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Good evening. My name's Hugh Grant and this is the Graham Norton Show. | 0:00:02 | 0:00:05 | |
CHEERING AND APPLAUSE | 0:00:05 | 0:00:07 | |
This programme contains some strong language. | 0:00:09 | 0:00:12 | |
Oh! | 0:00:23 | 0:00:24 | |
Oh-ho-ho-ho! | 0:00:24 | 0:00:26 | |
Oh! | 0:00:26 | 0:00:27 | |
Oh, too kind! Too kind! Too kind! Thank you! | 0:00:27 | 0:00:30 | |
Thank you very much. Oh, do you love me? | 0:00:30 | 0:00:32 | |
Good evening, everybody! You're very welcome! | 0:00:32 | 0:00:35 | |
I'm delighted to tell you we have a great show for you tonight. | 0:00:37 | 0:00:41 | |
I tell you, my sofa's attracted more celebrities | 0:00:41 | 0:00:44 | |
than a dodgy offshore tax scheme. | 0:00:44 | 0:00:46 | |
Ooh, everyone's talking about the Paradise Papers. | 0:00:46 | 0:00:49 | |
There have even been investigations | 0:00:49 | 0:00:50 | |
into the royal family's financial affairs. | 0:00:50 | 0:00:53 | |
Yeah. | 0:00:53 | 0:00:54 | |
I mean, you know it's bad when they start probing the Queen's loophole. | 0:00:54 | 0:00:58 | |
Now, the papers also suggest | 0:01:03 | 0:01:04 | |
Prince Charles has money put away offshore. | 0:01:04 | 0:01:07 | |
Charles hasn't been able to respond, | 0:01:07 | 0:01:09 | |
as he's currently out of the country... | 0:01:09 | 0:01:10 | |
..visiting his money. | 0:01:10 | 0:01:13 | |
LAUGHTER | 0:01:13 | 0:01:15 | |
Is he wearing a mankini? What is that? | 0:01:15 | 0:01:17 | |
LAUGHTER | 0:01:17 | 0:01:20 | |
Now, in political news, | 0:01:20 | 0:01:21 | |
Minister for International Development Priti Patel | 0:01:21 | 0:01:24 | |
hasn't had the best of weeks. | 0:01:24 | 0:01:26 | |
No - on Wednesday she flew back from Africa | 0:01:26 | 0:01:28 | |
for a meeting with Theresa May, | 0:01:28 | 0:01:30 | |
and was met at the airport by a taxi driver | 0:01:30 | 0:01:32 | |
you know, holding up one of those signs. | 0:01:32 | 0:01:34 | |
Luckily, though, all these ministerial sackings | 0:01:36 | 0:01:39 | |
aren't bothering Theresa May. | 0:01:39 | 0:01:41 | |
No, she's just carrying on with today's cabinet meeting as usual. | 0:01:41 | 0:01:45 | |
LAUGHTER | 0:01:45 | 0:01:47 | |
And finally, Donald Trump has been visiting Asia this week - | 0:01:49 | 0:01:52 | |
mm, whether they like it or not. | 0:01:52 | 0:01:54 | |
Turns out - not! | 0:01:54 | 0:01:56 | |
South Korean protestors have taken to trolling Trump on Twitter. | 0:01:56 | 0:02:00 | |
Although interestingly, if you Google the words troll and Trump, | 0:02:00 | 0:02:04 | |
you seriously get this. | 0:02:04 | 0:02:05 | |
LAUGHTER Yeah. | 0:02:05 | 0:02:07 | |
Perfect for Christmas! | 0:02:09 | 0:02:12 | |
Mind you - this is amazing, you may have seen this - | 0:02:12 | 0:02:14 | |
this is not the only likeness of Trump that's been spotted this week. | 0:02:14 | 0:02:17 | |
A woman in Tyneside noticed Donald Trump's face | 0:02:17 | 0:02:20 | |
inside her dog's ear. | 0:02:20 | 0:02:22 | |
LAUGHTER | 0:02:23 | 0:02:26 | |
Earhole, arsehole - you decide. | 0:02:26 | 0:02:28 | |
Let's get some guests on! | 0:02:28 | 0:02:30 | |
Later we'll have music and chat | 0:02:32 | 0:02:33 | |
from singing sensation Kelly Clarkson! | 0:02:33 | 0:02:36 | |
Yeah! | 0:02:36 | 0:02:37 | |
She's going to be performing her new single, Love So Soft. | 0:02:37 | 0:02:40 | |
But first, she's one of the UK's top comedians, | 0:02:40 | 0:02:43 | |
and now she's turned author with her new book, How To Be Champion, | 0:02:43 | 0:02:46 | |
please welcome back Sarah Millican! | 0:02:46 | 0:02:49 | |
CHEERING AND APPLAUSE | 0:02:49 | 0:02:50 | |
-Hello. -Hello! Let me greet you. | 0:02:50 | 0:02:53 | |
How are you, darling? Lovely to see you! | 0:02:53 | 0:02:55 | |
Sarah Millican, everybody! | 0:02:55 | 0:02:58 | |
He's gone from Khal Drogo in Game of Thrones | 0:02:58 | 0:03:01 | |
to Aquaman in Justice League - | 0:03:01 | 0:03:03 | |
it's a first-time welcome to Mr Jason Momoa! | 0:03:03 | 0:03:05 | |
CHEERING Oh, yeah! There you go. | 0:03:05 | 0:03:08 | |
That's your ACTUAL Jason Momoa. | 0:03:08 | 0:03:10 | |
Hello! Lovely to see you. | 0:03:10 | 0:03:14 | |
Come in. Sarah, Jason. | 0:03:14 | 0:03:17 | |
And from Four Weddings And A Funeral to Notting Hill, | 0:03:17 | 0:03:20 | |
Love Actually and Bridget Jones, | 0:03:20 | 0:03:21 | |
he's become one of our most beloved stars, | 0:03:21 | 0:03:23 | |
now playing a scene-stealing villain in Paddington 2, | 0:03:23 | 0:03:26 | |
it's always a pleasure to welcome the great Hugh Grant! | 0:03:26 | 0:03:29 | |
CHEERING AND APPLAUSE Whoo! | 0:03:29 | 0:03:31 | |
Hello, sir, very nice to see you. | 0:03:32 | 0:03:35 | |
Hello. | 0:03:35 | 0:03:36 | |
Sarah, Jason. Come in! Sit down, sit down, sit down. | 0:03:36 | 0:03:39 | |
You know, often people come in from superhero movies | 0:03:43 | 0:03:46 | |
and they're just sort of like actors, but you're it! | 0:03:46 | 0:03:49 | |
-How tall are you? -I think 6'5". | 0:03:49 | 0:03:52 | |
-6'5"! -Yeah. -Wow. | 0:03:52 | 0:03:54 | |
It's funny cos my dad's like 5'9" and my mum's like 5'8", so... | 0:03:54 | 0:03:58 | |
-Where did you come from then? -Milkman, you know. | 0:03:58 | 0:04:01 | |
LAUGHTER | 0:04:01 | 0:04:02 | |
-Pizza delivery guy, I don't know. -Questions were asked! | 0:04:02 | 0:04:05 | |
-Now, Sarah Millican, very lovely to have you here. -Thanks. | 0:04:07 | 0:04:11 | |
And obviously I'm sure you enjoy Jason Momoa's work. | 0:04:11 | 0:04:14 | |
-Mm. -But you are, I know, a fan of Mr Grant. -Yes. | 0:04:14 | 0:04:18 | |
-Hi! -LAUGHTER | 0:04:18 | 0:04:20 | |
Shut up! | 0:04:20 | 0:04:22 | |
Yeah, of course, isn't everybody? | 0:04:23 | 0:04:25 | |
-Yes! -No, no. -CHEERING | 0:04:25 | 0:04:28 | |
You are so nice but... | 0:04:28 | 0:04:30 | |
-..lots of people hate me. -LAUGHTER | 0:04:30 | 0:04:33 | |
-My son hates me. -No! | 0:04:33 | 0:04:35 | |
Yeah, he came to see Paddington 2 the other day | 0:04:35 | 0:04:38 | |
and all he said throughout the whole film | 0:04:38 | 0:04:40 | |
is, "Why is Daddy in it so much?" | 0:04:40 | 0:04:42 | |
LAUGHTER | 0:04:42 | 0:04:45 | |
My favourite is Sense And Sensibility. | 0:04:45 | 0:04:47 | |
-Ah. -I love it. Oh, my God, I watch it sort of... | 0:04:47 | 0:04:50 | |
-Is weekly bad? -LAUGHTER | 0:04:50 | 0:04:53 | |
-No, I watch it weekly too. -Do you really watch it that often? | 0:04:53 | 0:04:57 | |
It's one of my... It's a comfort film, let's call it that. | 0:04:57 | 0:05:00 | |
I have three. Do you want to know what the other ones are? | 0:05:00 | 0:05:02 | |
Yes, very much. | 0:05:02 | 0:05:04 | |
So, it's Sense And Sensibility, | 0:05:04 | 0:05:05 | |
Muppet Christmas Carol - regardless of what time of year. | 0:05:05 | 0:05:09 | |
-Yeah. -And San Andreas, which is a disaster film with The Rock. | 0:05:09 | 0:05:14 | |
LAUGHTER | 0:05:14 | 0:05:15 | |
-So it's quite a good mix of things. -Yes, mix it up! -Yeah. | 0:05:15 | 0:05:19 | |
Now, Jason, you've only just got to Britain. | 0:05:19 | 0:05:23 | |
Yeah, I've been here for probably a week. | 0:05:23 | 0:05:25 | |
Oh, OK. But you seem to like it here. | 0:05:25 | 0:05:27 | |
-You go out and about. -Yes. -Yes. -I'm known for my shenanigans and... | 0:05:27 | 0:05:32 | |
-Yes! -..and enjoying the scenery. | 0:05:32 | 0:05:34 | |
We spotted you around London with your widow from Game of Thrones. | 0:05:34 | 0:05:38 | |
-Yes. -Emilia Clarke, she posted this picture of the two of you. | 0:05:38 | 0:05:41 | |
-Aww. What a nice picture! -When was it? Was this last week? | 0:05:41 | 0:05:45 | |
That was like three days ago. | 0:05:45 | 0:05:46 | |
