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Hello, everybody. I'm Adam Sandler. Welcome to The Graham Norton Show! | 0:00:02 | 0:00:05 | |
CHEERING AND APPLAUSE | 0:00:05 | 0:00:08 | |
This programme contains some strong language | 0:00:10 | 0:00:18 | |
Oh! Oh! | 0:00:23 | 0:00:26 | |
CHEERING CONTINUES | 0:00:26 | 0:00:29 | |
Ho-ho! Good evening! | 0:00:31 | 0:00:36 | |
Welcome to the show! | 0:00:36 | 0:00:40 | |
Wow! What a welcome! Best audience ever, I'd say. | 0:00:40 | 0:00:43 | |
I don't think we've had an audience this good before. We haven't! | 0:00:43 | 0:00:47 | |
Hey, everyone excited about Halloween coming up? | 0:00:47 | 0:00:50 | |
CHEERING | 0:00:50 | 0:00:51 | |
That frightened you, didn't it? | 0:00:51 | 0:00:53 | |
You're thinking, "I didn't know it was Halloween." | 0:00:53 | 0:00:56 | |
It's Halloween. | 0:00:56 | 0:00:57 | |
LAUGHTER | 0:00:57 | 0:00:59 | |
Quick, buy a pumpkin! | 0:00:59 | 0:01:01 | |
Yes, it's Halloween, that time of the year when little children are | 0:01:01 | 0:01:05 | |
haunted by the sudden appearance of a terrifying grey-haired witch. | 0:01:05 | 0:01:09 | |
LAUGHTER | 0:01:09 | 0:01:12 | |
Of course, we might be cutting that | 0:01:12 | 0:01:14 | |
joke out if she isn't Prime Minister by Halloween. | 0:01:14 | 0:01:17 | |
P45, anyone? | 0:01:17 | 0:01:20 | |
We've got a packed sofa tonight so let's just get some guests on. | 0:01:20 | 0:01:24 | |
Later, we'll have a performance from musical icon Morrissey. | 0:01:24 | 0:01:27 | |
Morrissey will be singing over there. | 0:01:27 | 0:01:32 | |
He'll be performing Spent The Day In Bed. | 0:01:32 | 0:01:34 | |
But first, she's one of the world's most successful models, recently | 0:01:34 | 0:01:38 | |
turned actor and now novelist - please welcome Cara Delevingne! | 0:01:38 | 0:01:41 | |
CHEERING AND APPLAUSE | 0:01:41 | 0:01:46 | |
Hello, my darling. Lovely to see you. Have a seat, have a seat. | 0:01:46 | 0:01:50 | |
She shot to fame as Queen Elizabeth in The Crown, now she hits | 0:01:51 | 0:01:55 | |
the big screen in the true love story Breathe. | 0:01:55 | 0:01:58 | |
It's Claire Foy, everyone! | 0:01:58 | 0:02:00 | |
CHEERING AND APPLAUSE | 0:02:00 | 0:02:04 | |
Hello! Hi. Lovely to see you. Have a seat. | 0:02:04 | 0:02:08 | |
And we've got two stars from the new comedy drama The Meyerowitz Stories. | 0:02:08 | 0:02:12 | |
The first is one of America's funniest people. | 0:02:12 | 0:02:15 | |
From Billy Madison, Happy Gilmore and The Wedding Singer, | 0:02:15 | 0:02:18 | |
it's a very warm welcome for the first time to Mr Adam Sandler! | 0:02:18 | 0:02:22 | |
CHEERING AND APPLAUSE | 0:02:22 | 0:02:26 | |
Hi. Lovely to see you. Have a seat here. Adam Sandler, everybody. | 0:02:26 | 0:02:30 | |
And she's the double Oscar-winning star of | 0:02:30 | 0:02:33 | |
Sense And Sensibility, Howard's End and Nanny McPhee. | 0:02:33 | 0:02:36 | |
Please welcome the great Emma Thompson! | 0:02:36 | 0:02:39 | |
CHEERING AND APPLAUSE | 0:02:39 | 0:02:42 | |
Sit down, sit down, sit down. | 0:02:48 | 0:02:50 | |
Oh! | 0:02:50 | 0:02:52 | |
Welcome, all. Very nice to see you all. | 0:02:52 | 0:02:55 | |
Shiny couch. | 0:02:55 | 0:02:56 | |
Now, by the way, we should say, straight off the bat, | 0:02:56 | 0:02:59 | |
the great Dustin Hoffman was supposed to be here, cos he's | 0:02:59 | 0:03:02 | |
-in the movie with you guys as well. -Yeah. -He is. -But he no well. | 0:03:02 | 0:03:06 | |
-No. AUDIENCE: -Aw! | 0:03:06 | 0:03:08 | |
Oh, he have-a the food poisoning. | 0:03:08 | 0:03:11 | |
Apparently it's both ends. It's quite bad. | 0:03:11 | 0:03:13 | |
Maybe it's a good thing he's not here. | 0:03:13 | 0:03:16 | |
I think it's a good thing he's not here, yes. | 0:03:16 | 0:03:18 | |
Adam Sandler, you've never been here before. | 0:03:18 | 0:03:21 | |
No, I'm very... I'm very happy to be here. | 0:03:21 | 0:03:23 | |
We're delighted you're here, we're very happy to see you. | 0:03:23 | 0:03:26 | |
CHEERING | 0:03:26 | 0:03:30 | |
Adam Sandler fans there but, Cara Delevingne, you're a bit of a fan. | 0:03:30 | 0:03:34 | |
-I'm a really big fan. -Thank you. | 0:03:34 | 0:03:36 | |
I mean, I'm a very big fan of everyone on this couch. | 0:03:36 | 0:03:39 | |
Huge, huge fan. But all of your movies, I swear, like... | 0:03:39 | 0:03:42 | |
-I know Little Nicky was probably one of my favourite movies. -Really? | 0:03:42 | 0:03:44 | |
-I've watched it so many times. -That's excellent. | 0:03:44 | 0:03:47 | |
I actually dressed up as one of the guys for Halloween. | 0:03:47 | 0:03:49 | |
-You know the one with the boobs on his head? -Really? Aw! | 0:03:49 | 0:03:52 | |
Anyway. I'll find that picture later. | 0:03:52 | 0:03:55 | |
-Now, the two of you have just been in Cannes... -Yeah. | 0:03:55 | 0:03:58 | |
..with your new movie, which you all star in with Dustin. | 0:03:58 | 0:04:01 | |
-And it went well, I think, it's fair to say. -Yes. | 0:04:01 | 0:04:03 | |
-A four-minute standing ovation. -Yes. | 0:04:03 | 0:04:06 | |
-Wow. -That's a thing. | 0:04:06 | 0:04:08 | |
-They're not afraid to boo in Cannes, are they? -No. | 0:04:10 | 0:04:13 | |
-If they don't like something, they tell you. -Absolutely. | 0:04:13 | 0:04:15 | |
We've got a picture of you all at Cannes. There you are, celebrating. | 0:04:15 | 0:04:20 | |
And this... I was saying to you backstage, | 0:04:20 | 0:04:22 | |
is this your new look now, Adam Sandler? You're so scrubbed up. | 0:04:22 | 0:04:26 | |
I hate it. I hate it. | 0:04:26 | 0:04:29 | |
I'm really not comfortable like this but this is something that | 0:04:29 | 0:04:32 | |
for years my mother has been yelling at me about. | 0:04:32 | 0:04:37 | |
For about 25 years of television shows I've looked not that great. | 0:04:37 | 0:04:42 | |
My wife is sick of it all and so some nice lady come over to | 0:04:42 | 0:04:48 | |
my office with a bunch of suits and I had to buy 'em. | 0:04:48 | 0:04:53 | |
-LAUGHTER -You had to buy them? | 0:04:53 | 0:04:56 | |
-Look, your shirt's trying to escape. -I know. It knows. | 0:04:56 | 0:05:00 | |
"Get me off this man's body. He doesn't want me to be wearing it." | 0:05:00 | 0:05:05 | |
Can you tie a tie? | 0:05:05 | 0:05:06 | |
I can, I learned that for my Bar Mitzvah when I was 13, | 0:05:06 | 0:05:10 | |
and I've done it for that, and gone to court a few times for tickets. | 0:05:10 | 0:05:16 | |
That was it. But I can... Dustin Hoffman, actually, | 0:05:16 | 0:05:21 | |
last night I had this on, he said, "Come here, come here. | 0:05:21 | 0:05:25 | |
"You need a gangster. Let me give it gangster-style." | 0:05:25 | 0:05:29 | |
And I said, "No, no, I think it's good." He said, | 0:05:29 | 0:05:31 | |
"No, no, undo your tie." | 0:05:31 | 0:05:33 | |
And I undid my tie and he put a gangster...I don't know, | 0:05:33 | 0:05:36 | |
Windsor, he made it different. | 0:05:36 | 0:05:39 | |
But it was so short. | 0:05:39 | 0:05:42 | |
-LAUGHTER -It came to here. | 0:05:42 | 0:05:44 | |
And he was so happy with how he did it I had to leave it short | 0:05:44 | 0:05:47 | |
the whole night. | 0:05:47 | 0:05:49 | |
LAUGHTER | 0:05:49 | 0:05:52 | |
Now, Claire Foy, you seem ecstatic to be on red carpets. | 0:05:52 | 0:05:56 | |
