Browse content similar to Episode 8. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Good evening, I'm Will Ferrell. -And I'm Mark Wahlberg. | 0:00:02 | 0:00:04 | |
BOTH: Welcome to The Graham Norton Show! | 0:00:04 | 0:00:06 | |
CHEERING AND APPLAUSE | 0:00:20 | 0:00:23 | |
Hello! It's me! | 0:00:23 | 0:00:26 | |
Hello! | 0:00:26 | 0:00:27 | |
Hi! Oh! Oh! | 0:00:27 | 0:00:33 | |
That is so lovely! Thank you. Hello! | 0:00:33 | 0:00:37 | |
Hello, good evening to you all. | 0:00:37 | 0:00:39 | |
You're all very welcome. We have got a great show for you tonight. | 0:00:39 | 0:00:41 | |
Not only have we got four - count 'em - | 0:00:41 | 0:00:43 | |
four Hollywood hunks, ladies and gentlemen. | 0:00:43 | 0:00:45 | |
CHEERING They're back there, they are. | 0:00:45 | 0:00:48 | |
But also joining them later, | 0:00:48 | 0:00:50 | |
the new Strictly head judge, Shirley Ballas, will be here! | 0:00:50 | 0:00:53 | |
CHEERING AND APPLAUSE I know! Speaking and that. | 0:00:53 | 0:00:57 | |
Here's Shirley in action. | 0:00:57 | 0:01:00 | |
Look at that! So sexy. | 0:01:00 | 0:01:02 | |
She's even got Bruno interested. | 0:01:02 | 0:01:04 | |
Strictly has got some amazing professional dancers. | 0:01:04 | 0:01:08 | |
There's some - Pasha, Aljaz, Giovanni. | 0:01:08 | 0:01:13 | |
God knows what they'll do after Brexit, but anyway. | 0:01:13 | 0:01:17 | |
They'll be dancing with brooms! | 0:01:17 | 0:01:21 | |
Of course there was the usual trip to Blackpool this year. | 0:01:21 | 0:01:24 | |
You can always tell when Strictly's been to Blackpool. | 0:01:24 | 0:01:26 | |
Telltale sign outside the hotel - | 0:01:26 | 0:01:28 | |
when they've washed off their fake tans. | 0:01:28 | 0:01:31 | |
LAUGHTER AND APPLAUSE | 0:01:31 | 0:01:33 | |
Let's get some guests on! Later we'll be meeting Shirley Ballas and | 0:01:35 | 0:01:39 | |
we'll have music and chat from pop trailblazer Kesha. | 0:01:39 | 0:01:42 | |
Yeah! | 0:01:42 | 0:01:44 | |
But we start tonight with four stars from the new hit comedy movie | 0:01:44 | 0:01:48 | |
Daddy's Home 2. Our first father and son duo, | 0:01:48 | 0:01:51 | |
one is a double Oscar-winning actor and director, | 0:01:51 | 0:01:54 | |
the other is the star of Boogie Nights, The Departed and Ted - | 0:01:54 | 0:01:56 | |
please welcome Mark Wahlberg and Mel Gibson! | 0:01:56 | 0:01:59 | |
That's them, that is! | 0:01:59 | 0:02:02 | |
Hello! Very good to see you. | 0:02:02 | 0:02:06 | |
Hello! | 0:02:06 | 0:02:07 | |
DROWNED OUT BY APPLAUSE | 0:02:07 | 0:02:10 | |
You're just there. | 0:02:10 | 0:02:11 | |
That's them. | 0:02:13 | 0:02:15 | |
Have a seat. And also playing father and son, | 0:02:15 | 0:02:19 | |
one is the Emmy-winning star of The Crown and 3rd Rock From The Sun, | 0:02:19 | 0:02:22 | |
the other is the comedy genius behind Anchorman, | 0:02:22 | 0:02:24 | |
Elf and Stepbrothers. | 0:02:24 | 0:02:25 | |
Please welcome John Lithgow and Will Ferrell! | 0:02:25 | 0:02:28 | |
CHEERING AND APPLAUSE | 0:02:28 | 0:02:31 | |
So sprightly. So sprightly. | 0:02:31 | 0:02:33 | |
Hello, I haven't seen you in ages. | 0:02:36 | 0:02:38 | |
Yeah! | 0:02:41 | 0:02:43 | |
Woo! | 0:02:43 | 0:02:45 | |
-Woo! -Wooooo! | 0:02:45 | 0:02:48 | |
AUDIENCE WHOOPS AND CHEERS | 0:02:48 | 0:02:52 | |
We could just do that all night long. | 0:02:52 | 0:02:55 | |
Some weeks, wouldn't it just be lovely for 45 minutes, just whoop? | 0:02:55 | 0:02:58 | |
AUDIENCE WHOOPS AND CHEERS | 0:02:58 | 0:03:00 | |
Hello, welcome, all. | 0:03:00 | 0:03:02 | |
You are touring the world, promoting this movie. | 0:03:02 | 0:03:07 | |
Is it fun? Because it is the father-son, father-son, | 0:03:07 | 0:03:12 | |
is it a bit like a family holiday? Is it kind of stressful? | 0:03:12 | 0:03:15 | |
I wouldn't call it a holiday. | 0:03:15 | 0:03:17 | |
But these guys are great fun, travelling as press companions. | 0:03:17 | 0:03:21 | |
But making the movie is easy and promoting it is hard. | 0:03:21 | 0:03:24 | |
-There's no doubt about it. -Don't say that, John! | 0:03:24 | 0:03:27 | |
Don't let light in on the magic. | 0:03:27 | 0:03:31 | |
We've saved you for last. | 0:03:31 | 0:03:33 | |
I don't think we've had any stress, really, the four of us, right? | 0:03:33 | 0:03:37 | |
Why are you asking me? | 0:03:37 | 0:03:39 | |
-I'm asking the group as a whole. -What did I do? | 0:03:39 | 0:03:42 | |
You didn't do anything. | 0:03:42 | 0:03:44 | |
There has been a lot of stress. | 0:03:44 | 0:03:46 | |
This is one of the few experiences were everybody gets along, | 0:03:46 | 0:03:49 | |
it's been a lovely experience. Usually you're shooting a movie, | 0:03:49 | 0:03:52 | |
people are running right to their trailer. | 0:03:52 | 0:03:54 | |
You know, going off on the phone. | 0:03:54 | 0:03:56 | |
Everybody kind of hung out, same thing. | 0:03:56 | 0:03:58 | |
We're promoting the movie, people are happy to be around each other, | 0:03:58 | 0:04:01 | |
excited about the film as a whole. | 0:04:01 | 0:04:03 | |
-So it's been nice. -Mind you, Mel Gibson, | 0:04:03 | 0:04:05 | |
some people watching this will be very surprised to see you in a big, | 0:04:05 | 0:04:10 | |
family friendly film like this. | 0:04:10 | 0:04:12 | |
Are you sort of surprised that you've done that, | 0:04:12 | 0:04:14 | |
gone back into the heart of Hollywood? | 0:04:14 | 0:04:16 | |
Sure, after digging ditches for ten years, it's been fun. | 0:04:16 | 0:04:19 | |
Quite frankly it's been a lot of hard work, personally, professionally. | 0:04:19 | 0:04:22 | |
And the work goes on, as I think it does with most of us. | 0:04:22 | 0:04:24 | |
Was there a moment when you think, | 0:04:24 | 0:04:26 | |
"I'm going to give up public life, | 0:04:26 | 0:04:28 | |
-"I'm going to get on with my own life"? -Oh, no. | 0:04:28 | 0:04:30 | |
There's a thing you've chosen, a career and a calling. | 0:04:30 | 0:04:34 | |
Particularly in directing, where you just have to get back up there and express yourself with storytelling. | 0:04:34 | 0:04:38 | |
That never went away. All those years I was just writing | 0:04:38 | 0:04:41 | |
and conceiving different stories, which I still have. | 0:04:41 | 0:04:44 | |
And back at the Oscars, with Hacksaw Ridge? | 0:04:44 | 0:04:46 | |
Yes, that was nice. | 0:04:46 | 0:04:48 | |
APPLAUSE | 0:04:48 | 0:04:51 | |
-I didn't get the damn thing, but... -It won Oscars, it did win Oscars. | 0:04:51 | 0:04:55 | |
It was just bait. It was just out of reach. | 0:04:55 | 0:04:58 | |
They gave it to someone else. | 0:04:58 | 0:04:59 | |
Ladies and gentlemen, before we do another thing, | 0:04:59 | 0:05:01 | |
is there a doctor in the house? | 0:05:01 | 0:05:03 | |
Why, yes, there is. | 0:05:03 | 0:05:05 | |
Dr Will Ferrell. | 0:05:05 | 0:05:07 | |
-Whoa! -I am a doctor. | 0:05:07 | 0:05:10 | |
Since you were last here? | 0:05:10 | 0:05:11 | |
-Yes. -Who made you a doctor? | 0:05:11 | 0:05:14 | |
The University of Southern California. | 0:05:14 | 0:05:17 | |
