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-Hi, everyone, I'm Margot Robbie. -And I'm Allison Janney. | 0:00:02 | 0:00:04 | |
-BOTH: -Welcome to the Graham Norton show! | 0:00:04 | 0:00:06 | |
Hello! Hello. | 0:00:23 | 0:00:26 | |
Hey! | 0:00:27 | 0:00:29 | |
Oh, thank you very much. | 0:00:29 | 0:00:32 | |
Thank you so much. Hello, hello, hello. | 0:00:32 | 0:00:35 | |
And welcome to you all. | 0:00:36 | 0:00:37 | |
Now, I hope you all had a happy Valentine's Day, did you? | 0:00:37 | 0:00:40 | |
CHEERING | 0:00:40 | 0:00:41 | |
Oh! I did. Thanks for asking. Yes. | 0:00:41 | 0:00:44 | |
I was woken up in the morning by my loved one, holding a red rose, | 0:00:44 | 0:00:47 | |
desperate to hump me. | 0:00:47 | 0:00:49 | |
LAUGHTER | 0:00:49 | 0:00:52 | |
True story. Hasn't it been chilly? I say it's been chilly. | 0:00:52 | 0:00:55 | |
It's been cold, hasn't it? Cold! Yes. | 0:00:55 | 0:00:59 | |
Colder than a Sex In The City reunion. | 0:00:59 | 0:01:01 | |
And that's chilly! | 0:01:03 | 0:01:05 | |
But perfect weather for the Winter Olympics. | 0:01:05 | 0:01:07 | |
Have you all been watching? | 0:01:07 | 0:01:09 | |
-ALL: -Yes. | 0:01:09 | 0:01:10 | |
Mm. Me neither. | 0:01:10 | 0:01:11 | |
Erm... | 0:01:11 | 0:01:13 | |
Ooh! Pyeongchang! | 0:01:13 | 0:01:15 | |
LAUGHTER | 0:01:15 | 0:01:17 | |
I didn't know there were six Olympic rings. | 0:01:19 | 0:01:22 | |
Now... | 0:01:26 | 0:01:27 | |
there have been dangerously high winds at this year's Olympics | 0:01:27 | 0:01:30 | |
and as we learnt recently, even the lightest of winds | 0:01:30 | 0:01:33 | |
can cause devastation. | 0:01:33 | 0:01:34 | |
Yes. | 0:01:34 | 0:01:35 | |
Let's get some guests on! | 0:01:37 | 0:01:38 | |
CHEERING | 0:01:38 | 0:01:40 | |
Later, will have Latin pop sensation Camila Cabello! | 0:01:40 | 0:01:44 | |
CHEERING | 0:01:44 | 0:01:46 | |
But first, he's Oscar-nominated | 0:01:46 | 0:01:47 | |
for his role in the critically acclaimed Get Out, | 0:01:47 | 0:01:50 | |
and now he's starring in Marvel's latest megahit Black Panther. | 0:01:50 | 0:01:53 | |
Please welcome Daniel Kaluuya! | 0:01:53 | 0:01:55 | |
Yay! | 0:01:55 | 0:01:57 | |
Hello, sir. You're very welcome. | 0:01:57 | 0:01:59 | |
Really good to see you. | 0:01:59 | 0:02:01 | |
Daniel Kaluuya! | 0:02:01 | 0:02:02 | |
This Swedish actress won an Oscar | 0:02:03 | 0:02:05 | |
for her role in The Danish Girl | 0:02:05 | 0:02:07 | |
and now she's kicking ass as Lara Croft in the brand-new | 0:02:07 | 0:02:10 | |
Tomb Raider, it's Alicia Vikander! | 0:02:10 | 0:02:12 | |
Oh! | 0:02:13 | 0:02:14 | |
Hello, lovely woman. Hi. | 0:02:16 | 0:02:18 | |
Come in, come in, sit down, Alicia. | 0:02:18 | 0:02:20 | |
She shot to fame as CJ in The West Wing, | 0:02:20 | 0:02:23 | |
now she's earned her first Oscar nomination for her standout | 0:02:23 | 0:02:26 | |
performance in I, Tonya, it's a pleasure to welcome Allison Janney! | 0:02:26 | 0:02:30 | |
CHEERING | 0:02:30 | 0:02:33 | |
You're like a gift, like an African gift! | 0:02:34 | 0:02:37 | |
Come in and sit down. | 0:02:37 | 0:02:39 | |
Also Oscar-nominated for her starring role in I, Tonya, this | 0:02:40 | 0:02:43 | |
Aussie actress is about to become one of the biggest players | 0:02:43 | 0:02:46 | |
in Hollywood. It's Margot Robbie! | 0:02:46 | 0:02:48 | |
CHEERING | 0:02:48 | 0:02:49 | |
Whoo! | 0:02:49 | 0:02:51 | |
Hi! Ah, so good to see you. Mwah, mwah. | 0:02:52 | 0:02:54 | |
Come in, sit down. | 0:02:54 | 0:02:56 | |
Hello, everybody. I tell you, this is a weekend and a half. | 0:03:00 | 0:03:04 | |
It's BAFTAs of course, this weekend. | 0:03:04 | 0:03:06 | |
-Are you all going to the BAFTAs? -I am. -Yeah. -Yeah. | 0:03:06 | 0:03:08 | |
I'm not. | 0:03:08 | 0:03:10 | |
Oh, God! | 0:03:10 | 0:03:12 | |
That's awkward(!) | 0:03:12 | 0:03:13 | |
But we've got to celebrate this sofa, because it is extraordinary. | 0:03:14 | 0:03:18 | |
So Margot and Allison, both BAFTA and Oscar-nominated for I, Tonya. | 0:03:18 | 0:03:22 | |
SOMEONE WHOOPS A round of applause, yes! | 0:03:22 | 0:03:25 | |
And Margot, you're kind of wearing two hats, | 0:03:28 | 0:03:30 | |
because you produce this movie as well. | 0:03:30 | 0:03:32 | |
-Yes. -Which is a big deal. -It's a lot of work, yeah! | 0:03:32 | 0:03:35 | |
And obviously, it's a skating movie. There's a lot of ice skating in it. | 0:03:36 | 0:03:40 | |
-So do you do... I mean, how much of it...? -I was so impressed. | 0:03:40 | 0:03:43 | |
-All of it. -All of it. | 0:03:43 | 0:03:45 | |
You did all of it? I mean, you must have... | 0:03:45 | 0:03:47 | |
I am competing at the Winter Olympics this season. | 0:03:47 | 0:03:49 | |
No, anything really impressive was not me. Everything else was me. | 0:03:52 | 0:03:56 | |
But you must have done it since you were... | 0:03:56 | 0:03:58 | |
No, I grew up in Australia, there's no ice on the Gold Coast! | 0:03:58 | 0:04:01 | |
And Allison, there you are, | 0:04:03 | 0:04:05 | |
you got armfuls of Emmys | 0:04:05 | 0:04:07 | |
when you played CJ in the West Wing. | 0:04:07 | 0:04:09 | |
-Yeah. -Because everyone loves the West Wing. | 0:04:09 | 0:04:12 | |
But this is weird, I didn't know that people somehow got confused. | 0:04:13 | 0:04:16 | |
They thought that CJ was real. | 0:04:16 | 0:04:19 | |
They wanted so much of that show to be real. | 0:04:19 | 0:04:22 | |
I mean, we would go on trips from LA to do exteriors in Washington, | 0:04:22 | 0:04:25 | |
we'd go through the airport and people would refer to | 0:04:25 | 0:04:28 | |
Martin Sheen as Mr President and he was happy to, you know, do this. | 0:04:28 | 0:04:31 | |
He loved being called Mr President, I think people... | 0:04:33 | 0:04:36 | |
CJ was such a great, such an iconic female role on television, | 0:04:36 | 0:04:40 | |
this incredibly smart woman operating, you know, at her | 0:04:40 | 0:04:45 | |
best in a male dominated arena | 0:04:45 | 0:04:48 | |
and, um, I got offers for jobs in Washington... | 0:04:48 | 0:04:52 | |
Really? | 0:04:52 | 0:04:54 | |
..a news station and somewhere as a political pundit, | 0:04:54 | 0:04:58 | |
I was like, "Are you aware that I'm an actress and this is just... | 0:04:58 | 0:05:02 | |
"I play CJ on TV, but I cannot..." | 0:05:02 | 0:05:04 | |
You know, "I'm not going to run for office, I can't be a pundit." | 0:05:04 | 0:05:07 | |
But it was extraordinary to me and it also made me | 0:05:07 | 0:05:09 | |
very shy about meeting people, because I'm so not CJ. | 0:05:09 | 0:05:13 | |
Of all the characters I've ever played, | 0:05:13 | 0:05:15 | |
I would most like to be like CJ. | 0:05:15 | 0:05:17 | |
-Well, good luck this weekend with the BAFTAs. -Thank you. | 0:05:17 | 0:05:20 | |
-And the Oscars. -Thank you. | 0:05:20 | 0:05:21 | |
Now, Alicia Vikander, there's a sort of smug glow around Alicia, | 0:05:21 | 0:05:24 | |
cos she's WON an Oscar. | 0:05:24 | 0:05:26 | |
The others are just hopefuls thus far. Alicia's got one. | 0:05:26 | 0:05:30 | |
I still don't believe it, really. | 0:05:30 | 0:05:31 | |
For The Danish Girl, | 0:05:31 | 0:05:33 | |
but have you actually been united with the Oscar yet? | 0:05:33 | 0:05:35 | |
This has been a question that has been returning, but I haven't. | 0:05:35 | 0:05:39 | |
I only had one night with Oscar and then... | 0:05:39 | 0:05:42 | |
I had to go back to work, I left LA | 0:05:44 | 0:05:47 | |
and I said to my friend, "I think it's too heavy, | 0:05:47 | 0:05:50 | |
"I can't carry it in hand luggage", | 0:05:50 | 0:05:52 | |
so her daughter... | 0:05:52 | 0:05:54 | |
Can I just say... | 0:05:54 | 0:05:55 | |
I want a bigger level of gratitude than that. | 0:05:55 | 0:05:58 | |
"It's too heavy, I'm not taking it home." | 0:05:58 | 0:06:00 | |
No, it's just because I've been on the move for quite a few years... | 0:06:00 | 0:06:05 | |
I have a lot of shoes in my bag.... | 0:06:05 | 0:06:07 | |
So where is it? Just at a friend's house? | 0:06:09 | 0:06:11 | |
I get updates from my friend's daughter, because she has Oscar | 0:06:11 | 0:06:15 | |
in her room, so sometimes I get a little photo of what Oscar is up to. | 0:06:15 | 0:06:19 | |
Not a lot, I imagine. | 0:06:20 | 0:06:22 | |
