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This programme contains
some strong language. | 0:00:04 | 0:00:06 | |
Hey, everybody - this
is Cuba Gooding Jr saying, | 0:00:06 | 0:00:09 | |
"Welcome to the Graham Norton Show!" | 0:00:09 | 0:00:15 | |
Hello and welcome to the show. | 0:00:27 | 0:00:35 | |
Oh, that lovely sound! So lovely!
Thank you very much. Thank you. | 0:00:36 | 0:00:41 | |
Thank you, all. | 0:00:41 | 0:00:44 | |
We've got some great
guests on tonight. | 0:00:44 | 0:00:45 | |
We'll be chattering away like killer
whales that have just | 0:00:45 | 0:00:48 | |
learnt how to speak. | 0:00:48 | 0:00:49 | |
Did you see that? | 0:00:49 | 0:00:51 | |
Wikie the killer whale lives in one
of those marine parks and they've | 0:00:51 | 0:00:55 | |
taught her to speak through the hole
in the top of her head. | 0:00:55 | 0:01:02 | |
This is news, yeah. | 0:01:02 | 0:01:04 | |
Wikie can just say simple
things at the moment, | 0:01:04 | 0:01:06 | |
like "hello", "goodbye" and,
"For the love of God, | 0:01:06 | 0:01:08 | |
please release me
back into the wild". | 0:01:08 | 0:01:10 | |
On the subject of blubbery creatures
talking through their blow-hole, | 0:01:10 | 0:01:13 | |
Donald Trump gave his State
of the Union speech this week. | 0:01:13 | 0:01:20 | |
APPLAUSE
CHEERING | 0:01:20 | 0:01:28 | |
That was all just so I could say
that! | 0:01:28 | 0:01:31 | |
It lasted one hour and 20 minutes. | 0:01:31 | 0:01:33 | |
That's quite a long time
to say, "We're screwed". | 0:01:33 | 0:01:36 | |
Melania was at the speech
and looked amazing. | 0:01:36 | 0:01:39 | |
Put a pointy white hat on and that'd
be Donald's favourite outfit. | 0:01:39 | 0:01:47 | |
LAUGHTER AND APPLAUSE. | 0:01:49 | 0:01:51 | |
Meanwhile this week Theresa May has
been visiting China. | 0:01:51 | 0:01:58 | |
She's so lucky! | 0:01:58 | 0:01:59 | |
That's her with the
Chinese President. | 0:01:59 | 0:02:00 | |
Apparently he asked
Theresa two questions - | 0:02:00 | 0:02:02 | |
"What's your name?" | 0:02:02 | 0:02:03 | |
and "How long will you
be Prime Minister?" | 0:02:03 | 0:02:05 | |
And oddly, the answer to
both those questions was "May". | 0:02:05 | 0:02:11 | |
LAUGHTER | 0:02:11 | 0:02:17 | |
That's clever, that. | 0:02:17 | 0:02:18 | |
Let's get some guests on! | 0:02:18 | 0:02:20 | |
Later we'll have music
from chart-topping | 0:02:20 | 0:02:21 | |
singer-songwriter George Ezra! | 0:02:21 | 0:02:24 | |
APPLAUSE | 0:02:24 | 0:02:26 | |
But first, this seven-time Grammy
award-winner and founding member | 0:02:26 | 0:02:28 | |
of the Black Eyed Peas
is a musician, entrepreneur, | 0:02:28 | 0:02:30 | |
producer and now author -
please welcome will.i.am! | 0:02:30 | 0:02:37 | |
CHEERING
APPLAUSE | 0:02:37 | 0:02:44 | |
Good to see you. There, there.
Lovely. Go ahead. | 0:02:44 | 0:02:50 | |
For over three decades,
this British star has | 0:02:50 | 0:02:52 | |
conquered stage and screen,
and was Oscar-nominated | 0:02:52 | 0:02:53 | |
for her role as Vera Drake. | 0:02:53 | 0:02:55 | |
Now she brings us a new Brit-flick,
Finding Your Feet. | 0:02:55 | 0:02:57 | |
Please welcome, for the first time,
Imelda Staunton! | 0:02:57 | 0:03:02 | |
CHEERING | 0:03:02 | 0:03:09 | |
Look at you! Hello, Imelda. | 0:03:09 | 0:03:15 | |
And this Oscar-winning star has
thrilled on the big screen, | 0:03:15 | 0:03:18 | |
most recently gripped us as OJ
Simpson and now he's giving us | 0:03:18 | 0:03:20 | |
the old razzle-dazzle in Chicago. | 0:03:20 | 0:03:22 | |
Welcome back,
Cuba Gooding Jr! | 0:03:22 | 0:03:24 | |
CHEERING | 0:03:24 | 0:03:30 | |
APPLAUSE DROWNED SPEECH.
CHEERING | 0:03:36 | 0:03:41 | |
While! | 0:03:41 | 0:03:46 | |
While! I racked my ghetto brains
when I got out here. Lovely to see | 0:03:46 | 0:03:49 | |
you all. You've never been here,
Imelda. Is that...? I thought that | 0:03:49 | 0:03:59 | |
was an evening purse. No, it's soda
bread. I made it today. I made this | 0:03:59 | 0:04:06 | |
morning and I'm Irish, my parents
are Irish, and I thought I would cut | 0:04:06 | 0:04:11 | |
you a corner. That so quite a few!
Thank you very much! -- so kind of | 0:04:11 | 0:04:18 | |
you. I'll just check it is soda
bread. It looks like a giant drug | 0:04:18 | 0:04:24 | |
deal otherwise. We smuggled it in
plain sight. That brings up my gift. | 0:04:24 | 0:04:33 | |
And you wrapped it in grease-proof
and everything. Look at that! Oh, | 0:04:33 | 0:04:37 | |
that's lovely. I feel like Mary
Berry. It's a nice bit of whatever | 0:04:37 | 0:04:44 | |
that is. It's my second one this
week. I've never made it before, and | 0:04:44 | 0:04:52 | |
it's my second one.
LAUGHTER | 0:04:52 | 0:04:54 | |
It's nice, a fine crumb. Is that
what you say? Put on those of butter | 0:04:54 | 0:05:00 | |
and it will be gorgeous. That's so
quite of you. It cost £4.80. Cuba, | 0:05:00 | 0:05:07 | |
we last saw you in The People v OJ
Simpson. Congratulations. That was | 0:05:07 | 0:05:14 | |
good! You did really well at the
Golden Globes. You are and | 0:05:14 | 0:05:21 | |
afterwards you celebrated a little
bit. You enjoyed a drink and... And | 0:05:21 | 0:05:23 | |
a bit of dancing... | 0:05:23 | 0:05:29 | |
a bit of dancing... And what says
great night out other than... | 0:05:30 | 0:05:32 | |
Kentucky fried chicken! I knew it!
