Episode 15 The Graham Norton Show


Episode 15

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Transcript


LineFromTo

Good evening. My name is Tom Cruise and you are watching The Graham Norton Show.

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CHEERING AND APPLAUSE

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Oh!

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Oh!

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Oh!

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APPLAUSE DROWNS SPEECH

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Too much. Hello, everybody. Hello, and welcome.

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We are very excited, yes, Tom Cruise is here!

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WILD CHEERING

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Back there. Yeah, Tom is taking a break from filming

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Mission: Impossible 6 to come along with some of his costars for a chat.

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Of course, in the films, Tom's elite band of secret agents,

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you know, they take on jobs that seem utterly impossible.

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Utterly impossible, like, I don't know,

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persuading a Ukip leader to resign.

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That kind of thing.

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Beating Ant & Dec at the National Television Awards.

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That sort of thing.

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And mind you, sometimes the impossible can happen.

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Can you believe it -

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Donald Trump has been the American president for a WHOLE year?

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BOOING

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It seems longer, doesn't it? Were there more months in this last year?

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Were there extra months?

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It is also Donald Trump's 13th wedding anniversary.

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13 years!

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Unlucky for some. LAUGHTER

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It certainly is for Melania.

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Here are the happy couple.

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HE LAUGHS

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Oh! That's just lovely.

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Now, the traditional gift for a 13th wedding anniversary is lace.

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Mm-hm. I think you can tell what Melania is thinking,

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"Please, God, a tablecloth, not lingerie."

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On the subject of happy couples,

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we must say congratulations to Princess Eugenie,

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who got engaged this week. It is a good thing.

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APPLAUSE It's happy news.

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Yay!

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Her boyfriend, Jack, proposed to her while they were on holiday.

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Doesn't really narrow it down.

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Now, it's the... LAUGHTER

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"Is this a holiday?" "Yeah, yeah, this is a holiday."

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Though, to be fair, it is the third most exciting piece

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of Royal news since Harry's engagement

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and Prince William shaving his head.

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Now, I think it looks great. No, it looks good!

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You know, his kids can have fun painting it in time for Easter.

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LAUGHTER

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I believe, I believe that's called a number one all over.

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That's what that's called, which, coincidentally,

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was what Donald Trump wanted for a anniversary present.

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LAUGHTER AND GROANS It's clever, it's clever.

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APPLAUSE Let's get some guests on.

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Later, we will have music and chat from chart-topping Paloma Faith!

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But first, he is one of our most successful comic exports with

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cult hits Spaced, Shaun Of The Dead and Hot Fuzz.

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Now he is Hollywood's hottest geek.

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Please welcome Simon Pegg, everybody!

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APPLAUSE There he is. Hello.

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Look at this suit.

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Yes, you look lovely.

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Yeah!

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From the Man Of Steel to The Man From UNCLE,

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he is the hottest thing to come out of Jersey.

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Is it a bird? Is it a plane? No, it is Henry Cavill.

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There he is. Hello. So nice to see you. Have a seat there.

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You know him, you know him.

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This Swedish actress is fast making a name for herself in films

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such as Girl On The Train, Florence Foster Jenkins

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and The Greatest Showman.

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It is a first-time welcome to Rebecca Ferguson.

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Hello! Hi, lovely to see you.

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Welcome. Have a seat.

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And he's a true Hollywood great and a man on a mission.

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Please welcome our favourite top gun, it is Mr Tom Cruise!

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MUSIC: Mission: Impossible Theme

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So good to see you.

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Oh, look at that. Very nice, very nice.

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Professional, professional, pretending to not know them, it's all good.

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So, this is weird, we've never had this before where people

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are actually making the movie that they have come on to talk about.

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Yeah, we shot all day too.

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-Were you on set today?

-We've been on today.

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Yeah, all of us were on set filming.

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What were you doing, running or talking?

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Well, personally, I injected a man in the neck with a tranquilliser,

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put him in prison and got kicked in the head by Henry and that was...

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-..my day.

-Yes.

-That sounds like more than a day.

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So, Henry, we know what you did, you kicked him in the head.

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-I kicked him in the head.

-Very good.

-That wasn't on camera.

-No, no.

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-That wasn't for the film.

-That was in the trailers.

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-And, Rebecca, were you on today?

-I...

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Oh, yes, I actually... I'm going to stand up.

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-I had this pose today with a semi-automatic rifle.

-Yes.

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With my belly like this.

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-Shooting bad guys.

-Six months pregnant.

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I'm glad you said that, because I wasn't going to say anything. I...

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LAUGHTER That's what gets men in trouble.

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-You are six months pregnant?

-I am. I don't know what happened.

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I could guess.

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Yes, six months ago. Yes.

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What were you doing today?

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I was just shooting guns and...

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-Having fun.

-Having fun.

-Stuff.

-Stuff.

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-Shooting gun then...

-And where are you? Are you nearly finished?

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-SIMON:

-I don't know!

-Maybe.

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Are we?

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-We hope so.

-You been filming since when? Last...last...?

-Last year.

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-Last March or April.

-Yeah, yeah, last year.

-Yeah.

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So, you must be nearly finished.

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It's because I broke my ankle. We had to shut down.

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-Well, now.

-We are about six weeks away.

-The ankle. This is...

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So, are you fully recovered. Are you well?

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-It's still broken, but I'm doing well.

-No, you're kidding.

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-Is it still broken?

-Yeah!

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I mean, it's not fully healed, but we are shooting.

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But that's nuts. Cos we've seen the picture. You're running and doing all the stuff again.

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I know, I know. We have a release date, so we've got to keep going.

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Yeah, otherwise we'll end up going live on the night.

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It's much better, it's much better.

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You probably...

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I'm sure you all saw the footage... It was in the papers

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-and things online of the accident.

-Yes.

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And I think we all kind of thought,

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"How did you break an ankle doing that?"

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Cos it looked like you should've broken your jaw or something...

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I know, everyone said that was the stunt...

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I mean, I'm going to run across and hit the side of the wall

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and then pull myself over.

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That wasn't the mistake.

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-So, you were always meant to not land on the roof?

-Yes. Always.

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-OK. So, what you've done is you've brought us some footage...

-Mm-hm.

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I think is so cool to see this from the different angles.

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I can't watch this. I haven't watched it yet.

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-REBECCA:

-Is it in slow-motion?

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Most of it is fine, there's one clip, but I will warn you,

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-it is not for the squeamish.

-Gross.

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So you see, I'm wearing two wires. They're basically just safety wires

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because I go at a full tilt and I'm sprinting as hard as I can

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and I hit the side of the wall and that's the stunt.

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I hit the side of the wall and then I'm chasing after Henry, actually.

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-And...

-All his fault.

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All his fault. I blame him.

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I hit the side of the wall and then I climb up on the wall

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and I'm supposed to run past camera.

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OK, we've got... This is the shot from behind you. So this...

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You see the speed and the momentum of the run. And it's in London.

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-There we go.

-So, it is keeping me up and...

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So, here we go. Look at that. Whoa!

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EVERYONE GROANS

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Now... Good noise, everybody.

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But you get my point, that you think, "How did you break a leg?"

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-So, let's look at it from the side. REBECCA:

-Oh, no, the slow-motion.

-This is it from the side.

-Oh, no.

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No, no. This isn't the bad one. This isn't the bad one, Rebecca.

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-So, this is from the side. Here we go.

-We shot it with three cameras.

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-Oh, my gosh.

-Here he goes. And boom! AUDIENCE GROANS

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Now. Now, we've got a camera which focuses on the foot.

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-Now, if you are squeamish...