-OK. -Which is my university in Los Angeles. | 0:05:17 | 0:05:20 | |
I received an honorary doctorate. | 0:05:20 | 0:05:22 | |
They say it's honorary, I think it's for real. | 0:05:22 | 0:05:28 | |
I've performed 13 successful surgeries since, | 0:05:28 | 0:05:32 | |
and 100 that didn't go so well. | 0:05:32 | 0:05:36 | |
So I'm currently... I have a lot of malpractice issues. | 0:05:36 | 0:05:39 | |
Yeah, yeah. At these things, you have to do the inspirational speech. | 0:05:39 | 0:05:44 | |
-Yes. -What did you tell the young people? | 0:05:44 | 0:05:47 | |
I hadn't been put in that position before. | 0:05:47 | 0:05:51 | |
Usually, I just make fun of things, right? | 0:05:51 | 0:05:54 | |
That's easy. But then you have to be earnest. | 0:05:54 | 0:05:58 | |
That was a difficult task. | 0:05:58 | 0:06:01 | |
So, I just told them to keep your feet firmly planted on the ground | 0:06:01 | 0:06:07 | |
and reach for the stars. | 0:06:07 | 0:06:09 | |
LAUGHTER | 0:06:09 | 0:06:12 | |
Which I read on the back of a cereal box. | 0:06:12 | 0:06:16 | |
But then your speech took a very unexpected turn, I feel. | 0:06:16 | 0:06:19 | |
-At the end? -Yes. -Yeah, I thought I would inspire the graduating class | 0:06:19 | 0:06:25 | |
by singing a Whitney Houston song to them. | 0:06:25 | 0:06:29 | |
GRAHAM LAUGHS | 0:06:29 | 0:06:31 | |
Which one did you choose, Will? | 0:06:31 | 0:06:33 | |
The theme from The Bodyguard. | 0:06:33 | 0:06:35 | |
-I Will Always Love You. -I Will Always Love You. | 0:06:35 | 0:06:37 | |
-That's lovely. -Yes. | 0:06:37 | 0:06:39 | |
Apparently you sang the whole thing. | 0:06:39 | 0:06:43 | |
I started thinking, | 0:06:43 | 0:06:45 | |
do I just sing a couple of lines or do I torture the students and their | 0:06:45 | 0:06:50 | |
parents by singing the entire song? | 0:06:50 | 0:06:53 | |
-And I chose the latter. -He's not joking. We have a little clip. | 0:06:53 | 0:06:56 | |
-This is just a tiny clip of you. Can I just say, you're rather good. -Oh, thank you. | 0:06:56 | 0:07:01 | |
# And I | 0:07:02 | 0:07:08 | |
# Will always love you-ooh-ooh | 0:07:08 | 0:07:16 | |
# Will always love you... # | 0:07:16 | 0:07:21 | |
APPLAUSE That's good, that is. | 0:07:21 | 0:07:24 | |
That's not bad. | 0:07:24 | 0:07:27 | |
Did you see me look down to try to remember the words? | 0:07:27 | 0:07:32 | |
"Love...you." | 0:07:32 | 0:07:36 | |
And, John Lithgow, congratulations. | 0:07:36 | 0:07:40 | |
Not saying a doctorate is a joke, but an Emmy is a proper award. | 0:07:40 | 0:07:42 | |
-That is. -Proper award. | 0:07:42 | 0:07:44 | |
But I don't get called a doctor. | 0:07:44 | 0:07:47 | |
-But you got the Emmy for The Crown, for playing Churchill in The Crown. -That's right. -Very good. | 0:07:47 | 0:07:51 | |
CHEERING AND APPLAUSE | 0:07:51 | 0:07:56 | |
You were the only American who snuck through the net into that series? | 0:07:56 | 0:08:01 | |
That's right. It was incredibly intimidating | 0:08:01 | 0:08:05 | |
because everybody in England has his or her own Churchill imitation. | 0:08:05 | 0:08:10 | |
They know his speeches by heart. | 0:08:10 | 0:08:12 | |
It is the most familiar face | 0:08:12 | 0:08:14 | |
and sound of the 20th century in England, I think. And here I was, | 0:08:14 | 0:08:19 | |
this Yank, coming over to play the part. | 0:08:19 | 0:08:22 | |
You had weird techniques for getting the voice, didn't you? | 0:08:22 | 0:08:25 | |
Well, he himself had a very weird voice. If you really listened, | 0:08:25 | 0:08:30 | |
he had an extraordinary lisp that came out of the back of his mouth. | 0:08:30 | 0:08:35 | |
Instead of the front. | 0:08:35 | 0:08:37 | |
And he had a very nasal sound, | 0:08:37 | 0:08:41 | |
as if his entire head was stuffed up like a medicine ball. | 0:08:41 | 0:08:45 | |
And he had this strange honk, which people don't really know. | 0:08:45 | 0:08:50 | |
Just every four or five seconds he would... | 0:08:50 | 0:08:53 | |
HE HONKS NASALLY | 0:08:53 | 0:08:56 | |
..to the extent his speaking voice was really so | 0:08:56 | 0:09:00 | |
bizarre that if you actually duplicated it, nobody would buy it. | 0:09:00 | 0:09:06 | |
So I had to figure out a hybrid. | 0:09:06 | 0:09:08 | |
Mel Gibson, this is an odd thing. | 0:09:08 | 0:09:10 | |
Obviously you're Australian but as a young boy | 0:09:10 | 0:09:13 | |
you had to learn to do the accent? | 0:09:13 | 0:09:16 | |
I had to, because I came from the United States. | 0:09:16 | 0:09:18 | |
How old were you when you left America? | 0:09:18 | 0:09:20 | |
-I was 12 when I went to Australia. -You just sounded like an American? | 0:09:20 | 0:09:23 | |
-AUSTRALIAN ACCENT: -I had to bung it on. | 0:09:23 | 0:09:25 | |
I used to use voice exercises, like Barry Humphries. | 0:09:25 | 0:09:29 | |
-You know, Dame Edna? -Yeah, yeah. | 0:09:29 | 0:09:31 | |
He wrote these songs called Barry's Party Favourites. | 0:09:31 | 0:09:35 | |
He used to sing things like... | 0:09:35 | 0:09:38 | |
# As I walked down the Earls Court Road, into a pub I was lured | 0:09:38 | 0:09:41 | |
# "Where do you come from", said a nosy Pom | 0:09:41 | 0:09:44 | |
# As I downed the amber fluid | 0:09:44 | 0:09:46 | |
# So I told him straight, I'm Australian, mate, | 0:09:46 | 0:09:48 | |
# I'm here and I'm going to get plastered cos the beer is crook | 0:09:48 | 0:09:50 | |
# And all the Sheilas look like you, you Pommy bastard! # | 0:09:50 | 0:09:53 | |
APPLAUSE | 0:09:53 | 0:09:56 | |
It goes on for verses, but I won't bore you with it. | 0:09:56 | 0:10:00 | |
And that's where your accent came from? | 0:10:00 | 0:10:01 | |
-It's a learned... -Yeah, had to learn it. | 0:10:01 | 0:10:04 | |
Talking of voices, Will, you were saying backstage that, Mark, | 0:10:04 | 0:10:08 | |
-you do a very good English accent? -He's a master mimic. | 0:10:08 | 0:10:11 | |
He just did a lovely, fantastic version of a... | 0:10:11 | 0:10:15 | |
-COCKNEY ACCENT: -..high-pitched Cockney woman. | 0:10:15 | 0:10:17 | |
LAUGHTER | 0:10:17 | 0:10:20 | |
Oh, my gosh. | 0:10:20 | 0:10:21 | |
It was 15 minutes of material, it was fantastic. | 0:10:21 | 0:10:25 | |
-He does impressions of John Lithgow. -He does impressions of all of us. | 0:10:25 | 0:10:29 | |
He does impressions of everybody. | 0:10:29 | 0:10:31 | |
What are you talking about? | 0:10:31 | 0:10:33 | |
I haven't seen your impression of me. | 0:10:33 | 0:10:36 | |
-AS JOHN LITHGOW: -"Dusty! | 0:10:36 | 0:10:39 | |
"Dusty, give him the stick, Brad." | 0:10:39 | 0:10:43 | |
APPLAUSE | 0:10:43 | 0:10:46 | |
Well done. | 0:10:46 | 0:10:47 | |
Daydies... Daddies? Daydies? | 0:10:49 | 0:10:51 | |
Daddy's Home 2. I should at least get the name right. | 0:10:51 | 0:10:55 | |
Daddy's Home 2. | 0:10:55 | 0:10:56 | |
Already - congratulations - a huge hit stateside. | 0:10:56 | 0:11:00 | |
Now it's open all over the country here. | 0:11:00 | 0:11:02 | |
Obviously the two of you are back as warring dad and stepdad. | 0:11:02 | 0:11:06 | |
So, you've involved grandparents this time, grandfathers. | 0:11:06 | 0:11:10 | |
