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Good evening, I'm Judi Dench, and it's my great pleasure to | 0:00:02 | 0:00:04 | |
welcome you to The Graham Norton Show! | 0:00:04 | 0:00:06 | |
CHEERING AND APPLAUSE | 0:00:06 | 0:00:09 | |
Here I am! Hello! | 0:00:28 | 0:00:31 | |
Hello! Hi, hi, hi, hi! | 0:00:31 | 0:00:35 | |
Good evening, everybody! | 0:00:35 | 0:00:39 | |
-Nice to see you. Everyone have a good Halloween? AUDIENCE: -Yes! | 0:00:39 | 0:00:43 | |
Yes! I like it. Halloween - that time of year when things go bump in the night. | 0:00:43 | 0:00:46 | |
Although, that might just have been Simon Cowell falling down the stairs. | 0:00:46 | 0:00:51 | |
Oh, poor Simon. No, terrible. Even missed being on The X Factor. | 0:00:51 | 0:00:56 | |
I tell you, some people will do anything to stay at home and watch Strictly. | 0:00:56 | 0:01:00 | |
You know he did! | 0:01:01 | 0:01:03 | |
Now, Ladies and gentlemen, it has been a week of sleaze, hasn't it? | 0:01:03 | 0:01:06 | |
A week of sleaze! There have been so many allegations, | 0:01:06 | 0:01:09 | |
people's careers are collapsing like a House of... | 0:01:09 | 0:01:12 | |
..dominoes. | 0:01:12 | 0:01:13 | |
APPLAUSE | 0:01:13 | 0:01:16 | |
Yes. | 0:01:16 | 0:01:17 | |
Journalists... | 0:01:18 | 0:01:20 | |
There are so many now, journalists are struggling to come up with enough words | 0:01:22 | 0:01:25 | |
to describe all this inappropriate behaviour. | 0:01:25 | 0:01:27 | |
"Touchy-feely", "handsy", | 0:01:27 | 0:01:28 | |
"Sleazy", "Spacey"... | 0:01:28 | 0:01:30 | |
But, erm... | 0:01:30 | 0:01:33 | |
But who's on my sofa tonight? | 0:01:33 | 0:01:34 | |
We've got five huge stars from the new movie Murder On The Orient Express. | 0:01:34 | 0:01:39 | |
There they are! Look at them all! | 0:01:39 | 0:01:42 | |
Not only has someone been killed, | 0:01:42 | 0:01:44 | |
the train's so busy they have to stand. Terrible. | 0:01:44 | 0:01:47 | |
Wait till they find out the toilets are blocked. | 0:01:47 | 0:01:50 | |
I'm looking forward to the sequel - | 0:01:50 | 0:01:51 | |
Murder On The Replacement Bus Service. | 0:01:51 | 0:01:53 | |
LAUGHTER | 0:01:53 | 0:01:55 | |
Five hours long. | 0:01:57 | 0:01:58 | |
But it truly is one of the great Agatha Christie whodunnits. | 0:01:58 | 0:02:01 | |
And by the way, if you really want to know who the murderer is, | 0:02:01 | 0:02:04 | |
apparently Prue Leith has just tweeted it. Yeah. | 0:02:04 | 0:02:06 | |
LAUGHTER | 0:02:06 | 0:02:07 | |
Let's get some guests on! | 0:02:07 | 0:02:09 | |
Later we'll have music and chat from US pop sensation St Vincent. | 0:02:09 | 0:02:14 | |
She'll be performing her single, Los Ageless. | 0:02:14 | 0:02:17 | |
But first, it's all aboard the Orient Express. Hoo-hoo! Let's meet the stars. | 0:02:17 | 0:02:21 | |
He's the voice of Olaf in Frozen and the scene-stealing LeFou in Beauty And The Beast. | 0:02:21 | 0:02:25 | |
It's Josh Gad, everybody! CHEERING AND APPLAUSE | 0:02:25 | 0:02:28 | |
There he is. | 0:02:28 | 0:02:29 | |
APPLAUSE DROWNS SPEECH | 0:02:29 | 0:02:32 | |
Have a seat. Josh Gad! | 0:02:33 | 0:02:35 | |
She's the star of Scarface, The Fabulous Baker Boys, | 0:02:36 | 0:02:39 | |
Batman Returns and What Lies Beneath. | 0:02:39 | 0:02:41 | |
It is the fabulous Michelle Pfeiffer! | 0:02:41 | 0:02:43 | |
CHEERING AND APPLAUSE | 0:02:43 | 0:02:45 | |
Hello, lovely to see you. | 0:02:47 | 0:02:49 | |
Come in, come in, come in. Have a seat. | 0:02:49 | 0:02:52 | |
Jack Sparrow, Edward Scissorhands, Willy Wonka - | 0:02:52 | 0:02:54 | |
just some of the extraordinary characters this man has brought to life. | 0:02:54 | 0:02:57 | |
Please welcome Johnny Depp! | 0:02:57 | 0:02:59 | |
He's here! | 0:02:59 | 0:03:01 | |
CHEERING AND APPLAUSE | 0:03:01 | 0:03:03 | |
So debonair. | 0:03:03 | 0:03:05 | |
And the shoes! Very nice. Have a seat. | 0:03:05 | 0:03:08 | |
She is... Yes, it's Johnny Depp! | 0:03:12 | 0:03:14 | |
She's one of our greatest stage and screen actors, | 0:03:14 | 0:03:16 | |
and one of our all-time favourite guests. It is the one and only Dame Judi Dench! | 0:03:16 | 0:03:21 | |
CHEERING AND APPLAUSE | 0:03:21 | 0:03:24 | |
APPLAUSE DROWNS SPEECH | 0:03:26 | 0:03:30 | |
Judi Dench, everybody! | 0:03:30 | 0:03:32 | |
And he's the man in charge of it all - | 0:03:34 | 0:03:36 | |
Hercule Poirot himself, and the director of the film, it's Sir Kenneth Branagh! | 0:03:36 | 0:03:40 | |
CHEERING AND APPLAUSE | 0:03:40 | 0:03:43 | |
APPLAUSE DROWNS SPEECH | 0:03:43 | 0:03:46 | |
Sit, sit, sit. | 0:03:52 | 0:03:55 | |
Oh, look at them all pretending to be nice to you, | 0:03:55 | 0:03:57 | |
and the film has finished! What's the point now? | 0:03:57 | 0:04:00 | |
-This is a good week, right? AUDIENCE: -Yes! | 0:04:00 | 0:04:03 | |
More stars than there are in heaven. That is...That is something. | 0:04:03 | 0:04:06 | |
-So, welcome, welcome to you all. Very nice to see you all. -Thank you very much. | 0:04:06 | 0:04:10 | |
It seems like, just watching you all backstage, it seems like it was a happy train. | 0:04:10 | 0:04:14 | |
Very happy train. For the most part, | 0:04:14 | 0:04:17 | |
Judi was very difficult. | 0:04:17 | 0:04:19 | |
-She's a troublemaker. -Yeah. -She is, she's a troublemaker, and always has been. | 0:04:20 | 0:04:26 | |
-I have seen you in interviews, Michelle. -Oh, you poor thing. -LAUGHTER | 0:04:26 | 0:04:30 | |
When they say, "Who would you like to work with?" | 0:04:30 | 0:04:33 | |
you often say Dame Judi Dench. | 0:04:33 | 0:04:35 | |
-Often, yes. -So, was it everything you hoped? | 0:04:35 | 0:04:38 | |
-Um... -LAUGHTER | 0:04:38 | 0:04:41 | |
Do be honest! | 0:04:41 | 0:04:43 | |
I... Do you remember, I cried when I met you? | 0:04:43 | 0:04:46 | |
Do you remember? I got a little puddly. Yeah, I did. | 0:04:46 | 0:04:49 | |
And then I wanted to curl up in her lap. | 0:04:49 | 0:04:51 | |
But you didn't. | 0:04:54 | 0:04:56 | |
-Where are you going? What's happening? -The definition of "puddly" is... | 0:04:56 | 0:04:59 | |
-LAUGHTER -Don't know. | 0:04:59 | 0:05:02 | |
Josh, apparently you thought you might break the ice... | 0:05:02 | 0:05:05 | |
Well, yeah, I mean, the first day, she came into the trailer and nobody would approach her, | 0:05:05 | 0:05:11 | |
and so, of course, me being the idiot I am, | 0:05:11 | 0:05:14 | |
I went up to her, and do you remember what I said? | 0:05:14 | 0:05:16 | |
I looked at her and I go, "Dame Judi Dench? | 0:05:16 | 0:05:19 | |
"More like DAMN Judi Dench." | 0:05:19 | 0:05:21 | |
LAUGHTER | 0:05:21 | 0:05:22 | |
That was it. That was it. I will never work in Hollywood again after that one. | 0:05:22 | 0:05:26 | |
Because normally, on a set, | 0:05:26 | 0:05:28 | |
-you're the director, you're in charge. -Yeah. | 0:05:28 | 0:05:31 | |
-But there is a lot of high status going on. -Yeah, yeah. | 0:05:31 | 0:05:33 | |
So, how did you corral your galaxy of stars? | 0:05:33 | 0:05:36 | |
Well, with great difficulty, actually. | 0:05:36 | 0:05:38 | |
I mean, you've already seen, I mean, very little... This is a normal morning at work, by the way. | 0:05:38 | 0:05:42 | |
LAUGHTER | 0:05:42 | 0:05:44 | |