Daniel Kaluuya, what an amazing year you've had. | 0:06:22 | 0:06:25 | |
Cos this time last year, you know, | 0:06:25 | 0:06:27 | |
this was not going to be the year that was coming. | 0:06:27 | 0:06:30 | |
-This is amazing. -No, I was just chilling out. | 0:06:30 | 0:06:33 | |
I was chilling... | 0:06:34 | 0:06:35 | |
And then this film came out, I was like, | 0:06:35 | 0:06:37 | |
I was doing this indie horror and... | 0:06:37 | 0:06:39 | |
-No, it's been life-changing. -Yeah! | 0:06:39 | 0:06:41 | |
And a lot's happened! | 0:06:41 | 0:06:43 | |
So, Oscar-nominated for best actor, but also the BAFTAs this weekend. | 0:06:43 | 0:06:46 | |
Come on, you've got to get something - you're nominated for Best Actor | 0:06:46 | 0:06:49 | |
and Rising Star. That would be too cruel to give you nothing. | 0:06:49 | 0:06:51 | |
I mean, it happened to Craig David at the Brits. | 0:06:51 | 0:06:54 | |
Do you remember when Craig David...? | 0:06:54 | 0:06:57 | |
He was nominated for six Brits and it didn't come home with nothing! | 0:06:57 | 0:07:00 | |
If he can go away with... He had six! | 0:07:00 | 0:07:03 | |
This is two, innit? | 0:07:03 | 0:07:04 | |
That's a good attitude to have. | 0:07:04 | 0:07:07 | |
-But David came back. -He came back. | 0:07:07 | 0:07:10 | |
It took about 20 years, but he came back! | 0:07:10 | 0:07:12 | |
So that's the plan, man. 20 years later, I'll go, | 0:07:12 | 0:07:14 | |
"Yo, you've got to give me something, man." | 0:07:14 | 0:07:17 | |
You've had some practice now with the big celebrity, | 0:07:17 | 0:07:20 | |
-because of obviously the Golden Globes... -Yeah. | 0:07:20 | 0:07:22 | |
So who did you meet at the Golden Globes? | 0:07:22 | 0:07:24 | |
Er, how long have you got, man? Just like, so many. | 0:07:24 | 0:07:27 | |
-Did you meet these guys at the Golden Globes? -Nah. | 0:07:27 | 0:07:30 | |
I met... I met her before at these awards, Governors Awards, and she | 0:07:30 | 0:07:34 | |
was really cool and we just spoke about stuff, it was really nice, | 0:07:34 | 0:07:37 | |
and then, erm... | 0:07:37 | 0:07:39 | |
-Then I met... I met Oprah. -Good story! | 0:07:39 | 0:07:41 | |
-You were really nice. She was a nice person. It was cool. -It was nice! | 0:07:41 | 0:07:45 | |
I couldn't believe he was English, because his accent was | 0:07:45 | 0:07:48 | |
so flawless in Get Out and I was like, "Oh, my God." | 0:07:48 | 0:07:50 | |
And any time I meet anyone who's English, | 0:07:50 | 0:07:53 | |
I'm just immediately like, "I love London, I miss it! Do you live there?" | 0:07:53 | 0:07:56 | |
-Ah! -I do! -So you talked about London. -We talked about London. | 0:07:56 | 0:07:59 | |
No, I met... | 0:07:59 | 0:08:01 | |
This is what happened, yes? I met Denzel... | 0:08:01 | 0:08:04 | |
-Ooh! -I met Denzel and Oprah at the same time. | 0:08:05 | 0:08:09 | |
It was like a segue, just... | 0:08:09 | 0:08:11 | |
I don't know, this African American excellent segue of Black exc... | 0:08:11 | 0:08:15 | |
I don't know what happened. | 0:08:15 | 0:08:17 | |
Denzel came up to me with an English accent, like, | 0:08:17 | 0:08:20 | |
"Cheers, mate" and I'm like, "What's happening? | 0:08:20 | 0:08:23 | |
"How do you know who I am?" | 0:08:23 | 0:08:25 | |
And then he went to his wife, like, "He thinks I don't know who he is!" | 0:08:25 | 0:08:29 | |
And then he goes, "Come and meet Oprah!" And I was like... | 0:08:29 | 0:08:32 | |
Let's meet O! | 0:08:33 | 0:08:35 | |
Then I just hugged her. I hugged her so tightly. | 0:08:37 | 0:08:40 | |
She felt so good, man. | 0:08:40 | 0:08:42 | |
LAUGHTER | 0:08:42 | 0:08:43 | |
-It's not even a joke, she felt good. -Apparently, she smells... | 0:08:43 | 0:08:46 | |
-She has an amazing smell. -She smells amazing, Graham. I swear... | 0:08:46 | 0:08:50 | |
-Oprah is just premium. Premium. -Can the rest of the couch...? | 0:08:51 | 0:08:54 | |
You must have all met Oprah, does she smell amazing? | 0:08:54 | 0:08:56 | |
I've never met Oprah, but when I do, | 0:08:56 | 0:08:58 | |
-I'm going to hug her for sure. -I didn't smell her. | 0:08:58 | 0:09:00 | |
I met her at the Golden Globes, but she was too far away. | 0:09:00 | 0:09:03 | |
You've got to inhale deeply. Inhale deeply. | 0:09:03 | 0:09:05 | |
We're all going to be following her around, sniffing... | 0:09:05 | 0:09:08 | |
Now I know why there was suddenly such a nice smell in the room. | 0:09:08 | 0:09:11 | |
Yeah, she was really cool. It was really surreal. | 0:09:11 | 0:09:14 | |
Now, the film about Tonya Harding, I, Tonya. | 0:09:14 | 0:09:16 | |
It opens here next Friday. | 0:09:16 | 0:09:19 | |
Margot, you're the best person to tell us the story in a way, | 0:09:19 | 0:09:21 | |
because when you read the script, you didn't know it was a true story. | 0:09:21 | 0:09:25 | |
No, I didn't. | 0:09:25 | 0:09:26 | |
I think probably anyone born after 1990 might not know who | 0:09:26 | 0:09:29 | |
any of these people are, | 0:09:29 | 0:09:31 | |
because I didn't and I got the whole way through the script | 0:09:31 | 0:09:33 | |
thinking, "This is obviously not REALLY based on true events, | 0:09:33 | 0:09:36 | |
"because it is so absurd." | 0:09:36 | 0:09:38 | |
And then I went on the internet and was like, | 0:09:38 | 0:09:41 | |
"Oh, my God, this all happened | 0:09:41 | 0:09:42 | |
"in precise detail" that our writer captured, right down to the | 0:09:42 | 0:09:46 | |
moments, like Allison's character | 0:09:46 | 0:09:48 | |
wearing a fur coat with a bird on her shoulder | 0:09:48 | 0:09:50 | |
doing an interview - like, that actually happened, | 0:09:50 | 0:09:53 | |
you can look it up on YouTube. | 0:09:53 | 0:09:54 | |
There was a lot to go off, thankfully, for us. | 0:09:54 | 0:09:57 | |
And the central story is about her and this... | 0:09:57 | 0:09:59 | |
Her rival, Nancy Kerrigan. | 0:09:59 | 0:10:01 | |
Well, that's the story the world kind of new, | 0:10:01 | 0:10:03 | |
but the film explores what her life really was like and the main | 0:10:03 | 0:10:06 | |
relationships in her life were with her husband Jeff Gillooly | 0:10:06 | 0:10:09 | |
and with her mum, LaVona | 0:10:09 | 0:10:11 | |
and the other ones we focus on. | 0:10:11 | 0:10:13 | |
Of course, the Nancy Kerrigan incident comes into the film | 0:10:13 | 0:10:15 | |
later in the film, but you really start off and see how | 0:10:15 | 0:10:17 | |
she grew up and what those really messed up relationships | 0:10:17 | 0:10:21 | |
were like and how it affected the person she became. | 0:10:21 | 0:10:23 | |
And I guess there's lots of footage of Tonya, | 0:10:23 | 0:10:25 | |
both on the ice and off the ice, | 0:10:25 | 0:10:27 | |
she was an ice skater. | 0:10:27 | 0:10:28 | |
But not so much of the mum, so how do you go about that? | 0:10:28 | 0:10:32 | |
-Do you care about accuracy if you don't have to? -Well, exactly. | 0:10:32 | 0:10:36 | |
It was kind of liberating... | 0:10:36 | 0:10:38 | |
I would have felt a little intimidated | 0:10:38 | 0:10:39 | |
if I'd had to have met the real woman and I was kind of freed | 0:10:39 | 0:10:43 | |
of that responsibility, so I looked at all the existing footage. | 0:10:43 | 0:10:47 | |
There were a couple of documentaries, | 0:10:47 | 0:10:49 | |
and I just watched them over and over and over again | 0:10:49 | 0:10:51 | |
and listened to the incredible stories that Tonya... | 0:10:51 | 0:10:54 | |
My friend Steven Rogers who wrote it, | 0:10:54 | 0:10:55 | |
he interviewed both Tonya and Jeff Gillooly, | 0:10:55 | 0:10:57 | |
her husband and they disagreed | 0:10:57 | 0:10:59 | |
on absolutely everything except | 0:10:59 | 0:11:01 | |
for LaVona, who she was and how she acted and how she treated Tonya. | 0:11:01 | 0:11:06 | |
So I had those stories | 0:11:06 | 0:11:08 | |
and then I got to make her up myself. I got to create her. | 0:11:08 | 0:11:11 | |
You know, you see this in the film and kind of think that can't be | 0:11:11 | 0:11:14 | |
what she looked like, but then you see the footage at the end... | 0:11:14 | 0:11:17 | |
Yeah, when I read the script, | 0:11:17 | 0:11:19 | |
I said "Steven, how the hell...? | 0:11:19 | 0:11:20 | |
"This wig and the fur coat and the bird and the alcohol - | 0:11:20 | 0:11:23 | |
