Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hey, everyone, this is Dwayne Johnson saying, | 0:00:02 | 0:00:04 | |
welcome to the Graham Norton Show! | 0:00:04 | 0:00:06 | |
CHEERING AND APPLAUSE | 0:00:06 | 0:00:08 | |
This programme contains some strong language. | 0:00:10 | 0:00:14 | |
Hello! | 0:00:26 | 0:00:28 | |
Hello! Hello! Good evening! | 0:00:28 | 0:00:32 | |
You're so welcome. | 0:00:32 | 0:00:34 | |
Lovely to see you! Hello! Hi! | 0:00:34 | 0:00:36 | |
We've got a great show for you tonight. | 0:00:36 | 0:00:40 | |
I know I always say it's a packed sofa, but tonight, it really is. | 0:00:40 | 0:00:43 | |
It's an embarrassment of riches. | 0:00:43 | 0:00:45 | |
Later we'll have a visit from three stars of the new Jumanji film, | 0:00:45 | 0:00:48 | |
Welcome To The Jungle - they are Jack Black, | 0:00:48 | 0:00:50 | |
Kevin Hart and Dwayne "The Rock" Johnson! | 0:00:50 | 0:00:53 | |
CHEERING AND APPLAUSE Yes! They will be here. | 0:00:53 | 0:00:57 | |
And we'll have music from Noel Gallagher's High Flying Birds! | 0:00:57 | 0:01:01 | |
CHEERING AND APPLAUSE | 0:01:01 | 0:01:03 | |
So, whip-crack-away, not a moment to waste. | 0:01:03 | 0:01:07 | |
Let's get my first guests on! | 0:01:07 | 0:01:09 | |
She's the Aussie star of Bridesmaids and How To Be Single, | 0:01:09 | 0:01:12 | |
now reprising her role as Fat Amy in Pitch Perfect 3, it's Rebel Wilson! | 0:01:12 | 0:01:17 | |
CHEERING AND APPLAUSE | 0:01:17 | 0:01:19 | |
Whoa! Whoa! | 0:01:19 | 0:01:23 | |
They love you, they love you! | 0:01:23 | 0:01:24 | |
She's made us laugh for 30 years as one half of French and Saunders and | 0:01:29 | 0:01:33 | |
the whole of the Vicar Of Dibley, | 0:01:33 | 0:01:35 | |
it's always a pleasure to welcome... Dawn French, everybody! | 0:01:35 | 0:01:38 | |
CHEERING AND APPLAUSE | 0:01:38 | 0:01:40 | |
So pretty, so pretty! Hello, darling. | 0:01:41 | 0:01:44 | |
Dawn, Rebel. Rebel, Dawn. | 0:01:44 | 0:01:47 | |
Move over a bit. | 0:01:47 | 0:01:48 | |
And she's the Oscar-nominated star of The Help, | 0:01:48 | 0:01:52 | |
Zero Dark Thirty and The Martian, | 0:01:52 | 0:01:53 | |
now she brings us the incredible true story, Molly's Game, | 0:01:53 | 0:01:57 | |
it's the fabulous Jessica Chastain! | 0:01:57 | 0:01:59 | |
CHEERING AND APPLAUSE | 0:01:59 | 0:02:02 | |
-Whoo! -Whoo! -Whoo! | 0:02:02 | 0:02:04 | |
Hello, darling. Lovely to see you! | 0:02:04 | 0:02:07 | |
-Whoo! Whoo! -Whoo! -Whoo! -Hi, ladies. Hi! -Yeah, hi! | 0:02:13 | 0:02:17 | |
I feel like I'm hosting Blind Date! | 0:02:17 | 0:02:20 | |
Are you going to match us with the other three that come on next? | 0:02:20 | 0:02:23 | |
-Yes, we'll do that, yes. -OK. -I'd be up for that. | 0:02:23 | 0:02:25 | |
I'D be up for that. | 0:02:25 | 0:02:28 | |
This is a good celebrity format. | 0:02:28 | 0:02:29 | |
You wouldn't be up for that because you just got married. | 0:02:29 | 0:02:32 | |
I did! | 0:02:32 | 0:02:34 | |
APPLAUSE AND CHEERING | 0:02:34 | 0:02:36 | |
-Nice rock! -It looks like you married your finger. | 0:02:36 | 0:02:39 | |
"Yes, I got married!" | 0:02:39 | 0:02:42 | |
-That's very blingy. -I know. | 0:02:42 | 0:02:44 | |
-We've got a picture of you with your husband, there he is. -Oh, yes! | 0:02:44 | 0:02:47 | |
-Gian Luca. -Gian Luca. -Gian Lu-u-u-c-a-a-a! | 0:02:47 | 0:02:51 | |
Ciao! Come stai? Gianluca! | 0:02:51 | 0:02:54 | |
Now, are you hanging with Italians now? | 0:02:54 | 0:02:56 | |
I am and it's actually hysterical | 0:02:56 | 0:02:58 | |
because the more time I hang out with someone, I start to take on | 0:02:58 | 0:03:01 | |
their characteristics without really trying. | 0:03:01 | 0:03:04 | |
See, I just did it! "Try-ing-a!" | 0:03:05 | 0:03:08 | |
So I've had people come up to me and go, "Do you have an accent?" | 0:03:08 | 0:03:12 | |
And I'm starting to sound like an Italian, | 0:03:12 | 0:03:14 | |
which is not necessarily a bad thing except sometimes-a, | 0:03:14 | 0:03:18 | |
when you talk-a, | 0:03:18 | 0:03:20 | |
you end up with a little "a" at the end of every sentence. | 0:03:20 | 0:03:23 | |
Dawn, you don't really have an accent. | 0:03:23 | 0:03:25 | |
I don't have an accent. I'm from the West Country | 0:03:25 | 0:03:28 | |
so there are people down there that have an accent. | 0:03:28 | 0:03:30 | |
My family has a Cornish accent, | 0:03:30 | 0:03:33 | |
but I have actually just done a series called Delicious, | 0:03:33 | 0:03:36 | |
where I had to play an Italian chef | 0:03:36 | 0:03:39 | |
and my dad in it was played by Franco Nero, do you know him? | 0:03:39 | 0:03:43 | |
Wonderful actor, he was in the Guns Of Navarone years ago. | 0:03:43 | 0:03:47 | |
And anyway, he plays my dad and he's Italian-a, | 0:03:47 | 0:03:50 | |
and he told me you can say anything so long as you do this. | 0:03:50 | 0:03:54 | |
If you do that, you're Italian. It helps. | 0:03:55 | 0:03:57 | |
Because Rebel Wilson, working actress... | 0:03:57 | 0:04:00 | |
Oh, yeah, still. | 0:04:00 | 0:04:02 | |
Are you Italian at all, in any way? | 0:04:02 | 0:04:04 | |
No, I got my DNA tested | 0:04:04 | 0:04:06 | |
and they said I'm 100% white. | 0:04:06 | 0:04:08 | |
I was hoping for something. | 0:04:12 | 0:04:14 | |
-No. -But you are working on an accent, though. | 0:04:14 | 0:04:17 | |
Yeah, I was just doing a South African accent | 0:04:17 | 0:04:21 | |
for a movie so I will do a little bit. | 0:04:21 | 0:04:23 | |
-IN STRONG ACCENT: -It's a pleasure to meet a fellow wildlife enthusiast. | 0:04:26 | 0:04:31 | |
I love the Springboks myself. | 0:04:31 | 0:04:32 | |
APPLAUSE AND LAUGHTER Very good! | 0:04:32 | 0:04:36 | |
That WAS good, yes. | 0:04:37 | 0:04:40 | |
Please, everybody, you come to my house and share in my "ahse-cream"! | 0:04:40 | 0:04:45 | |
LAUGHTER | 0:04:45 | 0:04:46 | |
-It's a good accent. -It IS a good accent! | 0:04:48 | 0:04:52 | |
Talking of congratulations for getting married, | 0:04:52 | 0:04:54 | |
congratulations on your big court case win, | 0:04:54 | 0:04:57 | |
Erin Brockovich right there. | 0:04:57 | 0:04:58 | |
-Thanks! Yes! -APPLAUSE | 0:04:58 | 0:05:01 | |
I mean, it must have been quite nervous-making | 0:05:02 | 0:05:05 | |
because once you've won, then it's like, "Yay!" | 0:05:05 | 0:05:09 | |
-Woohoo! -But, you know... -I mean, it's scary, | 0:05:09 | 0:05:12 | |
I've never committed a crime or anything, | 0:05:12 | 0:05:14 | |
so I've never been in court, | 0:05:14 | 0:05:16 | |
and it's a really weird experience. | 0:05:16 | 0:05:19 | |
You've got to testify and you've got to be really serious | 0:05:19 | 0:05:22 | |
in front of the judge. | 0:05:22 | 0:05:24 | |
But sometimes the judge would make jokes and then sometimes | 0:05:24 | 0:05:27 | |
he would quote Shakespeare, which was really interesting. | 0:05:27 | 0:05:30 | |
Yeah, and I was like, "I think I'm going to win." | 0:05:30 | 0:05:33 | |
But, yeah, it was actually the highest damages pay-out ever | 0:05:36 | 0:05:40 | |
in Australian history. | 0:05:40 | 0:05:42 | |
You took a magazine to court. | 0:05:42 | 0:05:44 | |
Yes, that was owned by German billionaires, | 0:05:44 | 0:05:48 | |
-so don't feel sorry for them. -What did they do? | 0:05:48 | 0:05:51 | |
They defamed me. | 0:05:51 | 0:05:54 | |
Oh, I wish I'd been defamed. | 0:05:54 | 0:05:55 | |
Yeah, I know. | 0:05:55 | 0:05:57 | |
No-one wants to defame me. | 0:05:57 | 0:05:59 | |