That is how it would start off, on a Monday morning. | 0:05:44 | 0:05:47 | |
They put us on the train and they wouldn't let us leave. | 0:05:47 | 0:05:51 | |
-You were just on it? -That is how they corralled us. | 0:05:51 | 0:05:54 | |
Nobody was allowed on it. Nobody else was allowed on it, either. | 0:05:54 | 0:05:56 | |
We had to raise our hand to use the bathroom. | 0:05:56 | 0:05:58 | |
-Was there not a toilet on the train? -No. -That is poor planning... | 0:05:58 | 0:06:01 | |
-Ah, but it makes the scenes very exciting. -And tense. | 0:06:01 | 0:06:04 | |
Yes. It keeps the suspense really, really active. | 0:06:04 | 0:06:07 | |
So, the film, Murder On The Orient Express, | 0:06:07 | 0:06:09 | |
it opens everywhere tonight, | 0:06:09 | 0:06:11 | |
and it is the most phenomenal cast. I mean, there is all of you guys, | 0:06:11 | 0:06:18 | |
and then there is Penelope Cruz, Derek Jacobi, all of these people. | 0:06:18 | 0:06:21 | |
-All standing around. Is that you there, Josh? -That's me. | 0:06:21 | 0:06:24 | |
If you have binoculars, you can just about make me out at the back of that poster. | 0:06:24 | 0:06:30 | |
-So, you got all the stars, but of course, main man, Hercule Poirot. -Yeah. | 0:06:30 | 0:06:34 | |
How difficult was it to cast that? | 0:06:34 | 0:06:35 | |
LAUGHTER | 0:06:35 | 0:06:37 | |
Well, I talked to the actor, for a long time. | 0:06:37 | 0:06:39 | |
Did you see anyone else? | 0:06:39 | 0:06:41 | |
Only in the mirror, in that case. No, it was... | 0:06:41 | 0:06:44 | |
You know, directors and detectives, I mean, in theory, they are both... | 0:06:44 | 0:06:48 | |
You are looking for the truth, so, in theory, | 0:06:48 | 0:06:50 | |
that double job is the perfect marriage on something like this. | 0:06:50 | 0:06:54 | |
Yeah. And something like Hercule Poirot's moustache, | 0:06:54 | 0:06:57 | |
-it's so famous, and you have gone quite left field with your moustache. -Yes, yes. | 0:06:57 | 0:07:01 | |
Is this a moustache that has ever appeared in nature? | 0:07:01 | 0:07:04 | |
LAUGHTER | 0:07:04 | 0:07:06 | |
Um, no. Although, I must say, sometimes, | 0:07:06 | 0:07:08 | |
wearing that moustache felt like you were sort of French-kissing a badger. | 0:07:08 | 0:07:13 | |
LAUGHTER | 0:07:13 | 0:07:14 | |
It was a challenging piece of face furniture. | 0:07:14 | 0:07:17 | |
-It is epic. -It is, it is. -How much of it is you? | 0:07:17 | 0:07:20 | |
I tried... Well, as you can tell, I'm already starting my Movember attempt to moustache it up. | 0:07:20 | 0:07:25 | |
I have to confess a follicle failure. | 0:07:25 | 0:07:29 | |
I attempted for months to grow it and tease it | 0:07:29 | 0:07:32 | |
-What do you...? Do you...? You sometimes you grow quite a thick beard. -Yes. -Do you tease it out? | 0:07:32 | 0:07:36 | |
-Do you pull it? How do you get that great big sort of...? -I don't tease my beard! | 0:07:36 | 0:07:40 | |
LAUGHTER "You're so shaggy!" | 0:07:40 | 0:07:43 | |
LAUGHTER | 0:07:43 | 0:07:45 | |
So, naturally, you have got a big follicle...a big follicle capability. | 0:07:45 | 0:07:50 | |
It is one of the few things I can do, is grow a beard. | 0:07:50 | 0:07:53 | |
-OK. Yeah. -Learned it in drama school. | 0:07:53 | 0:07:56 | |
What about you? Can you...? | 0:07:56 | 0:07:58 | |
-I have beard envy. -Oh, you're talking to Johnny. | 0:07:58 | 0:08:01 | |
I have beard envy. I do. I grow about seven or eight hairs on this side. | 0:08:01 | 0:08:06 | |
About... Maybe about five over here. | 0:08:06 | 0:08:10 | |
And then... | 0:08:10 | 0:08:13 | |
Just whatever sort of falls in between is left. | 0:08:13 | 0:08:16 | |
And Josh, you have a moustache as well, in the film. | 0:08:16 | 0:08:18 | |
Unfortunately, yes, I do... | 0:08:18 | 0:08:20 | |
-Is this real? -That's it. That's it. | 0:08:20 | 0:08:24 | |
My kids were terrified. | 0:08:24 | 0:08:25 | |
No, it is good, it is good in the context of early 20th century. | 0:08:25 | 0:08:30 | |
When I'm wearing modern clothes, I look like a paedophile. | 0:08:30 | 0:08:33 | |
LAUGHTER | 0:08:33 | 0:08:35 | |
And walking down the street, you would see people clutching their children, | 0:08:35 | 0:08:38 | |
walking away, because nobody wears that moustache in the wild any more. | 0:08:38 | 0:08:44 | |
-It was really upsetting. -You're right. -I can see that. | 0:08:44 | 0:08:46 | |
-Really, though. -My kids would not talk to me. That is a true story. | 0:08:46 | 0:08:49 | |
They were like, "Daddy, take it off your face!" | 0:08:49 | 0:08:52 | |
I'm like, "Mr Branagh is paying me too much to do that, baby." | 0:08:52 | 0:08:55 | |
LAUGHTER | 0:08:55 | 0:08:58 | |
And Judi, if I ask you who you play, will you remember? | 0:08:58 | 0:09:02 | |
Er... Princess Natalya Dragomiroff. | 0:09:02 | 0:09:06 | |
Yeah, right on. Who is she? | 0:09:06 | 0:09:09 | |
Oh, goodness knows, darling! | 0:09:09 | 0:09:11 | |
Some bird that sat around with a lot of jewellery. | 0:09:11 | 0:09:14 | |
LAUGHTER | 0:09:14 | 0:09:16 | |
It is a bit more than that, you know. | 0:09:16 | 0:09:18 | |
LAUGHTER | 0:09:18 | 0:09:19 | |
Excuse me. There is the handkerchief... | 0:09:19 | 0:09:22 | |
Any, you know, the maid. | 0:09:22 | 0:09:24 | |
Olivia Colman is the maid. | 0:09:24 | 0:09:26 | |
-Now, you're telling me now, Kenneth. -LAUGHTER DROWNS SPEECH | 0:09:26 | 0:09:30 | |
This is what I had to deal with! Amateurs! Bloody amateurs! | 0:09:30 | 0:09:34 | |
LAUGHTER | 0:09:34 | 0:09:36 | |
Let's have a special taste. This is Murder On The Orient Express. | 0:09:36 | 0:09:39 | |
Would you mind if I join you? You are the world-famous detective. | 0:09:39 | 0:09:43 | |
Hercule Poirot. | 0:09:43 | 0:09:44 | |
Avenger of the innocent. | 0:09:44 | 0:09:46 | |
-Is that what they call you? -And you are innocent? | 0:09:46 | 0:09:48 | |
Ha! You're fun! | 0:09:48 | 0:09:50 | |
SCREAM GUNSHOT | 0:09:50 | 0:09:53 | |
A passenger was murdered. | 0:09:53 | 0:09:55 | |
The murderer is on the train with us now, | 0:09:56 | 0:09:58 | |
and every one of you is a suspect. | 0:09:58 | 0:10:00 | |
HE LAUGHS | 0:10:00 | 0:10:01 | |
So, let us catch a killer. | 0:10:01 | 0:10:03 | |
-A man was rummaging around my cabin. -You are certain it was a man? | 0:10:05 | 0:10:08 | |
I know what it feels like to have a man in my bedroom. | 0:10:08 | 0:10:11 | |
-Did he have enemies? -Pick a number. | 0:10:13 | 0:10:15 | |
The real killer is right here, one of you people. | 0:10:18 | 0:10:21 | |
We are surrounded by lies! | 0:10:21 | 0:10:23 | |
I'm sleeping here, where everyone can see me and I can see everyone. | 0:10:23 | 0:10:27 | |
Who takes up the knife? | 0:10:29 | 0:10:32 | |
Cannot trust no-one. No. | 0:10:32 | 0:10:34 | |
It was... I mean, as you say, it is a real train. | 0:10:43 | 0:10:47 | |
You are on an actual train. It didn't go anywhere, the train? | 0:10:47 | 0:10:51 | |
Well, we went, in order to get amazing spectacle shots, to New Zealand and | 0:10:51 | 0:10:55 | |
France and Switzerland and Malta. But we also went to Surrey, | 0:10:55 | 0:10:58 | |
where we... The Alps of Surrey. | 0:10:58 | 0:11:01 | |
Where we rebuilt the Orient Express, five whole carriages. | 0:11:01 | 0:11:06 | |
