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Good evening. I'm Elton John, and I've only agreed to be on | 0:00:02 | 0:00:04 | |
the show if Graham promises to make no mention of my flamboyant past. | 0:00:04 | 0:00:08 | |
Welcome to the Graham Norton Show! | 0:00:10 | 0:00:13 | |
CHEERING | 0:00:28 | 0:00:30 | |
Oh! Oh! Oh! | 0:00:30 | 0:00:34 | |
Oh-ho-ho! Thank you very much. | 0:00:34 | 0:00:37 | |
Thank you, good evening. | 0:00:37 | 0:00:40 | |
Good evening. Lovely to see you all. | 0:00:40 | 0:00:43 | |
Thank you for being here. | 0:00:43 | 0:00:46 | |
Very nice. Now, of course, the big news this week - | 0:00:46 | 0:00:49 | |
there's been agreement on how to work out the divorce bill, | 0:00:49 | 0:00:52 | |
and it could total up to £45 billion. | 0:00:52 | 0:00:56 | |
Bit depressing, I mean, they only got engaged on Monday. | 0:00:56 | 0:00:58 | |
No, no. Huge congratulations to Prince Harry on his engagement | 0:01:00 | 0:01:04 | |
to Meghan Markle. Isn't it wonderful? | 0:01:04 | 0:01:06 | |
It's nice, isn't it? It's nice, yes. | 0:01:06 | 0:01:08 | |
It's your classic riches-to-riches story. | 0:01:08 | 0:01:11 | |
That's Meghan on the right, waving. | 0:01:11 | 0:01:14 | |
"Bye, commoners. I'm a princess!" | 0:01:14 | 0:01:18 | |
Meghan has said she can't wait to start undertaking Royal engagements, | 0:01:18 | 0:01:22 | |
and meet the British public. | 0:01:22 | 0:01:24 | |
Wow, she is a good actress. | 0:01:24 | 0:01:25 | |
Meghan's already good friends with Wills and Kate. | 0:01:27 | 0:01:29 | |
They've been on a few double dates, | 0:01:29 | 0:01:31 | |
but, to avoid the press, Meghan has been wearing a disguise. | 0:01:31 | 0:01:34 | |
Wouldn't it be amazing if she was in that thing? | 0:01:38 | 0:01:40 | |
Let's get some guests on! CHEERING AND APPLAUSE | 0:01:40 | 0:01:42 | |
Later, we'll be meeting the always-entertaining | 0:01:42 | 0:01:44 | |
Mr Robbie Williams! | 0:01:44 | 0:01:47 | |
Yeah. He'll be talking about his new book. | 0:01:47 | 0:01:50 | |
But first, she has sold over 42 million albums, | 0:01:50 | 0:01:53 | |
won three Grammys, | 0:01:53 | 0:01:55 | |
and is simply one of the coolest pop stars on the planet. | 0:01:55 | 0:01:58 | |
Please welcome Pink! | 0:01:58 | 0:01:59 | |
CHEERING AND APPLAUSE | 0:01:59 | 0:02:02 | |
Yes! The actual Pink! It's Pink, everybody. Hey! Hello, darling. | 0:02:02 | 0:02:06 | |
-Lovely to see you. Welcome back. -Thank you. | 0:02:06 | 0:02:09 | |
-It's Pink, everybody. -Hi. | 0:02:09 | 0:02:12 | |
He's a writer, actor, comedian, academic. | 0:02:12 | 0:02:16 | |
Is there anything this man can't do? | 0:02:16 | 0:02:17 | |
Please welcome Mr Stephen Fry! | 0:02:17 | 0:02:20 | |
CHEERING AND APPLAUSE | 0:02:20 | 0:02:21 | |
-Oh! -Thank you. Thank you very much. | 0:02:21 | 0:02:23 | |
-The greyhound from the slips! -Hi. -Come here and sit down. -Thank you. | 0:02:23 | 0:02:26 | |
Pink, hello. What a pleasure. | 0:02:26 | 0:02:28 | |
She's the British actress who starred in An Education, Drive, | 0:02:28 | 0:02:32 | |
The Great Gatsby and Suffragette. | 0:02:32 | 0:02:33 | |
It's always a pleasure to welcome Carey Mulligan! | 0:02:33 | 0:02:36 | |
CHEERING AND APPLAUSE | 0:02:36 | 0:02:38 | |
Look at you! Hello, my dear. Lovely to see you. | 0:02:38 | 0:02:42 | |
Mwah! Have a seat, Carey Mulligan. | 0:02:42 | 0:02:45 | |
And he's here to celebrate an extraordinary 50 years in the music | 0:02:45 | 0:02:49 | |
business with his ultimate greatest hits collection, Diamonds. | 0:02:49 | 0:02:53 | |
Please welcome a true music legend - | 0:02:53 | 0:02:55 | |
Sir Elton John! | 0:02:55 | 0:02:57 | |
CHEERING AND APPLAUSE | 0:02:57 | 0:02:59 | |
Good to see you. Come in, come in, come in! | 0:03:04 | 0:03:08 | |
-Oh! Whoo! -Mwah. | 0:03:09 | 0:03:11 | |
Aw, mwah. | 0:03:11 | 0:03:14 | |
Aw! Have a seat, all. you're all very welcome. | 0:03:15 | 0:03:19 | |
-Nice to see you all. -Thank you. | 0:03:19 | 0:03:21 | |
Now, it is an embarrassment of musicians. | 0:03:21 | 0:03:23 | |
Obviously, we've got Sir Elton, Robbie Williams coming on later, | 0:03:23 | 0:03:25 | |
-but, Pink, you are performing. -Yes. | 0:03:25 | 0:03:27 | |
CHEERING AND APPLAUSE | 0:03:27 | 0:03:29 | |
Is that going to be weird, | 0:03:32 | 0:03:33 | |
-performing in front of Elton and Robbie or do you...? -I mean... | 0:03:33 | 0:03:36 | |
Erm... I'm going to try not to be awful. | 0:03:36 | 0:03:40 | |
We played at a festival together in Belgium. | 0:03:40 | 0:03:42 | |
-Yes, it was fun. -And what are you giving us tonight? | 0:03:42 | 0:03:45 | |
-What About Us? -Oh, brilliant. | 0:03:45 | 0:03:46 | |
CHEERING AND APPLAUSE | 0:03:46 | 0:03:49 | |
This album, Beautiful Trauma, which is such a huge success, | 0:03:49 | 0:03:52 | |
I didn't realise until you were coming on the show that it's been | 0:03:52 | 0:03:55 | |
-five years of no Pink in the world. -Five or six. | 0:03:55 | 0:03:58 | |
Yeah, yeah. I didn't realise that either. | 0:03:58 | 0:04:01 | |
-How did that happen? -I was doing bake sales and kindergarten. | 0:04:01 | 0:04:07 | |
I read somewhere, when you decided to bring out a new record, | 0:04:07 | 0:04:10 | |
your record company sat you down for "the talk". | 0:04:10 | 0:04:13 | |
The talk, that if you are over 35 as a female pop star, | 0:04:13 | 0:04:17 | |
-that radio probably won't play you. -No! | 0:04:17 | 0:04:20 | |
-Yes. -I have that trouble myself. | 0:04:20 | 0:04:23 | |
Holy mackerel! | 0:04:26 | 0:04:27 | |
Well, you've proved them wrong. | 0:04:27 | 0:04:29 | |
-I did. -Yeah, big time. -Very, very much. And that's nice. -Yeah. | 0:04:29 | 0:04:32 | |
APPLAUSE | 0:04:32 | 0:04:34 | |
So, in terms of musical credentials, | 0:04:35 | 0:04:39 | |
Stephen, I'm right in saying that you're not a great gift to song? | 0:04:39 | 0:04:43 | |
No. There are so many things I can't do. | 0:04:43 | 0:04:45 | |
I can't do that. I've never been able to cross my legs. | 0:04:45 | 0:04:48 | |
Even when I was in kindergarten, | 0:04:48 | 0:04:50 | |
there was a little play mat and all the other children... | 0:04:50 | 0:04:52 | |
-And my knees were touching my cheeks. -Aw! -I could not... | 0:04:52 | 0:04:55 | |
I can't do that. They would break, my hips. | 0:04:55 | 0:04:57 | |
But I've never been able to sing. | 0:04:57 | 0:04:58 | |
It's official. I'll tell you why it's official. | 0:04:58 | 0:05:01 | |
John Schlesinger, the film director, was a friend, | 0:05:01 | 0:05:03 | |
and when he died there was a funeral at a synagogue in North London. | 0:05:03 | 0:05:06 | |
And I found myself next to Paul McCartney at this funeral. | 0:05:06 | 0:05:09 | |
And after a couple of hymns and songs and things, | 0:05:09 | 0:05:12 | |
he turned to me and said... Because I always mime, because I can't sing. | 0:05:12 | 0:05:15 | |
He said, "Sing, you're not singing. Sing!" | 0:05:15 | 0:05:19 | |
And I said, "Actually, Paul, I can't sing." | 0:05:19 | 0:05:22 | |
"Everybody can sing. Sing!" | 0:05:22 | 0:05:24 | |
So the next one came up and I started to sing. | 0:05:24 | 0:05:25 | |
"Shut up, you're right, you can't sing!" | 0:05:25 | 0:05:29 | |
So if Paul McCartney tells you can't sing, you can't sing. | 0:05:29 | 0:05:31 | |
It's official. | 0:05:31 | 0:05:33 | |
Carey Mulligan, you've married into the music industry. | 0:05:33 | 0:05:36 | |
-Yeah. -With Marcus, Marcus Mumford. | 0:05:36 | 0:05:39 | |
Now, you've talked on the show, though, | 0:05:39 | 0:05:40 | |
about how you are a proper fan and you've written proper fan letters | 0:05:40 | 0:05:44 | |
to actors, but did you write fan letters to pop stars? | 0:05:44 | 0:05:46 | |
-Were you a fan of those...? -I... | 0:05:46 | 0:05:49 | |
Yeah, I wrote to Eminem. | 0:05:49 | 0:05:52 | |
Yeah, yeah. | 0:05:52 | 0:05:54 | |
