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Hello, my name's Anthony Joshua, heavyweight champion of the world, | 0:00:02 | 0:00:05 | |
-and this is The Graham Norton Show. -Let's start the show! | 0:00:05 | 0:00:09 | |
CHEERING AND APPLAUSE | 0:00:13 | 0:00:15 | |
Oh! Oh! | 0:00:27 | 0:00:30 | |
Hello! | 0:00:34 | 0:00:36 | |
Hello, everybody. Good evening. Good evening. | 0:00:36 | 0:00:40 | |
You're very welcome to the show. The election's over! | 0:00:40 | 0:00:44 | |
CHEERING | 0:00:44 | 0:00:47 | |
No more leaders' debates! | 0:00:47 | 0:00:49 | |
CHEERING | 0:00:49 | 0:00:50 | |
Now we can get on with Brexit. | 0:00:50 | 0:00:52 | |
Oh. | 0:00:52 | 0:00:54 | |
LAUGHTER | 0:00:54 | 0:00:56 | |
Hey, what a result! | 0:00:56 | 0:00:59 | |
LAUGHTER | 0:00:59 | 0:01:01 | |
Didn't see that coming, no. | 0:01:01 | 0:01:04 | |
Look, we're recording this on Thursday night so I don't know | 0:01:04 | 0:01:07 | |
what's happened. I just don't know. | 0:01:07 | 0:01:09 | |
I hope everyone's satisfied with the result. | 0:01:09 | 0:01:11 | |
So, election aside, it has been another very trying week for | 0:01:11 | 0:01:15 | |
the UK with the horrific events last weekend, | 0:01:15 | 0:01:18 | |
just around the corner here on London Bridge. | 0:01:18 | 0:01:20 | |
Obviously our hearts go out to everyone affected | 0:01:20 | 0:01:22 | |
by that awful attack, but as dark as Saturday was, | 0:01:22 | 0:01:25 | |
I don't know about you, | 0:01:25 | 0:01:26 | |
I just thought it was so brilliant to see the way that London reacted | 0:01:26 | 0:01:30 | |
and people just got up and got on with their business | 0:01:30 | 0:01:33 | |
and you're all here tonight and that's fantastic. | 0:01:33 | 0:01:35 | |
London is unstoppable! | 0:01:35 | 0:01:37 | |
CHEERING | 0:01:37 | 0:01:40 | |
And, you know, it was wonderful to see all the support that | 0:01:43 | 0:01:48 | |
London got from around the world. | 0:01:48 | 0:01:50 | |
Well, I say "all around the world" - who needs scumbag terrorists | 0:01:50 | 0:01:54 | |
as enemies when London has friends like this? | 0:01:54 | 0:01:57 | |
Yes. | 0:01:57 | 0:01:59 | |
Donnie Trump found time in his busy schedule to pick a fight on | 0:01:59 | 0:02:03 | |
Twitter with London Mayor Sadiq Khan over his response to the attacks. | 0:02:03 | 0:02:07 | |
It's called a "Twitter spat", although I believe, | 0:02:07 | 0:02:10 | |
when Trump's involved, you shorten it to "twat." | 0:02:10 | 0:02:13 | |
LAUGHTER | 0:02:13 | 0:02:15 | |
I mean, you know, like, seriously, is there anybody who wants | 0:02:15 | 0:02:19 | |
Trump to stay up all night tweeting instead of just going to bed? | 0:02:19 | 0:02:23 | |
LAUGHTER | 0:02:23 | 0:02:27 | |
Apart from you. | 0:02:27 | 0:02:29 | |
Duly noted, Melania. | 0:02:29 | 0:02:32 | |
So, only a couple of months | 0:02:32 | 0:02:33 | |
until Trump's planned state trip to London. | 0:02:33 | 0:02:38 | |
Good luck with that! | 0:02:38 | 0:02:40 | |
We'll be waiting for you. | 0:02:40 | 0:02:42 | |
It'll be awful! | 0:02:42 | 0:02:44 | |
Some people are saying that the visit shouldn't happen at all | 0:02:44 | 0:02:48 | |
and that hell will freeze over before Trump comes to this country. | 0:02:48 | 0:02:51 | |
The bad news is, since Trump pulled America out of | 0:02:51 | 0:02:53 | |
the Paris climate agreement, hell could freeze over | 0:02:53 | 0:02:56 | |
sooner that we think. | 0:02:56 | 0:02:57 | |
Listen, we've got a great show for you tonight | 0:02:57 | 0:02:59 | |
and lots of guests to get on. | 0:02:59 | 0:03:00 | |
Later, we'll be meeting Sherlock and Hobbit star | 0:03:00 | 0:03:02 | |
Martin Freeman! He's here! | 0:03:02 | 0:03:05 | |
He'll be talking about his new West End comedy. | 0:03:05 | 0:03:08 | |
And we'll have music from pop sensation Shawn Mendes! | 0:03:08 | 0:03:11 | |
CHEERING | 0:03:11 | 0:03:13 | |
Yes, Shawn Mendes! | 0:03:13 | 0:03:14 | |
Performing his new single There's Nothing Holdin' Me Back. | 0:03:14 | 0:03:17 | |
But first... WHOOPING | 0:03:17 | 0:03:19 | |
Yeah, all right, all right. | 0:03:19 | 0:03:20 | |
Bur first, we know him from The Inbetweeners, | 0:03:20 | 0:03:23 | |
Cuckoo and Man Down. | 0:03:23 | 0:03:24 | |
I think it's fair to say he's the biggest comedian in the UK - | 0:03:24 | 0:03:26 | |
it's the hilarious Greg Davies! | 0:03:26 | 0:03:29 | |
CHEERING | 0:03:29 | 0:03:31 | |
Hello! Hi! | 0:03:31 | 0:03:33 | |
DROWNED OUT BY APPLAUSE | 0:03:33 | 0:03:37 | |
Now, this British boxer is a Olympic gold medallist and MBE | 0:03:40 | 0:03:44 | |
and a true gentleman of the sport. | 0:03:44 | 0:03:47 | |
Please welcome the heavyweight champion of the world, | 0:03:47 | 0:03:50 | |
it's Anthony Joshua! | 0:03:50 | 0:03:52 | |
CHEERING | 0:03:52 | 0:03:55 | |
There you go! Hello! | 0:03:55 | 0:03:56 | |
Happy to see you. Really good to see you. Anthony, Greg. | 0:03:56 | 0:04:00 | |
And this Oscar-winning actress has become one of our finest | 0:04:03 | 0:04:07 | |
leading ladies. | 0:04:07 | 0:04:08 | |
Now playing the femme fatale in new thriller My Cousin Rachel, | 0:04:08 | 0:04:11 | |
welcome back Rachel Weisz! | 0:04:11 | 0:04:14 | |
CHEERING | 0:04:14 | 0:04:17 | |
Hello! | 0:04:17 | 0:04:19 | |
DROWNED OUT BY APPLAUSE | 0:04:19 | 0:04:23 | |
-Lovely to see you again. -Nice to see you again. | 0:04:25 | 0:04:29 | |
-You just did all that. -Yeah, we just met out there. | 0:04:29 | 0:04:31 | |
Do you feel like the smallest person on planet Earth? | 0:04:31 | 0:04:34 | |
If I took my heels off... I'd be your height. | 0:04:34 | 0:04:38 | |
LAUGHTER | 0:04:38 | 0:04:41 | |
Let's all sit down. | 0:04:41 | 0:04:44 | |
-Big heels. -That is early for a burn. -I know! | 0:04:44 | 0:04:47 | |
I assumed you'd be taller than him but you are even taller than him. | 0:04:47 | 0:04:52 | |
Yes - yet again, I've been brought on the show as eye candy. | 0:04:52 | 0:04:56 | |
LAUGHTER | 0:04:56 | 0:04:59 | |
-But they are impressively large. -They are. | 0:04:59 | 0:05:03 | |
-Both of them. -Yes. -Thank you. | 0:05:03 | 0:05:06 | |
I think Greg might be blushing. | 0:05:06 | 0:05:10 | |
Blood pressure. | 0:05:10 | 0:05:12 | |
Waving his 14s about down here as well. | 0:05:12 | 0:05:15 | |
-You both carry it very well. -Do you think? -Yes. I do. | 0:05:15 | 0:05:20 | |
-That's very sweet of you. -They do. Don't they? | 0:05:20 | 0:05:23 | |
No, because the thing about being tall, | 0:05:23 | 0:05:25 | |
whenever you meet people, like us tonight, | 0:05:25 | 0:05:28 | |
you kind of dwarf people. | 0:05:28 | 0:05:30 | |
Here's a lovely picture of Anthony, | 0:05:30 | 0:05:32 | |
-you were at the Glamour Awards during the week. -Yes. | 0:05:32 | 0:05:36 | |
LAUGHTER | 0:05:36 | 0:05:38 | |
-Oh, my gosh. -I mean... | 0:05:38 | 0:05:42 | |
-That was Geri Halliwell from Spice Girls. -Oh! -Yes. | 0:05:42 | 0:05:47 | |
It looks like a toddler has strolled up to you... | 0:05:47 | 0:05:51 | |
to ask for an autograph. | 0:05:51 | 0:05:53 | |
-But you have a weird Geri Halliwell connection, don't you? -Years ago. | 0:05:53 | 0:05:56 | |
I grew up in the Meriden estate and she lives in Hertfordshire. | 0:05:56 | 0:06:00 | |
And we lived in a cul-de-sac and our neighbour a few doors up... | 0:06:00 | 0:06:04 | |
Like, you know how it is, she was massive in the Spice Girls | 0:06:04 | 0:06:07 | |
and I heard she was across the road | 0:06:07 | 0:06:08 | |
and I was a superfan at around ten years old, eight years old. | 0:06:08 | 0:06:11 | |
