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Evening! This is Mark Hamill saying, welcome to the Graham Norton Show! | 0:00:02 | 0:00:05 | |
CHEERING AND APPLAUSE | 0:00:05 | 0:00:07 | |
This programme contains some strong language | 0:00:07 | 0:00:14 | |
Oh! | 0:00:22 | 0:00:24 | |
Oh, lovely to see you. | 0:00:24 | 0:00:28 | |
Lovely to see you. Hi, hi. Hi, hi, yeah. | 0:00:28 | 0:00:33 | |
Hello, you're all very welcome. | 0:00:33 | 0:00:36 | |
Thank you. What a lovely welcome. | 0:00:36 | 0:00:38 | |
Wow, we should do this again! Great show tonight. | 0:00:38 | 0:00:42 | |
Yes, Luke Skywalker himself, | 0:00:42 | 0:00:43 | |
Mark Hamill, is here for the first time. | 0:00:43 | 0:00:45 | |
There he is. | 0:00:47 | 0:00:48 | |
Do you know, there's something about that beard | 0:00:48 | 0:00:50 | |
that makes him look so dignified and handsome. | 0:00:50 | 0:00:53 | |
Mark is here with other members of the cast | 0:00:54 | 0:00:57 | |
of the new Star Wars movie, The Last Jedi, ladies and gentlemen. | 0:00:57 | 0:01:00 | |
AUDIENCE: Woo! | 0:01:00 | 0:01:02 | |
Sofa, packed it will be. | 0:01:02 | 0:01:05 | |
Hasn't it been cold this week? | 0:01:05 | 0:01:07 | |
I said cold, cold! It has been cold. | 0:01:07 | 0:01:09 | |
In this weather, it's a good idea to check on the old and infirm | 0:01:09 | 0:01:12 | |
to make sure they're OK. | 0:01:12 | 0:01:14 | |
Thanks for asking, I'm fine. | 0:01:14 | 0:01:15 | |
A lot of people have been out building snowmen. | 0:01:16 | 0:01:19 | |
And some of them really love Star Wars. | 0:01:19 | 0:01:21 | |
Look at the detail in that. | 0:01:21 | 0:01:23 | |
Little BB-8 made out of snow. | 0:01:23 | 0:01:24 | |
Although, some people have been messing about with snowmen, | 0:01:24 | 0:01:27 | |
putting the carrot in an inappropriate place. | 0:01:27 | 0:01:30 | |
Come on, guys, if 2017 has taught us anything, | 0:01:32 | 0:01:35 | |
you mustn't put your carrot in an inappropriate place. | 0:01:35 | 0:01:38 | |
I don't know why they bother. | 0:01:38 | 0:01:40 | |
If you want to see something round and stupid with an orange willy, | 0:01:40 | 0:01:43 | |
just turn the news on. | 0:01:43 | 0:01:44 | |
Let's get some guests on! | 0:01:46 | 0:01:48 | |
Later we'll have music and a chat from singer-songwriter, | 0:01:48 | 0:01:51 | |
Mr Sam Smith will be here! | 0:01:51 | 0:01:53 | |
He'll be performing his number one hit, Too Good At Goodbyes. | 0:01:53 | 0:01:57 | |
But let's meet the stars of The Last Jedi. | 0:01:57 | 0:02:00 | |
She's the breakout British star of Game of Thrones | 0:02:00 | 0:02:02 | |
and Top of the Lake, please welcome Gwendoline Christie! | 0:02:02 | 0:02:05 | |
CHEERING AND APPLAUSE | 0:02:05 | 0:02:07 | |
Hello! | 0:02:07 | 0:02:10 | |
In you go, Gwendoline Christie! | 0:02:12 | 0:02:14 | |
He's your favourite Stormtrooper turned hero, | 0:02:16 | 0:02:18 | |
and one of our fastest-rising stars, it's John Boyega! | 0:02:18 | 0:02:21 | |
CHEERING AND APPLAUSE | 0:02:21 | 0:02:24 | |
Very nice to meet you. Have a seat. | 0:02:26 | 0:02:28 | |
She stepped off the Orient Express to board the Millennium Falcon, | 0:02:30 | 0:02:34 | |
reprising her role as Rey, please welcome Daisy Ridley! | 0:02:34 | 0:02:37 | |
CHEERING AND APPLAUSE | 0:02:37 | 0:02:39 | |
She glimmers, she shimmers. | 0:02:39 | 0:02:41 | |
Oh, what a star. | 0:02:41 | 0:02:44 | |
And he's the man who started it all, 40 years ago, | 0:02:47 | 0:02:49 | |
now Luke Skywalker's back to save the galaxy. | 0:02:49 | 0:02:52 | |
It's a great pleasure to welcome for the first time, Mr Mark Hamill! | 0:02:52 | 0:02:55 | |
CHEERING AND APPLAUSE | 0:02:55 | 0:02:58 | |
So nice to see you. | 0:03:03 | 0:03:06 | |
Shove up a bit. Shove up. | 0:03:06 | 0:03:08 | |
There you go. Into the zone, into the zone. | 0:03:08 | 0:03:11 | |
-Lovely to see you all. Welcome, welcome, welcome. -Thank you. | 0:03:11 | 0:03:16 | |
-This week you had the big London premiere. -Yes. -You were all there. | 0:03:16 | 0:03:20 | |
-You all got to meet Royalty? -Yeah. | 0:03:20 | 0:03:23 | |
I said, after, you know, Your Royal Highness, and doing all that. | 0:03:23 | 0:03:27 | |
I said, "Can you settle this for me? | 0:03:27 | 0:03:30 | |
"My mother was Queen Amidala. My father was Lord Vader. | 0:03:30 | 0:03:35 | |
"My sister is Princess Leia, | 0:03:35 | 0:03:37 | |
"doesn't that make me royalty?" | 0:03:37 | 0:03:40 | |
I was hoping that they would agree. | 0:03:40 | 0:03:43 | |
William said, "Well, absolutely. I think that should make you royalty." | 0:03:43 | 0:03:48 | |
Harry said, "I think I need more information." | 0:03:48 | 0:03:53 | |
Here's the thing, they're in the movie. | 0:03:53 | 0:03:55 | |
Are you allowed to tell us which stormtroopers they are? | 0:03:55 | 0:03:59 | |
You have to compare with body type and figure it out. | 0:03:59 | 0:04:02 | |
I only had one question for Harry when I met him, | 0:04:02 | 0:04:04 | |
was whether he was going to have Nigerian catering at the wedding. | 0:04:04 | 0:04:09 | |
I hadn't met them before | 0:04:09 | 0:04:11 | |
and I also hadn't realised my dress was slightly sheer. | 0:04:11 | 0:04:15 | |
I was almost naked when I met royalty for the first time. | 0:04:15 | 0:04:19 | |
Were they very good with eyes? | 0:04:19 | 0:04:20 | |
They really kept the gaze up. | 0:04:20 | 0:04:22 | |
And the party was in their house. | 0:04:25 | 0:04:28 | |
In Kensington Palace. | 0:04:28 | 0:04:29 | |
-Is that their house? -I don't know. | 0:04:29 | 0:04:31 | |
Because they talk about the cottage. | 0:04:31 | 0:04:34 | |
I'm like, is it a cottage? | 0:04:34 | 0:04:36 | |
That bit we know it's not true. | 0:04:36 | 0:04:39 | |
Is there a function room, how does it work? | 0:04:40 | 0:04:43 | |
You walk past like a mess, where people... It's like a canteen. | 0:04:43 | 0:04:47 | |
I thought, is that where we're going? | 0:04:47 | 0:04:49 | |
They had a lovely thing upstairs. | 0:04:49 | 0:04:50 | |
Was that a red throne room place with a... | 0:04:50 | 0:04:53 | |
I wanted to pose for photographs and was dragged away by someone. | 0:04:53 | 0:04:57 | |
Yeah, same! | 0:04:57 | 0:04:58 | |
Oh, that was your feet! | 0:05:00 | 0:05:02 | |
I had to resist the urge to nick an ashtray as a souvenir. | 0:05:02 | 0:05:07 | |
I think they leave things out for people to steal. | 0:05:07 | 0:05:10 | |
-Yes. -Yes. | 0:05:10 | 0:05:11 | |
We're coming across as so broke right now. | 0:05:11 | 0:05:14 | |
It's the big premiere. | 0:05:15 | 0:05:17 | |
The Boyega clan were out in force. | 0:05:17 | 0:05:20 | |
-Absolutely, man. You bagged extra tickets. -Aw, the babies! | 0:05:20 | 0:05:23 | |
-This is your nephew. -Yes, little JJ. | 0:05:23 | 0:05:27 | |
-He's not called JJ after JJ Abrams? -No, no, no. | 0:05:27 | 0:05:32 | |
I thought it might have been a nod. | 0:05:32 | 0:05:34 | |
He is named after Jar-Jar. | 0:05:34 | 0:05:36 | |
APPLAUSE | 0:05:39 | 0:05:41 | |
Did you bring everyone to Kensington Palace? | 0:05:44 | 0:05:47 | |
-No, everyone came down to the Palace as well. -Woohoo! | 0:05:47 | 0:05:51 | |