-How old were you? -So sweet. -I was 18. | 0:05:54 | 0:05:56 | |
No, I was 17. I was applying to drama school, | 0:05:56 | 0:06:01 | |
and I watched 8 Mile and he does that Lose Yourself song. | 0:06:01 | 0:06:05 | |
I can't say anything like this without sounding... | 0:06:05 | 0:06:07 | |
And I got really kind of... | 0:06:07 | 0:06:10 | |
-It spoke to you? -Yeah, it really spoke to me. | 0:06:10 | 0:06:12 | |
Yeah, 8 Mile, yeah! | 0:06:12 | 0:06:14 | |
I wrote a very long letter detailing how he had inspired me to go in, | 0:06:14 | 0:06:19 | |
and, like, crush it in my drama school auditions. | 0:06:19 | 0:06:22 | |
-Oh, and did he write back? -No, he didn't. -Aw. | 0:06:22 | 0:06:24 | |
See, he doesn't read letters, that's how that girl died in Dear Stan. | 0:06:24 | 0:06:27 | |
He should really read the letters. | 0:06:30 | 0:06:32 | |
Eminem, he's on the album. | 0:06:32 | 0:06:34 | |
-Yes! -Yeah. -I wrote him an e-mail. | 0:06:34 | 0:06:36 | |
And did he write back? | 0:06:39 | 0:06:40 | |
I professed my undying love for him in this e-mail. | 0:06:40 | 0:06:42 | |
And I said, "I love you. I've always loved you. | 0:06:42 | 0:06:46 | |
"I've loved you since I got your autograph in 2001 at the MTV Music | 0:06:46 | 0:06:49 | |
"Video Awards, I love that you always work with the same people, | 0:06:49 | 0:06:51 | |
"for instance, Rihanna, who's hotter than me, but I'm funnier. | 0:06:51 | 0:06:54 | |
"Can you just help me get my rap Grammy?" | 0:06:54 | 0:06:58 | |
And he just wrote back, "OK." | 0:06:58 | 0:07:01 | |
-And that was it. -Wow. -One word. | 0:07:01 | 0:07:02 | |
But you kind of corrected some of his less politically... | 0:07:02 | 0:07:07 | |
Well, he was accused of being homophobic by so many people, | 0:07:07 | 0:07:11 | |
-because of his lyrics, which I thought was nonsense. -Yeah. | 0:07:11 | 0:07:14 | |
And I came out and supported the fact that he isn't. | 0:07:14 | 0:07:16 | |
I appeared on the Grammys with him doing Stan, instead of Dido. | 0:07:16 | 0:07:20 | |
-I did the Dido part. -Oh, right. -Yes. | 0:07:20 | 0:07:22 | |
I was the one that took the "L" out of Dido! | 0:07:22 | 0:07:25 | |
Whoa. | 0:07:28 | 0:07:29 | |
And we became friends and we've been amazing friends ever since. | 0:07:31 | 0:07:35 | |
He's an amazing guy. I spoke to him last week. | 0:07:35 | 0:07:37 | |
I interviewed him last week for a magazine. | 0:07:37 | 0:07:39 | |
-I just adore him. -I do, too. | 0:07:39 | 0:07:42 | |
He's quite a poet, isn't he? | 0:07:42 | 0:07:43 | |
Am I allowed to say what's in your house? | 0:07:43 | 0:07:46 | |
Oh, yes. For my marriage, when David and I did our civil partnership... | 0:07:46 | 0:07:50 | |
I got this package from Eminem, | 0:07:52 | 0:07:54 | |
and it shows you how homophobic he isn't. | 0:07:54 | 0:07:56 | |
We had two diamond-encrusted cock rings on... | 0:07:56 | 0:07:59 | |
..on velvet cushions. | 0:08:02 | 0:08:04 | |
-For the men who have everything. -Yes, yes, exactly. | 0:08:06 | 0:08:09 | |
And I have to say, they have remained unused. | 0:08:09 | 0:08:12 | |
APPLAUSE | 0:08:14 | 0:08:16 | |
-Well, talking of diamonds... -Yeah. | 0:08:16 | 0:08:18 | |
..you bring us your ultimate collection - | 0:08:18 | 0:08:21 | |
Diamonds. This is out now and it really is fantastic. | 0:08:21 | 0:08:25 | |
It is the definitive collection of your work. | 0:08:25 | 0:08:29 | |
What is it, it's nearly 50 tracks? | 0:08:29 | 0:08:32 | |
Right. | 0:08:32 | 0:08:33 | |
You know this, right? | 0:08:33 | 0:08:35 | |
-Have you seen this before? -I have, yes. | 0:08:35 | 0:08:39 | |
-I've had my movement, yes. -Why Diamonds? | 0:08:39 | 0:08:42 | |
I chose the title because I didn't want it to be called | 0:08:42 | 0:08:45 | |
Greatest Hits Volume Three or Four or whatever, cos it's boring. | 0:08:45 | 0:08:48 | |
And I've always liked diamonds | 0:08:48 | 0:08:50 | |
and I've always worn diamonds and I just thought, | 0:08:50 | 0:08:53 | |
"Diamonds is what the world needs at the moment." | 0:08:53 | 0:08:55 | |
For me, anyway. So it's a cheerful title. | 0:08:55 | 0:08:58 | |
And you, very kindly, or someone, | 0:08:58 | 0:09:01 | |
has put together a kind of a montage | 0:09:01 | 0:09:03 | |
of some of your career and this is it. | 0:09:03 | 0:09:06 | |
By the time I came to the song, I was singing like this! | 0:09:13 | 0:09:17 | |
# I'm still standing better than I've ever been | 0:09:17 | 0:09:22 | |
# Looking like a true survivor | 0:09:22 | 0:09:24 | |
# Feeling like a little kid | 0:09:24 | 0:09:27 | |
# I'm still standing... | 0:09:27 | 0:09:29 | |
# And I think it's gonna be a long, long time | 0:09:29 | 0:09:32 | |
# Till touchdown brings me round again to find | 0:09:32 | 0:09:36 | |
# Oh, no, no, no... | 0:09:36 | 0:09:38 | |
# I'm a rocket man... | 0:09:38 | 0:09:42 | |
# Saturday, Saturday, Saturday | 0:09:42 | 0:09:45 | |
# Don't give us none of your aggravation | 0:09:45 | 0:09:49 | |
# We had it with your discipline | 0:09:49 | 0:09:51 | |
# Oh, Saturday night's all right for fighting | 0:09:51 | 0:09:55 | |
# Get a little action in... | 0:09:55 | 0:09:59 | |
# Hold me closer Tiny Dancer | 0:09:59 | 0:10:03 | |
# Count the headlights on the highway... | 0:10:05 | 0:10:10 | |
# Philadelphia freedom | 0:10:10 | 0:10:13 | |
# I love-ove-ove you | 0:10:13 | 0:10:18 | |
# Yes, I do | 0:10:18 | 0:10:21 | |
# How wonderful life is while you're in the world. # | 0:10:26 | 0:10:34 | |
-APPLAUSE -Thank you. | 0:10:34 | 0:10:36 | |
Thank you. | 0:10:42 | 0:10:43 | |
-Well, no, to see it... -Yes. | 0:10:48 | 0:10:49 | |
To see it kind of Reader Digested like that... | 0:10:49 | 0:10:52 | |
It brings back so many memories for all of us, | 0:10:52 | 0:10:55 | |
I can't imagine what that does to your head, watching that. | 0:10:55 | 0:10:57 | |
I don't really reflect on things very much. | 0:10:57 | 0:10:59 | |
When you see things like that, you think, God, how did I do this? | 0:10:59 | 0:11:02 | |
How do I cram it all in? We had so much fun. | 0:11:02 | 0:11:05 | |
And, you know, I've always loved doing what I've done | 0:11:05 | 0:11:08 | |
and I've always been lucky enough to be able to do what I've done. | 0:11:08 | 0:11:10 | |
And, you know, the secret to longevity, | 0:11:10 | 0:11:12 | |
as you can ask Pink as a performer, | 0:11:12 | 0:11:15 | |
is if you can play live, it doesn't matter how many hits you've got, | 0:11:15 | 0:11:19 | |
you will always be successful. | 0:11:19 | 0:11:21 | |
And the other thing that I think this whole collection is, | 0:11:21 | 0:11:24 | |
it's not just a celebration of you but also of Bernie, Bernie Taupin, | 0:11:24 | 0:11:26 | |
-and the work you've done together. -We've never had an argument. | 0:11:26 | 0:11:30 | |
We've never written a song in the same room. | 0:11:30 | 0:11:31 | |
He gives me a lyric, I go away, | 0:11:31 | 0:11:33 | |
I write the music and then I call him in and I play it to him. | 0:11:33 | 0:11:37 | |
We've kept the process fresh by doing that so that even now, | 0:11:37 | 0:11:40 | |
when I get a lyric, | 0:11:40 | 0:11:41 | |
which will probably be my thousandth lyric from him, | 0:11:41 | 0:11:44 | |
I go away and I get excited by looking at the lyric | 0:11:44 | 0:11:46 | |
and writing the song. So it hasn't changed. | 0:11:46 | 0:11:48 | |
So it's never got old and even though I've behaved so badly | 0:11:48 | 0:11:51 | |
at times in my life and he has rang me up the next day and said, | 0:11:51 | 0:11:54 | |
"Do you remember what you did last night?" And I go, "No..." | 0:11:54 | 0:11:56 | |
We've never had an argument. | 0:11:57 | 0:12:00 | |
And I'm so proud of the fact that in this business, | 0:12:00 | 0:12:02 | |
erm, we are stronger together now than we ever have been | 0:12:02 | 0:12:05 | |
