
Browse content similar to Episode 9. Check below for episodes and series from the same categories and more!
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Hello, my name is Tom Cruise, and tonight is going to be a big night. A very, very big night. | 6:53:34 | 6:53:38 | |
Welcome to... | 6:53:38 | 6:53:39 | |
Shut up! Just shut up! | 6:53:39 | 6:53:41 | |
You had me at, "Hello." | 6:53:41 | 6:53:42 | |
Let's start the show! | 6:53:43 | 6:53:44 | |
Oh! | 6:54:02 | 6:54:03 | |
Oh, it's me! | 6:54:03 | 6:54:04 | |
Hello, everybody! | 6:54:04 | 6:54:06 | |
Hello! Hello, hello, hello, hello, hello! | 6:54:06 | 6:54:09 | |
Hello! Hello, good evening! | 6:54:09 | 6:54:12 | |
Too kind. Too kind! Hi, everybody. | 6:54:14 | 6:54:19 | |
We've got a packed show for you tonight. | 6:54:19 | 6:54:21 | |
I'll tell you, that sofa is going to be more crowded than Heathrow | 6:54:21 | 6:54:24 | |
Terminal 5 last weekend - hey, hey? LAUGHTER | 6:54:24 | 6:54:27 | |
Anyone there? Anyone there? | 6:54:27 | 6:54:28 | |
What am I thinking? Everyone was there! | 6:54:28 | 6:54:30 | |
75,000 people stranded after BA claimed it was hit | 6:54:30 | 6:54:34 | |
with a massive IT problem. | 6:54:34 | 6:54:36 | |
Yeah, I think there might've been an S and an H | 6:54:36 | 6:54:39 | |
at the beginning of that as well. LAUGHTER | 6:54:39 | 6:54:41 | |
But, hey, who wants to leave the country when there's so much | 6:54:41 | 6:54:45 | |
politics to enjoy on TV? Hey? LAUGHTER | 6:54:45 | 6:54:48 | |
I mean, it was the Jeremy Paxman interviews with both leaders... | 6:54:48 | 6:54:51 | |
Had viewers at home on the edge of their seats. | 6:54:51 | 6:54:53 | |
Yeah. LAUGHTER | 6:54:53 | 6:54:56 | |
Then... Then... This, I mean this is so British, | 6:54:57 | 6:55:00 | |
Jeremy Corbyn went on The One Show, OK? And I don't know if you saw it, | 6:55:00 | 6:55:03 | |
but one of Jeremy's hobbies is decorative manhole covers - | 6:55:03 | 6:55:08 | |
not making this up. | 6:55:08 | 6:55:10 | |
So they did a quiz where Jeremy had to guess what was behind a variety | 6:55:10 | 6:55:14 | |
of them. There he is... | 6:55:14 | 6:55:17 | |
He was very good at it, I have to say. | 6:55:17 | 6:55:19 | |
They were going to save that item for when Tim Farron comes on, | 6:55:19 | 6:55:22 | |
but he thinks looking at manholes is a sin. | 6:55:22 | 6:55:24 | |
So he won't be doing that. LAUGHTER | 6:55:24 | 6:55:26 | |
Never looks down. Never looks down. CHEERING | 6:55:27 | 6:55:30 | |
Eyes forward - eyes, eyes, eyes! | 6:55:31 | 6:55:33 | |
We had the leaders' debate, didn't we? | 6:55:35 | 6:55:37 | |
I say leaders' debate, | 6:55:37 | 6:55:38 | |
either that or a really boring episode of Fifteen To One. | 6:55:38 | 6:55:41 | |
Hard to tell. | 6:55:41 | 6:55:42 | |
Theresa May refused to take part in the debate - refused. | 6:55:42 | 6:55:46 | |
Of course, very, very busy. Very busy, doing more important things, | 6:55:46 | 6:55:49 | |
you know, like visiting a cheese factory. | 6:55:49 | 6:55:51 | |
LAUGHTER It looks delicious. | 6:55:51 | 6:55:53 | |
Apparently that one melts after just a couple of seconds of grilling. | 6:55:53 | 6:55:56 | |
Which is presumably why she didn't want to do the TV debate. | 6:55:56 | 6:55:59 | |
LAUGHTER | 6:55:59 | 6:56:01 | |
I wasn't talking about the cheese! | 6:56:01 | 6:56:03 | |
LAUGHTER | 6:56:03 | 6:56:06 | |
But, ladies and gentlemen, just a week to go and the election has now | 6:56:08 | 6:56:10 | |
become a proper contest. I mean, it really is all to play for. | 6:56:10 | 6:56:14 | |
Mind you, the thought that Jeremy Corbyn could actually be this | 6:56:14 | 6:56:17 | |
country's next Prime Minister has shocked a few people. | 6:56:17 | 6:56:20 | |
Not least, this man. | 6:56:20 | 6:56:22 | |
LAUGHTER Let's get some guests on! | 6:56:22 | 6:56:24 | |
Later we'll have music from punk princess Beth Ditto, everybody! | 6:56:25 | 6:56:30 | |
CHEERING Yeah. | 6:56:30 | 6:56:31 | |
She'll be performing her new single Fire. | 6:56:31 | 6:56:34 | |
But first, this man has gone from teen heart-throb | 6:56:34 | 6:56:36 | |
to fully fledged leading man. | 6:56:36 | 6:56:37 | |
Now he brings us a hilarious reboot of Baywatch. | 6:56:37 | 6:56:40 | |
It's a pleasure to welcome back Zac Efron, everybody! | 6:56:40 | 6:56:42 | |
SCREAMING | 6:56:42 | 6:56:44 | |
Oh! Oh! Ce soir! | 6:56:44 | 6:56:47 | |
Hello, lovely to see you. Zac Efron, everybody. | 6:56:47 | 6:56:51 | |
Oh! | 6:56:51 | 6:56:52 | |
We've got the two stars of the new monster-hit The Mummy. | 6:56:53 | 6:56:57 | |
One rose to fame in The Tudors, and went on to star in Peaky Blinders. | 6:56:57 | 6:57:01 | |
Please welcome Annabelle Wallis! | 6:57:01 | 6:57:03 | |
CHEERING Oh! Pretty in blue. | 6:57:03 | 6:57:06 | |
Hello. Lovely to see you. | 6:57:06 | 6:57:08 | |
Welcome to the show. | 6:57:08 | 6:57:10 | |
Annabelle Wallis. | 6:57:10 | 6:57:12 | |
And Top Gun, Jerry Maguire, Mission: Impossible, Rain Man - | 6:57:12 | 6:57:16 | |
the list goes on. | 6:57:16 | 6:57:17 | |
He's simply the biggest movie star in the world. | 6:57:17 | 6:57:20 | |
It is a warm welcome back to... | 6:57:20 | 6:57:22 | |
Mr Tom Cruise! CHEERING | 6:57:22 | 6:57:26 | |
Yeah, you got this right! | 6:57:26 | 6:57:28 | |
Hello. Lovely to see you. | 6:57:28 | 6:57:31 | |
Yeah. Yes! Have a seat. | 6:57:31 | 6:57:34 | |
Good one, right? | 6:57:34 | 6:57:35 | |
Yeah. Have a seat, too. | 6:57:35 | 6:57:37 | |
Yeah. | 6:57:41 | 6:57:43 | |
-Thank you, Graham. -Have a seat. | 6:57:43 | 6:57:45 | |
Oh! | 6:57:45 | 6:57:47 | |
You should really, really do the lottery this week, because... | 6:57:47 | 6:57:51 | |
Cos they don't know who's going to be on the show, so to get this | 6:57:51 | 6:57:53 | |
couch - well done, you, is what I say to you. | 6:57:53 | 6:57:56 | |
-I say well done, me. -LAUGHTER | 6:57:56 | 6:57:58 | |
-Yeah, you should really do the lottery, Annabelle. -Thank you, boys. Thank you, boys. | 6:57:58 | 6:58:02 | |
By the way, before we do another thing, we've got to get into this. | 6:58:02 | 6:58:04 | |
Obviously you've joined us at a time when these people are gripped | 6:58:04 | 6:58:08 | |
by the election. They can talk of little else. | 6:58:08 | 6:58:10 | |
-LAUGHTER -Yes, I can see that. | 6:58:10 | 6:58:13 | |
They barely know who they're voting for. | 6:58:13 | 6:58:15 | |
LAUGHTER But, er... | 6:58:15 | 6:58:18 | |
There was a big fuss here, I don't know if you remember this, | 6:58:18 | 6:58:20 | |
when Jeremy Corbyn got involved with the journalist in his car. | 6:58:20 | 6:58:24 | |
Do you remember? Where the journalist's foot, and they ran over | 6:58:24 | 6:58:27 | |
the journalist's foot. | 6:58:27 | 6:58:28 | |
And there was so much excitement about this, | 6:58:28 | 6:58:30 | |
not because of the journalist, not because of Jeremy Corbyn, | 6:58:30 | 6:58:35 | |
but because of who might be sitting in the back seat with Jeremy Corbyn. | 6:58:35 | 6:58:40 | |
Is that you, Tom Cruise? LAUGHTER | 6:58:41 | 6:58:44 | |
Yes, it is. Yes, yes. | 6:58:45 | 6:58:48 | |
I was advising him to go to the debate. | 6:58:48 | 6:58:50 | |
-I was. -Oh, very good! | 6:58:50 | 6:58:53 | |
On it, yeah. | 6:58:53 | 6:58:54 | |
He's only been in the country five seconds. | 6:58:54 | 6:58:56 | |
Yeah, on it! | 6:58:56 | 6:58:58 | |
What is that? How can I be there? | 6:58:58 | 6:58:59 | |
-It does look like you. -It does look like me. -Yeah. -Yes. | 6:58:59 | 6:59:02 | |
-Mission: Impossible 6. Jeremy Corbyn has a cameo. -Yes. | 6:59:02 | 6:59:05 | |
