Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Good evening, everyone. My name is Hillary Rodham Clinton | 0:00:02 | 0:00:04 | |
and this is The Graham Norton Show. | 0:00:04 | 0:00:07 | |
CHEERING | 0:00:07 | 0:00:09 | |
This programme contains some strong language | 0:00:15 | 0:00:21 | |
CHEERING Oh! | 0:00:26 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:30 | |
Hello! Hello! | 0:00:31 | 0:00:34 | |
Welcome, one, welcome, all. | 0:00:34 | 0:00:37 | |
Lovely to see you all. | 0:00:37 | 0:00:39 | |
CHEERING AND APPLAUSE Oh, thank you. Thank you. | 0:00:39 | 0:00:42 | |
Yes, very exciting, Hillary Clinton is here! | 0:00:42 | 0:00:44 | |
CHEERING | 0:00:44 | 0:00:47 | |
And you know, I mean, Hillary, | 0:00:47 | 0:00:49 | |
she doesn't chat to just anybody, does she? | 0:00:49 | 0:00:51 | |
No. Oh... | 0:00:51 | 0:00:52 | |
Well, you know what I mean. But hey, it's not just Hillary. | 0:00:52 | 0:00:56 | |
We've got a packed show for you tonight. | 0:00:56 | 0:00:57 | |
Later, we'll be meeting star of Jurassic Park | 0:00:57 | 0:00:59 | |
and the new Thor movie, | 0:00:59 | 0:01:01 | |
Jeff Goldblum will be here. Yeah. CHEERING | 0:01:01 | 0:01:04 | |
Scottish action hero Gerard Butler will be here. | 0:01:04 | 0:01:07 | |
CHEERING Yeah. | 0:01:07 | 0:01:09 | |
Top comedian Jack Whitehall is on the show. | 0:01:09 | 0:01:11 | |
CHEERING | 0:01:11 | 0:01:13 | |
And we'll have music from jazz singer Gregory Porter. | 0:01:13 | 0:01:16 | |
CHEERING | 0:01:16 | 0:01:18 | |
But first, she is one of the most famous names in global politics. | 0:01:18 | 0:01:23 | |
She's been a First Lady, a senator, a Secretary of State | 0:01:23 | 0:01:25 | |
and last year she ran as | 0:01:25 | 0:01:27 | |
the first female presidential nominee for a major US party. | 0:01:27 | 0:01:31 | |
Here to tell us what happened, | 0:01:31 | 0:01:32 | |
please welcome Hillary Rodham Clinton. | 0:01:32 | 0:01:35 | |
CHEERING AND APPLAUSE | 0:01:35 | 0:01:38 | |
So lovely to see you. | 0:01:39 | 0:01:40 | |
CHEERING DROWNS SPEECH | 0:01:42 | 0:01:44 | |
CHEERING CONTINUES | 0:01:47 | 0:01:51 | |
-They're very excited! -I am too. -They're very excited. | 0:01:51 | 0:01:55 | |
They really wanted to see you. | 0:01:55 | 0:01:57 | |
Oh, I am so happy to be here, Graham. | 0:01:57 | 0:01:59 | |
Thank you so much. Thank you all for your patience and understanding. | 0:01:59 | 0:02:03 | |
It's lovely to have you here, we're delighted to see you. | 0:02:03 | 0:02:05 | |
-Now... -OK, so... | 0:02:05 | 0:02:07 | |
Literally what happened? | 0:02:07 | 0:02:09 | |
Another "what happened?" So, I was... | 0:02:09 | 0:02:12 | |
I was literally running down flights of stairs in my hotel | 0:02:12 | 0:02:17 | |
and I had a cup of coffee in my hand. | 0:02:17 | 0:02:21 | |
Not a smart idea. | 0:02:21 | 0:02:22 | |
And my heel caught on the stair | 0:02:22 | 0:02:25 | |
and so I jerked this way, | 0:02:25 | 0:02:30 | |
with the coffee still in my hand, | 0:02:30 | 0:02:31 | |
and fell backwards, thankfully, not forwards, | 0:02:31 | 0:02:36 | |
and I have a fractured toe. | 0:02:36 | 0:02:38 | |
Oh. AUDIENCE: Oh! | 0:02:38 | 0:02:41 | |
-Yeah, nothing worse than that. -Yeah. | 0:02:41 | 0:02:43 | |
I can tell you, | 0:02:43 | 0:02:44 | |
I've had excellent, excellent medical care | 0:02:44 | 0:02:47 | |
by your English medical system. | 0:02:47 | 0:02:50 | |
-Thank you all very much. -You're very welcome. | 0:02:50 | 0:02:52 | |
-And I have one of these big boots on. -It's very... | 0:02:52 | 0:02:54 | |
Can I just say, we don't all get such a nice clean, space age boot. | 0:02:54 | 0:02:57 | |
Often it's just newspaper and string. | 0:02:59 | 0:03:01 | |
LAUGHTER | 0:03:01 | 0:03:02 | |
But it's proven to be a life-saver, cos I can walk around. | 0:03:02 | 0:03:05 | |
-Do you feel jinxed? I mean... -Well... -..bad things happen to you. | 0:03:05 | 0:03:11 | |
Well, you know, as I was running down the stairs, | 0:03:11 | 0:03:14 | |
somebody yelled, "Give him the boot!" but I didn't expect... | 0:03:14 | 0:03:17 | |
-No, because it does seem sometimes like the world is against you. -Oh... | 0:03:17 | 0:03:22 | |
You know, in 2008, it was your turn | 0:03:22 | 0:03:24 | |
-and then along came Barack Obama. -Well, he did a great job. | 0:03:24 | 0:03:27 | |
Then it was your turn and Bernie Sanders came along. | 0:03:27 | 0:03:30 | |
Then it was your turn, Trump come along. | 0:03:30 | 0:03:32 | |
I mean, it is like the universe is working against you. | 0:03:32 | 0:03:35 | |
Well, I just think it shows | 0:03:35 | 0:03:37 | |
that some of us are able to overcome obstacles from the universe | 0:03:37 | 0:03:41 | |
and that's part of life. | 0:03:41 | 0:03:43 | |
And part of my book is about resilience, | 0:03:43 | 0:03:46 | |
because everybody gets knocked down in life. | 0:03:46 | 0:03:48 | |
You may not lose the presidential campaign of the United States, | 0:03:48 | 0:03:51 | |
but... | 0:03:51 | 0:03:53 | |
Phew. | 0:03:53 | 0:03:54 | |
But there will be disappointments, there will be losses | 0:03:54 | 0:03:57 | |
and, as my late mother just drilled into me, | 0:03:57 | 0:04:00 | |
it's not at all about getting knocked down, that's inevitable, | 0:04:00 | 0:04:04 | |
it's about getting back up. | 0:04:04 | 0:04:06 | |
-And so here I am, back up with my foot in a boot. -Literally! | 0:04:06 | 0:04:09 | |
CHEERING | 0:04:09 | 0:04:12 | |
Now, you're... | 0:04:12 | 0:04:16 | |
-You're here with your book... -Yes. | 0:04:16 | 0:04:17 | |
..What Happened, tells the story of last year's election. | 0:04:17 | 0:04:21 | |
And first of all, can I just say, | 0:04:21 | 0:04:23 | |
I was slightly worried I might find it a little dry. | 0:04:23 | 0:04:25 | |
-You know, a bit... -Drink more wine! -..a bit fact heavy. | 0:04:27 | 0:04:30 | |
I couldn't drink more, Hillary! | 0:04:30 | 0:04:33 | |
But you've... | 0:04:34 | 0:04:35 | |
How hard was that, to get the balance right? | 0:04:35 | 0:04:37 | |
Because there's enough in there for the political nerds | 0:04:37 | 0:04:40 | |
but then for a general reader like me | 0:04:40 | 0:04:42 | |
