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| Line | From | To | |
|---|---|---|---|
-My name is Tom Cruise. -Hi, I'm Hugh Jackman. -And I'm Patrick Stewart. | 0:00:02 | 0:00:04 | |
-Good evening. I'm Goldie Hawn. -And I'm Amy Schumer. | 0:00:04 | 0:00:07 | |
-My name is Michael Caine. -And I'm Morgan Freeman. | 0:00:07 | 0:00:11 | |
My name is Nicole Kidman. | 0:00:11 | 0:00:13 | |
I am Salma Hayek, and welcome to The Graham Norton Show. Yay! | 0:00:13 | 0:00:17 | |
AUDIENCE CHEERS | 0:00:19 | 0:00:21 | |
CHEERING AND APPLAUSE | 0:00:33 | 0:00:36 | |
Oh! Oh-ho! | 0:00:36 | 0:00:38 | |
-Hello! AUDIENCE MEMBER: -Graham! | 0:00:39 | 0:00:42 | |
That's my name. Hello, good evening. Hi, everyone. It's summertime. | 0:00:42 | 0:00:48 | |
CHEERING Yeah! | 0:00:48 | 0:00:50 | |
Hey, but before we go off on our holidays, it's time to take | 0:00:50 | 0:00:53 | |
a look back at some of the highlights from the past series. | 0:00:53 | 0:00:56 | |
So many great guests to remember, starting with this one. | 0:00:56 | 0:01:00 | |
But when it comes to on-screen romance, Diane Keaton, | 0:01:00 | 0:01:04 | |
-I think you like the on-screen romance, don't you? -It's the best. | 0:01:04 | 0:01:07 | |
I mean, quite frankly, it doesn't get better than on-screen romance. | 0:01:07 | 0:01:11 | |
Because, frankly, you know, | 0:01:11 | 0:01:12 | |
think of all the men that you get to kiss | 0:01:12 | 0:01:14 | |
and you don't pay the price. | 0:01:14 | 0:01:16 | |
You know, like, in other words, you don't actually have to have a... | 0:01:16 | 0:01:18 | |
You know, the relationship is perfect | 0:01:18 | 0:01:20 | |
because you're telling the story, you're in the midst of the story. | 0:01:20 | 0:01:23 | |
So, yeah, I've enjoyed it. I enjoy it - | 0:01:23 | 0:01:27 | |
and I also like the audience | 0:01:27 | 0:01:29 | |
-and if there are some men out there... -Whoa. | 0:01:29 | 0:01:32 | |
WHOOPING FROM AUDIENCE | 0:01:32 | 0:01:33 | |
..that I can kiss. Just because it's a friendly gesture. | 0:01:33 | 0:01:37 | |
There's nothing wrong with that. | 0:01:37 | 0:01:39 | |
First of all, it's just the greatest. | 0:01:39 | 0:01:41 | |
I mean, there's nothing better than kissing a man in a movie - | 0:01:41 | 0:01:45 | |
and people say that's difficult, but they're wrong. | 0:01:45 | 0:01:48 | |
-They're dead wrong. -It depends on the man. | 0:01:48 | 0:01:51 | |
-Like... You and me kiss now. -OK. -Oh, I'm going to kiss him! | 0:01:51 | 0:01:55 | |
This is exciting! | 0:01:55 | 0:01:57 | |
No, no... This is, like... I cannot tell you - | 0:01:57 | 0:02:00 | |
this is so exciting for me. This is so exciting for me. | 0:02:00 | 0:02:02 | |
First of all, I hit them! Because if you don't hit them... | 0:02:02 | 0:02:05 | |
-Look, he needs punishment. -OK. -I take his face and say... | 0:02:05 | 0:02:08 | |
"I'm going to go like this, you big idiot!" Mwah! | 0:02:08 | 0:02:11 | |
-Oh! -I'm going to do it again, you big idiot. -Mwah! | 0:02:11 | 0:02:14 | |
Oh, I love that! | 0:02:14 | 0:02:16 | |
That's made my life! That has made my life. | 0:02:16 | 0:02:19 | |
-Now I'm going to kiss Kevin! -OK... -Can I kiss Kevin? | 0:02:19 | 0:02:23 | |
-If Kevin's willing. -Are you ready, Kevin? -Am I willing?! | 0:02:23 | 0:02:26 | |
LAUGHTER | 0:02:26 | 0:02:28 | |
-Whoo! -Whoo! -Woohoo! | 0:02:28 | 0:02:30 | |
Oh, Kevin! | 0:02:30 | 0:02:32 | |
See, he's so good! | 0:02:32 | 0:02:34 | |
That was so good. | 0:02:34 | 0:02:36 | |
APPLAUSE | 0:02:36 | 0:02:37 | |
-Go on! -Yeah, I want to kiss Jessica, too. | 0:02:37 | 0:02:40 | |
Yeah, you have to. | 0:02:40 | 0:02:42 | |
Even though, you know, she's not a man... | 0:02:42 | 0:02:44 | |
Look at that girl. | 0:02:44 | 0:02:46 | |
First of all, the nose is great, OK? | 0:02:46 | 0:02:48 | |
What I'm going to do is I'm going to touch that sweet nose, right? | 0:02:48 | 0:02:52 | |
And then a big kiss, like she's my dear daughter. | 0:02:52 | 0:02:55 | |
You little baby, you've been bad. | 0:02:55 | 0:02:57 | |
-You've been a bad girl. -Oh, my God! What is happening? | 0:02:57 | 0:03:00 | |
I don't know. I don't know about you, but you better be better! | 0:03:00 | 0:03:03 | |
Mwah! | 0:03:03 | 0:03:04 | |
What?! | 0:03:04 | 0:03:05 | |
Fabulous. | 0:03:07 | 0:03:08 | |
I feel better. | 0:03:08 | 0:03:10 | |
-It's good. -It's OK. | 0:03:11 | 0:03:13 | |
I mean, you know, I could try it out on the audience, though, | 0:03:13 | 0:03:16 | |
it would be much better! | 0:03:16 | 0:03:17 | |
CHEERING AND WHOOPING | 0:03:17 | 0:03:21 | |
What a long show that turned into! | 0:03:21 | 0:03:23 | |
Can I just say... | 0:03:25 | 0:03:26 | |
-bucket list! -Yeah, amen! | 0:03:26 | 0:03:29 | |
APPLAUSE | 0:03:29 | 0:03:31 | |
Amen! | 0:03:31 | 0:03:33 | |
That was amazing. That was amazing. | 0:03:33 | 0:03:35 | |
Is this...? I think this is your fifth time on the show. | 0:03:35 | 0:03:39 | |
-Yes. -And every time I think, "This time I'll be cool about it." | 0:03:39 | 0:03:43 | |
So not cool about it! LAUGHTER | 0:03:43 | 0:03:44 | |
It doesn't wear off, the Tom Cruise thing. | 0:03:44 | 0:03:47 | |
Does it wear off in the film, the Cruise effect? | 0:03:47 | 0:03:49 | |
No, it really... | 0:03:49 | 0:03:50 | |
On a set I do feel for Tom, because | 0:03:50 | 0:03:53 | |
every day I'm sure I was, like, trying to encourage him to, | 0:03:53 | 0:03:57 | |
you know, one classic Tom line, like, "Show me the money!" | 0:03:57 | 0:04:01 | |
or something. | 0:04:01 | 0:04:03 | |
You know, there were always moments I was waiting, you know, | 0:04:03 | 0:04:05 | |
-with bated breath for something, but... -And wasn't there a day when | 0:04:05 | 0:04:08 | |
you had your friends on set? | 0:04:08 | 0:04:09 | |
-Oh! Tom loves this story. -OK, this is not true. | 0:04:09 | 0:04:13 | |
-This is the truth. -There is the truth | 0:04:13 | 0:04:15 | |
and then there's Annabelle, and then there's the truth. | 0:04:15 | 0:04:17 | |
There's Annabelle's truth and then there's the truth. | 0:04:17 | 0:04:20 | |
-I want to hear Annabelle's version. -My stories are far better. So... | 0:04:20 | 0:04:23 | |
We were in the middle of Central London, | 0:04:23 | 0:04:25 | |
we were shooting these running scenes, | 0:04:25 | 0:04:27 | |
and all my girlfriends were coming down... | 0:04:27 | 0:04:29 | |
-Why do you keep telling this story? -Because it's a great story! | 0:04:29 | 0:04:32 | |
And my girlfriends came and I was like, | 0:04:32 | 0:04:34 | |
"Oh, Tom, look, my friends - wave." | 0:04:34 | 0:04:37 | |
And they were like, "Hi, Annabelle." | 0:04:37 | 0:04:40 | |
And then he goes, | 0:04:40 | 0:04:41 | |
"Watch this." He looks over, he goes... | 0:04:41 | 0:04:44 | |
-And they're like... -SHE SCREAMS | 0:04:44 | 0:04:46 | |
And then he goes... | 0:04:46 | 0:04:48 | |
-"Annabelle, they're MY friends now." -LAUGHTER | 0:04:48 | 0:04:50 | |
That is so not true! | 0:04:50 | 0:04:52 | |
That is so not true. | 0:04:52 | 0:04:55 | |
-That is so not true. -You loved it! | 0:04:55 | 0:04:57 | |
You love it. | 0:04:57 | 0:04:59 | |
But I heard you talking about Ian | 0:05:01 | 0:05:03 | |
-and talking about how you were intimidated by his beauty. -Yes. | 0:05:03 | 0:05:05 | |
-Ah, yes. -Well... -"Ah, yes"! | 0:05:05 | 0:05:08 | |
Please tell me you have a photograph. | 0:05:08 | 0:05:10 | |
This was a long time ago. | 0:05:10 | 0:05:12 | |
-Gorgeous! -I think we do have a photograph. | 0:05:12 | 0:05:14 | |
We've got a photograph of Ian as Coriolanus. | 0:05:14 | 0:05:17 | |
-Here you are. -Look at that! Come on! -My Lord! | 0:05:17 | 0:05:20 | |
Wolverine, eat your heart out! | 0:05:20 | 0:05:23 | |
