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Hello, my name is Judi Dench. | 0:00:02 | 0:00:03 | |
Welcome to The Graham Norton Show! | 0:00:03 | 0:00:06 | |
APPLAUSE AND CHEERING | 0:00:06 | 0:00:08 | |
Oh! Oh, my God! | 0:00:23 | 0:00:25 | |
It's actually me! | 0:00:25 | 0:00:26 | |
Yes, yes! | 0:00:26 | 0:00:29 | |
Hello, hello! | 0:00:29 | 0:00:30 | |
-MAN IN AUDIENCE: -Ooh, ooh, ooh! | 0:00:30 | 0:00:32 | |
Oh, "Ooh, ooh, ooh!" Oh! | 0:00:32 | 0:00:34 | |
Big! Going big on the hello! | 0:00:34 | 0:00:37 | |
Hello and welcome to the show. | 0:00:37 | 0:00:40 | |
Lovely to see you. | 0:00:40 | 0:00:43 | |
All enjoying the warm weather? | 0:00:43 | 0:00:45 | |
-AUDIENCE: -Whoo! -Ooh! | 0:00:45 | 0:00:46 | |
It's been hot, hasn't it? | 0:00:46 | 0:00:48 | |
Hot! I tell you, I've been sweating like Theresa May | 0:00:48 | 0:00:51 | |
waiting for the DUP to say yes. | 0:00:51 | 0:00:53 | |
Elsewhere in politics, Vince Cable is the favourite | 0:00:55 | 0:00:57 | |
to replace Tim Farron as Lib Dem leader. | 0:00:57 | 0:00:59 | |
Now, some people are saying Vince might be a bit old. | 0:00:59 | 0:01:02 | |
I mean, they have a point - he's 74, | 0:01:02 | 0:01:04 | |
so, at the time of the next election he's going to be... | 0:01:04 | 0:01:07 | |
74. | 0:01:07 | 0:01:08 | |
LAUGHTER | 0:01:08 | 0:01:10 | |
Brexit talks finally got started this week. | 0:01:12 | 0:01:15 | |
Whoo! | 0:01:15 | 0:01:16 | |
Here's our Brexit negotiator David Davis... | 0:01:16 | 0:01:19 | |
Also known as DD. | 0:01:19 | 0:01:21 | |
Not to be confused with Double D, which, of course, is a huge tit. | 0:01:21 | 0:01:25 | |
APPLAUSE | 0:01:27 | 0:01:29 | |
That was David at the start of the talks, | 0:01:33 | 0:01:36 | |
listening to the words "You're screwed" in 27 different languages. | 0:01:36 | 0:01:40 | |
Meanwhile, it was the State Opening of Parliament this week. | 0:01:40 | 0:01:43 | |
Here's the Prime Minister and Jeremy Corbyn | 0:01:43 | 0:01:45 | |
making small talk on the way in. | 0:01:45 | 0:01:47 | |
She's probably saying, "Are you doing anything nice this summer?" | 0:01:47 | 0:01:50 | |
He's saying, "Mm-hm, I'm going to be Prime Minister." | 0:01:50 | 0:01:54 | |
It was a dress-down version of the ceremony, | 0:01:54 | 0:01:56 | |
dress-down - dress-down! - | 0:01:56 | 0:01:59 | |
and a lot of people on Twitter were suggesting that the Queen's hat | 0:01:59 | 0:02:02 | |
had been made out of an EU flag, | 0:02:02 | 0:02:05 | |
a sign of her love and respect for Europe. | 0:02:05 | 0:02:08 | |
It's odd because over at the EU, they've found a new use | 0:02:08 | 0:02:10 | |
for all our Union Jacks. | 0:02:10 | 0:02:11 | |
LAUGHTER Let's get some guests on! | 0:02:13 | 0:02:15 | |
Later, we'll have music from indie rockers Haim! | 0:02:17 | 0:02:19 | |
Haim are here! | 0:02:19 | 0:02:21 | |
They'll be performing their current single Want You Back - | 0:02:21 | 0:02:24 | |
but first, two comedy greats. | 0:02:24 | 0:02:27 | |
One is the star of Bridesmaids, | 0:02:27 | 0:02:28 | |
the other gave us The 40-Year-Old Virgin and Anchorman. | 0:02:28 | 0:02:31 | |
Together they're in Despicable Me 3. | 0:02:31 | 0:02:33 | |
Please welcome Kristen Wiig and Steve Carell! | 0:02:33 | 0:02:35 | |
APPLAUSE AND CHEERING | 0:02:35 | 0:02:37 | |
That's actually them! | 0:02:37 | 0:02:39 | |
Look at them! | 0:02:40 | 0:02:41 | |
You are so shiny! That's beautiful. | 0:02:44 | 0:02:47 | |
Hello, sir, lovely to see you. Have a seat, do. | 0:02:47 | 0:02:50 | |
There's more! There's more! | 0:02:52 | 0:02:54 | |
He's the Oscar and Grammy-winning star of Django Unchained, | 0:02:54 | 0:02:57 | |
Ray and Any Given Sunday - | 0:02:57 | 0:02:58 | |
now he's one of the gang in crime caper Baby Driver, | 0:02:58 | 0:03:01 | |
it's the great Jamie Foxx, everybody! | 0:03:01 | 0:03:03 | |
APPLAUSE | 0:03:03 | 0:03:05 | |
I teased you. I teased you. I'm so sorry. | 0:03:05 | 0:03:08 | |
Jamie Foxx! | 0:03:08 | 0:03:10 | |
Good, right? That's good. There's more! There's more. | 0:03:12 | 0:03:16 | |
What can I say? She's one of our greatest stage and screen actors, | 0:03:16 | 0:03:20 | |
and one of my favourite guests. | 0:03:20 | 0:03:22 | |
It is welcome back to Dame Judi Dench! | 0:03:22 | 0:03:25 | |
APPLAUSE | 0:03:25 | 0:03:27 | |
Hello, my darling. | 0:03:28 | 0:03:30 | |
So lovely to see you. Come and sit down! | 0:03:30 | 0:03:33 | |
Whoo! | 0:03:37 | 0:03:38 | |
Welcome, all! Welcome, all. Lovely to see you. | 0:03:41 | 0:03:45 | |
I think this is one of my favourite couches. I like this couch a lot. | 0:03:45 | 0:03:48 | |
Very, very nice. | 0:03:48 | 0:03:50 | |
-Welcome back to everybody - everybody's been here before. -Yes. | 0:03:50 | 0:03:53 | |
-You, a lot. You have been here a lot! -Oh, too much, yes! | 0:03:53 | 0:03:56 | |
-No, never too much. -I've overdone it. | 0:03:56 | 0:03:57 | |
No, no, no. | 0:03:57 | 0:03:59 | |
Now, my American friends, have you appeared on stage or... | 0:03:59 | 0:04:01 | |
African American. | 0:04:01 | 0:04:03 | |
LAUGHTER | 0:04:03 | 0:04:05 | |
OK...! | 0:04:05 | 0:04:07 | |
Have any of you appeared or worked with a dame before? An actual dame? | 0:04:07 | 0:04:11 | |
-I guess I technically have. -OK. -Yes. -That's all I want to know. | 0:04:11 | 0:04:16 | |
OK, great. | 0:04:16 | 0:04:18 | |
Yeah, Saturday Night Live - Helen Mirren. | 0:04:18 | 0:04:20 | |
-Oh, she's a dame! -Yes. Dame Helen Mirren. -She'll do. | 0:04:20 | 0:04:23 | |
Was that when you were quite physical with her? | 0:04:23 | 0:04:26 | |
Um... | 0:04:26 | 0:04:27 | |
If you call motor-boating her physical... | 0:04:27 | 0:04:30 | |
Which it is. Very intimate. | 0:04:30 | 0:04:32 | |
-Yes, I would say, yes. -Have you been motor-boated, Dame Judi? | 0:04:32 | 0:04:36 | |
-Never. -Never? -But there's always time. -Yes! | 0:04:36 | 0:04:39 | |
Jamie loves a challenge! | 0:04:41 | 0:04:42 | |
LAUGHTER | 0:04:42 | 0:04:44 | |
These lips... | 0:04:44 | 0:04:45 | |
That would go viral. I'm pretty sure that would go viral. | 0:04:47 | 0:04:51 | |
Now, Dame Judi, obviously one of our finest actors, | 0:04:51 | 0:04:53 | |
and I think the performing bug bit early on, | 0:04:53 | 0:04:57 | |
because - I know you know this picture - | 0:04:57 | 0:04:59 | |
I don't know how old you were, | 0:04:59 | 0:05:01 | |
but clearly you are the star of this show. Here they are. | 0:05:01 | 0:05:05 | |
Can you tell which one is Dame Judi? | 0:05:05 | 0:05:07 | |
It's this one, who has taken her socks off to upstage the others. | 0:05:07 | 0:05:11 | |
-I pushed my way to the front, there. -You really did! | 0:05:11 | 0:05:15 | |
She looks so unimpressed! | 0:05:15 | 0:05:17 | |
"I wore socks." | 0:05:17 | 0:05:19 | |
That girl on the right is Angela Beresford, | 0:05:19 | 0:05:23 | |
and she couldn't stand the middles of sandwiches. | 0:05:23 | 0:05:27 | |
LAUGHTER | 0:05:27 | 0:05:29 | |
She used to come to our house and say, "I can't eat this sandwich, | 0:05:29 | 0:05:32 | |
"I can't eat this and I can't eat that or that or that." | 0:05:32 | 0:05:35 | |
-But she would eat the bread? -She ate the bread. -OK! | 0:05:35 | 0:05:39 | |
-Perhaps you should make her a bread sandwich? -Quite. | 0:05:39 | 0:05:42 | |
LAUGHTER | 0:05:42 | 0:05:43 | |
I should have thought of it. | 0:05:43 | 0:05:45 | |
Just give her a loaf. | 0:05:45 | 0:05:46 | |
I like...! I like this one at the end | 0:05:48 | 0:05:49 | |
who just didn't get the memo about the costume at all. | 0:05:49 | 0:05:52 | |
Her mother hated her. | 0:05:55 | 0:05:57 | |
"Go in that, you'll be fine." | 0:05:57 | 0:05:59 | |
LAUGHTER | 0:05:59 | 0:06:00 | |
-Kristen, we also have a picture of you. -Oh, no. | 0:06:00 | 0:06:02 | |
-I don't know if you're a young performer in this... -This is... | 0:06:02 | 0:06:05 | |