-it's a really engaging, warm human story. -Thank you. | 0:04:42 | 0:04:45 | |
Oh, Graham, thank you, | 0:04:45 | 0:04:46 | |
because I wanted it to be both personal and political, | 0:04:46 | 0:04:48 | |
because it was a personal and political journey | 0:04:48 | 0:04:50 | |
that I was writing about. | 0:04:50 | 0:04:52 | |
And I really decided to do it partly to answer that question. | 0:04:52 | 0:04:58 | |
You know, I feel like I have, | 0:04:58 | 0:04:59 | |
so the title doesn't have a question mark on it, | 0:04:59 | 0:05:02 | |
but I wanted to know what happened. | 0:05:02 | 0:05:04 | |
It was such a surprise, it was so shocking | 0:05:04 | 0:05:07 | |
and obviously devastating and all kinds of consequences from that. | 0:05:07 | 0:05:11 | |
So, I dove into it | 0:05:11 | 0:05:14 | |
and I came out of it with a really strong sense of catharsis. | 0:05:14 | 0:05:20 | |
I write in the book about | 0:05:20 | 0:05:21 | |
how I got through those first weeks and months. | 0:05:21 | 0:05:23 | |
You know, walks in the woods, playing with my dogs, | 0:05:23 | 0:05:27 | |
spending time with my friends, yoga... | 0:05:27 | 0:05:30 | |
-..my share of Chardonnay. -Yeah. | 0:05:31 | 0:05:34 | |
I mean, it was a combination of tools and experiences | 0:05:34 | 0:05:38 | |
that helped me get back on my feet. | 0:05:38 | 0:05:42 | |
But to go from every day, | 0:05:42 | 0:05:44 | |
every minute of every day being sort of answered for | 0:05:44 | 0:05:47 | |
to suddenly have...days, what was that like? | 0:05:47 | 0:05:51 | |
Oh, well, after I gave the concession speech | 0:05:51 | 0:05:54 | |
and, really, there were so many of my friends and supporters there | 0:05:54 | 0:05:58 | |
and they were all crying, and so I was comforting them | 0:05:58 | 0:06:01 | |
because they were equally distraught, | 0:06:01 | 0:06:04 | |
and I got a few phone calls from people during that period, | 0:06:04 | 0:06:08 | |
and then finally it was over | 0:06:08 | 0:06:09 | |
and I walked out to the car with my husband | 0:06:09 | 0:06:11 | |
and we got into the back seat, | 0:06:11 | 0:06:13 | |
and it was just like somebody pulled the drain. | 0:06:13 | 0:06:15 | |
I mean, all of the energy, | 0:06:15 | 0:06:16 | |
all of the adrenaline which I had been running on for months, | 0:06:16 | 0:06:20 | |
because you don't get enough sleep | 0:06:20 | 0:06:22 | |
and it's, you know, really a constant marathon. | 0:06:22 | 0:06:26 | |
So, I just really collapsed. | 0:06:26 | 0:06:30 | |
I just thought, "Oh, my gosh, I can't believe this happened," | 0:06:30 | 0:06:33 | |
and I felt so terrible. | 0:06:33 | 0:06:35 | |
I really felt responsible for the loss. | 0:06:35 | 0:06:39 | |
But I got home and, you know, put on some sweat pants and a fleece | 0:06:39 | 0:06:43 | |
and kind of just wandered around. | 0:06:43 | 0:06:45 | |
And then the next day my husband and I went for a walk in the woods | 0:06:45 | 0:06:49 | |
and we were moving along with our dogs | 0:06:49 | 0:06:52 | |
and I turned a corner and there was a young, young woman there | 0:06:52 | 0:06:56 | |
and she had her baby in a backpack and she had her dog | 0:06:56 | 0:06:58 | |
and she saw me and she just cried out | 0:06:58 | 0:07:01 | |
and asked if she could give me a hug, | 0:07:01 | 0:07:03 | |
and she did. And so she was so upset, | 0:07:03 | 0:07:07 | |
and that's been my experience | 0:07:07 | 0:07:08 | |
nearly every day since that I've been in public, | 0:07:08 | 0:07:11 | |
is that so many people, | 0:07:11 | 0:07:13 | |
predominantly women but not exclusively, | 0:07:13 | 0:07:17 | |
have been just so upset for all kinds of reasons. | 0:07:17 | 0:07:20 | |
Well, it was interesting. | 0:07:20 | 0:07:22 | |
-That photograph of you with the woman in the woods... -Yeah. | 0:07:22 | 0:07:24 | |
..it went viral. | 0:07:24 | 0:07:25 | |
I think part of the reason it went viral | 0:07:25 | 0:07:27 | |
-is because we were so happy to see you smiling. -Oh, thank you. | 0:07:27 | 0:07:30 | |
That you weren't caked in mascara, hugging a jug of wine... | 0:07:30 | 0:07:32 | |
LAUGHTER | 0:07:32 | 0:07:34 | |
..rocking. | 0:07:34 | 0:07:36 | |
And this went viral, but then, apparently, | 0:07:36 | 0:07:39 | |
the woods in upstate New York became like looking for Bigfoot. | 0:07:39 | 0:07:42 | |
-Yes! -They're all up there. -Yes! | 0:07:42 | 0:07:44 | |
Yes, we would show up and there would be people waiting. | 0:07:44 | 0:07:47 | |
You know, that's one of the things that Bill and I love to do are | 0:07:47 | 0:07:50 | |
go for these walks, | 0:07:50 | 0:07:51 | |
and occasionally there would be photographers. | 0:07:51 | 0:07:53 | |
So we kept moving from nature reserve to nature reserve, | 0:07:53 | 0:07:56 | |
trying to outsmart the crowds. | 0:07:56 | 0:07:58 | |
Here's a family that found the two of you. | 0:07:58 | 0:08:00 | |
And then people weren't satisfied with that, they started... | 0:08:00 | 0:08:03 | |
-They posted a lot... -They started to put you in things. -Yes. | 0:08:03 | 0:08:05 | |
So, here is #hillaryinthewild. | 0:08:05 | 0:08:08 | |
Literally the Reese Witherspoon movie. | 0:08:08 | 0:08:11 | |
I hope so! | 0:08:11 | 0:08:12 | |
And then this, this is very good, this is an actual sighting | 0:08:12 | 0:08:14 | |
of Hillary Rodham Bigfoot. | 0:08:14 | 0:08:16 | |
There she is... | 0:08:16 | 0:08:18 | |
LAUGHTER ..in the distance. | 0:08:18 | 0:08:20 | |
Well, you know, laughing is, as you are an expert at, | 0:08:20 | 0:08:24 | |
the best cure for nearly everything | 0:08:24 | 0:08:26 | |
if you can get back the energy to laugh | 0:08:26 | 0:08:28 | |
and make fun of yourself and, you know, just start having a good time. | 0:08:28 | 0:08:31 | |
So, you do the walking, the yoga, a few trips to the bottle bank. | 0:08:31 | 0:08:35 | |
-Yes. -You're probably feeling a bit better. -Right. | 0:08:35 | 0:08:38 | |
But then, I mean, it's sort of Shakespearean, | 0:08:38 | 0:08:41 | |
-you went to the inauguration. -I know. | 0:08:41 | 0:08:44 | |
And that was because you were First Lady, | 0:08:44 | 0:08:46 | |