Having said that, you do look great there, Ian, | 0:05:23 | 0:05:25 | |
but check out Patrick Stewart. | 0:05:25 | 0:05:28 | |
AUDIENCE EXCLAIMS | 0:05:28 | 0:05:30 | |
-Yeah. -Well, you know. -You know? | 0:05:30 | 0:05:32 | |
This is what you've got to look forward to. | 0:05:34 | 0:05:36 | |
I'll tell you something, you've been hearing about this amazing body. | 0:05:39 | 0:05:45 | |
It is absolutely amazing - | 0:05:45 | 0:05:47 | |
and a privilege to be so close... | 0:05:47 | 0:05:49 | |
..but Magneto, the character I used to play in this tired old franchise, | 0:05:51 | 0:05:58 | |
-was also pretty muscular, wasn't he? -Yeah. | 0:05:58 | 0:06:01 | |
-He was. -And there, you can see. | 0:06:01 | 0:06:04 | |
But the trick is that I am wearing underneath my costume a suit | 0:06:04 | 0:06:07 | |
which is sculpted to look as if I've put all the effort | 0:06:07 | 0:06:11 | |
as he has into it. | 0:06:11 | 0:06:12 | |
-What?! -You knew that. | 0:06:12 | 0:06:13 | |
-Did you know that? -No. I was told, "You've got to work out. | 0:06:13 | 0:06:16 | |
"McKellen's working out, you've got to work out." | 0:06:16 | 0:06:19 | |
I just put on the suit and I tell you what, I've still got it at home. | 0:06:19 | 0:06:23 | |
I do wear it on occasion. | 0:06:24 | 0:06:25 | |
And while you were on set, you had a birthday. | 0:06:28 | 0:06:31 | |
-Yes, I turned 50. -No! -What? | 0:06:31 | 0:06:34 | |
Good, right? Good. | 0:06:34 | 0:06:35 | |
APPLAUSE | 0:06:35 | 0:06:37 | |
No! No. | 0:06:37 | 0:06:39 | |
And I had no Botox! | 0:06:39 | 0:06:42 | |
-APPLAUSE -No Botox! No fillers. | 0:06:42 | 0:06:45 | |
-Salma! -But I do confess... -You should see her close up! | 0:06:45 | 0:06:47 | |
It's a patchwork quilt! | 0:06:47 | 0:06:49 | |
No, I have to give a tip, I have to confess because the girls... | 0:06:49 | 0:06:53 | |
I do pull my hair, you see, it's like... | 0:06:53 | 0:06:56 | |
Here's it's a little bit pulled. | 0:06:56 | 0:06:59 | |
It's giving me a headache but I am enduring it for you. | 0:06:59 | 0:07:01 | |
You cannot do that. | 0:07:07 | 0:07:08 | |
You probably could do it, but... in a couple of years. | 0:07:08 | 0:07:12 | |
-LAUGHTER -Botox or the hair? | 0:07:12 | 0:07:15 | |
No, the pulling. | 0:07:15 | 0:07:16 | |
-You don't need it. -Thank you. | 0:07:16 | 0:07:19 | |
GRAHAM LAUGHS | 0:07:19 | 0:07:20 | |
"No, it doesn't make me feel good, thank you!" | 0:07:20 | 0:07:24 | |
-But anyway... -They celebrated your birthday. | 0:07:26 | 0:07:28 | |
They celeb... They brought a Mariachi band. | 0:07:28 | 0:07:30 | |
I was really moved. I came to work, | 0:07:30 | 0:07:33 | |
cos I had to work on my 50th birthday! | 0:07:33 | 0:07:36 | |
But when I arrived, bitch - I'm sorry - all... | 0:07:36 | 0:07:39 | |
SHE MUTTERS | 0:07:39 | 0:07:41 | |
Unhappy. "I have to work today, da-da, da-da." | 0:07:41 | 0:07:44 | |
Then of course I opened the car door and there's this Mariachi | 0:07:44 | 0:07:48 | |
and I cried - it was amazing. | 0:07:48 | 0:07:50 | |
They told me the producer, when Miguel proposed the Mariachi, | 0:07:50 | 0:07:54 | |
she said, "But is that politically correct? Cos she's Mexican. | 0:07:54 | 0:08:00 | |
"To bring a Mariachi... Is she going to think it's racist?" | 0:08:00 | 0:08:04 | |
So she was really nervous. So I made a joke at her | 0:08:04 | 0:08:08 | |
and said, "I need to talk to you." I said, "I got to say, | 0:08:08 | 0:08:10 | |
"I'm really grateful for the thought of doing something | 0:08:10 | 0:08:13 | |
"on my birthday, but really? | 0:08:13 | 0:08:16 | |
"A Mariachi?! | 0:08:19 | 0:08:21 | |
"Are we having tacos for lunch?" | 0:08:21 | 0:08:24 | |
She was nearly in tears. | 0:08:26 | 0:08:28 | |
I said, "I'm sorry, I find this a little racist, but..." | 0:08:28 | 0:08:32 | |
-Then I told her it was... -GRAHAM CHUCKLES | 0:08:32 | 0:08:34 | |
Now, the last time you were here, | 0:08:34 | 0:08:36 | |
Nicole, we enjoyed some of your early modelling work | 0:08:36 | 0:08:39 | |
on the late, lamented Dolly Magazine. | 0:08:39 | 0:08:41 | |
Thank you, Graham. | 0:08:41 | 0:08:43 | |
No, beautiful, finely judged work. Er... | 0:08:43 | 0:08:46 | |
I was shocked that you found them. | 0:08:48 | 0:08:50 | |
-Don't worry - we're not showing them again. -Oh, good. | 0:08:50 | 0:08:52 | |
There is others. | 0:08:52 | 0:08:53 | |
-There are some lovely pictures of Keith, as an... -Oh! | 0:08:53 | 0:08:57 | |
..emerging bright star on the Australian music scene. | 0:08:57 | 0:09:02 | |
Here you are in Tamworth. | 0:09:02 | 0:09:04 | |
-Oh! -That's cute! | 0:09:06 | 0:09:09 | |
-That is adorable. -You know what's really criminal about that? | 0:09:09 | 0:09:12 | |
Actually, that was last Tuesday! | 0:09:12 | 0:09:13 | |
-What's criminal is how tight your jeans are. -I know. | 0:09:15 | 0:09:18 | |
Yeah, the population of Tamworth's growing. | 0:09:22 | 0:09:24 | |
-That's not all. -The elevation! | 0:09:25 | 0:09:28 | |
I wouldn't recognise you in that picture - | 0:09:30 | 0:09:32 | |
but then there's another picture. | 0:09:32 | 0:09:34 | |
I only know this is you because it says it's you. | 0:09:34 | 0:09:36 | |
This is Keith Urban. | 0:09:36 | 0:09:38 | |
I mean, check that out. | 0:09:38 | 0:09:39 | |
-That's unbelievable. -Yeah, yeah. | 0:09:40 | 0:09:44 | |
My love! | 0:09:44 | 0:09:45 | |
In his yearbook it would have said, | 0:09:47 | 0:09:49 | |
"Boy least likely to marry Nicole Kidman." | 0:09:49 | 0:09:51 | |
Not until you see MY yearbook. | 0:09:54 | 0:09:56 | |
-We need yours. -Huh? | 0:09:56 | 0:09:58 | |
We need Nic's picture next. | 0:09:58 | 0:10:00 | |
No, we've had Nicole in all her glory. | 0:10:00 | 0:10:03 | |
No more. Come on. Alan, Alan! We need Alan. | 0:10:03 | 0:10:06 | |
-OK, well, Alan. -Uh-oh! -No, it's in your book. | 0:10:06 | 0:10:09 | |
There has to be a story or an explanation to this. | 0:10:09 | 0:10:13 | |
Around the same time as Keith was wearing very tight jeans... | 0:10:13 | 0:10:16 | |
-Uh-oh. What was I wearing? -..you were on a school trip to Germany... | 0:10:16 | 0:10:19 | |
-Ugh! -..without jeans. | 0:10:19 | 0:10:21 | |
-The thing is... -Was that just the look? | 0:10:28 | 0:10:32 | |
-We were all doing it in the '70s. -What I love about this is, | 0:10:32 | 0:10:36 | |
-he's still a fan of a tidy sock. -Good legs! | 0:10:36 | 0:10:38 | |
The thing is, a girl who was at school, was on that school trip, | 0:10:39 | 0:10:44 | |
sent it to me via Twitter and I was like, "Ah-ha-ha." | 0:10:44 | 0:10:47 | |
And then I thought, "Why DID I have no trousers on?" | 0:10:47 | 0:10:49 | |
I must have taken them off for a bet. I don't know. | 0:10:51 | 0:10:53 | |
But it's a good look. | 0:10:53 | 0:10:55 | |
You do seem very calm about it. | 0:10:55 | 0:10:57 | |
Kind of, "Yeah, I'm rocking a short jumper dress." | 0:10:57 | 0:11:00 | |
"I've got no trousers on. Deal with it." | 0:11:00 | 0:11:02 | |
I have this theory - most men have excellent legs. | 0:11:02 | 0:11:05 | |
-People say that. -Yeah, right? -It's not... I think... | 0:11:05 | 0:11:09 | |
What I think is interesting is that a lot of men have body parts... | 0:11:09 | 0:11:13 | |
Not body parts, but bits of their bodies that women desire. | 0:11:13 | 0:11:15 | |
Like slim hips, long eyelashes. | 0:11:15 | 0:11:19 | |
So I think women think that all men have better things | 0:11:19 | 0:11:23 | |
that they want than them. It's not true. | 0:11:23 | 0:11:26 | |
I've seen a lot of naked men - I know. | 0:11:26 | 0:11:28 | |
Thank you. | 0:11:31 | 0:11:32 | |
Every time Greg's here, | 0:11:34 | 0:11:35 | |
you tell us stories and I keep thinking, "Well, that's it now - | 0:11:35 | 0:11:38 | |