-..but you are quite young. -Oh, man! -OK, can I explain?! | 0:06:05 | 0:06:09 | |
-I... -# The sun'll come out... # | 0:06:10 | 0:06:13 | |
LAUGHTER | 0:06:13 | 0:06:15 | |
APPLAUSE | 0:06:15 | 0:06:17 | |
-I had a... I got perms a lot... -You clearly did. -..when I was a kid, | 0:06:19 | 0:06:23 | |
and I also discovered Sun-In, | 0:06:23 | 0:06:25 | |
which was supposed to make your hair blonde, | 0:06:25 | 0:06:27 | |
but when you have brown hair, it turns it red. | 0:06:27 | 0:06:29 | |
Great! | 0:06:29 | 0:06:30 | |
It's very cute. | 0:06:30 | 0:06:31 | |
Was this around the time that you decided | 0:06:31 | 0:06:33 | |
to pass yourself off as a musician? | 0:06:33 | 0:06:35 | |
Yeah, my dad had a guitar, | 0:06:36 | 0:06:38 | |
and I would take the guitar out of the case | 0:06:38 | 0:06:42 | |
and walk around my neighbourhood with the case, | 0:06:42 | 0:06:45 | |
because I wanted people to think that I played the guitar! | 0:06:45 | 0:06:48 | |
I would just walk and look at people and be like, "Oh," you know, | 0:06:48 | 0:06:50 | |
and I would just carry it around the block. | 0:06:50 | 0:06:54 | |
-But you kept things in it, didn't you? -So... Yes. | 0:06:54 | 0:06:57 | |
LAUGHTER | 0:06:57 | 0:06:59 | |
So embarrassing. I remember thinking to myself, | 0:06:59 | 0:07:03 | |
I should probably put vitamins in there in case I got tired. | 0:07:03 | 0:07:07 | |
So, I just had Flintstone vitamins in the guitar case. | 0:07:07 | 0:07:11 | |
-It was very heavy, the guitar case. -I know, yes! | 0:07:11 | 0:07:13 | |
-You were thinking ahead! -Yes. | 0:07:13 | 0:07:15 | |
-Now, we have a picture of Jamie Foxx, young. -Yeah. | 0:07:15 | 0:07:18 | |
But, now, what age are you here? | 0:07:18 | 0:07:21 | |
-Aah! -Yes! | 0:07:21 | 0:07:23 | |
LAUGHTER AND APPLAUSE | 0:07:23 | 0:07:26 | |
Hilarious! | 0:07:28 | 0:07:30 | |
-You... You look 47! -Yes! | 0:07:30 | 0:07:33 | |
We've got the same kind of hair, right there! | 0:07:35 | 0:07:39 | |
Well, that's the Jheri curl, right there. | 0:07:39 | 0:07:41 | |
I was 18, right there. | 0:07:41 | 0:07:43 | |
That was a "Fsst, fsst, fsst." | 0:07:43 | 0:07:45 | |
I was 18 years old. | 0:07:45 | 0:07:46 | |
Is that a backdrop to make it look like there's brick back there? | 0:07:46 | 0:07:51 | |
-You know what? No, I think that is real brick. -Oh, OK. | 0:07:51 | 0:07:54 | |
Real brick! | 0:07:54 | 0:07:55 | |
Real brick, baby, it's a brick house. | 0:07:55 | 0:07:57 | |
You shelled out for this picture. | 0:07:57 | 0:07:59 | |
Now, if you thought Jamie Foxx looked old there, | 0:08:00 | 0:08:04 | |
I think you were about 20... | 0:08:04 | 0:08:05 | |
LAUGHTER AND APPLAUSE | 0:08:05 | 0:08:08 | |
What?! | 0:08:09 | 0:08:10 | |
That's fantastic! | 0:08:12 | 0:08:15 | |
I don't... I see no problem with that. | 0:08:15 | 0:08:17 | |
-Are you about 20 years old there? -Yeah. | 0:08:18 | 0:08:21 | |
What was going on in your head? | 0:08:21 | 0:08:24 | |
I wanted to look like Magnum PI. | 0:08:24 | 0:08:26 | |
I actually grew a moustache in high school | 0:08:30 | 0:08:33 | |
because I played lacrosse | 0:08:33 | 0:08:35 | |
-and I thought it would make me look more threatening... -Right. | 0:08:35 | 0:08:38 | |
..but it didn't, really. It just made me look like a porn star. | 0:08:38 | 0:08:41 | |
-A porn performer. -A porn performer. | 0:08:42 | 0:08:45 | |
That's not a porn STAR, is it? | 0:08:45 | 0:08:47 | |
LAUGHTER | 0:08:47 | 0:08:48 | |
-No! -He was in it - he wasn't the star, no. | 0:08:48 | 0:08:50 | |
-A day player. -A day...! -A day player. -A porn day player. | 0:08:52 | 0:08:55 | |
HE MIMICS PORN MUSIC | 0:08:57 | 0:08:59 | |
He was at the other side of the pool. | 0:08:59 | 0:09:01 | |
-Away from the action. -Right! That's amazing. | 0:09:01 | 0:09:04 | |
Listen, We've got lots to talk about, so, dames first. | 0:09:04 | 0:09:07 | |
Dames first. | 0:09:07 | 0:09:08 | |
Dame Judi has a new film, Victoria and Abdul. | 0:09:08 | 0:09:11 | |
Now, it doesn't open till September 15th, | 0:09:11 | 0:09:13 | |
but this is our last show, so you're here to tell us about it. | 0:09:13 | 0:09:16 | |
You play Queen Victoria, Ali Fazal plays Abdul, | 0:09:16 | 0:09:19 | |
and this is a true story, but sort of a bit of history | 0:09:19 | 0:09:22 | |
that nearly got lost entirely. | 0:09:22 | 0:09:24 | |
Yes, I didn't know anything about it at all - | 0:09:24 | 0:09:26 | |
I expect other people did, but I didn't know anything, | 0:09:26 | 0:09:28 | |
because after she formed this relationship with this young man, | 0:09:28 | 0:09:32 | |
when he was sent back to India after she died, | 0:09:32 | 0:09:35 | |
everything between them was all packed away and burnt | 0:09:35 | 0:09:38 | |
or, you know, kept somewhere, | 0:09:38 | 0:09:41 | |
and only discovered, I think, comparatively recently. | 0:09:41 | 0:09:44 | |
In India they found some diaries, is that right? | 0:09:44 | 0:09:46 | |
-They found some letters, yes, or diaries, yes... -Yes. | 0:09:46 | 0:09:50 | |
..about this extraordinary person she met. | 0:09:50 | 0:09:53 | |
He came to her Diamond Jubilee | 0:09:53 | 0:09:56 | |
to present her with something, | 0:09:56 | 0:09:58 | |
with a coin. | 0:09:58 | 0:10:00 | |
Well, when you see him, you'll see. | 0:10:01 | 0:10:05 | |
She wasn't quite so interested in the coin. | 0:10:05 | 0:10:08 | |
LAUGHTER | 0:10:08 | 0:10:09 | |
-Victoria was a bit of a goer, really, wasn't she? -She was a goer. | 0:10:09 | 0:10:12 | |
-Yes! -I mean, oh, I'm full of admiration! | 0:10:12 | 0:10:15 | |
LAUGHTER | 0:10:15 | 0:10:17 | |
Well, after, you know, after her life with Albert, | 0:10:17 | 0:10:20 | |
and then, subsequently, her relationship with John Brown, | 0:10:20 | 0:10:25 | |
you know, still, that is there - that... | 0:10:25 | 0:10:27 | |
you know, that burning thing, whatever it was, | 0:10:27 | 0:10:30 | |
was still there all the time. | 0:10:30 | 0:10:31 | |
There weren't creams back then. | 0:10:31 | 0:10:33 | |
You know... | 0:10:33 | 0:10:34 | |
LAUGHTER | 0:10:34 | 0:10:36 | |
Creams! | 0:10:38 | 0:10:40 | |
-Oh, man. -Poor Abdul! | 0:10:40 | 0:10:43 | |
So, obviously, famously, you played Victoria in Mrs Brown, in '97 - | 0:10:45 | 0:10:50 | |
it's incredible. | 0:10:50 | 0:10:52 | |
-Yes, with Billy the Divine. -Yes, the great Billy Connolly. | 0:10:52 | 0:10:55 | |
-Sir Billy the Divine... -Of, course, yes, he has! -..now. -Yes! | 0:10:55 | 0:10:58 | |
So, going back to it, was that an incentive to say yes to this film, | 0:10:58 | 0:11:04 | |
-or did it make you hesitate about doing this? -No... | 0:11:04 | 0:11:08 | |
You know, you never think, I think, | 0:11:08 | 0:11:09 | |
that you're going to go back to revisit a character | 0:11:09 | 0:11:12 | |
you have played already, | 0:11:12 | 0:11:14 | |
but because I didn't know about this story, I think, | 0:11:14 | 0:11:18 | |
-and because it was beautifully written by Lee... -Lee Hall, yeah. | 0:11:18 | 0:11:23 | |
..Hall, and directed by Stephen Frears, | 0:11:23 | 0:11:26 | |
and it was a part that I'd done all the kind of homework on, | 0:11:26 | 0:11:30 | |
I found it irresistible. I couldn't have said no. | 0:11:30 | 0:11:33 | |
Excellent - well, we've got a clip. | 0:11:33 | 0:11:34 | |
This is you having an argument with your son, the Prince of Wales, | 0:11:34 | 0:11:38 | |
-played by Eddie Izzard. -Eddie Izzard. | 0:11:38 | 0:11:40 | |
Yes! They're all in it! | 0:11:40 | 0:11:42 | |
Mummy, enough is enough. | 0:11:42 | 0:11:45 | |
You will drop this forthwith, or... | 0:11:45 | 0:11:48 | |
Or, Bertie? | 0:11:48 | 0:11:49 | |
..or we will have you certified insane! | 0:11:49 | 0:11:53 | |
I'm 81 years of age. | 0:11:55 | 0:11:57 | |
I have had nine children and 42 grandchildren | 0:11:58 | 0:12:03 | |
and have almost a billion citizens. | 0:12:03 | 0:12:07 | |