-Don't watch it.

-Don't watch this.

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-Simon still hasn't seen it.

-I...

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LAUGHTER

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They keep trying to show it to me and I'm like, "No! I can't."

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I mean, a bone doesn't pop out or anything,

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but is an odd angle for anyone's foot to be at.

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Nobody's foot should ever have to do this, ever.

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-Yeah, here we go. REBECCA:

-Oh, gosh. I haven't watched it.

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He jumps, that speed, that momentum. Here we go.

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Now watch that. Watch this.

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AUDIENCE GROANS

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-REBECCA:

-Do it again.

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LAUGHTER

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But here, here is why Tom Cruise gets paid the big bucks.

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OK? Because this is it from the front angle, OK?

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You've just seen what has happened to his foot. Now watch this.

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I knew I broke it instantly.

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So you are down. Now, anyone else would go, "Well, that's over." No.

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Up he gets. Up he gets and he's running.

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APPLAUSE That's phenomenal.

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-I didn't want to do it again.

-No.

-I didn't want to do it again.

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I knew instantly it was broken. And I...

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I just... Run past camera, we got the shot, it's in the movie.

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That profile shot, both those shots are in the movie. And Henry...

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Everybody said when you got up and ran out of shot,

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-"Oh, that's so him."

-LAUGHTER

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To complete the shot, like, with your foot hanging off,

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-"That's so him."

-LAUGHTER

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I just went, I said, "Sorry, guys, it's broken.

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"Take me to the hospital, it's broken. That's a wrap." Everyone...

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..everyone. Crew got on the phone

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-and made their vacation arrangements.

-I made a baby.

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LAUGHTER

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We had six months, at least, I thought.

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I told you it was going to be six months. I told you that.

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And when this film finally ends, Henry Cavill...

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-"Finally ends."

-LAUGHTER

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We are going to miss each other.

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But, Henry, you are probably not going to miss your face furniture.

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You're not fond of the face furniture, are you?

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Oh, it's not that I'm not fond of it. It's just that, you know...

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-Look at that.

-It's just that if I'm walking past schools,

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-people give me funny looks.

-LAUGHTER

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It's tough to buy vans.

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I can't give children sweets.

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Cos you normally do that a lot,

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If you hang out in the park long enough, why not?

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"Hey, guys, I'm Superman, come get some sweets."

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"I'm not a stranger, I'm Superman."

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I think he rocks it. Very few men can carry that off.

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No, it's very good.

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Mind you, you know what's annoying about that?

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Is that if Henry Cavill wore a stupid hat,

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you would think, "Oh, that stupid hat looks really good on him."

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And it's not that. He looks really good.

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And they you put it on, it's a stupid hat.

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But now, Simon, this is your fourth Mission: Impossible.

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-It is, yes.

-So, you've been working with Tom for what, over 10 years now?

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12 years, we worked it out yesterday, didn't we? Yeah.

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-12 years, this year.

-Oh, wow! So, you know each other very well.

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-Pretty well, we've been in the trenches a long time.

-Oh, yeah.

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-Yeah.

-So, do you forget that it's Tom Cruise?

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Yes and no. You kind of like...

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On a day-to-day basis, we are working and we are friends

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and it's fun and it's a job.

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But when I'm out...when we're out doing press or whatever,

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I see Tom become Tom, the Tom people know.

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Like I've seen Tom become Tom Cruise, which is...

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-LAUGHTER

-..which is amazing.

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-What does that mean?

-I don't know.

-Is he Tom Cruise now?

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Is this Tom Cruise?

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He smiles and... Like when we were shooting in Paris

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and we'll be doing a scene and then he'll just go, "Hey, how you doing?"

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And that's Tom becoming Tom because people...

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He is very, very good with his fans.

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And I remember that night in Vienna when we were doing like a recce,

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and we're looking around and it took about 10 minutes for 100

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people to be around us and you were so good with them.

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Just waving and smiling. I'd be punching...

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LAUGHTER

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-Spitting.

-No, you wouldn't, Simon.

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You did it for my sister as well, I think. You just did that thing

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where you just kind of become Maverick. Just smile.

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LAUGHTER

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-That's Tom Cruise right there. There he is.

-There is.

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-Yes, that's him.

-I told you he was here.

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But here's an odd thing. Because, Rebecca, your mother is...

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..is she famous in Sweden? She is famous in Sweden.

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Well, no, she is not famous, but she has...

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She hung a lot with the kind of avant-garde, cool people, like Abba,

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-back in the day.

-Yes, those avant-garde Abba people.

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LAUGHTER

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They finally went mainstream. I mean they just...they really sold out.

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But she worked with Abba, didn't she?

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So, what she did was...

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-Do know this? This is good trivia.

-No, I didn't know.

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No, she did! I think she was dating a man called Ron Spalding

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and he took all of their cover images of their LPs.

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Actually, she is on one of the covers, which...you apparently have.

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I do!

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So, we all know this album, don't we, ladies and gentlemen?

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Abba. There they are in the back of the car, drinking.

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-Is that your mom?

-On the other side.

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We turn it around, we turn it around.

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-Now, which one of these people is your mother?

-Look at the legs.

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Wait, if I do this, can you see the similarities?

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-Oh, yes.

-Here we go.

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LAUGHTER

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Rebecca Ferguson's mother's legs on an Abba album, ladies and gentlemen.

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APPLAUSE DROWNS SPEECH

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Beautiful.

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Oh, and she helped to actually...

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Not translate, but she went through all the lyrics in Swedish

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and helped rewrite them to English, Waterloo.

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-Really?

-So, if there's any mistakes, it's her fault.

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It is fair to say, it does make no sense, but...

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But bless her for trying. So, listen, the new Mission: Impossible,

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it won't be coming out until 26 July,

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-but before then, the trailer is being released...?

-The Super Bowl.

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-February the...? Is that the fourth?

-Yeah.

-Fourth.

-February 4th, trailer.

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The Super Bowl, we are going to have a little 30-second spot

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and then it's going to send everyone to the internet

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and out in theatres in April.

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Wow! And you've just announced the actual title.

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Mission: Impossible - Fallout.

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-Fallout.

-Fallout.

-Fallout. CHEERS AND APPLAUSE

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Fallout.

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-OK, so we now know the title.

-Yes.

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-Do we know anything else about it?

-No.

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Yeah, you know that it's a kind of... It's a...

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It really is a story of...

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It takes into account all the Mission: Impossibles, really.

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And it is a fallout of all the things that we did in the...

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-..earlier Mission: Impossibles.

-Ethan, in particular, yeah.

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Well, it's kind of the good things that we've done

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and they are using it now against us.

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-OK.

-So. And Henry is an antagonist.

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-The primary antagonist in the film.

-Is that posh for a baddie?

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Well, I would say primary, you have the root...

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You know, you have Lane, who is the baddie, Sean Harris.

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-He's coming back from Rogue Nation.

-Oh, OK.

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And we have Michelle Monaghan, Angela Bassett, you know,

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Vanessa Kirby, Ving Rhames, of course, is back.

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Yeah, yeah, yeah. And you are back as Faust.

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Yeah, forget about those other people. I'm back again as well.

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-And Benji Dunn is back.

-Yes, of course.

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Do you have a name, Henry?

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-Do I have a name?

-Yes.

-Yes.

0:14:480:14:50

-August Walker.

-Ooh! You had to be a villain.

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-Very fancy.

-Say it again.

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I didn't know was August until about halfway through the movie, though.

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I was just referred to as Walker and I saw the chair

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and I was like, "Hold on a second. My first name's August?"