As soon as 30 minutes in, my dad was like, "Where is the proper food?" | 0:05:51 | 0:05:56 | |
We had to leave real quick. | 0:05:56 | 0:05:58 | |
Gwendoline, even if you weren't in these films, | 0:06:00 | 0:06:02 | |
you would be at that premiere. | 0:06:02 | 0:06:04 | |
You are a proper Star Wars fan? | 0:06:04 | 0:06:06 | |
I have been a Star Wars fan since I was six years old. | 0:06:06 | 0:06:10 | |
I've really done my best to keep away from you, Mark, | 0:06:10 | 0:06:13 | |
not to bother and harass you. | 0:06:13 | 0:06:15 | |
How amazing that then you were in the Star Wars thing | 0:06:15 | 0:06:18 | |
but also Game of Thrones. | 0:06:18 | 0:06:19 | |
APPLAUSE | 0:06:19 | 0:06:22 | |
When those people at premieres see you, Game of Thrones and Star Wars, | 0:06:22 | 0:06:26 | |
they must have felt like a nerdgasm? | 0:06:26 | 0:06:30 | |
I think that's what it's called. | 0:06:30 | 0:06:32 | |
Only occasionally there's an emission. | 0:06:32 | 0:06:35 | |
Eww! | 0:06:35 | 0:06:36 | |
Oh, my God! | 0:06:36 | 0:06:38 | |
This is it, ladies and gentlemen. Episode VIII of the Star Wars saga, | 0:06:42 | 0:06:46 | |
The Last Jedi. It's now open everywhere. | 0:06:46 | 0:06:48 | |
Before we talk about it, let's have a little look, a taste of the movie. | 0:06:48 | 0:06:52 | |
Let the past die. | 0:06:55 | 0:06:57 | |
Kill it. | 0:06:59 | 0:07:00 | |
If you have to. | 0:07:02 | 0:07:05 | |
That's the only way to become what you're meant to be. | 0:07:05 | 0:07:09 | |
CHEWBACCA ROARS | 0:07:16 | 0:07:18 | |
PORG SCREECHES | 0:07:18 | 0:07:19 | |
We have a spark that will light the fire | 0:07:21 | 0:07:23 | |
that will burn the First Order down. | 0:07:23 | 0:07:25 | |
Come on! | 0:07:27 | 0:07:28 | |
This is not going to go | 0:07:30 | 0:07:32 | |
the way you think. | 0:07:32 | 0:07:35 | |
Fulfil... | 0:07:36 | 0:07:39 | |
..your destiny! | 0:07:39 | 0:07:43 | |
Ooh! | 0:07:45 | 0:07:46 | |
APPLAUSE | 0:07:46 | 0:07:47 | |
Very good. | 0:07:47 | 0:07:49 | |
I mean, I was saying, Star Wars is review proof, | 0:07:53 | 0:07:58 | |
but wow, these reviews have been amazing. And it is, it's great. | 0:07:58 | 0:08:00 | |
You must be delighted with it, all of you. | 0:08:00 | 0:08:03 | |
It's funny being in it but still being able to watch the trailers | 0:08:03 | 0:08:06 | |
and get the same goose bumps because it is Star Wars. | 0:08:06 | 0:08:08 | |
Like Mark, we still get to find some sense of detachment to it, | 0:08:08 | 0:08:11 | |
-it hasn't been so long for us. -Yeah, yeah, yeah. | 0:08:11 | 0:08:13 | |
Experiencing that, it just gives you the goose bumps, man. | 0:08:13 | 0:08:16 | |
Mark, please reassure everyone | 0:08:16 | 0:08:18 | |
you are in this film more than in the last one? | 0:08:18 | 0:08:21 | |
I can assure you all in this movie my part is twice as big. | 0:08:21 | 0:08:26 | |
Two pages! | 0:08:26 | 0:08:28 | |
I appear and I turned the page and it said, "The end." | 0:08:28 | 0:08:31 | |
I went, "What?!" | 0:08:31 | 0:08:33 | |
Why did they train me for a year? | 0:08:33 | 0:08:36 | |
Did you they make you train for a year for that? | 0:08:36 | 0:08:38 | |
Oh, yeah. I went twice a week. | 0:08:38 | 0:08:40 | |
I actually drove to the gym, | 0:08:40 | 0:08:43 | |
Carrie had the equipment installed in her house. | 0:08:43 | 0:08:47 | |
There were numerous times when she'd come to the door and say, | 0:08:47 | 0:08:49 | |
"Oh, is it today? I'm not in the mood." | 0:08:49 | 0:08:53 | |
I rearranged my whole schedule. | 0:08:54 | 0:08:56 | |
Never late. Never missed a session. | 0:08:56 | 0:09:00 | |
It was probably smart of them | 0:09:00 | 0:09:02 | |
because if JJ had told me what my participation was, | 0:09:02 | 0:09:06 | |
I probably wouldn't have been motivated to stay on | 0:09:06 | 0:09:09 | |
the "if it tastes good, don't eat it" diet. | 0:09:09 | 0:09:12 | |
I could have been the size of Marlon Brando in Apocalypse Now, | 0:09:12 | 0:09:15 | |
in those robes nobody would know. | 0:09:15 | 0:09:19 | |
We find you on the Irish crag. | 0:09:19 | 0:09:21 | |
It's Skellig Michael, is it Skellig Michael? | 0:09:21 | 0:09:24 | |
Skellig Michael off the coast of Ireland. | 0:09:24 | 0:09:27 | |
WHOOP FROM CROWD | 0:09:27 | 0:09:28 | |
It is like a big ad for Irish tourism. | 0:09:28 | 0:09:31 | |
-Oh, yeah. -It looks fabulous, it really does. | 0:09:31 | 0:09:33 | |
Daisy, you were there to find him? | 0:09:33 | 0:09:37 | |
-I was. -Yes. -Or Rey was. | 0:09:37 | 0:09:40 | |
Imagine if you had just been living there and I was like, "Mark!" | 0:09:40 | 0:09:43 | |
When I first read the script, since I was only in it for 20 seconds, | 0:09:43 | 0:09:47 | |
I said, "This will be green screen." | 0:09:47 | 0:09:50 | |
I'll just go up the road to JJ's studio in Santa Monica | 0:09:50 | 0:09:52 | |
and I'll be done by lunchtime. | 0:09:52 | 0:09:54 | |
Little did I know, cos Skellig Michael, boy, you climb... | 0:09:54 | 0:09:58 | |
There's over 600 steps. | 0:09:58 | 0:10:00 | |
I asked, "How long are you giving the crew to get up there?" | 0:10:00 | 0:10:03 | |
They said, "About 45 minutes." I said, "Give me an hour-and-a-half." | 0:10:03 | 0:10:07 | |
I had to rest every 15 minutes. It was brutal. | 0:10:07 | 0:10:09 | |
-A big part of the movie is the Jedi training. -Right. | 0:10:09 | 0:10:15 | |
It kind of harks back to when you got your Jedi training from Yoda. | 0:10:15 | 0:10:19 | |
There you are. You recreated that with Daisy. | 0:10:19 | 0:10:25 | |
-We did. -It went quite viral. | 0:10:25 | 0:10:27 | |
Here you are. | 0:10:27 | 0:10:28 | |
Strong legs, Daisy Ridley. | 0:10:30 | 0:10:33 | |
Oh, yeah! I've been working out a lot. | 0:10:33 | 0:10:36 | |
And also Mark too. | 0:10:36 | 0:10:38 | |
One of the things, fans will really like the porgs | 0:10:38 | 0:10:43 | |
-which live on your island. -That's right. | 0:10:43 | 0:10:46 | |
Oh, look at the porg! | 0:10:46 | 0:10:49 | |
Is it true, these got you in trouble with Disney, Mark? | 0:10:51 | 0:10:53 | |
A little bit. There was a picture of Luke surrounded by porgs. | 0:10:53 | 0:10:57 | |
I just reposted the picture with the hashtag, wholesome porgnography. | 0:10:57 | 0:11:03 | |
Disney said, "Don't do that. | 0:11:06 | 0:11:09 | |
"A little close to adult humour there." | 0:11:09 | 0:11:12 | |
I don't think you deleted it, though. | 0:11:12 | 0:11:14 | |
It's because the cape is open. | 0:11:16 | 0:11:18 | |
Porgnography! | 0:11:20 | 0:11:22 | |
Neighbourhood flasher! | 0:11:22 | 0:11:24 | |
But the fans have gone big on the porgs. | 0:11:24 | 0:11:28 | |
They found those images of the porgs, they like them. | 0:11:28 | 0:11:32 | |
They have already imagined porgs in other films. Spin-offs. | 0:11:32 | 0:11:37 | |
There is the classic... | 0:11:37 | 0:11:40 | |
Oh, my God! | 0:11:40 | 0:11:41 | |
That's good. | 0:11:41 | 0:11:42 | |
What else have they put them in? Alien. | 0:11:42 | 0:11:45 | |
And, oh, beautiful, this. | 0:11:48 | 0:11:51 | |
Titanic. | 0:11:51 | 0:11:52 | |
-Wow. -It's not just movies. | 0:11:52 | 0:11:55 | |
They've also imagined them appearing in art. | 0:11:55 | 0:11:58 | |