You can make millions. | 0:05:59 | 0:06:00 | |
I'm giving it all away to charity, though, | 0:06:02 | 0:06:05 | |
but I won close to five million. | 0:06:05 | 0:06:07 | |
Woo! Well done, that lady! | 0:06:07 | 0:06:10 | |
Good for you. | 0:06:10 | 0:06:11 | |
Now, lots of stuff on tonight, | 0:06:12 | 0:06:14 | |
but the first film stars Jessica Chastain in Molly's Game. | 0:06:14 | 0:06:17 | |
It opens on the 1st of January. | 0:06:17 | 0:06:19 | |
It's not only written by the great Aaron Sorkin, | 0:06:19 | 0:06:21 | |
but it's also his first time directing. | 0:06:21 | 0:06:25 | |
It's a true story, so Molly Bloom... Describe who is Molly Bloom | 0:06:25 | 0:06:29 | |
and why are we interested in her story? | 0:06:29 | 0:06:31 | |
So Molly Bloom was ranked third in women's moguls, | 0:06:31 | 0:06:34 | |
she was on her way to the Olympics, on her way to law school, | 0:06:34 | 0:06:37 | |
and she had an accident. | 0:06:37 | 0:06:39 | |
So she ended up in Los Angeles and started running the most exclusive | 0:06:39 | 0:06:43 | |
high-stakes poker game in the world. | 0:06:43 | 0:06:45 | |
Unbeknownst to her, she lets in members of the Russian Mafia | 0:06:45 | 0:06:48 | |
and she gets indicted by the FBI. | 0:06:48 | 0:06:51 | |
So it sounds like a Hollywood fake story, but it's a true story. | 0:06:51 | 0:06:55 | |
Yeah, and she wrote a book but she was very careful in her book because | 0:06:55 | 0:06:59 | |
there were a lot of high-profile people in these card games | 0:06:59 | 0:07:02 | |
in Los Angeles, Hollywood types. | 0:07:02 | 0:07:04 | |
She didn't name them, but presumably, because of who YOU are, | 0:07:04 | 0:07:07 | |
you have now met... | 0:07:07 | 0:07:09 | |
Or have people come up to you and said, "Oh, I'm in your film, | 0:07:09 | 0:07:12 | |
-"you don't know this." -Yes, I've met some people who have played | 0:07:12 | 0:07:15 | |
in her game. I knew some of the guys. | 0:07:15 | 0:07:16 | |
I mean, we're talking big celebrities, | 0:07:16 | 0:07:18 | |
big, you know, athletes. | 0:07:18 | 0:07:21 | |
So I met some of the guys in New York. | 0:07:21 | 0:07:23 | |
They took me to an actual poker game, | 0:07:23 | 0:07:26 | |
which was really stressful because I watched, this one guy who took me, | 0:07:26 | 0:07:30 | |
I watched him lose, like, 500,000 | 0:07:30 | 0:07:32 | |
in a couple of hours, which first of all, that's just crazy | 0:07:32 | 0:07:36 | |
to lose that in a couple of hours, | 0:07:36 | 0:07:38 | |
but I really felt like I was the bringer of bad luck | 0:07:38 | 0:07:41 | |
-in that situation. -Yes. | 0:07:41 | 0:07:44 | |
Rebel, are you a gambler? | 0:07:44 | 0:07:45 | |
My earliest memory, | 0:07:45 | 0:07:47 | |
I was out at a farm and I'm holding a horse and they said to me, | 0:07:47 | 0:07:51 | |
"Do you like that horse?" It was a racehorse, and I go, "Uh, yeah." | 0:07:51 | 0:07:55 | |
They go, "Good, cos it's your horse." | 0:07:55 | 0:07:58 | |
I remember, like, not knowing what they meant, | 0:07:58 | 0:08:01 | |
and they put it under my name | 0:08:01 | 0:08:04 | |
for tax evasion reasons. | 0:08:04 | 0:08:06 | |
So...my dad and nana had racehorses. | 0:08:07 | 0:08:10 | |
So I was at the track a lot | 0:08:10 | 0:08:14 | |
and I kind of was very good at maths | 0:08:14 | 0:08:18 | |
and I became very good at a young age at betting on the horses - | 0:08:18 | 0:08:22 | |
the gee-gees, as my nana would call them. | 0:08:22 | 0:08:25 | |
And when I was six, | 0:08:25 | 0:08:27 | |
I won a box trifecta at the races | 0:08:27 | 0:08:30 | |
and won, like, 1,600, | 0:08:30 | 0:08:33 | |
and my dad took all the money | 0:08:33 | 0:08:35 | |
and just gave me 5. | 0:08:35 | 0:08:37 | |
My uncle was like, "What are you doing?" | 0:08:38 | 0:08:40 | |
And he was like, "She'll never remember," but I remember. | 0:08:40 | 0:08:42 | |
LAUGHTER | 0:08:42 | 0:08:44 | |
-I lost, like, 1,595! -APPLAUSE | 0:08:45 | 0:08:49 | |
In Australia, are they called the trots, the horse racing? | 0:08:51 | 0:08:55 | |
-Yeah, the trots. -You bet on the trots. | 0:08:55 | 0:08:58 | |
-Yeah. -That's a different thing here. | 0:08:58 | 0:09:01 | |
-Is it? -Yeah, I wouldn't be betting on it. | 0:09:01 | 0:09:03 | |
You certainly don't want to win at the trots. | 0:09:03 | 0:09:06 | |
-No, you don't want to win. -I have no idea what's going on here. | 0:09:06 | 0:09:09 | |
It's an upset tummy, basically. | 0:09:09 | 0:09:10 | |
Why's that? Is it because you trot to the loo? | 0:09:12 | 0:09:14 | |
-I guess so. You're trotting very, very fast. -Oh, God! | 0:09:14 | 0:09:17 | |
Anyhoo! | 0:09:21 | 0:09:23 | |
We've got a clip. This is a scene with Idris Elba, | 0:09:23 | 0:09:25 | |
who plays your lawyer, and he's sort of urging you... | 0:09:25 | 0:09:29 | |
-Oh, Idris! -Idris! | 0:09:29 | 0:09:30 | |
Did he say anything about me? | 0:09:30 | 0:09:32 | |
Every single day. | 0:09:33 | 0:09:36 | |
Did he say anything about me? | 0:09:36 | 0:09:38 | |
Every single day. | 0:09:39 | 0:09:41 | |
We're still in there! | 0:09:41 | 0:09:43 | |
We can have an Idris sandwich. | 0:09:44 | 0:09:46 | |
The rest of us will all be looking at you in this scene! | 0:09:49 | 0:09:52 | |
Idris Elba, who plays the lawyer and he's urging you to take the deal | 0:09:52 | 0:09:55 | |
that's been offered. | 0:09:55 | 0:09:57 | |
-You didn't do anything wrong. -I threw four people under the bus | 0:09:57 | 0:09:59 | |
for 35,000, Charlie. I notice you kept that out of your speech | 0:09:59 | 0:10:02 | |
-to prosecutors. -Don't do that to me. | 0:10:02 | 0:10:04 | |
I took advantage of gambling addicts. | 0:10:04 | 0:10:05 | |
Donnie Silverman, my brilliant find, he lost 6 million on my table... | 0:10:05 | 0:10:10 | |
-Stop! Stop! -..moved to Florida, | 0:10:10 | 0:10:11 | |
got a job as a substitute teacher, then hanged himself in his shower. | 0:10:11 | 0:10:15 | |
-That's not your fault! -Donnie Silverman is dead, | 0:10:15 | 0:10:17 | |
Harlan Eustace is in jail in Nevada wishing HE was, | 0:10:17 | 0:10:20 | |
but that's not why I'm saying no. | 0:10:20 | 0:10:22 | |
-You're not saying no... -I was named after my great-grandmother... | 0:10:22 | 0:10:24 | |
-I don't care. -Molly Bloom is my name. -We will stay all night | 0:10:24 | 0:10:27 | |
until you understand | 0:10:27 | 0:10:29 | |
-nobody gives a shit about your good name. -I do! -Why? | 0:10:29 | 0:10:33 | |
-Because it's... -Why? -Because... -Tell me why. | 0:10:33 | 0:10:35 | |
Because it's all I have left. | 0:10:35 | 0:10:37 | |
Because it's my name. | 0:10:39 | 0:10:41 | |
OK, now... | 0:10:45 | 0:10:46 | |
You may be aware that Christmas is coming, and Dawn French brings us | 0:10:48 | 0:10:54 | |
an ideal gift - and so easy to wrap. | 0:10:54 | 0:10:58 | |
SO easy to wrap! | 0:10:58 | 0:10:59 | |
It's Dawn French - Me, You, A Diary. | 0:10:59 | 0:11:02 | |
And this is a clever idea. | 0:11:02 | 0:11:04 | |
It's sort of your diary, your life, your thoughts, | 0:11:04 | 0:11:08 | |
but equally it works as the purchaser's diary. | 0:11:08 | 0:11:11 | |
That's exactly right. I've written it, | 0:11:11 | 0:11:14 | |
I've written 12 pieces about the months and four pieces | 0:11:14 | 0:11:17 | |
about the seasons, which are kind of metaphors for ages in our life, | 0:11:17 | 0:11:23 | |
but I've also written kind of lists in there | 0:11:23 | 0:11:26 | |
