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Good evening, this is Helen Mirren saying, | 0:00:02 | 0:00:04 | |
welcome to the Graham Norton Show! | 0:00:04 | 0:00:07 | |
APPLAUSE AND CHEERING | 0:00:07 | 0:00:08 | |
This programme contains some strong language | 0:00:12 | 0:00:20 | |
Oh! | 0:00:23 | 0:00:24 | |
Ohhhh! | 0:00:24 | 0:00:26 | |
Hello, hello! Oh! | 0:00:26 | 0:00:29 | |
Oh! Oh! You're so kind. Hello, good evening, everybody. | 0:00:29 | 0:00:35 | |
You're very welcome to the show, yes, you are. | 0:00:35 | 0:00:38 | |
Thank you, that's very kind of you. | 0:00:38 | 0:00:39 | |
Now, the weather may be cold, brrr, a bit cold, | 0:00:39 | 0:00:42 | |
but the January holiday adverts have started. | 0:00:42 | 0:00:45 | |
Oh! So excited. | 0:00:45 | 0:00:47 | |
I can't decide which shithole country to visit first! | 0:00:47 | 0:00:50 | |
LAUGHTER | 0:00:50 | 0:00:51 | |
Yes, Donald's in trouble again. | 0:00:51 | 0:00:53 | |
He's alleged to have used that word in reference to | 0:00:53 | 0:00:55 | |
certain foreign countries. Yeah. But it's all cleared up now. | 0:00:55 | 0:00:59 | |
Donald Trump has explained exactly what shithole he was referring to. | 0:00:59 | 0:01:02 | |
Yeah. | 0:01:02 | 0:01:03 | |
APPLAUSE | 0:01:05 | 0:01:07 | |
President Trump also released the results | 0:01:07 | 0:01:09 | |
of his medical exam this week. | 0:01:09 | 0:01:10 | |
Trump has been given the all-clear in a medical report. | 0:01:10 | 0:01:13 | |
Yes, apparently, he is glowing with health. | 0:01:13 | 0:01:16 | |
Literally glowing with health. | 0:01:19 | 0:01:22 | |
It's like a nuclear power station. | 0:01:22 | 0:01:23 | |
The doctors did notice a small problem with Trump's artery wall | 0:01:24 | 0:01:28 | |
but the good news is the Mexicans are going to pay for it. | 0:01:28 | 0:01:31 | |
APPLAUSE | 0:01:33 | 0:01:34 | |
Apparently, Ukip leader Henry Bolton has been under pressure | 0:01:34 | 0:01:37 | |
to dump his model girlfriend because of racist texts she sent. | 0:01:37 | 0:01:42 | |
Woo, you know things are bad | 0:01:42 | 0:01:43 | |
if you're too racist for the Ukip leader. | 0:01:43 | 0:01:45 | |
Here are the lovely couple. | 0:01:47 | 0:01:49 | |
Now, as you can see, she is partial to a heavy sweater. | 0:01:49 | 0:01:53 | |
She should go out with Boris! | 0:01:56 | 0:01:58 | |
Let's get some guests on! | 0:02:01 | 0:02:02 | |
CHEERING AND APPLAUSE | 0:02:02 | 0:02:04 | |
Later, we'll have a song from the winner of BBC Music Sound Of 2018, | 0:02:04 | 0:02:08 | |
Sigrid. | 0:02:08 | 0:02:09 | |
CHEERING | 0:02:09 | 0:02:10 | |
But first, he terrified us in The Fall | 0:02:10 | 0:02:13 | |
and seduced us in Fifty Shades Of Grey. | 0:02:13 | 0:02:16 | |
Now starring in the final part of the trilogy | 0:02:16 | 0:02:18 | |
Fifty Shades Freed, it's Jamie Dornan! | 0:02:18 | 0:02:21 | |
APPLAUSE AND CHEERING | 0:02:21 | 0:02:23 | |
Woo! | 0:02:23 | 0:02:24 | |
They love you, they love you. | 0:02:24 | 0:02:26 | |
Lovely to see you. | 0:02:26 | 0:02:28 | |
Have a seat, have a seat. | 0:02:28 | 0:02:30 | |
And this man's career has spanned over four decades, | 0:02:30 | 0:02:33 | |
starring in films as diverse as Schindler's List | 0:02:33 | 0:02:36 | |
and the action hit Taken. Now he's kicking ass again in The Commuter. | 0:02:36 | 0:02:39 | |
It's the great Liam Neeson! | 0:02:39 | 0:02:41 | |
APPLAUSE AND CHEERING | 0:02:41 | 0:02:44 | |
-Hello, very good to see you. -Thank you. | 0:02:46 | 0:02:48 | |
Jamie, Liam. Liam, Jamie. | 0:02:48 | 0:02:50 | |
And she is an Oscar-winning star of stage and screen, | 0:02:52 | 0:02:56 | |
a true acting royalty. | 0:02:56 | 0:02:58 | |
Now starring in new Gothic horror Winchester, | 0:02:58 | 0:03:01 | |
it's a warm welcome back to Dame Helen Mirren! | 0:03:01 | 0:03:04 | |
APPLAUSE AND CHEERING | 0:03:04 | 0:03:06 | |
Woo! | 0:03:06 | 0:03:07 | |
Hello. Lovely to see you. | 0:03:09 | 0:03:11 | |
CHEERING AND APPLAUSE | 0:03:11 | 0:03:13 | |
-Marvellous, marvellous. -Gosh, here we are again. -Welcome. | 0:03:17 | 0:03:21 | |
I like that you brought your own drink on. That was good. | 0:03:21 | 0:03:23 | |
-They said I could. -Please do, please do. | 0:03:23 | 0:03:26 | |
I mean, Liam's brought a flask of tea! | 0:03:26 | 0:03:28 | |
It's a long bus ride. | 0:03:31 | 0:03:33 | |
This is my little security blanket. | 0:03:33 | 0:03:36 | |
He's got sandwiches in a brown paper bag. | 0:03:36 | 0:03:38 | |
-Jamie, you pre-ordered. Well done. -I did. I've learned my lesson. | 0:03:39 | 0:03:43 | |
Yeah. Now, usually, when I introduce the couch, I say, | 0:03:44 | 0:03:48 | |
"Do you all know each other?" | 0:03:48 | 0:03:50 | |
But, Jamie, you and I are a bit gooseberried | 0:03:50 | 0:03:52 | |
because I think this is the first time we've ever had this. | 0:03:52 | 0:03:55 | |
You guys, you dated at one point. | 0:03:55 | 0:03:57 | |
-Yes. -Helen and I? -Yes. -Oh, yes, darling. | 0:03:57 | 0:04:00 | |
-Yes. -We didn't date, we lived together. | 0:04:01 | 0:04:03 | |
-We lived together, yeah. -Oh, wow. -Oh, yeah. -Four years. | 0:04:03 | 0:04:06 | |
Yeah, we were a serious item for a while, yeah. | 0:04:06 | 0:04:10 | |
But I remember Ciaran Hinds and myself, | 0:04:10 | 0:04:13 | |
-we did this film Excalibur together in 1980. -Yeah. | 0:04:13 | 0:04:16 | |
Our first movie for all of us, really. | 0:04:16 | 0:04:18 | |
We were so green and ignorant about filming. | 0:04:18 | 0:04:21 | |
But I remember being out of the set, | 0:04:21 | 0:04:24 | |
this was in Ardmore Studios in Dublin and... | 0:04:24 | 0:04:28 | |
..Helen had a break. She was filming | 0:04:29 | 0:04:32 | |
but she was in costume and we were there just visiting. | 0:04:32 | 0:04:35 | |
We hadn't started work yet. | 0:04:35 | 0:04:37 | |
And the first AD or the second AD said, | 0:04:37 | 0:04:39 | |
"Would you like to meet Helen Mirren?" | 0:04:39 | 0:04:41 | |
I said, "Yeah, I'd love to." | 0:04:41 | 0:04:43 | |
So, she walked from, like, 100 yards away dressed as Morgana Le Fay | 0:04:43 | 0:04:50 | |
and Ciaran's my oldest friend and we both went, "Fuck." | 0:04:50 | 0:04:54 | |
LAUGHTER | 0:04:54 | 0:04:56 | |
You know, I was smitten. I think Ciaran was smitten too. | 0:04:58 | 0:05:01 | |
-I was certainly smitten. -I never knew that. | 0:05:01 | 0:05:03 | |
You've never told me that before. That's amazing. | 0:05:03 | 0:05:06 | |
-Aw! -Never told me that before. -Yeah, very good. | 0:05:06 | 0:05:08 | |
Now, both from Northern Ireland. Do you live really close to each other? | 0:05:08 | 0:05:13 | |
-This is the first time I've met Jamie, tonight. -Right. -Yeah, yeah. | 0:05:13 | 0:05:18 | |
-But you're Ballymena. -Yes. -And you're Holywood. | 0:05:18 | 0:05:20 | |
-Holywood, yeah. -With one L. -With one L. -That Holywood, not the... | 0:05:20 | 0:05:25 | |
And I'm Ballymena, with two Ls! | 0:05:25 | 0:05:28 | |
-I should know this. -And Helen's been there too. -To Ballymena? | 0:05:29 | 0:05:33 | |
Absolutely, yeah. To Liam's house that he grew up in with, how many? | 0:05:33 | 0:05:37 | |
Five sisters? | 0:05:37 | 0:05:38 | |
-Three. -Three sisters. -Yes. | 0:05:38 | 0:05:40 | |