-That's amazing! -Nice. | 0:11:58 | 0:12:00 | |
And even politics, ladies and gentlemen. | 0:12:00 | 0:12:02 | |
-APPLAUSE -Please. | 0:12:04 | 0:12:08 | |
John, did you worry at the end of the last film? | 0:12:11 | 0:12:14 | |
You knew were coming back, cos you signed for three, right? | 0:12:14 | 0:12:17 | |
Have you? | 0:12:17 | 0:12:20 | |
Haven't you? | 0:12:21 | 0:12:22 | |
-We can't... -Oh, no, the rumours are going to start. -Oh, man... | 0:12:22 | 0:12:27 | |
Now you're starting a rumour that you're not in the next film. | 0:12:27 | 0:12:29 | |
-Exactly! -Yes... | 0:12:29 | 0:12:31 | |
See Star Wars. | 0:12:31 | 0:12:33 | |
-It's such an amazing film. -Renegotiation, | 0:12:33 | 0:12:37 | |
right here before your very eyes. | 0:12:37 | 0:12:41 | |
You must have been worried at the end of the first one, thinking, | 0:12:41 | 0:12:44 | |
"In a coma... I wonder how much I will have in the next film." | 0:12:44 | 0:12:49 | |
Yeah. To be honest, when that slash went up my back, | 0:12:49 | 0:12:52 | |
they added extra leather pieces flying around. | 0:12:52 | 0:12:54 | |
I saw a bit of blood and I was like, | 0:12:54 | 0:12:56 | |
"Wow, that mortgage is not getting paid. | 0:12:56 | 0:12:58 | |
-But I'm back. -You are very much back. | 0:13:00 | 0:13:03 | |
One of the things we saw in the clip there, | 0:13:03 | 0:13:06 | |
Finn and Captain Phasma, you get into it. | 0:13:06 | 0:13:08 | |
-You have a big fight. -Mm-hm. | 0:13:08 | 0:13:11 | |
You have been saying how, I guess it's ying and yang. | 0:13:11 | 0:13:13 | |
-You were in the outfit, which must make it harder. -It's not ideal. | 0:13:13 | 0:13:18 | |
Not ideal to even move really in the outfit, let alone fight John. | 0:13:18 | 0:13:23 | |
If you see what she was doing and the training, she was ferocious. | 0:13:23 | 0:13:28 | |
I was like, "Can she actually see?" | 0:13:28 | 0:13:29 | |
Every time I was swinging at her, I was just doing... | 0:13:29 | 0:13:33 | |
You've got to fight ahead as though you can see. Just lashing out. | 0:13:34 | 0:13:37 | |
You've got Muhammad Ali reach. I felt the air on some of them. | 0:13:37 | 0:13:40 | |
My word, the strength, there was a moment of contact. | 0:13:40 | 0:13:44 | |
The power with which John met me with, I will never forget. | 0:13:44 | 0:13:49 | |
-That was... -A powerful moment. -..me trying to save my own life. | 0:13:49 | 0:13:53 | |
I would say, if I was a betting man, | 0:13:55 | 0:13:57 | |
in that fight, I would put money on Gwendoline. | 0:13:57 | 0:14:01 | |
-You do have the advantage. -We kind of talked about this. | 0:14:03 | 0:14:06 | |
I have a higher centre of gravity. That's not an advantage. | 0:14:06 | 0:14:10 | |
I've got a contract on my side! | 0:14:10 | 0:14:14 | |
APPLAUSE | 0:14:16 | 0:14:18 | |
Can you do a face-off for us? Do a face-off. | 0:14:22 | 0:14:25 | |
The start of the match. | 0:14:26 | 0:14:28 | |
-It only works if you stand. -Stand. | 0:14:28 | 0:14:30 | |
I'm just warming up my knees. | 0:14:30 | 0:14:32 | |
Don't do tippy-toes again. | 0:14:32 | 0:14:34 | |
Here we go, here we go. | 0:14:39 | 0:14:41 | |
That is impressive. | 0:14:49 | 0:14:50 | |
CHEERING AND APPLAUSE | 0:14:50 | 0:14:53 | |
One of the things you have got to deal with in these sort of things | 0:14:55 | 0:14:59 | |
is that intense secrecy about the plot details. | 0:14:59 | 0:15:02 | |
John, I heard you were on Radio 1 saying you cannot | 0:15:02 | 0:15:05 | |
keep all the secrets yourself. | 0:15:05 | 0:15:07 | |
No. Yeah, you can't, especially now on the second film, | 0:15:07 | 0:15:10 | |
you've got to have at least one person you tell everything to. | 0:15:10 | 0:15:13 | |
-So you tell everything to one person. -Absolutely. | 0:15:13 | 0:15:16 | |
-Who did you pick? -My roommate, Stefan. | 0:15:16 | 0:15:19 | |
-I tell him everything. -But now everyone knows that he knows. | 0:15:19 | 0:15:22 | |
I am not giving you the second name, though, am I? | 0:15:22 | 0:15:25 | |
He lives in your house! | 0:15:25 | 0:15:28 | |
It's like Fort Knox. | 0:15:28 | 0:15:30 | |
Daisy, I imagine you are like a sphinx, you don't crack. | 0:15:32 | 0:15:35 | |
-Inscrutable. -I can't keep my own secrets, terrible, | 0:15:35 | 0:15:39 | |
but those of other people, fantastic. | 0:15:39 | 0:15:41 | |
People do often tell me things about themselves, | 0:15:41 | 0:15:44 | |
without me asking, and someone said it's because I have a big face, | 0:15:44 | 0:15:48 | |
I look honest. | 0:15:48 | 0:15:50 | |
Seriously! | 0:15:50 | 0:15:52 | |
Other people's secrets I can keep no sweat. | 0:15:52 | 0:15:54 | |
Is one of the reasons you can keep the secret because | 0:15:54 | 0:15:57 | |
you don't really know the plot? | 0:15:57 | 0:15:59 | |
I mean... | 0:15:59 | 0:16:01 | |
I was surprised by this film, yeah. | 0:16:01 | 0:16:04 | |
I'd read it and then I put it away | 0:16:04 | 0:16:07 | |
and I did my bit and I went to the set a couple of times, | 0:16:07 | 0:16:10 | |
but otherwise, you know, I went home! | 0:16:10 | 0:16:13 | |
Gwendoline, again, it's this double whammy. | 0:16:15 | 0:16:17 | |
It's so weird because why would fans want to know | 0:16:17 | 0:16:21 | |
-what's going to happen, and yet they have to know. -Yeah. | 0:16:21 | 0:16:25 | |
You've had quite extreme things, particularly Game Of Thrones. | 0:16:25 | 0:16:28 | |
Yeah, that was really extreme. | 0:16:28 | 0:16:30 | |
I was having root canal surgery | 0:16:30 | 0:16:34 | |
and I was in the chair at the dentist | 0:16:34 | 0:16:36 | |
and there was a clamp holding my mouth open | 0:16:36 | 0:16:40 | |
and I had the bib and all the lovely plastic things around there | 0:16:40 | 0:16:44 | |
and I was reclined back in the chair, feeling, you know, | 0:16:44 | 0:16:48 | |
it wasn't an ideal situation, really, | 0:16:48 | 0:16:50 | |
and the dentist left the room. | 0:16:50 | 0:16:51 | |
I am lying there with the mouth open | 0:16:51 | 0:16:53 | |
and the dental nurse hits me on the thigh and says, | 0:16:53 | 0:16:56 | |
"Now tell me what happens in Game of Thrones!" | 0:16:56 | 0:16:59 | |
She literally had me where she wanted me. | 0:16:59 | 0:17:03 | |
She wasn't going to let me go. | 0:17:03 | 0:17:06 | |
She said, "What is it like being naked with Jaime Lannister, | 0:17:06 | 0:17:09 | |
"is it sexy? Tell me it's sexy!" | 0:17:09 | 0:17:12 | |
I'm just gargling, trying to breathe. | 0:17:12 | 0:17:16 | |
Mark Hamill, you had the grandaddy. | 0:17:16 | 0:17:18 | |
You had, I mean, one of the biggest secrets in cinema history, | 0:17:18 | 0:17:21 | |
that Darth Vader was your father. | 0:17:21 | 0:17:23 | |
Spoiler alert! | 0:17:23 | 0:17:26 | |
Kids are just on Episode Two. "What?!" | 0:17:26 | 0:17:31 | |
So how long did you have to keep that secret? | 0:17:31 | 0:17:34 | |
Well, the contrast was when we did Star Wars, nobody cared. | 0:17:34 | 0:17:37 | |
You know, I read it and I gave it to my friend to read. | 0:17:37 | 0:17:41 | |
I said, "This is the goofiest thing I've ever read." | 0:17:41 | 0:17:44 | |
He called and he said, "You're right, it is goofy. | 0:17:44 | 0:17:47 | |