LAUGHTER | 6:59:05 | 6:59:07 | |
-Yes. -You were doing car stunts into the journalist. | 6:59:07 | 6:59:09 | |
Now, obviously the two of you have been working together, | 6:59:11 | 6:59:14 | |
so you know each other, but, Zac and Tom, you know each other? | 6:59:14 | 6:59:17 | |
-Yes. -Just in showbiz land? -Yeah. -Yeah. | 6:59:17 | 6:59:19 | |
But how do you meet if you're not in a film together? | 6:59:19 | 6:59:21 | |
-How does that happen? -We met at dinner. | 6:59:21 | 6:59:24 | |
-Yeah, at dinner. -Yeah. | 6:59:24 | 6:59:25 | |
I showed up late to what turned out to be a fancy dinner | 6:59:25 | 6:59:30 | |
and I felt really underdressed. | 6:59:30 | 6:59:32 | |
Showed up late, I was in, like, a beanie, and there was one open seat, | 6:59:32 | 6:59:35 | |
I sat down and it was next to Tom. | 6:59:35 | 6:59:38 | |
And he said, "Hey, let's hang out tomorrow. | 6:59:38 | 6:59:40 | |
"I'll show you some stuff, you know..." | 6:59:40 | 6:59:42 | |
Yeah, he wanted to know about motorcycles and cars, | 6:59:42 | 6:59:45 | |
-so I showed him how to do that. -Yeah, invited me over. -Yeah. | 6:59:45 | 6:59:48 | |
So I showed up and | 6:59:48 | 6:59:51 | |
I pulled my car inside a hangar, with all of his stuff, | 6:59:51 | 6:59:56 | |
like, memorabilia and bikes, and I was kind of geeking out, | 6:59:56 | 7:00:00 | |
-and about a few minutes later I hear like... -HE IMITATES REVVING CAR | 7:00:00 | 7:00:06 | |
-LAUGHTER -So I slowly peak out of the | 7:00:06 | 7:00:10 | |
side of the hangar, | 7:00:10 | 7:00:12 | |
and all of a sudden... | 7:00:12 | 7:00:13 | |
Bam! | 7:00:13 | 7:00:14 | |
You just flew by at probably 100 - | 7:00:14 | 7:00:17 | |
Mach 10 on a Ducati. | 7:00:17 | 7:00:19 | |
And I was like, "Whoa, that was insane!" | 7:00:19 | 7:00:23 | |
And you flipped around and pulled in and skirted up right next to me | 7:00:23 | 7:00:27 | |
and took your helmet off | 7:00:27 | 7:00:28 | |
and were like, "Good morning." | 7:00:28 | 7:00:29 | |
APPLAUSE That's what you want! | 7:00:33 | 7:00:35 | |
It was so cool. It was so cool. | 7:00:38 | 7:00:40 | |
Because is this...? I think this is your fifth time on the show, | 7:00:40 | 7:00:44 | |
and every time I think, "This time I'll be cool about it." | 7:00:44 | 7:00:47 | |
So not cool about it! LAUGHTER | 7:00:47 | 7:00:49 | |
It doesn't wear off, the Tom Cruise thing. | 7:00:49 | 7:00:51 | |
Does it wear off in the film, the Cruise effect? | 7:00:51 | 7:00:54 | |
No, it really... | 7:00:54 | 7:00:55 | |
On a set I do feel for Tom, because | 7:00:55 | 7:00:58 | |
every day I'm sure I was, like, trying to encourage him to, | 7:00:58 | 7:01:02 | |
you know, one classic Tom line, like "Show me the money!" | 7:01:02 | 7:01:06 | |
-or something. -LAUGHTER | 7:01:06 | 7:01:07 | |
You know, there were always moments I was waiting, you know, | 7:01:07 | 7:01:10 | |
-with bated breath for something, but... -And wasn't there a day when | 7:01:10 | 7:01:13 | |
you had your friends on set? | 7:01:13 | 7:01:14 | |
-Oh! Tom loves this story. -OK, this is not true. | 7:01:14 | 7:01:18 | |
-This is the truth. -There is the truth | 7:01:18 | 7:01:19 | |
and then there's Annabelle, and then there's the truth. | 7:01:19 | 7:01:22 | |
There's Annabelle's truth and then there's the truth. | 7:01:22 | 7:01:25 | |
-I want to hear Annabelle's version. -My stories are far better. So... | 7:01:25 | 7:01:28 | |
We were in the middle of central London, we were shooting these | 7:01:28 | 7:01:31 | |
running scenes, and all my girlfriends were coming down... | 7:01:31 | 7:01:34 | |
-Why do you keep telling this story? -Because it's a great story! | 7:01:34 | 7:01:37 | |
And my girlfriends came and I was like, | 7:01:37 | 7:01:39 | |
"Oh, Tom, look, my friends - wave." | 7:01:39 | 7:01:42 | |
And they were like, "Hi, Annabelle." | 7:01:42 | 7:01:44 | |
And then he goes, | 7:01:44 | 7:01:46 | |
"Watch this." He looks over, he goes... | 7:01:46 | 7:01:48 | |
-And they're like... -SHE SCREAMS | 7:01:48 | 7:01:51 | |
And then he goes... | 7:01:51 | 7:01:53 | |
-"Annabelle, they're my friends now." -LAUGHTER | 7:01:53 | 7:01:55 | |
That is so not true! | 7:01:55 | 7:01:57 | |
That is so not true. | 7:01:57 | 7:02:00 | |
That is so not true. | 7:02:00 | 7:02:01 | |
You loved it! | 7:02:01 | 7:02:02 | |
You love it. | 7:02:02 | 7:02:04 | |
That happened. | 7:02:04 | 7:02:05 | |
Even if you didn't say it, it's true. | 7:02:06 | 7:02:08 | |
They are your friends now. | 7:02:08 | 7:02:10 | |
The truth is that Tom is an amazing... | 7:02:10 | 7:02:12 | |
You're such a joker. | 7:02:12 | 7:02:13 | |
He's an incredible joker on set. | 7:02:13 | 7:02:15 | |
-It's a lot of fun. -But we mustn't underplay... The Zac Efron effect | 7:02:15 | 7:02:18 | |
is very real as well. | 7:02:18 | 7:02:20 | |
SCREAMING | 7:02:20 | 7:02:23 | |
Whoa, that was cool. | 7:02:23 | 7:02:25 | |
When you were on the Baywatch press tour... | 7:02:25 | 7:02:27 | |
There are some pictures of you. I think this is in Australia. | 7:02:27 | 7:02:29 | |
Were you... | 7:02:29 | 7:02:30 | |
CHEERING Australia's getting whoops now. | 7:02:30 | 7:02:32 | |
Yeah. LAUGHTER | 7:02:32 | 7:02:34 | |
Is this you doing an homage to Top Gun? | 7:02:34 | 7:02:36 | |
WOLF-WHISTLING AND LAUGHTER | 7:02:36 | 7:02:38 | |
Er... | 7:02:38 | 7:02:40 | |
-Absolutely. -Yeah. LAUGHTER | 7:02:40 | 7:02:41 | |
If I'm being honest. Yeah. | 7:02:41 | 7:02:43 | |
But, no, you might as well, because it's real now, isn't it? | 7:02:43 | 7:02:46 | |
-Top Gun 2 is a real thing? -Mmm. | 7:02:46 | 7:02:47 | |
Yeah, we're going to... Next year we're going to play. | 7:02:47 | 7:02:50 | |
-I know, well... -The jets. | 7:02:50 | 7:02:51 | |
APPLAUSE So it's all happening? | 7:02:51 | 7:02:54 | |
I think it's... I think it's... | 7:02:54 | 7:02:56 | |
It's an homage to you, dude. | 7:02:56 | 7:02:58 | |
You set that look. | 7:02:58 | 7:03:00 | |
You set that look. You're the man. | 7:03:00 | 7:03:01 | |
-You make that work, man. -No, honestly. | 7:03:01 | 7:03:03 | |
Can I pay you a compliment? | 7:03:03 | 7:03:05 | |
This is something I want to say about Tom, | 7:03:05 | 7:03:06 | |
in front of everybody on TV. | 7:03:06 | 7:03:08 | |
Throughout your career, Tom, you're known for action, | 7:03:08 | 7:03:11 | |
you're known for being the man, the go-to guy | 7:03:11 | 7:03:16 | |
for so many different genres, and you've mastered them all. | 7:03:16 | 7:03:19 | |
And I don't care if there's pyrotechnics, if it's stunt work, | 7:03:19 | 7:03:26 | |
if it's backflips or learning all these new skills that you've | 7:03:26 | 7:03:29 | |
developed over your career, | 7:03:29 | 7:03:30 | |
the one thing you consistently do that is magnificent is maintain | 7:03:30 | 7:03:34 | |
a character with an arc all the way through a film, | 7:03:34 | 7:03:38 | |
-and I learn from you every single time I watch a movie... -Aw. | 7:03:38 | 7:03:41 | |
-..and I study your work. -Wow. CHEERING | 7:03:41 | 7:03:44 | |
From Top Gun to the end... | 7:03:44 | 7:03:46 | |
APPLAUSE DROWNS SPEECH | 7:03:46 | 7:03:49 | |
I really mean that, man. I really mean that. | 7:03:49 | 7:03:52 | |
-Thank you, that's very kind. -Those are beautiful words, Zac. | 7:03:52 | 7:03:54 | |
And I ask you... | 7:03:54 | 7:03:55 | |
would you like a part in Top Gun 2? | 7:03:55 | 7:03:57 | |
LAUGHTER | 7:03:57 | 7:04:00 | |
By any chance? Er... I'm not saying he didn't mean it. | 7:04:00 | 7:04:03 | |