and written little tasks for people to do. | 0:11:26 | 0:11:28 | |
There's a page there where I invite you to write that letter | 0:11:28 | 0:11:32 | |
that you've been meaning to write, that you know you need to, | 0:11:32 | 0:11:36 | |
and if you don't know how to start it, I've given you some clues. | 0:11:36 | 0:11:39 | |
It might start with, "I'm sorry about..." or, | 0:11:39 | 0:11:43 | |
"How did we ever get to..." | 0:11:43 | 0:11:44 | |
or "Perhaps you could return my lawn mower," or whatever. | 0:11:44 | 0:11:48 | |
And then you can rip that page out. | 0:11:48 | 0:11:50 | |
If you look at the very back, there's a rather lovely flap. | 0:11:50 | 0:11:53 | |
I loved your flap. Yes! | 0:11:53 | 0:11:56 | |
Yes! | 0:11:56 | 0:11:57 | |
We ALL need a back flap. | 0:12:00 | 0:12:01 | |
But you put the letter in there, and by the time you get to December, | 0:12:03 | 0:12:07 | |
you can just read that letter again and decide if you want to post it or | 0:12:07 | 0:12:10 | |
if just having written it is enough. | 0:12:10 | 0:12:13 | |
-So it's an interactive book. -That's a good idea. | 0:12:13 | 0:12:16 | |
You can use that book to write your dental appointments in, | 0:12:16 | 0:12:19 | |
you can write it as a journal, | 0:12:19 | 0:12:21 | |
and I hope by the end of the year that is a fatter, scruffier, | 0:12:21 | 0:12:25 | |
scrapbook of a book that becomes your treasure about you. | 0:12:25 | 0:12:29 | |
And it's funny because you're not claiming, | 0:12:29 | 0:12:31 | |
you know, "I know everything," | 0:12:31 | 0:12:33 | |
but you are saying, "I've been around, here's some stuff I know." | 0:12:33 | 0:12:37 | |
Well, I turned 60 this year and... | 0:12:37 | 0:12:40 | |
No! | 0:12:40 | 0:12:41 | |
-APPLAUSE -I think you missed your cue! | 0:12:41 | 0:12:44 | |
Because I did, I've written novels as you know, and I thought, | 0:12:49 | 0:12:53 | |
no, I want to write a book that's kind of a present. | 0:12:53 | 0:12:56 | |
I want to write a book that's celebratory | 0:12:56 | 0:12:59 | |
and enjoyable to take part in. | 0:12:59 | 0:13:01 | |
"Advice to be ignored," right, | 0:13:01 | 0:13:03 | |
so these are things people tell you | 0:13:03 | 0:13:06 | |
that you should do that you should ignore. | 0:13:06 | 0:13:08 | |
So, do you remember any of these? | 0:13:08 | 0:13:10 | |
I remember some things. | 0:13:10 | 0:13:12 | |
Don't go out with wet hair. | 0:13:12 | 0:13:14 | |
That's absolutely things that your parents have told you, yes. | 0:13:14 | 0:13:17 | |
Don't swim within eight hours of eating, that's nonsense. | 0:13:17 | 0:13:20 | |
Don't keep your coat on indoors | 0:13:20 | 0:13:22 | |
or you won't feel the benefit - nonsense. | 0:13:22 | 0:13:24 | |
-Nonsense. -This one though - don't lick a cat's bottom. | 0:13:24 | 0:13:28 | |
That is GOOD advice, I would have thought. | 0:13:28 | 0:13:31 | |
It's good advice and I advise you to follow it. | 0:13:31 | 0:13:33 | |
I wish someone had told me that! | 0:13:33 | 0:13:35 | |
I thought it was lucky. | 0:13:37 | 0:13:38 | |
Funnily enough, there is an old wives' tale | 0:13:40 | 0:13:42 | |
that if you get a new cat... Ha-ha! | 0:13:42 | 0:13:45 | |
-And if you spread butter on its bum... -Oh, my gosh. | 0:13:46 | 0:13:49 | |
..you let the cat lick the butter off, | 0:13:49 | 0:13:52 | |
in that time the cat gets used to the house where it is. | 0:13:52 | 0:13:56 | |
-But obviously... -Oh, I see, | 0:13:56 | 0:13:58 | |
-so it won't move away because it's so enjoying its own bum. -Exactly. | 0:13:58 | 0:14:02 | |
I'd heard this, and when we got our first kitten many, many years ago, | 0:14:02 | 0:14:06 | |
I remember saying to Len, my then husband, | 0:14:06 | 0:14:09 | |
my first husband, as I like to refer to him, | 0:14:09 | 0:14:11 | |
I said to him, "You know that old thing about the cat | 0:14:11 | 0:14:14 | |
"licking the butter off the bum?" | 0:14:14 | 0:14:17 | |
And his face | 0:14:17 | 0:14:19 | |
was so shocked, and I went, "Yeah, you have to lick it. | 0:14:19 | 0:14:22 | |
"As the owner, you have to lick the cat's bottom. | 0:14:22 | 0:14:24 | |
"Are you OK with that?" | 0:14:24 | 0:14:26 | |
And literally, he nearly did. | 0:14:26 | 0:14:28 | |
You know when you think, | 0:14:30 | 0:14:31 | |
"Oh, OK, this is something I don't understand but I'd better do it." | 0:14:31 | 0:14:34 | |
But anyway, he didn't do it, I didn't allow that. | 0:14:34 | 0:14:37 | |
As you say, 60 years old, you've got a lot of attention, | 0:14:37 | 0:14:42 | |
you've got this portrait done. | 0:14:42 | 0:14:44 | |
Did you get this done for your birthday? | 0:14:44 | 0:14:46 | |
-WOLF-WHISTLES -Well, the thing was my friend Trevor Leighton, who's been, you know, | 0:14:46 | 0:14:50 | |
my friend for a lot of years and a wonderful photographer, | 0:14:50 | 0:14:53 | |
we were doing some other stuff for a magazine cover and he was staying | 0:14:53 | 0:14:57 | |
at my house and we did that at my house in the morning. | 0:14:57 | 0:15:00 | |
-So, yeah, he was there. -Just got out of bed, yeah. | 0:15:00 | 0:15:03 | |
You know, it's horrible having your picture taken, isn't it? | 0:15:03 | 0:15:06 | |
But he is my friend and he's talking to me all the time and he's funny, | 0:15:06 | 0:15:09 | |
so it was very easy to do. | 0:15:09 | 0:15:11 | |
And he said, "Let's do a picture to celebrate being 60." | 0:15:11 | 0:15:14 | |
-And it's a fabulous picture. You look brilliant in it. -Thanks. | 0:15:14 | 0:15:16 | |
And he actually took a picture of you, | 0:15:16 | 0:15:18 | |
is this from 1981, this picture? | 0:15:18 | 0:15:20 | |
This one. LAUGHTER | 0:15:20 | 0:15:22 | |
Yeah, God, that was the first house I shared with Jennifer, actually, | 0:15:22 | 0:15:26 | |
and that's Spider, our cat. | 0:15:26 | 0:15:28 | |
Now, I don't want to be rude, but did you know | 0:15:28 | 0:15:30 | |
a photographer was coming round? | 0:15:30 | 0:15:32 | |
Because there appear to be old tights and about a week's worth | 0:15:34 | 0:15:38 | |
-of newspapers hanging there. -I thought they'd just crop it. | 0:15:38 | 0:15:41 | |
That bad mullet hairdo. It's appalling. | 0:15:41 | 0:15:45 | |
Hey, Dawn, who licked that cat's butt - you or Jennifer? | 0:15:45 | 0:15:48 | |
All I'm saying is, look how attached that cat is to me. | 0:15:48 | 0:15:52 | |
Yeah, that cat is going, "I'm ready." | 0:15:53 | 0:15:55 | |
-"I know who my bottom licker is." -"Assume the position." | 0:15:58 | 0:16:01 | |
Now, if you want to see Dawn French, do not worry. | 0:16:05 | 0:16:07 | |
She will be on television over the festive period. | 0:16:07 | 0:16:10 | |
300 Years Of French And Saunders... | 0:16:10 | 0:16:12 | |
Yeah. | 0:16:12 | 0:16:13 | |
..which is on BBC One, Christmas Day at 10:35pm. | 0:16:13 | 0:16:16 | |
-Wow, good slot. -Yes. | 0:16:16 | 0:16:19 | |
APPLAUSE | 0:16:19 | 0:16:21 | |
And I should mention, your comedy drama Delicious returns | 0:16:24 | 0:16:27 | |
for a second series on Sky One from Friday the 29th, at 9pm. | 0:16:27 | 0:16:31 | |
And this is a big hit for Sky. | 0:16:31 | 0:16:34 | |
It was, yes. Their biggest drama last year, thank goodness. | 0:16:34 | 0:16:37 | |
Oh, I love making this show. | 0:16:37 | 0:16:39 | |
We make it in Cornwall, that's Emilia Fox there, | 0:16:39 | 0:16:42 | |
who is my friend and enemy in this show. | 0:16:42 | 0:16:45 | |