and that makes me feel good. | 0:12:05 | 0:12:09 | |
And all these years later, your first hit, Your Song, | 0:12:09 | 0:12:12 | |
was just voted, I think, the nation's favourite Elton John song. | 0:12:12 | 0:12:16 | |
-Yeah. -Am I right in thinking that's yours, Stephen? | 0:12:16 | 0:12:19 | |
I love it, absolutely love it. | 0:12:19 | 0:12:20 | |
Do you remember we did a sketch with Rowan Atkinson, mocking the lyrics? | 0:12:20 | 0:12:24 | |
-Yes, of course. -These things I forget, your eyes, | 0:12:24 | 0:12:26 | |
are they green or are they blue? | 0:12:26 | 0:12:28 | |
The lyrics are extraordinary. | 0:12:28 | 0:12:30 | |
Because they're so... Nothing had been heard like that before | 0:12:30 | 0:12:33 | |
and the way it married with your voice, it is still... | 0:12:33 | 0:12:35 | |
And that was the last song that was played on that package, I noticed, | 0:12:35 | 0:12:38 | |
because it just speaks in a way... | 0:12:38 | 0:12:39 | |
That and Don't Let The Sun Go Down On Me, | 0:12:39 | 0:12:41 | |
because I always think of George Michael when I hear that. | 0:12:41 | 0:12:44 | |
The extraordinary thing you did. | 0:12:44 | 0:12:45 | |
-Thank God it wasn't Chirpy Chirpy Cheep Cheep! -Well.. | 0:12:45 | 0:12:47 | |
-Do you have a favourite, Pink? -What's that? | 0:12:50 | 0:12:52 | |
-Do you have a favourite Elton John song? -I feel like, | 0:12:52 | 0:12:54 | |
just throw a dart and that's my favourite. | 0:12:54 | 0:12:56 | |
But I will say, if I have to say, Tiny Dancer. | 0:12:56 | 0:12:58 | |
-CAREY: -I was going to say Tiny Dancer! That's my favourite. | 0:12:58 | 0:13:01 | |
And at the moment, isn't that your favourite at the moment, | 0:13:01 | 0:13:03 | |
-Tiny Dancer? -I love Tiny Dancer. It's funny, | 0:13:03 | 0:13:05 | |
I've played these songs so many times but the more you play them, | 0:13:05 | 0:13:08 | |
you realise how wonderful the lyrics are. | 0:13:08 | 0:13:11 | |
And the older you get, you hopefully have more fun with the song. | 0:13:11 | 0:13:15 | |
People like Frank Sinatra used to do it and they have sung those songs | 0:13:15 | 0:13:18 | |
so many times. Nina Simone, every time you saw her sing, | 0:13:18 | 0:13:21 | |
-she'd interpret a song differently. And that's what... -The storytelling. | 0:13:21 | 0:13:24 | |
The lyrics are so crucial. | 0:13:24 | 0:13:26 | |
Yeah, the lyrics... He's a storyteller, you know? | 0:13:26 | 0:13:29 | |
Up until about two years ago, | 0:13:29 | 0:13:30 | |
I thought it was "lay me down in sheets of amber." | 0:13:30 | 0:13:33 | |
I was like, "He has sheets of amber, you guys!" | 0:13:33 | 0:13:36 | |
LAUGHTER | 0:13:36 | 0:13:38 | |
-Isn't it that? What is it? -I think it's sheets of...linen? | 0:13:38 | 0:13:41 | |
-What is it? -Lay me down in sheets of linen. -Yeah, it's linen. -Oh, linen. | 0:13:41 | 0:13:45 | |
People thought it was "Hold me closer, Tony Danza". | 0:13:45 | 0:13:48 | |
LAUGHTER | 0:13:48 | 0:13:50 | |
-Tony Danza from Taxi? -Tony Danza, yeah! | 0:13:50 | 0:13:53 | |
But you say, we had a lot of fun. You're still having fun. | 0:13:54 | 0:13:56 | |
Of course, life is about having fun. | 0:13:56 | 0:13:58 | |
-But my fun is focused now on my children. -Yeah. | 0:13:58 | 0:14:01 | |
I'm lucky enough to still have the career, but my fun is now... | 0:14:01 | 0:14:05 | |
I'm going to my youngest's Nativity play tomorrow and I'm so excited. | 0:14:05 | 0:14:09 | |
-AUDIENCE: -Aw! -That's what my life is about now. | 0:14:09 | 0:14:11 | |
And it's all about them and the focus is off of me and onto them | 0:14:11 | 0:14:16 | |
and at this stage of my life, it's kind of nice to be able to do that. | 0:14:16 | 0:14:19 | |
In terms of Zachary and Elijah, is there a favourite Dad's music? | 0:14:19 | 0:14:23 | |
No. They like AC/DC. | 0:14:23 | 0:14:26 | |
LAUGHTER | 0:14:26 | 0:14:28 | |
They do like Tiny Dancer, they like Levon. | 0:14:28 | 0:14:31 | |
But they really like... It's Thunderstruck. | 0:14:31 | 0:14:34 | |
Because it was Iron Man. | 0:14:34 | 0:14:36 | |
They love AC/DC. And that's what we have to put on in the car | 0:14:36 | 0:14:39 | |
when we go in the morning. | 0:14:39 | 0:14:40 | |
They like I'm Still Standing, but it's AC/DC first. | 0:14:40 | 0:14:43 | |
-That's a great visual! -Pink, your little boy, | 0:14:43 | 0:14:45 | |
the last time you were here, you were saying | 0:14:45 | 0:14:47 | |
that he wasn't particularly a fan. | 0:14:47 | 0:14:48 | |
-Has it changed? -He cries when I sing. | 0:14:48 | 0:14:51 | |
-No! -Yes... Well, now he's stopped crying, finally. | 0:14:51 | 0:14:55 | |
He's 11 months now. He just looks away. | 0:14:55 | 0:14:57 | |
-AUDIENCE: -Aw! | 0:14:57 | 0:14:58 | |
-Oh! Oh, how cute. -And Willow tells me my singing is distracting. | 0:14:58 | 0:15:03 | |
-Thank you? -I thought Willow was quite into it, no? | 0:15:04 | 0:15:07 | |
-She likes Sia. -OK. | 0:15:07 | 0:15:09 | |
-She prefers Sia. -Oh, kids are cruel, aren't they? | 0:15:09 | 0:15:12 | |
I picked her up from first grade and one of her little friends was like, | 0:15:13 | 0:15:16 | |
# So, raise your glass up... # | 0:15:16 | 0:15:17 | |
Singing to me and Willow rolled her eyes, and she goes, | 0:15:17 | 0:15:19 | |
"That's not even one of the good ones." | 0:15:19 | 0:15:21 | |
-Thank you? -How old is Willow? -Six. | 0:15:24 | 0:15:26 | |
Six. | 0:15:26 | 0:15:27 | |
Now, talking of children's favourites, Harry Potter, | 0:15:28 | 0:15:32 | |
the audio books, how many hours of Harry Potter did you have to read? | 0:15:32 | 0:15:36 | |
God, I think it's over 100, isn't it? | 0:15:36 | 0:15:38 | |
Of course, when it started, my agent called me up and said, | 0:15:39 | 0:15:42 | |
"There's this book called Harry Potter and the Philosopher's Stone." | 0:15:42 | 0:15:45 | |
That's what it is called in England. In America, it's sorcerer. | 0:15:45 | 0:15:48 | |
Obviously, philosophers are a rather frightening idea in America! | 0:15:48 | 0:15:51 | |
LAUGHTER AND APPLAUSE | 0:15:51 | 0:15:53 | |
-All right, all right. -Sorry, sorry. | 0:15:55 | 0:15:58 | |
Anyway, it was a book and so I read it, | 0:15:58 | 0:16:01 | |
and there was this boy and apparently he was a wizard | 0:16:01 | 0:16:03 | |
and I met the author who was called Jo Rowling | 0:16:03 | 0:16:05 | |
and she was really nice and we read the book and she said, | 0:16:05 | 0:16:08 | |
"Oh, actually, there's another one, there's a second one, I've written." | 0:16:08 | 0:16:11 | |
And I said, "Good for you!" | 0:16:11 | 0:16:13 | |
Little realising what would happen, but over the years, | 0:16:14 | 0:16:17 | |
this extraordinary phenomenon blossomed and I loved reading them. | 0:16:17 | 0:16:21 | |
Occasionally, people... There was a man who stopped me in the street | 0:16:21 | 0:16:25 | |
not long ago and he pointed, shouted across the street, | 0:16:25 | 0:16:27 | |
"My children go to bed with you!" | 0:16:27 | 0:16:29 | |
Shush! | 0:16:30 | 0:16:32 | |
Please rephrase that! | 0:16:32 | 0:16:34 | |
Now, Carey Mulligan's film is Mudbound. | 0:16:36 | 0:16:39 | |
Now, this film, it's currently available on Netflix, | 0:16:39 | 0:16:42 | |
it's streaming now, | 0:16:42 | 0:16:44 | |
but it has had the most incredible reviews | 0:16:44 | 0:16:46 | |
and there's a lot of awards buzz about it, so whet their appetite. | 0:16:46 | 0:16:50 | |
-What is it about? -It's about a really interesting period of history | 0:16:50 | 0:16:52 | |
that I didn't know very much about. | 0:16:52 | 0:16:54 | |
So, it's post-Second World War, pre-civil rights. | 0:16:54 | 0:16:57 | |
So, it's about two families living on the same land and two soldiers | 0:16:57 | 0:17:00 | |
coming home from the war, one is white and one is black. | 0:17:00 | 0:17:03 | |
And the battalions were all segregated, | 0:17:03 | 0:17:05 | |