She forgets! | 0:05:42 | 0:05:44 | |
In this tiny little house, you know, and these three sisters | 0:05:46 | 0:05:49 | |
and Liam, all 6'4" of him, it was amazing, absolutely amazing. | 0:05:49 | 0:05:55 | |
A wonderful experience. | 0:05:55 | 0:05:57 | |
The Northern Irish accent was just voted | 0:05:57 | 0:05:59 | |
the sexiest accent in the world. | 0:05:59 | 0:06:02 | |
-AUDIENCE: -Woo! | 0:06:02 | 0:06:04 | |
-That's because of these two guys. -It probably is, to be fair. | 0:06:04 | 0:06:07 | |
-No, that's not right. -It couldn't be right. | 0:06:07 | 0:06:10 | |
But, as sexy as it is, I know that, Jamie, your daughter mocks you | 0:06:10 | 0:06:14 | |
-for something. -She does, yeah. | 0:06:14 | 0:06:16 | |
Mocking me. Really pleased about that! | 0:06:16 | 0:06:18 | |
Just turned four and she's already mocking my accent. | 0:06:18 | 0:06:21 | |
I remember thinking it would be nice if she says the odd word | 0:06:21 | 0:06:23 | |
in an Irish accent but actually she... | 0:06:23 | 0:06:27 | |
There is a book that we read her every night called Bedtime Bear. | 0:06:27 | 0:06:32 | |
And it goes round all these different animals | 0:06:32 | 0:06:35 | |
that come out of places - there's a bison in a basin, | 0:06:35 | 0:06:38 | |
and then there's, um... | 0:06:38 | 0:06:39 | |
-IRISH ACCENT: -An "oil" in a "toil". | 0:06:39 | 0:06:41 | |
LAUGHTER | 0:06:41 | 0:06:43 | |
And my daughter is sort of like quite posh and English | 0:06:47 | 0:06:51 | |
and she's like, "An owl in a towel." | 0:06:51 | 0:06:54 | |
And then we go, "Say it like Daddy." | 0:06:54 | 0:06:56 | |
And it's amazing what she does, she goes, | 0:06:56 | 0:06:59 | |
"An oil in a toil." | 0:06:59 | 0:07:01 | |
Genius like that, it's very good. | 0:07:03 | 0:07:05 | |
Now, we've got three movies to talk about tonight. | 0:07:06 | 0:07:09 | |
It couldn't be more different. We've got horror, action | 0:07:09 | 0:07:12 | |
and, of course, sex. | 0:07:12 | 0:07:13 | |
-AUDIENCE: -Woo! | 0:07:13 | 0:07:15 | |
Now, Helen's film, Winchester, | 0:07:16 | 0:07:18 | |
it's out on the 2nd of February. | 0:07:18 | 0:07:20 | |
It's a spooky, supernatural film but what makes it stand apart is | 0:07:20 | 0:07:25 | |
this is true, it's a true story. | 0:07:25 | 0:07:28 | |
Well, it's a ghost story and it's a ghost movie, | 0:07:28 | 0:07:30 | |
but it's based on a true... | 0:07:30 | 0:07:32 | |
Certainly, the house exists, it's called the Winchester House. | 0:07:32 | 0:07:36 | |
It was an extraordinary house built by this woman Sarah Winchester | 0:07:36 | 0:07:39 | |
who I am playing who inherited the huge, massive fortune | 0:07:39 | 0:07:44 | |
from the sale of the Winchester rifle. | 0:07:44 | 0:07:47 | |
and the legend was that she was building this | 0:07:47 | 0:07:50 | |
really extraordinary, complex and weird house | 0:07:50 | 0:07:54 | |
where you have stairways that go nowhere, | 0:07:54 | 0:07:56 | |
you have doors in cupboards that lead secretly into other cupboards | 0:07:56 | 0:08:00 | |
that lead into another room. | 0:08:00 | 0:08:03 | |
It's just the most extraordinary place. | 0:08:03 | 0:08:05 | |
And the theory was that she built this to placate the ghosts | 0:08:05 | 0:08:10 | |
of the people who were killed by the Winchester rifle, | 0:08:10 | 0:08:13 | |
-the first repeating rifle ever invented. -Yes. | 0:08:13 | 0:08:16 | |
Before that, it was having to load the musket | 0:08:16 | 0:08:18 | |
which would take two minutes before you could fire one more shot. | 0:08:18 | 0:08:22 | |
This was a repeating rifle and you could just shoot ten people in a go. | 0:08:22 | 0:08:28 | |
-So... -Made famous, sorry, darling, by Jimmy Stewart. | 0:08:28 | 0:08:31 | |
-Winchester 73 I think it was called. -That's right, the movie, yeah. | 0:08:31 | 0:08:36 | |
But it's not just her. People do claim this house is | 0:08:36 | 0:08:40 | |
an incredibly haunted house and full of ghosts. | 0:08:40 | 0:08:42 | |
Well, they do. Whether it is... | 0:08:42 | 0:08:44 | |
I honestly felt, being there, | 0:08:44 | 0:08:45 | |
I don't know if I would have liked to have been there for the night | 0:08:45 | 0:08:48 | |
with only a lighted candle, kind of thing, | 0:08:48 | 0:08:51 | |
but I felt the feeling in the house was one of, | 0:08:51 | 0:08:57 | |
was a nice feeling, it wasn't a nasty feeling. | 0:08:57 | 0:09:01 | |
It wasn't an aggressive, violent... | 0:09:01 | 0:09:04 | |
There was a sweetness about it. | 0:09:04 | 0:09:07 | |
I mean, I do believe houses... | 0:09:07 | 0:09:09 | |
I don't believe in ghosts, incidentally, | 0:09:09 | 0:09:11 | |
except I did think I saw a ghost on my wedding night, funnily enough. | 0:09:11 | 0:09:14 | |
-Oh, yes! -That's another story. | 0:09:14 | 0:09:16 | |
-It wasn't my husband. -OK. | 0:09:16 | 0:09:19 | |
It wasn't a sheet shifting! | 0:09:19 | 0:09:20 | |
It was you in a suit of armour. | 0:09:21 | 0:09:23 | |
IRISH ACCENT: "Don't do it, Helen, don't do it." | 0:09:25 | 0:09:27 | |
APPLAUSE | 0:09:29 | 0:09:31 | |
But part of the story is that they're trying to see | 0:09:34 | 0:09:38 | |
if you're mentally fit to run the company. | 0:09:38 | 0:09:40 | |
They're trying to get the company off you. | 0:09:40 | 0:09:42 | |
Yes, exactly. That's the story that we tell. | 0:09:42 | 0:09:45 | |
A psychiatrist is coming because they think she's gone mad, | 0:09:45 | 0:09:49 | |
basically gone nuts, | 0:09:49 | 0:09:51 | |
and they want to wrest control of the company away from her. | 0:09:51 | 0:09:54 | |
Well, this is the clip. It's the psychiatrist played by Jason Clarke | 0:09:54 | 0:09:57 | |
and he's observing you communicating with the spirits. | 0:09:57 | 0:10:01 | |
SHE GASPS AND WHIMPERS | 0:10:30 | 0:10:34 | |
APPLAUSE | 0:10:49 | 0:10:50 | |
Oh! | 0:10:50 | 0:10:52 | |
-Never fails, does it? -It's good. | 0:10:57 | 0:10:59 | |
Everyone OK? Everyone OK? | 0:10:59 | 0:11:00 | |
Medics! | 0:11:02 | 0:11:03 | |
Mind you, talking of spooky, supernatural things, | 0:11:04 | 0:11:08 | |
I don't know if you've seen this, | 0:11:08 | 0:11:09 | |
this photograph appeared on the internet. | 0:11:09 | 0:11:12 | |
And you'd think, yes, it is a bit spooky. But not completely spooky. | 0:11:12 | 0:11:16 | |
And then you go a little closer. You go a little closer. | 0:11:16 | 0:11:19 | |
OK? And you think, ooh, that is quite spooky. | 0:11:19 | 0:11:23 | |
-Can anyone see what it is yet? -You have a face? | 0:11:23 | 0:11:25 | |
-There's a face on the knee. -Let's go a little closer, a little closer. | 0:11:25 | 0:11:28 | |
If you can't see it yet we will help you graphically here. | 0:11:28 | 0:11:32 | |
Oh! | 0:11:32 | 0:11:34 | |
LAUGHTER | 0:11:35 | 0:11:36 | |
It's... | 0:11:36 | 0:11:37 | |
It's Liam Knee-son. | 0:11:40 | 0:11:43 | |
LAUGHTER | 0:11:43 | 0:11:44 | |
APPLAUSE | 0:11:47 | 0:11:48 | |
-That's great. -You're not the only person to show up in unusual places. | 0:11:48 | 0:11:52 | |
Please tell me there's one of me, too. | 0:11:52 | 0:11:55 | |
No, actually, no. Actually, no. | 0:11:55 | 0:11:57 | |
This one, oh, actually, there is one that could be you. | 0:11:57 | 0:12:01 | |
