring and sort of empowering, | 0:23:33 | 0:23:35 | |
was it something specific in your life that you were talking about? | 0:23:35 | 0:23:38 | |
Or was it just a kind of general thing? | 0:23:38 | 0:23:40 | |
I definitely didn't rehearse it. | 0:23:40 | 0:23:41 | |
Lots of people ask me this, "Did you rehearse it?" | 0:23:41 | 0:23:44 | |
-Because it seemed written, it was so lovely. -No, I stood there. | 0:23:44 | 0:23:47 | |
I was probably an editor's nightmare. | 0:23:47 | 0:23:49 | |
I was stood there for about half an hour crying. | 0:23:49 | 0:23:51 | |
"Are you going to say anything now?" Nope, nope. | 0:23:51 | 0:23:54 | |
And I just stood there and I cried. | 0:23:54 | 0:23:56 | |
And it's really weird because I can't actually remember any of it. | 0:23:56 | 0:23:58 | |
I don't actually remember the moment I won. | 0:23:58 | 0:24:00 | |
All I remember is looking down at my feet and thinking, | 0:24:00 | 0:24:02 | |
"These shoes need to go in the washing machine as soon as I get home." | 0:24:02 | 0:24:05 | |
Because they were covered in icing sugar. | 0:24:05 | 0:24:07 | |
So that was the only thought I had. | 0:24:07 | 0:24:08 | |
But I didn't rehearse... I didn't think I'd get the... | 0:24:08 | 0:24:10 | |
I didn't think I was going to win. | 0:24:10 | 0:24:12 | |
So much so, I handed the trophy back to Paul and said, | 0:24:12 | 0:24:15 | |
-"Are you sure you don't want to give it to the other two?" -Awww! | 0:24:15 | 0:24:17 | |
Because I genuinely didn't think it was... | 0:24:17 | 0:24:20 | |
I mean, now, if they came for it now, they're not getting it. | 0:24:20 | 0:24:23 | |
-LAUGHTER -They're not getting it now. No, no, no. | 0:24:23 | 0:24:25 | |
I met you shortly after you'd won, in fact it | 0:24:25 | 0:24:27 | |
was the first time I met you, and fame does funny things to people. | 0:24:27 | 0:24:30 | |
You have transitioned into the most fantastic, powerful | 0:24:30 | 0:24:34 | |
and talented role model for women, and it's really wonderful to see. | 0:24:34 | 0:24:38 | |
Yeah! CHEERING AND WHOOPING | 0:24:38 | 0:24:40 | |
-And you're getting married. -Yeah! Again! | 0:24:43 | 0:24:47 | |
-But in this country this time. -Yes. | 0:24:47 | 0:24:49 | |
I've been married before. I am married, um... | 0:24:49 | 0:24:52 | |
-LAUGHTER -Have three children. | 0:24:52 | 0:24:54 | |
And we had the Islamic marriage in this country. | 0:24:54 | 0:24:57 | |
And then we went out to Bangladesh and had the ceremony out there. | 0:24:57 | 0:25:00 | |
Not because we wanted the hot weather or the beaches. | 0:25:00 | 0:25:04 | |
My father-in-law and my dad concocted this plan that it would be | 0:25:04 | 0:25:08 | |
-cheaper to go out there. -Fair enough! | 0:25:08 | 0:25:10 | |
-I suppose they were paying for it, so... -Very sensible. | 0:25:10 | 0:25:12 | |
But I knew nobody. | 0:25:12 | 0:25:13 | |
I had no family, just my mum and my dad and my husband, | 0:25:13 | 0:25:17 | |
-who I'd only seen once. -Wow. -So it was the second time I'd seen him. | 0:25:17 | 0:25:21 | |
So I was like, | 0:25:21 | 0:25:22 | |
"Yeah, he's good-looking but that's a whole lot of lifetime." | 0:25:22 | 0:25:27 | |
-LAUGHTER -He is all right now, I quite like him. That's why... | 0:25:27 | 0:25:29 | |
-LAUGHTER -That's why I want to get married, | 0:25:29 | 0:25:32 | |
because I'll actually mean it this time. | 0:25:32 | 0:25:35 | |
Like, last time it was a bit like, "OK, let's do this!" | 0:25:35 | 0:25:38 | |
But it's interesting, because I've read in interviews you | 0:25:38 | 0:25:40 | |