We kind of pick up where we left off in the first one. | 0:11:10 | 0:11:12 | |
Mark and I are co-parenting the kids together and everything seems very | 0:11:12 | 0:11:17 | |
copacetic. Along comes... | 0:11:17 | 0:11:21 | |
beautiful Don Whitaker, here. | 0:11:21 | 0:11:23 | |
Brad and Don were very emotional, emotionally available to each other. | 0:11:23 | 0:11:28 | |
Very progressive in the way that we talk to each other. | 0:11:28 | 0:11:31 | |
Sloppy, sentimental. | 0:11:31 | 0:11:32 | |
Wherever we greet each other in public, we give a nice kiss. | 0:11:32 | 0:11:37 | |
-Kiss him! -There it is, right behind you. | 0:11:37 | 0:11:40 | |
That could be CGI. | 0:11:40 | 0:11:43 | |
-We did it. -I don't remember. | 0:11:43 | 0:11:45 | |
I want these people to see it in the cinema. For real. | 0:11:45 | 0:11:48 | |
-You want them to pay. -Well, that would help. | 0:11:48 | 0:11:52 | |
The casting does seem perfect. | 0:11:52 | 0:11:55 | |
The four of you as a kind of father and son, father and son. | 0:11:55 | 0:11:58 | |
We think so, sure. | 0:11:58 | 0:12:00 | |
I assumed the dysfunctional purveyor of tough love. | 0:12:00 | 0:12:05 | |
Whereas I am just sloppy, sentimental, | 0:12:05 | 0:12:07 | |
brimming over with emotion. | 0:12:07 | 0:12:09 | |
-Is that you? -Well, it's a sort of extreme version of me. | 0:12:09 | 0:12:13 | |
I'm a little bit sentimental myself. | 0:12:13 | 0:12:17 | |
I am, too. | 0:12:17 | 0:12:19 | |
-You're emotional? -That's what connects us. | 0:12:19 | 0:12:22 | |
-MEL: -You're always crying. | 0:12:22 | 0:12:24 | |
I found myself crying on a commercial airline flight | 0:12:24 | 0:12:29 | |
watching The Parent Trap. | 0:12:29 | 0:12:32 | |
LAUGHTER | 0:12:32 | 0:12:33 | |
My wife looked over to me and was like, "What is going on?" | 0:12:33 | 0:12:37 | |
I'm like... | 0:12:37 | 0:12:39 | |
You know what's going to happen, they're all going to get back together. | 0:12:39 | 0:12:43 | |
But I couldn't help it. Tears were streaming down my face. | 0:12:43 | 0:12:46 | |
Snot, everything. | 0:12:46 | 0:12:48 | |
John, apparently, you made yourself cry on a plane? | 0:12:48 | 0:12:51 | |
I was watching Terms Of Endearment for the first time in many years. | 0:12:51 | 0:12:55 | |
A movie that I was in. | 0:12:55 | 0:12:57 | |
LAUGHTER | 0:12:57 | 0:12:59 | |
It's a sort of weird version of narcissism | 0:12:59 | 0:13:03 | |
to sob at your own performance. | 0:13:03 | 0:13:05 | |
"I'm so damn good!" | 0:13:05 | 0:13:09 | |
"You're breaking my heart!" | 0:13:09 | 0:13:13 | |
"Damn you, John Lithgow. You did it to me again." | 0:13:13 | 0:13:16 | |
-I mean, Terms Of Endearment is... -That's so upsetting. | 0:13:16 | 0:13:20 | |
It's a completely... | 0:13:20 | 0:13:22 | |
no-fault tear-jerker. It never fails. | 0:13:22 | 0:13:26 | |
Mark Wahlberg, I've heard you say that as you get older you are | 0:13:26 | 0:13:29 | |
getting more emotional. You do more boo-hooing? | 0:13:29 | 0:13:31 | |
-Yes. -LAUGHTER | 0:13:31 | 0:13:34 | |
No, there's more. Apparently even Disney's got to you now? | 0:13:34 | 0:13:38 | |
-Do tell. -Didn't you cry watching a film with your kids? | 0:13:40 | 0:13:44 | |
Or maybe you weren't watching with your kids, maybe you were just watching it, I don't know. | 0:13:44 | 0:13:49 | |
I get very sentimental. | 0:13:49 | 0:13:51 | |
The biggest ads that get me now, yes, Shrek makes me cry. | 0:13:51 | 0:13:55 | |
-All of those films make me cry. -That's cos I'm in it. | 0:13:55 | 0:13:59 | |
I didn't realise you were in that till the other day. | 0:13:59 | 0:14:02 | |
I was Lord Farquaad. Very, very moving performance. | 0:14:02 | 0:14:06 | |
Let's just leave it at that. | 0:14:08 | 0:14:12 | |
We've got a clip. This is the four of you. | 0:14:12 | 0:14:15 | |
Mark, your character, his parenting is being called into question. | 0:14:15 | 0:14:20 | |
-Did you touch the thermostat? Did you turn it up? -Of course not. | 0:14:20 | 0:14:23 | |
-Did somebody fiddle with the thermostat? -Yes, it's 85 degrees. | 0:14:23 | 0:14:26 | |
85!? Do you have any idea how much even a few degrees can impact the gas bill? | 0:14:26 | 0:14:31 | |
-Of course I do, it's unthinkable. -Dad, what's going on here? | 0:14:31 | 0:14:35 | |
-Why is it so hot? -Someone fiddled with the thermostat. | 0:14:35 | 0:14:38 | |
What?! Who would do that? | 0:14:38 | 0:14:40 | |
-What do you think you're doing? -It's roasting in here. | 0:14:47 | 0:14:51 | |
I like to sleep with my window open. | 0:14:51 | 0:14:53 | |
Hey, kid. Are you allowed to touch the thermostat at your mom's house? | 0:14:53 | 0:14:57 | |
Pssht, duh. | 0:14:57 | 0:14:58 | |
-What is going on? -Adriana, she turned up the thermostat. | 0:15:01 | 0:15:05 | |
-Said she fiddles with the thermostat in your place any time she damn well pleases. -Is that true? | 0:15:05 | 0:15:10 | |
Tell me that's not true. | 0:15:10 | 0:15:12 | |
Oh, criminy, Dusty. You might as well give her your wallet and your 401K while you're at it. | 0:15:12 | 0:15:17 | |
-Do you let the kids touch the thermostat at your house? -What? No! | 0:15:17 | 0:15:20 | |
The thermostat is a sacred covenant. | 0:15:20 | 0:15:22 | |
I can't believe we're even talking about this. | 0:15:22 | 0:15:25 | |
This is madness! | 0:15:25 | 0:15:26 | |
Do the Brits call it a thermostat? Cos in Ireland, you call it... | 0:15:37 | 0:15:40 | |
-The immersion. -The immersion. | 0:15:40 | 0:15:42 | |
No, they were just messing with your head in Ireland. | 0:15:42 | 0:15:45 | |
-That's an immersion heater. -Oh... | 0:15:45 | 0:15:47 | |
That does the hot water. | 0:15:47 | 0:15:50 | |
They were implying that heats the entire house. | 0:15:50 | 0:15:53 | |
-No, they said just the water. -They did? -Yeah, you weren't paying attention. -I wasn't listening. | 0:15:53 | 0:15:57 | |
Daddy's Home 2, was the whole thing filmed in your stomping ground, | 0:15:57 | 0:16:02 | |
-in Boston? -The whole thing was filmed in Boston, yes. | 0:16:02 | 0:16:04 | |
Which most people think, "Oh, that's so cool. You get to be home." | 0:16:04 | 0:16:07 | |
I'm like, "Well, I live in LA for a reason." | 0:16:07 | 0:16:11 | |
It's always the person... John went to school there, went to Harvard. | 0:16:11 | 0:16:15 | |
"Oh, love it, yes, great experience." | 0:16:15 | 0:16:17 | |
Yeah, you went to Harvard. Come to Dorchester for a while, you're not going to love it. | 0:16:17 | 0:16:21 | |
A lot of people show up unannounced, uninvited, that sort of thing. | 0:16:21 | 0:16:26 | |
Even with all of you there, | 0:16:26 | 0:16:28 | |
was Mark by far the most famous person in this film in Boston? | 0:16:28 | 0:16:32 | |
-Oh, yeah. -He's a folk hero. | 0:16:32 | 0:16:33 | |
You hear people from across the street yelling his name. | 0:16:33 | 0:16:39 | |
-And they know him. -MEL: -And they all want money. | 0:16:39 | 0:16:44 | |
-BOSTON ACCENT: -"Hey, Mark! Mark! | 0:16:44 | 0:16:47 | |
"It's me, Little Anthony!" | 0:16:47 | 0:16:51 | |