"how did you think of this, you know, specific look?" | 0:11:23 | 0:11:26 | |
And he said, "Wait, let me just send you a little documentary", | 0:11:26 | 0:11:30 | |
then I looked and that's what this lady wore, that's what she chose. | 0:11:30 | 0:11:34 | |
Cos in this country, we do think Deirdre Barlow. Anyone else? | 0:11:34 | 0:11:37 | |
I'll tell you something. The thing... | 0:11:38 | 0:11:40 | |
The breathing tube, that was my idea at the last minute, | 0:11:40 | 0:11:43 | |
because the bird handler said, "You can't smoke around the bird" | 0:11:43 | 0:11:45 | |
and my character smoked in every scene in this movie | 0:11:45 | 0:11:48 | |
and then we had to shoot this direct address that I do | 0:11:48 | 0:11:51 | |
and the bird handler said no, | 0:11:51 | 0:11:52 | |
and Craig Gillespie, our director, said, "Well, she has to smoke, | 0:11:52 | 0:11:55 | |
"she smokes in every scene", and I asked the prop department | 0:11:55 | 0:11:58 | |
if they had one of those... | 0:11:58 | 0:11:59 | |
I thought, "Well, she must have | 0:11:59 | 0:12:01 | |
"emphysema if she smoked her whole life", so they did, | 0:12:01 | 0:12:03 | |
they had the breathing tube | 0:12:03 | 0:12:04 | |
and the can of oxygen you see is on the couch next to me | 0:12:04 | 0:12:07 | |
during that scene. | 0:12:07 | 0:12:08 | |
And then the bird became fascinated with the breathing tube | 0:12:08 | 0:12:12 | |
and kept pecking at it, the entire time I was doing the scene. | 0:12:12 | 0:12:16 | |
I tried to just not let it bother me | 0:12:16 | 0:12:18 | |
because we only had two hours to shoot that scene and | 0:12:18 | 0:12:20 | |
I was not going to let that bird stop me from telling my story. | 0:12:20 | 0:12:24 | |
It was... Amazing. | 0:12:24 | 0:12:26 | |
Listen, we've got a clip from I, Tonya. | 0:12:26 | 0:12:28 | |
This is Tonya on... I think it's her first date, | 0:12:28 | 0:12:31 | |
or an early date | 0:12:31 | 0:12:33 | |
with her husband-to-be, | 0:12:33 | 0:12:34 | |
but they're not alone. | 0:12:34 | 0:12:36 | |
Are you a gardener or a flower, John? | 0:12:36 | 0:12:39 | |
It's Jeff. | 0:12:40 | 0:12:41 | |
In a relationship, there's a flower and gardener. | 0:12:44 | 0:12:46 | |
Um... | 0:12:48 | 0:12:49 | |
-You don't need to... -I don't know, I mean, I... | 0:12:50 | 0:12:52 | |
I just thought... | 0:12:52 | 0:12:54 | |
-I'm a gardener who wants to be a flower, how fucked am I? -Mum! -What? | 0:12:55 | 0:12:59 | |
You two fuck yet? | 0:13:02 | 0:13:04 | |
LAUGHTER AND APPLAUSE | 0:13:04 | 0:13:06 | |
That was actually... | 0:13:12 | 0:13:14 | |
We were doing coverage of Margot and Sebastian and I was off-camera | 0:13:14 | 0:13:17 | |
and sometimes, when I'm off-camera, | 0:13:17 | 0:13:19 | |
I like to give the people on camera something different to get them... | 0:13:19 | 0:13:22 | |
a reaction, and that was not LeVona's line, | 0:13:22 | 0:13:24 | |
-but I was trying to shock them... -Not in the script at all. | 0:13:24 | 0:13:26 | |
It wasn't in the script and I just was like, "You two f... yet?" | 0:13:26 | 0:13:29 | |
To get this reaction out of them, so then Craig was like, | 0:13:29 | 0:13:32 | |
"We've got to turn around, we've got to get you again." | 0:13:32 | 0:13:34 | |
I was like, "Oh, no." | 0:13:34 | 0:13:35 | |
Did you even know that we were meant to have our first sex scene | 0:13:35 | 0:13:38 | |
later that night? | 0:13:38 | 0:13:40 | |
-When you said that? -No. | 0:13:40 | 0:13:41 | |
Oh. OK, because it was very evident | 0:13:41 | 0:13:43 | |
in my mind, "Oh, it's the first one, | 0:13:43 | 0:13:44 | |
"I hope it's not weird or anything like that", so you saying that... | 0:13:44 | 0:13:47 | |
was like... | 0:13:47 | 0:13:49 | |
caught me so by surprise and my face went so red | 0:13:49 | 0:13:51 | |
and Sebastian choked on his drink and I was like... | 0:13:51 | 0:13:54 | |
-It was so good, it got such a good reaction. -But this mother, | 0:13:55 | 0:13:58 | |
I mean, she is a monster, | 0:13:58 | 0:14:00 | |
but it SORT of comes from a good place or a... | 0:14:00 | 0:14:04 | |
Um, well...! | 0:14:04 | 0:14:05 | |
Yeah. In her mind, yeah. | 0:14:06 | 0:14:08 | |
-Brings the results. -Yeah. | 0:14:08 | 0:14:10 | |
The ends justify the means - in her mind, | 0:14:10 | 0:14:12 | |
she wants her daughter to have this opportunity to be this incredible | 0:14:12 | 0:14:15 | |
skater, she knows her daughter has undeniable talent | 0:14:15 | 0:14:18 | |
and she wants her to succeed and have the things in life that | 0:14:18 | 0:14:21 | |
come along with the talent that she has and in every way, | 0:14:21 | 0:14:25 | |
she was crossed by either the figure skating community not embracing her, | 0:14:25 | 0:14:29 | |
saying she needed a fur coat and they didn't have money to buy | 0:14:29 | 0:14:33 | |
a fur coat, they didn't have money to... | 0:14:33 | 0:14:35 | |
So she was very frustrated | 0:14:35 | 0:14:37 | |
and knew that her daughter was motivated by being shamed or | 0:14:37 | 0:14:41 | |
needled by saying, "You can't do it, you suck, you're terrible." | 0:14:41 | 0:14:44 | |
It would motivate her to go out and skate better, so yeah, | 0:14:44 | 0:14:49 | |
she's not going to win mother of the year, but I think her... | 0:14:49 | 0:14:52 | |
Her heart was in the right place. | 0:14:53 | 0:14:55 | |
Um... | 0:14:55 | 0:14:56 | |
LAUGHTER | 0:14:56 | 0:14:58 | |
Cos Daniel, your mum's quite into the tough love, isn't she? | 0:14:58 | 0:15:01 | |
She's a beast, man. | 0:15:01 | 0:15:03 | |
Amazing love and care, but she don't care. She's... | 0:15:04 | 0:15:07 | |
It's the reason why... | 0:15:08 | 0:15:10 | |
I remember, there was a time... | 0:15:10 | 0:15:12 | |
I did my first play at the Royal Court and then like, | 0:15:12 | 0:15:14 | |
it was press night, so I was like, "Mum, this is the casting director, | 0:15:14 | 0:15:18 | |
"this is the woman who... The reason I got in the room", | 0:15:18 | 0:15:20 | |
this, that and the other, | 0:15:20 | 0:15:22 | |
and she was like, "When are you going to give him another job?" | 0:15:22 | 0:15:25 | |
LAUGHTER | 0:15:25 | 0:15:27 | |
I'm thinking, "This woman's going to ruin my career right now." | 0:15:28 | 0:15:31 | |
INDISTINCT | 0:15:31 | 0:15:34 | |
She was just like, yeah... The casting director was like... | 0:15:34 | 0:15:36 | |
"When are you going to give him another job? He's not going uni." | 0:15:36 | 0:15:39 | |
"He's not going uni. | 0:15:39 | 0:15:40 | |
"He's ruining his life. You have to give him a job." | 0:15:40 | 0:15:43 | |
"You've made him not go uni... You have to give him another one. When?" | 0:15:43 | 0:15:47 | |
She was like, "Oh, there's some stuff coming up." | 0:15:47 | 0:15:49 | |
She was answering, as well. | 0:15:49 | 0:15:51 | |
And then like, I took her to the Get Out Premiere | 0:15:51 | 0:15:55 | |
and was in the car, chilling, | 0:15:55 | 0:15:57 | |
everyone was, "Good film, yeah..." | 0:15:57 | 0:15:59 | |
And then like, I was like, "Mum, | 0:15:59 | 0:16:01 | |
"what do you think about my American accent?" | 0:16:01 | 0:16:03 | |
She was like, "Nearly there." | 0:16:03 | 0:16:04 | |
LAUGHTER | 0:16:04 | 0:16:06 | |
-Oof! -She's raw. | 0:16:06 | 0:16:08 | |
But this is the woman you're bringing to the Oscars with you? | 0:16:08 | 0:16:12 | |
Yeah, I have to, man. | 0:16:12 | 0:16:13 | |
That could go horribly wrong, I feel! | 0:16:13 | 0:16:15 | |
That's the fun bit! | 0:16:15 | 0:16:17 | |
I want her to meet random people. | 0:16:18 | 0:16:21 | |
She met Snoop Dogg the other day, it was amazing. | 0:16:21 | 0:16:24 | |
She told me off all my life for playing Snoop Dogg out loud, | 0:16:24 | 0:16:26 | |
and when she met him, she started giggling. I was like, "Look at you!" | 0:16:26 | 0:16:30 | |
"Look at you." I took a picture. It was amazing. | 0:16:30 | 0:16:33 | |
I want to meet your mum, it'd be awesome. I'm going to come say hi. | 0:16:33 | 0:16:36 | |
-It's so funny you're all going to be there. -We can all hang out again. | 0:16:36 | 0:16:40 | |
Yeah. You'll be at home watching. | 0:16:40 | 0:16:42 | |
-Now, here's the thing - Alicia, your mother was an actress. -Yeah, she is. | 0:16:45 | 0:16:49 | |