And we put the train up on a massive 15-metre high viaduct and we built | 0:11:06 | 0:11:11 | |
a mountain behind it, and then we worked out how to move the train, | 0:11:11 | 0:11:16 | |
and stop the train, and it was pretty convincing, wasn't it? | 0:11:16 | 0:11:18 | |
I thought it was incredibly good. | 0:11:18 | 0:11:20 | |
Yes, I think I moved about eight feet. | 0:11:20 | 0:11:24 | |
In the whole film. | 0:11:24 | 0:11:27 | |
If you can watch the film and believe that, I mean, really. | 0:11:27 | 0:11:31 | |
-No, it is incredible. -Fantastic. | 0:11:31 | 0:11:34 | |
Actually, you were the first one that got motion sickness. | 0:11:34 | 0:11:37 | |
I did, because everyone is doing that all the time. | 0:11:37 | 0:11:39 | |
LAUGHTER | 0:11:39 | 0:11:42 | |
It was the first morning where I told Judi she didn't have to do that, | 0:11:46 | 0:11:49 | |
we'd make it work from below the train. But it was very good to see that she could. | 0:11:49 | 0:11:52 | |
That's theatre training for you. | 0:11:52 | 0:11:56 | |
Now, Michelle Pfeiffer, you thought you weren't going to like being stuck on a train with everybody. | 0:11:56 | 0:12:00 | |
No, I don't like boats, because I can't get off, and | 0:12:00 | 0:12:05 | |
they didn't tell us that we wouldn't be able to leave the train until we were there. | 0:12:05 | 0:12:10 | |
But, you know, the time just kind of flew, | 0:12:10 | 0:12:14 | |
and Josh was incredibly entertaining, | 0:12:14 | 0:12:16 | |
-and you would do your Penelope Cruz. -I do a mean Penelope... | 0:12:16 | 0:12:19 | |
And then he would do Javier, and then he would do a fight between them. | 0:12:19 | 0:12:22 | |
-It was really quite incredible. -I didn't see that cos I was always directing. | 0:12:22 | 0:12:25 | |
Did Penelope find it funny? | 0:12:25 | 0:12:27 | |
-Oh, Josh. -No, Penelope... | 0:12:27 | 0:12:29 | |
Um... She found it the opposite of funny, I think. | 0:12:29 | 0:12:32 | |
LAUGHTER | 0:12:32 | 0:12:34 | |
She would always look at me and she would literally say, | 0:12:34 | 0:12:37 | |
-AS PENELOPE CRUZ: -"Is that really the way you look at what I sound like?" | 0:12:37 | 0:12:42 | |
"That is how I sound to you?" | 0:12:42 | 0:12:43 | |
And then I would do Javier, and I'd be like... | 0:12:43 | 0:12:45 | |
-AS JAVIER BARDEM: -"Penelope, don't make a big deal about it. | 0:12:45 | 0:12:49 | |
LAUGHTER | 0:12:49 | 0:12:50 | |
"Leave the poor fat boy alone. It's OK." | 0:12:50 | 0:12:55 | |
And she'd just never break a smirk at me. | 0:12:55 | 0:12:58 | |
LAUGHTER | 0:12:58 | 0:13:00 | |
And so, you are dealing with all the actors, | 0:13:01 | 0:13:03 | |
but then, Judi, you have got two dogs. Is it two dogs, or three dogs? | 0:13:03 | 0:13:06 | |
Two dogs, two dogs. | 0:13:06 | 0:13:08 | |
Were they nice? | 0:13:08 | 0:13:09 | |
Lovely. One white dog, and one black dog. | 0:13:09 | 0:13:14 | |
-Nice. -And Olivia Colman, I had. | 0:13:14 | 0:13:18 | |
LAUGHTER | 0:13:18 | 0:13:20 | |
And Olivia Colman was dressed in black, from head to foot. | 0:13:20 | 0:13:26 | |
So I gave her the black dog. I got the white dog. | 0:13:26 | 0:13:30 | |
Olivia didn't think the dogs liked her. | 0:13:30 | 0:13:33 | |
She didn't think the black dog liked her. | 0:13:33 | 0:13:35 | |
-I turned them against her. -LAUGHTER | 0:13:35 | 0:13:39 | |
-How did you do that? -You had all the treats? | 0:13:39 | 0:13:42 | |
Now, as the poster makes very clear, in this film, | 0:13:43 | 0:13:47 | |
everyone is a suspect, everyone is a suspect, ladies and gentlemen. | 0:13:47 | 0:13:51 | |
And there is a lot of that in the film, | 0:13:51 | 0:13:53 | |
in terms of actors, of, either, looking at each other, suspiciously, | 0:13:53 | 0:13:57 | |
or, not looking guilty, or... You know. | 0:13:57 | 0:14:01 | |
And because that happens a lot, were there ways that you rang the changes? | 0:14:01 | 0:14:05 | |
Or did you just kind of go, "Do it again!" | 0:14:05 | 0:14:07 | |
I heard about ways. I heard about ways. | 0:14:07 | 0:14:10 | |
I heard about ways brought over from the Americas. | 0:14:10 | 0:14:12 | |
Brought over from the Americas by characters like... | 0:14:12 | 0:14:15 | |
Perhaps you would like to expound? | 0:14:15 | 0:14:16 | |
There's the English classical tradition, Shakespeare. | 0:14:16 | 0:14:19 | |
There's the theatre, and then, Josh, there's what? | 0:14:19 | 0:14:22 | |
There's... There's the "who farted?" look. | 0:14:22 | 0:14:25 | |
And basically, on the train, | 0:14:25 | 0:14:27 | |
there was this scene where we're all... | 0:14:27 | 0:14:29 | |
Ken's direction was "Everybody look suspiciously at everybody else". | 0:14:29 | 0:14:33 | |
And everybody is like... | 0:14:33 | 0:14:35 | |
LAUGHTER | 0:14:35 | 0:14:37 | |
And I looked at Michelle and I looked at Judi and I looked at Leslie and Daisy, and I go, | 0:14:37 | 0:14:42 | |
"All we really have to do is wonder who just farted. | 0:14:42 | 0:14:46 | |
"It will make our job so much easier." | 0:14:46 | 0:14:48 | |
And that is literally what you see on screen. | 0:14:48 | 0:14:51 | |
LAUGHTER | 0:14:51 | 0:14:53 | |
OK, tell you what. Let's practise. | 0:14:56 | 0:14:58 | |
Let's practise your suspicious poker faces. | 0:14:58 | 0:15:01 | |
So you're suspicious, but you didn't do it. | 0:15:01 | 0:15:03 | |
OK. So we'll just imagine someone on this sofa has just let one rip. | 0:15:03 | 0:15:07 | |
THEY SNIGGER | 0:15:07 | 0:15:08 | |
OK. Already you're terrible, Ken. You're useless. | 0:15:08 | 0:15:11 | |
-You're the detective! -But someone HAS let one rip, | 0:15:11 | 0:15:13 | |
and I didn't want to say. | 0:15:13 | 0:15:15 | |
That's what's so terrible. | 0:15:18 | 0:15:19 | |
APPLAUSE | 0:15:22 | 0:15:24 | |
OK, come on - focus, everyone. OK... Here we go, here we go. | 0:15:28 | 0:15:31 | |
So somebody... | 0:15:31 | 0:15:33 | |
Somebody has let one drop. | 0:15:33 | 0:15:35 | |
DRAMATIC MUSIC | 0:15:35 | 0:15:37 | |
Is it Josh? | 0:15:37 | 0:15:38 | |
He looks like a farter. | 0:15:38 | 0:15:41 | |
He suspects...Ken. | 0:15:41 | 0:15:44 | |
Ken had a big lunch. | 0:15:44 | 0:15:46 | |
Michelle has never farted in her life. | 0:15:50 | 0:15:54 | |
APPLAUSE | 0:15:54 | 0:15:56 | |
THEY ALL LAUGH | 0:15:56 | 0:15:59 | |
Judi's smelling it really strongly. | 0:16:01 | 0:16:03 | |
LAUGHTER AND APPLAUSE | 0:16:03 | 0:16:06 | |
Johnny's channelling a bloodhound. | 0:16:14 | 0:16:16 | |
HE MOUTHS | 0:16:16 | 0:16:18 | |
Or is it the host? | 0:16:19 | 0:16:20 | |
FART NOISE It was the host. | 0:16:22 | 0:16:24 | |
I like Scotch eggs. | 0:16:25 | 0:16:27 | |
Now, um... | 0:16:27 | 0:16:28 | |
Something just rolled out of your pants. | 0:16:28 | 0:16:31 | |
Yeah! | 0:16:31 | 0:16:32 | |
-Now... -Tell you what, though... Sorry to interrupt. | 0:16:34 | 0:16:36 | |
But these are all incredibly competitive games players. | 0:16:36 | 0:16:40 | |
-It's right to say that, isn't it? -Absolutely. | 0:16:40 | 0:16:43 | |
You look at me as if that's all... | 0:16:43 | 0:16:44 | |
These are the worst. | 0:16:45 | 0:16:47 | |
Anything - charades, crosswords, you know, | 0:16:47 | 0:16:50 | |
pub quiz movie trivia. | 0:16:50 | 0:16:51 | |
What I did find to get their attention, um... | 0:16:51 | 0:16:55 | |