So, someone was making a salad, | 0:12:01 | 0:12:03 | |
just chopping a pepper. They chopped it and then saw... | 0:12:03 | 0:12:06 | |
Can you tell who that is? Do you know who that is? | 0:12:06 | 0:12:08 | |
It looks like a cartoon of, um, er... | 0:12:08 | 0:12:12 | |
Somebody yelling. | 0:12:12 | 0:12:13 | |
No, it's a cartoon of, um... | 0:12:13 | 0:12:18 | |
It's not a cartoon. I'll stop you now. | 0:12:18 | 0:12:20 | |
-OK. -I'll show you. It is... | 0:12:20 | 0:12:23 | |
Sly? | 0:12:23 | 0:12:24 | |
Well done, you. Particularly in that picture it's him. | 0:12:25 | 0:12:28 | |
-Not really. -This person kept on chopping, | 0:12:28 | 0:12:32 | |
chose an onion next, chopped up the onion. | 0:12:32 | 0:12:35 | |
That is, of course, | 0:12:36 | 0:12:37 | |
Whoopi Goldberg. There you go. | 0:12:37 | 0:12:39 | |
Then someone was eating a cookie, a very ordinary cookie. | 0:12:43 | 0:12:46 | |
But look who's in the cookie. | 0:12:46 | 0:12:48 | |
It's none other than | 0:12:48 | 0:12:49 | |
Sir Winston Churchill. | 0:12:49 | 0:12:50 | |
Some of them are pretty easy. | 0:12:52 | 0:12:54 | |
-Obviously, this walnut is Chewbacca. -Yes. | 0:12:54 | 0:12:58 | |
Some of them aren't so easy. | 0:12:58 | 0:13:00 | |
Now, this one, it's some damp on a wall. | 0:13:00 | 0:13:04 | |
This could be you, Jamie, that could be you. | 0:13:04 | 0:13:06 | |
-Well, yes. -Liam, Helen, me. | 0:13:06 | 0:13:08 | |
It looks like Abraham Lincoln, actually. | 0:13:08 | 0:13:10 | |
That's a nice... | 0:13:10 | 0:13:11 | |
Does anyone want to guess who that's supposed to be? | 0:13:11 | 0:13:14 | |
-David Bowie? -Robert de Niro. | 0:13:14 | 0:13:16 | |
No, not Robert de Niro. I'll stop it. That is... | 0:13:16 | 0:13:18 | |
-Jean-Claude Van Damme. -What? -Jean-Claude Van Damme. | 0:13:18 | 0:13:21 | |
That's a very good guess. But no. | 0:13:21 | 0:13:24 | |
Jean-Claude van Damp! | 0:13:24 | 0:13:25 | |
Funny. | 0:13:27 | 0:13:28 | |
-No, that's supposed to be David Beckham. -I was about to say it. | 0:13:29 | 0:13:32 | |
-Oh! He was about to say it! -I didn't want to make a fool out of myself. | 0:13:32 | 0:13:35 | |
I can't see any face in there whatsoever. | 0:13:35 | 0:13:38 | |
There's two eyes, a nose, a mouth, some hair and a lot of damp. | 0:13:38 | 0:13:42 | |
And finally, someone was walking on the streets of Paris | 0:13:44 | 0:13:47 | |
and they noticed the President of the United States. | 0:13:47 | 0:13:49 | |
APPLAUSE | 0:13:52 | 0:13:54 | |
OK. | 0:13:54 | 0:13:55 | |
Liam Neeson's new movie, thrills and spills aplenty, | 0:13:55 | 0:13:58 | |
it's called The Commuter, it's out now. | 0:13:58 | 0:14:00 | |
It is one of those movies that's got it all. | 0:14:00 | 0:14:03 | |
It's got action, suspense, thrills. | 0:14:03 | 0:14:06 | |
It has been described as having a feel of a Hitchcock movie. | 0:14:06 | 0:14:08 | |
Stephen King was very complimentary about it, wasn't he? | 0:14:08 | 0:14:11 | |
Stephen King, it cost me a lot of money! | 0:14:11 | 0:14:13 | |
Yeah, he was very complimentary. | 0:14:14 | 0:14:17 | |
Yeah, it's called The Commuter. I play an insurance salesman... | 0:14:17 | 0:14:21 | |
HE CHUCKLES | 0:14:21 | 0:14:23 | |
It's not funny. | 0:14:24 | 0:14:25 | |
..who gets sacked from his job because he's reached the age of 60. | 0:14:27 | 0:14:32 | |
He's mortgaged up to the hilt, he has a kid about to start college. | 0:14:32 | 0:14:37 | |
He gets on the train to go back - this is set in New York - | 0:14:37 | 0:14:42 | |
to go back to upstate New York to tell his wife, | 0:14:42 | 0:14:45 | |
break the news he has no job. | 0:14:45 | 0:14:47 | |
And he is approached on the train by a very mysterious, | 0:14:47 | 0:14:51 | |
attractive lady played by Vera Farmiga... | 0:14:51 | 0:14:55 | |
-I don't know if you know her. -Oh, yes. -A wonderful actor. | 0:14:55 | 0:14:58 | |
..to say, would you do this little thing for a large sum of money? | 0:14:58 | 0:15:03 | |
Which is to find a passenger on this commuter train that doesn't belong. | 0:15:03 | 0:15:10 | |
And you have to find him or her before the train reaches | 0:15:11 | 0:15:14 | |
the final destination. | 0:15:14 | 0:15:16 | |
And this one little thing, would you do it? | 0:15:16 | 0:15:20 | |
My character accepts that, you know. | 0:15:20 | 0:15:22 | |
Of course, it leads to a whole labyrinth | 0:15:22 | 0:15:25 | |
of a huge criminal conspiracy. | 0:15:25 | 0:15:27 | |
And the strange thing is, of course, with movies, | 0:15:27 | 0:15:31 | |
this train, the line that it's based on goes past my house, | 0:15:31 | 0:15:36 | |
upstate New York. I've been on this train maybe 80 times. | 0:15:36 | 0:15:40 | |
You must have thought, oh, how lovely, | 0:15:40 | 0:15:42 | |
this is seven minutes from my house, five minutes from my house. | 0:15:42 | 0:15:45 | |
Exactly. And, for tax reasons, they shot it | 0:15:45 | 0:15:50 | |
on a sound stage in Pinewood. | 0:15:50 | 0:15:53 | |
LAUGHTER | 0:15:53 | 0:15:55 | |
And they built a carriage, a carriage and a half, | 0:15:55 | 0:15:58 | |
-and there's supposed to be seven carriages. -Beautiful. -So... | 0:15:58 | 0:16:01 | |
Those scenes when you run the length of the train? | 0:16:01 | 0:16:05 | |
-That took, like, a week to do that. -LAUGHTER | 0:16:05 | 0:16:08 | |
Because we just had one carriage. | 0:16:08 | 0:16:10 | |
You'd never be out of breath. It was good. | 0:16:12 | 0:16:14 | |
No wonder you looked so fit going down that train. | 0:16:17 | 0:16:19 | |
And the art department slightly changed the carriage | 0:16:19 | 0:16:24 | |
when you go home at night. | 0:16:24 | 0:16:26 | |
So, for three days, you shoot in carriage one. | 0:16:26 | 0:16:30 | |
And then, over the weekend, they'd alter | 0:16:30 | 0:16:32 | |
the seating arrangement slightly for it to be carriage three | 0:16:32 | 0:16:35 | |
for when you get back to work on Monday. | 0:16:35 | 0:16:39 | |
Was there anything out of the windows? Nothing? | 0:16:39 | 0:16:41 | |
-Just green screen, yeah. -So, that all happened in post... | 0:16:41 | 0:16:44 | |
That all happened afterwards, yeah. | 0:16:44 | 0:16:46 | |
I mean, bearing that in mind, this is phenomenal. | 0:16:46 | 0:16:48 | |
This is you in action. This is you being very annoyed | 0:16:48 | 0:16:52 | |
with a fellow passenger. | 0:16:52 | 0:16:54 | |
-Who are you? -Calm down. | 0:16:57 | 0:16:59 | |
Why are you following me? | 0:16:59 | 0:17:00 | |
Are you the reason they're searching passengers? | 0:17:01 | 0:17:04 | |
GRUNTING | 0:17:09 | 0:17:11 | |
GASPING AND GRUNTING | 0:17:23 | 0:17:25 | |
-Who are you? What do you know? -GURGLING | 0:17:27 | 0:17:30 | |
Oh! | 0:17:32 | 0:17:34 | |
It is amazing! | 0:17:34 | 0:17:35 | |
Yeah. | 0:17:35 | 0:17:37 | |
You know, I was once on a train with Liam, | 0:17:40 | 0:17:43 | |
travelling from Dublin to Belfast, | 0:17:43 | 0:17:45 | |
and the amazing thing was that he knew everybody on the train. | 0:17:45 | 0:17:51 | |
I think it's a bit of an Irish thing. | 0:17:53 | 0:17:55 | |
-I'd say it is. -But it was like, "Oh, hi, how are you?" | 0:17:55 | 0:17:57 | |
"Oh, how are you doing?" "How's your mum?" | 0:17:57 | 0:18:00 | |