-not because you've been nominee. -Right. | 0:08:46 | 0:08:47 | |
And I really tried to get out of going. | 0:08:47 | 0:08:50 | |
-LAUGHTER -I... | 0:08:50 | 0:08:52 | |
You know, because I was going not as the candidate or the opponent | 0:08:52 | 0:08:56 | |
but as a former first lady, | 0:08:56 | 0:08:58 | |
because the tradition is presidents and former first ladies all show up, | 0:08:58 | 0:09:02 | |
regardless of Republican or Democrat, | 0:09:02 | 0:09:04 | |
to show support, continuity of our government. | 0:09:04 | 0:09:07 | |
So, we thought, "OK, maybe others aren't going." | 0:09:07 | 0:09:10 | |
So, you know, we called... | 0:09:10 | 0:09:12 | |
LAUGHTER | 0:09:12 | 0:09:15 | |
We called the Bushes | 0:09:15 | 0:09:16 | |
and the elder Bushes were in the hospital, | 0:09:16 | 0:09:17 | |
which I think was legitimate. | 0:09:17 | 0:09:19 | |
LAUGHTER AND APPLAUSE | 0:09:19 | 0:09:22 | |
So then... | 0:09:22 | 0:09:24 | |
You know, we called the younger Bushes | 0:09:24 | 0:09:27 | |
and they said, "Yeah, we're going." | 0:09:27 | 0:09:28 | |
We called the Carters they said, "Yeah, we're going." | 0:09:28 | 0:09:30 | |
So, you know, Bill and I looked at each other | 0:09:30 | 0:09:32 | |
and said, "Well, we've got to go." | 0:09:32 | 0:09:34 | |
Oh, my gosh, I try to describe in the book what that felt like, | 0:09:34 | 0:09:39 | |
because I didn't know what to expect. | 0:09:39 | 0:09:41 | |
What I wanted to have happen | 0:09:41 | 0:09:44 | |
was, despite the kind of campaign he ran, | 0:09:44 | 0:09:47 | |
I wanted him to rise to the occasion of being our president | 0:09:47 | 0:09:50 | |
and being the president for everybody, | 0:09:50 | 0:09:53 | |
not just people who supported him. | 0:09:53 | 0:09:55 | |
That didn't happen. | 0:09:55 | 0:09:56 | |
And so, we were sitting there and we were listening. | 0:09:56 | 0:10:01 | |
I was sitting next to George W Bush and Bill was on my other side, | 0:10:01 | 0:10:04 | |
and we were listening to this really dark, divisive speech | 0:10:04 | 0:10:08 | |
that I describe as a cry from the White Nationalist gut, | 0:10:08 | 0:10:13 | |
and I was so disappointed. | 0:10:13 | 0:10:16 | |
Really so...so sad that it wasn't an outreach, | 0:10:16 | 0:10:22 | |
it was a narrowing | 0:10:22 | 0:10:23 | |
and a hammering of what he had said before. | 0:10:23 | 0:10:26 | |
And it's reported, so I put it in the book, | 0:10:26 | 0:10:29 | |
it's reported that George W Bush as it ends says, | 0:10:29 | 0:10:32 | |
"That was some weird shit." | 0:10:32 | 0:10:34 | |
LAUGHTER | 0:10:34 | 0:10:37 | |
APPLAUSE | 0:10:37 | 0:10:39 | |
And it was. | 0:10:39 | 0:10:40 | |
And the book has been a huge success, so that's all good, | 0:10:43 | 0:10:46 | |
but I have to say, | 0:10:46 | 0:10:48 | |
not everyone has been that thrilled by the publication of the book. | 0:10:48 | 0:10:51 | |
President Trump made a rare foray into the world of Twitter... | 0:10:51 | 0:10:55 | |
He tweeted about your book. | 0:10:58 | 0:11:00 | |
-And you had a very good reply, I felt. -Yes, I did. Right. | 0:11:05 | 0:11:09 | |
Cos are you tempted to ignore his tweets? | 0:11:10 | 0:11:13 | |
Well, you know, I ignore a lot of them | 0:11:13 | 0:11:16 | |
because there are so many. | 0:11:16 | 0:11:18 | |
You could not respond to all of them. | 0:11:18 | 0:11:21 | |
This one in particular I said, | 0:11:21 | 0:11:23 | |
"Well, I've also written a children's book that you may find..." | 0:11:23 | 0:11:27 | |
We've got your tweet here, yeah. | 0:11:27 | 0:11:29 | |
CHEERING | 0:11:29 | 0:11:32 | |
"Buy this one"! | 0:11:32 | 0:11:33 | |
Did he take you up on your offer? | 0:11:35 | 0:11:36 | |
I don't know, I haven't heard back yet. | 0:11:36 | 0:11:39 | |
But I do respond | 0:11:39 | 0:11:41 | |
when I think, you know, what he has said is hurtful and unfair | 0:11:41 | 0:11:48 | |
and really causing problems for people, | 0:11:48 | 0:11:50 | |
and I sometimes, but rarely, tweet at him. | 0:11:50 | 0:11:53 | |
So we had this horrible hurricane in Puerto Rico, | 0:11:53 | 0:11:56 | |
which is a part of the United States and 3.5 million people live there, | 0:11:56 | 0:12:00 | |
and nothing was happening. | 0:12:00 | 0:12:02 | |
So I did tweet at him and at the Defence Department | 0:12:02 | 0:12:04 | |
basically to say, "Send the Navy and send the hospital ship," | 0:12:04 | 0:12:08 | |
and within a day or two or three, they actually did it, so... | 0:12:08 | 0:12:12 | |
But has he set the agenda? | 0:12:12 | 0:12:15 | |
Presumably you didn't tweet that much before. He's... | 0:12:15 | 0:12:18 | |
He's brought the world to Twitter | 0:12:18 | 0:12:20 | |
to try and explain complex things in just a few words. | 0:12:20 | 0:12:23 | |
Well, he has tweeted for a while, but you're right that he tries to... | 0:12:23 | 0:12:30 | |
..talk about issues that are very complex. | 0:12:30 | 0:12:34 | |
He uses it to mostly attack people, insult, criticise people. | 0:12:34 | 0:12:40 | |
The most dangerous thing he does is conduct diplomacy on Twitter. | 0:12:40 | 0:12:44 | |
So, he's trading insults with Kim Jong Un, | 0:12:44 | 0:12:47 | |
which is, like, just catnip for Kim Jong Un. | 0:12:47 | 0:12:50 | |
He loves that, the idea that he is in a Twitter insult-fest | 0:12:50 | 0:12:54 | |
with the President of the United States. | 0:12:54 | 0:12:56 | |
So, he does things that are truly not only upsetting | 0:12:56 | 0:13:01 | |
but kind of inexplicable, | 0:13:01 | 0:13:03 | |
and some of it just goes unanswered | 0:13:03 | 0:13:05 | |
and others I answer and many, many people do as well. | 0:13:05 | 0:13:09 | |
Let's go back into the campaign, | 0:13:09 | 0:13:11 | |
because one of the bits I really enjoyed | 0:13:11 | 0:13:13 | |
was talking about the debates, | 0:13:13 | 0:13:15 | |
because normally you prep for a debate | 0:13:15 | 0:13:18 | |
because it's going to be to and fro with arguments, | 0:13:18 | 0:13:20 | |
-but he was playing just a different game. -That's right. | 0:13:20 | 0:13:23 | |
Here's what I say in the book, cos I think it's really important. | 0:13:23 | 0:13:26 | |