And I ran over and I've still got my photo album | 0:06:11 | 0:06:14 | |
so I've got the picture of me and her. | 0:06:14 | 0:06:16 | |
And I see her then at the Glamour Awards and... | 0:06:16 | 0:06:18 | |
Either you act like the big, cool guy, | 0:06:18 | 0:06:20 | |
like, "Yeah, yeah, how's it going, Geri, you all right?" | 0:06:20 | 0:06:22 | |
But I was honest with her. | 0:06:22 | 0:06:24 | |
"I met you when I was ten years old," | 0:06:24 | 0:06:26 | |
and it was nice to bring back that connection | 0:06:26 | 0:06:28 | |
cos she's still friends with my old neighbours. | 0:06:28 | 0:06:30 | |
Were you her height when you were ten? | 0:06:30 | 0:06:33 | |
Still dwarfing her at ten years old. | 0:06:33 | 0:06:36 | |
-Were you really tall at ten? -Yeah, really skinny and tall. | 0:06:36 | 0:06:39 | |
-Wow. -Me too. | 0:06:39 | 0:06:42 | |
LAUGHTER | 0:06:42 | 0:06:45 | |
This is devastating for my self-esteem. | 0:06:45 | 0:06:49 | |
But the thing is, boxing does have a really diverse group of fans. | 0:06:49 | 0:06:52 | |
So you're waiting... | 0:06:52 | 0:06:54 | |
I think you were in Wembley Stadium, waiting to go on, | 0:06:54 | 0:06:56 | |
and you got FaceTimed. | 0:06:56 | 0:06:58 | |
Who FaceTimed you? | 0:06:58 | 0:06:59 | |
It was interesting cos I was getting physio, | 0:06:59 | 0:07:01 | |
just getting the final bits and bobs done and I've listened to hip-hop | 0:07:01 | 0:07:04 | |
the majority of my life and Dr Dre... | 0:07:04 | 0:07:07 | |
We worked with Beats by Dre and all that stuff and... | 0:07:07 | 0:07:11 | |
It's not someone you expect to call you. | 0:07:11 | 0:07:13 | |
You only expect to work with the team who kind of help push | 0:07:13 | 0:07:15 | |
a brand and stuff. And they were like, "Come to the kitchen, | 0:07:15 | 0:07:18 | |
"someone's on the phone, they need to speak to you." | 0:07:18 | 0:07:21 | |
So I'm like, "Goodness sake, leave me alone, man. | 0:07:21 | 0:07:23 | |
"I'm trying to do my physio." | 0:07:23 | 0:07:25 | |
And I walk in and I'm eating my sandwich and Dr Dre's on the phone. | 0:07:25 | 0:07:29 | |
I don't know who you look up to or who your music icons are, | 0:07:29 | 0:07:32 | |
but Dr Dre was one of mine and it was unbelievable to have him on | 0:07:32 | 0:07:35 | |
the FaceTime talking to me. | 0:07:35 | 0:07:37 | |
What did he say? Just like, "Good luck"? | 0:07:37 | 0:07:40 | |
He speaks in a very well... | 0:07:40 | 0:07:44 | |
"Hello, it's Dre here." | 0:07:44 | 0:07:46 | |
LAUGHTER | 0:07:46 | 0:07:48 | |
"I want to wish you a lot of luck with the fight." | 0:07:48 | 0:07:52 | |
What did he say? Or is it private? | 0:07:52 | 0:07:54 | |
No, no, just along the lines of... Cos of the type of fight it was, | 0:07:54 | 0:07:58 | |
Klitschko, he reigned for ten years and he's well-known, | 0:07:58 | 0:08:02 | |
and I'm up and coming, I was trying to get his belts, | 0:08:02 | 0:08:05 | |
so he had heard about the fight... | 0:08:05 | 0:08:08 | |
I heard that you've never been knocked down, is that accurate? | 0:08:08 | 0:08:11 | |
Yeah, yeah, in the professional ranks. | 0:08:11 | 0:08:13 | |
And Klitschko, he threw a punch and it whizzed past me | 0:08:13 | 0:08:17 | |
and I slipped, actually. | 0:08:17 | 0:08:19 | |
So I didn't actually go down, I slipped. | 0:08:19 | 0:08:21 | |
LAUGHTER Wow. | 0:08:21 | 0:08:23 | |
-No, he hit me, I didn't even see it coming. -Do you want to see a clip? | 0:08:23 | 0:08:27 | |
LAUGHTER | 0:08:27 | 0:08:31 | |
I watched Anthony's fight on my own in my flat and when he "slipped" | 0:08:31 | 0:08:38 | |
and went down, I went, "He's hurt!" | 0:08:38 | 0:08:42 | |
LAUGHTER AND APPLAUSE | 0:08:42 | 0:08:45 | |
On my own. Tragic. | 0:08:45 | 0:08:48 | |
Now, listen, Rachel Weisz brings us a Gothic romance, My Cousin Rachel. | 0:08:48 | 0:08:51 | |
It opens tonight and before we talk about, | 0:08:51 | 0:08:54 | |
-here's a taste of the film from the trailer. -OK. | 0:08:54 | 0:08:57 | |
I've been doing a little asking around. | 0:08:57 | 0:09:00 | |
She's notorious for unbridled extravagance | 0:09:00 | 0:09:03 | |
and a limitless appetite. | 0:09:03 | 0:09:06 | |
You realise you could lose everything. | 0:09:06 | 0:09:09 | |
I'm willing to take that risk. | 0:09:09 | 0:09:12 | |
Rachel! Rachel! | 0:09:12 | 0:09:15 | |
You're completely infatuated with your cousin, are you not? | 0:09:15 | 0:09:19 | |
How long have you been lying to me? | 0:09:20 | 0:09:22 | |
Where is she?! | 0:09:24 | 0:09:26 | |
The only thing that I lacked... | 0:09:29 | 0:09:31 | |
-Oh, my God. -..was you. | 0:09:31 | 0:09:33 | |
In what might be considered almost lazy casting, | 0:09:41 | 0:09:45 | |
in My Cousin Rachel, you are playing Rachel. | 0:09:45 | 0:09:47 | |
-I am. -And Rachel, she is an amazing character, I imagine, | 0:09:47 | 0:09:52 | |
for an actress, cos she's either a real piece of work or, just, | 0:09:52 | 0:09:57 | |
a sort of heart-broken lady. | 0:09:57 | 0:09:59 | |
-Exactly. -So...where do you stand on it? Discuss. | 0:09:59 | 0:10:03 | |
Well, when I first read the script I got to the end of it | 0:10:03 | 0:10:07 | |
and I called the director, who also adapted it from the novel, | 0:10:07 | 0:10:10 | |
and I said, "Did she or didn't she?" | 0:10:10 | 0:10:12 | |
What she's accused of is having murdered her husband and now | 0:10:12 | 0:10:16 | |
slowly poising this young man that Sam Claflin plays. | 0:10:16 | 0:10:19 | |
So I called Roger and I said, "Did she or didn't she?" | 0:10:19 | 0:10:22 | |
And he said, "I don't know. | 0:10:22 | 0:10:23 | |
"That's why I like it. It's a mystery." | 0:10:23 | 0:10:26 | |
I had to make a decision in order to play her, | 0:10:26 | 0:10:29 | |
as to what she was up to, but I didn't ever tell anyone. | 0:10:29 | 0:10:33 | |
-You must have talked about it all the time on set. -Never. | 0:10:33 | 0:10:36 | |
-No? -No. -How weird. | 0:10:36 | 0:10:39 | |
So the idea is she comes back to Britain | 0:10:39 | 0:10:44 | |
and she has the possibility of being very wealthy. | 0:10:44 | 0:10:49 | |
Yes. So her husband's died, apparently from a brain tumour, | 0:10:49 | 0:10:53 | |
and he got very paranoid towards the end of his life and thought | 0:10:53 | 0:10:57 | |
that I was trying to hurt him. | 0:10:57 | 0:10:59 | |
But I've come as a widow to England to see the young man | 0:10:59 | 0:11:02 | |
who was his ward, his cousin, but I...possibly could be coming | 0:11:02 | 0:11:08 | |
to poison him and to get all of his money and all of his jewels. | 0:11:08 | 0:11:12 | |
Cos he has a bank vault full of jewels. | 0:11:12 | 0:11:14 | |
Or I could just be a woman who's looking for a safe harbour, | 0:11:14 | 0:11:19 | |
who's misunderstood - cos she's quite modern, | 0:11:19 | 0:11:21 | |
she's quite sexually liberated and she doesn't believe that | 0:11:21 | 0:11:24 | |
you should be just owned by your husband, | 0:11:24 | 0:11:26 | |
she believes that you might possibly work for a living. | 0:11:26 | 0:11:28 | |
-Very shocking in the 19th century. -Yeah. | 0:11:28 | 0:11:31 | |
So, yeah, she could be just a misunderstood modern woman or | 0:11:31 | 0:11:33 | |
she could be a manipulative femme fatale poisoner. | 0:11:33 | 0:11:37 | |
And in the thing we saw - the "thing", | 0:11:37 | 0:11:40 | |
-in that thing, you know, the telly. -..Yeah. | 0:11:40 | 0:11:42 | |
..we saw some horses and things. | 0:11:42 | 0:11:45 | |