I'd just, actually, flew over to Belfast, | 0:05:46 | 0:05:49 | |
I got back from Belfast right now. | 0:05:49 | 0:05:50 | |
OK, so Belfast in November, | 0:05:50 | 0:05:53 | |
why are you wearing a vest, Jason? | 0:05:53 | 0:05:54 | |
-LAUGHTER -Is it because he looks like this? | 0:05:54 | 0:05:58 | |
This is the first time I've ever wore a turtleneck. | 0:05:58 | 0:06:01 | |
-Oh, really? -My mother's going to be very proud of me. | 0:06:01 | 0:06:03 | |
But I'm going to be close to peeling this off and getting the... | 0:06:03 | 0:06:08 | |
-I'm fine with that! -CHEERING | 0:06:08 | 0:06:10 | |
I burn hot! | 0:06:10 | 0:06:11 | |
-Don't let us stop you. -Let's do the whole show topless! | 0:06:11 | 0:06:14 | |
-Yeah, let's all go topless. -Come on. | 0:06:14 | 0:06:16 | |
CHEERING DROWNS SPEECH | 0:06:16 | 0:06:19 | |
But fans must go crazy when they see the two of you together. | 0:06:19 | 0:06:23 | |
I go crazy when I see her. | 0:06:23 | 0:06:25 | |
Do they want you to start talking in - is it Dothraki? | 0:06:25 | 0:06:28 | |
Dothraki, yeah. | 0:06:28 | 0:06:29 | |
It's all nonsense, but you do speak some Dothraki. | 0:06:29 | 0:06:32 | |
I've been known to, yeah, say a few things. | 0:06:32 | 0:06:35 | |
-Go on, then. -LAUGHTER | 0:06:35 | 0:06:37 | |
-For the ladies... -OK! -SARAH GIGGLES | 0:06:39 | 0:06:42 | |
Sorry, I know I love you but, sorry. | 0:06:42 | 0:06:45 | |
Oh, oh! He's touching me! | 0:06:48 | 0:06:50 | |
HE SPEAKS DOTHRAKI | 0:06:51 | 0:06:54 | |
-And for the gentleman... -Oh, yes! | 0:06:54 | 0:06:56 | |
LAUGHTER | 0:06:56 | 0:06:58 | |
Excuse me. | 0:06:58 | 0:07:00 | |
HE SPEAKS DOTHRAKI ANGRILY | 0:07:01 | 0:07:04 | |
Oh, he's got so much more to say to men! | 0:07:06 | 0:07:08 | |
-LAUGHTER AND APPLAUSE -I feel let down. | 0:07:08 | 0:07:11 | |
Listen, the first film we're going to talk about tonight | 0:07:14 | 0:07:17 | |
is Hugh Grant starring in Paddington 2. | 0:07:17 | 0:07:20 | |
It opens tonight - | 0:07:20 | 0:07:21 | |
and I loved the first one, | 0:07:21 | 0:07:22 | |
so I think people are kind of worried about this, | 0:07:22 | 0:07:25 | |
but honestly, it's as good, if not better, | 0:07:25 | 0:07:27 | |
and you are brilliant in it, Hugh Grant. | 0:07:27 | 0:07:30 | |
Who do you play? | 0:07:30 | 0:07:32 | |
Well, I... | 0:07:32 | 0:07:33 | |
I got a letter with a script saying, "We're making Paddington 2 | 0:07:35 | 0:07:39 | |
"and there's this part | 0:07:39 | 0:07:40 | |
"of an extremely self-obsessed ex-famous actor | 0:07:40 | 0:07:44 | |
"now fallen on hard times..." | 0:07:44 | 0:07:46 | |
LAUGHTER | 0:07:46 | 0:07:47 | |
And I was a fraction hurt. | 0:07:47 | 0:07:49 | |
But it was a very funny script and, in a way, it was therapeutic. | 0:07:51 | 0:07:56 | |
I have deep reservoirs of actual narcissism | 0:07:56 | 0:08:01 | |
and neurosis and anger and hatred of others | 0:08:01 | 0:08:04 | |
that I was able to tap. | 0:08:04 | 0:08:07 | |
Did you base it on specific actors? | 0:08:07 | 0:08:09 | |
Well, as I said, a lot of it came from me, | 0:08:09 | 0:08:11 | |
in the way a sort of self-portrait, | 0:08:11 | 0:08:13 | |
but there were actors from my past. | 0:08:13 | 0:08:17 | |
In the '80s I did theatre. | 0:08:17 | 0:08:19 | |
-Remember that. -I remember that! | 0:08:21 | 0:08:23 | |
I mean, there were some brilliant characters. | 0:08:23 | 0:08:25 | |
A wonderful old boy in the theatre who... He was so good, | 0:08:25 | 0:08:29 | |
and, you know, the show would start at 8pm, | 0:08:29 | 0:08:32 | |
but at 3pm from his dressing room you'd start to hear, | 0:08:32 | 0:08:35 | |
"Nee-mee-nee-mee-nee-mee, maaaaaa-ah, | 0:08:35 | 0:08:39 | |
"maaaaaa, scrunchy mouse, loud lion!" | 0:08:39 | 0:08:42 | |
LAUGHTER | 0:08:42 | 0:08:44 | |
"Loud lion!" | 0:08:44 | 0:08:45 | |
And as a result, he had a wonderful voice | 0:08:45 | 0:08:48 | |
and he was just marvellously smooth and seamlessly pervy. | 0:08:48 | 0:08:52 | |
He used to... | 0:08:52 | 0:08:54 | |
I was sharing a dressing room with another young actor | 0:08:54 | 0:08:57 | |
and he always used to knock on our door before the show, | 0:08:57 | 0:09:00 | |
pretending it was to say good luck, | 0:09:00 | 0:09:02 | |
but, actually, it was to see us in our pants. | 0:09:02 | 0:09:04 | |
LAUGHTER | 0:09:04 | 0:09:06 | |
-Different times! -Different times. -Different times! | 0:09:06 | 0:09:09 | |
LAUGHTER | 0:09:09 | 0:09:11 | |
Meanwhile, in Paddington 2... | 0:09:12 | 0:09:15 | |
LAUGHTER AND APPLAUSE | 0:09:15 | 0:09:17 | |
No, cos you are Phoenix... | 0:09:23 | 0:09:25 | |
-Buchanan. -Buchanan! -Yeah. | 0:09:25 | 0:09:27 | |
And you are the little bear's nemesis. | 0:09:27 | 0:09:30 | |
That's right, yes. | 0:09:30 | 0:09:31 | |
He's living a happy life now with the Browns | 0:09:31 | 0:09:34 | |
wherever it is in London - Notting Hill. | 0:09:34 | 0:09:36 | |
And one of his neighbours is this used-to-be-famous theatre actor | 0:09:37 | 0:09:42 | |
called Phoenix Buchanan, | 0:09:42 | 0:09:44 | |
and they end up wanting the same thing in life, | 0:09:44 | 0:09:49 | |
they want this pop-up book which turns out to be a treasure map. | 0:09:49 | 0:09:52 | |
And it ends up with me basically putting him in prison | 0:09:52 | 0:09:55 | |
-and trying to kill him. -Oh. | 0:09:55 | 0:09:57 | |
It sounds very dark! | 0:09:57 | 0:09:59 | |
OK, let's go with putting him in prison... | 0:09:59 | 0:10:01 | |
-But there are dark bits. -Yeah, there are dark bits. -Yeah. | 0:10:01 | 0:10:03 | |
But it's all been very confusing for me | 0:10:03 | 0:10:05 | |
because Paddington Bear is voiced by Ben Whishaw, | 0:10:05 | 0:10:08 | |
who I'm also working with at the moment | 0:10:08 | 0:10:10 | |
in a thing about Jeremy Thorpe, | 0:10:10 | 0:10:12 | |
he's playing Norman Scott, my lover. | 0:10:12 | 0:10:14 | |
So I've spent all year | 0:10:14 | 0:10:16 | |
trying to either kill, imprison or bugger Ben Whishaw! | 0:10:16 | 0:10:19 | |
LAUGHTER | 0:10:19 | 0:10:21 | |
-Don't get them mixed up. -That's the thing! | 0:10:21 | 0:10:24 | |
It'll make the children cry! | 0:10:25 | 0:10:27 | |
Shall we look at a clip? LAUGHTER | 0:10:34 | 0:10:37 | |
Have I done a bad job of selling the film? | 0:10:37 | 0:10:39 | |
-No, you haven't! -It's really a sunny and lovely film! | 0:10:39 | 0:10:41 | |
-It is. -But in all seriousness... -GRAHAM LAUGHS | 0:10:41 | 0:10:44 | |
LAUGHTER | 0:10:44 | 0:10:45 | |
Because I hate my films normally, I can't bear to watch them. | 0:10:45 | 0:10:50 | |
But I will say, | 0:10:50 | 0:10:51 | |
I can't find a flaw in this one, it's really good. | 0:10:51 | 0:10:55 | |
It's so good. It is so good. | 0:10:55 | 0:10:57 | |
-I'm very proud of it. -Yeah, you should be. | 0:10:57 | 0:10:58 | |
-That's a bit better. -Very good! | 0:10:58 | 0:11:00 | |
This is a charming clip of your character | 0:11:00 | 0:11:06 | |
meeting the little bear for the first time. | 0:11:06 | 0:11:08 | |
So, I'm going to ask one of you to come up here and open the fair. | 0:11:08 | 0:11:12 | |
Volunteers. Anyone? | 0:11:12 | 0:11:14 | |
-Eeny, meeny, miny... -Ugh, ugh! | 0:11:14 | 0:11:18 | |
Bear. | 0:11:18 | 0:11:20 | |
Let's have the young bear, why not? | 0:11:20 | 0:11:23 | |
-Come, come young ursine. -Thank you. | 0:11:23 | 0:11:25 | |
Up here, my furry friend. Very good, very good. | 0:11:25 | 0:11:28 | |
-Now, your name is? -Paddington Brown. | 0:11:28 | 0:11:30 | |
Oh, well, of course it is, you are my new neighbour! | 0:11:30 | 0:11:33 | |
You live with Henry and Mary and the great Mrs... | 0:11:33 | 0:11:38 | |
HE MUMBLES | 0:11:38 | 0:11:40 | |
Now, then, I suppose you know who I am? | 0:11:40 | 0:11:42 | |
