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Hi, everyone, I'm Hugh Jackman, it's New Year's Eve, | 0:00:02 | 0:00:04 | |
welcome to The Graham Norton Show! | 0:00:04 | 0:00:06 | |
CHEERING AND APPLAUSE | 0:00:06 | 0:00:08 | |
Oh! Oh! | 0:00:24 | 0:00:25 | |
CHEERING AND APPLAUSE | 0:00:25 | 0:00:27 | |
Oh-ho-ho! Too kind. | 0:00:27 | 0:00:30 | |
Thank you very much. Thank you. | 0:00:30 | 0:00:33 | |
Welcome to the show and happy New Year's Eve! | 0:00:33 | 0:00:37 | |
CHEERING AND APPLAUSE Yay! | 0:00:37 | 0:00:41 | |
Yay! | 0:00:41 | 0:00:43 | |
Yay, it's really happening... | 0:00:43 | 0:00:45 | |
We've got a great sofa of guests | 0:00:45 | 0:00:47 | |
to ease you towards the midnight celebrations. | 0:00:47 | 0:00:49 | |
By the way, if you are planning to have | 0:00:49 | 0:00:51 | |
a fireworks demonstration tonight, please remember, never return to | 0:00:51 | 0:00:55 | |
a lit one as it can backfire on you, | 0:00:55 | 0:00:58 | |
like, I don't know, like a snap election. | 0:00:58 | 0:01:00 | |
That was fun! | 0:01:02 | 0:01:03 | |
Oh, I wonder if Theresa May got what she wanted for Christmas? | 0:01:03 | 0:01:06 | |
Hindsight. Yeah... | 0:01:06 | 0:01:08 | |
I do hope at home you've got a drink in hand. | 0:01:10 | 0:01:12 | |
Not so much to toast in the New Year - | 0:01:12 | 0:01:15 | |
more to help you forget the old one! Yeah! | 0:01:15 | 0:01:17 | |
2017, ladies and gentlemen - what a year! | 0:01:17 | 0:01:20 | |
In China, it was the Year of the Monkey. Yeah. | 0:01:20 | 0:01:23 | |
In America, Year of the Cock. | 0:01:23 | 0:01:24 | |
LAUGHTER AND APPLAUSE | 0:01:24 | 0:01:28 | |
Donald... | 0:01:32 | 0:01:34 | |
Donald wasn't the only American in the news this year, no. | 0:01:34 | 0:01:37 | |
In November, an American won the lottery. Yeah. | 0:01:37 | 0:01:40 | |
"Yes! Yes! | 0:01:43 | 0:01:46 | |
"Stupid acting! Yes!" | 0:01:46 | 0:01:48 | |
In the UK, Theresa May started the Brexit process | 0:01:49 | 0:01:52 | |
by triggering Article 50. | 0:01:52 | 0:01:53 | |
Or, as it's now called, Article 50 billion. | 0:01:53 | 0:01:57 | |
This was David Davis in August, | 0:01:57 | 0:01:59 | |
insisting the UK will not give the EU a blank cheque, | 0:01:59 | 0:02:01 | |
and here he is in September... | 0:02:01 | 0:02:03 | |
..giving them a blank cheque! | 0:02:03 | 0:02:05 | |
This year, Tim Farron resigned as Lib Dem leader | 0:02:05 | 0:02:07 | |
because of his Christian views on gay sex. | 0:02:07 | 0:02:10 | |
To be fair to Tim, he did a very Christian thing when he resigned - | 0:02:10 | 0:02:13 | |
he gave up a seat to an elderly person. | 0:02:13 | 0:02:16 | |
Yeah. Awww! Vince, look at him! | 0:02:16 | 0:02:20 | |
Already talk of Vince Cable being replaced. | 0:02:20 | 0:02:22 | |
Mind you, it can't be the first time he's heard the words | 0:02:22 | 0:02:24 | |
"Do you think you'll survive the winter?" | 0:02:24 | 0:02:27 | |
LAUGHTER | 0:02:27 | 0:02:29 | |
Let's get some guests on! CHEERING AND APPLAUSE | 0:02:29 | 0:02:32 | |
Later, we'll be meeting Dr Foster star, Suranne Jones, will be here. | 0:02:32 | 0:02:37 | |
And we'll be chatting to one of our greatest actors, Gary Oldman. | 0:02:37 | 0:02:40 | |
CHEERING | 0:02:40 | 0:02:42 | |
Plus, we'll be seeing out the year with a great musical performance | 0:02:42 | 0:02:45 | |
by the Leading Ladies. | 0:02:45 | 0:02:47 | |
They will be performing One Night Only. | 0:02:48 | 0:02:50 | |
But first, three hot stars from the new musical extravaganza | 0:02:50 | 0:02:53 | |
The Greatest Showman, | 0:02:53 | 0:02:55 | |
starting with the all-singing, all-dancing Mr Zac Efron! | 0:02:55 | 0:02:59 | |
CHEERING AND APPLAUSE Yeah! | 0:02:59 | 0:03:01 | |
They thought I was lying! That's Zac Efron. | 0:03:04 | 0:03:06 | |
She's one of Hollywood's most influential young stars - | 0:03:08 | 0:03:11 | |
it's Zendaya! | 0:03:11 | 0:03:12 | |
CHEERING AND APPLAUSE | 0:03:12 | 0:03:14 | |
So sparkly! | 0:03:14 | 0:03:16 | |
Hello, you're very welcome. Mwah and mwah! | 0:03:16 | 0:03:19 | |
Go and sit beside Zac there. | 0:03:19 | 0:03:20 | |
And he's not only The Greatest Showman, | 0:03:21 | 0:03:23 | |
he's one of our all-time favourite guests. | 0:03:23 | 0:03:25 | |
It is Mr Hugh Jackman! | 0:03:25 | 0:03:27 | |
CHEERING AND APPLAUSE | 0:03:27 | 0:03:30 | |
APPLAUSE DROWNS OUT SPEECH | 0:03:32 | 0:03:36 | |
Oh! Lovely to see you all. | 0:03:41 | 0:03:44 | |
Happy New Year! Happy New Year! Come on. | 0:03:44 | 0:03:47 | |
-You're good, you're good! -Yes. | 0:03:47 | 0:03:49 | |
DEADPAN: Thank you for joining us on this special evening. | 0:03:49 | 0:03:52 | |
It's just I'm Australian - I will be vomiting in 30 minutes. | 0:03:54 | 0:03:58 | |
-Did you all have a nice Christmas? -The best! -Yeah?! | 0:03:59 | 0:04:02 | |
-LAUGHTER -Oh... | 0:04:02 | 0:04:06 | |
I don't know where to begin. | 0:04:06 | 0:04:07 | |
Zac, I don't want to pry. | 0:04:09 | 0:04:10 | |
What was your best present, Zac? What was your best present? | 0:04:10 | 0:04:13 | |
A-ha, ah, yeah... | 0:04:13 | 0:04:14 | |
This is a good game, isn't it?! Good game. | 0:04:17 | 0:04:19 | |
-I still have yet to get it for myself. -OK! | 0:04:19 | 0:04:22 | |
-Zac gave me a car. A car! -That's so nice! -I heard that! | 0:04:23 | 0:04:27 | |
-The Bugatti. -It was amazing. | 0:04:27 | 0:04:30 | |
-How did you like it? -I just loved it. | 0:04:30 | 0:04:32 | |
The colour, not so much, but, you know... | 0:04:32 | 0:04:35 | |
Listen, we should say, Hugh Jackman, this year, this festive season, | 0:04:35 | 0:04:38 | |
-you CAN enjoy yourself, you can pull the old ripcord... -Yeah. | 0:04:38 | 0:04:41 | |
..cos you never have to be Wolverine again. | 0:04:41 | 0:04:43 | |
That's it. 17 years I've been on a diet. | 0:04:43 | 0:04:46 | |
You never need to look like... | 0:04:46 | 0:04:47 | |
But having said that, like, won't you miss looking like that? | 0:04:47 | 0:04:51 | |
-Erm... -WOLF WHISTLE FROM AUDIENCE | 0:04:51 | 0:04:53 | |
Now... Now, yes! | 0:04:55 | 0:04:58 | |
No. Like, people say to me, | 0:04:58 | 0:05:00 | |
"How do I get ripped? How do I get like that?" | 0:05:00 | 0:05:02 | |
And I'm, like, "Man, really, | 0:05:02 | 0:05:04 | |
"it's too much effort for what it's worth." | 0:05:04 | 0:05:07 | |
Like, it takes a lot, it's a lot of dedication, a lot of time, | 0:05:07 | 0:05:12 | |
a lot of pain, a lot of steamed chicken and not much fun. | 0:05:12 | 0:05:15 | |
Like, don't do it - it's not worth it. | 0:05:15 | 0:05:17 | |
Yeah, it sucks, man. | 0:05:17 | 0:05:19 | |
You can look seven and half out of ten and be so much happier. | 0:05:19 | 0:05:23 | |
My wife is, like, "Enough! | 0:05:24 | 0:05:26 | |
"Your job, as my husband, is to look like crap. | 0:05:26 | 0:05:28 | |
"That is your job." | 0:05:28 | 0:05:30 | |
Now, Zendaya, Zendaya, here's the thing - | 0:05:31 | 0:05:33 | |
how old were you when you kind of | 0:05:33 | 0:05:35 | |
started working professionally in the business? | 0:05:35 | 0:05:37 | |
I think I was 13 when I got my first Disney Channel gig. | 0:05:37 | 0:05:42 | |
-Yeah. And now you're in your early 20s now. -Yeah. | 0:05:42 | 0:05:45 | |
-Was that your show, your first gig? -Yeah, that was my first thing. | 0:05:45 | 0:05:47 | |
-KC Undercover? -It was Shake It Up, that was my first Disney show, | 0:05:47 | 0:05:51 | |
-and that was, yeah, 13 years old. -Wow. -And it hasn't stopped. | 0:05:51 | 0:05:54 | |
Is that younger than you, Zac? Or you were younger than that? | 0:05:54 | 0:05:56 | |
I was... Yeah. You were 13 on Disney Channel? | 0:05:56 | 0:05:58 | |
I was 13 on Disney Channel. | 0:05:58 | 0:06:00 | |
Yeah, when I was 13, I was... | 0:06:00 | 0:06:01 | |
..I think I was auditioning for my first play, | 0:06:01 | 0:06:04 | |
like, local community theatre. | 0:06:04 | 0:06:05 | |
My parents tricked me into auditioning for my first play. | 0:06:05 | 0:06:09 | |
Told me we were going to Toys R Us. | 0:06:09 | 0:06:11 | |
-You're kidding! They lied to you? -Yeah. | 0:06:11 | 0:06:13 | |
And we've got a picture of you. Now, how old are you here? | 0:06:13 | 0:06:16 | |
-I had to be, like, 13. -Is your hair crimped there? | 0:06:19 | 0:06:22 | |
Yeah. It is, it is. | 0:06:22 | 0:06:23 | |
Do you kind of put it an elastic band before you go to bed? | 0:06:23 | 0:06:26 | |
How do you make your hair like that? | 0:06:26 | 0:06:28 | |
I went to a performing arts school, and I'd lied about my age | 0:06:28 | 0:06:30 | |
and said I was in high school when I wasn't. | 0:06:30 | 0:06:34 | |
And I... There were a lot of older girls there | 0:06:35 | 0:06:38 | |
that were just fun to hang out with, and they did that to me. | 0:06:38 | 0:06:42 | |
-You were like their doll. -Yeah! I guess I was. | 0:06:43 | 0:06:46 | |
We've got a picture of young Hugh Jackman. | 0:06:46 | 0:06:49 | |
Can you see the boy who really wants to perform? | 0:06:49 | 0:06:53 | |
Oh, no! | 0:06:53 | 0:06:54 | |
LAUGHTER | 0:06:54 | 0:06:55 | |
APPLAUSE | 0:06:58 | 0:07:00 | |
That's like... | 0:07:00 | 0:07:02 | |
Put me in, coach! Come on, coach, put me in! | 0:07:04 | 0:07:07 | |
-I'm ready! -That is amazing! | 0:07:08 | 0:07:11 | |
You are, like, totally focused on the camera. | 0:07:11 | 0:07:14 | |
"Team? What team?" | 0:07:14 | 0:07:16 | |
The opposition... The opposition were terrified. | 0:07:16 | 0:07:19 | |
-They were intimidated. -Wow. | 0:07:19 | 0:07:21 | |
The big movie you're here to tell us about is The Greatest Showman. | 0:07:22 | 0:07:26 | |