so black soldiers were going over and fighting for their country | 0:17:05 | 0:17:09 | |
but then coming home to a segregated society, | 0:17:09 | 0:17:11 | |
so it is kind of about that, but it's a family drama within that. | 0:17:11 | 0:17:13 | |
-So it's about these two soldiers who become friends. -In Mississippi, | 0:17:13 | 0:17:16 | |
-is it? -Mississippi, yeah. -It's the mud state, isn't it? -Yeah. | 0:17:16 | 0:17:18 | |
We were filming out in Louisiana, filming outside of New Orleans. | 0:17:18 | 0:17:21 | |
Very hot, very muddy, lots of mosquitoes and extraordinarily, | 0:17:21 | 0:17:25 | |
we had a snake wrangler on set | 0:17:25 | 0:17:28 | |
and his only job was to go around the set | 0:17:28 | 0:17:30 | |
and clear the deadly snakes that were trying to kill us. | 0:17:30 | 0:17:33 | |
So he would go around and sort of pocket these snakes | 0:17:33 | 0:17:36 | |
-and put them in a bucket in the back of his van. -What kind of snakes? | 0:17:36 | 0:17:39 | |
The very dangerous ones, apparently. I mean, I didn't get to... | 0:17:39 | 0:17:42 | |
-STUMBLING: -I don't know the species. | 0:17:42 | 0:17:44 | |
Speciesh? I've just taken Day Nurse, sorry! | 0:17:44 | 0:17:46 | |
The species of the snakes, I'm not entirely... | 0:17:48 | 0:17:51 | |
LAUGHTER | 0:17:51 | 0:17:53 | |
Needless to say, they were trying to kill us, and he saved us all. | 0:17:53 | 0:17:56 | |
We've got a little clip. This is you... Basically, things start well, | 0:17:56 | 0:18:01 | |
-and then... -It is all going great | 0:18:01 | 0:18:02 | |
-and then we move to the mud. -And things go wrong. -Things go wrong. | 0:18:02 | 0:18:05 | |
This is you begging your husband not to make a bad situation even worse. | 0:18:05 | 0:18:11 | |
When you told me you were bringing me to this godforsaken place, | 0:18:11 | 0:18:14 | |
I barely said a word. When you informed me | 0:18:14 | 0:18:16 | |
that he was coming to live with us, I went along. | 0:18:16 | 0:18:18 | |
And when our Stokes told you you'd been fleeced by that man | 0:18:18 | 0:18:21 | |
you rented the house from, I kept my mouth shut. | 0:18:21 | 0:18:23 | |
But I'm telling you now, we are not getting rid of that piano. | 0:18:23 | 0:18:25 | |
It's the one civilised thing in this place, | 0:18:25 | 0:18:28 | |
so your father can either sleep in the lean-to | 0:18:28 | 0:18:29 | |
or he can sleep in the bed with you, | 0:18:29 | 0:18:30 | |
because I am not staying here without my piano. | 0:18:30 | 0:18:32 | |
-You know what, you are overtired. -No, I'm not. | 0:18:32 | 0:18:35 | |
APPLAUSE | 0:18:35 | 0:18:37 | |
And there is a sort of unrecognisable Mary J Blige | 0:18:41 | 0:18:45 | |
-in this film. -Yeah. She's amazing. -Again, fabulous reviews. | 0:18:45 | 0:18:49 | |
How hard is it for an actress to get over the fact | 0:18:49 | 0:18:52 | |
that that's Mary J Blige? | 0:18:52 | 0:18:54 | |
Quite hard, initially, yeah. | 0:18:54 | 0:18:56 | |
Because, you know... It's like, you know, I was sitting... | 0:18:56 | 0:19:01 | |
I've just been feeling completely... It may be the Day Nurse, | 0:19:01 | 0:19:04 | |
but I'm sitting here next to these extraordinary people. | 0:19:04 | 0:19:06 | |
It's completely blowing my mind, | 0:19:06 | 0:19:08 | |
but I look at Pink and I'm thinking in my head, | 0:19:08 | 0:19:10 | |
I'm singing Just Like A Pill and I can't stop singing it. | 0:19:10 | 0:19:13 | |
And Elton, I'm like # Tiny Dancer! # | 0:19:13 | 0:19:15 | |
It's quite hard to concentrate on people around me. | 0:19:15 | 0:19:20 | |
So, with Mary, that was going on in my head for the first couple of days | 0:19:20 | 0:19:22 | |
and then she became this character | 0:19:22 | 0:19:25 | |
and then it was just... She was a totally different person. | 0:19:25 | 0:19:28 | |
Because, Pink, I know you wanted to work with Mary J Blige. | 0:19:28 | 0:19:30 | |
I did, she was one of the first people I ever approached. | 0:19:30 | 0:19:33 | |
I walked into her trailer, a long, long, long time ago, | 0:19:34 | 0:19:36 | |
on my first album and said, "Would you work with me?" | 0:19:36 | 0:19:38 | |
and she looked at me and said, "No." | 0:19:38 | 0:19:41 | |
And I was like, "Cool, I love you, I love you so much. Bye!" | 0:19:41 | 0:19:46 | |
But I respected it. I like when people are honest. | 0:19:46 | 0:19:50 | |
Rather than, "Yeah, call me!" | 0:19:50 | 0:19:51 | |
-So, I liked it. -Elton, you've made a few forays into film. | 0:19:53 | 0:19:57 | |
You were just in a big British hit, Kingsman: The Golden Circle. | 0:19:57 | 0:20:01 | |
Yes, I didn't know what I was kind of letting myself in for, | 0:20:01 | 0:20:04 | |
but I enjoyed it. I didn't think I was going to enjoy it | 0:20:04 | 0:20:06 | |
because I don't like doing music videos. | 0:20:06 | 0:20:08 | |
In fact, I stopped doing them years ago, | 0:20:08 | 0:20:09 | |
because there was a lot of hanging around backstage and I get bored. | 0:20:09 | 0:20:12 | |
But actually, I had incredible fun, | 0:20:12 | 0:20:13 | |
but my scenes were with Colin Firth and Julianne Moore, | 0:20:13 | 0:20:16 | |
so it was pretty fantastic. | 0:20:16 | 0:20:18 | |
And let's not forget, your marvellous work | 0:20:18 | 0:20:20 | |
in one of the most successful British films of all time, | 0:20:20 | 0:20:23 | |
that film is Spice World. | 0:20:23 | 0:20:25 | |
CHEERING AND APPLAUSE | 0:20:25 | 0:20:27 | |
Yes. There you are. | 0:20:27 | 0:20:29 | |
Doing your cameo. Do you have any memory of that day at all? | 0:20:31 | 0:20:34 | |
It was done at the BBC, that's all. | 0:20:34 | 0:20:37 | |
That's all I can remember. | 0:20:37 | 0:20:38 | |
In the BBC lobby, I think. | 0:20:38 | 0:20:40 | |
I'm pretty sure I was in that film as well. | 0:20:40 | 0:20:42 | |
-Yeah, you were. -I was, I think, a judge or something. | 0:20:42 | 0:20:45 | |
-Yeah. -I remember, they were so... The reason I did it, | 0:20:45 | 0:20:49 | |
I don't know if you were the same, | 0:20:49 | 0:20:51 | |
was because I had nephews and nieces, | 0:20:51 | 0:20:52 | |
-and if I hadn't done it, they would have killed me! -Exactly. | 0:20:52 | 0:20:55 | |
Because I could get their autographs, | 0:20:55 | 0:20:56 | |
that's how huge they were. | 0:20:56 | 0:20:57 | |
There was this period when they were bigger than anything on the planet, | 0:20:57 | 0:21:00 | |
-wasn't there? -Exactly. -And I remember, | 0:21:00 | 0:21:02 | |
Victoria Beckham came up... Not Beckham, she wasn't then. | 0:21:02 | 0:21:04 | |
-Victoria whatever she was then. -Adams. -Adams, thank you. | 0:21:04 | 0:21:07 | |
-Posh Spice, I think her name was. -Posh Spice. | 0:21:07 | 0:21:09 | |
And she'd read one of my novels. She said, "You wrote a book | 0:21:09 | 0:21:11 | |
"called The Hippopotamus," and I just fell in love, completely. | 0:21:11 | 0:21:15 | |
I just thought what a brilliant, stylish, clever woman. | 0:21:15 | 0:21:18 | |
Whatever you think, these Spice Girls, no, | 0:21:19 | 0:21:21 | |
they've got something, I think. | 0:21:21 | 0:21:23 | |
And actually, I remember... | 0:21:23 | 0:21:26 | |
-The Prince of Wales... -She was lying. | 0:21:26 | 0:21:29 | |
It was before Wikipedia, so how would she have looked it up? | 0:21:30 | 0:21:33 | |
But there was the 50th... | 0:21:33 | 0:21:37 | |
There was a special show for the 50th birthday | 0:21:37 | 0:21:39 | |
of the Prince of Wales, Prince Charles. And they were on it | 0:21:39 | 0:21:41 | |
And I was emceeing it or whatever it was, hosting it, | 0:21:41 | 0:21:44 | |
and there was a line-up afterwards. | 0:21:44 | 0:21:46 | |
And, I mean, they didn't care, it was all Girl Power. | 0:21:46 | 0:21:50 | |
The Prince of Wales, | 0:21:50 | 0:21:51 | |
"Hello, wonderful, lovely, thank you so much." | 0:21:51 | 0:21:53 | |
And he got to them and the first thing... | 0:21:53 | 0:21:56 | |