-I mean... -Oh, I love them. -No, honestly, look. -Love them. | 0:05:56 | 0:05:59 | |
-Can't get enough of them. -High as a kite. | 0:05:59 | 0:06:01 | |
-CARA: -She's actually got one in her house. | 0:06:01 | 0:06:03 | |
In fairness, this is Claire just after winning a Golden Globe | 0:06:03 | 0:06:06 | |
for Best Actress. So no wonder she looks so ecstatic. | 0:06:06 | 0:06:09 | |
There she is. | 0:06:09 | 0:06:10 | |
LAUGHTER | 0:06:10 | 0:06:12 | |
You're like, "What's this?" | 0:06:12 | 0:06:15 | |
I don't really know when they begin and end, that's the point. | 0:06:15 | 0:06:18 | |
There needs to be some sort of regulating them... | 0:06:18 | 0:06:21 | |
Plaster a huge, great grin on your face and keep it on the whole night. | 0:06:21 | 0:06:26 | |
Absolutely. | 0:06:26 | 0:06:28 | |
Especially in awards ceremonies, you know, the camera goes across | 0:06:28 | 0:06:30 | |
everybody and people are just picking their teeth... | 0:06:30 | 0:06:34 | |
looking up in the air and just bored. | 0:06:34 | 0:06:37 | |
But imagine how happy Claire Foy | 0:06:37 | 0:06:40 | |
will be because she's on the cover of this month's Vogue. | 0:06:40 | 0:06:45 | |
Let's see her big smiling face here. | 0:06:45 | 0:06:47 | |
LAUGHTER | 0:06:48 | 0:06:51 | |
Do they tell you not to... | 0:06:51 | 0:06:52 | |
Do they just say, "Whatever you do, do not look happy"? | 0:06:52 | 0:06:56 | |
-Is that American Vogue or British Vogue? -British Vogue. | 0:06:56 | 0:06:59 | |
Yeah, because British Vogue you always have to look very stern | 0:06:59 | 0:07:02 | |
but in American Vogue they like you to smile a little bit. | 0:07:02 | 0:07:04 | |
-Really? -They like you to look slightly, you know... | 0:07:04 | 0:07:08 | |
-Mad? -Yeah. That one. | 0:07:08 | 0:07:10 | |
Is that what I was giving off? | 0:07:10 | 0:07:12 | |
You have to smile but you can't actually smile. | 0:07:12 | 0:07:15 | |
-That sort of thing. "Smeyes" they call it. -With the eyes. | 0:07:15 | 0:07:18 | |
I was wondering, does somebody coach you? Does somebody kind of go, | 0:07:18 | 0:07:22 | |
"Do not look happy or I'll be over there." | 0:07:22 | 0:07:25 | |
Well, by that point - you'll know - you've done six hours of sort of | 0:07:25 | 0:07:30 | |
standing with your arm up and have cramp and by that point if someone | 0:07:30 | 0:07:36 | |
asks you to genuinely look happy, it's just not going to happen. | 0:07:36 | 0:07:40 | |
So I just think, be blank and hope for the best. | 0:07:40 | 0:07:45 | |
It's quite like acting, really. | 0:07:45 | 0:07:47 | |
In fairness, on red carpets, Cara Delevingne, you... | 0:07:47 | 0:07:51 | |
-I love it that you say my whole name all the time. -Cara Delevingne. | 0:07:51 | 0:07:56 | |
-Cara Delevingne. EMMA: -I know what you mean. | 0:07:56 | 0:07:58 | |
"Cara" feels like I've stopped too soon. | 0:07:58 | 0:08:02 | |
It is a short name, yeah. | 0:08:02 | 0:08:04 | |
Cara is something. Is it the in-flight magazine at Aer Lingus? | 0:08:04 | 0:08:08 | |
LAUGHTER | 0:08:08 | 0:08:11 | |
It is, isn't it? | 0:08:11 | 0:08:13 | |
Cara in Gaelic means "friend" so that could be a thing. | 0:08:13 | 0:08:16 | |
That's probably why I'm not saying Cara. | 0:08:16 | 0:08:19 | |
-I like it, rolls off the tongue. -Cara Delevingne. | 0:08:19 | 0:08:22 | |
So, Cara Delevingne, even on a red carpet you can get distracted. | 0:08:22 | 0:08:26 | |
-There's generally quite distracting things on the red carpet. -Yes. | 0:08:26 | 0:08:29 | |
Well, this is you with Rihanna. | 0:08:29 | 0:08:31 | |
LAUGHTER | 0:08:31 | 0:08:34 | |
Who wouldn't? | 0:08:34 | 0:08:36 | |
-I'm sorry. -I like it. It's not even subtle. It's just like, "Hello!" | 0:08:36 | 0:08:41 | |
I mean, I remember cos... | 0:08:41 | 0:08:43 | |
I've known her for a very long time and I just remember, cos every time, | 0:08:43 | 0:08:46 | |
especially in that show, she obviously has magnificent...lungs. | 0:08:46 | 0:08:51 | |
-Yes. -But I just went up to her and said, "You look amazing." | 0:08:51 | 0:08:55 | |
And every time she was like, "You've gotta be on boob watch." | 0:08:55 | 0:08:58 | |
Cos, you know, it's definitely something you have to be careful of. | 0:08:58 | 0:09:01 | |
-Ohhh. -Mm-hm. -I was being a good friend, guys. | 0:09:01 | 0:09:03 | |
Emma, I feel like you're very happy to have your picture taken. | 0:09:03 | 0:09:06 | |
-No, not really. -LAUGHTER | 0:09:06 | 0:09:09 | |
-Really? -Yeah, you're entirely wrong. | 0:09:09 | 0:09:12 | |
There's a picture, someone posted it on Twitter of you. | 0:09:12 | 0:09:17 | |
And there's a fence in it and I don't know who's being protected. | 0:09:17 | 0:09:20 | |
There's a fence in it? | 0:09:20 | 0:09:22 | |
LAUGHTER | 0:09:22 | 0:09:25 | |
That's cool. | 0:09:25 | 0:09:26 | |
That's the Reading Music Festival. | 0:09:26 | 0:09:28 | |
I saw you there! No, I wish. That would have been amazing. | 0:09:28 | 0:09:32 | |
That was me and my 54-year-old best mate and 90,000 teenagers. | 0:09:32 | 0:09:37 | |
I can't tell you. And I thought, "This is nice, this is nice." | 0:09:37 | 0:09:41 | |
Two things happened. | 0:09:41 | 0:09:43 | |
First of all, I got into the mosh pit when the Arctic Monkeys | 0:09:43 | 0:09:46 | |
were playing and I thought, | 0:09:46 | 0:09:48 | |
"Oh, I'm going to die. I'm going to die." | 0:09:48 | 0:09:50 | |
I was all crushed in, being moved up and down by people, thinking, | 0:09:50 | 0:09:54 | |
"Oh, now's when I die. | 0:09:54 | 0:09:56 | |
"I always wondered and I thought it would probably be young. | 0:09:56 | 0:10:01 | |
"But I didn't picture this." | 0:10:01 | 0:10:03 | |
And then we all walked back, you know, with the 90,000 teenagers | 0:10:03 | 0:10:08 | |
who are all high, and I thought, "This is really quite nice." | 0:10:08 | 0:10:10 | |
And then someone shat on someone's tent and then someone blew up | 0:10:10 | 0:10:14 | |
another tent. And then the toilets overflowed and I had to use those | 0:10:14 | 0:10:20 | |
-little piss things. -The She-Ra. -Shewee! -Oh, Shewee! | 0:10:20 | 0:10:25 | |
-She-Ra! -She-Ra! -She-Ra! | 0:10:25 | 0:10:29 | |
Yeah, the little She-things. | 0:10:29 | 0:10:32 | |
And it's absolutely hilarious because you pee down it and it's | 0:10:32 | 0:10:36 | |
supposed to go down the chute and instead what it does is take | 0:10:36 | 0:10:39 | |
all of the wee and push it into your body and down your leg. | 0:10:39 | 0:10:43 | |
LAUGHTER | 0:10:43 | 0:10:45 | |
It's a very efficient thing if you want to cover yourself in wee, | 0:10:45 | 0:10:48 | |
for whatever medical reason - you might have psoriasis or something, | 0:10:48 | 0:10:51 | |
then it would work. | 0:10:51 | 0:10:53 | |
-It would be good. -You should have been a doctor. -I know! | 0:10:53 | 0:10:57 | |
You are wasted as an actress. Wasted! | 0:10:57 | 0:11:01 | |
It was hell. It was hell. | 0:11:01 | 0:11:03 | |
I love what people would have thought when they're high at | 0:11:03 | 0:11:07 | |
Reading Festival running into you and being like, | 0:11:07 | 0:11:10 | |
"Nanny McPhee! No way is that real!" | 0:11:10 | 0:11:14 | |
Covered in wee! | 0:11:14 | 0:11:17 | |
Nanny McPhee covered in wee. | 0:11:17 | 0:11:19 | |
LAUGHTER | 0:11:19 | 0:11:21 | |