"Oh, I saw your auntie, like, three months ago." | 0:18:00 | 0:18:04 | |
Literally, every person on the train he knew. | 0:18:04 | 0:18:06 | |
Jamie, you've a thing, when you go back to Northern Ireland, | 0:18:08 | 0:18:11 | |
-you think people are coming up to talk to you. -Yeah, they're not. | 0:18:11 | 0:18:15 | |
They want to talk about my dad. | 0:18:16 | 0:18:18 | |
My dad's an obstetrician and gynaecologist from home | 0:18:18 | 0:18:22 | |
and he's delivered over 6,000 babies in Northern Ireland, | 0:18:22 | 0:18:27 | |
which is a tiny place, so, a lot of people... | 0:18:27 | 0:18:29 | |
-Almost every woman knows him. -Almost every woman knows him. | 0:18:29 | 0:18:33 | |
So, yeah, I'll be at a pub or something | 0:18:34 | 0:18:36 | |
and someone will come up and I'll go, this'll be nice. | 0:18:36 | 0:18:38 | |
A big fan of The Fall or something. | 0:18:38 | 0:18:41 | |
And then they'll be like, can I just say that your dad delivered me? | 0:18:41 | 0:18:46 | |
Is that it? Anything else? No, that's it. | 0:18:49 | 0:18:52 | |
Talking of fans approaching people, | 0:18:53 | 0:18:57 | |
after Taken, obviously, you got a lot of fan attention | 0:18:57 | 0:19:00 | |
and people coming up to you. | 0:19:00 | 0:19:01 | |
Tell us the story about... Were you in a gents or something? | 0:19:01 | 0:19:05 | |
Yeah, it's happened a few times, actually. | 0:19:05 | 0:19:08 | |
You're in a gents and you're doing your business | 0:19:08 | 0:19:13 | |
and someone looks at you and you're up against the wall | 0:19:13 | 0:19:18 | |
and you're doing your business, | 0:19:18 | 0:19:21 | |
and someone starts quoting lines from the film. | 0:19:21 | 0:19:23 | |
You're thinking, fuck, if I hear this one more time. | 0:19:25 | 0:19:27 | |
LAUGHTER | 0:19:27 | 0:19:29 | |
And then they finish and they zip themselves up | 0:19:29 | 0:19:31 | |
and they go, how are you doing? | 0:19:31 | 0:19:34 | |
LAUGHTER | 0:19:34 | 0:19:36 | |
That's the handshake of a man who's also had that happen to him. | 0:19:37 | 0:19:40 | |
I've had arguably worse. I've had a guy in a toilet, | 0:19:40 | 0:19:43 | |
doing the business. | 0:19:43 | 0:19:45 | |
I wasn't doing the business with him. | 0:19:45 | 0:19:47 | |
LAUGHTER | 0:19:47 | 0:19:48 | |
We were peeing at the same time in the toilet. | 0:19:48 | 0:19:50 | |
And he was like... | 0:19:50 | 0:19:53 | |
.."Oh, you're your man!" | 0:19:54 | 0:19:55 | |
I'd say, "Um, your man, yeah." | 0:19:55 | 0:19:57 | |
He goes, "I'd love a picture." | 0:19:57 | 0:19:58 | |
I say, "Do you mind if we just wait... | 0:19:58 | 0:20:00 | |
"..two minutes?" He goes, no, my wife will love it if we get it here. | 0:20:01 | 0:20:04 | |
I go, "No, no." | 0:20:04 | 0:20:05 | |
"No, no, no." Yeah. | 0:20:07 | 0:20:09 | |
Cos actually women are at an advantage, aren't they, because... | 0:20:09 | 0:20:12 | |
-No, we're at a huge disadvantage cos we have to queue. -Oh. -Yes. | 0:20:12 | 0:20:16 | |
And the worst thing is to be stuck in the queue, you know, | 0:20:16 | 0:20:19 | |
-wherever, in the airport or in the theatre or wherever it is... -Yes. | 0:20:19 | 0:20:24 | |
..and you can't go anywhere and you're just stuck there, you know, | 0:20:24 | 0:20:28 | |
and then as word goes down the line that you're there... | 0:20:28 | 0:20:32 | |
You can't say, "Oh, I've changed my mind. I don't need to go." | 0:20:32 | 0:20:34 | |
I do, I changed my mind. I'll go and pee in the alleyway. | 0:20:34 | 0:20:39 | |
Now, Jamie Dornan's film Fifty Shades Freed, | 0:20:41 | 0:20:45 | |
it opens the 9th of February, and this is the third part... | 0:20:45 | 0:20:48 | |
WHOOPING AND APPLAUSE | 0:20:48 | 0:20:50 | |
With the strapline, "Don't miss the climax". | 0:20:50 | 0:20:54 | |
-They're all here, Jamie, they're all here. -Yeah. | 0:20:54 | 0:20:56 | |
They're right there. | 0:20:56 | 0:20:57 | |
-We didn't do that on purpose. -No, I like that. That's good. | 0:21:00 | 0:21:02 | |
They're obviously just very aggressive and fought their way | 0:21:02 | 0:21:05 | |
to the front of the queue. | 0:21:05 | 0:21:08 | |
So, this, I mean, it is a phenomenon, this thing. | 0:21:08 | 0:21:11 | |
-The trailer for this one came out... -Yeah. | 0:21:11 | 0:21:14 | |
..and within hours, it had been watched by 26 million people, | 0:21:14 | 0:21:18 | |
-the trailer. -Yeah. -I mean, that's incredible. | 0:21:18 | 0:21:21 | |
-That's lunacy, that's what that is. -Yeah, it really is. | 0:21:21 | 0:21:23 | |
And, of course, it must be odd, because you finished this film | 0:21:23 | 0:21:25 | |
a long time ago. You shot at the same time... | 0:21:25 | 0:21:28 | |
Yeah, we shot the second and third back-to-back, | 0:21:28 | 0:21:30 | |
so, you know, over a year and a half ago now since we finished, | 0:21:30 | 0:21:33 | |
so it sort of feels like a bit of a... | 0:21:33 | 0:21:35 | |
-It just feels in the past to me, a wee bit... -Yeah. | 0:21:35 | 0:21:38 | |
..and we've all done... | 0:21:38 | 0:21:39 | |
I had a very busy schedule up until now, | 0:21:39 | 0:21:42 | |
-so it's kind of weird to be talking about it now. -Yeah. | 0:21:42 | 0:21:44 | |
But here it is, and people want to see it. | 0:21:44 | 0:21:46 | |
There they are. CHEERING | 0:21:46 | 0:21:49 | |
Yeah, those people. Now, this isn't a spoiler | 0:21:49 | 0:21:51 | |
cos it's in the trailer and everyone's seen the trailer, | 0:21:51 | 0:21:53 | |
so in this one, Anastasia Steele, she's pregnant, | 0:21:53 | 0:21:57 | |
she is with child. | 0:21:57 | 0:21:59 | |
Did you...? Is that not...? Are you not in these scenes? | 0:21:59 | 0:22:02 | |
-Probably... -I mean, God knows you've had enough sex. I mean... | 0:22:02 | 0:22:06 | |
It was only a matter of time. | 0:22:08 | 0:22:10 | |
She was meant to be, she was meant to be better about that. | 0:22:10 | 0:22:14 | |
Oh, I see. Oh, well... | 0:22:14 | 0:22:15 | |
There was meant to be things in place that meant | 0:22:15 | 0:22:17 | |
-that we didn't have kids. -Oh, OK. | 0:22:17 | 0:22:19 | |
The other thing that was in the trailer that, oh, | 0:22:19 | 0:22:21 | |
people have gone crazy for this, this is Jamie's James Bond moment, | 0:22:21 | 0:22:26 | |
when he comes from the sea. | 0:22:26 | 0:22:28 | |
CHEERING | 0:22:28 | 0:22:30 | |
It's like we paid you to make these noises. | 0:22:30 | 0:22:33 | |
So you left Vancouver. That isn't Vancouver, is it? | 0:22:33 | 0:22:35 | |
That is definitely not Vancouver, no. | 0:22:35 | 0:22:37 | |
-That's in the south of France. -Lovely! -Nice. -Yeah, lovely. | 0:22:37 | 0:22:39 | |
And, to be honest, we did that right at the end of the shoot, | 0:22:39 | 0:22:42 | |
after, you know, this whole sort of... | 0:22:42 | 0:22:44 | |
..massive journey, and all the stuff in France was jet skiing around | 0:22:44 | 0:22:49 | |
and swimming and mucking about on bikes, | 0:22:49 | 0:22:51 | |
and it was actually a bit of a holiday, to be honest. | 0:22:51 | 0:22:53 | |
But that was horrendous. | 0:22:53 | 0:22:54 | |
I mean, look, if they just tilted the camera down, | 0:22:54 | 0:22:57 | |
that whole moment, it was awful. | 0:22:57 | 0:23:00 | |
We had... | 0:23:00 | 0:23:02 | |
