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Good evening, everyone. | 0:00:03 | 0:00:04 | |
This is Will Smith wishing
you a very Merry Christmas | 0:00:04 | 0:00:07 | |
and saying welcome to
The Graham Norton Show! | 0:00:07 | 0:00:11 | |
CHEERING. | 0:00:11 | 0:00:14 | |
Hello! | 0:00:30 | 0:00:32 | |
Hello! | 0:00:32 | 0:00:34 | |
Oh, you are too kind. | 0:00:34 | 0:00:37 | |
That's so sweet of you. | 0:00:37 | 0:00:38 | |
Hello. | 0:00:38 | 0:00:39 | |
Good evening. | 0:00:39 | 0:00:40 | |
Welcome, everyone. | 0:00:40 | 0:00:41 | |
Merry Christmas! | 0:00:41 | 0:00:43 | |
Yay! | 0:00:43 | 0:00:46 | |
Oh, we are feeling
festive, aren't we? | 0:00:46 | 0:00:49 | |
Yes, we are. | 0:00:49 | 0:00:50 | |
So Christmassy. | 0:00:50 | 0:00:51 | |
Has everyone got their
Christmas trees up? | 0:00:51 | 0:00:52 | |
AUDIENCE: Yes! | 0:00:52 | 0:00:54 | |
I'm not the police. | 0:00:54 | 0:00:57 | |
"Yes, we have!" | 0:00:57 | 0:01:00 | |
Can you believe some people
are so stupid they ordered | 0:01:00 | 0:01:02 | |
a tree too big to fit
through their front door? | 0:01:02 | 0:01:05 | |
Yeah. | 0:01:05 | 0:01:08 | |
Theresa, really, measure, measure! | 0:01:08 | 0:01:11 | |
But Theresa May did put a little
decoration on top of that tree. | 0:01:11 | 0:01:15 | |
Yeah. | 0:01:15 | 0:01:17 | |
I imagine she enjoyed ramming
that branch up its arse. | 0:01:17 | 0:01:21 | |
Now, did you all enjoy your
office Christmas parties? | 0:01:21 | 0:01:24 | |
Did you? | 0:01:24 | 0:01:25 | |
AUDIENCE: Yes! | 0:01:25 | 0:01:26 | |
I don't remember. | 0:01:26 | 0:01:28 | |
Now, look, I hope you remembered
the golden rule, ladies | 0:01:28 | 0:01:31 | |
and gentlemen, don't have sex
in the office. | 0:01:31 | 0:01:34 | |
Don't. | 0:01:34 | 0:01:36 | |
That's not romantic. | 0:01:36 | 0:01:37 | |
Wait until you're somewhere nice
and cosy and the mood takes | 0:01:37 | 0:01:41 | |
you and pop upstairs. | 0:01:41 | 0:01:44 | |
Yeah, ding ding! | 0:01:44 | 0:01:50 | |
Hey, let's get some guests on. | 0:01:50 | 0:01:51 | |
Later, we'll have music with former
Keane front man Tom Chaplin. | 0:01:51 | 0:01:54 | |
He'll be performing his
new single, Midnight Mass, | 0:01:54 | 0:01:56 | |
a true Christmas treat. | 0:01:56 | 0:01:57 | |
But first, no Christmas
is complete without this man's | 0:01:57 | 0:02:00 | |
festive food and cheer. | 0:02:00 | 0:02:01 | |
Here to talk about his 20th
cookbook, please welcome | 0:02:01 | 0:02:03 | |
award-winning chef and restauranteur
Jamie Oliver! | 0:02:03 | 0:02:09 | |
Hello, sir. | 0:02:10 | 0:02:11 | |
Lovely to see you. | 0:02:11 | 0:02:12 | |
You are very smart. | 0:02:12 | 0:02:19 | |
CHEERING. | 0:02:19 | 0:02:20 | |
She's gone from soap star
to Doctor Who companion and now | 0:02:20 | 0:02:22 | |
she stars as the Queen herself
in the hit series Victoria. | 0:02:22 | 0:02:25 | |
Please welcome Jenna Coleman! | 0:02:25 | 0:02:26 | |
CHEERING. | 0:02:26 | 0:02:28 | |
Very nice. | 0:02:31 | 0:02:32 | |
Jamie, Jenna, Jenna, Jamie. | 0:02:32 | 0:02:35 | |
And he's one of the world's biggest
movie stars and one of our favourite | 0:02:35 | 0:02:38 | |
guests on this show. | 0:02:38 | 0:02:40 | |
It's always a pleasure to welcome
the great Will Smith! | 0:02:40 | 0:02:42 | |
CHEERING. | 0:02:42 | 0:02:46 | |
Yo! | 0:02:46 | 0:02:49 | |
Yeah! | 0:02:49 | 0:02:52 | |
Yeah! | 0:02:58 | 0:03:00 | |
Well, hey, Merry
Christmas, everybody. | 0:03:03 | 0:03:05 | |
Merry Christmas! | 0:03:05 | 0:03:07 | |
Merry Christmas! | 0:03:07 | 0:03:10 | |
I almost wore that same jacket. | 0:03:10 | 0:03:11 | |
Really? | 0:03:11 | 0:03:13 | |
That would have been
so embarrassing. | 0:03:13 | 0:03:15 | |
So embarrassing. | 0:03:15 | 0:03:17 | |
You would have worn
it better, I think. | 0:03:17 | 0:03:19 | |
You look Christmassy, and actually,
the two of you look like you're | 0:03:19 | 0:03:22 | |
going to do something together,
because your tie matches your dress. | 0:03:22 | 0:03:25 | |
We are performing tonight. | 0:03:25 | 0:03:27 | |
Yeah, blending. | 0:03:27 | 0:03:28 | |
I look like the driver. | 0:03:28 | 0:03:31 | |
Where y'all headed tonight? | 0:03:31 | 0:03:34 | |
So, welcome, all. | 0:03:34 | 0:03:35 | |
Are we all ready for Christmas? | 0:03:35 | 0:03:39 | |
Yes, I'm very ready. | 0:03:39 | 0:03:40 | |
So excited, I can't believe it. | 0:03:40 | 0:03:43 | |
Presents and food and stuff. | 0:03:43 | 0:03:47 | |
Yeah, all that good stuff. | 0:03:47 | 0:03:48 | |
We could talk about Christmas
for hours, but I'm distracted | 0:03:48 | 0:03:50 | |
by the makings of a cocktail. | 0:03:50 | 0:03:54 | |
Oh, yes. | 0:03:54 | 0:03:56 | |
Who likes a cocktail
at Christmas, everyone? | 0:03:56 | 0:03:57 | |
AUDIENCE: Yes! | 0:03:57 | 0:03:59 | |
Do you love a cocktail? | 0:03:59 | 0:04:01 | |
I'd like a cocktail. | 0:04:01 | 0:04:02 | |
Shall I endeavour? | 0:04:02 | 0:04:03 | |
What have you brought us? | 0:04:03 | 0:04:04 | |
OK, I like to give Britain a little
tip every now and again, | 0:04:04 | 0:04:07 | |
so you need to find yourself
a sheath, right? | 0:04:07 | 0:04:10 | |
Just a minute! | 0:04:10 | 0:04:11 | |
Hold on, I don't know
if I want that drink. | 0:04:11 | 0:04:15 | |
If you go to the really posh
cocktail bars, you get these | 0:04:15 | 0:04:17 | |
incredible ice cubes
that they hand-carve. | 0:04:17 | 0:04:20 | |
Oh, no! | 0:04:20 | 0:04:23 | |
We go get a water bomb and we just
split it and we peel it off | 0:04:23 | 0:04:26 | |
and we get a lovely round... | 0:04:26 | 0:04:28 | |
Bear with me. | 0:04:28 | 0:04:29 | |
This is what they do
in the posh places. | 0:04:29 | 0:04:31 | |
Then we're going to make
a Christmas negroni. | 0:04:31 | 0:04:33 | |
I love this! | 0:04:33 | 0:04:34 | |
APPLAUSE. | 0:04:34 | 0:04:37 | |
I think of myself as
a Christmas negroni. | 0:04:37 | 0:04:39 | |
LAUGHTER. | 0:04:39 | 0:04:41 | |
Oh, God. | 0:04:41 | 0:04:46 | |
Only you could have said that. | 0:04:46 | 0:04:48 | |
I couldn't have got
away with that one. | 0:04:48 | 0:04:50 | |
So, negroni, I want
you to think of it as medicine. | 0:04:50 | 0:04:53 | |
OK. | 0:04:53 | 0:04:54 | |
Every one of us has someone a bit
boring, a bit sort of dodgy coming | 0:04:54 | 0:04:58 | |
to the Christmas party. | 0:04:58 | 0:04:59 | |
There's always one. | 0:04:59 | 0:05:00 | |
So what you do is you take this
negroni, AKA medicine, | 0:05:00 | 0:05:03 | |
and it turns people that are a bit
problematic and boring | 0:05:03 | 0:05:05 | |
into interesting people. | 0:05:05 | 0:05:08 | |
What's going to happen? | 0:05:08 | 0:05:11 | |
Yes! | 0:05:11 | 0:05:12 | |
What's Jamie trying to say? | 0:05:12 | 0:05:13 | |
I don't know. | 0:05:13 | 0:05:14 | |
And he's pouring three drinks. | 0:05:14 | 0:05:17 | |
This is 20 mils of Campari,
20 mils of vermouth rosso, | 0:05:17 | 0:05:23 | |
which we have scented with a little
cinnamon and Christmas fare. | 0:05:23 | 0:05:27 | |
Yes! | 0:05:27 | 0:05:28 | |
And then we have a little
gin, a little bit of | 0:05:28 | 0:05:31 | |
clementine to get you going. | 0:05:31 | 0:05:32 | |
Are you ready for this? | 0:05:32 | 0:05:33 | |
I'm like, come on, man! | 0:05:33 | 0:05:35 | |
Now, once you sip this, if you don't
become more interesting, | 0:05:35 | 0:05:38 | |
I don't know what's going to happen. | 0:05:38 | 0:05:42 | |
It's going. | 0:05:42 | 0:05:43 | |
Lovely. | 0:05:43 | 0:05:44 | |