I have been in office 62 years, 234 days. | 0:12:07 | 0:12:10 | |
I am cantankerous... | 0:12:13 | 0:12:16 | |
boring, greedy, fat, ill-tempered, | 0:12:16 | 0:12:21 | |
at times selfish and myopic - both metaphorically and literally. | 0:12:21 | 0:12:28 | |
I am, perhaps, disagreeably attached to power... | 0:12:28 | 0:12:32 | |
..and should not have smashed the Emperor of Russia's egg... | 0:12:34 | 0:12:37 | |
..but I am anything but insane. | 0:12:40 | 0:12:44 | |
APPLAUSE | 0:12:44 | 0:12:46 | |
-You're so good! -I've not watched it! | 0:12:48 | 0:12:51 | |
OK! | 0:12:51 | 0:12:52 | |
-I was eating popcorn, like...! -Yes! | 0:12:58 | 0:13:00 | |
-That's amazing. -That's a really good clip. | 0:13:03 | 0:13:04 | |
-Amazing, absolutely amazing. -That really is amazing. | 0:13:04 | 0:13:07 | |
As we were saying, the film is based on these diaries and letters | 0:13:07 | 0:13:10 | |
that got found - now, you don't keep a diary, per se, do you? | 0:13:10 | 0:13:14 | |
I don't any more - and I've always kind of meant to, | 0:13:14 | 0:13:18 | |
and never got beyond - you know, you get so eager, | 0:13:18 | 0:13:20 | |
especially when you are away doing something | 0:13:20 | 0:13:22 | |
and you think, oh, I will write this diary, | 0:13:22 | 0:13:24 | |
and it lasts three days, or two days, | 0:13:24 | 0:13:27 | |
and then you get tired of it - | 0:13:27 | 0:13:28 | |
but, yes, I do keep a kind of memo thing, | 0:13:28 | 0:13:32 | |
of people who come round after the show. | 0:13:32 | 0:13:35 | |
-And what they say to you? -Well, because it's irresistible, you know? | 0:13:35 | 0:13:39 | |
-So, what are the most common...? -The most common? | 0:13:39 | 0:13:41 | |
When you do a play, what are the most common? | 0:13:41 | 0:13:43 | |
The most common is, knock at the door, "Come in," | 0:13:43 | 0:13:45 | |
and whoever it is comes and says, "Oh, you must be exhausted." | 0:13:45 | 0:13:51 | |
LAUGHTER | 0:13:51 | 0:13:54 | |
-I might have said that. -That's tricky. | 0:13:54 | 0:13:56 | |
Oh, I think you've said it several times! | 0:13:56 | 0:13:58 | |
Or, "How are you?" I get "How are you?" a lot. | 0:13:59 | 0:14:03 | |
And you think, "Well, you've just seen!" | 0:14:03 | 0:14:05 | |
LAUGHTER | 0:14:05 | 0:14:07 | |
-I've had that, yes. -Is it embarrassment? I expect so. | 0:14:07 | 0:14:11 | |
What's the worst thing someone has said do you? | 0:14:11 | 0:14:14 | |
Um... | 0:14:14 | 0:14:15 | |
"I saw you." | 0:14:15 | 0:14:17 | |
LAUGHTER | 0:14:18 | 0:14:20 | |
Yes, for the last three hours! | 0:14:22 | 0:14:23 | |
-What does that mean? -"I saw you." | 0:14:25 | 0:14:27 | |
Well, they're obviously too embarrassed | 0:14:27 | 0:14:29 | |
to find something else suitable to say. | 0:14:29 | 0:14:31 | |
Have you guys... What have people said to you, Steve? | 0:14:31 | 0:14:34 | |
My brother came backstage to a play that I'd done | 0:14:34 | 0:14:38 | |
and said, "That was terrible!" | 0:14:38 | 0:14:39 | |
You know, it's a dressing room full of the other actors, | 0:14:42 | 0:14:45 | |
and everyone's - opening-night, "Ooh!" buzzing, | 0:14:45 | 0:14:48 | |
and he comes, like, "Wow, that just... That was awful." | 0:14:48 | 0:14:53 | |
Like, absolutely unfiltered. | 0:14:53 | 0:14:56 | |
The energy in the room... | 0:14:56 | 0:14:58 | |
Doing Saturday Night Live, Kristen, | 0:14:59 | 0:15:02 | |
you must have people come to you - | 0:15:02 | 0:15:03 | |
-it's live, there's an audience. -Yeah. | 0:15:03 | 0:15:05 | |
Do people come back to you afterwards to talk about it? | 0:15:05 | 0:15:07 | |
Yeah, yeah. I remember getting, like, "You did it!" | 0:15:07 | 0:15:11 | |
LAUGHTER | 0:15:11 | 0:15:12 | |
-OK! -The other way round, | 0:15:14 | 0:15:17 | |
you guys, if you meet a friend who's been in a film | 0:15:17 | 0:15:20 | |
that is a giant turkey, what do you say? | 0:15:20 | 0:15:24 | |
-Like, if the movie's bad? -Yeah. | 0:15:24 | 0:15:26 | |
Oh, I've had that done to me. | 0:15:26 | 0:15:28 | |
They'll say something, like, something about your clothes. | 0:15:28 | 0:15:31 | |
"Man, that jacket you were wearing was tight. | 0:15:31 | 0:15:33 | |
"That jacket was tight, dog. | 0:15:35 | 0:15:36 | |
"That jacket was tight. Where did you get that jacket?" | 0:15:36 | 0:15:38 | |
"Did you see the movie?" "Yeah, yeah, it was crazy. It was crazy." | 0:15:38 | 0:15:41 | |
-It was crazy! -But, you know, your real friends | 0:15:41 | 0:15:44 | |
will tell you that it sucked - but, yeah, you get that. | 0:15:44 | 0:15:47 | |
The thing is, you don't need anyone to tell you. | 0:15:47 | 0:15:50 | |
-No. We know. -Or they tell you that the chances you took were amazing. | 0:15:50 | 0:15:54 | |
Something like that. | 0:15:54 | 0:15:56 | |
Don't need to talk about the film. | 0:15:56 | 0:15:57 | |
Didn't you have a school reunion | 0:15:57 | 0:15:59 | |
when you were telling people about The 40-year-old Virgin? | 0:15:59 | 0:16:01 | |
I had just shot it - it hadn't come out yet. | 0:16:01 | 0:16:03 | |
"What are you up to, Steve?" | 0:16:03 | 0:16:05 | |
and I told people that I had just written, or co-written | 0:16:05 | 0:16:11 | |
and starred in a movie called The 40-year-old Virgin, | 0:16:11 | 0:16:14 | |
and I could see their eyes rolling back into their heads. | 0:16:14 | 0:16:17 | |
"Oh, good luck to you... Bye. | 0:16:17 | 0:16:19 | |
"Sounds horrible." | 0:16:19 | 0:16:22 | |
Even the studio executives didn't quite understand that film. | 0:16:22 | 0:16:25 | |
They didn't. We were shut down after the first week of filming... | 0:16:25 | 0:16:28 | |
-Are you serious? -..because they were watching dailies - yeah. | 0:16:28 | 0:16:30 | |
It was the Friday of the first week | 0:16:30 | 0:16:32 | |
and we were in the middle of a scene | 0:16:32 | 0:16:34 | |
and Judd came in and said, "We have to go to Universal | 0:16:34 | 0:16:39 | |
"because they are pulling the plug," | 0:16:39 | 0:16:41 | |
and apparently - we went in, and they'd been watching dailies, | 0:16:41 | 0:16:44 | |
they'd been watching the movie, | 0:16:44 | 0:16:45 | |
everything we'd shot up until that point, | 0:16:45 | 0:16:47 | |
and said they thought I looked like a serial killer. | 0:16:47 | 0:16:50 | |
LAUGHTER | 0:16:50 | 0:16:53 | |
At that point, I hadn't done any dialogue. | 0:16:53 | 0:16:56 | |
It was me riding my bike. | 0:16:56 | 0:16:58 | |
Me walking by suggestive posters, going "Weurgh!" | 0:16:58 | 0:17:04 | |
And they thought I looked like an insane killer. | 0:17:04 | 0:17:08 | |
-Cos actually, Jamie Foxx, you... -What's that? | 0:17:10 | 0:17:13 | |
-Kanye West... -Huh? Kanye West? | 0:17:13 | 0:17:14 | |
-..you kind of failed... -Oh, man. -..to see his genius, didn't you? | 0:17:14 | 0:17:17 | |
First of all, the way I even met - and I did, I blew it... | 0:17:17 | 0:17:21 | |
-I didn't blow it, but it worked out. -LAUGHTER | 0:17:21 | 0:17:24 | |
I know it's not making sense, | 0:17:24 | 0:17:25 | |
because I haven't told you the story yet, | 0:17:25 | 0:17:27 | |
but what happened was that I'm throwing a party - | 0:17:27 | 0:17:29 | |
I throw all these parties at my crib - | 0:17:29 | 0:17:30 | |
so, I'm throwing a party for Puff, and Jay Z's there, and Pharrell, | 0:17:30 | 0:17:33 | |
it's a big party, and this kid walks in with a backpack on | 0:17:33 | 0:17:38 | |
and his jaw is busted. I said, "Who's that?" | 0:17:38 | 0:17:40 | |
They said, "That's Kanye West." I said, "What he do?" | 0:17:40 | 0:17:42 | |
They say, "He raps and he produces for Jay Z." | 0:17:42 | 0:17:44 | |
I said, "Well, everybody that comes to my house has got to perform, | 0:17:44 | 0:17:47 | |
"I've got to see what this dude has," so I walked up to him | 0:17:47 | 0:17:50 | |
and I said, "Yo, man, you do your thing, you rap," | 0:17:50 | 0:17:53 | |
and he killed with this freestyle, it was amazing. | 0:17:53 | 0:17:56 | |