"he'll have told us the funny things that happened as a teacher" - | 0:11:38 | 0:11:42 | |
but it seems like a bottomless pit. | 0:11:42 | 0:11:44 | |
Like, school trips. | 0:11:44 | 0:11:46 | |
Cos school trips, seems like that's when all rules | 0:11:46 | 0:11:49 | |
go out the window, for pupils, everybody. | 0:11:49 | 0:11:51 | |
-And for teachers, I think. -Yeah. | 0:11:51 | 0:11:53 | |
You've got to remember, when I first started teaching, | 0:11:53 | 0:11:56 | |
I was 21 years of age | 0:11:56 | 0:11:58 | |
and I was sent to Paris on a school trip, three of us, | 0:11:58 | 0:12:02 | |
all of us in our early 20s, in charge of a busload of kids. | 0:12:02 | 0:12:06 | |
I mean, it's frankly amoral. | 0:12:06 | 0:12:09 | |
-What did you get up to? -Do you know...? It's awful. | 0:12:10 | 0:12:13 | |
I can say it now - I'm never going to go back to teaching now, right? | 0:12:13 | 0:12:16 | |
I think it's unlikely. | 0:12:16 | 0:12:18 | |
I got really drunk with two friends in a hotel room | 0:12:18 | 0:12:23 | |
when the kids were all in bed. | 0:12:23 | 0:12:24 | |
Like, really drunk. | 0:12:24 | 0:12:26 | |
We'd had a bottle of tequila between the three of us. | 0:12:26 | 0:12:29 | |
And then I heard kids running around... | 0:12:29 | 0:12:31 | |
It's so bad, isn't it? | 0:12:31 | 0:12:33 | |
Heard kids running around and I'm quite good | 0:12:33 | 0:12:35 | |
at pretending to be sober when I'm not, so I said, | 0:12:35 | 0:12:38 | |
"I'll go out and I'll deal with this," | 0:12:38 | 0:12:40 | |
to my friend..."Tony"... | 0:12:40 | 0:12:42 | |
..who's still a teacher. | 0:12:44 | 0:12:45 | |
LAUGHTER AND APPLAUSE | 0:12:45 | 0:12:49 | |
And... | 0:12:49 | 0:12:50 | |
I went out and there was these kids all in their nighties and pyjamas | 0:12:50 | 0:12:54 | |
all giggling and I went out, "What's going on here?" | 0:12:54 | 0:12:56 | |
And they're like, "Oh, sorry, sorry, sorry." | 0:12:56 | 0:12:58 | |
"You know you should be in your bed. This is absolutely disgraceful." | 0:12:58 | 0:13:01 | |
And I was doing a beautiful job when "Tony" came out of my room | 0:13:01 | 0:13:04 | |
and I don't know why, he was just in his boxer shorts... | 0:13:04 | 0:13:07 | |
..and a really big pair of boots. | 0:13:09 | 0:13:11 | |
And he started going like this - "You should be in bed!" | 0:13:11 | 0:13:14 | |
LAUGHTER AND APPLAUSE | 0:13:14 | 0:13:17 | |
And I grabbed him by the face - I was so frightened - | 0:13:20 | 0:13:22 | |
I grabbed by him the face and just pushed him back into my room | 0:13:22 | 0:13:25 | |
and I closed my door. One of the kids went, "Is that Mr Stevens?" | 0:13:25 | 0:13:30 | |
And I went, "Yes. He's not feeling very well." | 0:13:30 | 0:13:33 | |
And they accepted it. That was it. | 0:13:33 | 0:13:36 | |
I heard that in the first movie, Prometheus, | 0:13:37 | 0:13:39 | |
there was a lot of outtakes, a lot of David stuff that didn't get in. | 0:13:39 | 0:13:43 | |
I mean there's probably lots of extra stuff. | 0:13:43 | 0:13:46 | |
I wanted to have David sort of dancing | 0:13:46 | 0:13:49 | |
on sort of the disco deck of the ship, | 0:13:49 | 0:13:53 | |
at the end, when the credits are rolling. | 0:13:53 | 0:13:56 | |
I thought it might be quite funny to do, like, a Napoleon Dynamite | 0:13:56 | 0:13:59 | |
sort of exit for the character. | 0:13:59 | 0:14:03 | |
But Ridley didn't go for it. | 0:14:03 | 0:14:05 | |
I still don't understand why. | 0:14:05 | 0:14:06 | |
But you learnt the dance, didn't you? | 0:14:06 | 0:14:09 | |
No. | 0:14:09 | 0:14:10 | |
I thought you did learn the dance. | 0:14:10 | 0:14:11 | |
No, I mean I've done the robot probably back in 1987, | 0:14:11 | 0:14:15 | |
when I was going through the break dance phase. | 0:14:15 | 0:14:18 | |
I love that you went through a break dance phase. | 0:14:18 | 0:14:20 | |
Oh, yeah, I love the fact that break dance made it to Fossa, | 0:14:20 | 0:14:23 | |
and there was a break dance club. | 0:14:23 | 0:14:26 | |
In Kerry? There was a break dance club in Kerry? | 0:14:26 | 0:14:28 | |
-For sure, yeah. -What is break dance? | 0:14:28 | 0:14:30 | |
-Break dance? -Yes. -Oh... | 0:14:30 | 0:14:31 | |
I don't know, maybe you could show me because I don't know. | 0:14:31 | 0:14:35 | |
Do you guys know what break dance is? | 0:14:35 | 0:14:38 | |
-AUDIENCE: -No! | 0:14:38 | 0:14:39 | |
I feel like if we all could try a break dance move... | 0:14:39 | 0:14:42 | |
Kevin, you definitely know break dancing. | 0:14:42 | 0:14:44 | |
-I have no idea how to break dance. -I'll learn, if you want to teach it. | 0:14:44 | 0:14:47 | |
CHEERING AND APPLAUSE | 0:14:47 | 0:14:49 | |
What can you teach us? What have you got? | 0:14:49 | 0:14:50 | |
Break-dance-wise? | 0:14:50 | 0:14:52 | |
No. break dance is a lot. | 0:14:52 | 0:14:54 | |
-Could you do some robot? -I might rip something if I try... | 0:14:54 | 0:14:57 | |
I was going to try a flick swan dive. | 0:14:57 | 0:14:59 | |
Oh, do you want to do some? | 0:14:59 | 0:15:00 | |
No, no, that would be very dangerous. | 0:15:00 | 0:15:02 | |
Yes, please! I don't even know what that is. | 0:15:02 | 0:15:04 | |
-I haven't done it in years. -Let's try. | 0:15:04 | 0:15:06 | |
No, no, no, because he's not insured! | 0:15:06 | 0:15:08 | |
No, Jessica, this could be the end of the BBC. | 0:15:10 | 0:15:13 | |
If we break Michael Fassbender... | 0:15:13 | 0:15:17 | |
I could try a flick swan dive, I suppose. | 0:15:17 | 0:15:19 | |
-Yes! -OK, go on, then. CHEERING AND APPLAUSE | 0:15:19 | 0:15:22 | |
If you do it back here, there's enough room here. | 0:15:22 | 0:15:25 | |
-Better take this off. -Clip this. | 0:15:25 | 0:15:27 | |
The microphone's already in the pocket. | 0:15:27 | 0:15:29 | |
-You don't need to hear sound effects as I'm going down. -OK. | 0:15:29 | 0:15:32 | |
Because that's attached to here. | 0:15:32 | 0:15:34 | |
We'll take it out, we'll take it out | 0:15:34 | 0:15:36 | |
and we'll shove it in somewhere else. | 0:15:36 | 0:15:37 | |
Excuse me?! | 0:15:37 | 0:15:39 | |
-Hang on. Here we go. -I can't believe I'm going to do a flick swan. | 0:15:39 | 0:15:42 | |
I can't believe you're going to do it either. | 0:15:42 | 0:15:44 | |
For the record, it's her. It's her! | 0:15:44 | 0:15:46 | |
CHEERING AND APPLAUSE | 0:15:46 | 0:15:48 | |
Do you want some music? Do you want some music? | 0:15:48 | 0:15:51 | |
Sure. | 0:15:51 | 0:15:53 | |
Some music, I guess. Some music. | 0:15:53 | 0:15:54 | |
Yes! | 0:15:56 | 0:15:58 | |
CHEERING | 0:15:58 | 0:16:00 | |
OK. Do you want to wait for some music? | 0:16:00 | 0:16:03 | |
-Yeah, I'll wait. -OK, here's some music. | 0:16:03 | 0:16:05 | |
MUSIC: Are "Friends" Electric? by Tubeway Army | 0:16:05 | 0:16:08 | |
OK. | 0:16:08 | 0:16:10 | |
-Gary Numan... -Gary Nu... -He was actually an influence... | 0:16:10 | 0:16:13 | |
Oh, OK. | 0:16:13 | 0:16:14 | |
We can't hear you now! | 0:16:14 | 0:16:16 | |
Where's your one? | 0:16:17 | 0:16:18 | |
Gary Numan, an influence for Walter the robot. | 0:16:18 | 0:16:21 | |
Here we go! Turn it up, turn it up, crank it up! | 0:16:23 | 0:16:25 | |
CHEERING AND APPLAUSE | 0:16:25 | 0:16:28 | |
CHEERING AND APPLAUSE | 0:16:34 | 0:16:36 | |
Wow! | 0:16:38 | 0:16:40 | |
CHEERING AND APPLAUSE | 0:16:40 | 0:16:43 | |
Wow! | 0:16:47 | 0:16:48 | |
Now Diane, Diane. | 0:16:48 | 0:16:50 | |
Come on, Diane! | 0:16:50 | 0:16:52 | |
-I think... Is it in episode one you talk about Mick Jagger? -Oh, yeah. | 0:16:54 | 0:17:00 | |
-Is that a true story? -Now, that's true. | 0:17:00 | 0:17:02 | |
Again, some of the stories are true. Now, this is a true story | 0:17:02 | 0:17:04 | |
that I was... This was about a Christmas and a bit ago. | 0:17:04 | 0:17:08 | |
