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Good evening. I'm Mark Wahlberg, and this is The Graham Norton Show. | 0:00:02 | 0:00:04 | |
CHEERING AND APPLAUSE | 0:00:04 | 0:00:07 | |
This programme contains some strong language. | 0:00:07 | 0:00:15 | |
Hello! Hello! Oh, you are kind! | 0:00:22 | 0:00:25 | |
You are kind! Thank you! | 0:00:25 | 0:00:27 | |
Thanks! Oh! Thank you very much! | 0:00:27 | 0:00:30 | |
Thank you! Good evening! | 0:00:30 | 0:00:33 | |
CHEERING | 0:00:33 | 0:00:34 | |
Good evening. Thank you! Thank you. That is lovely. | 0:00:34 | 0:00:37 | |
You are very welcome. | 0:00:37 | 0:00:39 | |
We have got a packed show for you tonight. | 0:00:39 | 0:00:42 | |
So many guests! I mean, I just hope I have got enough seats. | 0:00:42 | 0:00:45 | |
I feel like Theresa May. | 0:00:46 | 0:00:48 | |
LAUGHTER | 0:00:48 | 0:00:49 | |
I know! | 0:00:49 | 0:00:50 | |
Yeah! A week on... | 0:00:50 | 0:00:53 | |
A week on from the election and Theresa May, we hear, | 0:00:54 | 0:00:57 | |
is staying on as Prime Minister. Now, she did say we needed | 0:00:57 | 0:01:01 | |
a tough, uncompromising woman calling the shots at Number Ten. | 0:01:01 | 0:01:04 | |
And I think we have got one. | 0:01:04 | 0:01:05 | |
Yes, Arlene Foster, from the DUP. | 0:01:05 | 0:01:08 | |
LAUGHTER | 0:01:08 | 0:01:09 | |
Hiya! | 0:01:09 | 0:01:11 | |
I have to say, I'm not sure this arrangement is such a good idea. | 0:01:11 | 0:01:14 | |
Look what happened the last time someone from the Orange Order | 0:01:14 | 0:01:17 | |
got into power. | 0:01:17 | 0:01:18 | |
Yep. | 0:01:21 | 0:01:22 | |
APPLAUSE | 0:01:22 | 0:01:24 | |
Theresa May, she has been to France this week, | 0:01:24 | 0:01:27 | |
to visit President Macron. | 0:01:27 | 0:01:28 | |
While she was there, she went to the England-France football match. | 0:01:28 | 0:01:32 | |
Now, the score was 3-2 to France, although when Jeremy Corbyn saw | 0:01:32 | 0:01:35 | |
England had lost, he claimed it was a moral victory, | 0:01:35 | 0:01:38 | |
and said, "If we played them again today, we'd win." | 0:01:38 | 0:01:42 | |
Did you see Theresa joining in with the Mexican wave? | 0:01:42 | 0:01:45 | |
Awww! LAUGHTER | 0:01:45 | 0:01:48 | |
Poor Theresa! | 0:01:50 | 0:01:51 | |
Clearly, she likes her Mexican waves like she likes her elections - | 0:01:51 | 0:01:54 | |
embarrassing, misjudged, and really badly timed. | 0:01:54 | 0:01:57 | |
Listen, we have got a big show tonight, | 0:01:59 | 0:02:01 | |
so let's get some guests on! | 0:02:01 | 0:02:03 | |
Later, we'll be joined by two of the stars of the new | 0:02:04 | 0:02:06 | |
Planet of the Apes film, Andy Serkis and Woody Harrelson, | 0:02:06 | 0:02:09 | |
ladies and gentlemen. | 0:02:09 | 0:02:10 | |
CHEERING | 0:02:10 | 0:02:11 | |
And...we will have music from a pop legend, Alison Moyet! | 0:02:11 | 0:02:17 | |
One of my favourites. | 0:02:17 | 0:02:18 | |
CHEERING | 0:02:18 | 0:02:20 | |
She will be performing a song from her latest album. | 0:02:20 | 0:02:22 | |
But first, this young British actor has landed the role of a lifetime, | 0:02:22 | 0:02:26 | |
as the brand-new Peter Parker in Spider-Man: Homecoming. | 0:02:26 | 0:02:29 | |
Please welcome Tom Holland! | 0:02:29 | 0:02:32 | |
CHEERING AND APPLAUSE | 0:02:32 | 0:02:34 | |
Hello! | 0:02:34 | 0:02:35 | |
Lovely to see you! | 0:02:35 | 0:02:37 | |
There you are. There you are. Tom Holland! | 0:02:37 | 0:02:39 | |
He's Spider-Man! | 0:02:39 | 0:02:41 | |
Spider-Man, that's who that is. | 0:02:41 | 0:02:43 | |
Now, this British actress has consistently worked in Hollywood | 0:02:43 | 0:02:46 | |
in films like Foxcatcher and American Sniper. | 0:02:46 | 0:02:49 | |
Now, she is coming back to the West End in Cat on a Hot Tin Roof - | 0:02:49 | 0:02:52 | |
please welcome back Sienna Miller, everybody! | 0:02:52 | 0:02:54 | |
CHEERING AND APPLAUSE | 0:02:54 | 0:02:57 | |
Lovely to see you. | 0:02:59 | 0:03:00 | |
-Tom, Sienna. -Hi! | 0:03:00 | 0:03:02 | |
And he is the Hollywood star of Boogie Nights, The Departed, | 0:03:02 | 0:03:05 | |
The Fighter and Ted. Now, he is back saving the world | 0:03:05 | 0:03:08 | |
in Transformers: The Last Knight, it's always a pleasure | 0:03:08 | 0:03:11 | |
to welcome back Mark Wahlberg! | 0:03:11 | 0:03:12 | |
CHEERING AND APPLAUSE | 0:03:12 | 0:03:15 | |
Really good to see you. Come in and have a seat. | 0:03:17 | 0:03:20 | |
Whoo! Whoo! Whoo! | 0:03:22 | 0:03:25 | |
Let's just do that for a while. | 0:03:25 | 0:03:28 | |
So, it is a welcome back, and a welcome back to Mark and Sienna. | 0:03:28 | 0:03:32 | |
Sienna, now, you have met Mark Wahlberg before? | 0:03:32 | 0:03:35 | |
I've met Mark before, just around and about, yes. | 0:03:35 | 0:03:38 | |
Didn't you meet him at the Golden Globes? | 0:03:38 | 0:03:40 | |
Well, I haven't told you this story and he doesn't know it. | 0:03:40 | 0:03:43 | |
-I did see... -He might know it. -I did see you at the Golden Globes, | 0:03:43 | 0:03:46 | |
and I had had a baby six months before, and I was breast-feeding | 0:03:46 | 0:03:50 | |
my child, and you very sweetly gave me a big hug. | 0:03:50 | 0:03:52 | |
And you don't know, but I lactated on your suit! | 0:03:52 | 0:03:54 | |
LAUGHTER | 0:03:54 | 0:03:58 | |
You squeezed me and I got breast milk. It definitely went. | 0:03:58 | 0:04:01 | |
-I'm sorry for discussing it. -Do you remember that, Mark? | 0:04:01 | 0:04:05 | |
No. I had no idea. | 0:04:05 | 0:04:07 | |
But, you know, it's the Golden Globes, so anything can happen. | 0:04:07 | 0:04:10 | |
They're lactating. | 0:04:11 | 0:04:13 | |
You can bill me for the dry cleaning. | 0:04:16 | 0:04:18 | |
-But Tom, new to Hollywood. This is all brand-new? -Yeah. | 0:04:18 | 0:04:22 | |
I've watched your show so much, I feel like I know you, Graham! | 0:04:22 | 0:04:25 | |
But, no, this is surreal to me. This is a whole... | 0:04:25 | 0:04:28 | |
-My life has flipped upside down in the last six weeks. -It's fantastic. | 0:04:28 | 0:04:31 | |
Cos, Mark, you had this when, you know, | 0:04:31 | 0:04:33 | |
you made it big, you went to Hollywood, and I mean, | 0:04:33 | 0:04:38 | |
it's been, kind of, documented in Entourage, | 0:04:38 | 0:04:40 | |
but what advice would you have for Tom Holland? | 0:04:40 | 0:04:43 | |
I'm the last person you should ask for advice. | 0:04:43 | 0:04:46 | |
But you've never been to jail, have you? | 0:04:46 | 0:04:48 | |
I have never been to jail, no. | 0:04:48 | 0:04:50 | |
-Loser! -It's a complete role reversal. I went to jail | 0:04:50 | 0:04:53 | |
before I had a career, so he's going to go to jail at some point | 0:04:53 | 0:04:56 | |
during your career. But don't take any advice from me. | 0:04:56 | 0:05:00 | |
The first cheque I got, I ran to the Mercedes dealer, | 0:05:00 | 0:05:02 | |
I bought a car, I didn't have money for registration or insurance. | 0:05:02 | 0:05:05 | |
The police towed the vehicle, | 0:05:05 | 0:05:06 | |
because I was driving without insurance, so you don't want | 0:05:06 | 0:05:09 | |
any advice from me. | 0:05:09 | 0:05:11 | |
LA is the move. | 0:05:11 | 0:05:13 | |
Get a Jacuzzi. I just met all your brothers. | 0:05:13 | 0:05:15 | |
Bring the boys to Cali, get a medical marijuana licence. | 0:05:15 | 0:05:19 | |
So, at least you got an excuse, and have some fun, dude. | 0:05:19 | 0:05:23 | |
-Oh, I will. -Have some fun for me. -I will! | 0:05:23 | 0:05:25 | |
I'm 46 years old, I'm married, I got four kids, | 0:05:25 | 0:05:28 | |
I get yelled at, and they tell me how much they hate me. | 0:05:28 | 0:05:31 | |
They gave me a "Daddy, I love you, you're the best dad ever" | 0:05:31 | 0:05:34 | |
Father's Day card, which was nice. | 0:05:34 | 0:05:35 | |
-That's a beautiful thing. But go have some fun. -Right, I will do. | 0:05:35 | 0:05:39 | |
You're a young, good-looking guy. | 0:05:39 | 0:05:41 | |
-That's terrible advice, but I hear you. -I told you! | 0:05:41 | 0:05:43 | |
Listen, to business. Mark Wahlberg, you bring us the new | 0:05:43 | 0:05:46 | |
Transformers movie, Transformers: The Last Knight. | 0:05:46 | 0:05:48 | |