Is. But she was not a pushy mother, she was sort of the opposite. | 0:16:49 | 0:16:52 | |
Yeah, I think anyone who's been in the industry knows how | 0:16:52 | 0:16:55 | |
tough it is, so she was more like, "Are you really, | 0:16:55 | 0:16:58 | |
"like, really, really, really sure?" | 0:16:58 | 0:17:00 | |
You know, when I started out. | 0:17:00 | 0:17:01 | |
I danced for many years and I think she had seen me | 0:17:01 | 0:17:04 | |
being on that route for quite a long time, but, you know, | 0:17:04 | 0:17:07 | |
it's her biggest passion, | 0:17:07 | 0:17:09 | |
so I just saw her do what she did... | 0:17:09 | 0:17:12 | |
Didn't she tried to stop you going to auditions? | 0:17:12 | 0:17:15 | |
Yeah, I mean, when I was... | 0:17:15 | 0:17:16 | |
My first audition, I was probably six or seven | 0:17:16 | 0:17:19 | |
and had been in the theatre where they had this poster up that they | 0:17:19 | 0:17:22 | |
were auditioning for young kids for this musical. | 0:17:22 | 0:17:25 | |
I wanted to go and she was like, "No." That was it. | 0:17:25 | 0:17:28 | |
Then I had to have a fit and scream and lock myself into my room | 0:17:28 | 0:17:32 | |
for some time and then finally, | 0:17:32 | 0:17:35 | |
she agreed for me to begin my career! | 0:17:35 | 0:17:37 | |
-And did you get the part? -I did. -Oooh! | 0:17:38 | 0:17:41 | |
GOOD screaming child. | 0:17:42 | 0:17:44 | |
Talking of difficult children, | 0:17:45 | 0:17:47 | |
Margot, I don't know if you | 0:17:47 | 0:17:48 | |
were a terrible child, but do you know the story I'm talking about? | 0:17:48 | 0:17:52 | |
Like you do not win any awards for being a good daughter. | 0:17:52 | 0:17:56 | |
There are many stories where I don't win awards. | 0:17:56 | 0:17:58 | |
I was not a great daughter. | 0:17:58 | 0:18:00 | |
I am forever in my mum's debt because I was... | 0:18:00 | 0:18:03 | |
such a brat and I feel really bad about it. | 0:18:03 | 0:18:06 | |
Tell us the story about when you were on your computer | 0:18:06 | 0:18:08 | |
-and she wanted your help. -Oh, yes. Yes, OK. I... | 0:18:08 | 0:18:11 | |
I was on MSN, obviously, the most important thing at the time... | 0:18:13 | 0:18:17 | |
God is in the details! | 0:18:17 | 0:18:19 | |
And we moved out, like, out in the sticks | 0:18:19 | 0:18:22 | |
and often snakes would get into the house | 0:18:22 | 0:18:24 | |
and you know, it wasn't a big deal, | 0:18:24 | 0:18:26 | |
but you'd have to chase them around | 0:18:26 | 0:18:28 | |
and get it out, it was time-consuming and annoying. | 0:18:28 | 0:18:30 | |
My mum yelled out and said, "Can you come help me? | 0:18:30 | 0:18:33 | |
"This snake's really big, I can't get it on my own. Can you come help me?" | 0:18:33 | 0:18:37 | |
and I was like, "I'm so busy, Mum. No, I can't." | 0:18:37 | 0:18:41 | |
Just being a brat, and she was like, "Oh, I just... | 0:18:41 | 0:18:44 | |
"Are you sure? Please?" | 0:18:44 | 0:18:45 | |
And I was like, "Be gone." | 0:18:45 | 0:18:47 | |
And, um... | 0:18:47 | 0:18:49 | |
And then she WAS gone, like, | 0:18:49 | 0:18:51 | |
for like, ten minutes, and I was like, "Oh, | 0:18:51 | 0:18:53 | |
"she's been gone for ages." | 0:18:53 | 0:18:55 | |
Then I got up from the computer, I could hear this, "Mm! Mm!" | 0:18:55 | 0:19:00 | |
And I was like, "Oh, God, what's happening?" and I see Mum, | 0:19:00 | 0:19:02 | |
she's made it halfway down the stairs and the snake, | 0:19:02 | 0:19:05 | |
she'd tried to pick this big python up | 0:19:05 | 0:19:07 | |
with a broom and a stick, but it had | 0:19:07 | 0:19:10 | |
wound its way up around her arm | 0:19:10 | 0:19:13 | |
and was going around her neck... | 0:19:13 | 0:19:14 | |
trying to choke her. | 0:19:14 | 0:19:16 | |
I love Australia, but I would never be able to live there! | 0:19:16 | 0:19:19 | |
No, I'm painting a bad picture, it's really not bad, but...! | 0:19:19 | 0:19:21 | |
Anyway, it wasn't a poisonous snake. | 0:19:21 | 0:19:24 | |
But they do... They do strangle you! | 0:19:24 | 0:19:26 | |
-I felt so bad. -How did you get it off her? | 0:19:28 | 0:19:30 | |
You've just got to give it something else to climb on, | 0:19:30 | 0:19:32 | |
so get a stick or something, it starts weaving its way around that | 0:19:32 | 0:19:35 | |
-and you can transfer its weight... -Good to know. -That is a top tip. | 0:19:35 | 0:19:39 | |
-Or you just grab it behind its head... -They hate that. | 0:19:40 | 0:19:43 | |
Well... You just don't want it to bite you! | 0:19:43 | 0:19:46 | |
-Was your mother OK? -Yeah, she was fine. | 0:19:48 | 0:19:50 | |
I felt bad and I tried not to be such a brat. | 0:19:50 | 0:19:53 | |
-When Mum asked for help in future, I kind of did it. -A lesson learned. | 0:19:53 | 0:19:56 | |
-A lesson learned. -Very good. | 0:19:56 | 0:19:58 | |
Right, let's move on to Alicia's film tonight. Tomb Raider. | 0:19:58 | 0:20:02 | |
It opens Thursday, March 15, and you are the new Lara Croft. | 0:20:02 | 0:20:06 | |
Obviously, not like Tonya Harding, you're not a real person, | 0:20:06 | 0:20:09 | |
but people have such a clear vision of who this woman is. | 0:20:09 | 0:20:14 | |
-Mm-hm. -You must feel a kind of similar pressure. | 0:20:14 | 0:20:17 | |
Yeah, my breasts are not as pointy as the first version. | 0:20:17 | 0:20:20 | |
No, I mean, yeah, she's been with us for like, what is it? 20, 22 years. | 0:20:21 | 0:20:25 | |
And, I... Yeah... I actually... | 0:20:25 | 0:20:28 | |
-I'm, like, a HUGE fan of Tomb Raider. -Great! | 0:20:28 | 0:20:32 | |
-I am so excited to see this. -I was, you know, | 0:20:32 | 0:20:34 | |
-we grew up with MSN... -Yeah! -I also grew up in that time where there was | 0:20:34 | 0:20:38 | |
none of my girlfriends who played video games and I kind of kept it... | 0:20:38 | 0:20:42 | |
I was kind of ashamed of doing it. | 0:20:42 | 0:20:44 | |
But I was at my parents' friends' house | 0:20:44 | 0:20:47 | |
and their kids had a PlayStation and I went there and remember | 0:20:47 | 0:20:51 | |
I walked into the room and saw | 0:20:51 | 0:20:53 | |
it was a female protagonist in a video game, | 0:20:53 | 0:20:55 | |
and I had never seen that | 0:20:55 | 0:20:57 | |
and, er, yeah. I was a bit too scared to play the whole game | 0:20:57 | 0:21:00 | |
when I was about ten, so I mostly spent time doing the tricks | 0:21:00 | 0:21:04 | |
and her learning her moves in the Manor, | 0:21:04 | 0:21:07 | |
but no, I was a big fan when I was a kid. | 0:21:07 | 0:21:10 | |
Daniel, are you a big gamer? Do you play a lot of games? | 0:21:10 | 0:21:13 | |
No, cos it ruins my life. | 0:21:13 | 0:21:15 | |
-It just ruins me. -It's time consuming. | 0:21:15 | 0:21:17 | |
I've got things to do, man. I just... | 0:21:17 | 0:21:19 | |
That's a good answer. I kind of realise that now, | 0:21:20 | 0:21:23 | |
when I did it, because I did play the games before I did the film | 0:21:23 | 0:21:26 | |
and I was like, "Wow, I had way too much time when I was a child." | 0:21:26 | 0:21:30 | |
Listen, we've got a clip. | 0:21:30 | 0:21:31 | |
This is you as Lara Croft | 0:21:31 | 0:21:33 | |
and I believe in this clip you've just raided a tomb. | 0:21:33 | 0:21:36 | |
HE GRUNTS | 0:21:40 | 0:21:43 | |
-Ooh! -Don't worry, he didn't die. | 0:22:08 | 0:22:10 | |
Was he OK? He's fine! | 0:22:10 | 0:22:11 | |
-How long did you have to train for that? -So I... | 0:22:16 | 0:22:20 | |
Um, I did about four months | 0:22:20 | 0:22:23 | |
before I started to shoot when I got into... | 0:22:23 | 0:22:25 | |
-Your arms are, like, ripped. -Yeah, so that's the thing. | 0:22:25 | 0:22:29 | |
It takes four months for me. | 0:22:29 | 0:22:31 | |
I had never lifted a thing with my arms. I did ballet. | 0:22:31 | 0:22:34 | |
Not even an Oscar. | 0:22:34 | 0:22:36 | |
Two hands! That's why you need two hands. | 0:22:37 | 0:22:39 | |
"I can't bring that home." | 0:22:39 | 0:22:41 | |
So it takes about four months to... | 0:22:43 | 0:22:45 | |
I remember my trainer told me, | 0:22:45 | 0:22:47 | |
"They're really underdeveloped." | 0:22:47 | 0:22:49 | |
I was like, "Oh, really? OK." | 0:22:50 | 0:22:53 | |
But then four months later, | 0:22:53 | 0:22:55 | |
you know, he managed. | 0:22:55 | 0:22:56 | |