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LAUGHTER

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-And Micky was like, "Yes."

-Chris McQuarrie.

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He's the writer, director and kind of creative partner of mine

0:15:080:15:12

and it's his second Mission he's directing.

0:15:120:15:15

Mission: Impossible, obviously, you pays your money,

0:15:150:15:17

you want the big, big stunts.

0:15:170:15:19

Now, the last time you were on the show, you were hinting at this big

0:15:190:15:24

set piece in this movie that you spent years preparing.

0:15:240:15:28

-Yes.

-So, I think you can tell us a bit more about it now, right?

0:15:280:15:31

-Now I can tell you a bit more.

-OK.

0:15:310:15:32

I spent, really, two years, McQ and I were

0:15:320:15:35

talking about a sequence and it is an aerial sequence with helicopter.

0:15:350:15:38

I wanted... I've studied, you know, many different films.

0:15:380:15:42

So, when I went and I got my helicopter license

0:15:420:15:45

and we were flying aerobatics...

0:15:450:15:46

Can I just stop you for one second there?

0:15:460:15:48

I was surprised you didn't have a helicopter license already.

0:15:480:15:53

-I know, I'm sorry.

-It seems so NOT you.

0:15:530:15:55

When they were telling me, "And he got his helicopter license,"

0:15:550:15:58

I was like, "Really? I'm sure I've seen him flying helicopters before."

0:15:580:16:01

-Were you flying without a licence previously?

-Yes.

0:16:010:16:04

Not to get you in trouble or anything, but...

0:16:040:16:06

-Yes.

-Oh, were you?

-Yeah, yeah.

-So, no wonder you got it quickly.

0:16:060:16:08

-I know, I know. Very fast.

-OK, so you get the license.

0:16:080:16:11

Yeah, and then we just started really working

0:16:110:16:14

on the sequence to see what can we do practical.

0:16:140:16:17

I mean, I think, in terms of action,

0:16:170:16:19

this is probably the largest practical action film ever shot.

0:16:190:16:22

Like, when you look at the films, there's no CGI.

0:16:220:16:24

So, we are going through Paris on a motorcycle. It is just full-on.

0:16:240:16:28

The cars, you know, we're all doing our own stunts.

0:16:280:16:31

And the helicopter sequence is just incredibly...

0:16:310:16:36

..exhilarating and very dangerous.

0:16:360:16:37

So, there is really only one country that would allow us to do it,

0:16:370:16:40

where we had to build special camera rigs for the helicopter.

0:16:400:16:44

And so, I got my license

0:16:440:16:46

and I just trained up on aerobatics and it is different.

0:16:460:16:48

I fly aerobatics in airplanes, but helicopters are very different.

0:16:480:16:51

So, we are flying very low, very close to rock faces in a chase.

0:16:510:16:55

I'm chasing, you know, Henry in the sequence.

0:16:550:16:57

We've got some pictures of it here.

0:16:570:16:59

So now, this is... That's you...

0:16:590:17:01

Is this the end of the sequence or the beginning?

0:17:010:17:03

I think we've got these pictures the wrong way round. I think this is...

0:17:030:17:06

No, they are... It's...

0:17:060:17:07

I can't tell you that right now. It is part of the sequence.

0:17:070:17:09

OK, all right, well, I just think this might be out...

0:17:090:17:11

So, there's Henry hanging out of the helicopter.

0:17:110:17:14

There's Henry back there, hanging out.

0:17:140:17:15

He's not even flying a helicopter. I mean, really.

0:17:150:17:18

He had to do it in an armoured helicopter

0:17:180:17:20

because we are doing aerobatics. He's...

0:17:200:17:22

At least I know my own fate, you know?

0:17:220:17:24

He was there at times...

0:17:240:17:26

I was literally on his tail, like, a foot off the tail rotor at times.

0:17:260:17:30

-He had no idea...

-There were times where I generally thought,

0:17:300:17:32

"Oh, OK, this is how it goes."

0:17:320:17:34

-You are dedicated.

-At least I get killed by Tom Cruise.

0:17:350:17:39

It'll make the papers.

0:17:390:17:41

Henry is lucky cos he can actually fly, anyway. So if...

0:17:410:17:43

-He can just zoom off that way.

-Yes, of course.

0:17:430:17:45

LAUGHTER

0:17:450:17:47

APPLAUSE DROWNS SPEECH

0:17:470:17:50

So, here you are flying. Now, I'm guessing...

0:17:530:17:55

That must be after this next bit because this next picture,

0:17:550:17:59

you are on the outside, so someone must be flying the helicopter.

0:17:590:18:03

It can't be...

0:18:030:18:04

Please tell me you didn't get out of the helicopter

0:18:040:18:07

while it was going.

0:18:070:18:08

So, that's you, And I mean, that is you, hanging off the helicopter.

0:18:090:18:14

But this next picture is -

0:18:140:18:16

one, it is just a beautiful picture, but is crazy.

0:18:160:18:20

-So, that's you.

-Yes.

-I mean, that's...

0:18:200:18:23

AUDIENCE GASPS

0:18:230:18:25

I know, right? I can tell by this, you are quite high.

0:18:250:18:28

We were on the ground that day.

0:18:290:18:31

We're in the ball, hanging underneath.

0:18:310:18:34

The rest of the cast.

0:18:340:18:36

And because, you know, Tom does all this stuff,

0:18:380:18:41

does that mean that you guys have to say yes to everything?

0:18:410:18:44

-Fucking hell, yeah.

-LAUGHTER

0:18:440:18:47

They want to. They can't wait.

0:18:490:18:51

-You can't get these guys out of the stunt room.

-Do you know what?

0:18:510:18:54

-You can't.

-Henry is, like, in the helicopter, he was loving it.

0:18:540:18:57

You were freezing in that helicopter.

0:18:570:18:58

Oh, the helicopter was cold.

0:18:580:19:00

It's a New Zealand winter and the doors are open.

0:19:000:19:03

You posted a picture on your Instagram of you doing a stunt

0:19:030:19:07

which looks very painful.

0:19:070:19:08

I think it is you being lowered down a cliff by your nipples.

0:19:080:19:11

LAUGHTER

0:19:110:19:14

-That was his holiday.

-I don't know how they wrote that into the script.

0:19:140:19:18

It's not in the script.

0:19:180:19:20

I love the stiff neck and the thumb.

0:19:200:19:22

STRAINS: "Yeah, I'm fine!"

0:19:220:19:24

It's one of those moments where you are being lowered off this

0:19:240:19:27

a 1,800-foot cliff and you're thinking...

0:19:270:19:29

You know those moments.

0:19:290:19:30

-Yeah, one of those moments.

-One of those moments, as you do.

0:19:300:19:33

And you're thinking, "I know I'm perfectly safe

0:19:330:19:35

"because the stunt crew is absolutely fantastic.

0:19:350:19:37

-"Eastward team is..."

-Trust the harness.

-No, they're really good.

0:19:370:19:40

And you trust the harness and they've all triple-checked everything.

0:19:400:19:43

But it is still 1,800-foot and you are walking off backwards.

0:19:430:19:46

And they are not doing it.

0:19:460:19:49

It is so high and the boats at the bottom, in the fjord,

0:19:490:19:53

are about this big, that it looks like a painting.

0:19:530:19:56

And so you lose all sense of, like, fear

0:19:560:19:59

and adrenaline for the height and start thinking,

0:19:590:20:01

"If I were to fall, could I kind of like squirrel suit with my jacket..."

0:20:010:20:04

LAUGHTER

0:20:040:20:06

"..and make it all the way to the water and maybe just skim?"