talking about arranged marriage, | 0:25:40 | 0:25:41 | |
and the more I read you talking about it, the more sensible it seems. | 0:25:41 | 0:25:45 | |
But did you kind of think the chances are kind of the same? | 0:25:45 | 0:25:48 | |
-Well, yeah... -LAUGHTER | 0:25:48 | 0:25:50 | |
My wife always says that love at first sight is projection at first sight. | 0:25:50 | 0:25:54 | |
It's just that they remind you of someone else you love already, | 0:25:54 | 0:25:57 | |
usually one of your parents. | 0:25:57 | 0:25:59 | |
I mean, there's no such thing as love at first sight. | 0:25:59 | 0:26:02 | |
-How could you love someone that you'd never met before? -No. | 0:26:02 | 0:26:06 | |
When I met my wife, | 0:26:06 | 0:26:07 | |
we shook hands and I swear it was like being hit by lightning. | 0:26:07 | 0:26:10 | |
And it still feels like that and it's all those years later. | 0:26:10 | 0:26:13 | |
-ALL: Awwwww! -So I'm afraid I disagree. | 0:26:13 | 0:26:16 | |
You can write all the psychology books you like, | 0:26:16 | 0:26:18 | |
you can't change how you feel when you meet somebody. | 0:26:18 | 0:26:20 | |
My husband had lovely long hair and a big arse and I was like, | 0:26:20 | 0:26:23 | |
"That's nice, that'll do me." | 0:26:23 | 0:26:25 | |
LAUGHTER | 0:26:25 | 0:26:26 | |
I think if you meet someone and you kind of like them, | 0:26:26 | 0:26:29 | |
you might as well marry them and then just see how it goes. | 0:26:29 | 0:26:32 | |
-But there are issues with that because then you're stuck. -Yeah. | 0:26:32 | 0:26:35 | |
-But they're in the ballpark and then you grow together. -Yeah! | 0:26:35 | 0:26:38 | |
You want someone in the ballpark, you don't want someone you completely hate. | 0:26:38 | 0:26:42 | |
There might be a few corners that need knocking off, | 0:26:42 | 0:26:44 | |
but that's what a relationship is about - changing each other. | 0:26:44 | 0:26:48 | |
LAUGHTER | 0:26:48 | 0:26:50 | |
-Not the last bit. -I think it is. | 0:26:50 | 0:26:52 | |
You've got to change each other a little bit, otherwise there's no blending, is there? | 0:26:52 | 0:26:56 | |
There's no relationship you share. | 0:26:56 | 0:26:58 | |
But it's interesting about the whole arranged marriage thing, | 0:26:58 | 0:27:01 | |
because, culturally, I had problems with it | 0:27:01 | 0:27:03 | |
until I had three grown-up children and now I'm totally ready for it. Totally ready for it. | 0:27:03 | 0:27:06 | |
You want an arranged marriage for them? | 0:27:06 | 0:27:08 | |
Yeah, I'll sort it for them, seriously. I know way better than they do. | 0:27:08 | 0:27:13 | |
See, having done it, I cannot wait for them to go to uni, | 0:27:13 | 0:27:17 | |
leave the house. | 0:27:17 | 0:27:18 | |
I'm going to sell up, go on a cruise, convertible, | 0:27:18 | 0:27:21 | |
around the world. You know, do your thing. | 0:27:21 | 0:27:23 | |
But having done it, it's not something I'd do for my kids. | 0:27:23 | 0:27:26 | |
-No? -Who can be arsed? I really can't. | 0:27:26 | 0:27:28 | |
LAUGHTER | 0:27:28 | 0:27:30 | |
-I can't be bothered! -"Find your own husband!" -Yeah! | 0:27:30 | 0:27:33 | |
Everyone else is doing it! | 0:27:33 | 0:27:35 | |
-Send them to uni and move house. Don't tell them. -LAUGHTER | 0:27:35 | 0:27:39 | |
My father was a short Jewish singer and so I married | 0:27:39 | 0:27:44 | |
-a short Jewish singer. I did sort of do the... -The daddy thing. | 0:27:44 | 0:27:48 | |
And then I went, "Well, that didn't work, | 0:27:48 | 0:27:50 | |