And there's a woman, you know, my daughter's 20, Emelia's 40, I'm 60, | 0:16:45 | 0:16:51 | |
Sheila Hancock is 80, | 0:16:51 | 0:16:52 | |
and it's about these four women and how they rub along together, | 0:16:52 | 0:16:57 | |
what they have to forgive each other, what they keep secret | 0:16:57 | 0:17:00 | |
from each other and how they work it out in the end. | 0:17:00 | 0:17:02 | |
We have a clip. This is you and Emilia having an altercation. | 0:17:02 | 0:17:07 | |
-NOT working it out. -OK. | 0:17:07 | 0:17:08 | |
-You disappeared earlier. -Sorry, I had to see someone. | 0:17:10 | 0:17:13 | |
-And? -And so we need to rearrange the interviews. | 0:17:13 | 0:17:17 | |
No need. | 0:17:17 | 0:17:18 | |
You hired someone without consulting me? | 0:17:20 | 0:17:22 | |
Well, the executive chef wasn't here, | 0:17:22 | 0:17:25 | |
so I made an executive decision. | 0:17:25 | 0:17:27 | |
-My staff... -Our business, which you just walked out on. | 0:17:27 | 0:17:31 | |
His name's Adam, he starts tomorrow. | 0:17:31 | 0:17:33 | |
If he can't cook, he's fired. | 0:17:35 | 0:17:37 | |
I'm taking the night off. | 0:17:39 | 0:17:41 | |
Penrose is all yours. | 0:17:41 | 0:17:43 | |
Ooh... | 0:17:43 | 0:17:46 | |
Very good. | 0:17:47 | 0:17:48 | |
Now, Rebel Wilson brings us the third instalment in... | 0:17:50 | 0:17:53 | |
This is such a big film franchise, Pitch Perfect 3. | 0:17:53 | 0:17:56 | |
Yeah, number three. A trilogy. | 0:17:56 | 0:17:58 | |
APPLAUSE AND CHEERING | 0:17:58 | 0:18:01 | |
It's out on the 20th of December, and it's funny how you can talk | 0:18:01 | 0:18:05 | |
to some people and they don't get it, | 0:18:05 | 0:18:07 | |
like they don't understand how successful this franchise is. | 0:18:07 | 0:18:11 | |
Pitch Perfect 2 is the highest grossing musical comedy of all time. | 0:18:11 | 0:18:15 | |
Wow! | 0:18:15 | 0:18:17 | |
Yeah. | 0:18:17 | 0:18:18 | |
School Of Rock is number two, Jack Black. | 0:18:18 | 0:18:22 | |
LAUGHTER | 0:18:22 | 0:18:24 | |
Yeah, like, we can't believe how successful it's become. | 0:18:24 | 0:18:28 | |
And it's so cool, because we're all friends in the cast | 0:18:28 | 0:18:32 | |
and so we want to work together again. | 0:18:32 | 0:18:34 | |
Like, it would suck if they were all bitches. | 0:18:34 | 0:18:37 | |
I'd be like, "Oh, another movie." | 0:18:37 | 0:18:39 | |
I was the first person ever cast in Pitch Perfect, | 0:18:39 | 0:18:42 | |
I was cast four months before anybody else | 0:18:42 | 0:18:45 | |
and I DID have to sing in the audition | 0:18:45 | 0:18:47 | |
and I was a little nervous, but then I thought, | 0:18:47 | 0:18:51 | |
"Just crush it." So... | 0:18:51 | 0:18:54 | |
What did you sing for your audition? | 0:18:54 | 0:18:55 | |
I sang Lady Gaga, Edge Of Glory, but I did my own body percussion | 0:18:55 | 0:19:01 | |
-to accompany it. -How do you do that? | 0:19:01 | 0:19:04 | |
Should I try to recreate it? | 0:19:04 | 0:19:07 | |
-Yes, please! -All right. -APPLAUSE AND CHEERING | 0:19:07 | 0:19:10 | |
So, I haven't done this in, like, seven years. | 0:19:11 | 0:19:14 | |
-OK, so... -Do we need goggles? | 0:19:16 | 0:19:18 | |
-Are you going to be the casting director? -Yeah. -So, OK. | 0:19:18 | 0:19:22 | |
I'm Rebel, I'm five foot four, | 0:19:22 | 0:19:24 | |
still single. | 0:19:24 | 0:19:26 | |
Here's my song. OK. | 0:19:27 | 0:19:28 | |
# I'm on the edge of glory | 0:19:32 | 0:19:36 | |
# And I'm hanging on a moment of truth | 0:19:36 | 0:19:40 | |
# I'm on the edge of glory | 0:19:40 | 0:19:44 | |
# And I'm hanging on a moment with you | 0:19:44 | 0:19:48 | |
# I'm on the edge The edge, the edge, the edge | 0:19:48 | 0:19:52 | |
# The edge, the edge, the e-e-e-e-dge | 0:19:52 | 0:19:58 | |
# I'm on the edge of glory... # | 0:19:58 | 0:20:03 | |
APPLAUSE AND CHEERING | 0:20:03 | 0:20:05 | |
-Something like that. -You've got the part! | 0:20:06 | 0:20:10 | |
-Very good. -That was nerve-racking. | 0:20:13 | 0:20:16 | |
So, the Bellas are back. You're all a bit older, | 0:20:16 | 0:20:19 | |
cos you're not in college or anything any more. | 0:20:19 | 0:20:21 | |
-So what's going on? -No, all the Bellas are kind of having | 0:20:21 | 0:20:24 | |
a quarter-life crisis, which is a thing now. | 0:20:24 | 0:20:26 | |
For the young people. | 0:20:26 | 0:20:27 | |
And they're all out of college and they're kind of | 0:20:27 | 0:20:30 | |
trying to get jobs or earn money and then they realise they miss | 0:20:30 | 0:20:35 | |
being in an a cappella group and get back together. | 0:20:35 | 0:20:38 | |
-Of course they do. -Thank God they do. | 0:20:38 | 0:20:41 | |
Yeah, I mean otherwise it would just be a boring movie. | 0:20:41 | 0:20:44 | |
We had to get the group back together. | 0:20:44 | 0:20:47 | |
But in this movie, though, you are back as Fat Amy, | 0:20:47 | 0:20:50 | |
but we see a different side to Fat Amy. | 0:20:50 | 0:20:53 | |
She is action-packed in this film. | 0:20:53 | 0:20:55 | |
Yeah, not only is there singing, dancing, | 0:20:55 | 0:20:58 | |
but I do a lot of hard-core stunts in the movie. | 0:20:58 | 0:21:00 | |
And people wouldn't think that I could fight, | 0:21:00 | 0:21:04 | |
because, like, I look a bit more lazier, | 0:21:04 | 0:21:07 | |
but I can really get into it and throw down if I need to. | 0:21:07 | 0:21:12 | |
And I love that this movie, | 0:21:12 | 0:21:14 | |
they gave me the opportunity to show some of my skills. | 0:21:14 | 0:21:16 | |
I mean, I've shown some of my nunchuks on this show. | 0:21:16 | 0:21:18 | |
You did the nunchuks on here. It was excellent. | 0:21:18 | 0:21:20 | |
Yeah, one of my hidden talents. | 0:21:20 | 0:21:22 | |
And, yeah, I got to kick, punch. | 0:21:22 | 0:21:25 | |
We've got it, we've got a very exciting clip. | 0:21:25 | 0:21:26 | |
This is Fat Amy very much in action. | 0:21:26 | 0:21:29 | |
OK, you'll see my skills. | 0:21:29 | 0:21:32 | |
Mikhail, former jelly-wrestling coach/baby-sitter. | 0:21:32 | 0:21:35 | |
-Do you remember me? -How could I forget the girl who gave me this? | 0:21:37 | 0:21:41 | |
You really shouldn't have put me on a time-out. | 0:21:41 | 0:21:44 | |
Let's dance. | 0:21:46 | 0:21:48 | |
MUSIC: Toxic by Britney Spears | 0:21:50 | 0:21:52 | |
Whoa, easy now, easy. | 0:22:02 | 0:22:03 | |
Easy. | 0:22:03 | 0:22:05 | |
Nunchuks! | 0:22:07 | 0:22:09 | |
-Sausage nunchuks, right there. -Right, it's time to meet | 0:22:11 | 0:22:13 | |
our next guests. | 0:22:13 | 0:22:16 | |
They are the three stars | 0:22:16 | 0:22:17 | |
of the new Jumanji movie, Welcome To The Jungle. | 0:22:17 | 0:22:19 | |
Please welcome, Jack Black, Kevin Hart | 0:22:19 | 0:22:22 | |
and Dwayne "The Rock" Johnson! APPLAUSE AND CHEERING | 0:22:22 | 0:22:25 | |
MUSIC: Welcome To The Jungle by Guns N'Roses | 0:22:25 | 0:22:28 | |
I've never seen you looking so smart! | 0:22:28 | 0:22:31 | |
CHEERING AND APPLAUSE | 0:22:31 | 0:22:33 | |
Welcome back. | 0:22:36 | 0:22:38 | |
They're here. They're here! | 0:22:39 | 0:22:42 | |
Hello. Hello, how are you? How are you doing? | 0:22:45 | 0:22:48 | |
How are you doing? Pleasure to meet you. | 0:22:48 | 0:22:52 | |
Enough! Come on, that's over. Enough of it. | 0:22:52 | 0:22:56 | |
Hey! | 0:22:56 | 0:22:58 | |
-Anybody else? No. -Sit, sit, sit. | 0:22:58 | 0:23:02 | |
-Hello, boys, how are you? -Good, man. -Good to see you. | 0:23:02 | 0:23:04 | |