You had a quiz! | 0:16:55 | 0:16:56 | |
We had a quiz, so I'll try this on the audience. | 0:16:56 | 0:16:59 | |
Sorry, it's a bit of a cryptic one, but this is one... | 0:16:59 | 0:17:01 | |
I remember doing it on the day. | 0:17:01 | 0:17:03 | |
I wonder if you can remember who got it. | 0:17:03 | 0:17:04 | |
They were noisy, we had to get a move on, | 0:17:04 | 0:17:07 | |
we had a scene involving all of them. | 0:17:07 | 0:17:09 | |
I said, "Hold on, then, the person who answers this question | 0:17:09 | 0:17:12 | |
"after we say 'cut' gets 20 quid. | 0:17:12 | 0:17:14 | |
"OK, it's a lateral, cryptic clue. | 0:17:14 | 0:17:17 | |
"What German refusal produces a musical connection in cinema | 0:17:17 | 0:17:24 | |
"between Penelope Cruz and Judi Dench?" | 0:17:24 | 0:17:27 | |
-AUDIENCE MEMBER: -Nine. -Nine! Correct! | 0:17:29 | 0:17:31 | |
-Wow! -Well done. -Very good. -Well done. Excellent. | 0:17:31 | 0:17:34 | |
You're not getting 20 quid - I'll tell you that much. | 0:17:34 | 0:17:36 | |
Do you remember who got that? It was... | 0:17:37 | 0:17:39 | |
Cos I remember... | 0:17:39 | 0:17:41 | |
So I gave that question before I said "action". | 0:17:41 | 0:17:43 | |
And they all went like that... So talk about being serious. | 0:17:43 | 0:17:46 | |
-It was an unbelievably tense scene, then. -Was it Willem? | 0:17:46 | 0:17:48 | |
It wasn't Willem, it was Lesley Odom Jr, | 0:17:48 | 0:17:51 | |
who practically climbed over Willem Dafoe to get the 20 quid. | 0:17:51 | 0:17:55 | |
-It was so craven. -But the quizzes... | 0:17:55 | 0:17:58 | |
See, I can imagine Judi Dench and Michelle Pfeiffer, | 0:17:58 | 0:18:00 | |
top of the class in quizzes. | 0:18:00 | 0:18:02 | |
Why do I think, Johnny Depp, you're not very good in quizzes? | 0:18:02 | 0:18:05 | |
I was until I was about...three. | 0:18:08 | 0:18:13 | |
Something changed. I don't know. | 0:18:15 | 0:18:17 | |
But the film's over now. So, Josh, you can speak freely - | 0:18:17 | 0:18:20 | |
you hated the quizzes, didn't you? | 0:18:20 | 0:18:22 | |
I hated the quizzes because most of them were Shakespeare. | 0:18:22 | 0:18:25 | |
And it brought... I mean, all the Brits... | 0:18:25 | 0:18:28 | |
-There were like three Americans. -Yeah, I hated it, too. | 0:18:28 | 0:18:30 | |
We were literally like, "Ask some Back To The Future questions. | 0:18:32 | 0:18:36 | |
"Ask us Batman Returns! | 0:18:36 | 0:18:40 | |
"Stop it with Hamlet!" | 0:18:40 | 0:18:42 | |
Now, you are kind of a Star Wars-y person, Josh. | 0:18:43 | 0:18:46 | |
I am. | 0:18:46 | 0:18:48 | |
And poor Daisy Ridley, I think you made her life hell. | 0:18:48 | 0:18:51 | |
I did. I did. | 0:18:51 | 0:18:53 | |
-Did she crack, ever? -No. | 0:18:53 | 0:18:56 | |
No, the Disney lawyers got to her before I did. | 0:18:56 | 0:18:59 | |
She wouldn't give me anything. | 0:18:59 | 0:19:01 | |
I tried. I mean, I utilised some very powerful friends, | 0:19:01 | 0:19:05 | |
including Dame Judi... | 0:19:05 | 0:19:07 | |
Damn, Judi Dench. | 0:19:07 | 0:19:09 | |
We tried, but she wouldn't crack. | 0:19:09 | 0:19:11 | |
You asked her questions? | 0:19:11 | 0:19:13 | |
No, certainly not. | 0:19:13 | 0:19:15 | |
He says it, but I had nothing to do with it. | 0:19:15 | 0:19:18 | |
-There is photographic evidence. -There is. | 0:19:18 | 0:19:20 | |
There is. There's photographic evidence. | 0:19:20 | 0:19:23 | |
This is you... | 0:19:23 | 0:19:24 | |
I don't... I think... Are you a character from Star Wars? | 0:19:27 | 0:19:31 | |
I'm not sure. | 0:19:31 | 0:19:32 | |
Either that or Lawrence Of Arabia. It's one of those. | 0:19:32 | 0:19:34 | |
You've sort of draped yourself in a thing. Can you explain that, Josh? | 0:19:34 | 0:19:38 | |
It was magic, is what it was. | 0:19:38 | 0:19:40 | |
She looked at us, Daisy and I knocked on her door, | 0:19:40 | 0:19:43 | |
we go, "Would you mind doing this video with us, | 0:19:43 | 0:19:47 | |
"asking Daisy these questions from Star Wars?" | 0:19:47 | 0:19:49 | |
And she looked at us and went, "I would love to, | 0:19:49 | 0:19:52 | |
"but I haven't the faintest idea what Star Wars is." | 0:19:52 | 0:19:55 | |
But she did it. | 0:19:58 | 0:19:59 | |
And she should be cast! She looks like a Jedi Knight. | 0:19:59 | 0:20:01 | |
She's incredible in that. | 0:20:01 | 0:20:03 | |
-Well, there's another one coming. So yeah. -There we go. | 0:20:03 | 0:20:05 | |
Now, in terms of behaving, you know, you are all very professional. | 0:20:05 | 0:20:10 | |
But the two of you have a very bad reputation, don't you, | 0:20:10 | 0:20:13 | |
in terms of corpsing and giggling on sets? | 0:20:13 | 0:20:17 | |
It's... Well... | 0:20:17 | 0:20:18 | |
-No, it's you... -No, you too. -No, it's you. | 0:20:18 | 0:20:20 | |
I was never in trouble till I met you. | 0:20:22 | 0:20:24 | |
I cannot believe it. I cannot believe it. | 0:20:25 | 0:20:27 | |
She's one of those ones, so is Jonathan Depp there, | 0:20:27 | 0:20:30 | |
who can be... | 0:20:30 | 0:20:31 | |
We had a scene also in the movie where we eat together, | 0:20:31 | 0:20:35 | |
and both Johnny and Judi can do the thing | 0:20:35 | 0:20:39 | |
of either saying something amusing or paraphrasing | 0:20:39 | 0:20:41 | |
or eating something or making an unfortunate noise, | 0:20:41 | 0:20:44 | |
twinkle but not laugh. | 0:20:44 | 0:20:45 | |
Or absolutely know when the camera's on YOU, so they'll do the... | 0:20:45 | 0:20:49 | |
If there's a squelchy sound from a cake | 0:20:49 | 0:20:51 | |
that sounds like another kind of sound, | 0:20:51 | 0:20:53 | |
it will, suddenly, when it's your close-up. | 0:20:53 | 0:20:55 | |
So I absolutely point the finger back at these two troublemakers. | 0:20:56 | 0:21:00 | |
But the two of you... | 0:21:00 | 0:21:02 | |
Judi, you've worked with Ken, is it ten times? | 0:21:02 | 0:21:04 | |
Oh, so many times. | 0:21:04 | 0:21:05 | |
It's not worth going into, is it? | 0:21:05 | 0:21:07 | |
-We have worked... -Ten, ten times. | 0:21:08 | 0:21:10 | |
Ten times over 30 years. | 0:21:10 | 0:21:12 | |
Including when I asked her about being in this. | 0:21:12 | 0:21:15 | |
She was the first person I asked to be on the train. | 0:21:15 | 0:21:17 | |
And she very kindly said yes before I'd finished the sentence, | 0:21:17 | 0:21:21 | |
and that was very thrilling, | 0:21:21 | 0:21:23 | |
cos it made a big difference to everybody else. | 0:21:23 | 0:21:25 | |
But I used to go and talk to her about it in our dressing room | 0:21:25 | 0:21:27 | |
at the Garrick Theatre, | 0:21:27 | 0:21:28 | |
where we were doing Shakespeare's play, The Winter's Tale. | 0:21:28 | 0:21:31 | |
And going into Judi's dressing room | 0:21:31 | 0:21:33 | |
was always liked going into the bookies. | 0:21:33 | 0:21:35 | |
Cos you like your horses, don't you? | 0:21:35 | 0:21:37 | |
-I do. -You do. She does, so she's there. | 0:21:37 | 0:21:40 | |
I'm studying Shakespeare like a wild thing, | 0:21:40 | 0:21:43 | |
she's bent over the Sporting Life, you know? | 0:21:43 | 0:21:45 | |
Checking out the 3:10 at Lingfield. | 0:21:45 | 0:21:48 | |
And we were having a chat. | 0:21:48 | 0:21:49 | |
I go in there one night, having a chat, I said, | 0:21:49 | 0:21:51 | |