"so now I'd better go in a whole other direction." | 0:27:50 | 0:27:53 | |
That didn't work either - he left me for a man. | 0:27:53 | 0:27:55 | |
And so I thought, "I'm not going to do this any more." | 0:27:55 | 0:27:59 | |
Except tonight I'd like to announce that I am going to accept | 0:27:59 | 0:28:03 | |
applications for... | 0:28:03 | 0:28:05 | |
LAUGHTER DROWNS SPEECH | 0:28:05 | 0:28:07 | |
-That's a reality show right there. -I'm going to pitch it! | 0:28:07 | 0:28:12 | |
APPLAUSE | 0:28:12 | 0:28:15 | |
And the book... The book is Nadiya's Kitchen, your new cookbook. | 0:28:17 | 0:28:21 | |
And it's such a great reminder of kind of what modern Britain is. | 0:28:21 | 0:28:26 | |
That it's a really inclusive country and there's recipes from all over the world. | 0:28:26 | 0:28:30 | |
Yeah, it's just a mixture of all the things that I like to cook at home. | 0:28:30 | 0:28:34 | |
And being part of a Bangladeshi family, it's very Continental, | 0:28:34 | 0:28:38 | |
Bangladeshi, British, baking... | 0:28:38 | 0:28:41 | |
Did you have pressure on you to make it all cakes because of the | 0:28:41 | 0:28:43 | |
-Bake Off thing, or not? -I don't know. | 0:28:43 | 0:28:45 | |
I think there's a slight pressure that because I came | 0:28:45 | 0:28:47 | |
off Bake Off that it should all be cakes, but I don't do cakes | 0:28:47 | 0:28:51 | |
-all the time. -And people who've been doing this for years... | 0:28:51 | 0:28:56 | |
No, no stop it! | 0:28:56 | 0:28:59 | |
People who've been doing this for years, they've got teams of domestic | 0:28:59 | 0:29:03 | |
science people at the back going, "That doesn't work, this works." | 0:29:03 | 0:29:07 | |
So starting out, how do you do this? | 0:29:07 | 0:29:09 | |
Are these just recipes you know absolutely solidly work? | 0:29:09 | 0:29:13 | |
It's just a lot of cake, a lot of flour, a lot of sugar. | 0:29:13 | 0:29:16 | |
When you're making something... Like, for me, I didn't have a team. | 0:29:16 | 0:29:20 | |
It was me, my rental kitchen that I was in at the time, | 0:29:20 | 0:29:24 | |
and it was the kids would come home from school and I'm like, | 0:29:24 | 0:29:27 | |
"Right, guys, you're having squid, | 0:29:27 | 0:29:29 | |
"you're having cake and you're having tiramisu for dinner." And that... | 0:29:29 | 0:29:33 | |
It was a mixture of about three months of just giving them all | 0:29:33 | 0:29:38 | |
sorts of food. And they loved it. | 0:29:38 | 0:29:40 | |
So when we went back to a normal kind of set-up, | 0:29:40 | 0:29:43 | |
where they had breakfast, lunch and dinner and had normal things, | 0:29:43 | 0:29:46 | |
they were like, "So you're not writing any more recipes?" | 0:29:46 | 0:29:49 | |
Please tell me that sometimes you defrost for the children. | 0:29:50 | 0:29:53 | |
Please tell me that occasionally there's a fish finger or something, so I don't feel so bad. | 0:29:53 | 0:29:57 | |
LAUGHTER | 0:29:57 | 0:29:58 | |
-There's a fish finger butty in that. -There we go! Result! | 0:29:58 | 0:30:02 | |
It doesn't involve defrosting, though, Sandy. | 0:30:02 | 0:30:05 | |
I need to tell you - a real fish died. | 0:30:05 | 0:30:07 | |
LAUGHTER | 0:30:07 | 0:30:08 | |
So... | 0:30:10 | 0:30:11 | |
Bake Off - it opened all these doors for you and all sorts of | 0:30:13 | 0:30:16 | |
honours and things. | 0:30:16 | 0:30:17 | |
But one of the biggest honours must have been when you got to | 0:30:17 | 0:30:20 | |
bake the Queen's birthday cake. | 0:30:20 | 0:30:23 | |