You just got here from your premiere of Jumanji. | 0:23:04 | 0:23:07 | |
-Yes. How did it go? -Amazing. | 0:23:07 | 0:23:09 | |
-Fantastic. -People went crazy when... | 0:23:09 | 0:23:11 | |
For me! ..when they saw me, guys. When they saw me. | 0:23:11 | 0:23:14 | |
-Me and Jack. -They lost it. It was fine, like, they walked out and | 0:23:15 | 0:23:18 | |
there was a different energy, and then I came | 0:23:18 | 0:23:20 | |
and everybody passed out. People were like... It was so unbelievable. | 0:23:20 | 0:23:23 | |
It was amazing. They were falling asleep, just... | 0:23:23 | 0:23:26 | |
HE SNORES | 0:23:26 | 0:23:28 | |
That's why it got so quiet. Everyone was passed out. | 0:23:28 | 0:23:31 | |
-That's why. -THAT'S why. | 0:23:31 | 0:23:33 | |
I have to say, talking of crowds cheering, the rumours are, | 0:23:33 | 0:23:38 | |
the rumours are, Dwayne Johnson, President, 2020. | 0:23:38 | 0:23:42 | |
Oh, wow. | 0:23:42 | 0:23:43 | |
APPLAUSE AND CHEERING | 0:23:43 | 0:23:45 | |
-Yes, it's... -That's a rumour. Don't clap too loud, | 0:23:45 | 0:23:51 | |
-it's a rumour. -See, here's the problem, | 0:23:51 | 0:23:54 | |
which, it's been very flattering, right, | 0:23:54 | 0:23:58 | |
that there's been this really interesting uptick in public opinion | 0:23:58 | 0:24:03 | |
wanting that to happen, but the problem is this guy to my right | 0:24:03 | 0:24:06 | |
will completely sabotage the campaign. | 0:24:06 | 0:24:09 | |
-100%. -2020. -100%. -2024. | 0:24:09 | 0:24:12 | |
I'm the guy that will take him down. | 0:24:12 | 0:24:13 | |
-He'll literally sabotage from the inside. -Yes. I will take you down. | 0:24:13 | 0:24:17 | |
I don't want it to happen just because it would make you | 0:24:17 | 0:24:19 | |
that much better than me, and I just don't want that. | 0:24:19 | 0:24:22 | |
I will sabotage you. | 0:24:22 | 0:24:23 | |
I'd take you over what we've got right now, I'll tell you that. | 0:24:23 | 0:24:27 | |
No, because Jessica, you'd be a cheerleader for Dwayne, | 0:24:27 | 0:24:30 | |
-wouldn't you? -Absolutely! Have you seen his Instagram? | 0:24:30 | 0:24:34 | |
-Yes, I have. -He's so nice and he's always showing gratitude. | 0:24:34 | 0:24:38 | |
Ugh! | 0:24:38 | 0:24:40 | |
Graham, I'd be prepared to donate to the campaign. | 0:24:42 | 0:24:47 | |
LAUGHTER AND APPLAUSE | 0:24:47 | 0:24:48 | |
Thank you so much. | 0:24:50 | 0:24:53 | |
Thank you. Cheers, ladies. | 0:24:53 | 0:24:56 | |
That's lovely. Now, Jumanji: Welcome To The Jungle, | 0:24:56 | 0:25:00 | |
it opens on the 20th of December | 0:25:00 | 0:25:02 | |
and we must be clear, this isn't a remake, it isn't a sequel, | 0:25:02 | 0:25:05 | |
this is a kind of stand-alone movie about the game. | 0:25:05 | 0:25:09 | |
Yes, it is. | 0:25:09 | 0:25:10 | |
First of all, we wanted to make sure that we were paying homage | 0:25:10 | 0:25:14 | |
to the spirit of Jumanji, | 0:25:14 | 0:25:15 | |
which was such a big part of all of our lives growing up, and we also | 0:25:15 | 0:25:19 | |
wanted to make sure that we were respectfully paying tribute | 0:25:19 | 0:25:22 | |
to the man who started the entire - as Jack likes to articulate it - | 0:25:22 | 0:25:26 | |
the Jumanji magic, Mr Robin Williams. | 0:25:26 | 0:25:29 | |
Yes. | 0:25:29 | 0:25:30 | |
So the key with the movie was just trying to figure out | 0:25:34 | 0:25:37 | |
whatever a creative, fresh take on it would be | 0:25:37 | 0:25:40 | |
and I think once we cracked the device of | 0:25:40 | 0:25:43 | |
we are teenagers who get thrust into the game | 0:25:43 | 0:25:47 | |
into these Avatar bodies that have superpowers, | 0:25:47 | 0:25:50 | |
like myself and, you know, Jack has... | 0:25:50 | 0:25:54 | |
It was just, that's when we knew we had something special. | 0:25:55 | 0:25:59 | |
You know what, he can't say about it. | 0:25:59 | 0:26:00 | |
I mean, look, we wanted to do a continuation. | 0:26:00 | 0:26:03 | |
Actually, I did, so you don't have to say anything. | 0:26:03 | 0:26:05 | |
Well, you didn't say we did, so I'm going to fix it. | 0:26:05 | 0:26:07 | |
I'm going to say it a lot better. You know, what we wanted | 0:26:07 | 0:26:10 | |
to do, I think of the last Jumanji, | 0:26:10 | 0:26:12 | |
it's an action, it's adventure, it's comedy, it's everything, | 0:26:12 | 0:26:14 | |
and Jack Black really does steal this film. | 0:26:14 | 0:26:17 | |
-He's going to be modest. -You guys! | 0:26:17 | 0:26:19 | |
-He plays a 16-year-old girl, he does it perfectly. -Brilliantly. | 0:26:19 | 0:26:24 | |
OK, I've never put Jack on the spot but I have to do it now, since, | 0:26:24 | 0:26:26 | |
you know, I love this show, I love coming back. The girls are here, | 0:26:26 | 0:26:29 | |
they're going to appreciate it. The audience is going to appreciate it. | 0:26:29 | 0:26:33 | |
Oh, do it, I know what you're going to do. | 0:26:33 | 0:26:34 | |
Shirtless! Shirtless! | 0:26:34 | 0:26:37 | |
Jack does this incredible scene in the movie | 0:26:41 | 0:26:45 | |
where he shows Karen Gillan, who is a wonderful actress... | 0:26:45 | 0:26:49 | |
-Our own Karen Gillan. -Your own Karen Gillan. | 0:26:49 | 0:26:51 | |
..how to flirt as a 16-year-old girl. | 0:26:51 | 0:26:54 | |
-Turn into her, Jack. -Wait, I have to do acting right now? | 0:26:54 | 0:26:58 | |
You guys just say I stole the movie and now I have to show you | 0:26:58 | 0:27:01 | |
-how I did it? -Exactly. | 0:27:01 | 0:27:02 | |
Um, this is not going to go well. | 0:27:04 | 0:27:05 | |
This is not my kind of environment | 0:27:05 | 0:27:07 | |
to release the Kraken. | 0:27:07 | 0:27:10 | |
Here goes. | 0:27:10 | 0:27:11 | |
-IN EFFEMINATE VOICE: -The main thing is just being relaxed | 0:27:13 | 0:27:16 | |
and just sort of being yourself. | 0:27:16 | 0:27:17 | |
-IN NORMAL VOICE: -That's... I'm sorry, that's all you're getting. | 0:27:17 | 0:27:21 | |
That's all you'll get for now. | 0:27:22 | 0:27:23 | |
APPLAUSE | 0:27:23 | 0:27:26 | |
Before we talk some more, let's have a clip. | 0:27:27 | 0:27:30 | |
This actually kind of explains... We see the four avatars, | 0:27:30 | 0:27:33 | |
well, the four characters getting into the avatars, | 0:27:33 | 0:27:36 | |
and learning the ropes of the game. | 0:27:36 | 0:27:38 | |
Maybe we are all in a coma. | 0:27:38 | 0:27:41 | |
Together? We are all in a coma together?! | 0:27:41 | 0:27:43 | |
It's the only explanation. | 0:27:43 | 0:27:45 | |
That old game machine must have electrocuted all of us... | 0:27:45 | 0:27:47 | |
-Oh, my God! Oh, my God! -Oh, my God! | 0:27:51 | 0:27:54 | |
Oh, my God! You'd better go in there and go save him. | 0:27:55 | 0:27:57 | |
I'm not getting in there. YOU get in there. | 0:27:57 | 0:27:59 | |
I'm not going anywhere. I've got a backpack on. | 0:27:59 | 0:28:01 | |
You don't get in water with a backpack. Everybody knows that. | 0:28:01 | 0:28:04 | |
JINGLING | 0:28:04 | 0:28:06 | |
Ow. | 0:28:11 | 0:28:13 | |
This was shot in Hawaii, all the jungles in Hawaii, which you loved. | 0:28:19 | 0:28:25 | |
-Were you born in Hawaii? -I wasn't born in Hawaii, | 0:28:25 | 0:28:27 | |
I was born in San Francisco but I did a lot of my growing up there. | 0:28:27 | 0:28:30 | |
-So yes, it was... -I thought you were born there. | 0:28:30 | 0:28:32 | |
-No, I don't think... -You told me! I swear you told me. -I didn't, no. | 0:28:32 | 0:28:36 | |