Pass it down, it's like school. | 0:05:44 | 0:05:46 | |
We have four, we have four. | 0:05:46 | 0:05:48 | |
Cheers. | 0:05:48 | 0:05:49 | |
Merry Christmas! | 0:05:49 | 0:05:50 | |
ALL: Merry Christmas! | 0:05:50 | 0:05:52 | |
This is a bit like A Christmas Carol
and we are Scrooge, because I'm | 0:05:52 | 0:05:56 | |
like, "Merry Christmas, everybody!" | 0:05:56 | 0:05:58 | |
There are 600 Tiny Tims. | 0:05:58 | 0:06:03 | |
OK. | 0:06:03 | 0:06:04 | |
Come on. | 0:06:04 | 0:06:06 | |
So, that is delicious. | 0:06:06 | 0:06:07 | |
The world is changing. | 0:06:07 | 0:06:08 | |
Hold on, I'll be the judge
of whether or not it's delicious. | 0:06:08 | 0:06:11 | |
No, I like that. | 0:06:11 | 0:06:13 | |
It has just enough Christmas in it. | 0:06:13 | 0:06:14 | |
Here's the thing... | 0:06:14 | 0:06:17 | |
No, that's very good. | 0:06:17 | 0:06:18 | |
You want a sip? | 0:06:18 | 0:06:20 | |
Hold on. | 0:06:20 | 0:06:23 | |
Here we go. | 0:06:23 | 0:06:25 | |
I drank from this side,
so you can drink from that side. | 0:06:25 | 0:06:28 | |
You can drink from the other side. | 0:06:28 | 0:06:30 | |
See what you think. | 0:06:30 | 0:06:30 | |
Is this like feeding
a gremlin after midnight? | 0:06:30 | 0:06:32 | |
How's that? | 0:06:32 | 0:06:33 | |
That's good, that's good. | 0:06:33 | 0:06:34 | |
CHEERING AND APPLAUSE. | 0:06:34 | 0:06:37 | |
It's good, isn't it? | 0:06:37 | 0:06:38 | |
It's nice. | 0:06:38 | 0:06:40 | |
Yeah. | 0:06:40 | 0:06:41 | |
HE MOUTHS. | 0:06:41 | 0:06:44 | |
LAUGHTER. | 0:06:44 | 0:06:53 | |
Yeah, a Christmas to remember. | 0:06:57 | 0:07:01 | |
That was the Christmas... | 0:07:01 | 0:07:02 | |
Oh. | 0:07:02 | 0:07:06 | |
Jenna Coleman, you have almost
turned into a Christmas | 0:07:06 | 0:07:08 | |
tradition in yourself,
in that you did the Doctor | 0:07:08 | 0:07:10 | |
Who Christmas special,
then Death Comes To Pemberley, | 0:07:10 | 0:07:14 | |
which was on at Christmas,
and this year you have got | 0:07:14 | 0:07:17 | |
the Victoria Christmas special. | 0:07:17 | 0:07:17 | |
Yeah. | 0:07:17 | 0:07:19 | |
Is it weird, because you are at
home, does everybody have to stop | 0:07:19 | 0:07:22 | |
and watch you on telly? | 0:07:22 | 0:07:23 | |
I think my family thought this year
was going to be a break... | 0:07:23 | 0:07:26 | |
And no. | 0:07:26 | 0:07:28 | |
Without a Christmas special. | 0:07:28 | 0:07:30 | |
Do you watch it or do
you kind of Sky Plus it | 0:07:30 | 0:07:33 | |
and then come back to it? | 0:07:33 | 0:07:35 | |
My grandma will always watch it
unless Wimbledon's on, | 0:07:35 | 0:07:37 | |
and then I get Sky Plussed
all of the time. | 0:07:37 | 0:07:40 | |
And then we usually go 50-50,
so you get the drunk games room | 0:07:40 | 0:07:43 | |
and then my grandparents
watching the telly. | 0:07:43 | 0:07:47 | |
Aww. | 0:07:47 | 0:07:49 | |
Or it gets to like the heat
of the moment and Matt Smith | 0:07:49 | 0:07:52 | |
is about to die on Doctor Who and
suddenly my niece Millie | 0:07:52 | 0:07:55 | |
will do a little dance
in front of the telly. | 0:07:55 | 0:07:59 | |
Get out of the way! | 0:07:59 | 0:08:00 | |
I'm going to put this down. | 0:08:00 | 0:08:01 | |
I'll hold that for you, darling. | 0:08:01 | 0:08:03 | |
Absolutely delicious,
but I'm so scared what might happen. | 0:08:03 | 0:08:06 | |
There we go. | 0:08:06 | 0:08:07 | |
Actually, it's hitting me already. | 0:08:07 | 0:08:08 | |
I'm like... | 0:08:08 | 0:08:09 | |
Girl, that's a pretty
dress you've got! | 0:08:09 | 0:08:17 | |
Has that got a little kick to it? | 0:08:17 | 0:08:20 | |
Yeah. | 0:08:20 | 0:08:21 | |
No, it's a glow. | 0:08:21 | 0:08:22 | |
It makes everyone nicer. | 0:08:22 | 0:08:24 | |
Let's start with our first Christmas
treat, Will Smith's movie Bright. | 0:08:24 | 0:08:26 | |
This started streaming
today on Netflix. | 0:08:26 | 0:08:29 | |
It's one of those films, it's
like nothing you've seen before. | 0:08:29 | 0:08:34 | |
It's when genres collide. | 0:08:34 | 0:08:37 | |
But you've got a very good way
of describing it to people. | 0:08:37 | 0:08:40 | |
Yeah, Bright is, it's out today,
that's right, I like that. | 0:08:40 | 0:08:42 | |
How y'all doing here? | 0:08:42 | 0:08:45 | |
LAUGHTER. | 0:08:45 | 0:08:47 | |
No, it's... | 0:08:47 | 0:08:49 | |
Sort of imagine Training Day,
it's Training Day, so it's a sort | 0:08:49 | 0:08:53 | |
of gritty LA cop drama,
so it's like Training Day | 0:08:53 | 0:08:57 | |
meets Lord Of The Rings. | 0:08:57 | 0:09:01 | |
Right? | 0:09:01 | 0:09:02 | |
It sounds like he's making that up. | 0:09:02 | 0:09:04 | |
No. | 0:09:04 | 0:09:05 | |
They are like, oh, Will's stupid. | 0:09:05 | 0:09:09 | |
Imagine that Lord Of The Rings
was 4,000 years ago but all | 0:09:09 | 0:09:12 | |
of the creatures came forward
into the modern day, so it's | 0:09:12 | 0:09:15 | |
a modern-day rough LA cop drama,
but there's orcs and fairies | 0:09:15 | 0:09:21 | |
and elves, as if they've
come in to society. | 0:09:21 | 0:09:26 | |
So it's essentially
about racism, right? | 0:09:26 | 0:09:30 | |
In a really interesting,
bizarre, fun action way. | 0:09:30 | 0:09:35 | |
It takes you about five or ten
minutes to get your head round it. | 0:09:35 | 0:09:38 | |
Yeah. | 0:09:38 | 0:09:40 | |
And then, once you are
in it, you are in it, | 0:09:40 | 0:09:42 | |
and the world is so complete. | 0:09:42 | 0:09:44 | |
Yes, it's really bizarre. | 0:09:44 | 0:09:45 | |
Joel Edgerton plays an orc
and he's the first orc | 0:09:45 | 0:09:47 | |
on the Los Angeles Police
Department. | 0:09:47 | 0:09:50 | |
What's that, an orc? | 0:09:50 | 0:09:51 | |
An orc. | 0:09:51 | 0:09:52 | |
What is it? | 0:09:52 | 0:09:54 | |
Come on, everybody
knows what an orc is! | 0:09:54 | 0:09:55 | |
LAUGHTER. | 0:09:55 | 0:10:00 | |
Now, having said that,
I do know what orcs are, | 0:10:00 | 0:10:02 | |
but what is an orc? | 0:10:02 | 0:10:03 | |
See, Jenna doesn't know either. | 0:10:03 | 0:10:06 | |
Don't know what an orc is. | 0:10:06 | 0:10:08 | |
It's the thing that
Joel Edgerton is in the movie. | 0:10:08 | 0:10:12 | |
Put the picture... | 0:10:12 | 0:10:15 | |
There it is, that's an orc. | 0:10:15 | 0:10:16 | |
That's an orc. | 0:10:16 | 0:10:17 | |
But a lot of them have bigger teeth. | 0:10:17 | 0:10:19 | |
You'll see. | 0:10:19 | 0:10:20 | |
Yes. | 0:10:20 | 0:10:21 | |
It is directed by David Ayer,
who wrote Training Day. | 0:10:21 | 0:10:24 | |
Yes, he wrote Training Day. | 0:10:24 | 0:10:25 | |
He did Suicide Squad,
so he's into that, you know, | 0:10:25 | 0:10:28 | |
really weird stuff. | 0:10:28 | 0:10:33 | |
It's a whole lot better than it's
sounding right now, trust me. | 0:10:33 | 0:10:38 | |
Here's a clip to demonstrate
what we're talking about, | 0:10:38 | 0:10:40 | |
and this is you and Joel Edgerton,
your orc partner, | 0:10:40 | 0:10:42 | |
preparing for a shoot-out. | 0:10:42 | 0:10:52 | |
Running out of patience. | 0:10:55 | 0:10:56 | |
I wish you wouldn't. | 0:10:56 | 0:10:58 | |
Let's give them the wand. | 0:10:58 | 0:10:59 | |
What? | 0:10:59 | 0:11:01 | |
Look, we're going to get everyone
in here killed and he's | 0:11:01 | 0:11:03 | |
going to take the damn wand anyway. | 0:11:03 | 0:11:05 | |
I'm not giving that guy the wand. | 0:11:05 | 0:11:07 | |
Over my dead body. | 0:11:07 | 0:11:08 | |
He's going to have to kill me first. | 0:11:08 | 0:11:10 | |
So you want to die in a gunfight