"Can I give it to Meredith?" I said, "Sure!" I passed it all around. | 0:17:47 | 0:17:52 | |
Nobody cared. | 0:17:52 | 0:17:54 | |
-By the second film, that's when the scrutiny became more intense. -Yeah. | 0:17:54 | 0:17:58 | |
There was a wonderful substitute revelation. | 0:17:58 | 0:18:02 | |
In that scene, the way we filmed it, Vader said, | 0:18:02 | 0:18:07 | |
"You don't know the truth, Obi-Wan killed your father." | 0:18:07 | 0:18:11 | |
And the idea of Alec Guinness being the real villain, | 0:18:11 | 0:18:15 | |
I thought, "Wow, what a spectacular twist." | 0:18:15 | 0:18:17 | |
And it's just as you see in the film, | 0:18:17 | 0:18:19 | |
"No! Search your feelings, you know it's true." | 0:18:19 | 0:18:22 | |
Wallop, the hand goes off. | 0:18:22 | 0:18:23 | |
So vivid, it's so vivid. | 0:18:26 | 0:18:29 | |
The director, Irvin Kershner, took me aside. | 0:18:29 | 0:18:31 | |
He came to my dressing room actually and he said, | 0:18:31 | 0:18:34 | |
"I'm going to tell you something. | 0:18:34 | 0:18:36 | |
"I know it, George Lucas knows it and when I tell you, | 0:18:36 | 0:18:39 | |
"you'll know it, but if it leaks, we'll know it was you." | 0:18:39 | 0:18:44 | |
So I said, "What, what?" | 0:18:44 | 0:18:46 | |
He handed me the piece of paper that said, "I am your father." | 0:18:46 | 0:18:50 | |
I was shocked. I said, "Is that true?" | 0:18:50 | 0:18:53 | |
He said, "Well, you search your feelings, | 0:18:53 | 0:18:56 | |
"and we're going to play it like that." | 0:18:56 | 0:18:59 | |
So, oh, my gosh, Dad Vader. | 0:18:59 | 0:19:03 | |
And then I was paranoid because I thought, you know... | 0:19:03 | 0:19:06 | |
-It was way before social media and all of that. -Yeah. | 0:19:06 | 0:19:09 | |
I had to keep the secret for about a year-and-a-half. | 0:19:09 | 0:19:12 | |
I didn't tell Carrie, I didn't tell... | 0:19:12 | 0:19:14 | |
Well, you know telephone, telegraph, tell a Carrie! | 0:19:14 | 0:19:17 | |
She had no vault whatsoever. In fact, Harrison and I would test her. | 0:19:18 | 0:19:22 | |
If you really wanted to get something out fast, | 0:19:22 | 0:19:24 | |
you'd ask Carrie to keep it in confidence, and out it would go. | 0:19:24 | 0:19:28 | |
So at the screening, when that happened, Harrison turned to me | 0:19:29 | 0:19:34 | |
and said, "Hey, kid, you didn't fucking tell me that." | 0:19:34 | 0:19:38 | |
I apologise for the F-bomb, I only used it for historical accuracy. | 0:19:40 | 0:19:43 | |
But, yeah, I mean, I was so thrilled because, | 0:19:45 | 0:19:48 | |
I mean, I don't liking having the burden of that. | 0:19:48 | 0:19:51 | |
I talk in my sleep, you know? | 0:19:51 | 0:19:53 | |
It could be really dangerous. | 0:19:53 | 0:19:55 | |
-Does Harrison like your impression of him? -No. | 0:19:55 | 0:19:58 | |
Actually, he once said to me, "Hey, I don't sound anything like that." | 0:19:58 | 0:20:02 | |
It's very accurate! | 0:20:04 | 0:20:06 | |
I read somewhere where back then some of the special effects | 0:20:07 | 0:20:10 | |
were simpler than maybe they are now. | 0:20:10 | 0:20:13 | |
-Yeah. -So, the Jedi mind control, when you can move objects - | 0:20:13 | 0:20:16 | |
explain how they did that? | 0:20:16 | 0:20:19 | |
Well, first of all, George called Star Wars | 0:20:19 | 0:20:21 | |
the most expensive low budget movie ever made, | 0:20:21 | 0:20:23 | |
and what he meant was every penny had to go up on the screen. | 0:20:23 | 0:20:27 | |
The ingenuity was fantastic. | 0:20:27 | 0:20:29 | |
So, for instance, when I was hanging upside down in the Wampa Cave, | 0:20:29 | 0:20:33 | |
they had fishing wire attached to it, | 0:20:33 | 0:20:35 | |
and pulled it out of my hand and then just reversed the film. | 0:20:35 | 0:20:40 | |
-Oh, OK. -So it's very simple - but, I mean, the ingenuity is tremendous. | 0:20:40 | 0:20:45 | |
Now they CGI it and spend way too much money. | 0:20:45 | 0:20:48 | |
Can we see if we can recreate it in a very low-tech way? | 0:20:48 | 0:20:51 | |
-I'm game. -OK. | 0:20:51 | 0:20:52 | |
-So if I give you - if we move that... -All right. | 0:20:52 | 0:20:54 | |
..if I give you an orange... No, no you're good. | 0:20:54 | 0:20:56 | |
If I give you an orange... | 0:20:56 | 0:20:58 | |
Well, maybe you better move them farther, in case my aim is off. | 0:20:58 | 0:21:01 | |
-So, if you could try to just get it in that general vicinity. -OK. | 0:21:01 | 0:21:04 | |
So hang on. Wait, wait, wait. So, we've go to look astonished. | 0:21:04 | 0:21:07 | |
This will all make sense. | 0:21:07 | 0:21:09 | |
We've got to look astonished when Mark is holding the orange | 0:21:09 | 0:21:13 | |
and then slowly back to nothing as the orange lands. | 0:21:13 | 0:21:17 | |
-OK? -OK. -OK, so are we all set? | 0:21:17 | 0:21:20 | |
-Right - I hope so. -OK. | 0:21:20 | 0:21:22 | |
APPLAUSE | 0:21:28 | 0:21:32 | |
I think that was good, I think that was good. | 0:21:32 | 0:21:35 | |
OK, was this a good one? | 0:21:35 | 0:21:37 | |
-Was that good? OK. -We'll fix it in editing. -Yeah. | 0:21:37 | 0:21:39 | |
Let's watch it back, let's watch it back. | 0:21:39 | 0:21:41 | |
All right. Here we go, OK. | 0:21:41 | 0:21:43 | |
MUSIC: Yoda And The Force | 0:21:43 | 0:21:46 | |
LAUGHTER AND APPLAUSE | 0:21:49 | 0:21:51 | |
-That's good, isn't it? -Very good. | 0:21:54 | 0:21:55 | |
-Excellent. -Money well spent. | 0:21:55 | 0:21:58 | |
It doubles as a salute to BB-8. | 0:21:58 | 0:22:01 | |
-With that entrance. -It was lovely! | 0:22:01 | 0:22:03 | |
I liked the way it was just rolling round! | 0:22:03 | 0:22:06 | |
-The force took charge. -The force was weak and then STRONG! | 0:22:06 | 0:22:09 | |
-Very strong. -Yeah! | 0:22:09 | 0:22:11 | |
When it ended, the first three, that franchise ended, | 0:22:11 | 0:22:16 | |
where you relieved it was over, or were you sad? | 0:22:16 | 0:22:20 | |
It was sort of like the end of school, | 0:22:20 | 0:22:23 | |
you're clearing out your locker, | 0:22:23 | 0:22:25 | |
knowing that you weren't going to see everyone again - | 0:22:25 | 0:22:28 | |
because you really bond and become a family, you know? | 0:22:28 | 0:22:31 | |
You spend more time with the crew and the cast | 0:22:31 | 0:22:33 | |
than you do with your real family. | 0:22:33 | 0:22:34 | |
So, yeah, there was a sense of completion - | 0:22:34 | 0:22:36 | |
a beginning, middle and an end, and I thought, "Well, that's it." | 0:22:36 | 0:22:40 | |
You know?! | 0:22:40 | 0:22:42 | |
It must have been weird, because you must have assumed | 0:22:42 | 0:22:45 | |
you could stop being Luke Skywalker at some point in the future - | 0:22:45 | 0:22:50 | |
and that sort of never happened. | 0:22:50 | 0:22:52 | |
-Carrie's talked about that... -Right. -You know, she's Princess Leia - | 0:22:52 | 0:22:55 | |
she was Princess Leia forever. | 0:22:55 | 0:22:56 | |
Well, she was really mad - she came to see me on Broadway | 0:22:56 | 0:22:58 | |
and she said, "What's with your bio?" | 0:22:58 | 0:23:00 | |
I said, "What are you talking about?" | 0:23:00 | 0:23:02 | |
She said, "Hamill, known for a series of space films, | 0:23:02 | 0:23:05 | |