-Emma Bunting? -Baby Spice. LAUGHTER | 0:21:56 | 0:21:58 | |
She said, "Oh, Sir, Sir, Highness, Sir? | 0:21:58 | 0:22:03 | |
"Do you have a Prince Albert?" | 0:22:03 | 0:22:06 | |
And he said, "Yes, I'm his great-great-grandson, yes." | 0:22:06 | 0:22:10 | |
"No, do you HAVE one?" | 0:22:10 | 0:22:12 | |
He said, "Well, he was the husband of Queen Victoria." | 0:22:12 | 0:22:15 | |
And he looked at me, completely baffled, | 0:22:15 | 0:22:17 | |
and he didn't know what a Prince Albert was. | 0:22:17 | 0:22:20 | |
So I had to say, "Well, Sir, it's an item of intimate jewellery." | 0:22:20 | 0:22:24 | |
"What do you mean, sort of...?" I said, "No, further south." | 0:22:25 | 0:22:28 | |
"Is it called a Prince Albert?" I said, "Yes." | 0:22:30 | 0:22:33 | |
And he was like, "Oh, my heavens!" He had to have a lie down, I think. | 0:22:33 | 0:22:36 | |
I admired their spunk, as it were, to, you know... | 0:22:38 | 0:22:41 | |
That's how an Australian would put it. | 0:22:41 | 0:22:44 | |
-It's an icebreaker? -Yeah. | 0:22:44 | 0:22:46 | |
-To ask him... -I think we have a picture of the moment he met them. | 0:22:46 | 0:22:49 | |
-There he is. -That's me in the background. | 0:22:49 | 0:22:52 | |
Everyone seems very distracted by Geri. | 0:22:52 | 0:22:54 | |
Prince Charles is just pointing at her absentmindedly. | 0:22:56 | 0:22:58 | |
Do you know, he did tell me... I think it's OK to repeat this, | 0:22:58 | 0:23:02 | |
but the Prince of Wales did tell me once | 0:23:02 | 0:23:04 | |
that the best piece of advice his father had ever given him... | 0:23:04 | 0:23:07 | |
He said, "When you're doing a photograph | 0:23:07 | 0:23:09 | |
"and you're doing a line-up and there are women, | 0:23:09 | 0:23:12 | |
"always look only into their eyes. | 0:23:12 | 0:23:14 | |
"Don't for a second let your eyes drop to their chest." | 0:23:14 | 0:23:17 | |
Because that's when the photograph goes off. | 0:23:17 | 0:23:19 | |
And if you look, he's not looking down. | 0:23:19 | 0:23:21 | |
All the rest of us, even us gay boys, are looking at her. | 0:23:21 | 0:23:24 | |
LAUGHTER | 0:23:24 | 0:23:25 | |
He is very smartly... | 0:23:25 | 0:23:27 | |
LAUGHTER AND APPLAUSE | 0:23:27 | 0:23:32 | |
-Now, Stephen Fry has a book. He's got a book out. -Heavens. | 0:23:32 | 0:23:34 | |
-I know he has. -Yes. -Oh, bless you! -I've got it here. It's called... | 0:23:34 | 0:23:37 | |
-Is it in your cupboard? -It is in my cupboard. | 0:23:37 | 0:23:39 | |
My capacious cupboard. It's called Mythos. | 0:23:39 | 0:23:41 | |
Now, this is Greek myths retold. | 0:23:41 | 0:23:43 | |
And it is one of those things, when you go through this book, | 0:23:43 | 0:23:46 | |
you realise that actually, we know, | 0:23:46 | 0:23:48 | |
I think people think we don't know these stories, but actually, | 0:23:48 | 0:23:50 | |
when you see all the names, they're all things... | 0:23:50 | 0:23:53 | |
They're deep within the DNA, as it were, | 0:23:53 | 0:23:54 | |
of our culture, aren't they? I mean... Yeah. | 0:23:54 | 0:23:57 | |
I remember when the internet started, | 0:23:57 | 0:23:59 | |
I remember thinking it was the most magnificent thing | 0:23:59 | 0:24:02 | |
that had ever happened in human history. | 0:24:02 | 0:24:04 | |
Even greater than printing, | 0:24:04 | 0:24:05 | |
it would bring us all together | 0:24:05 | 0:24:07 | |
and it reminded me of Pandora, who was... | 0:24:07 | 0:24:10 | |
The gods made this woman, | 0:24:10 | 0:24:11 | |
the first woman and it means "all gifted" in Greek, Pandora, | 0:24:11 | 0:24:15 | |
and they sent her down with this box | 0:24:15 | 0:24:18 | |
and she arrived and she had all the gifts | 0:24:18 | 0:24:21 | |
and she was perfect and everyone fell in love with her, | 0:24:21 | 0:24:24 | |
but she couldn't help but open this box. | 0:24:24 | 0:24:26 | |
And things flew out of the box. | 0:24:26 | 0:24:28 | |
Now, that was the internet. I thought it was perfect, | 0:24:28 | 0:24:30 | |
I thought it was going to break down barriers, | 0:24:30 | 0:24:32 | |
we would all understand each other, | 0:24:32 | 0:24:34 | |
everything would be love and knowledge and tolerance | 0:24:34 | 0:24:38 | |
and a genuine empathy, | 0:24:38 | 0:24:40 | |
all the national barriers would break down, instead of which, | 0:24:40 | 0:24:43 | |
like Pandora's Box, out flew all the ills of the world, you know, | 0:24:43 | 0:24:47 | |
in the case of Pandora, it was starvation and murder | 0:24:47 | 0:24:50 | |
and lies and hatred and intolerance and all these things | 0:24:50 | 0:24:54 | |
flew out and these pests settled in the world. | 0:24:54 | 0:24:57 | |
And that's the terror of the internet, it seemed to happen. | 0:24:57 | 0:25:00 | |
It was going to be so great, and what went wrong? | 0:25:00 | 0:25:03 | |
-It was a Pandora's Box. -Yeah. | 0:25:03 | 0:25:04 | |
But it's interesting, because all these stories, | 0:25:04 | 0:25:07 | |
-they warn us of all these dangers. -They do. | 0:25:07 | 0:25:09 | |
-And they're great stories. -And they all have a moral in the end | 0:25:09 | 0:25:12 | |
and these are such old stories and yet what you're saying | 0:25:12 | 0:25:14 | |
-sort of means we have learned nothing from them. -Absolutely squid. | 0:25:14 | 0:25:18 | |
-Yeah. Nothing. -And not to be... Did you know all the stories? | 0:25:18 | 0:25:22 | |
I was obsessed with them as a child, | 0:25:22 | 0:25:24 | |
but obviously I researched them again, | 0:25:24 | 0:25:26 | |
busied myself in looking them up | 0:25:26 | 0:25:28 | |
and they are so great, they are, aren't they? Have you enjoyed them? | 0:25:28 | 0:25:31 | |
I have. Oddly, I studied Greek and Roman civilisation at university. | 0:25:31 | 0:25:35 | |
Did you really? | 0:25:35 | 0:25:37 | |
For a year, because they failed no-one. | 0:25:37 | 0:25:40 | |
LAUGHTER | 0:25:40 | 0:25:41 | |
-And who was your favourite hero? -Honestly, I did nothing. | 0:25:43 | 0:25:46 | |
I picked my nose and burnt holes in a coffee cup, that was all I did. | 0:25:46 | 0:25:52 | |
Nothing. So this was very good to read. | 0:25:52 | 0:25:55 | |
They were fresh to my mind. | 0:25:55 | 0:25:57 | |
Right, it's time to meet our final guest. | 0:25:57 | 0:25:59 | |
For the last 27 years, | 0:25:59 | 0:26:00 | |
this pop superstar has been part of our lives. | 0:26:00 | 0:26:03 | |
Now he unveils his own life in the new book, Reveal. | 0:26:03 | 0:26:06 | |
Please welcome Mr Robbie Williams! APPLAUSE AND CHEERING | 0:26:06 | 0:26:09 | |
MUSIC: Rock DJ by Robbie Williams | 0:26:09 | 0:26:13 | |
Hello, how are you? | 0:26:14 | 0:26:16 | |
-Lovely to see you. -Hello, darling, nice to meet you. | 0:26:21 | 0:26:24 | |
-Hello. -It's you! -Hi. -You look very good. -Thank you. | 0:26:25 | 0:26:28 | |
Hi, babe! | 0:26:29 | 0:26:32 | |
-Hi, everybody! -CHEERING | 0:26:32 | 0:26:33 | |
-Sit here. -Where am I sitting? | 0:26:33 | 0:26:36 | |
-Wow! -Hello! -I've got a book. | 0:26:36 | 0:26:39 | |
Oh, yes, you do. You do! | 0:26:39 | 0:26:41 | |
That is fascinating. Mine's about farting. | 0:26:41 | 0:26:45 | |
I have to say, we love having you on the show, Robbie Williams. | 0:26:45 | 0:26:48 | |
-Thank you very much. -You always tell great stories. | 0:26:48 | 0:26:50 | |
But do the people who love you, your friends and family, | 0:26:50 | 0:26:54 | |
are they sitting at home now | 0:26:54 | 0:26:55 | |
sort of terrified of what stories you're going to tell? | 0:26:55 | 0:26:58 | |
Er... Yeah, they are. | 0:26:58 | 0:27:00 | |
And I'd like to apologise to all of my family, my wife, | 0:27:00 | 0:27:04 | |
and all of the celebrities I'm about to slag off! | 0:27:04 | 0:27:07 | |
Well, no, of course, your wife... I think, was your wife... | 0:27:07 | 0:27:10 | |
Was she genuinely was upset after you told the story | 0:27:10 | 0:27:12 | |