It's showing everywhere now, and it really is a festive treat. | 0:07:26 | 0:07:29 | |
It's a big musical extravaganza, telling the story of PT Barnum, | 0:07:29 | 0:07:32 | |
who sort of originated what we think of as a circus. | 0:07:32 | 0:07:35 | |
So, before we talk about it, here's a taste of what to expect. | 0:07:35 | 0:07:38 | |
This is not the life I promised you. | 0:07:40 | 0:07:42 | |
Not even close. | 0:07:42 | 0:07:44 | |
But I have everything I want. | 0:07:44 | 0:07:46 | |
Girls, I think I've had an idea. | 0:07:50 | 0:07:53 | |
# Look out cos here I come... # | 0:07:53 | 0:07:55 | |
I'm putting together a show. | 0:07:55 | 0:07:56 | |
It's a place where people can see things they've never seen before! | 0:07:56 | 0:08:00 | |
-Who's that? -And what is your act? -I don't have an act. | 0:08:00 | 0:08:03 | |
Everyone's got an act. | 0:08:03 | 0:08:05 | |
# So tell me do you wanna go? | 0:08:05 | 0:08:08 | |
# Where it's covered in all the coloured lights? | 0:08:08 | 0:08:12 | |
# Where the runaways are running the night? | 0:08:12 | 0:08:15 | |
# Impossible comes through It's taking over you | 0:08:15 | 0:08:18 | |
# Oh, this is the greatest show! | 0:08:18 | 0:08:20 | |
# This is the greatest show! # | 0:08:22 | 0:08:23 | |
No-one ever made a difference by being like everyone else. | 0:08:23 | 0:08:27 | |
CHEERING AND APPLAUSE | 0:08:27 | 0:08:29 | |
You know, Hugh Jackman, you play PT Barnum, | 0:08:32 | 0:08:36 | |
and it's one of those things, where, like, the part and you, | 0:08:36 | 0:08:39 | |
it's such a great fit. | 0:08:39 | 0:08:41 | |
You seem to love being the showman. | 0:08:41 | 0:08:43 | |
I was, seven and a half years ago, approached by... | 0:08:43 | 0:08:46 | |
Yes, I do. | 0:08:46 | 0:08:48 | |
Can I show you a shot of me playing soccer when I was six... | 0:08:49 | 0:08:52 | |
I do kind of love it. | 0:08:54 | 0:08:57 | |
I'm a ham, I'm a ham from way back, | 0:08:57 | 0:08:59 | |
and somehow I feel really comfortable on a stage, | 0:08:59 | 0:09:02 | |
I always have, and I was involved from the very beginning. | 0:09:02 | 0:09:05 | |
So, if I'm not good in this part, I literally will never be good again, | 0:09:05 | 0:09:08 | |
because it was a dream for me, for all of us. | 0:09:08 | 0:09:11 | |
Well, Zac's done it four times before... | 0:09:11 | 0:09:13 | |
But to be in a movie musical is a dream, | 0:09:13 | 0:09:16 | |
-and it doesn't come along all that often. -Yeah. | 0:09:16 | 0:09:19 | |
And so we spent seven years, we wanted to do something original, | 0:09:19 | 0:09:22 | |
original music, and I think the music is phenomenal. | 0:09:22 | 0:09:25 | |
And we wanted to tell the story of | 0:09:25 | 0:09:27 | |
the guy who pretty much invented show business, so, this was it! | 0:09:27 | 0:09:30 | |
And I love that story that you were so gung ho. | 0:09:30 | 0:09:33 | |
Was it the first read-through, where you couldn't help yourself? | 0:09:33 | 0:09:36 | |
It was at... It was the final read-through. | 0:09:36 | 0:09:39 | |
So, we did four workshops over four years. | 0:09:39 | 0:09:42 | |
So, the final read-through, there were about 80 people, | 0:09:42 | 0:09:44 | |
and every single one of them with a cheque book in there. | 0:09:44 | 0:09:47 | |
So it was will this or will it not happen? | 0:09:47 | 0:09:50 | |
Based on this one performance. | 0:09:50 | 0:09:51 | |
We had an eight-piece orchestra, we had everyone there performing, | 0:09:51 | 0:09:55 | |
and the day before, I had had a skin cancer operation. | 0:09:55 | 0:10:01 | |
So, I've had three or four of them, and I had to get it done. | 0:10:01 | 0:10:04 | |
So I had 80 stitches in my nose and a plaster. I said, | 0:10:04 | 0:10:07 | |
"Great, I'm back to rehearsal, I'm going to sing tomorrow. | 0:10:07 | 0:10:10 | |
And the doctor's like, "No, no, no, you can't sing tomorrow." | 0:10:10 | 0:10:13 | |
You know, because the stitches may come apart. | 0:10:13 | 0:10:15 | |
And I said, "You don't understand - this is our make or break. | 0:10:15 | 0:10:18 | |
"I've got to sing." And he goes, "You can't sing tomorrow." | 0:10:18 | 0:10:21 | |
So I went in, made the announcement to everyone that I couldn't sing | 0:10:21 | 0:10:24 | |
and someone was there to sing the songs for me. | 0:10:24 | 0:10:26 | |
But when it came to From Now On, which is the last number, | 0:10:26 | 0:10:29 | |
I was just so taken up by the moment, I thought, | 0:10:29 | 0:10:32 | |
"I'll sing the first line." | 0:10:32 | 0:10:34 | |
So, I sang the first line, I sang the second line, | 0:10:34 | 0:10:37 | |
I sang the third line... and then I was singing! | 0:10:37 | 0:10:39 | |
LAUGHTER | 0:10:39 | 0:10:41 | |
With the soccer ball, right there! | 0:10:41 | 0:10:43 | |
-And, yeah... -APPLAUSE | 0:10:45 | 0:10:48 | |
So, I've finished the song. | 0:10:48 | 0:10:51 | |
I mean, it was a pretty good showbiz moment. | 0:10:51 | 0:10:54 | |
And I... Everyone seemed to be happy and I was like, "Great," | 0:10:54 | 0:10:58 | |
and I felt this trickle, and I went, "Uh-oh." | 0:10:58 | 0:11:01 | |
And I went back to the doctor | 0:11:01 | 0:11:02 | |
and had to have a bunch of those stitches redone. | 0:11:02 | 0:11:05 | |
But worth it! Worth it! | 0:11:05 | 0:11:08 | |
The show must go on! | 0:11:08 | 0:11:10 | |
APPLAUSE DROWNS OUT SPEECH | 0:11:10 | 0:11:13 | |
-So, you're PT Barnum. -Yeah. -And Zendaya...? | 0:11:13 | 0:11:16 | |
I'm Anne Wheeler. | 0:11:16 | 0:11:17 | |
I'm a trapeze artist who...falls in love with this guy. | 0:11:17 | 0:11:21 | |
-Yeah... -Aw! | 0:11:21 | 0:11:23 | |
I sort of play a made-up character. Phillip... | 0:11:23 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:28 | |
-Same. -Phillip...Carlyle? | 0:11:28 | 0:11:31 | |
And...I'm, like, a writer, struggling, sort of very depressed, | 0:11:31 | 0:11:35 | |
but successful and has a lot of money, | 0:11:35 | 0:11:39 | |
that PT Barnum convinces me to come with him and sort of help him | 0:11:39 | 0:11:42 | |
on his journey to show business. | 0:11:42 | 0:11:45 | |
I want his money. | 0:11:45 | 0:11:46 | |
And Zendaya...being bendy and doing the trapeze-y thing, | 0:11:47 | 0:11:52 | |
was there a moment where, I think, you over-exerted yourself? | 0:11:52 | 0:11:55 | |
Was it in front of Hugh? | 0:11:55 | 0:11:57 | |
OK. See, here's what happened. | 0:11:57 | 0:11:59 | |
Let me clear the air, literally. | 0:11:59 | 0:12:01 | |
-So, here's the story. -"Literally"! Yeah. | 0:12:01 | 0:12:04 | |
So, we're doing... | 0:12:04 | 0:12:05 | |
I'm not going to name the person because that's embarrassing, OK? | 0:12:05 | 0:12:08 | |
The point is, we were doing a stunt in front of Hugh Jackman. | 0:12:08 | 0:12:11 | |
Now, I have very few scenes with Hugh Jackman, | 0:12:11 | 0:12:13 | |
-and I was very nervous. -Was it me?! | 0:12:13 | 0:12:15 | |
-It was not you. -No, it was not you. | 0:12:15 | 0:12:17 | |
And I was on my, you know, my A game, | 0:12:17 | 0:12:20 | |
cos this is Hugh Jackman and I do not want to mess up. | 0:12:20 | 0:12:22 | |
So we're doing this thing where I'm basically up in the air | 0:12:22 | 0:12:26 | |
and I spin down and I get caught, | 0:12:26 | 0:12:28 | |
and I heard a fart. | 0:12:28 | 0:12:29 | |
LAUGHTER | 0:12:29 | 0:12:30 | |
-Now, wait! -We all heard the fart! | 0:12:32 | 0:12:34 | |
We all heard the fart. | 0:12:34 | 0:12:35 | |
Now...as a professional, I was going to carry on. | 0:12:37 | 0:12:40 | |
It was not me! | 0:12:40 | 0:12:42 | |
I just want to clarify, right here, right now, it was not me. | 0:12:42 | 0:12:45 | |
So, they're laughing. | 0:12:45 | 0:12:46 | |
The other person, OK, is laughing, and Hugh was laughing. | 0:12:46 | 0:12:50 | |
I'm like, "OK, are we just going to, like, pretend that it didn't happen | 0:12:50 | 0:12:53 | |
"or are we going to laugh about it?" | 0:12:53 | 0:12:55 | |
And what happened was the person - who was a grown man - | 0:12:55 | 0:12:58 | |
-blamed it on me! -Yeah. -Oh! | 0:12:58 | 0:13:01 | |
-So Hugh thought that I farted! -HUGH MOUTHS | 0:13:01 | 0:13:04 | |
But, the crazy... I would never do that! | 0:13:04 | 0:13:07 | |
No-one thought that that was you, no-one. | 0:13:07 | 0:13:10 | |
-No-one. -Listen, let me tell you something... -Yeah. | 0:13:10 | 0:13:13 | |
..if I ever farted in front of you, | 0:13:13 | 0:13:15 | |
it would definitely be silent but deadly. | 0:13:15 | 0:13:17 | |
I would never...never audibly, never audibly. | 0:13:17 | 0:13:20 | |
You know what I'm saying? I'm a lady. | 0:13:20 | 0:13:22 | |
Memo to self. Memo to self. | 0:13:22 | 0:13:24 | |
And tell me this, Zac, in terms of dancing and showmen, | 0:13:24 | 0:13:26 | |
I know that Michael Jackson was a real hero of yours. | 0:13:26 | 0:13:29 | |
-And... -Yeah... | 0:13:29 | 0:13:31 | |
Now, you... Did you meet him? Or you didn't meet him? | 0:13:31 | 0:13:35 | |
-There was... -No, no, I never... I talked to him on the phone. | 0:13:35 | 0:13:38 | |
Yeah, so how did that happen? | 0:13:38 | 0:13:40 | |
Uh, I... How did it happen? | 0:13:40 | 0:13:42 | |
I was... I was in Paris, and I was with Kenny Ortega. | 0:13:42 | 0:13:46 | |
We were promoting High School Musical 3, I want to say it was... | 0:13:46 | 0:13:49 | |
I was probably 20... Maybe 20, 21 at the time, | 0:13:49 | 0:13:52 | |
and we were at dinner, and somehow, I was at the head of the table | 0:13:52 | 0:13:57 | |
and Kenny was on the other side of the table, | 0:13:57 | 0:13:59 | |
our director, Kenny Ortega. | 0:13:59 | 0:14:01 | |