The scariest round applause I've | 0:05:32 | 0:05:42 | |
ever had. What was that? And you
know it so funny, you are backstage | 0:05:42 | 0:05:51 | |
after an awards show, and you with
friends in the VIP and nobody has | 0:05:51 | 0:05:56 | |
cameras because everybody has
security, so you doing goofy stuff | 0:05:56 | 0:05:58 | |
back there... | 0:05:58 | 0:06:06 | |
back there... Marlon put it on
Twitter the next day and was like, | 0:06:06 | 0:06:08 | |
Cuba Gooding Jr, finger licking Cuba
good! | 0:06:08 | 0:06:17 | |
good! It isn't, it is! Life is about
moderation, including moderation | 0:06:19 | 0:06:22 | |
itself. Oh.
LAUGHTER | 0:06:22 | 0:06:30 | |
Here's a thing, and I right in
thinking there is a lot less | 0:06:30 | 0:06:37 | |
will.i.am to love than previously?
Yes, so I lost almost 20lb. | 0:06:37 | 0:06:44 | |
APPLAUSE
I know! I'm surprised you lost that | 0:06:44 | 0:06:51 | |
much. I don't remember you being
that big. No, I'd just lay up, I'd | 0:06:51 | 0:06:56 | |
wear a bunch of stuff, the hats, and
I'd have a big brim hat to let me | 0:06:56 | 0:07:02 | |
know that I'm a little plump. The
bigger the hat, the smaller the | 0:07:02 | 0:07:07 | |
face. So I stopped eating so, if it
has a face, I don't taste it. If it | 0:07:07 | 0:07:16 | |
has eyes, I don't eat it. I am just
plant -based, no dairy, no milk. | 0:07:16 | 0:07:21 | |
Just plant like rabbits. Rabbits?!
Rabbit food. Oh, I see, because | 0:07:21 | 0:07:33 | |
rabbits have eyes and feet and
everything. I'm thinking, apart from | 0:07:33 | 0:07:36 | |
rabbits. | 0:07:36 | 0:07:42 | |
rabbits. For your last solo single,
Fire, you went to a great cultural | 0:07:42 | 0:07:45 | |
British eyed column, to the cobbles
of Weatherfield. -- reddish icon. | 0:07:45 | 0:07:50 | |
Coronation Street. | 0:07:50 | 0:07:56 | |
Coronation Street. It is Coronation
Street. So you went there. Is that | 0:07:56 | 0:08:02 | |
you? Yeah. The Rovers return looks
quite different in your video. I've | 0:08:02 | 0:08:08 | |
got a big fat! I'm over 200lb. -- a
big fat. And then you go outside and | 0:08:08 | 0:08:17 | |
the cobbles are actually on fire. I
was in a chair and Tom Jones said, I | 0:08:17 | 0:08:24 | |
said fire, and Tom Jones with a
Welsh accent said the same, and I | 0:08:24 | 0:08:30 | |
was like, yeah. So I wrote a song
about fire. If you say something, | 0:08:30 | 0:08:37 | |
Imelda, you might be in a song.
Gosh! | 0:08:37 | 0:08:44 | |
Gosh! Talking of songs, Cuba Gooding
Jr, you are taking to the west end | 0:08:46 | 0:08:49 | |
stage in Chicago.
CHEERING | 0:08:49 | 0:08:58 | |
It's a big return to the west end,
the 26th of March at the Phoenix | 0:08:58 | 0:09:02 | |
Theatre in London. Remind people who
Billy Flynn is in the musical. If | 0:09:02 | 0:09:06 | |
you've seen the musical, which is in
its 20th year of production around | 0:09:06 | 0:09:13 | |
the UK, States, even Japan, I think,
he plays a criminal defence attorney | 0:09:13 | 0:09:19 | |
representing women on death row who
have tested their mates and been put | 0:09:19 | 0:09:24 | |
there because of murder and other
charges. -- who have bested. And how | 0:09:24 | 0:09:32 | |
did this happen? What the hell! I
was on Broadway in 2013 in a | 0:09:32 | 0:09:40 | |
production and it was one of those
things, I started on stage, and once | 0:09:40 | 0:09:46 | |
I stepped back on stage, I
remembered this was truly home for | 0:09:46 | 0:09:49 | |
me as an actor. If you think of
every role that has probably been | 0:09:49 | 0:09:55 | |
affected people most in my career,
from the last one, OJ Simpson, to | 0:09:55 | 0:10:01 | |
Boyz N The Hood, Radio, it's always
characters I am scared to death to | 0:10:01 | 0:10:10 | |
do, and here was another opportunity
which scared the hell out of me, to | 0:10:10 | 0:10:13 | |
do a musical, even though I come
from a musical background, it's one | 0:10:13 | 0:10:18 | |
of those things... It's what keeps
me, the intensity. How's it going? | 0:10:18 | 0:10:26 | |
Will you be ready? I'm ready now,
baby. What are the big numbers? I | 0:10:26 | 0:10:35 | |
have three big songs. Or I Care
About Is Love, Razzle-dazzle, And | 0:10:35 | 0:10:41 | |
Another One. Could you give us a bit
of one? Which would you like? | 0:10:41 | 0:10:48 | |
# I don't care about expensive
things, cashmere coats, diamond | 0:10:48 | 0:10:53 | |
rings, don't mean a thing
# All I care about is love, that's | 0:10:53 | 0:10:59 | |
what I'm here for.
CHEERING | 0:10:59 | 0:11:05 | |
And I have this one big...
CHEERING | 0:11:05 | 0:11:12 | |
Towards the end of the song, and I'm
not even really warmed up yet, don't | 0:11:12 | 0:11:19 | |
judge me on my voice, but I think...
# All I care about is love! | 0:11:19 | 0:11:27 | |
CHEERING | 0:11:27 | 0:11:32 | |
And I get the other co-stars and the
women and it's very sexy. It's very | 0:11:38 | 0:11:43 | |
sexy. When they said, you've done
Broadway, come to the West End, the | 0:11:43 | 0:11:48 | |
tears were flowing, because this is
Shakespeare, this is... I was very | 0:11:48 | 0:11:57 | |
excited. You were saying you came
from a musical background, because | 0:11:57 | 0:12:01 | |
your dad was in a band and they had
hits. I've got a picture of... Is | 0:12:01 | 0:12:08 | |
that him in the middle? And then
your mum was in a band, what name? | 0:12:08 | 0:12:12 | |
The Sweethearts. That group
headlined at the Apollo theatre. And | 0:12:12 | 0:12:21 | |
the opening act for her was a little
group called the Supremes, with | 0:12:21 | 0:12:27 | |
Diana Ross. Mum used to tell the
story, when I got pregnant and my | 0:12:27 | 0:12:33 | |
sister got pregnant, we had to
disband and the Supremes took our | 0:12:33 | 0:12:39 | |
spot! Beside you is Imelda Staunton,
who has starred in so many musicals, | 0:12:39 | 0:12:43 | |
a huge amount. But Gypsy, that is
proper heavy lifting. It is. And you | 0:12:43 | 0:12:52 | |
prepare and prepare but there are
some things you can't prepare for. | 0:12:52 | 0:12:57 | |
When you went on one night? I get
back show for eight months. Eight | 0:12:57 | 0:13:08 | |
shows a week... Yes, eight months.