I'm sure he meant it, I'm sure he meant it! | 7:04:03 | 7:04:06 | |
LAUGHTER | 7:04:06 | 7:04:08 | |
I feel the need, man. | 7:04:08 | 7:04:10 | |
-Oh. -Here we go. -The need for speed. -The need for speed. There we go. | 7:04:10 | 7:04:12 | |
Oh, oh! | 7:04:12 | 7:04:14 | |
-Yeah! -That was good! | 7:04:14 | 7:04:16 | |
-First time. -That was very good. | 7:04:16 | 7:04:18 | |
Oh, man, I can't believe I got that. | 7:04:18 | 7:04:20 | |
Hey, Tom and Annabelle star in The Mummy. It opens next Friday, | 7:04:22 | 7:04:26 | |
June the 9th. | 7:04:26 | 7:04:27 | |
I was saying nice things to you both backstage about The Mummy, | 7:04:27 | 7:04:30 | |
cos it's one of those films you're kind of, | 7:04:30 | 7:04:32 | |
"Oh, they're making that again," but you made it incredibly fresh, | 7:04:32 | 7:04:35 | |
it's a whole new take on this story. | 7:04:35 | 7:04:37 | |
Discuss. | 7:04:37 | 7:04:38 | |
-Thank you. -LAUGHTER | 7:04:38 | 7:04:40 | |
-There's no questions, start talking. -OK, sorry. | 7:04:40 | 7:04:42 | |
LAUGHTER | 7:04:42 | 7:04:44 | |
It's a Universal... | 7:04:44 | 7:04:46 | |
-Aren't you supposed to ask me questions? -I know, | 7:04:46 | 7:04:48 | |
I'm getting so lazy in my old age. | 7:04:48 | 7:04:50 | |
I'm just like, "I've finished talking, | 7:04:50 | 7:04:52 | |
-"now you." -OK. | 7:04:52 | 7:04:53 | |
LAUGHTER | 7:04:53 | 7:04:55 | |
-OK. -Sorry, this is very bad, isn't it? I should be on my 'A' game. | 7:04:58 | 7:05:01 | |
It's Tom Cruise! I'm so sorry. | 7:05:01 | 7:05:03 | |
I'll pick up the slack, I'll pick up the slack. | 7:05:03 | 7:05:07 | |
So, I love monster movies. | 7:05:07 | 7:05:08 | |
I saw the original one that was made in the '30s, | 7:05:08 | 7:05:11 | |
-obviously not in the '30s but... -LAUGHTER | 7:05:11 | 7:05:14 | |
You know, when I was a kid, I'd seen it on black and white TV, | 7:05:14 | 7:05:16 | |
I wasn't allowed to watch it, but, of course, if you're not allowed to | 7:05:16 | 7:05:19 | |
watch something, you're going to watch it, so... Six years old, | 7:05:19 | 7:05:21 | |
I'd sneak in to watch The Mummy, | 7:05:21 | 7:05:24 | |
and other, like Frankenstein and Wolf Man and... | 7:05:24 | 7:05:27 | |
And then I used to be so terrified I'd go and sleep | 7:05:27 | 7:05:29 | |
in my sister's room, on the floor. | 7:05:29 | 7:05:31 | |
But as time has gone on Universal... | 7:05:31 | 7:05:34 | |
That really established Universal Studios | 7:05:34 | 7:05:37 | |
as a really viable film studio, | 7:05:37 | 7:05:40 | |
so they decided they were going to create the dark universe | 7:05:40 | 7:05:42 | |
and really bring back these monsters to a modern audience | 7:05:42 | 7:05:45 | |
with a different kind of modern tone, and this film is like... | 7:05:45 | 7:05:49 | |
They said they wanted adventure and humour and scares and thrilling, | 7:05:49 | 7:05:54 | |
-and so here we are today on The Graham Norton Show. -And it really | 7:05:54 | 7:05:57 | |
-does deliver all of those things. -Thank you. | 7:05:57 | 7:05:59 | |
I'm so happy to hear, because we're screening it | 7:05:59 | 7:06:01 | |
and Annabelle Wallis joined us, you know. | 7:06:01 | 7:06:04 | |
Because you have Sofia Boutella, who's very power... She's the mummy. | 7:06:04 | 7:06:07 | |
-She's the mummy. -You know, very powerful woman. -Holy sh... -I know. | 7:06:07 | 7:06:09 | |
LAUGHTER | 7:06:09 | 7:06:11 | |
-Scary... -Come to mummy! -..beautiful. Come to mummy. -LAUGHTER | 7:06:11 | 7:06:14 | |
Come to mummy. And then you have Annabelle. You know, you're needed. | 7:06:14 | 7:06:17 | |
It really is this triangle, you know? | 7:06:17 | 7:06:18 | |
So, who do you play, Annabelle? | 7:06:18 | 7:06:20 | |
I play a character called Jennifer Halsey and she is | 7:06:20 | 7:06:23 | |
an archaeologist stationed out in the Middle East, | 7:06:23 | 7:06:25 | |
she protects antiquities, works for World Heritage. | 7:06:25 | 7:06:28 | |
Meets this cheeky one out there, | 7:06:28 | 7:06:32 | |
where she's stationed, and he steals something from me and leads us | 7:06:32 | 7:06:37 | |
to this sarcophagus and unleashes this energy. | 7:06:37 | 7:06:40 | |
He's kind of a scallywag, Nick, he spent one night with her, | 7:06:40 | 7:06:43 | |
stole the thing, he's a thief... | 7:06:43 | 7:06:45 | |
Best night of his life, | 7:06:45 | 7:06:46 | |
-I'd like to add. -LAUGHTER | 7:06:46 | 7:06:48 | |
-Unforgettable. Unforgettable. -Unforgettable. | 7:06:48 | 7:06:50 | |
Unforgettable. Unforgettable. | 7:06:50 | 7:06:52 | |
-You said you'd sell me well! -Yeah, I said unforgettable. | 7:06:52 | 7:06:54 | |
-The amazing Annabelle. -Thank you very much. | 7:06:54 | 7:06:56 | |
Extraordinary Annabelle. | 7:06:56 | 7:06:57 | |
-The powerful, funny Annabelle. -Thank you. | 7:06:57 | 7:07:00 | |
-Talented, intelligent... -Thank you. -..witty Annabelle. -Look at this. | 7:07:00 | 7:07:03 | |
Thank you very much. | 7:07:03 | 7:07:04 | |
I cannot wait to see this! | 7:07:04 | 7:07:06 | |
-LAUGHTER -So excited. | 7:07:06 | 7:07:08 | |
And The Mummy's just the beginning. | 7:07:08 | 7:07:10 | |
I mean, Universal are... It's called the Dark Universe? | 7:07:10 | 7:07:12 | |
The Dark Universe. | 7:07:12 | 7:07:13 | |
So this is an origin story, really my character kind of brings us into | 7:07:13 | 7:07:17 | |
the new world. This is the actors, | 7:07:17 | 7:07:20 | |
you know. Russell Crowe is playing Doctor Jekyll, | 7:07:20 | 7:07:23 | |
Javier is Frankenstein, Johnny Depp, is going to be the Invisible Man, | 7:07:23 | 7:07:27 | |
and Sofia is, of course, The Mummy. | 7:07:27 | 7:07:29 | |
And Annabelle is in all them and we're going to see... | 7:07:29 | 7:07:32 | |
Annabelle's in it also, she's not in that photo, | 7:07:32 | 7:07:33 | |
but she's going to be in the films. You'll see how the characters | 7:07:33 | 7:07:36 | |
develop and what kind of monsters they're going to be, | 7:07:36 | 7:07:38 | |
but this is going to be... It's just big summer popcorn entertainment, | 7:07:38 | 7:07:42 | |
but we're also going to have some wonderful character moments | 7:07:42 | 7:07:46 | |
-and character humour and humour and drama. -Character! | 7:07:46 | 7:07:49 | |
-We're going to have some character. -Those are all great actors. | 7:07:49 | 7:07:53 | |
You got Johnny Depp. | 7:07:53 | 7:07:54 | |
-Who convinced Johnny Depp to be Invisible?! -I know. | 7:07:54 | 7:07:56 | |
LAUGHTER | 7:07:56 | 7:07:57 | |
That's amazing. Like, that's going to be genius. | 7:07:57 | 7:07:59 | |
Now, you have brought us... This is a spectacular clip from The Mummy. | 7:07:59 | 7:08:03 | |
This is you rescuing Annabelle's character. | 7:08:03 | 7:08:07 | |
Here we go. | 7:08:07 | 7:08:08 | |
What the hell is that? | 7:08:08 | 7:08:09 | |
Go, go, go! | 7:08:12 | 7:08:13 | |
No! | 7:08:21 | 7:08:23 | |
No! | 7:08:24 | 7:08:25 | |
Parachute! | 7:08:25 | 7:08:26 | |
Parachute! | 7:08:28 | 7:08:29 | |
-I don't know how to do this. -Jenny... Jenny - you can do this! | 7:08:38 | 7:08:40 | |
You can do this. | 7:08:40 | 7:08:41 | |
Ah! | 7:08:44 | 7:08:45 | |
-Ah! -Ah! | 7:08:47 | 7:08:48 | |
Ah! | 7:08:52 | 7:08:53 | |
Ah! | 7:09:00 | 7:09:01 | |
SHE SCREAMS | 7:09:01 | 7:09:02 | |
Go! | 7:09:02 | 7:09:04 | |
HE SCREAMS | 7:09:04 | 7:09:06 | |
Wow! APPLAUSE | 7:09:06 | 7:09:08 | |
-That is so cool. -How good is that? | 7:09:08 | 7:09:11 | |
That was amazing. | 7:09:11 | 7:09:13 | |
That is for real. I've been wanting to do that in a movie, | 7:09:15 | 7:09:17 | |
and I was going to put it in Mission, | 7:09:17 | 7:09:19 | |