And his phone rang, and I remember I got this look, like... | 0:14:01 | 0:14:04 | |
"You want this phone call." | 0:14:07 | 0:14:08 | |
And I was like, "OK," so I came over and was like, "What's going on?" | 0:14:08 | 0:14:11 | |
-He goes... -WHISPERS: -"It's Michael Jackson." | 0:14:11 | 0:14:13 | |
I'm like, "What?!" He hands me the phone, and I was like... | 0:14:13 | 0:14:16 | |
"Uh...hello?" | 0:14:16 | 0:14:18 | |
And I heard, "Hi, who's this?" | 0:14:18 | 0:14:21 | |
And I was like... "Um, this is Zac Efron. | 0:14:21 | 0:14:26 | |
"I'm a massive fan and I'm an actor | 0:14:26 | 0:14:29 | |
"and you're, like, my hero," and I didn't know what to say. | 0:14:29 | 0:14:33 | |
I was like, kind of... I was just at a loss for words and rambling on. | 0:14:33 | 0:14:39 | |
And then he said, "That's really nice. | 0:14:39 | 0:14:41 | |
"Can you hand the phone back to Kenny?" | 0:14:41 | 0:14:43 | |
LAUGHTER | 0:14:43 | 0:14:45 | |
So I did. And I was freaking out. | 0:14:45 | 0:14:48 | |
Like, I just talked to Michael Jackson - he's my hero. | 0:14:48 | 0:14:50 | |
I was tripping. | 0:14:50 | 0:14:52 | |
And I sat back down, just a little dizzy, and then all of a sudden, | 0:14:52 | 0:14:55 | |
the phone rang again, and Kenny answered, | 0:14:55 | 0:14:58 | |
and I saw him kind of confused across the table. | 0:14:58 | 0:15:01 | |
And he, like, looked at me again. He's like, | 0:15:01 | 0:15:04 | |
"You want to get this phone." | 0:15:04 | 0:15:06 | |
I was like, "OK." And he hands the phone to me and goes, | 0:15:06 | 0:15:09 | |
"It's Michael Jackson again." | 0:15:09 | 0:15:11 | |
And I was like, "What? OK." | 0:15:11 | 0:15:13 | |
And I picked up the phone and I was like, "Hello?" | 0:15:13 | 0:15:16 | |
He goes, "Oh, this is Zac, from High School Musical?" | 0:15:16 | 0:15:18 | |
And I was like, "Uh...yeah." | 0:15:18 | 0:15:20 | |
And he was like, "Oh, I love what you do, I'm a huge fan, | 0:15:20 | 0:15:24 | |
"I love what you do." | 0:15:24 | 0:15:26 | |
And I lost it. I just lost it. | 0:15:26 | 0:15:30 | |
I lost my balance, I think I fell over, into the wall. | 0:15:30 | 0:15:33 | |
I was like, do you know who I am? | 0:15:33 | 0:15:35 | |
And I just started crying. | 0:15:35 | 0:15:38 | |
I was a mess. | 0:15:38 | 0:15:39 | |
Literally, I was making a fool out of myself. | 0:15:39 | 0:15:42 | |
I, like, slid down to the floor, pathetically, | 0:15:42 | 0:15:45 | |
and professed how much I loved him. | 0:15:45 | 0:15:46 | |
Said, like, "You're my hero, you're the reason I do what I do, | 0:15:46 | 0:15:49 | |
"thank you so much, Michael, for everything. | 0:15:49 | 0:15:52 | |
"Thanks for showing me how to dance, | 0:15:52 | 0:15:54 | |
"how to believe in myself, how to... how to..." | 0:15:54 | 0:15:58 | |
I don't know, how to shine, you know? | 0:15:58 | 0:16:01 | |
And...that made him cry. | 0:16:01 | 0:16:03 | |
We were both crying to each other on the phone. | 0:16:05 | 0:16:07 | |
And he ended the whole phone call conversation with | 0:16:07 | 0:16:10 | |
something along the lines of, | 0:16:10 | 0:16:12 | |
"Hey, Zac," and I stopped crying for a second, | 0:16:12 | 0:16:15 | |
"Isn't it awesome?" I was like, "What?" | 0:16:15 | 0:16:18 | |
And he goes, "Dreams really do come true, don't they?" | 0:16:18 | 0:16:21 | |
And I was like... "Michael, you can't say things like that! | 0:16:21 | 0:16:27 | |
"You're killing me, man! You're killing me!" | 0:16:28 | 0:16:30 | |
-What a sweet story. -Thank you, Michael. Thank you. | 0:16:30 | 0:16:34 | |
Now, in terms of circus, and the world of circus, | 0:16:39 | 0:16:42 | |
oddly, Hugh Jackman, this isn't your first foray. | 0:16:42 | 0:16:45 | |
You did some fine clown work. | 0:16:45 | 0:16:47 | |
-I did. -Earlier in your life. -I was a clown at kids' parties. | 0:16:47 | 0:16:50 | |
-I think we've got a picture of Coco. -There it is! -This is Coco. | 0:16:50 | 0:16:55 | |
It's a rented costume. | 0:16:57 | 0:16:59 | |
Coco and Bozo. We really put zero thought into this. | 0:16:59 | 0:17:02 | |
But I could juggle at the time. | 0:17:02 | 0:17:05 | |
And I was very good with the three-year-olds' | 0:17:05 | 0:17:07 | |
and four-year-olds' party. | 0:17:07 | 0:17:09 | |
-Cos you really just dress up and you're done. -Yeah, yeah. | 0:17:09 | 0:17:11 | |
And I remember once getting a little cocky | 0:17:11 | 0:17:13 | |
and I did an eight-year-old's birthday party. | 0:17:13 | 0:17:16 | |
All you're hired to do is to keep the kids occupied for an hour. | 0:17:16 | 0:17:20 | |
We've got some mums and dads here, | 0:17:20 | 0:17:22 | |
so that mums and dads can drink, right? Am I right? | 0:17:22 | 0:17:24 | |
About five minutes into my schtick, this little eight-year-old kid, | 0:17:24 | 0:17:29 | |
who I hate to this day, | 0:17:29 | 0:17:31 | |
stands up, "Mum, Dad, | 0:17:31 | 0:17:34 | |
"this clown is crap!" | 0:17:34 | 0:17:36 | |
Shut up! Shut up, kid! | 0:17:38 | 0:17:41 | |
And I pull out the thing... I would juggle eggs, | 0:17:41 | 0:17:44 | |
I could juggle eggs and occasionally I would crack one. | 0:17:44 | 0:17:47 | |
So I just said, "Here, kids, eggs," | 0:17:47 | 0:17:49 | |
They were throwing eggs at me and I literally walked out, | 0:17:49 | 0:17:52 | |
took off the wig, and I never went back again, that was it. | 0:17:52 | 0:17:56 | |
-No more Coco. -Obviously, in things like The Prestige, | 0:17:56 | 0:18:00 | |
-you had to learn special skills. -Right. | 0:18:00 | 0:18:02 | |
-You can properly juggle, can't you? -I used to be able to juggle. | 0:18:02 | 0:18:05 | |
Because tonight, because it's The Greatest Showman, | 0:18:05 | 0:18:08 | |
we were thinking about people's skills, special skills, so... | 0:18:08 | 0:18:11 | |
-Can you juggle those things? -Right! | 0:18:11 | 0:18:15 | |
There's a selection of fruit. If you want to juggle a selection of fruit. | 0:18:17 | 0:18:20 | |
-Shall we go oranges? -Go oranges. | 0:18:20 | 0:18:22 | |
All right, we'll go oranges. | 0:18:22 | 0:18:23 | |
Oh, you really can! | 0:18:23 | 0:18:25 | |
AUDIENCE CHEER AND APPLAUD | 0:18:25 | 0:18:27 | |
Oh, I caught one! I caught one! | 0:18:29 | 0:18:32 | |
Same time. | 0:18:34 | 0:18:35 | |
Oh! | 0:18:35 | 0:18:36 | |
CHEERING AND APPLAUSE | 0:18:36 | 0:18:38 | |
-Beautiful! -Health and safety! | 0:18:44 | 0:18:45 | |
I turn now... I turn now to Zendaya. | 0:18:47 | 0:18:51 | |
Now, you've got a physical thing you can do? | 0:18:51 | 0:18:54 | |
-Oh, yeah. -Not the farting? -Oh, no. | 0:18:54 | 0:18:56 | |
It wasn't me! | 0:18:56 | 0:18:58 | |
-Tell me this... -It was not me! | 0:19:01 | 0:19:03 | |
-But it was not me. -I'm really excited to find out. -Tell me this, | 0:19:03 | 0:19:08 | |
Zendaya, in terms of the trapeze skills, do you still have them? | 0:19:08 | 0:19:12 | |
If, for instance, if there was a trapeze, | 0:19:12 | 0:19:15 | |
could you just slip your shoes off and get on a thing and just go nuts? | 0:19:15 | 0:19:20 | |
You know... I didn't really wear my trapeze outfit today. | 0:19:20 | 0:19:23 | |
The heels are a little difficult. | 0:19:23 | 0:19:25 | |
Oh, OK! | 0:19:25 | 0:19:27 | |
-Is that a no? -I mean... -Oh, is it a yes? | 0:19:27 | 0:19:30 | |
Maybe... Maybe... | 0:19:30 | 0:19:32 | |
CHEERING | 0:19:32 | 0:19:34 | |
Listen, guys, I hate to let people down, | 0:19:38 | 0:19:41 | |
but I don't have my stunt team here. | 0:19:41 | 0:19:43 | |
-And I do not want to hurt myself. -We got you. | 0:19:43 | 0:19:46 | |
You guys are going to...? | 0:19:46 | 0:19:48 | |
-AUDIENCE: -Oh... | 0:19:48 | 0:19:49 | |
Well, thank you very much. | 0:19:51 | 0:19:53 | |
The only thing I can do is wiggle my ears. | 0:19:54 | 0:19:56 | |
See, already we're thrilled! | 0:19:56 | 0:19:58 | |
You're really doing it! Oh, she's doing it! | 0:19:58 | 0:20:01 | |
That is impressive. Well done. | 0:20:04 | 0:20:06 | |
APPLAUSE | 0:20:06 | 0:20:08 | |
-That was good. -Thank you! | 0:20:08 | 0:20:10 | |
Now, Zac, you've been very generous with your skills on the show, | 0:20:12 | 0:20:15 | |
we've seen you controlling the ball | 0:20:15 | 0:20:17 | |
and then you did the pole work the last time. | 0:20:17 | 0:20:20 | |
-That was impressive. -We haven't turned that photograph. | 0:20:22 | 0:20:24 | |
-He did that. -That's for real? -Yeah. | 0:20:24 | 0:20:26 | |
My pole dance. | 0:20:26 | 0:20:28 | |
Tonight, you bring us something very special. | 0:20:28 | 0:20:31 | |
So, what special skill, what party trick have you brought for us? | 0:20:31 | 0:20:34 | |
It's nothing at all. | 0:20:34 | 0:20:37 | |
I couldn't do it. In fairness, I don't know what it is, but I... | 0:20:37 | 0:20:41 | |
If it wasn't built up now, after that! | 0:20:43 | 0:20:47 | |
My mom taught me how to blow like bubbles of spit. | 0:20:47 | 0:20:50 | |
Now we're talking! | 0:20:50 | 0:20:53 | |
So, now, because I'm not sure, so I don't know how well this will go. | 0:20:53 | 0:20:58 | |
If it was to go as well as possible, what should we expect to see? | 0:20:58 | 0:21:02 | |
Things are happening. | 0:21:02 | 0:21:04 | |
-I can see it! -Your spit has to be just the right consistency. | 0:21:04 | 0:21:09 | |
My mom taught me how to do this. She's going to be so embarrassed. | 0:21:09 | 0:21:13 | |
Here we go, here we go, here we go. This is it. This is it. | 0:21:19 | 0:21:21 | |
I saw it, I saw it! | 0:21:25 | 0:21:27 | |
-I can form one. Last try? -Yeah. | 0:21:27 | 0:21:30 | |
Honestly, I can't do it. Your spit has to be just right. | 0:21:35 | 0:21:38 | |