-She-Ra. -It's just tragic. -Now, ladies and gentlemen, | 0:11:21 | 0:11:24 | |
the main event tonight, The Meyerowitz Stories, | 0:11:24 | 0:11:27 | |
it's streaming now on Netflix and it is - well, you know - | 0:11:27 | 0:11:30 | |
it's so good. | 0:11:30 | 0:11:31 | |
-It's terrific. -Thanks. -Thank you. -Proud of it. | 0:11:31 | 0:11:35 | |
-We are, aren't we? -Yes. | 0:11:35 | 0:11:36 | |
It's everything you want, it's quirky, it's funny, | 0:11:36 | 0:11:40 | |
it's serious, it's just terrific. | 0:11:40 | 0:11:42 | |
So, it's about a dysfunctional family. | 0:11:42 | 0:11:45 | |
It's sort of children trying to cope with a father who wasn't | 0:11:45 | 0:11:47 | |
a father, played by Dustin Hoffman. | 0:11:47 | 0:11:49 | |
-So who do you play? -I play his son. Dustin's character runs the family, | 0:11:49 | 0:11:56 | |
he's a very smart, strong guy and he's an artist and I play his son | 0:11:56 | 0:12:02 | |
who didn't become an artist. I'm a piano player but just kind of... | 0:12:02 | 0:12:09 | |
He doesn't love being in the limelight, he's very nervous | 0:12:09 | 0:12:14 | |
around that stuff and I feel like a failure. | 0:12:14 | 0:12:19 | |
I think what it is is Dustin's my dad and Ben Stiller's dad | 0:12:19 | 0:12:24 | |
and Elizabeth Marvel's dad but he divorced my mom in the movie | 0:12:24 | 0:12:30 | |
and married another woman and Ben grew up with Dustin and I didn't, | 0:12:30 | 0:12:36 | |
so we have a different relationship. And then this young lady, | 0:12:36 | 0:12:40 | |
-you become, I think, Dustin's fourth wife, right? -Mm-hm. | 0:12:40 | 0:12:43 | |
And it's fair to say, the fourth wife, she quite likes a glass | 0:12:43 | 0:12:45 | |
-of wine with dinner. -Yeah. | 0:12:45 | 0:12:48 | |
She's a not-really-functioning-at-all alcoholic. | 0:12:48 | 0:12:51 | |
There's a passing resemblance to, as I noticed, Professor Trelawney. | 0:12:51 | 0:12:55 | |
I didn't mean that to happen. | 0:12:55 | 0:12:57 | |
It is like you just came from one set to the other. | 0:12:57 | 0:13:03 | |
LAUGHTER AND APPLAUSE | 0:13:03 | 0:13:06 | |
-I seriously have just realised that. -You never noticed that before? -No. | 0:13:06 | 0:13:10 | |
Isn't that extraordinary? Anyway, Professor Trelawney obviously is... | 0:13:10 | 0:13:14 | |
-Now married to Dustin Hoffman. -..not well. | 0:13:14 | 0:13:17 | |
But my character is... | 0:13:17 | 0:13:20 | |
She's somebody who... | 0:13:20 | 0:13:22 | |
wanted to marry someone who would be something and she thought | 0:13:22 | 0:13:26 | |
this ageing sculptor would somehow be... | 0:13:26 | 0:13:30 | |
She would be his muse. You know. | 0:13:30 | 0:13:32 | |
And that hasn't happened and she doesn't have a relationship | 0:13:32 | 0:13:34 | |
with the kids and she's a bit messed up. | 0:13:34 | 0:13:37 | |
-She is an alcoholic so we did enjoy that, didn't we? -You were great. | 0:13:37 | 0:13:40 | |
We had a laugh. I had a laugh playing an alcoholic. | 0:13:40 | 0:13:43 | |
I mean, not much acting required, obviously. | 0:13:43 | 0:13:45 | |
LAUGHTER | 0:13:45 | 0:13:47 | |
Cheers! | 0:13:47 | 0:13:49 | |
APPLAUSE | 0:13:49 | 0:13:52 | |
Adam, what's so sweet about your character - and I think this | 0:13:52 | 0:13:55 | |
happens a lot in families, where you're kind of the kid who's | 0:13:55 | 0:13:58 | |
doing most of the care giving but you are the least appreciated. | 0:13:58 | 0:14:02 | |
-Right, right, absolutely. -Exactly. | 0:14:02 | 0:14:04 | |
Sorry, not...it reminds you of your own father but, no, not like | 0:14:04 | 0:14:08 | |
that but your father... He gave you quite a hard time. | 0:14:08 | 0:14:12 | |
Well, my father was... The difference in the family... | 0:14:12 | 0:14:17 | |
My father in real life wasn't selfish. | 0:14:17 | 0:14:20 | |
He was all about his family. But he was a strong guy and he was... | 0:14:20 | 0:14:26 | |
We definitely... | 0:14:26 | 0:14:28 | |
We were a little scared of him, we didn't want to make him upset, | 0:14:28 | 0:14:31 | |
but we loved him more than anything on the planet. | 0:14:31 | 0:14:34 | |
But, yeah, there was terror. | 0:14:34 | 0:14:36 | |
LAUGHTER | 0:14:36 | 0:14:38 | |
But I think the weirdest thing he did was the dog. | 0:14:38 | 0:14:42 | |
Oh, yeah! Yeah, he named the dog Adam. | 0:14:42 | 0:14:46 | |
LAUGHTER | 0:14:46 | 0:14:48 | |
He'd always say, "Adam, Adam, come in here." | 0:14:48 | 0:14:51 | |
And I'd come in and he'd go, "Not you, the dog." | 0:14:51 | 0:14:53 | |
LAUGHTER | 0:14:53 | 0:14:56 | |
GRAHAM LAUGHS | 0:14:56 | 0:14:58 | |
ALL TALK AT ONCE | 0:14:58 | 0:15:02 | |
Listen, let's have a look at a clip. | 0:15:02 | 0:15:04 | |
This is the family, basically discussing the inheritance, | 0:15:04 | 0:15:09 | |
the legacy, if you will. | 0:15:09 | 0:15:11 | |
Thinking about selling the house? Why? | 0:15:11 | 0:15:13 | |
It's very expensive to keep this place up and we're spending | 0:15:13 | 0:15:15 | |
more time at the country house now. | 0:15:15 | 0:15:17 | |
-But the country's yours. -I had it before we got married but it's ours. | 0:15:17 | 0:15:20 | |
Everything is ours now. | 0:15:20 | 0:15:21 | |
-You're selling all the art? Dad, why? -We don't have room for it. | 0:15:21 | 0:15:25 | |
Do you want to sell? | 0:15:25 | 0:15:26 | |
Oh, come on, Cabrera just grounded into a double play. | 0:15:26 | 0:15:28 | |
-Matt set this up? -I told him it was a family discussion. | 0:15:28 | 0:15:31 | |
I think it is. I don't think you should sell at all. I'm telling you. | 0:15:31 | 0:15:34 | |
Didn't expect you to get so upset about it. | 0:15:34 | 0:15:36 | |
I am. I am upset about it. | 0:15:36 | 0:15:38 | |
-Why do you care? -I don't know. | 0:15:38 | 0:15:40 | |
-We've lived here for years. -You haven't. | 0:15:40 | 0:15:43 | |
This is where Matthew grew up. You lived in Queens with your mother. | 0:15:43 | 0:15:45 | |
It's a Meyerowitz tradition, this house! | 0:15:45 | 0:15:48 | |
Oh, I guess I wouldn't know about that. | 0:15:48 | 0:15:51 | |
I didn't mean it like that. | 0:15:51 | 0:15:53 | |
She gets sensitive about these things, she feels like an outsider, | 0:15:53 | 0:15:56 | |
she doesn't have kids of her own. | 0:15:56 | 0:15:58 | |
I tell her, "Technically, you're their step-mother." | 0:15:58 | 0:16:01 | |
APPLAUSE | 0:16:01 | 0:16:03 | |
Presumably one of the joys for you, I mean, it's weird cos he's | 0:16:07 | 0:16:10 | |
not here, but working with Dustin Hoffman, was that the reason you | 0:16:10 | 0:16:13 | |
said yes or was it written for you, Adam? | 0:16:13 | 0:16:16 | |
What happened was...something like me and Ben Stiller know each other | 0:16:16 | 0:16:21 | |
for a long time and I went to his... | 0:16:21 | 0:16:24 | |
He got a Walk of Fame star in Hollywood and there was a party | 0:16:24 | 0:16:29 | |
and Mickey Rooney was there, that was cool. | 0:16:29 | 0:16:32 | |
And Mickey Rooney and Stiller were tight. | 0:16:32 | 0:16:37 | |
Anyway, we were hanging out, me and Stiller and I said, | 0:16:37 | 0:16:41 | |
"I don't see you enough, we have to do a movie some day." | 0:16:41 | 0:16:44 | |
And I said, "You know we'd make good brothers." | 0:16:44 | 0:16:48 | |
And he's like, "Yeah, we could definitely..." | 0:16:48 | 0:16:50 | |