If you follow politics, and you're interested, | 0:13:26 | 0:13:30 | |
watch like a debate or a presentation or a rally | 0:13:30 | 0:13:35 | |
with the sound off. | 0:13:35 | 0:13:36 | |
And so if you watched with the sound off, | 0:13:36 | 0:13:38 | |
you didn't pay attention to what he was saying, | 0:13:38 | 0:13:40 | |
cos much of it was untrue and really just silly... | 0:13:40 | 0:13:45 | |
..he, you know, he was very dominant. | 0:13:47 | 0:13:50 | |
Very, you know, very big. | 0:13:50 | 0:13:52 | |
Filling the stage, gesturing and facial expressions. | 0:13:52 | 0:13:56 | |
If you didn't know what he was saying, you would think, | 0:13:56 | 0:13:59 | |
'Wow,' you know, 'Boy, he's out there really giving it to her.' | 0:13:59 | 0:14:03 | |
So you really have to understand | 0:14:03 | 0:14:06 | |
both what you're trying to say and accomplish | 0:14:06 | 0:14:09 | |
and how to match that. | 0:14:09 | 0:14:11 | |
Now, the second debate was the one I really highlight in the book. | 0:14:11 | 0:14:15 | |
-Yes, the looming one. -He loomed over me. -There he is. | 0:14:15 | 0:14:19 | |
And it was all designed to get into my head. | 0:14:19 | 0:14:22 | |
-Did you know he was there? -Yes, of course I did. | 0:14:22 | 0:14:24 | |
I mean, I think any woman would know that somebody was looming... | 0:14:24 | 0:14:26 | |
APPLAUSE | 0:14:26 | 0:14:31 | |
Yeah. So, I knew it and I... | 0:14:31 | 0:14:35 | |
I was debating in my head | 0:14:35 | 0:14:37 | |
and I kind of share this with the readers, | 0:14:37 | 0:14:40 | |
look, I practise not getting flustered, not getting thrown off, | 0:14:40 | 0:14:45 | |
being calm and composed, | 0:14:45 | 0:14:47 | |
which I think a president should be. | 0:14:47 | 0:14:49 | |
Not impulsive and not trying to dominate every encounter, | 0:14:49 | 0:14:55 | |
but maybe I should have turned around and said, | 0:14:55 | 0:14:57 | |
"You're not going to intimidate me | 0:14:57 | 0:14:59 | |
"like you try to intimidate women. Back off, you creep." | 0:14:59 | 0:15:02 | |
-Maybe I should have said that. -CHEERING AND APPLAUSE | 0:15:02 | 0:15:06 | |
It's...it's a real lesson. | 0:15:08 | 0:15:12 | |
It's kind of a, you know, it's a thought lesson for women | 0:15:12 | 0:15:16 | |
in public life or the private sector. | 0:15:16 | 0:15:19 | |
When you find yourself in these positions | 0:15:19 | 0:15:22 | |
where a male co-worker, a boss, a client | 0:15:22 | 0:15:25 | |
is, you know, really pushing you, trying to dominate you, | 0:15:25 | 0:15:31 | |
our usual response is to just hold ourselves together | 0:15:31 | 0:15:36 | |
and not respond, | 0:15:36 | 0:15:37 | |
because if you're too hot they accuse you of being angry, | 0:15:37 | 0:15:42 | |
if you're kind of apologetic, like, "Please, don't do that to me," | 0:15:42 | 0:15:46 | |
you're accused of being weak. | 0:15:46 | 0:15:47 | |
It's really hard to get right in the sweet spot | 0:15:47 | 0:15:51 | |
of being strong and effective | 0:15:51 | 0:15:53 | |
without creating additional blowback. | 0:15:53 | 0:15:57 | |
"She was so angry, she was shrill." | 0:15:57 | 0:16:00 | |
You know, those are the words meant to keep women in their place, | 0:16:00 | 0:16:05 | |
and I'm not putting up with it any more. | 0:16:05 | 0:16:06 | |
I'm going to do everything I can to speak up and speak out about it. | 0:16:06 | 0:16:10 | |
CHEERING AND APPLAUSE | 0:16:10 | 0:16:13 | |
And I think... | 0:16:14 | 0:16:16 | |
Everyone who heard your concession speech, | 0:16:16 | 0:16:20 | |
that bit at the end was so moving, because, you know, | 0:16:20 | 0:16:25 | |
because your story should be an inspiring story to women | 0:16:25 | 0:16:28 | |
but I'm sure a lot of women were thinking, | 0:16:28 | 0:16:29 | |
-"God, I'm never going to do that!" -Yeah, I agree. | 0:16:29 | 0:16:32 | |
So what you said to the young girls of America | 0:16:32 | 0:16:34 | |
-I thought was really lovely. -Yeah. | 0:16:34 | 0:16:36 | |
Well, I have this really strong belief | 0:16:36 | 0:16:38 | |
that the best way to get sexism out of politics | 0:16:38 | 0:16:40 | |
is to get more women into politics, | 0:16:40 | 0:16:42 | |
and make it clear that women come in all sizes and shapes | 0:16:42 | 0:16:46 | |
and hair styles and voice tenor and everything else, | 0:16:46 | 0:16:50 | |
and so we can't just be pigeonholed. | 0:16:50 | 0:16:52 | |
But I was particularly concerned about the impact my loss would have | 0:16:52 | 0:16:57 | |
on girls and young women. | 0:16:57 | 0:16:59 | |
So, I basically said don't let anyone tell you | 0:16:59 | 0:17:02 | |
that your voice is not powerful and valuable, | 0:17:02 | 0:17:06 | |
-you know? -And I think, very sweetly, the message has got through, | 0:17:06 | 0:17:08 | |
cos there is a very specific phenomenon | 0:17:08 | 0:17:11 | |
happening at your book signings now, | 0:17:11 | 0:17:13 | |
and these are the little girls showing up in pantsuits. | 0:17:13 | 0:17:16 | |
AUDIENCE: Aw-w! | 0:17:16 | 0:17:17 | |
There's been a lot of this, hasn't there? | 0:17:17 | 0:17:19 | |
There has been so much of it and that little girl in particular, | 0:17:19 | 0:17:22 | |
whose name I recall as Grace, has on a little fake pearl necklace | 0:17:22 | 0:17:27 | |
and, you know, they sometimes come in Wonder Woman costumes as well. | 0:17:27 | 0:17:34 | |
But I'm trying to send a very strong message to parents | 0:17:34 | 0:17:38 | |
and grandparents and everyone who cares about children | 0:17:38 | 0:17:41 | |
that build confidence, and the right kind of confidence, | 0:17:41 | 0:17:44 | |
in both your sons and your daughters. | 0:17:44 | 0:17:46 | |
And when it comes to girls, you know, | 0:17:46 | 0:17:48 | |
really help build that sense of self-esteem | 0:17:48 | 0:17:51 | |
and the idea that she is valuable, that her voice is powerful, | 0:17:51 | 0:17:56 | |
that she deserves to be listened to, | 0:17:56 | 0:17:58 | |
because it's got to start early if we're going to try to reach | 0:17:58 | 0:18:03 | |
the kind of equal rights and treatment | 0:18:03 | 0:18:06 | |
that I think we should be aiming for. | 0:18:06 | 0:18:08 | |