WHOOPING | 0:05:48 | 0:05:50 | |
Yeah! People are looking forward to it. | 0:05:50 | 0:05:51 | |
It opens next Friday, June 23rd. | 0:05:51 | 0:05:53 | |
Now, this time, so Optimus Prime is, sort of, out of the picture | 0:05:53 | 0:05:57 | |
this time, so you team up with other humans, to try and save the world? | 0:05:57 | 0:06:02 | |
-Yes. -Discuss. | 0:06:02 | 0:06:03 | |
Er...well... | 0:06:03 | 0:06:05 | |
LAUGHTER | 0:06:05 | 0:06:07 | |
Initially, you know, we kind of pick up after the second story. | 0:06:07 | 0:06:10 | |
I have now gone on my own... my first story. I have gone on | 0:06:10 | 0:06:15 | |
my own, I have left my daughter, | 0:06:15 | 0:06:16 | |
so she could integrate back into society and have a normal life. | 0:06:16 | 0:06:20 | |
And I am living out in the middle of the desert, and all of a sudden, | 0:06:20 | 0:06:22 | |
I am tracked down by Sir Anthony Hopkins' character, who brings me | 0:06:22 | 0:06:26 | |
to London. A great fish-out-of-water story. | 0:06:26 | 0:06:28 | |
Connects me with this professor from Oxford, played by Laura Haddock, | 0:06:28 | 0:06:33 | |
who is fantastic. And then, we are basically trying to figure out | 0:06:33 | 0:06:37 | |
how the relationship with the robots and the humans started. | 0:06:37 | 0:06:41 | |
So, it's a bit of an origins story. There is a lot of mythology. | 0:06:41 | 0:06:44 | |
And then, chaos ensues. But this is the last one. | 0:06:44 | 0:06:48 | |
This is the last Transformers. | 0:06:48 | 0:06:50 | |
Michael Bay has vowed that this is it. | 0:06:50 | 0:06:52 | |
-Transformed. -Yeah, so I get my life back, too. -OK, cool. | 0:06:52 | 0:06:56 | |
We have got a clip, where Anthony Hopkins is introducing you to | 0:06:56 | 0:06:59 | |
-Laura Haddock's character. -Cool. | 0:06:59 | 0:07:01 | |
-Hmm. -Wow. | 0:07:02 | 0:07:04 | |
What's up? | 0:07:04 | 0:07:05 | |
-Does he have to loom like that? -Bonjour, Cherie. | 0:07:12 | 0:07:15 | |
It's a nice ride. You can ride the hembellas on that thing. | 0:07:15 | 0:07:18 | |
OK, you, American man, shut it. | 0:07:18 | 0:07:20 | |
What am I doing here? | 0:07:22 | 0:07:23 | |
-Yeah, why is she here? -Introductions. | 0:07:23 | 0:07:25 | |
This is Vivian Wembley, Master of History at Oxford, | 0:07:25 | 0:07:28 | |
Doctor of Philosophy, also at Oxford, | 0:07:28 | 0:07:30 | |
and Doctor of Letters, again Oxford, I think. Anything else? | 0:07:30 | 0:07:33 | |
Anyway, meet Cade. | 0:07:33 | 0:07:35 | |
Yeager. Cade Yeager. I'm an inventor. | 0:07:35 | 0:07:38 | |
-Oh, you're an inventor? -Yes, I am. -What have you invented? | 0:07:38 | 0:07:41 | |
-A lot of things. -Like? | 0:07:41 | 0:07:43 | |
Like, a lot of things. Like, things that you've heard of. | 0:07:44 | 0:07:47 | |
-Like? -Well, things that you WILL HAVE heard of, OK? | 0:07:47 | 0:07:49 | |
Patents are pending. | 0:07:49 | 0:07:50 | |
Ah. | 0:07:52 | 0:07:53 | |
"Ah"? | 0:07:53 | 0:07:54 | |
What's "Ah"? You know, I could do that, too. | 0:07:54 | 0:07:57 | |
"Oh, I'm English and I'm too cool for feelings." | 0:07:57 | 0:07:59 | |
What, now I've come here to be insulted by some | 0:07:59 | 0:08:01 | |
over-educated, ivory tower princess? | 0:08:01 | 0:08:04 | |
APPLAUSE | 0:08:07 | 0:08:10 | |
-For a British audience, lots of this film is set here. -Yes. | 0:08:16 | 0:08:19 | |
-Yeah. -I learned a lot about England. I just learned who that woman was | 0:08:19 | 0:08:23 | |
that you made a joke about, the Prime Minister. | 0:08:23 | 0:08:25 | |
"Who is that?" | 0:08:25 | 0:08:27 | |
Yeah, well, you may not have to remember her name for long, | 0:08:27 | 0:08:30 | |
but there you go. | 0:08:30 | 0:08:32 | |
I wouldn't hold on to it tightly. | 0:08:32 | 0:08:34 | |
But now, the Stonehenge in the film, Did you really film in Stonehenge? | 0:08:34 | 0:08:40 | |
Yeah, but we built another Stonehenge right down the street. | 0:08:40 | 0:08:43 | |
Was it better? | 0:08:43 | 0:08:44 | |
Well, it was the same thing. They were so precious about it. | 0:08:44 | 0:08:46 | |
We were just blowing it up, but it's like, "What happened there? | 0:08:46 | 0:08:49 | |
"What's the big deal? | 0:08:49 | 0:08:50 | |
"Somebody laid a rock on top of a rock. | 0:08:50 | 0:08:53 | |
"Is that how Anthony got his knighthood?" | 0:08:53 | 0:08:56 | |
I want my knighthood. | 0:08:56 | 0:08:59 | |
Should be able to, right? | 0:08:59 | 0:09:00 | |
But you did film around the real one, as well? | 0:09:00 | 0:09:03 | |
-Yeah. -Which is incredible, that they gave you access. -Why? | 0:09:03 | 0:09:07 | |
I know you are not impressed. "They should open a McDonald's. | 0:09:07 | 0:09:11 | |
-"Why is it so special?" -Yeah, I can build one of these in my back yard. | 0:09:11 | 0:09:15 | |
What happened there? | 0:09:16 | 0:09:17 | |
We were all like... But really, it's devastated you. | 0:09:17 | 0:09:19 | |
-We are proud of stuff. -But the thing is, | 0:09:21 | 0:09:23 | |
the reason we are not allowed in is we don't know what happened there. | 0:09:23 | 0:09:26 | |
They don't know how they got the stones... It's so English. | 0:09:26 | 0:09:30 | |
They somehow got those really heavy stones there. | 0:09:30 | 0:09:33 | |
From Italy or something. | 0:09:33 | 0:09:35 | |
How did they build... How did the Egyptians build the pyramids? | 0:09:35 | 0:09:37 | |
-That is more impressive. -It's our English version of a pyramid. | 0:09:37 | 0:09:40 | |
At least when you go in there, there are things... | 0:09:40 | 0:09:42 | |
You could bury people there. | 0:09:42 | 0:09:44 | |
You could do a lot of things with the tombs. But what do you do there? | 0:09:44 | 0:09:46 | |
Can I just say, you're in our country. You are a guest! | 0:09:46 | 0:09:49 | |
-You will like our half-built thing! -I want to bring jobs to England. | 0:09:49 | 0:09:55 | |
I want to bring restaurants. Wahlburgers. All these things. | 0:09:55 | 0:09:57 | |
Wahlburgers? | 0:09:57 | 0:09:59 | |
-But what are the stones about, seriously? -We don't know! | 0:09:59 | 0:10:02 | |
That's what makes them so great. | 0:10:02 | 0:10:04 | |
How did they get there? | 0:10:04 | 0:10:06 | |
How did they get there is part of it. And it's a pagan worship thing. | 0:10:06 | 0:10:09 | |
-Druids. -A lot of people carried them and stood them up, and... | 0:10:09 | 0:10:12 | |
Thank you, Dr Wahlberg(!) | 0:10:12 | 0:10:14 | |
-Build them for shade. I mean... -No! | 0:10:16 | 0:10:18 | |
They were aligned with the sun, and the calendar of the Druids. | 0:10:18 | 0:10:24 | |
Stop now, Sienna. Quickly. Stop now. | 0:10:24 | 0:10:26 | |
Ley lines. | 0:10:26 | 0:10:27 | |
-So... -But with this film, becoming part of the Transformers family, | 0:10:27 | 0:10:31 | |
I think you assumed would give you some cred with your kids, | 0:10:31 | 0:10:35 | |
but you were, sort of, upstaged at the time. | 0:10:35 | 0:10:38 | |
This was the first Transformers you did. | 0:10:38 | 0:10:40 | |
Well, they just had no interest. | 0:10:40 | 0:10:43 | |
They wanted to see the movie, but there was other things | 0:10:43 | 0:10:45 | |
they wanted to be doing. They wanted to do anything else | 0:10:45 | 0:10:47 | |
other that watching me work. | 0:10:47 | 0:10:49 | |
I asked Michael, and Michael was really excited | 0:10:49 | 0:10:51 | |
about putting them in the movie, | 0:10:51 | 0:10:52 | |
and they were just not into it at all. | 0:10:52 | 0:10:54 | |
They were like, "No." | 0:10:54 | 0:10:56 | |
Everybody is here, the crew is waiting and have set up this big | 0:10:56 | 0:10:59 | |
elaborate shot, to make sure that this was going to be a shot | 0:10:59 | 0:11:01 | |
that is in the movie. Now, you only saw one of my kids in the movie, | 0:11:01 | 0:11:05 | |
and now the other kids are upset. They think it's my fault, | 0:11:05 | 0:11:08 | |
like I purposely had them cut out, because they didn't do exactly what | 0:11:08 | 0:11:11 | |
I wanted, which was not the case. | 0:11:11 | 0:11:13 | |
But it's a no-win situation, so you should know that. | 0:11:13 | 0:11:16 | |
Now, one of your.... | 0:11:16 | 0:11:17 | |