I was at a party in a house, and he was there - | 0:17:08 | 0:17:10 | |
and I'd met him before at something, so he came over, and he's chatting, | 0:17:10 | 0:17:14 | |
and he's a remarkable man. | 0:17:14 | 0:17:16 | |
He's 73, but... I think I'm right in saying that. | 0:17:16 | 0:17:21 | |
He's as thin and wiry as anything. But he's got energy. | 0:17:21 | 0:17:25 | |
It's like in Cocoon, you know when that light goes "psh!" | 0:17:25 | 0:17:28 | |
He has energy emanating from him. It's remarkable! | 0:17:28 | 0:17:32 | |
And we talked, and it was all nice, | 0:17:32 | 0:17:34 | |
and my wife and I were leaving, | 0:17:34 | 0:17:36 | |
went down the stairs from the first floor. | 0:17:36 | 0:17:39 | |
As we were heading to the door, I heard, "Rob! Rob!" | 0:17:39 | 0:17:42 | |
And I looked around, "What, what?" | 0:17:43 | 0:17:45 | |
And he was on the landing, and he went, | 0:17:45 | 0:17:47 | |
"Don't throw those bloody spears at me." | 0:17:47 | 0:17:49 | |
I looked and I thought, "What?" And I said, "What?" | 0:17:54 | 0:17:57 | |
He went, "Don't throw those bloody spears at me. Aah!" | 0:17:57 | 0:18:00 | |
And I had no idea. I was thinking, "What is going on? | 0:18:02 | 0:18:07 | |
"Is he having a stroke?" He's in the age range, you know. | 0:18:07 | 0:18:10 | |
And then I realised, "Oh, he's doing Michael Caine in Zulu." | 0:18:12 | 0:18:16 | |
He's doing me from The Trip doing... So I realised, so I went... | 0:18:18 | 0:18:22 | |
-AS MICHAEL CAINE: -"I've told you before. | 0:18:22 | 0:18:25 | |
"If you're not going to sing, I don't want to bloody know. | 0:18:25 | 0:18:27 | |
"Now, get back in the other room!" | 0:18:27 | 0:18:28 | |
And he went, "A-a-a-h!" | 0:18:28 | 0:18:30 | |
And he was gone. It's true. | 0:18:35 | 0:18:37 | |
And do you know there's this short cut | 0:18:39 | 0:18:41 | |
-to say your name as...the way the impression is? -Yeah, yeah. | 0:18:41 | 0:18:44 | |
People say, you say, "My cocaine." | 0:18:44 | 0:18:47 | |
-Yeah. -Like the drug but loud. -Yeah. | 0:18:47 | 0:18:50 | |
-But I'll tell you a story about that. -Oh, yes? | 0:18:50 | 0:18:52 | |
I was making a picture, | 0:18:52 | 0:18:53 | |
I was making a picture in the Philippines, and I'm in Manila, | 0:18:53 | 0:18:56 | |
and we were invited to this very, very posh, expensive house | 0:18:56 | 0:18:59 | |
to a party and I'm being introduced to people | 0:18:59 | 0:19:02 | |
and standing, getting a drink and all that, | 0:19:02 | 0:19:04 | |
and the hostess is standing over there and she's looking at me | 0:19:04 | 0:19:07 | |
rather nastily, considering that I'm a guest, you know? | 0:19:07 | 0:19:11 | |
And there was a moment when I was a bit free and she went... | 0:19:11 | 0:19:15 | |
So I went over to her and she said, | 0:19:15 | 0:19:18 | |
"Are you a drug dealer?" | 0:19:18 | 0:19:20 | |
I said, "No. Why do you ask?" | 0:19:21 | 0:19:23 | |
She said, "Why's everybody calling you 'my cocaine'?" | 0:19:23 | 0:19:26 | |
You know that story's true, cos you couldn't make it up. | 0:19:31 | 0:19:35 | |
Quite a lot of people at the party going, "Where's my cocaine?" | 0:19:35 | 0:19:38 | |
-"Over there." -So I went over and they said, "Not you." | 0:19:38 | 0:19:41 | |
But now, John Boyega, you... | 0:19:41 | 0:19:44 | |
Man, why you always say my name like that? | 0:19:44 | 0:19:46 | |
-LAUGHTER -Like, "What have I done now?" | 0:19:46 | 0:19:48 | |
No, this is good. | 0:19:48 | 0:19:49 | |
No, John... John got his Star Wars cash, and he... | 0:19:49 | 0:19:53 | |
I don't know where you hit, but you hit a shop, a wonderful shop... | 0:19:53 | 0:19:57 | |
-Yep. -And you have bought some stuff. | 0:19:57 | 0:20:00 | |
So, you very kindly brought some pictures of some of the things | 0:20:00 | 0:20:03 | |
-you bought. -Yeah, I did, I did. -Your bed... | 0:20:03 | 0:20:05 | |
At the bottom of your bed, what have you got? | 0:20:05 | 0:20:07 | |
I've got some lions, sculptures of lions. Yeah. | 0:20:07 | 0:20:10 | |
-So, his bed is guarded... -Oh! What?! -LAUGHTER | 0:20:10 | 0:20:14 | |
Those are like trinkets compared to what else you've got. You bought... | 0:20:14 | 0:20:18 | |
But the reason why I bought that | 0:20:18 | 0:20:19 | |
is because I feel like my spirit animal is a lion. | 0:20:19 | 0:20:22 | |
-I just feel that. -Mmm. | 0:20:22 | 0:20:23 | |
You know, I am African, I am... | 0:20:23 | 0:20:27 | |
-Yes! -..everything... -LAUGHTER | 0:20:27 | 0:20:30 | |
So that's why you bought the lions. | 0:20:30 | 0:20:33 | |
-Yes. -Why did you buy the saxophone lamp? | 0:20:33 | 0:20:35 | |
-LAUGHTER -Erm... | 0:20:35 | 0:20:37 | |
To be honest with you, there's no reason for that, man. | 0:20:37 | 0:20:39 | |
That was glorified nonsense. | 0:20:39 | 0:20:40 | |
I can't lie to you. | 0:20:40 | 0:20:42 | |
-Yeah. -That is hilarious. | 0:20:42 | 0:20:44 | |
Now, I don't mean to criticise it. | 0:20:44 | 0:20:45 | |
I mean, I mean...I was in Australia and this dude just told me | 0:20:45 | 0:20:49 | |
that there's a saxophone with a light bulb with it. | 0:20:49 | 0:20:51 | |
-Yeah. -And something in my brain said to me, "Buy." | 0:20:51 | 0:20:55 | |
-Yes. -You need that. | 0:20:55 | 0:20:58 | |
-You need that. -By the way, I made a lamp out of my father's clarinet. | 0:20:58 | 0:21:00 | |
-Oh, yeah. -Oh! -Right? -Cool. So you know how that was made. | 0:21:00 | 0:21:03 | |
-I had no idea how to put it together. -Well, there's a... | 0:21:03 | 0:21:05 | |
We have a thing. | 0:21:05 | 0:21:07 | |
It has something to do with something that we share. | 0:21:07 | 0:21:09 | |
-You're like a lion. -I like... I'm like a lion... | 0:21:09 | 0:21:12 | |
Kind of. Yeah, I could do that. But how about that? | 0:21:12 | 0:21:15 | |
-You have a saxophone lamp and I have a clarinet lamp. -Yeah. | 0:21:15 | 0:21:18 | |
Goldie, can I just ask you, | 0:21:18 | 0:21:20 | |
do you have a more attractive bulb in yours? | 0:21:20 | 0:21:22 | |
-Well... -That is an ugly-ass bulb, John. | 0:21:24 | 0:21:27 | |
That is an economy light-saving one. | 0:21:27 | 0:21:31 | |
It's environmentally friendly. | 0:21:31 | 0:21:32 | |
-It's environmentally friendly. -Yeah, yeah. | 0:21:32 | 0:21:34 | |
I would find a little clip-on shade, maybe, or something that just... | 0:21:34 | 0:21:38 | |
-Here's the exciting thing. -Have you ever put it on? | 0:21:38 | 0:21:40 | |
You're in John's house and you want to go to the loo, | 0:21:40 | 0:21:42 | |
so you've seen the lions, you're excited, | 0:21:42 | 0:21:45 | |
-the saxophone lamp is brilliant... -Give it to them. | 0:21:45 | 0:21:47 | |
-You get into the loo... -OK. -..you sit down... | 0:21:47 | 0:21:49 | |
-Uh-huh. -..you do your business, | 0:21:49 | 0:21:51 | |
you need a little bit of toilet paper. | 0:21:51 | 0:21:53 | |
In John's house, this is who gives it to you. | 0:21:53 | 0:21:55 | |
Boom. | 0:21:55 | 0:21:56 | |
LAUGHTER AND APPLAUSE | 0:21:56 | 0:22:00 | |
That is amazing. | 0:22:00 | 0:22:02 | |
I love that. | 0:22:04 | 0:22:06 | |
-You're jealous, aren't you? You're all jealous. -I'm so jealous. | 0:22:07 | 0:22:10 | |
I'm imagining going over there, as a girl, you know, | 0:22:10 | 0:22:12 | |
you hook up and you go to the bathroom, | 0:22:12 | 0:22:13 | |
you're like, "That's a red flag." | 0:22:13 | 0:22:15 | |
That's a red flag! | 0:22:17 | 0:22:19 | |
I suppose, with your kids, you could spoil them, | 0:22:21 | 0:22:25 | |
but you have to try and be strict with them? | 0:22:25 | 0:22:27 | |
Yeah, it's tough, like, because, you know, as you're doing all right, | 0:22:27 | 0:22:32 | |
you want to give them the life that you didn't have, | 0:22:32 | 0:22:35 | |