in a nasty-ass titty bar? | 0:11:10 | 0:11:15 | |
I want to die. | 0:11:15 | 0:11:16 | |
Let's do it right now. | 0:11:16 | 0:11:17 | |
We're going to titty-bar
gunfight die. | 0:11:17 | 0:11:19 | |
Let's do it right here, right now. | 0:11:19 | 0:11:21 | |
I just wish your dumb
ass was a better shot. | 0:11:21 | 0:11:23 | |
Let's go, on three. | 0:11:23 | 0:11:24 | |
Let's do it. | 0:11:24 | 0:11:25 | |
One, two, three. | 0:11:25 | 0:11:26 | |
SCREAMING. | 0:11:26 | 0:11:28 | |
Oh! | 0:11:28 | 0:11:31 | |
I'm sure you are wearing some
make-up in this film... | 0:11:35 | 0:11:39 | |
I know, yeah! | 0:11:39 | 0:11:40 | |
Joel Edgerton's wearing a lot. | 0:11:40 | 0:11:42 | |
It was terrible. | 0:11:42 | 0:11:45 | |
Joel Edgerton, he had four
hours a day in make-up. | 0:11:45 | 0:11:48 | |
So he would do four hours and then
I'd show up like this. | 0:11:48 | 0:11:53 | |
So he would have the four
hours and I'd come on set | 0:11:53 | 0:11:56 | |
and go, hey, all right,
Joel, what's up? | 0:11:56 | 0:11:58 | |
He'd go, mm-hmm. | 0:11:58 | 0:12:01 | |
No. | 0:12:01 | 0:12:02 | |
So I felt bad taking
most of the money. | 0:12:02 | 0:12:04 | |
LAUGHTER. | 0:12:04 | 0:12:08 | |
Yeah. | 0:12:08 | 0:12:09 | |
APPLAUSE. | 0:12:09 | 0:12:15 | |
You've got so many movies
in the pipeline, lots of things | 0:12:15 | 0:12:18 | |
coming out, but I notice still no
sign of the Fresh Prince Of Bel Air | 0:12:18 | 0:12:23 | |
reboot that everyone wants. | 0:12:23 | 0:12:26 | |
CHEERING. | 0:12:26 | 0:12:29 | |
They do! | 0:12:29 | 0:12:30 | |
Man... | 0:12:30 | 0:12:31 | |
Make it for them! | 0:12:31 | 0:12:33 | |
I'd have to be Uncle Phil,
and that I wouldn't like. | 0:12:33 | 0:12:38 | |
Come on, Uncle Phil! | 0:12:38 | 0:12:40 | |
I'm 50. | 0:12:40 | 0:12:41 | |
I can't go out on my own. | 0:12:41 | 0:12:43 | |
No, you did... | 0:12:43 | 0:12:44 | |
You did drive the fans wild,
because you posted this. | 0:12:44 | 0:12:47 | |
Was it a reunion? | 0:12:47 | 0:12:52 | |
So, every year, Karen
has a charitable event, | 0:12:52 | 0:12:57 | |
and she hosts a lunch with the cast
of the Fresh Prince, | 0:12:57 | 0:13:02 | |
so we do that every year,
and it will be ten or 12 people | 0:13:02 | 0:13:06 | |
from around the world
that have one lunch, | 0:13:06 | 0:13:10 | |
so that's in Los Angeles
and the people flew in and we had | 0:13:10 | 0:13:13 | |
the lunch with the fans who gave
the most to charity. | 0:13:13 | 0:13:18 | |
And you mentioned you
would play Uncle Phil. | 0:13:18 | 0:13:20 | |
A weird thing happened. | 0:13:20 | 0:13:21 | |
I think you were in Africa
and you bungee jumped. | 0:13:21 | 0:13:24 | |
I bungee jumped, yes. | 0:13:24 | 0:13:25 | |
Some people filmed this
and then you filmed | 0:13:25 | 0:13:27 | |
the rest, so here you are. | 0:13:27 | 0:13:30 | |
And you are filming yourself
on a GoPro or something. | 0:13:30 | 0:13:33 | |
And people notice that,
if you freeze-frame it at a certain | 0:13:33 | 0:13:36 | |
point, you look remarkably like... | 0:13:36 | 0:13:40 | |
That's crazy, right? | 0:13:46 | 0:13:47 | |
Yes! | 0:13:47 | 0:13:48 | |
You are never bungee jumping again. | 0:13:48 | 0:13:49 | |
Yeah, yeah! | 0:13:49 | 0:13:51 | |
It's all the blood
rushing to my head. | 0:13:51 | 0:13:54 | |
That's really like, who's
going through it frame by frame? | 0:13:54 | 0:13:58 | |
I love it. | 0:13:58 | 0:14:00 | |
Right, Jenna Coleman's Christmas
treat for us is Victoria, | 0:14:00 | 0:14:02 | |
a Christmas special. | 0:14:02 | 0:14:05 | |
It goes out on ITV on Christmas Day
at 9pm, and it's sort of perfect | 0:14:05 | 0:14:09 | |
because so much of our Christmas
came from Victoria, | 0:14:09 | 0:14:14 | |
kind of that period. | 0:14:14 | 0:14:19 | |
Yeah, from Albert really,
so it's before the Christmas tree | 0:14:19 | 0:14:21 | |
was even in England,
so there's a lot of, why on earth | 0:14:21 | 0:14:24 | |
would you bring a forest
into your home for Christmas? | 0:14:24 | 0:14:29 | |
It is an odd thing, but it's lovely. | 0:14:29 | 0:14:32 | |
Yeah, and it was before Christmas
cards were invented, | 0:14:32 | 0:14:35 | |
so you kind of see Christmas
is becoming Christmas | 0:14:35 | 0:14:37 | |
as we now know it. | 0:14:37 | 0:14:39 | |
So, you get that side of it,
you get how they created Christmas, | 0:14:39 | 0:14:42 | |
but there is also this,
and this is true, the story | 0:14:42 | 0:14:45 | |
about her adopting the child. | 0:14:45 | 0:14:47 | |
Yeah. | 0:14:47 | 0:14:48 | |
Yeah. | 0:14:48 | 0:14:49 | |
So, Victoria got an unexpected
Christmas gift, which was a young | 0:14:49 | 0:14:53 | |
girl called Sarah Forbes,
who was going to be sacrificed | 0:14:53 | 0:14:58 | |
and then got sent over
to Victoria as a gift, | 0:14:58 | 0:15:01 | |
and Victoria decided to educate her. | 0:15:01 | 0:15:04 | |
This was from Africa? | 0:15:04 | 0:15:06 | |
Yeah. | 0:15:06 | 0:15:11 | |
He was going to sacrifice her
then thought, oh no, | 0:15:11 | 0:15:13 | |
Victoria would love this. | 0:15:13 | 0:15:15 | |
I mean, it was unexpected! | 0:15:15 | 0:15:18 | |
And so difficult to wrap! | 0:15:18 | 0:15:22 | |
There is a line, where she thinks
it is going to be a baby elephant | 0:15:22 | 0:15:26 | |
and then she arrives into the room
and there is complete confusion, | 0:15:26 | 0:15:29 | |
because you are giving me a little
girl and she developed this amazing | 0:15:29 | 0:15:32 | |
relationship with this young girl
throughout her entire | 0:15:32 | 0:15:35 | |
life and educates her,
she becomes part of the court. | 0:15:35 | 0:15:39 | |
Did you know the story? | 0:15:39 | 0:15:42 | |
I had never heard this story. | 0:15:42 | 0:15:45 | |
I had never heard this story. | 0:15:45 | 0:15:46 | |
We are going to watch a clip. | 0:15:46 | 0:15:48 | |
This is you and the girl
and is there anything else you need | 0:15:48 | 0:15:51 | |
to tell us about this? | 0:15:51 | 0:15:52 | |
You didn't sacrifice
her, though, right? | 0:15:52 | 0:15:53 | |
No, no, no. | 0:15:53 | 0:15:54 | |
Because I'm not going to watch that! | 0:15:54 | 0:15:56 | |
She lived a happy life. | 0:15:56 | 0:15:57 | |
Good. | 0:15:57 | 0:15:59 | |
Merry Christmas. | 0:15:59 | 0:16:00 | |
Here you all are in a very
Christmassy scene. | 0:16:00 | 0:16:03 | |
My mother, she taught
me how to skate. | 0:16:16 | 0:16:18 | |
Do you remember? | 0:16:18 | 0:16:19 | |
Yes, I remember. | 0:16:19 | 0:16:21 | |
That is one thing we can
teach Victoria ourselves. | 0:16:21 | 0:16:24 | |
Hi. | 0:16:24 | 0:16:26 | |
No, thank you. | 0:16:26 | 0:16:28 | |
Are you coming? | 0:16:28 | 0:16:30 | |
Would you like to try
skating, Sarah? | 0:16:30 | 0:16:33 | |
No, thank you, your Majesty. | 0:16:33 | 0:16:34 | |
But it's quite safe. | 0:16:34 | 0:16:37 | |
I promise. | 0:16:37 | 0:16:38 | |
Victoria! | 0:16:38 | 0:16:39 | |
Hurry! | 0:16:39 | 0:16:40 | |
We are waiting. | 0:16:40 | 0:16:41 | |
I'm going to stay here with Sarah. | 0:16:41 | 0:16:44 | |
Would you like to build a snowman? | 0:16:46 | 0:16:47 | |
A snowman? | 0:16:47 | 0:16:51 | |
I'll show you. | 0:16:51 | 0:16:53 | |
Awww! | 0:16:55 | 0:16:59 | |
It gets much more exciting! | 0:16:59 | 0:17:02 | |
It does get exciting, yes. | 0:17:02 | 0:17:04 | |
Presumably you didn't
film this in winter? | 0:17:04 | 0:17:06 | |
No. | 0:17:06 | 0:17:08 | |
I mean, because apparently I do