I don't know what you have to eat. | 0:21:38 | 0:21:40 | |
Mom... I wish my mom was around. | 0:21:40 | 0:21:43 | |
-It's OK, man. -Well, frickin' A! | 0:21:43 | 0:21:45 | |
OK, we've been let down by spitball. | 0:21:50 | 0:21:53 | |
Will you have one more go with your spitball? One more go. | 0:21:54 | 0:21:57 | |
Oh, I saw that one! | 0:21:58 | 0:22:00 | |
Oh... Oh... | 0:22:00 | 0:22:02 | |
Oh, you're on a roll. | 0:22:02 | 0:22:03 | |
-Oh! Yay! -We've got a spitball! | 0:22:07 | 0:22:12 | |
-OK, you did it, you did it, Zac Efron! -Yes! | 0:22:13 | 0:22:17 | |
So, let's just see if our audience tonight have any talents. | 0:22:17 | 0:22:21 | |
We asked what skills they have to offer us tonight. | 0:22:21 | 0:22:24 | |
I've got some of their answers here. | 0:22:24 | 0:22:27 | |
Where's Lucy? | 0:22:29 | 0:22:31 | |
Where's Lucy? Now, Lucy, I don't understand your thing. | 0:22:31 | 0:22:34 | |
So, you can do Eggy Peggy language? | 0:22:34 | 0:22:37 | |
-Yeah. -OK, so how do we demonstrate this? | 0:22:37 | 0:22:42 | |
-So I can translate anything into Eggy Peggy. -Just a phrase? | 0:22:42 | 0:22:46 | |
-Any phrase. In any language. -Hugh Jackman, do you have a phrase | 0:22:46 | 0:22:49 | |
you would like to hear in Eggy Peggy? I know no more than you. | 0:22:49 | 0:22:52 | |
Zendaya never farted on the set of The Greatest Showman. | 0:22:53 | 0:22:57 | |
SHE TRANSLATES TO EGGY PEGGY | 0:22:57 | 0:23:04 | |
CHEERING | 0:23:04 | 0:23:06 | |
I don't know whether that was good or not. | 0:23:06 | 0:23:09 | |
It's good. | 0:23:09 | 0:23:11 | |
Where's Ash? Where's Ash? | 0:23:11 | 0:23:13 | |
Ash, what can you do? | 0:23:13 | 0:23:14 | |
-Spin on my head. -You're the spin-on-the-head guy. | 0:23:14 | 0:23:17 | |
OK, that's very good. Hang on. We might see you later. | 0:23:17 | 0:23:20 | |
We won't see it right now. That's Ash, who can spin on his head. | 0:23:20 | 0:23:23 | |
Where is Tora? | 0:23:23 | 0:23:25 | |
Now, Tora does an impression. | 0:23:25 | 0:23:27 | |
You just do the one, right? | 0:23:27 | 0:23:29 | |
-No. -Yes. Ssh! | 0:23:29 | 0:23:31 | |
-Is there more? -Yes. | 0:23:31 | 0:23:33 | |
I love gabby friend there. | 0:23:33 | 0:23:35 | |
How many...? | 0:23:35 | 0:23:36 | |
What else can Tora do? | 0:23:36 | 0:23:38 | |
-FRIEND: -Tell them. -Well... | 0:23:38 | 0:23:40 | |
I used to be able to do the Queen. | 0:23:40 | 0:23:42 | |
-What happened? -Well, she got older, and I can't do her any more. | 0:23:42 | 0:23:46 | |
So, what are you going to give us? | 0:23:48 | 0:23:50 | |
I'm going to give Sybil Fawlty. | 0:23:50 | 0:23:52 | |
-Oh, Fawlty Towers, OK. -I love that! | 0:23:52 | 0:23:55 | |
So, Tora is Sybil Fawlty from Fawlty Towers. | 0:23:55 | 0:23:58 | |
-AS SYBIL: -Polly, would you get Manuel for me? | 0:23:58 | 0:24:01 | |
That was very good! | 0:24:01 | 0:24:03 | |
Now, Mike, where's Mike? | 0:24:08 | 0:24:11 | |
Now, Mike might be a good companion trick for your moving ears. | 0:24:11 | 0:24:14 | |
-Oh, OK. -Mike can, it says here, "uniquely fold his tongue". | 0:24:14 | 0:24:21 | |
-Oh! -OK. | 0:24:21 | 0:24:23 | |
Nice and close to Mike's mouth. | 0:24:23 | 0:24:25 | |
OK. And here we go. | 0:24:25 | 0:24:27 | |
Mike folding his... Oh, he's having some problems. | 0:24:27 | 0:24:31 | |
Oh, no, are they your own teeth? | 0:24:31 | 0:24:33 | |
They are. | 0:24:33 | 0:24:34 | |
Don't get sick, Mike! | 0:24:39 | 0:24:41 | |
-Sorry. -Not yet. -Not yet. -OK. | 0:24:43 | 0:24:46 | |
No, in fairness, professionals are having trouble. | 0:24:46 | 0:24:49 | |
-Don't attempt any trick with your tongue on this show. -No. | 0:24:51 | 0:24:55 | |
I do a mean Wolverine. | 0:24:55 | 0:24:57 | |
Let's see your mean Wolverine then! | 0:24:59 | 0:25:00 | |
That's good. Who knew that was coming? | 0:25:04 | 0:25:08 | |
Ah, well done, all the talented people in our audience, very good. | 0:25:08 | 0:25:13 | |
-Why didn't I think of that? -I know! | 0:25:15 | 0:25:17 | |
-No, he had that ends of his fingers going, man. -He was good. | 0:25:20 | 0:25:25 | |
Hey, let's meet my next guest. We first met this Bafta-winning actress | 0:25:25 | 0:25:29 | |
on Coronation Street, then as one half of Scott & Bailey | 0:25:29 | 0:25:32 | |
but she truly gripped the nation in the monster hit Doctor Foster. | 0:25:32 | 0:25:35 | |
Please welcome Suranne Jones! | 0:25:35 | 0:25:37 | |
Hey. Hello, darling, lovely to see you. | 0:25:40 | 0:25:44 | |
Have a seat. More kissing, more kissing. | 0:25:53 | 0:25:56 | |
It's so showbiz. | 0:25:56 | 0:25:58 | |
-Happy New Year. -Happy New Year. | 0:25:58 | 0:26:00 | |
Or eve, or something, whatever it is. | 0:26:00 | 0:26:02 | |
Mike's making me a bit nervous with the tongue thing. | 0:26:02 | 0:26:05 | |
-I'm not sure what that was. -Not sure if it's special. -What? | 0:26:07 | 0:26:10 | |
Is that special, folding your tongue back? | 0:26:10 | 0:26:12 | |
He looked a bit like a dog that had had peanut butter. | 0:26:12 | 0:26:14 | |
-Um... -Could have led with the Wolverine, Mike. | 0:26:18 | 0:26:21 | |
-Lead with that, that's the one. -So, Suranne, did you meet backstage? | 0:26:21 | 0:26:25 | |
-No, you weren't back here. -No, no. -No. | 0:26:25 | 0:26:27 | |
We tried but she wouldn't see anyone. | 0:26:27 | 0:26:29 | |
-I don't know. -No, I was too nervous. | 0:26:29 | 0:26:31 | |
I get very nervous before I come on | 0:26:31 | 0:26:32 | |
-so I was kind of hiding somewhere. -Do you? | 0:26:32 | 0:26:34 | |
-We have met before. -I know, we met in Broadway at the River. | 0:26:34 | 0:26:37 | |
-Yeah. -Oh, good memory. | 0:26:37 | 0:26:39 | |
Yeah. With my husband as well. | 0:26:39 | 0:26:42 | |
Is this mean of me? | 0:26:42 | 0:26:44 | |
Yes, cos it was the dressing room and my friend Kush. | 0:26:45 | 0:26:48 | |
This might be mean of me, but... cos people, you know, | 0:26:48 | 0:26:51 | |
we give interviews, people ask us stupid questions, we answer them, | 0:26:51 | 0:26:54 | |
da-da-da, so, in 2013 | 0:26:54 | 0:26:57 | |
do you remember you were asked in a questionnaire | 0:26:57 | 0:26:59 | |
what your greatest weakness was? | 0:26:59 | 0:27:01 | |
If I wasn't sat next to Hugh Jackman... | 0:27:05 | 0:27:08 | |
-..I would answer you, but you're going to say it anyway. -I am, yes. | 0:27:09 | 0:27:12 | |
You said coffee and Hugh Jackman. | 0:27:12 | 0:27:14 | |
In that order? | 0:27:18 | 0:27:20 | |
The things you say. | 0:27:25 | 0:27:26 | |
Are you also kind of like, "What are the chances?" | 0:27:26 | 0:27:29 | |
-Now look! -But then I went on to marry someone who also loves you, | 0:27:29 | 0:27:35 | |
and, when we met, he was winding me up before we met, | 0:27:35 | 0:27:38 | |
and he was getting knives | 0:27:38 | 0:27:41 | |
and putting them on his hands and saying, "When I meet Hugh, | 0:27:41 | 0:27:45 | |
"I am going to do this," cos he loves Wolverine. | 0:27:45 | 0:27:48 | |
And we had a massive argument cos I said why would you do that, | 0:27:48 | 0:27:51 | |
why can't you say you were great in the play, nice to meet you? | 0:27:51 | 0:27:55 | |
Why would you do...? Why would you get knives out? | 0:27:55 | 0:27:58 | |
And embarrass me? | 0:27:59 | 0:28:00 | |
And then we met, and my husband didn't say boo to a goose, | 0:28:00 | 0:28:04 | |
stood in a corner and we went, "Hi, how are you?" | 0:28:04 | 0:28:07 | |
And then was so disappointed that you weren't like Wolverine, so... | 0:28:08 | 0:28:12 | |
-Oh, really. -Yeah. -Oh. I'm going to send Mike over. | 0:28:12 | 0:28:15 | |
-Yes, yes. -Mike's better. -Sorry, Laurence. -Now here's a thing. | 0:28:15 | 0:28:19 | |
I think it's extraordinary because you walk out | 0:28:19 | 0:28:22 | |
to that mighty roar and you, as an actress, | 0:28:22 | 0:28:24 | |
you were in the most popular show in Britain, | 0:28:24 | 0:28:26 | |
you were in Coronation Street, then Scott & Bailey, | 0:28:26 | 0:28:28 | |
everyone loved that, but Doctor Foster, you must have thought, | 0:28:28 | 0:28:31 | |
I'm really famous, and then Doctor Foster came along. | 0:28:31 | 0:28:34 | |
I know, it's just gone mental. | 0:28:34 | 0:28:35 | |
-Yeah. -I've not done a show where people have just been behind it. | 0:28:35 | 0:28:38 | |
And also cos you couldn't binge watch it, | 0:28:38 | 0:28:41 | |
you had to watch it once a week, it had that kind of watercooler cooler effect. | 0:28:41 | 0:28:45 | |
And, you know, for a character that was quite mental at times, | 0:28:45 | 0:28:48 | |
-especially in season two... -Yes. -..yeah, people loved it. | 0:28:48 | 0:28:52 | |
But also it was quite graphic. | 0:28:52 | 0:28:55 | |
So, that must have been odd for you, then, just Suranne Jones, | 0:28:55 | 0:29:00 | |
-doing your shopping. -I remember, well, I've told you this before. | 0:29:00 | 0:29:03 | |
But I was in the woods with my two-year-old, | 0:29:03 | 0:29:06 | |
nearly two-year-old and I'd done this big hate sex scene | 0:29:06 | 0:29:10 | |
where there was lots of things going on in the kitchen. | 0:29:10 | 0:29:15 | |
-And, um... -I love that. | 0:29:15 | 0:29:17 | |
-The old hate sex scene. -Yeah. | 0:29:17 | 0:29:20 | |
I hope they wiped down the surfaces after that | 0:29:20 | 0:29:22 | |
because it needed a good Dettoling. | 0:29:22 | 0:29:25 | |
And, you know, you do these scenes and you're just kind of, like... | 0:29:26 | 0:29:29 | |
and I'm with my son and my son just wants to | 0:29:29 | 0:29:32 | |
pick up sticks or sing songs with me in the woods, | 0:29:32 | 0:29:35 | |
and then people come past, saying, | 0:29:35 | 0:29:37 | |