Oh, yes. You're a very famous actor. | 0:11:42 | 0:11:44 | |
-Oh, poo. -Or used to be. | 0:11:44 | 0:11:47 | |
Now you do dog food commercials. | 0:11:47 | 0:11:49 | |
Well, a man has to eat. | 0:11:50 | 0:11:51 | |
What, dog food? | 0:11:51 | 0:11:53 | |
CROWD LAUGHS | 0:11:53 | 0:11:56 | |
HE LAUGHS | 0:11:56 | 0:11:58 | |
Very, very funny. | 0:11:58 | 0:11:59 | |
APPLAUSE | 0:11:59 | 0:12:02 | |
I can't remember, have you done this before in another film, | 0:12:07 | 0:12:11 | |
having to act with... | 0:12:11 | 0:12:13 | |
I think children have gone to bed, hopefully they have by now - | 0:12:13 | 0:12:15 | |
but, obviously, the bear's not there. | 0:12:15 | 0:12:19 | |
-So have you done that acting before? -I'm sorry, what? | 0:12:19 | 0:12:21 | |
Don't listen. Don't listen. | 0:12:21 | 0:12:23 | |
I must say, my 89-year-old father came to the premiere the other day | 0:12:23 | 0:12:26 | |
and he did say to me halfway through the film, "Is that a real bear?" | 0:12:26 | 0:12:31 | |
-LAUGHTER -Oh. | 0:12:31 | 0:12:34 | |
-Oh. -"Dad, it talks!" | 0:12:34 | 0:12:37 | |
LAUGHTER | 0:12:37 | 0:12:39 | |
But it is very lifelike, so I suppose... | 0:12:39 | 0:12:42 | |
But what was there? | 0:12:42 | 0:12:43 | |
Was there anything there when you were doing that scene? | 0:12:43 | 0:12:45 | |
Well, no, sometimes there's a stick, | 0:12:45 | 0:12:47 | |
sometimes there's a wonderful very short actress, | 0:12:47 | 0:12:52 | |
and sometimes, most frightening of all, | 0:12:52 | 0:12:55 | |
there's a bear's head on a stick. | 0:12:55 | 0:12:58 | |
It looks like a kind of warning to bears. Yeah. | 0:12:58 | 0:13:02 | |
And in this film, because, you know, you kind of think, | 0:13:02 | 0:13:06 | |
a light children's film, | 0:13:06 | 0:13:07 | |
but your range, your range in this film - | 0:13:07 | 0:13:10 | |
the accents, the make-up - | 0:13:10 | 0:13:14 | |
it's a proper tour de force. | 0:13:14 | 0:13:16 | |
Well, yes, a lot of characters. A lot of characters | 0:13:16 | 0:13:18 | |
Yes, they've released stills of some of them. | 0:13:18 | 0:13:21 | |
There you are as a homeless man. | 0:13:21 | 0:13:23 | |
-Well... Magwitch from Great Expectations. -Oh, OK. -Yeah. | 0:13:23 | 0:13:27 | |
Then here you are as a train conductor. | 0:13:27 | 0:13:31 | |
GRAHAM LAUGHS | 0:13:31 | 0:13:32 | |
-Terrifying. -Yes. | 0:13:32 | 0:13:34 | |
And then perhaps, most touching and beautiful of all, | 0:13:34 | 0:13:37 | |
there you are. | 0:13:37 | 0:13:39 | |
LAUGHTER | 0:13:39 | 0:13:42 | |
-Yeah. -Were you very involved in creating the looks? | 0:13:42 | 0:13:45 | |
Uh, fairly involved. | 0:13:45 | 0:13:48 | |
The big surprise is you never know which costume | 0:13:48 | 0:13:51 | |
is going to get you going. | 0:13:51 | 0:13:53 | |
Maybe that's age, as well, | 0:13:54 | 0:13:55 | |
but something about being a nun was slightly arousing in a very... | 0:13:55 | 0:13:59 | |
-You don't know. -Yeah. | 0:13:59 | 0:14:01 | |
I had to wear handcuffs in the Jeremy Thorpe thing | 0:14:01 | 0:14:04 | |
the other day and I thought, "Hello!" | 0:14:04 | 0:14:06 | |
LAUGHTER | 0:14:06 | 0:14:08 | |
-Still life to be lived! -Yeah. | 0:14:10 | 0:14:12 | |
Cos, Jason Momoa, the characters you played have been so iconic, | 0:14:13 | 0:14:16 | |
people like to dress up as them. | 0:14:16 | 0:14:18 | |
So we've got a picture of you and Emilia as the Drogos. | 0:14:18 | 0:14:23 | |
-That's from the thing. -The Drogos! | 0:14:23 | 0:14:26 | |
-What, you're Mr and Mrs Drogo, aren't you? -Yes, yes, yes, yes! | 0:14:26 | 0:14:29 | |
They were a lovely family! | 0:14:29 | 0:14:30 | |
The Drogos, I just hadn't heard that before! | 0:14:30 | 0:14:33 | |
You know, the Drogos, the one with the Dragons! | 0:14:33 | 0:14:35 | |
They're coming over tonight, the Drogos. | 0:14:35 | 0:14:37 | |
I hope they don't bring that bloody dragon! | 0:14:37 | 0:14:40 | |
So that's actual Game of Thrones | 0:14:41 | 0:14:44 | |
with professional make up and costumes and everything. | 0:14:44 | 0:14:47 | |
So bear in mind, that's the real thing. | 0:14:47 | 0:14:50 | |
This is just a couple at home who've tried to recreate this. | 0:14:50 | 0:14:55 | |
It's pretty amazing. | 0:14:55 | 0:14:57 | |
LAUGHTER | 0:14:57 | 0:15:00 | |
Is it like looking in a mirror? | 0:15:07 | 0:15:10 | |
The attention to detail is marvellous, isn't it? | 0:15:12 | 0:15:15 | |
I particularly like what they've done with the room. | 0:15:15 | 0:15:18 | |
Oh, dear. | 0:15:20 | 0:15:21 | |
Right, Jason Momoa's film tonight | 0:15:21 | 0:15:23 | |
is Justice League, ladies and gentlemen. | 0:15:23 | 0:15:25 | |
CHEERING Yes, I know. | 0:15:25 | 0:15:27 | |
People have been waiting for Justice League. | 0:15:27 | 0:15:29 | |
It opens next Friday. | 0:15:29 | 0:15:31 | |
This is a DC Comics supergroup, | 0:15:31 | 0:15:34 | |
and this is your first real go at being Aquaman. | 0:15:34 | 0:15:36 | |
We haven't sort of seen you. | 0:15:36 | 0:15:38 | |
Yeah, we haven't, so, it's... We'll see if people like it. | 0:15:38 | 0:15:43 | |
I'm pretty excited. | 0:15:43 | 0:15:44 | |
They're all there, there's the Flash, Wonder Woman, | 0:15:44 | 0:15:46 | |
Batman, Cyborg and you, Aquaman. | 0:15:46 | 0:15:49 | |
Why? Why, Aquaman, have you all been joined together in this way? | 0:15:49 | 0:15:54 | |
-The world as we know it is going to end. -No! -Yes! | 0:15:54 | 0:15:59 | |
Oh, my God. | 0:15:59 | 0:16:00 | |
I hate to break the news to you, but... | 0:16:00 | 0:16:03 | |
Me and my friends kind of save you. | 0:16:03 | 0:16:07 | |
We're so grateful! | 0:16:07 | 0:16:08 | |
In terms of the superpowers - | 0:16:10 | 0:16:11 | |
cos obviously, you're all superheroes, you've got superpowers, | 0:16:11 | 0:16:14 | |
so, Aquaman, water-based, can breathe underwater, presumably? | 0:16:14 | 0:16:19 | |
-Yes. -But what else can he do? | 0:16:19 | 0:16:22 | |
He can command the ocean. | 0:16:22 | 0:16:23 | |
So he can, you know - I basically talk to fish! | 0:16:23 | 0:16:28 | |
If you wanted me to, I don't know, make you sushi, I could do that. | 0:16:29 | 0:16:34 | |
If we were right next to water, I could be like, hand out... | 0:16:34 | 0:16:38 | |
Is that a superhero quality? | 0:16:38 | 0:16:40 | |
It sounds like Jonestown for fish! | 0:16:40 | 0:16:43 | |
Yeah, he's got super-strength and... | 0:16:44 | 0:16:47 | |
-That's good. -Bulletproof. That's nice. | 0:16:47 | 0:16:51 | |
Why would you put bulletproof third after home-made sushi super quickly? | 0:16:51 | 0:16:55 | |
-There you go. -You need to re-order. -And you've got your... | 0:16:57 | 0:17:00 | |
Hang on, it's a... | 0:17:00 | 0:17:02 | |
-Quindent. -Quindent. -Quindent. | 0:17:02 | 0:17:06 | |
It's not the trident yet, we don't get the trident until a bit later. | 0:17:06 | 0:17:08 | |
-Next movie. -I think the quindent is back there. | 0:17:08 | 0:17:11 | |
-Oh, wow. -Is this the real quindent from the movie? | 0:17:11 | 0:17:14 | |
CHEERING | 0:17:14 | 0:17:16 | |
Good reaction to a fork, well done! | 0:17:16 | 0:17:18 | |
-Is it heavy? -No. -Can I have a... -This one's the nice light one. | 0:17:18 | 0:17:21 | |
Oh, see, I could do that. | 0:17:21 | 0:17:24 | |
Aquawoman. | 0:17:24 | 0:17:26 | |
I could make sushi quicker! | 0:17:26 | 0:17:28 | |
-Can I do something with it? -Yeah, go on, but don't hurt anybody. | 0:17:30 | 0:17:33 | |
Listen, I do break a lot of these. | 0:17:33 | 0:17:37 | |
-OK. -I do break a lot of them, but... | 0:17:37 | 0:17:39 | |
-Oh, oh, oh, oh! -Aah! -Is it still in one piece? | 0:17:39 | 0:17:42 | |
-Here we go. -Still in one piece. Let's see if I can get it right. | 0:17:42 | 0:17:45 | |