Now, you look, in the movie, like a very experienced... | 0:11:45 | 0:11:49 | |
-Are you doing the riding in the film? -Yeah. | 0:11:49 | 0:11:52 | |
And didn't your horse have history? | 0:11:52 | 0:11:54 | |
Oh. Yes. | 0:11:54 | 0:11:57 | |
I think I know what you mean, | 0:11:57 | 0:11:59 | |
-that it had been trained on Game Of Thrones. -Yes. | 0:11:59 | 0:12:02 | |
And it had been taught by Camilla, she's a brilliant horsewoman | 0:12:02 | 0:12:07 | |
and she works for a company called Devils Horsemen. | 0:12:07 | 0:12:10 | |
They're fantastic horses, | 0:12:10 | 0:12:11 | |
I don't want to make it sound like it was dangerous | 0:12:11 | 0:12:14 | |
but it was really dangerous. | 0:12:14 | 0:12:16 | |
Apparently this horse had been trained to die, | 0:12:17 | 0:12:20 | |
so if you pulled his left rein very hard, | 0:12:20 | 0:12:23 | |
he would very elegantly collapse his front legs, | 0:12:23 | 0:12:26 | |
his back legs, and lie down. | 0:12:26 | 0:12:27 | |
And these are great, big, giant thoroughbred stallions, | 0:12:27 | 0:12:30 | |
you know, bigger than you both. | 0:12:30 | 0:12:32 | |
LAUGHTER | 0:12:32 | 0:12:36 | |
Oh, now I get it, OK. | 0:12:36 | 0:12:39 | |
Some perspective there. | 0:12:39 | 0:12:41 | |
They were big. It was a big fella. | 0:12:41 | 0:12:44 | |
So I cantered out of the shot and pulled the left rein | 0:12:44 | 0:12:48 | |
and he just died on his left side and I was on the left side, | 0:12:48 | 0:12:52 | |
so he died on me. | 0:12:52 | 0:12:53 | |
It wasn't unpainful, but it was OK. | 0:12:53 | 0:12:56 | |
-Yeah? -We got up and it was OK but everything went silent. | 0:12:56 | 0:13:01 | |
-You know that silence that comes over things? -Yeah. | 0:13:01 | 0:13:04 | |
People just going, "Oops. This isn't going to end well." | 0:13:04 | 0:13:09 | |
An entire horse on Rachel Weisz. | 0:13:09 | 0:13:11 | |
But you've had the common problem of frisky horses, haven't you? | 0:13:11 | 0:13:15 | |
There are different kinds of thoroughbred stallions. | 0:13:15 | 0:13:18 | |
There are those that have been, um... | 0:13:18 | 0:13:20 | |
-I don't know the technical term. -Gelded. -Gelded, thank you. | 0:13:20 | 0:13:23 | |
I didn't want to say castrated. Gelded. | 0:13:23 | 0:13:26 | |
-They do not have their testicles. -We've got it! | 0:13:26 | 0:13:29 | |
We're all up to speed. | 0:13:29 | 0:13:32 | |
We got castrated, gelded - we're on it. | 0:13:32 | 0:13:36 | |
If people aren't following the story now... | 0:13:36 | 0:13:39 | |
I'm trying to use the best, sort of, PG words. | 0:13:39 | 0:13:43 | |
Science words. | 0:13:43 | 0:13:45 | |
So if they have not been gelded, | 0:13:45 | 0:13:47 | |
they're extremely sensitive to the smells of other horses. | 0:13:47 | 0:13:51 | |
Actually, male horses or female horses, | 0:13:51 | 0:13:53 | |
they don't care, they smell horse and they get, basically, just... | 0:13:53 | 0:13:59 | |
really enormous erections. | 0:13:59 | 0:14:02 | |
LAUGHTER | 0:14:02 | 0:14:04 | |
Which, in a 19th century film, is just not appropriate! | 0:14:04 | 0:14:08 | |
You feel like someone should mention it. | 0:14:08 | 0:14:11 | |
-Yes. -People just chatting on. | 0:14:11 | 0:14:13 | |
But actually, Camilla had a couple of ways of making it go away | 0:14:13 | 0:14:19 | |
but the one that's more mentionable would be... | 0:14:19 | 0:14:22 | |
She got Vicks, you know, | 0:14:22 | 0:14:23 | |
you put on your chest when you've got a cold. | 0:14:23 | 0:14:27 | |
She put it inside the horse's nostrils. | 0:14:27 | 0:14:29 | |
For the smell. | 0:14:29 | 0:14:31 | |
LAUGHTER AND APPLAUSE | 0:14:31 | 0:14:34 | |
For the scent. | 0:14:34 | 0:14:36 | |
Nowhere painful. | 0:14:36 | 0:14:40 | |
I want to know the method you can't mention! | 0:14:41 | 0:14:44 | |
It was just... | 0:14:44 | 0:14:45 | |
-The science. -It was just to... | 0:14:45 | 0:14:50 | |
-Get it done. -..kick it, until... | 0:14:50 | 0:14:52 | |
LAUGHTER | 0:14:52 | 0:14:54 | |
Sounds like a party game - Kick the Cock! | 0:14:56 | 0:14:59 | |
"Come on, kids!" | 0:14:59 | 0:15:01 | |
A professional technique to get rid of a horse's erection | 0:15:01 | 0:15:05 | |
is to kick it in the dick?! | 0:15:05 | 0:15:07 | |
LAUGHTER | 0:15:07 | 0:15:11 | |
Rachel, are you a boxing fan? | 0:15:11 | 0:15:13 | |
I... | 0:15:13 | 0:15:15 | |
That's a no. | 0:15:15 | 0:15:17 | |
Have to speak to the PR team about this. | 0:15:17 | 0:15:20 | |
The truth is I can't watch it because I...I can't handle it | 0:15:20 | 0:15:25 | |
cos it's so real. | 0:15:25 | 0:15:27 | |
It's not... There's nothing pretend about it. | 0:15:27 | 0:15:29 | |
You'd have to come to a show one day. | 0:15:29 | 0:15:31 | |
Even though that's as real as it gets, what's good, | 0:15:31 | 0:15:34 | |
I think - and I'm going to sell it now - | 0:15:34 | 0:15:36 | |
is I just think the entertainment perspective, | 0:15:36 | 0:15:39 | |
really getting involved. | 0:15:39 | 0:15:40 | |
Like, I've met you now and when you meet someone, | 0:15:40 | 0:15:43 | |
I think it makes it a completely different type of fight, | 0:15:43 | 0:15:46 | |
cos you have that connection. "I spoke to that person before." | 0:15:46 | 0:15:49 | |
And then you see them in their job, fighting... | 0:15:49 | 0:15:51 | |
You're not suggesting you have a fight with Rachel, are you? | 0:15:51 | 0:15:55 | |
Celebrity Deathmatch! | 0:15:55 | 0:15:58 | |
-That's a beautiful point, cos I meet you... -It's different. | 0:15:58 | 0:16:01 | |
-Yeah, you're very... -But wouldn't that make it worse? | 0:16:01 | 0:16:04 | |
Because then I'd be like, | 0:16:04 | 0:16:06 | |
"It's my mate Anthony, don't hit him!" | 0:16:06 | 0:16:09 | |
I'd be able to see the pure skill. | 0:16:09 | 0:16:11 | |
If you only see someone fight you think that they're... | 0:16:11 | 0:16:14 | |
I don't know, I find it terrifying. | 0:16:14 | 0:16:17 | |
My husband is a huge, enormous fan of yours | 0:16:17 | 0:16:20 | |
and when the big fight was on a few weeks ago, | 0:16:20 | 0:16:23 | |
I was told that the television was his for that night | 0:16:23 | 0:16:26 | |
and I had to leave the house cos he didn't want me coming in | 0:16:26 | 0:16:28 | |
and going, "Oh, no!" | 0:16:28 | 0:16:30 | |
-But he wanted me to say to you that he's... -Send him my regards as well. | 0:16:30 | 0:16:34 | |
..just a tremendous fan. | 0:16:34 | 0:16:36 | |
-He is. -And send him mine. | 0:16:36 | 0:16:39 | |
LAUGHTER | 0:16:39 | 0:16:41 | |
I know he's a big Man Down fan(!) | 0:16:41 | 0:16:44 | |
But the thing is, tell us this, Anthony, | 0:16:44 | 0:16:46 | |
how many years were there between you putting on gloves | 0:16:46 | 0:16:51 | |
and starting boxing and winning a gold medal at the Olympics? | 0:16:51 | 0:16:55 | |
Putting on gloves and winning was four years. | 0:16:55 | 0:16:59 | |
That's bonkers! | 0:16:59 | 0:17:01 | |
CHEERING AND APPLAUSE | 0:17:01 | 0:17:03 | |
He makes it sound easy! | 0:17:03 | 0:17:05 | |
But surely that's a rare story? | 0:17:08 | 0:17:11 | |
-A regular person couldn't do that. -Anyone can do it, I swear to you. | 0:17:11 | 0:17:15 | |
I'm no different. I was no different. | 0:17:15 | 0:17:18 | |
You were... You do have a natural ability. | 0:17:18 | 0:17:21 | |
Did they know straight away, | 0:17:21 | 0:17:23 | |
when your trainer saw you when you were a kid? | 0:17:23 | 0:17:26 | |
You know how the boxing is, like, let's say, | 0:17:26 | 0:17:28 | |
the old-school boxers, like, cigarette and that, | 0:17:28 | 0:17:30 | |