0:20:060:20:09

LAUGHTER You've been in Superman too much.

0:20:090:20:12

It has got to you.

0:20:140:20:16

Rebecca Ferguson, obviously, you know, with child now

0:20:160:20:19

so, that makes stunts harder,

0:20:190:20:21

but even when you did the last movie, you seemed quite unsuited.

0:20:210:20:25

-I mean, you did suffer from vertigo going into these.

-Oh, yeah.

0:20:250:20:28

So, it seems a bizarre thing to say yes to being in one of these films.

0:20:280:20:33

Well, I didn't really know what I was saying yes to.

0:20:330:20:36

-OK.

-Because I don't really know how these films were made.

0:20:360:20:40

So, you know, when I was on the camel in the desert...

0:20:400:20:42

We explained it to you.

0:20:420:20:43

Very quickly and then the first day of shooting, Tom, what did we do?

0:20:430:20:48

-We jumped off of a building.

-Yeah.

-LAUGHTER

0:20:480:20:51

First day of shooting.

0:20:510:20:52

I think we've got a picture of you.

0:20:520:20:55

-That's me swearing and shouting the naughtiest words ever.

-In my ear.

0:20:550:21:00

-In your ear.

-She's like, "I'm so sorry. Swear, swear, swear.

0:21:000:21:03

"Did I say that? I'm so sorry. I'm just so... I'm just so... Oh..."

0:21:030:21:08

The worst words ever.

0:21:080:21:10

And then we jump off and he just looks at me

0:21:100:21:12

in the Tom Cruise kind of way and he goes, "Welcome to Mission."

0:21:120:21:15

LAUGHTER

0:21:150:21:18

I don't remember saying that.

0:21:180:21:20

I do not remember saying that.

0:21:210:21:24

-No way!

-You did.

0:21:240:21:26

That is way too cheesy. I would never say that.

0:21:260:21:28

-LAUGHTER

-You said it's all of us!

0:21:280:21:31

-I remember my special day, too.

-LAUGHTER

0:21:330:21:37

Now, normally, ladies and gentlemen, on a show like this,

0:21:370:21:39

we would show a clip of Mission: Impossible,

0:21:390:21:41

-but you haven't finished the film yet.

-Sorry.

0:21:410:21:44

So, we thought we'd make a snatch of one of our own.

0:21:450:21:48

Now, one of the most iconic stunts that you do, Tom,

0:21:480:21:51

is the running away from something exploding.

0:21:510:21:54

-You are very good at it.

-Thank you very much.

0:21:540:21:57

We've got some stills. There's running away from a van.

0:21:570:21:59

Ooh, that's in the Channel Tunnel there.

0:21:590:22:02

-And this is the exploding fish tank.

-Oh, yes.

-There you go.

0:22:020:22:05

GRAHAM GASPS Do you know, I've just noticed, that is a very good move.

0:22:050:22:09

-I like that.

-Yes, touchdown.

-That's excellent.

-Score.

0:22:090:22:11

That is very good.

0:22:110:22:13

Presumably timing is key.

0:22:130:22:15

Because these are real explosions.

0:22:150:22:17

They are real explosions. Key.

0:22:170:22:19

That one was particularly very crazy.

0:22:190:22:22

Was this the one where no-one properly told you the timing?

0:22:220:22:25

Yeah, the guy was over there and he said,

0:22:250:22:27

"OK, we're going to go on three."

0:22:270:22:29

And he started going, "Three, two, one."

0:22:290:22:31

And I said, "Whoa, whoa, whoa. Stop. Stop."

0:22:310:22:33

And I'm waiting, we have an explosion that is

0:22:330:22:35

going to go over my head.

0:22:350:22:36

And I said, "You just said on three."

0:22:360:22:40

He said, "Well I meant three." "Well, what does that mean?"

0:22:400:22:43

-LAUGHTER

-So I said, "Everyone, just, please..."

0:22:430:22:46

It was like two in the morning and they are setting it up

0:22:460:22:49

and there is broken... There is glass, just tonnes of water and...

0:22:490:22:54

He said, "Well, I'm going to, 'Three, two, one'"

0:22:540:22:57

And I said, "Do I go then or do I go on one? Like, when do I go?"

0:22:570:23:01

LAUGHTER

0:23:010:23:02

"Do I go on one? Are you going to push the button?

0:23:020:23:04

"Is it going to explode on one?" It was, you know...

0:23:040:23:07

He kind of looked at me like..." I don't know."

0:23:070:23:09

-LAUGHTER

-"I'm not sure."

0:23:090:23:12

-Around then.

-Around then.

0:23:120:23:14

-Just go. Just run.

-"When you hear the explosion, just go."

0:23:150:23:18

"Yeah, you really ought to run cos it's very dangerous."

0:23:180:23:21

"Yes, it's very dangerous, I would run real fast if I were you."

0:23:210:23:24

"If I was you, I wouldn't hang around."

0:23:240:23:25

Well, listen, what we've done is we've got a green screen here.

0:23:250:23:29

So we are going to raise up a green screen at great speed.

0:23:290:23:33

LAUGHTER

0:23:330:23:35

APPLAUSE

0:23:350:23:39

OK, while we are waiting for that...

0:23:390:23:42

..while we're waiting for that, we're going to get some members of

0:23:420:23:45

the audience to do this. But in terms of this, Tom,

0:23:450:23:48

what we're going to do, they're going to start back there.

0:23:480:23:51

They're going to run, OK?

0:23:510:23:53

They're going to run to here

0:23:530:23:55

and then that's the top of the explosion and they're going to want

0:23:550:23:57

to get height and presumably facial expression.

0:23:570:24:00

So, in terms of jumping, what's the best way to get height?

0:24:000:24:03

-Are they going to land in the mats?

-Yeah, that's the idea.

0:24:030:24:05

Well, first of all, watch your ankle on the mat cos...

0:24:050:24:07

-LAUGHTER He knows this, he knows this.

-Yes.

0:24:070:24:10

OK, let's get some people to do this.

0:24:100:24:13

We will get to you. Hang on. Who...? Now...

0:24:130:24:16

Who wants to do it?

0:24:160:24:18

You want to do it? OK, you can come do it. Come do it.

0:24:180:24:21

-What is your name?

-Jamie.

0:24:210:24:22

Jamie, lovely. Cheers for Jamie.

0:24:220:24:24

-Oop.

-He's not doing well.

0:24:280:24:30

-Watch your ankle. Watch your ankle, man.

-Come this way. Come this way.

0:24:300:24:33

-Up you go.

-You shouldn't let him do it. He fell off the step!

0:24:330:24:35

LAUGHTER

0:24:350:24:37

Up you go. So, Tom, tips for Jamie.

0:24:370:24:42

What sort of facial expression should he go for?

0:24:420:24:45

-Fear?

-Just whatever feels natural. Just...

0:24:450:24:47

-The most important thing is don't get blown up.

-Don't get blown up.

0:24:470:24:50

-So I'm trying not to get blown up?

-Yeah, that's it. Try not to get blown up.

0:24:500:24:53

-I'm escaping.

-You are escaping.

-Yes, escaping.

-But you are brave.

-Yeah.

0:24:530:24:58

-You're brave.

-He's brave.

0:24:580:24:59

You know, you can't look terrified.

0:24:590:25:01

-You are frightened, but you are still brave.

-Yes.

0:25:010:25:03

-Frightened but brave. I'm not going to go too high.

-Why?

0:25:030:25:06

No, I'll do it for you.

0:25:060:25:07

I like that, "I'm not going to go to high."