a lot of Christmas specials and I'm | 0:17:08 | 0:17:12 | |
doing Christmas for like six months
of the year. | 0:17:12 | 0:17:15 | |
I've been having
Christmas since July. | 0:17:15 | 0:17:16 | |
Snow business. | 0:17:16 | 0:17:19 | |
Really? | 0:17:19 | 0:17:20 | |
And it's really hard
to improvise in Victorian | 0:17:20 | 0:17:22 | |
language about a snowman,
I've discovered. | 0:17:22 | 0:17:24 | |
Yes, making small talk! | 0:17:24 | 0:17:27 | |
The thing is, you just went
from school to Emmerdale. | 0:17:27 | 0:17:31 | |
You didn't go to drama
school in between. | 0:17:31 | 0:17:33 | |
No. | 0:17:33 | 0:17:34 | |
Straight in? | 0:17:34 | 0:17:35 | |
Yeah, I didn't know
what I was doing. | 0:17:35 | 0:17:37 | |
Because it is one of those weird
jobs were people kind of think, | 0:17:37 | 0:17:40 | |
you learn it and then say it
and that's the end of it, but | 0:17:40 | 0:17:44 | |
there's a lot of technical stuff. | 0:17:44 | 0:17:45 | |
Yeah, there is like,
find your light and you'd be like... | 0:17:45 | 0:17:51 | |
Yeah, there really
is, find your light? | 0:17:51 | 0:17:53 | |
You had a problem with marks
as well, hitting your mark. | 0:17:53 | 0:17:55 | |
I could never hit a mark. | 0:17:55 | 0:17:57 | |
I am a good multitasker,
when you have to... | 0:17:57 | 0:17:59 | |
I mean, throw me a prop
and I'm totally lost, | 0:17:59 | 0:18:01 | |
but it would always be like,
hit your mark and I did a couple | 0:18:01 | 0:18:05 | |
of days on Captain America
and it was the first film I had ever | 0:18:05 | 0:18:08 | |
done and it was like really big
and obviously the setups | 0:18:08 | 0:18:11 | |
are massive and all I remember,
I had obviously not hit my mark | 0:18:11 | 0:18:14 | |
and I remember feeling someone
like slap the bottom of my leg. | 0:18:14 | 0:18:22 | |
You are in my mark, girl! | 0:18:22 | 0:18:24 | |
That's my mark, move! | 0:18:24 | 0:18:28 | |
What was it like, on Doctor Who,
when it was another actor, | 0:18:28 | 0:18:31 | |
it was his first job? | 0:18:31 | 0:18:32 | |
Yeah. | 0:18:32 | 0:18:33 | |
It was his first job out
of drama school and you know | 0:18:33 | 0:18:36 | |
what a sausage is, right? | 0:18:36 | 0:18:37 | |
A sausage? | 0:18:37 | 0:18:38 | |
Yeah. | 0:18:38 | 0:18:39 | |
Like... | 0:18:39 | 0:18:41 | |
LAUGHTER. | 0:18:41 | 0:18:43 | |
Note that she didn't ask me! | 0:18:43 | 0:18:47 | |
I'm jealous! | 0:18:47 | 0:18:52 | |
Yeah. | 0:18:52 | 0:18:53 | |
It's like 11 o'clock. | 0:18:53 | 0:18:55 | |
Do you call it something
different in America? | 0:18:55 | 0:19:00 | |
Unless it's like meat! | 0:19:00 | 0:19:01 | |
Maybe. | 0:19:01 | 0:19:02 | |
Then we probably call it
something different. | 0:19:02 | 0:19:03 | |
There is a big confusion somewhere. | 0:19:03 | 0:19:07 | |
But, still, we call marks that
are raised here a sausage. | 0:19:07 | 0:19:09 | |
Yeah, we don't say
that in the States. | 0:19:09 | 0:19:11 | |
It's called a sausage mark. | 0:19:11 | 0:19:14 | |
A sausage mark. | 0:19:14 | 0:19:15 | |
No, we call them raised marks. | 0:19:15 | 0:19:17 | |
Really? | 0:19:17 | 0:19:18 | |
LAUGHTER. | 0:19:18 | 0:19:19 | |
Interesting. | 0:19:19 | 0:19:21 | |
Anyway, it was this guy's first
day and it was like 11 | 0:19:21 | 0:19:24 | |
o'clock and I was like,
we were setting up a shot and I | 0:19:24 | 0:19:27 | |
went, can I get a sausage please? | 0:19:27 | 0:19:28 | |
And, I paid no attention and then
someone came and brought a mark | 0:19:28 | 0:19:31 | |
and this guy was like,
I'm so relieved. | 0:19:31 | 0:19:33 | |
I literally thought
it was like 11 o'clock and time | 0:19:33 | 0:19:36 | |
for Jenna's morning sausage! | 0:19:36 | 0:19:38 | |
Being a diva. | 0:19:38 | 0:19:39 | |
Sausage! | 0:19:39 | 0:19:40 | |
Sausage! | 0:19:40 | 0:19:42 | |
Oh, man, that girl don't
get her 11 o'clock sausage... | 0:19:42 | 0:19:45 | |
We are going to shoot nothing today! | 0:19:45 | 0:19:47 | |
Jamie Oliver, famously,
you were plucked from obscurity, | 0:19:47 | 0:19:51 | |
as a sous chef and then
you got your own series. | 0:19:51 | 0:19:55 | |
I don't think I knew this,
series one, didn't go that well. | 0:19:55 | 0:19:59 | |
Well, not the series. | 0:19:59 | 0:20:01 | |
The programme one. | 0:20:01 | 0:20:03 | |
Not the big whole series of. | 0:20:03 | 0:20:05 | |
LAUGHTER. | 0:20:05 | 0:20:07 | |
Yeah, it was the first one,
I had never actually | 0:20:07 | 0:20:09 | |
wanted to be on telly,
so we did the first show | 0:20:09 | 0:20:12 | |
and it was terrible. | 0:20:12 | 0:20:13 | |
It was really, really bad. | 0:20:13 | 0:20:14 | |
AUDIENCE: AWWWW! | 0:20:14 | 0:20:17 | |
That was me before my face grew
into my lips, all right? | 0:20:17 | 0:20:20 | |
LAUGHTER. | 0:20:20 | 0:20:22 | |
But, no, basically it was
really bad and I think... | 0:20:22 | 0:20:24 | |
It is an interesting lesson to be
learned about mistakes or failure | 0:20:24 | 0:20:27 | |
or however you want to look at it,
because then we went back, | 0:20:27 | 0:20:31 | |
we had to re-budget the programmes
and actually, that is when I started | 0:20:31 | 0:20:34 | |
to look off camera,
talked to the director, | 0:20:34 | 0:20:36 | |
have a conversation,
BE myself, cut the music | 0:20:36 | 0:20:42 | |
to the music of my record
collection, at home, | 0:20:42 | 0:20:44 | |
and then be a bit more
documentary about it, | 0:20:44 | 0:20:46 | |
so really if it hadn't been for that
massive terrible programme that | 0:20:46 | 0:20:49 | |
you have never and will never see... | 0:20:49 | 0:20:51 | |
It has to be there somewhere,
has it not been...? | 0:20:51 | 0:20:53 | |
There is probably some
in the archives, but I've just got | 0:20:53 | 0:20:56 | |
a feeling, that it was shot on tape,
which is terrible and it has | 0:20:56 | 0:20:59 | |
aged badly and also,
there has been a fire | 0:20:59 | 0:21:02 | |
at the production
company that owned it. | 0:21:02 | 0:21:03 | |
That you started! | 0:21:03 | 0:21:04 | |
LAUGHTER. | 0:21:04 | 0:21:08 | |
You know, I am the same,
with the words and the sort of lingo | 0:21:08 | 0:21:11 | |
that goes with filming,
they used to shout, speed! | 0:21:11 | 0:21:13 | |
And I will go, what
is this drug problem? | 0:21:13 | 0:21:16 | |
LAUGHTER. | 0:21:16 | 0:21:18 | |
Check the gate! | 0:21:18 | 0:21:19 | |
We haven't got a gate! | 0:21:19 | 0:21:20 | |
There is no garden! | 0:21:20 | 0:21:22 | |
Now, here is the thing,
the Fresh Prince, that was your | 0:21:22 | 0:21:24 | |
very first acting job. | 0:21:24 | 0:21:25 | |
Yeah. | 0:21:25 | 0:21:26 | |
You had never acted before. | 0:21:26 | 0:21:28 | |
Never acted. | 0:21:28 | 0:21:29 | |
So presumably you did that thing
of just learning on set? | 0:21:29 | 0:21:31 | |
Yes, absolutely. | 0:21:31 | 0:21:32 | |
Yeah, that was, I was very,
very focused on being successful, | 0:21:32 | 0:21:35 | |
so I learned the entire script
and I learned everybody else's line | 0:21:35 | 0:21:40 | |
and I knew everything about it and,
if you watch like the first four | 0:21:40 | 0:21:44 | |
or five episodes, you can see, I am
mouthing the other people's line! | 0:21:44 | 0:21:52 | |
Yeah. | 0:21:52 | 0:21:53 | |
I would be, like, if you said no
way, I would be like... | 0:21:53 | 0:21:57 | |
I was like, oh my God! | 0:21:57 | 0:21:59 | |
It's like, people... | 0:21:59 | 0:22:00 | |
Nobody noticed, because
psychologically you're looking | 0:22:00 | 0:22:02 | |
at the person who is talking,