"He's going to be the heavyweight champion of the world," as soon as | 0:17:30 | 0:17:33 | |
you walk through the door, everyone's going to be champion. | 0:17:33 | 0:17:35 | |
But it's only potential, so it's who sticks with it, | 0:17:35 | 0:17:38 | |
that's what I think is key in boxing. | 0:17:38 | 0:17:40 | |
I think what's interesting is he wasn't a kid. | 0:17:40 | 0:17:42 | |
We hear that story about the ten-year-old | 0:17:42 | 0:17:46 | |
and they're saved from being in gangs and getting into trouble, | 0:17:46 | 0:17:49 | |
but you came to it quite late. | 0:17:49 | 0:17:51 | |
Yeah, that's interesting. | 0:17:51 | 0:17:52 | |
I moved out of Hertfordshire into London and then, yes, | 0:17:52 | 0:17:56 | |
at the time I had more time for myself and I started banging | 0:17:56 | 0:17:59 | |
out the weights, pumping iron. | 0:17:59 | 0:18:01 | |
You know, when you got 30 quid spare from EMA money in college - | 0:18:01 | 0:18:05 | |
I don't know if anyone remembers...? | 0:18:05 | 0:18:07 | |
And you buy one of them Argos bench presses that | 0:18:07 | 0:18:10 | |
has every single kit on it. | 0:18:10 | 0:18:11 | |
And I just started pumping iron and I started training with cousin, | 0:18:11 | 0:18:14 | |
cos he was doing it. We just started training together. | 0:18:14 | 0:18:17 | |
So you were, what, 18 when you turned your life around? | 0:18:17 | 0:18:20 | |
18, yeah, when I started fighting. | 0:18:20 | 0:18:21 | |
Cos I do think it's a properly inspiring story | 0:18:21 | 0:18:24 | |
cos there must be lots of kids out there who found themselves in | 0:18:24 | 0:18:27 | |
a particular situation when they were 17 and 18 and they think | 0:18:27 | 0:18:30 | |
it's too late, "I can't get out of this." | 0:18:30 | 0:18:32 | |
Everyone at different stages, even if you want to start at 27, | 0:18:32 | 0:18:36 | |
it's not about becoming... | 0:18:36 | 0:18:38 | |
I don't see the championship stuff as what's important, | 0:18:38 | 0:18:41 | |
I think how you represent yourself, the stuff you learn, | 0:18:41 | 0:18:44 | |
that's what's important. | 0:18:44 | 0:18:46 | |
So the success isn't just the winning in the ring, | 0:18:46 | 0:18:49 | |
it's what you get out of the sport, I think, | 0:18:49 | 0:18:51 | |
and that's what I like about boxing. | 0:18:51 | 0:18:53 | |
And was there a turning point? | 0:18:53 | 0:18:54 | |
Like, I know you had to spend a couple of weeks on remand | 0:18:54 | 0:18:57 | |
in prison, was that a turning point? | 0:18:57 | 0:18:59 | |
Can you cut that part out? | 0:18:59 | 0:19:00 | |
I'm joking, I'm joking! | 0:19:02 | 0:19:04 | |
I was thinking, "Who told me that?" | 0:19:04 | 0:19:07 | |
I was in the same wing. | 0:19:09 | 0:19:10 | |
LAUGHTER | 0:19:10 | 0:19:13 | |
I don't like to talk about it either. | 0:19:13 | 0:19:15 | |
But was that a proper wake up call for you? | 0:19:16 | 0:19:21 | |
No, no. Cos you still feel invincible. | 0:19:21 | 0:19:24 | |
Everything's about feeling invincible | 0:19:24 | 0:19:27 | |
but I think it was mainly my family name. | 0:19:27 | 0:19:31 | |
As I said, like, the Joshuas, I started realising | 0:19:31 | 0:19:35 | |
that there was that sort of respect - | 0:19:35 | 0:19:36 | |
it wasn't just for me, it branches out into the family, | 0:19:36 | 0:19:39 | |
so through boxing, where I was representing myself properly, | 0:19:39 | 0:19:42 | |
I kind of see the change in how people would treat me. | 0:19:42 | 0:19:45 | |
Instead of treating me with respect out of fear, | 0:19:45 | 0:19:47 | |
they'll treat me with respect out of love. | 0:19:47 | 0:19:50 | |
And that love reflects onto my whole family and that's what I like. | 0:19:50 | 0:19:53 | |
-Do you know...? -Yeah, absolutely. | 0:19:53 | 0:19:54 | |
That's when I started seeing the change. It's one or the other. | 0:19:54 | 0:19:57 | |
Saturday night in the Opera House, | 0:19:57 | 0:20:00 | |
or running around the streets, | 0:20:00 | 0:20:04 | |
and I chose running and now I can balance the two now. | 0:20:04 | 0:20:08 | |
If there are any young kids out there who have got extra money | 0:20:08 | 0:20:11 | |
from their college grants and they're thinking, | 0:20:11 | 0:20:14 | |
-"Shall I spend this on bench pressing or..." -Or books! | 0:20:14 | 0:20:17 | |
"..or shall I have an extra burger every night?" | 0:20:17 | 0:20:20 | |
You can see how those two things... | 0:20:20 | 0:20:22 | |
LAUGHTER AND APPLAUSE | 0:20:22 | 0:20:26 | |
Choices. Choices. | 0:20:26 | 0:20:28 | |
But I love... | 0:20:30 | 0:20:31 | |
You tell that story and then how incredible to think that that boy, | 0:20:31 | 0:20:35 | |
that kid who did that with his money, | 0:20:35 | 0:20:37 | |
just a couple of months ago, there you were, Wembley Stadium, | 0:20:37 | 0:20:40 | |
90,000 people, broke Sky Box Office records, | 0:20:40 | 0:20:44 | |
shown in 140 countries, world heavyweight champion beating | 0:20:44 | 0:20:47 | |
Wladimir Klitschko, it's an incredible, incredible achievement. | 0:20:47 | 0:20:51 | |
CHEERING AND APPLAUSE | 0:20:51 | 0:20:54 | |
Thank you. | 0:20:54 | 0:20:57 | |
The thing that fascinates me - | 0:20:57 | 0:20:59 | |
we've got a still of when you "slipped". | 0:20:59 | 0:21:02 | |
LAUGHTER | 0:21:02 | 0:21:04 | |
-You can see the position I'm in, that "Whoom!" -Yeah. | 0:21:04 | 0:21:07 | |
Some water there, I think. | 0:21:07 | 0:21:09 | |
But when that happens and you find yourself on the canvas, | 0:21:09 | 0:21:14 | |
and that's in the sixth round, you've been boxing for a while, | 0:21:14 | 0:21:18 | |
where do you go to in your head to kind of...? | 0:21:18 | 0:21:20 | |
Cos it must be so hard not to think, "This is over." | 0:21:20 | 0:21:23 | |
You can think that. It's like, | 0:21:23 | 0:21:25 | |
"This is the one thing I didn't train for." | 0:21:25 | 0:21:27 | |
Out of all the stuff I've been training for, | 0:21:27 | 0:21:29 | |
this is the one thing that you don't prepare for, | 0:21:29 | 0:21:31 | |
so you go into that fight-or-flight mode where it's like, | 0:21:31 | 0:21:33 | |
OK, I could either stay on my back and say to myself, | 0:21:33 | 0:21:36 | |
"I've given it my all and I'm happy with coming this far." | 0:21:36 | 0:21:41 | |
Or you go up and fight the extra rounds and you think, | 0:21:41 | 0:21:43 | |
"I want to go that little bit further." | 0:21:43 | 0:21:45 | |
It's just that fight-or-flight mode | 0:21:45 | 0:21:47 | |
cos it's not something you prepare for. | 0:21:47 | 0:21:49 | |
So when you find yourself in that situation, | 0:21:49 | 0:21:51 | |
I think then it becomes about character. | 0:21:51 | 0:21:54 | |
Take away all the stuff you've been taught, | 0:21:54 | 0:21:56 | |
you have to un-teach yourself and go into who are you? | 0:21:56 | 0:21:59 | |
What do you represent? And that's a fight, I'm a fighting man, | 0:21:59 | 0:22:03 | |
so I got up and just carried on scrapping with him. | 0:22:03 | 0:22:05 | |
-And the 11th round, you knocked him down, you get the title. -Yeah. | 0:22:05 | 0:22:09 | |
In the end, was that stamina? | 0:22:09 | 0:22:11 | |
Was that just you being a much younger man? He's 41. | 0:22:11 | 0:22:14 | |
I don't know. | 0:22:14 | 0:22:15 | |
He'd come in unbelievable shape. He was phenomenal, got experience. | 0:22:15 | 0:22:20 | |
And I just think, as I said, cos he was knocked down, | 0:22:20 | 0:22:23 | |
I was knocked down, we were both tired, | 0:22:23 | 0:22:25 | |