And my character, a mother from | 0:13:08 | 0:13:12 | |
hell. | 0:13:12 | 0:13:17 | |
My character, the showbiz mother
from hell, and I start at the back | 0:13:17 | 0:13:20 | |
of the auditorium and the kids
are on stage and they | 0:13:20 | 0:13:23 | |
are starting the show
and I'm immortal, Sing out, | 0:13:23 | 0:13:25 | |
Louise! | 0:13:25 | 0:13:26 | |
I got dressed in the dressing room. | 0:13:26 | 0:13:28 | |
I got the dress, coat,
hat and also she has a little dog, | 0:13:28 | 0:13:31 | |
a real dog and I'm standing
at the back and my coat | 0:13:31 | 0:13:34 | |
was a bit uncomfortable
and I thought, never mind. | 0:13:34 | 0:13:36 | |
And as soon as I started
speaking and walking down | 0:13:36 | 0:13:38 | |
the aisle, I thought,
there is something in my... | 0:13:38 | 0:13:40 | |
Ah! | 0:13:40 | 0:13:41 | |
That's the mouse. | 0:13:41 | 0:13:46 | |
There was a mouse walking up my arm
up the inside of my coat. | 0:13:46 | 0:13:49 | |
As part of the play? | 0:13:49 | 0:13:50 | |
No. | 0:13:50 | 0:13:52 | |
My coat was lying in the dressing
room and it had crawled | 0:13:52 | 0:13:54 | |
into the arm of my coat,
all lovely, lovely, snuggly, lovely | 0:13:54 | 0:13:58 | |
and suddenly shouty woman,
put the coat on and the mouse went | 0:13:58 | 0:14:01 | |
Jesus! | 0:14:01 | 0:14:02 | |
And it started walking
up my arm and I was like, | 0:14:02 | 0:14:05 | |
sit down, sit down Louise! | 0:14:05 | 0:14:06 | |
Come on! | 0:14:06 | 0:14:07 | |
Talky talky all the way up
onto the stage, Mousey up here, | 0:14:07 | 0:14:10 | |
talky, talky, and I start singing... | 0:14:10 | 0:14:11 | |
# Some people... | 0:14:11 | 0:14:13 | |
Mousey, Mousey... | 0:14:13 | 0:14:16 | |
All the way back and then
I started to do a lot of... | 0:14:16 | 0:14:21 | |
Trying to get it to jump out. | 0:14:21 | 0:14:23 | |
I thought if I do that,
mouse will fly... | 0:14:23 | 0:14:26 | |
Mouse didn't do that. | 0:14:26 | 0:14:30 | |
Clinging in there. | 0:14:30 | 0:14:32 | |
Obviously. | 0:14:32 | 0:14:33 | |
And then at the end of the scene,
I came out and said I had a mouse! | 0:14:33 | 0:14:37 | |
I had a mouse! | 0:14:37 | 0:14:38 | |
I saw that mouse. | 0:14:38 | 0:14:42 | |
"It came down at the back
and just ran off." | 0:14:42 | 0:14:48 | |
All the people in the company... | 0:14:48 | 0:14:50 | |
You can't stop. | 0:14:50 | 0:14:51 | |
You see, there is a lesson
there, Cuba, a lesson. | 0:14:51 | 0:14:54 | |
Check your trousers, mate. | 0:14:54 | 0:14:56 | |
Oh, there is so much to say! | 0:14:56 | 0:15:04 | |
Will.i.am, you got into music, as a
form of escape? Music got into me. | 0:15:08 | 0:15:16 | |
OK! | 0:15:16 | 0:15:21 | |
OK! I'm 12 years old. My mum had a
double cassette deck and a record | 0:15:23 | 0:15:30 | |
player and I would take my favourite
parts of the record and recorded | 0:15:30 | 0:15:35 | |
down here and then loop it and then
take that over there and take the | 0:15:35 | 0:15:39 | |
headphones and plug it into the
microphone, then saying over that. I | 0:15:39 | 0:15:44 | |
don't know what told me to do
that... How old were you when you | 0:15:44 | 0:15:50 | |
missed out on being in one of the
most iconic dance videos of all | 0:15:50 | 0:15:53 | |
time? There were two times. They
were | 0:15:53 | 0:16:02 | |
were filming Electric Boogaloo at a
gym near my house and they came to | 0:16:05 | 0:16:10 | |
my door, they are filming a movie up
the street! | 0:16:10 | 0:16:19 | |
the street! Tell your mum! Mum! Can
I go and shoot a movie? What movie? | 0:16:21 | 0:16:30 | |
You ain't shooting no movie? I said
it is break dancing! She said no. | 0:16:30 | 0:16:40 | |
She was like, you will sit your butt
over here on this couch. It was sub | 0:16:40 | 0:16:46 | |
break, maybe my report card was not
good. A year later, or the year | 0:16:46 | 0:16:54 | |
before... At a different time. They
came knocking on my door, the same | 0:16:54 | 0:16:59 | |
person. Michael Jackson is over
their shooting Thriller in the a la | 0:16:59 | 0:17:08 | |
ways. | 0:17:08 | 0:17:14 | |
ways. Over by the alleyways, Michael
Jackson was shooting Thriller and I | 0:17:14 | 0:17:18 | |
said, please, mum, and she said boy
you ain't going in no alleyway with | 0:17:18 | 0:17:25 | |
Jackson!
APPLAUSE. -- with Michael Jackson. | 0:17:25 | 0:17:36 | |
Talking about musicals, we have an
adorable picture. Is this your first | 0:17:36 | 0:17:43 | |
ever job, Imelda? This is | 0:17:43 | 0:17:49 | |
ever job, Imelda? This is you end
Guys and Dolls. No sign of Europe | 0:17:52 | 0:17:54 | |
mouse! | 0:17:54 | 0:17:59 | |
mouse! -- no sign of Europe mouse.