-Yeah. -There you are. And... | 0:30:23 | 0:30:26 | |
-You didn't talk to the Queen for long, apparently? No. -No. | 0:30:26 | 0:30:31 | |
Sorry, are you laughing at what I'm laughing at? | 0:30:31 | 0:30:33 | |
I'm laughing at that lady mayoress who looks like she's about to have the whole thing. | 0:30:33 | 0:30:37 | |
LAUGHTER | 0:30:37 | 0:30:38 | |
The Queen will turn back and she'll go, | 0:30:38 | 0:30:40 | |
"Oh, sorry, I don't know what came over me!" | 0:30:40 | 0:30:44 | |
It did disappear very quickly. So I don't know, it could have happened. | 0:30:44 | 0:30:48 | |
Um... No, well... | 0:30:48 | 0:30:49 | |
If you're watching, Lady Mayoress, I know you didn't eat the whole thing. | 0:30:49 | 0:30:53 | |
But you wanted to. LAUGHTER | 0:30:53 | 0:30:56 | |
Prince Philip, I didn't know he was there, | 0:30:58 | 0:31:01 | |
and he's the one person that I met who made me the most nervous. | 0:31:01 | 0:31:04 | |
In fairness, yes. | 0:31:04 | 0:31:06 | |
My dad now introduces me as, "This is the daughter that made the | 0:31:06 | 0:31:09 | |
"cake for the Queen." I don't even have a name any more. | 0:31:09 | 0:31:12 | |
But I didn't know Prince Philip was there. So he's sauntered around. | 0:31:12 | 0:31:17 | |
I'm trying to talk, muffling all my words, | 0:31:17 | 0:31:19 | |
and then he comes up and he says... | 0:31:19 | 0:31:21 | |
And the Queen then introduces me to Prince Philip. | 0:31:21 | 0:31:23 | |
I was like, "Get in!" | 0:31:23 | 0:31:25 | |
You know you've made it when she introduces you to somebody else. | 0:31:25 | 0:31:28 | |
"This is the young lady who won the baking competition." | 0:31:28 | 0:31:31 | |
And at this point I was on cloud nine. | 0:31:31 | 0:31:33 | |
And he comes up and says, "Yes, dear, I know who she is, but what flavour is the cake?" | 0:31:33 | 0:31:37 | |
LAUGHTER | 0:31:37 | 0:31:39 | |
Could not care less. | 0:31:39 | 0:31:40 | |
APPLAUSE | 0:31:40 | 0:31:42 | |
Carrie, you've met a lot of... I know you've met royalty, | 0:31:43 | 0:31:46 | |
because I was with you when you met one of them. | 0:31:46 | 0:31:48 | |
-Which one...? -LAUGHTER | 0:31:48 | 0:31:50 | |
Yes, I have met, um... the Prince, who I... But no, I... | 0:31:50 | 0:31:56 | |
Prince Harry we met, and then back in the Star Wars days... | 0:31:56 | 0:31:59 | |
And I said, "I have a daughter," and felt like an idiot. | 0:31:59 | 0:32:02 | |
As you do. | 0:32:02 | 0:32:05 | |
No, but in the olden days, we'd done Empire Strikes Back, | 0:32:05 | 0:32:09 | |
and the royal opening was for Princess Margaret, | 0:32:09 | 0:32:13 | |
and we were waiting for her to come down the line, | 0:32:13 | 0:32:16 | |
and I sort of mentioned to Alec Guinness and Harrison and | 0:32:16 | 0:32:20 | |
Mark that my father had slept with Princess Margaret. | 0:32:20 | 0:32:24 | |
LAUGHTER | 0:32:24 | 0:32:26 | |
And... Caused a bit of a kerfuffle. | 0:32:30 | 0:32:33 | |
And then, um, I arrived at the party afterwards, | 0:32:33 | 0:32:38 | |
after Harrison had gotten there, and he came up to me and he said, | 0:32:38 | 0:32:43 | |
"Well, clearly your father will sleep with anybody." | 0:32:43 | 0:32:46 | |
LAUGHTER | 0:32:46 | 0:32:48 | |
He meant it to be funny because she was very attractive-looking. | 0:32:48 | 0:32:52 | |
But she did think Empire was very loud. | 0:32:52 | 0:32:54 | |
The reviews are in - "Loud." | 0:32:54 | 0:32:58 | |
Because, Grayson, you've met the Queen a few times now. | 0:32:58 | 0:33:01 | |
Yeah, I have, yeah. Um... | 0:33:01 | 0:33:03 | |