It's so weird, Mark, this guy, Little Anthony, he's yelling your name. | 0:16:51 | 0:16:55 | |
He's like, "No, I actually know him." | 0:16:55 | 0:16:58 | |
But they'll expect jobs, parts in movies, | 0:16:58 | 0:17:03 | |
trying to figure out other ways to exploit the production. | 0:17:03 | 0:17:07 | |
Other opportunities to create. | 0:17:07 | 0:17:09 | |
We were shooting a movie, The Perfect Storm, George Clooney. | 0:17:09 | 0:17:14 | |
-Sorry. -LAUGHTER | 0:17:14 | 0:17:17 | |
I had a bunch of friends visit, show up in Gloucester. | 0:17:17 | 0:17:20 | |
We were kind of standing around between set-ups and all the | 0:17:20 | 0:17:22 | |
equipment is there and everything. They're looking at this Panavision camera. | 0:17:22 | 0:17:26 | |
They're like, "Whoa, what is that?" I said, "It's a camera." | 0:17:26 | 0:17:28 | |
They said, "That looks expensive." I said, "Yeah, it's expensive." | 0:17:28 | 0:17:31 | |
They're like, "We should steal that." | 0:17:31 | 0:17:34 | |
Like, "How much is that worth?" I'm like, "250,000." | 0:17:34 | 0:17:37 | |
"Oh, we're throwing that in the trunk." I'm like, "What are you going to do with it? | 0:17:37 | 0:17:41 | |
"Are you going to sell it to the guy in the corner store for, like, 50 bucks?" | 0:17:41 | 0:17:44 | |
The guy's going to be walking around, filming his kids with a Panavision camera? | 0:17:44 | 0:17:49 | |
Yes, that was a very, very real incident. | 0:17:49 | 0:17:52 | |
There's lots of adult laughs in this | 0:17:52 | 0:17:54 | |
-but it is a movie for families. -Yes. | 0:17:54 | 0:17:56 | |
There are lots of kids in it. | 0:17:56 | 0:17:59 | |
We hear there's a burgeoning romance between the Ferrell clan | 0:17:59 | 0:18:03 | |
-and the Wahlberg clan. Is this true? -Well, uh, | 0:18:03 | 0:18:07 | |
-Mark's daughter... -Uh, uh, uh... | 0:18:07 | 0:18:10 | |
What? Spit it out. | 0:18:10 | 0:18:12 | |
My oldest son told me Mark's daughter requested to follow him | 0:18:14 | 0:18:19 | |
-on Instagram. -GRAHAM GASPS | 0:18:19 | 0:18:21 | |
Oh, now it's following him, huh? | 0:18:21 | 0:18:24 | |
-Or vice versa. -Yeah, uh-huh. | 0:18:24 | 0:18:28 | |
-I don't know how it works. -What did you call my daughter? | 0:18:28 | 0:18:31 | |
This is starting to sound like the Montagues and the Capulets. | 0:18:31 | 0:18:35 | |
-You know what, I did come to grips... -It burned white hot for one second. | 0:18:35 | 0:18:39 | |
I did come to grips with the fact that it is inevitable at some point | 0:18:39 | 0:18:43 | |
she will have a dating life and be involved with somebody. | 0:18:43 | 0:18:47 | |
And if there were ever two parents... | 0:18:47 | 0:18:50 | |
What a fun... | 0:18:50 | 0:18:52 | |
..that would spawn a child that I think would be polite, kind, | 0:18:52 | 0:18:56 | |
thoughtful, respectful and worthy of my child's time, | 0:18:56 | 0:19:00 | |
it would be from Will and his lovely wife, Viv. | 0:19:00 | 0:19:03 | |
-They are spectacular. -AUDIENCE: Awww! | 0:19:03 | 0:19:06 | |
APPLAUSE | 0:19:06 | 0:19:09 | |
And so I decided I wouldn't do anything to the kid, | 0:19:09 | 0:19:12 | |
but I'll crack Will's fucking head open as quickly as that. | 0:19:12 | 0:19:15 | |
LAUGHTER | 0:19:15 | 0:19:19 | |
He's just joking. | 0:19:19 | 0:19:21 | |
-He's just joking. -We'll see. | 0:19:23 | 0:19:26 | |
That's why I'm sitting over here. | 0:19:26 | 0:19:29 | |
Daddy's Home 2, clearly, the name suggests it is a sequel. | 0:19:29 | 0:19:33 | |
Here's the thing - is this true, Mel Gibson, | 0:19:33 | 0:19:35 | |
that there might be a Lethal Weapon... Would it be 5? | 0:19:35 | 0:19:39 | |
-5, 6, I don't know, I've lost count. -Another one, anyway. | 0:19:39 | 0:19:43 | |
-One of them. -Is it going to happen? | 0:19:43 | 0:19:45 | |
I'm not sure, but I met with Danny and Donner, the director. | 0:19:45 | 0:19:48 | |
We watched him in a stage play. | 0:19:48 | 0:19:49 | |
It was very good. We started incubating the idea. | 0:19:49 | 0:19:53 | |
It may come to pass, we're not sure. But we're swapping ideas. | 0:19:53 | 0:19:56 | |
-But have you got the germ of the idea of what would bring them back together? -Sure. | 0:19:56 | 0:20:01 | |
I think we'll call it Flaccid Weapon or... | 0:20:01 | 0:20:05 | |
Maybe Lethal Haemorrhoids. | 0:20:05 | 0:20:07 | |
LAUGHTER | 0:20:07 | 0:20:10 | |
We have to mention Braveheart, everybody's favourite film. | 0:20:10 | 0:20:16 | |
CHEERING AND APPLAUSE | 0:20:16 | 0:20:18 | |
The Scottish accent in that, how hard was that for you? | 0:20:18 | 0:20:22 | |
It was difficult, but I was up there and immersed among people who all | 0:20:22 | 0:20:25 | |
needed subtitles. "What did you say?" | 0:20:25 | 0:20:28 | |
They'd have to repeat it. Eventually it kind of worked its way into my | 0:20:28 | 0:20:32 | |
-lexicon. -Is it true that Sean Connery helped you? | 0:20:32 | 0:20:35 | |
At dinner one night he did. We were having... | 0:20:35 | 0:20:39 | |
We were at Andy Vajna's place, and he's Hungarian. | 0:20:39 | 0:20:41 | |
He made goulash. | 0:20:41 | 0:20:43 | |
Now, imagine Sean Connery saying that word. He said... | 0:20:43 | 0:20:49 | |
-AS SEAN CONNERY: -"I want some bread rollsh wi' ma goulashh." | 0:20:49 | 0:20:53 | |
Fantastic. | 0:20:53 | 0:20:56 | |
I've never forgotten it. | 0:20:56 | 0:20:58 | |
-"Goulashh." -"Goulashh." | 0:20:58 | 0:21:01 | |
Makes you just want to say it, right? "Goulashh!" | 0:21:01 | 0:21:04 | |
Talking about iconic roles, ladies and gentlemen, John Lithgow... | 0:21:04 | 0:21:07 | |
I did not know this until I was reading about you earlier. | 0:21:07 | 0:21:11 | |
-Star Wars, Yoda. -Yeah. | 0:21:11 | 0:21:13 | |
You played Yoda but on the radio? | 0:21:13 | 0:21:17 | |
That's right. I... You didn't know this? | 0:21:17 | 0:21:20 | |
-What is going on? -What did you talk about on set? | 0:21:20 | 0:21:24 | |
How did we not get into this? | 0:21:24 | 0:21:26 | |
It's a little piece of Lithgow trivia. | 0:21:26 | 0:21:29 | |
Oh, OK. | 0:21:29 | 0:21:31 | |
About a year after Empire Strikes Back came out as a movie, | 0:21:31 | 0:21:35 | |
George Lucas produced it as a radio series. | 0:21:35 | 0:21:37 | |
And he got Mark Hamill and Billy Dee Williams and Anthony Daniels. | 0:21:37 | 0:21:41 | |
But Frank Oz didn't want to play Yoda merely on the radio. | 0:21:41 | 0:21:46 | |
I was rehearsing a play with John Madden at the time, | 0:21:46 | 0:21:49 | |
John Madden the film director back then was a big-time | 0:21:49 | 0:21:52 | |
radio director. | 0:21:52 | 0:21:54 | |
And he was directing me in a play. | 0:21:54 | 0:21:56 | |
And he shared the fact that he just couldn't find anyone. And I said... | 0:21:56 | 0:22:01 | |
-AS YODA: -Oh, impatient is he. | 0:22:01 | 0:22:04 | |
LAUGHTER | 0:22:04 | 0:22:06 | |
He hired me on the spot. It was the quickest job I ever got. | 0:22:06 | 0:22:10 | |
-Opportunist! -If you care to find it, by God, that's me as Yoda. | 0:22:10 | 0:22:15 | |
-Oh, my God. -And a very persuasive... | 0:22:15 | 0:22:17 | |