..the beach semi sort of closed off, | 0:23:02 | 0:23:05 | |
but actually there were loads of people on there | 0:23:05 | 0:23:07 | |
that we didn't have control over, | 0:23:07 | 0:23:08 | |
and then there was a beach down here and a big wall | 0:23:08 | 0:23:11 | |
and a street up there with hundreds of fans and paparazzi | 0:23:11 | 0:23:14 | |
and all just trying to get shots, | 0:23:14 | 0:23:16 | |
cos Dakota's wearing a tiny wee bikini and I'm wearing | 0:23:16 | 0:23:19 | |
whatever that clobber is. And so they had this whole thing, | 0:23:19 | 0:23:22 | |
they want me to be sexy coming out of the water | 0:23:22 | 0:23:25 | |
and the whole James Bond thing, but it's not a sand beach. | 0:23:25 | 0:23:28 | |
-It's one of those wee pebble beaches. -Oh, pebbles! | 0:23:28 | 0:23:30 | |
-"Ow! Ow! Ow!" -Literally, we've all been there, like, | 0:23:32 | 0:23:34 | |
you cannot look cool coming out of the water like that. | 0:23:34 | 0:23:37 | |
I was literally going, like, "I can't, guys." We did one take | 0:23:37 | 0:23:40 | |
and I was going... | 0:23:40 | 0:23:41 | |
And they were like... | 0:23:44 | 0:23:45 | |
-And all the paparazzi... -HE MIMICS CAMERA FLASHES | 0:23:45 | 0:23:47 | |
"Guys, we're going to have to change something up here, | 0:23:47 | 0:23:50 | |
-"help me out." -Yeah. -So they put down, like, a wee carpet. | 0:23:50 | 0:23:52 | |
That didn't really kind of work. | 0:23:54 | 0:23:56 | |
It was kind of down but they put rocks on it | 0:23:56 | 0:23:58 | |
to try and keep it still. But it wasn't like a platform, | 0:23:58 | 0:24:01 | |
there were still rocks underneath. | 0:24:01 | 0:24:03 | |
And then I ended up wearing those little sort of guppy shoe things. | 0:24:03 | 0:24:08 | |
And it was like... They were like gel shoes. | 0:24:08 | 0:24:11 | |
And no-one in the world has looked sexy in those. | 0:24:11 | 0:24:15 | |
And, actually, I had to see the movie last week to do press for it, | 0:24:15 | 0:24:18 | |
and this whole thing, I mean, they used that as a still, | 0:24:18 | 0:24:21 | |
-but my exit from the thing isn't in the movie. -Oh! | 0:24:21 | 0:24:26 | |
-Oh! -That might be a pretty crap spoiler but... -Yep. | 0:24:27 | 0:24:30 | |
DVD extras, DVD extras. | 0:24:30 | 0:24:32 | |
Let's watch a clip. This is yourself and Anastasia | 0:24:32 | 0:24:35 | |
-discussing your relationship. -OK. | 0:24:35 | 0:24:38 | |
You do want to have kids someday, right? | 0:24:38 | 0:24:40 | |
Someday, sure. | 0:24:41 | 0:24:43 | |
You don't really sound sure. | 0:24:46 | 0:24:48 | |
You know what I am sure about? | 0:24:48 | 0:24:50 | |
-Hm? -That's great steak. | 0:24:50 | 0:24:52 | |
Christian... | 0:24:52 | 0:24:53 | |
..do you not want to have kids? | 0:24:58 | 0:25:00 | |
Of course, one day. Just... | 0:25:00 | 0:25:03 | |
..not now. | 0:25:03 | 0:25:05 | |
I'm not ready to share you with anyone. | 0:25:05 | 0:25:07 | |
CHEERING AND APPLAUSE | 0:25:15 | 0:25:18 | |
You know, I have to say, | 0:25:24 | 0:25:25 | |
I loved this guy from The Fall, which is a fantastic series. | 0:25:25 | 0:25:30 | |
I can't watch those films because I made a movie with Dakota's mum | 0:25:30 | 0:25:35 | |
nine years ago, and I used to swing Dakota round... | 0:25:35 | 0:25:39 | |
..at the age of two. | 0:25:40 | 0:25:42 | |
So I just can't... | 0:25:42 | 0:25:44 | |
I can't see her as an adult, so forgive me. | 0:25:44 | 0:25:47 | |
I think I've swung her around a wee bit, too. | 0:25:47 | 0:25:50 | |
APPLAUSE AND CHEERING | 0:25:51 | 0:25:54 | |
-But even though this is the final film... -Yep. | 0:25:58 | 0:26:00 | |
It's the final film, this is a bit of a spoiler, | 0:26:00 | 0:26:03 | |
sorry to disappoint everyone, you still don't go fully nude. | 0:26:03 | 0:26:06 | |
There's still no fully nude. Even on set you didn't go fully nude. | 0:26:06 | 0:26:10 | |
-It's true, he didn't go fully nude. -Why are you saying it like that? | 0:26:13 | 0:26:16 | |
I don't know. | 0:26:16 | 0:26:18 | |
-I don't know. -I think on set I was fully nude | 0:26:18 | 0:26:21 | |
but it wasn't part of the sort of creative process. | 0:26:21 | 0:26:24 | |
Oh, I thought the costume department made sure you were not fully nude. | 0:26:24 | 0:26:28 | |
Oh, I know where you're going. | 0:26:28 | 0:26:30 | |
OK, so I don't know... | 0:26:30 | 0:26:32 | |
I'm sure you guys have had to deal with this. | 0:26:32 | 0:26:34 | |
You get like a modesty patch for a woman, | 0:26:34 | 0:26:36 | |
like a little sort of strip that goes down there, | 0:26:36 | 0:26:39 | |
and for guys you get a wee pouch, like a... | 0:26:39 | 0:26:41 | |
It looks like something Robin Hood would carry coins in. | 0:26:41 | 0:26:44 | |
And it's got, like, a wee drawstring. | 0:26:45 | 0:26:48 | |
And on the first time we had to do a sex scene | 0:26:48 | 0:26:51 | |
in Fifty Shades Of Grey, the first movie, which is, what? | 0:26:51 | 0:26:54 | |
Four or five years ago now and... | 0:26:54 | 0:26:58 | |
..I was saying, "I've never had to wear one of these before," whatever. | 0:26:58 | 0:27:01 | |
And in my trailer they had a little display on a little velvet box | 0:27:01 | 0:27:06 | |
with all of these different pouches for your bits. | 0:27:06 | 0:27:09 | |
-Different colours or different...? -Yeah. No, all skin toned. | 0:27:09 | 0:27:13 | |
-What, different sizes? -Different sizes. Different sizes. | 0:27:13 | 0:27:18 | |
Different sizes, you know, from small up to whatever. | 0:27:18 | 0:27:22 | |
So I picked one out and thought, "I suppose I should try this on. | 0:27:23 | 0:27:28 | |
"Locked my trailer door here. Try this on. | 0:27:28 | 0:27:31 | |
"Oh, that feels all right." | 0:27:31 | 0:27:32 | |
And then I took it off and went, "I guess it's all right." | 0:27:32 | 0:27:34 | |
And as I took it off, it had a little stitch on the side that said, | 0:27:34 | 0:27:37 | |
"Inmate number three." | 0:27:37 | 0:27:39 | |
-Ooh. -And it's clearly been used... | 0:27:40 | 0:27:42 | |
-Eww! -..in some other film | 0:27:42 | 0:27:45 | |
where, like, some massive, like, prisoner has worn it. | 0:27:45 | 0:27:51 | |
But it was the one I was sort of most attached to so I sort of... | 0:27:51 | 0:27:54 | |
I think I just grinned and beared it, really. | 0:27:54 | 0:27:57 | |
-Ugh! -You have to grin and bear it. -You do. -It's all you can do. | 0:27:57 | 0:28:00 | |
Helen and I had a love scene. I don't think it's in Excalibur. | 0:28:00 | 0:28:03 | |
No, they cut it out. They should put it back in. | 0:28:03 | 0:28:06 | |
-We had a love scene... -It would be, like, historic now. | 0:28:06 | 0:28:08 | |
And I was in a suit of armour. | 0:28:08 | 0:28:11 | |
-And it was cut out. -It was cut out. -Yes. -And do you remember | 0:28:11 | 0:28:14 | |
there was a huge eagle, they had a big eagle sitting on a perch, too? | 0:28:14 | 0:28:16 | |
-Vaguely remember, yeah. -Yeah. -Like a real eagle? -Yes, yeah. | 0:28:16 | 0:28:21 | |
Was it a real one? | 0:28:21 | 0:28:22 | |
-Yeah, it was a real eagle. -What, really?! -Yeah, yeah, yeah. | 0:28:22 | 0:28:25 | |
-But... -You were obsessed with me at the time. | 0:28:27 | 0:28:29 | |