0:25:070:25:09

LAUGHTER

0:25:090:25:11

-Do what you feel comfortable.

-So, what's the countdown?

0:25:110:25:13

-Is it three, two, one?

-Three, two, one, go.

0:25:130:25:16

-OK, so you're going on one. HENRY:

-On three.

-On two.

-Three.

0:25:160:25:21

No, one.

0:25:210:25:23

-You do it, Simon.

-Three, two, one, go.

0:25:230:25:25

OK, here we go. Here we go. Here we go, Jamie.

0:25:250:25:28

ALL: So, it's three, two, one, go!

0:25:280:25:32

-Ahh!

-APPLAUSE

0:25:320:25:35

That was good, Jamie. Excellent.

0:25:350:25:38

-Well done, Jamie.

-That was very good.

0:25:430:25:45

OK, well done, Jamie.

0:25:470:25:49

-Should we see it?

-Yes.

0:25:490:25:51

OK, have a seat, have a seat. Let's see it.

0:25:510:25:53

Oh, there's Jamie. MUSIC: Mission: Impossible Theme.

0:25:530:25:55

He's running, he's running.

0:25:550:25:57

Oh! He looked like he was loving it.

0:25:570:26:00

Loving life.

0:26:000:26:02

Do we have a woman who'd like to do it? Oh, you would like to do it?

0:26:040:26:07

OK, here you go. You go. Are you all right in that dress?

0:26:070:26:09

-Yeah, it's fine.

-OK, fine.

0:26:090:26:11

-What's your name?

-Maddie.

-Maddie, all right, Maddie, up here.

0:26:110:26:14

There you go. OK, here comes Maddie. So, you saw Jamie.

0:26:140:26:18

You saw Jamie, so it is very important that you just piss all over that.

0:26:180:26:21

LAUGHTER

0:26:210:26:23

-OK, so, women just do it the same, right, Rebecca?

-Yes, we do.

0:26:230:26:27

Absolutely. And think, think up. OK? I want you to think up.

0:26:270:26:31

-Elevation, we are looking for elevation.

-And relax you face.

0:26:320:26:35

Jamie was like a stone. LAUGHTER

0:26:350:26:38

-SIMON:

-One thing, Jamie did when Jamie did it, which you saw in the playback,

0:26:380:26:42

was it looked like Jamie did a really big fart.

0:26:420:26:44

LAUGHTER

0:26:440:26:46

That exploded. Don't do that.

0:26:460:26:49

-OK, here goes Maddie, here goes Maddie. REBECCA:

-You can do it.

0:26:490:26:53

-And just remember - have fun.

-ALL: Three, two, one, go!

0:26:530:26:56

-Ahh!

-APPLAUSE

0:26:570:27:00

Oh, that is going to be good.

0:27:000:27:02

That's going to be good, Maddie.

0:27:020:27:04

Well done. There you go, love. Have a seat. We'll have a look.

0:27:040:27:08

-You guys want to shake...?

-OK. No, they don't.

0:27:080:27:11

-They are not nice like you.

-Yeah.

-OK, here's Maddie.

0:27:110:27:14

MUSIC: Mission: Impossible Theme

0:27:140:27:17

Supercool Maddie.

0:27:220:27:23

Should we do one more? One more. One more, let's get someone...

0:27:260:27:30

You'd like to do it. Oh, you would be so good at it.

0:27:330:27:36

Come on. Have a go. Have a go.

0:27:360:27:38

-What's your name?

-Evelyn.

-Sorry?

-Evelyn.

-Evelyn.

0:27:390:27:43

OK, Evelyn, up you go, Evelyn. Here we go.

0:27:430:27:46

We're rooting for you, Evelyn.

0:27:460:27:48

So, you are OK? You are fit? You are fit? OK. Right now you are fit.

0:27:510:27:56

At the moment, you are OK.

0:27:570:27:59

OK, you've seen the others, you've seen the others.

0:27:590:28:02

I think the important thing is, particularly, because you look

0:28:020:28:05

so beautiful, big face at the end. OK?

0:28:050:28:06

So we're looking for height here, Evelyn, height. And then forward.

0:28:060:28:09

-REBECCA:

-I'd take my shoes off.

-I know.

-OK?

-Take your shoes off.

0:28:090:28:12

-You are good? You are good?

-I'm good.

-OK, lovely.

0:28:120:28:16

This is Evelyn, going for it.

0:28:160:28:18

LOUD CHEERS AND APPLAUSE Wait, wait, wait.

0:28:180:28:20

So, here we go. Three, two, one, go.

0:28:200:28:25

Ahh!

0:28:250:28:27

Well done, Evelyn!

0:28:300:28:32

-You did so good.

-That was amazing.

0:28:320:28:34

-You all right?

-I'm fine.

-There we go.

0:28:360:28:38

OK, let's have a look.

0:28:400:28:41

Good job. Let's watch Evelyn.

0:28:410:28:44

MUSIC: Mission: Impossible Theme Here she goes, here she goes!

0:28:440:28:48

I fear she may not be Mission: Impossible 7.

0:28:550:28:58

It was a lovely day out at the dynamite factory.

0:28:580:29:01

Oh, dear. Now, Henry, this is your first film with Tom Cruise,

0:29:030:29:06

but it wasn't meant to be.

0:29:060:29:07

You were supposed to be in another film with Tom Cruise.

0:29:070:29:10

Well, we had the opportunity, yes.

0:29:100:29:12

The Man From UNCLE, originally Tom was playing Napoleon Solo.

0:29:120:29:16

And I auditioned for Armie Hammer's role, Illya Kuryakin.

0:29:160:29:20

And I went to Tom's house in LA and...

0:29:200:29:23

Which is very surreal, by the way,

0:29:230:29:25

when you're trying to make things work in your career

0:29:250:29:28

and you get into a taxi in LA

0:29:280:29:31

and you feel like saying, "Take me to Tom Cruise's house."

0:29:310:29:35

LAUGHTER

0:29:350:29:36

You give an address and you turn up and there's this big

0:29:360:29:39

gate everywhere and it's obviously a nice area.

0:29:390:29:42

-I imagine it's nice.

-He's done fairly well for himself.

0:29:420:29:44

The garden is nice, he keeps it nice, yeah.

0:29:440:29:47

-That lawn is cut!

-Yeah.

0:29:470:29:49

The hanging baskets, gorgeous.

0:29:520:29:54

Yeah, I got to meet Tom then

0:29:560:29:57

and we read through some lines with Guy Ritchie in his house

0:29:570:30:01

and it was still just very surreal for me thinking,

0:30:010:30:03

"I'm sitting here with Guy Ritchie and Tom Cruise

0:30:030:30:06

"in Tom Cruise's house. Like, when will I stop sweating?"

0:30:060:30:10

LAUGHTER "I'm leaving stains."

0:30:100:30:13

-LAUGHTER

-Left a really good impression.

0:30:130:30:17

But then you got the Tom Cruise role

0:30:200:30:22

and so now you're Man From UNCLE, Mission: Impossible,

0:30:220:30:25

two big, big franchises

0:30:250:30:27

and you've talked to us before about how close the James Bond thing came.

0:30:270:30:30

-Yeah.

-That you were down to the final two.

0:30:300:30:32

But I like the thing you did then

0:30:320:30:34

when you got your first kind of big pay cheque with your dad.

0:30:340:30:37

Oh, yeah. When I got my first big pay cheque.

0:30:370:30:40

It had been a few years, I'd been working as an actor

0:30:400:30:42

-for a few years...

-How much was it?

-Ha...

0:30:420:30:44

-Don't ask him that.