One of yours has just started dating, is this right? | 0:11:17 | 0:11:20 | |
HE SIGHS | 0:11:22 | 0:11:23 | |
That poor kid. That poor kid! | 0:11:23 | 0:11:25 | |
-So, the kid... -The boyfriend? -Yeah! | 0:11:25 | 0:11:28 | |
She had one that was not a nice boy. | 0:11:28 | 0:11:31 | |
It was innocent enough, but I was like, | 0:11:31 | 0:11:33 | |
"So, this kid, I want to meet this kid. OK, I want to meet him. | 0:11:33 | 0:11:37 | |
"You want to hang out with him, I want to meet him, | 0:11:37 | 0:11:39 | |
"and then you can hang out with him in a safe environment." | 0:11:39 | 0:11:42 | |
She's like, "What's a safe environment, Dad?" | 0:11:42 | 0:11:44 | |
Everything was the attitude. All of a sudden, this kid comes over, | 0:11:44 | 0:11:46 | |
and he one-ups me. He brings his mom. | 0:11:46 | 0:11:49 | |
LAUGHTER | 0:11:49 | 0:11:50 | |
That is genius! | 0:11:51 | 0:11:52 | |
TALK OVER EACH OTHER | 0:11:52 | 0:11:56 | |
The genius thing is he is so sweet, | 0:11:56 | 0:11:58 | |
and she is like steam-rolling me all the time. | 0:11:58 | 0:12:01 | |
Like, he is seeing her being rude to me, being mean to me. | 0:12:01 | 0:12:04 | |
Like, "If you're not nice to him, | 0:12:04 | 0:12:06 | |
"he might not want to be hanging around with you." | 0:12:06 | 0:12:09 | |
And this is a keeper. This dude is really nice. | 0:12:09 | 0:12:12 | |
He is cool, he went to the graduation - | 0:12:12 | 0:12:13 | |
she just graduated last week, he went to the graduation with us. | 0:12:13 | 0:12:16 | |
He is, like, really sweet. I'm like, OK, well the perfect scenario | 0:12:16 | 0:12:20 | |
is to find one boy who she is with forever. | 0:12:20 | 0:12:23 | |
He'll treat her like a princess. | 0:12:23 | 0:12:25 | |
But I don't know if she could hold him down! | 0:12:25 | 0:12:27 | |
But he did one-up me. I was ready. I had a couple of my buddies there. | 0:12:29 | 0:12:33 | |
All of a sudden, him and his mom come in, they are like, | 0:12:33 | 0:12:35 | |
"Hey! | 0:12:35 | 0:12:36 | |
"So, what do you do at school? | 0:12:36 | 0:12:38 | |
"Do you have any extra-curricular activities?" | 0:12:38 | 0:12:41 | |
He was like, completely just... | 0:12:41 | 0:12:44 | |
slapped me. | 0:12:44 | 0:12:45 | |
Cos it's rare in America, but one of your daughters | 0:12:45 | 0:12:49 | |
goes to an all-girls' school. | 0:12:49 | 0:12:50 | |
-She is now going to an all-girls' Catholic school. -Was this your idea? | 0:12:50 | 0:12:53 | |
It was my preference. | 0:12:53 | 0:12:55 | |
But I won that one. I kind of manipulated her. | 0:12:55 | 0:12:58 | |
She got into both schools that she applied, | 0:12:58 | 0:13:00 | |
but she ultimately made the choice. | 0:13:00 | 0:13:02 | |
-OK. -And she made the right one. | 0:13:02 | 0:13:03 | |
I don't mean to undermine your confidence in that system, | 0:13:03 | 0:13:08 | |
but Sienna Miller, you went to an all-girls' school, didn't you? | 0:13:08 | 0:13:11 | |
Yeah, my whole life. | 0:13:11 | 0:13:12 | |
Yeah, what goes on, Sienna? | 0:13:12 | 0:13:14 | |
You know, there is an argument... | 0:13:15 | 0:13:18 | |
I'm not the right person to ask. | 0:13:18 | 0:13:20 | |
Oh, you are! Absolutely! | 0:13:20 | 0:13:21 | |
I mean, naked steaking across the lacrosse pitch, | 0:13:21 | 0:13:24 | |
kissing the gardener, lots of fags, booze. | 0:13:24 | 0:13:29 | |
You know, repression, cos you are kept in an environment, | 0:13:29 | 0:13:32 | |
and then you're let out on weekends, and a boy is an exciting thing, | 0:13:32 | 0:13:37 | |
cos you don't see them every day. But it's OK. | 0:13:37 | 0:13:39 | |
Where did you go? | 0:13:39 | 0:13:42 | |
I went to an all-girls' boarding school from eight. | 0:13:42 | 0:13:44 | |
But, Tom, you did the proper British thing. | 0:13:44 | 0:13:46 | |
-You went to an all-boys' school, is that right? -Yes, I did, yeah. | 0:13:46 | 0:13:49 | |
-Were you well-behaved? -No, absolutely not. | 0:13:49 | 0:13:52 | |
But oddly, for Spider-Man, they sent you back to school. | 0:13:52 | 0:13:55 | |
Well, it was a joke. | 0:13:56 | 0:13:58 | |
They don't obviously understand my British sarcasm. I said, | 0:13:58 | 0:14:02 | |
"Wouldn't it be funny if I went to an American high school undercover, | 0:14:02 | 0:14:04 | |
"to see what it would be like to be an American high-schooler?" | 0:14:04 | 0:14:07 | |
Marvel were like, "That's amazing! Let's set it up." | 0:14:07 | 0:14:10 | |
So, six weeks later, I'm with a backpack, | 0:14:10 | 0:14:13 | |
pencil case, books, on my way to the school, | 0:14:13 | 0:14:16 | |
the Bronx School of Science, which is a school for genius kids, | 0:14:16 | 0:14:19 | |
and believe me, everyone, I am no genius! | 0:14:19 | 0:14:21 | |
Yeah, so I enrolled in a high school for three days. | 0:14:23 | 0:14:25 | |
I had an accent, a fake name, a back story. | 0:14:25 | 0:14:27 | |
What was your fake name? | 0:14:27 | 0:14:28 | |
-Ben Perkins, who is my acting coach from when I was a kid. -OK. | 0:14:28 | 0:14:31 | |
They paired me with a kid called Aroon, and I was supposed to be | 0:14:31 | 0:14:36 | |
his brother, or something like that, and Aroon is an Indian kid, | 0:14:36 | 0:14:40 | |
and when I came in, everyone was like... | 0:14:40 | 0:14:42 | |
"He's really your brother?" | 0:14:43 | 0:14:45 | |
We're like, "Yeah, we're just distant brothers from... | 0:14:45 | 0:14:47 | |
"Whoo! Anyway, moving on..." | 0:14:47 | 0:14:49 | |
And this is a science school. They can figure things out. | 0:14:49 | 0:14:52 | |
"We know how that works. That doesn't work." | 0:14:52 | 0:14:54 | |
But didn't you... But then you did... Did you confide in people? | 0:14:54 | 0:14:58 | |
Oh, yeah. | 0:14:58 | 0:14:59 | |
So, I was sitting next to this very pretty girl in class, and you have | 0:14:59 | 0:15:02 | |
to go through an exam process to get into this school, | 0:15:02 | 0:15:05 | |
which obviously, I didn't do. | 0:15:05 | 0:15:07 | |
And she was like, "Hey, man, what's your deal? | 0:15:07 | 0:15:09 | |
"How are you here?" | 0:15:09 | 0:15:10 | |
I was like, "Let me tell you my secret. | 0:15:10 | 0:15:12 | |
-"I am actually... -Undercover. -"I am actually Spider-Man." | 0:15:12 | 0:15:14 | |
She's like, "Dude, you're fucking nuts, bro! Whatever!" | 0:15:14 | 0:15:18 | |
I was like, "No, seriously, I'm Spider-Man." | 0:15:18 | 0:15:20 | |
Obviously, none of my movies had come out. No-one knew about it. | 0:15:20 | 0:15:23 | |
It was a big secret, so I just looked like some nutter | 0:15:23 | 0:15:25 | |
that showed up for three days, and then disappeared. | 0:15:25 | 0:15:28 | |
Yes, she's laughing now. | 0:15:28 | 0:15:30 | |
She's like, "I had him right there in the palm of my hand!" | 0:15:30 | 0:15:33 | |
Right, let's talk about it. | 0:15:33 | 0:15:35 | |
Tom's much-anticipated return as Spider-Man | 0:15:35 | 0:15:37 | |
in Spider-Man: Homecoming. | 0:15:37 | 0:15:39 | |
It opens July the 5th, and I say return, | 0:15:39 | 0:15:41 | |
cos obviously this film, sort of, picks up | 0:15:41 | 0:15:43 | |
where Captain America: Civil War stops. | 0:15:43 | 0:15:45 | |
Yes. It is interesting because you get to see, sort of, | 0:15:45 | 0:15:49 | |
Peter Parker and Spider-Man on summer camp. He is hanging out | 0:15:49 | 0:15:52 | |
with The Avengers, he is having the time of his life. | 0:15:52 | 0:15:54 | |
He gets to be a part of this amazing fight scene, | 0:15:54 | 0:15:56 | |
and then it cuts to him back at school on a cramped subway, | 0:15:56 | 0:15:59 | |
miserable, wishing that he could be with the Avengers, | 0:15:59 | 0:16:01 | |
travelling the world. | 0:16:01 | 0:16:02 | |
So, it's a nice, sort of, setback to what we saw in Civil War. | 0:16:02 | 0:16:06 | |
And this is... | 0:16:06 | 0:16:07 | |
It's, kind of, it goes, sort of, back to the comic books more, | 0:16:07 | 0:16:11 | |
doesn't it, cos he is a proper high school student? | 0:16:11 | 0:16:13 | |
Yeah, it really is the story of a kid. I genuinely think | 0:16:13 | 0:16:16 | |
if you gave a 15-year-old superpowers, he would have | 0:16:16 | 0:16:19 | |