-I only had eyes for you, Liam. -You didn't notice the eagle. | 0:28:29 | 0:28:33 | |
-I didn't notice the eagle. -APPLAUSE | 0:28:33 | 0:28:37 | |
But, Helen, you were then, of course, | 0:28:38 | 0:28:40 | |
were in one of those first kind of mainstream | 0:28:40 | 0:28:43 | |
kind of sexually explicit films, Caligula. | 0:28:43 | 0:28:45 | |
Well, it wasn't really mainstream. I mean, when it came out, | 0:28:45 | 0:28:49 | |
it actually only played in triple-X cinemas, | 0:28:49 | 0:28:52 | |
which is interesting, because now... | 0:28:52 | 0:28:54 | |
And I remember doing an interview at the time, saying, | 0:28:54 | 0:28:57 | |
"Yeah, it's really shocking now but I'm pretty sure that | 0:28:57 | 0:29:01 | |
"in 20 or 30 years' time, | 0:29:01 | 0:29:03 | |
"they'll be showing this kind of stuff on television." | 0:29:03 | 0:29:06 | |
-Yeah. -And I was absolutely right, | 0:29:06 | 0:29:08 | |
because you look at what's on television now. | 0:29:08 | 0:29:10 | |
But, yeah, at the time, Caligula was out there, yeah. | 0:29:10 | 0:29:14 | |
And is it true that this was the movie | 0:29:14 | 0:29:16 | |
that your mother chose to visit the set? | 0:29:16 | 0:29:18 | |
My mum did visit the set - she did, absolutely. | 0:29:18 | 0:29:21 | |
It was the kind of set where, if you had clothes on, | 0:29:21 | 0:29:23 | |
it was a little bit embarrassing, | 0:29:23 | 0:29:26 | |
because nobody had any clothes on at all. | 0:29:26 | 0:29:29 | |
Little, maybe little wisps of see-through blue silk or something. | 0:29:29 | 0:29:34 | |
And I remember my mum sitting there | 0:29:34 | 0:29:35 | |
and she chatted, as you know, Liam, easily to anyone. | 0:29:35 | 0:29:40 | |
And she was sitting on the set with these two enormous golden penises. | 0:29:40 | 0:29:47 | |
It was ancient Rome. | 0:29:47 | 0:29:49 | |
And she's sitting there on her little chair | 0:29:50 | 0:29:53 | |
and one of the extras, very sweetly, completely naked | 0:29:53 | 0:29:56 | |
except from a little bit of blue stuff, | 0:29:56 | 0:29:59 | |
came and sat next to her, and she was just chatting away to him. | 0:29:59 | 0:30:02 | |
"So, what do you do?" You know? | 0:30:02 | 0:30:04 | |
"Oh, you're an extra. What is an extra? | 0:30:04 | 0:30:06 | |
"What do they do?" | 0:30:06 | 0:30:09 | |
What was she wearing? | 0:30:09 | 0:30:11 | |
Oh, she was wearing, you know, a nice...English lady's outfit. | 0:30:11 | 0:30:16 | |
I can't remember what she was wearing! | 0:30:16 | 0:30:18 | |
Probably a knitted sweater from Marks & Spencer or something. | 0:30:18 | 0:30:22 | |
-Proper. -Yeah, very proper. | 0:30:22 | 0:30:25 | |
Now, obviously, three sex symbols on our couch tonight - | 0:30:25 | 0:30:28 | |
but, Jamie Dornan, | 0:30:28 | 0:30:30 | |
oddly you arrived at sex symbol status quite late in life. | 0:30:30 | 0:30:35 | |
-I did. -Yes. | 0:30:35 | 0:30:36 | |
So, tell us the story about... I think you were... | 0:30:36 | 0:30:39 | |
What were you? About 15? | 0:30:39 | 0:30:41 | |
This is one of the worst stories in my locker. | 0:30:41 | 0:30:43 | |
-Unpack it. -Big debates about whether I should tell it, but fuck it. | 0:30:44 | 0:30:48 | |
LAUGHTER | 0:30:48 | 0:30:49 | |
APPLAUSE AND CHEERS | 0:30:49 | 0:30:50 | |
When I was... It actually had a big effect on me as a kid - | 0:30:50 | 0:30:53 | |
it has a big effect on, I'm sure, lots of kids - | 0:30:53 | 0:30:56 | |
but I was very sporty when I was a kid, but I was a late developer. | 0:30:56 | 0:30:59 | |
I was small, I wasn't very hairy, | 0:30:59 | 0:31:02 | |
just one of those guys who was a bit behind, | 0:31:02 | 0:31:05 | |
and I was young for my year, and it had a big effect on me. | 0:31:05 | 0:31:08 | |
Anyway... | 0:31:08 | 0:31:09 | |
I was sort of balancing playing rugby at school | 0:31:09 | 0:31:13 | |
and doing a bit of amateur dramatics on the side, | 0:31:13 | 0:31:16 | |
and it all culminated in we got to the final - | 0:31:16 | 0:31:18 | |
Liam will know this - of the Medallion Shield, | 0:31:18 | 0:31:21 | |
which, when you're 15, is the biggest thing that could happen, | 0:31:21 | 0:31:24 | |
and I went to a school called Methody, | 0:31:24 | 0:31:26 | |
and we were playing against our main rivals | 0:31:26 | 0:31:28 | |
at Ravenhill, which is Ulster's ground - | 0:31:28 | 0:31:29 | |
and it was such a massive thing, | 0:31:29 | 0:31:31 | |
there was going to be a big party afterwards... | 0:31:31 | 0:31:33 | |
..but also, that same night, | 0:31:33 | 0:31:36 | |
befell the All Ireland final of the Amateur Dramatic Society | 0:31:36 | 0:31:41 | |
where I was performing Chekhov's The Cherry Orchard | 0:31:41 | 0:31:45 | |
and I think I was a waiter or something - | 0:31:45 | 0:31:47 | |
I was on stage a lot, but didn't really have any lines, | 0:31:47 | 0:31:50 | |
didn't have anything to say. | 0:31:50 | 0:31:51 | |
And I thought, "Right, I will be able to go, play rugby, | 0:31:51 | 0:31:54 | |
"hopefully win that and then go and do the play | 0:31:54 | 0:31:56 | |
"and then go to the party for the rugby afterwards." | 0:31:56 | 0:31:59 | |
Now, at 15 I looked about seven. | 0:31:59 | 0:32:01 | |
I had no hair or anything. | 0:32:03 | 0:32:05 | |
Anyway, in the play, they had given me | 0:32:05 | 0:32:08 | |
this sort of black, very highly flammable wig | 0:32:08 | 0:32:12 | |
that they used to cut off and Uhu to my face | 0:32:12 | 0:32:15 | |
to give me a beard, to give me the appearance I was older. | 0:32:15 | 0:32:19 | |
So I thought it would be a good idea... | 0:32:21 | 0:32:23 | |
LAUGHTER | 0:32:23 | 0:32:24 | |
..after the curtain came down on this play, | 0:32:25 | 0:32:29 | |
and I'm going to this party after, | 0:32:29 | 0:32:31 | |
and, you know, I might meet a girl and maybe she drops a hand... | 0:32:31 | 0:32:35 | |
LAUGHTER | 0:32:35 | 0:32:36 | |
So I had the idea to maybe cut off some extra hair off the very... | 0:32:39 | 0:32:45 | |
By the way, I was a very fair child, I had blond hair. | 0:32:45 | 0:32:48 | |
So I went into the dressing room | 0:32:50 | 0:32:52 | |
and I went into like the toilets and cut off all this very curly... | 0:32:52 | 0:32:56 | |
..jet, jet black hair, | 0:32:57 | 0:32:59 | |
and put it in a wee pile and got my Uhu glue and just... | 0:32:59 | 0:33:03 | |
..put it around there. | 0:33:05 | 0:33:07 | |
Stuffed it in. I remember standing in front of the mirror | 0:33:07 | 0:33:10 | |
and going, "That looks all right." | 0:33:10 | 0:33:12 | |
Just the lengths you go to. | 0:33:19 | 0:33:21 | |
Obviously, I went to the party. | 0:33:21 | 0:33:24 | |
I think I kissed a girl, urging her to sort of...without forcing her... | 0:33:24 | 0:33:29 | |
..urging her to sort of go down, | 0:33:31 | 0:33:33 | |
cos on this one... for one night only... | 0:33:33 | 0:33:35 | |
..it was actually quite an impressive place to put your hand. | 0:33:35 | 0:33:39 | |
Anyway, that didn't happen - and, actually, thank God it didn't, | 0:33:39 | 0:33:42 | |
because I got home and it was a car crash down there. | 0:33:42 | 0:33:44 | |
It was an absolute car crash. | 0:33:46 | 0:33:48 | |
Was the removal painful? | 0:33:50 | 0:33:53 | |