but it is terrible. | 0:22:02 | 0:22:05 | |
I can't bear to watch. | 0:22:05 | 0:22:07 | |
It makes me want to go
back and watch them now. | 0:22:07 | 0:22:10 | |
I know! | 0:22:10 | 0:22:12 | |
Yeah. | 0:22:12 | 0:22:13 | |
Going even further back,
before the acting, before | 0:22:13 | 0:22:15 | |
Fresh Prince, there was music. | 0:22:15 | 0:22:16 | |
There was music, yes. | 0:22:16 | 0:22:17 | |
I was going through my record
collection, only the other day. | 0:22:17 | 0:22:19 | |
Oh no. | 0:22:19 | 0:22:21 | |
Tragedy. | 0:22:21 | 0:22:22 | |
No. | 0:22:22 | 0:22:23 | |
And this, unbelievably,
this is 30 years old. | 0:22:23 | 0:22:25 | |
That is 30 years old. | 0:22:25 | 0:22:26 | |
This is 30 years old. | 0:22:26 | 0:22:28 | |
Wow. | 0:22:28 | 0:22:30 | |
DJ Jazzy Jeff and Fresh Prince. | 0:22:30 | 0:22:32 | |
CHEERING AND APPLAUSE. | 0:22:32 | 0:22:33 | |
How old was Will Smith here? | 0:22:33 | 0:22:34 | |
Yeah, I was 18 in that picture. | 0:22:34 | 0:22:37 | |
Like, look at my face,
what am I trying to accomplish? | 0:22:37 | 0:22:39 | |
LAUGHTER. | 0:22:39 | 0:22:42 | |
You want your 11 o'clock sausage,
that's what you want! | 0:22:42 | 0:22:45 | |
LAUGHTER. | 0:22:45 | 0:22:47 | |
You had a hit record
while you were still in high school? | 0:22:47 | 0:22:50 | |
Yeah, in high school. | 0:22:50 | 0:22:52 | |
Yeah. | 0:22:52 | 0:22:54 | |
The single from this album is called
Girls Ain't Nothing But Trouble. | 0:22:54 | 0:22:57 | |
Yeah! | 0:22:57 | 0:22:58 | |
It's not true, it's not true. | 0:22:58 | 0:23:00 | |
But it was the single that came
out in the last month | 0:23:00 | 0:23:03 | |
I was in high school,
so I was a senior and had a record | 0:23:03 | 0:23:07 | |
out for probably about 30 days. | 0:23:07 | 0:23:11 | |
That is too much power
for one man to have! | 0:23:11 | 0:23:16 | |
Didn't they play it at your prom? | 0:23:16 | 0:23:19 | |
That's awkward, though, like,
when you there in a place and, like, | 0:23:19 | 0:23:23 | |
DJs think it is cool,
like if you come in and | 0:23:23 | 0:23:25 | |
they put your song on. | 0:23:25 | 0:23:28 | |
It just makes you look stupid. | 0:23:28 | 0:23:31 | |
You can't be, like... | 0:23:31 | 0:23:34 | |
WOOOOO! | 0:23:34 | 0:23:35 | |
All of a sudden, you've
got to be like, yeah... | 0:23:35 | 0:23:38 | |
And everyone is looking
at you, like,... | 0:23:38 | 0:23:39 | |
Is he going to sing? | 0:23:39 | 0:23:41 | |
Is he gonna sing? | 0:23:41 | 0:23:42 | |
It's an awkward moment. | 0:23:42 | 0:23:43 | |
DJs shouldn't do that. | 0:23:43 | 0:23:45 | |
Very good. | 0:23:45 | 0:23:50 | |
Now, Jamie Oliver's latest
is Five Ingredients, | 0:23:50 | 0:23:52 | |
Quick And Easy Food. | 0:23:52 | 0:23:53 | |
It is out now. | 0:23:53 | 0:23:54 | |
CHEERING AND APPLAUSE. | 0:23:54 | 0:23:55 | |
Now... | 0:23:55 | 0:23:56 | |
Yes! | 0:23:56 | 0:23:59 | |
It is the fastest selling book
I have ever done and that just | 0:23:59 | 0:24:02 | |
means it is resonating. | 0:24:02 | 0:24:03 | |
And I am shocked at how
the young kids have got | 0:24:03 | 0:24:06 | |
into it because it is kind
of like cooking by numbers. | 0:24:06 | 0:24:09 | |
It is like, making Lego
or something, you know. | 0:24:09 | 0:24:11 | |
And actually, I even
got jumped on... | 0:24:11 | 0:24:13 | |
Not jumped on, but I got
complimented by like an 80-year-old | 0:24:13 | 0:24:16 | |
woman the other day,
just saying, and she was clearly | 0:24:16 | 0:24:18 | |
a good cook, just saying
that she was using it | 0:24:18 | 0:24:21 | |
and her shopping was easier,
because it was less stuff to buy | 0:24:21 | 0:24:24 | |
and all that kind of stuff. | 0:24:24 | 0:24:25 | |
Yeah. | 0:24:25 | 0:24:27 | |
OK, so obviously, you could have
made it six ingredients. | 0:24:27 | 0:24:29 | |
Yeah. | 0:24:29 | 0:24:30 | |
Or maybe... | 0:24:30 | 0:24:31 | |
I wrote it for four originally. | 0:24:31 | 0:24:33 | |
OK. | 0:24:33 | 0:24:34 | |
I kind of... | 0:24:34 | 0:24:36 | |
You get back and you look... | 0:24:36 | 0:24:37 | |
Writing a book is quite
an emotional thing for me | 0:24:37 | 0:24:40 | |
for lots of strange reasons. | 0:24:40 | 0:24:41 | |
It is quite a thing. | 0:24:41 | 0:24:43 | |
And I had done a good job on four,
but then I didn't feel I was giving | 0:24:43 | 0:24:47 | |
the British public what they needed,
which was a bit of magic, | 0:24:47 | 0:24:50 | |
so the fifth is the magic number,
you can give it a little bit | 0:24:50 | 0:24:53 | |
of a spank. | 0:24:53 | 0:24:57 | |
Oh! | 0:24:57 | 0:24:59 | |
Oh! | 0:24:59 | 0:25:00 | |
All, you had a little flick
of the wrist, there, Bam! | 0:25:00 | 0:25:03 | |
Bam! | 0:25:03 | 0:25:04 | |
There are your five ingredients,
that is all that you need. | 0:25:04 | 0:25:07 | |
Boom boom boom. | 0:25:07 | 0:25:08 | |
It is so clever. | 0:25:08 | 0:25:09 | |
And that's the 11 o'clock sausage,
right down at the bottom there. | 0:25:09 | 0:25:12 | |
Yes. | 0:25:12 | 0:25:13 | |
LAUGHTER. | 0:25:13 | 0:25:15 | |
A little bit of chorizo in there. | 0:25:15 | 0:25:17 | |
It is smoky. | 0:25:17 | 0:25:18 | |
I have to say, I have overheard
people talking about this book, | 0:25:18 | 0:25:21 | |
people, you would never think,
in a million years, | 0:25:21 | 0:25:23 | |
would be buying a cookbook,
but everyone just believes, | 0:25:23 | 0:25:25 | |
five ingredients,
surely, I could do that? | 0:25:25 | 0:25:27 | |
I think it is in tune
with the public now and the way | 0:25:27 | 0:25:30 | |
we work and we live now. | 0:25:30 | 0:25:34 | |
Have a look. | 0:25:34 | 0:25:35 | |
It is delicious. | 0:25:35 | 0:25:38 | |
You look so handsome! | 0:25:38 | 0:25:39 | |
Thank you very much. | 0:25:39 | 0:25:41 | |
Photoshop! | 0:25:41 | 0:25:42 | |
Do you cook? | 0:25:42 | 0:25:44 | |
Would you ever sit down and cook? | 0:25:44 | 0:25:47 | |
I do now. | 0:25:47 | 0:25:49 | |
Only five ingredients,
I can do that! | 0:25:49 | 0:25:51 | |
Jenna, do you cook? | 0:25:51 | 0:25:53 | |
I... | 0:25:53 | 0:25:54 | |
I... | 0:25:54 | 0:25:56 | |
No. | 0:25:56 | 0:25:57 | |
LAUGHTER. | 0:25:57 | 0:25:58 | |
I'm a hazard cook. | 0:25:58 | 0:26:00 | |
If you have to say I, four times... | 0:26:00 | 0:26:02 | |
I... | 0:26:02 | 0:26:03 | |
I... | 0:26:03 | 0:26:05 | |
I... | 0:26:05 | 0:26:07 | |
No, you don't, you don't. | 0:26:07 | 0:26:08 | |
Can you sign this for me? | 0:26:08 | 0:26:10 | |
I haven't got a pen,
but I could do blood. | 0:26:10 | 0:26:12 | |
For Will Smith... | 0:26:12 | 0:26:14 | |
Actually, I'm good. | 0:26:14 | 0:26:16 | |
We should mention, Jamie's other
holiday fair is Jamie | 0:26:16 | 0:26:18 | |
and Jimmy's Friday Night Feast,
it is next Friday on | 0:26:18 | 0:26:21 | |
Channel 4 at eight pm. | 0:26:21 | 0:26:22 | |
Woooh! | 0:26:22 | 0:26:23 | |
Sorry! | 0:26:23 | 0:26:24 | |
Let's have a look at
a clip, here you go. | 0:26:24 | 0:26:33 | |
You only have to do this, like,
once or twice a year. | 0:26:33 | 0:26:36 | |
You can make a batch and freeze it. | 0:26:36 | 0:26:38 | |
Yeah. | 0:26:38 | 0:26:39 | |
And when you come back,
from a gig, a few prawns... | 0:26:39 | 0:26:42 | |
You think I'm going to do
this when I go home? | 0:26:42 | 0:26:44 | |
I hope so! | 0:26:44 | 0:26:45 | |
Never going to happen, is it? | 0:26:45 | 0:26:47 | |
No. | 0:26:47 | 0:26:48 | |
I'll be doing this, hello,
is that the Thai takeaway? | 0:26:48 | 0:26:50 | |