I think it was just about character and I think... | 0:22:25 | 0:22:28 | |
It's that spite. You need that spite, you know what I mean? | 0:22:28 | 0:22:32 | |
You know, it's like them horses, | 0:22:32 | 0:22:35 | |
no-one put that Vicks on my nose that fight, you know what I mean? | 0:22:35 | 0:22:39 | |
No-one put Vicks on my nose. | 0:22:39 | 0:22:42 | |
LAUGHTER AND APPLAUSE | 0:22:42 | 0:22:44 | |
That's basically the best way to describe it. | 0:22:44 | 0:22:47 | |
Despite all the success, is it a story | 0:22:47 | 0:22:50 | |
that you still live at home with your mum | 0:22:50 | 0:22:52 | |
or do you actually live at home with your mum? | 0:22:52 | 0:22:54 | |
-No, I live at home with my mum. -AUDIENCE: -Aww! | 0:22:54 | 0:22:56 | |
I hope you're paying her some rent. LAUGHTER | 0:22:56 | 0:23:00 | |
-That was on Wednesday. -Oh, wow. | 0:23:00 | 0:23:04 | |
Thursday was the press conference, Friday, then we fought. | 0:23:04 | 0:23:08 | |
And your mum didn't watch the fight? | 0:23:08 | 0:23:10 | |
Like that. How you feel. | 0:23:10 | 0:23:13 | |
Has she ever been able to watch? | 0:23:13 | 0:23:15 | |
I took her to the Olympics and that was it but, as I said, | 0:23:15 | 0:23:18 | |
I don't think... | 0:23:18 | 0:23:19 | |
Fighting you do for passion, it's not a job career. | 0:23:19 | 0:23:22 | |
So it's not like I'm going to bring my mum to work kind of thing. | 0:23:22 | 0:23:27 | |
-So I do like to keep it separate. -But she approves of the fighting? | 0:23:27 | 0:23:32 | |
Because of the person, how I am now. | 0:23:32 | 0:23:35 | |
It's funny, my dad said to me when I was at secondary school | 0:23:35 | 0:23:40 | |
and I was being bullied, he took me to a room | 0:23:40 | 0:23:45 | |
away from my mum and he said, | 0:23:45 | 0:23:47 | |
"This is when you need to prove that you're a man. | 0:23:47 | 0:23:49 | |
"This is when you need to show strength of character." | 0:23:49 | 0:23:52 | |
Cos he knew it was happening to me. And I really listened to him. | 0:23:52 | 0:23:55 | |
He said, "You turn around and hit a bully once | 0:23:55 | 0:23:58 | |
"and you'll never get hit again." | 0:23:58 | 0:24:00 | |
So I did. The next day I went in and the kid jumped on my back | 0:24:00 | 0:24:04 | |
and I turned around and hit him | 0:24:04 | 0:24:06 | |
and he beat the shit out of me. | 0:24:06 | 0:24:08 | |
LAUGHTER | 0:24:08 | 0:24:10 | |
It was awful. | 0:24:14 | 0:24:16 | |
Everyone was clapping, gathered around. | 0:24:16 | 0:24:20 | |
But your mum likes a scrap, doesn't she? | 0:24:20 | 0:24:23 | |
Yeah, she's harder than me, for sure. | 0:24:23 | 0:24:25 | |
She had a play fight with my dad once and chased him up the stairs | 0:24:25 | 0:24:29 | |
and punched her way through a toilet door. | 0:24:29 | 0:24:32 | |
"Big man." | 0:24:32 | 0:24:34 | |
I don't want to get into that. | 0:24:34 | 0:24:36 | |
Listen, Greg Davies is back on tour in September. | 0:24:37 | 0:24:41 | |
I think we've got the poster. | 0:24:41 | 0:24:43 | |
LAUGHTER | 0:24:43 | 0:24:45 | |
If you've got it, flaunt it, right? | 0:24:45 | 0:24:47 | |
The training that went into this! | 0:24:50 | 0:24:53 | |
"You Magnificent Beast." | 0:24:53 | 0:24:55 | |
I'm going to tell you, that picture, I paid a great deal of money to have | 0:24:55 | 0:24:59 | |
that picture taken and what you can't see is, in the background, | 0:24:59 | 0:25:03 | |
there was a very aggressive male swan. | 0:25:03 | 0:25:06 | |
I had to run into the water and have a picture and it was coming at me! | 0:25:06 | 0:25:10 | |
They're absolutely petrifying creatures. | 0:25:10 | 0:25:13 | |
Is this the poster that was banned? | 0:25:13 | 0:25:15 | |
-Yeah, on Amazon. -On Amazon? -Yeah. | 0:25:15 | 0:25:18 | |
And this is a genuine quote - I breached their nipple policy. | 0:25:18 | 0:25:22 | |
LAUGHTER | 0:25:22 | 0:25:24 | |
Then you got around the nipple policy. | 0:25:24 | 0:25:27 | |
If I'm not allowed nipples, I have to cover them up. | 0:25:27 | 0:25:29 | |
-So you did this poster. -Yes, please. | 0:25:29 | 0:25:31 | |
LAUGHTER | 0:25:31 | 0:25:33 | |
-And that was acceptable? -Yep. | 0:25:36 | 0:25:40 | |
Why is it called You Magnificent Beast? | 0:25:40 | 0:25:43 | |
I was just in a taxi in Central London going home | 0:25:43 | 0:25:46 | |
and I was stuck in traffic and my window was open and | 0:25:46 | 0:25:49 | |
a really drunk student just dived through the window, | 0:25:49 | 0:25:52 | |
grabbed hold of me, came really close to my face and went, | 0:25:52 | 0:25:54 | |
"Oh, my God, you magnificent beast." | 0:25:54 | 0:25:57 | |
LAUGHTER | 0:25:57 | 0:26:00 | |
We should also say Man Down returns to Channel 4 this summer. | 0:26:00 | 0:26:03 | |
-Series four. It's a hit. -Aw! -Yeah. -Still going. | 0:26:03 | 0:26:07 | |
And all the previous series are available to catch up on All 4. | 0:26:07 | 0:26:10 | |
What can you tell us? You're filming it now? | 0:26:10 | 0:26:13 | |
Last day filming tomorrow. | 0:26:13 | 0:26:15 | |
It's... What I can tell you about it? | 0:26:15 | 0:26:18 | |
It's the most ridiculous series so far. | 0:26:18 | 0:26:20 | |
And, er...probably the most offensive. | 0:26:20 | 0:26:24 | |
But it's all based on your experiences as a teacher. | 0:26:24 | 0:26:27 | |
-Well, loosely. -You say that. Every time Greg's here, | 0:26:27 | 0:26:30 | |
you tell us stories and I keep thinking, "Well, that's it now, | 0:26:30 | 0:26:33 | |
"he'll have told us the funny things that happened as a teacher." | 0:26:33 | 0:26:37 | |
But it seems like a bottomless pit. | 0:26:37 | 0:26:39 | |
Like, school trips. | 0:26:39 | 0:26:41 | |
Cos school trips seems like that's when all rules | 0:26:41 | 0:26:44 | |
go out the window, for pupils, everybody. | 0:26:44 | 0:26:47 | |
-And for teachers, I think. -Yeah. | 0:26:47 | 0:26:49 | |
You've gotta remember, when I first started teaching, | 0:26:49 | 0:26:52 | |
I was 21 years of age | 0:26:52 | 0:26:54 | |
and I was sent to Paris on a school trip, three of us, | 0:26:54 | 0:26:58 | |
all in our early 20s, in charge of a busload of kids. | 0:26:58 | 0:27:03 | |
It's frankly amoral. | 0:27:03 | 0:27:05 | |
LAUGHTER | 0:27:05 | 0:27:06 | |
-What did you get up to? -Do you know...? I can say it now, | 0:27:06 | 0:27:10 | |
I'm never going to go back to teaching now, right? | 0:27:10 | 0:27:12 | |
I think it's unlikely. | 0:27:12 | 0:27:14 | |
I got really drunk with two friends in a hotel room | 0:27:14 | 0:27:19 | |
when the kids were all in bed. | 0:27:19 | 0:27:20 | |
Like, really drunk. | 0:27:20 | 0:27:22 | |
We'd had a bottle of tequila between the three of us. | 0:27:22 | 0:27:24 | |
And then I heard kids running around... | 0:27:24 | 0:27:27 | |
It's so bad, isn't it? | 0:27:27 | 0:27:29 | |
Heard kids running around and I'm quite good | 0:27:29 | 0:27:31 | |
at pretending to be sober when I'm not, so I said, | 0:27:31 | 0:27:34 | |
"I'll go out and I'll deal with this," | 0:27:34 | 0:27:36 | |
to my friend..."Tony"... | 0:27:36 | 0:27:38 | |
..who's still a teacher. | 0:27:40 | 0:27:41 | |
LAUGHTER AND APPLAUSE | 0:27:41 | 0:27:45 | |
And... | 0:27:45 | 0:27:47 | |
I went out and there was these kids all in their nighties and pyjamas | 0:27:47 | 0:27:50 | |
all giggling and I went out, "What's going on?" | 0:27:50 | 0:27:52 | |
And they're like, "Oh, sorry, sorry, sorry." | 0:27:52 | 0:27:54 | |
"You know you should be in your bed, this is absolutely disgraceful." | 0:27:54 | 0:27:57 | |