So, that's my mission and I'm going right at it. | 0:18:08 | 0:18:11 | |
-Well, you won't be going that fast in fairness. -No, not yet! | 0:18:11 | 0:18:15 | |
We wish you well with the healing. | 0:18:15 | 0:18:17 | |
It's been such a privilege to spend time with you. Thank you. | 0:18:17 | 0:18:20 | |
Hillary Rodham Clinton, ladies and gentlemen. | 0:18:20 | 0:18:22 | |
-CHEERING -Thank you all. | 0:18:22 | 0:18:24 | |
Thank you very much. Thank you. | 0:18:24 | 0:18:26 | |
What a treat. Hillary Clinton, there. | 0:18:26 | 0:18:30 | |
And we in fact recorded that earlier, | 0:18:30 | 0:18:33 | |
and if you'd like to see more of our conversation, | 0:18:33 | 0:18:36 | |
the full interview will be available on iPlayer from tomorrow night. | 0:18:36 | 0:18:40 | |
All right, let's meet my next guest, | 0:18:40 | 0:18:43 | |
he is one of the country's top comics. | 0:18:43 | 0:18:45 | |
Always a pleasure to welcome. Jack Whitehall, everybody. | 0:18:45 | 0:18:48 | |
CHEERING | 0:18:48 | 0:18:51 | |
Hello, hi, lovely to see you. | 0:18:51 | 0:18:54 | |
This Scottish action hero starred in Olympus Has Fallen | 0:18:54 | 0:18:57 | |
and is back saving the world in Geostorm. | 0:18:57 | 0:18:59 | |
It's Gerard Butler. | 0:18:59 | 0:19:00 | |
CHEERING | 0:19:00 | 0:19:03 | |
-Look at you! -How are you? -I'm really well. | 0:19:05 | 0:19:07 | |
Down, down. | 0:19:07 | 0:19:09 | |
And he's played a fly, he's fought dinosaurs | 0:19:09 | 0:19:11 | |
and even saved the planet from aliens, | 0:19:11 | 0:19:13 | |
now, he faces off against Thor himself. | 0:19:13 | 0:19:15 | |
Please welcome the great Jeff Goldblum! | 0:19:15 | 0:19:17 | |
CHEERING | 0:19:17 | 0:19:20 | |
CHEERING DROWNS SPEECH | 0:19:23 | 0:19:27 | |
Look at you, so shiny. Sit, sit. | 0:19:27 | 0:19:30 | |
Sit, boys, sit. | 0:19:30 | 0:19:32 | |
-Sit, boys, sit. -Yes, yes! -Good guests. Good guests. | 0:19:32 | 0:19:36 | |
Shake Jack's hand. | 0:19:36 | 0:19:38 | |
-He's still waiting for a handshake. -Oh, my God in heaven. I'm so sorry. | 0:19:38 | 0:19:42 | |
-It's fine, it's fine. -Left him hanging. | 0:19:42 | 0:19:44 | |
Hillary didn't even say hello to me. | 0:19:44 | 0:19:47 | |
Oh! Oh! | 0:19:47 | 0:19:49 | |
I know, you missed the Hillary. Sorry about that. | 0:19:49 | 0:19:51 | |
I would love to have seen Hillary. | 0:19:51 | 0:19:53 | |
Well, you can if you watch telly. | 0:19:53 | 0:19:55 | |
I'll watch her. I met her once. | 0:19:57 | 0:19:59 | |
-Oh, yes? -I did. | 0:19:59 | 0:20:01 | |
When did I? | 0:20:01 | 0:20:02 | |
You know, we were at some... | 0:20:02 | 0:20:05 | |
at some event, but just small. | 0:20:05 | 0:20:07 | |
I think maybe a fundraiser at somebody's house. | 0:20:07 | 0:20:10 | |
And, you know, sure enough | 0:20:10 | 0:20:12 | |
we find ourselves eating at a buffet, a little thing. | 0:20:12 | 0:20:16 | |
-Yes, of course. -And it was just she and I. | 0:20:16 | 0:20:19 | |
I said, "Jeez, I'm so happy to meet you. I admire you so much." | 0:20:19 | 0:20:24 | |
This was a while ago. Anyway, she was very nice. | 0:20:24 | 0:20:26 | |
That's my story. What a story! | 0:20:26 | 0:20:28 | |
Drive safely, that's our show. | 0:20:30 | 0:20:32 | |
Yeah, work on that. | 0:20:32 | 0:20:35 | |
I saved that for this special moment. | 0:20:35 | 0:20:40 | |
But now, the weird thing is poor old Hillary | 0:20:40 | 0:20:41 | |
isn't the only accident prone person this week. | 0:20:41 | 0:20:44 | |
Gerard Butler, you... | 0:20:44 | 0:20:45 | |
What did you do? You fell off your motorbike? | 0:20:45 | 0:20:47 | |
You were driven off your motorbike? You crashed? What happened? | 0:20:47 | 0:20:50 | |
I fell off a motorbike? I do not fall off motorbikes, Graham! | 0:20:50 | 0:20:54 | |
No, it was actually about two weeks ago now, but I was in LA | 0:20:54 | 0:20:58 | |
and I was on my bike and this woman went from a parked position | 0:20:58 | 0:21:01 | |
to basically trying to do a U-turn and I went right into her | 0:21:01 | 0:21:04 | |
and I didn't really have much time to slow... | 0:21:04 | 0:21:06 | |
-Yeah, thank you for the... -Yeah, sorry, I was just imagining it. | 0:21:06 | 0:21:09 | |
-It's like London Has Fallen. -Pretty much. | 0:21:09 | 0:21:11 | |
It was like London Has Fallen! And I went about... | 0:21:11 | 0:21:13 | |
There was a bunch of people just happened to be there, | 0:21:13 | 0:21:16 | |
they were in a staff meeting looking out | 0:21:16 | 0:21:17 | |
and people unloading a truck, | 0:21:17 | 0:21:19 | |
so apparently I went about 30 feet through the air, | 0:21:19 | 0:21:21 | |
did a somersault and smacked down. | 0:21:21 | 0:21:22 | |
And I jumped right up cos I'm like, "Remember who you are, | 0:21:22 | 0:21:25 | |
"you've got to keep it together," and the second I jumped up | 0:21:25 | 0:21:27 | |
I went, "Oh, fuck." | 0:21:27 | 0:21:29 | |
And I knew I'd done something. | 0:21:29 | 0:21:30 | |
I actually fractured five bones in my right foot. | 0:21:30 | 0:21:33 | |
I did in both my knees. | 0:21:33 | 0:21:35 | |
But I pull the helmet off and it's like, "Oh, shit, it's him." | 0:21:35 | 0:21:39 | |
And then this guy takes me over and goes, "You banged your head," | 0:21:39 | 0:21:42 | |
and he sits me down and he's rubbing my head and he goes, | 0:21:42 | 0:21:44 | |
"OK, what's your name?" I went, "It's Gerry Butler," | 0:21:44 | 0:21:47 | |
and this guy behind him's like, "I knew it, I told you!" | 0:21:47 | 0:21:49 | |
And he's like, "What day is it?" | 0:21:50 | 0:21:52 | |
I'm going, "I didn't know what day it was before the crash!" | 0:21:52 | 0:21:55 | |
Um... | 0:21:56 | 0:21:58 | |
But anyway, it's been a bit of an inopportune time | 0:21:58 | 0:22:00 | |
because I been filming a bunch | 0:22:00 | 0:22:02 | |
and on this press tour, | 0:22:02 | 0:22:03 | |
so like going from crutches onto talk shows and... | 0:22:03 | 0:22:06 | |
But you look incredibly well for a man who fell off his motorbike. | 0:22:06 | 0:22:09 | |
-I'm an animal, that's why. -Yes! -When did you do that? | 0:22:09 | 0:22:13 | |
-How long ago did you do that? -About 12 days ago. | 0:22:13 | 0:22:15 | |