LAUGHTER. | 0:26:50 | 0:26:51 | |
Four, lemongrass. | 0:26:51 | 0:26:53 | |
And for that... | 0:26:53 | 0:26:55 | |
Ooooh! | 0:26:55 | 0:26:56 | |
We are going to give
it a little spank. | 0:26:56 | 0:26:59 | |
Did you just spank the lemongrass? | 0:26:59 | 0:27:01 | |
Yes. | 0:27:01 | 0:27:02 | |
I did. | 0:27:02 | 0:27:04 | |
That is the name of my
new band, actually. | 0:27:04 | 0:27:07 | |
Not a lot of cooking. | 0:27:07 | 0:27:09 | |
There was a little. | 0:27:09 | 0:27:10 | |
And you do... | 0:27:10 | 0:27:11 | |
you film at the end
of Southend Pier. | 0:27:11 | 0:27:13 | |
Yes. | 0:27:13 | 0:27:14 | |
A mile and a quarter
out to sea, you know, | 0:27:14 | 0:27:16 | |
you guys are coming in next year,
thanks for confirming that. | 0:27:16 | 0:27:19 | |
You did get great guests, though. | 0:27:19 | 0:27:20 | |
We did get great guests,
but historically, it has always been | 0:27:20 | 0:27:23 | |
people that are real foodies,
that is why they would come out, | 0:27:23 | 0:27:26 | |
because it is an hour outside
of London, but it is a different | 0:27:26 | 0:27:29 | |
interview, a different vibe,
to cook with someone | 0:27:29 | 0:27:31 | |
is quite a precious thing,
and you are just sort of tuning | 0:27:31 | 0:27:34 | |
into memories, moments,
and we had a really nice mix | 0:27:34 | 0:27:36 | |
of actors and singers
and all sorts, but this year, | 0:27:36 | 0:27:38 | |
I did get Luke Skywalker,
Mark Hamill. | 0:27:38 | 0:27:47 | |
Yes! | 0:27:47 | 0:27:49 | |
And that was a moment for me,
because obviously he was a big | 0:27:49 | 0:27:52 | |
part of my childhood. | 0:27:52 | 0:27:53 | |
You are a proper Star Wars fan. | 0:27:53 | 0:27:54 | |
I am a proper... | 0:27:54 | 0:27:55 | |
Actually, so is Jimmy,
and we were fighting, | 0:27:55 | 0:27:57 | |
we were trying to get the line in,
and steal each other's lines | 0:27:57 | 0:28:01 | |
to ask the question. | 0:28:01 | 0:28:01 | |
And it was one of the most
brilliant, but one of the hardest | 0:28:01 | 0:28:05 | |
interviews I have ever done,
because he's got so many stories, | 0:28:05 | 0:28:07 | |
like, they are just tangenting
all over the place and me and Jim | 0:28:07 | 0:28:11 | |
were trying to bring it back,
and it wasn't happening,... | 0:28:11 | 0:28:13 | |
And it is like, you can't
get a word in edgewise, | 0:28:13 | 0:28:15 | |
yeah, I know that feels. | 0:28:15 | 0:28:17 | |
If you think, Jamie Oliver
is exaggerating, about how much | 0:28:17 | 0:28:19 | |
of a fan he is of Star Wars,
here is a picture... | 0:28:19 | 0:28:27 | |
This is you, this is Jamie taking
a couple of his kids to school. | 0:28:27 | 0:28:34 | |
Oh yes! | 0:28:34 | 0:28:35 | |
LAUGHTER. | 0:28:35 | 0:28:38 | |
Yeah. | 0:28:38 | 0:28:39 | |
And that is a proper... | 0:28:39 | 0:28:41 | |
Just look how proud Poppy
and Daisy are, they love it. | 0:28:41 | 0:28:43 | |
It is tough being a teenager's dad. | 0:28:43 | 0:28:45 | |
I am trying to get better at it
and I went to parents evening and, | 0:28:45 | 0:28:48 | |
stop being embarrassing,
I'm only breathing! | 0:28:48 | 0:28:50 | |
After that, I'm trying
to calibrate my embarrassingness | 0:28:50 | 0:28:52 | |
and what I felt was appropriate. | 0:28:52 | 0:28:53 | |
I bought that. | 0:28:53 | 0:29:03 | |
That is from Pinewood Studios,
legit mould, massive jostling | 0:29:06 | 0:29:11 | |
around the growler there. | 0:29:11 | 0:29:13 | |
Honestly, credit to the real
Stormtroopers there, | 0:29:13 | 0:29:14 | |
when you run with that,
there is chafing. | 0:29:14 | 0:29:18 | |
Yeah, yeah, yeah. | 0:29:18 | 0:29:20 | |
In America, you would have been
shot for wearing that! | 0:29:20 | 0:29:23 | |
When you wear that,
you do feel powerful. | 0:29:23 | 0:29:25 | |
Really? | 0:29:25 | 0:29:27 | |
Literally, a minute after that,
I walked out into the street | 0:29:27 | 0:29:30 | |
and stopped a bus. | 0:29:30 | 0:29:35 | |
And then, a hilarious thing
is the bus driver is a similar age, | 0:29:35 | 0:29:38 | |
and he's like, I'm stopping. | 0:29:38 | 0:29:41 | |
Not normal. | 0:29:41 | 0:29:43 | |
And then I go, and he
opened the door... | 0:29:43 | 0:29:45 | |
IMPERSONATES BUS DOOR. | 0:29:45 | 0:29:46 | |
Even sounds right! | 0:29:46 | 0:29:47 | |
Have you had any problems
with the rebellion? | 0:29:47 | 0:29:49 | |
He went... | 0:29:49 | 0:29:51 | |
Move on. | 0:29:51 | 0:29:52 | |
APPLAUSE AND CHEERING. | 0:29:52 | 0:29:58 | |
Science-fiction fans,
they are a different breed of fan, | 0:29:58 | 0:30:00 | |
and you know this, Jenna,
after Doctor Who. | 0:30:00 | 0:30:03 | |
They always own you. | 0:30:03 | 0:30:05 | |
You will always be a part
of that world for them. | 0:30:05 | 0:30:08 | |
Do you still go to the conventions
and comic cons and things? | 0:30:08 | 0:30:12 | |
Yeah, or even, you know,
just around London and someone | 0:30:12 | 0:30:14 | |
will be sat next to you,
and you hear this faint... | 0:30:14 | 0:30:17 | |
SHE HUMS DOCTOR WHO THEME. | 0:30:17 | 0:30:23 | |
It's a whole world I didn't know
existed before Doctor Who. | 0:30:23 | 0:30:25 | |
Didn't you have to sign
somebody's underwear? | 0:30:25 | 0:30:27 | |
Oh, yeah. | 0:30:27 | 0:30:29 | |
Well, I was asked to. | 0:30:29 | 0:30:30 | |
Oh, you refused. | 0:30:30 | 0:30:32 | |
Yeah. | 0:30:32 | 0:30:35 | |
They said, "Bigger on the inside". | 0:30:35 | 0:30:40 | |
Bigger. | 0:30:40 | 0:30:41 | |
It's a Tardis reference. | 0:30:41 | 0:30:42 | |
Have you ever seen Doctor Who? | 0:30:42 | 0:30:44 | |
No, I have not. | 0:30:44 | 0:30:45 | |
It's bigger on the inside. | 0:30:45 | 0:30:47 | |
OK, got it. | 0:30:47 | 0:30:48 | |
It's a line. | 0:30:48 | 0:30:50 | |
I was like, well, that's not fun. | 0:30:50 | 0:30:51 | |
LAUGHTER. | 0:30:51 | 0:30:53 | |
I get it. | 0:30:53 | 0:30:56 | |
Now, talking of science-fiction
classics, it is a year | 0:30:56 | 0:30:58 | |
of anniversaries, 20 years
since the original Men In Black. | 0:30:58 | 0:31:03 | |
Oh, wow. | 0:31:03 | 0:31:04 | |
I know! | 0:31:04 | 0:31:06 | |
20 years, wow. | 0:31:06 | 0:31:07 | |
APPLAUSE. | 0:31:07 | 0:31:08 | |
Well, that's a new movie. | 0:31:08 | 0:31:11 | |
That's a new one, yeah. | 0:31:11 | 0:31:13 | |
When people say lines to you,
it's like, you shouldn't do that. | 0:31:13 | 0:31:20 | |
For the fans, we should like help,
don't walk up to people and say | 0:31:20 | 0:31:23 | |
the line from the movie,
because it's like people | 0:31:23 | 0:31:26 | |
going, "Hey, Will!" | 0:31:26 | 0:31:27 | |
"I'll make this look good!" | 0:31:27 | 0:31:28 | |
I'm like, that's not
how that line goes. | 0:31:28 | 0:31:35 | |
It's just awkward. | 0:31:35 | 0:31:36 | |
Yeah, man, only 73,000
people said that to me. | 0:31:36 | 0:31:39 | |
So it's like, it creates
awkward moments. | 0:31:39 | 0:31:42 | |
We won't do that. | 0:31:42 | 0:31:44 | |
Cancel that idea. | 0:31:44 | 0:31:45 | |
I didn't realise, Steven
Spielberg, he produced it. | 0:31:45 | 0:31:49 | |
Yeah, Steven Spielberg
produced the Men In Blacks. | 0:31:49 | 0:31:53 | |
So the two of you, you would go
to screenings of this film. | 0:31:53 | 0:31:57 | |
Well, that was like,
that was one of my... | 0:31:57 | 0:32:00 | |
I was brand-new, making movies,
I'm excited, so they had what's | 0:32:00 | 0:32:02 | |
called test screenings,
where they show the movie to people | 0:32:02 | 0:32:05 | |
before it comes out,
so I'm going and it's my first test | 0:32:05 | 0:32:08 | |