"made his Broadway debut in such and such." | 0:23:05 | 0:23:08 | |
She said, "Mark, I'm Princess Leia, you're Luke Skywalker, | 0:23:08 | 0:23:13 | |
"get used to it and get over yourself." | 0:23:13 | 0:23:16 | |
She was always miles ahead of me | 0:23:16 | 0:23:20 | |
in terms of realising what's the obvious. | 0:23:20 | 0:23:24 | |
That thing with Harrison and Carrie and yourself, | 0:23:24 | 0:23:27 | |
because of what happened with the earlier Star Wars films, | 0:23:27 | 0:23:30 | |
you were part of each other's lives, | 0:23:30 | 0:23:32 | |
and so it seems so fitting, in a way, | 0:23:32 | 0:23:34 | |
that you got to say goodbye in this way, | 0:23:34 | 0:23:37 | |
-in this movie... -Yeah. -..to Carrie. -Yeah. | 0:23:37 | 0:23:40 | |
I mean, you know, it... really, it hit us all hard, | 0:23:40 | 0:23:46 | |
and I am not sure that I have really gone through all the stages, | 0:23:46 | 0:23:49 | |
the denial, acceptance, the bargaining, | 0:23:49 | 0:23:52 | |
because she is so in the present for me, | 0:23:52 | 0:23:55 | |
she's not in the past tense - but she's wonderful in the movie. | 0:23:55 | 0:23:58 | |
-So good. -Yeah. -And you... | 0:23:58 | 0:24:00 | |
I mean, she didn't rate herself as an actress at all, | 0:24:00 | 0:24:02 | |
-she rated herself as a writer, and other things... -Right. | 0:24:02 | 0:24:04 | |
..but she was so proud of this movie. | 0:24:04 | 0:24:06 | |
-She knew she'd done something really good. -She should be! | 0:24:06 | 0:24:08 | |
-Absolutely. -She'd done something really good. -Yeah. | 0:24:08 | 0:24:10 | |
She's just wonderful in the movie. | 0:24:10 | 0:24:12 | |
The tough part is that you want to grieve in private, | 0:24:12 | 0:24:16 | |
but, you know, she belonged to the world - | 0:24:16 | 0:24:18 | |
so not only does it come up on a daily basis with the public, | 0:24:18 | 0:24:22 | |
but you go on these press junkets | 0:24:22 | 0:24:24 | |
-and you're asked about it 47 times a day... -Yeah. | 0:24:24 | 0:24:27 | |
..and you want to be sincere every time | 0:24:27 | 0:24:29 | |
and not slip into, "Well, I'll never stop missing her, | 0:24:29 | 0:24:32 | |
"I'll always love her," because it's true. You know? It's... | 0:24:32 | 0:24:37 | |
-Yeah. -I must say, I found this movie really moving. | 0:24:37 | 0:24:40 | |
They handled it really... I think they really handled it nicely. | 0:24:40 | 0:24:44 | |
The movie is the same as it was always going to be. | 0:24:44 | 0:24:46 | |
-Is that right? -Yeah. -Yeah. -Yeah. | 0:24:46 | 0:24:48 | |
-They didn't change anything. -Yeah. | 0:24:48 | 0:24:50 | |
But it has ended up being this beautiful love letter to her, | 0:24:50 | 0:24:54 | |
as well, as everything else. | 0:24:54 | 0:24:55 | |
-It's a whole other dimension. -Absolutely. | 0:24:55 | 0:24:58 | |
There's that amazing thing that Joan Didion said | 0:24:58 | 0:25:01 | |
when her husband passed away, she kept expecting him to come back, | 0:25:01 | 0:25:05 | |
and the wonderful thing is that we do get to see her again, | 0:25:05 | 0:25:09 | |
-doing what she loved and what she is brilliant at. -Yeah. | 0:25:09 | 0:25:12 | |
CHEERING AND APPLAUSE | 0:25:12 | 0:25:15 | |
I suppose... You didn't know what you were getting into | 0:25:16 | 0:25:19 | |
when you signed up for Star Wars, but you guys did. | 0:25:19 | 0:25:22 | |
You knew that this was a big deal. | 0:25:22 | 0:25:24 | |
So, Daisy Ridley, where were you? | 0:25:24 | 0:25:25 | |
What were you doing when you were told | 0:25:25 | 0:25:27 | |
you were going to be a big part of this Star Wars world? | 0:25:27 | 0:25:30 | |
Um... I was at the theatre. | 0:25:30 | 0:25:33 | |
I was at the Tristan Bates Theatre, and I was with my friend, | 0:25:33 | 0:25:36 | |
and I'd been at an audition earlier on in the day, | 0:25:36 | 0:25:38 | |
and I got an e-mail - | 0:25:38 | 0:25:39 | |
it literally makes my heart pound thinking about it - | 0:25:39 | 0:25:42 | |
I got an e-mail from JJ and I was like, "Wait, what?!" | 0:25:42 | 0:25:44 | |
Saying, "Hey, can I call you?" I was like, "Agh!" | 0:25:44 | 0:25:46 | |
I had to ask to borrow a charger | 0:25:46 | 0:25:48 | |
and then I had to do the audition for this other thing, | 0:25:48 | 0:25:50 | |
and then I went to the theatre. | 0:25:50 | 0:25:51 | |
Then I was looking at my phone thinking, he hasn't called yet, | 0:25:51 | 0:25:54 | |
and I checked my voicemail and there was a voicemail. | 0:25:54 | 0:25:56 | |
I was like, "Oh, God. Oh, God." | 0:25:56 | 0:25:58 | |
And then I didn't know how to call America | 0:25:58 | 0:26:00 | |
because I had never called America from my English phone... | 0:26:00 | 0:26:02 | |
Anyway, I finally got through. They were like, "Bad Robot." | 0:26:02 | 0:26:05 | |
I was like, "What is going on here?!" | 0:26:05 | 0:26:06 | |
And I thought I basically had to convince him over the phone... | 0:26:06 | 0:26:09 | |
It's so weird, I haven't thought about this in ages. | 0:26:09 | 0:26:11 | |
It makes your heart pump, innit? | 0:26:11 | 0:26:12 | |
-It's literally making my heart pump. -It's mad. | 0:26:12 | 0:26:14 | |
I thought I had to convince him, | 0:26:14 | 0:26:16 | |
and he was going, "You know, this is going to be this..." | 0:26:16 | 0:26:18 | |
and I'm like, "I'm ready. I can do it, I can do it," | 0:26:18 | 0:26:20 | |
he goes, "Yeah, yeah, you're going to be in Star Wars." | 0:26:20 | 0:26:22 | |
-I was like... -Oof! | 0:26:22 | 0:26:23 | |
And I was outside the theatre and the play had started, | 0:26:23 | 0:26:27 | |
and it was a fucking long play. | 0:26:27 | 0:26:28 | |
And I had to go back in and finish it. | 0:26:31 | 0:26:34 | |
APPLAUSE | 0:26:34 | 0:26:35 | |
-Oh, my God! -Of course, you can't celebrate! -No. | 0:26:38 | 0:26:41 | |
I literally went in, sat down next to my friend and was like... | 0:26:41 | 0:26:45 | |
"Ugh..." | 0:26:45 | 0:26:47 | |
-It was nuts. -John, I don't know what it is, if it's paranoia, | 0:26:47 | 0:26:51 | |
but you go to extreme lengths, now, | 0:26:51 | 0:26:53 | |
to avoid situations of lots of people. | 0:26:53 | 0:26:57 | |
No, no - you know what? | 0:26:57 | 0:26:58 | |
I think with this fame stuff, it really affects you differently, | 0:26:58 | 0:27:01 | |
-everyone has their own individual experience... -Yeah. | 0:27:01 | 0:27:04 | |
..and it depends what kind of life you lived before, | 0:27:04 | 0:27:07 | |
and I always went midnight shopping. | 0:27:07 | 0:27:09 | |
Oh, right - so, this isn't a fame thing? | 0:27:09 | 0:27:10 | |
Guys, do you go midnight shopping, though? | 0:27:10 | 0:27:12 | |
Is it just me, like, in really late, or is that just me? | 0:27:12 | 0:27:14 | |
-No, I've never been midnight shopping. -No-one's done that? | 0:27:14 | 0:27:17 | |
I feel like I want to start. | 0:27:17 | 0:27:18 | |
If you want a snack - not like a full grocery shop. | 0:27:18 | 0:27:20 | |
You don't need to do a full grocery shop - | 0:27:20 | 0:27:22 | |
like, milk, and eggs, all that kind of stuff. | 0:27:22 | 0:27:24 | |
-Crisps and chocolate. -Yeah. -Yeah. -Yeah, all right. Good. | 0:27:24 | 0:27:26 | |