Not from that angle! This was | 0:17:59 | 0:18:05 | |
lovely, you found love in the show.
I met my husband in that show, 1982, | 0:18:05 | 0:18:13 | |
Guys and Dolls, I was the smallest
and he was the tallest. We got | 0:18:13 | 0:18:18 | |
together then. It was fantastic.
Breaking all showbiz moles, still | 0:18:18 | 0:18:24 | |
together. Yes. A lot of people know
him as Carson from Downton Abbey. | 0:18:24 | 0:18:31 | |
Has that blighted your life now?
Totally! Not at all, it has been | 0:18:31 | 0:18:38 | |
fantastic. When you went on holiday,
presumably you cannot get away from | 0:18:38 | 0:18:42 | |
that. We thought we had and we went
to New Zealand last year. For five | 0:18:42 | 0:18:48 | |
weeks. They are always here. | 0:18:48 | 0:18:54 | |
weeks. They are always here. People
recognised us and asked for | 0:18:55 | 0:18:57 | |
pictures. And we made it into the
newspaper, the front page but we | 0:18:57 | 0:19:05 | |
were not off... We were down at the
bottom, nice people from England are | 0:19:05 | 0:19:09 | |
here. The headline was triplets were
happy to go back to school! They | 0:19:09 | 0:19:18 | |
took the big picture. Education is
very important. Imelda Staunton has | 0:19:18 | 0:19:24 | |
a new movie called Finding Your
Feet. It is a comedy, it has got | 0:19:24 | 0:19:31 | |
romance, but it has got so much
heart. Tell us about it. It is about | 0:19:31 | 0:19:38 | |
me! No, no. A woman whose husband is
retiring, they will have a lovely | 0:19:38 | 0:19:49 | |
retirement and go on a cruise and
she finds out that he has been | 0:19:49 | 0:19:53 | |
playing around. Can you imagine? So,
she walks out and goes to live with | 0:19:53 | 0:20:02 | |
her rather bohemian sister, my
character is quite uptight and she | 0:20:02 | 0:20:06 | |
lives with her sister played by
Celia Imrie. She tells her to let go | 0:20:06 | 0:20:12 | |
and enjoy yourself. No, I cannot do
that. This is about her journey, my | 0:20:12 | 0:20:19 | |
character, how you have a life after
a failed marriage and how you have a | 0:20:19 | 0:20:23 | |
midlife that should have some life
and fun and maybe love, I don't | 0:20:23 | 0:20:29 | |
know, but just to be able to enjoy
yourself and think, I am this age, | 0:20:29 | 0:20:32 | |
that is it. I think it gives... The
film and the story gives a lot of | 0:20:32 | 0:20:39 | |
pleasure and there is me, there is
Timothy Spall, we were at drama | 0:20:39 | 0:20:44 | |
school together, we have known each
other a long time and I have known | 0:20:44 | 0:20:47 | |
Celia Imrie since 1978. That made it
quite easy to be friends, and we | 0:20:47 | 0:20:54 | |
play sisters and that made it very
easy. It is very nice, you're | 0:20:54 | 0:21:00 | |
filming with friends and it is on
location, was it hard to be away | 0:21:00 | 0:21:05 | |
from home? The travel, which was for
me, ten minutes,... It was a | 0:21:05 | 0:21:12 | |
nightmare, Graham! I thought, why am
I doing this job. Because it is up | 0:21:12 | 0:21:18 | |
the road! That is glorious, it does
not happen. That must be the nicest | 0:21:18 | 0:21:24 | |
thing in the world. They had not
done before, it was so exciting to | 0:21:24 | 0:21:29 | |
go up the road. Usually you travel
far. If you do theatre, you travel | 0:21:29 | 0:21:37 | |
every day. I look forward to it! It
is such good fun! | 0:21:37 | 0:21:46 | |
is such good fun! I have to say,
presumably people recognise you and | 0:21:46 | 0:21:48 | |
Joanna Lumley. Yes, there was a
scene we were filming in Leicester | 0:21:48 | 0:21:54 | |
Square. I am here but the camera is
over there filming us. Then the | 0:21:54 | 0:22:01 | |
theatre, the audience started to
come out. A couple of friends, came | 0:22:01 | 0:22:06 | |
over, hello, Imelda! Keep walking, I
am filming. | 0:22:06 | 0:22:15 | |
am filming. That was one of the
drawbacks. We have got a clip, this | 0:22:16 | 0:22:21 | |
is you and your sister played by
Celia Imrie and you're having a | 0:22:21 | 0:22:27 | |
moment of catharsis. Yes. No wonder
you stuck it out for so long, you | 0:22:27 | 0:22:31 | |
must have barely seen one another.
What is with all this silverware? It | 0:22:31 | 0:22:37 | |
is like a bloody Strine! I used to
spend hours polishing those. And I | 0:22:37 | 0:22:45 | |
think... Yes, from that tournament
on, he was sleeping with her. Well, | 0:22:45 | 0:22:54 | |
he doesn't deserve any prizes for
that! | 0:22:54 | 0:23:01 | |
that! , and, your turn! I can't.
Just do it! Go on, Sandra, give it | 0:23:01 | 0:23:09 | |
to him! | 0:23:09 | 0:23:14 | |
to him! How does that make you feel?
I was going to say better than sex | 0:23:14 | 0:23:20 | |
but it has been so long, forgotten
what it was like! | 0:23:20 | 0:23:22 | |
CHEERING AND APPLAUSE. Very good.
Now, ladies and gentlemen, Mr | 0:23:22 | 0:23:33 | |
will.i.am, you have done so many
other things, entrepreneur, | 0:23:33 | 0:23:37 | |
producer, singer, you are now a
novelist, ladies and gentlemen! He | 0:23:37 | 0:23:42 | |
has written a novel. Wizards and
Robots. It is clever. Tell people | 0:23:42 | 0:23:48 | |
about it. Wizards and Robots is a
collaboration with me and Brian | 0:23:48 | 0:23:55 | |
David Johnson, we were both in the
Futurist department at Intel and the | 0:23:55 | 0:24:01 | |
whole premise of the Futurist
department is to consult on how to | 0:24:01 | 0:24:09 | |
bring new chipsets and technologies
to popular culture, so artificial | 0:24:09 | 0:24:12 | |
intelligence to make is still
exciting and this book is about this | 0:24:12 | 0:24:20 | |
race of robots that are being
attacked, in the year 3000, that | 0:24:20 | 0:24:27 | |
need to find a way to help solve
their problems. So, whenever a | 0:24:27 | 0:24:34 | |
species, and intelligence PCs cannot
solve its problems, in praise to God | 0:24:34 | 0:24:38 | |
and in this case, the god to a robot
is a human. And the rest, you have | 0:24:38 | 0:24:45 | |
to check that the book, it's really
good! | 0:24:45 | 0:24:46 | |
CHEERING AND APPLAUSE. It is out
now. You can buy it already. What | 0:24:46 | 0:24:56 | |
sort of age would you need to be?