I said, "Wow, you're going to be famous, man," | 0:17:56 | 0:17:59 | |
and then he said, "I have... a...a song...that... | 0:17:59 | 0:18:06 | |
"that I think you'd be great on... if we could go, er, to the studio... | 0:18:06 | 0:18:11 | |
"and do the song." I said, "Man, what? | 0:18:11 | 0:18:13 | |
"I'm trying to get into the music business, let's go!" | 0:18:13 | 0:18:15 | |
Cos I wasn't in the music business - | 0:18:15 | 0:18:17 | |
and I happen to have a studio in my crib. | 0:18:17 | 0:18:19 | |
So, we go in the back... | 0:18:19 | 0:18:20 | |
LAUGHTER | 0:18:20 | 0:18:22 | |
-We heard that. -Yeah! | 0:18:22 | 0:18:24 | |
But the reason I did that was because I would throw parties | 0:18:24 | 0:18:28 | |
for musical people so I could try to get in on a record. So... | 0:18:28 | 0:18:30 | |
LAUGHTER | 0:18:30 | 0:18:32 | |
That's why Puff and Jay Z and all them were there - they didn't know. | 0:18:32 | 0:18:36 | |
We go in the studio and he says "The song, er, goes..." | 0:18:36 | 0:18:39 | |
# She says she wants some Marvin Gaye | 0:18:39 | 0:18:41 | |
# Some Luther Vandross... # | 0:18:41 | 0:18:43 | |
I said, "I got it, I got it." | 0:18:43 | 0:18:44 | |
# She says she wants some Marvin Gaye | 0:18:44 | 0:18:46 | |
# And some... # | 0:18:46 | 0:18:47 | |
He said, "What are you doing?" | 0:18:47 | 0:18:50 | |
I said, "Well, you don't know R&B, see, I am an R&B singer, see? | 0:18:50 | 0:18:53 | |
"I gotta put the R&B thang on it. See, I gotta do that." | 0:18:53 | 0:18:56 | |
He said, "Er, don't do that." | 0:18:56 | 0:18:57 | |
LAUGHTER | 0:18:57 | 0:18:59 | |
He said, "Just sing it simple, because it's hip-hop." | 0:18:59 | 0:19:01 | |
I was like, "All right." | 0:19:01 | 0:19:03 | |
So I sung it begrudgingly, thinking, "This song is wack, | 0:19:03 | 0:19:06 | |
"he's not going to make it, it's not going to work," right? | 0:19:06 | 0:19:09 | |
So, I left, and I went and did a bad movie, and I came back... | 0:19:09 | 0:19:12 | |
LAUGHTER | 0:19:12 | 0:19:14 | |
But your jacket! | 0:19:14 | 0:19:16 | |
-I went and did a bad movie... -You really did it, though. | 0:19:20 | 0:19:22 | |
..and I came back... It was terrible. | 0:19:22 | 0:19:25 | |
-Really took a chance. -It was horrible. | 0:19:25 | 0:19:27 | |
I did this bad movie, I come back, I'm in Miami, | 0:19:29 | 0:19:31 | |
and my boy was like, "Yo, remember that song you said was wack? | 0:19:31 | 0:19:34 | |
-"It is number one in the country." -Wow. | 0:19:34 | 0:19:36 | |
So, that's how you get it wrong, but right, sometimes. | 0:19:36 | 0:19:39 | |
Yeah, that's - whoo! Well done to you! | 0:19:39 | 0:19:41 | |
APPLAUSE | 0:19:41 | 0:19:43 | |
Now, Jamie Foxx is one of the stars - a new... | 0:19:48 | 0:19:51 | |
It's such a distinctive crime caper, | 0:19:51 | 0:19:54 | |
it's directed by our own Edgar Wright, it's called Baby Driver. | 0:19:54 | 0:19:57 | |
Opens next Wednesday, 28th of June. | 0:19:57 | 0:19:59 | |
-The buzz on this film is extraordinary. -Yeah. | 0:19:59 | 0:20:01 | |
Everyone is talking about this film. | 0:20:01 | 0:20:03 | |
It's an amazing film - and, you know, Edgar Wright, from the UK, | 0:20:03 | 0:20:05 | |
he came up with this great, original idea | 0:20:05 | 0:20:08 | |
to do this heist to music, so, when people watch it, | 0:20:08 | 0:20:13 | |
it's, like, everything, all of the great songs that he licensed, | 0:20:13 | 0:20:18 | |
the hit songs that you're familiar with, | 0:20:18 | 0:20:21 | |
when we pull our guns and shoot them, it's to the beat. | 0:20:21 | 0:20:24 | |
When the cars take off, it's sort of in syncopation. | 0:20:24 | 0:20:28 | |
It's an amazing film. | 0:20:28 | 0:20:30 | |
-Do they play...because so much of it is to the music... -Yeah. | 0:20:30 | 0:20:34 | |
..would they play the music...? | 0:20:34 | 0:20:36 | |
Cos the soundtrack... | 0:20:36 | 0:20:38 | |
Yeah, we had the ear...earwigs... | 0:20:38 | 0:20:40 | |
-LAUGHTER -Nice. | 0:20:41 | 0:20:43 | |
-Nice. -We had the earwigs in our ears so we could hear the music, | 0:20:43 | 0:20:46 | |
so, when I pull my gun, I'm like, "Bang, bang, bang," | 0:20:46 | 0:20:50 | |
-you know, it's crazy. -That's so cool. | 0:20:50 | 0:20:52 | |
It's dope. It's dope. It's sort of like... | 0:20:52 | 0:20:54 | |
er, Dreamgirls, if they were robbing a bank... | 0:20:54 | 0:20:58 | |
LAUGHTER | 0:20:58 | 0:21:00 | |
-And who are you in the...? -I play the black, er, guy. | 0:21:00 | 0:21:03 | |
LAUGHTER | 0:21:03 | 0:21:05 | |
You can see on the posters. | 0:21:05 | 0:21:07 | |
APPLAUSE | 0:21:07 | 0:21:08 | |
Very good. | 0:21:08 | 0:21:10 | |
I play the extremely angry black guy - | 0:21:10 | 0:21:14 | |
I play this guy Bats, who's there to compromise. | 0:21:14 | 0:21:17 | |
He compromises Jon Hamm in front of his girl | 0:21:17 | 0:21:20 | |
and he compromises Baby in front of his girl, | 0:21:20 | 0:21:23 | |
and he's a serious individual. | 0:21:23 | 0:21:25 | |
Well, listen, the scene we've got is Baby meeting the new crew, | 0:21:25 | 0:21:28 | |
-including Bats. -Oh, yeah. | 0:21:28 | 0:21:29 | |
Meet your new crew. | 0:21:34 | 0:21:36 | |
Over here is Eddie No-Nose, formerly Eddie the Nose. | 0:21:36 | 0:21:39 | |
-What happened? -Don't ask me that. | 0:21:39 | 0:21:41 | |
That's a No-Nose no-no, page one. | 0:21:41 | 0:21:44 | |
And right here is JD, | 0:21:44 | 0:21:45 | |
he put the "Asian" in "home invasion". | 0:21:45 | 0:21:47 | |
And over there is the one and the only Bats. | 0:21:47 | 0:21:49 | |
No need for intros, Doc. | 0:21:49 | 0:21:50 | |
Everybody from the jungle to the trap know Bats. | 0:21:50 | 0:21:53 | |
This your boy, right? | 0:21:56 | 0:21:57 | |
This the one that listen to music all the time? | 0:21:57 | 0:22:00 | |
The driver is supposed to be the eyes and the ears... | 0:22:00 | 0:22:03 | |
not just the eyes. | 0:22:03 | 0:22:05 | |
Why does he listen to music all the time, Doc? | 0:22:05 | 0:22:07 | |
-He's got mental problems? -No, no, no. | 0:22:07 | 0:22:09 | |
I'm the one with the mental problems in the crew. | 0:22:09 | 0:22:12 | |
Position taken. | 0:22:12 | 0:22:13 | |
-He's got tinnitus. -Tinni-what? | 0:22:13 | 0:22:16 | |
He had an accident when he was a kid, | 0:22:16 | 0:22:17 | |
he's still got a hum in the drum. Plays music it to drown it out. | 0:22:17 | 0:22:20 | |
APPLAUSE | 0:22:22 | 0:22:24 | |
It's amazing the way other film-makers have come out | 0:22:27 | 0:22:29 | |
talking about this film - John Landis was talking about it, | 0:22:29 | 0:22:33 | |
-William Friedkin talking about it. -It's crazy. | 0:22:33 | 0:22:36 | |
You know, I mean, people were just really excited about it, | 0:22:36 | 0:22:40 | |
and you don't buy into the critics' stuff all the time, | 0:22:40 | 0:22:42 | |
but it is 100% on Rotten Tomatoes. | 0:22:42 | 0:22:45 | |
LAUGHTER | 0:22:45 | 0:22:46 | |
-Now, it's not very violent, but there's some violence in it... -Yeah. | 0:22:47 | 0:22:51 | |
..but your seven-year-old daughter, she was around on set. | 0:22:51 | 0:22:54 | |
Oh, yeah, my daughter, she comes to all the sets, though. | 0:22:54 | 0:22:56 | |
My daughter was on the set of Django, | 0:22:56 | 0:22:59 | |
watching people get blown away, | 0:22:59 | 0:23:01 | |
watching the blood and stuff like that, so... | 0:23:01 | 0:23:04 | |
So, she digs it - and they came to the premiere. So, it's fly. | 0:23:04 | 0:23:10 | |
She does seem like she has quite embraced the idea | 0:23:10 | 0:23:12 | |
her father is a movie star. | 0:23:12 | 0:23:13 | |
Yeah, my youngest likes the Hollywood part. | 0:23:13 | 0:23:17 | |
My oldest hated it. | 0:23:17 | 0:23:18 | |
My 23-year-old... | 0:23:18 | 0:23:20 | |
Even when she was in high school, Corinne, my oldest, | 0:23:20 | 0:23:23 | |
she didn't like any of the flash. | 0:23:23 | 0:23:26 | |