It makes me cry every time I hear it. | 0:22:17 | 0:22:19 | |
LAUGHTER AND APPLAUSE | 0:22:19 | 0:22:23 | |
Right, let's meet our next guest. | 0:22:27 | 0:22:29 | |
She is the queen of Latin and new head judge on Strictly. | 0:22:29 | 0:22:32 | |
Dancing the cha cha chat show anecdote, | 0:22:32 | 0:22:35 | |
please welcome to the floor, Shirley Ballas! She's here. | 0:22:35 | 0:22:38 | |
CHEERING AND APPLAUSE | 0:22:38 | 0:22:41 | |
Oh, wow! Look at you! | 0:22:41 | 0:22:43 | |
Wow! Hello! | 0:22:43 | 0:22:45 | |
Lovely to meet you. | 0:22:45 | 0:22:47 | |
That's Will. Much hugging, much hugging going on. Will, John | 0:22:47 | 0:22:52 | |
-and Mel. And Mark. -Marky Mark. -OK, lovely. | 0:22:52 | 0:22:57 | |
She's working the sofa. | 0:22:57 | 0:22:59 | |
-I'm working the sofa. -Have a seat. | 0:22:59 | 0:23:03 | |
How glamorous. | 0:23:03 | 0:23:05 | |
We all feel a bit underdressed now, Shirley. | 0:23:05 | 0:23:07 | |
Can I borrow your jacket? | 0:23:07 | 0:23:10 | |
So now... Shirley is basically head judge on our Dancing With The Stars. | 0:23:10 | 0:23:15 | |
-Do you all watch Dancing With The Stars? -Oh, yeah... | 0:23:15 | 0:23:18 | |
LAUGHTER | 0:23:18 | 0:23:21 | |
John I believe. The rest, no, I don't. | 0:23:21 | 0:23:24 | |
A cursive glance. | 0:23:24 | 0:23:27 | |
So, listen, congratulations. | 0:23:27 | 0:23:29 | |
-Thank you. -Because it's Shirley's first year. | 0:23:29 | 0:23:31 | |
-She's never done this before. -Never, no TV. | 0:23:31 | 0:23:35 | |
The show is bigger than ever. | 0:23:35 | 0:23:37 | |
Were you worried before you kind of get out there? | 0:23:37 | 0:23:40 | |
Well, I do, I get butterflies, cos I've never done any TV before, | 0:23:40 | 0:23:44 | |
so... Just going from being a dance teacher and travelling the world | 0:23:44 | 0:23:48 | |
teaching competitive dancers to dance to suddenly being the head | 0:23:48 | 0:23:51 | |
-judge on Strictly was a little overwhelming. -What happens? Because, | 0:23:51 | 0:23:54 | |
so, you know, you're Shirley Ballas, you're a dance teacher, you're getting on with your life, | 0:23:54 | 0:23:58 | |
you're pushing your supermarket trolley, nobody knows who you are. And then on the Sunday or the Monday | 0:23:58 | 0:24:02 | |
suddenly 11 million people have seen you. What happens to your... | 0:24:02 | 0:24:08 | |
Presumably everyone in the street knows you now? | 0:24:08 | 0:24:10 | |
No, because they go around with a cellphone like this. | 0:24:10 | 0:24:13 | |
So I feel pretty safe when I go on the train. | 0:24:13 | 0:24:15 | |
They just have their cellphone or their earphones in. | 0:24:15 | 0:24:17 | |
I think maybe three, four, five maximum people have recognised me. | 0:24:17 | 0:24:21 | |
-You're kidding? -No. -Aww, do bother if you see her. | 0:24:21 | 0:24:24 | |
LAUGHTER | 0:24:24 | 0:24:26 | |
-I'm OK. -So, now, your son was sort of pivotal in you getting this job. | 0:24:26 | 0:24:32 | |
Yes, Mark, he's on Dancing With The Stars. | 0:24:32 | 0:24:34 | |
-And... -There he is, there he is, look, on Dancing With The Stars. | 0:24:34 | 0:24:37 | |
-Yes, with Kim Kardashian. -How many times has he won? | 0:24:37 | 0:24:40 | |
He's won it twice. | 0:24:40 | 0:24:42 | |
And my foster son six times and my foster daughter twice. | 0:24:42 | 0:24:45 | |
So ten times in all. | 0:24:45 | 0:24:46 | |
-Holy Moley! -That's not brag... | 0:24:46 | 0:24:49 | |
APPLAUSE | 0:24:49 | 0:24:51 | |
That's impressive, that is impressive. | 0:24:51 | 0:24:53 | |
So your son is on Dancing With The Stars. | 0:24:53 | 0:24:56 | |
So what, does he get wind that Len is... | 0:24:56 | 0:24:58 | |
-Wind? -Do a lot of dancers get wind? | 0:24:58 | 0:25:02 | |
He looked odd in that picture. | 0:25:02 | 0:25:04 | |
-A lot of dancers suffer from wind. -They do. | 0:25:04 | 0:25:07 | |
-It gets trapped. It's all that holding it in. -The diaphragm. | 0:25:07 | 0:25:11 | |
-So your son, does he hear about Len...stepping away? -He did. | 0:25:11 | 0:25:18 | |
-OK. -He got wind... -Yes. | 0:25:18 | 0:25:20 | |
Len was stepping away and he suggested that I go for the job. | 0:25:20 | 0:25:24 | |
And even though I've done no TV or anything, | 0:25:24 | 0:25:27 | |
he just thought it would be a good idea. | 0:25:27 | 0:25:29 | |
So I did and I was fortunate enough to get the position, | 0:25:29 | 0:25:32 | |
which has been amazing. | 0:25:32 | 0:25:35 | |
-It's thrilling. -And here's an odd thing. | 0:25:35 | 0:25:37 | |
You were at an advantage on the first week. | 0:25:37 | 0:25:40 | |
When the celebrities walked down the stairs, apparently, you could tell who could dance. | 0:25:40 | 0:25:44 | |
I can tell by the way people sit, if they've got good posture, | 0:25:44 | 0:25:47 | |
or if they... If they're using their core, | 0:25:47 | 0:25:51 | |
if their feet are... | 0:25:51 | 0:25:54 | |
Thank you, Marky Mark. | 0:25:54 | 0:25:56 | |
By the way, that... I raised my son with Marky Mark the whole time. | 0:25:56 | 0:25:59 | |
-Lovely, thank you, darling. -That's what I was calling him. | 0:25:59 | 0:26:02 | |
Feet slightly turned out at five to one. Very nice there. | 0:26:02 | 0:26:05 | |
And good posture. Yes, I can tell them by the way they walk, if they're fluid and flow. | 0:26:05 | 0:26:09 | |
Now you're going to get locked in that position. | 0:26:09 | 0:26:11 | |
-Better relax and breathe at some point. -It's interesting, Shirley, | 0:26:11 | 0:26:14 | |
because we have a couch of men | 0:26:14 | 0:26:17 | |
who have quite a lot of dance experience. | 0:26:17 | 0:26:19 | |
And I know we've shown you some clips of their dances. | 0:26:19 | 0:26:23 | |
We'd show them on the show but we can't afford to. | 0:26:23 | 0:26:26 | |
But we showed you... | 0:26:26 | 0:26:28 | |
We showed you backstage, so now, Will, | 0:26:28 | 0:26:31 | |
obviously great dance work in Blades Of Glory, but in Old School, | 0:26:31 | 0:26:34 | |
you did your own choreography, didn't you? | 0:26:34 | 0:26:37 | |
Yes, a beautiful ribbon dance. | 0:26:37 | 0:26:40 | |
-We all remember the ribbon dance. -Yes. | 0:26:40 | 0:26:43 | |
Look at that air, look at that lift. | 0:26:43 | 0:26:45 | |
Yes, I did have a little look and I thought he did very, | 0:26:45 | 0:26:48 | |
very well with his ribbon. His left arm had a lot to be desired. | 0:26:48 | 0:26:51 | |
-Really? -And it was a good job your ribbon didn't have feet, | 0:26:51 | 0:26:54 | |
because you tripped over a little bit in the middle, didn't you? You were a little bit off-balance. | 0:26:54 | 0:26:58 | |
-Lost your core a little bit. -I did that because it's a comedy. | 0:26:58 | 0:27:01 | |
LAUGHTER AND APPLAUSE | 0:27:01 | 0:27:04 | |
Now, let's look at Mark Wahlberg. Obviously in Boogie Nights you did | 0:27:08 | 0:27:11 | |
do boogie, you were on the dance floor. | 0:27:11 | 0:27:14 | |
Now... This is a terrible question, but... | 0:27:14 | 0:27:18 | |
Was it in there all the time? Or... | 0:27:20 | 0:27:23 | |
-Yes. -Were you dancing around it? | 0:27:23 | 0:27:25 | |