That is a young adult's novel. We | 0:24:56 | 0:25:06 | |
have been working on that for six
years. A lot of it, obviously there | 0:25:06 | 0:25:11 | |
is fantasy in it, but the historical
bits are based... It is all | 0:25:11 | 0:25:16 | |
plausible science. Even the past
bits. If you think about wizards, | 0:25:16 | 0:25:23 | |
you have been in Harry Potter and
stuff like that, you can sit there | 0:25:23 | 0:25:27 | |
and say, that is fake, you can say,
a Ladin is fake with the genie in | 0:25:27 | 0:25:33 | |
the bottle or you can go out and
buy, Seery or Alexa Right now, you | 0:25:33 | 0:25:40 | |
talk to something, say a magic world
and outcome results. 20 years ago, | 0:25:40 | 0:25:45 | |
that was fictitious and fake, that
is real now. A lot of the things | 0:25:45 | 0:25:49 | |
that you see, they are just a
product away from becoming real, | 0:25:49 | 0:25:58 | |
especially with artificial
intelligence. In the book, time | 0:25:58 | 0:26:03 | |
travel plays an important part. Do
you genuinely believe that time | 0:26:03 | 0:26:06 | |
travel is possible? Word you think
I'd is came from? | 0:26:06 | 0:26:10 | |
LAUGHTER. I did wonder why you were
late! You really need to upgrade | 0:26:10 | 0:26:17 | |
that machine! | 0:26:17 | 0:26:23 | |
that machine! Anyone from the future
is not late, they are early! OK! I | 0:26:23 | 0:26:31 | |
guess it is how you look at it. Can
I get something a little harder? | 0:26:31 | 0:26:42 | |
Because you love an opportunity, you
are always thinking about the next | 0:26:48 | 0:26:51 | |
thing, could this be a film? She has
wizard form. Am I the future? That | 0:26:51 | 0:27:00 | |
is all I need to know. Being in
Harry Potter, has that made you, | 0:27:00 | 0:27:07 | |
children, that is your fan base?
Yeah. Not fan base. I have to... I | 0:27:07 | 0:27:18 | |
am not a very nice sort of person in
Harry Potter so when I am recognise, | 0:27:18 | 0:27:23 | |
kids have two get frightened and I
have to reassure them... Or not? I | 0:27:23 | 0:27:28 | |
get more fun out of that. Parents
must appreciate it! That will shut | 0:27:28 | 0:27:33 | |
them up! | 0:27:33 | 0:27:38 | |
You're in this showbiz world. | 0:27:38 | 0:27:40 | |
You've worked with all these amazing
people and yet you don't seem | 0:27:40 | 0:27:42 | |
that bothered by it. | 0:27:42 | 0:27:43 | |
Like when you were nominated
for an Oscar, did you go? | 0:27:43 | 0:27:46 | |
Yes. | 0:27:46 | 0:27:47 | |
But I reckon I was the only
person in the limousine | 0:27:47 | 0:27:50 | |
going to the Oscars with sandwiches. | 0:27:50 | 0:27:51 | |
LAUGHTER. | 0:27:51 | 0:27:54 | |
Oh, yeah. | 0:27:54 | 0:27:55 | |
I thought... | 0:27:55 | 0:27:56 | |
Apparently it's a really long
journey to the Oscars. | 0:27:56 | 0:28:02 | |
So I said, right, I've
got to get sandwiches. | 0:28:02 | 0:28:05 | |
I couldn't make the bread,
but I thought, OK. | 0:28:05 | 0:28:07 | |
There was myself and Jim
and my daughter and I had a mate | 0:28:07 | 0:28:10 | |
with me and I had ordered
the sandwiches and we had them | 0:28:10 | 0:28:13 | |
and I thought, let's get
the sandwiches out now, | 0:28:13 | 0:28:15 | |
because it's taking ages
and I had the sandwiches | 0:28:15 | 0:28:17 | |
and it was like, we're here. | 0:28:17 | 0:28:19 | |
Sorry? | 0:28:19 | 0:28:20 | |
And I was... | 0:28:20 | 0:28:21 | |
Ham, ham, ham! | 0:28:21 | 0:28:22 | |
Ham in my teeth! | 0:28:22 | 0:28:23 | |
Ham in my teeth! | 0:28:23 | 0:28:24 | |
Checking my teeth. | 0:28:24 | 0:28:25 | |
But we weren't hungry and I had
a bag full of snacks. | 0:28:25 | 0:28:28 | |
I thought, oh God, how
English of me, just to go, | 0:28:28 | 0:28:31 | |
what about the food? | 0:28:31 | 0:28:33 | |
My daughter was 11 at
the time and I thought, | 0:28:33 | 0:28:35 | |
I can't have her hungry! | 0:28:35 | 0:28:37 | |
I can't have her sitting
there starving! | 0:28:37 | 0:28:40 | |
She went with you? | 0:28:40 | 0:28:41 | |
Yes, she did, it was lovely,
it was absolutely great. | 0:28:41 | 0:28:43 | |
One of the things, once
it is someone else's name called | 0:28:43 | 0:28:46 | |
out, you then kind of rewrite
history and you thought, of course, | 0:28:46 | 0:28:49 | |
I was never going to win,
it was always going to be them. | 0:28:49 | 0:28:52 | |
But a bit of you has to think,
somebody has got to win it! | 0:28:52 | 0:28:55 | |
It might be me. | 0:28:55 | 0:28:56 | |
Yeah. | 0:28:56 | 0:28:57 | |
Well, I sort of knew... | 0:28:57 | 0:28:59 | |
You don't literally know,
you've got an Oscar, I'm not bitter. | 0:28:59 | 0:29:03 | |
LAUGHTER. | 0:29:03 | 0:29:04 | |
APPLAUSE. | 0:29:04 | 0:29:12 | |
Talk them down. | 0:29:14 | 0:29:15 | |
Talk them down. | 0:29:15 | 0:29:16 | |
Talk it down. | 0:29:16 | 0:29:17 | |
Stupid Oscars! | 0:29:17 | 0:29:18 | |
Oh for goodness' sake! | 0:29:18 | 0:29:20 | |
But my film was quite
a contentious film. | 0:29:20 | 0:29:22 | |
I played an abortionist,
that was a difficult subject | 0:29:22 | 0:29:24 | |
for a lot of people, funnily enough. | 0:29:24 | 0:29:27 | |
So, Hilary Swank got the Oscar that
year for Million Dollar Baby, | 0:29:27 | 0:29:30 | |
which was brilliant. | 0:29:30 | 0:29:34 | |
And then I did a film
with her later that year, | 0:29:34 | 0:29:37 | |