-I could have sworn you said. -I've known you for years, I've always said I was born | 0:28:36 | 0:28:40 | |
-in San Francisco. -But when we were there, you gave me a big speech. "This is my land. I started it." | 0:28:40 | 0:28:44 | |
I swore he told me. | 0:28:44 | 0:28:48 | |
It's weird that now, all of a sudden, "San Fran, it was San Fran, | 0:28:48 | 0:28:53 | |
"got transferred." When we were there, you gave me | 0:28:53 | 0:28:55 | |
a very spiritual speech about how it all started, | 0:28:55 | 0:28:59 | |
how your mother held you over this cliff. | 0:28:59 | 0:29:02 | |
"This is the cliff where I was born and my mother gave me..." | 0:29:04 | 0:29:08 | |
This is the problem, yes. I try to be respectful. | 0:29:10 | 0:29:14 | |
Hawaii was beautiful, | 0:29:14 | 0:29:16 | |
beautiful mountainside and lushness | 0:29:16 | 0:29:19 | |
and we shot in this beautiful place called Kualoa Ranch, | 0:29:19 | 0:29:22 | |
where the original Jurassic Park was shot, | 0:29:22 | 0:29:25 | |
and the ones after that as well, and it was just amazing. | 0:29:25 | 0:29:28 | |
-But you didn't like it, Kevin? -He hated it, this is the problem. | 0:29:28 | 0:29:31 | |
No, I didn't like it at all. I mean, | 0:29:31 | 0:29:32 | |
outside of the spiritual grounds that you took me to, and I swore, | 0:29:32 | 0:29:36 | |
you even sang a song. You were like... | 0:29:36 | 0:29:39 | |
-You don't have to share that. -I remember, I specifically... | 0:29:39 | 0:29:41 | |
-We will talk about it later! -How did the song go? | 0:29:41 | 0:29:44 | |
That song, you were like... | 0:29:44 | 0:29:46 | |
# Hakuna Matata. # | 0:29:46 | 0:29:48 | |
Yeah, that sounds like an original. | 0:29:51 | 0:29:53 | |
I didn't like the jungle. | 0:29:55 | 0:29:57 | |
I was very happy at the opportunity, you know, | 0:29:57 | 0:29:59 | |
to get to work with Jack and Dwayne was amazing, | 0:29:59 | 0:30:02 | |
but I'm not an outdoors guy, so insects, bugs are an enemy to me. | 0:30:02 | 0:30:07 | |
We had our fair share of spiders and centipedes, | 0:30:07 | 0:30:11 | |
and he took full advantage of it. | 0:30:11 | 0:30:13 | |
He plays too much. There's a level of cruel, don't know | 0:30:13 | 0:30:15 | |
if you guys endorse bullying but I don't, I think it's hurtful, | 0:30:15 | 0:30:18 | |
and Dwayne does... | 0:30:18 | 0:30:21 | |
-I really do. -..a lot of mean things with spiders. | 0:30:23 | 0:30:26 | |
-Jessica... -No, I didn't. -No, but Jessica, | 0:30:26 | 0:30:28 | |
you just came back from safari, didn't you? | 0:30:28 | 0:30:31 | |
Yes, I spent two weeks in South Africa. | 0:30:31 | 0:30:34 | |
-Wow! -Yeah. It was scary | 0:30:34 | 0:30:37 | |
because the spiders were as big as my hand. | 0:30:37 | 0:30:41 | |
And it was my honeymoon so I went thinking it was going to be | 0:30:41 | 0:30:45 | |
so romantic, we will be at nature, | 0:30:45 | 0:30:47 | |
then we got this tent on the ground and I went to open my bag and there | 0:30:47 | 0:30:53 | |
-was... -Oh, God, don't finish. | 0:30:53 | 0:30:55 | |
There was a spider the size of a Cadillac, | 0:30:55 | 0:30:58 | |
just like... And I went to bed that night - because it was also June - | 0:30:58 | 0:31:03 | |
-so it was winter. -You went to bed?! | 0:31:03 | 0:31:05 | |
I was wearing a hat and a face mask, and my entire body was covered. | 0:31:07 | 0:31:11 | |
That's how white people die! Right there! | 0:31:11 | 0:31:15 | |
You went to bed? | 0:31:16 | 0:31:17 | |
No! No, you've got to stay up until you see that spider leave. | 0:31:17 | 0:31:23 | |
Oh, my God. | 0:31:25 | 0:31:27 | |
Rock, your character's name is Dr Smolder Bravestone. | 0:31:29 | 0:31:32 | |
-Yes. -And so all the characters have strengths, | 0:31:32 | 0:31:35 | |
so one of your strengths is the smoulder. | 0:31:35 | 0:31:37 | |
An actual smoulder, yes. | 0:31:37 | 0:31:38 | |
It just takes over and I have no control of it. | 0:31:38 | 0:31:41 | |
And did you know you could smoulder? | 0:31:41 | 0:31:43 | |
Like, did you kind of think, | 0:31:43 | 0:31:44 | |
when you read it, did you go, "Oh, yes, I'll do my smoulder"? | 0:31:44 | 0:31:48 | |
You know... | 0:31:48 | 0:31:50 | |
-Is that it? -No, it didn't come yet. | 0:31:50 | 0:31:52 | |
-OK, OK. -That literally is where it came from. | 0:31:52 | 0:31:54 | |
That, what you're saying, | 0:31:54 | 0:31:55 | |
this is why he looked at me because it's so frustrating. | 0:31:55 | 0:31:58 | |
Tell the story about your stupid smoulder. | 0:31:58 | 0:32:00 | |
Well... | 0:32:00 | 0:32:01 | |
It's one of those things as we're developing the script, we think, | 0:32:02 | 0:32:06 | |
what could be a fun thing, | 0:32:06 | 0:32:07 | |
well, one of the fun things was he has this ability to smoulder | 0:32:07 | 0:32:10 | |
and it just takes over him, | 0:32:10 | 0:32:12 | |
he has no control over it and it's just one of those things, Graham, | 0:32:12 | 0:32:16 | |
that God delivered, I signed for it. | 0:32:16 | 0:32:19 | |
I just do it, and everyone likes it and everyone loves it, | 0:32:20 | 0:32:23 | |
except one individual... | 0:32:23 | 0:32:25 | |
You know what it is? I can tell you what it is, OK, now, | 0:32:25 | 0:32:29 | |
we are very close. | 0:32:29 | 0:32:30 | |
We are very close as friends, and in this position he's a producer | 0:32:30 | 0:32:36 | |
on the film, so sometimes I just bit my tongue. | 0:32:36 | 0:32:39 | |
So this idea came up from a producer-like mentality. | 0:32:39 | 0:32:43 | |
"You know what would be great for this character? | 0:32:43 | 0:32:45 | |
"If he smoulders." | 0:32:45 | 0:32:47 | |
I'm like, "What?!" And he's like, "You know, if he did a thing." | 0:32:47 | 0:32:51 | |
And I'm like, "What's that got to do with that being, like, in the game?" | 0:32:51 | 0:32:54 | |
-I didn't say it like that! -He was like, "It's a thing." | 0:32:54 | 0:32:56 | |
Then he brought it back, he was like, | 0:32:56 | 0:32:58 | |
"My mum used to do it to me when I was over the mountain, man." | 0:32:58 | 0:33:01 | |
That's why we listened to him. Everything got tied back to Hawaii, | 0:33:03 | 0:33:07 | |
that's how he did it, Graham. | 0:33:07 | 0:33:09 | |
-Can we see your smoulder? -I'd be happy to. | 0:33:09 | 0:33:12 | |
-Sit back, boys. -Smoulder! Smoulder! | 0:33:12 | 0:33:15 | |
AUDIENCE CLAPS | 0:33:15 | 0:33:19 | |
-Yeah, slow clap! -Smoulder! | 0:33:19 | 0:33:21 | |
-Here we go. -Here we go. | 0:33:22 | 0:33:24 | |
Can we have a little music, maybe something that's a little ominous? | 0:33:24 | 0:33:27 | |
-DRAMATIC MUSIC -OK, here we go. -Whoa. -Yes, here we go, ladies. | 0:33:27 | 0:33:30 | |
You can do it to me if you want. | 0:33:30 | 0:33:32 | |
Yes! | 0:33:32 | 0:33:34 | |
Here we go. | 0:33:34 | 0:33:35 | |
CHUCKLING | 0:33:40 | 0:33:42 | |
LAUGHTER | 0:33:45 | 0:33:47 | |
LAUGHTER | 0:33:52 | 0:33:54 | |
LAUGHTER | 0:33:56 | 0:33:58 | |
Beautiful! Very good. | 0:34:00 | 0:34:02 | |
Thank you. Thank you so much. | 0:34:02 | 0:34:05 | |
That's sustained smouldering. | 0:34:05 | 0:34:08 | |
It's very impressive. | 0:34:08 | 0:34:10 | |
Kevin? | 0:34:11 | 0:34:12 | |
And now Rebel is pregnant. | 0:34:14 | 0:34:16 | |
And now we are having a baby! | 0:34:18 | 0:34:20 | |
From THERE! From that distance! | 0:34:20 | 0:34:23 | |
Rebel's Pebble. | 0:34:23 | 0:34:25 | |
-See, it's a little Rock. -That's good. | 0:34:28 | 0:34:30 | |
That's why you are who you are, Graham. That's why. | 0:34:30 | 0:34:32 | |