Yeah, what I like about the whole sort of | 0:33:03 | 0:33:05 | |
royal Buckingham Palace thing is they're not fazed by anything. | 0:33:05 | 0:33:09 | |
You know, when I went to collect my gong in a dress, | 0:33:09 | 0:33:12 | |
they didn't even blink. | 0:33:12 | 0:33:14 | |
When I pulled up in my car to go to a party there once, a policeman... | 0:33:14 | 0:33:18 | |
I wind down my window and he said, "Madam..." He knew who I was. | 0:33:18 | 0:33:22 | |
He said, "Madam, could you open the bonnet, please?" | 0:33:22 | 0:33:24 | |
And I had a new car and I said, "I don't know how to work it." | 0:33:24 | 0:33:27 | |
And he sort of leaned across and looked at my wife | 0:33:27 | 0:33:29 | |
and goes, "Typical woman!" | 0:33:29 | 0:33:32 | |
LAUGHTER | 0:33:32 | 0:33:34 | |
I just like the way they not fazed. | 0:33:35 | 0:33:37 | |
I think that's very elegant in a way. That's proper posh. | 0:33:37 | 0:33:40 | |
You've mixed with the... is it the Queen of Denmark? | 0:33:40 | 0:33:42 | |
Oh, I have always behaved badly at the wrong moment, | 0:33:42 | 0:33:45 | |
and you talk about Prince Philip wandering around the room? | 0:33:45 | 0:33:47 | |
So I was at a reception to celebrate the 200th birthday of | 0:33:47 | 0:33:51 | |
Hans Christian Andersen in Denmark, and we love marzipan, and we | 0:33:51 | 0:33:54 | |
were invited to a buffet where the whole buffet was made of marzipan. | 0:33:54 | 0:33:58 | |
I think you can go overboard with marzipan, myself. | 0:33:58 | 0:34:00 | |
So there was every kind of food you could imagine but all made | 0:34:00 | 0:34:03 | |
of marzipan. So I thought this was hilarious. So I'm standing... | 0:34:03 | 0:34:07 | |
My friend, Helena Kennedy, wonderful human rights lawyer, is taking | 0:34:07 | 0:34:09 | |
a photograph of me and I'm pointing to the buffet and she's going... | 0:34:09 | 0:34:14 | |
And behind me was the Queen of Denmark, | 0:34:14 | 0:34:16 | |
who is phenomenally tall, just looking down like a... | 0:34:16 | 0:34:19 | |
LAUGHTER | 0:34:19 | 0:34:20 | |
There was a photograph of what looks like the Queen caught in the wild, | 0:34:20 | 0:34:23 | |
like a giraffe looking down... | 0:34:23 | 0:34:24 | |
over the top of my head. | 0:34:24 | 0:34:27 | |
I think I made a pot for that anniversary as well, | 0:34:27 | 0:34:29 | |
because I was in a show about Hans Christian Andersen. | 0:34:29 | 0:34:31 | |
They gave us his biography to read, and he used to put | 0:34:31 | 0:34:35 | |
a little cross in his diary every time he had a wank. | 0:34:35 | 0:34:39 | |
LAUGHTER | 0:34:39 | 0:34:41 | |
Trying to link up a few threads for you here. | 0:34:41 | 0:34:45 | |
That's the next series of QI right there! | 0:34:45 | 0:34:47 | |
LAUGHTER | 0:34:47 | 0:34:49 | |
You wonder how fairytales get written? Well... | 0:34:49 | 0:34:54 | |
Gay Hans. | 0:34:54 | 0:34:55 | |
And it all ended happily ever after. | 0:34:55 | 0:34:58 | |
Finally, it's time for music. | 0:34:59 | 0:35:01 | |
After an 11-year break, this boyband is back and better than ever, | 0:35:01 | 0:35:04 | |
and performing On What You're On, it's Busted, everybody! | 0:35:04 | 0:35:08 | |
CHEERING AND APPLAUSE | 0:35:08 | 0:35:11 | |