but you have to be strict, | 0:22:35 | 0:22:36 | |
because you don't want to turn them into children | 0:22:36 | 0:22:38 | |
that you hated when you were a child. | 0:22:38 | 0:22:40 | |
-Mmm. -Yeah. -You know what I mean? You don't want them to be those kids. | 0:22:40 | 0:22:42 | |
So, it's tough. I remember taking my daughter to get new school shoes. | 0:22:42 | 0:22:46 | |
I took all five... I don't know if you've done this, Guy, | 0:22:46 | 0:22:48 | |
when you have taken all of them out just by yourself, like an idiot. | 0:22:48 | 0:22:51 | |
Took 'em all out. We've gone to buy new school shoes, | 0:22:51 | 0:22:54 | |
and it's a dead busy day in the department store, | 0:22:54 | 0:22:57 | |
and most of them have been fine, | 0:22:57 | 0:22:59 | |
and then just one daughter is just kicking off, going for it. | 0:22:59 | 0:23:02 | |
You've not got the skills that your parents had, cos, you know, | 0:23:02 | 0:23:05 | |
laws have changed...and, er... | 0:23:05 | 0:23:09 | |
LAUGHTER AND APPLAUSE | 0:23:09 | 0:23:11 | |
So you've got to, like, find other ways. | 0:23:13 | 0:23:16 | |
You've got to talk to them | 0:23:16 | 0:23:17 | |
like a children's TV presenter, haven't you? | 0:23:17 | 0:23:19 | |
-Get down on their level. -"What seems to be the problem?" | 0:23:19 | 0:23:21 | |
You get a bit closer - "When you get home, you are dead!" | 0:23:21 | 0:23:24 | |
You have to do it so nobody sees you! | 0:23:24 | 0:23:28 | |
So she was being a nightmare and I just couldn't wrangle her, | 0:23:28 | 0:23:30 | |
I just couldn't work it out. And, er... | 0:23:30 | 0:23:32 | |
in the end, I had to do that thing that parents do sometimes, | 0:23:32 | 0:23:35 | |
where you go overboard with the punishment. | 0:23:35 | 0:23:37 | |
So, when they're not eating their dinner, you're like, | 0:23:37 | 0:23:39 | |
"Right, then, you'll never eat again!" | 0:23:39 | 0:23:42 | |
"Aw! Can't back that up!" | 0:23:42 | 0:23:44 | |
And I did it to my daughter. She was like, "I want these..." | 0:23:44 | 0:23:46 | |
She was being spoilt. And I said, "Right, then, you'll have NO shoes!" | 0:23:46 | 0:23:50 | |
So I got shoes for the other kids, | 0:23:53 | 0:23:55 | |
so I've got these four pairs of shoes and none for her. | 0:23:55 | 0:23:58 | |
Very rare that I stand by a punishment. | 0:24:00 | 0:24:03 | |
Even when I send them upstairs, | 0:24:03 | 0:24:04 | |
they're halfway down before they've got there. | 0:24:04 | 0:24:06 | |
So, I'm in this queue and my daughter's gone from being naughty | 0:24:06 | 0:24:11 | |
to turning the waterworks on. | 0:24:11 | 0:24:13 | |
And, of course, it's a new crowd around her. | 0:24:13 | 0:24:16 | |
So these people just think she's like Cinderella, | 0:24:16 | 0:24:19 | |
not getting any shoes. "No shoes for you!" | 0:24:19 | 0:24:22 | |
And she goes... | 0:24:22 | 0:24:23 | |
And then she said the worst thing, and, as parents, you'll feel this. | 0:24:23 | 0:24:27 | |
It's the worst thing that anyone can say to you, | 0:24:27 | 0:24:29 | |
one of your children. She said, "Daddy." And I went, "What?" | 0:24:29 | 0:24:32 | |
She said... | 0:24:32 | 0:24:34 | |
There's all these people looking. She just went, "Daddy... | 0:24:34 | 0:24:38 | |
"Why do you make the rest of the world laugh, but you make me cry?" | 0:24:38 | 0:24:42 | |
"Oh, you got me good!" | 0:24:47 | 0:24:50 | |
She got three pairs of shoes that day! | 0:24:51 | 0:24:53 | |
The other thing chimpanzees do, | 0:24:56 | 0:24:58 | |
of course, is a thing called pant-hooting, which is... | 0:24:58 | 0:25:01 | |
HE HOOTS | 0:25:01 | 0:25:03 | |
HE PANTS | 0:25:05 | 0:25:08 | |
APPLAUSE | 0:25:08 | 0:25:10 | |
When do chimps do that? | 0:25:16 | 0:25:18 | |
When they're very excited. | 0:25:19 | 0:25:21 | |
Is that a happy thing or a sad thing? | 0:25:22 | 0:25:24 | |
It's a kind of territorial thing - | 0:25:24 | 0:25:27 | |
and it's quite scary. It's defending territory. | 0:25:27 | 0:25:30 | |
-OK. -I feel like I've heard that sound, yeah. | 0:25:30 | 0:25:33 | |
-Do you watch... -LAUGHTER DROWNS SPEECH | 0:25:33 | 0:25:37 | |
I'm sure you have, Sienna! | 0:25:39 | 0:25:41 | |
What are you talking about? Yeah. | 0:25:43 | 0:25:45 | |
Well, look, the thing is, it is a sofa of actors. So, Andy... | 0:25:45 | 0:25:49 | |
Andy, are there any... I wouldn't say tricks, | 0:25:49 | 0:25:51 | |
but are there any short cuts into playing a great ape? | 0:25:51 | 0:25:56 | |
A great ape. Well... | 0:25:56 | 0:25:58 | |
Well, quadrupedding is a large part of it, OK? | 0:25:58 | 0:26:02 | |
So quadrupedding is walking on all fours, | 0:26:02 | 0:26:05 | |
and I happen to have with me some... | 0:26:05 | 0:26:08 | |
Some arm extensions, which we could all have a go with. | 0:26:08 | 0:26:11 | |
-Oh, right! -And these, in fact, are how we quadruped. | 0:26:11 | 0:26:14 | |
So we can all have a go, and I think we should. | 0:26:14 | 0:26:16 | |
-Would you like to have a go? -No. Not yet. | 0:26:16 | 0:26:19 | |
LAUGHTER | 0:26:19 | 0:26:21 | |
Let me just show you. | 0:26:21 | 0:26:22 | |
Look, and it has motion capture dots on it already. So we can shoot. | 0:26:22 | 0:26:26 | |
So anyway, let me just... | 0:26:26 | 0:26:28 | |
Is this a good place to stand? | 0:26:28 | 0:26:30 | |
-Yeah, or... -This is wicked! | 0:26:30 | 0:26:32 | |
-Wherever you want to go. -OK. | 0:26:32 | 0:26:34 | |
So, first of all, if you're going to get into being an ape, | 0:26:34 | 0:26:37 | |
like if you're a silverback gorilla, | 0:26:37 | 0:26:39 | |
-then you tend to have your backside sticking out. -Wow! | 0:26:39 | 0:26:41 | |
If you're a chimpanzee, then you're tucked in like this. | 0:26:41 | 0:26:44 | |
-So you can choose between a gorilla or a chimpanzee. -Yes. | 0:26:44 | 0:26:46 | |
-Whichever you'd like. -Options, I love options. | 0:26:46 | 0:26:49 | |
-And then you start to walk... -Oh, look at that! -Whoa! -Like that... | 0:26:49 | 0:26:52 | |
APPLAUSE | 0:26:52 | 0:26:54 | |
..and then...then you can learn to kind of accelerate - | 0:26:55 | 0:26:59 | |
and we're all going to do this, so... | 0:26:59 | 0:27:01 | |
So then you can learn to accelerate. | 0:27:01 | 0:27:04 | |
I've got very slippery shoes on, but... | 0:27:04 | 0:27:07 | |
-Like that. So... -Whoa! | 0:27:07 | 0:27:08 | |
That's very impressive. | 0:27:08 | 0:27:10 | |
Get Tom. Tom's young. Go on, Tom. | 0:27:10 | 0:27:13 | |
-A fellow method actor. -This is for a role in the next film. | 0:27:16 | 0:27:20 | |
You're welcome, guys. | 0:27:20 | 0:27:21 | |
You're going to be so good at this. You're going to be so good at this. | 0:27:23 | 0:27:26 | |
LAUGHTER AND APPLAUSE | 0:27:26 | 0:27:28 | |
-You'll be fine. -You're going to shine. | 0:27:28 | 0:27:31 | |
Good luck. | 0:27:32 | 0:27:34 | |
I'm glad I wore such tight trousers today! | 0:27:34 | 0:27:37 | |
How do you beat your chest with these things? | 0:27:37 | 0:27:39 | |
-It's a tough one. -So, hang on... | 0:27:39 | 0:27:41 | |
Gorilla is the arched back. | 0:27:41 | 0:27:42 | |
Oh, look at that, look at that! | 0:27:42 | 0:27:44 | |
Oh, oh, look at him! Oh! | 0:27:44 | 0:27:48 | |
I've gone Spider-Man all of a sudden. | 0:27:48 | 0:27:49 | |
No, that's very Spider-Man. | 0:27:49 | 0:27:51 | |
And what did you say, chimpanzee? What was it? | 0:27:51 | 0:27:53 | |
-You've got to tuck in. -Tuck in with your... | 0:27:53 | 0:27:55 | |
-Tuck in and bend over. There you go. -SIENNA: -Oh, my God! | 0:27:55 | 0:27:58 | |
Do a wolf as a chimp. | 0:27:58 | 0:28:00 | |
HE HOWLS | 0:28:00 | 0:28:02 | |
APPLAUSE | 0:28:02 | 0:28:04 | |
Very good. It was... It was excellent. Beautiful, beautiful. | 0:28:04 | 0:28:08 | |