-Hi-yah! -Oh, very good! | 0:17:45 | 0:17:47 | |
CHEERING | 0:17:47 | 0:17:48 | |
-That's all I got. -Good fork work. | 0:17:48 | 0:17:51 | |
We've got a clip. | 0:17:55 | 0:17:58 | |
We've got a clip. Batman is sort of putting together the Justice League. | 0:17:58 | 0:18:02 | |
Yes, Batman and Wonder Woman. | 0:18:02 | 0:18:05 | |
You know, Batman's not known for playing well with others | 0:18:05 | 0:18:07 | |
and, obviously, the world's in peril, | 0:18:07 | 0:18:09 | |
Wonder Woman helps get these other characters with superpowers | 0:18:09 | 0:18:16 | |
to save the world and come together to, you know, save it. | 0:18:16 | 0:18:19 | |
-Yeah. -All right, well, this is Batman trying to get you involved. | 0:18:19 | 0:18:23 | |
So let me get this straight. | 0:18:23 | 0:18:24 | |
You do it dressed like a bat, like an actual bat? | 0:18:24 | 0:18:28 | |
It worked for 20 years in Gotham. | 0:18:28 | 0:18:29 | |
When the fight comes, we'll need you. | 0:18:31 | 0:18:33 | |
-Don't count on it, Batman. -Why not? | 0:18:33 | 0:18:35 | |
Cos I don't like you coming here digging into my business | 0:18:35 | 0:18:37 | |
and getting into my life. | 0:18:37 | 0:18:39 | |
People from Atlantis tell me to do this, now you say do that. | 0:18:39 | 0:18:41 | |
I want to be left alone. | 0:18:41 | 0:18:43 | |
That why you help these people out here | 0:18:43 | 0:18:44 | |
in the middle of nowhere, cos you can just leave? | 0:18:44 | 0:18:47 | |
I help them cos no-one else does. | 0:18:47 | 0:18:49 | |
You want to protect them, you need to work with me. | 0:18:49 | 0:18:51 | |
Strong men are strongest alone. | 0:18:51 | 0:18:53 | |
You ever heard that? | 0:18:53 | 0:18:55 | |
-That's not a saying. -AUDIENCE CHEERS | 0:18:55 | 0:18:56 | |
-That's the opposite of what the saying is. -Yeah. | 0:18:56 | 0:19:00 | |
Doesn't mean I'm wrong. | 0:19:00 | 0:19:02 | |
You ever hear of Superman? | 0:19:02 | 0:19:04 | |
He died fighting next to me. | 0:19:04 | 0:19:05 | |
My point exactly. | 0:19:05 | 0:19:07 | |
-What's in the three boxes? -It's ancient history. | 0:19:09 | 0:19:13 | |
Mankind's melting the polar ice caps, | 0:19:13 | 0:19:15 | |
destroying the ecosystem - they had it coming? | 0:19:15 | 0:19:17 | |
Hey, I don't mind if the oceans rise. | 0:19:17 | 0:19:20 | |
How about if they boil? | 0:19:20 | 0:19:23 | |
Dressed like a bat - | 0:19:23 | 0:19:25 | |
you're out of your mind, Bruce Wayne. | 0:19:25 | 0:19:27 | |
APPLAUSE Ooh! | 0:19:31 | 0:19:33 | |
Good! | 0:19:33 | 0:19:35 | |
Now, that's actually Iceland. | 0:19:35 | 0:19:40 | |
That's Iceland. | 0:19:40 | 0:19:41 | |
-So that's cold, that water. -Yeah, that was cold. | 0:19:41 | 0:19:45 | |
It doesn't look like it, but it was cold. | 0:19:45 | 0:19:47 | |
You do look very relaxed. | 0:19:47 | 0:19:49 | |
But were you wearing a thermal thing? | 0:19:49 | 0:19:52 | |
Yeah, you know, cos I was out there for a while, | 0:19:52 | 0:19:55 | |
so they have a very thin wet suit that you put on | 0:19:55 | 0:19:58 | |
so you don't freeze to death. | 0:19:58 | 0:20:00 | |
OK, well, that's good! | 0:20:00 | 0:20:01 | |
And it's funny cos they have a crane shot | 0:20:01 | 0:20:05 | |
that went out there in front of me | 0:20:05 | 0:20:07 | |
and I was walking out, but if you have a wet suit on, | 0:20:07 | 0:20:10 | |
the air gets kind of trapped in there. | 0:20:10 | 0:20:12 | |
You're just walking out and the bubbles start coming up | 0:20:12 | 0:20:14 | |
and right when he gets to the level where it's at, | 0:20:14 | 0:20:16 | |
all these bubbles come up, | 0:20:16 | 0:20:18 | |
and it looked like you'd farted. | 0:20:18 | 0:20:20 | |
The camera's right there and I start giggling cos of the bubbles | 0:20:20 | 0:20:25 | |
cos I can feel them go up, too. | 0:20:25 | 0:20:27 | |
And then I opened it up to let the air out | 0:20:27 | 0:20:30 | |
and then all of the cold went in! | 0:20:30 | 0:20:33 | |
So my reaction was like, "Ha-ha... Ooh-ooh!" | 0:20:33 | 0:20:35 | |
LAUGHTER | 0:20:35 | 0:20:37 | |
So many emotions went through me. | 0:20:37 | 0:20:41 | |
And not to dwell on this picture too much, | 0:20:41 | 0:20:43 | |
but some of these tattoos are real? | 0:20:43 | 0:20:48 | |
Well, yeah. Zack had the idea, he wanted to put my tattoo - | 0:20:48 | 0:20:54 | |
this is my family crest - | 0:20:54 | 0:20:56 | |
he wanted to put it everywhere. | 0:20:56 | 0:20:58 | |
Oh, OK. These are just, are they...? | 0:20:58 | 0:21:01 | |
They're like stickers, it takes quite a bit. | 0:21:01 | 0:21:04 | |
I mean, it's about an hour and a half make-up in the morning | 0:21:04 | 0:21:06 | |
just to put them all on - | 0:21:06 | 0:21:07 | |
but there's, like, 20-odd pieces they have to put on | 0:21:07 | 0:21:11 | |
and it takes a long time to get them off. | 0:21:11 | 0:21:14 | |
It's the same in Sense And Sensibility! | 0:21:14 | 0:21:16 | |
LAUGHTER | 0:21:16 | 0:21:18 | |
Now, recently you celebrated your birthday on the set... | 0:21:20 | 0:21:24 | |
You've already finished the stand-alone Aquaman movie. | 0:21:24 | 0:21:27 | |
-Yeah. Two weeks ago I just finished Aquaman, yeah, in Australia. -Wow. | 0:21:27 | 0:21:31 | |
So that's in Australia. Here you all are celebrating your birthday. | 0:21:31 | 0:21:34 | |
So this is your family - I mean, not all of them. | 0:21:34 | 0:21:36 | |
-I think the ones at the front are your family. -Yes. | 0:21:36 | 0:21:39 | |
My babies, yeah. That's Wolf and Lola. | 0:21:39 | 0:21:42 | |
Because you live on a... Is it a ranch? | 0:21:42 | 0:21:44 | |
Yes, yeah, we've got around five, six acres | 0:21:44 | 0:21:49 | |
up in California, and a bunch of animals. | 0:21:49 | 0:21:54 | |
-Nice. -It's kind of nice, cos there's no service, | 0:21:54 | 0:21:57 | |
so we don't have a lot of TV so they don't get to see much, | 0:21:57 | 0:22:00 | |
but they got to see the movie lately, which was phenomenal. | 0:22:00 | 0:22:04 | |
Cos I've never been able to show my kids - | 0:22:04 | 0:22:06 | |
they've never seen The Wizard Of Oz - | 0:22:06 | 0:22:08 | |
so I was worried, coming into it, to show them Justice League... | 0:22:08 | 0:22:12 | |
..but it was amazing, cos my kids can't watch anything that I'm in. | 0:22:12 | 0:22:16 | |
My grandmother can't watch anything. I mean, my family... | 0:22:16 | 0:22:18 | |
I'm like, "Don't watch that one, | 0:22:18 | 0:22:20 | |
"you're going to want to skip that one. | 0:22:20 | 0:22:21 | |
"Eventually I'll be able to do something you can watch." | 0:22:21 | 0:22:24 | |
It was really amazing to be able to watch... | 0:22:24 | 0:22:26 | |
At least they could, if they wanted to. | 0:22:26 | 0:22:28 | |
I mean, they might want to, but mine don't even want to watch me! | 0:22:28 | 0:22:31 | |
I begged them to. They're sitting there watching Dinotrux. | 0:22:33 | 0:22:37 | |
I say, "No! What about one of Daddy's films?" | 0:22:37 | 0:22:39 | |
I'll shove in, you know, I've done some lovely films, | 0:22:41 | 0:22:44 | |
like the Pirates cartoon, you can't get funnier or nicer than that, | 0:22:44 | 0:22:47 | |
and I shove it in the DVD and there's tears and tantrums. | 0:22:47 | 0:22:52 | |
We're back to Dinotrux in five seconds. | 0:22:52 | 0:22:54 | |
I have to say, Dinotrux is pretty good! | 0:22:54 | 0:22:56 | |
The thing is, in terms of being a parent now, | 0:22:58 | 0:23:00 | |
Sarah Millican, you decided quite early this was not for you. | 0:23:00 | 0:23:04 | |
Yeah, I don't like kids, no offence! | 0:23:04 | 0:23:07 | |
I'm sure yours are lovely but I'm glad they're not here! | 0:23:08 | 0:23:11 | |
No interest at all. | 0:23:12 | 0:23:15 | |