No, but you don't go to the garage - you go to a proper supermarket. | 0:27:26 | 0:27:29 | |
Yeah, yeah - Asda's got something going on there, | 0:27:29 | 0:27:31 | |
you know what I mean? | 0:27:31 | 0:27:33 | |
Go down there, make it work. | 0:27:33 | 0:27:35 | |
Do... Do people recognise you in the middle of the night? | 0:27:35 | 0:27:38 | |
Or do they just go, "That can't be John Boyega"? | 0:27:38 | 0:27:40 | |
Some people do and they go, | 0:27:40 | 0:27:41 | |
"Why would John Boyega be doing that, though?" | 0:27:41 | 0:27:44 | |
And that's the key. That's the key. | 0:27:44 | 0:27:47 | |
-That's key. -Yeah! | 0:27:47 | 0:27:48 | |
Sometimes - I read a thing - you had a very sweet encounter, | 0:27:48 | 0:27:52 | |
-I think it was in an airport? -Oh, yeah. | 0:27:52 | 0:27:53 | |
It was before I was going through customs, | 0:27:53 | 0:27:55 | |
and there was this small little girl with her mum, | 0:27:55 | 0:27:58 | |
and she pinched my jacket, and I turned around, | 0:27:58 | 0:28:00 | |
she was so small, and she was like, "Mr Finn, is your back OK?" | 0:28:00 | 0:28:04 | |
and I was just like, "Um..." | 0:28:04 | 0:28:06 | |
and I looked up at her mum, | 0:28:06 | 0:28:07 | |
and her mum was like, "You'd better lie to my child"! | 0:28:07 | 0:28:10 | |
"Yeah, my back's OK!" | 0:28:13 | 0:28:15 | |
It was just that sweet moment - | 0:28:15 | 0:28:17 | |
because the kids, they don't see you as the actor, | 0:28:17 | 0:28:20 | |
they see you as the character, | 0:28:20 | 0:28:21 | |
but there's still something still so magical about that. | 0:28:21 | 0:28:23 | |
Gwendoline, you got the double whammy. | 0:28:23 | 0:28:25 | |
-You've got Game O and this. -Yeah. -So do you get bothered all the time? | 0:28:25 | 0:28:30 | |
I mean, it can be quite intense, but it... | 0:28:30 | 0:28:33 | |
I think the pinnacle of this intensity manifested itself | 0:28:33 | 0:28:37 | |
at a restaurant fairly recently, | 0:28:37 | 0:28:40 | |
-and I went to the bathroom... -So this is in a restaurant? | 0:28:40 | 0:28:43 | |
Yeah, this is in a restaurant - | 0:28:43 | 0:28:45 | |
and it's a, you know, fairly expensive restaurant, actually. | 0:28:45 | 0:28:48 | |
-Thank you very much! -Thank you very much. -Yes! | 0:28:48 | 0:28:51 | |
And I went into the bathroom, and I went into the stall, | 0:28:51 | 0:28:56 | |
and I went to lower myself into the correct position. | 0:28:56 | 0:29:02 | |
-What I believe to be the correct position. -Yes. | 0:29:02 | 0:29:05 | |
-And then under the door... -No! -..slipped a hand... -No! | 0:29:05 | 0:29:12 | |
-..with a phone... -NO! -..and a female voice said, "Selfie." -NO! -Yes! | 0:29:12 | 0:29:18 | |
Who? Who would do that? | 0:29:18 | 0:29:20 | |
I just said, "No, thank you," and the hand slipped away. | 0:29:20 | 0:29:25 | |
-I suppose these guys were forewarned. For you... -Sure. | 0:29:25 | 0:29:30 | |
-"What? What the hell?" -Yeah, yeah. Well - and it was my first film! | 0:29:30 | 0:29:34 | |
I had done a lot of television and theatre, | 0:29:34 | 0:29:37 | |
but you do one movie, and... | 0:29:37 | 0:29:41 | |
Heck, you know? But I appreciate it now | 0:29:41 | 0:29:44 | |
in a way I couldn't in my 20s. | 0:29:44 | 0:29:47 | |
With a little perspective - cos at that age, you go, "Wow, | 0:29:47 | 0:29:51 | |
"every movie I do will become a pop culture phenomenon!" | 0:29:51 | 0:29:56 | |
Note to self, wrong! | 0:29:56 | 0:29:59 | |
One of the reasons it was good to come back, | 0:29:59 | 0:30:03 | |
is to show the way I am now, | 0:30:03 | 0:30:05 | |
cos there was a long gap where the original fans grew up | 0:30:05 | 0:30:09 | |
and had children of their own, | 0:30:09 | 0:30:10 | |
so, you'd be at the airport and the parents were saying, | 0:30:10 | 0:30:13 | |
"Look who it is - it's Luke Skywalker!" | 0:30:13 | 0:30:16 | |
and this four-year-old, they have no concept of time, | 0:30:16 | 0:30:18 | |
they think we made Star Wars last week, | 0:30:18 | 0:30:20 | |
and they look up at me in my 50s and they were aghast! | 0:30:20 | 0:30:24 | |
"God, this guy really let himself go!" | 0:30:26 | 0:30:29 | |
So, now it's healthy for them to see the ageing process. | 0:30:29 | 0:30:35 | |
It's a relief, because the last thing I want in life | 0:30:35 | 0:30:39 | |
is frightening small children. | 0:30:39 | 0:30:40 | |
-It's not on my list of things I... -Right, it's time for music. | 0:30:40 | 0:30:44 | |
This man has an Oscar, a Golden Globe | 0:30:44 | 0:30:47 | |
and a handful of Grammys to his name, | 0:30:47 | 0:30:49 | |
and now he's back with his second album. | 0:30:49 | 0:30:51 | |
Performing Too Good At Goodbyes, it is Sam Smith. | 0:30:51 | 0:30:55 | |
CHEERING AND APPLAUSE | 0:30:55 | 0:30:57 | |
# You must think that I'm stupid | 0:31:10 | 0:31:13 | |
# You must think that I'm a fool | 0:31:15 | 0:31:20 | |
# You must think that I'm new to this | 0:31:20 | 0:31:24 | |
# But I have seen this all before | 0:31:24 | 0:31:29 | |
# I'm never gonna let you close to me | 0:31:29 | 0:31:32 | |
# Even though you mean the most to me | 0:31:32 | 0:31:35 | |
# Cos every time I open up, it hurts | 0:31:35 | 0:31:39 | |
# So I'm never gonna get too close to you | 0:31:40 | 0:31:42 | |
# Even when I mean the most to you | 0:31:42 | 0:31:45 | |
# In case you go and leave me in the dirt | 0:31:45 | 0:31:49 | |
# But every time you hurt me The less that I cry | 0:31:49 | 0:31:54 | |
# And every time you leave me The quicker these tears dry | 0:31:54 | 0:32:00 | |
# And every time you walk out The less I love you | 0:32:00 | 0:32:05 | |
# Baby, we don't stand a chance It's sad but it's true | 0:32:05 | 0:32:10 | |
# I'm way too good at goodbyes | 0:32:10 | 0:32:12 | |
# I'm way too good at goodbyes | 0:32:12 | 0:32:14 | |
-# I'm way too good at goodbyes -I'm way too good at goodbyes | 0:32:14 | 0:32:20 | |
# I know you're thinking I'm heartless | 0:32:22 | 0:32:27 | |
# I know you're thinking I'm cold | 0:32:27 | 0:32:32 | |
# I'm just protecting my innocence | 0:32:32 | 0:32:36 | |
# I'm just protecting my soul | 0:32:38 | 0:32:43 | |
# I'm never gonna let you close to me | 0:32:43 | 0:32:45 | |
# Even though you mean the most to me | 0:32:45 | 0:32:48 | |
# Cos every time I open up, it hurts | 0:32:48 | 0:32:52 | |
# So I'm never gonna get too close to you | 0:32:52 | 0:32:56 | |
# Even when I mean the most to you | 0:32:56 | 0:32:58 | |
# In case you go and leave me in the dirt | 0:32:58 | 0:33:02 | |
# But every time you hurt me The less that I cry | 0:33:02 | 0:33:07 | |
# And every time you leave me The quicker these tears dry | 0:33:07 | 0:33:13 | |
# And every time you walk out The less I love you | 0:33:13 | 0:33:17 | |
# Baby, we don't stand a chance It's sad but it's true | 0:33:17 | 0:33:23 | |
-# I'm way too good at goodbyes -I'm way too good at goodbyes | 0:33:23 | 0:33:28 | |
-# I'm way too good at goodbyes -I'm way too good at goodbyes | 0:33:28 | 0:33:33 | |
-# No way that you'll see me cry -No way that you'll see me cry | 0:33:33 | 0:33:38 | |
-# I'm way too good at goodbyes -I'm way too good at goodbyes | 0:33:38 | 0:33:43 | |