"Ooh! Saw you last night in that scene, that was quite some..." | 0:29:37 | 0:29:41 | |
And I'm like, "Yeah, like, not now." | 0:29:41 | 0:29:44 | |
Not, not appropriate. | 0:29:44 | 0:29:46 | |
I'm singing, "Ooh, this little piggy went to market." | 0:29:46 | 0:29:50 | |
Yeah, literally. | 0:29:52 | 0:29:54 | |
Talking to you, you are not resting, | 0:29:59 | 0:30:01 | |
you are not resting cos you're straight back to work presumably | 0:30:01 | 0:30:04 | |
in the New Year in rehearsals, a new play, it's called Frozen. | 0:30:04 | 0:30:07 | |
Not the Disney version, yes. | 0:30:07 | 0:30:09 | |
No. I think that poster's good enough to avoid confusion. | 0:30:09 | 0:30:13 | |
-Yeah, I'm not in a fancy dress outfit, yeah. -Where's Olaf? | 0:30:13 | 0:30:17 | |
It starts on 21st February, | 0:30:20 | 0:30:22 | |
it's at the Theatre Royal Haymarket in London and it's, not just you, | 0:30:22 | 0:30:25 | |
it's a really starry cast. It's Jason Watkins and Nina Sosanya. | 0:30:25 | 0:30:30 | |
-Sosanya, yes. -Oddly, they're both in W1A together. | 0:30:30 | 0:30:34 | |
I know, which is a comedy, and again ours isn't really a comedy. | 0:30:34 | 0:30:37 | |
No, this sounds quite... | 0:30:37 | 0:30:39 | |
-Yeah. -Yeah, it's a psychological thriller, a three-hander, | 0:30:39 | 0:30:42 | |
and it's about a woman who loses her child, her child goes missing. | 0:30:42 | 0:30:46 | |
And then she gets the opportunity to meet the person | 0:30:46 | 0:30:50 | |
that was responsible for that. | 0:30:50 | 0:30:53 | |
And I read somewhere where how you feel, because you're a newish mom, | 0:30:53 | 0:30:58 | |
that that has kind of affected your brain when you read | 0:30:58 | 0:31:01 | |
a script like this, kind of a different switch has been flicked. | 0:31:01 | 0:31:05 | |
Do you know, I don't know how you guys feel, | 0:31:05 | 0:31:08 | |
but when I became a mum or I was pregnant, | 0:31:08 | 0:31:11 | |
I was attracted by, like, missing children. | 0:31:11 | 0:31:14 | |
Because I've done three, like Doctor Foster, | 0:31:14 | 0:31:17 | |
and then I'm in a Sky Atlantic thing called Save Me | 0:31:17 | 0:31:20 | |
and that's about a missing child and Frozen is about missing... | 0:31:20 | 0:31:23 | |
So I must have been in a headspace | 0:31:23 | 0:31:25 | |
where it was like the total opposite to what... | 0:31:25 | 0:31:27 | |
I was so happy in my marriage | 0:31:27 | 0:31:29 | |
and having a new baby that I was drawn to these really dark stories. | 0:31:29 | 0:31:33 | |
I mean, it does stop after this one! I'm not... But it's weird... | 0:31:33 | 0:31:38 | |
I wonder what happens in this Suranne Jones project. | 0:31:38 | 0:31:40 | |
Another child goes missing, yeah. | 0:31:40 | 0:31:42 | |
She's got a kid. Not for long. | 0:31:42 | 0:31:44 | |
But now Coronation Street. How long were you in Coronation Street? | 0:31:49 | 0:31:52 | |
-Four years. -Four years. Presumably, do you have any clue... | 0:31:52 | 0:31:55 | |
Oh, Hugh Jackman knows what it is. Zendaya, Zac? No. | 0:31:55 | 0:31:58 | |
I've heard of it, yes, yeah. | 0:31:58 | 0:32:00 | |
Because you were, you know, | 0:32:00 | 0:32:02 | |
that's a huge deal to get a gig in Coronation Street. | 0:32:02 | 0:32:06 | |
Oh, God. I mean, you know, I'm northern working-class, | 0:32:06 | 0:32:09 | |
all my family just loved Coronation Street. | 0:32:09 | 0:32:12 | |
And I used to audition all the time, like, almost every week, | 0:32:12 | 0:32:16 | |
because this theatre school that I went to, | 0:32:16 | 0:32:18 | |
they'd just get all the kids in to audition all the time. | 0:32:18 | 0:32:20 | |
And they were trying to find a part for me. | 0:32:20 | 0:32:22 | |
And, yeah, my nana Bertha and my grandad Bob were like, | 0:32:22 | 0:32:26 | |
you know, Spielberg, Coronation Street. "Ooh, Coronation Street!" | 0:32:26 | 0:32:30 | |
There's no comparison. And then of course I got it. | 0:32:30 | 0:32:34 | |
-And... -It's been all downhill since then! | 0:32:34 | 0:32:36 | |
-Would you not go back? -Yes, exactly. | 0:32:36 | 0:32:39 | |
Because Karen McDonald, she loved a good ruck, Karen McDonald. | 0:32:39 | 0:32:42 | |
-She did. Yes. -Lots of it. A lot of them with her husband Steve. | 0:32:42 | 0:32:44 | |
Look at that, look at that vicious face there. | 0:32:44 | 0:32:46 | |
-Oh, God. -Er, then some of them in the pub, I'm guessing | 0:32:46 | 0:32:50 | |
-this is St Patrick's Day. -Oh, God! | 0:32:50 | 0:32:52 | |
That's a good fight. Now, sadly, no-one told her she was in shot. | 0:32:52 | 0:32:56 | |
She's just planning her menu for dinner. | 0:32:59 | 0:33:02 | |
She's like, "I've got carrots in, I could do something with them..." | 0:33:02 | 0:33:06 | |
And then, this, of course was the big final fight. | 0:33:07 | 0:33:11 | |
Was it that you weren't supposed to be doing this, were you? | 0:33:11 | 0:33:14 | |
No, my... Eunice... | 0:33:14 | 0:33:16 | |
These soaps are serious business. | 0:33:16 | 0:33:19 | |
No kidding around, yeah. | 0:33:19 | 0:33:20 | |
My stunt double, Eunice, she was meant to be doing that, | 0:33:20 | 0:33:24 | |
and then a car ran over her ankle. | 0:33:24 | 0:33:27 | |
So she got sent off, and the ambulance turned up | 0:33:28 | 0:33:31 | |
and we were all in the green room | 0:33:31 | 0:33:32 | |
and of course they should have sent us all home, but being budget | 0:33:32 | 0:33:36 | |
and all that, they said, "Oh, Eunice has gone to hospital, | 0:33:36 | 0:33:38 | |
"and she can't do the stunt now so...can you do it?" | 0:33:38 | 0:33:42 | |
-And of course I'm 22. -You're nearly finished. -You're nearly finished. | 0:33:43 | 0:33:46 | |
I'm 22 and I think, I'm going to get the sack if I don't. | 0:33:46 | 0:33:48 | |
So I went, "Yeah, what have I got to do?" And they said, | 0:33:48 | 0:33:51 | |
"We're just going to hang you over the building. | 0:33:51 | 0:33:53 | |
"And Tracy's going to smash you with a log." | 0:33:53 | 0:33:56 | |
-And I said, "OK." -Is this a hate sex scene? | 0:33:59 | 0:34:03 | |
No, no, this is different. | 0:34:03 | 0:34:05 | |
-I love that Tracy just found a log. -I know. | 0:34:05 | 0:34:09 | |
-In the knicker factory. -Oh, this log that's in the knicker factory. | 0:34:09 | 0:34:13 | |
It's very Game Of Thrones. | 0:34:13 | 0:34:15 | |
Now, tonight we're collecting people's special skills. | 0:34:17 | 0:34:20 | |
We've seen some marvellous skills. | 0:34:20 | 0:34:21 | |
-Yes. -So, what might you delight... | 0:34:21 | 0:34:24 | |
If we were at a party, what would you delight people with? | 0:34:24 | 0:34:27 | |
I... I... I haven't done it for a long time, but I used to, um, | 0:34:27 | 0:34:33 | |
-do a velociraptor impression. -Oh! | 0:34:33 | 0:34:36 | |
She is pissing on you all. | 0:34:38 | 0:34:40 | |
-We haven't seen it yet. -That level. -We haven't seen it yet... | 0:34:41 | 0:34:44 | |
-Exactly. -But, OK, do you need anything for this? | 0:34:44 | 0:34:47 | |
-Um, maybe these shoes off. -OK. Do you need help with that? | 0:34:47 | 0:34:50 | |
No, no, I can get them off. | 0:34:50 | 0:34:53 | |
You know the famous scene | 0:34:53 | 0:34:54 | |
where the velociraptor is looking for the children, | 0:34:54 | 0:34:57 | |
in the kitchens. | 0:34:57 | 0:34:59 | |
Oh, yes, I do know, yes. | 0:34:59 | 0:35:01 | |
I kind of re-enact that. | 0:35:01 | 0:35:03 | |
Be kind to me, imagine there's some children that I'm running after | 0:35:03 | 0:35:06 | |
and they're all scared. Usually I'm doing that at a party | 0:35:06 | 0:35:08 | |
-and there's lots of kids. -OK. Do you need to jump on a table or anything? | 0:35:08 | 0:35:11 | |
No, I just need a bit of space, this is good. | 0:35:11 | 0:35:13 | |
OK. She's an actress, just explore the space. | 0:35:13 | 0:35:17 | |
Explore the space. | 0:35:17 | 0:35:18 | |
-Yes, good. -Oh, she's happy, she's happy. | 0:35:18 | 0:35:20 | |
Shall I get out of the way? | 0:35:20 | 0:35:22 | |
-I'm OK here? -No, cos you can be a part of this. -OK, OK. | 0:35:22 | 0:35:24 | |
We've got a little bit of music, | 0:35:24 | 0:35:26 | |
-a little bit of music. -Goodbye, career! | 0:35:26 | 0:35:28 | |
LAUGHTER | 0:35:28 | 0:35:30 | |
Very good! | 0:35:45 | 0:35:47 | |
Excellent. | 0:35:49 | 0:35:51 | |
Right. Time for our final New Year guest. | 0:35:52 | 0:35:56 | |
This man has been a Hollywood star for over 30 years and now gives | 0:35:56 | 0:36:00 | |
a career-defining performance as the great Winston Churchill | 0:36:00 | 0:36:03 | |
in Darkest Hour. I smell Oscars. | 0:36:03 | 0:36:05 | |
Ladies and gentlemen, please welcome Gary Oldman! | 0:36:05 | 0:36:08 | |
Oh! So good to see you. | 0:36:10 | 0:36:12 | |
-Hello, Sir. -How are you? Are you well? | 0:36:12 | 0:36:15 | |
Come in, sit down, sit down, sit down, sit down. Well done. | 0:36:25 | 0:36:28 | |
Double congratulations to Gary Oldman. | 0:36:28 | 0:36:31 | |
Not only are you getting amazing reviews | 0:36:31 | 0:36:33 | |
but you've also just got married. | 0:36:33 | 0:36:35 | |
-I did get married. -Yes! | 0:36:35 | 0:36:37 | |
CHEERING AND APPLAUSE | 0:36:37 | 0:36:39 | |
I got married in August. | 0:36:41 | 0:36:44 | |
And I proposed to my wife Gisele | 0:36:44 | 0:36:49 | |
on the set of Darkest Hour | 0:36:49 | 0:36:53 | |
so I was...I was dressed as Winston Churchill when I did it. | 0:36:53 | 0:36:57 | |
-HUGH: -That's hot. | 0:36:59 | 0:37:01 | |
-Well, if she said yes to that... -She said yes. | 0:37:02 | 0:37:05 | |
And it was, um, we had talked about it, but I don't know, | 0:37:05 | 0:37:09 | |