I, yeah, I was on holiday, | 0:23:15 | 0:23:17 | |
so we went on two holidays abroad when I was a kid, | 0:23:17 | 0:23:19 | |
Malta when I was four and Spain when I was eight. | 0:23:19 | 0:23:22 | |
And when we were in Spain, when I was eight, | 0:23:22 | 0:23:24 | |
my present I got on holiday was a baby doll. | 0:23:24 | 0:23:27 | |
But it was like this. It was giant. | 0:23:27 | 0:23:31 | |
And I remember having an inkling then, like, what childbirth was, | 0:23:31 | 0:23:36 | |
I knew that it came out of a part of the woman and I thought, "No!" | 0:23:36 | 0:23:42 | |
I knew there was no hole on me that would ever manage that! | 0:23:42 | 0:23:45 | |
And the fun thing about the baby doll was that it had a dummy, | 0:23:47 | 0:23:51 | |
you took the dummy out, the baby cried, put the dummy back in, | 0:23:51 | 0:23:54 | |
baby stopped crying. Brilliant. | 0:23:54 | 0:23:55 | |
This one particular night, you know people, | 0:23:55 | 0:23:58 | |
women often think that the day they became a woman | 0:23:58 | 0:24:00 | |
was the day that their period started? | 0:24:00 | 0:24:03 | |
Not for me. On this one night, we lost the dummy | 0:24:03 | 0:24:06 | |
so the baby was constantly crying. | 0:24:06 | 0:24:10 | |
And I was bitten on the nipple by a mosquito. | 0:24:10 | 0:24:13 | |
And it grew an actual boob. | 0:24:15 | 0:24:16 | |
So I think that's the night I became a woman because I was eight | 0:24:18 | 0:24:22 | |
but I wore a bra and my baby would not shut the fuck up! | 0:24:22 | 0:24:25 | |
APPLAUSE | 0:24:25 | 0:24:27 | |
Hey, everyone, Sarah Millican has written a book! Yes, she has. | 0:24:32 | 0:24:34 | |
APPLAUSE | 0:24:34 | 0:24:37 | |
A really successful book, How To Be Champion. | 0:24:37 | 0:24:40 | |
You were number one in the Sunday Times bestseller list. | 0:24:40 | 0:24:43 | |
-I know! -Which must be such a thrill. -It was ridiculous. | 0:24:43 | 0:24:47 | |
I don't know why it was, but I'm really pleased it was. | 0:24:47 | 0:24:50 | |
Yeah, well, of course. It's a memoir, | 0:24:50 | 0:24:52 | |
-it is the story of your life... -Yes. -..but it also contains advice. | 0:24:52 | 0:24:56 | |
And some of it's funny advice but some of it's real advice. | 0:24:56 | 0:24:59 | |
Yeah, well, I decided... | 0:24:59 | 0:25:00 | |
There's something really arrogant about writing an autobiography | 0:25:00 | 0:25:03 | |
cos you just think, it's really odd to say to people, | 0:25:03 | 0:25:05 | |
"Well, I'm assuming you all want to know all about me!" | 0:25:05 | 0:25:08 | |
And people are, "Not really." So I decided, I wondered, | 0:25:08 | 0:25:11 | |
cos I'm quite practical and I like to sort of fix things, | 0:25:11 | 0:25:13 | |
if I have problems, I like to work out how to make them better. | 0:25:13 | 0:25:15 | |
And I thought, "I wonder if some of the things that have helped me | 0:25:15 | 0:25:18 | |
"might help other people." And it's interesting cos some of the people | 0:25:18 | 0:25:21 | |
who have sent me messages who have read it and enjoyed it, | 0:25:21 | 0:25:23 | |
which is great, have, like, skipped the divorce chapter, | 0:25:23 | 0:25:26 | |
-because they're... -STRAINED: -..happily married. | 0:25:26 | 0:25:29 | |
And I think that's adorable | 0:25:29 | 0:25:30 | |
but I hope they put that book on the shelf | 0:25:30 | 0:25:32 | |
and they take it back out in a few years' time... | 0:25:32 | 0:25:35 | |
..when they might need it, cos you never know! You never know. | 0:25:35 | 0:25:39 | |
-It's a keeper! -Yeah, it really is. | 0:25:39 | 0:25:41 | |
-It's like a reference book, really. -Yeah! | 0:25:41 | 0:25:43 | |
And I don't want to misrepresent the book in any way, | 0:25:43 | 0:25:45 | |
-because it is a really funny book... -Thanks. | 0:25:45 | 0:25:47 | |
..and there's lots of really great stories, but you also, | 0:25:47 | 0:25:50 | |
I came away with the impression of someone who struggles a bit | 0:25:50 | 0:25:56 | |
with some of the aspects of your success and of your fame. | 0:25:56 | 0:26:00 | |
Yeah, I'm quite shy, generally, so people don't really understand | 0:26:00 | 0:26:05 | |
how you can stand in front of an audience and be shy. | 0:26:05 | 0:26:08 | |
But it's because there's a gap! | 0:26:08 | 0:26:10 | |
I'm on the stage and they're over there and all listening, | 0:26:10 | 0:26:13 | |
looking at me, which is what I like. | 0:26:13 | 0:26:15 | |
But I don't go to parties, that sort of thing. | 0:26:15 | 0:26:18 | |
But what I find is, the kind of oddness... | 0:26:18 | 0:26:20 | |
I suppose social media is a major difference, | 0:26:20 | 0:26:22 | |
maybe it was different before social media | 0:26:22 | 0:26:25 | |
in that you can be kind of attacked on social media or even just... | 0:26:25 | 0:26:29 | |
I had this man once just send me a message saying, | 0:26:29 | 0:26:32 | |
"I've just watched you put your bin out." | 0:26:32 | 0:26:34 | |
Which is not a euphemism. | 0:26:34 | 0:26:36 | |
It was just my bin. | 0:26:36 | 0:26:39 | |
But that's the sort of thing that was quite scary to see, that. | 0:26:39 | 0:26:42 | |
-No, that is scary. -Yeah - it's not threatening, | 0:26:42 | 0:26:44 | |
but it was still a bit like, | 0:26:44 | 0:26:46 | |
"Did he see that I didn't put all the recycling in the recycling bin?" | 0:26:46 | 0:26:49 | |
And it's that sort of... | 0:26:51 | 0:26:52 | |
..when you're quite a private person, | 0:26:52 | 0:26:55 | |
I find that quite jarring, a little bit. | 0:26:55 | 0:26:57 | |
-Not being able to turn it off? -Yeah. -Yeah. -Absolutely, | 0:26:57 | 0:27:00 | |
and not being able to, you know, put your bin out just in your pants | 0:27:00 | 0:27:03 | |
-if you want to. -Yeah. | 0:27:03 | 0:27:04 | |
-Fully dressed. -Cos I have to say, you have been, I think, really brave | 0:27:04 | 0:27:09 | |
in the way that you've taken on the press. | 0:27:09 | 0:27:12 | |
Because I feel, with the press, you'll win battles, | 0:27:12 | 0:27:15 | |
but in the end they may win the war. | 0:27:15 | 0:27:18 | |
I mean, are you worried they're just going to crush you, | 0:27:18 | 0:27:20 | |
just find something to finally finish you off with? | 0:27:20 | 0:27:23 | |
LAUGHTER | 0:27:25 | 0:27:28 | |
Yes. | 0:27:28 | 0:27:29 | |
Well, I mean, look, I think they've got every skeleton in my cupboard. | 0:27:31 | 0:27:34 | |
-There's a lot. -Yes. -But I think they've had them all now. | 0:27:34 | 0:27:37 | |
-Woohoo! -No, no. I mean, you can't take that line, really, | 0:27:37 | 0:27:41 | |
cos our lives are lovely, they're basically lovely. | 0:27:41 | 0:27:44 | |
It's when people around you - your family, your innocent family, | 0:27:44 | 0:27:48 | |
your 89-year-old dad gets woken up in the middle of the night | 0:27:48 | 0:27:51 | |
and asked questions, that's when you get angry. | 0:27:51 | 0:27:54 | |
But we're all right, we're all right, we're rich, | 0:27:54 | 0:27:57 | |
we get lots of attention! | 0:27:57 | 0:28:00 | |
But I think it's also the people who have no recourse, you know, | 0:28:00 | 0:28:02 | |
-it's cos... -Yeah. -We have voices, and loud voices. | 0:28:02 | 0:28:06 | |
-That's it. -It is people who live in a street in town | 0:28:06 | 0:28:09 | |
and they end up in the papers and they've got no way... | 0:28:09 | 0:28:11 | |
And these are the people. | 0:28:11 | 0:28:13 | |
My campaign, Hacked Off, is entirely those people. | 0:28:13 | 0:28:15 | |
It's people who've lost children in road accidents | 0:28:15 | 0:28:17 | |
and then had their privacy invaded by national newspapers. | 0:28:17 | 0:28:20 | |
It's all them, and it's not a celebrity, poor me, organisation. | 0:28:20 | 0:28:25 | |
APPLAUSE OK, brilliant, yeah. | 0:28:25 | 0:28:27 | |