about her giving birth? | 0:27:12 | 0:27:13 | |
Yeah, she was genuinely upset, yeah, because I said, | 0:27:13 | 0:27:17 | |
the birth of our first child, Teddy, I said that it... | 0:27:17 | 0:27:20 | |
Because I was in the delivery room | 0:27:20 | 0:27:22 | |
and the head was coming through and it reminded me... | 0:27:22 | 0:27:26 | |
Well, I thought it was like my favourite pub burning down. | 0:27:26 | 0:27:29 | |
But I am delighted to discover that | 0:27:32 | 0:27:35 | |
she's opened an off-licence round the back. | 0:27:35 | 0:27:38 | |
With the second child... | 0:27:40 | 0:27:42 | |
Oh, it's going to be a quiet Christmas in the Williams house! | 0:27:42 | 0:27:46 | |
Now, before we get to the book, I have to say, | 0:27:50 | 0:27:52 | |
you know everyone on the couch, | 0:27:52 | 0:27:54 | |
but have you met Pink in the flesh before? | 0:27:54 | 0:27:55 | |
-We've met before. -Once, yeah. | 0:27:55 | 0:27:57 | |
Once in Los Angeles and Pink's got a... | 0:27:57 | 0:28:01 | |
We've got a mutual friend | 0:28:01 | 0:28:03 | |
and her mutual friend got hold of me on e-mail | 0:28:03 | 0:28:06 | |
and said Pink wants to talk to you, | 0:28:06 | 0:28:08 | |
is it all right if I give her your e-mail? | 0:28:08 | 0:28:10 | |
And I'm like, "Please do! | 0:28:10 | 0:28:12 | |
"Very excited to find out what Pink wants!" | 0:28:12 | 0:28:15 | |
And then you sent an e-mail back and it was sort of, like, | 0:28:15 | 0:28:18 | |
I'm not making head nor tail of this, I don't understand it at all. | 0:28:18 | 0:28:21 | |
And, er, there was like several e-mails before you were like, | 0:28:21 | 0:28:26 | |
"Wait, are you Robbie the chef?" | 0:28:26 | 0:28:28 | |
LAUGHTER | 0:28:28 | 0:28:32 | |
"No, I'm Robbie the Williams." | 0:28:32 | 0:28:35 | |
-Well, we'd... -What were you saying to him? | 0:28:37 | 0:28:39 | |
I think I was asking him about salmon! | 0:28:39 | 0:28:41 | |
I don't remember! | 0:28:41 | 0:28:42 | |
And I tried my best to answer. | 0:28:44 | 0:28:45 | |
Yeah. But we laughed. | 0:28:47 | 0:28:48 | |
We did. Now, the book, the book. | 0:28:48 | 0:28:51 | |
Reveal, here it is. By Chris Heath, who obviously spent | 0:28:51 | 0:28:55 | |
an awful lot of time with you and had access to, kind of, your life. | 0:28:55 | 0:28:59 | |
This is so you. | 0:28:59 | 0:29:01 | |
Because a lot of these books can feel a bit guarded, | 0:29:01 | 0:29:04 | |
a bit filtered and this doesn't. | 0:29:04 | 0:29:06 | |
-No, it's not. -No, it really isn't. | 0:29:06 | 0:29:08 | |
And actually what's really nice is that Chris Heath kind of | 0:29:08 | 0:29:11 | |
puts in the book, you know, | 0:29:11 | 0:29:13 | |
after he'll listen to you and Aida talking, "And I said to them, | 0:29:13 | 0:29:16 | |
" 'Is it OK to put this in the book?' " And you say yes. | 0:29:16 | 0:29:19 | |
I think the problem is that I don't proofread them. | 0:29:19 | 0:29:23 | |
So, if I'd have proofread it, | 0:29:23 | 0:29:25 | |
if I had read it at all, I'd have known, | 0:29:25 | 0:29:27 | |
"Oh, God, they can't know that about me! | 0:29:27 | 0:29:29 | |
"That makes me look an awful person." | 0:29:29 | 0:29:31 | |
But all the awful stuff is in there and hopefully interesting bits | 0:29:31 | 0:29:36 | |
and I hope to make you laugh. | 0:29:36 | 0:29:38 | |
And they are amazing stories, but obviously, they're not... | 0:29:38 | 0:29:41 | |
You're not the only person in the book. | 0:29:41 | 0:29:43 | |
Did you contact other people, for instance, Geri Halliwell, | 0:29:43 | 0:29:45 | |
did you ring her and say, is it OK if I put that story about...? | 0:29:45 | 0:29:49 | |
No, I haven't done that. | 0:29:49 | 0:29:51 | |
LAUGHTER | 0:29:51 | 0:29:52 | |
No, she doesn't come out of it badly, it's just... | 0:29:52 | 0:29:55 | |
Yeah, yeah, yeah, she doesn't come out of it badly, no. | 0:29:55 | 0:29:58 | |
So, you were dating at the time. | 0:29:58 | 0:30:00 | |
Well, we weren't dating, we were friends and you know... | 0:30:00 | 0:30:04 | |
And, erm... I used to have this flat in Notting Hill | 0:30:04 | 0:30:09 | |
and the window was... | 0:30:09 | 0:30:13 | |
It was quite public, it was quite a public flat, | 0:30:13 | 0:30:16 | |
and I'd be watching the TV and a bus would pull up | 0:30:16 | 0:30:19 | |
and it'd be the top deck and they'd just be like, | 0:30:19 | 0:30:21 | |
watching Robbie Williams watch the television, | 0:30:21 | 0:30:24 | |
every 20 minutes. | 0:30:24 | 0:30:27 | |
And that particular evening, | 0:30:27 | 0:30:28 | |
Geri was around at the flat and I don't know how, | 0:30:28 | 0:30:33 | |
but 20-25 paparazzi were outside and they were letting the flash lights | 0:30:33 | 0:30:39 | |
go off like this trying to get us to come to the window. | 0:30:39 | 0:30:42 | |
And I thought, "I'm going to phone the police | 0:30:42 | 0:30:44 | |
"and see what my rights are. I don't want to bother the police, | 0:30:44 | 0:30:46 | |
"but I'd like to know, cos this is weird." | 0:30:46 | 0:30:49 | |
And the policeman came around and I said, | 0:30:49 | 0:30:50 | |
"I'm really sorry to get you round, mate, | 0:30:50 | 0:30:53 | |
"I don't want to be a hindrance, but I've got all of these paparazzi | 0:30:53 | 0:30:57 | |
"and I just want to know what my rights are." | 0:30:57 | 0:30:59 | |
And the policeman goes, "Can I stop you?" | 0:30:59 | 0:31:02 | |
And I said, "Yeah." And he said, "When you start out in your career, | 0:31:02 | 0:31:07 | |
"that's when you want the press, isn't it? | 0:31:07 | 0:31:09 | |
"But then when the press want something from you, | 0:31:09 | 0:31:12 | |
"you don't like that, do you?" And I'm thinking, "Oh, no... | 0:31:12 | 0:31:16 | |
"Now I've got a policeman in my house, | 0:31:16 | 0:31:19 | |
"and a Geri Halliwell hiding in the cupboard | 0:31:19 | 0:31:21 | |
"right next to the policeman while we're having this conversation." | 0:31:21 | 0:31:24 | |
And I'm like, "I've just got to get him out," | 0:31:24 | 0:31:26 | |
because I don't want to be told off. | 0:31:26 | 0:31:29 | |
And I'm like, "Yeah, thanks, mate, | 0:31:29 | 0:31:31 | |
"thanks for coming round, you're right, I'm sorry." Doff the cap, | 0:31:31 | 0:31:34 | |
off he went. And I'm like, | 0:31:34 | 0:31:35 | |
"Oh, Geri, we can't do anything about the paparazzi | 0:31:35 | 0:31:40 | |
"and we should get out of here." | 0:31:40 | 0:31:42 | |
And I had the genius idea to put her in a holdall. | 0:31:42 | 0:31:46 | |
She's a very small person. | 0:31:48 | 0:31:50 | |
And I literally put her in this duffle bag | 0:31:50 | 0:31:54 | |
and put her over my shoulder | 0:31:54 | 0:31:57 | |
and, like, the paparazzi are all taking pictures | 0:31:57 | 0:31:59 | |
and I'm like, "Hi, guys..." | 0:31:59 | 0:32:01 | |
She had her car and I put her in the boot of her car. | 0:32:01 | 0:32:06 | |
Right? Which...is funny. | 0:32:06 | 0:32:09 | |
And, er... | 0:32:09 | 0:32:11 | |
When we got to the service station and I had a KFC, | 0:32:11 | 0:32:13 | |
-I could have let her out. -No! | 0:32:13 | 0:32:16 | |
I could have let her out, but, you know... | 0:32:16 | 0:32:18 | |
..nature called and I had to have that chicken. | 0:32:19 | 0:32:23 | |
So, yeah, that was the moment Geri Halliwell was put in a holdall | 0:32:24 | 0:32:27 | |
in my house. It's in the book. | 0:32:27 | 0:32:29 | |
And there is something about... | 0:32:29 | 0:32:31 | |
You guys have probably done this too, that rock star bad behaviour. | 0:32:31 | 0:32:35 | |
That... | 0:32:35 | 0:32:36 | |
I don't know what it is about rock stars. | 0:32:36 | 0:32:39 | |
Have you ever done the television out the window? | 0:32:39 | 0:32:42 | |
-No. -Television out the window? | 0:32:42 | 0:32:44 | |
-PINK: -Oh, no. -Did you ever think about doing the television | 0:32:44 | 0:32:47 | |