screening for Men In Black, | 0:32:08 | 0:32:10 | |
I'm excited, and we are in the back
and I'm like, hey, we've got | 0:32:10 | 0:32:14 | |
to go in and get a seat. | 0:32:14 | 0:32:17 | |
And Steven said, no,
you don't get to go in. | 0:32:17 | 0:32:20 | |
I was like, no, I want
to see the movie! | 0:32:20 | 0:32:23 | |
I want to sit right in the centre! | 0:32:23 | 0:32:25 | |
He was like, no, it's
a test screening. | 0:32:25 | 0:32:27 | |
The audience can't know you're here. | 0:32:27 | 0:32:29 | |
If they know you're here,
it will skew their opinion, | 0:32:29 | 0:32:31 | |
they'll clap different,
so they can't know you are here. | 0:32:31 | 0:32:36 | |
After the movie starts,
we'll let it get started and then | 0:32:36 | 0:32:39 | |
we'll go in and sit in the back row. | 0:32:39 | 0:32:41 | |
I was like, who wants to sit
in the back row of a movie theatre? | 0:32:41 | 0:32:45 | |
Those people back there
are pissed right now. | 0:32:45 | 0:32:49 | |
And we sat and I watched
Men In Black with Steven Spielberg | 0:32:49 | 0:32:52 | |
and he explained the movements
of the backs of people's heads. | 0:32:52 | 0:32:58 | |
He was like, you can learn
everything you need to know | 0:32:58 | 0:33:00 | |
from the backs of people's heads
watching the movie. | 0:33:00 | 0:33:04 | |
And we sat and now I can only sit
in the back of the movie theatre. | 0:33:04 | 0:33:10 | |
So it's like, this is the best,
this is going to be awkward, | 0:33:10 | 0:33:13 | |
but you can shoot the back? | 0:33:13 | 0:33:15 | |
Can you do the back of my head? | 0:33:15 | 0:33:17 | |
There must be some camera that
can get on that side. | 0:33:17 | 0:33:20 | |
So there is this one. | 0:33:20 | 0:33:25 | |
Right. | 0:33:25 | 0:33:26 | |
And this is the dreaded... | 0:33:26 | 0:33:28 | |
And then there's this one. | 0:33:28 | 0:33:31 | |
You hate that when you get that one. | 0:33:31 | 0:33:37 | |
And this is the holy grail. | 0:33:37 | 0:33:38 | |
When you have them riveted. | 0:33:38 | 0:33:46 | |
And this is the bottom,
the absolute bottom. | 0:33:46 | 0:33:49 | |
That's the one when it's all bad. | 0:33:49 | 0:33:59 | |
Listen, it is time
for our musical guest. | 0:34:02 | 0:34:04 | |
He rose to fame as the lead singer
of British pop rock band Keane. | 0:34:04 | 0:34:07 | |
Now he brings us a solo
Christmas album. | 0:34:07 | 0:34:09 | |
Performing the single Midnight Mass,
please welcome Tom Chaplin! | 0:34:09 | 0:34:11 | |
CHEERING. | 0:34:11 | 0:34:15 | |
# Down every road we come | 0:34:28 | 0:34:32 | |
# Through driving snow we come | 0:34:32 | 0:34:36 | |
# All running on empty | 0:34:36 | 0:34:39 | |
# But still dying to make it home | 0:34:39 | 0:34:46 | |
# In spite of everything | 0:34:46 | 0:34:50 | |
# To simple truths we cling | 0:34:50 | 0:34:54 | |
# To follow the guiding star | 0:34:54 | 0:34:58 | |
# Of loving our hearts and homes | 0:34:58 | 0:35:04 | |
# So come on,
all ye faithful friends | 0:35:04 | 0:35:08 | |
# Glory to the bitter end | 0:35:08 | 0:35:13 | |
# We're coming up to midnight | 0:35:13 | 0:35:16 | |
# Sing ah-ah-ah-ah-ah | 0:35:16 | 0:35:21 | |
# Hallelujah | 0:35:21 | 0:35:22 | |
# Yeah, come on, all
ye faithful, believe | 0:35:22 | 0:35:25 | |
# Let's sing it out
for Christmas Eve | 0:35:25 | 0:35:33 | |
# Cos it's coming up to midnight | 0:35:33 | 0:35:35 | |
# Sing ah-ah-ah-ah-ah | 0:35:35 | 0:35:37 | |
# Hallelujah | 0:35:37 | 0:35:40 | |
# Hallelujah | 0:35:41 | 0:35:44 | |
# Step in, shake off the snow | 0:35:52 | 0:35:56 | |
# Safe in the fireglow | 0:35:56 | 0:36:01 | |
# Raise up our voices | 0:36:01 | 0:36:03 | |
# Send them echoing on and on | 0:36:03 | 0:36:10 | |
# Yeah, come on, all
ye faithful friends | 0:36:10 | 0:36:14 | |
# Glory to the bitter end | 0:36:14 | 0:36:18 | |
# We're coming up to midnight | 0:36:18 | 0:36:21 | |
# Sing ah-ah-ah-ah-ah | 0:36:21 | 0:36:26 | |
# Hallelujah | 0:36:26 | 0:36:28 | |
# Yeah, come on,
all ye faithful, believe | 0:36:28 | 0:36:31 | |
# Let's sing it out
for Christmas Eve | 0:36:31 | 0:36:35 | |
# Cos it's coming up to midnight | 0:36:35 | 0:36:39 | |
# Sing ah-ah-ah-ah-ah-ah-ah | 0:36:39 | 0:36:44 | |
# Ah-ah-ah-ah-ah-ah-ah | 0:36:44 | 0:36:48 | |
# Ah-ah-ah-ah-ah-ah-ah | 0:36:48 | 0:36:52 | |
# Ah-ah-ah-ah-ah-ah-ah | 0:36:52 | 0:36:56 | |
# Ah-ah-ah-ah-ah-ah-ah | 0:36:56 | 0:37:00 | |
# Ah-ah-ah-ah-ah-ah-ah | 0:37:00 | 0:37:04 | |
# Ah-ah-ah-ah-ah-ah-ah | 0:37:05 | 0:37:09 | |
# Hallelujah | 0:37:09 | 0:37:14 | |
# Down every road we come | 0:37:24 | 0:37:30 | |
# Through driving snow. # | 0:37:30 | 0:37:33 | |
CHEERING. | 0:37:37 | 0:37:39 | |
Beautiful! | 0:37:40 | 0:37:42 | |
Tom Chaplin, thank you so
much, and the choir. | 0:37:42 | 0:37:44 | |
Come on over, Tom. | 0:37:44 | 0:37:46 | |
Beautiful! | 0:37:46 | 0:37:47 | |
So Christmassy. | 0:37:47 | 0:37:49 | |
Thank you so much. | 0:37:49 | 0:37:50 | |
Merry Christmas. | 0:37:50 | 0:37:51 | |
Come and say hi to everybody. | 0:37:51 | 0:37:54 | |
Jamie, Jenna, Will. | 0:37:54 | 0:37:56 | |
All shove up a bit. | 0:37:56 | 0:37:59 | |
There we go. | 0:37:59 | 0:38:02 | |
Very good. | 0:38:02 | 0:38:03 | |
That is gorgeous, Midnight Mass,
and that is off the Christmas album. | 0:38:03 | 0:38:08 | |
Oh, yes. | 0:38:08 | 0:38:10 | |
The 12 Tales Of Christmas. | 0:38:10 | 0:38:12 | |
This is unusual, because it's your
second solo album and you've gone | 0:38:12 | 0:38:14 | |
straight to Christmas. | 0:38:14 | 0:38:18 | |
You know, yeah. | 0:38:18 | 0:38:20 | |
So you obviously love Christmas. | 0:38:20 | 0:38:21 | |
I do love Christmas. | 0:38:21 | 0:38:22 | |
I found it very inspiring
to write about, actually. | 0:38:22 | 0:38:25 | |
It's not your conventional
Christmas album. | 0:38:25 | 0:38:27 | |
I ended up writing
a lot about death. | 0:38:27 | 0:38:31 | |
Yes! | 0:38:31 | 0:38:32 | |
I can imagine, yeah. | 0:38:32 | 0:38:34 | |
Nice and positive. | 0:38:34 | 0:38:36 | |
Yeah! | 0:38:36 | 0:38:37 | |
We would like to hold
on to Christmas. | 0:38:37 | 0:38:39 | |
LAUGHTER. | 0:38:39 | 0:38:40 | |
But I mean, I think Christmas
is a time of reflection, | 0:38:40 | 0:38:43 | |
so it brings up all sorts
of feelings for us, obviously | 0:38:43 | 0:38:46 | |
people that we might
have lost along the way, | 0:38:46 | 0:38:48 | |
but also joy and despair
and drunkenness and anger | 0:38:48 | 0:38:50 | |
and crying on the stairs. | 0:38:50 | 0:38:53 | |
I get that. | 0:38:53 | 0:38:54 | |
Crappy presents we didn't want. | 0:38:54 | 0:38:55 | |
LAUGHTER. | 0:38:55 | 0:38:59 | |
Now, talking of Christmas,
Tom Chaplin, what was the thing? | 0:38:59 | 0:39:03 | |
One year, you got a turkey... | 0:39:03 | 0:39:06 | |
How can a turkey be too big? | 0:39:06 | 0:39:07 | |
Well, we only had a few of us
round and we left it to the last | 0:39:07 | 0:39:11 | |
minute and we ended up
being the idiots going | 0:39:11 | 0:39:14 | |
into the supermarket
on Christmas Eve and there was one | 0:39:14 | 0:39:16 | |
turkey left, that was
for like 18-20 people. | 0:39:16 | 0:39:20 | |
And we cooked it up and obviously
there was loads left and my wife, | 0:39:20 | 0:39:25 | |
bear in mind, was a vegetarian,
strict vegetarian at | 0:39:25 | 0:39:27 | |
the time, so she claimed
she didn't want to eat it. | 0:39:27 | 0:39:32 | |
So, we cooked it, it
didn't get finished, | 0:39:32 | 0:39:34 | |