# Wanna be on what you're on Wanna be on what you're on | 0:35:21 | 0:35:25 | |
# Wanna be on what you're on | 0:35:25 | 0:35:29 | |
# She's got a wild heart | 0:35:29 | 0:35:31 | |
# Born to run, born to come and just save my soul | 0:35:31 | 0:35:35 | |
# I never thought it was worth saving | 0:35:35 | 0:35:38 | |
# She tapped into something and I wish I could feel it | 0:35:38 | 0:35:42 | |
# But I don't know what it is and I can't quite believe it | 0:35:42 | 0:35:47 | |
# Always listen, always listen, always listen to the same song | 0:35:47 | 0:35:51 | |
# I wanna know, I wanna know, wanna know what you're on | 0:35:51 | 0:35:55 | |
# I wanna be on what you're on | 0:35:55 | 0:35:59 | |
# I wanna be gone like you're gone | 0:35:59 | 0:36:03 | |
# I wanna be on what you're on | 0:36:03 | 0:36:08 | |
# I wanna listen, wanna listen, wanna listen to the same song | 0:36:08 | 0:36:13 | |
# Wanna be on what you're on Wanna be on what you're on | 0:36:13 | 0:36:18 | |
# Wanna be on what you're on | 0:36:18 | 0:36:21 | |
# She has a kind heart | 0:36:21 | 0:36:23 | |
# Kind enough to take the time to come save my soul | 0:36:23 | 0:36:27 | |
# I'm so over misbehaving | 0:36:27 | 0:36:30 | |
# She's optimistic 'bout the future of her planet | 0:36:30 | 0:36:34 | |
# And the smile that's on her lips, | 0:36:34 | 0:36:37 | |
# Oh, it must be the Xanax | 0:36:37 | 0:36:39 | |
# Always listen, always listen, always listen to the same song | 0:36:39 | 0:36:43 | |
# I wanna know, I wanna know, wanna know what you're on | 0:36:43 | 0:36:47 | |
# I wanna be on what you're on | 0:36:47 | 0:36:51 | |
# I wanna be gone like you're gone | 0:36:51 | 0:36:55 | |
# I wanna be on what you're on | 0:36:55 | 0:37:00 | |
# I wanna listen, wanna listen, wanna listen to the same song | 0:37:00 | 0:37:05 | |
# Wanna be on what you're on | 0:37:05 | 0:37:08 | |
# Wanna be on what you're on | 0:37:08 | 0:37:12 | |
# Wanna be on what you're on | 0:37:12 | 0:37:13 | |
# Yeah, we're standin' on the same cloud | 0:37:14 | 0:37:18 | |
# And we're never comin' down | 0:37:18 | 0:37:22 | |
# Yeah, we're standin' on the same cloud | 0:37:22 | 0:37:26 | |
# No, we're never, no, we're never, ever comin' down | 0:37:26 | 0:37:32 | |
# I wanna be on what you're on | 0:37:48 | 0:37:52 | |
# I wanna be gone like you're gone | 0:37:52 | 0:37:56 | |
# I wanna be on what you're on | 0:37:56 | 0:38:01 | |
# I wanna listen, wanna listen, wanna listen to the same song | 0:38:01 | 0:38:06 | |
# Wanna be on what you're on | 0:38:06 | 0:38:09 | |
# Wanna be on what you're on | 0:38:09 | 0:38:11 | |
# Wanna be on what you're on... # | 0:38:11 | 0:38:14 | |
CHEERING AND APPLAUSE | 0:38:16 | 0:38:18 | |
Thank you! Thank you. | 0:38:19 | 0:38:24 | |
Busted, everybody! | 0:38:24 | 0:38:26 | |
Come on over! Drop your guitars. | 0:38:26 | 0:38:29 | |
There you go. Hello, lovely to see you! Lovely to see you. | 0:38:29 | 0:38:34 | |
Lovely to see you. Sit down. | 0:38:34 | 0:38:37 | |
Sit down, everybody. | 0:38:37 | 0:38:39 | |
There you go. All right, all right. | 0:38:39 | 0:38:44 | |
Yep, yep, we're not boarding a plane, | 0:38:44 | 0:38:46 | |
you don't have to greet everybody. Can you fit in there? | 0:38:46 | 0:38:50 | |
-Just about. -Yeah, you're grand. | 0:38:50 | 0:38:52 | |
-You're grand, you're grand! -One cheek is on. | 0:38:52 | 0:38:54 | |
LAUGHTER That's all you need. | 0:38:54 | 0:38:57 | |
-It's similar down the other end, so... -Yes, it is. | 0:38:57 | 0:38:59 | |
A quarter of a cheek. | 0:38:59 | 0:39:01 | |
That is from the new album Night Driver, which is out now. | 0:39:01 | 0:39:05 | |
You've come back, but the way sometimes bands come | 0:39:05 | 0:39:09 | |
back and it sounds exactly the same, it doesn't. | 0:39:09 | 0:39:11 | |
It sounds like you've been listening to things while you've been away. | 0:39:11 | 0:39:14 | |