Warren, so many things have been written about you, | 0:28:09 | 0:28:12 | |
so many "facts" - | 0:28:12 | 0:28:14 | |
interesting facts, that we don't examine - | 0:28:14 | 0:28:16 | |
-have been thrown out. -Mm-hm. | 0:28:16 | 0:28:17 | |
I know you don't like talking about this, | 0:28:17 | 0:28:20 | |
so I'm just going to read them out, | 0:28:20 | 0:28:21 | |
and we'll just try and read your expression... | 0:28:21 | 0:28:23 | |
-Uh-huh. -..to see if you're confirming or denying them. | 0:28:23 | 0:28:26 | |
-MIRANDA: -This is a fun game! | 0:28:27 | 0:28:29 | |
It's sort of a Psychic Sal. | 0:28:30 | 0:28:33 | |
-I mean, feel free, if you want to... -Feel free. -..confirm or deny them. | 0:28:33 | 0:28:37 | |
-Yeah. -OK, here we go. | 0:28:37 | 0:28:39 | |
You used to wash your hair every day | 0:28:39 | 0:28:41 | |
with a six-pack of beer. | 0:28:41 | 0:28:43 | |
-Any truth...? -No. -Oh, he's denying that. OK. | 0:28:44 | 0:28:47 | |
That was my one! | 0:28:47 | 0:28:48 | |
-Yes? -Yeah, I did that all the time. | 0:28:49 | 0:28:51 | |
-Uh-huh? -That was cider. | 0:28:51 | 0:28:53 | |
No-one has that much hair - one can would do you. | 0:28:53 | 0:28:56 | |
-A six-pack seems excessive. -I would think, yeah. | 0:28:56 | 0:28:58 | |
You and Jack Nicholson had your own secret passageway | 0:28:58 | 0:29:01 | |
into the Playboy Mansion. | 0:29:01 | 0:29:02 | |
-No... -Is that true? | 0:29:08 | 0:29:10 | |
Well, I think the story was printed | 0:29:10 | 0:29:12 | |
that there was a tunnel going from Jack's house, | 0:29:12 | 0:29:15 | |
which is near my house, all the way over to Hefner's house, | 0:29:15 | 0:29:19 | |
which would probably have cost in the neighbourhood of 1 billion. | 0:29:19 | 0:29:24 | |
-So, no, that is not true. -OK. | 0:29:25 | 0:29:28 | |
You Photoshopped the Heaven Can Wait poster | 0:29:28 | 0:29:31 | |
to make your crotch look larger. | 0:29:31 | 0:29:34 | |
No. | 0:29:35 | 0:29:37 | |
Just asking. Just asking! | 0:29:37 | 0:29:40 | |
Did you mean the crotch? | 0:29:40 | 0:29:42 | |
-The crotch? -The crotch, that bit. | 0:29:42 | 0:29:46 | |
That's... You mean the hips? What are you talking about? | 0:29:46 | 0:29:49 | |
I would say that area. | 0:29:49 | 0:29:51 | |
Sort of in-between that hip and that hip, | 0:29:53 | 0:29:56 | |
below your belly button | 0:29:56 | 0:29:57 | |
and before the space between your legs. | 0:29:57 | 0:29:59 | |
LAUGHTER AND APPLAUSE | 0:29:59 | 0:30:01 | |
-You didn't? -No. | 0:30:01 | 0:30:02 | |
I like how specific you were. | 0:30:05 | 0:30:07 | |
I thought you were speaking about what is IN the crotch. | 0:30:07 | 0:30:10 | |
Oh, no, no, no. | 0:30:10 | 0:30:11 | |
Well, I don't know, did you do THAT? | 0:30:11 | 0:30:13 | |
-No. -You never touched your crotch. | 0:30:13 | 0:30:15 | |
I never touched the crotch. | 0:30:15 | 0:30:17 | |
Now, this is the famous one. | 0:30:17 | 0:30:19 | |
Carly Simon wrote the song You're So Vain about you. | 0:30:19 | 0:30:23 | |
-How would I know? -Didn't she...? | 0:30:23 | 0:30:25 | |
Has she said? | 0:30:25 | 0:30:27 | |
I don't know. | 0:30:27 | 0:30:29 | |
-OK. -I don't know, I don't know. -OK. | 0:30:29 | 0:30:32 | |
And the famous one that's been... | 0:30:32 | 0:30:34 | |
I don't know who did this. | 0:30:34 | 0:30:36 | |
I like that someone studied maths | 0:30:36 | 0:30:39 | |
and this is what they used their mathematics degree for - | 0:30:39 | 0:30:43 | |
they calculated that you've bedded 13,000 women. | 0:30:43 | 0:30:46 | |
Oh, he's just leaving that one! | 0:30:48 | 0:30:50 | |
LAUGHTER AND APPLAUSE | 0:30:50 | 0:30:52 | |
No. That... | 0:30:54 | 0:30:55 | |
That was a very busy month. | 0:30:55 | 0:30:58 | |
But I have... | 0:31:01 | 0:31:02 | |
I don't know why you brought this up, but I did hear you discuss, | 0:31:02 | 0:31:05 | |
you had an extraordinary disagreement | 0:31:05 | 0:31:07 | |
with your wife about yourself. | 0:31:07 | 0:31:10 | |
-Do you know what I'm talking about? -By myself you mean...? -Yes. -Yeah. | 0:31:10 | 0:31:14 | |
Ooh. | 0:31:14 | 0:31:15 | |
Er... | 0:31:15 | 0:31:17 | |
-Yes. -Listen, do you know this story? -I do not know this story. | 0:31:17 | 0:31:20 | |
-Listen with interest. -Well... | 0:31:20 | 0:31:22 | |
One night, as you do, we were talking about stuff and... | 0:31:22 | 0:31:26 | |
..and I just happened to mention... | 0:31:27 | 0:31:28 | |
and of course, being circumcised, I said... | 0:31:28 | 0:31:31 | |
They were chatting. They're married! They're married, they're allowed. | 0:31:33 | 0:31:37 | |
..and she said... | 0:31:37 | 0:31:39 | |
She said, "You're not circumcised." | 0:31:39 | 0:31:42 | |
I said, "What do you mean? "You've only known me a few..." | 0:31:42 | 0:31:46 | |
All my life, I remember my mother telling me why, | 0:31:46 | 0:31:49 | |
because it was fashionable at the time. | 0:31:49 | 0:31:51 | |
She said, "You're not circumcised." I said, "That's ridiculous! | 0:31:51 | 0:31:54 | |
"I should know if I'm circumcised. Of course I am. | 0:31:54 | 0:31:58 | |
"End of conversation." | 0:31:58 | 0:32:00 | |
But the next day, I happened to be seeing my doctor for... | 0:32:00 | 0:32:04 | |
Are you OK? | 0:32:05 | 0:32:07 | |
-I was seeing my doctor for my annual physical. -Of course. | 0:32:09 | 0:32:13 | |
So, while he was down there... | 0:32:13 | 0:32:16 | |
LAUGHTER | 0:32:16 | 0:32:18 | |
-I said... -"Excuse me, Doctor." -"Oh, by the way, Irv, | 0:32:18 | 0:32:22 | |
"my wife and I had a little disagreement. | 0:32:22 | 0:32:26 | |
"I am circumcised, aren't I? Because she says I'm not." | 0:32:26 | 0:32:31 | |
And he goes... | 0:32:31 | 0:32:32 | |
"Not." | 0:32:35 | 0:32:37 | |
LAUGHTER | 0:32:37 | 0:32:40 | |
APPLAUSE | 0:32:40 | 0:32:42 | |
I said, "No, no, it's not possible!" | 0:32:44 | 0:32:46 | |
So he looked down again and he said, | 0:32:46 | 0:32:48 | |
"Hey, I'm Jewish, I know the difference." | 0:32:48 | 0:32:50 | |
-That is a bizarre story. -Too much information. | 0:32:54 | 0:32:56 | |
I have grandchildren! | 0:33:01 | 0:33:03 | |
You're going to have to change your Facebook status now. | 0:33:09 | 0:33:11 | |
Oh, yes, no more Beef Stew. | 0:33:11 | 0:33:14 | |
Well, there's MORE Beef Stew. | 0:33:17 | 0:33:18 | |
But you've had the common problem of frisky horses, haven't you? | 0:33:27 | 0:33:31 | |
There are different kinds of thoroughbred stallions. | 0:33:31 | 0:33:33 | |
There are those that have been, um... | 0:33:33 | 0:33:36 | |
-I don't know the technical term. -Gelded. -Gelded, thank you. | 0:33:36 | 0:33:39 | |
I didn't want to say "castrated". Gelded. | 0:33:39 | 0:33:42 | |
-They do not have their testicles. -We've got it! | 0:33:42 | 0:33:45 | |
We're all up to speed. | 0:33:45 | 0:33:48 | |
We got castrated, gelded - we're on it. | 0:33:48 | 0:33:52 | |
If people aren't following the story now... | 0:33:52 | 0:33:55 | |
I'm trying to use the best, sort of, PG words. | 0:33:55 | 0:33:59 | |
Science words. | 0:33:59 | 0:34:01 | |
So if they have not been gelded, | 0:34:01 | 0:34:03 | |
they're extremely sensitive to the smells of other horses. | 0:34:03 | 0:34:07 | |
Actually, male horses or female horses, | 0:34:07 | 0:34:09 | |
they don't care, they smell horse and they get, basically, just... | 0:34:09 | 0:34:15 | |
really enormous erections. | 0:34:15 | 0:34:18 | |
Which, in a 19th-century film, is just not appropriate! | 0:34:20 | 0:34:24 | |
You feel like someone should mention it. | 0:34:24 | 0:34:27 | |
-Yes. -People just chatting on. | 0:34:27 | 0:34:29 | |
But actually, Camilla had a couple of ways of making it go away - | 0:34:29 | 0:34:35 | |
but the one that's more mentionable would be... | 0:34:35 | 0:34:37 | |