Very good. | 0:28:29 | 0:28:31 | |
Now, Jason, cos you have this incredibly strong look, you know? | 0:28:31 | 0:28:36 | |
-It's the forehead! -Yeah - but, no, it's everything. | 0:28:36 | 0:28:38 | |
-The caveman forehead. -Yeah, it's a look, | 0:28:38 | 0:28:40 | |
but you do take your acting very seriously. | 0:28:40 | 0:28:42 | |
You know, you approach each role - | 0:28:42 | 0:28:44 | |
-and was it Conan that you were quite method for Conan? -Er... | 0:28:44 | 0:28:49 | |
Yeah, I had some stupid idea to, er... | 0:28:49 | 0:28:52 | |
You know, you idolise actors, | 0:28:52 | 0:28:55 | |
when I was growing up, Marlon Brando was obviously a huge one, | 0:28:55 | 0:28:58 | |
and I heard in Streetcar, like, he got punched in the nose | 0:28:58 | 0:29:02 | |
-so he could change his face. And... -HE CLEARS HIS THROAT | 0:29:02 | 0:29:06 | |
Yeah, I asked a buddy to punch me in the face | 0:29:06 | 0:29:08 | |
and I'd never had my nose broken, and it broke straight on. | 0:29:08 | 0:29:11 | |
But in Conan, there's a gigantic bump hook in there | 0:29:11 | 0:29:14 | |
and my wife was so pissed! | 0:29:14 | 0:29:17 | |
I hope I don't have a friend who would do that for me. | 0:29:18 | 0:29:22 | |
I would for you, if you want! | 0:29:22 | 0:29:24 | |
Apparently I do! | 0:29:24 | 0:29:26 | |
Because, because... Now, you've been in so many films, | 0:29:29 | 0:29:32 | |
very experienced in front of the camera, | 0:29:32 | 0:29:35 | |
but in real life, didn't you pretend to be your own agent? | 0:29:35 | 0:29:39 | |
I did. I've never been very good with being agented, | 0:29:39 | 0:29:43 | |
or with agents, and I fire them left, right and centre. | 0:29:43 | 0:29:46 | |
I fired one poor man who was a brilliant agent | 0:29:46 | 0:29:48 | |
just because I saw his anus. | 0:29:48 | 0:29:50 | |
-He... -Not just 10% of it? | 0:29:53 | 0:29:55 | |
-APPLAUSE -It was ridiculous. | 0:29:58 | 0:30:00 | |
We were at some film festival and his shower broke down, | 0:30:00 | 0:30:03 | |
he wanted to borrow my bath in my suite and I said all right. | 0:30:03 | 0:30:06 | |
I forgot he was in there and I walked in | 0:30:06 | 0:30:08 | |
and he was on all fours washing. Who washes like that? | 0:30:08 | 0:30:12 | |
I've never heard of such a thing! And, anyway, the view was awful. | 0:30:12 | 0:30:16 | |
Why...? I don't understand! He was on all fours? | 0:30:17 | 0:30:20 | |
Yes, and his bottom towards me, this awful, soapy... | 0:30:20 | 0:30:23 | |
..flag of Japan. | 0:30:25 | 0:30:27 | |
I had to say, "You're a great agent, I'm really very fond of you, | 0:30:29 | 0:30:32 | |
"but I've seen your anus and you've got to go." | 0:30:32 | 0:30:35 | |
I did then invent an agent for three or four years | 0:30:36 | 0:30:39 | |
called James Howe Ealy, which saved a lot of money, you know, | 0:30:39 | 0:30:43 | |
people would send me a script and James Howe Ealy would say, | 0:30:43 | 0:30:46 | |
"Thank you so much for submitting the script, | 0:30:46 | 0:30:48 | |
"I'll get it to Hugh as soon as possible and get back to you." | 0:30:48 | 0:30:51 | |
But I got caught out in the end | 0:30:51 | 0:30:52 | |
because I used to, you know, do these e-mails a bit drunk | 0:30:52 | 0:30:55 | |
and, you know, I'd say, "Hugh's read the script | 0:30:55 | 0:30:57 | |
"and he really enjoys it, he'd like to meet up. | 0:30:57 | 0:31:00 | |
"Best wishes, Hugh." | 0:31:00 | 0:31:01 | |
And then they rang one time and I was sort of, | 0:31:05 | 0:31:08 | |
"I haven't got a voice for James Howe Ealy!" | 0:31:08 | 0:31:11 | |
And for some reason I panicked | 0:31:11 | 0:31:14 | |
and I went with genteel Edinburgh old lady. | 0:31:14 | 0:31:16 | |
It was pretty much Janet from Doctor Finlay. | 0:31:17 | 0:31:20 | |
-IN SCOTTISH ACCENT: -"Well, hello now. | 0:31:20 | 0:31:22 | |
"Shall we have a wee cup of tea then?" | 0:31:22 | 0:31:25 | |
Ludicrous and unconvincing. | 0:31:25 | 0:31:27 | |
-Yeah. -On the anus front... | 0:31:28 | 0:31:30 | |
I was recently, I woke up the other day and I was lying on the bed | 0:31:31 | 0:31:34 | |
and I've got a little dog, a little rescue dog, adorable thing, | 0:31:34 | 0:31:37 | |
and he was lying on one of my boobs, | 0:31:37 | 0:31:38 | |
which is tricky when they're in a bra | 0:31:38 | 0:31:40 | |
but very easy when they're not, sort of a comfy cushion. | 0:31:40 | 0:31:43 | |
And he pushed himself off the boob, pushed himself and it really hurt | 0:31:43 | 0:31:47 | |
so I made a noise, a noise of pain. | 0:31:47 | 0:31:49 | |
At the same time, unbeknownst to me, | 0:31:49 | 0:31:52 | |
my husband was bent over picking up a sock off the floor, | 0:31:52 | 0:31:55 | |
fully naked with his anus in much the same situation, | 0:31:55 | 0:31:59 | |
spread in my face. | 0:31:59 | 0:32:01 | |
And the noise that I made, | 0:32:01 | 0:32:02 | |
he thought I was making that noise because of what I'd just seen! | 0:32:02 | 0:32:07 | |
And the noise I made was this. "Aaah!" | 0:32:07 | 0:32:10 | |
And I said to him, "I've been with you for 13 years, | 0:32:11 | 0:32:14 | |
"I love you very dearly, | 0:32:14 | 0:32:15 | |
"I would never make a noise upon seeing any part of you. | 0:32:15 | 0:32:18 | |
"I might do a face. | 0:32:18 | 0:32:20 | |
"I might do a little retch. Ugh. A little... | 0:32:21 | 0:32:25 | |
"But it would be entirely inaudible." | 0:32:25 | 0:32:27 | |
I love him too much! | 0:32:27 | 0:32:28 | |
And, Sarah Millican, very quickly, you are also back on tour. | 0:32:31 | 0:32:34 | |
-Yes. -Control Enthusiast. It's 130 dates. | 0:32:34 | 0:32:37 | |
-Yeah, it's sort of a year. -Wow. -I've little gaps so I don't go mad, | 0:32:37 | 0:32:42 | |
and I get to remind myself what my husband looks like. | 0:32:42 | 0:32:45 | |
His face, hopefully not the rest of him! | 0:32:45 | 0:32:48 | |
Not just his anus! | 0:32:48 | 0:32:50 | |
Who knew I had an anus story?! | 0:32:51 | 0:32:53 | |
-It's good to know. -Jason... | 0:32:53 | 0:32:55 | |
I have too many to disclose. | 0:32:55 | 0:32:57 | |
Right, it's time for our musical guest tonight. | 0:32:59 | 0:33:02 | |
This artist rose to fame as the first winner of American Idol. | 0:33:02 | 0:33:05 | |
Since then, she has sold over 25 million albums | 0:33:05 | 0:33:08 | |
and won three Grammys. | 0:33:08 | 0:33:10 | |
Now she's back with a brand-new album. | 0:33:10 | 0:33:12 | |
Here performing Love So Soft, it is Kelly Clarkson! | 0:33:12 | 0:33:15 | |
CHEERING AND APPLAUSE | 0:33:15 | 0:33:17 | |
# Every kiss is a door | 0:33:26 | 0:33:29 | |
# Can I knock on yours? | 0:33:29 | 0:33:31 | |
# Can we knock a little more? | 0:33:31 | 0:33:33 | |
# If a touch is a key | 0:33:33 | 0:33:37 | |
# Keep on twistin', keep unlockin' keep on turnin' me | 0:33:37 | 0:33:41 | |
-# Let me in -Ah-ah | 0:33:41 | 0:33:45 | |
# I wanna be closer to you. let you under my skin | 0:33:45 | 0:33:49 | |
-# If I let you in -Ah-ah | 0:33:49 | 0:33:51 | |
# You gotta be careful with it | 0:33:52 | 0:33:54 | |
-# Let me tell you again -Hey! | 0:33:54 | 0:33:56 | |
# Love so soft | 0:33:56 | 0:33:58 | |
# You ain't had nothin' softer | 0:33:58 | 0:34:00 | |
# Break it, then you buy it and it's sure gonna cost ya | 0:34:00 | 0:34:03 | |
# Love so soft | 0:34:03 | 0:34:05 | |
# That you can't rub off | 0:34:05 | 0:34:07 | |
# You gon' love it, if you try it | 0:34:07 | 0:34:09 | |
# Gotcha hooked now you're caught up | 0:34:09 | 0:34:12 | |
-# Love so soft, so soft -So soft | 0:34:12 | 0:34:15 | |
# Love so soft, so soft | 0:34:15 | 0:34:18 | |
# If a thought was a truth | 0:34:18 | 0:34:21 | |
# We'd be doin' all the kinds of things I know you wanna do | 0:34:21 | 0:34:25 | |
-# But I need, need to know -Need to know | 0:34:25 | 0:34:28 | |