-Yeah. -Yeah... -LAUGHTER | 0:39:14 | 0:39:16 | |
I think what's crazy is, | 0:39:16 | 0:39:18 | |
Busted broke up for musical differences, so to come back | 0:39:18 | 0:39:21 | |
together and do the same old shit we broke up because of... | 0:39:21 | 0:39:25 | |
would be even stranger than coming out with a new sound, I think. | 0:39:25 | 0:39:28 | |
I think referring to it as "same old shit" is | 0:39:28 | 0:39:30 | |
a bit confrontational... | 0:39:30 | 0:39:32 | |
LAUGHTER | 0:39:32 | 0:39:33 | |
INDISTINCT | 0:39:33 | 0:39:35 | |
I'll tell you, somebody on the couch is very happy you're here. | 0:39:35 | 0:39:39 | |
-Grayson Perry. -Yes. | 0:39:39 | 0:39:41 | |
-A Busted track was one of my Desert Island Discs. -I heard about this. | 0:39:41 | 0:39:46 | |
Yeah, because when I was up for the Turner Prize, my daughter was | 0:39:46 | 0:39:50 | |
a big fan, and when I put the car stereo on, by chance it was Loser Kid. | 0:39:50 | 0:39:55 | |
I thought, that sums up my whole situation. | 0:39:55 | 0:39:58 | |
You know, I used to be the loser kid and now I'm not. | 0:39:58 | 0:40:01 | |
And that became my anthem during the whole run-up to the Turner Prize. | 0:40:01 | 0:40:04 | |
And it came true, of course, because I wasn't the loser kid, | 0:40:04 | 0:40:07 | |
so I had it as my Desert Island Disc. | 0:40:07 | 0:40:09 | |
-So I've got very fond memories of the track. -Secretly we're the reason you on the Turner prize. -Yes! | 0:40:09 | 0:40:13 | |
LAUGHTER | 0:40:13 | 0:40:15 | |
Now, Carrie Fisher, Busted have brought a picture of themselves. | 0:40:15 | 0:40:20 | |
Do you see any one you recognise in this picture? | 0:40:20 | 0:40:23 | |
Yes. | 0:40:23 | 0:40:25 | |
-My brother. My twin. -Yes, it's Mark Hamill! | 0:40:25 | 0:40:28 | |
-Where did you meet Mark Hamill? -At the airport. | 0:40:29 | 0:40:32 | |
We were going through the airport and I got a text from Matt going, | 0:40:33 | 0:40:39 | |
"Guys, guys, Luke Skywalker is on our plane." | 0:40:39 | 0:40:43 | |
Carrie, can we get one with you? | 0:40:43 | 0:40:45 | |
Yes, then you could have one more to get, but good luck! | 0:40:45 | 0:40:48 | |
LAUGHTER | 0:40:48 | 0:40:50 | |
This is actually way cooler because I kind of... | 0:40:50 | 0:40:52 | |
I kind of remember being young and that Jabba The Hutt scene being | 0:40:52 | 0:40:58 | |
a very prominent moment in my youth... | 0:40:58 | 0:40:59 | |
LAUGHTER | 0:40:59 | 0:41:02 | |
Did you put a little cross in your diary? | 0:41:03 | 0:41:05 | |
-Yeah, yeah! -LAUGHTER | 0:41:05 | 0:41:08 | |
APPLAUSE | 0:41:08 | 0:41:10 | |
All right. I can only apologise, Miss Fisher, I can only apologise. | 0:41:14 | 0:41:19 | |
So listen, that is nearly it. | 0:41:19 | 0:41:20 | |
Before we go, just time for a visit to the Big Red Chair. Who's there? | 0:41:20 | 0:41:24 | |
-Hello, what's your name? -Mark. -Mark, lovely. Where are you from, Mark? | 0:41:24 | 0:41:28 | |
-Auckland, New Zealand. -New Zealand! These are always good stories! | 0:41:28 | 0:41:31 | |
CHEERING | 0:41:31 | 0:41:33 | |
-Mark from New Zealand. Are you travelling or living? -Bit of both. | 0:41:33 | 0:41:36 | |
OK, great, good to hear it. I'll write that down. | 0:41:36 | 0:41:39 | |
LAUGHTER | 0:41:39 | 0:41:40 | |
-Are you working here, Mark? -Yes, I am. | 0:41:40 | 0:41:43 | |
LAUGHTER | 0:41:43 | 0:41:44 | |
-Doing...? -Landscaping. -Landscaping! | 0:41:47 | 0:41:50 | |
So if you want your garden tidied up, you know who to call. | 0:41:50 | 0:41:53 | |