"So it's very exciting, we may have Johnny, | 0:21:51 | 0:21:53 | |
"Johnny Depp may be in the show and Michelle Pfeiffer - always exciting. | 0:21:53 | 0:21:56 | |
"Josh Gad." She said, "That's thrilling." | 0:21:56 | 0:21:58 | |
She was sitting there with her dressing gown on. | 0:21:58 | 0:22:00 | |
We get our call over the tannoy, "Mr Branagh, Ms Dench, you're on." | 0:22:00 | 0:22:04 | |
So she gets up, we continue talking. | 0:22:04 | 0:22:05 | |
"Great, so we're going to build a train, | 0:22:05 | 0:22:07 | |
"it's all going to be fantastic." | 0:22:07 | 0:22:08 | |
We get into the wings ready to go on - there's 30 seconds to go, | 0:22:08 | 0:22:11 | |
she throws off her dressing gown | 0:22:11 | 0:22:13 | |
and there's nothing on from below the waist. | 0:22:13 | 0:22:15 | |
I mean, I had the quickest of looks, just a... | 0:22:17 | 0:22:21 | |
I can confirm, like the song, there is nothing like a dame. | 0:22:21 | 0:22:24 | |
But we then... So we then... | 0:22:26 | 0:22:28 | |
So Judi's dresser had to run all the way back to the dressing room, | 0:22:28 | 0:22:31 | |
come back on with her skirt and then she walked on like that... | 0:22:31 | 0:22:34 | |
..for the whole of the rest... | 0:22:35 | 0:22:37 | |
And then all the things she used to do, like that, she couldn't do. | 0:22:37 | 0:22:40 | |
So it was like doing the rest of the scene | 0:22:40 | 0:22:42 | |
with somebody acting in semaphore. | 0:22:42 | 0:22:44 | |
And draughty, Judi, I'm surprised you didn't notice. | 0:22:47 | 0:22:50 | |
I was quite surprised. | 0:22:50 | 0:22:51 | |
Likes her horses, she likes her horses. | 0:22:53 | 0:22:56 | |
Because... Now, Johnny, you have worked with Dame Judi before. | 0:22:56 | 0:23:00 | |
Yes, twice, twice before. | 0:23:00 | 0:23:02 | |
Once properly. | 0:23:02 | 0:23:04 | |
In Chocolat. | 0:23:04 | 0:23:05 | |
-And once improperly! -Twice. | 0:23:05 | 0:23:07 | |
Well, no, the second time was a "blink and..." | 0:23:08 | 0:23:11 | |
-You weren't credited the second time, were you? -It was improper. | 0:23:11 | 0:23:14 | |
-Was I not credited? -I don't think you were. | 0:23:14 | 0:23:16 | |
Excuse me, I've never heard that before. | 0:23:16 | 0:23:19 | |
Neither have I. | 0:23:19 | 0:23:20 | |
No, as far as I know... Do you know? | 0:23:22 | 0:23:24 | |
It's a "blink and you'll miss it" bit | 0:23:24 | 0:23:26 | |
in, er...I think it's the fourth Pirates Of The Caribbean. | 0:23:26 | 0:23:29 | |
-I don't know. -I think it's the fourth one. | 0:23:29 | 0:23:32 | |
But this is the two of you sharing a carriage for the first time. | 0:23:32 | 0:23:36 | |
-Sharing a moment. -Here they are. | 0:23:36 | 0:23:37 | |
Oh! | 0:23:41 | 0:23:43 | |
-SHE GASPS -Oh! | 0:23:46 | 0:23:49 | |
Is that it? | 0:23:52 | 0:23:53 | |
LAUGHTER | 0:23:53 | 0:23:55 | |
Oh! | 0:23:56 | 0:23:57 | |
I don't remember what happened! | 0:24:06 | 0:24:08 | |
I won't ask you what he said. | 0:24:09 | 0:24:11 | |
No, certainly not! | 0:24:11 | 0:24:12 | |
I won't, I won't. | 0:24:14 | 0:24:15 | |
Now, Johnny, when you talk about creating characters, you often... | 0:24:15 | 0:24:19 | |
For instance, Willy Wonka, you talk about what inspired you, | 0:24:19 | 0:24:23 | |
what you were going for with that. | 0:24:23 | 0:24:25 | |
Yeah, I was sort of looking for a combination of a... | 0:24:25 | 0:24:30 | |
..children's show host that's a little uncomfortable. | 0:24:32 | 0:24:37 | |
And then I thought about what if George W Bush | 0:24:40 | 0:24:46 | |
were very, very, VERY stoned. | 0:24:46 | 0:24:49 | |
And, er...those thoughts collided. | 0:24:55 | 0:24:59 | |
And I ended up in a Prince Valiant wig for about six months. | 0:25:01 | 0:25:06 | |
And then Edward Scissorhands - | 0:25:06 | 0:25:07 | |
that sounds like quite a sweet combination. | 0:25:07 | 0:25:10 | |
WHOOPING Yes, yeah. | 0:25:10 | 0:25:11 | |
APPLAUSE | 0:25:11 | 0:25:13 | |
Scissorhands was... I mean, when Scissorhands arrived, | 0:25:15 | 0:25:20 | |
for me to read, I was... I thought, you know, | 0:25:20 | 0:25:24 | |
"This will never be for me." | 0:25:24 | 0:25:27 | |
I read the thing and it was... It's just flattened me, | 0:25:27 | 0:25:30 | |
I mean, it just destroyed me. | 0:25:30 | 0:25:33 | |
You base a character like that, | 0:25:33 | 0:25:35 | |
something that's so, so incredibly pure... | 0:25:35 | 0:25:37 | |
I mean, that was, um... | 0:25:38 | 0:25:40 | |
That was a dog that I've had as a kid. | 0:25:41 | 0:25:44 | |
Scissorhands. And, um... | 0:25:44 | 0:25:47 | |
And my nieces, just babies, newborns. | 0:25:47 | 0:25:51 | |
And those characters, they really... | 0:25:51 | 0:25:53 | |
It's incredible, the way they've lasted. | 0:25:53 | 0:25:56 | |
I don't know if you saw this, but Halloween, | 0:25:56 | 0:25:58 | |
Lady Gaga this year was Edward Scissorhands. | 0:25:58 | 0:26:01 | |
Yeah, so sweet. | 0:26:01 | 0:26:02 | |
She's out and about and she bumped into a Jack Sparrow. | 0:26:02 | 0:26:05 | |
-What are the odds? -What are the odds? | 0:26:07 | 0:26:09 | |
And you do sometimes... You do do the dressing up as Jack Sparrow - | 0:26:09 | 0:26:12 | |
-you seem to like that. -I just run around the house like that. | 0:26:12 | 0:26:16 | |
But didn't you go... Didn't you go to Disneyland? | 0:26:16 | 0:26:18 | |
I mean, that must have caused a sensation. | 0:26:18 | 0:26:20 | |
I did, I did something that, er... | 0:26:20 | 0:26:22 | |
As soon as they... you know, Pirates was going to happen, | 0:26:23 | 0:26:29 | |
I thought, "How great would it be to have the opportunity | 0:26:29 | 0:26:34 | |
"to stand there as some sort of animatronic until the people come by | 0:26:34 | 0:26:39 | |
"and then you start screaming, and..." | 0:26:39 | 0:26:42 | |
THEY LAUGH | 0:26:42 | 0:26:44 | |
"..you know, scare them into a mischief." | 0:26:44 | 0:26:47 | |
You know what I mean? | 0:26:47 | 0:26:48 | |
So, you know, all these years later, I got the chance to do it. | 0:26:48 | 0:26:52 | |
So I was very excited, you know? | 0:26:52 | 0:26:55 | |
These boats were going to come round the corner and... | 0:26:55 | 0:26:58 | |
They sort of looked at me as they were coming around, | 0:27:01 | 0:27:04 | |
and I'm frozen, and I went... | 0:27:04 | 0:27:06 | |
"Oi!" Or something. | 0:27:06 | 0:27:09 | |
"What you looking at?" And then... | 0:27:09 | 0:27:10 | |
..nothing back. | 0:27:12 | 0:27:13 | |
You know what I got? | 0:27:15 | 0:27:17 | |
All of the iPhones... | 0:27:19 | 0:27:22 | |
..in the world, going, | 0:27:23 | 0:27:24 | |
"Wow. | 0:27:24 | 0:27:26 | |
"Well, that's a pretty good animatronic." | 0:27:27 | 0:27:29 | |
It was one of the proudest moments of my life. | 0:27:32 | 0:27:35 | |
APPLAUSE | 0:27:37 | 0:27:40 | |
Josh, when you come to do something like Frozen... | 0:27:42 | 0:27:45 | |
CHEERING AND APPLAUSE | 0:27:45 | 0:27:48 | |
-..which you were amazing in... -Oh, thank you. | 0:27:48 | 0:27:50 | |
Was that character drawn? Was Olaf drawn already? | 0:27:50 | 0:27:52 | |
It's... The first day you get there to record, | 0:27:52 | 0:27:56 | |
I remember the directors saying three words to me - | 0:27:56 | 0:27:59 | |
innocence, naivete, and, er... | 0:27:59 | 0:28:02 | |