Genius right there. | 0:34:32 | 0:34:35 | |
Rock, Pebble. | 0:34:35 | 0:34:37 | |
Oh, dear! Jack, in the movie, this is something I've heard about you. | 0:34:39 | 0:34:43 | |
For every movie you do, | 0:34:43 | 0:34:45 | |
you write and perform a theme song. | 0:34:45 | 0:34:49 | |
-Well... -Yet I've seen Jumanji, | 0:34:49 | 0:34:52 | |
and there didn't appear to be any of you. | 0:34:52 | 0:34:55 | |
The movie hasn't been officially released yet... | 0:34:55 | 0:34:58 | |
Is my tie doing something funny? | 0:34:58 | 0:34:59 | |
-I got you. -Thank you. | 0:34:59 | 0:35:01 | |
I told YOU to fix his tie. | 0:35:01 | 0:35:04 | |
-I told you. -Thank you, guys for fixing my tie. | 0:35:04 | 0:35:08 | |
I'm getting to talk for the first time. | 0:35:09 | 0:35:11 | |
-LAUGHTER AND APPLAUSE -The song... | 0:35:11 | 0:35:13 | |
Has this been a very long press tour? | 0:35:17 | 0:35:20 | |
I love these guys. | 0:35:22 | 0:35:24 | |
I co-wrote a song. | 0:35:24 | 0:35:25 | |
We were all kind of messing around with the theme song and me | 0:35:25 | 0:35:30 | |
and Nick Jonas actually put the finishing touches on it | 0:35:30 | 0:35:33 | |
and we shot a music video hoping to release it soon, | 0:35:33 | 0:35:36 | |
-but do you want a little taste of it? -Please, yes! | 0:35:36 | 0:35:39 | |
This might be the only time you hear it, I don't know | 0:35:39 | 0:35:41 | |
if it's going to make the final cut, | 0:35:41 | 0:35:43 | |
but it's pretty powerful. | 0:35:43 | 0:35:45 | |
# Jumanji | 0:35:45 | 0:35:49 | |
# It's a jungle inside your soul | 0:35:49 | 0:35:53 | |
# Somewhere deep inside at the end of the world... # | 0:35:54 | 0:35:59 | |
Beautiful! | 0:36:03 | 0:36:06 | |
# Jumanji | 0:36:06 | 0:36:09 | |
# And survival your only goal | 0:36:09 | 0:36:13 | |
# Plunge the jewel inside Say the name of the game. # | 0:36:13 | 0:36:18 | |
Here we go. | 0:36:18 | 0:36:20 | |
APPLAUSE | 0:36:20 | 0:36:22 | |
# Jumanji! | 0:36:22 | 0:36:26 | |
# Jumanji! | 0:36:26 | 0:36:29 | |
# Jumanji! | 0:36:29 | 0:36:30 | |
# Jumanji! Jumanji! # | 0:36:30 | 0:36:35 | |
-APPLAUSE -Thank you. -Wow! | 0:36:35 | 0:36:39 | |
Level upon level, beautiful work! | 0:36:41 | 0:36:44 | |
Not saying that that wasn't, but it's time for music. | 0:36:44 | 0:36:50 | |
This man is the genius behind Britpop legends Oasis. | 0:36:50 | 0:36:54 | |
Now he's back with a tenth number one album to his name. | 0:36:54 | 0:36:57 | |
Performing Holy Mountain, it's Noel Gallagher's High Flying Birds! | 0:36:57 | 0:37:01 | |
APPLAUSE AND CHEERING | 0:37:01 | 0:37:02 | |
# Dance, dance, if you do that dance | 0:37:11 | 0:37:14 | |
# I'm gonna let you join my one-man band | 0:37:14 | 0:37:17 | |
# Be my doll, be my baby doll | 0:37:19 | 0:37:21 | |
# Come get to know me like the back of your hand | 0:37:21 | 0:37:24 | |
# I like the name hanging on that chain | 0:37:25 | 0:37:28 | |
# I like the way you do the push and the shove | 0:37:28 | 0:37:31 | |
# You can blow my mind if you're that way inclined | 0:37:33 | 0:37:35 | |
# All I know is that you fell from above | 0:37:35 | 0:37:39 | |
# She fell, she fell, right under my spell | 0:37:39 | 0:37:43 | |
# Oh, now, pretty baby, come on | 0:37:43 | 0:37:45 | |
# She danced, she danced, right into my hands | 0:37:46 | 0:37:49 | |
# Oh, now, pretty baby, come on | 0:37:49 | 0:37:53 | |
# Be my butterfly | 0:37:53 | 0:37:55 | |
# You and I will shake it | 0:37:55 | 0:37:57 | |
# We can roll in at the top of them all | 0:37:57 | 0:37:59 | |
# And if you feel the need | 0:37:59 | 0:38:02 | |
# I'll send you Godspeed | 0:38:02 | 0:38:03 | |
# To meet your maker at the break of the dawn | 0:38:03 | 0:38:06 | |
# Get out of the doldrums, baby, now | 0:38:08 | 0:38:12 | |
# You liar, set ya on fire | 0:38:12 | 0:38:14 | |
# Get out of the doldrums, baby, now | 0:38:14 | 0:38:20 | |
# Do your thing on the beat of the bang | 0:38:43 | 0:38:46 | |
# I'll put a melody inside of your head | 0:38:46 | 0:38:50 | |
# No need to shout, what you bitchin' about? | 0:38:50 | 0:38:52 | |
# I think those things are better left unsaid | 0:38:52 | 0:38:55 | |
# She had a look you don't find in a book | 0:38:57 | 0:38:59 | |
# And she smelled like 1969 | 0:38:59 | 0:39:02 | |
# You could blow my mind if you're that way inclined | 0:39:02 | 0:39:07 | |
# All I know is I'm gonna make you mine | 0:39:07 | 0:39:10 | |
# She fell, she fell, right under my spell | 0:39:10 | 0:39:14 | |
# Oh, now, pretty baby, come on | 0:39:14 | 0:39:17 | |
# She danced, she danced, right into my hands | 0:39:17 | 0:39:20 | |
# Oh, now, pretty baby, come on | 0:39:20 | 0:39:23 | |
# Be my butterfly | 0:39:25 | 0:39:26 | |
# You and I will shake it | 0:39:26 | 0:39:28 | |
# We can roll in at the top of them all | 0:39:28 | 0:39:31 | |
# And if you feel the need I'll send you Godspeed | 0:39:31 | 0:39:34 | |
# To meet your maker at the break of the dawn | 0:39:34 | 0:39:37 | |
# Get out of the doldrums, baby, now | 0:39:39 | 0:39:42 | |
# You liar, I'll set ya on fire | 0:39:42 | 0:39:45 | |
# Get out of the doldrums, baby, now | 0:39:46 | 0:39:52 | |
# She fell, she fell, right under my spell | 0:40:06 | 0:40:10 | |
# She fell, she fell, right under my spell | 0:40:10 | 0:40:13 | |
# She fell, she fell, right under my spell | 0:40:13 | 0:40:16 | |
# She fell, she fell, right under my spell | 0:40:16 | 0:40:20 | |
# She fell, she fell, right under my spell | 0:40:20 | 0:40:24 | |
# She fell, she fell, right under my spell | 0:40:24 | 0:40:27 | |
# She fell, she fell, right under my spell | 0:40:27 | 0:40:31 | |
# She fell, she fell, right under my spell... # | 0:40:31 | 0:40:34 | |
CHEERING AND APPLAUSE | 0:40:48 | 0:40:51 | |
Absolutely amazing, Noel Gallagher's High Flying Birds! Come on over. | 0:40:55 | 0:41:00 | |
Wow! | 0:41:00 | 0:41:01 | |
Seriously, that did sound really amazing, really good. | 0:41:06 | 0:41:10 | |
You have a seat at the end. | 0:41:10 | 0:41:12 | |
Noel Gallagher. Just wave, there's too many people! | 0:41:12 | 0:41:16 | |
There we go, there we go. Congratulations. | 0:41:16 | 0:41:19 | |
That sounded fantastic. | 0:41:19 | 0:41:20 | |
Thank you. Did you guys like it? | 0:41:20 | 0:41:22 | |
Yes! | 0:41:22 | 0:41:24 | |
LAUGHTER | 0:41:24 | 0:41:25 | |
I was just saying to Kevin, that's the one! | 0:41:27 | 0:41:30 | |
And what's the Jack Black connection? Do you know each other? | 0:41:32 | 0:41:35 | |
-Do we? -Do we have a history? | 0:41:35 | 0:41:37 | |
-I don't know. -It's nice to meet you. | 0:41:37 | 0:41:39 | |
My kids are huge fans of School Of Rock. | 0:41:40 | 0:41:43 | |
I don't think... | 0:41:43 | 0:41:45 | |
OK. Wasn't there something about working together? | 0:41:45 | 0:41:47 | |
No. Now it's embarrassing. | 0:41:47 | 0:41:50 | |
It was his brother, Liam. | 0:41:50 | 0:41:53 | |
GROANING | 0:41:53 | 0:41:55 | |
Wow... | 0:41:55 | 0:41:56 | |
That's all we have time for tonight! | 0:41:58 | 0:42:00 | |
I'm afraid it's a daily occurrence. | 0:42:03 | 0:42:06 | |
I was trying to shut that down with my eye contact to you. | 0:42:06 | 0:42:09 | |
I'm so sorry! I'm really sorry! | 0:42:09 | 0:42:12 | |
Because you were looking so blank and I was thinking, | 0:42:12 | 0:42:14 | |
"That's so weird that he can't seem to remember." | 0:42:14 | 0:42:17 | |
I do find this fascinating, this sibling thing. | 0:42:18 | 0:42:21 | |