the time of his life. So, the movie is all about, sort of, | 0:16:19 | 0:16:21 | |
him enjoying himself, juggling, talking to girls, struggling with | 0:16:21 | 0:16:25 | |
his homework, but also being a superhero, at the same time. | 0:16:25 | 0:16:28 | |
All right, we'll talk about it more, but let's see a clip. | 0:16:28 | 0:16:30 | |
This is one of your best friends in the film discovering that you are, | 0:16:30 | 0:16:33 | |
-in fact, Spider-Man. -Yes. | 0:16:33 | 0:16:35 | |
HE SIGHS | 0:16:58 | 0:16:59 | |
CRASHING | 0:17:06 | 0:17:08 | |
What's up?! | 0:17:08 | 0:17:09 | |
Er, nothing! Nothing! | 0:17:09 | 0:17:12 | |
You're the Spider-Man... | 0:17:12 | 0:17:14 | |
-from YouTube. -I'm not. | 0:17:14 | 0:17:16 | |
You were on the ceiling! | 0:17:16 | 0:17:17 | |
-I wasn't! What are you doing in my room?! -Your Aunt May let me in. | 0:17:17 | 0:17:19 | |
You said we were going to finish the Death Star. She doesn't know?! | 0:17:19 | 0:17:22 | |
Nobody knows! Well, Mr Stark knows, cos he made my suit, but that's it, | 0:17:22 | 0:17:25 | |
Tony Stark made you that?! Are you an Avenger? | 0:17:25 | 0:17:29 | |
Yeah, basically. | 0:17:29 | 0:17:30 | |
Oh! | 0:17:30 | 0:17:31 | |
You can't tell anybody about this. You got to keep it a secret. | 0:17:31 | 0:17:34 | |
-A secret? Why? -Because you know what she's like. If she finds out people | 0:17:34 | 0:17:37 | |
are trying to kill me every night, she won't let me do this any more! | 0:17:37 | 0:17:40 | |
OK. OK, OK, OK. I'll level with you. | 0:17:40 | 0:17:42 | |
I don't think I can keep this secret. | 0:17:42 | 0:17:44 | |
It's the greatest thing that's ever happened to me! | 0:17:44 | 0:17:46 | |
I can't believe this is happening right now. | 0:17:46 | 0:17:48 | |
APPLAUSE | 0:17:48 | 0:17:50 | |
Tom, obviously, being SpiderMan, you have got to be in amazing shape, | 0:17:54 | 0:17:57 | |
but they did really weird things to you. What is the electric thing? | 0:17:57 | 0:18:01 | |
Have you ever heard of this? EMS training? | 0:18:01 | 0:18:03 | |
It's like you wear this black suit, and they put these pads on you, | 0:18:03 | 0:18:07 | |
and you basically do, like a yoga class while they electrocute you. | 0:18:07 | 0:18:11 | |
-And it's... -For muscle stimulation? -Yeah, muscle stimulation, | 0:18:11 | 0:18:14 | |
but you work out while you use it. I basically cheated. | 0:18:14 | 0:18:18 | |
But I did it with my best friend, and every time the trainer | 0:18:18 | 0:18:21 | |
would go to the bathroom, one of us would crank up the machine | 0:18:21 | 0:18:25 | |
that my friend was using, and you can't... You genuinely can't move. | 0:18:25 | 0:18:28 | |
It makes every part of your body shake. | 0:18:28 | 0:18:31 | |
It's awful. It's a lot of fun, and it works, | 0:18:31 | 0:18:33 | |
but it really is the worst thing I have ever done. | 0:18:33 | 0:18:36 | |
-I've never heard of that! -Yeah. -Have you? | 0:18:36 | 0:18:38 | |
No, but I saw a commercial today on TV here with Cristiano Ronaldo, | 0:18:38 | 0:18:42 | |
who is probably one of the most physical specimens on the planet, | 0:18:42 | 0:18:46 | |
with this abs machine, this biceps machine, | 0:18:46 | 0:18:48 | |
standing there in his underwear, shaking, with his eyes closed. | 0:18:48 | 0:18:50 | |
I don't think that's how he got in shape. | 0:18:50 | 0:18:53 | |
Somebody sitting there on their couch, stuffing their face, | 0:18:55 | 0:18:59 | |
having a pint is going to be, like, | 0:18:59 | 0:19:00 | |
"Oh, yeah, well, now I've figured it out. I can just buy one of those." | 0:19:00 | 0:19:03 | |
Not happening. | 0:19:03 | 0:19:04 | |
Sienna, the only film we could think of | 0:19:04 | 0:19:06 | |
-where you might have had to do this was GI Joe. -Yeah, yeah. | 0:19:06 | 0:19:09 | |
Did you have to do all this stuff to get ready for that? | 0:19:09 | 0:19:12 | |
They cast me in that film without meeting me, | 0:19:12 | 0:19:14 | |
and it might have been in error, because I played the villain, | 0:19:14 | 0:19:17 | |
and there's nothing that threatening physically about me, | 0:19:17 | 0:19:20 | |
or active, particularly. But I... | 0:19:20 | 0:19:22 | |
Really? You sprayed me with breast milk. | 0:19:22 | 0:19:25 | |
LAUGHTER | 0:19:25 | 0:19:27 | |
Stand back! | 0:19:27 | 0:19:29 | |
APPLAUSE | 0:19:32 | 0:19:34 | |
No, I did some fight training, and tried my best, | 0:19:35 | 0:19:39 | |
but I was not cut out for violence. | 0:19:39 | 0:19:42 | |
I had to shoot a gun, and I couldn't do it without blinking every time. | 0:19:42 | 0:19:47 | |
And I'm the baddie, so this is not cool. | 0:19:47 | 0:19:50 | |
So, they had to give me glasses, so that every time I was about | 0:19:50 | 0:19:52 | |
to shoot a gun, I touched the side and they turned to sunglasses. | 0:19:52 | 0:19:56 | |
I must have been awful. I think I'd be better at it now. | 0:19:58 | 0:20:01 | |
I had a nightmare on Spider-Man, I'd always go, "Pss!" | 0:20:01 | 0:20:03 | |
-I couldn't do that without going... -Making the noise? | 0:20:03 | 0:20:06 | |
And the poor sound guy. I do ten webs every scene. | 0:20:06 | 0:20:09 | |
The poor sound guy's like, | 0:20:09 | 0:20:10 | |
"This fucking kid won't stop that, pss, pss, pss!" | 0:20:10 | 0:20:13 | |
I did that with an electric gun. Every time, I'd just go, "Bang." | 0:20:13 | 0:20:16 | |
They're like, "Dude, you're saying bang." | 0:20:16 | 0:20:18 | |
Cos it's not firing, and the gun just goes, "Pfft." | 0:20:18 | 0:20:20 | |
Like a little fart. | 0:20:20 | 0:20:22 | |
I'm like, "Dude, at least give me some real blanks." | 0:20:22 | 0:20:24 | |
Ladies and gentlemen - culture alert! | 0:20:26 | 0:20:28 | |
We're heading to the stage for Sienna Miller's upcoming West End | 0:20:28 | 0:20:31 | |
performance as Maggie in Tennessee Williams' Cat on a Hot Tin Roof. | 0:20:31 | 0:20:34 | |
It opens July 24th with previews from the 13th. | 0:20:34 | 0:20:37 | |
It's at the Apollo Theatre. | 0:20:37 | 0:20:39 | |
This is a great cast, it's a great play, | 0:20:39 | 0:20:43 | |
but it sounds like you've kind of knocked the play about a bit. | 0:20:43 | 0:20:47 | |
Yeah. I mean, it's the original version, | 0:20:47 | 0:20:49 | |
Tennessee Williams' original version, | 0:20:49 | 0:20:51 | |
but we are modernising it. | 0:20:51 | 0:20:53 | |
And our director, Benedict Andrews, is really an auteur, | 0:20:53 | 0:20:56 | |
and it's not the traditional... We're not sort of flying around | 0:20:56 | 0:21:00 | |
with southern accents and hoop skirts. It's... | 0:21:00 | 0:21:04 | |
There is a bit of nudity, and things like that. | 0:21:04 | 0:21:07 | |
-Woohoo! Tickets will be selling! -Yeah! | 0:21:07 | 0:21:08 | |
The box office has started ringing already! | 0:21:08 | 0:21:10 | |
I think it's just going to be a more... | 0:21:10 | 0:21:12 | |
It's all about what it is to be human, and it's quite a... | 0:21:12 | 0:21:15 | |
Well, she is definitely sort of a sexually starved character, | 0:21:15 | 0:21:18 | |
and this is quite a raw version. | 0:21:18 | 0:21:20 | |
Where are you now? Have you started rehearsing already? | 0:21:20 | 0:21:22 | |
We are day nine of rehearsals. | 0:21:22 | 0:21:24 | |
In fact, about an hour ago, | 0:21:24 | 0:21:25 | |
I was crawling around on the floor about five minutes away, | 0:21:25 | 0:21:27 | |
being hit with a crutch. | 0:21:27 | 0:21:29 | |
Not a crotch, a crutch. | 0:21:29 | 0:21:31 | |
LAUGHTER | 0:21:31 | 0:21:33 | |
-By Jack O'Connell swinging a crutch at my head. -Nice. | 0:21:33 | 0:21:36 | |
So I'm a bit delirious. Yeah. | 0:21:36 | 0:21:37 | |
But it's still set in the Deep South? | 0:21:37 | 0:21:39 | |
It's set in the Deep South, yes. | 0:21:39 | 0:21:40 | |
And if people aren't familiar with the whole story - in a nutshell? | 0:21:40 | 0:21:44 | |
It's about... | 0:21:44 | 0:21:45 | |
This woman, Maggie, is very in love with her husband, Brick, | 0:21:45 | 0:21:49 | |
who is Jack O'Connell, and he will not sleep with her. | 0:21:49 | 0:21:52 | |
And his father is dying of cancer, | 0:21:52 | 0:21:54 | |