and then when I went to the meeting for Universe, | 7:09:19 | 7:09:21 | |
they had the plane crashes | 7:09:21 | 7:09:23 | |
Chris McQuarrie, who wrote and directed Mission, I was like, | 7:09:23 | 7:09:25 | |
"We've got to... Do you mind if I put in this?" | 7:09:25 | 7:09:28 | |
And it wouldn't have worked had you not said you would do this. | 7:09:28 | 7:09:32 | |
And it's such a... It's very exhausting. | 7:09:32 | 7:09:34 | |
Technically the studio's like, "What are we doing?" | 7:09:34 | 7:09:36 | |
I said, "No, we're going to shoot it for real. They're like, "What?" | 7:09:36 | 7:09:39 | |
You know, I said, "No, no, no, no, no, let me just do R&D | 7:09:39 | 7:09:41 | |
"and it's going to work," and everyone was kind of like, | 7:09:41 | 7:09:43 | |
"What? What?" And I said, "No, no. Please, let's try it." | 7:09:43 | 7:09:46 | |
So we actually convinced... We went to France, | 7:09:46 | 7:09:49 | |
we convinced them to allow us to build the set inside this aircraft | 7:09:49 | 7:09:54 | |
and we went into zero-G and the key was Annabelle, | 7:09:54 | 7:09:58 | |
because you see me... We're moving around, | 7:09:58 | 7:10:00 | |
we're a team dancing through this, | 7:10:00 | 7:10:02 | |
and had you not been able to do that, | 7:10:02 | 7:10:05 | |
we never would've gotten this sequence. | 7:10:05 | 7:10:07 | |
To get the zero-G, what happens? So you go... How high do you go? | 7:10:07 | 7:10:10 | |
-Parabola. We go... -You go up to 20,000 feet... | 7:10:10 | 7:10:12 | |
And reach terminal velocity. | 7:10:12 | 7:10:14 | |
..you pull the nose up vertically and then you go to 40,000 feet | 7:10:14 | 7:10:17 | |
and you do a parabolic arc and in that... So you jump forward. | 7:10:17 | 7:10:21 | |
And in that arc, you're weightless for 30 seconds. | 7:10:21 | 7:10:24 | |
So we did it 64 times. | 7:10:24 | 7:10:26 | |
GROANING | 7:10:26 | 7:10:28 | |
-Good reaction. Very good reaction. -Very good. | 7:10:28 | 7:10:30 | |
-LAUGHTER -We got it on the first take but... | 7:10:30 | 7:10:32 | |
I mean, people get... I mean, famously people get very ill | 7:10:33 | 7:10:35 | |
-doing this. -Yes. -Mm-hmm. It's famously called... | 7:10:35 | 7:10:38 | |
-Either of you? Luckily. -..the vomit comet. | 7:10:38 | 7:10:40 | |
Really luckily we didn't. We did not get sick. | 7:10:40 | 7:10:43 | |
But the crew in between takes, | 7:10:43 | 7:10:45 | |
-they were pulling the bags out and hurling. -Wow. | 7:10:45 | 7:10:47 | |
Last thing I feel like I'd be worried about up there is throw up! | 7:10:47 | 7:10:50 | |
LAUGHTER | 7:10:50 | 7:10:52 | |
Stuff was flying around, people were flying around, | 7:10:52 | 7:10:54 | |
crew were flying around in different takes. | 7:10:54 | 7:10:56 | |
And Tom actually... In one scene, I got stuck on the bar at the back | 7:10:56 | 7:11:01 | |
and I was putting my pack on and when gravity returns, | 7:11:01 | 7:11:04 | |
it returns at double the force, so | 7:11:04 | 7:11:06 | |
I knew that if I didn't get off this bar I'd be choked. | 7:11:06 | 7:11:09 | |
So they were counting down to return to gravity, and at three, | 7:11:09 | 7:11:13 | |
it was like "Five, four, three," I said, "Tom, I'm stuck!" | 7:11:13 | 7:11:17 | |
And in classic Tom, he went, | 7:11:17 | 7:11:19 | |
"I got you. One!" | 7:11:19 | 7:11:21 | |
-LAUGHTER -I was like... | 7:11:21 | 7:11:25 | |
Aw! APPLAUSE | 7:11:25 | 7:11:27 | |
And then you were on top of me. For the zero. | 7:11:30 | 7:11:32 | |
It was, like, huh! I was like, "Ah!" | 7:11:32 | 7:11:33 | |
You land awkwardly on each other all the time. | 7:11:33 | 7:11:36 | |
But it wasn't all stunts, there was fun on set as well. | 7:11:36 | 7:11:38 | |
Annabelle said there was a lot of dancing. You did dancing, Annabelle? | 7:11:38 | 7:11:41 | |
-Oh, yes, I love dancing. -What? | 7:11:41 | 7:11:43 | |
But Tom dances as well. | 7:11:43 | 7:11:45 | |
-We have a thing... -What sort of shapes would you throw? | 7:11:45 | 7:11:48 | |
-We... -I would like this one | 7:11:48 | 7:11:50 | |
-where I go like... -SHE MURMURS | 7:11:50 | 7:11:54 | |
-LAUGHTER -And I'd be like, "Watch out, | 7:11:54 | 7:11:56 | |
"boys, don't fall in love! Just going to thrust..." | 7:11:56 | 7:11:58 | |
LAUGHTER | 7:11:58 | 7:12:00 | |
And he would be, we're definitely not going to fall in love... | 7:12:00 | 7:12:03 | |
LAUGHTER DROWNS SPEECH What shapes would you throw, Tom? | 7:12:03 | 7:12:07 | |
What? | 7:12:07 | 7:12:08 | |
LAUGHTER What shapes would you throw? | 7:12:08 | 7:12:10 | |
-What were you given? -Tom likes the classic, that one. | 7:12:10 | 7:12:13 | |
-LAUGHTER -Come on, Tom. -A little less grossly, you know. | 7:12:15 | 7:12:17 | |
Can we get some music? Hang on, get some music. Here's the music. | 7:12:17 | 7:12:20 | |
MUSIC: Low by Flo Rida | 7:12:20 | 7:12:22 | |
Oh, here we go. Oh! | 7:12:22 | 7:12:25 | |
APPLAUSE DROWNS SPEECH | 7:12:25 | 7:12:27 | |
I mean... | 7:12:33 | 7:12:34 | |
You know... | 7:12:34 | 7:12:35 | |
-I am... -Here it goes. | 7:12:35 | 7:12:36 | |
Little less. | 7:12:36 | 7:12:37 | |
Here we go. | 7:12:37 | 7:12:38 | |
-Yeah! -Woo! | 7:12:49 | 7:12:50 | |
We're done. | 7:12:53 | 7:12:54 | |
Very good. | 7:12:54 | 7:12:55 | |
Well done. | 7:12:55 | 7:12:56 | |
CHEERING | 7:12:56 | 7:12:58 | |
Oh! | 7:12:59 | 7:13:01 | |
It's... | 7:13:01 | 7:13:03 | |
I just lived out a real life fantasy. | 7:13:05 | 7:13:08 | |
-Thank you, boys. -I just felt like Les Grossman. | 7:13:08 | 7:13:10 | |
Les Grossman would just get that... That's what we do, a little less... | 7:13:10 | 7:13:14 | |
My bucket list, that's on there. | 7:13:14 | 7:13:16 | |
-Yeah. Yeah. Ticked. -Mine ticked, a lot of my girlfriends'. | 7:13:16 | 7:13:18 | |
Thank you, I did one for the team. | 7:13:18 | 7:13:20 | |
Now, Zac Efron, your latest movie, Baywatch, | 7:13:20 | 7:13:23 | |
it's out now and it's a reboot of the famous television show | 7:13:23 | 7:13:26 | |
and it's everything you expect, but it's really funny. | 7:13:26 | 7:13:28 | |
-I mean, proper gross-out-comedy funny. -Oh, yeah. | 7:13:28 | 7:13:32 | |
-Yeah. -Yeah. | 7:13:32 | 7:13:34 | |
Definitely a lot of... | 7:13:34 | 7:13:36 | |
Usually I have Alex Daddario here to say it, but a lot of dicks. | 7:13:36 | 7:13:39 | |
-LAUGHTER -Lot of dick jokes. | 7:13:39 | 7:13:41 | |
It's got has everything the original Baywatch had. | 7:13:41 | 7:13:45 | |
We poke fun at it | 7:13:45 | 7:13:47 | |
in a great way and then we amped up the action. | 7:13:47 | 7:13:51 | |
-We got The Rock to play Mitch. -CHEERING | 7:13:51 | 7:13:54 | |
Yes! | 7:13:54 | 7:13:55 | |
APPLAUSE | 7:13:55 | 7:13:57 | |
Yeah, my boy! | 7:13:57 | 7:13:59 | |
My man. | 7:13:59 | 7:14:01 | |
And it ended up being pretty fantastic. I'm really... | 7:14:01 | 7:14:04 | |
-I'm stoked. -And it must be exciting for you cos as a kid, now, | 7:14:04 | 7:14:07 | |
what was it, you didn't see this show growing up? | 7:14:07 | 7:14:10 | |
Not really, I had, like, the TV from, like... | 7:14:10 | 7:14:13 | |
You guys ever seen Stranger Things? | 7:14:13 | 7:14:15 | |
-Like the dial-up TV. -Oh, yeah, yeah, yeah, yeah, yeah. | 7:14:15 | 7:14:18 | |
-Woo, Stranger Things. -LAUGHTER | 7:14:18 | 7:14:21 | |
Yeah. But, like, I never really got to watch that much TV. | 7:14:21 | 7:14:24 | |
But I remember at friends' houses it would be on and I couldn't take my | 7:14:24 | 7:14:29 | |
eyes off it. Like, Pamela Anderson would be, like, running around, I'd be like, "What is going on?" | 7:14:29 | 7:14:33 | |