# Will you protect me, respect me if I let you close? | 0:34:28 | 0:34:33 | |
-# Hey, let me in -Let me in, let me in | 0:34:33 | 0:34:37 | |
# I wanna be closer to you let you under my skin | 0:34:37 | 0:34:40 | |
-# If I let you in -If I let you in, let you in | 0:34:40 | 0:34:44 | |
# You gotta be careful with it | 0:34:44 | 0:34:46 | |
-# Let me tell you again -Hey! | 0:34:46 | 0:34:48 | |
# Love so soft | 0:34:48 | 0:34:49 | |
# You ain't had nothin' softer | 0:34:49 | 0:34:52 | |
# Break it, then you buy it and it's sure gonna cost ya | 0:34:52 | 0:34:55 | |
# Love so soft | 0:34:55 | 0:34:57 | |
# That you can't rub off | 0:34:57 | 0:34:59 | |
# You gon' love it, if you try it gotcha hooked, | 0:34:59 | 0:35:01 | |
# Now you're caught up | 0:35:01 | 0:35:03 | |
# Love so soft, so soft | 0:35:03 | 0:35:07 | |
-# Love so soft -So soft | 0:35:07 | 0:35:10 | |
# If you want this love gotta hold it tight | 0:35:10 | 0:35:14 | |
# Never let it go, baby let it give you life | 0:35:14 | 0:35:17 | |
# If you want this love gotta hold it tight | 0:35:17 | 0:35:21 | |
# Never let it go, baby let it give you life | 0:35:21 | 0:35:25 | |
-# Love -Love so soft | 0:35:25 | 0:35:27 | |
-# You ain't had nothin' softer -You ain't had | 0:35:27 | 0:35:29 | |
# Break it, then you buy it and it's sure gonna cost ya | 0:35:29 | 0:35:32 | |
-# Love -Love so soft | 0:35:32 | 0:35:34 | |
-# That you can't rub off -Hey! | 0:35:34 | 0:35:35 | |
# You gon' love it, if you try it gotcha hooked | 0:35:35 | 0:35:38 | |
# Now you're caught up | 0:35:38 | 0:35:40 | |
-# Love so soft, so soft -If you want it | 0:35:40 | 0:35:42 | |
-# Love so soft, so soft -If you want it | 0:35:42 | 0:35:44 | |
-# Love so soft, so soft -Hey-oh | 0:35:44 | 0:35:47 | |
-# Love so soft, so soft -So soft | 0:35:47 | 0:35:51 | |
-# Love so soft, so soft -Oh, yeah | 0:35:51 | 0:35:54 | |
-# Love so soft, so soft -Oh | 0:35:54 | 0:35:58 | |
-# Love so soft, so soft -Come on, love, come on, come on | 0:35:58 | 0:36:01 | |
-# Love, love, love -Love so soft, so soft | 0:36:01 | 0:36:04 | |
-# Love, love, love -Love so soft, so soft | 0:36:04 | 0:36:06 | |
-# If you want it, baby -Love so soft, so soft. # | 0:36:06 | 0:36:10 | |
CHEERING AND APPLAUSE | 0:36:10 | 0:36:13 | |
Kelly Clarkson, and her singers and her band, oh! | 0:36:19 | 0:36:22 | |
So good to have you back. | 0:36:24 | 0:36:26 | |
Lovely to see you, Kelly. | 0:36:26 | 0:36:27 | |
-Thank you. -Kelly Clarkson, everybody. | 0:36:27 | 0:36:29 | |
In you come, meet the gang. | 0:36:29 | 0:36:32 | |
Jason. Sarah. Hugh. | 0:36:32 | 0:36:34 | |
APPLAUSE DROWNS SPEECH | 0:36:34 | 0:36:37 | |
-Nice to see you. -HUGH: -Nice to meet you. | 0:36:37 | 0:36:39 | |
-KELLY: -Yeah, nice to meet you as well. | 0:36:39 | 0:36:41 | |
Very good. So, now, that song... | 0:36:41 | 0:36:44 | |
I love this show, you get to drink! | 0:36:44 | 0:36:47 | |
-Woohoo! -Yes! The greatest. | 0:36:47 | 0:36:49 | |
Now, the new album, it's called Meaning Of Life. | 0:36:49 | 0:36:52 | |
-It's out now. There it is. -Yes, just come out. | 0:36:52 | 0:36:55 | |
-That song is obviously on it. -Yeah. | 0:36:55 | 0:36:57 | |
Now, here's the... This is... I was amazed by this fact. | 0:36:57 | 0:37:01 | |
-So, you win American Idol 15 years ago. -Mm-hm. | 0:37:01 | 0:37:04 | |
This is your first album beyond that contract? | 0:37:04 | 0:37:09 | |
Yes. | 0:37:09 | 0:37:10 | |
-It's, like, done, yeah. -That's nuts. -Insane! I know, I know. | 0:37:12 | 0:37:16 | |
You know what? It was successful, though, you know, | 0:37:16 | 0:37:18 | |
we had a very successful arranged marriage, so, yeah. | 0:37:18 | 0:37:21 | |
-But, I mean, I was on a competition, you sign a contract. -Yeah. | 0:37:21 | 0:37:24 | |
It changes your life, there are pros and cons, so, yeah. | 0:37:24 | 0:37:26 | |
But you've sold 25 million albums, you've won all of those Grammys. | 0:37:26 | 0:37:31 | |
Doesn't that give you a bit of, "I can win a fight now"? | 0:37:31 | 0:37:35 | |
Well, it gives me - that's not even my best work, | 0:37:35 | 0:37:37 | |
that's why I feel so excited about this album, | 0:37:37 | 0:37:39 | |
you know what I'm saying? This album is, like, so much better than those. | 0:37:39 | 0:37:42 | |
I love those, I love singing them, I don't have a problem, | 0:37:42 | 0:37:45 | |
I love all my hits that I've had, I'm not that person... | 0:37:45 | 0:37:47 | |
Were you keeping your good ideas back for after the 15 years? | 0:37:47 | 0:37:50 | |
-No... -LAUGHTER DROWNS SPEECH | 0:37:50 | 0:37:52 | |
Really restrained. | 0:37:52 | 0:37:54 | |
-Like, a drawer of amazing songs. -Yeah. -Here they are! | 0:37:54 | 0:37:58 | |
People will always be, like, "Are you nervous about this record?" | 0:37:58 | 0:38:01 | |
Every time I'd have a new record, I'm like, | 0:38:01 | 0:38:03 | |
"No, cos I haven't really..." | 0:38:03 | 0:38:04 | |
I hadn't felt like I'd done my best yet. | 0:38:04 | 0:38:06 | |
I haven't been able to really nail a record how I wanted to. | 0:38:06 | 0:38:09 | |
Atlantic Records was amazing to work with. | 0:38:09 | 0:38:12 | |
This is a proud musical footprint for me. | 0:38:12 | 0:38:16 | |
And great that, after 15 years, you get to feel like that. | 0:38:16 | 0:38:18 | |
-You get to feel like, "Right, let's get started." -First time artist. | 0:38:18 | 0:38:21 | |
-Yeah. -Yeah, no, it is - and it's cool, too, | 0:38:21 | 0:38:23 | |
because I think 15 years into any career, whatever your vocation is, | 0:38:23 | 0:38:27 | |
I think it's exciting to have something fresh going on. | 0:38:27 | 0:38:30 | |
You're a very different person than you were 15 years ago. | 0:38:30 | 0:38:32 | |
Oh, I don't know about y'all, but I hate my 20-year-old self. | 0:38:32 | 0:38:36 | |
All my 20s, I'm like, "She's annoying!" | 0:38:36 | 0:38:38 | |
She's annoying, she was very egocentric, dramatic, and... | 0:38:38 | 0:38:44 | |
I'm still a bit dramatic! | 0:38:44 | 0:38:46 | |
No, I just, I feel like, my life, especially having children, | 0:38:46 | 0:38:49 | |
you know, we have four kids, that's a lot of selflessness. | 0:38:49 | 0:38:53 | |
I don't know, I think perspective kind of changes your world. | 0:38:53 | 0:38:56 | |
I think it was the last time you were here, | 0:38:56 | 0:38:58 | |
Kelly brought her daughter. | 0:38:58 | 0:39:00 | |
I did, River, she was young, yeah. | 0:39:00 | 0:39:01 | |
And the happiest baby I have ever encountered. I mean... | 0:39:01 | 0:39:05 | |
-Yeah, and now... -Miserable! | 0:39:05 | 0:39:08 | |
LAUGHTER DROWNS SPEECH | 0:39:08 | 0:39:10 | |
And she's super happy and then all of a sudden, just super not. | 0:39:10 | 0:39:14 | |
-Yeah, it's really fun. -But isn't that...? | 0:39:14 | 0:39:16 | |
LAUGHTER | 0:39:16 | 0:39:18 | |
-But she likes... -You didn't mean the word fun, there. No, no. | 0:39:18 | 0:39:21 | |
It's like, take the wine in a bathroom and cry it out with God. | 0:39:21 | 0:39:25 | |
Cos then you're like, "I don't want to kill her!" | 0:39:25 | 0:39:27 | |
-"I still love you!" -She's super great, though. | 0:39:29 | 0:39:32 | |
Sometimes she's like this little unicorn, sometimes - | 0:39:32 | 0:39:34 | |
she's very magical, very infectious, in a good way. | 0:39:34 | 0:39:36 | |
And nearly extinct. | 0:39:36 | 0:39:38 | |
-No, it's fictional, it was never a thing. -They never lived. | 0:39:38 | 0:39:43 | |
-Extinct! -Am I wrong, am I wrong? -No... | 0:39:43 | 0:39:46 | |
Is it a real bear? | 0:39:46 | 0:39:47 | |
But isn't that the song, Love So Soft, that she likes? | 0:39:51 | 0:39:54 | |