-I'm just joking.

-That's so Swedish.

0:30:440:30:48

200 or 300...

0:30:500:30:52

..pounds.

0:30:520:30:54

So I went back to Jersey with my dad

0:30:540:30:57

and I thought I want to treat myself. I haven't actually got myself anything

0:30:570:31:01

and we were discussing what to do with it.

0:31:010:31:02

And he said, "How about a car?" I was still driving my Peugeot 206.

0:31:020:31:06

It was the first car I ever had.

0:31:060:31:07

-And I was like, you know, it's time to upgrade.

-Yeah.

0:31:070:31:09

-This thing struggles uphill at this stage.

-Yeah.

0:31:090:31:12

And went to the local fancy garage and there was

0:31:120:31:15

a number of nice cars there and the R8, the Audi R8,

0:31:150:31:18

was one that really stood out to me and I thought, "This is a great car."

0:31:180:31:21

I was looking at it. And my dad was kind of sort of pausing around this other car and I...

0:31:210:31:26

In the really nice section.

0:31:260:31:27

And I was like, "What are you doing over there?" And he said, "I'm just looking at this car."

0:31:270:31:31

And I was like, "Oh, yeah, wow, this is really nice. Yeah, one day, huh?"

0:31:310:31:35

And he went, "Hm."

0:31:350:31:36

-LAUGHTER

-And I said, "What do you mean?"

0:31:360:31:39

"Hm."

0:31:390:31:41

He went, "Well, I mean, I'm sure we can make this work."

0:31:410:31:43

And I was like, "It's an Aston Martin DBS, like, you can't just make this work.

0:31:430:31:48

"You can't toy with my emotions like that.

0:31:480:31:50

"It either can or can't." And he's like, "Yeah, well, you know. Yeah.

0:31:500:31:53

"I think it could be a thing, but, you know, think about it.

0:31:530:31:55

"Think about what car you want, the two different cars."

0:31:550:31:58

And I was like, "I'm not thinking about anything.

0:31:580:32:00

"The Aston Martin DBS." And so, that was my second car.

0:32:000:32:04

Wow! That's quite a trajectory.

0:32:040:32:09

Now I'm thinking, though, does it stay on Jersey,

0:32:090:32:12

so your dad gets to drive it all the time?

0:32:120:32:14

-I've now forbade him from driving it.

-OK.

0:32:140:32:17

A couple of near scrapes.

0:32:170:32:19

But, yeah, it does actually stay on Jersey, yes.

0:32:190:32:22

But I do like this idea of that, you know, because everyone

0:32:220:32:24

struggles and then suddenly, "Ooh, I've got a bit of money.

0:32:240:32:27

"What am I going to do with my first big pay cheque?"

0:32:270:32:30

Rebecca, do you remember what you did with yours?

0:32:300:32:33

I bought a...

0:32:330:32:35

God, I wish it were something more cool.

0:32:350:32:38

I bought a pair of Dior sunglasses

0:32:380:32:41

and then they got stolen the day after, but they left the case.

0:32:410:32:44

LAUGHTER

0:32:440:32:47

I like, "I bought Aston Martin. I bought some sunglasses."

0:32:470:32:51

-But they were really nice.

-MORE LAUGHTER

0:32:520:32:56

Tom Cruise, do you remember what you did with your first

0:32:560:32:58

kind of cheque where you noticed you had some money in the bank?

0:32:580:33:00

Yeah. Yeah.

0:33:000:33:02

LAUGHTER

0:33:020:33:05

Well, you answered that question.

0:33:050:33:08

-Can you say? Is it a terrible thing?

-No, no.

0:33:080:33:10

I actually paid for my sister's college education and...

0:33:100:33:14

-Oh, that's so him!

-APPLAUSE

0:33:140:33:17

I did.

0:33:170:33:18

And then the next one, I bought my other sister a car.

0:33:210:33:24

-Yeah.

-Your sister a car, not yourself?

-No. My sister.

0:33:240:33:28

"My Aston Martin." LAUGHTER

0:33:300:33:32

-His dad's Aston Martin.

-Yeah.

0:33:340:33:36

Yeah, you should change that to "I bought my dad an Aston Martin."

0:33:360:33:39

Because that's actually what happened.

0:33:390:33:40

I do feel like I've been set up a little bit.

0:33:400:33:42

LAUGHTER

0:33:420:33:44

-Simon Pegg, what did you?

-Make it up.

0:33:440:33:46

-No, this is true, I bought a second-hand...

-Orphanage.

0:33:460:33:50

-A second-hand orphanage.

-LAUGHTER

0:33:500:33:55

I kicked all those little shits out...

0:33:570:34:00

That's where I park my Aston Martin now.

0:34:000:34:04

No, I bought a second-hand Mazda MX5 with my Switch card.

0:34:040:34:07

LAUGHTER

0:34:070:34:10

It was my first pay cheque for Big Train,

0:34:100:34:12

which was a sketch show on BBC TWO and I bought a car

0:34:120:34:17

with my Switch card, which was like a little debit card. You remember.

0:34:170:34:20

See, I thought you would have bought something kind of more nerdy,

0:34:200:34:23

like the Death Star made of Lego or something.

0:34:230:34:25

That seemed to be where you'd go shopping.

0:34:250:34:27

I did once by a Darth Vader helmet which cost more, but...

0:34:270:34:31

-That was slightly later.

-Was it original?

0:34:310:34:33

It was one that had been decorated by a graffiti artist.

0:34:330:34:36

They did this whole art project called The Vader Project

0:34:360:34:39

and they decorated all these Darth Vader helmets and I bought one.

0:34:390:34:41

Because that is you. You are a proper...

0:34:410:34:44

..you are a proper fan of all of these things.

0:34:440:34:47

And now you are every...

0:34:470:34:49

..people, nerds are so jealous of you

0:34:490:34:50

because you've done the trifecta, haven't you?

0:34:500:34:53

Yes, Dr Who, Star Trek and Star Wars, yeah.

0:34:530:34:56

You've been in them all.

0:34:560:34:57

Yes. I wrote Star Trek as well, which is an added point.

0:34:570:35:01

If I was a bit of chocolate, I would eat myself, wouldn't I?

0:35:010:35:04

LAUGHTER

0:35:040:35:06

And if you are listening to this and kind of thinking,

0:35:060:35:09

I don't remember Simon Pegg in Star Wars.

0:35:090:35:12

You were in it, you are properly in it. Here you are. That...

0:35:120:35:15

You had a character name and everything.

0:35:190:35:20

Unkar Plutt. Yeah. He was a junk dealer on the planet Jakku.

0:35:200:35:25

And I was wearing that in 50-degree heat.

0:35:250:35:28

And I had these big rubber, silicon gauntlets on which

0:35:280:35:31

were my fingers.

0:35:310:35:33

And when I took them off, I could pour the sweat out.

0:35:330:35:36

If you're interested, your sweat is a sort of milky colour.

0:35:360:35:38

GROANS TURN TO LAUGHTER

0:35:380:35:41

Cos, Henry, you are quite a nerd as well.

0:35:430:35:45

I mean, you must have been so geeked to be Superman, to kind of like...

0:35:450:35:49

-Yeah, yeah. No, I am a geek.

-Yeah.

0:35:490:35:53

-We talk a bit on set about stuff, don't we?

-Yeah, we do.

0:35:530:35:56

-Quietly in dark corners.

-We have comic chats.

0:35:560:35:59

We're actually... We're... Can I tell this story? We were in...

0:35:590:36:02

-REBECCA:

-He doesn't have a chance to answer?

-He didn't say yes.