Like, I remember somebody gifted me a Rolls-Royce to drive, | 0:23:26 | 0:23:29 | |
and I went to pick her up in it in high school, | 0:23:29 | 0:23:33 | |
she wouldn't come out. | 0:23:33 | 0:23:35 | |
I said, "Come on, baby, look - the top go back. | 0:23:35 | 0:23:37 | |
"Come on, get in here! | 0:23:37 | 0:23:39 | |
"Look at the top go back!" | 0:23:39 | 0:23:40 | |
She called her mother, like, "Nah, tell him to leave. | 0:23:40 | 0:23:43 | |
"I'm not getting in the car with him, he's crazy." | 0:23:43 | 0:23:45 | |
But my other daughter, my younger daughter, | 0:23:45 | 0:23:47 | |
loves the Rolls-Royce. | 0:23:47 | 0:23:48 | |
She's like, "Dad, put the top down." | 0:23:48 | 0:23:50 | |
I said, "What do you want to do?" | 0:23:50 | 0:23:51 | |
She said, "I want to ride down Sunset Boulevard." | 0:23:51 | 0:23:54 | |
So, I'm riding with my eight-year-old - | 0:23:54 | 0:23:56 | |
at that time she was, like, seven - | 0:23:56 | 0:23:57 | |
she was riding, like... | 0:23:57 | 0:24:00 | |
Listening to Rihanna, you know? | 0:24:00 | 0:24:02 | |
# Work, work, work, work, work. # | 0:24:02 | 0:24:06 | |
Then we were going to the Soho House - | 0:24:06 | 0:24:08 | |
you know, the Soho House is, like, Prius... | 0:24:08 | 0:24:11 | |
you know, in LA, it's very conservative - | 0:24:11 | 0:24:14 | |
I said, "Listen, Annalise, we've got to put the top up | 0:24:14 | 0:24:18 | |
"because this is the Soho - we don't want to look like that. | 0:24:18 | 0:24:21 | |
"It looks terrible." | 0:24:21 | 0:24:23 | |
And as we drive in, as the top is going down, | 0:24:23 | 0:24:25 | |
she's like, "Jamie Foxx in the house!" | 0:24:25 | 0:24:27 | |
LAUGHTER | 0:24:27 | 0:24:29 | |
Steve, you have almost the opposite situation. | 0:24:34 | 0:24:37 | |
My wife and I were driving down Sunset, | 0:24:37 | 0:24:42 | |
and, you know, there are these tour buses | 0:24:42 | 0:24:43 | |
that drive around Beverly Hills, open top tour buses - | 0:24:43 | 0:24:47 | |
"Oh, that's where whoever lives." | 0:24:47 | 0:24:50 | |
We don't live around there, but we were driving through, | 0:24:50 | 0:24:52 | |
I don't know, we were having dinner or something, | 0:24:52 | 0:24:55 | |
and we pulled up next to a tour bus, | 0:24:55 | 0:24:56 | |
and my wife said, "Oh, roll down your window and say hi, | 0:24:56 | 0:25:00 | |
"see what they do." | 0:25:00 | 0:25:01 | |
"Oh, no." "Do it! Come on, it'll be fun." | 0:25:01 | 0:25:04 | |
I rolled down the window, "Hi!" | 0:25:04 | 0:25:05 | |
-Nothing. -LAUGHTER | 0:25:05 | 0:25:07 | |
20 people on the bus going, "What? | 0:25:09 | 0:25:11 | |
"Nothing to see in there." | 0:25:12 | 0:25:15 | |
Shameful. | 0:25:16 | 0:25:19 | |
Cos, Judi, how you reacted to becoming famous in America - | 0:25:19 | 0:25:23 | |
you go to America now, people know who you are - do you like it? | 0:25:23 | 0:25:27 | |
Sometimes - sometimes they do. | 0:25:27 | 0:25:29 | |
-Sometimes. -In nice places. | 0:25:29 | 0:25:32 | |
I love that - it doesn't happen here - | 0:25:32 | 0:25:35 | |
because any time I've gone to New York, | 0:25:35 | 0:25:37 | |
I've walked everywhere, I love it, | 0:25:37 | 0:25:39 | |
and somebody will come up and high-five you in the street. | 0:25:39 | 0:25:43 | |
I love that! | 0:25:43 | 0:25:45 | |
-Quite shocking, but I like it. -That doesn't happen here. | 0:25:45 | 0:25:48 | |
The other day I was with my grandson who, as you know, | 0:25:50 | 0:25:53 | |
-looks very like Ed Sheeran... -Yes. | 0:25:53 | 0:25:56 | |
..and a group of people were there and they said, | 0:25:56 | 0:25:58 | |
"May we have a photo?" I said, "Yes, of course." | 0:25:58 | 0:26:01 | |
"Not you." | 0:26:01 | 0:26:02 | |
Oh, man, oh... Man. | 0:26:02 | 0:26:06 | |
Actually, there's that weird connection with you and Ed Sheeran. | 0:26:06 | 0:26:09 | |
Ed Sheeran slept on my couch for six weeks before he was famous. | 0:26:09 | 0:26:13 | |
How does that happen? | 0:26:13 | 0:26:15 | |
I was doing a radio show in LA and it was a satellite show, | 0:26:15 | 0:26:18 | |
and he knew we do music, so he comes on my radio show... | 0:26:18 | 0:26:22 | |
-ENGLISH ACCENT: -"Hello, James, trying to get my music - | 0:26:22 | 0:26:25 | |
"I'd love you to hear my music." | 0:26:25 | 0:26:26 | |
I was like "Well, sure, let me hear it," | 0:26:26 | 0:26:28 | |
so, he lets me hear his music, | 0:26:28 | 0:26:30 | |
comes to my crib - now I have the bigger crib, | 0:26:30 | 0:26:32 | |
the studio's incredible, because of the Kanye song, | 0:26:32 | 0:26:35 | |
so he plays, I'm like, "You're incredible," | 0:26:35 | 0:26:39 | |
so he started - I said, "Listen, I know you don't have anywhere to go, | 0:26:39 | 0:26:42 | |
"just chill here," and I gave him food - | 0:26:42 | 0:26:44 | |
my daughter was like, "Who's do you have over here now?" | 0:26:44 | 0:26:46 | |
-Cos I would always have people - would always champion artists. -Yeah. | 0:26:46 | 0:26:50 | |
So, I said, "Listen, man, I think you've got the goods, | 0:26:50 | 0:26:52 | |
"but I gotta check you out, though," | 0:26:52 | 0:26:54 | |
so, I took him down to this show I was doing, | 0:26:54 | 0:26:57 | |
a live night, every Monday in LA, downtown LA, | 0:26:57 | 0:27:00 | |
and it was, like, 800 black people, all black. | 0:27:00 | 0:27:03 | |
Like, just the best musicians, who plays...the guitar for Sting - | 0:27:03 | 0:27:09 | |
-I mean, the level of the music was here. -Yeah. | 0:27:09 | 0:27:12 | |
There was a dude up there rapping, | 0:27:12 | 0:27:13 | |
and he was sweating, and he was black, | 0:27:13 | 0:27:15 | |
another girl, she came up and she sung, and she was black. | 0:27:15 | 0:27:18 | |
They were singing, blackness, it was incredible. | 0:27:18 | 0:27:20 | |
So, all of a sudden, I say, "Ladies and gentlemen, Ed Sheeran." | 0:27:20 | 0:27:23 | |
He pops out... | 0:27:23 | 0:27:24 | |
LAUGHTER | 0:27:24 | 0:27:26 | |
..little red hair and a ukulele. | 0:27:26 | 0:27:29 | |
One of my homeys, who is an incredible guitarist, | 0:27:30 | 0:27:33 | |
but he's just true to the music, "It came from us, | 0:27:33 | 0:27:35 | |
"this is black, blackedy-black." Right? | 0:27:35 | 0:27:38 | |
He says, "Yo, Foxx, come on, man, what's this, man? | 0:27:38 | 0:27:41 | |
"What are you doing to the room right now, man? | 0:27:41 | 0:27:43 | |
"You've got to respect the room." | 0:27:43 | 0:27:45 | |
It was just like a movie - I said, "Well, let's see what the kid has." | 0:27:45 | 0:27:48 | |
He went out there on that ukulele, | 0:27:52 | 0:27:53 | |
got a standing ovation in 12 minutes. | 0:27:53 | 0:27:55 | |
-Wow. -And the rest was history. | 0:27:55 | 0:27:57 | |
-Wow, that's incredible! -Yeah. | 0:27:57 | 0:27:59 | |
APPLAUSE | 0:27:59 | 0:28:02 | |
Right. | 0:28:02 | 0:28:03 | |
Our other movie is Despicable Me 3 - Steve and Kristen, you return. | 0:28:03 | 0:28:08 | |
I know... APPLAUSE | 0:28:08 | 0:28:12 | |
This one comes out next Friday, the 30th of June. | 0:28:15 | 0:28:18 | |
-So, first one, villain - second one, love, between the two of you. -Yeah. | 0:28:18 | 0:28:21 | |
So, what happens this time? | 0:28:21 | 0:28:23 | |
-Um... -Mixed bag. -Yeah. | 0:28:23 | 0:28:26 | |
-There's a lot going on in this one. -There are a lot of plots. | 0:28:26 | 0:28:29 | |
We get fired from our job - | 0:28:29 | 0:28:31 | |
I'm dealing with being a stepmom for the first time. | 0:28:31 | 0:28:36 | |
He finds out he has a twin brother. | 0:28:36 | 0:28:39 | |
The Minions leave us... | 0:28:39 | 0:28:41 | |
-And there is a villain who is stuck in the '80s. -Yeah. | 0:28:41 | 0:28:46 | |
It's really funny and good. | 0:28:46 | 0:28:48 | |
I mean, it's one of those that... | 0:28:48 | 0:28:49 | |
Because each time, you must be sort of worried, | 0:28:49 | 0:28:51 | |
because the last one was so good. | 0:28:51 | 0:28:54 | |