and everything sort of implodes on this one night, | 0:21:54 | 0:21:56 | |
and she's this desperate, longing, yearning woman, | 0:21:56 | 0:22:00 | |
and he is an alcoholic, and the dad's dying. | 0:22:00 | 0:22:04 | |
And it's really funny(!) | 0:22:04 | 0:22:05 | |
LAUGHTER | 0:22:05 | 0:22:08 | |
But it is a big Gothic thing. | 0:22:08 | 0:22:10 | |
I don't know how to condense Tennessee Williams, | 0:22:10 | 0:22:12 | |
because he's a genius, but it's really like a beautiful, magical... | 0:22:12 | 0:22:15 | |
Everything comes to a head on this one night, and we'll be like... | 0:22:15 | 0:22:18 | |
-SOUTHERN ACCENT: -Talking like that, and you know, fights and... | 0:22:18 | 0:22:22 | |
-It'll be good. -And this is kind of where you started, Tom, | 0:22:22 | 0:22:24 | |
because Billy Elliot - that was kind of your first thing. | 0:22:24 | 0:22:27 | |
-Oh, yeah! -Yeah. That's where I started. Yeah. | 0:22:27 | 0:22:30 | |
Give us a twirl! Challenge, challenge! | 0:22:30 | 0:22:32 | |
-What do you want? -A twirl, or something. A leap. -A twirl. | 0:22:32 | 0:22:35 | |
Oh, my God, you said you... | 0:22:35 | 0:22:37 | |
CHEERING AND APPLAUSE | 0:22:37 | 0:22:39 | |
-Beautiful, beautiful. -But not a twirl. -Still as good. | 0:22:39 | 0:22:41 | |
I couldn't do it. | 0:22:41 | 0:22:42 | |
Because Billy Elliot, were you in... | 0:22:44 | 0:22:46 | |
Cos they put you in some sort of school, is that right? | 0:22:46 | 0:22:48 | |
Billy Elliot School? | 0:22:48 | 0:22:49 | |
Yes, yeah. There's old baby me. | 0:22:49 | 0:22:51 | |
Yeah, we went to the Billy School, which was very much like | 0:22:53 | 0:22:55 | |
your boarding school, a place where terrible things happened. | 0:22:55 | 0:22:59 | |
But... No, it was a lot of fun, and a really cool time for me, yeah. | 0:22:59 | 0:23:02 | |
Mark Wahlberg, have you ever been in a play? | 0:23:02 | 0:23:05 | |
Yes. | 0:23:05 | 0:23:06 | |
"Yes, my Lord!" | 0:23:06 | 0:23:07 | |
Don't doubt my theatre background, darling. | 0:23:07 | 0:23:10 | |
Royal Shakespearean Academy, as well. | 0:23:10 | 0:23:12 | |
I played an Oompa Loompa. | 0:23:12 | 0:23:14 | |
LAUGHTER | 0:23:14 | 0:23:16 | |
In fourth grade. William Monroe Trotter, Roxbury, Massachusetts, | 0:23:16 | 0:23:19 | |
-and it was lovely. -It was wicked hot! | 0:23:19 | 0:23:21 | |
I had a whole speech. It was lovely. | 0:23:21 | 0:23:23 | |
-Is that the only theatre you've ever done? -Yes. | 0:23:23 | 0:23:26 | |
You've never been tempted? | 0:23:26 | 0:23:27 | |
No. What I've heard, the level of commitment, | 0:23:27 | 0:23:31 | |
eight shows a week, and that sort of thing - | 0:23:31 | 0:23:34 | |
-no, it's not for me. -I know! | 0:23:34 | 0:23:36 | |
Now, tomorrow, are you back in rehearsal tomorrow morning? | 0:23:36 | 0:23:38 | |
I'm back in rehearsal. I have to say something - | 0:23:38 | 0:23:40 | |
I got an Uber to work the other day, | 0:23:40 | 0:23:42 | |
and I normally get the Tube, but I got an Uber, and I got in the car | 0:23:42 | 0:23:45 | |
with this driver, and I said, how long till we get there? | 0:23:45 | 0:23:47 | |
He was really nice, he was like... | 0:23:47 | 0:23:49 | |
-SOUTHERN ACCENT: -"About 30 minutes." | 0:23:49 | 0:23:50 | |
I was like, why are you talking like that? | 0:23:50 | 0:23:52 | |
And he went, "I don't know why." I was like, | 0:23:52 | 0:23:54 | |
"You're literally doing the accent of the play I'm rehearsing now." | 0:23:54 | 0:23:57 | |
He's like, "That is so weird, I think I'm psychic." | 0:23:57 | 0:23:59 | |
Anyway, we got chatting. He's there! | 0:23:59 | 0:24:01 | |
-Where is he? -There he is. Yay! | 0:24:02 | 0:24:05 | |
APPLAUSE | 0:24:05 | 0:24:06 | |
How funny. | 0:24:09 | 0:24:11 | |
We started talking, and he was like, | 0:24:11 | 0:24:13 | |
"Graham Norton, I thought was so lovely last week, | 0:24:13 | 0:24:15 | |
and I love that show" | 0:24:15 | 0:24:16 | |
and I said, "I'm doing it, shall I see if I can get you in?" | 0:24:16 | 0:24:18 | |
-and he's come! -And here he is! Aw! Very good. | 0:24:18 | 0:24:21 | |
All right! It's time to meet my next guests. | 0:24:21 | 0:24:23 | |
One is the master of motion capture | 0:24:23 | 0:24:25 | |
who brought to life Gollum and King Kong. | 0:24:25 | 0:24:27 | |
The other is the award-winning star of Cheers, White Men Can't Jump, | 0:24:27 | 0:24:31 | |
True Detective, and Natural Born Killers - | 0:24:31 | 0:24:33 | |
please welcome Andy Serkis and Woody Harrelson. | 0:24:33 | 0:24:36 | |
CHEERING AND APPLAUSE | 0:24:36 | 0:24:40 | |
There they are! Hello! | 0:24:40 | 0:24:42 | |
Nice to see you. Really good to see you. Hi! | 0:24:44 | 0:24:47 | |
Great to see you again. Hi. | 0:24:47 | 0:24:49 | |
Come in, come in, come in. Have a seat. | 0:24:49 | 0:24:51 | |
Have a seat. | 0:24:51 | 0:24:53 | |
Greeting, greeting, greeting, greeting. | 0:25:01 | 0:25:04 | |
-How are you? -Good, thanks. | 0:25:04 | 0:25:05 | |
-Hello, sir. -There we go. -Nice to meet you, man. | 0:25:05 | 0:25:08 | |
Look, that's very nice. Have a seat, too. All very welcome. | 0:25:08 | 0:25:11 | |
Now, Woody, you spend a lot of time in London now. | 0:25:11 | 0:25:13 | |
-You're filming here right now. -Yeah, I feel like an expat. | 0:25:13 | 0:25:16 | |
I'm living here, yeah. I love it. | 0:25:16 | 0:25:19 | |
Because you're filming the new Han Solo film? | 0:25:19 | 0:25:21 | |
Yeah, a little indie, Han Solo. | 0:25:21 | 0:25:23 | |
-Yeah. -There you are. | 0:25:23 | 0:25:25 | |
Andy, is that you? | 0:25:25 | 0:25:27 | |
LAUGHTER | 0:25:27 | 0:25:29 | |
You must have been furious. | 0:25:29 | 0:25:30 | |
If it was him, there'd be a bunch of dots. | 0:25:30 | 0:25:32 | |
Hey, listen. The apes are back. This time it's war. | 0:25:34 | 0:25:37 | |
War for the Planet of the Apes opens July the 11th. | 0:25:37 | 0:25:40 | |
Now, Andy, obviously, you're back in the role of Caesar, | 0:25:40 | 0:25:43 | |
-so there's you. -Yes. | 0:25:43 | 0:25:45 | |
And then... Ba-doom! It's Caesar. | 0:25:45 | 0:25:48 | |
How do they do that?! | 0:25:48 | 0:25:50 | |
-It is... -Incredible. | 0:25:50 | 0:25:51 | |
I sort of know how they do it, but I don't know how they do it. | 0:25:51 | 0:25:53 | |
It is phenomenal. | 0:25:53 | 0:25:54 | |
I just watched it before coming here, and it is... | 0:25:54 | 0:25:57 | |
It's amazing. | 0:25:57 | 0:25:59 | |
LAUGHTER | 0:25:59 | 0:26:01 | |
It is! I'm not saying that in a self-congratulatory manner. | 0:26:01 | 0:26:04 | |
I'm the least thing in it, but I got to say... | 0:26:04 | 0:26:07 | |
-That is sort of true. -Yeah, thanks. I said that hoping you'd say... | 0:26:07 | 0:26:11 | |
But I got to say, it came together so... | 0:26:11 | 0:26:14 | |
Matt Reeves, the director, he's just a master | 0:26:14 | 0:26:17 | |
at this kind of, bringing all that motion capture to life, | 0:26:17 | 0:26:22 | |
but his performance is astonishing. | 0:26:22 | 0:26:24 | |
And you are new to this world. | 0:26:24 | 0:26:26 | |
So, who are you in the Planet of the Apes? | 0:26:26 | 0:26:28 | |
I play the Colonel. | 0:26:28 | 0:26:30 | |
Apparently I'm the enemy to Caesar. | 0:26:30 | 0:26:33 | |
Well... Yeah. | 0:26:33 | 0:26:35 | |
LAUGHTER | 0:26:35 | 0:26:37 | |
Yeah. | 0:26:37 | 0:26:38 | |
It's quite... Humans don't come out of this well, in this version. | 0:26:38 | 0:26:41 | |
-No. -Well, nobody comes out of it well. I mean, it's a war, you know? | 0:26:41 | 0:26:45 | |
So, both apes and humans are toe to toe, and having a bad time of it. | 0:26:45 | 0:26:50 | |
Basically, in this story, it's moved on from... | 0:26:50 | 0:26:54 | |
I don't know if people saw the last one, Dawn, or in fact | 0:26:54 | 0:26:56 | |
the first one, Rise, but it's got to a point where... | 0:26:56 | 0:27:00 | |
..the start of the whole saga is a virus | 0:27:01 | 0:27:04 | |
which was created through an Alzheimer's drug gone wrong, | 0:27:04 | 0:27:07 | |
and then an ape called Caesar | 0:27:07 | 0:27:08 | |
becomes enhanced by this intelligence-enhancing drug, | 0:27:08 | 0:27:11 | |
and he's brought up with human beings. | 0:27:11 | 0:27:13 | |