And I was doing a beautiful job when "Tony" came out of my room | 0:27:57 | 0:28:00 | |
and I don't know why, he was just in his boxer shorts... | 0:28:00 | 0:28:03 | |
..and a really big pair of boots. | 0:28:05 | 0:28:07 | |
And he started going like this - "You should be in bed!" | 0:28:07 | 0:28:10 | |
LAUGHTER AND APPLAUSE | 0:28:10 | 0:28:13 | |
And I grabbed him by the face - I was so frightened - | 0:28:16 | 0:28:19 | |
I grabbed by him the face and just pushed him back into my room | 0:28:19 | 0:28:21 | |
and I closed my door. One of the kids went, "Is that Mr Stevens?" | 0:28:21 | 0:28:26 | |
And I went, "Yes. He's not feeling very well." | 0:28:26 | 0:28:29 | |
And they accepted it. That was it. | 0:28:29 | 0:28:32 | |
You brought us an exclusive clip from Man Down. | 0:28:32 | 0:28:35 | |
I've seen it. Tell us what we're going to see. | 0:28:35 | 0:28:38 | |
Oh, yes. This is going to upset everyone. | 0:28:38 | 0:28:41 | |
My character's had a baby. | 0:28:41 | 0:28:44 | |
Not with a lady he's with, unfortunately for him. | 0:28:44 | 0:28:48 | |
Or he's about to have a baby in this clip | 0:28:48 | 0:28:50 | |
and the scary lady from his local cafe is explaining | 0:28:50 | 0:28:55 | |
what he can expect when he sees his baby born. | 0:28:55 | 0:29:00 | |
OK, here we go. | 0:29:00 | 0:29:01 | |
My God. It's all about him, isn't it? | 0:29:01 | 0:29:04 | |
-He misses his kids, Dan. -Why? | 0:29:04 | 0:29:06 | |
He's had them for ages. Mine's going to be new. | 0:29:06 | 0:29:09 | |
And he can talk to them on the phone. | 0:29:09 | 0:29:10 | |
What's the problem having a baby in a flat? You can put it in a shoebox. | 0:29:10 | 0:29:13 | |
Hey, Shakira. Did you know Dan's going to be a dad? | 0:29:13 | 0:29:16 | |
Good luck, they're pricks. | 0:29:16 | 0:29:17 | |
-Have you seen a kid get born? -No. | 0:29:17 | 0:29:20 | |
AUDIENCE LAUGHS AND APPLAUDS | 0:29:31 | 0:29:34 | |
You need to get a flat quick, Dan. | 0:29:43 | 0:29:45 | |
Emma's going to need somewhere to rest that fanny. | 0:29:45 | 0:29:48 | |
Very good! | 0:29:52 | 0:29:53 | |
Right, time to meet my next guest. He made us laugh in The Office, | 0:29:57 | 0:30:00 | |
thrilled us in Sherlock and wowed us in The Hobbit. | 0:30:00 | 0:30:03 | |
Please welcome Mr Martin Freeman! | 0:30:03 | 0:30:05 | |
CHEERING | 0:30:05 | 0:30:08 | |
DROWNED OUT BY APPLAUSE | 0:30:08 | 0:30:12 | |
Good, good. All good. | 0:30:20 | 0:30:22 | |
-It's good. -You sound very nervous. -I know, well, I... | 0:30:22 | 0:30:25 | |
No, I'm not saying a thing. Are you well? | 0:30:25 | 0:30:28 | |
-Yeah. Have I made you nervous? -No! -I've been watching this backstage. | 0:30:28 | 0:30:31 | |
You were happy as Larry, now I come out and you're slightly terrified. | 0:30:31 | 0:30:35 | |
I just saw the two of you meeting them and I... | 0:30:35 | 0:30:39 | |
It was very Hobbit-like, that's all. | 0:30:39 | 0:30:41 | |
It was just... | 0:30:41 | 0:30:43 | |
I was going to say it and then I thought, | 0:30:43 | 0:30:44 | |
"That's really rude, don't say it." | 0:30:44 | 0:30:46 | |
And now you've made me say it so I feel bad. | 0:30:46 | 0:30:50 | |
-You've met Rachel before? -We met briefly. -Yes. | 0:30:50 | 0:30:54 | |
We met briefly at the... | 0:30:54 | 0:30:57 | |
Well, the last Bond. We said hello. | 0:30:57 | 0:31:00 | |
OK, well done, that's nice. Polite. | 0:31:00 | 0:31:02 | |
-And Greg? -I've never met Greg. -No, we've never met. | 0:31:02 | 0:31:06 | |
I used to spar with Anthony but I've never met Greg. | 0:31:06 | 0:31:09 | |
LAUGHTER | 0:31:09 | 0:31:11 | |
Now, Martin, you've got a new play, it's opening in the West End, | 0:31:11 | 0:31:15 | |
not on till 15th of September. | 0:31:15 | 0:31:17 | |
-It's at Noel Coward Theatre and it's Labour Of Love. -Yes. | 0:31:17 | 0:31:19 | |
And obviously yourself and Sarah Lancashire. | 0:31:19 | 0:31:22 | |
-It is a play about the Labour Party. -Yeah, it kind of is. | 0:31:22 | 0:31:25 | |
What appealed to me about it was it contained things in it | 0:31:25 | 0:31:30 | |
that were like conversations I was having every day | 0:31:30 | 0:31:33 | |
with people I knew about... | 0:31:33 | 0:31:36 | |
I'm a Labour supporter, but even if you're not, | 0:31:36 | 0:31:39 | |
I think it's been fairly clear in the last few years that Labour | 0:31:39 | 0:31:43 | |
-has been having an interesting time. -Yeah. | 0:31:43 | 0:31:45 | |
And a play landed in my lap that was really funny and really | 0:31:45 | 0:31:50 | |
touching and also quite...just very pertinent to now. | 0:31:50 | 0:31:55 | |
It was very, very up-to-date. | 0:31:55 | 0:31:57 | |
-Sarah Lancashire, she plays the constituency agent. -Yes. | 0:31:57 | 0:32:01 | |
I'm an MP and she's my constituency agent and I'm a kind of slightly... | 0:32:01 | 0:32:06 | |
I'm part of that Blairite wing of modernisers, I suppose, | 0:32:06 | 0:32:11 | |
in the party, from the early '90s. | 0:32:11 | 0:32:14 | |
It covers, kind of, 25 years. | 0:32:14 | 0:32:16 | |
So he gets his seat in Nottinghamshire | 0:32:16 | 0:32:19 | |
and he wants to push the party forward | 0:32:19 | 0:32:22 | |
in the way we all saw actually happened, | 0:32:22 | 0:32:25 | |
and she is just from a more, kind of, traditional base. | 0:32:25 | 0:32:28 | |
And will recognisable politicians...? | 0:32:28 | 0:32:31 | |
-Do people play politicians we know in it? -No, not really. | 0:32:31 | 0:32:34 | |
I guess there are... No. | 0:32:34 | 0:32:37 | |
I was going to say there are maybe types, but not even that, really. | 0:32:37 | 0:32:41 | |
It's not a huge cast. I don't mean size-wise. | 0:32:41 | 0:32:44 | |
I'm the tallest person in it. | 0:32:44 | 0:32:47 | |
And I make a point of that. | 0:32:47 | 0:32:49 | |
Everything I do, I have to be the tallest person. | 0:32:49 | 0:32:52 | |
That's why I work so little. | 0:32:52 | 0:32:55 | |
But, no, anyone who knows anything vaguely about British politics | 0:32:55 | 0:32:59 | |
would know that I'm from that wing of the Labour Party | 0:32:59 | 0:33:03 | |
that we're trying to modernise. | 0:33:03 | 0:33:05 | |
It's the old conversation of do you go and stay left-wing | 0:33:05 | 0:33:08 | |
and true to your principals and run the risk of never being in power? | 0:33:08 | 0:33:12 | |
Or do you come a little bit over to the middle | 0:33:12 | 0:33:14 | |
and possibly win a term or two? | 0:33:14 | 0:33:16 | |
Are you nervous about doing a play like this? | 0:33:16 | 0:33:18 | |
-Because, as you know, people love it when actors have opinions. -Mm. | 0:33:18 | 0:33:24 | |
-Yeah. -Because, presumably, you get... | 0:33:24 | 0:33:29 | |
Do you get flack when you stick your head above the parapet? | 0:33:29 | 0:33:32 | |
Yeah, I'm a member of the Labour Party and I'm not ashamed of it. | 0:33:32 | 0:33:35 | |
It happens to be what my team is. | 0:33:35 | 0:33:37 | |
But I love plenty of Tories, you know, in my life. | 0:33:37 | 0:33:40 | |
-And you are allowed to have opinions. -Of course. | 0:33:40 | 0:33:42 | |
-Have you been asked to do things like Question Time, Newsnight? -Yes. | 0:33:42 | 0:33:46 | |
And I wouldn't do it. | 0:33:46 | 0:33:47 | |
Because I'd get taken to the cleaners. | 0:33:47 | 0:33:51 | |
I'd be hung out to dry completely. It would be like... | 0:33:51 | 0:33:54 | |
Well, it would be like, "Shall we have a fight?" | 0:33:54 | 0:33:57 | |
These people do it for a living. | 0:33:57 | 0:33:59 | |