the urge took me, and we went into the Map Room | 0:37:09 | 0:37:13 | |
in the, you know, the War Rooms, | 0:37:13 | 0:37:16 | |
we went into the Map Room. | 0:37:16 | 0:37:17 | |
And I said, "Will you marry me?" and she said, "Yes." | 0:37:17 | 0:37:19 | |
And then someone said, "Gary, we need you on the set." | 0:37:19 | 0:37:22 | |
LAUGHTER | 0:37:22 | 0:37:24 | |
APPLAUSE | 0:37:24 | 0:37:26 | |
Now, we were talking about musicals obviously tonight, | 0:37:26 | 0:37:29 | |
with The Greatest Showman. And I did not realise, Gary Oldman, | 0:37:29 | 0:37:32 | |
that one of your first jobs, | 0:37:32 | 0:37:34 | |
you were in Cabaret, the musical Cabaret. | 0:37:34 | 0:37:36 | |
Yeah. Yeah. | 0:37:36 | 0:37:38 | |
But it wasn't plain sailing. | 0:37:38 | 0:37:41 | |
No. Well, you all know this. | 0:37:41 | 0:37:45 | |
The outgoing song I had, | 0:37:45 | 0:37:48 | |
a cappella, five-part harmony, | 0:37:48 | 0:37:51 | |
and the outgoing song's last note | 0:37:51 | 0:37:55 | |
is my starting note | 0:37:55 | 0:37:57 | |
and I would take it from the piano, | 0:37:57 | 0:38:00 | |
and I would be backstage, | 0:38:00 | 0:38:02 | |
hear the note, come out, set up, | 0:38:02 | 0:38:05 | |
the lights would come up and I would start singing. | 0:38:05 | 0:38:08 | |
And these five Boy Scouts were all around the campfire thing. | 0:38:08 | 0:38:14 | |
And, um... And I, on one night, | 0:38:14 | 0:38:17 | |
only one night, thank heavens, | 0:38:17 | 0:38:20 | |
but instead of taking the note from the piano, | 0:38:20 | 0:38:23 | |
the trumpet in the band, | 0:38:23 | 0:38:27 | |
the trumpet drowned it out. | 0:38:27 | 0:38:29 | |
So, I took the note from the trumpet, which is the same note, | 0:38:29 | 0:38:34 | |
but it's impure, it's not the same as the piano. | 0:38:34 | 0:38:37 | |
And I get the note in my head, | 0:38:37 | 0:38:40 | |
come out and I start singing | 0:38:40 | 0:38:42 | |
-and I realised I've started an octave too high. -Oh, no...! | 0:38:42 | 0:38:46 | |
And... And then it goes up a tone. | 0:38:47 | 0:38:51 | |
You know the song I'm talking about, do you? Yeah. | 0:38:52 | 0:38:54 | |
# The sun on the meadow... # | 0:38:54 | 0:38:57 | |
Back in the day, I could. | 0:38:57 | 0:39:00 | |
I was only 20. | 0:39:00 | 0:39:01 | |
So, I started singing | 0:39:01 | 0:39:04 | |
and suddenly realised, | 0:39:04 | 0:39:05 | |
"Oh, my God, | 0:39:05 | 0:39:08 | |
"I'm so... I'm so off!" | 0:39:08 | 0:39:10 | |
And then it went up another tone, | 0:39:10 | 0:39:14 | |
there's these five guys who had, by then, stopped harmonising. | 0:39:14 | 0:39:19 | |
And were just going... | 0:39:21 | 0:39:22 | |
CHUCKLING | 0:39:22 | 0:39:24 | |
That thing of I'm there singing with veins popping out of my neck, | 0:39:24 | 0:39:29 | |
and these five... | 0:39:29 | 0:39:31 | |
Just five backs to the audience, just doing this... | 0:39:31 | 0:39:35 | |
But you've... I mean, you've... | 0:39:35 | 0:39:37 | |
I remember, I was in an amateur production of West Side Story, | 0:39:37 | 0:39:40 | |
in the eastern suburbs of Sydney, | 0:39:40 | 0:39:43 | |
and I had the role of Tony. | 0:39:43 | 0:39:45 | |
And it's a very high tenor role, | 0:39:45 | 0:39:47 | |
and I'm a baritone, high baritone. | 0:39:47 | 0:39:48 | |
At the time, I could not sing those notes. | 0:39:48 | 0:39:50 | |
And I said, "Guys I can't sing the notes." "You'll be fine." | 0:39:50 | 0:39:52 | |
I said, "But I can't sing it." "You'll be fine." | 0:39:52 | 0:39:55 | |
And every night, I would go out there... | 0:39:55 | 0:39:56 | |
Every night! There were three performances! Every night... | 0:39:56 | 0:39:59 | |
LAUGHTER | 0:39:59 | 0:40:02 | |
..I went out there, | 0:40:02 | 0:40:03 | |
# Maria, Maria, Mari... # | 0:40:03 | 0:40:06 | |
LAUGHTER | 0:40:07 | 0:40:09 | |
And I would go... | 0:40:09 | 0:40:11 | |
Pointing to the sound guy in the wings, | 0:40:11 | 0:40:14 | |
"You've let me down, the mic." | 0:40:14 | 0:40:16 | |
Every night, the sound guy in the wings is like... | 0:40:16 | 0:40:19 | |
LAUGHTER | 0:40:19 | 0:40:22 | |
I couldn't take it. | 0:40:22 | 0:40:23 | |
APPLAUSE | 0:40:23 | 0:40:26 | |
The movie, Darkest Hour. | 0:40:26 | 0:40:27 | |
Fantastic reviews, Joe Wright directed. | 0:40:27 | 0:40:30 | |
It opens here on the 12th January | 0:40:30 | 0:40:33 | |
and it's a very specific time in the war for Winston Churchill. | 0:40:33 | 0:40:36 | |
Yeah. Yeah. It's really five or six weeks, 1940. | 0:40:36 | 0:40:40 | |
Neville Chamberlain has resigned from the premiership. | 0:40:40 | 0:40:46 | |
Churchill steps in. | 0:40:46 | 0:40:49 | |
Um, there are troops in Dunkirk | 0:40:49 | 0:40:54 | |
which, you know, there's fear that we'll lose. | 0:40:54 | 0:40:57 | |
300... In fact, 300,000 soldiers in Dunkirk. | 0:40:57 | 0:41:00 | |
And also, on the table, | 0:41:00 | 0:41:05 | |
is a peace deal with Hitler. | 0:41:05 | 0:41:08 | |
And it deals with not only the crisis in Dunkirk, | 0:41:08 | 0:41:13 | |
but whether we will capitulate and, um... | 0:41:13 | 0:41:19 | |
basically, surrender, and do a deal with Hitler. | 0:41:19 | 0:41:23 | |
So, it's a very specific, a very defining moment... | 0:41:23 | 0:41:28 | |
-A sort of pivotal moment, yeah. -..in our history, | 0:41:28 | 0:41:30 | |
and also in Churchill's career. | 0:41:30 | 0:41:32 | |
We'll talk about it some more, but let's show people | 0:41:32 | 0:41:35 | |
-just a bit of your transformation into Winston Churchill. -Yes. | 0:41:35 | 0:41:39 | |
Nothing inglorious in trying to shorten a war | 0:41:39 | 0:41:42 | |
-that we are clearly losing. -"Losing"? | 0:41:42 | 0:41:44 | |
-Europe is still... -HE BANGS ON DESK | 0:41:44 | 0:41:46 | |
Europe is lost! | 0:41:46 | 0:41:48 | |
And before our forces are wiped out completely, | 0:41:54 | 0:41:58 | |
now's the time to negotiate | 0:41:58 | 0:42:00 | |
in order to obtain the best conditions possible. | 0:42:00 | 0:42:03 | |
Hitler will not insist on outrageous terms. | 0:42:05 | 0:42:07 | |
He will know his own weaknesses. | 0:42:07 | 0:42:09 | |
-He will be reasonable. -When will the lesson be learned? | 0:42:09 | 0:42:12 | |
When will the lesson be learned?! | 0:42:12 | 0:42:15 | |
How many more dictators | 0:42:16 | 0:42:18 | |
must be wooed, appeased! | 0:42:18 | 0:42:22 | |
Good God, given immense privileges, before we learn | 0:42:22 | 0:42:25 | |
you cannot reason with a tiger | 0:42:25 | 0:42:28 | |
-when your head is in its mouth! -CHAIR SCRAPES AND THUDS | 0:42:28 | 0:42:32 | |
APPLAUSE | 0:42:32 | 0:42:34 | |
It is amazing. It is amazing. | 0:42:37 | 0:42:41 | |
And it's... | 0:42:41 | 0:42:43 | |
It's one of the things, cos often, in things like this, | 0:42:43 | 0:42:46 | |
the make-up, the wigs, can get in the way. | 0:42:46 | 0:42:48 | |
-Yeah. -And it's beautiful. | 0:42:48 | 0:42:50 | |
Well, I think it's... | 0:42:50 | 0:42:52 | |
I would say it's a benchmark in prosthetic make-up. | 0:42:52 | 0:42:55 | |
And would it take hours or...? | 0:42:55 | 0:42:57 | |
The whole thing took four hours. | 0:42:57 | 0:42:59 | |
OK. So, it's the face, it's the fat suit... | 0:42:59 | 0:43:02 | |
And the clothes, and, er... | 0:43:02 | 0:43:06 | |
But the attention to detail - | 0:43:06 | 0:43:08 | |
the cigars, you chose the special cigars. | 0:43:08 | 0:43:12 | |
Well, I did, and I used to smoke. | 0:43:12 | 0:43:14 | |
I don't smoke any more | 0:43:14 | 0:43:15 | |
and I got nicotine poisoning because I was on about 12 a day. | 0:43:15 | 0:43:20 | |
I went through 30,000 of cigars on the sets... | 0:43:20 | 0:43:26 | |
-That's crazy. -I mean... | 0:43:27 | 0:43:29 | |
-How much are cigars?! -They're 50 quid a pop. -You're kidding! | 0:43:29 | 0:43:33 | |
And I would do about 12 of them a day, so I got nicotine... | 0:43:33 | 0:43:37 | |
I basically had a bad stomach | 0:43:37 | 0:43:40 | |
for the three months I was on the show. | 0:43:40 | 0:43:43 | |
We had a Christmas break | 0:43:43 | 0:43:44 | |
and everybody went off and decorated their Christmas trees | 0:43:44 | 0:43:47 | |
and went out shopping. I went and had a colonoscopy. | 0:43:47 | 0:43:50 | |
LAUGHTER | 0:43:50 | 0:43:53 | |
For the man who has everything! | 0:43:55 | 0:43:58 | |
That was my Christmas present! | 0:43:59 | 0:44:02 | |
So, you felt sick every day pretty much, then? | 0:44:02 | 0:44:04 | |
Yeah, just...just it was... | 0:44:04 | 0:44:06 | |
It was just... It was... | 0:44:06 | 0:44:08 | |
I think it was the compression in the suit, dehydration, the cigars, | 0:44:08 | 0:44:14 | |
it was a good... It's a price to pay, but... | 0:44:14 | 0:44:17 | |
Can I just say something, cos I really admired what you said | 0:44:17 | 0:44:20 | |
about Michael Jackson. I would never forgive myself, Gary, | 0:44:20 | 0:44:23 | |
if I don't tell you you are one of the greatest actors | 0:44:23 | 0:44:26 | |
-to have ever lived. You're one of my inspirations. -Oh! | 0:44:26 | 0:44:29 | |
CHEERING AND APPLAUSE | 0:44:29 | 0:44:31 | |
-ZAC: -I second that, absolutely. | 0:44:31 | 0:44:33 | |
I mean it. | 0:44:33 | 0:44:35 | |
If you have not seen Darkest Hour, | 0:44:38 | 0:44:40 | |
you will see one of the greatest actors alive | 0:44:40 | 0:44:43 | |
give one of their greatest performances | 0:44:43 | 0:44:45 | |
of one of the great British characters of all time. | 0:44:45 | 0:44:47 | |
-It is astonishing. -Thank you so much. | 0:44:47 | 0:44:49 | |
APPLAUSE | 0:44:49 | 0:44:51 | |
That means a great deal coming from you. | 0:44:51 | 0:44:53 | |