He's then thrown into a facility at a teen age, if you like, | 0:27:13 | 0:27:16 | |
in the other films, and then he leads them to freedom, | 0:27:16 | 0:27:18 | |
and then a virus breaks out, | 0:27:18 | 0:27:21 | |
and in this one it turns to all-out war between apes and humans, | 0:27:21 | 0:27:25 | |
so, yeah, it's bleak. | 0:27:25 | 0:27:27 | |
It's a bleak start to the film, | 0:27:27 | 0:27:28 | |
but there's a lot of heart, a lot of emotion. | 0:27:28 | 0:27:30 | |
Listen, we've got a clip. This is the moment | 0:27:30 | 0:27:32 | |
when Caesar gets captured, and you guys meet. | 0:27:32 | 0:27:36 | |
Have you finally come to save your apes? | 0:27:38 | 0:27:41 | |
I came for you. | 0:27:42 | 0:27:44 | |
For me? | 0:27:44 | 0:27:45 | |
My God. | 0:28:04 | 0:28:06 | |
Look at your eyes. | 0:28:07 | 0:28:08 | |
Almost human. | 0:28:09 | 0:28:11 | |
How did you know I was here? | 0:28:12 | 0:28:14 | |
I was told you were coming... | 0:28:14 | 0:28:16 | |
..and that more soldiers from the north would be joining you here. | 0:28:18 | 0:28:23 | |
-Joining me? -To finish us off... | 0:28:23 | 0:28:25 | |
..for good. | 0:28:27 | 0:28:28 | |
Who told you that? | 0:28:31 | 0:28:32 | |
OK... | 0:28:40 | 0:28:41 | |
..let's go. | 0:28:44 | 0:28:45 | |
Ooh! APPLAUSE | 0:28:48 | 0:28:50 | |
But the two of you... It sounds like you properly got on. | 0:28:55 | 0:28:57 | |
Wasn't there... You had a night out in Vancouver, was it, | 0:28:57 | 0:29:00 | |
the two of you bonded over? | 0:29:00 | 0:29:01 | |
-We had a number of nights. -It was really a night in. | 0:29:01 | 0:29:03 | |
It was a night in, actually. | 0:29:03 | 0:29:05 | |
We hung over at my house, we had a couple of bottles of wine. | 0:29:05 | 0:29:08 | |
I won't get into the details! | 0:29:08 | 0:29:09 | |
Funny, I think the last time you were on a show with me, | 0:29:11 | 0:29:15 | |
you did tell us about a mad night you had in London, | 0:29:15 | 0:29:19 | |
and you've now turned it into a film. | 0:29:19 | 0:29:21 | |
Yeah. | 0:29:21 | 0:29:23 | |
But again, a mad film. | 0:29:23 | 0:29:25 | |
Yeah, a mad film. | 0:29:25 | 0:29:26 | |
It's called Lost in London, | 0:29:26 | 0:29:28 | |
and I had this night, this terrible, terrible night, | 0:29:28 | 0:29:32 | |
started with just my wife and I on the verge of breaking up, | 0:29:32 | 0:29:35 | |
and ended with me in jail. | 0:29:35 | 0:29:38 | |
LAUGHTER | 0:29:38 | 0:29:40 | |
Yeah. And... | 0:29:40 | 0:29:41 | |
And this all happened? | 0:29:41 | 0:29:42 | |
-This all happened. -Yeah. | 0:29:42 | 0:29:44 | |
I hated it and wanted to forget about it, but then I kept thinking, | 0:29:44 | 0:29:48 | |
you know, this could be funny! | 0:29:48 | 0:29:49 | |
And Owen Wilson's in it, and Willie Nelson, | 0:29:51 | 0:29:54 | |
and we shot it in real time, in 99 minutes. | 0:29:54 | 0:29:58 | |
We shot it single-camera, and live-streamed it as we shot it, | 0:29:58 | 0:30:03 | |
into theatres in the United States, | 0:30:03 | 0:30:05 | |
and into three Picture House theatres here. | 0:30:05 | 0:30:08 | |
So it's one take? | 0:30:08 | 0:30:10 | |
It's one take. Yeah. | 0:30:10 | 0:30:12 | |
That's phenomenal! | 0:30:12 | 0:30:14 | |
Yeah, it turned out great, | 0:30:14 | 0:30:15 | |
and that's showing at the Picture House Central...! | 0:30:15 | 0:30:19 | |
Friday and Saturday late-night! | 0:30:20 | 0:30:23 | |
And did anything go wrong? Cos you could only do it once. | 0:30:23 | 0:30:26 | |
Yeah. There were sound issues, and just the live feed issues, | 0:30:26 | 0:30:32 | |
and then on the night, | 0:30:32 | 0:30:34 | |
there was this bomb, this World War II unexploded ordnance | 0:30:34 | 0:30:38 | |
that they discovered near the Waterloo Bridge, | 0:30:38 | 0:30:40 | |
which was a key area, so they shut down the bridge, | 0:30:40 | 0:30:43 | |
and I'm like, I've never been a fan of Hitler but this is personal! | 0:30:43 | 0:30:47 | |
It was weird. That was very strange. | 0:30:49 | 0:30:51 | |
It opened up just a few minutes before we needed it. | 0:30:51 | 0:30:57 | |
And Andy, you've got another movie. | 0:30:57 | 0:30:59 | |
Have you finished Jungle Book now, the motion capture version of it? | 0:30:59 | 0:31:02 | |
No. We're still in the process of making it, | 0:31:02 | 0:31:05 | |
and it comes out next year. | 0:31:05 | 0:31:07 | |
So it's, yeah, an amazing cast, and there's a beautiful | 0:31:07 | 0:31:09 | |
central performance by the young actor playing Mowgli. | 0:31:09 | 0:31:12 | |
It's a much darker version than the Disney one | 0:31:12 | 0:31:14 | |
that came out last year. It's a PG-13, but yeah, it's really... | 0:31:14 | 0:31:19 | |
And that's all performance capture, so all the actors - | 0:31:19 | 0:31:21 | |
Christian Bale's playing Bagheera, | 0:31:21 | 0:31:23 | |
and Benedict Cumberbatch is playing Shere Khan, the tiger, | 0:31:23 | 0:31:26 | |
and Cate Blanchett is playing Kaa, the snake. | 0:31:26 | 0:31:29 | |
They're all there doing the same kind of thing as you've just seen. | 0:31:29 | 0:31:32 | |
Are we allowed to mention that you were...? | 0:31:32 | 0:31:35 | |
-About my audition? -Yeah. | 0:31:35 | 0:31:37 | |
-SIENNA: -Oh, no! -It was... Often... | 0:31:37 | 0:31:39 | |
We do strange things for auditions, but I think your audition might be | 0:31:39 | 0:31:42 | |
the strangest thing I've ever been asked. | 0:31:42 | 0:31:44 | |
I prepared my lines, prepared my scene, I went in, I did the scene... | 0:31:44 | 0:31:48 | |
He was brilliant. | 0:31:48 | 0:31:49 | |
And you said, "Thank you, that was great. Now do it as a wolf." | 0:31:49 | 0:31:52 | |
And I'm like... | 0:31:52 | 0:31:54 | |
"OK..." | 0:31:54 | 0:31:55 | |
So all I did was this. | 0:31:55 | 0:31:56 | |
I like your style. | 0:31:59 | 0:32:01 | |
But no, it was a wonderful experience, | 0:32:01 | 0:32:03 | |
it was lovely meeting you, and I saw some of the concept art | 0:32:03 | 0:32:06 | |
from the movie, and it looks incredible. I can't wait for it. | 0:32:06 | 0:32:09 | |
-Me too. -Oddly, Mark, | 0:32:09 | 0:32:11 | |
you were in Tim Burton's Planet of the Apes back in 2001, | 0:32:11 | 0:32:15 | |
but there was no motion capture in that, was it? | 0:32:15 | 0:32:18 | |
No. God, I'd never seen Tim Roth so upset | 0:32:18 | 0:32:21 | |
after sitting in make-up for five hours, | 0:32:21 | 0:32:23 | |
and I just stroll in and say, "Hey, what's going on, guys?" | 0:32:23 | 0:32:26 | |
Put my little astronaut suit on, but... | 0:32:26 | 0:32:29 | |
it was an amazing experience working with Tim. | 0:32:29 | 0:32:32 | |
I think we kind of set the franchise back a little bit. | 0:32:32 | 0:32:35 | |
You and Rupert kind of revived it again, which was great, | 0:32:35 | 0:32:37 | |
cos it was obviously a big intellectual property. | 0:32:37 | 0:32:40 | |
-But you used real... -Make-up, yes. -No, but real monkeys. | 0:32:40 | 0:32:43 | |
-Real people. -Monkeys and apes. -The monkeys? No, they were the worst. | 0:32:43 | 0:32:46 | |
They would attack you, because they... | 0:32:46 | 0:32:47 | |
Helena and I, Helena Bonham Carter and I, had this relationship, | 0:32:47 | 0:32:50 | |
so I had to work with the monkeys as the astronaut, | 0:32:50 | 0:32:52 | |
so they wanted us to get acclimatised with the chimps, | 0:32:52 | 0:32:55 | |
and any time I would go near her, the chimps would start attacking me | 0:32:55 | 0:32:58 | |
and start trying to punch me in the nuts, like... | 0:32:58 | 0:33:02 | |
Like my five-year-old son, really bad. Not stopping. | 0:33:02 | 0:33:04 | |
I'd go, "OK, stop now, stop playing around, we've got to work." | 0:33:04 | 0:33:07 | |
And the chimps were constantly trying to attack me. | 0:33:07 | 0:33:10 | |
Because you had a sort of similar experience, Andy, | 0:33:10 | 0:33:12 | |
at the zoo, didn't you? | 0:33:12 | 0:33:14 | |
That was on King Kong, yeah. | 0:33:14 | 0:33:16 | |
I had a sort of long-standing affair with a gorilla called Zaire | 0:33:16 | 0:33:19 | |
about ten years ago. She was a lovely, lovely gorilla. And... | 0:33:19 | 0:33:24 | |