out the window, but you knew it was just a stupid mug's game? | 0:32:47 | 0:32:51 | |
My manager threw a television out the window, | 0:32:51 | 0:32:53 | |
in Australia and then Perth. | 0:32:53 | 0:32:54 | |
And, erm... | 0:32:54 | 0:32:56 | |
Suddenly, my Australian promoter came up, just in a bed sheet, | 0:32:56 | 0:32:59 | |
saying "Darling, it's like Beirut down there!" | 0:32:59 | 0:33:03 | |
Erm... | 0:33:03 | 0:33:05 | |
But, no, I've never... | 0:33:05 | 0:33:07 | |
-I've never done that. -But the thing about these books is, | 0:33:07 | 0:33:10 | |
they are... Because you are doing one right now, Elton, aren't you? | 0:33:10 | 0:33:13 | |
A book, yeah. | 0:33:13 | 0:33:14 | |
And are you going to be...? | 0:33:14 | 0:33:16 | |
-Yes, I am. -OK. -Yeah. | 0:33:16 | 0:33:18 | |
Should people be worried? | 0:33:18 | 0:33:20 | |
Some people, yeah. | 0:33:20 | 0:33:22 | |
It's not a nasty book. But there are... | 0:33:23 | 0:33:25 | |
I mean, I've lived the rock and roll life | 0:33:25 | 0:33:27 | |
-and a lot of things have happened. -Did you put Leo Sayer in a holdall? | 0:33:27 | 0:33:30 | |
No, but I'd like to have done. | 0:33:32 | 0:33:34 | |
He'd be perfect! Hop in, Leo! | 0:33:36 | 0:33:38 | |
# You make me feel like dancing! # | 0:33:38 | 0:33:42 | |
Carey Mulligan, I doubt you would write an autobiography, would you? | 0:33:42 | 0:33:46 | |
-No, no. -Cos you don't even tell people what you do for a living. | 0:33:46 | 0:33:49 | |
No, I can't handle the disappointment. | 0:33:49 | 0:33:52 | |
You say you're an actress and they go, | 0:33:52 | 0:33:54 | |
"Oh, wow! What have you been in?" | 0:33:54 | 0:33:55 | |
And then you list off, like, 15 independent films | 0:33:55 | 0:33:58 | |
that had an audience of, about, my mum and... | 0:33:58 | 0:34:01 | |
..my next-door neighbours and they look so crushed | 0:34:01 | 0:34:04 | |
that I just lie and I say, like, I'm studying geography at university. | 0:34:04 | 0:34:09 | |
I told someone I was a documentary film-maker last week. | 0:34:09 | 0:34:12 | |
It was an Uber driver and he told me his favourite film was Saw. | 0:34:12 | 0:34:14 | |
And then he asked me what I did. | 0:34:14 | 0:34:17 | |
And I said I'm making a documentary. | 0:34:17 | 0:34:19 | |
Because I was going to sort of filmy place and it looked like... | 0:34:19 | 0:34:22 | |
So I didn't want to crush him. | 0:34:22 | 0:34:24 | |
You don't really want a driver whose favourite film is Saw! | 0:34:24 | 0:34:27 | |
That's a bit of a worry! Did you have your finger on your phone? | 0:34:28 | 0:34:33 | |
-That was, like, the first thing he said. -Whoa! -Yeah. | 0:34:34 | 0:34:36 | |
-That is weird! It was a bit weird. -That was the opener? | 0:34:36 | 0:34:39 | |
That was his opener, because I was going to a film studio. | 0:34:39 | 0:34:42 | |
He was like, "I love movies, my favourite movie is Saw..." | 0:34:42 | 0:34:44 | |
-And The Human Centipede! -"What do you do?" Yeah. | 0:34:44 | 0:34:48 | |
Errrr! | 0:34:48 | 0:34:49 | |
Robbie, very quickly, because Pink is about to perform, | 0:34:51 | 0:34:53 | |
can you just quickly tell us the story about being in LA | 0:34:53 | 0:34:57 | |
-and meeting the gangster? -Yeah. | 0:34:57 | 0:35:00 | |
So, erm... I... | 0:35:00 | 0:35:02 | |
In Los Angeles, before children, | 0:35:02 | 0:35:04 | |
I used to have this house that was just for football. | 0:35:04 | 0:35:06 | |
I had a football pitch in the back. | 0:35:06 | 0:35:08 | |
-This is so rock and roll, I love this. -I remember that. | 0:35:08 | 0:35:10 | |
-Yeah, you came up. -A special house for football? | 0:35:10 | 0:35:13 | |
A special house for football. | 0:35:13 | 0:35:14 | |
And then the kids came and that was the end of that. | 0:35:14 | 0:35:16 | |
That was the end of the fun. | 0:35:16 | 0:35:18 | |
So I'm up there one evening playing football | 0:35:19 | 0:35:23 | |
and there's a lot of people up there, a small drive, | 0:35:23 | 0:35:25 | |
somebody's parked on the drive | 0:35:25 | 0:35:27 | |
and my neighbour can't get his car up the drive. | 0:35:27 | 0:35:31 | |
My neighbour is Joe Pesci. | 0:35:31 | 0:35:35 | |
-Oh, yeah. -There he is. | 0:35:35 | 0:35:37 | |
That's the exact look he gave as he turned into the football pitch | 0:35:37 | 0:35:43 | |
with a nine iron and came at everyone. | 0:35:43 | 0:35:45 | |
"You mother... I'll do this... You mother... Your car..." | 0:35:45 | 0:35:49 | |
And it was absolutely terrifying. | 0:35:49 | 0:35:52 | |
Because, you know, he does that face so well. | 0:35:52 | 0:35:56 | |
And I was absolutely mortified and pretended it wasn't my house. | 0:35:56 | 0:36:00 | |
"I don't know, he's an idiot, the guy that owns the place." | 0:36:00 | 0:36:03 | |
You should have been like Macaulay Culkin | 0:36:03 | 0:36:05 | |
and done all these booby-traps for him. | 0:36:05 | 0:36:08 | |
I didn't think. So I sort of scarper and I get out of there | 0:36:08 | 0:36:13 | |
and the next day, I hastily arrange a sign that says no parking. | 0:36:13 | 0:36:18 | |
And I stick it down so everybody knows, | 0:36:18 | 0:36:21 | |
including Mr Joey Pesci - sorry, mate - | 0:36:21 | 0:36:24 | |
that, you know I was doing something to stop this from happening. | 0:36:24 | 0:36:29 | |
That evening, I went to an Italian restaurant | 0:36:29 | 0:36:33 | |
and the guy came over to me and he went, | 0:36:33 | 0:36:37 | |
"Hey... I really like what you did for Joey." | 0:36:37 | 0:36:40 | |
-Oh! -So now I'm... Like, I'm socially awkward and socially unaware | 0:36:45 | 0:36:50 | |
and I'm now proper shitting myself. | 0:36:50 | 0:36:53 | |
And I'm watching people as they leave the restaurant, | 0:36:53 | 0:36:57 | |
kind of go up to him and kiss him like this | 0:36:57 | 0:37:01 | |
and, like, 20 people have done it and I don't want to go to the loo. | 0:37:01 | 0:37:06 | |
Because I don't want him to see me again. | 0:37:06 | 0:37:08 | |
I don't want him to know I'm leaving. | 0:37:08 | 0:37:11 | |
I'm thinking, I must go to the loo, I can do it. | 0:37:11 | 0:37:13 | |
So I go to the loo and I'm coming back and as I'm leaving... | 0:37:13 | 0:37:17 | |
..this Italian restaurant... Will you stand up a second? | 0:37:17 | 0:37:20 | |
He's stood on some stairs, this guy, | 0:37:20 | 0:37:23 | |
this gangster dude and I sort of, like, | 0:37:23 | 0:37:25 | |
was so nervous I went over to him and just went... | 0:37:25 | 0:37:28 | |
Kissed his Adam's apple. | 0:37:31 | 0:37:32 | |
-I'm still alive! -You're still alive! -Still alive. -Very good. | 0:37:36 | 0:37:41 | |
OK, it is time for music. | 0:37:41 | 0:37:43 | |
-Pink, if you'd like to go over to your band? -OK. | 0:37:43 | 0:37:45 | |
CHEERING There she goes! | 0:37:45 | 0:37:51 | |
Performing What About Us | 0:37:51 | 0:37:52 | |
from the new album Beautiful Trauma, it is Pink! | 0:37:52 | 0:37:56 | |