I'll tell you why the removal was so painful, physically and emotionally. | 0:33:53 | 0:33:57 | |
I did actually have about three pubes... | 0:33:57 | 0:34:00 | |
-..naturally developed pubes. -Mm, mm. | 0:34:01 | 0:34:05 | |
-They went as soon as I... -Yeah. | 0:34:05 | 0:34:06 | |
APPLAUSE | 0:34:09 | 0:34:11 | |
-What a lovely image. -Yeah. Yeah, it was bad! | 0:34:13 | 0:34:16 | |
Thank you. Thank you for that story. | 0:34:16 | 0:34:18 | |
Welcome to the world of waxing. | 0:34:18 | 0:34:19 | |
Yeah, I know, right? Yeah. | 0:34:19 | 0:34:22 | |
Right, it's music time. | 0:34:22 | 0:34:26 | |
It is, it's music time. | 0:34:26 | 0:34:28 | |
This singer-songwriter is one of the most exciting pop stars | 0:34:28 | 0:34:32 | |
at the moment and has just won BBC Music Sound Of 2018. | 0:34:32 | 0:34:35 | |
Here performing her newest hit Strangers, please welcome Sigrid. | 0:34:35 | 0:34:38 | |
APPLAUSE | 0:34:38 | 0:34:41 | |
# Just like in the movies | 0:34:52 | 0:34:56 | |
# It starts to rain and we | 0:34:56 | 0:35:00 | |
# We're the broken beauties | 0:35:00 | 0:35:04 | |
# Blindfolded minds collide | 0:35:04 | 0:35:07 | |
# And we fall | 0:35:07 | 0:35:09 | |
# When the curtain drops | 0:35:09 | 0:35:13 | |
# Our touch is just a touch | 0:35:13 | 0:35:17 | |
# Not like in the movies | 0:35:17 | 0:35:20 | |
# Our story's after the end | 0:35:20 | 0:35:24 | |
# Like strangers | 0:35:24 | 0:35:28 | |
# Perfect pretenders | 0:35:28 | 0:35:32 | |
# We're falling head over heels for something that ain't real | 0:35:32 | 0:35:37 | |
# It could never be us | 0:35:37 | 0:35:39 | |
# Hey, just you and I | 0:35:39 | 0:35:41 | |
# Strangers | 0:35:41 | 0:35:44 | |
# Perfect pretenders | 0:35:44 | 0:35:49 | |
# We're falling head over heels for something that ain't real | 0:35:49 | 0:35:54 | |
# It could never be us | 0:35:54 | 0:35:56 | |
# Hey, just you and I | 0:35:56 | 0:35:58 | |
# Memories in photos | 0:36:01 | 0:36:04 | |
# Too easy to rewrite | 0:36:04 | 0:36:08 | |
# Left as lonely shadows | 0:36:10 | 0:36:13 | |
# Holding each other tight | 0:36:13 | 0:36:16 | |
# And we fall | 0:36:16 | 0:36:18 | |
# When the curtain drops | 0:36:18 | 0:36:22 | |
# Our touch is just a touch | 0:36:22 | 0:36:26 | |
# Not like in the movies | 0:36:26 | 0:36:29 | |
# Our story's after the end | 0:36:29 | 0:36:33 | |
# Like strangers | 0:36:33 | 0:36:36 | |
# Perfect pretenders | 0:36:36 | 0:36:41 | |
# We're falling head over heels for something that ain't real | 0:36:41 | 0:36:45 | |
# It could never be us | 0:36:45 | 0:36:49 | |
# Hey, just you and I | 0:36:49 | 0:36:51 | |
# Think we got it but we made up a dream | 0:36:51 | 0:36:52 | |
# Cos we got a pretty look of what we could be | 0:36:52 | 0:36:54 | |
# I don't want you All you want is someone | 0:36:54 | 0:36:56 | |
# Going home together to forget we're alone | 0:36:56 | 0:36:59 | |
# Think we got it but we made up a dream | 0:36:59 | 0:37:01 | |
# Cos we got a pretty look of what we could be | 0:37:01 | 0:37:03 | |
# I don't want you All you want is someone | 0:37:03 | 0:37:05 | |
# Going home together to forget we're alone | 0:37:05 | 0:37:07 | |
# You and I, you and I, you and I you and I, you and I, you and I | 0:37:07 | 0:37:11 | |
# Not like in the movies | 0:37:11 | 0:37:15 | |
# You and I, you and I, you and I you and I, you and I, you and I | 0:37:15 | 0:37:20 | |
# Not like in the movies | 0:37:20 | 0:37:23 | |
# Like strangers | 0:37:23 | 0:37:26 | |
# Perfect pretenders | 0:37:26 | 0:37:31 | |
# We're falling head over heels for something that ain't real | 0:37:31 | 0:37:36 | |
# It could never be us | 0:37:36 | 0:37:38 | |
# Hey, just you and I | 0:37:38 | 0:37:40 | |
# Strangers | 0:37:40 | 0:37:43 | |
# Perfect pretenders | 0:37:43 | 0:37:47 | |
# We're falling head over heels for something that ain't real | 0:37:47 | 0:37:52 | |
# It could never be us | 0:37:52 | 0:37:55 | |
# Hey, just you and I | 0:37:55 | 0:37:57 | |
# Think we got it but we made up a dream | 0:37:57 | 0:37:59 | |
# Cos we got a pretty look of what we could be | 0:37:59 | 0:38:01 | |
# I don't want you All you want is someone | 0:38:01 | 0:38:03 | |
# Going home together to forget we're alone | 0:38:03 | 0:38:05 | |
# Think we got it but we made up a dream | 0:38:05 | 0:38:07 | |
# Cos we got a pretty look of what we could be | 0:38:07 | 0:38:10 | |
# I don't want you All you want is someone | 0:38:10 | 0:38:12 | |
# Going home together to forget we're alone. # | 0:38:12 | 0:38:15 | |
Wow! | 0:38:15 | 0:38:16 | |
CHEERING AND APPLAUSE | 0:38:16 | 0:38:18 | |
Sigrid, everybody! | 0:38:20 | 0:38:22 | |
Brilliant, brilliant. | 0:38:22 | 0:38:24 | |
Come on over here. | 0:38:24 | 0:38:26 | |
-Oh! That was phenomenal. -Thank you. | 0:38:26 | 0:38:30 | |
Thank you so much! | 0:38:30 | 0:38:31 | |
Come and meet the others. | 0:38:31 | 0:38:33 | |
Jamie, Liam, Helen, this is Sigrid. | 0:38:33 | 0:38:36 | |
APPLAUSE | 0:38:36 | 0:38:38 | |
-HELEN: -You were brilliant, fantastic. -We love that. | 0:38:42 | 0:38:44 | |
Just to watch you come out and go, bash, just do that, | 0:38:44 | 0:38:48 | |
it was wonderful, absolutely wonderful. | 0:38:48 | 0:38:50 | |
That's Strangers - that single is out now. | 0:38:50 | 0:38:53 | |
But we must talk about the wonderful prize, the BBC Music Sound Of 2018 - | 0:38:53 | 0:38:58 | |
and this is a big deal. | 0:38:58 | 0:39:01 | |
-I mean, it is. -Yeah, you know... | 0:39:01 | 0:39:03 | |
-Yeah, it's quite cool. -Yeah! | 0:39:03 | 0:39:06 | |
Well, no, because Sam Smith has won it, 50 Cent, Adele. | 0:39:06 | 0:39:10 | |
Adele plays a part in your story somehow. | 0:39:10 | 0:39:14 | |
Well, yes. | 0:39:14 | 0:39:16 | |
So, Adele is probably one of my favourite artists, | 0:39:16 | 0:39:18 | |
and I think the chorus of Rolling In The Deep, | 0:39:18 | 0:39:20 | |
the vocal hook in that one, | 0:39:20 | 0:39:22 | |
is probably the biggest reason for me making pop music. | 0:39:22 | 0:39:25 | |
-I think so, yeah. -OK! -I'm a huge fan! | 0:39:25 | 0:39:27 | |
So you heard that and thought, "I'll have a bit of that." | 0:39:27 | 0:39:30 | |
-Well... -Yes. | 0:39:32 | 0:39:33 | |
-Yeah, it's cool. -Yeah - and this year | 0:39:33 | 0:39:35 | |
is going to be a huge year for you, isn't it? | 0:39:35 | 0:39:37 | |
-A lot of travelling, yeah, it's very exciting. -Yeah. | 0:39:37 | 0:39:39 | |
Are you kind of focusing on Europe? Are you in America, as well? | 0:39:39 | 0:39:42 | |
-Um, we're trying to do, like, all over. -Yeah! | 0:39:42 | 0:39:45 | |
Yeah, it's really cool - I'm going to Australia for the first time. | 0:39:45 | 0:39:48 | |
Hopefully I will see some kangaroos, | 0:39:48 | 0:39:50 | |
-that is like one of my dreams, that would be cool. -You will. | 0:39:50 | 0:39:52 | |
-Dream bigger. -Yeah?! | 0:39:52 | 0:39:53 | |
-HELEN: -Most will be dead, unfortunately. | 0:39:55 | 0:39:57 | |
Knocked over by cars. | 0:39:59 | 0:40:01 | |
-Roadkill, essentially. -Roadkill. | 0:40:01 | 0:40:03 | |
-Don't forget to eat... -Eat. -..and get your rest. | 0:40:03 | 0:40:09 | |
Yeah, no - thank you. Oh, yeah. | 0:40:09 | 0:40:11 | |
There you go. | 0:40:11 | 0:40:13 | |