-12 days ago. -That's impossible! And your broken... | 0:22:15 | 0:22:17 | |
Five fractures and two micro fractures, a torn meniscus... | 0:22:17 | 0:22:22 | |
-Oh, my God. -Sprained...MCL, is it? | 0:22:22 | 0:22:25 | |
And also this got burned right through the bone. | 0:22:25 | 0:22:28 | |
Actually, it was pretty hefty. | 0:22:28 | 0:22:30 | |
I split a nail playing squash the other day. | 0:22:30 | 0:22:32 | |
LAUGHTER | 0:22:32 | 0:22:34 | |
You had a car crash actually. You had a car crash as well. | 0:22:34 | 0:22:37 | |
I had a car... | 0:22:37 | 0:22:38 | |
I did actually have a car crash about four or five years ago. | 0:22:38 | 0:22:41 | |
-Did you? I didn't know that. -It was awful, | 0:22:41 | 0:22:43 | |
it was like a proper near death experience, | 0:22:43 | 0:22:45 | |
but the worst thing was you learn so much about yourself, | 0:22:45 | 0:22:47 | |
because I mean I literally cheated death | 0:22:47 | 0:22:49 | |
and I remember that my DVD was out that week and I thought, | 0:22:49 | 0:22:52 | |
"If I had died, I would have shifted so many more copies of that." | 0:22:52 | 0:22:55 | |
LAUGHTER | 0:22:55 | 0:22:58 | |
Oh, dear. Jeff Goldblum, you are here | 0:22:59 | 0:23:01 | |
to tell us about the latest Thor movie. | 0:23:01 | 0:23:04 | |
Thor Ragnar...Ragnarok. | 0:23:04 | 0:23:07 | |
-Ragnarok. -Ragnarok. -Yeah. | 0:23:07 | 0:23:09 | |
I lost confidence then. I thought I knew how to say it | 0:23:09 | 0:23:13 | |
but Thor Ragnarok. Ragnarok! Ragnarok, yeah. | 0:23:13 | 0:23:15 | |
-Ragnarok, yeah. -It's out next Tuesday, 24 October. | 0:23:15 | 0:23:18 | |
Now, I've seen it, it's great, you haven't. | 0:23:18 | 0:23:21 | |
You can probably guess, Jeff isn't Thor, so who are you? | 0:23:21 | 0:23:26 | |
I am... | 0:23:26 | 0:23:28 | |
I'm the Grandmaster. That's the name of my character. | 0:23:28 | 0:23:31 | |
If you've read the comic books, you know, | 0:23:31 | 0:23:34 | |
over the last couple of decades, he's been in the comic books. | 0:23:34 | 0:23:38 | |
He was... | 0:23:38 | 0:23:40 | |
He came about shortly after the Big Bang | 0:23:40 | 0:23:42 | |
four billion, you know, something years ago | 0:23:42 | 0:23:44 | |
along with his brother, | 0:23:44 | 0:23:45 | |
played by Benicio del Toro in another movie, the Collector. | 0:23:45 | 0:23:48 | |
Did you see another movie with Benicio? That's my brother. | 0:23:48 | 0:23:51 | |
And, you know, I'm immortal, this character, | 0:23:51 | 0:23:54 | |
and I have all superpowers | 0:23:54 | 0:23:56 | |
that you've ever imagined anybody to have, | 0:23:56 | 0:23:59 | |
but now I run this planet called Sakaar. | 0:23:59 | 0:24:01 | |
It's a very fun planet and I just like to play games | 0:24:01 | 0:24:04 | |
and pit people against each other for combat, stuff like that. | 0:24:04 | 0:24:07 | |
I'm in, I'm sold. | 0:24:07 | 0:24:08 | |
It sounds like he's making it up, | 0:24:08 | 0:24:10 | |
-but that is in the movie. -You saw it. | 0:24:10 | 0:24:13 | |
-Didn't you like that? -I really liked it. -I got a kick out of it. | 0:24:13 | 0:24:15 | |
And Taika Waititi, the great director, he's all over that. | 0:24:15 | 0:24:19 | |
If you know him, he's a comic treasure. | 0:24:19 | 0:24:22 | |
Yeah, because we had Sam Neill on | 0:24:22 | 0:24:23 | |
talking about Hunt For The Wilderpeople. | 0:24:23 | 0:24:25 | |
He did that and Boy and What We Do In The Shadows. | 0:24:25 | 0:24:28 | |
-Did you see that? -CHEERING | 0:24:28 | 0:24:30 | |
All improvised, funny vampire movie. | 0:24:30 | 0:24:33 | |
And the cast, you know, | 0:24:33 | 0:24:35 | |
the cast is Sir Anthony Hopkins, Chris Hemsworth of course is Thor, | 0:24:35 | 0:24:40 | |
Tom Hiddleston's brilliant | 0:24:40 | 0:24:43 | |
and we improvised a lot of it. | 0:24:43 | 0:24:45 | |
And it feels like an experimental thing. | 0:24:45 | 0:24:47 | |
They build into it an extra shooting period after, | 0:24:47 | 0:24:51 | |
so they see it and then they rewrite it | 0:24:51 | 0:24:53 | |
and they put it together. | 0:24:53 | 0:24:55 | |
It's done for an actorly, beautiful creative experience. | 0:24:55 | 0:24:58 | |
Well, let's see a clip. | 0:24:58 | 0:24:59 | |
This is you, essentially you've captured Thor | 0:24:59 | 0:25:01 | |
and you're trying to figure out what to do with him. | 0:25:01 | 0:25:03 | |
-That's correct. -Yeah. | 0:25:03 | 0:25:05 | |
Time works real different around these parts. | 0:25:06 | 0:25:08 | |
On any other world, I'd be like millions of years old | 0:25:08 | 0:25:11 | |
but here on Sakaar... | 0:25:11 | 0:25:12 | |
In any case, you know this... You call yourself Lord of Thunder. | 0:25:18 | 0:25:22 | |
God of Thunder. Tell him. | 0:25:22 | 0:25:25 | |
I have never met this man in my life. | 0:25:25 | 0:25:27 | |
-He's my brother! -Adopted. | 0:25:27 | 0:25:29 | |
Is he any kind of a fighter? | 0:25:29 | 0:25:30 | |
Take this thing out of my neck and I'll show you. | 0:25:30 | 0:25:32 | |
Aw-w, listen to that, he's threatening me! | 0:25:32 | 0:25:34 | |
Hey, Sparkles, here's the deal, | 0:25:34 | 0:25:36 | |
if you want to get back to Assplace, Assberg... | 0:25:36 | 0:25:39 | |
-Asgard! -..any contender who defeats my champion, | 0:25:39 | 0:25:43 | |
their freedom they shall win. | 0:25:43 | 0:25:45 | |
Fine, then point me in the direction of whoever's arse I have to kick. | 0:25:45 | 0:25:48 | |
That's what I call contender! | 0:25:48 | 0:25:51 | |
Direction would be this way, Lord. | 0:25:51 | 0:25:54 | |
Ah! Loki! | 0:25:54 | 0:25:55 | |
Chris, the great Chris Hemsworth. | 0:25:59 | 0:26:03 | |
Not only athletic but comically very gifted, a very wonderful actor. | 0:26:03 | 0:26:07 | |
-And Tom Hiddleston, you know, he did Hamlet here recently. -Yes, he did. | 0:26:07 | 0:26:10 | |
Did you see it? | 0:26:10 | 0:26:11 | |
Of course not! LAUGHTER | 0:26:11 | 0:26:14 | |
He's fantastic. He does impressions. | 0:26:14 | 0:26:16 | |
-Oh, I saw him do an impression with Robert De Niro here. -Oh, he did! | 0:26:16 | 0:26:20 | |
-Yes. -Oh, it's great. I YouTube you all the time. | 0:26:20 | 0:26:23 | |
SARCASTICALLY: What a night. Now, em... | 0:26:26 | 0:26:27 | |