..love. Those were the three things they said to me. | 0:28:03 | 0:28:06 | |
And I immediately thought about my daughter, who was two years old. | 0:28:06 | 0:28:11 | |
And the way she looked at me with these googly eyes was Olaf. | 0:28:11 | 0:28:15 | |
Everything was a question, even when it wasn't a question. | 0:28:15 | 0:28:18 | |
"I love you?" | 0:28:18 | 0:28:20 | |
You know, "Can I get more food now?" | 0:28:20 | 0:28:24 | |
That kind of stuff. | 0:28:24 | 0:28:25 | |
And that seemed so right for that little guy. | 0:28:25 | 0:28:28 | |
Like, this just sort of new-found... | 0:28:28 | 0:28:31 | |
Almost like Edward Scissorhands, like you're new to the world. | 0:28:31 | 0:28:33 | |
And was it that daughter who then became obsessed by the movie? | 0:28:33 | 0:28:36 | |
Oh. Yeah. | 0:28:36 | 0:28:37 | |
She became unhealthily obsessed for a good couple of months. | 0:28:37 | 0:28:40 | |
She once looked at me... So weird. | 0:28:40 | 0:28:45 | |
She was making all of these grumbling noises in the playroom, | 0:28:45 | 0:28:48 | |
and I go in and I go, "Ava, are you OK?" | 0:28:48 | 0:28:51 | |
And she goes... | 0:28:51 | 0:28:52 | |
"Daddy, walk away. | 0:28:52 | 0:28:55 | |
"My powers are too strong." | 0:28:55 | 0:28:57 | |
LAUGHTER AND APPLAUSE | 0:28:57 | 0:28:59 | |
I walked away and called the police. | 0:29:03 | 0:29:06 | |
Like, "Wait, what?" It was just so odd. | 0:29:06 | 0:29:09 | |
"My powers are too strong." | 0:29:09 | 0:29:12 | |
"I'm calling an exorcist." | 0:29:12 | 0:29:13 | |
Now, here's the thing. | 0:29:16 | 0:29:18 | |
Michelle Pfeiffer, a woman of many talents. You... | 0:29:18 | 0:29:21 | |
SHE SNIFFS No, stop it now. Unless... | 0:29:21 | 0:29:24 | |
Are you method actors? Has someone actually done it? | 0:29:24 | 0:29:27 | |
"I'm really good, I actually farted." | 0:29:27 | 0:29:30 | |
LAUGHING: You... You, er... | 0:29:30 | 0:29:32 | |
You sing. You sing the... | 0:29:32 | 0:29:34 | |
What is it called when the song's at the end? | 0:29:34 | 0:29:36 | |
Just the end song? | 0:29:36 | 0:29:38 | |
The end titles song? | 0:29:38 | 0:29:39 | |
-End titles song. -End titles song? -Yeah. -Yeah? -I do, I do. | 0:29:39 | 0:29:42 | |
And this is a new song. | 0:29:42 | 0:29:44 | |
It's a new song that Ken Branagh wrote the lyrics to. | 0:29:44 | 0:29:47 | |
Patrick Doyle wrote the music for the movie, | 0:29:47 | 0:29:49 | |
and there's a wonderful theme inside it. | 0:29:49 | 0:29:52 | |
And out of a beautiful bit of acting that they all do, | 0:29:52 | 0:29:55 | |
but this particular bit belonged to Miss Pfeiffer, | 0:29:55 | 0:29:57 | |
there's this song that came out of it called Never Forget, | 0:29:57 | 0:30:00 | |
which Michelle sings very beautifully. | 0:30:00 | 0:30:04 | |
We know you can sing from Fabulous Baker Boys and Hairspray | 0:30:04 | 0:30:07 | |
and Grease 2 and things, but you're now in a song. | 0:30:07 | 0:30:11 | |
When did you find out that your name | 0:30:11 | 0:30:15 | |
was in one of the biggest songs of the last few years? | 0:30:15 | 0:30:18 | |
Erm... | 0:30:18 | 0:30:19 | |
I think somebody e-mailed me and... | 0:30:19 | 0:30:23 | |
First it was that Riptide song and then the Bruno Mars one came out, | 0:30:23 | 0:30:27 | |
-and I'm like, "What's going on?" -So this is Uptown Funk. | 0:30:27 | 0:30:30 | |
-No, because it's right at the beginning. -I'm a huge fan. | 0:30:30 | 0:30:33 | |
Can we just play it now? | 0:30:33 | 0:30:35 | |
# This hit, that ice cold | 0:30:35 | 0:30:37 | |
# Michelle Pfeiffer That white gold... # | 0:30:37 | 0:30:39 | |
How cool is that, that you're in a song? | 0:30:39 | 0:30:41 | |
-It's good! -It's very cool. -Yes, it's very good. Yeah, yeah. | 0:30:41 | 0:30:44 | |
But did they ask your permission? | 0:30:44 | 0:30:46 | |
-I suppose they don't need to. -No, I don't think they have to. | 0:30:46 | 0:30:49 | |
I mean, I was incredibly flattered, I didn't... | 0:30:49 | 0:30:51 | |
Yeah, it was very cool. | 0:30:51 | 0:30:53 | |
It was a little embarrassing at times. | 0:30:53 | 0:30:55 | |
You know, I'm in carpool with the kids and the song comes on and my son's like... | 0:30:55 | 0:30:58 | |
-WHISPERS: -I'm sorry. | 0:31:02 | 0:31:03 | |
Or I'm in exercise class and the song comes on and... | 0:31:03 | 0:31:07 | |
So, yeah... | 0:31:09 | 0:31:10 | |
But... And I love the song. | 0:31:10 | 0:31:12 | |
-Yeah, yeah. -Right? -Yeah, it's good. | 0:31:12 | 0:31:14 | |
I know. Judi's like, "What the hell is that song?" | 0:31:16 | 0:31:18 | |
No, she's mad because originally it was, "Judi Dench, that white gold." | 0:31:18 | 0:31:22 | |
LAUGHTER AND APPLAUSE | 0:31:22 | 0:31:24 | |
Very quickly, ladies and gentlemen, when it comes to music, | 0:31:29 | 0:31:32 | |
there is someone on this couch who can really spit some bars. | 0:31:32 | 0:31:37 | |
I am, of course, looking at you, Dame Judi Dench. | 0:31:37 | 0:31:40 | |
You know what we I'm talking about. | 0:31:42 | 0:31:44 | |
Your collaboration with Lethal Bizzle, | 0:31:44 | 0:31:47 | |
-it has set the rap world on fire. -Has it?! | 0:31:47 | 0:31:49 | |
Yes! That's that smell - the rap world on fire. | 0:31:49 | 0:31:53 | |
Well, he asked. He asked if he could teach me to rap and I said, "Sure." | 0:31:55 | 0:31:59 | |
-And so you rock up and he... -Well, I tried. -You did it. | 0:31:59 | 0:32:03 | |
-Well, I tried. -I mean, have you guys all seen this? You must have all seen this. | 0:32:03 | 0:32:06 | |
-No. -I have not. -Oh, have you not seen this? | 0:32:06 | 0:32:09 | |
Oh, this is the rap stylings | 0:32:09 | 0:32:12 | |
of Lethal Bizzle and Dame Judi Dench. | 0:32:12 | 0:32:15 | |
All right. Are we good to go? | 0:32:15 | 0:32:17 | |
-Music. -MUSIC PLAYS | 0:32:17 | 0:32:19 | |
A bit more up tempo. | 0:32:19 | 0:32:21 | |
One, two, three... | 0:32:21 | 0:32:24 | |
-RAPS: -# Yeah I'm Ju-to-the-Di | 0:32:24 | 0:32:26 | |
# If you don't know about me | 0:32:26 | 0:32:27 | |
# Better ask someone quickly | 0:32:27 | 0:32:29 | |
# Yeah, I'm... | 0:32:29 | 0:32:31 | |
-# Pow! -Yeah, I'm... | 0:32:31 | 0:32:32 | |
-# Pow! -If you don't know about me | 0:32:32 | 0:32:34 | |
-# Pow! -Better ask someone quickly | 0:32:34 | 0:32:36 | |
# One more time, let's go | 0:32:36 | 0:32:38 | |
# Yeah, I'm Ju-to-the-di | 0:32:38 | 0:32:40 | |
# If you don't know about me | 0:32:40 | 0:32:41 | |
# Better ask someone quickly | 0:32:41 | 0:32:43 | |
# Yeah, I'm pow! Here, you know | 0:32:43 | 0:32:45 | |
# Yeah, I'm Ju-to-the-di | 0:32:45 | 0:32:47 | |
# If you don't know about me | 0:32:47 | 0:32:49 | |
# Better ask someone quickly | 0:32:49 | 0:32:50 | |
# Yeah, I'm... # You smashed it. | 0:32:50 | 0:32:53 | |
CHEERING AND APPLAUSE Ju-to-the-di! | 0:32:53 | 0:32:55 | |
Excellent work! Excellent work! | 0:33:04 | 0:33:07 | |
It's time for our... Well, another musical performance. | 0:33:07 | 0:33:11 | |
This Grammy Award-winning singer's latest album has made her one of the | 0:33:11 | 0:33:16 | |
biggest pop names of 2017. | 0:33:16 | 0:33:18 | |
Here performing Los Ageless, it is St Vincent! | 0:33:18 | 0:33:22 | |