Well, she does, but she can't say her Fs yet. | 0:39:54 | 0:39:56 | |
So it sounds like her mother's an alcoholic | 0:39:56 | 0:39:59 | |
because she says "love so sauced", you know? | 0:39:59 | 0:40:02 | |
We have a very drunken love at our household. | 0:40:02 | 0:40:05 | |
She just can't say her Fs, so it's fun to hear her sing all the songs. | 0:40:05 | 0:40:08 | |
Well, you did very well tonight. Thank you so much for singing that. | 0:40:08 | 0:40:11 | |
APPLAUSE Congratulations on the album. | 0:40:11 | 0:40:13 | |
Kelly Clarkson, everybody. | 0:40:13 | 0:40:14 | |
Right, that's nearly it, but before we go, | 0:40:16 | 0:40:18 | |
there's time for a visit to the big red chair. | 0:40:18 | 0:40:20 | |
-Who is there? Hello! Hi! -Hi. | 0:40:20 | 0:40:22 | |
-Who are you? -I'm John. | 0:40:22 | 0:40:24 | |
John, lovely - and where are you from, John? | 0:40:24 | 0:40:26 | |
I live in London, originally from Northern Ireland. | 0:40:26 | 0:40:28 | |
HE MIMICS HIM: Northern Ireland! | 0:40:28 | 0:40:30 | |
Whereabouts in Northern Ireland? | 0:40:31 | 0:40:33 | |
In Bangor, just outside Belfast in Northern Ireland. | 0:40:33 | 0:40:36 | |
Oh, Bangor's lovely, Bangor. It's a seaside resort. Oh, yes. | 0:40:36 | 0:40:40 | |
-But you live here now? -I do. -And what do you do here? | 0:40:40 | 0:40:43 | |
I try to make it easier for people with disabilities to bank. | 0:40:43 | 0:40:48 | |
-To what?! -To BANK! | 0:40:48 | 0:40:50 | |
-To bank? -B. | 0:40:50 | 0:40:52 | |
APPLAUSE | 0:40:53 | 0:40:55 | |
My career guidance officer... | 0:41:00 | 0:41:02 | |
..never suggested that to me. | 0:41:04 | 0:41:05 | |
I can't wait to hear his story now. | 0:41:14 | 0:41:17 | |
Off you go, sir. | 0:41:17 | 0:41:18 | |
So, I got up one morning, as usual, | 0:41:18 | 0:41:21 | |
getting myself ready to go to work, | 0:41:21 | 0:41:24 | |
and from getting out of bed, | 0:41:24 | 0:41:26 | |
in the 20 feet or so to get to the bathroom, | 0:41:26 | 0:41:29 | |
I was in excruciating pain around the rectal region. | 0:41:29 | 0:41:35 | |
-What? -Yeah. -His bumhole. -Arsehole. -I get it! | 0:41:35 | 0:41:40 | |
I'm concerned. I know what that is. | 0:41:40 | 0:41:43 | |
-And then... -Dr Clarkson's very concerned! | 0:41:43 | 0:41:48 | |
I think you should go to the ER at that point. | 0:41:48 | 0:41:50 | |
Well, I did go to the doctors, got seen straightaway. | 0:41:50 | 0:41:55 | |
He says, "Right, can you remove your trousers and underwear | 0:41:55 | 0:41:58 | |
"and lie down and think happy thoughts?" | 0:41:58 | 0:42:01 | |
So he rummaged about and he then... | 0:42:01 | 0:42:04 | |
Oh, my gosh! | 0:42:04 | 0:42:06 | |
..he asked me a question, | 0:42:06 | 0:42:08 | |
"Do you like asparagus?" | 0:42:08 | 0:42:11 | |
And pulled out an asparagus tip from my anus. | 0:42:11 | 0:42:15 | |
Bizarrely, I had not eaten asparagus for months. | 0:42:17 | 0:42:21 | |
-What?! -So I have no idea where it was from. | 0:42:21 | 0:42:23 | |
What?! | 0:42:24 | 0:42:27 | |
APPLAUSE | 0:42:27 | 0:42:29 | |
I'm slightly offended! | 0:42:34 | 0:42:36 | |
Answers on a postcard. | 0:42:36 | 0:42:38 | |
What the hell was that about? | 0:42:40 | 0:42:41 | |
-HUGH: -Who comes on national television | 0:42:41 | 0:42:43 | |
and talks about anuses like that? | 0:42:43 | 0:42:44 | |
And also it would be harder to, yeah, get in and then get out | 0:42:44 | 0:42:47 | |
cos they're sort of weird at the top, aren't they? I don't know. | 0:42:47 | 0:42:50 | |
-KELLY: -Oh, my gosh! -But also, did someone break into his house | 0:42:50 | 0:42:52 | |
and insert some asparagus in him? | 0:42:52 | 0:42:55 | |
Because if it was cooked, surely that wouldn't hurt you, would it? | 0:42:55 | 0:42:59 | |
-I don't understand. -No! | 0:42:59 | 0:43:02 | |
We've got questions, you shouldn't have tipped him. | 0:43:02 | 0:43:04 | |
-HUGH: -Get him out here! | 0:43:04 | 0:43:05 | |
One more, one more, one more. OK, here we go. | 0:43:07 | 0:43:09 | |
-Hello. -Hello! -Hi! What's your name? | 0:43:09 | 0:43:11 | |
-I'm Jane. -Jane. Lovely, Jane. And where are you from? | 0:43:11 | 0:43:13 | |
-I'm from Marlow in Buckinghamshire. -Lovely, full address! | 0:43:13 | 0:43:16 | |
And what do you do? | 0:43:16 | 0:43:18 | |
I'm retired now but I was a practice manager at a health centre. | 0:43:18 | 0:43:22 | |
Oh, OK. | 0:43:22 | 0:43:23 | |
Medically based. Maybe she can explain the asparagus! | 0:43:23 | 0:43:26 | |
No-one can explain the asparagus. | 0:43:31 | 0:43:34 | |
Twitter's going to go crazy. | 0:43:35 | 0:43:37 | |
All right, off you go with your story, Jane. | 0:43:40 | 0:43:43 | |
OK. So, I'm a woman of a certain age | 0:43:43 | 0:43:45 | |
and I got to a menopause state where, you know, | 0:43:45 | 0:43:49 | |
things were going wrong with my body, etc, | 0:43:49 | 0:43:51 | |
so I happened to mention it to a friend, that I was not... | 0:43:51 | 0:43:53 | |
..you know, I was not coping particularly well, | 0:43:53 | 0:43:56 | |
and she said, "Oh, I've got a great gadget for you. | 0:43:56 | 0:43:58 | |
"It's a magnet." She gave me the magnet and she said, | 0:43:58 | 0:44:00 | |
"You just put it in your pants." | 0:44:00 | 0:44:02 | |
It was about the size of a £2 coin. | 0:44:02 | 0:44:04 | |
Wait, did it vibrate? Like, where are we going with this? | 0:44:04 | 0:44:06 | |
-I know where we're going with this. -LAUGHTER | 0:44:06 | 0:44:11 | |
APPLAUSE | 0:44:12 | 0:44:14 | |
This sounds like a job for Aquaman! | 0:44:16 | 0:44:19 | |
He can breathe underwater! | 0:44:20 | 0:44:22 | |
-I'm sorry. -Sorry, we've interrupted, | 0:44:32 | 0:44:35 | |
so you've got a magnet in your pants. | 0:44:35 | 0:44:37 | |
A magnet in my pants, and I toddle off to work | 0:44:37 | 0:44:39 | |
and I get into the office and I saw these metal filing cabinets | 0:44:39 | 0:44:42 | |
in the office so I thought, "I wonder..." | 0:44:42 | 0:44:46 | |
So I lurched myself forward at one of the metal cabinets | 0:44:46 | 0:44:49 | |
and attached myself to the cabinet, | 0:44:49 | 0:44:52 | |
to the hilarity of all my office colleagues. | 0:44:52 | 0:44:55 | |
And then my boss came in to try and find out what the noise was | 0:44:55 | 0:44:59 | |
and of course, there I was, attached to a filing cabinet with my pants. | 0:44:59 | 0:45:04 | |
-That's my story. -Oh, my... | 0:45:04 | 0:45:05 | |
Oh, oh, oh, it's a trigger finger. | 0:45:05 | 0:45:08 | |
Oh, you wanted to save the nice lady? | 0:45:08 | 0:45:11 | |
-Yeah, I liked her story very much. -Did you? | 0:45:11 | 0:45:14 | |
I find you harsh! | 0:45:14 | 0:45:15 | |
APPLAUSE | 0:45:16 | 0:45:18 | |
Well done, everyone, on the big red chair. | 0:45:18 | 0:45:20 | |
If you'd like to join us on the show and have a go, | 0:45:20 | 0:45:22 | |
you can contact us via our website at this address. | 0:45:22 | 0:45:25 | |
That is it for tonight. | 0:45:25 | 0:45:27 | |
Please say thank you to my guests, Jason Momoa... | 0:45:27 | 0:45:29 | |
..Kelly Clarkson... | 0:45:30 | 0:45:32 | |
..Sarah Millican... | 0:45:33 | 0:45:34 | |
..and Mr Hugh Grant! CHEERING AND APPLAUSE | 0:45:34 | 0:45:36 | |
Next week is Children In Need, | 0:45:39 | 0:45:41 | |
so we'll see you the Friday after that with pop star Kesha, | 0:45:41 | 0:45:44 | |
actor John Lithgow, Strictly judge Shirley Ballas, | 0:45:44 | 0:45:47 | |
the hilarious Will Ferrell, | 0:45:47 | 0:45:49 | |
the always entertaining Mark Wahlberg | 0:45:49 | 0:45:50 | |
and, for the first time, Oscar-winner Mel Gibson. | 0:45:50 | 0:45:53 | |
I'll see you then! Goodnight, everybody. Bye-bye! | 0:45:53 | 0:45:55 | |
CHEERING AND APPLAUSE | 0:45:55 | 0:45:57 |