I, truly - with Illumination and with these films, | 0:28:54 | 0:28:56 | |
there is no worry, | 0:28:56 | 0:28:58 | |
because they are unbelievable writers and film-makers. | 0:28:58 | 0:29:01 | |
We are very lucky. | 0:29:01 | 0:29:03 | |
And playing Lucy - how close to you is Lucy? You, Lucy. | 0:29:03 | 0:29:10 | |
-She has a lot more energy than I do. -LAUGHTER | 0:29:10 | 0:29:13 | |
There was a question, there, Judi, don't look at me like that. | 0:29:13 | 0:29:15 | |
It was a perfectly valid question - | 0:29:15 | 0:29:16 | |
she's answering it now, it's fine! | 0:29:16 | 0:29:18 | |
She is a lot more caffeinated than I am. | 0:29:20 | 0:29:23 | |
-She is... Yes. -Up. -Up. She's very up. | 0:29:23 | 0:29:26 | |
Sometimes, when we would record, I'd go in, | 0:29:26 | 0:29:28 | |
and, you know, you'd start the day, | 0:29:28 | 0:29:30 | |
you have headphones on, you have your water, | 0:29:30 | 0:29:32 | |
you'd start, and then, "OK, let's do it again - | 0:29:32 | 0:29:34 | |
"but can you not just be yourself?" Because you forget. | 0:29:34 | 0:29:39 | |
Because we record, like... | 0:29:39 | 0:29:42 | |
We've recorded over the last two years | 0:29:42 | 0:29:44 | |
-and it takes a long time to make these movies. -Wow. -Yeah. | 0:29:44 | 0:29:47 | |
And to go back to it, do you have to listen to the voice again, | 0:29:47 | 0:29:51 | |
or does it matter? | 0:29:51 | 0:29:52 | |
I just listen to the voices that are already in my head. | 0:29:52 | 0:29:55 | |
LAUGHTER | 0:29:55 | 0:29:56 | |
We don't actually get to hear one another. | 0:29:56 | 0:29:58 | |
-We're completely alone... -Yeah. | 0:29:58 | 0:30:01 | |
The only sort of barometer you have | 0:30:01 | 0:30:02 | |
are the people behind the glass in the control room - | 0:30:02 | 0:30:05 | |
and you can't even hear them, so you just see if shoulders are shaking, | 0:30:05 | 0:30:09 | |
if they're laughing, but otherwise you're kind of in a vacuum. | 0:30:09 | 0:30:13 | |
So it's so weird that you star in all these films, | 0:30:13 | 0:30:15 | |
but this is presumably the only time you meet, | 0:30:15 | 0:30:17 | |
is when you're selling the film? | 0:30:17 | 0:30:19 | |
-Yeah, I didn't even know what she looked like! -Yeah. | 0:30:19 | 0:30:21 | |
LAUGHTER | 0:30:21 | 0:30:22 | |
We've been doing press for two days, and we just made eye contact. | 0:30:22 | 0:30:25 | |
LAUGHTER | 0:30:25 | 0:30:26 | |
That's so special. | 0:30:26 | 0:30:28 | |
Right, let's have a look at a clip. | 0:30:28 | 0:30:30 | |
This is the children giving you a special treat. | 0:30:30 | 0:30:33 | |
Oh, man. | 0:30:33 | 0:30:34 | |
Aloha! | 0:30:34 | 0:30:36 | |
THEY GIGGLE | 0:30:36 | 0:30:37 | |
Oh! | 0:30:37 | 0:30:38 | |
This is unexpected. | 0:30:38 | 0:30:41 | |
Well, you never got to go on a honeymoon, so... | 0:30:41 | 0:30:44 | |
-We made you dinner! -It's a luau! | 0:30:44 | 0:30:46 | |
We've got pineapples, and coconuts, and ukuleles! | 0:30:46 | 0:30:48 | |
-Oh, yay! -Yay! | 0:30:48 | 0:30:50 | |
UKULELE PLAYS | 0:30:50 | 0:30:51 | |
# Hey, ya-ba-ra tiki-tika, hee, ha | 0:30:51 | 0:30:53 | |
# Hey, ya-ba-ra tiki-tika, hee, ha... # | 0:30:53 | 0:30:55 | |
LAUGHTER | 0:30:55 | 0:30:56 | |
# Oh, o-o-o-oh, oh | 0:30:56 | 0:30:57 | |
# Oh, o-o-o-oh, oh | 0:30:57 | 0:30:59 | |
# Oh, tiki, tiki, tiki-ti | 0:30:59 | 0:31:00 | |
# Habo heebo heebo babaloo | 0:31:00 | 0:31:02 | |
# Ah-oh, ah-oh... # | 0:31:02 | 0:31:04 | |
Ahem! The soup of the day, | 0:31:04 | 0:31:06 | |
madame et monsieur. | 0:31:06 | 0:31:08 | |
The gummy bears were my idea. | 0:31:08 | 0:31:10 | |
LAUGHTER | 0:31:14 | 0:31:15 | |
Mm, looks too good to even eat, am I right? Ha-ha! | 0:31:15 | 0:31:19 | |
-But we made it for you. -Oh. | 0:31:19 | 0:31:22 | |
Mm! | 0:31:23 | 0:31:25 | |
Mm, mm, mm! Good soup! | 0:31:25 | 0:31:27 | |
I love the combination... | 0:31:27 | 0:31:29 | |
HE GULPS | 0:31:29 | 0:31:30 | |
..of gummy bears and meat! | 0:31:30 | 0:31:32 | |
LAUGHTER AND APPLAUSE | 0:31:32 | 0:31:34 | |
Where did that voice come from? | 0:31:38 | 0:31:40 | |
That voice, I tried out on my kids, | 0:31:41 | 0:31:43 | |
and it made them laugh, so that's the one I used. | 0:31:43 | 0:31:45 | |
That was really... That was it. | 0:31:45 | 0:31:47 | |
Cos... In this, you play your own twin? | 0:31:47 | 0:31:50 | |
I play the twin brother, as well. | 0:31:50 | 0:31:51 | |
It does sound subtly different. | 0:31:51 | 0:31:53 | |
It's a more... | 0:31:53 | 0:31:55 | |
LAUGHTER | 0:31:55 | 0:31:56 | |
It is a more... It's him with hair. | 0:31:56 | 0:31:58 | |
It's a more ebullient version of him. | 0:31:58 | 0:32:01 | |
He's much lighter. | 0:32:01 | 0:32:03 | |
-IN GRUFF ACCENT: -Gru kind of sounds like this, | 0:32:03 | 0:32:05 | |
"Oh, there's my brother, I hate him!" | 0:32:05 | 0:32:07 | |
And Dru, his brother... | 0:32:07 | 0:32:08 | |
-HIGH-PITCHED: -I'm so excited to see you! | 0:32:08 | 0:32:10 | |
LAUGHTER AND APPLAUSE | 0:32:10 | 0:32:13 | |
It must be so tiring, to do that for a day. | 0:32:13 | 0:32:16 | |
But... but it's not your first kind of Mitteleuropean accent. | 0:32:18 | 0:32:22 | |
Didn't you do one for an audition...? | 0:32:22 | 0:32:24 | |
Oh, I did an audition for the Dana Carvey Show, | 0:32:24 | 0:32:26 | |
where I did a bit called... | 0:32:26 | 0:32:28 | |
..The German Who Says Nice Things. | 0:32:29 | 0:32:31 | |
So he would... | 0:32:31 | 0:32:32 | |
LAUGHTER | 0:32:32 | 0:32:34 | |
So I... I don't know. | 0:32:34 | 0:32:35 | |
I thought it would be funny to just stand in front of people | 0:32:36 | 0:32:39 | |
and yell things with a German accent. | 0:32:39 | 0:32:41 | |
I think one of them was... | 0:32:41 | 0:32:42 | |
-HE SHOUTS IN GERMAN ACCENT: -"Let's all pile into the minivan | 0:32:43 | 0:32:46 | |
"and get some frozen yoghurt!" | 0:32:46 | 0:32:48 | |
LAUGHTER | 0:32:48 | 0:32:50 | |
"It was a pleasure baby-sitting Kevin!" | 0:32:50 | 0:32:53 | |
LAUGHTER | 0:32:53 | 0:32:54 | |
"You're not getting older - | 0:32:56 | 0:32:57 | |
"you're getting BETTER!" | 0:32:57 | 0:32:59 | |
LAUGHTER AND APPLAUSE | 0:32:59 | 0:33:01 | |
Thank you. | 0:33:03 | 0:33:04 | |
Judi, have you done voice work in animation? | 0:33:06 | 0:33:10 | |
-Only once. -Oh, which one? | 0:33:10 | 0:33:12 | |
Um... Don't ask me that! | 0:33:12 | 0:33:14 | |
-LAUGHTER -Please don't ask me about cows. | 0:33:14 | 0:33:17 | |
-For six points? -About cows. | 0:33:17 | 0:33:19 | |
What was it called? | 0:33:19 | 0:33:20 | |
HE WHISPERS: Home On The Range. | 0:33:20 | 0:33:21 | |
-Yes, Home On The Range. -Yes! | 0:33:21 | 0:33:23 | |
LAUGHTER | 0:33:23 | 0:33:24 | |
-Home On The Range. -Which one are you? Do you know? | 0:33:24 | 0:33:26 | |
Oh, don't ask me. Mrs... | 0:33:26 | 0:33:29 | |
Mrs Caloway, was I? | 0:33:29 | 0:33:30 | |
-I don't know. -I don't either. | 0:33:30 | 0:33:31 | |
We have three on offer. | 0:33:31 | 0:33:33 | |
I don't think I... One of them. | 0:33:33 | 0:33:35 | |
One of them, you were one of them, and you were excellent. | 0:33:35 | 0:33:38 | |
LAUGHTER | 0:33:38 | 0:33:39 | |
People talk of it still. | 0:33:39 | 0:33:41 | |
We... | 0:33:41 | 0:33:42 | |
It came out before... | 0:33:42 | 0:33:45 | |
I had to go to Hollywood because of a nomination for the Oscars. | 0:33:45 | 0:33:50 | |
And it was when Brokeback Mountain came out. | 0:33:50 | 0:33:54 | |
And there was a great... | 0:33:54 | 0:33:56 | |
A lot of people were walking up and down, very cross, with placards. | 0:33:56 | 0:33:59 | |
And our car was stopped, and this man came up, very, very angry, | 0:33:59 | 0:34:04 | |
banging on the door window with a placard saying, "Homo On The Range." | 0:34:04 | 0:34:08 | |
LAUGHTER | 0:34:08 | 0:34:10 | |
I was thinking, this is about... | 0:34:10 | 0:34:12 | |
This is about cows! | 0:34:12 | 0:34:13 | |
LAUGHTER | 0:34:13 | 0:34:16 | |