I said that to Tom Cruise, too, but that didn't happen. | 0:16:50 | 0:16:53 | |
-LAUGHTER -Not yet. -Not yet. | 0:16:53 | 0:16:55 | |
Actually, you really could play brothers, that's a very good idea. | 0:16:55 | 0:16:58 | |
I could be Cruise's goofy brother. | 0:16:58 | 0:17:00 | |
-No, look at them. -Cruise is like that size. -Yeah. | 0:17:00 | 0:17:04 | |
Younger brother. Small brother. | 0:17:04 | 0:17:06 | |
But, anyways, Noah and Stiller are very... | 0:17:06 | 0:17:10 | |
They did two movies together and we all went to lunch and Noah | 0:17:10 | 0:17:15 | |
came up with this idea and then he wrote it. | 0:17:15 | 0:17:19 | |
But then Emma and Dustin, that came along after. I couldn't believe... | 0:17:19 | 0:17:24 | |
That was very exciting. How did it all happen for you, anyway? | 0:17:24 | 0:17:28 | |
I don't know. | 0:17:28 | 0:17:29 | |
LAUGHTER | 0:17:29 | 0:17:31 | |
I think my agent rang me up and said, "Do you want to do this job?" | 0:17:31 | 0:17:34 | |
And I said yes. | 0:17:34 | 0:17:36 | |
It was that fascinating. | 0:17:36 | 0:17:39 | |
-Great story. -Yeah. | 0:17:39 | 0:17:41 | |
I've worked on that one for a while. | 0:17:41 | 0:17:44 | |
But I read in an interview, the first time you worked with Dustin, | 0:17:44 | 0:17:47 | |
-that when you met him it was kind of a thing. -Oh, yeah, yeah, yeah. | 0:17:47 | 0:17:51 | |
Cos he's one of my great idols. And I met him... | 0:17:51 | 0:17:55 | |
We did something called Stranger Than Fiction with Will Ferrell. | 0:17:55 | 0:17:59 | |
-It was a great one. -Nice piece of writing. | 0:17:59 | 0:18:03 | |
And we had lunch, there was a lunch and it's, like, 15 years ago, | 0:18:03 | 0:18:08 | |
I think. And I was sitting at the back - I know what it was! | 0:18:08 | 0:18:13 | |
It was my birthday, actually. It was my birthday lunch. | 0:18:13 | 0:18:16 | |
And he came...came down the sort of aisle of this restaurant, | 0:18:16 | 0:18:21 | |
you know, that walk, the sort of... | 0:18:21 | 0:18:24 | |
Oh, yeah! | 0:18:24 | 0:18:25 | |
-LAUGHTER -Yeah, it's good. | 0:18:25 | 0:18:28 | |
APPLAUSE | 0:18:28 | 0:18:30 | |
Obviously, you know, without the fringes. | 0:18:30 | 0:18:33 | |
Oh, these trousers are too tight. They're actually parting my vagina. | 0:18:33 | 0:18:38 | |
LAUGHTER AND APPLAUSE | 0:18:38 | 0:18:41 | |
I borrowed them. | 0:18:41 | 0:18:43 | |
I don't think anyone will want them back. | 0:18:43 | 0:18:46 | |
Oh, you'd be surprised. | 0:18:46 | 0:18:49 | |
Anyway, I don't know how guys do it. Ow! | 0:18:49 | 0:18:52 | |
Anyway. Hm. | 0:18:52 | 0:18:53 | |
And I just had this kind of... this incredible reaction to him | 0:18:53 | 0:18:58 | |
because it was sort of... It was just like being overwhelmed | 0:18:58 | 0:19:04 | |
with this sense of all of those things that he'd played that | 0:19:04 | 0:19:07 | |
had really touched me and moved me, | 0:19:07 | 0:19:10 | |
you know, from Midnight Cowboy on, just... | 0:19:10 | 0:19:15 | |
-Especially that one, actually. -Yeah. -That heart-breaking, broken man. | 0:19:15 | 0:19:20 | |
Yeah, he's a great man. | 0:19:20 | 0:19:21 | |
But, Emma, do you get that where people have the same reaction | 0:19:21 | 0:19:24 | |
to you, cos you've really moved them in things or...? | 0:19:24 | 0:19:29 | |
-Um... -"No." | 0:19:30 | 0:19:32 | |
You know, the Love Actually thing, | 0:19:32 | 0:19:35 | |
people do sometimes do that kind of... | 0:19:35 | 0:19:38 | |
They just do that. | 0:19:38 | 0:19:40 | |
How many people, I must imagine, go up to you and go, "That scene..." | 0:19:40 | 0:19:44 | |
Cos, Claire Foy, you get quite an emotional reaction from fans, | 0:19:44 | 0:19:49 | |
-don't you? -Not so much fans, but one lady I met in a chip shop. | 0:19:49 | 0:19:53 | |
LAUGHTER | 0:19:53 | 0:19:54 | |
-Let's go with that story, then. -Just that one lady. | 0:19:54 | 0:19:57 | |
I really enjoyed meeting you, can I just say to her, wherever she - | 0:19:57 | 0:20:00 | |
she's not in the audience - if this makes it onto the show. | 0:20:00 | 0:20:03 | |
If you smell vinegar, she's nearly here. | 0:20:03 | 0:20:06 | |
I was at the chip shop and a woman came in and we started chatting | 0:20:06 | 0:20:10 | |
cos they were battering our cod... | 0:20:10 | 0:20:13 | |
LAUGHTER | 0:20:13 | 0:20:15 | |
..and we started having a chat and she'd been on a Tinder date | 0:20:15 | 0:20:17 | |
and she was a bit drunk and she was talking about how it hadn't | 0:20:17 | 0:20:20 | |
gone very well but hopefully they were going to be friends. | 0:20:20 | 0:20:23 | |
And then my mum FaceTimed me and for some reason, me picking up | 0:20:23 | 0:20:27 | |
my iPhone and talking to my mother reminded her of the Queen. | 0:20:27 | 0:20:32 | |
And she went, "Oh, my God!" | 0:20:32 | 0:20:34 | |
I went, "Oh, this is..." | 0:20:34 | 0:20:37 | |
I ended the call with my mum and she went, "I love you so much, | 0:20:37 | 0:20:40 | |
"I love you so much!" And I think it was a combination between the chat | 0:20:40 | 0:20:44 | |
we'd had previously, the Tinder date, the alcohol, the chip shop | 0:20:44 | 0:20:47 | |
element that made the tears come. But it was quite a... We cuddled. | 0:20:47 | 0:20:51 | |
LAUGHTER | 0:20:51 | 0:20:53 | |
And it was a special moment. For me, as well. | 0:20:53 | 0:20:56 | |
I mean, it was a depressing moment for her but I loved her. | 0:20:56 | 0:20:59 | |
-You made her Tinder so much better. -Yeah, you cheered up a Tinder date. | 0:20:59 | 0:21:02 | |
-I hope so. -People tell the story and it ends with, "And then..." | 0:21:02 | 0:21:06 | |
-I really hope she watches this. -It's also fantastically cheery to find | 0:21:06 | 0:21:09 | |
a member of the royal family in a chip shop. | 0:21:09 | 0:21:11 | |
LAUGHTER | 0:21:11 | 0:21:13 | |
Under any circumstances that is a cheery thing. | 0:21:13 | 0:21:17 | |
-Listen, very quickly, season two of The Crown. -Yes. | 0:21:17 | 0:21:22 | |
Everyone's very exited. CHEERING AND APPLAUSE | 0:21:22 | 0:21:25 | |
That comes out in December. | 0:21:25 | 0:21:28 | |
We all love The Crown. | 0:21:28 | 0:21:31 | |
This is already your last stint. | 0:21:31 | 0:21:35 | |
-That's it, yes. -What? -It's over. -Why would you do that to us?! | 0:21:35 | 0:21:39 | |
Well, because that's it, I'm done. | 0:21:39 | 0:21:41 | |
But can you not do another season? | 0:21:41 | 0:21:43 | |
-No. -Why not? | 0:21:43 | 0:21:45 | |
-No. Don't suggest that, Graham. -Were you always only supposed to do...? | 0:21:45 | 0:21:49 | |
-Yeah, yeah. -I thought you were supposed to do a...I don't know, | 0:21:49 | 0:21:52 | |
a bigger chunk. | 0:21:52 | 0:21:53 | |
No, no, we always knew it was only going to be two series. | 0:21:53 | 0:21:57 | |
So from the beginning, it's always been what I've known and then | 0:21:57 | 0:22:00 | |
the part is reincarnated and someone else goes on. | 0:22:00 | 0:22:04 | |
-That's the nature of the part. -The Queen's like Bond. | 0:22:04 | 0:22:08 | |
Yeah. Yeah, yeah. | 0:22:08 | 0:22:10 | |
-Bond, yeah. -Do you know who's stepping into the crown now? | 0:22:10 | 0:22:14 | |
Yes, I do. | 0:22:14 | 0:22:16 | |
HE GASPS Do you really?! | 0:22:16 | 0:22:17 | |
I just assumed you'd say no. | 0:22:17 | 0:22:18 | |