We've got a selection of special skills on the show tonight, | 0:44:56 | 0:45:00 | |
and, Gary, you've brought us a real treat. | 0:45:00 | 0:45:02 | |
Am I right to say, it's something physical. | 0:45:02 | 0:45:05 | |
-Yes, it's physical. -It's physical. | 0:45:05 | 0:45:07 | |
I don't know if it's very special! | 0:45:07 | 0:45:09 | |
Do you want to tell us what we're going to watch | 0:45:09 | 0:45:12 | |
or shall we just see it? | 0:45:12 | 0:45:14 | |
Er, it's... Well, yes, it's... | 0:45:14 | 0:45:18 | |
My wife actually recorded it on an iPhone in the trailer | 0:45:18 | 0:45:22 | |
and it's Winston Churchill doing James Brown. | 0:45:22 | 0:45:26 | |
HE GASPS This sounds special. | 0:45:26 | 0:45:28 | |
-It's a new level. -So, here is Winston Churchill. | 0:45:28 | 0:45:31 | |
This has so many layers! | 0:45:31 | 0:45:33 | |
This is so meta now. | 0:45:33 | 0:45:34 | |
It's Gary Oldman does Winston Churchill doing James Brown. | 0:45:34 | 0:45:38 | |
For the Oscar. | 0:45:38 | 0:45:39 | |
SOUL MUSIC PLAYS | 0:45:39 | 0:45:42 | |
LAUGHTER AND APPLAUSE | 0:45:42 | 0:45:44 | |
Very good! | 0:45:55 | 0:45:57 | |
CHEERING | 0:45:57 | 0:45:59 | |
Excellent! | 0:46:02 | 0:46:04 | |
Now, we're about to have our musical performance. | 0:46:04 | 0:46:07 | |
I know, another one! | 0:46:07 | 0:46:09 | |
But before we do, Hugh, I wonder, could you channel, | 0:46:09 | 0:46:13 | |
channel your best PT Barnum. | 0:46:13 | 0:46:15 | |
-Right. -And give us a sort of recap of some of the talented... | 0:46:15 | 0:46:19 | |
talented people we've met tonight? | 0:46:19 | 0:46:22 | |
We've got you a top hat and a cane, wherever they are. | 0:46:22 | 0:46:25 | |
Oh, here they are. Top hat and a cane. | 0:46:25 | 0:46:27 | |
So, if you go to, kind of, the central ring. | 0:46:27 | 0:46:29 | |
-You've got it. -You've got it! | 0:46:29 | 0:46:31 | |
-If you go into here. -Yes. -OK. | 0:46:31 | 0:46:34 | |
And, you know, do any twirly, caney business, if you want to. | 0:46:34 | 0:46:38 | |
It's a great hat! Thanks, Graham! | 0:46:38 | 0:46:39 | |
-LAUGHTER AND APPLAUSE -A good start. | 0:46:39 | 0:46:43 | |
Ladies and gentlemen. Oh, here we go. | 0:46:45 | 0:46:48 | |
Where are we? Ladies and gentlemen, | 0:46:48 | 0:46:49 | |
it is New Year's Eve on the world's greatest talk show! | 0:46:49 | 0:46:52 | |
CHEERING | 0:46:52 | 0:46:55 | |
You have been scintillated! | 0:46:55 | 0:46:57 | |
WHOOPING | 0:46:57 | 0:47:00 | |
You have been titillated! | 0:47:00 | 0:47:02 | |
And, dare I say it, you have been, at times, utterly nauseated! | 0:47:02 | 0:47:06 | |
ALL: Whoo! | 0:47:06 | 0:47:07 | |
You've gagged at the mysterious Zac and his sensational spitballs. | 0:47:07 | 0:47:12 | |
You've swayed at the exotic beat of Zendaya's wiggling ears. | 0:47:12 | 0:47:16 | |
Yes! You've thrilled, ladies and gentlemen, | 0:47:16 | 0:47:19 | |
to the savage beauty of the merciless Surannasaurus. | 0:47:19 | 0:47:22 | |
You have trembled at the terrifying power... | 0:47:22 | 0:47:27 | |
..of Mike's Wolverine. | 0:47:28 | 0:47:30 | |
You've marvelled at Winston Churchill | 0:47:31 | 0:47:33 | |
grooving to the Godfather of Soul. | 0:47:33 | 0:47:35 | |
SOUL MUSIC PLAYS | 0:47:35 | 0:47:38 | |
You've watched an old bearded man | 0:47:38 | 0:47:39 | |
drink like a fish and pay no attention to his guests. | 0:47:39 | 0:47:43 | |
CHEERING AND APPLAUSE | 0:47:43 | 0:47:46 | |
But, in the end, ladies and gentlemen, | 0:47:47 | 0:47:50 | |
all you really wanted to see was a man spinning on his head. | 0:47:50 | 0:47:53 | |
Take it away, Ash! | 0:47:53 | 0:47:55 | |
Ladies and gentlemen, | 0:47:59 | 0:48:01 | |
all human life is here | 0:48:01 | 0:48:04 | |
on the greatest show in the world! | 0:48:04 | 0:48:07 | |
CHEERING AND APPLAUSE | 0:48:07 | 0:48:10 | |
Thank you, Hugh! Thank you, Ash! | 0:48:10 | 0:48:14 | |
Thank you, all the talented people! | 0:48:14 | 0:48:17 | |
Excellent! | 0:48:17 | 0:48:19 | |
It is now time for music, and what better way to end the show | 0:48:19 | 0:48:22 | |
than a show-stopping number from this trio of West End divas? | 0:48:22 | 0:48:26 | |
Performing One Night Only, please welcome the fabulous Leading Ladies! | 0:48:26 | 0:48:30 | |
CHEERING AND APPLAUSE | 0:48:30 | 0:48:33 | |
# You want all my love and my devotion | 0:48:47 | 0:48:53 | |
# You want my love and soul | 0:48:55 | 0:48:59 | |
# Right on the line | 0:48:59 | 0:49:02 | |
# I have no doubt that I could love you, forever | 0:49:05 | 0:49:13 | |
# The only trouble is | 0:49:13 | 0:49:17 | |
# You really don't have the time | 0:49:17 | 0:49:20 | |
# You've got one night only | 0:49:20 | 0:49:24 | |
# One night only | 0:49:24 | 0:49:26 | |
# That's all you have to spare | 0:49:26 | 0:49:30 | |
# One night only | 0:49:30 | 0:49:33 | |
# Let's not pretend to care | 0:49:33 | 0:49:37 | |
-ALL: -# One night only | 0:49:39 | 0:49:42 | |
# One night only | 0:49:42 | 0:49:44 | |
# Come on, big baby, come on | 0:49:44 | 0:49:47 | |
# One night only | 0:49:48 | 0:49:50 | |
# We only have till dawn | 0:49:50 | 0:49:56 | |
# You want all my love and my devotion | 0:49:56 | 0:50:01 | |
# You want my love and soul | 0:50:03 | 0:50:05 | |
# Right on the line | 0:50:05 | 0:50:09 | |
# I have no doubt that I could love you forever | 0:50:10 | 0:50:16 | |
# The only trouble is | 0:50:16 | 0:50:20 | |
# You really don't have the time | 0:50:20 | 0:50:23 | |
# You've got one night only | 0:50:23 | 0:50:25 | |
# One night only | 0:50:25 | 0:50:27 | |
# That's all you have to spare | 0:50:27 | 0:50:30 | |
# One night only | 0:50:30 | 0:50:32 | |
# Let's not pretend to care | 0:50:32 | 0:50:35 | |
# You've got one night only | 0:50:35 | 0:50:39 | |
# One night only | 0:50:39 | 0:50:40 | |
# Come on, big baby, come on | 0:50:40 | 0:50:43 | |
# One night only | 0:50:43 | 0:50:45 | |
# We only have till dawn | 0:50:45 | 0:50:49 | |
# We only have till dawn! | 0:50:49 | 0:50:52 | |
# One night only, one night only | 0:50:54 | 0:50:57 | |
# You'll be the only one | 0:50:57 | 0:51:00 | |
# One night only | 0:51:00 | 0:51:03 | |
# Then you have to run | 0:51:03 | 0:51:08 | |
# One night only, one night only | 0:51:08 | 0:51:11 | |
# There's nothing more to say | 0:51:11 | 0:51:14 | |
# One night only | 0:51:14 | 0:51:16 | |
# Words get in the way | 0:51:16 | 0:51:21 | |
# One night only | 0:51:21 | 0:51:23 | |
# Come on, come on | 0:51:23 | 0:51:25 | |
# One night only | 0:51:25 | 0:51:26 | |
# Come on, come on | 0:51:26 | 0:51:28 | |
# One night only | 0:51:28 | 0:51:30 | |
# Come on, come on Come on, come on | 0:51:30 | 0:51:33 | |
# Come on, come on, come on! | 0:51:33 | 0:51:37 | |
# One night only! # | 0:51:37 | 0:51:38 | |
CHEERING AND APPLAUSE Oh! | 0:51:38 | 0:51:42 | |
Wowzer! | 0:51:42 | 0:51:45 | |
Wow! | 0:51:47 | 0:51:48 | |
The Leading Ladies. | 0:51:48 | 0:51:50 | |
Beverley, Cassidy, Amber, come on over, do! | 0:51:50 | 0:51:53 | |
Oh, stunning! | 0:51:53 | 0:51:56 | |
Whoa! | 0:51:56 | 0:51:57 | |
Thank you so much! | 0:51:57 | 0:52:00 | |
Go and meet everyone on the couch. | 0:52:00 | 0:52:03 | |
-Hello, darling. -Ciao. | 0:52:03 | 0:52:04 | |
Go and join the couch. Hello, congratulations. | 0:52:04 | 0:52:06 | |
Come and join the couch. | 0:52:06 | 0:52:09 | |
Much whooping, much cheering. ALL GREET EACH OTHER | 0:52:09 | 0:52:13 | |
Marvellous, marvellous, marvellous! THEY CHATTER | 0:52:13 | 0:52:17 | |
GRAHAM LAUGHS | 0:52:17 | 0:52:19 | |
It's New Year's Eve, Graham...! | 0:52:19 | 0:52:21 | |
I know, really. I should have got some Ferrero Rocher! | 0:52:21 | 0:52:24 | |
LAUGHTER | 0:52:24 | 0:52:26 | |
Thank you so much for doing that. | 0:52:27 | 0:52:29 | |
That of, course is, from the album which is out now, | 0:52:29 | 0:52:32 | |
-Songs From The Stage. -Yes. -Yes. | 0:52:32 | 0:52:34 | |
Which has done so well, congratulations. | 0:52:34 | 0:52:36 | |
-ALL: -Thank you. -I know! | 0:52:36 | 0:52:38 | |
-APPLAUSE -Oh, hi! | 0:52:38 | 0:52:40 | |
And clever Beverley thought of it. | 0:52:42 | 0:52:44 | |
You thought of it, didn't you? It was your idea. | 0:52:44 | 0:52:47 | |
Well, you know what, you've got some bigging up to give yourself, | 0:52:47 | 0:52:50 | |
-high-five yourself in the mirror. -Am I getting some kerching? | 0:52:50 | 0:52:54 | |
-Not quite that far! -OK! | 0:52:54 | 0:52:56 | |
It was right here that I saw Amber perform, | 0:52:56 | 0:53:01 | |
and the idea went, "Bing!" | 0:53:01 | 0:53:03 | |
-So, yeah. -There you go, wow. | 0:53:03 | 0:53:05 | |
So, that's where it all came from. | 0:53:05 | 0:53:07 | |
And then I saw CJ, and I was like, "Bing!" again. | 0:53:07 | 0:53:10 | |
-Yeah, yeah, yeah. -We should do something together. -Yeah. -So, yeah. | 0:53:10 | 0:53:13 | |
And it's one of those things, it's like One Night Only, | 0:53:13 | 0:53:16 | |
I mean, is this going to be an ongoing thing? | 0:53:16 | 0:53:18 | |
Cos, Amber, you're out of here. | 0:53:18 | 0:53:20 | |
-Yeah! -LAUGHTER | 0:53:20 | 0:53:22 | |
-Amber's like, "Bye!" -It was really lovely, goodbye! | 0:53:22 | 0:53:25 | |
No, we've had so much fun doing it. | 0:53:25 | 0:53:27 | |
-Yeah. -You know, we're just trying to see, like, | 0:53:27 | 0:53:29 | |
what this album's going to do. | 0:53:29 | 0:53:31 | |
We don't really know what this is exactly. | 0:53:31 | 0:53:33 | |
-No. -But we know that we like the way that it sounds, | 0:53:33 | 0:53:35 | |
and the way that it feels, and we're having fun. | 0:53:35 | 0:53:37 | |