I'm going home tomorrow, actually. | 0:40:13 | 0:40:15 | |
Sigrid, there's time for that. | 0:40:15 | 0:40:17 | |
Don't... LAUGHTER | 0:40:17 | 0:40:18 | |
When you're 35 you can start eating well and resting. | 0:40:19 | 0:40:21 | |
Until then, just go wild, yeah. | 0:40:22 | 0:40:25 | |
Listen, I'm so thrilled for you, that's a beautiful song. | 0:40:25 | 0:40:29 | |
If the album is as good, it's going to be great - | 0:40:29 | 0:40:31 | |
and congratulations on the award. | 0:40:31 | 0:40:32 | |
-Sigrid, everybody. -Thank you. | 0:40:32 | 0:40:33 | |
APPLAUSE | 0:40:33 | 0:40:35 | |
That is nearly it for tonight, but before we go, | 0:40:37 | 0:40:39 | |
time for a visit to that big red chair. | 0:40:39 | 0:40:41 | |
Who's there? Hi, what's your name? | 0:40:41 | 0:40:43 | |
-I'm Jamie. -Jamie, lovely. | 0:40:43 | 0:40:44 | |
-Where are you from, Jamie? -I'm from Australia. -Oh! | 0:40:44 | 0:40:47 | |
He's from Australia. | 0:40:47 | 0:40:48 | |
-Oh, yes! -You must swap numbers. | 0:40:48 | 0:40:50 | |
You can stay in his house. | 0:40:51 | 0:40:53 | |
Do you work at the moment? | 0:40:53 | 0:40:56 | |
-No, I'm on holiday. -Oh, you're on actual holiday? -Yeah. | 0:40:56 | 0:40:59 | |
-What do you do back in Australia? -I am a film student. | 0:40:59 | 0:41:01 | |
-So... -Oh, wow! -I'll keep you three in mind. | 0:41:01 | 0:41:05 | |
LAUGHTER | 0:41:05 | 0:41:06 | |
What are we? Chopped liver, Sigrid? | 0:41:08 | 0:41:10 | |
Off you go with your story, Jamie. | 0:41:12 | 0:41:14 | |
All right, so this is my fifth birthday, | 0:41:14 | 0:41:16 | |
everyone's given me some presents, | 0:41:16 | 0:41:18 | |
my dad's shitting himself because he's forgotten to get me a present, | 0:41:18 | 0:41:22 | |
so, thinking on his feet, he looks out the window and sees a pigeon. | 0:41:22 | 0:41:25 | |
So he brings me over to the window, | 0:41:25 | 0:41:27 | |
points to the pigeon and tells me that is my pigeon. | 0:41:27 | 0:41:31 | |
So, being five, I believe every word of it. | 0:41:31 | 0:41:34 | |
So - but everyone else is like, "What are you doing?" | 0:41:34 | 0:41:38 | |
but I'm very happy with this pigeon, | 0:41:38 | 0:41:40 | |
and so they kept up his lie for six years, | 0:41:40 | 0:41:43 | |
and every time we were out and about when we saw a pigeon, | 0:41:43 | 0:41:47 | |
that was my pigeon. | 0:41:47 | 0:41:49 | |
Oh, very cute! You can walk. | 0:41:49 | 0:41:52 | |
APPLAUSE | 0:41:52 | 0:41:54 | |
-He doesn't sound very Australian, though. -No, he doesn't. | 0:41:57 | 0:42:00 | |
-He doesn't sound Australian. -Very posh. | 0:42:00 | 0:42:02 | |
Yeah, quite a posh Australian. | 0:42:02 | 0:42:04 | |
-That was a pigeon on their estate. -Yes! | 0:42:04 | 0:42:05 | |
OK, let's have another one. Hello. | 0:42:08 | 0:42:10 | |
-Hello. -What's your name? | 0:42:10 | 0:42:11 | |
-Isabel. -Isabel, lovely. | 0:42:11 | 0:42:13 | |
-And where are you from? -I'm from Devon, but I'm living in London. | 0:42:13 | 0:42:16 | |
-Are you? -Yes. -Ooh! | 0:42:16 | 0:42:18 | |
-And what do you do in London, Isabel? -I'm a student. -Of? | 0:42:18 | 0:42:21 | |
-French and history. -French and history. | 0:42:21 | 0:42:23 | |
-Both of those. -Bonjour, Madame. -Why do one?! | 0:42:23 | 0:42:26 | |
Yeah, no - really, very good. | 0:42:26 | 0:42:28 | |
And what do you want to do when you graduate? | 0:42:28 | 0:42:31 | |
LAUGHTER | 0:42:33 | 0:42:34 | |
Sorry, that was a silly question. | 0:42:34 | 0:42:37 | |
I'm a fool. | 0:42:37 | 0:42:39 | |
Don't know! | 0:42:43 | 0:42:45 | |
Your parents have just thrown the television out the window. | 0:42:46 | 0:42:49 | |
Yeah! | 0:42:49 | 0:42:51 | |
Yeah. | 0:42:51 | 0:42:52 | |
I won't press you. | 0:42:54 | 0:42:56 | |
Off you go with your story. | 0:42:56 | 0:42:57 | |
OK, so I was very hungover one morning, | 0:42:57 | 0:43:00 | |
and I had a very early shift at a fast food kind of place. | 0:43:00 | 0:43:04 | |
So I was quickly getting ready, I put my jeans on, | 0:43:04 | 0:43:06 | |
I heard some funny sound, I thought, "Oh, it'll just be my zip." | 0:43:06 | 0:43:09 | |
I did my usual 30-minute commute. | 0:43:09 | 0:43:11 | |
So, I get into work, and my co-worker just goes to me, | 0:43:11 | 0:43:15 | |
"Izzie, you know you've got a hole in your trousers?" | 0:43:15 | 0:43:18 | |
I was like, "Yeah, yeah, it's just small." | 0:43:18 | 0:43:20 | |
He goes, "No, no, Izzie, you've got a hole." | 0:43:20 | 0:43:23 | |
I put my hand down and all I can feel is bare skin, | 0:43:23 | 0:43:27 | |
because my trousers have ripped from my arse | 0:43:27 | 0:43:30 | |
all the way down my thigh and I was standing there butt naked | 0:43:30 | 0:43:34 | |
in front of everyone in the kitchen, | 0:43:34 | 0:43:37 | |
all my co-workers and everyone in the restaurant. | 0:43:37 | 0:43:40 | |
So I completely panicked, | 0:43:40 | 0:43:42 | |
I ran into the kitchen to try and go back upstairs | 0:43:42 | 0:43:45 | |
but I walked into the grill | 0:43:45 | 0:43:47 | |
-so I burn the entire of my bum on the hot grill... -Ooh! | 0:43:47 | 0:43:51 | |
..trying to escape without any trousers on | 0:43:51 | 0:43:53 | |
and had to spend the rest of the day in chef's trousers. | 0:43:53 | 0:43:57 | |
Oh... Shall we walk for that? | 0:43:57 | 0:43:59 | |
-You can walk, if you can. -Yeah. | 0:43:59 | 0:44:01 | |
Yes, there you go. | 0:44:01 | 0:44:02 | |
APPLAUSE | 0:44:02 | 0:44:04 | |
Yes - her shift manager would most probably be, | 0:44:08 | 0:44:10 | |
"Put a hairnet on that." | 0:44:10 | 0:44:11 | |
Shall we have another one? | 0:44:14 | 0:44:15 | |
One more, yeah, go on, squeeze one more in. | 0:44:15 | 0:44:17 | |
-Hello. -Hiya. | 0:44:17 | 0:44:18 | |
-Hi, what's your name? -Angus. | 0:44:18 | 0:44:20 | |
Angus, lovely - and what do you do, Angus? | 0:44:20 | 0:44:22 | |
-Er, sales. -Sales. -Yeah. | 0:44:22 | 0:44:25 | |
OK, he's not pushing it right now. | 0:44:25 | 0:44:26 | |
What sort of things do you sell? | 0:44:29 | 0:44:31 | |
-Er, gyms. -Gyms? You sell gym equipment or actual gyms? | 0:44:31 | 0:44:34 | |
Neither, really. | 0:44:34 | 0:44:36 | |
This was a mistake, a terrible mistake. | 0:44:36 | 0:44:38 | |
Well done, everyone! | 0:44:40 | 0:44:43 | |
If you would like to join us on the show | 0:44:43 | 0:44:45 | |
and have a go on the red chair you can contact us | 0:44:45 | 0:44:47 | |
via our website at this very address. | 0:44:47 | 0:44:49 | |
And that is it for tonight. | 0:44:49 | 0:44:50 | |
Please say a huge thank you to all my guests. | 0:44:50 | 0:44:52 | |
Sigrid... | 0:44:52 | 0:44:53 | |
APPLAUSE | 0:44:53 | 0:44:55 | |
..Jamie Dornan... APPLAUSE | 0:44:55 | 0:44:58 | |
..Liam Neeson... APPLAUSE | 0:44:58 | 0:45:01 | |
..and Dame Helen Mirren. | 0:45:01 | 0:45:03 | |
APPLAUSE | 0:45:03 | 0:45:05 | |
Do join me next week with singer Paloma Faith, | 0:45:05 | 0:45:07 | |
actors Simon Pegg and Rebecca Ferguson, | 0:45:07 | 0:45:09 | |
Superman Henry Cavill | 0:45:09 | 0:45:11 | |
-and Hollywood megastar Tom Cruise. AUDIENCE: -Ooh! | 0:45:11 | 0:45:13 | |
I'll see you then - good night, everybody, goodbye! | 0:45:13 | 0:45:16 | |
APPLAUSE | 0:45:16 | 0:45:17 |