-LAUGHTER -Like, "What the heck? | 7:14:33 | 7:14:36 | |
"What world is this?" | 7:14:36 | 7:14:37 | |
And so when I met with Dwayne, with The Rock, | 7:14:37 | 7:14:43 | |
over breakfast, he ate his, erm... | 7:14:43 | 7:14:45 | |
I'll call it, like, a wok of oats. | 7:14:45 | 7:14:48 | |
We talked about, you know, this idea, making these characters. | 7:14:49 | 7:14:53 | |
I mean, because, like, you are really ripped, but look at that. | 7:14:53 | 7:14:55 | |
LAUGHTER That's ridiculous. | 7:14:55 | 7:14:57 | |
It's crazy and, honestly, he's so smart and I knew | 7:14:57 | 7:15:01 | |
after that conversation that this was... | 7:15:01 | 7:15:04 | |
you know, this was a fun thing we were going to do. | 7:15:04 | 7:15:06 | |
Obviously it stars the two of you, | 7:15:06 | 7:15:07 | |
but the originals do make appearances in the film. | 7:15:07 | 7:15:11 | |
-Absolutely. -Oh, wow. | 7:15:11 | 7:15:12 | |
-Absolutely. -Yeah. -And that was... | 7:15:12 | 7:15:14 | |
We didn't know when that was going to happen, | 7:15:14 | 7:15:17 | |
or if that was going to happen at all. | 7:15:17 | 7:15:18 | |
But I got a text message and it was kind of early and I was in bed | 7:15:18 | 7:15:24 | |
and it said, "David Hasselhoff's on set," | 7:15:24 | 7:15:27 | |
and like, "Here's the address." | 7:15:27 | 7:15:29 | |
So that's me, I jumped out of bed, I'm in my pyjamas, | 7:15:29 | 7:15:32 | |
I got in the car, I have never driven so fast to set. | 7:15:32 | 7:15:35 | |
And I caught, like... The sun was going down and they were shooting | 7:15:35 | 7:15:38 | |
and everyone's like, "Be quiet, be quiet," and... | 7:15:38 | 7:15:41 | |
I caught him like shaking hands with The Rock and sort of just... | 7:15:41 | 7:15:46 | |
Then they finally yelled, "Cut," and everyone celebrated | 7:15:46 | 7:15:48 | |
and they hugged and it was him, | 7:15:48 | 7:15:50 | |
I don't know what celebration they were having, but that was it. | 7:15:50 | 7:15:53 | |
And then right after that, he, like, looked up at me and... | 7:15:53 | 7:15:57 | |
-the sun was behind him... -LAUGHTER | 7:15:57 | 7:15:59 | |
..and, like, he had his glorious look on his face, | 7:15:59 | 7:16:03 | |
like that David Hasselhoff, | 7:16:03 | 7:16:04 | |
like, he was buff, tan, handsome, he was the dreamboat. | 7:16:04 | 7:16:09 | |
He was David Ha... That is The Hoff. | 7:16:09 | 7:16:11 | |
And he stared right at me and he just went... | 7:16:11 | 7:16:14 | |
Boom and he pointed at me and I was like... I froze. | 7:16:14 | 7:16:17 | |
And then he shook and hand and he's like, "Hey, nice to meet you, Zac," | 7:16:17 | 7:16:20 | |
and I was like... "Holy cow!" | 7:16:20 | 7:16:22 | |
-LAUGHTER -And I didn't know what to say. | 7:16:22 | 7:16:25 | |
It was incredible. It was like a dream come true. | 7:16:25 | 7:16:27 | |
Listen, we've got a clip from Baywatch. This is your character, | 7:16:27 | 7:16:29 | |
Matt Brody, signing up for duty as a lifeguard. | 7:16:29 | 7:16:33 | |
-Hey, Steph. -Hey. -New kid on the block here is from Iowa. | 7:16:33 | 7:16:35 | |
-Oh, man. -Really? -Let me ask you this - lot of oceans in Iowa? | 7:16:35 | 7:16:38 | |
No, just ponds and lakes and cocky pretty boys. | 7:16:38 | 7:16:41 | |
Hey, Mitch, what happened to that last pretty boy recruit we had? | 7:16:41 | 7:16:43 | |
-He died. -What is this lifeguard hazing? | 7:16:43 | 7:16:45 | |
I'm Matt Brody. I hold the world record in the 200 metres. | 7:16:45 | 7:16:48 | |
-Hey! -Matt Brody. -Matt Brody! Yes, absolutely... | 7:16:48 | 7:16:51 | |
-We still... -Don't give a f... | 7:16:51 | 7:16:53 | |
LAUGHTER | 7:16:53 | 7:16:55 | |
Now... | 7:16:58 | 7:17:00 | |
I must say, it is quite out there a lot of humour. | 7:17:00 | 7:17:04 | |
But your... Now, because... | 7:17:04 | 7:17:05 | |
Did you know your grandparents were going to see it? | 7:17:05 | 7:17:08 | |
Yeah...at some point. At some... At some point, they see everything. | 7:17:08 | 7:17:12 | |
They posted this lovely picture of them going to see it. There are your | 7:17:12 | 7:17:15 | |
-grandparents going to see it. AUDIENCE: -Aw! | 7:17:15 | 7:17:16 | |
Cos it's not really for them. LAUGHTER | 7:17:16 | 7:17:19 | |
-Did they enjoy it? -Oh, no, it's for their demo for sure. | 7:17:19 | 7:17:21 | |
LAUGHTER | 7:17:21 | 7:17:23 | |
It's definitely right up their alley. | 7:17:23 | 7:17:25 | |
And I heard they loved it. | 7:17:25 | 7:17:27 | |
They're just proud of anything I do and I love them so much. | 7:17:27 | 7:17:30 | |
My grandpa's my hero, so that picture... | 7:17:30 | 7:17:32 | |
And my grandma is my guardian angel, I...like... | 7:17:32 | 7:17:37 | |
I can't say enough. | 7:17:37 | 7:17:38 | |
-That pictures means so much to me, that's crazy. -Wow. | 7:17:38 | 7:17:40 | |
It's so weird that that's their faces before they've seen | 7:17:40 | 7:17:43 | |
their grandson... LAUGHTER | 7:17:43 | 7:17:45 | |
And then there me in the middle, like, holding a 40 in a bag. | 7:17:45 | 7:17:48 | |
-Like... It's... -LAUGHTER | 7:17:48 | 7:17:50 | |
-Aw. -It's a funny idea. | 7:17:50 | 7:17:52 | |
-You had a similar experience, Annabelle. -Yes. | 7:17:52 | 7:17:54 | |
Your parents watching... Was it your parents with Peaky Blinders? | 7:17:54 | 7:17:57 | |
-Peaky Blinders, yes. -CHEERING | 7:17:57 | 7:17:59 | |
Which is an awesome show. | 7:17:59 | 7:18:00 | |
Oh, thank you very much. | 7:18:00 | 7:18:02 | |
There is a love scene and my parents were watching, | 7:18:02 | 7:18:06 | |
I was watching with my parents and my dad, | 7:18:06 | 7:18:09 | |
and I was like that is going to be so awkward. | 7:18:09 | 7:18:11 | |
He was like, "Well! | 7:18:11 | 7:18:13 | |
"We know who you get that from!" | 7:18:13 | 7:18:15 | |
LAUGHTER | 7:18:15 | 7:18:17 | |
-Your mother just... -"Good girl!" | 7:18:19 | 7:18:21 | |
-That's freaky. -Mum was like, "Whoo!" | 7:18:24 | 7:18:28 | |
Anyway... | 7:18:30 | 7:18:31 | |
I think the enthusiasm, if nothing else. | 7:18:33 | 7:18:36 | |
Oh, I get it. | 7:18:36 | 7:18:37 | |
LAUGHTER | 7:18:37 | 7:18:39 | |
Do not pretend you are not schooled in that area, my boy! | 7:18:39 | 7:18:43 | |
OK. I get it now. | 7:18:45 | 7:18:48 | |
In Baywatch your character's a big drinker, | 7:18:48 | 7:18:54 | |
but apparently | 7:18:54 | 7:18:56 | |
Robert de Niro gave you acting tips for drinking on screen? | 7:18:56 | 7:19:01 | |
Yes. I mean, among various other great legendary tips. | 7:19:01 | 7:19:06 | |
This is a good kind of short cut. | 7:19:06 | 7:19:08 | |
Yes, it was the best one. He goes... | 7:19:08 | 7:19:10 | |
-AS DE NIRO: -You just spin in circles. | 7:19:10 | 7:19:13 | |
Spin a lot of circles. | 7:19:13 | 7:19:15 | |
I was like, what? | 7:19:15 | 7:19:16 | |
He was like, yes. | 7:19:16 | 7:19:17 | |
And, like literally, | 7:19:17 | 7:19:19 | |
he had to play drunk in this scene and | 7:19:19 | 7:19:22 | |
he would spin in circles like this and go like... | 7:19:22 | 7:19:26 | |
Like that until he couldn't stand any more, | 7:19:27 | 7:19:30 | |
and then he'd be like, "Let's go", | 7:19:30 | 7:19:33 | |
and the whole scene he would be like stumbling, | 7:19:33 | 7:19:36 | |
but trying perfectly missing and standing and it was amazing. | 7:19:36 | 7:19:40 | |
It was the simplest, coolest piece of advice ever. | 7:19:40 | 7:19:42 | |
Yeah. It was cool. | 7:19:42 | 7:19:45 | |
Because obviously, Tom Cruise, you don't need advice, but... | 7:19:45 | 7:19:48 | |
I always need advice. | 7:19:48 | 7:19:49 | |
-Always. I want all the help I can get! -Looking at the people | 7:19:49 | 7:19:52 | |