-No, I do. I'm not going to tell you. -Can we tickle you till you tell us? | 0:22:18 | 0:22:22 | |
-No, don't, cos I will tell you. -LAUGHTER | 0:22:22 | 0:22:25 | |
-Please! -Is it someone we know? Is it someone we know? | 0:22:25 | 0:22:28 | |
-Yeah, yes. -Is it? | 0:22:31 | 0:22:33 | |
-Yes. I mean... -Somebody famous? | 0:22:33 | 0:22:36 | |
Stop it! | 0:22:36 | 0:22:38 | |
It's someone who acts for a living. | 0:22:38 | 0:22:40 | |
A professional actor's going to play the role. OK. | 0:22:40 | 0:22:44 | |
LAUGHTER | 0:22:44 | 0:22:45 | |
I like what they've done with this. | 0:22:45 | 0:22:47 | |
-You're not allowed to tell us, right? -Absolutely not. | 0:22:47 | 0:22:51 | |
-Oh, OK. All right, move on. -Do you not know? | 0:22:51 | 0:22:53 | |
This isn't going to get us anywhere, Graham. | 0:22:53 | 0:22:56 | |
-Oh, do you know?! -Uh, no. | 0:22:56 | 0:22:59 | |
-I don't know. -No? But your husband Greg's in it. | 0:22:59 | 0:23:02 | |
-So does he not...? -Oh, yeah. | 0:23:02 | 0:23:04 | |
My husband, yes, he's in it, yes. | 0:23:04 | 0:23:07 | |
-GERMAN ACCENT: -Yes, he is in it. He is Mountbatten. | 0:23:07 | 0:23:09 | |
LAUGHTER | 0:23:09 | 0:23:11 | |
-GERMAN ACCENT: -But I'm not villing to say any more. | 0:23:11 | 0:23:14 | |
-Why am I doing a German accent? -I don't know. It's good, it's good. | 0:23:14 | 0:23:18 | |
-What's odd, of course, is you have also played the Queen. -Yes, I have. | 0:23:18 | 0:23:22 | |
Not as well as Claire, I have to tell you. | 0:23:22 | 0:23:24 | |
You're looking good, though. | 0:23:24 | 0:23:25 | |
Look, look, look at my face, I looked like a slapped arse. | 0:23:25 | 0:23:28 | |
LAUGHTER | 0:23:28 | 0:23:31 | |
A very good one. | 0:23:31 | 0:23:33 | |
-And Claire is so good in it. -Fantastic. | 0:23:33 | 0:23:37 | |
But you've said there are some kind of little tricks you use, | 0:23:37 | 0:23:41 | |
like for the voice you have a little trick for the voice. | 0:23:41 | 0:23:45 | |
Well, I'm Mancunian, originally, | 0:23:45 | 0:23:49 | |
and the only thing I've kept is how I pronounce one. | 0:23:49 | 0:23:52 | |
-Which is I say... -MANCUNIAN ACCENT: -"One." | 0:23:52 | 0:23:54 | |
Which is completely wrong. | 0:23:54 | 0:23:56 | |
And it took me about five months of just drilling of going... | 0:23:56 | 0:23:59 | |
-QUEEN'S ACCENT: -"One!" | 0:23:59 | 0:24:00 | |
-As opposed to... -MANCUNIAN ACCENT: -"One." | 0:24:00 | 0:24:02 | |
And I still slip every once in a while. | 0:24:02 | 0:24:04 | |
Matt had his own whole situation with "was" and "because" | 0:24:04 | 0:24:06 | |
-and all this sort of stuff. But... -QUEEN'S ACCENT: -"One." | 0:24:06 | 0:24:09 | |
I'm losing it already. I can already feel her going. | 0:24:09 | 0:24:12 | |
But, yeah, I really had to just... | 0:24:12 | 0:24:15 | |
Every time before a take I'd be like... | 0:24:15 | 0:24:17 | |
-QUEEN'S ACCENT: -"One, one, one, one." | 0:24:17 | 0:24:20 | |
-It's so weird. -It's an extraordinary voice, isn't it? | 0:24:20 | 0:24:22 | |
-It's so bizarre. -It's the weirdest bloomin' voice. | 0:24:22 | 0:24:25 | |
-It's so hard to do. -And it's still weird. | 0:24:25 | 0:24:27 | |
When she does the afternoon speeches at Christmas it's like going back | 0:24:27 | 0:24:31 | |
in time, you just go, how does anyone still speak like that? | 0:24:31 | 0:24:35 | |
It's extraordinary. | 0:24:35 | 0:24:36 | |
Maybe she does the same thing. | 0:24:36 | 0:24:38 | |
-QUEEN'S ACCENT: -"One, one, one, one." | 0:24:38 | 0:24:40 | |
LAUGHTER | 0:24:40 | 0:24:42 | |
APPLAUSE | 0:24:42 | 0:24:47 | |
Now, listen, Claire, you're actually here tonight to tell us about | 0:24:47 | 0:24:50 | |
your new film. It's called Breathe. It opens tonight. | 0:24:50 | 0:24:53 | |
And it's a mind-boggling story and it's sort of extraordinary | 0:24:53 | 0:24:56 | |
that we don't - I certainly did not know this story. | 0:24:56 | 0:25:00 | |
Robin Cavendish and his wife, and both of them were proper, | 0:25:00 | 0:25:05 | |
-sort of, pioneers. -Yeah. They were sort of forced into that position. | 0:25:05 | 0:25:10 | |
Robin contracted polio in Africa and their life was seemingly | 0:25:10 | 0:25:16 | |
going incredibly well, they were young, they were in love, the going | 0:25:16 | 0:25:20 | |
was good, and then suddenly he was told he had three months to live. | 0:25:20 | 0:25:24 | |
She was eight months pregnant at the time and during that time | 0:25:24 | 0:25:27 | |
gave birth to the producer of the film, Jonathan Cavendish. | 0:25:27 | 0:25:31 | |
He's the producer of the film. | 0:25:31 | 0:25:32 | |
Oh, it makes me feel a bit emotional talking about it. | 0:25:32 | 0:25:36 | |
And it's the story of about how he was given three months to live | 0:25:36 | 0:25:40 | |
and he just kept on living and it gets to a point where, you know, | 0:25:40 | 0:25:45 | |
he goes through a period of depression and there's a sort of | 0:25:45 | 0:25:49 | |
facedown moment where they have to decide whether he's going to | 0:25:49 | 0:25:52 | |
keep going down this route of depression and misery, | 0:25:52 | 0:25:55 | |
or whether he's just going to say, | 0:25:55 | 0:25:57 | |
"This is it and we're going to make the best of it." | 0:25:57 | 0:26:00 | |
And they...changed the lives of disabled people around the world. | 0:26:00 | 0:26:05 | |
They made the first - they invented and made the first wheelchair | 0:26:05 | 0:26:09 | |
for responauts, people who rely on breathing apparatus to live. | 0:26:09 | 0:26:13 | |
Which meant that people who had been confined to iron lungs and | 0:26:13 | 0:26:17 | |
hospital for the rest of their days could live and breathe and | 0:26:17 | 0:26:20 | |
get out there and live their lives. | 0:26:20 | 0:26:22 | |
It's amazing that a patient invented it. Not a doctor. | 0:26:22 | 0:26:26 | |
Well, yeah, because at the time, you know, | 0:26:26 | 0:26:28 | |
it's an interesting thing with disability or anything like that. | 0:26:28 | 0:26:31 | |
People want to do the best for people, it's not that people | 0:26:31 | 0:26:34 | |
are trying to keep people in their place. | 0:26:34 | 0:26:36 | |
-Yeah. -You want to help people and you want people to live. | 0:26:36 | 0:26:40 | |
But they were just terrified and modern medicine is an | 0:26:40 | 0:26:43 | |
incredible thing but it takes risk and Robin Cavendish was | 0:26:43 | 0:26:47 | |
willing to risk his life and they changed people's lives. | 0:26:47 | 0:26:50 | |
I can't even tell you. Extraordinary people. | 0:26:50 | 0:26:53 | |
And he's brilliantly played by Andrew Garfield. | 0:26:53 | 0:26:56 | |
You play Diana, the wife. | 0:26:56 | 0:26:58 | |
It's a terrific movie and you are terrific in it. | 0:26:58 | 0:27:01 | |
Here's a taste of what to expect from Breathe. | 0:27:01 | 0:27:04 | |
I'm not feeling too good. | 0:27:04 | 0:27:06 | |
I can't move. What's going on? | 0:27:06 | 0:27:08 | |
Robin? | 0:27:08 | 0:27:09 | |
Get him on a respirator! | 0:27:09 | 0:27:11 | |
People paralysed by polio don't last long. | 0:27:11 | 0:27:14 | |
Can't move anything from the neck down. | 0:27:14 | 0:27:15 | |
Can't even breathe for yourself. | 0:27:15 | 0:27:17 | |
How do you live like this? | 0:27:20 | 0:27:22 | |
You get used to it. | 0:27:22 | 0:27:24 | |
I love you. And I want Jonathan to know you. | 0:27:24 | 0:27:27 | |