so I could look at her! | 0:29:37 | 0:29:38 | |
LAUGHTER. | 0:29:38 | 0:29:41 | |
And I stopped myself saying,
it should have been me! | 0:29:41 | 0:29:43 | |
I stopped myself. | 0:29:43 | 0:29:48 | |
So, you know, for all of us,
it is about the work. | 0:29:48 | 0:29:51 | |
There is a real unspoken anger
though, that you are not talking | 0:29:51 | 0:29:53 | |
about and I will tell you two quick
stories if I may? | 0:29:53 | 0:29:56 | |
Oh please! | 0:29:56 | 0:29:57 | |
Thank you very much. | 0:29:57 | 0:30:02 | |
Who was the first one that said,
I think Jack Nicholson | 0:30:02 | 0:30:04 | |
said to me, he said,
Cubey... | 0:30:04 | 0:30:06 | |
Because I did a movie
with a lot of actors, | 0:30:06 | 0:30:08 | |
that I grew up idolising and then
sharing the screen with them | 0:30:08 | 0:30:11 | |
and it was like whatever they say,
you hang on every word. | 0:30:11 | 0:30:14 | |
He said, Cubey, when you're
nominated, you're hot | 0:30:14 | 0:30:16 | |
until that award show. | 0:30:16 | 0:30:20 | |
When you win you're
hot for one year. | 0:30:20 | 0:30:22 | |
And that's it. | 0:30:22 | 0:30:23 | |
That's it. | 0:30:23 | 0:30:28 | |
In Hollywood. | 0:30:28 | 0:30:29 | |
Because the next year,
you're replaced by the next winner | 0:30:29 | 0:30:32 | |
and then they get that kind
of calling card. | 0:30:32 | 0:30:34 | |
But, here's what happened
with my standing ovation. | 0:30:34 | 0:30:42 | |
Listen, I'm not taking away from it,
brother lost his shit out | 0:30:42 | 0:30:45 | |
there, you know that. | 0:30:45 | 0:30:46 | |
You have a room, like this
room of audience here | 0:30:46 | 0:30:48 | |
and everybody here is nominated. | 0:30:48 | 0:30:49 | |
So everybody... | 0:30:49 | 0:30:50 | |
Yeah, that's the picture. | 0:30:50 | 0:30:51 | |
Go ahead. | 0:30:51 | 0:30:52 | |
Everybody here thinks
they could win. | 0:30:52 | 0:30:54 | |
So potentially we have
a room full of winners. | 0:30:54 | 0:30:56 | |
I walk out, I lose my mind,
everybody is like, that's me! | 0:30:56 | 0:30:59 | |
Yes! | 0:30:59 | 0:31:00 | |
Two minutes. | 0:31:00 | 0:31:01 | |
By the end of the show,
you have a room full of losers, | 0:31:01 | 0:31:04 | |
with a small group of winners. | 0:31:04 | 0:31:11 | |
You're happy, everybody
else is like, fuck you. | 0:31:11 | 0:31:15 | |
All they want to is hear
and the best film is | 0:31:15 | 0:31:18 | |
and then it is like,
yes, let's get the fuck out of here! | 0:31:18 | 0:31:21 | |
That's what it is. | 0:31:21 | 0:31:22 | |
That's what it is! | 0:31:22 | 0:31:27 | |
That's what it is and that's why
you see, everybody puts up | 0:31:27 | 0:31:30 | |
with everything in the first half
an hour of the show, | 0:31:30 | 0:31:32 | |
that third hour, people are hungry. | 0:31:32 | 0:31:34 | |
Not me! | 0:31:34 | 0:31:35 | |
I might be a loser, but I'm full! | 0:31:35 | 0:31:40 | |
That's right! | 0:31:40 | 0:31:41 | |
LAUGHTER. | 0:31:41 | 0:31:42 | |
APPLAUSE. | 0:31:42 | 0:31:48 | |
It is time for music. | 0:31:50 | 0:31:52 | |
This Brit-nominated singer burst
onto the scene four years ago | 0:31:52 | 0:31:54 | |
with his multi-platinum debut album. | 0:31:54 | 0:31:55 | |
Now he's back. | 0:31:55 | 0:31:56 | |
Singing Paradise, please
welcome George Ezra. | 0:31:56 | 0:32:00 | |
CHEERING | 0:32:00 | 0:32:04 | |
# My love (My love) | 0:32:08 | 0:32:10 | |
# My lover, lover, lover | 0:32:10 | 0:32:11 | |
# I'm in paradise
whenever I'm with you | 0:32:11 | 0:32:14 | |
# My mind (My mind) | 0:32:14 | 0:32:16 | |
# My m-m-m-m-mind | 0:32:16 | 0:32:18 | |
# Well, it's a paradise
whenever I'm with you | 0:32:18 | 0:32:22 | |
# Ride on (Ride on) | 0:32:22 | 0:32:23 | |
# I will ride on down the road | 0:32:23 | 0:32:25 | |
# I will find you,
I will hold you, I'll be there | 0:32:25 | 0:32:28 | |
# It's long (How long?) | 0:32:28 | 0:32:30 | |
# Well, it's a mighty long road | 0:32:30 | 0:32:32 | |
# But I'll find you,
I will hold you and I'll be there | 0:32:32 | 0:32:36 | |
# I know you heard it
from those other boys | 0:32:36 | 0:32:39 | |
# But this time it's real,
it's something that I feel | 0:32:39 | 0:32:42 | |
# I know you heard it
from those other boys | 0:32:42 | 0:32:46 | |
# But this time it's real,
it's something that I feel | 0:32:46 | 0:32:49 | |
# And if it feels like paradise | 0:32:49 | 0:32:51 | |
# Running through your bloody veins | 0:32:51 | 0:32:53 | |
# You know it's love
heading your way | 0:32:53 | 0:32:56 | |
# If it feels like paradise | 0:32:56 | 0:32:58 | |
# Running through your bloody veins | 0:32:58 | 0:32:59 | |
# You know it's love
heading your way | 0:32:59 | 0:33:07 | |
# My time (My time) | 0:33:10 | 0:33:11 | |
# My t-t-t-t-time | 0:33:11 | 0:33:12 | |
# It's a never-ending helter-skelter
We'll be out whatever the weather | 0:33:12 | 0:33:16 | |
# My heart (My heart) | 0:33:16 | 0:33:17 | |
# My boom boom heart | 0:33:17 | 0:33:18 | |
# It's a-beating,
it's a-thumping and I'm alive | 0:33:18 | 0:33:23 | |
# I know you heard it
from those other boys | 0:33:23 | 0:33:25 | |
# But this time it's real
It's something that I feel | 0:33:25 | 0:33:29 | |
# I know you heard it
from those other boys | 0:33:29 | 0:33:32 | |
# But this time it's real
It's something that I feel | 0:33:32 | 0:33:36 | |