I told him, "I don't believe you." But, yeah... | 0:22:56 | 0:22:59 | |
You have to do it, because it is non-stop, this movie. | 0:22:59 | 0:23:02 | |
So then it takes three weeks for you to lose it all. | 0:23:02 | 0:23:05 | |
That is the sad bit. | 0:23:05 | 0:23:07 | |
Three weeks to lose? | 0:23:07 | 0:23:09 | |
-Three weeks to just go out of shape? -Yeah! | 0:23:09 | 0:23:11 | |
-I thought I was going to stay like this! -That's not fair. | 0:23:11 | 0:23:14 | |
-To get muscle and then to lose it. -Crazy. -So unfair. -That's not fair. | 0:23:14 | 0:23:17 | |
LAUGHTER | 0:23:17 | 0:23:19 | |
-Terrible. -And now, because you're Swedish, how does that work? | 0:23:19 | 0:23:23 | |
Obviously, you're married to an Irishman now, so...? | 0:23:23 | 0:23:26 | |
Are you learning Irish phrases? | 0:23:26 | 0:23:28 | |
Irish is actually quite close. | 0:23:28 | 0:23:30 | |
A lot of people think I'm Irish because in Sweden, I guess | 0:23:30 | 0:23:32 | |
we have the same Rs. | 0:23:32 | 0:23:35 | |
Yeah. | 0:23:35 | 0:23:36 | |
-Bit of a connection, there. -And is he learning Swedish phrases? | 0:23:36 | 0:23:40 | |
I wish it was...better. | 0:23:40 | 0:23:42 | |
Yeah. Actually, one thing he likes is... | 0:23:43 | 0:23:46 | |
He came to Sweden and learned that it's a lot of Swedish sayings | 0:23:46 | 0:23:50 | |
that are very commonly used and it's one of those things, | 0:23:50 | 0:23:53 | |
when it's my own language, | 0:23:53 | 0:23:55 | |
I didn't really think about how weird they are, but | 0:23:55 | 0:23:57 | |
he learned about them and was like, "I'm just now going to use those." | 0:23:57 | 0:24:01 | |
It's like saying in Swedish, | 0:24:01 | 0:24:03 | |
"Well, now you're taking a poop in the blue cabinet." | 0:24:03 | 0:24:06 | |
What?! | 0:24:06 | 0:24:07 | |
Yeah. That's like a very common thing. | 0:24:08 | 0:24:11 | |
Or, "Yeah, you can't just expect to walk in, | 0:24:11 | 0:24:14 | |
"sliding in on a shrimp sandwich." | 0:24:14 | 0:24:16 | |
I actually saw politicians when I was back home in Sweden | 0:24:18 | 0:24:21 | |
use that in a debate. In Swedish. | 0:24:21 | 0:24:23 | |
I was like, yeah, that's how... | 0:24:23 | 0:24:25 | |
You can't come in here and slide on a shrimp sandwich? | 0:24:25 | 0:24:28 | |
Yeah, because shrimp is very, like, flashy | 0:24:28 | 0:24:31 | |
in a socialist country, having a shrimp sandwich is very fancy. | 0:24:31 | 0:24:35 | |
So you can't just have your privileges and walk in, | 0:24:35 | 0:24:38 | |
slide in here on a shrimp sandwich. | 0:24:38 | 0:24:40 | |
We have an Australian one - "We're not here to fuck spiders." | 0:24:40 | 0:24:43 | |
LAUGHTER | 0:24:43 | 0:24:46 | |
-What does that MEAN?! -Let's get on with it! | 0:24:46 | 0:24:48 | |
It would be difficult to try and fuck a spider... | 0:24:48 | 0:24:51 | |
In Australia, you COULD find a spider to fuck! | 0:24:52 | 0:24:55 | |
LAUGHTER | 0:24:55 | 0:24:57 | |
Now, I feel bad that we're talking about this, | 0:25:00 | 0:25:02 | |
because of what we're about to show, which is so sweet. | 0:25:02 | 0:25:06 | |
-I mean, diabetics shouldn't watch this. -Ah. | 0:25:06 | 0:25:09 | |
This must be your first appearance on television? | 0:25:09 | 0:25:11 | |
Yeah. It's so funny, because I've been watching your show | 0:25:11 | 0:25:14 | |
since I moved here and I thought, "If I ever get on the show..." | 0:25:14 | 0:25:16 | |
I was like, "What is he going to find?" | 0:25:16 | 0:25:18 | |
From my... Because you're all about finding those clips. | 0:25:18 | 0:25:22 | |
-So how old are you here? -I'm seven or eight. | 0:25:22 | 0:25:24 | |
It's funny, because I hadn't seen this clip until... | 0:25:24 | 0:25:27 | |
There was actually somebody working at a TV channel | 0:25:27 | 0:25:31 | |
I guess in Sweden during the Oscars who had gone down | 0:25:31 | 0:25:34 | |
and found a VHS of this tape, | 0:25:34 | 0:25:36 | |
because I only have my vague memory | 0:25:36 | 0:25:38 | |
of this as a child and I have never seen it until two years ago. | 0:25:38 | 0:25:42 | |
Well, this is amazing. | 0:25:42 | 0:25:44 | |
This is Alicia on... | 0:25:44 | 0:25:46 | |
-Presumably it's Junior Stars In Your Eyes? -Mm-hm. | 0:25:46 | 0:25:49 | |
So this is Alicia on Junior Stars In Their Eyes. | 0:25:49 | 0:25:53 | |
When she comes out of the smoke, you won't know who she is. | 0:25:53 | 0:25:56 | |
APPLAUSE Hey, how are you? | 0:25:57 | 0:25:59 | |
-AUDIENCE: -Aw! | 0:26:02 | 0:26:04 | |
SHE SINGS IN SWEDISH | 0:26:20 | 0:26:24 | |
CHEERING | 0:26:45 | 0:26:48 | |
APPLAUSE She won! | 0:26:57 | 0:26:59 | |
-You're very proud. -Actually... | 0:26:59 | 0:27:01 | |
Little thing about the job that I locked myself in the room, | 0:27:03 | 0:27:07 | |
that I begged to go to the audition to, | 0:27:07 | 0:27:10 | |
that was the musical, that was not my part, | 0:27:10 | 0:27:12 | |
but that was the woman playing my mother in that musical, | 0:27:12 | 0:27:15 | |
so I mimed her song. Looked up to her a lot. | 0:27:15 | 0:27:18 | |
-But she's a famous Swedish...? -She's a very famous singer. | 0:27:18 | 0:27:22 | |
Swedish person. Now, Daniel's film is the latest hit from Marvel, | 0:27:22 | 0:27:25 | |
Black Panther. It's out now. | 0:27:25 | 0:27:27 | |
And, I mean, this film is doing such amazing business. | 0:27:27 | 0:27:32 | |
It's sort of beating everything before it, isn't it? | 0:27:32 | 0:27:35 | |
Yeah, but I have a theory. I have a theory. | 0:27:35 | 0:27:37 | |
It's that I think there's some artist that said, "Don't pirate it." | 0:27:37 | 0:27:40 | |
They always said, "Don't pirate it," so loads of people are just | 0:27:40 | 0:27:43 | |
not pirating it, and they're going to the cinema to watch it. | 0:27:43 | 0:27:46 | |
-And also, it's an experience. -Yeah. | 0:27:46 | 0:27:48 | |
It's something to watch with people. | 0:27:48 | 0:27:50 | |
-Because it's quite wild. -And, but also, without doubt, | 0:27:50 | 0:27:53 | |
it's the best reviewed Marvel film of all time. | 0:27:53 | 0:27:56 | |
-I mean, these reviews are crazy. -Yeah, it's nice. It's very nice. | 0:27:56 | 0:27:59 | |
Yeah! OK, so tell us about the story and who you play in the story? | 0:27:59 | 0:28:03 | |
Erm, the story is about T'Challa, who's the Black Panther, | 0:28:03 | 0:28:07 | |
whose dad dies in a previous Marvel film, | 0:28:07 | 0:28:10 | |
and he has to take over the throne, | 0:28:10 | 0:28:11 | |
because the dad was the King of Wakanda. | 0:28:11 | 0:28:13 | |
He's taken over the throne and he has to be the king | 0:28:13 | 0:28:17 | |
with these powers and has the responsibility, | 0:28:17 | 0:28:19 | |
but there's new enemies coming in. | 0:28:19 | 0:28:21 | |
But Wakanda is this place, and I play W'Kabi, | 0:28:21 | 0:28:24 | |
who's the leader of the Border Tribe that protects the border. | 0:28:24 | 0:28:27 | |
Because nobody is allowed to be in Wakanda, | 0:28:27 | 0:28:30 | |
so that it keeps its resources within Africa. | 0:28:30 | 0:28:32 | |
So this is a fictional African country that keeps its resources, | 0:28:32 | 0:28:35 | |
so it's like one of the richest countries in the world. | 0:28:35 | 0:28:37 | |
But in order to do that, it needs to be protected and no-one knows | 0:28:37 | 0:28:40 | |
about it outside of Wakanda, and we have to keep that secret. | 0:28:40 | 0:28:43 | |
Listen, we've got a clip. | 0:28:43 | 0:28:44 | |
This is you and some of the other tribal leaders discussing a problem. | 0:28:44 | 0:28:48 | |
Ulysses Klaue plans to sell the Vibranium to an American buyer | 0:28:49 | 0:28:53 | |
in South Korea tomorrow night. | 0:28:53 | 0:28:55 | |
Klaue has escaped our pursuits for almost 30 years. | 0:28:58 | 0:29:01 | |
Not capturing him is perhaps my father's greatest regret. | 0:29:02 | 0:29:06 | |
I wish to bring Klaue back here to stand trial. | 0:29:06 | 0:29:09 | |
Wakanda does not need a warrior right now. We need a king. | 0:29:09 | 0:29:15 | |
My parents were killed when he attacked. | 0:29:15 | 0:29:17 | |
Not a day goes by when I do not think about what Klaue took from us. | 0:29:19 | 0:29:22 | |
-From me. -It's too great an opportunity to pass. | 0:29:24 | 0:29:28 | |