They do it 24 hours a day, | 0:33:59 | 0:34:01 | |
and so however right I feel or however much I think, | 0:34:01 | 0:34:04 | |
"I think I'm right about this issue," | 0:34:04 | 0:34:06 | |
someone could hang me out to dry in 30 seconds | 0:34:06 | 0:34:09 | |
with a, sort of, well-placed statistic. | 0:34:09 | 0:34:11 | |
-Then you're like, "Oh." -Exactly. | 0:34:11 | 0:34:13 | |
-"I didn't know that." -"That twat actor..." | 0:34:13 | 0:34:16 | |
Are you a boxing fan? | 0:34:16 | 0:34:18 | |
Yeah, sometimes. I watched the Klitschko fight. | 0:34:18 | 0:34:21 | |
(It was the Joshua fight.) | 0:34:21 | 0:34:23 | |
For me, it'll always be the Klitschko fight. | 0:34:23 | 0:34:26 | |
I was gutted that night. | 0:34:26 | 0:34:29 | |
LAUGHTER | 0:34:29 | 0:34:30 | |
-I did, it was amazing. Well done. -Thank you very much. -Really good. | 0:34:30 | 0:34:34 | |
I tell you, all of you, Anthony's going to give us some tips, | 0:34:34 | 0:34:39 | |
I would say, on boxing. | 0:34:39 | 0:34:41 | |
We've got a very, very, very hi-tech piece of equipment over here. | 0:34:41 | 0:34:47 | |
So if you'd like to come with me. It's over here. | 0:34:47 | 0:34:51 | |
APPLAUSE | 0:34:51 | 0:34:55 | |
We've been playing with this all afternoon. | 0:34:55 | 0:34:58 | |
I love this thing. I'll just turn it on. | 0:34:58 | 0:35:01 | |
Hang on. It's on. Now... Oh. | 0:35:03 | 0:35:06 | |
OK, there we go. So, I hit that. | 0:35:06 | 0:35:08 | |
OK - oh! | 0:35:08 | 0:35:10 | |
RECORDED MESSAGE ON MACHINE | 0:35:11 | 0:35:14 | |
It didn't talk this afternoon! | 0:35:14 | 0:35:18 | |
What's happened to it? Shut up! | 0:35:18 | 0:35:21 | |
'Just hit it! Just hit it!' | 0:35:21 | 0:35:24 | |
LAUGHTER | 0:35:24 | 0:35:25 | |
Oh, no, you look serious. | 0:35:28 | 0:35:30 | |
He's really going for it. CHEERING | 0:35:30 | 0:35:33 | |
OK. | 0:35:33 | 0:35:34 | |
Do you have any tips? | 0:35:35 | 0:35:38 | |
Cos you're in high heels... | 0:35:38 | 0:35:40 | |
-Shall I take them off? -No, no, chill. | 0:35:40 | 0:35:42 | |
We're taking this very seriously, ladies and gentlemen. | 0:35:42 | 0:35:46 | |
He's talking to me. | 0:35:46 | 0:35:48 | |
No run-ups. | 0:35:51 | 0:35:53 | |
If you want to take them off... Whatever you feel comfortable with. | 0:35:53 | 0:35:56 | |
I wasn't even thinking about run-ups. | 0:35:56 | 0:35:58 | |
Rachel, go first. Don't take your shoes off. | 0:35:58 | 0:36:01 | |
I'll just hit like a girl in these. | 0:36:01 | 0:36:03 | |
-So competitive. -I like that. -Wow. | 0:36:03 | 0:36:07 | |
CHEERING | 0:36:07 | 0:36:10 | |
-She's down! I slipped! -She slipped. | 0:36:12 | 0:36:15 | |
APPLAUSE | 0:36:15 | 0:36:19 | |
-Do you want to go first, Rachel? -I don't mind. | 0:36:23 | 0:36:26 | |
-I just feel like I could hit something now. -You seem keen. | 0:36:26 | 0:36:29 | |
-Go on, then. Any other advice? -Are you left or right-handed? | 0:36:29 | 0:36:32 | |
-Right. -So, you know, right leg back so you really get the whole... | 0:36:32 | 0:36:36 | |
Right leg back. And the aim is just to hit it so it goes away? | 0:36:36 | 0:36:39 | |
You go boom, and it goes back up. | 0:36:39 | 0:36:42 | |
-OK. -Have you had a go, Graham? -Honestly, mine was so bad. | 0:36:42 | 0:36:46 | |
Let's see what Rachel gets then I'll decide if I'm going to do it. | 0:36:46 | 0:36:49 | |
LAUGHTER | 0:36:49 | 0:36:51 | |
-You get a score! -Yeah, you get a score. | 0:36:51 | 0:36:53 | |
-So left leg forward. -Are you in range? | 0:36:53 | 0:36:57 | |
-I don't know. Shall I find out? -Come forward a bit. | 0:36:57 | 0:37:00 | |
-Cos your aim is to punch through the bag. -Through. | 0:37:00 | 0:37:04 | |
-So I want to go like that. -Yes, I like that. | 0:37:04 | 0:37:06 | |
Just hit it in the middle? | 0:37:10 | 0:37:12 | |
Oh! | 0:37:14 | 0:37:16 | |
CHEERING | 0:37:16 | 0:37:18 | |
182! | 0:37:21 | 0:37:23 | |
Who's going next? | 0:37:23 | 0:37:25 | |
-Do you want to go next? -Yeah. | 0:37:25 | 0:37:28 | |
We have 182. 182 to beat. 182. | 0:37:28 | 0:37:31 | |
Here we go, here we go. | 0:37:31 | 0:37:33 | |
There's a terrible thing where you don't care and then you do. | 0:37:39 | 0:37:42 | |
Can't I just have a stare down with him? | 0:37:42 | 0:37:46 | |
And it's who laughs first loses. | 0:37:46 | 0:37:48 | |
Right. Um. OK. | 0:37:48 | 0:37:50 | |
Oh! | 0:37:51 | 0:37:53 | |
CHEERING Oh! Wow! | 0:37:53 | 0:37:55 | |
Blimey. 594. | 0:37:59 | 0:38:02 | |
It's 594. | 0:38:07 | 0:38:09 | |
I slipped! | 0:38:12 | 0:38:14 | |
594 to beat. | 0:38:14 | 0:38:16 | |
Here we go, here we go, here we go. | 0:38:16 | 0:38:19 | |
Oh! | 0:38:19 | 0:38:20 | |
CHEERING | 0:38:20 | 0:38:22 | |
Oh! | 0:38:22 | 0:38:23 | |
OK. | 0:38:27 | 0:38:28 | |
-Anthony Joshua. -Are you on? -No... | 0:38:28 | 0:38:32 | |
CHEERING | 0:38:32 | 0:38:34 | |
OK, OK. | 0:38:34 | 0:38:36 | |
CHEERING | 0:38:36 | 0:38:38 | |
I've gotta do this, here we go, here we go. | 0:38:40 | 0:38:42 | |
I'm still going. | 0:38:42 | 0:38:45 | |
What was yours? | 0:38:45 | 0:38:48 | |
I think it was 3,000? | 0:38:48 | 0:38:50 | |
672, was it? | 0:38:50 | 0:38:53 | |
-672. -632. So if you don't beat that, you've lost the title. | 0:38:53 | 0:38:57 | |
If you don't beat me... | 0:38:57 | 0:38:59 | |
I mean, look at this. | 0:38:59 | 0:39:01 | |
LAUGHTER | 0:39:01 | 0:39:04 | |
OK, OK, here we go, here we go. | 0:39:04 | 0:39:06 | |
-Same technique as you. -The world champion. | 0:39:06 | 0:39:09 | |
Oh! | 0:39:09 | 0:39:11 | |
CHEERING | 0:39:11 | 0:39:13 | |
Well done! 848! Excellent. | 0:39:19 | 0:39:22 | |
Very good, everybody. Well done. | 0:39:22 | 0:39:25 | |
Right, it's time for music. | 0:39:25 | 0:39:27 | |
This singer-songwriter went from social media phenomenon | 0:39:27 | 0:39:30 | |
to one of the most successful pop stars in the world. | 0:39:30 | 0:39:32 | |
Here performing his latest hit, There's Nothing Holdin' Me Back, | 0:39:32 | 0:39:35 | |
it is Shawn Mendes! | 0:39:35 | 0:39:37 | |
CHEERING | 0:39:37 | 0:39:40 | |
# I wanna follow where she goes | 0:39:49 | 0:39:53 | |
# I think about her and she knows it | 0:39:53 | 0:39:57 | |
# I wanna let her take control | 0:39:57 | 0:40:01 | |
# Cos every time that she gets close, yeah | 0:40:01 | 0:40:05 | |
# She pulls me in enough to keep me guessing | 0:40:05 | 0:40:11 | |
# Whoa-ho-ho | 0:40:11 | 0:40:13 | |
# And maybe I should stop and start confessing | 0:40:13 | 0:40:18 | |
# Confessing, yeah | 0:40:18 | 0:40:21 | |
# Oh, I've been shaking | 0:40:21 | 0:40:23 | |
# I love it when you go crazy | 0:40:23 | 0:40:25 | |
# You take all my inhibitions | 0:40:25 | 0:40:27 | |
# Baby, there's nothing holding me back | 0:40:27 | 0:40:29 | |
# You take me places that tear up my reputation | 0:40:29 | 0:40:32 | |
# Manipulate my decisions | 0:40:32 | 0:40:34 | |
# Baby, there's nothing holding me back | 0:40:34 | 0:40:37 | |
# Oh-oh | 0:40:41 | 0:40:43 | |
# There's nothing holding me back | 0:40:43 | 0:40:45 | |
# She says that she's never afraid | 0:40:53 | 0:40:56 | |
# Just picture everybody naked | 0:40:56 | 0:41:00 | |
# She really doesn't like to wait | 0:41:00 | 0:41:04 | |
# Not really into hesitation | 0:41:04 | 0:41:08 | |
# Pulls me in enough to keep me guessing | 0:41:08 | 0:41:14 | |
# Whoa-ho-ho | 0:41:14 | 0:41:16 | |
# And maybe I should stop and start confessing | 0:41:16 | 0:41:21 | |
# Confessing, yeah | 0:41:21 | 0:41:24 | |
# Oh, I've been shaking | 0:41:24 | 0:41:26 | |
# I love it when you go crazy | 0:41:26 | 0:41:28 | |
# You take all my inhibitions | 0:41:28 | 0:41:29 | |
# Baby, there's nothing holding me back | 0:41:29 | 0:41:32 | |
# You take me places that tear up my reputation | 0:41:32 | 0:41:35 | |
# Manipulate my decisions | 0:41:35 | 0:41:37 | |
# Baby, there's nothing holding me back | 0:41:37 | 0:41:41 | |
# Oh-ho | 0:41:44 | 0:41:46 | |
# There's nothing holding me back | 0:41:46 | 0:41:48 | |
# Cos if we lost our minds and we took it way too far | 0:41:56 | 0:41:59 | |
# I know we'd be all right I know we would be all right | 0:41:59 | 0:42:03 | |
# If you were by my side and we stumbled in the dark | 0:42:03 | 0:42:07 | |
# I know we'd be all right I know we would be all right | 0:42:07 | 0:42:11 | |
# Cos if we lost our minds and we took it way too far | 0:42:11 | 0:42:14 | |
# I know we'd be all right We would be all right | 0:42:14 | 0:42:18 | |
# If you were by my side and we stumbled in the dark | 0:42:18 | 0:42:23 | |
# I know we'd be all right We would be all right | 0:42:23 | 0:42:27 | |
# Oh, I've been shaking | 0:42:27 | 0:42:29 | |
# I love it when you go crazy | 0:42:29 | 0:42:31 | |
# You take all my inhibitions | 0:42:31 | 0:42:32 | |
# Baby, there's nothing holding me back | 0:42:32 | 0:42:35 | |
# You take me places that tear up my reputation | 0:42:35 | 0:42:38 | |
# Baby, there's nothing holding me back | 0:42:41 | 0:42:44 | |
# There's nothing holding me back | 0:42:49 | 0:42:51 | |
# Oh-oh | 0:42:53 | 0:42:54 | |
# Baby, there's nothing holding me back. # | 0:42:56 | 0:43:00 | |
CHEERING AND APPLAUSE | 0:43:00 | 0:43:02 | |
Thank you so much. | 0:43:02 | 0:43:04 | |
Shawn Mendes, everybody! | 0:43:04 | 0:43:06 | |
Come on over. | 0:43:06 | 0:43:09 | |
Well done. Thank you so much for doing that. | 0:43:09 | 0:43:13 | |
Very nice to meet you. Come and join us. | 0:43:13 | 0:43:16 | |
That's Greg there. Anthony. Rachel. Martin. | 0:43:16 | 0:43:21 | |
Gang's all here. | 0:43:21 | 0:43:23 | |
-Nice to meet you. -Pleasure. How are you guys? | 0:43:23 | 0:43:25 | |
Some hardcore Shawn Mendes fans have snuck in. | 0:43:25 | 0:43:30 | |
There's some girls in the front row. They knew all the dance moves. | 0:43:30 | 0:43:33 | |
I see them a lot, they're very familiar faces. | 0:43:33 | 0:43:35 | |
Thank you for coming. | 0:43:35 | 0:43:38 | |
Again. | 0:43:38 | 0:43:39 | |
LAUGHTER | 0:43:39 | 0:43:41 | |
That's from the deluxe - there's now a deluxe edition of your album - | 0:43:41 | 0:43:45 | |
Illuminate. That's out. I'm sure you have it, don't you? Yeah, of course. | 0:43:45 | 0:43:50 | |
So how old are you now? | 0:43:50 | 0:43:53 | |
-I'm 18. -18. | 0:43:53 | 0:43:55 | |
CHEERING | 0:43:55 | 0:43:58 | |
-How old are you? -I'm 27. -OK, yeah. | 0:44:01 | 0:44:04 | |
No, he's really old. | 0:44:04 | 0:44:07 | |
-He's ancient. -I'm 27. -"I'm 27." | 0:44:07 | 0:44:09 | |
-I'm 27. -Right, I thought so! | 0:44:09 | 0:44:14 | |
Stone. | 0:44:14 | 0:44:15 | |
LAUGHTER AND APPLAUSE | 0:44:15 | 0:44:20 | |
The odd thing is, in Canada, it's 21 to drink. | 0:44:20 | 0:44:24 | |
-19 in Canada. -Oh, 19? -Yeah. | 0:44:24 | 0:44:26 | |
-So you're nearly there. -So close. | 0:44:26 | 0:44:29 | |
It's so delicious. | 0:44:29 | 0:44:32 | |
I've been in Europe for nine weeks, touring, so it's been great. | 0:44:32 | 0:44:37 | |
We've got a picture of you in Ireland. | 0:44:37 | 0:44:39 | |
Oh, yeah. | 0:44:39 | 0:44:41 | |
CHEERING | 0:44:41 | 0:44:43 | |
The Guinness was good there. | 0:44:43 | 0:44:45 | |
That's going to be such a shock to go back, isn't it? | 0:44:45 | 0:44:48 | |
It's going to suck, yeah, cos I'm not going to be able to go anywhere. | 0:44:48 | 0:44:51 | |
No. I wouldn't bother. | 0:44:51 | 0:44:53 | |
Well, actually, you're on a world tour, so you're fine. | 0:44:53 | 0:44:55 | |
But I go home in a couple of days. | 0:44:55 | 0:44:57 | |
And I can't get a fake ID. | 0:44:57 | 0:45:01 | |
"You look very like Shawn Mendes. | 0:45:01 | 0:45:04 | |
"Who famously is 18." | 0:45:04 | 0:45:06 | |
But you just sold out two nights at the O2. That's thousands of people. | 0:45:06 | 0:45:12 | |
CHEERING | 0:45:12 | 0:45:14 | |
-Amazing. -Yeah. | 0:45:14 | 0:45:16 | |
So you go home to Canada and just watch TV for a few days. | 0:45:16 | 0:45:21 | |
Pretty much. Actually, no, I'm home for a few days, like, | 0:45:21 | 0:45:24 | |
nine days, and then I'm in America for the American tour. | 0:45:24 | 0:45:27 | |
-OK. -Which is 21 to get a drink in America. | 0:45:27 | 0:45:30 | |
Yeah, so I'm screwed there. | 0:45:30 | 0:45:32 | |
I'm just trying to come back here. | 0:45:32 | 0:45:36 | |
You'll save your voice. | 0:45:36 | 0:45:37 | |
So that I'm good for when I come back. | 0:45:37 | 0:45:39 | |
So frighteningly English that all we're worried about on this couch | 0:45:39 | 0:45:42 | |
is the fact that he can't drink. | 0:45:42 | 0:45:45 | |
"You've sold millions of records, I'm so sorry you can't get pissed." | 0:45:45 | 0:45:51 | |
I'd cancel that world tour. "21? Don't go there." | 0:45:51 | 0:45:53 | |
Must be rubbish! | 0:45:53 | 0:45:55 | |
You sounded great tonight, thank you very much for doing that for us. | 0:45:55 | 0:45:58 | |
Shawn Mendes, everybody! | 0:45:58 | 0:46:01 | |
CHEERING | 0:46:01 | 0:46:03 | |
That is nearly it for tonight. | 0:46:03 | 0:46:05 | |
Before we go, we do have time for a quick visit to the Big Red Chair. | 0:46:05 | 0:46:08 | |
-Who's there? Hello -Hi. -Hi, what's your name? -Julie. | 0:46:08 | 0:46:12 | |
-Lovely. Where do you live? -Barnet. | 0:46:12 | 0:46:15 | |
I met Julie the other day! | 0:46:15 | 0:46:16 | |
-Sorry? -I met her the other day. -He's just ruined my story! | 0:46:16 | 0:46:19 | |
LAUGHTER | 0:46:19 | 0:46:22 | |
That's the end of that story. | 0:46:31 | 0:46:33 | |
I met her the other day. Sorry. I was thinking, "I know that face." | 0:46:33 | 0:46:37 | |
Did anything happen or she just met you? | 0:46:37 | 0:46:40 | |
At first her friend wanted a picture and was talking for ages. | 0:46:40 | 0:46:43 | |
I was on time for my meeting. | 0:46:43 | 0:46:45 | |
And then she was like, "I don't care about boxing." | 0:46:45 | 0:46:47 | |
And then we just started talking, got a picture, | 0:46:47 | 0:46:49 | |
and it was a lovely story. | 0:46:49 | 0:46:51 | |
We spoke for about 15 minutes at a petrol station and that was it. | 0:46:51 | 0:46:54 | |
-15 minutes? -A good 15 minutes. -That'll wear off. | 0:46:54 | 0:46:57 | |
LAUGHTER | 0:46:57 | 0:46:58 | |
-So, yeah, I remember her face. -You would. OK... | 0:46:58 | 0:47:02 | |
LAUGHTER | 0:47:02 | 0:47:04 | |
If you'd like to join us on the show you can contact us via the website. | 0:47:04 | 0:47:08 | |
Go to this very address. That is it for tonight. | 0:47:08 | 0:47:11 | |
Please say thank you to my guests - Shawn Mendes! | 0:47:11 | 0:47:15 | |
Greg Davies! | 0:47:15 | 0:47:17 | |
Anthony Joshua! | 0:47:17 | 0:47:19 | |
Rachel Weisz! | 0:47:19 | 0:47:21 | |
And Mr Martin Freeman! | 0:47:21 | 0:47:23 | |
CHEERING | 0:47:23 | 0:47:25 | |
Join me next week with pop legend Alison Moyet, | 0:47:25 | 0:47:28 | |
new Spider-Man Tom Holland, | 0:47:28 | 0:47:29 | |
actress Sienna Miller, | 0:47:29 | 0:47:31 | |
Planet Of The Apes' Andy Serkis and Woody Harrelson | 0:47:31 | 0:47:33 | |
and the always entertaining Mr Mark Wahlberg. | 0:47:33 | 0:47:35 | |
I'll see you then. Goodnight, everybody, bye-bye! | 0:47:35 | 0:47:38 | |
CHEERING | 0:47:38 | 0:47:40 |