you have worked with like Paul Newman, Jack Nicholson | 7:19:52 | 7:19:54 | |
Dustin Hoffman, did you get any tips like that? | 7:19:54 | 7:19:57 | |
-Short cut tips? -Always. | 7:19:57 | 7:19:59 | |
Just to be on set and watch them work, | 7:19:59 | 7:20:01 | |
it was a privilege to be a young actor and there I am, you know... | 7:20:01 | 7:20:06 | |
being able to get to spend time with Newman and rehearse and create | 7:20:06 | 7:20:09 | |
character, being directed | 7:20:09 | 7:20:11 | |
by Scorsese or Gene Hackman or Bobby Duvall. | 7:20:11 | 7:20:13 | |
Legends, really, and Hoffman, | 7:20:15 | 7:20:16 | |
we spent two years developing Rain Man so I really | 7:20:16 | 7:20:19 | |
always just learned a tremendous amount. | 7:20:19 | 7:20:22 | |
Just... And as time has gone on, | 7:20:22 | 7:20:24 | |
you just don't, their advice resonates more and more. | 7:20:24 | 7:20:29 | |
How do they give advice? | 7:20:29 | 7:20:31 | |
There has to be a mutual respect between actors. | 7:20:31 | 7:20:34 | |
But do they go, you will find it easier if you... | 7:20:34 | 7:20:36 | |
Or, why don't you try...? | 7:20:36 | 7:20:37 | |
You know, | 7:20:37 | 7:20:39 | |
it was just by hanging around and watching them. | 7:20:39 | 7:20:41 | |
I'm just such a student of film and I just... | 7:20:42 | 7:20:45 | |
Always there. I'm always early, | 7:20:45 | 7:20:47 | |
last to leave. So I would just be there and the directors knew that I was | 7:20:47 | 7:20:50 | |
interested, so I would go and I was able to watch their rushes | 7:20:50 | 7:20:53 | |
and see what they were doing and how each actor was developing. | 7:20:53 | 7:20:57 | |
You know, their work is very different. | 7:20:57 | 7:20:59 | |
There is no right way and I realised everyone has their own voice | 7:20:59 | 7:21:02 | |
as a writer, director, an actor | 7:21:02 | 7:21:04 | |
and there is no right way to do it. | 7:21:04 | 7:21:06 | |
And you see these giants, | 7:21:06 | 7:21:08 | |
I was just a young actor and them having worked with their... | 7:21:08 | 7:21:12 | |
You know exploring it and uncertain, is this going to work or not? | 7:21:12 | 7:21:16 | |
You just see... | 7:21:16 | 7:21:19 | |
It gave me confidence in the process of film-making. | 7:21:20 | 7:21:23 | |
-It was helpful. -The movie that we are hearing a lot of buzz about | 7:21:23 | 7:21:26 | |
already is Mission: Impossible 6. | 7:21:26 | 7:21:28 | |
AUDIENCE WHOOP Yes. | 7:21:28 | 7:21:30 | |
-You're filming it now? -Yes. | 7:21:30 | 7:21:31 | |
OK. | 7:21:31 | 7:21:33 | |
A producer has said - I quote, "What Tom is doing in this movie, | 7:21:33 | 7:21:37 | |
"I believe will top anything that's come before! | 7:21:37 | 7:21:40 | |
"He is absolutely unbelievable. He has been training for a year. | 7:21:40 | 7:21:43 | |
"It is going to most impressive and unbelievable thing | 7:21:43 | 7:21:45 | |
"that Tom Cruise has done in a movie | 7:21:45 | 7:21:47 | |
"and he has been working on it since after Rogue Nation came out. | 7:21:47 | 7:21:50 | |
"It's going to be mind-blowing." | 7:21:50 | 7:21:51 | |
LAUGHTER Are you playing the piano? | 7:21:51 | 7:21:53 | |
-What's happening? -I know. | 7:21:53 | 7:21:56 | |
You have been training for a year? | 7:21:56 | 7:21:58 | |
Actually for a couple of years, now, for this. | 7:21:58 | 7:22:01 | |
I know you can't tell us what it is. | 7:22:01 | 7:22:02 | |
Is it land-based, is it going to be speed-based? | 7:22:02 | 7:22:06 | |
Are you going to be the first person to Mars or something? | 7:22:06 | 7:22:09 | |
It would be a very long movie. | 7:22:09 | 7:22:10 | |
Is it space-based, is it air-based, | 7:22:10 | 7:22:15 | |
water-based, is there an animal in it? | 7:22:15 | 7:22:19 | |
Did you learn telekinesis? | 7:22:19 | 7:22:20 | |
It's really crazy. | 7:22:23 | 7:22:24 | |
-Honestly. -Have you done it yet? | 7:22:24 | 7:22:27 | |
-No, I haven't. -So we don't know you have lived yet. | 7:22:28 | 7:22:31 | |
No. | 7:22:31 | 7:22:33 | |
No. It's stuff that I have been training, I did... | 7:22:33 | 7:22:36 | |
we have done a lot of testing so see if it's actually possible. | 7:22:36 | 7:22:40 | |
And, um...and how we can do it. | 7:22:40 | 7:22:42 | |
-How intriguing. -I know. | 7:22:42 | 7:22:44 | |
I feel like you have done... | 7:22:44 | 7:22:47 | |
There is always another mountain. There is always another mountain. | 7:22:47 | 7:22:49 | |
-Is it a mountain? -Oh, no, he learned how to fly, didn't you? | 7:22:49 | 7:22:54 | |
On your own. | 7:22:54 | 7:22:56 | |
Human cannonball? | 7:22:56 | 7:22:57 | |
How did you know that? | 7:22:59 | 7:23:00 | |
THEY TALK OVER EACH OTHER | 7:23:00 | 7:23:02 | |
Mission: Impossible 6. | 7:23:02 | 7:23:04 | |
They set me on fire and go. Look, it's going to be really wild. | 7:23:04 | 7:23:08 | |
It's, look, if we get it, | 7:23:08 | 7:23:09 | |
I think it will be really thrilling for an audience. | 7:23:09 | 7:23:12 | |
I was thinking, have you ever seen a script, | 7:23:13 | 7:23:16 | |
something and you kind of think, I'm not going to do that. | 7:23:16 | 7:23:19 | |
Actually, you know what? | 7:23:19 | 7:23:21 | |
That sounds too difficult, too scary, | 7:23:21 | 7:23:24 | |
or have you just thought... | 7:23:24 | 7:23:26 | |
Everything's just kind of gone, "No, let's do it"? | 7:23:26 | 7:23:28 | |
-Is that for me? -Yes. -Oh. -"He can't be talking to me." | 7:23:28 | 7:23:33 | |
"It can't be a question for me. | 7:23:35 | 7:23:37 | |
"I have never seen anything in a script I wouldn't do." | 7:23:37 | 7:23:41 | |
I don't know. | 7:23:41 | 7:23:42 | |
I don't know, actually. | 7:23:43 | 7:23:44 | |
I really don't know. It's not like all the stunts and the things, | 7:23:44 | 7:23:48 | |
the sequences, we build them together. | 7:23:48 | 7:23:50 | |
What about the Last Samurai, with all those sticks like when you get, | 7:23:50 | 7:23:53 | |
are just getting beat up? | 7:23:53 | 7:23:55 | |
That was... | 7:23:55 | 7:23:56 | |
Those guys were good. They were really... | 7:23:56 | 7:23:58 | |
-Would they not hit you? -You know what? | 7:23:58 | 7:24:00 | |
He would just put it in enough. | 7:24:00 | 7:24:02 | |
-I mean, those... That's what... -LAUGHTER | 7:24:02 | 7:24:05 | |
Just strike. Like nail it. | 7:24:05 | 7:24:08 | |
You're like, "That hurts. That hurts." | 7:24:09 | 7:24:12 | |
Talk through it. Talk through it. | 7:24:12 | 7:24:15 | |
Just keep talking, Tom. Keep talking. | 7:24:15 | 7:24:17 | |
There was one thing you didn't want to do. | 7:24:20 | 7:24:22 | |
Which one? | 7:24:22 | 7:24:24 | |
There was one moment where there was a hint of amorous connection | 7:24:24 | 7:24:29 | |
-between... -That's not true. -I was like, "Oh, my God look at this, | 7:24:29 | 7:24:32 | |
"I've got a great story to tell, I get to kiss Tom Cruise!" | 7:24:32 | 7:24:35 | |
-No. -Then I watched Tom. | 7:24:35 | 7:24:37 | |
-I watched Tom... -And then the truth. -No. | 7:24:37 | 7:24:40 | |
I go to set, this, this is a great story to tell. | 7:24:40 | 7:24:42 | |
I watched him to go to the director in front of me, and go, | 7:24:42 | 7:24:46 | |
"Yeah, so I'm not feeling that good!" | 7:24:46 | 7:24:49 | |
And I was so offended. | 7:24:53 | 7:24:55 | |
You were like, you know, "No, I don't feel like it." | 7:24:55 | 7:25:00 | |
In front of me. | 7:25:00 | 7:25:01 | |
He didn't even go into a private room. | 7:25:01 | 7:25:03 | |
I love Annabelle. | 7:25:03 | 7:25:04 | |
I love her. She is so talented. | 7:25:04 | 7:25:07 | |