No, we would have just, like, a bird seed bag at that point. | 0:27:25 | 0:27:30 | |
Pantyhose with birdseed. | 0:27:30 | 0:27:32 | |
You could see it dangling around my knee there. | 0:27:32 | 0:27:35 | |
Is that it? Oh, my God, I do see that. | 0:27:35 | 0:27:37 | |
-I thought that was... Yes. -That's why they call it pole dancing. | 0:27:37 | 0:27:42 | |
Shirley, were you impressed by his pole dancing? | 0:27:42 | 0:27:44 | |
-What was the birdseed bit? I missed that. -Have you seen the film? | 0:27:44 | 0:27:47 | |
-I've seen the film. -Remember that bit at the end? | 0:27:47 | 0:27:50 | |
-Yes. -That's in there. | 0:27:50 | 0:27:53 | |
It's birdseed in a, in a tight... | 0:27:53 | 0:27:55 | |
-OK! -LAUGHTER | 0:27:55 | 0:27:58 | |
Cos I was going to say I really liked the way he was able | 0:27:58 | 0:28:01 | |
to thrust his crutch, you know, he had great movement, | 0:28:01 | 0:28:04 | |
he had beautiful rhythm, very coordinated, | 0:28:04 | 0:28:07 | |
absolutely coordinated for a dancer. | 0:28:07 | 0:28:10 | |
And was really, like, rocking it with his pelvic thrusts. | 0:28:10 | 0:28:14 | |
OK, so Mark's winning so far. | 0:28:14 | 0:28:17 | |
Mel Gibson in What Women Want. | 0:28:17 | 0:28:20 | |
Now, I'm no judge, but you looked like you really knew what you were | 0:28:20 | 0:28:23 | |
doing. Did you rehearse and train for ages to do that? | 0:28:23 | 0:28:26 | |
Yeah, had a couple of lessons, yeah. | 0:28:26 | 0:28:28 | |
I mean, you were doing tricks and things. | 0:28:28 | 0:28:31 | |
I mean, was that all you, or was it a body double? | 0:28:31 | 0:28:33 | |
Oh, no, that was me. It took a long time. | 0:28:33 | 0:28:36 | |
They say it was one take, but it was 18 times within a single take. | 0:28:36 | 0:28:38 | |
Oh, OK. Were you impressed, Shirley? | 0:28:38 | 0:28:41 | |
Well, your 18 times paid off, because he had a little piece where | 0:28:41 | 0:28:44 | |
he had his hat on the end of his foot and flicked it, put it on his head, and caressed that hat. | 0:28:44 | 0:28:50 | |
It was just beautiful the way he twisted it and then threw it... | 0:28:50 | 0:28:53 | |
that beautiful hat rack, swung it around. | 0:28:53 | 0:28:59 | |
-Fantastic. You were amazing. -Very good. | 0:28:59 | 0:29:02 | |
So, all great dancers on the couch, but, but, but, | 0:29:07 | 0:29:10 | |
on the couch there is only one... | 0:29:10 | 0:29:12 | |
-Denier of dance? -Only one Primo Ballerino, and that is John Lithgow. | 0:29:12 | 0:29:18 | |
I give you Primo... Here he is with the New York Ballet. | 0:29:18 | 0:29:23 | |
LAUGHTER | 0:29:23 | 0:29:26 | |
It looks like they're moving scenery, but that is you up there. | 0:29:26 | 0:29:30 | |
-That's right. -But did you dance or were you just... | 0:29:30 | 0:29:34 | |
Oh, no, I absolutely danced. | 0:29:34 | 0:29:36 | |
I soloed with the New York City Ballet. | 0:29:36 | 0:29:39 | |
Now, while we are talking about dancing, we have to talk about | 0:29:39 | 0:29:42 | |
one of the greatest dance movies of all time. Footloose. | 0:29:42 | 0:29:45 | |
CHEERING I know! | 0:29:45 | 0:29:49 | |
You, John, you played the fierce Reverend... | 0:29:49 | 0:29:52 | |
-Yes. -..who bans dancing. -Yes. | 0:29:52 | 0:29:55 | |
But I heard you tell a story, a really sweet story, | 0:29:55 | 0:29:58 | |
about when you were on the set of... | 0:29:58 | 0:30:01 | |
Of 3rd Rock From The Sun. | 0:30:01 | 0:30:02 | |
Yes. There was an episode of 3rd Rock where the aliens ended up | 0:30:02 | 0:30:06 | |
performing in a circus and there was a tall, handsome young guy who was | 0:30:06 | 0:30:12 | |
playing the circus strongman. | 0:30:12 | 0:30:14 | |
And after rehearsing for a couple of days he took me aside and he said... | 0:30:14 | 0:30:19 | |
"I was choosing my moment to tell you a story. | 0:30:19 | 0:30:22 | |
"I come from a small town in Louisiana | 0:30:22 | 0:30:24 | |
"where my dad was a Baptist minister | 0:30:24 | 0:30:28 | |
"and he wouldn't let the kids dance or listen to rock and roll. | 0:30:28 | 0:30:32 | |
"Footloose came to town, I went to that movie, and you were my daddy." | 0:30:32 | 0:30:39 | |
And the next night, I took my dad to that film | 0:30:40 | 0:30:42 | |
without telling him what it was about. | 0:30:42 | 0:30:46 | |
By this time, like, tears were streaming down his face. | 0:30:46 | 0:30:49 | |
He said, I just have to tell you, because of your performance, | 0:30:49 | 0:30:54 | |
I was the first one of six children that got to go to his high school prom. | 0:30:54 | 0:31:00 | |
-Awww! AUDIENCE: -Awww! | 0:31:00 | 0:31:02 | |
Now, I never took Footloose that seriously! | 0:31:02 | 0:31:05 | |
-To me, that was always my kind of teenybopper film. -Yeah! | 0:31:05 | 0:31:09 | |
It just, it's the best evidence I've ever heard that you just never know | 0:31:09 | 0:31:13 | |
what you are throwing out there. | 0:31:13 | 0:31:15 | |
-That's such a, I love that story, it's so, so sweet. -Yeah. | 0:31:15 | 0:31:18 | |
APPLAUSE | 0:31:18 | 0:31:20 | |
Now, Shirley, you were saying you were in a previous life a dance teacher. | 0:31:20 | 0:31:25 | |
Have you knocked that on the head now? | 0:31:25 | 0:31:27 | |
-No, I still do that. -Oh, really? You will very soon. | 0:31:27 | 0:31:29 | |
LAUGHTER | 0:31:29 | 0:31:31 | |
Yeah, that will become tedious to you really quickly. | 0:31:31 | 0:31:33 | |
Erm... But now, Will Ferrell, you have a love of dance, I know. | 0:31:33 | 0:31:37 | |
Now, if Shirley volunteered to show you a couple of simple moves... | 0:31:37 | 0:31:41 | |
Well, yes, I mean, of course, | 0:31:42 | 0:31:45 | |
but I can already tell she doesn't believe in my ability. | 0:31:45 | 0:31:49 | |
LAUGHTER | 0:31:49 | 0:31:51 | |
-I believe in your ability. -I mean, everyone got rave reviews. | 0:31:51 | 0:31:54 | |
-You had that funny left arm. -I had the bad left arm. | 0:31:54 | 0:31:58 | |
Well, you could make up for it now, right? | 0:31:58 | 0:32:00 | |
What could you show him that would be very quick? | 0:32:00 | 0:32:03 | |
-I could show you a cucaracha. -OK, fine. | 0:32:03 | 0:32:05 | |
-You know, you're playing Hero, the music? -OK, yes, yeah. | 0:32:05 | 0:32:08 | |
-Because that's a rumba. -OK, a rumba. | 0:32:08 | 0:32:10 | |
So, a rumba is a sensual dance, it's a dance of love. | 0:32:10 | 0:32:12 | |
Wait, hold on, are we doing a cucaracha or rumba, which is it? | 0:32:12 | 0:32:15 | |
-LAUGHTER -The action is a cucaracha but the dance is the rumba. | 0:32:15 | 0:32:19 | |
I am totally lost. | 0:32:19 | 0:32:21 | |
Close your eyes | 0:32:21 | 0:32:23 | |
and try not to get too excited down in the nether regions. | 0:32:23 | 0:32:27 | |
LAUGHTER | 0:32:27 | 0:32:28 | |
How about if you could just go, side, replace, close. | 0:32:28 | 0:32:33 | |
If you could just do that for me. Side, replace, close. Can you do that? | 0:32:33 | 0:32:36 | |
I love that I'm the only one who has to do this. | 0:32:36 | 0:32:38 | |
-LAUGHTER -Me too, I love it too. | 0:32:40 | 0:32:42 | |