# No, no, no | 0:33:43 | 0:33:45 | |
-# I'm way too good at goodbyes -No, no, no | 0:33:45 | 0:33:48 | |
# No, no, no | 0:33:48 | 0:33:51 | |
# No, no, no, I'm way too good at goodbyes | 0:33:51 | 0:33:56 | |
# No way that you'll see me cry | 0:33:56 | 0:33:59 | |
-# Oh-oh-oh-oh -I'm way too good at goodbyes | 0:33:59 | 0:34:04 | |
# Cos every time you hurt me The less that I cry | 0:34:04 | 0:34:10 | |
# And every time you leave me The quicker these tears dry | 0:34:10 | 0:34:15 | |
# And every time you walk out The less I love you | 0:34:15 | 0:34:20 | |
# Baby, we don't stand a chance It's sad but it's true | 0:34:20 | 0:34:25 | |
# I'm way too good at goodbyes. # | 0:34:25 | 0:34:30 | |
CHEERING AND APPLAUSE | 0:34:33 | 0:34:35 | |
Sam Smith! Come on over. | 0:34:37 | 0:34:40 | |
That's so beautiful! | 0:34:42 | 0:34:45 | |
Thank you so much. | 0:34:45 | 0:34:46 | |
Come in, sit down. | 0:34:46 | 0:34:48 | |
Sam Smith, meet everybody - Gwendoline, John, Daisy, Mark. | 0:34:48 | 0:34:51 | |
There you go. Lovely, lovely, lovely. | 0:34:51 | 0:34:55 | |
Fantastic. | 0:34:58 | 0:35:00 | |
There you go. | 0:35:00 | 0:35:02 | |
Congratulations. | 0:35:02 | 0:35:04 | |
That, of course, is off the album The Thrill Of It All. | 0:35:04 | 0:35:08 | |
-Well done, you, sir. -Thank you. I'm going to have a glass of wine. | 0:35:08 | 0:35:10 | |
-Do - neck it. -Yeah. | 0:35:10 | 0:35:12 | |
You must be so relieved. | 0:35:13 | 0:35:16 | |
Cos there's always that hiatus, | 0:35:16 | 0:35:17 | |
-and, "Ooh, will it match the first album?" -Yeah. | 0:35:17 | 0:35:19 | |
-This so has! So, congratulations. -Thank you. Thank you. -Yeah! | 0:35:19 | 0:35:22 | |
-It was stressful, it really was. -I can imagine it's wildly stressful. | 0:35:22 | 0:35:26 | |
Yeah. I just want to sing for the rest of my life, | 0:35:26 | 0:35:28 | |
and I just hope that people want to hear me. So... | 0:35:28 | 0:35:30 | |
AUDIENCE CHEERS | 0:35:30 | 0:35:33 | |
No-one's going to stop you! | 0:35:35 | 0:35:37 | |
-That is true. Very true. -Yeah. -I could always sing in the shower. | 0:35:37 | 0:35:40 | |
Yeah - you'll be singing, you're fine. | 0:35:40 | 0:35:42 | |
With this album, it's not - how can I put this - | 0:35:42 | 0:35:45 | |
-it's not the cheeriest... -Oh, no! -..of albums. | 0:35:45 | 0:35:49 | |
Never - I'm not that guy. | 0:35:49 | 0:35:51 | |
You can turn to, like, the Spice Girls for the cheery stuff. | 0:35:51 | 0:35:55 | |
When you're writing those songs, are you feeling it, | 0:35:55 | 0:35:58 | |
or are you just thinking, "Oh, yeah, this is good"? | 0:35:58 | 0:36:00 | |
I've been very unlucky with love, that's the only way I can put it, | 0:36:00 | 0:36:03 | |
-and I just write love songs. That's what I enjoy to... -Yeah. | 0:36:03 | 0:36:06 | |
But I'm excited to... Hopefully the third album will be happy, joyous... | 0:36:06 | 0:36:10 | |
-Oh! -Yeah. -OK. -Yeah. | 0:36:10 | 0:36:13 | |
Now, I don't want to upset the actors on the couch, | 0:36:13 | 0:36:15 | |
but since you were last here you won an Oscar. | 0:36:15 | 0:36:18 | |
APPLAUSE | 0:36:22 | 0:36:23 | |
Take that! | 0:36:25 | 0:36:26 | |
So, is... | 0:36:28 | 0:36:30 | |
Is the Oscar sat in your house? | 0:36:30 | 0:36:32 | |
I almost feel it doesn't count, does it? | 0:36:32 | 0:36:33 | |
It does! It's a proper Oscar. | 0:36:33 | 0:36:35 | |
I can't look at it. | 0:36:35 | 0:36:37 | |
I'm waiting till I'm, like, 60, 70, | 0:36:37 | 0:36:38 | |
and I'm just going to surround myself with my albums and my Oscar | 0:36:38 | 0:36:42 | |
and just cry and eat. | 0:36:42 | 0:36:43 | |
I hide it in this thing in my house. I can't even look at it. | 0:36:45 | 0:36:48 | |
-It's hidden? -Yeah, it freaks me out. | 0:36:48 | 0:36:50 | |
Do you not let friends take pictures with it? | 0:36:50 | 0:36:52 | |
-When I'm drunk. -It's the only reason I'd want to go to your house - | 0:36:52 | 0:36:55 | |
-yeah, that'd be great. -When I'm drunk I'm like, "Look at this!" | 0:36:55 | 0:36:58 | |
Yeah! You... | 0:36:58 | 0:37:00 | |
There's a particular character in Star Wars you are a big fan of... | 0:37:00 | 0:37:03 | |
-Yes. -I notice from the social media. | 0:37:03 | 0:37:06 | |
-Yes. -Did you see the film or did you just meet the creature? | 0:37:06 | 0:37:09 | |
I saw the film as a kid. I was obsessed with the creature, | 0:37:09 | 0:37:13 | |
-and when I was in Japan on tour... -This is Ewoks, by the way. | 0:37:13 | 0:37:16 | |
-Oh! -Being specific, Ewoks. -When I was in Japan on tour, | 0:37:16 | 0:37:20 | |
they were everywhere. | 0:37:20 | 0:37:21 | |
I went to a toy shop and there was this huge life-size Ewok. | 0:37:21 | 0:37:25 | |
-Not... -Life-size. -Life-size. | 0:37:25 | 0:37:27 | |
-Yes... -I had to get it. | 0:37:27 | 0:37:28 | |
-We've got nice pictures of you. -I'm obsessed. | 0:37:28 | 0:37:30 | |
-There you are. -So cute. | 0:37:30 | 0:37:33 | |
is he featured on the album? It looks like you... | 0:37:33 | 0:37:36 | |
"He's leaving me!" | 0:37:38 | 0:37:39 | |
This Ewok is weird looking. | 0:37:41 | 0:37:44 | |
-What's that? -Oh, no, that's a pillow. | 0:37:44 | 0:37:46 | |
-Oh, is that a pillow? -Yeah. | 0:37:46 | 0:37:48 | |
Oh, you haven't just ripped its head off! | 0:37:48 | 0:37:50 | |
"That'll teach you." | 0:37:51 | 0:37:53 | |
I like the Ewok trivia. | 0:37:53 | 0:37:55 | |
You said in an interview that the Ewoks weren't suppose to be Ewoks? | 0:37:55 | 0:37:58 | |
I have no memory of that. | 0:38:00 | 0:38:02 | |
Wasn't it supposed to be a planet of Wookiees? | 0:38:04 | 0:38:06 | |
Oh, that's right - I know what you are talking about now. | 0:38:06 | 0:38:09 | |
Yes, originally George wanted to go to the Wookiee home planet, | 0:38:09 | 0:38:13 | |
but it was cost prohibitive, because you have to build all this... | 0:38:13 | 0:38:16 | |
-A lot of fake fur. -They make those Chewbacca suits hair by hair. | 0:38:16 | 0:38:21 | |
I mean, I visit the creature shop, | 0:38:21 | 0:38:23 | |
and those artists are just incredible, incredibly talented - | 0:38:23 | 0:38:28 | |
but George said, "Well, let's do a shrunken version.." | 0:38:28 | 0:38:31 | |
-Oh! -"..so we don't need to make the costumes so big." | 0:38:31 | 0:38:34 | |
-See, it's very clever. -It is - and cheap. | 0:38:34 | 0:38:37 | |
-And... Yeah. -Yeah. -They're big in Japan. | 0:38:37 | 0:38:40 | |
-I'm waiting for Sam's love song to Ewoks. -I know! -It's coming. | 0:38:41 | 0:38:46 | |
It's coming, it's coming. | 0:38:46 | 0:38:48 | |
We're taking it slow. | 0:38:48 | 0:38:49 | |
Not a lot rhymes with Ewok - apart from the obvious. | 0:38:50 | 0:38:53 | |
Um... | 0:39:05 | 0:39:07 | |
So, now, these guys were talking about the premiere, | 0:39:07 | 0:39:10 | |
and you had similar royal visitors | 0:39:10 | 0:39:13 | |
-at the James Bond premier, didn't you? -Oh, yes. | 0:39:13 | 0:39:16 | |
Yeah, it was exciting - | 0:39:16 | 0:39:18 | |
but they told me that you have to bow, | 0:39:18 | 0:39:21 | |
-and I thought when you bow, you fully go down like that... -Oh, God! | 0:39:21 | 0:39:25 | |