-You can't love this. -Yes, I can. | 0:27:27 | 0:27:30 | |
-There must be something I can do. -Get me out of here. | 0:27:30 | 0:27:33 | |
Robin's going to leave the hospital. | 0:27:34 | 0:27:36 | |
No-one with your husband's disability | 0:27:36 | 0:27:38 | |
exists outside a hospital. | 0:27:38 | 0:27:40 | |
Has anyone ever tried? Robin?! | 0:27:40 | 0:27:42 | |
Robin?! | 0:27:42 | 0:27:44 | |
-You all right, darling? -Much better. | 0:27:44 | 0:27:46 | |
Aw, don't. | 0:27:50 | 0:27:52 | |
DROWNED OUT BY APPLAUSE | 0:27:52 | 0:27:56 | |
Now, ladies and gentlemen, Cara Delevingne brings us a new | 0:27:56 | 0:27:59 | |
string to her already crowded bow. | 0:27:59 | 0:28:01 | |
It's a novel. I've got it here. It's called Mirror, Mirror. | 0:28:01 | 0:28:06 | |
It's out now. What can people expect? | 0:28:06 | 0:28:10 | |
AUDIENCE WHOOP | 0:28:10 | 0:28:11 | |
APPLAUSE | 0:28:11 | 0:28:13 | |
It's a book. It has words. That's good for a book. | 0:28:13 | 0:28:16 | |
-Yeah. -So, basically, it's a fictional novel. | 0:28:16 | 0:28:19 | |
It's classed as a young adult novel but I feel like adults can read it. | 0:28:19 | 0:28:23 | |
I've had a lot of older friends read it and it really brings you | 0:28:23 | 0:28:26 | |
back to being a teenager cos it's very visceral, it describes | 0:28:26 | 0:28:29 | |
very much the smells and the emotions and the hormones and | 0:28:29 | 0:28:33 | |
all that fun stuff, as being a teenager is. | 0:28:33 | 0:28:35 | |
But it's about four friends growing up in London | 0:28:35 | 0:28:38 | |
and...it's...it's, again, for everybody, you know, we've all | 0:28:38 | 0:28:43 | |
been there, it can be a turbulent rollercoaster at times, | 0:28:43 | 0:28:45 | |
there's lots of ups and downs. | 0:28:45 | 0:28:47 | |
It's also got a few twists in there which are really, really good. | 0:28:47 | 0:28:51 | |
And it's got a kind of crime/mystery solving element to it as well. | 0:28:51 | 0:28:55 | |
I've heard you talk about it, you have a real sense of | 0:28:55 | 0:28:58 | |
ownership of this book and this story and these characters, | 0:28:58 | 0:29:01 | |
but at the same time you're very open to the fact you wrote it | 0:29:01 | 0:29:04 | |
with Rowan Coleman. So did that work? | 0:29:04 | 0:29:07 | |
Technically, how does that work? | 0:29:07 | 0:29:09 | |
So, that process, I mean, growing up, you know, at school I had | 0:29:09 | 0:29:13 | |
no confidence in myself at writing, | 0:29:13 | 0:29:16 | |
because my grades weren't always good in English and stuff like that. | 0:29:16 | 0:29:19 | |
I loved writing so much but because I never got an A, | 0:29:19 | 0:29:23 | |
I just thought I would never be able to do it. | 0:29:23 | 0:29:25 | |
But I love writing, it was always such a passion for me, | 0:29:25 | 0:29:27 | |
especially dealing with things, mental health issues and | 0:29:27 | 0:29:30 | |
stuff like depression, it's such a great way to express yourself. | 0:29:30 | 0:29:33 | |
The process of going about it, I had these ideas, I met a few writers, | 0:29:33 | 0:29:38 | |
Rowan was the person I met and you know when you just click with | 0:29:38 | 0:29:41 | |
someone and you have that, when you're creating something, and you | 0:29:41 | 0:29:44 | |
just have that spark and these ideas of things just started | 0:29:44 | 0:29:47 | |
-flowing out of us. -Would you sit in a room together? -Yeah, yeah, yeah. | 0:29:47 | 0:29:52 | |
I met a few different writers, cos I wanted to find the right person, | 0:29:52 | 0:29:56 | |
I had ideas already. | 0:29:56 | 0:29:57 | |
I wrote a diary when I was younger and I had all these kind of pictures | 0:29:57 | 0:30:00 | |
and notes and things that I wanted to bring into it and she was | 0:30:00 | 0:30:03 | |
-just the one. -And what interested me, cos I guess your fan base, | 0:30:03 | 0:30:07 | |
you know, there's a lot, you know, you've got the amazing Instagram | 0:30:07 | 0:30:09 | |
followers and Twitter and things, | 0:30:09 | 0:30:12 | |
is it a big leap to say those people can commit to a whole novel, | 0:30:12 | 0:30:17 | |
you know, a chunk of book? | 0:30:17 | 0:30:19 | |
Well, yesterday I did a book signing and I had mostly young girls | 0:30:19 | 0:30:24 | |
and, weirdly, older men... | 0:30:24 | 0:30:26 | |
LAUGHTER | 0:30:26 | 0:30:28 | |
That is weird, isn't it? | 0:30:28 | 0:30:30 | |
One of the guys came up and he was wearing a T-shirt saying, | 0:30:30 | 0:30:33 | |
"May I suggest this sausage?" | 0:30:33 | 0:30:34 | |
And I was looking at it and I was going, | 0:30:34 | 0:30:37 | |
"You may but I may not say yes." | 0:30:37 | 0:30:39 | |
-LAUGHTER -That was interesting. | 0:30:39 | 0:30:42 | |
He bought two books so I was like, "Thanks!" | 0:30:42 | 0:30:45 | |
But, you know, so many of these girls came up to me and were just, | 0:30:45 | 0:30:49 | |
you know that thing where people shake, that always freaks me out | 0:30:49 | 0:30:52 | |
cos I'm like, "It's OK, I'm going to hug the shake out of you." | 0:30:52 | 0:30:55 | |
But they'd come up to me and just go, "You really helped me | 0:30:55 | 0:30:59 | |
"come out to my family and realise it was OK to be gay," or "It's OK | 0:30:59 | 0:31:06 | |
"to be depressed and have anxiety and go through that and be honest | 0:31:06 | 0:31:09 | |
"about it." And that for me is the reason why I do this. | 0:31:09 | 0:31:12 | |
If I can in any way help a teenager go through what I was going through | 0:31:12 | 0:31:15 | |
and come out of it, that's why I'm here, you know. | 0:31:15 | 0:31:18 | |
Well, congratulations, it's a big deal. | 0:31:18 | 0:31:20 | |
CHEERING | 0:31:20 | 0:31:22 | |
Earlier on, we were talking about dealing with parents and | 0:31:28 | 0:31:30 | |
having to take care of parents, | 0:31:30 | 0:31:32 | |
but even at your age, Cara Delevingne, your mother... | 0:31:32 | 0:31:35 | |
Has your mother been banned from fashion shows now? | 0:31:35 | 0:31:39 | |
She should be! | 0:31:39 | 0:31:41 | |
She sounds like a liability. | 0:31:41 | 0:31:42 | |
Ah, yeah... No, Mum, you're not. Don't worry. | 0:31:42 | 0:31:45 | |
SHE MOUTHS | 0:31:45 | 0:31:47 | |
She, uh... | 0:31:47 | 0:31:48 | |
I mean, you know parents can be...you know, embarrassing at | 0:31:48 | 0:31:51 | |
these things, and my parents are very proud and amazing and | 0:31:51 | 0:31:54 | |
adorable - there she is. | 0:31:54 | 0:31:55 | |
And I think she came to a show and she was backstage with me | 0:31:55 | 0:31:58 | |
and they were ushering her to her seat and she walked down, | 0:31:58 | 0:32:01 | |
outside, backstage, the middle of the catwalk! | 0:32:01 | 0:32:03 | |
Just before it was about to start. And people were trying to get her. | 0:32:03 | 0:32:06 | |
She walks down the front row and I see her on the camera from | 0:32:06 | 0:32:09 | |
backstage spotting people in the audience in the front row and | 0:32:09 | 0:32:12 | |
walking up to them. | 0:32:12 | 0:32:13 | |
I think she tried to walk up to Anna Wintour and kiss her and say | 0:32:13 | 0:32:16 | |
hello and wouldn't sit down. | 0:32:16 | 0:32:18 | |
People were trying to start the show and they had to | 0:32:18 | 0:32:20 | |
literally physically grab her and put her in some chair somewhere. | 0:32:20 | 0:32:24 | |