# We are searchlights, we can see in the dark | 0:38:09 | 0:38:13 | |
# We are rockets, pointed up at the stars | 0:38:17 | 0:38:23 | |
# We are billions of beautiful hearts | 0:38:25 | 0:38:30 | |
# And you sold us down the river too far | 0:38:34 | 0:38:39 | |
# What about us? | 0:38:42 | 0:38:44 | |
# What about all the times you said you had the answers? | 0:38:44 | 0:38:48 | |
# What about us? | 0:38:50 | 0:38:52 | |
# What about all the broken happy ever afters? | 0:38:52 | 0:38:56 | |
# What about us? | 0:38:59 | 0:39:01 | |
# What about all the plans that ended in disaster? | 0:39:01 | 0:39:05 | |
# What about love? What about trust? | 0:39:07 | 0:39:11 | |
# What about us? | 0:39:11 | 0:39:13 | |
# We are problems that want to be solved | 0:39:16 | 0:39:21 | |
# We are children that need to be loved | 0:39:24 | 0:39:30 | |
# We were willin', we came when you called | 0:39:32 | 0:39:38 | |
# But man, you fooled us, enough is enough, oh | 0:39:41 | 0:39:49 | |
# What about us? | 0:39:49 | 0:39:51 | |
# What about all the times you said you had the answers? | 0:39:51 | 0:39:56 | |
# What about us? | 0:39:58 | 0:40:00 | |
# What about all the broken happy ever afters? | 0:40:00 | 0:40:04 | |
# Oh, what about us? | 0:40:04 | 0:40:08 | |
# What about all the plans that ended in disaster? | 0:40:08 | 0:40:14 | |
# What about love? What about trust? | 0:40:14 | 0:40:18 | |
# What about us? | 0:40:18 | 0:40:21 | |
# Oh, what about us? | 0:40:30 | 0:40:33 | |
# What about all the plans that ended in disaster? | 0:40:33 | 0:40:38 | |
# Sticks and stones, they may break these bones | 0:40:40 | 0:40:44 | |
# But then I'll be ready, are you ready? | 0:40:44 | 0:40:49 | |
# It's the start of us, waking up, come on | 0:40:49 | 0:40:53 | |
# Are you ready? I'll be ready | 0:40:53 | 0:40:57 | |
# I don't want control, I want to let go | 0:40:57 | 0:41:02 | |
# Are you ready? I'll be ready | 0:41:02 | 0:41:06 | |
# Cos now it's time to let them know | 0:41:06 | 0:41:10 | |
-# We are ready -What about us? | 0:41:10 | 0:41:16 | |
# What about all the times you said you had the answers? | 0:41:16 | 0:41:20 | |
# So what about us? | 0:41:22 | 0:41:24 | |
# What about all the broken happy ever afters? | 0:41:24 | 0:41:29 | |
# Oh, what about us? | 0:41:29 | 0:41:33 | |
# What about all the plans that ended in disaster? | 0:41:33 | 0:41:37 | |
# Oh, what about love? What about trust? | 0:41:38 | 0:41:43 | |
# What about us? | 0:41:43 | 0:41:45 | |
# What about us? What about us? | 0:41:47 | 0:41:50 | |
# What about us? # | 0:41:50 | 0:41:55 | |
APPLAUSE AND CHEERING | 0:41:55 | 0:41:56 | |
Oh! Pink, everybody! | 0:41:56 | 0:42:00 | |
Beautiful job! | 0:42:00 | 0:42:02 | |
Nailed it, nailed it! | 0:42:05 | 0:42:07 | |
-Come back and join us. There she is! -Thanks. | 0:42:10 | 0:42:13 | |
I agree, you've got the pinkest iPhone cover in the world! | 0:42:13 | 0:42:18 | |
Very quickly, Pink, I totally forgot to mention earlier, | 0:42:18 | 0:42:21 | |
you at the AMAs, the American Music Awards, | 0:42:21 | 0:42:24 | |
I don't know if you saw this. | 0:42:24 | 0:42:25 | |
-I became a stuntwoman. -Yes. CHEERING | 0:42:25 | 0:42:27 | |
So, you were hanging, how many feet? | 0:42:27 | 0:42:30 | |
-That's you in the purple there? -That's me. | 0:42:30 | 0:42:31 | |
-That little ant. -How many floors up are you there? | 0:42:31 | 0:42:35 | |
Erm... I don't know how many floors, I was 200 feet. | 0:42:35 | 0:42:37 | |
Wow! We've got a close-up of you. It is really you. | 0:42:37 | 0:42:39 | |
But the best part was the people inside the rooms. | 0:42:39 | 0:42:43 | |
-So it's a hotel? -Yes. | 0:42:43 | 0:42:44 | |
-And people were in their rooms? -They were just like... "Hey!" | 0:42:44 | 0:42:48 | |
-And you were singing live? -Yes, I was. -What possessed you? | 0:42:48 | 0:42:51 | |
Erm... | 0:42:51 | 0:42:52 | |
-Oh, I don't know, I was terrified. -Were you? I'm glad you were scared, | 0:42:52 | 0:42:55 | |
because it would be weird if you weren't. | 0:42:55 | 0:42:57 | |
I don't need to do that again. | 0:42:57 | 0:42:58 | |
-No. -Check! -Yeah. | 0:42:58 | 0:43:00 | |
-But you have become fond of the aerial... -I do. | 0:43:00 | 0:43:03 | |
-I love it, it's fun. -Didn't you have an accident once, | 0:43:03 | 0:43:05 | |
-where you were pulled off stage? -I did. -I remember. -Into a barricade. | 0:43:05 | 0:43:08 | |
-That's right. -It was the first time I've ever impressed my husband. | 0:43:08 | 0:43:11 | |
Because he's a stunt driver and everything. | 0:43:11 | 0:43:13 | |
He was like, finally, a real crash! | 0:43:13 | 0:43:15 | |
-He shares a name with Carey, doesn't he? -I know. -He's a Carey as well. | 0:43:17 | 0:43:20 | |
He got beat up for having that name. | 0:43:20 | 0:43:22 | |
-Oh, really? -Yeah. | 0:43:22 | 0:43:24 | |
Well, that's a happy story. | 0:43:24 | 0:43:25 | |
LAUGHTER | 0:43:25 | 0:43:27 | |
No, because everyone said it was a girl's name. | 0:43:29 | 0:43:31 | |
Yeah, it's kind of unisex. | 0:43:31 | 0:43:33 | |
-I think so. -Cary Grant. Though he didn't have the E. -Good point, yeah. | 0:43:33 | 0:43:37 | |
We could talk about this a long time, but let's not. | 0:43:37 | 0:43:40 | |
Normally, I feel bad leaving the couch to go to the red chair, | 0:43:41 | 0:43:44 | |
but, no, this is good. | 0:43:44 | 0:43:45 | |
So, let's go for a visit to the Big Red Chair. | 0:43:47 | 0:43:49 | |
Who's there? Hello. | 0:43:49 | 0:43:51 | |
-Hello. -Hi, what's your name? -Hamish. -Hamish. | 0:43:51 | 0:43:53 | |
-Lovely. Where are you from, Hamish? -Herefordshire. | 0:43:53 | 0:43:55 | |
OK. And do you work in Herefordshire? | 0:43:55 | 0:43:58 | |
No, I'm now living in London. I'm training to be a theatre director. | 0:43:58 | 0:44:02 | |
Oh, right! He's training to be one. | 0:44:02 | 0:44:04 | |
Not one yet. | 0:44:04 | 0:44:06 | |
But soon. Do you graduate? | 0:44:06 | 0:44:09 | |
I graduate this... Well, summer of 2018. | 0:44:09 | 0:44:13 | |
OK. Then he'll be ready. | 0:44:13 | 0:44:15 | |
OK, Hamish, off you go with your story. | 0:44:15 | 0:44:17 | |
So I was on a family holiday at Center Parcs | 0:44:17 | 0:44:20 | |
and we were racing down the rapids that they have there | 0:44:20 | 0:44:23 | |
I saw my dad up ahead of me so I thought to slow him down, | 0:44:23 | 0:44:27 | |
I would kind of stealthily sneak up on him | 0:44:27 | 0:44:30 | |
and pull down his swimming trunks, to slow him down and overtake. | 0:44:30 | 0:44:33 | |
So I did exactly that, snuck up on him, | 0:44:33 | 0:44:35 | |
pulled down his swimming trunks and he turns around | 0:44:35 | 0:44:38 | |
and it's not my dad... | 0:44:38 | 0:44:40 | |
LAUGHTER DROWNS SPEECH | 0:44:40 | 0:44:42 | |
And I had no idea what to do, I'm staring at him, | 0:44:42 | 0:44:44 | |
so I just slowly start to slide them back up. | 0:44:44 | 0:44:47 | |
-Give him a little pat. -That's a great story. | 0:44:48 | 0:44:51 | |
You can walk, Hamish, you can walk! | 0:44:51 | 0:44:53 | |
-That was good. -I wondered who that was! | 0:44:56 | 0:45:01 | |
I rather enjoyed it. | 0:45:01 | 0:45:02 | |
Have we loaded the chair? | 0:45:04 | 0:45:06 | |
-Oh, we have! Hello. -Oh, no... | 0:45:06 | 0:45:08 | |
-Hello! -CHEERING | 0:45:09 | 0:45:12 | |
-It's my wife! -It is. I thought it was. | 0:45:12 | 0:45:15 | |
I believe I know you. It's Aida, isn't it? | 0:45:15 | 0:45:17 | |
It is. Hi, Graham! | 0:45:17 | 0:45:19 | |
-Hi, everybody! -Is this Aida's revenge? | 0:45:19 | 0:45:22 | |
-It is, Graham, it is! -It isn't! | 0:45:22 | 0:45:25 | |
Sorry, love! | 0:45:29 | 0:45:30 | |
-Merciless! -Christmas just got even quieter! | 0:45:34 | 0:45:37 | |
Well done, everyone. If you'd like to join us on the show... | 0:45:38 | 0:45:41 | |
BOOING No, he flipped her! That's it! | 0:45:41 | 0:45:44 | |
LOUDER BOOING If you want to join us on the show | 0:45:44 | 0:45:47 | |
and have a go in the Red Chair... | 0:45:47 | 0:45:50 | |
Look, I don't work for Relate! | 0:45:50 | 0:45:52 | |
All right? If you want a go in the red chair, | 0:45:52 | 0:45:54 | |
you can contact us via our website at this address. | 0:45:54 | 0:45:56 | |
That is it for tonight. Please say a huge thank you to my guests | 0:45:56 | 0:45:59 | |
Pink, Stephen Fry, Carey Mulligan, Robbie Williams... | 0:45:59 | 0:46:07 | |
..and Sir Elton John! | 0:46:07 | 0:46:10 | |
Join me next week with a packed sofa. | 0:46:13 | 0:46:15 | |
We've got pop star Noel Gallagher, | 0:46:15 | 0:46:17 | |
funny ladies Dawn French and Rebel Wilson, | 0:46:17 | 0:46:20 | |
actors Jessica Chastain and Jack Black, | 0:46:20 | 0:46:22 | |
comedian Kevin Hart and Dwayne "The Rock" Johnson. | 0:46:22 | 0:46:25 | |
I'll see you then! Goodnight, everybody, bye-bye! | 0:46:25 | 0:46:27 |