-Side, replace, close. -Side, replace, close. | 0:32:42 | 0:32:46 | |
Are you supposed to say that out loud, right? | 0:32:46 | 0:32:48 | |
No, no. But whatever I do... | 0:32:48 | 0:32:51 | |
Side, replace, close. There you go. | 0:32:51 | 0:32:54 | |
Oh, yes! CHEERING AND APPLAUSE | 0:32:54 | 0:32:57 | |
Roll that little hip. Yes, we'll have a bit of that. | 0:32:59 | 0:33:03 | |
So, no matter what I do, you're going to do that. | 0:33:03 | 0:33:05 | |
-My left arm is acting up! -LAUGHTER | 0:33:05 | 0:33:08 | |
-Ready for the music? -Yes, we're ready for the music. | 0:33:08 | 0:33:11 | |
-OK, let's play the music. -Why are you looking at me? | 0:33:11 | 0:33:15 | |
MUSIC: Hero by Enrique Iglesias | 0:33:17 | 0:33:22 | |
-Are you ready? I'll start you. -Oh, OK. | 0:33:22 | 0:33:25 | |
-Can you keep that rhythm? -Probably not. | 0:33:25 | 0:33:27 | |
LAUGHTER | 0:33:27 | 0:33:29 | |
-Doesn't matter what I do. -Oh, I just keep doing that... | 0:33:29 | 0:33:32 | |
LAUGHTER | 0:33:34 | 0:33:37 | |
CHEERING AND APPLAUSE | 0:33:37 | 0:33:41 | |
Beautiful! Oh, my God. | 0:33:47 | 0:33:50 | |
WHOOPING | 0:33:51 | 0:33:54 | |
That's the cucaracha! It's Shirley and Will! | 0:34:02 | 0:34:05 | |
CHEERING AND APPLAUSE | 0:34:05 | 0:34:08 | |
Oh! Come and sit down! | 0:34:10 | 0:34:13 | |
Never too early for a 10 from Shirley. | 0:34:15 | 0:34:18 | |
Beautiful! APPLAUSE | 0:34:20 | 0:34:23 | |
Right, it's time for music. | 0:34:25 | 0:34:27 | |
You rocked that so much, you killed it! | 0:34:28 | 0:34:31 | |
Oh, my God, you were just, dude... | 0:34:31 | 0:34:34 | |
That's my boy! | 0:34:37 | 0:34:40 | |
Beautiful. Right, it's time for music. | 0:34:40 | 0:34:42 | |
And this award-winning hit maker is back with a number one album, Rainbow. | 0:34:42 | 0:34:45 | |
Performing Learn To Let Go, it is Kesha! | 0:34:45 | 0:34:50 | |
CHEERING AND APPLAUSE | 0:34:50 | 0:34:53 | |
# Been a prisoner of the past | 0:35:04 | 0:35:08 | |
# Had a bitterness when I looked back | 0:35:09 | 0:35:13 | |
# Was telling everyone it's not that bad | 0:35:15 | 0:35:19 | |
# Until all my shit hit the fan | 0:35:21 | 0:35:25 | |
# I know I'm always like telling everybody | 0:35:25 | 0:35:28 | |
# "You don't gotta be a victim | 0:35:28 | 0:35:30 | |
# "Life ain't always fair, but hell is living in resentment | 0:35:30 | 0:35:32 | |
# "Choose redemption, your happy ending's up to you" | 0:35:32 | 0:35:37 | |
# I think it's time to practise what I preach | 0:35:38 | 0:35:41 | |
# Exorcise the demons inside me | 0:35:41 | 0:35:43 | |
# Whoa, gotta learn to let it go | 0:35:43 | 0:35:48 | |
# The past can't haunt me if I don't let it | 0:35:48 | 0:35:52 | |
# Live and learn and never forget it | 0:35:52 | 0:35:55 | |
# Whoa, gotta learn to let it go | 0:35:55 | 0:35:59 | |
# Had a boogeyman under my bed | 0:36:03 | 0:36:07 | |
# Putting crazy thoughts inside my head | 0:36:08 | 0:36:14 | |
# Always whispering, "It's all your fault" | 0:36:14 | 0:36:19 | |
# He was telling me, "No, you're not that strong" | 0:36:20 | 0:36:25 | |
# I know I'm always like telling everybody, | 0:36:25 | 0:36:28 | |
# "You don't gotta be a victim | 0:36:28 | 0:36:30 | |
# Life ain't always fair, but hell is living in resentment | 0:36:30 | 0:36:32 | |
# Choose redemption, your happy ending's up to you" | 0:36:32 | 0:36:37 | |
# So I think it's time to practise what I preach | 0:36:37 | 0:36:41 | |
# Exorcise the demons inside me | 0:36:41 | 0:36:43 | |
# Whoa, gotta learn to let it go | 0:36:43 | 0:36:48 | |
# The past can't haunt me if I don't let it | 0:36:48 | 0:36:51 | |
# Live and learn and never forget it | 0:36:51 | 0:36:54 | |
# Whoa, gotta learn to let it go | 0:36:54 | 0:36:59 | |
# I'm done reliving my bad decisions | 0:37:00 | 0:37:03 | |
# I see now maybe there's a reason | 0:37:03 | 0:37:06 | |
# Why, I, I, I, I, I I been through hell and back | 0:37:06 | 0:37:12 | |
# Yeah, honestly, it's what made me who I am | 0:37:12 | 0:37:16 | |
# Holding on to wasted time | 0:37:16 | 0:37:19 | |
# Gotta learn to let go in life | 0:37:19 | 0:37:25 | |
# So I think it's time to practise what I preach | 0:37:25 | 0:37:28 | |
# Exorcise the demons inside me | 0:37:28 | 0:37:31 | |
# Whoa, gotta learn to let it go | 0:37:31 | 0:37:35 | |
# The past can't haunt me if I don't let it | 0:37:36 | 0:37:39 | |
# Live and learn and never forget it | 0:37:39 | 0:37:42 | |
# Whoa, gotta learn to let it go | 0:37:42 | 0:37:46 | |
# Hey-eh-eh-eh, yeah | 0:37:48 | 0:37:50 | |
# Hey-eh-eh-eh, yeah | 0:37:51 | 0:37:53 | |
# Learn to let go, learn to let go | 0:37:53 | 0:37:58 | |
# Hey-eh-eh-eh, yeah | 0:37:59 | 0:38:02 | |
# Hey-eh-eh-eh, yeah | 0:38:02 | 0:38:05 | |
# Learn to let go Learn to let go. # | 0:38:05 | 0:38:10 | |
CHEERING AND APPLAUSE | 0:38:11 | 0:38:15 | |
Kesha, everybody! | 0:38:18 | 0:38:22 | |
Well done, come on over, you! | 0:38:22 | 0:38:25 | |
Oh, the hat! Beautiful. Hello! | 0:38:26 | 0:38:29 | |
CHEERING DROWNS SPEECH | 0:38:29 | 0:38:33 | |
If you could scoot up a bit... | 0:38:35 | 0:38:37 | |
-If you could all squeeze up a bit. -Traditional, singers down that end? | 0:38:42 | 0:38:45 | |
-Now, Shirley, did you watch Kesha walk over? -Yes. | 0:38:45 | 0:38:47 | |
-Is she a dancer? -Yes, she's got rhythm. | 0:38:47 | 0:38:50 | |
Oh, God. What? Kinda... | 0:38:50 | 0:38:53 | |
-Now, Kesha, that is off your new album, Rainbow. -Yeah! | 0:38:53 | 0:38:57 | |
-And huge congratulations. -Thank you! -It's out now. | 0:38:57 | 0:39:00 | |
First since 2014 but already it's been number one in America, right? | 0:39:00 | 0:39:04 | |
CHEERING AND APPLAUSE | 0:39:04 | 0:39:07 | |
-Yes! Yes! -My fans are the best. As you know. | 0:39:07 | 0:39:10 | |
-Well, we've had them on here before. -Yeah! | 0:39:10 | 0:39:13 | |
And, yeah, they took it to number one. | 0:39:13 | 0:39:16 | |
And that does feel good, I'm not going to lie. | 0:39:16 | 0:39:18 | |
-Yeah. -But they did that, so... -And listen, on this album, | 0:39:18 | 0:39:20 | |
there's collaborations with all sorts of people. | 0:39:20 | 0:39:23 | |
-One of our favourites, Dolly Parton! -Oh, yes, she's the best. | 0:39:23 | 0:39:25 | |
-PERSON IN CROWD: -Woo! -That one "woo"! | 0:39:25 | 0:39:28 | |
LAUGHTER | 0:39:28 | 0:39:31 | |
So... But Dolly Parton, she is connected to you via your mum, is that right? | 0:39:31 | 0:39:35 | |
Well, yeah, I met her once at the chiropractor when I was 10. | 0:39:35 | 0:39:39 | |
-It's the only time I've met her. -I'm sure she does have back problems but anyway... | 0:39:39 | 0:39:44 | |
LAUGHTER | 0:39:44 | 0:39:46 | |
But we didn't actually get to be in the same room | 0:39:46 | 0:39:49 | |
recording the song. | 0:39:49 | 0:39:51 | |
But my mom wrote a song which she recorded in, like, a billion years ago. | 0:39:51 | 0:39:55 | |
And then we recorded it together, but separately, | 0:39:55 | 0:39:58 | |
because of technology, on this album. | 0:39:58 | 0:40:01 | |