I was at a full right angle. | 0:39:26 | 0:39:29 | |
It was the most embarrassing thing ever. | 0:39:29 | 0:39:31 | |
It looked dirty! | 0:39:31 | 0:39:33 | |
So, anyway, they made it... | 0:39:35 | 0:39:38 | |
So... You were... | 0:39:38 | 0:39:40 | |
I like this, though. I like when people are... | 0:39:40 | 0:39:43 | |
So, you are genuinely angling for an invite? | 0:39:43 | 0:39:46 | |
Oh, hell, yeah, I'm obsessed - have you seen The Crown? | 0:39:46 | 0:39:49 | |
Yeah! | 0:39:49 | 0:39:50 | |
-I wouldn't mention that while asking for an invite. -No, true. | 0:39:50 | 0:39:53 | |
I'm obsessed with them - I love what they wear. | 0:39:53 | 0:39:56 | |
The Queen is so cute. I really want to meet her. | 0:39:56 | 0:39:58 | |
-So, you could be the turn at the reception. -Yeah. | 0:39:59 | 0:40:02 | |
Mind you, a lot of sad dumping songs - | 0:40:02 | 0:40:04 | |
-probably aren't going to be... -I can up it for them. | 0:40:04 | 0:40:06 | |
A happy wedding. | 0:40:06 | 0:40:08 | |
-Nice happy wedding. Do some covers. -Yeah. Rock. -Yeah. | 0:40:08 | 0:40:13 | |
No-one will know. Yeah. | 0:40:13 | 0:40:15 | |
So, the album - congratulations on 2017, | 0:40:15 | 0:40:17 | |
what an amazing year for you... | 0:40:17 | 0:40:19 | |
-Thank you. -..and continued success in 2018. Sam Smith, everybody. | 0:40:19 | 0:40:22 | |
APPLAUSE | 0:40:22 | 0:40:23 | |
That is nearly it, but before we go, | 0:40:26 | 0:40:29 | |
just time for a visit to the Big Red Chair. | 0:40:29 | 0:40:32 | |
Oh, by the way, before we get to the Red Chair... | 0:40:32 | 0:40:34 | |
-Have you seen this? -Yes, yes. | 0:40:34 | 0:40:37 | |
So, this is the lever. | 0:40:37 | 0:40:38 | |
I just want to say, if you want to use your Jedi Master powers | 0:40:38 | 0:40:43 | |
to flip the lever... | 0:40:43 | 0:40:45 | |
-You see how well I did with the orange. -I know, exactly. | 0:40:45 | 0:40:48 | |
So, feel free. | 0:40:48 | 0:40:49 | |
We spent a lot of money - please do it! | 0:40:49 | 0:40:51 | |
Here we go. Who's up first? | 0:40:53 | 0:40:55 | |
-Hello. -Hi. -Hi! | 0:40:55 | 0:40:57 | |
-What's your name? -Bona. -Where do you live? -I live in Oxford. | 0:40:57 | 0:41:01 | |
-Oxford, very nice. What do you do? -I work for the NHS, in finance. | 0:41:01 | 0:41:05 | |
Oh, in finance... AUDIENCE MURMURS | 0:41:05 | 0:41:07 | |
No, don't boo the lady! AUDIENCE CHEERS | 0:41:07 | 0:41:09 | |
-She does a very good job. -Yes, I do! | 0:41:09 | 0:41:11 | |
Well, I don't know - you may be useless. | 0:41:11 | 0:41:12 | |
I have no idea. | 0:41:12 | 0:41:14 | |
You might be about to be fired. We don't know! | 0:41:14 | 0:41:17 | |
-Let's assume she's good at her job. OK, off you go with the story. -OK. | 0:41:17 | 0:41:21 | |
Me and my sister went shopping one day | 0:41:21 | 0:41:24 | |
and I was trying to reverse into a parking space. | 0:41:24 | 0:41:26 | |
So, it was very, very tight, | 0:41:26 | 0:41:28 | |
so I said to my sister, "Can you get out and help me?" | 0:41:28 | 0:41:31 | |
She gets out of the car and she's directing me. | 0:41:31 | 0:41:34 | |
I'm looking in the wing mirror, and she starts hitting my car. | 0:41:34 | 0:41:37 | |
So, I get out of the car, and she went, "The car is on my foot!" | 0:41:37 | 0:41:41 | |
I was like, "What is your foot doing under my...?" Aah! | 0:41:41 | 0:41:44 | |
I hoped for more. | 0:41:45 | 0:41:47 | |
I did it manually. I did it manually. | 0:41:48 | 0:41:51 | |
We don't want to wear it out. I did it manually. | 0:41:51 | 0:41:54 | |
-Shall we have another one? -Sure. -OK. | 0:41:54 | 0:41:57 | |
-Hello! -Hello! | 0:41:57 | 0:41:58 | |
-What is your name? -Lynne. -Lynne, lovely. What do you do? | 0:41:58 | 0:42:01 | |
-I work in a GP's surgery in the treatment room. -OK. | 0:42:01 | 0:42:05 | |
-You don't know Bona in finance, do you? -I don't, no. | 0:42:05 | 0:42:08 | |
No! | 0:42:08 | 0:42:10 | |
I like that you're wearing your lanyard on TV - that's good. | 0:42:13 | 0:42:15 | |
That's a good way for them to identify you and fire you. | 0:42:20 | 0:42:24 | |
OK, off you go with your story. | 0:42:25 | 0:42:27 | |
Right, well, we're going some years back. | 0:42:27 | 0:42:29 | |
I was a prison officer, | 0:42:29 | 0:42:30 | |
-and during that time... -She's lived, hasn't she? | 0:42:30 | 0:42:33 | |
Yes! | 0:42:33 | 0:42:35 | |
Oh, you don't know the half of it! | 0:42:35 | 0:42:37 | |
At the time, it was the prison's responsibility | 0:42:39 | 0:42:42 | |
to take the prisoners to the court hearings. | 0:42:42 | 0:42:47 | |
Unfortunately, I was never a very good traveller, | 0:42:47 | 0:42:50 | |
and between going from the prison to the court | 0:42:50 | 0:42:55 | |
I sat my back to the engine in a vehicle with no windows - | 0:42:55 | 0:42:59 | |
I was feeling pretty horrible by the time I got there. | 0:42:59 | 0:43:02 | |
However, I tried to be brave, carry on, you know, | 0:43:02 | 0:43:06 | |
-with this feeling of water in your mouth constantly. -Yeah, yes. | 0:43:06 | 0:43:10 | |
Anyway, we took the prisoner up to the dock | 0:43:10 | 0:43:13 | |
where the judge started to run through some of the awful things | 0:43:13 | 0:43:17 | |
that had happened in this case, | 0:43:17 | 0:43:19 | |
whereupon I threw up on the back of the prisoner... | 0:43:19 | 0:43:22 | |
..at which time he was taken back to the cells, | 0:43:25 | 0:43:28 | |
I was sent home and I never done court duty again. | 0:43:28 | 0:43:30 | |
-It peaked at the vomit. It peaked at the vomit. -It did. | 0:43:38 | 0:43:41 | |
-You're a cruel man, but fair. -I think so. | 0:43:41 | 0:43:44 | |
Let's have another one. | 0:43:44 | 0:43:45 | |
-Oh, hello. -Hello! -Oh, wow! | 0:43:45 | 0:43:48 | |
I wonder if he's a Star Wars fan... | 0:43:48 | 0:43:52 | |
-What's your name, sir? -I'm Jason. | 0:43:52 | 0:43:54 | |
Jason, lovely. Where do you live, Jason? | 0:43:54 | 0:43:56 | |
Er, Tatooine. | 0:43:56 | 0:43:58 | |
MUSIC: Yoda And The Force Go on, do... | 0:44:01 | 0:44:03 | |
Oh... Oh, yeah...! | 0:44:03 | 0:44:05 | |
Oh, well done! | 0:44:05 | 0:44:07 | |
APPLAUSE That was good. | 0:44:07 | 0:44:10 | |
Well done, everyone. | 0:44:13 | 0:44:14 | |
If you'd like to join us on the show and have a go in the Red Chair, | 0:44:14 | 0:44:17 | |
go on our website at this very address... | 0:44:17 | 0:44:19 | |
That is it for tonight. | 0:44:19 | 0:44:20 | |
Please say a huge thank you to my guests - Mr Sam Smith... | 0:44:20 | 0:44:23 | |
APPLAUSE | 0:44:23 | 0:44:24 | |
..Gwendoline Christie... | 0:44:24 | 0:44:25 | |
APPLAUSE | 0:44:25 | 0:44:27 | |
..John Boyega... | 0:44:27 | 0:44:28 | |
APPLAUSE | 0:44:28 | 0:44:29 | |
..Daisy Ridley... | 0:44:29 | 0:44:30 | |
APPLAUSE | 0:44:30 | 0:44:31 | |
..and Mr Mark Hamill. | 0:44:31 | 0:44:33 | |
APPLAUSE | 0:44:33 | 0:44:35 | |
Join me next week with singer Tom Chaplin, | 0:44:35 | 0:44:38 | |
top TV chef Jamie Oliver, Victoria star Jenna Coleman | 0:44:38 | 0:44:41 | |
and the one and only Will Smith. | 0:44:41 | 0:44:43 | |
I'll see you then - good night, everybody. Bye-bye! | 0:44:43 | 0:44:46 | |
APPLAUSE | 0:44:46 | 0:44:48 |