Very funny. | 0:32:24 | 0:32:26 | |
But it must be lovely, you know, for all your parents, to see your | 0:32:26 | 0:32:29 | |
success and to enjoy it. | 0:32:29 | 0:32:31 | |
Cos was it your mum was on the set of The Waterboy? | 0:32:31 | 0:32:37 | |
Sure, sure. Yes, yes. My mother, she has humiliated me a lot, yes. | 0:32:37 | 0:32:43 | |
She doesn't know when she's watching the monitor and she has the | 0:32:43 | 0:32:48 | |
headphones on that she can be heard and she was, you know, | 0:32:48 | 0:32:52 | |
watching the monitor while I was doing my Waterboy acting and, | 0:32:52 | 0:32:56 | |
I don't know, she's just nuts, my mother. | 0:32:56 | 0:32:59 | |
She's a good, lovely lady. I just remembered a story. | 0:32:59 | 0:33:03 | |
It's funny about my mother. | 0:33:03 | 0:33:06 | |
Like 20 years ago or whatever it was, I was at the Golden Globes. | 0:33:06 | 0:33:10 | |
I got nominated for a Golden Globe, so I took my parents. | 0:33:10 | 0:33:15 | |
Just like you. | 0:33:15 | 0:33:17 | |
I took my parents and they kind of invited themselves, | 0:33:17 | 0:33:21 | |
but anyway, I remember my mother just gets excited, like your mom, | 0:33:21 | 0:33:27 | |
to talk to people or see people or screams out, "Who's that?" | 0:33:27 | 0:33:30 | |
So somebody gave my mother the thing, like if you're going to | 0:33:30 | 0:33:34 | |
point at somebody, do it like... | 0:33:34 | 0:33:37 | |
Point in a different direction and we'll follow the thumb to who | 0:33:37 | 0:33:41 | |
you're pointing to. | 0:33:41 | 0:33:43 | |
She's like, "What? What?" | 0:33:43 | 0:33:45 | |
You point that way but the thumb is who you're talking about and | 0:33:45 | 0:33:48 | |
you get away with a little better. Like that. | 0:33:48 | 0:33:51 | |
And I swear to God, Elton John was about eight feet away and I'm | 0:33:51 | 0:33:56 | |
seeing my mother getting all crazy and then she starts going, | 0:33:56 | 0:34:00 | |
"Is that...?" | 0:34:00 | 0:34:02 | |
LAUGHTER | 0:34:02 | 0:34:05 | |
APPLAUSE | 0:34:05 | 0:34:07 | |
Thank you. | 0:34:11 | 0:34:13 | |
Talking of meeting famous faces, there's a weird thing going on | 0:34:13 | 0:34:16 | |
at the moment - well, so many weird things because of Donald Trump. | 0:34:16 | 0:34:20 | |
But we're suddenly hearing about all these famous people that | 0:34:20 | 0:34:26 | |
he asked out. And you are one of them. | 0:34:26 | 0:34:30 | |
Yeah. | 0:34:30 | 0:34:32 | |
I know. | 0:34:32 | 0:34:34 | |
You could be the First Lady! | 0:34:34 | 0:34:36 | |
I could've changed the course of history. | 0:34:36 | 0:34:40 | |
LAUGHTER | 0:34:40 | 0:34:42 | |
We were doing Primary Colors, which was a film about the Clintons | 0:34:42 | 0:34:47 | |
and about that. | 0:34:47 | 0:34:49 | |
It was at Universal, it was '97, so it was a long time ago. | 0:34:49 | 0:34:53 | |
So, actually, one only associated Senor Trump with tasteless | 0:34:53 | 0:34:59 | |
architecture at that point. | 0:34:59 | 0:35:00 | |
And, well, still a boundless sense of narcissistic kind of madness. | 0:35:00 | 0:35:07 | |
But I was in my little trailer, which was a normal trailer, | 0:35:07 | 0:35:10 | |
and it had a phone, like a proper phone, you know... | 0:35:10 | 0:35:13 | |
-A landline. -..landline. | 0:35:13 | 0:35:16 | |
And no-one had ever rung on me on it nor had I ever used it. | 0:35:16 | 0:35:20 | |
In fact, I assumed it was not a working machine. | 0:35:20 | 0:35:23 | |
And it rang one day and I picked it up and it was Donald Trump. | 0:35:23 | 0:35:27 | |
-Donald Trump. -What? | 0:35:27 | 0:35:29 | |
Donald Trump was on the other end of the phone going, | 0:35:29 | 0:35:33 | |
"Hi, it's Donald Trump here." And I thought someone was having a laugh. | 0:35:33 | 0:35:37 | |
I said, "Oh, fuck off." | 0:35:37 | 0:35:39 | |
LAUGHTER | 0:35:39 | 0:35:41 | |
And he said, "No, I'm ringing to ask you if you would like to, you know, | 0:35:41 | 0:35:44 | |
"come and stay in one of my lovely apartments | 0:35:44 | 0:35:47 | |
"and maybe we could have dinner?" | 0:35:47 | 0:35:49 | |
And I just didn't know what to say. | 0:35:49 | 0:35:51 | |
I was just absolutely astounded because how did he get my number? | 0:35:51 | 0:35:56 | |
I mean, a number that I didn't have! | 0:35:56 | 0:35:58 | |
LAUGHTER | 0:35:58 | 0:36:00 | |
-In the trailer! -Yeah. | 0:36:00 | 0:36:01 | |
So I just said I'd get back to him. | 0:36:01 | 0:36:05 | |
And in so many ways I wish I had. | 0:36:05 | 0:36:08 | |
Because if I had gone out with him for dinner, | 0:36:08 | 0:36:11 | |
I could have done that. | 0:36:11 | 0:36:13 | |
LAUGHTER | 0:36:13 | 0:36:16 | |
And then we would all have known... | 0:36:16 | 0:36:18 | |
the truth. Then maybe he wouldn't have been President! | 0:36:18 | 0:36:23 | |
Well, it's time to meet our musical guest tonight. | 0:36:28 | 0:36:31 | |
This music legend shot to fame as the enigmatic frontman of | 0:36:31 | 0:36:34 | |
The Smiths, and since then he's found huge success as a solo artist. | 0:36:34 | 0:36:39 | |
Performing his new single Spent The Day In Bed, | 0:36:39 | 0:36:41 | |
please welcome, for the first time, Morrissey! | 0:36:41 | 0:36:44 | |
CHEERING | 0:36:44 | 0:36:47 | |
# Spent the day in bed | 0:37:08 | 0:37:10 | |
# Very happy I did | 0:37:10 | 0:37:13 | |
# Yes, I spent the day in bed | 0:37:13 | 0:37:16 | |
# As the workers stay enslaved | 0:37:16 | 0:37:18 | |
# I spent the day in bed | 0:37:18 | 0:37:22 | |
# I'm not my type, but | 0:37:22 | 0:37:24 | |
# I love my bed | 0:37:24 | 0:37:27 | |
# And I recommend that you | 0:37:27 | 0:37:30 | |
# Stop watching the news | 0:37:30 | 0:37:33 | |
# Because the news contrives to frighten you | 0:37:35 | 0:37:40 | |
# To make you feel small and alone | 0:37:40 | 0:37:44 | |
# To make you feel that your mind isn't your own | 0:37:46 | 0:37:50 | |
# So I spent the day in bed | 0:37:51 | 0:37:54 | |
# It's a consolation | 0:37:54 | 0:37:56 | |
# When all my dreams | 0:37:56 | 0:38:00 | |
# Are perfectly legal | 0:38:00 | 0:38:02 | |
# In sheets for which I paid | 0:38:02 | 0:38:05 | |
# I am now laid | 0:38:05 | 0:38:07 | |
# And I recommend | 0:38:07 | 0:38:11 | |
# To all of my friends that they | 0:38:11 | 0:38:13 | |
# Stop watching the news | 0:38:13 | 0:38:17 | |
# Because the news contrives to frighten you | 0:38:18 | 0:38:23 | |
# To make you feel small and alone | 0:38:24 | 0:38:28 | |
# To make you feel that your mind isn't your own | 0:38:29 | 0:38:33 | |
# Oh, time, do as I wish | 0:38:35 | 0:38:38 | |
# Time, do as I wish | 0:38:38 | 0:38:40 | |
# Oh, time, do as I wish | 0:38:40 | 0:38:43 | |
# Time, do as I wish | 0:38:43 | 0:38:46 | |
# Oh, time, do as I wish | 0:38:46 | 0:38:49 | |
# Time, do as I wish | 0:38:49 | 0:38:51 | |
# Oh, time, do as I wish | 0:38:51 | 0:38:54 | |
# Do as I wish | 0:38:54 | 0:38:56 | |
# I spent the day in bed | 0:38:56 | 0:38:59 | |
# You can please yourself | 0:38:59 | 0:39:01 | |
# But I spent the day in bed | 0:39:01 | 0:39:05 | |
# Pillows like pillars | 0:39:05 | 0:39:08 | |
# Life ends in death | 0:39:08 | 0:39:11 | |
# So there's nothing wrong with | 0:39:11 | 0:39:13 | |
# Being good to yourself | 0:39:13 | 0:39:16 | |
# Be good to yourself for once | 0:39:16 | 0:39:19 | |
# And no bus, no boss, no rain, no train | 0:39:19 | 0:39:24 | |
# No bus, no boss, no rain, no train | 0:39:24 | 0:39:30 | |
# No bus, no boss, no rain, no train | 0:39:30 | 0:39:35 | |
# No emasculation, no castration | 0:39:35 | 0:39:40 | |
# No highway, freeway, motorway | 0:39:40 | 0:39:46 | |
# No bus, no boss, no rain, no train | 0:39:46 | 0:39:51 | |
# No bus, no boss, no rain, no train | 0:39:51 | 0:39:56 | |
# No bus, no boss, no rain, no train. # | 0:39:56 | 0:40:02 | |
CHEERING AND APPLAUSE | 0:40:05 | 0:40:08 | |