She got Vicks, you know, | 0:34:37 | 0:34:39 | |
you put on your chest when you've got a cold. | 0:34:39 | 0:34:42 | |
She put it inside the horse's nostrils. | 0:34:42 | 0:34:45 | |
For the smell. | 0:34:45 | 0:34:47 | |
LAUGHTER AND APPLAUSE | 0:34:47 | 0:34:49 | |
For the scent. | 0:34:49 | 0:34:51 | |
-Nowhere painful. -They had to do that to me, as well. | 0:34:52 | 0:34:55 | |
I want to know the method you can't mention! | 0:34:57 | 0:35:00 | |
It was just... | 0:35:00 | 0:35:01 | |
-The science. -It was just to... | 0:35:01 | 0:35:06 | |
-Get it done. -..kick it, until... | 0:35:06 | 0:35:08 | |
Sounds like a party game - kick the cock! | 0:35:11 | 0:35:13 | |
"Come on, kids!" | 0:35:15 | 0:35:17 | |
A professional technique to get rid of a horse's erection | 0:35:17 | 0:35:21 | |
is to kick it in the dick?! | 0:35:21 | 0:35:23 | |
And in terms of physical challenges, Zac, | 0:35:27 | 0:35:29 | |
I was flicking through a magazine, and I happened upon... | 0:35:29 | 0:35:32 | |
I happened upon a photograph of Zac | 0:35:32 | 0:35:35 | |
where Zac was casually walking down the street with no shirt on | 0:35:35 | 0:35:38 | |
and I thought he must have got tired, | 0:35:38 | 0:35:40 | |
and he was leaning against a parking meter. | 0:35:40 | 0:35:43 | |
I think we've got the picture here. | 0:35:43 | 0:35:44 | |
That was a photo shoot. What are you talking about? | 0:35:46 | 0:35:49 | |
-I thought it was a paparazzi shot. -You're trying to be... | 0:35:49 | 0:35:51 | |
Is that at the airport? | 0:35:51 | 0:35:52 | |
-It was Cool Hand Luke trying to take the parking meter off. -Yeah. | 0:35:52 | 0:35:56 | |
Are you really doing that or are there wires? | 0:35:59 | 0:36:01 | |
-No, he's doing it. -Oh, no, yeah, that's... | 0:36:01 | 0:36:03 | |
He's doing it. | 0:36:03 | 0:36:05 | |
Not that I'm calling you a liar, but there is a pole right over there. | 0:36:05 | 0:36:08 | |
CHEERING | 0:36:08 | 0:36:10 | |
What?! | 0:36:10 | 0:36:12 | |
It's right there. Check behind you - there's a pole. | 0:36:12 | 0:36:15 | |
It's right there. | 0:36:15 | 0:36:16 | |
-That pole. -I didn't see it. -That pole. | 0:36:17 | 0:36:20 | |
-That pole. -You want me to do the...? -Yes, can you? -Er, yeah. Sure. | 0:36:20 | 0:36:23 | |
CHEERING AND WHOOPING | 0:36:23 | 0:36:25 | |
Really? Now... Now I feel bad. | 0:36:25 | 0:36:28 | |
-You CAN do this, right? -You tested this thing, right? | 0:36:28 | 0:36:30 | |
-It's solid. It's been tested... -This has been used... | 0:36:32 | 0:36:36 | |
By who? | 0:36:36 | 0:36:38 | |
We're not sure of her name, but... | 0:36:38 | 0:36:40 | |
LAUGHTER | 0:36:40 | 0:36:42 | |
-Dang! Er... -Do you want some music? -Er... -How about some music? | 0:36:44 | 0:36:48 | |
MUSIC: Low by Flo Rida featuring T Pain | 0:36:51 | 0:36:54 | |
Now I have to wait for the beat? | 0:36:54 | 0:36:56 | |
Here we go, here we go. He's going to do it, he's going to do it. | 0:36:58 | 0:37:01 | |
Oh! APPLAUSE AND CHEERING | 0:37:02 | 0:37:04 | |
That is... That's better than in the photo shoot! | 0:37:04 | 0:37:07 | |
Even better than the photo shoot. | 0:37:07 | 0:37:09 | |
Zac Efron, everybody! Well done! | 0:37:09 | 0:37:12 | |
-Nicely done. -That's impressive. Come and sit down. -Thank you. -Wow! | 0:37:12 | 0:37:17 | |
And talking of hit movies, Shawshank Redemption, | 0:37:20 | 0:37:23 | |
-obviously... -Oh, great movie. -..one of your most... Yes. | 0:37:23 | 0:37:26 | |
Everyone loves that movie. APPLAUSE AND CHEERING | 0:37:26 | 0:37:29 | |
And that's one of those movies - | 0:37:31 | 0:37:33 | |
anyone puts their, you know, best films of all time list together, | 0:37:33 | 0:37:35 | |
-it's always on there. -It's always on there. | 0:37:35 | 0:37:37 | |
It's always on there and yet that film has never been a hit. | 0:37:37 | 0:37:40 | |
Tanked at the box office - | 0:37:40 | 0:37:43 | |
and the reason for that is, of course, | 0:37:43 | 0:37:46 | |
is that the only real marketing movies get, I think, | 0:37:46 | 0:37:50 | |
is word of mouth. | 0:37:50 | 0:37:51 | |
You can promote it all you want, | 0:37:52 | 0:37:55 | |
but if the first few audiences go there and come back | 0:37:55 | 0:37:59 | |
and can't say, "I really saw this great film," | 0:37:59 | 0:38:03 | |
then you're not going to go very far. | 0:38:03 | 0:38:06 | |
So people went to see The Shawshank Redemption | 0:38:06 | 0:38:09 | |
and then they came back, | 0:38:09 | 0:38:10 | |
"Oh, man, I saw this really terrific movie. | 0:38:10 | 0:38:13 | |
"It's called the, erm... | 0:38:13 | 0:38:14 | |
"Er... | 0:38:16 | 0:38:17 | |
"Shanksham? | 0:38:19 | 0:38:20 | |
"Shimshark?" | 0:38:22 | 0:38:24 | |
One lady saw me in the elevator one time and she said, | 0:38:24 | 0:38:27 | |
"Oh, I saw you in The Hudsucker Production!" | 0:38:27 | 0:38:30 | |
So, if you can't get word across, then it just doesn't do well. | 0:38:33 | 0:38:36 | |
-Yeah. -If you can't say it... -That's why Alfie did well! | 0:38:36 | 0:38:41 | |
Yeah. Boom - we got it. | 0:38:41 | 0:38:44 | |
Is that the film that turned you into sort of Mr Narration? | 0:38:44 | 0:38:48 | |
Yeah, that was it. | 0:38:48 | 0:38:51 | |
Because it's so special, that narration. | 0:38:51 | 0:38:54 | |
Now, we have got a little kind of Shawshank mashup. | 0:38:54 | 0:38:59 | |
So, would you mind lending your voice to it? | 0:38:59 | 0:39:01 | |
-Ah, go on. Ah, go on. -OK. | 0:39:04 | 0:39:07 | |
APPLAUSE AND CHEERING There you go. | 0:39:07 | 0:39:09 | |
MUSIC PLAYS | 0:39:14 | 0:39:16 | |
I must admit, I didn't think much of Graham Norton | 0:39:18 | 0:39:20 | |
the first time I laid eyes on him. | 0:39:20 | 0:39:22 | |
It looked like a stiff breeze could blow him over. | 0:39:24 | 0:39:27 | |
That was my first impression of the man. | 0:39:29 | 0:39:31 | |
I could see why some people took him for annoying. | 0:39:32 | 0:39:36 | |
He had a walk and a talk that just wasn't normal around here. | 0:39:38 | 0:39:43 | |
And boy, did he drink. | 0:39:45 | 0:39:47 | |
He drank like a man without a care or a worry in the world. | 0:39:50 | 0:39:54 | |
I hope to finish this talk show one day. | 0:39:58 | 0:40:00 | |
I hope Michael stops talking for just one second. | 0:40:02 | 0:40:05 | |
I hope people stop asking me to do stupid voice-overs like this. | 0:40:08 | 0:40:12 | |
I hope. | 0:40:15 | 0:40:16 | |
APPLAUSE AND CHEERING Very good. Morgan Freeman. | 0:40:18 | 0:40:22 | |
Very good. Thank you very much for doing that. | 0:40:22 | 0:40:25 | |
Fantastic! | 0:40:25 | 0:40:28 | |
Listen, very quickly, it is Oscars weekend this weekend - | 0:40:28 | 0:40:31 | |
and, Ian, would you mind telling us the story | 0:40:31 | 0:40:34 | |
about when you were nominated for Gandalf...? | 0:40:34 | 0:40:38 | |
-Oh, yes. -And you had the beads, yes. | 0:40:38 | 0:40:41 | |
Aw! | 0:40:41 | 0:40:42 | |
Well, they weren't beads. | 0:40:44 | 0:40:45 | |
In New Zealand, where we filmed Lord Of The Rings... | 0:40:47 | 0:40:51 | |
CHEERING AND APPLAUSE | 0:40:51 | 0:40:54 | |
If you're lucky, when you leave, you're given a piece of green stone, | 0:40:54 | 0:40:58 | |
carved, and you wear it often enough and your chances are | 0:40:58 | 0:41:01 | |
that you'll get back to New Zealand. That's the idea. | 0:41:01 | 0:41:04 | |
And it'll bring you a bit of luck. | 0:41:04 | 0:41:07 | |
So, when those films were nominated for something like 20 Oscars | 0:41:07 | 0:41:10 | |
on that night, everybody from New Zealand | 0:41:10 | 0:41:13 | |
was wearing their greenstone, their pounamu, they're called. | 0:41:13 | 0:41:18 | |
And when we're on the red carpet, going in to the ceremony, | 0:41:18 | 0:41:21 | |