Take me with you. We'll take him down together, side-by-side. | 0:29:28 | 0:29:31 | |
I need you here, protecting the border. | 0:29:31 | 0:29:34 | |
Then I ask, you kill him where he stands, or you bring him back to us. | 0:29:34 | 0:29:39 | |
You have my word. | 0:29:40 | 0:29:42 | |
I will bring him back. | 0:29:44 | 0:29:45 | |
CHEERING | 0:29:45 | 0:29:49 | |
And... | 0:29:49 | 0:29:50 | |
-But, of course, it is a superhero movie. -Yeah. | 0:29:52 | 0:29:56 | |
And with superhero movies come those costumes, | 0:29:56 | 0:29:58 | |
you get the superhero costumes. | 0:29:58 | 0:30:00 | |
So you must have been very excited to think, "What's my costume?" | 0:30:00 | 0:30:03 | |
Yeah, and then I had to wear it. | 0:30:03 | 0:30:05 | |
I had all this armour. I looked like an African Jedi, | 0:30:06 | 0:30:09 | |
so I had all this armour and stuff. And then I had to have a blanket. | 0:30:09 | 0:30:13 | |
It's flippin' Blanket Man. | 0:30:15 | 0:30:17 | |
Like, because we shot it in Atlanta, | 0:30:17 | 0:30:19 | |
and it was so hot! It was just so hot. | 0:30:19 | 0:30:22 | |
But I had to act really cool, because I'm in a superhero movie. | 0:30:22 | 0:30:24 | |
So we were like, "Yeah, yeah." But, like, just sweat... | 0:30:24 | 0:30:28 | |
My make-up was going all over my eyes and I was blinking like this. | 0:30:28 | 0:30:31 | |
It wasn't a sexy moment for me, I tell you that. | 0:30:32 | 0:30:35 | |
Now, a lot of the reviews are talking about how this film | 0:30:36 | 0:30:38 | |
is kind of a game changer. | 0:30:38 | 0:30:40 | |
I mean, was there a sense amongst the cast and the crew that you were | 0:30:40 | 0:30:45 | |
doing something kind of important when you were making this film? | 0:30:45 | 0:30:47 | |
Yeah, because it's an African superhero movie! | 0:30:47 | 0:30:50 | |
I've never seen that in my life. | 0:30:50 | 0:30:51 | |
I felt that on set. We had this waterfall scene | 0:30:51 | 0:30:54 | |
and it's basically Chad, T'Challa's getting the coronation. | 0:30:54 | 0:30:58 | |
And then everyone starts singing, like... | 0:30:58 | 0:31:01 | |
Hundreds of extras start singing and drumming. I just got chills. | 0:31:01 | 0:31:04 | |
I was just like, "I've never..." | 0:31:04 | 0:31:06 | |
My inner child was like, "Oh, my God, if I saw this as a kid, | 0:31:06 | 0:31:09 | |
"I wouldn't feel such a weirdo." | 0:31:09 | 0:31:12 | |
You feel weird when you grow up | 0:31:12 | 0:31:14 | |
because there's nothing that looks like you on TV. | 0:31:14 | 0:31:16 | |
And this is, like, 90% of the cast have an African accent, | 0:31:16 | 0:31:20 | |
including Andy Serkis. | 0:31:20 | 0:31:21 | |
It's like, everyone's like, you know... | 0:31:21 | 0:31:25 | |
It's just this kind of... When I first watched it, | 0:31:25 | 0:31:27 | |
my inner child was so happy that this exists. | 0:31:27 | 0:31:30 | |
Yeah, I think the reaction from people is going to be amazing. | 0:31:30 | 0:31:33 | |
I mean, this movie will have such a life. Yeah, congratulations. | 0:31:33 | 0:31:37 | |
-Thank you. -Yeah, seriously. | 0:31:37 | 0:31:38 | |
CHEERING | 0:31:38 | 0:31:42 | |
Now, talking of game-changing things, Daniel, | 0:31:42 | 0:31:46 | |
we must mention your last movie, for which you are Oscar-nominated, | 0:31:46 | 0:31:50 | |
-Get Out. AUDIENCE: -Whoo! | 0:31:50 | 0:31:52 | |
Yes, look at you clapping! | 0:31:52 | 0:31:53 | |
-How many times have you seen this film? -I've seen it three times. | 0:31:55 | 0:31:58 | |
-You've seen it three times? -Two times. -I love it so much. | 0:31:58 | 0:32:01 | |
-One of my West Wing, Brad... -Bradley! | 0:32:01 | 0:32:03 | |
Yeah, I just saw him in the picture. I was going to say. | 0:32:03 | 0:32:05 | |
I love that guy, man. | 0:32:05 | 0:32:07 | |
Him and Catherine Keener are all... And Jordan Peele. | 0:32:07 | 0:32:09 | |
I love all... They're all amazing. It's a great movie. | 0:32:09 | 0:32:12 | |
I have to say, I avoided watching it, | 0:32:12 | 0:32:14 | |
because I thought it was going to be a proper horror. | 0:32:14 | 0:32:16 | |
Because the poster made me think it was like Saw or something. | 0:32:16 | 0:32:20 | |
But it's so funny and great frights, it's brilliant. | 0:32:20 | 0:32:23 | |
But because you were filming Black Panther, | 0:32:23 | 0:32:26 | |
were you aware of how big the movie was getting? | 0:32:26 | 0:32:30 | |
I kind of ignore things. I kind of pretend things are not happening. | 0:32:30 | 0:32:33 | |
But it came out on my birthday. It came out on my birthday | 0:32:33 | 0:32:36 | |
and I was out. My girl was there, who's in Atlanta. | 0:32:36 | 0:32:40 | |
And I was like, "We've got to watch it, innit?" | 0:32:40 | 0:32:42 | |
And we went to the hood, in Atlanta. | 0:32:42 | 0:32:45 | |
Like, we wanted to go right to the heart of it. | 0:32:45 | 0:32:47 | |
Because Jordan really had people, | 0:32:47 | 0:32:50 | |
African-American black audiences, in mind when he wrote this. | 0:32:50 | 0:32:54 | |
And we were just sitting there. I snuck in. | 0:32:54 | 0:32:57 | |
With my hat low, snuck in. And I was sitting there at the back, | 0:32:57 | 0:33:00 | |
and then the reactions were just crazy. | 0:33:00 | 0:33:03 | |
There's a bit when I'm trying to get out of the house | 0:33:03 | 0:33:05 | |
and this woman goes, "Get the girlfriend, get the girlfriend! | 0:33:05 | 0:33:09 | |
"Get the girlfriend, man!" Or they'd be like, "He's stupid!" | 0:33:09 | 0:33:12 | |
It's funny, man. It was funny. It was good times, man. | 0:33:13 | 0:33:16 | |
But, yeah, I was so... | 0:33:17 | 0:33:19 | |
Then I just went back to set, so I just ignored. | 0:33:19 | 0:33:21 | |
I didn't know it was a thing until I came back here. | 0:33:21 | 0:33:24 | |
Yeah, but I like the story. | 0:33:24 | 0:33:25 | |
Allison Williams, your co-star, she gave you a bit of a complex on set. | 0:33:25 | 0:33:29 | |
-She didn't. It was the make-up woman. -Oh? | 0:33:29 | 0:33:33 | |
-She's cool, but... You're talking about the kissing, innit? -Yes. | 0:33:34 | 0:33:38 | |
Yeah, so I was... | 0:33:38 | 0:33:40 | |
I was doing the kissing scene. I don't know if you guys... | 0:33:40 | 0:33:42 | |
No-one in England does this, yeah? | 0:33:42 | 0:33:44 | |
Doing a kissing scene and just before it, they would give me... | 0:33:44 | 0:33:47 | |
-A mint. -A mint. -Yeah. | 0:33:47 | 0:33:49 | |
-I was like, "Cool. Why are you giving me...?" -I didn't know. | 0:33:50 | 0:33:53 | |
I had my co-actor, suddenly before a scene like that, | 0:33:53 | 0:33:57 | |
they came up and gave a mint, | 0:33:57 | 0:33:58 | |
and I didn't know if I was going to take it as a, like, a nice thing | 0:33:58 | 0:34:02 | |
to do or is it just like, | 0:34:02 | 0:34:03 | |
"Oh, my God, he thinks my breath is horrendous." | 0:34:03 | 0:34:06 | |
-Yeah! -Have to have a little rinse! | 0:34:06 | 0:34:08 | |
I took it. I took it. I was like, "Oh, yeah, cool." | 0:34:08 | 0:34:11 | |
And we did another take, she gave me another mint. I was like... | 0:34:11 | 0:34:14 | |
"I fixed it!" | 0:34:14 | 0:34:16 | |
The first time, I fixed it. You're giving me it again, | 0:34:16 | 0:34:18 | |
have I got a problem? Like, have I got a chronic problem! | 0:34:18 | 0:34:21 | |
Every time she gave me it, I was like, "What?" | 0:34:21 | 0:34:23 | |
Then she didn't talk to me for the rest of the day | 0:34:23 | 0:34:25 | |
because I was like, "Why are you giving me mints?" But, you know... | 0:34:25 | 0:34:28 | |
-So, in England, we don't do that? -No. -Really? -It's just method. | 0:34:28 | 0:34:31 | |
-It is what it is. -Australia? Mints, no mints? | 0:34:33 | 0:34:36 | |
No, it was a thing that I discovered in America. | 0:34:36 | 0:34:38 | |
I was like, "Wow, everyone's considerate about..." | 0:34:38 | 0:34:41 | |
I tell you what's worse than mints is someone... | 0:34:41 | 0:34:43 | |
I'm not going to name names, because... | 0:34:43 | 0:34:45 | |
But someone I had to kiss insisted that before we kiss... | 0:34:45 | 0:34:49 | |
..either he or I had to put Neosporin on our lips. | 0:34:50 | 0:34:53 | |
-What's that? -Really? | 0:34:53 | 0:34:55 | |
We're in England! | 0:34:55 | 0:34:57 | |
-Neosporin, like... -Well, it's kind of... -Is it like Vaseline? | 0:34:57 | 0:35:01 | |