# If it feels like paradise | 0:33:36 | 0:33:37 | |
# Running through your bloody veins | 0:33:37 | 0:33:39 | |
# You know it's love
heading your way | 0:33:39 | 0:33:43 | |
# If it feels like paradise | 0:33:43 | 0:33:44 | |
# Running through your bloody veins | 0:33:44 | 0:33:46 | |
# You know it's love
heading your way | 0:33:46 | 0:33:52 | |
# Paradise
Roll on, roll on | 0:33:52 | 0:34:08 | |
# Meet me there
Roll on, roll on | 0:34:08 | 0:34:11 | |
# Paradise
Roll on, roll on | 0:34:11 | 0:34:14 | |
# Meet me there
Roll on, roll on | 0:34:14 | 0:34:18 | |
# Paradise
Roll on, Roll on | 0:34:18 | 0:34:22 | |
# Meet me there
Roll on, roll on | 0:34:22 | 0:34:25 | |
# Paradise
Roll on, roll on | 0:34:25 | 0:34:28 | |
# Meet me there
Roll on, roll on | 0:34:28 | 0:34:32 | |
# If it feels like paradise | 0:34:32 | 0:34:34 | |
# Running through your bloody veins | 0:34:34 | 0:34:35 | |
# You know it's love
heading your way | 0:34:35 | 0:34:39 | |
# If it feels like paradise | 0:34:39 | 0:34:40 | |
# Running through your bloody veins | 0:34:40 | 0:34:42 | |
# You know it's love
heading your way | 0:34:42 | 0:34:47 | |
# I know you heard it
from those other boys | 0:34:47 | 0:34:49 | |
# But this time it's real
It's something that I feel | 0:34:49 | 0:34:53 | |
# I know you heard it
from those other boys | 0:34:53 | 0:34:56 | |
# But this time it's real
It's something that I feel | 0:34:56 | 0:35:00 | |
# If it feels like paradise | 0:35:00 | 0:35:01 | |
# Running through your bloody veins | 0:35:01 | 0:35:03 | |
# You know it's love
heading your way | 0:35:03 | 0:35:06 | |
# If it feels like paradise | 0:35:06 | 0:35:08 | |
# Running through your bloody veins | 0:35:08 | 0:35:10 | |
# You know it's love
heading your way | 0:35:10 | 0:35:14 | |
# If it feels like paradise | 0:35:14 | 0:35:15 | |
# Running through your bloody veins | 0:35:15 | 0:35:17 | |
# You know it's love
heading your way | 0:35:17 | 0:35:21 | |
# If it feels like paradise | 0:35:21 | 0:35:23 | |
# Running through your bloody veins | 0:35:23 | 0:35:25 | |
# You know it's love
heading your way. # | 0:35:25 | 0:35:28 | |
CHEERING | 0:35:31 | 0:35:35 | |
George Ezra, everybody! Come on
over. Well done, sir. Well done. You | 0:35:39 | 0:35:46 | |
did it! This is will.i.am. Cuba.
That's Imelda. Very good. Have a | 0:35:46 | 0:35:57 | |
seat. Well done. That is from the
new album, Staying At Tamara's. You | 0:35:57 | 0:36:05 | |
can pre-order it, it's out on the
23rd of March, and you did stay | 0:36:05 | 0:36:09 | |
there,. I didn't know I was going
to. Who is she and if this house? | 0:36:09 | 0:36:18 | |
That's my first girlfriend toss
name. Was she nice? She sure were! | 0:36:18 | 0:36:30 | |
Where does your Tamara live?
Barcelona. I realised I needed to | 0:36:30 | 0:36:35 | |
write another record. Yes, the other
one was four years ago. But I find | 0:36:35 | 0:36:44 | |
it hard to be creative when I'm on
my sofa at home so I had to take | 0:36:44 | 0:36:49 | |
myself out of my comfort zone and
what I decided to do was to go over | 0:36:49 | 0:36:53 | |
to Barcelona for a month. Into a
more comfortable zone. | 0:36:53 | 0:36:58 | |
LAUGHTER
But instead of getting a hotel room | 0:36:58 | 0:37:06 | |
for the month or renting an
apartment, I found a stranger on the | 0:37:06 | 0:37:09 | |
Internet and agreed to go and live
with them. | 0:37:09 | 0:37:11 | |
LAUGHTER
On Tinder or something? Are, | 0:37:11 | 0:37:22 | |
creative genius! I just assumed it
was really bad I could just ducked | 0:37:22 | 0:37:29 | |
out. If they were unfinished, I
could always just take myself away. | 0:37:29 | 0:37:33 | |
And she was lovely. I thought it was
a great idea until the door was | 0:37:33 | 0:37:40 | |
open, closing, people were coming
and going, her friends... That | 0:37:40 | 0:37:46 | |
Tamara! She is on all the websites!
Her name was Consuela... | 0:37:46 | 0:38:02 | |
Her name was Consuela... Does she
know you've written this album? She | 0:38:02 | 0:38:03 | |
does. On a trip like that, I took
notebooks and filled them up, and | 0:38:03 | 0:38:10 | |
those ramblings informed the songs.
Halfway through the trip, I was kind | 0:38:10 | 0:38:15 | |
of like, this is proving to be a
really important trip for what I'm | 0:38:15 | 0:38:19 | |
doing, I think the record should be
named something around this, the | 0:38:19 | 0:38:22 | |
songs coming from this trip, and I
said, how would you feel about me | 0:38:22 | 0:38:26 | |
maybe naming a record Staying At
Tamara's? There wasn't a language | 0:38:26 | 0:38:33 | |
barrier, but she wasn't as happy as
I thought she might be. | 0:38:33 | 0:38:35 | |
LAUGHTER
Kind of like, yeah... But she's | 0:38:35 | 0:38:42 | |
excited now, she wants me to send
her a copy. Obviously you are doing | 0:38:42 | 0:38:47 | |
the summer festivals, but are you
doing your own tour? Very good | 0:38:47 | 0:38:54 | |
question, Graham! That's why they
pay me. By the way, I don't know. It | 0:38:54 | 0:39:00 | |
was a great question. It's a genuine
one, I have no idea what the answer | 0:39:00 | 0:39:04 | |
is. Someone will tell me, I'll tell
you, then you ask me again and I'll | 0:39:04 | 0:39:09 | |
tell you. I'll be there... You may
be alone on this we tell people | 0:39:09 | 0:39:14 | |
where it is. When does it start?