I met Maggie Smith. | 0:41:21 | 0:41:23 | |
-AS MAGGIE: -Hello, what are you here for? | 0:41:23 | 0:41:25 | |
LAUGHTER | 0:41:25 | 0:41:27 | |
I said, "Well, Lord Of The Rings." | 0:41:31 | 0:41:32 | |
"Oh, yes," she said. "What's that round your neck?" | 0:41:32 | 0:41:35 | |
I said, "It's my pounamu, Maggie." | 0:41:35 | 0:41:37 | |
"Oh, your pounamu. What's that for?" | 0:41:37 | 0:41:39 | |
I said, "Well, if I wear it, it'll bring me luck." | 0:41:39 | 0:41:42 | |
"Oh, very nice." | 0:41:42 | 0:41:44 | |
And we went our separate ways and it lasts for three and a half | 0:41:45 | 0:41:48 | |
-or four hours. You know, don't you? -Oh, yeah. | 0:41:48 | 0:41:51 | |
God, you sit there and sit there. | 0:41:51 | 0:41:52 | |
And at the end, of course, everyone else wins the Oscar apart from you. | 0:41:52 | 0:41:55 | |
And a bit dejected, you're coming out, | 0:41:55 | 0:41:58 | |
looking forward to a drink and you bump into Maggie Smith | 0:41:58 | 0:42:00 | |
and she points at you and she says, "Didn't work, did it?" | 0:42:00 | 0:42:03 | |
I tell you, all of you, Anthony's going to give us some tips, | 0:42:12 | 0:42:17 | |
I would say, on boxing. | 0:42:17 | 0:42:19 | |
We've got a very, very, very hi-tech piece of equipment over here. | 0:42:19 | 0:42:25 | |
So if you'd like to come with me... It's over here. | 0:42:25 | 0:42:29 | |
APPLAUSE | 0:42:29 | 0:42:31 | |
We've been playing with this all afternoon. | 0:42:33 | 0:42:36 | |
I love this thing. I'll just turn it on. | 0:42:36 | 0:42:39 | |
Hang on. It's on. Now... Oh. | 0:42:41 | 0:42:44 | |
OK, there we go. So, I hit that. | 0:42:44 | 0:42:46 | |
OK - ooh! | 0:42:46 | 0:42:48 | |
-MACHINE: -Come on! | 0:42:50 | 0:42:53 | |
It didn't talk this afternoon! | 0:42:53 | 0:42:56 | |
What's happened to it? Shut up! | 0:42:56 | 0:42:59 | |
Just hit it! Just hit it! | 0:42:59 | 0:43:02 | |
LAUGHTER DROWNS SPEECH | 0:43:02 | 0:43:06 | |
Oh, no, you look serious. | 0:43:06 | 0:43:08 | |
He's really going for it. CHEERING | 0:43:08 | 0:43:11 | |
OK. | 0:43:11 | 0:43:12 | |
Do you have any tips? | 0:43:13 | 0:43:16 | |
Cos you're in high heels... | 0:43:16 | 0:43:18 | |
-Shall I take them off? -No, no, chill. | 0:43:18 | 0:43:20 | |
We're taking this very seriously, ladies and gentlemen. | 0:43:20 | 0:43:24 | |
He's talking to me. | 0:43:24 | 0:43:26 | |
No run-ups. | 0:43:29 | 0:43:31 | |
If you want to take them off... Whatever you feel comfortable with. | 0:43:31 | 0:43:34 | |
I wasn't even thinking about run-ups. | 0:43:34 | 0:43:36 | |
-Any other advice? -Are you left or right-handed? | 0:43:36 | 0:43:39 | |
-Right. -So, you know, right leg back so you really get the whole... | 0:43:39 | 0:43:43 | |
Right leg back. And the aim is just to hit it so it goes away? | 0:43:43 | 0:43:46 | |
You go boom, and it goes back up. | 0:43:46 | 0:43:49 | |
-OK. -Have you had a go, Graham? -Honestly, mine was so bad. | 0:43:49 | 0:43:53 | |
Let's see what Rachel gets, then I'll decide if I'm going to do it. | 0:43:53 | 0:43:56 | |
-You get a score! -Yeah. -You get a score. | 0:43:56 | 0:44:00 | |
-So left leg forward. -Are you in range, though? | 0:44:00 | 0:44:04 | |
-I don't know. Shall I find out? -Come forward a bit. | 0:44:04 | 0:44:07 | |
-Cos your aim is to punch through the bag. -Through. | 0:44:07 | 0:44:11 | |
-So I want to go like that. -Yes, I like that. | 0:44:11 | 0:44:14 | |
Just hit it in the middle? | 0:44:17 | 0:44:19 | |
Oh! | 0:44:21 | 0:44:23 | |
CHEERING | 0:44:23 | 0:44:25 | |
182! | 0:44:28 | 0:44:30 | |
Who's going next? | 0:44:30 | 0:44:32 | |
-Do you want to go next? -Yeah. -OK, here we go, here we go. | 0:44:32 | 0:44:35 | |
We have 182. 182 to beat. 182. | 0:44:35 | 0:44:38 | |
Here we go, here we go. | 0:44:38 | 0:44:40 | |
There's a terrible thing where you don't care and then you do. | 0:44:46 | 0:44:50 | |
Can't I just have a stare down with him? | 0:44:50 | 0:44:53 | |
And it's who laughs first loses. | 0:44:53 | 0:44:55 | |
Right. Um. OK. | 0:44:55 | 0:44:57 | |
Oh! | 0:44:58 | 0:45:00 | |
CHEERING Oh! Wow! | 0:45:00 | 0:45:02 | |
Blimey. 594. | 0:45:06 | 0:45:09 | |
It's 594. | 0:45:14 | 0:45:16 | |
I slipped! | 0:45:19 | 0:45:21 | |
594 to beat. | 0:45:21 | 0:45:23 | |
Here we go, here we go, here we go. | 0:45:23 | 0:45:26 | |
Oh! | 0:45:26 | 0:45:27 | |
CHEERING | 0:45:27 | 0:45:29 | |
Oh! | 0:45:29 | 0:45:30 | |
OK. | 0:45:34 | 0:45:35 | |
-Anthony Joshua. -Are you on? -No... | 0:45:35 | 0:45:39 | |
CHEERING | 0:45:39 | 0:45:41 | |
OK, OK. | 0:45:41 | 0:45:43 | |
CHEERING | 0:45:43 | 0:45:45 | |
I've gotta do this, here we go, here we go. | 0:45:47 | 0:45:49 | |
I'm still going. | 0:45:49 | 0:45:52 | |
OK, there you go. What was yours? | 0:45:52 | 0:45:55 | |
I think it was 3,000? | 0:45:55 | 0:45:57 | |
672, was it? | 0:45:57 | 0:46:00 | |
-672. -632. So if you don't beat that, you've lost the title. | 0:46:00 | 0:46:04 | |
If you don't beat me... | 0:46:04 | 0:46:06 | |
I mean, look at this. | 0:46:06 | 0:46:08 | |
LAUGHTER | 0:46:08 | 0:46:11 | |
OK, OK, here we go, here we go. | 0:46:11 | 0:46:13 | |
-Same technique as you. -The world champion. | 0:46:13 | 0:46:16 | |
Oh! | 0:46:16 | 0:46:18 | |
CHEERING | 0:46:21 | 0:46:23 | |
Well done! 848! Excellent. | 0:46:25 | 0:46:29 | |
Off you go with your story, Valerio. | 0:46:31 | 0:46:33 | |
OK, so I am here tonight to surprise my beautiful wife Alma. | 0:46:33 | 0:46:39 | |
-Alma? -Yeah, she's actually in the audience tonight. -Oh, where's Alma? | 0:46:39 | 0:46:43 | |
Are you sure? She may have left... Oh, no, there she is. | 0:46:43 | 0:46:46 | |
-She's over there. -That's the surprise. | 0:46:46 | 0:46:48 | |
Yeah, surprise, she's gone! | 0:46:48 | 0:46:50 | |
No, your beautiful wife Alma is still here. Off you go, Valerio. | 0:46:50 | 0:46:53 | |
-Is this a nice surprise? -Yes, of course. -OK. | 0:46:53 | 0:46:56 | |
-She's pregnant with our first baby. -Oh! | 0:46:56 | 0:47:00 | |
-We don't know yet the gender of the baby... -Oh, yes. | 0:47:00 | 0:47:03 | |
..because I really want to wait until the baby is born. | 0:47:03 | 0:47:07 | |
-Of course, Valerio. -But she really wants to know as soon as possible. | 0:47:07 | 0:47:10 | |
-Oh, yes. -So the doctor wrote... | 0:47:10 | 0:47:15 | |
-on this piece of paper... -Oh! -..the gender of the baby. | 0:47:15 | 0:47:19 | |
And I said to her, "We will open on a special occasion." | 0:47:19 | 0:47:23 | |
-Oh, yes. -So, because she loves you and your show, | 0:47:23 | 0:47:27 | |
-I believe that tonight is the best occasion. -Oh, yes! | 0:47:27 | 0:47:29 | |
-Brilliant. -May I open? -Yes, do. -Don't you dare pull that lever! | 0:47:29 | 0:47:34 | |
LAUGHTER AND APPLAUSE | 0:47:34 | 0:47:37 | |
We'll get him back! We'll get him back. No, wait, we'll get him back. | 0:47:38 | 0:47:41 | |
We'll get him back! | 0:47:41 | 0:47:43 | |
We'll get him back, we'll get him back, we'll get him back. | 0:47:47 | 0:47:49 | |
OK, get Valerio back. Get Valerio back. | 0:47:49 | 0:47:51 | |
I'm sorry! I'm sorry, Valerio. | 0:47:51 | 0:47:53 | |
I'm sorry, I'm sorry. | 0:47:53 | 0:47:55 | |
OK, this is it. Wait, wait, wait. Here we go. | 0:47:55 | 0:47:57 | |
-So, Alma... Alma? -Are you ready? | 0:47:57 | 0:47:59 | |
It'll be a boy or a girl. | 0:47:59 | 0:48:02 | |
-JACK WHITEHALL: -And if it's a boy, you're calling it Wayne! | 0:48:02 | 0:48:05 | |
-Here we go, here we go. -The baby... | 0:48:05 | 0:48:08 | |
is a girl! | 0:48:08 | 0:48:09 | |
Well done, Valerio! You can walk, you can walk. | 0:48:12 | 0:48:15 | |
-Amazing! -Awww! | 0:48:15 | 0:48:17 | |
Congratulations, Alma! A little baby girl! | 0:48:17 | 0:48:19 |