0:36:020:36:04

What's he going to say?

0:36:040:36:06

-It's like, "Henry, get in this helicopter. You OK?"

-HE IMITATES HELICOPTER

0:36:060:36:09

-SHOUTS:

-"No!"

0:36:090:36:11

We were shooting a car chase in Paris and it was me,

0:36:110:36:15

Tom, Sean Harris, Ving Rhames and Henry.

0:36:150:36:17

You just asked him if he could tell it, you didn't ask me.

0:36:170:36:20

-Can I tell this story? You come out all right.

-Oh, yeah.

0:36:200:36:23

This is the one... Oh, yeah.

0:36:230:36:25

It is a very cramped car, particularly with Ving

0:36:250:36:28

and Henry, who are both big guys and me in the middle,

0:36:280:36:31

bombing around Paris. And every time we finished the shot, we have

0:36:310:36:33

to reset the shot, drive back to the start point so we can do it again.

0:36:330:36:36

Henry has had enough of sitting in the cramped car, so he says,

0:36:360:36:39

"Can I run back? I'll run back to..."

0:36:390:36:41

-Cos you do a bit of running, don't you?

-Yeah, yeah.

0:36:410:36:43

So, Henry took off and ran back to position one whereas we...

0:36:430:36:47

And we just drove next to him going...

0:36:470:36:48

HE HUMS THE SUPERMAN THEME SONG

0:36:480:36:52

He was doing the score, we were just driving. He did the whole thing.

0:36:530:36:57

The whole way right next to him.

0:36:570:36:58

It's one of the coolest moments of my life is having Tom Cruise

0:36:580:37:01

do that driving next to you.

0:37:010:37:02

You know you've made it.

0:37:050:37:07

Right, it is time for music.

0:37:110:37:13

This Brit Award-winning songstress is back with a number one album,

0:37:130:37:16

The Architect.

0:37:160:37:18

Performing Till I'm Done, it is Paloma Faith, everybody.

0:37:180:37:21

# I'm a fighter and I made it through

0:37:340:37:38

# Solid gold survivor That's my attitude

0:37:380:37:42

-# But I didn't know

-I didn't know

0:37:420:37:44

-# I didn't know

-I didn't know

0:37:440:37:46

# I had to be your hero

0:37:460:37:49

# Baby, don't ask me to be strong for you as well

0:37:490:37:54

# Pushed off the edge and now I'm back from hell

0:37:540:37:58

-# But I didn't know

-I didn't know

0:37:580:38:00

-# I didn't know

-I didn't know

0:38:000:38:02

# I had to be your hero, mm-mm-mm

0:38:020:38:06

-# So give me light

-I'm not built to carry us both

0:38:060:38:10

-# So give me light

-Time to rest my weary bones

0:38:100:38:14

-# So give me light

-You've got to go your own road

0:38:140:38:20

# Help me see

0:38:210:38:23

# Just when I thought I'd had enough

0:38:230:38:25

# Had no more light and no more love

0:38:250:38:26

# It's not over

0:38:260:38:28

# It's not over

0:38:280:38:31

# I won't save you when I'm weak

0:38:310:38:32

# Only got so much left to give

0:38:320:38:35

# It's not over

0:38:350:38:36

# It's not over

0:38:360:38:38

# Till I'm done

0:38:380:38:40

# Oh-oh, oh-oh, ooh

0:38:400:38:41

# Oh-oh, oh-oh, ooh

0:38:410:38:43

# Oh-oh, oh-oh, ooh

0:38:430:38:46

-# Till I'm done

-# Oh-oh, oh-oh, ooh

0:38:460:38:49

# Oh-oh, oh-oh, ooh

0:38:490:38:51

# Oh-oh, oh-oh, ooh

0:38:510:38:54

# Till I'm done

0:38:540:38:56

# You look at me and see how much I take

0:38:580:39:02

# But with this heart of glass I'm about to break

0:39:020:39:06

-# But I didn't know

-I didn't know

0:39:060:39:08

-# I didn't know

-I didn't know

0:39:080:39:10

# I had to be your hero, mm-mm-mm

0:39:100:39:14

-# So give me light

-I'm not built to carry us both

0:39:140:39:18

-# So give me light

-Time to rest my weary bones

0:39:180:39:22

-# So give me light

-You've got to go your own road

0:39:220:39:29

# Help me see

0:39:290:39:30

# Just when I thought I'd had enough

0:39:300:39:33

# Had no more light and no more love

0:39:330:39:35

# It's not over

0:39:350:39:36

# It's not over

0:39:360:39:39

# I won't save you when I'm weak

0:39:390:39:40

# Only got so much left to give

0:39:400:39:42

# It's not over

0:39:420:39:44

# It's not over

0:39:440:39:46

# Till I'm done

0:39:460:39:48

# Whatcha think you ever did for me before?

0:39:480:39:50

# So give me light

0:39:500:39:52

# Blocked out the sun and let the moon fall on the floor

0:39:520:39:54

# So give me light

0:39:540:39:56

# I am empty, ain't got nothing left to give

0:39:560:39:58

# So give me light

0:39:580:40:00

# And no, you ain't the one I wanna be with

0:40:000:40:03

# Just when I thought I'd had enough

0:40:030:40:05

# Had no more light and no more love

0:40:050:40:07

# It's not over

0:40:070:40:08

-# It's not over

-It's not over

0:40:080:40:11

# I won't save you when I'm weak

0:40:110:40:12

# Only got so much left to give

0:40:120:40:14

# It's not over

0:40:140:40:16

-# I can't save you

-It's not over

0:40:160:40:18

-# Just when I thought I'd had enough

-Ooh!

0:40:180:40:21

# Had no more light and no more love

0:40:210:40:22

# It's not over

0:40:220:40:24

# It's not over

0:40:240:40:27

-# I won't save you when I'm weak

-Ooh!

0:40:270:40:29

# Only got so much left to give

0:40:290:40:30

# It's not over

0:40:300:40:32

-# It's not over

-Till I'm done

0:40:320:40:36

# Oh-oh, oh-oh, ooh

0:40:360:40:37

# Oh-oh, oh-oh, ooh

0:40:370:40:39

# Oh-oh, oh-oh, ooh

0:40:390:40:42

-# Till I'm done

-Oh-oh, oh-oh, ooh

0:40:420:40:45

# Oh-oh, oh-oh, ooh

0:40:450:40:47

-# Oh-oh, oh-oh, ooh

-It's not over

0:40:470:40:50

# Till I'm done. #

0:40:500:40:52

APPLAUSE

0:40:520:40:54

Paloma Faith, everybody!

0:40:590:41:01

Great job! And the backing singers and the band.

0:41:010:41:05

Hello, darling. So lovely to see you.

0:41:050:41:08

That was fantastic. Come and meet everybody.

0:41:080:41:10

It's Simon, Henry, Rebecca, Tom.

0:41:100:41:13

-Nice to see you.

-Beautiful job, lady.

0:41:140:41:17

-Very good, very good.

-My goodness.

0:41:170:41:19

-Oh, she's shiny.

-Hello, lovely to see you.

-Lovely to see you.

0:41:200:41:23

Have a seat. Now, so that is off the new album.

0:41:230:41:26

-The Architect.

-Congratulations.

-Thank you.

0:41:260:41:29

Here you go. That's it. Number one, ladies and gentlemen!

0:41:290:41:32

I love...

0:41:350:41:38

I was listening on the radio.

0:41:380:41:39

I love how happy you are that it's number one.

0:41:390:41:41

-You are not pretending to be cool.

-I know!

0:41:410:41:43

-You're just over the moon.