LAUGHTER | 0:33:24 | 0:33:26 | |
And we hung out for a couple of months. I was observing her, | 0:33:27 | 0:33:30 | |
and we played games and sort of, you know, with each other, | 0:33:30 | 0:33:33 | |
and it was all rather lovely. And then... | 0:33:33 | 0:33:36 | |
-about two months later... -That's how it starts! -Well, yeah. | 0:33:36 | 0:33:39 | |
We still text! | 0:33:39 | 0:33:41 | |
But Lorraine, my wife, came down to visit us. | 0:33:42 | 0:33:45 | |
I said, "You've got to come down and meet Zaire." | 0:33:45 | 0:33:47 | |
And when she came down, | 0:33:47 | 0:33:48 | |
literally, Zaire got this bottle of water | 0:33:48 | 0:33:50 | |
which has minerals in and vitamins in, and she just went... | 0:33:50 | 0:33:53 | |
like that and squirted it right in Lorraine's face. | 0:33:53 | 0:33:56 | |
-That's what she did to me! -Yeah! | 0:33:56 | 0:33:58 | |
It's like a mating call. | 0:34:01 | 0:34:03 | |
APPLAUSE | 0:34:03 | 0:34:05 | |
But they do. They get so protective. | 0:34:05 | 0:34:07 | |
-They really do. -And territorial. | 0:34:07 | 0:34:08 | |
Oh, you're talking about monkeys again? OK! | 0:34:08 | 0:34:10 | |
The other thing chimpanzees do, | 0:34:12 | 0:34:14 | |
of course, is a thing called pant-hooting, which is... | 0:34:14 | 0:34:16 | |
HE HOOTS | 0:34:16 | 0:34:19 | |
HE PANTS | 0:34:21 | 0:34:24 | |
APPLAUSE | 0:34:24 | 0:34:26 | |
When do chimps do that? | 0:34:32 | 0:34:33 | |
When they're very excited. | 0:34:35 | 0:34:36 | |
Is that a happy thing, or a sad thing? | 0:34:38 | 0:34:40 | |
It's a kind of territorial thing. | 0:34:40 | 0:34:43 | |
And it's quite scary. It's defending territory. | 0:34:43 | 0:34:46 | |
-OK. -I feel like I've heard that sound, yeah. | 0:34:46 | 0:34:49 | |
LAUGHTER | 0:34:49 | 0:34:52 | |
I'm sure you have, Sienna! | 0:34:55 | 0:34:57 | |
What are you talking about? Yeah. | 0:34:59 | 0:35:01 | |
Well, look, the thing is, it is a sofa of actors, so, Andy... | 0:35:01 | 0:35:05 | |
Andy, are there any...I wouldn't say tricks, but are there any short-cuts | 0:35:05 | 0:35:09 | |
into playing a great ape? | 0:35:09 | 0:35:12 | |
A great ape. Well... | 0:35:12 | 0:35:14 | |
Well, quadrupedding is a large part of it, OK, | 0:35:14 | 0:35:18 | |
so quadrupedding is walking on all fours, | 0:35:18 | 0:35:21 | |
and I happen to have with me some... | 0:35:21 | 0:35:24 | |
Some arm extensions, which we could all have a go with. | 0:35:24 | 0:35:27 | |
-Oh, right! -And these, in fact, are how we quadruped. | 0:35:27 | 0:35:30 | |
So we can all have a go, and I think we should. | 0:35:30 | 0:35:32 | |
-Would you like to have a go? -No. Not yet. | 0:35:32 | 0:35:35 | |
LAUGHTER | 0:35:35 | 0:35:37 | |
Let me just show you. | 0:35:37 | 0:35:38 | |
Look, and it has motion capture dots on it already. So we can shoot. | 0:35:38 | 0:35:42 | |
So anyway, let me just... | 0:35:42 | 0:35:44 | |
Is this a good place to stand? | 0:35:44 | 0:35:46 | |
-Yeah, or... -This is wicked! | 0:35:46 | 0:35:48 | |
-Wherever you want to go. -OK. | 0:35:48 | 0:35:50 | |
So, first of all, if you're going to get into being an ape, | 0:35:50 | 0:35:53 | |
like if you're a silverback gorilla, | 0:35:53 | 0:35:55 | |
-then you tend to have your backside sticking out. -Wow! | 0:35:55 | 0:35:57 | |
If you're a chimpanzee, then you're tucked in like this. | 0:35:57 | 0:36:00 | |
-So you can choose between a gorilla or a chimpanzee. -Yes. | 0:36:00 | 0:36:02 | |
-Whichever you'd like. -Options, I love options. | 0:36:02 | 0:36:05 | |
-And then you start to walk... -Oh, look at that! -Whoa! -Like that. | 0:36:05 | 0:36:08 | |
APPLAUSE | 0:36:08 | 0:36:10 | |
And then... Then you can learn to kind of accelerate. | 0:36:11 | 0:36:15 | |
And we're all going to do this, so... | 0:36:15 | 0:36:17 | |
So then you can learn to accelerate. | 0:36:17 | 0:36:20 | |
I've got very slippery shoes on, but... | 0:36:20 | 0:36:23 | |
-like that. So... -Whoa! | 0:36:23 | 0:36:24 | |
That's very impressive. | 0:36:24 | 0:36:26 | |
Get Tom. Tom's young. Go on, Tom. | 0:36:26 | 0:36:29 | |
APPLAUSE | 0:36:29 | 0:36:32 | |
-A fellow method actor. -This is for a role in the next film. | 0:36:32 | 0:36:35 | |
You're welcome, guys. | 0:36:35 | 0:36:37 | |
You're going to be so good at this. You're going to be so good at this. | 0:36:39 | 0:36:42 | |
LAUGHTER AND APPLAUSE | 0:36:42 | 0:36:44 | |
-You'll be fine. -You're going to shine. | 0:36:44 | 0:36:47 | |
Good luck. | 0:36:48 | 0:36:50 | |
I'm glad I wore such tight trousers today(!) | 0:36:50 | 0:36:53 | |
How do you beat your chest with these things? | 0:36:53 | 0:36:55 | |
-It's a tough one. -So, hang on... | 0:36:55 | 0:36:57 | |
Gorilla is the arched back. | 0:36:57 | 0:36:58 | |
Oh, look at that, look at that! | 0:36:58 | 0:37:00 | |
Oh, oh, look at him! Oh! | 0:37:00 | 0:37:04 | |
I've gone Spider-Man all of a sudden. | 0:37:04 | 0:37:05 | |
No, that's very Spider-Man. | 0:37:05 | 0:37:07 | |
And what did you say, chimpanzee? What was it? | 0:37:07 | 0:37:09 | |
-You've got to tuck in. -Tuck in with your... | 0:37:09 | 0:37:11 | |
-Tuck in and bend over. There you go. -SIENNA: -Oh, my God! | 0:37:11 | 0:37:14 | |
Do a wolf as a chimp. | 0:37:14 | 0:37:16 | |
HE HOWLS | 0:37:16 | 0:37:18 | |
APPLAUSE | 0:37:18 | 0:37:20 | |
Very good. It was...beautiful, beautiful. | 0:37:20 | 0:37:24 | |
Listen, we're going to have our music now. | 0:37:27 | 0:37:29 | |
Andy Serkis, I know you are a huge fan of our guest tonight, | 0:37:29 | 0:37:35 | |
so I wondered, would Gollum... | 0:37:35 | 0:37:38 | |
Sorry, I'm...like, poking him with a stick, | 0:37:38 | 0:37:40 | |
but I want to get my money's worth. | 0:37:40 | 0:37:42 | |
-Could Gollum introduce this lovely singer? -What? No way! | 0:37:42 | 0:37:46 | |
Do you need to get physically ready for this? | 0:37:46 | 0:37:49 | |
-No. -OK, fine. | 0:37:49 | 0:37:50 | |
-It's all on that... -That idiot board over there. -..that board down there. | 0:37:50 | 0:37:54 | |
OK, here we go, here we go. | 0:37:54 | 0:37:55 | |
GRAHAM CLEARS HIS THROAT | 0:37:55 | 0:37:56 | |
Gollum introducing our music tonight. | 0:37:56 | 0:37:58 | |
-AS GOLLUM: -Well, my precious, | 0:37:58 | 0:38:01 | |
it's time for music, isn't it? | 0:38:01 | 0:38:04 | |
No, it's not! Shut your face! | 0:38:04 | 0:38:06 | |
Yes, it is, precious! | 0:38:07 | 0:38:09 | |
I love this singer for so many years. | 0:38:09 | 0:38:12 | |
No, you did not, precious! | 0:38:12 | 0:38:14 | |
I did! | 0:38:14 | 0:38:15 | |
What's her name, precious? | 0:38:16 | 0:38:18 | |
Her name is Alison Moyet! | 0:38:18 | 0:38:22 | |
Yes, performing The Rarest Birds, it is Alison Moyet! | 0:38:23 | 0:38:27 | |
CHEERING AND APPLAUSE | 0:38:27 | 0:38:30 | |
# In this town | 0:38:33 | 0:38:35 | |
# Forget who you are | 0:38:35 | 0:38:39 | |
# Remembering who you were meant to be | 0:38:39 | 0:38:44 | |
# Find yourself bearing easy | 0:38:46 | 0:38:53 | |
# Mercury aside a Lurex sea | 0:38:53 | 0:39:00 | |
# Such cloth is this | 0:39:00 | 0:39:06 | |
# It's thread for a party dress | 0:39:07 | 0:39:13 | |
# The lights are strung like pearls | 0:39:19 | 0:39:23 | |
# So offer your throat | 0:39:23 | 0:39:26 | |
# And if we hang, then we hang in the stars | 0:39:26 | 0:39:31 | |
# Take my hand and come | 0:39:32 | 0:39:35 | |
# Be the hostess girl | 0:39:35 | 0:39:38 | |
# Skip a grace note on your heel | 0:39:38 | 0:39:42 | |
# To whichever hymn you please | 0:39:42 | 0:39:46 | |
# For the rarest birds are these | 0:39:48 | 0:39:53 | |
# Navigate the city walks | 0:39:56 | 0:40:01 | |
# By dove-grey gum constellations | 0:40:02 | 0:40:08 | |
# There The Twins and there The Plough | 0:40:09 | 0:40:16 | |
# And now | 0:40:17 | 0:40:20 | |
# I'm at your door | 0:40:20 | 0:40:23 | |
# Seeing you through your window | 0:40:25 | 0:40:29 | |
# Fixing your hair for grey | 0:40:29 | 0:40:32 | |
# Pulling at your face | 0:40:33 | 0:40:37 | |
# Trying not to frown | 0:40:37 | 0:40:40 | |
# Like this | 0:40:41 | 0:40:44 | |
# And you hold up your party dress | 0:40:45 | 0:40:50 | |
# The lights on strings like pearls | 0:40:57 | 0:41:01 | |
# Let's take on the night | 0:41:01 | 0:41:04 | |
# And if we hang, then we hang in the stars | 0:41:04 | 0:41:08 | |
# Hold my hand and come | 0:41:10 | 0:41:12 | |
# Be the fairground girl | 0:41:12 | 0:41:16 | |
# We can walk the fairground town tonight | 0:41:16 | 0:41:20 | |
# Hung up by a breeze | 0:41:20 | 0:41:24 | |
# As high as you please | 0:41:27 | 0:41:31 | |
# Hiss the kittens away | 0:41:34 | 0:41:37 | |
# They'll know something some day | 0:41:37 | 0:41:41 | |
# It's only ground that they see | 0:41:41 | 0:41:45 | |
# For the rarest birds are these | 0:41:47 | 0:41:52 | |
# To whichever sky they please. # | 0:41:54 | 0:42:01 | |
CHEERING AND APPLAUSE | 0:42:04 | 0:42:08 | |