..an ointment, an antibacterial ointment, to heal. | 0:35:01 | 0:35:04 | |
It's something you put on. People put it around their noses | 0:35:04 | 0:35:07 | |
-when they fly, so they don't get sick. -It's like Vaseline, right? | 0:35:07 | 0:35:10 | |
-It's not Vaseline. It's got...? -Is that Vicks? Vicks? | 0:35:10 | 0:35:12 | |
-Oh, is it like hand sanitiser? -No! | 0:35:12 | 0:35:15 | |
Just Google it! Look it up. It's called Neosporin. | 0:35:16 | 0:35:21 | |
And you have to put it... | 0:35:21 | 0:35:23 | |
On the lips, so you don't pass any germs or anything. | 0:35:23 | 0:35:26 | |
-It was really... -Everyone's so germophobic in America. | 0:35:26 | 0:35:28 | |
..creepy. I guess it's an American thing. | 0:35:28 | 0:35:30 | |
-ALICIA: -So, definitely no tongue, then? -Yes. | 0:35:30 | 0:35:33 | |
I didn't know that one time. | 0:35:35 | 0:35:36 | |
Apparently it's bad etiquette to put your tongue in. I didn't know that. | 0:35:36 | 0:35:40 | |
Someone told me, yeah? | 0:35:43 | 0:35:45 | |
I was just doing it, because I thought, "We're keeping it real." | 0:35:45 | 0:35:48 | |
Suddenly... They were like... | 0:35:49 | 0:35:51 | |
Someone was saying, apparently if you fancy them, | 0:35:51 | 0:35:54 | |
-you put your tongue in. -Yeah. -That's what someone told me, | 0:35:54 | 0:35:57 | |
and I was like, "Oh, shit, I've been sticking my tongue in." | 0:35:57 | 0:36:00 | |
I think someone told me early on, thankfully. | 0:36:00 | 0:36:02 | |
"Don't stress about it, but no tongue." And I was like, | 0:36:02 | 0:36:05 | |
"Oh, got it." I always say to other people. | 0:36:05 | 0:36:07 | |
"It's all cool, but no tongue." | 0:36:07 | 0:36:08 | |
-But why wouldn't someone tell you that? -Why wouldn't? | 0:36:08 | 0:36:11 | |
Well, someone should have told you that before you put the tongue in. | 0:36:11 | 0:36:14 | |
No, but this is, like, years later. | 0:36:14 | 0:36:16 | |
I found this out after a random conversation. | 0:36:16 | 0:36:18 | |
Someone said you're not supposed to put your tongue in. | 0:36:18 | 0:36:20 | |
I was like, "What?" | 0:36:20 | 0:36:21 | |
My life's a lie. | 0:36:21 | 0:36:23 | |
Actually, I have to say, | 0:36:24 | 0:36:26 | |
and I think it's probably very good advice for actors. | 0:36:26 | 0:36:29 | |
Because you got kissing tips from a great, Allison? | 0:36:29 | 0:36:33 | |
-One of the greatest. -Yes. -One of the greatest, | 0:36:33 | 0:36:36 | |
Meryl Streep, I had to kiss in a movie called The Hours. | 0:36:36 | 0:36:41 | |
And she was not happy with the way a certain scene was being lit, | 0:36:41 | 0:36:47 | |
and we had to kiss and she said, "I'm going to do you a favour. | 0:36:47 | 0:36:52 | |
"You're going to thank me for it later." | 0:36:52 | 0:36:54 | |
-Can I demonstrate on you? -On me? | 0:36:56 | 0:36:58 | |
-Yeah. -Of course you can. Yes, please. No tongues! | 0:36:58 | 0:37:02 | |
-Do you want a mint? -Oh, yeah, I need a mint. | 0:37:03 | 0:37:06 | |
Or a pineapple. OK. All right, where's the best camera angle? | 0:37:07 | 0:37:11 | |
There's loads of them, loads of cameras. That one's probably... | 0:37:11 | 0:37:15 | |
-There we are. -That's our camera? -That's our camera right there. | 0:37:15 | 0:37:17 | |
OK, so, you know, | 0:37:17 | 0:37:19 | |
I have these nasal labial folds, they call them, these here. | 0:37:19 | 0:37:25 | |
And they look better when they're pulled back, | 0:37:26 | 0:37:28 | |
so she came in to kiss me, and she went like this. | 0:37:28 | 0:37:31 | |
Hmm! AUDIENCE YELP | 0:37:33 | 0:37:35 | |
I look fabulous! | 0:37:35 | 0:37:37 | |
I look 15. | 0:37:37 | 0:37:39 | |
Thank you so much. Oh! | 0:37:40 | 0:37:42 | |
So that's what she did for me. | 0:37:42 | 0:37:44 | |
And it did, she pulled my face back and kissed me. | 0:37:44 | 0:37:48 | |
You can go watch the movie. It's very funny to see that. | 0:37:48 | 0:37:52 | |
I'll watch it again, and now I really want you to win the Oscar, | 0:37:52 | 0:37:54 | |
because I kissed you! | 0:37:54 | 0:37:56 | |
Right, it's time for music. | 0:37:58 | 0:37:59 | |
And since leaving girl group Fifth Harmony, | 0:37:59 | 0:38:02 | |
this woman's solo career has gone from strength to strength. | 0:38:02 | 0:38:04 | |
Here, performing one of the most popular songs of the year, | 0:38:04 | 0:38:07 | |
Havana, it's Camila Cabello! | 0:38:07 | 0:38:09 | |
CHEERING | 0:38:09 | 0:38:12 | |
# Havana Ooh na-na | 0:38:40 | 0:38:42 | |
# Half of my heart is in Havana Ooh-na-na | 0:38:42 | 0:38:47 | |
# He took me back to East Atlanta Na-na-na | 0:38:47 | 0:38:51 | |
# Oh but my heart is in Havana | 0:38:51 | 0:38:54 | |
# There's somethin' 'bout his manners | 0:38:54 | 0:38:56 | |
# He didn't walk up with that how you doin' | 0:38:58 | 0:39:00 | |
# When he came in the room | 0:39:01 | 0:39:03 | |
# He said there's a lot of girls I can do with | 0:39:03 | 0:39:06 | |
# But I can't without you | 0:39:06 | 0:39:07 | |
# I knew him forever in a minute | 0:39:07 | 0:39:10 | |
# That summer night in June | 0:39:10 | 0:39:12 | |
# And papa says he's got malo in him | 0:39:12 | 0:39:14 | |
# He got me feelin' like | 0:39:14 | 0:39:16 | |
# Ooh-ooh-ooh I knew it when I met him | 0:39:16 | 0:39:22 | |
# I loved him when I left him | 0:39:22 | 0:39:25 | |
# Got me feelin' like Ooh-ooh-ooh | 0:39:25 | 0:39:28 | |
# And then I had to tell him | 0:39:28 | 0:39:31 | |
# I had to go Oh na-na-na-na-na | 0:39:31 | 0:39:34 | |
# Havana Ooh na-na | 0:39:34 | 0:39:37 | |
# Half of my heart is in Havana Ooh-na-na | 0:39:37 | 0:39:42 | |
# He took me back to East Atlanta Na-na-na | 0:39:42 | 0:39:45 | |
# Oh but my heart is in Havana | 0:39:46 | 0:39:49 | |
# My heart is in Havana | 0:39:49 | 0:39:52 | |
# Havana Ooh na-na | 0:39:52 | 0:39:53 | |
# I know I was there when I read the signs | 0:39:53 | 0:39:56 | |
# Welcome to La Yuma | 0:39:56 | 0:39:57 | |
# I know it was him when he hugged from behind | 0:39:57 | 0:40:01 | |
# He gets me every time | 0:40:01 | 0:40:02 | |
# He's put in work But it's in the streets | 0:40:02 | 0:40:05 | |
# He said girl can you ride? | 0:40:05 | 0:40:07 | |
# And this is the part that my daddy told me | 0:40:07 | 0:40:10 | |
# He got me feelin' like | 0:40:10 | 0:40:11 | |
# Ooh-ooh-ooh I knew it when I met him | 0:40:11 | 0:40:16 | |
# I loved him when I left him | 0:40:16 | 0:40:19 | |
# Got me feelin' like | 0:40:19 | 0:40:20 | |
# Ooh-ooh-ooh And then I had to tell him | 0:40:20 | 0:40:25 | |
# I had to go Oh na-na-na-na-na | 0:40:25 | 0:40:29 | |
# Havana Ooh na-na | 0:40:29 | 0:40:32 | |
# Half of my heart is in Havana Ooh-na-na | 0:40:32 | 0:40:36 | |
# He took me back to East Atlanta Na-na-na | 0:40:36 | 0:40:40 | |
# Oh no! | 0:40:40 | 0:40:42 | |
# But my heart is in Havana My heart is in Havana | 0:40:42 | 0:40:46 | |
# Take me back to my Havana Ooh na-na | 0:41:04 | 0:41:08 | |
# Half of my heart is in Havana Ooh-na-na yeah | 0:41:08 | 0:41:13 | |
# He took me back to East Atlanta Na-na-na | 0:41:13 | 0:41:18 | |
# Oh but my heart is in Havana | 0:41:18 | 0:41:20 | |
# My heart is in Havana | 0:41:20 | 0:41:23 | |
# Havana Ooh na-na | 0:41:23 | 0:41:26 | |
-# Oh na-na-na -Hey-ee! | 0:41:26 | 0:41:30 | |
-# Oh na-na-na -Na-na-na-na | 0:41:30 | 0:41:35 | |
# Oh na-na-na | 0:41:35 | 0:41:38 | |
-# Hey-ee-ee -# Oh na-na-na | 0:41:38 | 0:41:41 | |
# Havana Ooh na-na. # | 0:41:41 | 0:41:44 | |
APPLAUSE | 0:41:44 | 0:41:46 | |
Camila Cabello! Fantastic job! | 0:41:51 | 0:41:53 | |
-How are you? -How great was that? -Thank you! -Congratulations. | 0:41:55 | 0:41:58 | |
-That was so great. Come and say hello to everybody. -Hi, everybody! | 0:41:58 | 0:42:01 | |
This is Daniel, Alicia, Allison, Margot. | 0:42:01 | 0:42:05 | |
-Thank you so much. -So wonderful. -Thank you so much. -That was so good. | 0:42:05 | 0:42:08 | |
Thank you. I love you. | 0:42:08 | 0:42:10 | |
-Everyone loves that song. -Oh, thank you. | 0:42:10 | 0:42:13 | |
-We were very excited on the couch. -Oh, wow! Oh, thanks, guys. | 0:42:13 | 0:42:16 | |
-It's hard not to stare at you. -You don't need that now. | 0:42:16 | 0:42:18 | |
-OK, got it. I'm so used to it. -Do a mic drop, a mic drop. | 0:42:18 | 0:42:22 | |