-I've never been cool, Graham.

0:41:430:41:46

I feel like I've just come to the office party at the end of the day.

0:41:460:41:50

LAUGHTER

0:41:500:41:51

"Hi, guys. So, as a morale building exercise,

0:41:510:41:55

"I'm here to just brighten up your lives, so you can slave away

0:41:550:41:58

"for another 12 months for my business."

0:41:580:42:00

Here's the weird thing. So, you've recorded this album

0:42:000:42:03

and you were pregnant when you recorded the album.

0:42:030:42:05

-Yeah. As are you.

-Now, girl, tell me all about it. No, I'm just joking.

0:42:050:42:09

No, but here's the weird thing. I didn't know this.

0:42:090:42:11

So your voice changes when you're pregnant.

0:42:110:42:13

Well, no, it wasn't when I was pregnant.

0:42:130:42:15

It was afterwards that I felt like it was better.

0:42:150:42:19

-Oh, OK.

-Like, because...

0:42:190:42:21

-Have you done it before? Had a baby?

-My voice is spectacular.

0:42:210:42:25

-SIMON:

-Or a number one album.

0:42:250:42:27

-Have you had a baby?

-Yes, I have had.

0:42:270:42:29

So, like, your, sort of, body kind of... Everything moves.

0:42:290:42:33

All the organs move and it opens up and goes a bit wild.

0:42:330:42:37

A bit graphic. LAUGHTER

0:42:370:42:41

-So, I'm like...

-Oh, I didn't need that.

0:42:410:42:44

No, I'm quite lucky cos some of the things that were like really

0:42:440:42:46

bugging me, like continual ailments,

0:42:460:42:48

like, never came back because it must've just moved a bit.

0:42:480:42:53

And I think my lungs, like, went into a better place or something.

0:42:530:42:57

And I was like, "I really just want to re-sing everything."

0:42:570:43:01

Cos I'd sung it all pregnant and prepregnancy

0:43:010:43:04

and then I was like, "No, this is better."

0:43:040:43:06

I feel like I can go from low to high.

0:43:060:43:08

But maybe it is psychological because...

0:43:080:43:10

-Maybe should have more babies.

-I think I might.

0:43:100:43:13

Like, can we do one now?

0:43:130:43:15

-No.

-LAUGHTER

0:43:150:43:18

It's...it's late.

0:43:180:43:20

-It's late, Paloma.

-All right.

0:43:200:43:22

There's quite a few nice people to choose from.

0:43:220:43:24

It is quite the gene pool. It really is quite the gene pool.

0:43:250:43:28

You are right.

0:43:280:43:30

-Maybe we can all amalgamate.

-Oh, my God.

0:43:300:43:32

Well, Tom needs to work tomorrow, so...

0:43:320:43:34

Let me ask you very quickly. You are off on tour, aren't you?

0:43:340:43:37

-Yeah, in March.

-Yeah, fantastic.

-I'm really looking forward to it.

0:43:370:43:40

Brilliant. Thank you so much for that great performance.

0:43:400:43:42

-Paloma Faith, everybody.

-Thanks.

0:43:420:43:44

Right. That is nearly it,

0:43:470:43:49

but before we go, just time a visit to the Big Red Chair.

0:43:490:43:53

This is your least favourite bit of the show.

0:43:530:43:55

Tom hates this.

0:43:550:43:57

-Who's there? Hello.

-Hello.

0:43:570:44:00

-Hi who are you?

-My name is John.

0:44:000:44:02

John, hello, John. Where are you from?

0:44:020:44:04

-I'm from Scotland.

-Lovely.

0:44:040:44:06

-Happy Burns Day for yesterday.

-Thank you.

0:44:060:44:08

LAUGHTER

0:44:080:44:11

-And do you live down here now?

-I do, I live in central London.

-Oh, right.

0:44:130:44:17

Oh, central London. None of your suburbs for John.

0:44:170:44:20

No, he came from Scotland. He made it!

0:44:200:44:24

Zone one!

0:44:240:44:26

-What do you do, John?

-I'm a lawyer.

0:44:280:44:30

Oh, he did make it.

0:44:300:44:31

Oh, yeah. Zone one John.

0:44:310:44:35

OK, off you go with your story.

0:44:350:44:36

-So, my grandad died and...

-LAUGHTER

0:44:360:44:40

It happens.

0:44:420:44:43

We were having an open coffin for him at my grandmother's house.

0:44:430:44:47

And they were keeping the coffin out in the conservatory.

0:44:470:44:49

And we were having lots of visitors, coming

0:44:490:44:51

and going to pay their respects.

0:44:510:44:53

So, that damaged the front door to my grandmother's house.

0:44:530:44:56

So, my grandad had been a tradesman.

0:44:560:44:58

We looked up his book of contacts to find someone

0:44:580:45:00

we thought might be able to fix it.

0:45:000:45:02

So, we find a man called Jim, give him a call,

0:45:020:45:04

and he turns up very early the next morning.

0:45:040:45:07

So, he's working away on the door

0:45:070:45:08

and I think, "I should probably make small talk."

0:45:080:45:11

So, I ask him, "Do you want to pop through and see grandad?

0:45:110:45:14

And he sort of casually looked up and said,

0:45:140:45:15

"Yeah, I'll pop through when I'm finished, son."

0:45:150:45:17

So, he finished the job, got up,

0:45:170:45:20

casually walked through into the conservatory,

0:45:200:45:23

at which point, I realised he didn't know Grandad had died.

0:45:230:45:26

LAUGHTER

0:45:260:45:28

So he walked in expecting to see my grandad in his slippers,

0:45:280:45:31

reading the paper but saw my grandad very dead, lying in a coffin.

0:45:310:45:33

LAUGHTER

0:45:330:45:35

The colour completely drained from his face

0:45:350:45:37

he then made this inaudible sort of...ooh!

0:45:370:45:40

Turned round, and just went out the house so quickly.

0:45:400:45:43

And we've never seen him again. And that was about 15 years ago.

0:45:430:45:47

That's a good story.

0:45:470:45:48

You can walk, John. You can walk.

0:45:480:45:50

If you would like to join us on the show and have a go in our

0:45:520:45:54

Big Red Chair, you can contact us

0:45:540:45:56

via our website at this very address. That is it for tonight.

0:45:560:45:58

Please say a huge thank you to all of my guests.

0:45:580:46:01

Paloma Faith.

0:46:010:46:03

Simon Pegg.

0:46:040:46:07

Henry Cavill.

0:46:070:46:09

Rebecca Ferguson.

0:46:100:46:12

And Mr Tom Cruise.

0:46:120:46:15

Thank you. Thank you, Graham.

0:46:170:46:20

Do join me next week with musical guest George Ezra,

0:46:200:46:23

voice judge Will.i.am, Oscar-winner Cuba Gooding Junior

0:46:230:46:25

and for the first time, one of our favourite British stars,

0:46:250:46:28

Imelda Staunton.

0:46:280:46:29

I'll see you then. Goodnight, everyone. Goodbye.

0:46:290:46:31

APPLAUSE

0:46:310:46:34

OK, so come, Tom, in, in three, two...

0:46:590:47:02

What does that mean?

0:47:020:47:03

-I'm going to cue...

-LAUGHTER

0:47:030:47:06

-You see what I'm saying?

-You are not good at this.

-I don't know.

0:47:090:47:12

It is three, two, and then he points.

0:47:120:47:14

Does that mean I start talking at that point? OK, good.

0:47:140:47:17

-I go on the point.

-Go on the point.

-OK, good. All right.

0:47:170:47:19

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