-That night, back then? -No, it was fun. | 0:26:27 | 0:26:30 | |
Did he do the impression of Robert De Niro to Robert De Niro? | 0:26:30 | 0:26:33 | |
-Yes, he did. -Was it scandalous or touchy or...? -It was... | 0:26:33 | 0:26:37 | |
-It was an odd thing to do, I felt. Personally. -Oh, really. | 0:26:37 | 0:26:40 | |
But if you enjoyed it, that's good! | 0:26:40 | 0:26:42 | |
No, I mean, it was a very good impression. | 0:26:42 | 0:26:44 | |
-I didn't do my Gerald Butler to Gerard Butler. -Not yet. | 0:26:44 | 0:26:47 | |
-Not yet, the night is young! -Wait till you finish that tea! | 0:26:47 | 0:26:51 | |
This is actually wine, | 0:26:51 | 0:26:53 | |
because I knew the other guys were getting water | 0:26:53 | 0:26:55 | |
so I said, "Maybe just pop the wine in a teacup so no-one knows," | 0:26:55 | 0:26:58 | |
but I said like a mug, | 0:26:58 | 0:26:59 | |
I didn't mean like a tea cup and saucer so now I look like... | 0:26:59 | 0:27:02 | |
It's just wine. Look, it's just white wine. | 0:27:04 | 0:27:06 | |
-Now I've said it. -I thought it was herbal tea. | 0:27:06 | 0:27:08 | |
-I was like that's pretty together of you. -Yeah, | 0:27:08 | 0:27:10 | |
I should've said herbal tea and could have got away with it. | 0:27:10 | 0:27:12 | |
It is, it's mint tea. | 0:27:12 | 0:27:14 | |
No, but that makes it look like you've got a problem | 0:27:14 | 0:27:16 | |
if you're drinking white wine out of a teacup. | 0:27:16 | 0:27:18 | |
Like, "No-one must know." | 0:27:18 | 0:27:20 | |
Yeah, but normally when you go on chat shows, the host doesn't drink | 0:27:20 | 0:27:23 | |
and so I forget and then you come on here and you're like... | 0:27:23 | 0:27:26 | |
You'll be drinking... How much do you consume per show of that? | 0:27:27 | 0:27:30 | |
-No, very little. -OK. -Very little. | 0:27:30 | 0:27:34 | |
All of those vases were full of white wine | 0:27:34 | 0:27:37 | |
at the beginning of the Hillary Clinton interview. | 0:27:37 | 0:27:39 | |
I've never got through a case. I mean never. | 0:27:39 | 0:27:42 | |
Now, Jeff, we must ask, we must ask... | 0:27:42 | 0:27:45 | |
No, are we allowed to say...? This is weird. | 0:27:45 | 0:27:50 | |
Are we allowed to say what age you are going to be | 0:27:50 | 0:27:52 | |
at your next birthday? | 0:27:52 | 0:27:53 | |
Oh, yeah, this weekend I turn 65. | 0:27:53 | 0:27:56 | |
CHEERING Wow! | 0:27:56 | 0:27:58 | |
-How annoying is that? -Amazing. -65?! -How annoying is that? | 0:27:58 | 0:28:03 | |
-It's insane. -Well... -What did you get from touching his face? | 0:28:05 | 0:28:09 | |
It's all so tight. | 0:28:09 | 0:28:11 | |
Sometimes you touch it and it falls apart, but that is... | 0:28:11 | 0:28:14 | |
"Because I've touched a lot of 65-year-old's faces and hands, | 0:28:14 | 0:28:17 | |
-"it's a thing I do." -That is so weird! | 0:28:17 | 0:28:21 | |
And is there a dreary secret or is it just genes? | 0:28:21 | 0:28:25 | |
Well, it's no secret, there's nothing happening here. | 0:28:25 | 0:28:28 | |
I'm coming and going very quickly. | 0:28:28 | 0:28:29 | |
You know, I'll be gone very soon, I'm sure. But I do... | 0:28:29 | 0:28:33 | |
-I do... -LAUGHTER | 0:28:33 | 0:28:35 | |
I do live a, you know... I'm disciplined. | 0:28:35 | 0:28:38 | |
I do my little workout, such as it is. | 0:28:38 | 0:28:41 | |
I won't bother you with what that is | 0:28:41 | 0:28:44 | |
but I do a couple of things. | 0:28:44 | 0:28:46 | |
But I do it daily. | 0:28:46 | 0:28:48 | |
I get some sleep and I try to eat the right way. | 0:28:48 | 0:28:53 | |
Oh, my God, I'm going to be dead in a year. Listen to this! | 0:28:53 | 0:28:57 | |
-What?! I don't do any of those things! -No. | 0:28:57 | 0:29:00 | |
-Oh, you work out. -But look at you. -You lift heavy things. -Like...? | 0:29:00 | 0:29:04 | |
But my workouts... | 0:29:04 | 0:29:05 | |
Actually, when I had the bike crash, | 0:29:05 | 0:29:07 | |
I was already wearing neoprene kneepads | 0:29:07 | 0:29:09 | |
cos I had screwed my knee working out. | 0:29:09 | 0:29:11 | |
When I work out, often it's to train to get big. | 0:29:11 | 0:29:14 | |
Like, I just put on 30 lbs, then you lose it and then you put it on, | 0:29:14 | 0:29:17 | |
so normally it's a pretty staunch workout | 0:29:17 | 0:29:19 | |
that doesn't do you many favours. | 0:29:19 | 0:29:21 | |
It's not really about longevity. | 0:29:21 | 0:29:23 | |
-It's about, "Let's go, baby." -Yeah. | 0:29:23 | 0:29:26 | |
I know exactly what you're talking about, and I always have that. | 0:29:26 | 0:29:29 | |
It's the balancing around that I find hard. | 0:29:29 | 0:29:33 | |
LAUGHTER | 0:29:33 | 0:29:36 | |
Right, you lot can shut up. | 0:29:36 | 0:29:37 | |
But the good thing is, there is good news, | 0:29:37 | 0:29:40 | |
if you're looking at Jeff thinking, | 0:29:40 | 0:29:42 | |
"This is so wrong that he looks like this," | 0:29:42 | 0:29:44 | |
but one part of ageing has affected you - | 0:29:44 | 0:29:47 | |
the additional grooming that is required. | 0:29:47 | 0:29:51 | |
I like to groom, yeah. Well, are you...? You must be already. | 0:29:51 | 0:29:55 | |
-Please, all over. -Well, yes, you get... | 0:29:55 | 0:29:58 | |
-Have you gotten a little? -No! | 0:29:58 | 0:30:01 | |
No, really? Well, you're young, a very young, young man. | 0:30:01 | 0:30:04 | |
But I like to take a tweezer. What do you do? | 0:30:04 | 0:30:05 | |
I like to take a tweezer and get the odd hair out of here. | 0:30:05 | 0:30:09 | |
Oh, I need a Flymo. It's just like... | 0:30:09 | 0:30:11 | |
Well, I don't want to shave it. You know, that's an option. | 0:30:11 | 0:30:15 | |
I like to get them out at the root. It's like weeding. | 0:30:15 | 0:30:19 | |
The thrill, the delight of weeding, | 0:30:19 | 0:30:20 | |
cos you get that thing and you... | 0:30:20 | 0:30:22 | |
You're clean as a whistle, look at that. | 0:30:22 | 0:30:25 | |
..and you get them out. | 0:30:25 | 0:30:27 | |
It's nice if you can, "I got it! I got it." | 0:30:27 | 0:30:29 | |
So, there's that and then there's nose. The nose issue. | 0:30:29 | 0:30:32 | |
-I have had a bit of that. -Have you? What's your...? May I ask? | 0:30:32 | 0:30:35 | |