# In Los Ageless The winter never comes | 0:33:43 | 0:33:48 | |
# In Los Ageless The mothers milk their young | 0:33:48 | 0:33:52 | |
# But I can keep running No, I can keep running | 0:33:52 | 0:33:57 | |
# Nah-uh | 0:33:57 | 0:33:59 | |
# Oh-ah-ah | 0:33:59 | 0:34:01 | |
# The Los Ageless Hang out by the bar | 0:34:02 | 0:34:08 | |
# Burn the pages of unwritten memoirs | 0:34:08 | 0:34:11 | |
# But I can keep running No, I can keep running | 0:34:11 | 0:34:16 | |
# Nah-uh | 0:34:16 | 0:34:19 | |
# Oh-ah-ah | 0:34:19 | 0:34:21 | |
# How can anybody have you? | 0:34:22 | 0:34:24 | |
# How can anybody have you and lose you? | 0:34:24 | 0:34:27 | |
# How can anybody have you and lose you? | 0:34:27 | 0:34:29 | |
# And not lose their minds too? | 0:34:29 | 0:34:32 | |
# How can anybody have you? | 0:34:32 | 0:34:34 | |
# How can anybody have you and lose you? | 0:34:34 | 0:34:37 | |
# How can anybody have you and lose you | 0:34:37 | 0:34:39 | |
# And not lose their minds too? | 0:34:39 | 0:34:42 | |
# Oh-oh-ah | 0:34:42 | 0:34:44 | |
# The last days of the sunset superstars | 0:34:49 | 0:34:54 | |
# Girls in cages playing their guitars | 0:34:54 | 0:34:58 | |
# But how can I leave? | 0:34:58 | 0:35:00 | |
# I just follow the hood of my car | 0:35:00 | 0:35:04 | |
# Oh-ah-ah | 0:35:04 | 0:35:06 | |
# In Los Ageless The waves they never break | 0:35:08 | 0:35:13 | |
# They build and build until you don't have no escape | 0:35:13 | 0:35:17 | |
# But how can I leave? | 0:35:17 | 0:35:19 | |
# I just follow my hood to the sea | 0:35:19 | 0:35:24 | |
# Go to sleep | 0:35:24 | 0:35:27 | |
# How can anybody have you? | 0:35:27 | 0:35:30 | |
# How can anybody have you and lose you? | 0:35:30 | 0:35:33 | |
# How can anybody have you and lose you and not lose their minds too? | 0:35:33 | 0:35:38 | |
# How can anybody have you? | 0:35:38 | 0:35:40 | |
# How can anybody have you and lose you? | 0:35:40 | 0:35:42 | |
# How can anybody have you and lose you and not lose their minds too? | 0:35:42 | 0:35:47 | |
# Oh, my Lord, Lord We really did it now | 0:35:50 | 0:35:55 | |
# I'm a monster and you're my sacred cow | 0:35:55 | 0:35:59 | |
# But I can keep running No, I can keep on running | 0:35:59 | 0:36:04 | |
# Oh-oh | 0:36:04 | 0:36:05 | |
# Oh-ho-ho | 0:36:06 | 0:36:08 | |
# How can anybody have you? | 0:36:09 | 0:36:11 | |
# How can anybody have you and lose you? | 0:36:11 | 0:36:14 | |
# How can anybody have you and lose you and not lose their minds too? | 0:36:14 | 0:36:19 | |
# How can anybody have you? | 0:36:19 | 0:36:21 | |
# How can anybody have you and lose you? | 0:36:21 | 0:36:24 | |
# How can anybody have you and lose you and not lose their minds...? | 0:36:24 | 0:36:30 | |
# How can anybody have you? | 0:36:31 | 0:36:34 | |
# How can anybody have you and lose you? | 0:36:34 | 0:36:36 | |
# How can anybody have you and lose you and not lose their minds too? | 0:36:36 | 0:36:41 | |
# How can anybody have you? | 0:36:41 | 0:36:43 | |
# How can anybody have you and lose you? | 0:36:43 | 0:36:46 | |
# How can anybody have you and lose you and not lose their minds...? | 0:36:46 | 0:36:52 | |
# Oh! # | 0:36:52 | 0:36:55 | |
CHEERING AND APPLAUSE | 0:36:55 | 0:36:58 | |
St Vincent, everybody! | 0:36:58 | 0:36:59 | |
Wow! | 0:36:59 | 0:37:02 | |
Come on over and say hi, do, yes. | 0:37:02 | 0:37:04 | |
There we go. Oh. St Vincent, everybody! | 0:37:04 | 0:37:09 | |
Lovely job! | 0:37:11 | 0:37:13 | |
Come and join the couch. Have a seat there. | 0:37:15 | 0:37:17 | |
-Annie? -Sure. -No? St Vincent still or Annie? | 0:37:17 | 0:37:20 | |
This is Annie, everybody. | 0:37:20 | 0:37:23 | |
That's the cast of Murder On The Orient Express. | 0:37:23 | 0:37:25 | |
There you go. Lovely, lovely. There you go. | 0:37:25 | 0:37:30 | |
Have a seat, so. | 0:37:30 | 0:37:31 | |
So, St Vincent, but chatting, you're Annie. | 0:37:31 | 0:37:33 | |
Sure, please. | 0:37:33 | 0:37:35 | |
That is off the album, which is called | 0:37:35 | 0:37:39 | |
-Masseduction, there's the front of it. -Yes. | 0:37:39 | 0:37:41 | |
Now... LAUGHTER | 0:37:41 | 0:37:44 | |
It's unfortunate you dropped something | 0:37:44 | 0:37:47 | |
just as they were taking the picture, but... | 0:37:47 | 0:37:49 | |
in fact, that's not even you, is it? | 0:37:49 | 0:37:52 | |
-I... I'm sorry to say because it is a wonderful behind. -It's beautiful. | 0:37:52 | 0:37:56 | |
Yeah, I know. It's not me. | 0:37:56 | 0:37:58 | |
But it wasn't... It could've been me. | 0:37:58 | 0:38:01 | |
-It could've been you. -Yes. | 0:38:01 | 0:38:03 | |
Which begs the question, why isn't it you? | 0:38:03 | 0:38:06 | |
It was a serendipitous moment in a photo shoot and she just happened to be, you know... | 0:38:06 | 0:38:12 | |
Looking for something. | 0:38:12 | 0:38:13 | |
LAUGHTER | 0:38:13 | 0:38:15 | |
And it just seemed like the right picture to sum up the album, yeah. | 0:38:15 | 0:38:20 | |
-Isn't it gorgeous? -It's Josh. | 0:38:20 | 0:38:24 | |
Johnny keeps looking at me, going, "It's you, isn't it?" | 0:38:24 | 0:38:26 | |
LAUGHTER | 0:38:26 | 0:38:27 | |
This? | 0:38:27 | 0:38:29 | |
APPLAUSE | 0:38:31 | 0:38:33 | |
I'm sorry. | 0:38:33 | 0:38:35 | |
-I figure we might as well come clean now. -Yes, you could tell. | 0:38:35 | 0:38:38 | |
So, but here's the thing, ladies and gentlemen, not content with the singing, | 0:38:38 | 0:38:43 | |
the songwriting, the touring, you've found time for some inventing. | 0:38:43 | 0:38:47 | |
Now, was that one of your inventions you were playing just then? | 0:38:47 | 0:38:50 | |
-It was. I designed a guitar. -Yes. | 0:38:50 | 0:38:53 | |
-That guitar? -Yes, I designed a guitar that | 0:38:53 | 0:38:55 | |
I like to say is gender inclusive. It's incredibly ergonomic for... | 0:38:55 | 0:39:00 | |
-any gender. -OK. | 0:39:00 | 0:39:03 | |
Were old guitars not? | 0:39:03 | 0:39:05 | |
Well, OK, so I've been playing guitar for a long time | 0:39:06 | 0:39:11 | |
and I've been performing for a long time, so... | 0:39:11 | 0:39:13 | |
and I'm a smallish person, so I don't want a big, heavy guitar. | 0:39:13 | 0:39:17 | |
I love a '70s Les Paul, but they're so heavy, | 0:39:17 | 0:39:20 | |
they're prohibitively heavy, | 0:39:20 | 0:39:22 | |
-so I designed a guitar with a smaller frame maybe in mind? -Yeah. | 0:39:22 | 0:39:28 | |
And a rock monster tone. | 0:39:28 | 0:39:30 | |
Nice! Nice! Can you buy them? | 0:39:30 | 0:39:33 | |
-You can, yeah. -Oh! | 0:39:33 | 0:39:35 | |
There you go! That's Christmas sorted! | 0:39:35 | 0:39:39 | |
You'll never guess what it is under the tree, Dame Judi. | 0:39:40 | 0:39:42 | |
LAUGHTER | 0:39:42 | 0:39:45 | |
Thank you for doing that. That looked beautiful. | 0:39:47 | 0:39:49 | |
I loved the look of the performance. | 0:39:49 | 0:39:51 | |
-St Vincent, everybody! -Thank you. -CHEERING AND APPLAUSE | 0:39:51 | 0:39:54 | |
Nearly it, but we do have time for a quick visit to the big, red chair. | 0:39:57 | 0:40:01 | |
-Who's there? Hello! -Hello. -Hi, what's your name? -Greg. | 0:40:01 | 0:40:04 | |
Greg. Lovely. And what do you do, Greg? | 0:40:04 | 0:40:06 | |
I've just started a recruitment business with two friends of mine. | 0:40:06 | 0:40:09 | |
OK. Very good. Recruiting people to do what? | 0:40:09 | 0:40:12 | |