Well, hopefully this goes on for ages, cos people are loving it. | 0:53:37 | 0:53:40 | |
The Leading Ladies, everybody! CHEERING AND APPLAUSE | 0:53:40 | 0:53:44 | |
That's nearly it, but before we go, | 0:53:46 | 0:53:47 | |
we do have time for just a visit to the Big Red Chair. | 0:53:47 | 0:53:50 | |
And as it's Hogmanay, we're looking for stories | 0:53:50 | 0:53:53 | |
with a New Year's resolution or a New Year's theme. So, who's first? | 0:53:53 | 0:53:56 | |
-Hello! -Hi. | 0:53:56 | 0:53:58 | |
Hi, hi. | 0:53:58 | 0:53:59 | |
Keeping it simple! | 0:54:01 | 0:54:02 | |
He may produce a dove! | 0:54:02 | 0:54:05 | |
OK. | 0:54:05 | 0:54:06 | |
LAUGHTER | 0:54:06 | 0:54:08 | |
So, what's your name? | 0:54:09 | 0:54:11 | |
-My name's Lorne. -Lorne, lovely. | 0:54:11 | 0:54:12 | |
-And where are you from, Lorne? -I'm originally from Canada. | 0:54:12 | 0:54:15 | |
-But you live here now? -I do. -What do you do? | 0:54:15 | 0:54:17 | |
I run a legal advice centre. | 0:54:17 | 0:54:19 | |
Oh! Posh job! And what's your New Year's resolution? | 0:54:19 | 0:54:22 | |
Not to get pissed on New Year's. | 0:54:22 | 0:54:24 | |
Oh. I think this will be a lot of people's New Year's resolution. | 0:54:24 | 0:54:27 | |
OK, off you go with your story. | 0:54:27 | 0:54:29 | |
So, a few years ago, I decided to bite the bullet | 0:54:29 | 0:54:31 | |
and brave the cold for 12 hours | 0:54:31 | 0:54:33 | |
to experience New Year's Eve in Times Square. | 0:54:33 | 0:54:35 | |
It's about 20 minutes before the big ball drop, | 0:54:35 | 0:54:37 | |
when the guy in front of me wallops me in the face. | 0:54:37 | 0:54:39 | |
I immediately fall to the ground, | 0:54:39 | 0:54:41 | |
but, to my dismay, the guy next to me is peeing into a bottle. | 0:54:41 | 0:54:44 | |
My head hits the bottle, and he pees all over my head. | 0:54:44 | 0:54:47 | |
ALL GROAN | 0:54:47 | 0:54:49 | |
LAUGHTER AND APPLAUSE | 0:54:49 | 0:54:51 | |
That's... | 0:54:51 | 0:54:52 | |
Can you imagine?! | 0:54:52 | 0:54:53 | |
Can I just say, "To my dismay"?! | 0:54:57 | 0:55:00 | |
Somebody's pissing on your head! | 0:55:01 | 0:55:04 | |
"I am so dismayed!" | 0:55:04 | 0:55:06 | |
I've always wondered how they stand there for that long. | 0:55:06 | 0:55:09 | |
-Like, where does everyone use the rest room? -Yeah. | 0:55:09 | 0:55:12 | |
A friend of mine was a cop, he works there. | 0:55:12 | 0:55:15 | |
You have to go in at four o'clock, if you want to be near the front, | 0:55:15 | 0:55:18 | |
and you are told as you come in, | 0:55:18 | 0:55:19 | |
you are not allowed to leave to go to the bathroom. | 0:55:19 | 0:55:22 | |
Everyone's like, "Yeah, yeah, yeah." | 0:55:22 | 0:55:23 | |
You know, about eight o'clock, "Everyone's like, I need to go." | 0:55:23 | 0:55:26 | |
"No, we told you." And so, they have to...in bottles. | 0:55:26 | 0:55:29 | |
OK, quickly, we're ignoring the people. | 0:55:29 | 0:55:31 | |
So, who's up next, who's up next? | 0:55:31 | 0:55:33 | |
-Hello! -Hi, how are you? | 0:55:33 | 0:55:34 | |
-I'm grand, thanks, and yourself? -I'm good, thank you. | 0:55:34 | 0:55:36 | |
-Good. What's your name? -Lauren. | 0:55:36 | 0:55:38 | |
Lauren. Are you from...? | 0:55:38 | 0:55:39 | |
-Australia. -Oh, Australia, OK. | 0:55:39 | 0:55:41 | |
No, no, Australia's good. Do you live here now? | 0:55:41 | 0:55:45 | |
Yeah, I live in London now, I've come from Sydney. | 0:55:45 | 0:55:47 | |
-What do you do, Lauren? -I'm a corporate affairs assistant. | 0:55:47 | 0:55:50 | |
Honestly, those posh people are out tonight! | 0:55:50 | 0:55:53 | |
New Year's Eve, cool! | 0:55:53 | 0:55:55 | |
All right, what's your New Year's resolution? | 0:55:55 | 0:55:58 | |
My New Year's resolution is to invest in better underwear. | 0:55:58 | 0:56:01 | |
Oooh! Good start to a story, good start to a story! | 0:56:01 | 0:56:04 | |
"I was dismayed to find..."! | 0:56:04 | 0:56:07 | |
Off you go with your story. | 0:56:07 | 0:56:09 | |
So, this is my first public humiliation. | 0:56:09 | 0:56:12 | |
I was blossoming into a voluptuous young woman. | 0:56:12 | 0:56:16 | |
I was very self-conscious about it, my family knew that, | 0:56:16 | 0:56:19 | |
and, obviously, as Australians, | 0:56:19 | 0:56:21 | |
they decided to tease me incessantly. | 0:56:21 | 0:56:23 | |
Anyway, we go away to a beach holiday. We're all in bikinis. | 0:56:23 | 0:56:26 | |
I'm getting teased on the beach for my big boobs. | 0:56:26 | 0:56:28 | |
And I'm in a horrible mood. | 0:56:28 | 0:56:30 | |
We go back to the house to have a shower before dinner. | 0:56:30 | 0:56:33 | |
I go to the bathroom and I see my cousin, | 0:56:33 | 0:56:36 | |
who was a lot more voluptuous than I was, | 0:56:36 | 0:56:38 | |
I see her bikini there. | 0:56:38 | 0:56:40 | |
So, I was like, "Oh, put her bikini on, show everyone," | 0:56:40 | 0:56:43 | |
and they'll be like, "Oh, we can't tease you any more, | 0:56:43 | 0:56:45 | |
"your boobs aren't that big." So, I put it on, put the towel around me, | 0:56:45 | 0:56:49 | |
strut out to the lounge room where everyone is, whip the towel off, | 0:56:49 | 0:56:53 | |
strut into the room, just stand there with hands on my hips, | 0:56:53 | 0:56:56 | |
and I'm like, "I told you they weren't that big." | 0:56:56 | 0:56:58 | |
And then, there's this weird, shocked silence, | 0:56:58 | 0:57:01 | |
and then they all started screaming, covering their faces. | 0:57:01 | 0:57:03 | |
And I was like, "This is really rude." | 0:57:03 | 0:57:06 | |
And then... | 0:57:06 | 0:57:08 | |
And I look down, and I forgot to put on the bottoms. | 0:57:08 | 0:57:11 | |
ALL ROAR, APPLAUSE | 0:57:11 | 0:57:13 | |
Good story! Good story! | 0:57:13 | 0:57:16 | |
-You can walk, darling. -Thank you! | 0:57:16 | 0:57:18 | |
That was good. | 0:57:19 | 0:57:22 | |
One more, one more, one more. | 0:57:22 | 0:57:24 | |
This is the last. | 0:57:24 | 0:57:25 | |
-Hello, sir. -Hello. | 0:57:25 | 0:57:27 | |
-Hi, what's your name? -Simon. | 0:57:27 | 0:57:29 | |
-Simon, lovely. And what do you do, Simon? -I'm an insurance broker. | 0:57:29 | 0:57:32 | |
OK! There had to be one! LAUGHTER | 0:57:32 | 0:57:35 | |
And what's your New Year's resolution? | 0:57:35 | 0:57:38 | |
To get some better friends. | 0:57:38 | 0:57:40 | |
ALL GROAN | 0:57:40 | 0:57:43 | |
Well, we can't flip him now, can we?! | 0:57:43 | 0:57:46 | |
Simon, he's alone. | 0:57:46 | 0:57:48 | |
OK, off you go with your story. | 0:57:48 | 0:57:50 | |
Well, a long time ago I had a bad knee injury playing rugby, | 0:57:50 | 0:57:53 | |
and I needed an operation. | 0:57:53 | 0:57:55 | |
Luckily I had some private health care, | 0:57:55 | 0:57:58 | |
so I had a room to recover in. | 0:57:58 | 0:58:00 | |
Oh, my God! | 0:58:00 | 0:58:01 | |
I was recovering in my own room the day after the operation, | 0:58:01 | 0:58:05 | |
feeling pretty sorry for myself, and a knock on the door, | 0:58:05 | 0:58:07 | |
and it's the surgeon who's operated on me. | 0:58:07 | 0:58:10 | |
He comes in, and he opens up the huge bandage on my left leg, | 0:58:10 | 0:58:16 | |
and said, "OK, well, it's looking good, | 0:58:16 | 0:58:18 | |
"but you need to stay still for an hour or so, | 0:58:18 | 0:58:21 | |
"let the wound breathe, and I'll be back, | 0:58:21 | 0:58:24 | |
"or one of the nurses will be back, to dress it, so just stay put." | 0:58:24 | 0:58:27 | |
So I said, "Fine." So, he leaves, | 0:58:27 | 0:58:29 | |
a couple of minutes later there's a knock on the door. | 0:58:29 | 0:58:31 | |
Round the corner come two of my mates, | 0:58:31 | 0:58:34 | |
clutching a bag of half-eaten grapes, | 0:58:34 | 0:58:37 | |
sporting some grinning faces, | 0:58:37 | 0:58:40 | |
and clutching a pretty graphic porn mag. | 0:58:40 | 0:58:43 | |
ALL: Oh! | 0:58:43 | 0:58:44 | |
So... | 0:58:44 | 0:58:46 | |
It was... No animals, but it was not far short. | 0:58:47 | 0:58:51 | |
So, they see my predicament. | 0:58:51 | 0:58:54 | |
I'm lying there, I can't move, and they don't say a word. | 0:58:54 | 0:58:57 | |
They proceed to take this magazine apart | 0:58:57 | 0:59:00 | |
and stick every picture inside it on my bed, on the window, | 0:59:00 | 0:59:04 | |
on the sheet the nurses will use to check my recovery. | 0:59:04 | 0:59:09 | |
ALL GROAN | 0:59:09 | 0:59:10 | |
And their parting gift was to press the nurse's button. | 0:59:10 | 0:59:16 | |
GROANING AND LAUGHTER | 0:59:16 | 0:59:17 | |
That is quite a good story. | 0:59:17 | 0:59:19 | |
It was long. You can walk, walk, walk. | 0:59:19 | 0:59:21 | |
APPLAUSE | 0:59:21 | 0:59:23 | |
Well done, everyone. If you'd like to join us on the show | 0:59:23 | 0:59:26 | |
and have a go in the Red Chair, you can contact us via the website | 0:59:26 | 0:59:29 | |
at this very address. That is it for tonight. | 0:59:29 | 0:59:31 | |
Please say a huge thank you to my guests, the Leading Ladies! | 0:59:31 | 0:59:34 | |
CHEERING AND APPLAUSE | 0:59:34 | 0:59:36 | |
Zac Efron! | 0:59:36 | 0:59:38 | |
Zendaya! | 0:59:38 | 0:59:39 | |
Hugh Jackman! | 0:59:39 | 0:59:41 | |
Suranne Jones! | 0:59:41 | 0:59:43 | |
And Mr Gary Oldman! | 0:59:45 | 0:59:46 | |
CHEERING | 0:59:46 | 0:59:48 | |
We're back on the 12th of January with a very special show | 0:59:48 | 0:59:51 | |
devoted to two of our greatest actors, Tom Hanks and Meryl Streep. | 0:59:51 | 0:59:55 | |
Can't wait! Till then, have a very happy New Year, everybody. | 0:59:55 | 0:59:58 | |
Goodnight and goodbye! | 0:59:58 | 0:59:59 | |
CHEERING AND APPLAUSE | 0:59:59 | 1:00:01 |