It's the end of March, beginning of | 0:39:14 | 0:39:20 | |
April.
APPLAUSE | 0:39:20 | 0:39:24 | |
They are excited! They want to go
and see you. Listen, it's great to | 0:39:24 | 0:39:29 | |
have you back. George Ezra,
everybody! | 0:39:29 | 0:39:32 | |
Right, that's nearly it,
but before we go, just time | 0:39:32 | 0:39:35 | |
for a visit to the big red chair. | 0:39:35 | 0:39:38 | |
Who was there? Hi. It's Lauren.
Where do you live? Bedfordshire. | 0:39:38 | 0:39:47 | |
What do you do? I'm a student in
Bournemouth, and that's home. What | 0:39:47 | 0:39:57 | |
are you studying? Public relations.
OK... Hmm... A fuel years ago when | 0:39:57 | 0:40:04 | |
my name was alive, she had a fall
and me and my dad went to see her in | 0:40:04 | 0:40:10 | |
hospital and when we did she got
there -- we got there and she was | 0:40:10 | 0:40:14 | |
confused, asking if I was in a
school trip, a bit clueless as to | 0:40:14 | 0:40:17 | |
who we were, and we thought it might
be concussion. We were there for | 0:40:17 | 0:40:21 | |
about half an hour and when we left
we were walking down the corridor | 0:40:21 | 0:40:26 | |
and they wheeled past my real man on
a bed and it turned out we'd been | 0:40:26 | 0:40:29 | |
talking to a similar looking
stranger. -- they wheeled past my | 0:40:29 | 0:40:38 | |
real nan. That's a good story! Old
people all look the same. You've | 0:40:38 | 0:40:45 | |
seen one granny, you've seen them
all. Diagnosed her with an easier. | 0:40:45 | 0:40:52 | |
There's nothing wrong with her. Time
for one more? Hello. What's your | 0:40:52 | 0:40:57 | |
name? My name is Talia. What do you
do? I work in administration. Are | 0:40:57 | 0:41:08 | |
you from New Zealand? Yes. I thought
as much. I'll be home soon. I won't. | 0:41:08 | 0:41:19 | |
APPLAUSE
She's staying in and then. | 0:41:19 | 0:41:29 | |
She's staying in and then. -- in
admin. Have you moved here? For a | 0:41:30 | 0:41:33 | |
little while. OK, until they catch
you. On with the story. I was seen | 0:41:33 | 0:41:41 | |
this guy for a little while and I
went to a family dinner. At that, I | 0:41:41 | 0:41:48 | |
was hanging out with my cousin, we
were on Facebook and, while we were | 0:41:48 | 0:41:52 | |
going through, I saw we had a mutual
friend who was this boy, and I | 0:41:52 | 0:41:58 | |
sipped her, how do know him? She was
like, he is my brother. What are | 0:41:58 | 0:42:04 | |
your broker or your brother? No, my
brother. I was like, how does that | 0:42:04 | 0:42:08 | |
work? She was like, well, my
biological father, it's his son, or | 0:42:08 | 0:42:17 | |
his stepson. I was like, so does
that technically make him my cousin? | 0:42:17 | 0:42:22 | |
She was like, I guess so. I was
like, no reason... | 0:42:22 | 0:42:27 | |
LAUGHTER | 0:42:27 | 0:42:32 | |
I don't know how far New Zealand is.
But it didn't warrant that journey. | 0:42:40 | 0:42:46 | |
Shall we try one more? This will be
the charm. Hello. What's your name? | 0:42:46 | 0:42:55 | |
David. What do you do? I work for
the Ambulance Service. Are you a | 0:42:55 | 0:43:00 | |
driver? A bit of a paramedic.
Whatever they need, you have a go. | 0:43:00 | 0:43:08 | |
Did that help? That kind of thing.
OK, off you go. When I was younger I | 0:43:08 | 0:43:18 | |
was a bit of | 0:43:18 | 0:43:26 | |
was a bit of a masseur... Sorry, a
masseur? My mum works in a hospital | 0:43:26 | 0:43:35 | |
in Ireland. She was working night
duty one night and myself and my | 0:43:35 | 0:43:41 | |
mate decided we wanted a trip to
court so I took the spare key from | 0:43:41 | 0:43:47 | |
my old man's khakis, we took the car
out, we drove up to PCs, we had our | 0:43:47 | 0:43:56 | |
ships and my mum was none the wiser.
A couple of weeks later, she got a | 0:43:56 | 0:44:03 | |
speeding ticket in the post, and she
had no idea where it came from, and | 0:44:03 | 0:44:07 | |
she was adamant it wasn't her
because she was working that night | 0:44:07 | 0:44:09 | |
and the car was there the whole
night, and I pretended there was | 0:44:09 | 0:44:15 | |
nothing, she got a fine and a load
speeding tickets and penalty points, | 0:44:15 | 0:44:19 | |
and I was afraid for years, trying
to make it up to her and saying, | 0:44:19 | 0:44:25 | |
once I make it up to her, I can tell
her how it happened, so I got the | 0:44:25 | 0:44:33 | |
tickets for the Graham Norton Show,
and that's it! I'll ask your mother. | 0:44:33 | 0:44:38 | |
Shall we flip him? He's forgiven.
This was a fantastic... You are | 0:44:38 | 0:44:46 | |
forgiven, you can walk.
APPLAUSE | 0:44:46 | 0:44:53 | |
Well done, everyone. | 0:44:53 | 0:44:54 | |
If you'd like to join us on the show
and have a go in the red chair, | 0:44:54 | 0:44:58 | |
you can contact us via our website
at this address. | 0:44:58 | 0:45:00 | |
That's it for tonight -
please say thank you to my guests - | 0:45:00 | 0:45:03 | |
George Ezra... | 0:45:03 | 0:45:04 | |
Will.i.am... | 0:45:04 | 0:45:05 | |
Imelda Staunton... | 0:45:05 | 0:45:06 | |
and Cuba Gooding Jr. | 0:45:06 | 0:45:09 | |
Join me next week with
break-out star Keala Settle, | 0:45:09 | 0:45:13 | |
comedian Rob Beckett,
Will and Grace Ewers McCormack | 0:45:13 | 0:45:16 | |
and Debra Messing and Oscar
nominee Saoirse Ronan. | 0:45:16 | 0:45:19 | |
I'll see you then! | 0:45:19 | 0:45:20 | |
Goodnight. | 0:45:20 | 0:45:23 |