it got put into the fridge,
out in the shed, and I went back | 0:39:34 | 0:39:38 | |
there, a few days later
and most of it was gone! | 0:39:38 | 0:39:41 | |
And I was thinking,
where has it gone? | 0:39:41 | 0:39:43 | |
And then I discovered my wife... | 0:39:43 | 0:39:48 | |
Having a turkey sandwich! | 0:39:48 | 0:39:49 | |
Has become a meat eater. | 0:39:49 | 0:39:52 | |
She didn't want to murder
this animal in vain, | 0:39:52 | 0:39:54 | |
but actually, it was
just greed, really! | 0:39:54 | 0:39:56 | |
LAUGHTER. | 0:39:56 | 0:39:57 | |
And has she stuck with the meat? | 0:39:57 | 0:39:59 | |
LAUGHTER. | 0:39:59 | 0:40:05 | |
It is kind of like going black,
you never go back! | 0:40:05 | 0:40:08 | |
APPLAUSE. | 0:40:08 | 0:40:10 | |
Thank you, Tom, for putting us
in such a Christmassy mood. | 0:40:15 | 0:40:17 | |
It was really lovely,
and good luck with the album. | 0:40:17 | 0:40:20 | |
Thank you. | 0:40:20 | 0:40:21 | |
Tom Chaplin, everybody! | 0:40:21 | 0:40:22 | |
APPLAUSE. | 0:40:22 | 0:40:24 | |
CHEERING AND APPLAUSE. | 0:40:24 | 0:40:25 | |
OK, that is nearly it,
just time for a visit | 0:40:25 | 0:40:28 | |
to The Big Red Chair. | 0:40:28 | 0:40:29 | |
Hello! | 0:40:29 | 0:40:31 | |
Hi there, gang! | 0:40:31 | 0:40:37 | |
Exactly! | 0:40:37 | 0:40:40 | |
Not tonight, not tonight. | 0:40:40 | 0:40:42 | |
Not that attitude, not in here. | 0:40:42 | 0:40:45 | |
Not in the mood. | 0:40:45 | 0:40:46 | |
Not in Graham's house! | 0:40:46 | 0:40:50 | |
It is not children's television! | 0:40:50 | 0:40:52 | |
What was he thinking? | 0:40:52 | 0:40:53 | |
OK, let's have another one. | 0:40:53 | 0:40:55 | |
Hello! | 0:40:55 | 0:40:57 | |
Hello! | 0:40:57 | 0:40:58 | |
Hi. | 0:40:58 | 0:40:59 | |
What's your name? | 0:40:59 | 0:41:00 | |
Marsha. | 0:41:00 | 0:41:01 | |
Marsha. | 0:41:01 | 0:41:02 | |
Lovely. | 0:41:02 | 0:41:03 | |
And what do you do, Marsha? | 0:41:03 | 0:41:04 | |
Nothing. | 0:41:04 | 0:41:05 | |
OK. | 0:41:05 | 0:41:07 | |
Everyone wants to sit next
to Marsha at dinner! | 0:41:07 | 0:41:09 | |
Have you ever done anything, Marsha? | 0:41:09 | 0:41:10 | |
I have. | 0:41:10 | 0:41:11 | |
You have. | 0:41:11 | 0:41:12 | |
OK. | 0:41:12 | 0:41:13 | |
What did you use to do? | 0:41:13 | 0:41:15 | |
I taught exercise. | 0:41:15 | 0:41:16 | |
Oh yes! | 0:41:16 | 0:41:17 | |
And I have done make up. | 0:41:17 | 0:41:18 | |
Yes. | 0:41:18 | 0:41:19 | |
Raised children. | 0:41:19 | 0:41:20 | |
Yes. | 0:41:20 | 0:41:21 | |
Wow. | 0:41:21 | 0:41:22 | |
Cooked. | 0:41:22 | 0:41:23 | |
Yes. | 0:41:23 | 0:41:24 | |
What more do you want? | 0:41:24 | 0:41:26 | |
APPLAUSE. | 0:41:26 | 0:41:27 | |
That is a full life! | 0:41:27 | 0:41:28 | |
That is a full life, yeah. | 0:41:28 | 0:41:29 | |
I mean, it still doesn't
explain why you do nothing! | 0:41:29 | 0:41:33 | |
Anyway, off you go,
Marsha with your story. | 0:41:33 | 0:41:37 | |
So, many years ago,
I had gone into a very | 0:41:37 | 0:41:39 | |
exclusive clothes shop... | 0:41:39 | 0:41:43 | |
It's not funny! | 0:41:43 | 0:41:45 | |
Yet. | 0:41:45 | 0:41:46 | |
I had gone into a clothes shop,
went to try on some clothes | 0:41:46 | 0:41:50 | |
and there was someone next to me
in the next changing room | 0:41:50 | 0:41:52 | |
and I recognised her. | 0:41:52 | 0:41:55 | |
So, we spent the next half an hour
trying on clothes and we were very | 0:41:55 | 0:41:58 | |
honest with each other and I said
to her, that is really nice | 0:41:58 | 0:42:01 | |
on you and she said,
that's really nice on you and then, | 0:42:01 | 0:42:04 | |
we were totally honest
with each other. | 0:42:04 | 0:42:06 | |
After about half an hour,
she came out of the changing | 0:42:06 | 0:42:09 | |
room and I said, no,
that's really not your colour, | 0:42:09 | 0:42:12 | |
it just doesn't suit you. | 0:42:12 | 0:42:14 | |
And she said to me, this
is what I came in wearing. | 0:42:14 | 0:42:19 | |
That is a good story! | 0:42:19 | 0:42:21 | |
You can walk, you can walk! | 0:42:21 | 0:42:24 | |
That was actually a good story. | 0:42:24 | 0:42:26 | |
That was good. | 0:42:26 | 0:42:27 | |
It had a punch line... | 0:42:27 | 0:42:29 | |
Yeah. | 0:42:29 | 0:42:30 | |
And I didn't see it coming! | 0:42:30 | 0:42:31 | |
Yeah. | 0:42:31 | 0:42:32 | |
I thought she was going
to be a famous person. | 0:42:32 | 0:42:35 | |
I thought she was going to say,
like, Theresa May or something. | 0:42:35 | 0:42:37 | |
Yes! | 0:42:37 | 0:42:38 | |
In a kitten heel. | 0:42:38 | 0:42:40 | |
OK. | 0:42:40 | 0:42:40 | |
One more, one more. | 0:42:40 | 0:42:42 | |
Hello! | 0:42:42 | 0:42:43 | |
Hello! | 0:42:43 | 0:42:44 | |
Hi, how are you? | 0:42:44 | 0:42:45 | |
I'm fine, thank you. | 0:42:45 | 0:42:46 | |
And what's your name? | 0:42:46 | 0:42:47 | |
It's Gemma. | 0:42:47 | 0:42:48 | |
Gemma, lovely. | 0:42:48 | 0:42:49 | |
And what do you do, Gemma? | 0:42:49 | 0:42:50 | |
I'm a full-time mum. | 0:42:50 | 0:42:51 | |
Oh, how many kids? | 0:42:51 | 0:42:52 | |
Three. | 0:42:52 | 0:42:53 | |
Three, what ages? | 0:42:53 | 0:42:54 | |
18, 14 and 12. | 0:42:54 | 0:42:55 | |
That sounds like trouble. | 0:42:55 | 0:42:56 | |
Yes. | 0:42:56 | 0:42:58 | |
She is in the teeth
of the crocodile right now. | 0:42:58 | 0:43:00 | |
No wonder you came
out for the night! | 0:43:00 | 0:43:02 | |
Off you go with your story. | 0:43:02 | 0:43:03 | |
It was my first ever driving test
and I was extremely nervous. | 0:43:03 | 0:43:06 | |
I was taking the test in my own car,
so I got to the test centre | 0:43:06 | 0:43:10 | |
and the examiner came out
and she checked around the car, | 0:43:10 | 0:43:13 | |
to check it was safe. | 0:43:13 | 0:43:14 | |
She got into the vehicle with me
and she had a little look around, | 0:43:14 | 0:43:17 | |
to check everything was OK. | 0:43:17 | 0:43:19 | |
She noticed that on the front,
there was a little bag | 0:43:19 | 0:43:21 | |
with nuts and bolts in,
which she asked me to remove. | 0:43:21 | 0:43:24 | |
And put in the back of the car. | 0:43:24 | 0:43:27 | |
I picked them up and I swung
them, at what I thought | 0:43:27 | 0:43:30 | |
was in between the seats
and I smashed the poor | 0:43:30 | 0:43:32 | |
lady in the face! | 0:43:32 | 0:43:33 | |
LAUGHTER. | 0:43:33 | 0:43:35 | |
I split her nose. | 0:43:35 | 0:43:36 | |
It was pouring with blood. | 0:43:36 | 0:43:40 | |
And the poor lady was searching
for a tissue for this whole time | 0:43:40 | 0:43:46 | |
and I ended up
reversing into a fence. | 0:43:46 | 0:43:47 | |
During my test. | 0:43:47 | 0:43:48 | |
Awww, bless, you can walk! | 0:43:48 | 0:43:51 | |
Well, that is it, everyone. | 0:43:51 | 0:43:53 | |
If you want to have a go
in the Red Chair, you can contact us | 0:43:53 | 0:43:57 | |
at our website at this very address. | 0:43:57 | 0:43:58 | |
That is it for tonight. | 0:43:58 | 0:44:00 | |
Please say a huge thank
you to my guests, Mr Tom Chaplin! | 0:44:00 | 0:44:04 | |
Jamie Oliver! | 0:44:04 | 0:44:06 | |
Jenna Coleman! | 0:44:06 | 0:44:09 | |
And Mr Will Smith! | 0:44:09 | 0:44:14 | |
We will be back here
on New Year's Eve for our Hogmanay | 0:44:14 | 0:44:18 | |
sofa, with Hollywood heart-throbs
Zac Efron and the great | 0:44:18 | 0:44:20 | |
Hugh Jackman. | 0:44:20 | 0:44:21 | |
We will see you after Christmas. | 0:44:21 | 0:44:23 | |
Good night, everyone. | 0:44:23 | 0:44:24 | |
CHEERING AND APPLAUSE. | 0:44:24 | 0:44:28 |