Alison Moyet, everybody! | 0:42:09 | 0:42:11 | |
Beautiful song. Come on, join us, do! | 0:42:11 | 0:42:14 | |
Oh, so lovely to see you. | 0:42:14 | 0:42:17 | |
Gorgeous single, darling. Mwah and mwah! | 0:42:18 | 0:42:20 | |
Come over and meet everybody! | 0:42:20 | 0:42:22 | |
Alison, there you go. | 0:42:22 | 0:42:25 | |
That's Tom, Sienna, | 0:42:25 | 0:42:26 | |
Mark, Andy, Woody. | 0:42:26 | 0:42:29 | |
There they all are. | 0:42:29 | 0:42:30 | |
-Pleased to meet everyone. -Nice to meet you. -There we go. | 0:42:33 | 0:42:35 | |
Yes! Say hello. There you go. Oh! | 0:42:35 | 0:42:38 | |
-Hello. -Oh, lovely! -That was lovely. | 0:42:38 | 0:42:40 | |
I'm getting them all! Fantastic. | 0:42:41 | 0:42:43 | |
APPLAUSE | 0:42:43 | 0:42:45 | |
That, of course, was The Rarest Birds. | 0:42:45 | 0:42:48 | |
The Rarest Birds, which is the latest single off your new album, | 0:42:48 | 0:42:51 | |
-Other... -Yes. -..which is out now. | 0:42:51 | 0:42:53 | |
You must be thrilled, it's been so well received, this album. | 0:42:53 | 0:42:55 | |
-Yeah. It's been bonkers. It's been great. -Yeah. | 0:42:55 | 0:42:57 | |
You can only affect your output. | 0:42:57 | 0:42:59 | |
You can't assume you're going to get anything, | 0:42:59 | 0:43:01 | |
so when it comes back, it's great. | 0:43:01 | 0:43:02 | |
Yeah, but this seems like, | 0:43:02 | 0:43:03 | |
I was saying to you, this seems like an album that YOU wanted to do - | 0:43:03 | 0:43:06 | |
no-one was saying, "I think you should do this way," or... | 0:43:06 | 0:43:08 | |
To be honest, they're always the albums I want to do, | 0:43:08 | 0:43:11 | |
it's just sometimes I choose wrong, that's all! | 0:43:11 | 0:43:12 | |
LAUGHTER | 0:43:12 | 0:43:14 | |
-You got it right. -Every mistake I've got to own, you know. | 0:43:14 | 0:43:17 | |
And we must say, with trepidation, I suppose, after 30 years... | 0:43:17 | 0:43:20 | |
30 years, you have bitten the bullet, | 0:43:20 | 0:43:22 | |
and you're going on a world tour. | 0:43:22 | 0:43:24 | |
Yeah. | 0:43:24 | 0:43:26 | |
CHEERING AND APPLAUSE | 0:43:26 | 0:43:27 | |
Now...are you going to enjoy that? | 0:43:29 | 0:43:31 | |
No, I love it. Touring is my favourite thing, | 0:43:31 | 0:43:34 | |
but I must say that even though... | 0:43:34 | 0:43:36 | |
You have avoided it for 30 years, for something you really enjoy. | 0:43:36 | 0:43:38 | |
I've done loads of touring, I just haven't gone far afield. | 0:43:38 | 0:43:41 | |
This time I thought, you know, it's as good as it's going to get. | 0:43:41 | 0:43:44 | |
Sooner or later it's going to go, so I might as well, | 0:43:44 | 0:43:46 | |
when I'm at the top of my game, my live game, I might as well do it. | 0:43:46 | 0:43:49 | |
When does it all kick off? | 0:43:49 | 0:43:50 | |
Don't ask me. September, I think. | 0:43:50 | 0:43:52 | |
-You'll be there! You'll be there. -I'll be there, yeah. | 0:43:52 | 0:43:54 | |
Thank you so much for that. Alison Moyet! | 0:43:54 | 0:43:57 | |
CHEERING AND APPLAUSE | 0:43:57 | 0:43:59 | |
OK, that's nearly it for tonight. | 0:43:59 | 0:44:00 | |
Before we go, we just have time for a quick visit to the big red chair. | 0:44:00 | 0:44:04 | |
Who's there? Hello! | 0:44:04 | 0:44:05 | |
-Hello! -Hi! What's your name? | 0:44:05 | 0:44:07 | |
-Diane. -Diane, lovely. And where are you from, Diane? | 0:44:07 | 0:44:09 | |
Narborough in Leicestershire. | 0:44:09 | 0:44:11 | |
-Lovely, and what do you do? -I'm a retail insight manager. | 0:44:11 | 0:44:14 | |
What does that mean? | 0:44:14 | 0:44:15 | |
I do DVD release reports and insight reports | 0:44:15 | 0:44:18 | |
for a lot of the film studios. | 0:44:18 | 0:44:20 | |
I'm no wiser! OK... | 0:44:20 | 0:44:21 | |
Off you go with your story, Diane. | 0:44:23 | 0:44:25 | |
Many moons ago, I used to rent a room in a house with three guys, | 0:44:25 | 0:44:29 | |
which had its benefits, but one downfall was | 0:44:29 | 0:44:31 | |
somebody used to eat all my food, | 0:44:31 | 0:44:34 | |
so on one occasion, I was pouring a bowl of cereal out, | 0:44:34 | 0:44:37 | |
and there was no fruit in my cereal. | 0:44:37 | 0:44:38 | |
-It was supposed to be a strawberry fruited cereal, so... -OK. | 0:44:38 | 0:44:41 | |
You've got the power. You've got the power. | 0:44:44 | 0:44:47 | |
It's addictive, isn't it? | 0:44:47 | 0:44:49 | |
-It's so fun! -It's addictive! Boom! | 0:44:49 | 0:44:52 | |
Such a power seat! | 0:44:52 | 0:44:55 | |
Shall we get another one? Shall we do another one? | 0:44:55 | 0:44:57 | |
-Yeah. -Let's get another one! | 0:44:57 | 0:44:59 | |
-Hello. -Hi there. | 0:44:59 | 0:45:00 | |
Yank that one! | 0:45:02 | 0:45:04 | |
What's your name, sir? | 0:45:04 | 0:45:05 | |
-Oliver James. -Oh, lovely. | 0:45:05 | 0:45:07 | |
Are you sure? | 0:45:07 | 0:45:08 | |
What do you do, Oliver James? | 0:45:08 | 0:45:10 | |
I'm at Brighton Uni. I study wine. | 0:45:10 | 0:45:12 | |
You study wine... You can do that at university? | 0:45:12 | 0:45:14 | |
-Yeah. -Oh, that's just... | 0:45:14 | 0:45:16 | |
That should not be encouraged. | 0:45:19 | 0:45:21 | |
Is that a thing? | 0:45:23 | 0:45:25 | |
-Not that I've heard of. -That can't be a university course, can it? | 0:45:25 | 0:45:28 | |
-Isn't it like a... -A sommelier? -A sauvignon? Is that what it's called? | 0:45:28 | 0:45:32 | |
-Sommelier. -Yeah, that's the one. Whoops! | 0:45:32 | 0:45:35 | |
Do that at catering college, don't you? | 0:45:35 | 0:45:37 | |
"A sauvignon blanc?" | 0:45:37 | 0:45:38 | |
-Yeah, "Some of that, love?" -Yeah. I'll have some of that. Yeah. | 0:45:38 | 0:45:43 | |
Shall we try one more? | 0:45:43 | 0:45:44 | |
OK, one more. Hello! | 0:45:44 | 0:45:45 | |
-G'day, Graham. -Hello. What's your name? | 0:45:45 | 0:45:47 | |
-Sean. -Sean, and are you an Aussie? | 0:45:47 | 0:45:50 | |
-I am. -I'm getting good at this. I used to not know. | 0:45:50 | 0:45:53 | |
And whereabouts in Australia... Do you live here now, or there? | 0:45:53 | 0:45:56 | |
-I live here now. -OK, and what do you do? | 0:45:56 | 0:45:58 | |
-Accountant. -An accountant? -Yeah. | 0:45:58 | 0:46:00 | |
Do you want to ask me what it's about? | 0:46:00 | 0:46:02 | |
Oh! | 0:46:04 | 0:46:05 | |
The cupboard is bare! | 0:46:09 | 0:46:10 | |
Well done, everyone. | 0:46:10 | 0:46:12 | |
If you'd like to join us on the show and have a go in that red chair, | 0:46:12 | 0:46:15 | |
you can contact us via our website at this very address. | 0:46:15 | 0:46:18 | |
That's it for tonight. Please say thank you to my guests - | 0:46:18 | 0:46:20 | |
Alison Moyet! | 0:46:20 | 0:46:22 | |
APPLAUSE | 0:46:22 | 0:46:24 | |
Tom Holland! | 0:46:24 | 0:46:25 | |
APPLAUSE | 0:46:25 | 0:46:27 | |
Sienna Miller! | 0:46:27 | 0:46:28 | |
APPLAUSE | 0:46:28 | 0:46:29 | |
Mark Wahlberg! | 0:46:29 | 0:46:31 | |
APPLAUSE | 0:46:31 | 0:46:32 | |
Andy Serkis! | 0:46:32 | 0:46:34 | |
APPLAUSE | 0:46:34 | 0:46:35 | |
And Woody Harrelson! | 0:46:35 | 0:46:36 | |
APPLAUSE | 0:46:36 | 0:46:38 | |
Please join me next week with pop group Haim, | 0:46:38 | 0:46:40 | |
Oscar winner Jamie Foxx, | 0:46:40 | 0:46:42 | |
the hilarious Steve Carrell, and Kristen Wiig, | 0:46:42 | 0:46:44 | |
and the legend that is Dame Judi Dench. | 0:46:44 | 0:46:46 | |
I'll see you then! Goodnight, everybody. Bye-bye! | 0:46:46 | 0:46:49 |