-There you go! -Was it good? | 0:42:22 | 0:42:25 | |
-Thank you. -Killed it. -So that's from the album Camila. | 0:42:25 | 0:42:29 | |
-Whoo, thank you! You say my name right. -Is that right? | 0:42:29 | 0:42:31 | |
-A lot of British people tend to say it another way. -OK. | 0:42:31 | 0:42:35 | |
-Camilla, but it's not. -No, but it's Camila. | 0:42:35 | 0:42:37 | |
I don't know why I had that example. | 0:42:37 | 0:42:39 | |
So, the album's called Camila, which is out now. | 0:42:39 | 0:42:42 | |
So, here's the thing, I hear that you are a fan of British television, | 0:42:42 | 0:42:46 | |
which seems very unlikely. But you come here and you like... | 0:42:46 | 0:42:49 | |
-You love it. -Why are you booing? | 0:42:49 | 0:42:51 | |
All right, we all have to watch it, I understand that! | 0:42:52 | 0:42:56 | |
-The woman likes it. Let her. -No, I really like how they do the... | 0:42:56 | 0:43:00 | |
Erm, like ITV2 when they do the, | 0:43:00 | 0:43:04 | |
-ENGLISH ACCENT: -"Coming up next on ITV2!" | 0:43:04 | 0:43:06 | |
I love that they're very excited about what's coming up next. | 0:43:08 | 0:43:12 | |
-You just watch that bit? -Yeah. -Not the shows, just the thing. | 0:43:12 | 0:43:15 | |
No, just that, and I go to the next channel, | 0:43:15 | 0:43:17 | |
and I wait for it to come around again. | 0:43:17 | 0:43:20 | |
Yeah, but that's my favourite thing about British television, I think. | 0:43:20 | 0:43:24 | |
Well, thank you for that ringing endorsement. | 0:43:24 | 0:43:26 | |
"That was The Graham Norton Show." I loved that bit! | 0:43:29 | 0:43:31 | |
-No! -So, tell me this. | 0:43:31 | 0:43:34 | |
-You're doing your first solo tour, which is a big, big deal. -Yeah! | 0:43:34 | 0:43:38 | |
-AUDIENCE WHOOP -Yay! | 0:43:38 | 0:43:40 | |
No, I'm really excited. | 0:43:40 | 0:43:42 | |
-Are you paying them? -I know! My mom. -Do they follow you? | 0:43:43 | 0:43:47 | |
Yeah, I'm really excited. | 0:43:49 | 0:43:50 | |
It's my first time doing a tour by myself, | 0:43:50 | 0:43:53 | |
and I feel like that's the best manifestation of songs. | 0:43:53 | 0:43:58 | |
Where are you going on your tour? | 0:43:58 | 0:44:00 | |
I'm coming here in June, which is really exciting. | 0:44:00 | 0:44:02 | |
-You're kicking off in Glasgow, I believe? -Yeah. | 0:44:02 | 0:44:05 | |
-In at the deep end, OK. -I know! | 0:44:05 | 0:44:07 | |
I'm excited. | 0:44:08 | 0:44:10 | |
-And I feel like by the end of it... -Tough crowd! | 0:44:10 | 0:44:12 | |
..I'll have a good British accent, I think. | 0:44:12 | 0:44:15 | |
-Well, your "coming up on ITV2" is very good. -It's good, right? | 0:44:15 | 0:44:18 | |
-Yeah, that's excellent. -It wants to hear it again? | 0:44:18 | 0:44:20 | |
-Go on, then. AUDIENCE: -No, no! -OK. | 0:44:20 | 0:44:23 | |
"Will Camila do the ITV2 accent again? | 0:44:24 | 0:44:26 | |
"We'll find out, coming up next on ITV2." | 0:44:26 | 0:44:30 | |
-Very good. -Thanks! -Excellent. | 0:44:30 | 0:44:32 | |
Listen, thank you so much for that great performance | 0:44:33 | 0:44:35 | |
-and good luck with the tour. -Thank you. -Camila, Camila? | 0:44:35 | 0:44:38 | |
-Yes! -I don't want to get it wrong now, after being so good. | 0:44:38 | 0:44:40 | |
-No, you're killing it. -Camila Cabello. | 0:44:40 | 0:44:42 | |
Thank you so much for having me. Nice to meet you guys. | 0:44:42 | 0:44:45 | |
That is nearly it for tonight. | 0:44:45 | 0:44:47 | |
Before we go, we've got time for a quick visit to the big red chair. | 0:44:47 | 0:44:50 | |
-Who's there? Hello, sir! What's your name? -I'm Steve. | 0:44:50 | 0:44:53 | |
-Steve, lovely, and where are you from, Steve? -From Surrey. | 0:44:53 | 0:44:56 | |
-What do you do in Surrey? -I own a cafe. -You own a cafe, lovely. | 0:44:56 | 0:44:58 | |
-Do you want to tell us what it's called? -Ockham Bites in Cobham. | 0:44:58 | 0:45:01 | |
OK, see, that's marketing right there! | 0:45:01 | 0:45:04 | |
We'll cut that out, but it was a nice thing for me to do, wasn't it? | 0:45:04 | 0:45:07 | |
For a minute there, he thought it was going to be on BBC One, | 0:45:09 | 0:45:11 | |
but it's not. | 0:45:11 | 0:45:13 | |
OK, off you go with your story, sir. | 0:45:14 | 0:45:16 | |
OK, many years ago, my father emigrated to the south of France | 0:45:16 | 0:45:19 | |
with his family and his pet parrot, Jasper. | 0:45:19 | 0:45:21 | |
They stayed for about five years and then decided to come back to the UK. | 0:45:21 | 0:45:25 | |
My dad couldn't be bothered with all the pet passport things, | 0:45:25 | 0:45:27 | |
so he smuggled Jasper back in his car, in the boot of his car. | 0:45:27 | 0:45:30 | |
About five months down the line, the parrot got very ill, | 0:45:30 | 0:45:33 | |
my dad had to take him to the vet and one of the questions of the vet | 0:45:33 | 0:45:37 | |
had was, "Has Jasper ever been out of the UK?" | 0:45:37 | 0:45:39 | |
And my dad said, "No, not at all." | 0:45:39 | 0:45:40 | |
Anyway, the parrot had to stay overnight and in the morning, | 0:45:40 | 0:45:42 | |
my dad got a phone call saying everything's fine, | 0:45:42 | 0:45:45 | |
you can come and collect Jasper. | 0:45:45 | 0:45:46 | |
My dad went to collect the parrot and after he paid her everything, | 0:45:46 | 0:45:49 | |
the vet said, "Are you sure Jasper's never been out of the UK?" | 0:45:49 | 0:45:51 | |
My dad said, "Yes, why?" | 0:45:51 | 0:45:53 | |
"Because I came down this morning and he said, 'Bonjour.'" | 0:45:53 | 0:45:55 | |
That's not true. That's not true. | 0:45:57 | 0:45:59 | |
That didn't happen. That didn't happen. | 0:46:00 | 0:46:03 | |
Can we squeeze in another one? OK, squeeze in one more. Here we go. | 0:46:03 | 0:46:07 | |
-Hello! -Hi. -Hi. Who are you? -I'm Laura. -Laura, lovely. | 0:46:07 | 0:46:11 | |
And where are you from, Laura? | 0:46:11 | 0:46:13 | |
-I'm from North Wales but I live in London. -All right, what do you do? | 0:46:13 | 0:46:16 | |
-I'm an outreach worker. -An outreach worker, OK. | 0:46:16 | 0:46:18 | |
Off you go with your story. | 0:46:18 | 0:46:20 | |
When I was a young, I used to sweat a lot, just under my arms. | 0:46:20 | 0:46:24 | |
So I used to wear panty liners to cover it up, which I think is | 0:46:24 | 0:46:28 | |
-a great idea. I should have gone on Dragons Den with it. -Very smart. | 0:46:28 | 0:46:32 | |
But as I was walking to this bar one night, | 0:46:32 | 0:46:34 | |
I saw an ex across the room who I had dumped, | 0:46:34 | 0:46:37 | |
and he was there with a new girlfriend, and I walked up | 0:46:37 | 0:46:40 | |
to him, thinking, "I best be polite, be the bigger person." | 0:46:40 | 0:46:42 | |
So I went up, was chatting away, but I started to get really nervous, | 0:46:42 | 0:46:45 | |
using my arms a lot and was flapping around. | 0:46:45 | 0:46:47 | |
And as I lifted my arms up and put them back down, | 0:46:47 | 0:46:50 | |
the panty liners flew out of my arms, | 0:46:50 | 0:46:53 | |
swung around in the middle and landed right in front of us. | 0:46:53 | 0:46:56 | |
With the two of them just looking at them, and looking at me. | 0:46:56 | 0:47:00 | |
And looking at them, and I just had to walk off. | 0:47:00 | 0:47:02 | |
Oh, shall we let her walk? That's a yes! You can walk! | 0:47:02 | 0:47:05 | |
I really wanted to be flipped. | 0:47:05 | 0:47:06 | |
Oh, you want to be flipped? OK, here we go. | 0:47:06 | 0:47:09 | |
There you go. | 0:47:09 | 0:47:10 | |
Well done, everyone. If you'd like to join us on the show | 0:47:11 | 0:47:13 | |
and have a go on that red chair, | 0:47:13 | 0:47:15 | |
you can contact us via our website at this very address. | 0:47:15 | 0:47:18 | |
That, sadly, is it for tonight. | 0:47:18 | 0:47:19 | |
Please say thank you to all my guests. Camila Cabello! | 0:47:19 | 0:47:22 | |
Daniel Kaluuya! | 0:47:24 | 0:47:26 | |
Alicia Vikander! | 0:47:27 | 0:47:29 | |
Allison Janney. | 0:47:30 | 0:47:32 | |
And Margot Robbie! | 0:47:32 | 0:47:34 | |
We are taking a short break, but we'll be back on your TVs in April. | 0:47:36 | 0:47:40 | |
Do join me next week for a look back at some of the highlights | 0:47:40 | 0:47:43 | |
from this series. | 0:47:43 | 0:47:44 | |
I'll see you then. Goodnight, everybody. Bye-bye! | 0:47:44 | 0:47:47 |