You watch each other, so if he was on here, | 0:42:21 | 0:42:24 | |
would you watch him on here? | 0:42:24 | 0:42:25 | |
No. | 0:42:25 | 0:42:26 | |
Oh. So he only watches you? | 0:42:26 | 0:42:28 | |
Oh, he's obsessed. | 0:42:28 | 0:42:30 | |
He will be watching this now. Can we all say hello to him? | 0:42:30 | 0:42:34 | |
WHat camera? Hi, Liam. | 0:42:34 | 0:42:36 | |
I'm still stuck on the kids part. | 0:42:38 | 0:42:40 | |
So they only like School Of Rock, or... There's nothing else? | 0:42:40 | 0:42:45 | |
You know School Of Rock is, like, the second-highest grossing musical | 0:42:45 | 0:42:49 | |
of all time? | 0:42:49 | 0:42:50 | |
APPLAUSE | 0:42:50 | 0:42:52 | |
I mean, they are fans of his but he is off the scale with them. | 0:42:55 | 0:42:59 | |
-I met your boys and your daughter backstage. -Cool! | 0:42:59 | 0:43:04 | |
Because they came up to me and they were like, "Hey, we love you!" | 0:43:04 | 0:43:07 | |
Usually when I come on this show I'm like, "Do you want to come?" "No, not really." | 0:43:07 | 0:43:12 | |
"The Rock's going to be there," and they were like, "We're there!" | 0:43:12 | 0:43:15 | |
Just the Rock. | 0:43:16 | 0:43:18 | |
So did they know I was here, or...? | 0:43:18 | 0:43:21 | |
They're watching now. They kind of mentioned it backstage, | 0:43:24 | 0:43:27 | |
they were like, "Who's the other fella?" | 0:43:27 | 0:43:29 | |
"Oh, hey, Chris Rock is there!" | 0:43:29 | 0:43:31 | |
So we must mention, that is from the album Who Built The Moon, | 0:43:35 | 0:43:38 | |
which is out now. And it's pretty special, | 0:43:38 | 0:43:41 | |
-this is your tenth consecutive number one album. -Wow! -Wow! | 0:43:41 | 0:43:44 | |
That must be some kind of record? | 0:43:44 | 0:43:46 | |
APPLAUSE | 0:43:46 | 0:43:48 | |
Yes, it's a record, I didn't know it was a record until the chart people | 0:43:50 | 0:43:53 | |
called up for a quote for it and we kind of had to do a count | 0:43:53 | 0:43:56 | |
and go, "Wow, it's a record!" | 0:43:56 | 0:43:58 | |
But we celebrated - it went to number one last Friday, | 0:43:58 | 0:44:02 | |
and we celebrated hard, me and my wife, by getting | 0:44:02 | 0:44:05 | |
a couple of bags of Kettle Chips and watching the Graham Norton Show. | 0:44:05 | 0:44:10 | |
Woohoo! That's a night in, that's a proper night in! | 0:44:10 | 0:44:13 | |
Because we watch it every week, and she seems to be on every week. | 0:44:15 | 0:44:18 | |
-Hardest working woman in showbiz! -OK, it's not Gogglebox, all right. | 0:44:20 | 0:44:24 | |
-This is my favourite show, I will say that. -Oh, bless you. | 0:44:24 | 0:44:27 | |
See? Nice guest! | 0:44:27 | 0:44:29 | |
Good luck with it. Thank you so much. | 0:44:29 | 0:44:31 | |
Noel Gallagher, everybody. | 0:44:31 | 0:44:33 | |
Right, that is nearly it. | 0:44:36 | 0:44:37 | |
Before we go, it's time for a visit to the big red chair. | 0:44:37 | 0:44:40 | |
Who's there? Hello! | 0:44:40 | 0:44:42 | |
-Hi! What's your name? -Linda. | 0:44:42 | 0:44:44 | |
Linda, lovely. Where are you from, Linda? | 0:44:44 | 0:44:46 | |
Originally from Glasgow, but I live in London. | 0:44:46 | 0:44:49 | |
Right, and what do you down in London? | 0:44:49 | 0:44:50 | |
I'm an antenatal teacher and a hypnobirthing practitioner. | 0:44:50 | 0:44:54 | |
A hypnobirthing practitioner. | 0:44:54 | 0:44:56 | |
-We were just talking... -We were just talking about that. | 0:44:56 | 0:44:58 | |
You were just talking about hypnobirthing?! | 0:44:58 | 0:45:00 | |
No, they weren't! | 0:45:00 | 0:45:03 | |
They were just talking about it. Wow. | 0:45:03 | 0:45:06 | |
You were in the car for a long time! | 0:45:08 | 0:45:11 | |
Sorry, we have been distracted. | 0:45:13 | 0:45:15 | |
-Off you go with your story. -OK, this happened some time ago, | 0:45:15 | 0:45:19 | |
about 20 years ago, when I was young and attractive. | 0:45:19 | 0:45:21 | |
Stop it. | 0:45:21 | 0:45:23 | |
Well, MORE young and attractive. | 0:45:23 | 0:45:26 | |
There you go. | 0:45:26 | 0:45:28 | |
And...my older kids were going into secondary school | 0:45:28 | 0:45:32 | |
and it was a parents' evening and we were meeting the headteacher | 0:45:32 | 0:45:37 | |
and it was all very posh, | 0:45:37 | 0:45:38 | |
it was a very posh school, and I was standing there talking | 0:45:38 | 0:45:42 | |
to the headteacher in front of the buffet. | 0:45:42 | 0:45:44 | |
It was a beautiful buffet, and I'm standing there talking to him and | 0:45:44 | 0:45:47 | |
I looked down and I saw that his jacket was about to fall | 0:45:47 | 0:45:51 | |
into the dip, so, I'm very helpful, so I thought, "I'll stop that," | 0:45:51 | 0:45:55 | |
so I put my hand out to stop his jacket, | 0:45:55 | 0:45:58 | |
only, my hand slipped and it went under his jacket | 0:45:58 | 0:46:01 | |
and then I found myself | 0:46:01 | 0:46:03 | |
patting him on the testicles. | 0:46:03 | 0:46:05 | |
I hate it when that happens. | 0:46:07 | 0:46:08 | |
I froze, so then I'm cupping him on the testicles... | 0:46:08 | 0:46:12 | |
..and then we both froze and then we just, | 0:46:14 | 0:46:17 | |
I took my hand out and we both walked away. | 0:46:17 | 0:46:20 | |
That's a good story. You can walk, you can walk! | 0:46:20 | 0:46:24 | |
One more? Can we do one more? | 0:46:27 | 0:46:30 | |
Here we go. | 0:46:30 | 0:46:31 | |
-Hello, sir. -Hello. | 0:46:31 | 0:46:33 | |
-Hi, what's your name? -Martin. | 0:46:33 | 0:46:34 | |
OK, off you go with your story. | 0:46:34 | 0:46:36 | |
Right, I was on a car journey with my wife and my two granddaughters, | 0:46:36 | 0:46:40 | |
who were in the back seat. I suppose they were about three and a half | 0:46:40 | 0:46:44 | |
-at the time. -Interesting. | 0:46:44 | 0:46:45 | |
And a car came along and cut me up | 0:46:48 | 0:46:50 | |
and I rammed my brakes on and I was just about to come out | 0:46:50 | 0:46:53 | |
with some real choice words, as one does, | 0:46:53 | 0:46:56 | |
and fortunately I remembered I had my granddaughters in the back, | 0:46:56 | 0:47:00 | |
so I said, "You...silly Billy! Aren't you a silly Billy?! | 0:47:00 | 0:47:03 | |
"Don't you agree, girls, he's a silly Billy?" | 0:47:03 | 0:47:06 | |
And one of them just looked up and said, | 0:47:06 | 0:47:08 | |
"I think he's a fucking idiot." | 0:47:08 | 0:47:09 | |
That didn't happen. | 0:47:15 | 0:47:17 | |
Well done, everyone. If you'd like to join us on the show or have a go | 0:47:17 | 0:47:20 | |
in the red chair, you can contact us via our website at this address. | 0:47:20 | 0:47:23 | |
Listen, that is it for tonight. | 0:47:23 | 0:47:24 | |
Please say a huge thank you to all of my guests. Mr Noel Gallagher... | 0:47:24 | 0:47:27 | |
APPLAUSE | 0:47:27 | 0:47:29 | |
Rebel Wilson... APPLAUSE | 0:47:29 | 0:47:33 | |
Dawn French... APPLAUSE | 0:47:33 | 0:47:35 | |
Jessica Chastain... APPLAUSE | 0:47:35 | 0:47:37 | |
Jack Black... APPLAUSE | 0:47:37 | 0:47:40 | |
Kevin Hart... APPLAUSE | 0:47:40 | 0:47:42 | |
..and Dwayne Johnson. APPLAUSE | 0:47:42 | 0:47:45 | |
Do join me next week with the singer Sam Smith | 0:47:47 | 0:47:49 | |
and a Star Wars spectacular. | 0:47:49 | 0:47:50 | |
We've got Gwendoline Christie, John Boyega, Daisy Ridley | 0:47:50 | 0:47:53 | |
and Luke Skywalker himself, Mark Hammill. | 0:47:53 | 0:47:55 | |
I'll see you then. Goodnight, everybody, bye-bye. | 0:47:55 | 0:47:57 |