But it is a famous song, it's, "Old flame, can't hold a candle to you?" | 0:40:01 | 0:40:04 | |
-Yeah, "Old flames can't hold a candle to you." -Your mom wrote that? | 0:40:04 | 0:40:07 | |
-Uh-huh. -Because your mum is credited with lots of songs on here. -Yeah. | 0:40:07 | 0:40:10 | |
We write a lot of songs together which is kind of, like, | 0:40:10 | 0:40:13 | |
weird and twisted because we write, like, songs about eating men... | 0:40:13 | 0:40:16 | |
-Yeah. -But also love songs. -Yeah! LAUGHTER | 0:40:16 | 0:40:19 | |
So, your mum's around for the album but is she around for the tour? | 0:40:19 | 0:40:22 | |
Yeah, she comes with me most everywhere. | 0:40:22 | 0:40:24 | |
-She flew out this morning, so she's not here. -And is that annoying or great? | 0:40:24 | 0:40:28 | |
-Super fucking annoying! -LAUGHTER | 0:40:28 | 0:40:31 | |
-So, you are like, "bye!" -I mean, can you imagine? -I know, it sounds awful. | 0:40:31 | 0:40:35 | |
-I mean, it's awful. -I mean, I love my mother but... -You do. | 0:40:35 | 0:40:38 | |
Yeah, but you know... Christmas is coming, that'll be fine. | 0:40:38 | 0:40:41 | |
LAUGHTER | 0:40:41 | 0:40:43 | |
Well, listen, that was a fantastic performance. | 0:40:43 | 0:40:45 | |
Thank you for bringing all that glitter and show with you. | 0:40:45 | 0:40:48 | |
-Thank you. -And congratulations with the album. Well done! -Thank you. | 0:40:48 | 0:40:52 | |
CHEERING AND APPLAUSE Kesha, everybody! | 0:40:52 | 0:40:55 | |
That is nearly it. Just before we go, just time for a visit to the big red chair. | 0:40:58 | 0:41:02 | |
-OK, who's in the big red chair? OK, hello! -Hello! -Hi! What's your name? | 0:41:02 | 0:41:06 | |
-I'm Tutu. -Tutu? -Yes. -OK. And where you from, Tutu? | 0:41:06 | 0:41:10 | |
Originally from Ethiopia but I live in Reading at the moment. | 0:41:10 | 0:41:13 | |
-Now, can anyone hear Tutu? -Yes, I can hear you! | 0:41:13 | 0:41:18 | |
LAUGHTER | 0:41:18 | 0:41:20 | |
So, it's working in one direction. LAUGHTER | 0:41:21 | 0:41:26 | |
Who did that? Who did that? | 0:41:26 | 0:41:29 | |
APPLAUSE | 0:41:32 | 0:41:34 | |
WHOOPING AND LAUGHING | 0:41:34 | 0:41:36 | |
-Wow. -I just wanted to show her how to work it. | 0:41:36 | 0:41:40 | |
This is going to be a trying red chair session, ladies and gentlemen. | 0:41:40 | 0:41:44 | |
OK, let's try one more. | 0:41:44 | 0:41:46 | |
-Hello. -Hello, hello. -Hi, what's your name? -My name's Darren. | 0:41:46 | 0:41:49 | |
Darren, lovely, where you from, Darren? | 0:41:49 | 0:41:51 | |
-I'm from London and I run a gay travel company. -A gay travel company? | 0:41:51 | 0:41:54 | |
-Oh, right. -You should be booking. -Yes, sorry... | 0:41:54 | 0:41:57 | |
LAUGHTER | 0:41:57 | 0:41:59 | |
-Really? -I'll give you a special service. -I love my gay travels! | 0:41:59 | 0:42:04 | |
LAUGHTER AND APPLAUSE | 0:42:06 | 0:42:08 | |
At the gay airport, in the gay plane. | 0:42:10 | 0:42:13 | |
LAUGHTER | 0:42:13 | 0:42:15 | |
-Was your name John, was it? -Darren. -Darren? | 0:42:15 | 0:42:18 | |
John's my boyfriend's name, how did you know that? | 0:42:18 | 0:42:22 | |
Deep. OK, Darren... Off you go with your story. | 0:42:22 | 0:42:25 | |
OK, so, I used to be a journalist and my old boss was a bit lonely, | 0:42:25 | 0:42:29 | |
couldn't get any men in her life, so I thought for her birthday | 0:42:29 | 0:42:32 | |
I'd get her a special present, which was a vibrator. | 0:42:32 | 0:42:36 | |
I decided to give her a vibrator, she put it in her handbag | 0:42:36 | 0:42:38 | |
and forgot it was there. | 0:42:38 | 0:42:40 | |
Next morning, she had to get up for a meeting. | 0:42:40 | 0:42:42 | |
Where was the meeting? | 0:42:42 | 0:42:43 | |
Buckingham Palace. | 0:42:43 | 0:42:45 | |
-Totally forgot that she had the vibrator in her bag. -Good story! | 0:42:45 | 0:42:49 | |
She gets to security and has to go through the metal detector | 0:42:49 | 0:42:52 | |
and the airport security-style scanner. | 0:42:52 | 0:42:55 | |
It comes up on the screen showing this huge vibrator, | 0:42:55 | 0:42:58 | |
she suddenly realises it's in there. | 0:42:58 | 0:43:00 | |
Kind of looks all sheepish, looks at the security man, who sees it. | 0:43:00 | 0:43:03 | |
Says to her, ahem, we'll just let you through. | 0:43:03 | 0:43:06 | |
-But that's how she smuggled a vibrator into Buckingham Palace. -Good story! | 0:43:06 | 0:43:10 | |
CHEERING AND APPLAUSE | 0:43:10 | 0:43:12 | |
OK, OK... One more? One more. This is the last one. | 0:43:14 | 0:43:19 | |
That was a good story. | 0:43:19 | 0:43:20 | |
OK, he's just being carried away. | 0:43:20 | 0:43:23 | |
Who's this? Oh, look who's back! | 0:43:24 | 0:43:28 | |
CHEERING AND APPLAUSE | 0:43:28 | 0:43:30 | |
It's Tutu two! | 0:43:30 | 0:43:33 | |
-Hi, Tutu! -Hi. -So, now, before you were so rudely interrupted... | 0:43:34 | 0:43:38 | |
..erm, you were telling us a very complicated where you were from story? | 0:43:39 | 0:43:43 | |
No, I come from Ethiopia originally | 0:43:43 | 0:43:45 | |
but I came this country 20 years ago. | 0:43:45 | 0:43:48 | |
-OK, and where do you live? -I live in Reading. -Reading, lovely. | 0:43:48 | 0:43:51 | |
And what do you do, Tutu? | 0:43:51 | 0:43:53 | |
I run my own cafe, called Tutu's Ethiopian Table. | 0:43:53 | 0:43:56 | |
It's called...that! OK. | 0:43:56 | 0:43:58 | |
So, Tutu, off you go with your story. | 0:44:00 | 0:44:03 | |
20 years ago, I used to work for Thames Water, with 40 people on | 0:44:03 | 0:44:07 | |
the team and I used to do data entry at the computer, people's details. | 0:44:07 | 0:44:12 | |
And I was stuck on what I'm doing and I asked my colleague, | 0:44:12 | 0:44:16 | |
I say, who's our team leader, to ask, because I was having problems. | 0:44:16 | 0:44:20 | |
So, he told me, go and ask Ginger Minge. | 0:44:20 | 0:44:24 | |
-LAUGHTER -So, that time, I don't understand languages, | 0:44:24 | 0:44:27 | |
so I went straight to the person. I said, "Hello, Ginger Minge!" | 0:44:27 | 0:44:31 | |
-LAUGHTER -So, now I know what that means. | 0:44:31 | 0:44:35 | |
Yes, I'm sure you do. You can walk, Tutu. Go on! Very good. | 0:44:35 | 0:44:40 | |
We could have missed that story! | 0:44:42 | 0:44:45 | |
Well done, everyone. | 0:44:45 | 0:44:46 | |
If you'd like to join us on the show and have a go in the red chair, | 0:44:46 | 0:44:50 | |
contact us via our website at this very address... | 0:44:50 | 0:44:52 | |
That is it for tonight. Please say thank you to my guests. | 0:44:52 | 0:44:55 | |
Kesha, everybody! CHEERING | 0:44:55 | 0:44:57 | |
Mark Wahlberg! | 0:44:57 | 0:44:59 | |
Mr Mel Gibson! | 0:44:59 | 0:45:02 | |
John Lithgow! Will Ferrell! And Shirley Ballas! | 0:45:02 | 0:45:08 | |
Do join me next week with musical guest P!nk, | 0:45:09 | 0:45:13 | |
actor and writer Stephen Fry, pop star Robbie Williams, | 0:45:13 | 0:45:16 | |
actress Carey Mulligan and living legend Sir Elton John. | 0:45:16 | 0:45:18 | |
I'll see you then, goodnight everybody. Bye-bye! | 0:45:18 | 0:45:23 | |
CHEERING AND APPLAUSE | 0:45:23 | 0:45:25 |