Why are you so angry? | 0:34:16 | 0:34:17 | |
Why are you...? | 0:34:17 | 0:34:19 | |
That's so sweet, you must have felt so confused. | 0:34:19 | 0:34:22 | |
I was confused. | 0:34:22 | 0:34:24 | |
-Now, the two of you play a married couple in the movie. -Yes. | 0:34:24 | 0:34:28 | |
And, oddly, not for the first time. | 0:34:28 | 0:34:30 | |
-In Anchorman 2, you were a couple, as well. -Yes. | 0:34:30 | 0:34:33 | |
-There you are, as... -God! | 0:34:33 | 0:34:35 | |
LAUGHTER | 0:34:35 | 0:34:37 | |
That looks like the hair in the picture! | 0:34:37 | 0:34:39 | |
You're obviously happily married now, Steve, | 0:34:41 | 0:34:43 | |
but it sounds like the wooing of your wife, | 0:34:43 | 0:34:46 | |
it was quite problematic, it wasn't all plain sailing? | 0:34:46 | 0:34:49 | |
No, I didn't sweep her off her feet. | 0:34:49 | 0:34:52 | |
She... I worked at a theatre called Second City in Chicago, | 0:34:53 | 0:34:57 | |
and she worked at across the street, | 0:34:57 | 0:35:00 | |
and was taking classes there at the time, | 0:35:00 | 0:35:02 | |
and she was actually one of my students, | 0:35:02 | 0:35:04 | |
in one of the classes I was teaching there. | 0:35:04 | 0:35:05 | |
And she worked across the street, so after the shows, | 0:35:05 | 0:35:08 | |
I used to go across and say hello, and sit at the bar, | 0:35:08 | 0:35:10 | |
and try desperately to strike up a conversation. | 0:35:10 | 0:35:14 | |
And after months and months and months of doing this, | 0:35:15 | 0:35:18 | |
I finally thought I had the courage to ask her out. | 0:35:18 | 0:35:21 | |
And I said, "You know, if I were to ever ask someone out, | 0:35:21 | 0:35:28 | |
"that person would probably be a person like you." | 0:35:28 | 0:35:31 | |
LAUGHTER | 0:35:31 | 0:35:34 | |
I mean, it was this circuitous... | 0:35:34 | 0:35:36 | |
And her response was, | 0:35:36 | 0:35:38 | |
"Well, if a guy like you were to ask someone like me out..." | 0:35:38 | 0:35:41 | |
And it was just like... | 0:35:41 | 0:35:43 | |
You could tell everyone around us was like, "Shut up and do it! | 0:35:43 | 0:35:47 | |
"You're making us sick!" | 0:35:47 | 0:35:48 | |
And finally, we ended up going out, and that was 23 years ago. | 0:35:49 | 0:35:54 | |
APPLAUSE | 0:35:54 | 0:35:57 | |
Am I right in thinking, Jamie Foxx, | 0:36:00 | 0:36:02 | |
your dating life has changed? | 0:36:02 | 0:36:04 | |
Well, yeah, of course. | 0:36:04 | 0:36:06 | |
It's tough out there. | 0:36:08 | 0:36:09 | |
LAUGHTER | 0:36:09 | 0:36:11 | |
No, you know, I just... | 0:36:11 | 0:36:12 | |
I... I've... I've, um... | 0:36:12 | 0:36:15 | |
My life is... | 0:36:15 | 0:36:16 | |
I'm getting older, but people think I'm younger, | 0:36:18 | 0:36:21 | |
because I hang out with Kanye and all these other... | 0:36:21 | 0:36:25 | |
So I see younger girls and it's... | 0:36:25 | 0:36:27 | |
It's terrible. | 0:36:27 | 0:36:29 | |
And my daughter hates it. | 0:36:29 | 0:36:30 | |
Because, like, you know, I still try to go to clubs, | 0:36:31 | 0:36:34 | |
and she says I'm that guy, I'm still in the club. | 0:36:34 | 0:36:36 | |
Yeah, it sounds horrible! | 0:36:36 | 0:36:37 | |
LAUGHTER | 0:36:37 | 0:36:39 | |
No, cos like, I'm still going to clubs, I'm almost 50, | 0:36:39 | 0:36:42 | |
so I was, I went to... | 0:36:42 | 0:36:44 | |
I hate going to clubs in LA, | 0:36:44 | 0:36:45 | |
because I was going to 1 OAK and these girls pull up, | 0:36:45 | 0:36:48 | |
and I'm outside the club, I'm about to go in. | 0:36:48 | 0:36:50 | |
And the girls go, "Oh, my God! Jamie Foxx!" | 0:36:50 | 0:36:52 | |
I'm like, "What's up?" | 0:36:52 | 0:36:53 | |
"We go to school with your daughter!" | 0:36:53 | 0:36:55 | |
"Oh." | 0:36:55 | 0:36:56 | |
LAUGHTER | 0:36:56 | 0:36:58 | |
"Are you going in the club?" | 0:36:59 | 0:37:00 | |
"No, it's, uh... It's an open house that I'm going to go see." | 0:37:00 | 0:37:03 | |
So I mean, I just have to be careful. | 0:37:05 | 0:37:08 | |
And they don't know... Like, you know, I'm 49, | 0:37:08 | 0:37:10 | |
and, like, I DJ and stuff like this. | 0:37:10 | 0:37:12 | |
So I was DJing at this club, these girls was by the DJ booth, | 0:37:12 | 0:37:15 | |
and they were just so young. | 0:37:15 | 0:37:17 | |
Like, I say, "Well, how old are you?" "I'm 22!" | 0:37:17 | 0:37:20 | |
"How old are you?" "I'm 23!" | 0:37:20 | 0:37:21 | |
"Oh, my gosh, she's ancient, "she's 27." I'm like, "Wow, yeah." | 0:37:21 | 0:37:25 | |
LAUGHTER | 0:37:25 | 0:37:26 | |
Then I said... | 0:37:26 | 0:37:28 | |
Then the girl asked me how old I was. | 0:37:28 | 0:37:29 | |
When I told them how old I was, you would have thought | 0:37:29 | 0:37:32 | |
that I'd told them I had a terminal disease. | 0:37:32 | 0:37:34 | |
I said, "Well, I'm 49." | 0:37:34 | 0:37:36 | |
"Oh, my God!" | 0:37:36 | 0:37:37 | |
LAUGHTER | 0:37:37 | 0:37:39 | |
"Can't you die from 49?" | 0:37:41 | 0:37:43 | |
LAUGHTER | 0:37:43 | 0:37:44 | |
"Come on, girls, let's pray. He has 49." | 0:37:44 | 0:37:46 | |
LAUGHTER AND APPLAUSE | 0:37:46 | 0:37:49 | |
OK... | 0:37:49 | 0:37:51 | |
It's time for music! | 0:37:51 | 0:37:53 | |
This group are quite simply | 0:37:53 | 0:37:55 | |
one of the coolest rock bands on the planet. | 0:37:55 | 0:37:57 | |
After a four-year break, they are set to storm the charts | 0:37:57 | 0:38:00 | |
with a brand-new album. | 0:38:00 | 0:38:01 | |
Here performing Want You Back, it's Haim! | 0:38:01 | 0:38:04 | |
CHEERING AND APPLAUSE | 0:38:04 | 0:38:06 | |
# Some things are long forgotten | 0:38:13 | 0:38:16 | |
# Some things were never said | 0:38:18 | 0:38:20 | |
# We were on one endless road, baby | 0:38:22 | 0:38:27 | |
# But I had a wandering heart | 0:38:27 | 0:38:31 | |
-# I said we were opposite lovers -Said it from the beginning | 0:38:31 | 0:38:35 | |
-# You kept trying to prove me wrong -Said you'd always see it through | 0:38:35 | 0:38:39 | |
# And I know that I ran you down | 0:38:39 | 0:38:42 | |
# So you ran away with your heart | 0:38:43 | 0:38:48 | |
# But just know that I want you back | 0:38:48 | 0:38:50 | |
# Just know that I want you back | 0:38:52 | 0:38:54 | |
# Just know that I want you | 0:38:56 | 0:38:58 | |
# I'll take the fall and the fault in us | 0:38:58 | 0:39:00 | |
# I'll give you all the love I never gave before I left you | 0:39:00 | 0:39:03 | |
# Just know that I want you back | 0:39:04 | 0:39:07 | |
# Just know that I want you back | 0:39:09 | 0:39:11 | |
# Just know that I want you | 0:39:13 | 0:39:15 | |
# I'll take the fall and the fault in us | 0:39:15 | 0:39:17 | |
# I'll give you all the love I never gave before I left you | 0:39:17 | 0:39:20 | |
# I know it's hard to hear it | 0:39:22 | 0:39:24 | |
# And it may never be enough | 0:39:26 | 0:39:28 | |
# But don't take it out on me now | 0:39:30 | 0:39:33 | |
# Cos I blame it all on myself | 0:39:34 | 0:39:38 | |
-# And I had a fear of forgiveness -Said it from the beginning | 0:39:39 | 0:39:43 | |
-# I was too proud to say I was wrong -Said you'd always see it through | 0:39:43 | 0:39:47 | |