Thank you! | 0:40:08 | 0:40:09 | |
Fantastic! A big thank you to Morrissey! | 0:40:17 | 0:40:20 | |
Thank you very much. Have a seat, guys. | 0:40:20 | 0:40:23 | |
Sounded so good. | 0:40:24 | 0:40:26 | |
Sounded excellent. | 0:40:26 | 0:40:29 | |
The voice untouched by time. | 0:40:29 | 0:40:31 | |
Untouched by time. Right, that's nearly it. | 0:40:31 | 0:40:34 | |
Before we go, just time for a visit to the Big Red Chair. | 0:40:34 | 0:40:36 | |
-Who's there? Hello. -Hello. | 0:40:36 | 0:40:39 | |
-What's your name? -Simony. | 0:40:39 | 0:40:42 | |
-Lovely. And where are you from? -I'm from Brazil. | 0:40:42 | 0:40:45 | |
-No? Born and bred in Brazil? -Yes. | 0:40:45 | 0:40:48 | |
-Oh, OK. -I've been here for 11 years but, yes. | 0:40:48 | 0:40:51 | |
-OK, and what do you do here? -I'm a lawyer. | 0:40:51 | 0:40:55 | |
Are you a particular type of lawyer? | 0:40:55 | 0:40:57 | |
-Yes, I'm a particular type of lawyer. -Is it ruthless? | 0:40:57 | 0:40:59 | |
No, I wish. I do financial services. | 0:40:59 | 0:41:04 | |
Always a conversation starter. | 0:41:04 | 0:41:07 | |
Yes, it really is. | 0:41:07 | 0:41:09 | |
HE YAWNS | 0:41:09 | 0:41:11 | |
OK, off you go with your story. | 0:41:11 | 0:41:13 | |
I moved here about 11 years ago, but as a foreigner you learn English | 0:41:13 | 0:41:19 | |
as a second language and you only learn the right way to say things. | 0:41:19 | 0:41:22 | |
You don't learn swear words or anything like that. | 0:41:22 | 0:41:25 | |
So whenever I would hear a word I didn't know I would try and | 0:41:25 | 0:41:29 | |
pick from the conversation what the meaning was. | 0:41:29 | 0:41:31 | |
And I used to work amongst a number of other blokes and our | 0:41:31 | 0:41:36 | |
manager sat next to us and I would always assume that when | 0:41:36 | 0:41:39 | |
you're at work you don't swear. | 0:41:39 | 0:41:40 | |
So they would always be saying to each other, "Oh, I can't be arsed. | 0:41:40 | 0:41:43 | |
"I can't be arsed, I can't be arsed." | 0:41:43 | 0:41:45 | |
And I took that as "I can't be ASKED." | 0:41:45 | 0:41:47 | |
Because you're ASKING me to do something and I can't be ASKED. | 0:41:47 | 0:41:51 | |
So you go to meet the in-laws, or at the time the prospective in-laws, | 0:41:51 | 0:41:54 | |
as you do, and you're trying to impress, as you do, | 0:41:54 | 0:41:57 | |
and then the mother, who's, you know, perfect British lady, | 0:41:57 | 0:42:01 | |
very respectful, very elegant, she comes and asks me if I wanted | 0:42:01 | 0:42:04 | |
to do something in particular. | 0:42:04 | 0:42:06 | |
I said, "Oh, no, thank you, I can't be arsed." | 0:42:06 | 0:42:08 | |
She went, "Oh!" | 0:42:08 | 0:42:10 | |
LAUGHTER | 0:42:10 | 0:42:12 | |
What a story! | 0:42:12 | 0:42:14 | |
"No, no, I'm not swearing. I just can't be arsed." | 0:42:14 | 0:42:17 | |
"Oh, again!" | 0:42:17 | 0:42:19 | |
You can walk, you can walk. Go on, you walk, walk, walk. | 0:42:19 | 0:42:22 | |
One more? OK, we'll have one more. | 0:42:22 | 0:42:25 | |
-OK, here we go. OK. Oh, hello. -Hello. | 0:42:25 | 0:42:28 | |
-Hi. You're really tall. -Thank you. No, this chair's just small. | 0:42:28 | 0:42:31 | |
I don't think it is. How tall are you? | 0:42:31 | 0:42:33 | |
-6'2"? -Oh, not that tall. -No. -OK. | 0:42:33 | 0:42:36 | |
-What's your name? -Albert. | 0:42:36 | 0:42:37 | |
-And where you from? -I'm from Holywood in Northern Ireland. | 0:42:37 | 0:42:41 | |
Lovely. | 0:42:41 | 0:42:42 | |
-It's a nice place. -What is in... Is there a folk village or something? | 0:42:42 | 0:42:48 | |
I think it was voted 2002 Best Town in Northern Ireland or something. | 0:42:48 | 0:42:52 | |
Very good. | 0:42:52 | 0:42:54 | |
See, there's more than one Hollywood, Adam. | 0:42:54 | 0:42:56 | |
LAUGHTER | 0:42:56 | 0:42:58 | |
-And do you live there now? -No, I live here, yeah. | 0:42:58 | 0:43:01 | |
-What do you do? -I work for a big technology firm. | 0:43:01 | 0:43:04 | |
A BIG one. A BIG technology one. | 0:43:04 | 0:43:07 | |
Yeah. Big! | 0:43:07 | 0:43:10 | |
-Almost as big as me. -It's the technology that got small. | 0:43:10 | 0:43:13 | |
LAUGHTER | 0:43:13 | 0:43:16 | |
All right, off you go with your story. | 0:43:16 | 0:43:18 | |
So I used to live in China... | 0:43:18 | 0:43:20 | |
GRAHAM LAUGHS | 0:43:20 | 0:43:22 | |
While I was over there I did a bit of travelling, went to | 0:43:22 | 0:43:24 | |
Central China and went to a zoo. Pretty bad zoo. | 0:43:24 | 0:43:28 | |
I went to the infirmary enclosure, which is like the sick animals | 0:43:28 | 0:43:31 | |
are there, and there was this huge white tiger, beautiful big thing | 0:43:31 | 0:43:35 | |
in a really small cage. | 0:43:35 | 0:43:37 | |
This cage was close enough to put your hand in. | 0:43:37 | 0:43:39 | |
It was no health and safety at all. | 0:43:39 | 0:43:41 | |
And as the tiger walked towards me I was just admiring a | 0:43:41 | 0:43:43 | |
beautiful thing and it turned round and walked the other way, | 0:43:43 | 0:43:46 | |
it just lifted its tail and projectile urinated all over me, | 0:43:46 | 0:43:50 | |
in my mouth, in my eyes, in my ears. | 0:43:50 | 0:43:55 | |
-And it's a sick tiger. -Exactly, yeah. 100%. | 0:43:55 | 0:43:58 | |
And of course all these Chinese people with phones came over | 0:43:58 | 0:44:01 | |
to me and were taking pictures, going, "You're so lucky, it's amazing when that happens." | 0:44:01 | 0:44:05 | |
I didn't feel that lucky. | 0:44:05 | 0:44:08 | |
-But I'm told it is. -Flip or walk? | 0:44:08 | 0:44:11 | |
-Go for flip. -Oh, you want to be flipped? OK, there he goes. | 0:44:11 | 0:44:14 | |
Well done. | 0:44:14 | 0:44:16 | |
Well done, everyone. | 0:44:16 | 0:44:18 | |
If you'd like to join us on the show and have a go at that Red Chair, you can! | 0:44:18 | 0:44:21 | |
Just contact us via the website at this very address. | 0:44:21 | 0:44:24 | |
That is it for tonight. | 0:44:24 | 0:44:25 | |
Please say a huge thank you to my guests - Cara Delevingne! | 0:44:25 | 0:44:28 | |
CHEERING AND APPLAUSE | 0:44:28 | 0:44:30 | |
Claire Foy! | 0:44:30 | 0:44:31 | |
CHEERING AND APPLAUSE | 0:44:31 | 0:44:32 | |
Adam Sandler! | 0:44:32 | 0:44:33 | |
CHEERING AND APPLAUSE | 0:44:33 | 0:44:35 | |
And Emma Thompson! | 0:44:35 | 0:44:36 | |
CHEERING AND APPLAUSE | 0:44:36 | 0:44:38 | |
Do join me next week with comedy star Josh Gad, | 0:44:38 | 0:44:40 | |
Hollywood actress Michelle Pfeiffer, | 0:44:40 | 0:44:42 | |
Knight of the theatre Kenneth Branagh, | 0:44:42 | 0:44:44 | |
and the one and only Dame Judi Dench. | 0:44:44 | 0:44:47 | |
I'll see you then. Goodnight, everybody, bye-bye! | 0:44:47 | 0:44:49 | |
CHEERING AND APPLAUSE | 0:44:49 | 0:44:52 |