Thank you very much, Mark. I will. | 0:41:53 | 0:41:55 | |
I won't know your number but I'll know who I should be calling. | 0:41:55 | 0:41:57 | |
-You can get it later. -Oh, hello! | 0:41:57 | 0:41:59 | |
LAUGHTER | 0:41:59 | 0:42:00 | |
Mm-hm! | 0:42:00 | 0:42:02 | |
Um... LAUGHTER | 0:42:02 | 0:42:03 | |
APPLAUSE | 0:42:05 | 0:42:06 | |
Mark, off you go with your story. | 0:42:08 | 0:42:10 | |
I'm sure it's going to be marvellous. | 0:42:10 | 0:42:11 | |
So, recently, whilst travelling around Europe on Busabout, | 0:42:11 | 0:42:14 | |
I doubled up on my morning coffee and it was | 0:42:14 | 0:42:17 | |
a long stretch until the next service stop. | 0:42:17 | 0:42:19 | |
And I just was, yeah, I really needed a shit. | 0:42:19 | 0:42:21 | |
I was just absolutely in tatters. So... | 0:42:21 | 0:42:25 | |
LAUGHTER AND APPLAUSE | 0:42:25 | 0:42:28 | |
No! No. | 0:42:28 | 0:42:31 | |
LAUGHTER | 0:42:31 | 0:42:33 | |
Everybody in the couch is now going, "No! No! Stop that." | 0:42:33 | 0:42:37 | |
-Let's have one more quick. Hello, what's your name, sir? -Nick. | 0:42:37 | 0:42:40 | |
Nick, the hopes of a nation rest on your shoulders. | 0:42:40 | 0:42:44 | |
Nick, off you go with your story. | 0:42:44 | 0:42:45 | |
So, I was in India taking a local flights from Srinigar and Kashmir | 0:42:45 | 0:42:49 | |
down to Delhi. | 0:42:49 | 0:42:51 | |
Very high security route and you're not allowed any hand luggage at all. | 0:42:51 | 0:42:56 | |
I had a bit of a dodgy tummy at the time and I was carrying with | 0:42:56 | 0:42:59 | |
me an emergency loo roll at all times. | 0:42:59 | 0:43:02 | |
Got to security and it was confiscated. | 0:43:02 | 0:43:05 | |
There was nothing I could do about it, just had to hope and pray. | 0:43:05 | 0:43:09 | |
Everything was fine. | 0:43:09 | 0:43:10 | |
I seemed to be getting away with it, | 0:43:10 | 0:43:12 | |
and I got called out to walk across the tarmac to go out to the | 0:43:12 | 0:43:15 | |
aeroplane, and there standing at the steps, | 0:43:15 | 0:43:18 | |
at the bottom of the steps, | 0:43:18 | 0:43:19 | |
was a uniformed security guard with a red velvet cushion with gold | 0:43:19 | 0:43:24 | |
braid, and on it was my loo roll which had been completely unravelled | 0:43:24 | 0:43:30 | |
and very carefully rolled back up again. And on it it just | 0:43:30 | 0:43:34 | |
had a very smart hand-written label that just said, "Safe". | 0:43:34 | 0:43:38 | |
LAUGHTER Awww! | 0:43:38 | 0:43:40 | |
That's quite a good story! APPLAUSE | 0:43:40 | 0:43:43 | |
We got there in the end! | 0:43:43 | 0:43:45 | |
Well done, everyone. | 0:43:45 | 0:43:47 | |
If you want to have a go in the Big Red Chair go to this very address. | 0:43:47 | 0:43:51 | |
And that is it for tonight. Ladies and gentlemen, Busted! | 0:43:51 | 0:43:53 | |
CHEERING AND APPLAUSE | 0:43:53 | 0:43:55 | |
Nadiya Hussein! CHEERING AND APPLAUSE | 0:43:55 | 0:43:58 | |
Sandi Toksvig! CHEERING AND APPLAUSE | 0:43:58 | 0:44:01 | |
Grayson Perry! CHEERING AND APPLAUSE | 0:44:01 | 0:44:04 | |
And Carrie Fisher! | 0:44:04 | 0:44:05 | |
CHEERING AND APPLAUSE | 0:44:05 | 0:44:07 | |
Join me next week with music from Jack Savoretti, | 0:44:07 | 0:44:11 | |
Sir Michael Parkinson, comedian Dawn French, | 0:44:11 | 0:44:13 | |
new face of Star Wars, Felicity Jones, | 0:44:13 | 0:44:16 | |
Slum Dog Millionaire Dev Patel and Oscar winner Nicole Kidman. | 0:44:16 | 0:44:19 | |
I'll see you then. Goodnight, everybody goodbye! | 0:44:19 | 0:44:22 | |
CHEERING AND APPLAUSE | 0:44:22 | 0:44:24 |