There is Annabelle's truth and the truth. | 7:25:07 | 7:25:10 | |
She is able to tell hers shortly to all of us. | 7:25:11 | 7:25:14 | |
I know! She is so good and she is so charming and everyone's like, | 7:25:14 | 7:25:17 | |
"Oh, my gosh," she is like... | 7:25:17 | 7:25:19 | |
And in terms of physical challenges, Zac, | 7:25:21 | 7:25:23 | |
I was flicking through a magazine, and I happened upon... | 7:25:23 | 7:25:26 | |
I happened upon a photograph of Zac | 7:25:26 | 7:25:29 | |
where Zac was casually walking down the street with no shirt on | 7:25:29 | 7:25:32 | |
and I thought he must have got tired, | 7:25:32 | 7:25:34 | |
and he was leaning against a parking meter. | 7:25:34 | 7:25:37 | |
I think we have got the picture here. | 7:25:37 | 7:25:38 | |
-That was a photo shoot. -What are you talking about? | 7:25:40 | 7:25:44 | |
Is that at the airport? | 7:25:44 | 7:25:46 | |
-It was Cool Hand Luke trying to take the parking meter off. -Yeah. | 7:25:46 | 7:25:50 | |
Are you really doing that or are there wires? | 7:25:53 | 7:25:55 | |
-No, he is doing it. -Yeah. | 7:25:55 | 7:25:57 | |
He is doing it. | 7:25:57 | 7:25:59 | |
Not that I'm calling you a liar, | 7:25:59 | 7:26:01 | |
but there is a pole right over there. | 7:26:01 | 7:26:03 | |
It's right there. There is a pole. | 7:26:06 | 7:26:09 | |
It's right there. That pole. That pole. | 7:26:12 | 7:26:14 | |
-That pole. -You want me to do that? -Yes, can you? -Er, yeah. Sure. | 7:26:14 | 7:26:17 | |
SCREAMING AND WHOOPING | 7:26:17 | 7:26:19 | |
Really? Now? Now I feel bad. | 7:26:19 | 7:26:22 | |
-You can do this, right? -They have tested this thing. | 7:26:22 | 7:26:24 | |
It's solid. It's been tested... | 7:26:26 | 7:26:30 | |
By who? | 7:26:30 | 7:26:32 | |
We are not sure of her name, but... | 7:26:32 | 7:26:34 | |
LAUGHTER | 7:26:34 | 7:26:36 | |
-OK. -Do you want some music? How about some music? | 7:26:39 | 7:26:42 | |
OK, the music. Here we go. | 7:26:42 | 7:26:46 | |
MUSIC: Low by Flo Rida (feat T Pain) | 7:26:46 | 7:26:48 | |
MUSIC DROWNS SPEECH | 7:26:48 | 7:26:52 | |
Here we go, here we go. | 7:26:52 | 7:26:53 | |
Oh! APPLAUSE AND CHEERING | 7:26:56 | 7:26:58 | |
Zac Efron, everybody! Well done! | 7:27:03 | 7:27:05 | |
That's impressive. Come sit down. | 7:27:07 | 7:27:09 | |
Wow. | 7:27:10 | 7:27:11 | |
That is impressive. | 7:27:13 | 7:27:14 | |
That was better than in the photo shoot! | 7:27:16 | 7:27:18 | |
Did I get flat? Was I flat? | 7:27:20 | 7:27:21 | |
Perfect. Perfect. You'll love it. | 7:27:21 | 7:27:25 | |
I'm so happy I can still do that. | 7:27:25 | 7:27:28 | |
So are we! | 7:27:28 | 7:27:31 | |
Well, I hired a pole. | 7:27:31 | 7:27:32 | |
LAUGHTER | 7:27:32 | 7:27:34 | |
Right, it is time for music. | 7:27:34 | 7:27:36 | |
This punk icon established herself as one of the most unique voices in | 7:27:36 | 7:27:40 | |
music, with her band, Gossip. | 7:27:40 | 7:27:41 | |
Now, she's gone solo and is here tonight to perform her single Fire. | 7:27:41 | 7:27:45 | |
Please welcome the fabulous Beth Ditto! | 7:27:45 | 7:27:46 | |
Hello. | 7:27:48 | 7:27:50 | |
# High in a stupor, sitting on the side of the road | 7:27:55 | 7:28:00 | |
# Ain't got an honest feeling in my bones | 7:28:00 | 7:28:04 | |
# Felt like a fever, came on like a storm | 7:28:06 | 7:28:11 | |
# But what I felt, it can't be helped no more | 7:28:11 | 7:28:16 | |
# So get up, up, up, up, up, up | 7:28:16 | 7:28:19 | |
# If you want my, want my, want my love | 7:28:19 | 7:28:22 | |
# Get up, up, up, up, up, up, up | 7:28:22 | 7:28:24 | |
# If you want my, want my love | 7:28:24 | 7:28:27 | |
# Fire | 7:28:27 | 7:28:29 | |
# Fire | 7:28:33 | 7:28:36 | |
# Bless my soul that's the way it is | 7:28:38 | 7:28:41 | |
# Bless my soul, I can't resist | 7:28:43 | 7:28:48 | |
# Now, swift as a river | 7:28:59 | 7:29:02 | |
# With a head as hard as stone | 7:29:02 | 7:29:04 | |
# What's hot as hell, the same will leave you cold | 7:29:04 | 7:29:09 | |
# But I'm a believer | 7:29:10 | 7:29:13 | |
# And my word's as good as gold | 7:29:13 | 7:29:16 | |
# But walking a fine line might not lead to home, no | 7:29:16 | 7:29:21 | |
# Get up, up, up, up, up, up, up | 7:29:21 | 7:29:23 | |
# If you want my, want my, want my love | 7:29:23 | 7:29:26 | |
# Get up, up, up, up, up, up, up | 7:29:26 | 7:29:29 | |
# If you want my, want my love | 7:29:29 | 7:29:32 | |
# Fire | 7:29:32 | 7:29:34 | |
# Fire | 7:29:37 | 7:29:40 | |
# Bless my soul, that's the way it is | 7:29:43 | 7:29:46 | |
# Bless my soul, I can't resist | 7:29:48 | 7:29:51 | |
# Giddy-up! | 7:29:53 | 7:29:54 | |
# Mm, ooh | 7:30:09 | 7:30:11 | |
# Giddy-up! | 7:30:17 | 7:30:18 | |
# Fire | 7:30:26 | 7:30:28 | |
# Fire | 7:30:31 | 7:30:36 | |
# Fire | 7:30:37 | 7:30:39 | |
# Fire | 7:30:42 | 7:30:47 | |
# Bless my soul, that's the way it is | 7:30:47 | 7:30:51 | |
# Bless my soul, I can't resist. # | 7:30:53 | 7:30:56 | |
-CHEERING AND APPLAUSE -Thank you. | 7:30:59 | 7:31:02 | |
Beth Ditto! | 7:31:05 | 7:31:07 | |
Great job! APPLAUSE DROWNS SPEECH | 7:31:07 | 7:31:11 | |
-That was fabulous! -Thank you. | 7:31:13 | 7:31:16 | |
Beth Ditto, everybody. CHEERING | 7:31:16 | 7:31:18 | |
That's Zac, and Annabelle, and Tom. | 7:31:18 | 7:31:20 | |
-Nice to meet you. -Pleased to meet you. | 7:31:20 | 7:31:27 | |
Hello! | 7:31:27 | 7:31:29 | |
-Thank you! -That was fun. | 7:31:29 | 7:31:32 | |
It has been too long since we had line dancing on the show. | 7:31:32 | 7:31:36 | |
-LAUGHTER -Really? -Yeah, it's been years! | 7:31:36 | 7:31:38 | |
-It's been years. -Whose fault is that? | 7:31:38 | 7:31:40 | |
Well... I feel personally responsible. | 7:31:40 | 7:31:42 | |
Do you want me to talk to your director? | 7:31:42 | 7:31:44 | |
-Beth Ditto, Beth Ditto... -This is what it's like on the A list. | 7:31:44 | 7:31:47 | |
-You've never been on the show before! I can't believe you've never... -Now, whose fault is that? | 7:31:47 | 7:31:51 | |
Again, it's mine. It's all my fault! | 7:31:51 | 7:31:54 | |
But look at this. This is a great first time. | 7:31:54 | 7:31:55 | |
-Thanks for letting me share the couch. -It's my first time, too! | 7:31:55 | 7:31:59 | |
-Is it really? -It is. | 7:31:59 | 7:32:00 | |
Jerk. | 7:32:00 | 7:32:01 | |
Yes, it's all my fault! | 7:32:06 | 7:32:08 | |
You didn't even offer me one slice of that pineapple! | 7:32:08 | 7:32:10 | |
It's all yours, have it. | 7:32:12 | 7:32:13 | |
We should say that as from the album Fake Sugar, which is out on June 16. | 7:32:13 | 7:32:17 | |
-Yes. -And this is it. | 7:32:17 | 7:32:20 | |
Your debut solo album? | 7:32:20 | 7:32:21 | |
Yes, it is. I'm grown, I'm 36. | 7:32:21 | 7:32:25 | |
Gossip was...17 years old. | 7:32:25 | 7:32:27 | |
-We were together since I was 18. -Wow. -So, I guess... | 7:32:27 | 7:32:31 | |
so, yes, from punk band to Graham Norton. | 7:32:31 | 7:32:34 | |
Now I made my own grown-up record. From squats to here. | 7:32:34 | 7:32:37 | |
And it's not just music but fashion also? | 7:32:38 | 7:32:41 | |
-Oh, darling! -Well, you do. Is this one of your creations? | 7:32:41 | 7:32:45 | |
No, this is, I think it is pronounced "Guchee." | 7:32:45 | 7:32:47 | |
LAUGHTER Oh, yeah? | 7:32:47 | 7:32:48 | |
I say to my mother, it's Gucci, and she's like, what is that? | 7:32:50 | 7:32:53 | |
And I say, it's hoochie, but longer. | 7:32:53 | 7:32:55 | |
It looks good! | 7:32:57 | 7:32:58 | |
-Thank you! -Tell me this, will you be touring the new album? | 7:32:58 | 7:33:01 | |
-You must be going to tour the new album. -No. | 7:33:01 | 7:33:03 | |