Accountants into retail businesses. | 0:40:12 | 0:40:15 | |
Wow. | 0:40:15 | 0:40:17 | |
Buzzy, buzzy, buzzy! LAUGHTER | 0:40:20 | 0:40:22 | |
Oh, the brainstorming! | 0:40:24 | 0:40:26 | |
OK, Greg, off we go with your story. | 0:40:26 | 0:40:30 | |
I'm a massive Rugby League fan and once a year my team plays on TV. | 0:40:30 | 0:40:33 | |
One Saturday, I sat down ready for my team to play | 0:40:33 | 0:40:35 | |
and we scored a try and I jumped up in-between my lounge and my kitchen, | 0:40:35 | 0:40:39 | |
and I smashed my head on the beam. I completely conked myself out, | 0:40:39 | 0:40:43 | |
I had no idea what was going on. I came around | 0:40:43 | 0:40:45 | |
and my housemate's above me in tears, crying on the phone to the ambulance, | 0:40:45 | 0:40:49 | |
saying, "Are you all right? There's blood pouring out of your head." | 0:40:49 | 0:40:52 | |
And I was like, "No, I'm not." | 0:40:52 | 0:40:54 | |
He calls the ambulance and they say, "You've got 20 minutes, | 0:40:54 | 0:40:58 | |
"keep him awake and we'll be there as soon as possible." | 0:40:58 | 0:41:00 | |
We wait and we wait and we wait, and the doorbell rings, | 0:41:00 | 0:41:03 | |
and he's like, "Right, the ambulance is here." So he runs to the door | 0:41:03 | 0:41:06 | |
and opens the door and it's an estate agent. He's got an open house that morning, | 0:41:06 | 0:41:10 | |
organised by our landlord. | 0:41:10 | 0:41:12 | |
And I'm laid there with blood everywhere in the middle of the lounge. | 0:41:12 | 0:41:15 | |
LAUGHTER | 0:41:15 | 0:41:17 | |
The estate agent says, "Look, I don't care, we can go in, | 0:41:17 | 0:41:20 | |
"we'll just ignore the casualty." | 0:41:20 | 0:41:21 | |
LAUGHTER | 0:41:21 | 0:41:24 | |
Eight couples walked in to the | 0:41:24 | 0:41:28 | |
lounge/diner to find me on the floor with blood pouring out of my head. | 0:41:28 | 0:41:32 | |
And they just carried on with their business quite normally, | 0:41:32 | 0:41:35 | |
and one them sort of stepped over me and looked at the cooker. | 0:41:35 | 0:41:38 | |
Whilst they were straddled over me, | 0:41:38 | 0:41:40 | |
I looked up and they said, "Darling, they've got gas hobs, | 0:41:40 | 0:41:43 | |
"that's really, really useful, isn't it?" | 0:41:43 | 0:41:45 | |
And I'm still laying there and there's still blood pouring out of my head while this is happening, | 0:41:45 | 0:41:50 | |
so thankfully they didn't sell the house that morning. | 0:41:50 | 0:41:53 | |
Oh, it had no ending, the story. LAUGHTER | 0:41:53 | 0:41:56 | |
Very good story... Very good, but it had no ending! | 0:41:57 | 0:42:01 | |
I like the way he was using the term lounge/diner throughout his story. | 0:42:05 | 0:42:10 | |
"I was straddling, lying down." | 0:42:10 | 0:42:12 | |
OK. Who's up next? | 0:42:12 | 0:42:14 | |
-Hello! -Hello. -Hi, what's your name? -Lisa. -Lisa. | 0:42:14 | 0:42:18 | |
-And where are you from, Lisa? -I'm from Kew. | 0:42:18 | 0:42:20 | |
-Kew Gardens? -Yes. | 0:42:20 | 0:42:22 | |
Ooh, lovely! | 0:42:22 | 0:42:23 | |
HE MOUTHS | 0:42:23 | 0:42:24 | |
-What you do there? -I'm an estate agent. | 0:42:26 | 0:42:29 | |
LAUGHTER Oh! | 0:42:29 | 0:42:31 | |
It was meant to be. | 0:42:32 | 0:42:35 | |
-Was she in that kitchen? -I know. Is there blood on the soles of her shoes? | 0:42:35 | 0:42:38 | |
Did you hear that last story? | 0:42:40 | 0:42:41 | |
Yes, I did. It's all about the sale. | 0:42:41 | 0:42:45 | |
LAUGHTER | 0:42:45 | 0:42:46 | |
All right. All right, Lisa. | 0:42:50 | 0:42:52 | |
Let's see if you can top that. Off you go with your story. | 0:42:52 | 0:42:54 | |
When I was younger, I used to live on the Abergeldie estate in Scotland, | 0:42:54 | 0:43:00 | |
neighbouring Balmoral, the Queen's Scottish home. | 0:43:00 | 0:43:03 | |
LAUGHTER | 0:43:03 | 0:43:05 | |
And one day, I was on the estate when the Queen was in residence | 0:43:05 | 0:43:09 | |
and walking, and being local, we knew a lot of the staff, | 0:43:09 | 0:43:13 | |
so we thought we'd pop in the back door of Balmoral Castle | 0:43:13 | 0:43:16 | |
and just have a cup of tea and catch up with them. | 0:43:16 | 0:43:19 | |
Perfect timing, the Queen had just finished afternoon tea | 0:43:19 | 0:43:23 | |
and all the royal cakes were in the kitchen, | 0:43:23 | 0:43:25 | |
so we absolutely feasted on the cakes. | 0:43:25 | 0:43:27 | |
However, the bell rang. | 0:43:27 | 0:43:29 | |
It was the Queen. She had an unexpected guest. | 0:43:29 | 0:43:33 | |
All the cakes had gone, though, | 0:43:33 | 0:43:36 | |
and needless to say, her butler was absolutely furious with us. | 0:43:36 | 0:43:40 | |
Needless to say. | 0:43:40 | 0:43:41 | |
One more. OK, one more. | 0:43:53 | 0:43:54 | |
This is the one, this is the one. | 0:43:54 | 0:43:56 | |
People have come from abroad for this, come on! | 0:43:56 | 0:44:00 | |
Here we go. This is the one... | 0:44:00 | 0:44:02 | |
-Hello, sir. -Hello. -What's your name? -Robert. | 0:44:02 | 0:44:05 | |
-Robert. Robert or Robin? -No, Robert. -Robert, right, very good. | 0:44:05 | 0:44:09 | |
-And what do you do, Robert? -I've got a little company, we do kitchens and we fit kitchens. | 0:44:09 | 0:44:14 | |
-OK. Very good. Off you go, Robert. -OK. | 0:44:14 | 0:44:18 | |
In my teens, I had a girlfriend and her father was a strict Catholic. | 0:44:18 | 0:44:22 | |
He hated me with a vengeance. | 0:44:22 | 0:44:24 | |
So, it's Christmas Eve, the father says to my girlfriend, | 0:44:24 | 0:44:28 | |
"We're going out, you're staying in," | 0:44:28 | 0:44:30 | |
So she says, "I'm only staying in to babysit the brother if Robert can come around." | 0:44:30 | 0:44:34 | |
He finally agrees, I come round, they go out, the lights go down, | 0:44:34 | 0:44:38 | |
the movie goes on, the lights come up, they come back, | 0:44:38 | 0:44:40 | |
the mother says, "I'll make everybody a cup of tea." | 0:44:40 | 0:44:43 | |
So we're sitting down, having a cup of tea, the dog comes in, sits in the middle of the lounge, | 0:44:43 | 0:44:47 | |
starts coughing, coughs up, all of a sudden, coughs up a condom. | 0:44:47 | 0:44:50 | |
LAUGHTER | 0:44:50 | 0:44:53 | |
You...can walk! | 0:44:57 | 0:44:59 | |
Well done, you! | 0:44:59 | 0:45:01 | |
He saved the day, ladies and gentlemen! | 0:45:01 | 0:45:05 | |
He saved the day! | 0:45:05 | 0:45:06 | |
Ahem! LAUGHTER | 0:45:10 | 0:45:13 | |
Well done, everyone! If you'd like to join us on the show | 0:45:13 | 0:45:16 | |
and have a go on the big, red chair, | 0:45:16 | 0:45:18 | |
you can contact us via the website at this very address. | 0:45:18 | 0:45:21 | |
Sadly, that is it for tonight. | 0:45:21 | 0:45:22 | |
Please say a huge thank you to my guests - St Vincent! | 0:45:22 | 0:45:24 | |
Josh Gad! | 0:45:26 | 0:45:28 | |
Michelle Pfeiffer! | 0:45:29 | 0:45:31 | |
Johnny Depp! | 0:45:31 | 0:45:34 | |
Dame Judi Dench! | 0:45:34 | 0:45:36 | |
And Sir Kenneth Branagh! | 0:45:36 | 0:45:37 | |
Join me next week with singer-songwriter Kelly Clarkson, | 0:45:39 | 0:45:42 | |
comedian Sarah Millican, | 0:45:42 | 0:45:44 | |
Aquaman Jason Momoa, | 0:45:44 | 0:45:46 | |
and the ever-charming Hugh Grant. | 0:45:46 | 0:45:47 | |
I'll see you, then. Goodnight, everyone, goodbye! | 0:45:47 | 0:45:50 |