# But all that time is gone | 0:39:47 | 0:39:49 | |
# No more fearing control | 0:39:49 | 0:39:51 | |
# I'm ready for the both of us now | 0:39:51 | 0:39:55 | |
# So just know that I want you back | 0:39:55 | 0:39:58 | |
# Just know that I want you back | 0:40:00 | 0:40:02 | |
# Just know that I want you | 0:40:04 | 0:40:05 | |
# I'll take the fall and the fault in us | 0:40:05 | 0:40:08 | |
# I'll give you all the love I never gave before I left you | 0:40:08 | 0:40:11 | |
# Just know that I want you back | 0:40:12 | 0:40:15 | |
# Just know that I want you back | 0:40:16 | 0:40:19 | |
# Just know that I want you | 0:40:20 | 0:40:23 | |
# I'll take the fall and the fault in us | 0:40:23 | 0:40:25 | |
# I'll give you all the love I never gave before I left you | 0:40:25 | 0:40:28 | |
# Just know that I want you back | 0:40:29 | 0:40:32 | |
# Just know that I want you back | 0:40:34 | 0:40:37 | |
# Just know that I want you | 0:40:38 | 0:40:39 | |
# I'll take the fall and the fault in us | 0:40:39 | 0:40:42 | |
# I'll give you all the love I never gave before I left you | 0:40:42 | 0:40:45 | |
# Just know that I want you back | 0:40:46 | 0:40:49 | |
# Just know that I want you back | 0:40:51 | 0:40:54 | |
# Just know that I want you | 0:40:55 | 0:40:57 | |
# I'll take the fall and the fault in us | 0:40:57 | 0:40:59 | |
# I'll give you all the love I never gave before I left you | 0:40:59 | 0:41:02 | |
# Just know that I want you back | 0:41:04 | 0:41:06 | |
# Just know that I want you back | 0:41:08 | 0:41:11 | |
# Just know that I want you | 0:41:12 | 0:41:14 | |
# I'll take the fall and the fault in us | 0:41:14 | 0:41:16 | |
# I'll give you all the love I never gave before I left you | 0:41:16 | 0:41:19 | |
# Just know that I want you back | 0:41:21 | 0:41:23 | |
# Just know that I want you back | 0:41:25 | 0:41:28 | |
# Just know that I want you | 0:41:29 | 0:41:31 | |
# I'll take the fall and the fault in us | 0:41:31 | 0:41:33 | |
# I'll give you all the love I never gave before I left you. # | 0:41:33 | 0:41:38 | |
CHEERING AND APPLAUSE | 0:41:40 | 0:41:43 | |
Haim, everybody! | 0:41:43 | 0:41:46 | |
Very good job. Come on over, ladies. Drop your guitars. | 0:41:46 | 0:41:50 | |
Haim! Come on over. | 0:41:51 | 0:41:55 | |
Hello. Oh, lovely to see you. | 0:41:55 | 0:41:57 | |
-Lovely to see you. -Hi! -Lovely to see you. | 0:41:57 | 0:42:01 | |
Sit on the couch. | 0:42:02 | 0:42:04 | |
No time to be wasted. | 0:42:04 | 0:42:05 | |
APPLAUSE DROWNS OUT SPEECH | 0:42:05 | 0:42:08 | |
That's Judi, and Jamie and Kristen and Steve. | 0:42:08 | 0:42:11 | |
There they all are. Haim. | 0:42:11 | 0:42:13 | |
We are like a super huggy family! Sorry, everyone. | 0:42:13 | 0:42:17 | |
OK, OK. Great, great. | 0:42:17 | 0:42:20 | |
-Down the line and there we go. -Lovely, lovely. Taxi. | 0:42:20 | 0:42:24 | |
Now, nobody push Dame Judi off. | 0:42:26 | 0:42:29 | |
I'll hold her as a buffer. | 0:42:29 | 0:42:32 | |
-Is everyone on? Everyone's on. Are you OK there? -Yeah, I'm fine. | 0:42:32 | 0:42:36 | |
Jamie's got a hold of you, grand. | 0:42:36 | 0:42:38 | |
Now, that is from the new album Something To Tell You, | 0:42:38 | 0:42:42 | |
-which was released on the 7th of July this year. -Yes. | 0:42:42 | 0:42:45 | |
-Is this an anniversary, the 7th of July? -It is. | 0:42:45 | 0:42:47 | |
It's ten years till our first show... Since our first show. | 0:42:47 | 0:42:52 | |
-Oh, wow! -So, in our first show, July 7th, 2007. 7.7.07. | 0:42:52 | 0:42:58 | |
-So now it will be ten years. -Yeah, ten years, two records. | 0:42:58 | 0:43:00 | |
And it was at a clown museum in North Hollywood, California. | 0:43:00 | 0:43:03 | |
-KRISTEN: -There's a clown museum? | 0:43:03 | 0:43:05 | |
There's a clown museum. | 0:43:05 | 0:43:06 | |
That was the takeaway from that story. | 0:43:06 | 0:43:08 | |
"There's a clown museum?!" | 0:43:09 | 0:43:11 | |
It seems like the scariest place in the world. | 0:43:14 | 0:43:17 | |
And exciting, you're going to Glastonbury this weekend. | 0:43:18 | 0:43:21 | |
Yes, so we might not make it back, apparently. | 0:43:21 | 0:43:24 | |
We're going to get lost in Glastonbury. | 0:43:24 | 0:43:26 | |
-Who nearly died at Glastonbury? -This one. | 0:43:26 | 0:43:28 | |
Why did you nearly die at Glastonbury? | 0:43:28 | 0:43:31 | |
I'm diabetic and I was so excited to play Glastonbury | 0:43:31 | 0:43:36 | |
that I took a shot of insulin and then got whisked away to | 0:43:36 | 0:43:41 | |
the stage and forgot to eat. | 0:43:41 | 0:43:43 | |
And so I got on stage and I was, like, jamming it out, as you do. | 0:43:43 | 0:43:48 | |
And four songs in, I think I said to the audience even, like, | 0:43:48 | 0:43:52 | |
"This is the best moment I'm ever going to have in my life!" | 0:43:52 | 0:43:56 | |
-And then took just took one step offstage and passed out. -Wow! | 0:43:56 | 0:44:01 | |
-Mid set. -But didn't die. -I didn't die... | 0:44:01 | 0:44:04 | |
I didn't die because my manager, who's a saviour, | 0:44:04 | 0:44:08 | |
has fudge in his pocket, like, frosting, | 0:44:08 | 0:44:13 | |
and he literally put it on his fingers and put it in my mouth. | 0:44:13 | 0:44:17 | |
Again. | 0:44:17 | 0:44:19 | |
LAUGHTER | 0:44:19 | 0:44:21 | |
She meant it that way. | 0:44:27 | 0:44:29 | |
-JAMIE: -Oh, my God. | 0:44:31 | 0:44:32 | |
-How did I get here? -I'm stopping. | 0:44:33 | 0:44:36 | |
Listen, have a great time at Glastonbury. Haim, everybody! | 0:44:36 | 0:44:39 | |
So, that's nearly it. But before we go, | 0:44:41 | 0:44:45 | |
we do have time for a final visit to the Big Red Chair. | 0:44:45 | 0:44:48 | |
-Who is there? Hello. What's your name? -My name's Christian. | 0:44:48 | 0:44:51 | |
Christian, lovely. And where you from, Christian? | 0:44:51 | 0:44:54 | |
-I'm from London. -What do you do in London? | 0:44:54 | 0:44:56 | |
I'm a marketing... | 0:44:56 | 0:44:58 | |
LAUGHTER | 0:44:58 | 0:45:00 | |
I'm a marketing executive at an education company. | 0:45:00 | 0:45:03 | |
He's a marketing executive, ladies and gentlemen! | 0:45:03 | 0:45:06 | |
Dress down Friday. | 0:45:08 | 0:45:09 | |
It's a very casual office, it's a very casual office. | 0:45:13 | 0:45:16 | |
He doesn't want people to think he's above himself. | 0:45:16 | 0:45:19 | |
"I'm a marketing executive." | 0:45:20 | 0:45:22 | |
OK, Christian, off you go with your story. | 0:45:22 | 0:45:24 | |
So, quite recently I discovered a bump | 0:45:24 | 0:45:28 | |
-on quite an unfortunate part of my body. -Oh, hello. | 0:45:28 | 0:45:31 | |
His penis! | 0:45:33 | 0:45:34 | |
Which basically, it turned out to be a haemorrhoid. | 0:45:36 | 0:45:40 | |
-Not his penis. -No, not his penis. | 0:45:42 | 0:45:44 | |
At the time, I didn't know what it was, so I was, obviously, | 0:45:46 | 0:45:49 | |
like, to my partner, "You've got to look at it." | 0:45:49 | 0:45:52 | |
That's a dumping offence right there. | 0:45:55 | 0:45:58 | |
-There I was in the squat position. -Oh, my God! | 0:46:00 | 0:46:03 | |
And after a, sort of, initial argument of camera angles | 0:46:03 | 0:46:07 | |
and lighting, I started to get the giggles, | 0:46:07 | 0:46:11 | |
hysterical giggles, | 0:46:11 | 0:46:13 | |
and in the process of giggling so much, | 0:46:13 | 0:46:16 | |
-as my partner's face was two centimetres... -No, no! | 0:46:16 | 0:46:19 | |
We have to go, we can't hear that! | 0:46:19 | 0:46:22 | |
Oh! | 0:46:22 | 0:46:23 | |
I've spared you a great deal. | 0:46:24 | 0:46:28 | |
I don't know what happened, but you don't want to know. | 0:46:28 | 0:46:31 | |
I wanted to hear it. | 0:46:32 | 0:46:34 | |
We'll show you the footage later. | 0:46:34 | 0:46:36 | |
Listen, well done. If you'd like to join us on the next series | 0:46:36 | 0:46:40 | |
and have a go on that red chair, | 0:46:40 | 0:46:41 | |
you can contact us via our website at this very address... | 0:46:41 | 0:46:44 | |
That is it for tonight. Please say a huge thank you to my guests - | 0:46:44 | 0:46:47 | |
Haim, everybody. | 0:46:47 | 0:46:49 | |
CHEERING AND APPLAUSE | 0:46:49 | 0:46:50 | |
Steve Carell! Kristen Wiig! | 0:46:50 | 0:46:53 | |
CHEERING AND APPLAUSE | 0:46:53 | 0:46:55 | |
Jamie Foxx! And Dame Judi Dench! | 0:46:55 | 0:46:59 | |
CHEERING AND APPLAUSE | 0:46:59 | 0:47:01 | |
That is it for this run, but do join me next week | 0:47:02 | 0:47:05 | |
for a look back at some of the highlights of the past series. | 0:47:05 | 0:47:08 | |
We'll be back in the autumn. Until then, have a great summer. | 0:47:08 | 0:47:11 | |
Good night, everybody, bye-bye! | 0:47:11 | 0:47:12 | |
CHEERING AND APPLAUSE | 0:47:12 | 0:47:16 |