GRAHAM GASPS | 7:33:03 | 7:33:05 | |
-Yes, I am. -Oh, good. -Yes, I can't wait. I can't wait. | 7:33:05 | 7:33:07 | |
I hope you all come. They will! | 7:33:07 | 7:33:08 | |
You will not wait in line for two hours. | 7:33:08 | 7:33:10 | |
You will not wait in line for two hours at my show! | 7:33:10 | 7:33:13 | |
Sorry, Zac Efron, that was mean teasing you about the pole earlier. | 7:33:14 | 7:33:19 | |
Yes, I bet you could crush me on the pole. | 7:33:19 | 7:33:22 | |
I could literally crush you on a pole! | 7:33:22 | 7:33:24 | |
-LAUGHTER -That came out wrong! | 7:33:24 | 7:33:27 | |
Could we have some music for that? | 7:33:32 | 7:33:34 | |
Yeah, where's the drummer? | 7:33:34 | 7:33:35 | |
Er, listen... | 7:33:35 | 7:33:37 | |
You would have to get up pretty early in the morning... | 7:33:37 | 7:33:39 | |
Thank you for coming in. Beth Ditto, everybody! | 7:33:39 | 7:33:42 | |
Thanks for having me today. | 7:33:42 | 7:33:43 | |
APPLAUSE DROWNS SPEECH | 7:33:43 | 7:33:49 | |
That's nearly it, but we do have time, | 7:33:49 | 7:33:52 | |
before we go, just to visit the big red chair. | 7:33:52 | 7:33:55 | |
Now, you never touch this thing, do you? | 7:33:55 | 7:33:58 | |
Annabelle's going to. | 7:33:58 | 7:33:59 | |
And how many times have you been on? | 7:33:59 | 7:34:01 | |
-Five times. -Oh! | 7:34:01 | 7:34:03 | |
What's he got that I ain't got and she ain't got? | 7:34:05 | 7:34:08 | |
He's Tom Cruise! | 7:34:08 | 7:34:09 | |
-That's what he's got. -Never heard of ya! | 7:34:09 | 7:34:12 | |
Let's go to the big red chair. Hello! | 7:34:12 | 7:34:14 | |
-Hi, Graham. It's David here. -It's David. | 7:34:14 | 7:34:16 | |
You know, David. | 7:34:16 | 7:34:18 | |
David! | 7:34:18 | 7:34:20 | |
And, er... what do you do, David? | 7:34:20 | 7:34:22 | |
I work in marketing. | 7:34:22 | 7:34:24 | |
Marketing. I thought you were going to say exotic dancer! | 7:34:24 | 7:34:26 | |
-But, no, it's marketing. -I bet you were going to do this already! | 7:34:26 | 7:34:29 | |
No. LAUGHTER | 7:34:29 | 7:34:31 | |
Let David tell his story. Off you go, David. | 7:34:31 | 7:34:34 | |
OK, so, in my younger days, in the late '80s | 7:34:34 | 7:34:37 | |
when I was serving in the Army, a couple of my friends told me | 7:34:37 | 7:34:41 | |
I bore a striking resemblance to Tom Cruise... | 7:34:41 | 7:34:43 | |
LAUGHTER | 7:34:43 | 7:34:46 | |
Yeah(!) | 7:34:49 | 7:34:50 | |
They were not good friends. | 7:34:54 | 7:34:56 | |
I don't know how long ago that was, but...! | 7:35:00 | 7:35:03 | |
-He was handsome. -He was perfectly handsome. | 7:35:07 | 7:35:11 | |
-Yeah. No TC. -No TC. | 7:35:11 | 7:35:14 | |
Off we go. | 7:35:14 | 7:35:15 | |
Next one... Hello. | 7:35:15 | 7:35:16 | |
-Hi. -I like you already. | 7:35:16 | 7:35:19 | |
-What's your name? -Mo. | 7:35:20 | 7:35:22 | |
Moo? | 7:35:22 | 7:35:23 | |
Yeah. Yup. | 7:35:23 | 7:35:24 | |
I knew I liked her. It's Moo, everybody! | 7:35:24 | 7:35:26 | |
Where is Moo from? | 7:35:28 | 7:35:29 | |
-New Zealand. -Oh, you see! | 7:35:29 | 7:35:31 | |
Home of the anecdote. | 7:35:31 | 7:35:34 | |
So... | 7:35:35 | 7:35:36 | |
Are you on your travels, or are you living here? | 7:35:36 | 7:35:38 | |
I am living here at the moment. | 7:35:38 | 7:35:40 | |
What do you do? | 7:35:40 | 7:35:41 | |
Working in advertising for now | 7:35:41 | 7:35:43 | |
but soon to be make-up and special effects... | 7:35:43 | 7:35:45 | |
Ooh! | 7:35:45 | 7:35:46 | |
Is Moo short for something? | 7:35:49 | 7:35:51 | |
Yes, but we don't have to go into it. | 7:35:51 | 7:35:53 | |
It's worse than Moo? | 7:35:53 | 7:35:55 | |
OK! | 7:35:55 | 7:35:56 | |
OK, Moo. Off you go with your story... | 7:36:00 | 7:36:03 | |
Not so much a story as a fun fact, | 7:36:03 | 7:36:06 | |
but I have recently discovered I'm actually related to someone on the stage. | 7:36:06 | 7:36:12 | |
Ooh. | 7:36:12 | 7:36:14 | |
OK, it's not me... | 7:36:14 | 7:36:16 | |
is it? | 7:36:16 | 7:36:17 | |
-It's you, Graham! -You're related to me? | 7:36:17 | 7:36:21 | |
Unfortunately, you're related to me. | 7:36:21 | 7:36:23 | |
Nonsense! | 7:36:23 | 7:36:24 | |
No. No, she's not. It's not true! | 7:36:29 | 7:36:33 | |
I feel like he's scared to death right now. | 7:36:33 | 7:36:36 | |
-What are we going to hear? -I just thought, | 7:36:36 | 7:36:38 | |
"Moo wants to be in the will." And no. | 7:36:38 | 7:36:42 | |
Sling your hook, Moo. | 7:36:42 | 7:36:44 | |
OK, we'll have one more. One more. One more. | 7:36:47 | 7:36:50 | |
This is it. This is it. Here we go. Here we go. | 7:36:50 | 7:36:52 | |
-Hello. -Hello! | 7:36:52 | 7:36:53 | |
-What's your name? -Lottie. -Lottie? | 7:36:53 | 7:36:56 | |
-Hello, Lottie. And where are you from, Lottie? -From London. | 7:36:56 | 7:36:59 | |
-London. And what do you do, Lottie? -I'm a civil engineer. | 7:36:59 | 7:37:02 | |
A civil engineer. That's a proper job! | 7:37:02 | 7:37:04 | |
-That's an actual job. -What's that like? -I can't imagine! | 7:37:04 | 7:37:08 | |
You have to be civil, AND an engineer! | 7:37:08 | 7:37:10 | |
LAUGHTER She never loses her temper! | 7:37:10 | 7:37:13 | |
OK, Lottie, off you go. | 7:37:17 | 7:37:18 | |
I organised a bingo event at work | 7:37:18 | 7:37:20 | |
and thought it would be fun to print off | 7:37:20 | 7:37:23 | |
the bingo calling phrases before, | 7:37:23 | 7:37:25 | |
so I quickly printed them off before the event | 7:37:25 | 7:37:27 | |
but hadn't read them through, | 7:37:27 | 7:37:28 | |
so it was going really well but then I got to the number 69, I thought, | 7:37:28 | 7:37:33 | |
"I'm at work, don't want to see anything rude," | 7:37:33 | 7:37:34 | |
so I look at the sheet and there were three options | 7:37:34 | 7:37:36 | |
and the first option I saw was, a favourite of mine, 69, | 7:37:36 | 7:37:40 | |
and I was like, ooh, can't say that at work! | 7:37:40 | 7:37:43 | |
So I went straight on to the next one without even thinking and said, | 7:37:43 | 7:37:46 | |
"Two can dine, 69!" | 7:37:46 | 7:37:48 | |
-LAUGHTER -To absolute silence from my team! | 7:37:48 | 7:37:51 | |
-More, Lottie, give me more! -Can I go? | 7:37:51 | 7:37:54 | |
Oh, you want to be...? OK. | 7:37:54 | 7:37:56 | |
Well done to everybody in the big red chairs. | 7:37:59 | 7:38:01 | |
If you'd like to join us on the show and have a go in that chair, | 7:38:01 | 7:38:04 | |
you can contact us via our website at this very address. | 7:38:04 | 7:38:06 | |
That is it for tonight. | 7:38:06 | 7:38:08 | |
A huge thank you to our guests. | 7:38:08 | 7:38:09 | |
Beth Ditto! | 7:38:09 | 7:38:11 | |
APPLAUSE | 7:38:11 | 7:38:12 | |
Zac Efron! | 7:38:12 | 7:38:14 | |
APPLAUSE | 7:38:14 | 7:38:16 | |
Annabelle Wallis! | 7:38:16 | 7:38:17 | |
APPLAUSE | 7:38:17 | 7:38:19 | |
And Mr Tom Cruise! | 7:38:19 | 7:38:21 | |
APPLAUSE | 7:38:21 | 7:38:23 | |
Join me next week. | 7:38:23 | 7:38:24 | |
My guests are Shawn Mendes, the always hilarious Greg Davies, | 7:38:24 | 7:38:27 | |
world boxing champion Anthony Joshua, | 7:38:27 | 7:38:29 | |
and Oscar winner Rachel Weisz. I'll see you then. Goodnight everybody - goodbye! | 7:38:29 | 7:38:33 | |
OK, here we go. And in three, two.... | 7:39:00 | 7:39:04 | |
Hello, my name is Tom Cruise, and tonight will be a very big night... | 7:39:04 | 7:39:08 | |
OK, let me do that again. | 7:39:08 | 7:39:09 | |
LAUGHTER | 7:39:09 | 7:39:11 | |
OK, all right, good. | 7:39:13 | 7:39:15 | |
And three, two... | 7:39:15 | 7:39:16 | |
-Sorry! -LAUGHTER | 7:39:17 | 7:39:19 |