It's a trivial and mundane and not interesting thing, | 0:30:35 | 0:30:38 | |
but may I ask you, because I am interested in it? | 0:30:38 | 0:30:40 | |
It's like you would imagine I do, which is... | 0:30:40 | 0:30:42 | |
-You rip them out by hand?! -I rip them out by hand. -Oh, my gosh. | 0:30:44 | 0:30:47 | |
-You're too young, you don't have them. -I don't have pubes yet. | 0:30:47 | 0:30:51 | |
One day! | 0:30:52 | 0:30:54 | |
But you don't pluck them out, you have quite an odd technique. | 0:30:56 | 0:30:59 | |
I don't pluck them out, nobody plucks them. | 0:30:59 | 0:31:01 | |
-You're not serious about that... -I am serious about that! | 0:31:01 | 0:31:04 | |
-Do you? -That's horrible, that's not the right idea! | 0:31:04 | 0:31:06 | |
-I mean, I guess... -He does it when he's on his bike and then... | 0:31:06 | 0:31:09 | |
It's personal. | 0:31:09 | 0:31:10 | |
I had, for a second, I had somebody'd given me, | 0:31:10 | 0:31:13 | |
-cos you can buy one of those "zzzzz". -Yeah, I have one of those. | 0:31:13 | 0:31:15 | |
-You do? -Yeah. -You know those things? It's meant to... | 0:31:15 | 0:31:19 | |
It's kind of a rotary thing and you go, "zzz", | 0:31:19 | 0:31:20 | |
and you go like... I don't trust it. | 0:31:20 | 0:31:23 | |
And I am much, much better with a pair of scissors. | 0:31:23 | 0:31:26 | |
I take a nice pair of scissors... | 0:31:26 | 0:31:28 | |
Well, not to get too detailed, but here, | 0:31:28 | 0:31:30 | |
I take my razor, I take my Gillette II, | 0:31:30 | 0:31:34 | |
this part right here, I razor that very carefully... | 0:31:34 | 0:31:38 | |
-AUDIENCE GASPS -..cos you can get it very close. | 0:31:38 | 0:31:41 | |
And then there's something going on here and all round there | 0:31:41 | 0:31:45 | |
and I get a scissor and there I am, and I know just what to do. | 0:31:45 | 0:31:51 | |
-And this happens now about once a week, I'd say. -Once a week? | 0:31:51 | 0:31:54 | |
Yes, I guess I'm living, you know. | 0:31:54 | 0:32:00 | |
Things are happening. | 0:32:00 | 0:32:01 | |
Well, it looks good on you. It looks good on you. | 0:32:01 | 0:32:04 | |
I did it recently, so it's quite good, isn't it? | 0:32:04 | 0:32:06 | |
Yeah, no, it's beautiful. Beautiful. Jeff Goldblum, beautiful man. | 0:32:06 | 0:32:09 | |
Let's talk about Gerard Butler's new film. | 0:32:09 | 0:32:12 | |
Ladies and gentlemen, you are all safe, | 0:32:12 | 0:32:15 | |
Gerard is back protecting us from, this time, the weather. | 0:32:15 | 0:32:19 | |
-Geostorm... -It does sound pretty banal. -Geostorm opens tonight. | 0:32:20 | 0:32:23 | |
And this, I mean, it couldn't be more timely, this film, | 0:32:23 | 0:32:26 | |
since the weather is, you know, it's quite inclement at the moment. | 0:32:26 | 0:32:31 | |
Ophelia's just been. Who's it at the moment? Is it Bob? | 0:32:31 | 0:32:34 | |
-Brian! -Brian! -Brian, Brian. | 0:32:34 | 0:32:36 | |
Storm Brian, Hurricane Ophelia. | 0:32:36 | 0:32:38 | |
My brother's called Brian and he's just a straight pain in the ass. | 0:32:38 | 0:32:41 | |
-No... -But it is incredibly timely, this movie. | 0:32:41 | 0:32:45 | |
That was the purpose of the movie, | 0:32:45 | 0:32:47 | |
was Dean Devlin's daughter one day said to him, | 0:32:47 | 0:32:49 | |
"Dad, can't we build a machine that'll stop global warming?" | 0:32:49 | 0:32:52 | |
Which gave him this idea of what if you did build something? | 0:32:52 | 0:32:55 | |
And, of course, at the beginning of the movie, | 0:32:55 | 0:32:59 | |
it's this kind of montage of a quick time version | 0:32:59 | 0:33:03 | |
of what global warming really brought humanity, | 0:33:03 | 0:33:05 | |
and it's kind of a goose bump moment, seeing this all happen, | 0:33:05 | 0:33:08 | |
cos it's not so far away from where we really are. | 0:33:08 | 0:33:11 | |
But, of course, in the movie then I play a scientist | 0:33:11 | 0:33:14 | |
who builds this space station, | 0:33:14 | 0:33:16 | |
a system of satellites that can control the environment | 0:33:16 | 0:33:18 | |
and that's where the fun begins, though, | 0:33:18 | 0:33:20 | |
because when that thing malfunctions, | 0:33:20 | 0:33:23 | |
you realise if this was to go wrong | 0:33:23 | 0:33:25 | |
then we are all, you know, basically we're in a lot of trouble. | 0:33:25 | 0:33:28 | |
But Gerard's there, you're OK. | 0:33:28 | 0:33:31 | |
-You've got a sexy, action-filled scientist. -Scientist? -Scientist. | 0:33:31 | 0:33:34 | |
-I love scientists. I love... -Well, you've played loads of scientists. | 0:33:34 | 0:33:37 | |
I have, here and there. | 0:33:37 | 0:33:39 | |
-You should have been playing this role actually. -No, no. -Scientist? | 0:33:39 | 0:33:43 | |
But like you do a bit of kicking ass as well? | 0:33:43 | 0:33:45 | |
There's a little bit of kick ass in there. | 0:33:45 | 0:33:47 | |
-A PhD in kicking ass. -Yes. | 0:33:47 | 0:33:49 | |
Just because you're smart it doesn't mean you're not cool and virile. | 0:33:49 | 0:33:54 | |
-And Dean Devlin, you say? -Yeah, you worked with him. | 0:33:54 | 0:33:58 | |
The hell you say, yeah, I love that man. What a delightful man he is. | 0:33:58 | 0:34:01 | |
And speaking of his daughters, he's got a lovely family. | 0:34:01 | 0:34:04 | |
No, I've worked with him. He's a great, great man. | 0:34:04 | 0:34:07 | |
-Was he Independence Day? -He produced Independence Day, yeah.. | 0:34:07 | 0:34:11 | |
Well, this one's called Geostorm. Here's a taste of what to expect. | 0:34:11 | 0:34:15 | |
It's epic. | 0:34:15 | 0:34:16 | |
We built this system of satellites to stop natural disasters. | 0:34:16 | 0:34:19 | |
Someone is using it to create them. | 0:34:22 | 0:34:24 | |
There's the potential for | 0:34:27 | 0:34:28 | |
catastrophic weather events on a global scale. | 0:34:28 | 0:34:31 | |
A geostorm. | 0:34:31 | 0:34:32 | |
-It's worse than we thought. -Yeah, I think we've established that. | 0:34:43 | 0:34:47 | |
Someone has turned the system into a weapon. | 0:34:47 | 0:34:49 | |
They're trying to change the map of the world. | 0:34:51 | 0:34:53 | |
Dear God... | 0:34:59 | 0:35:00 | |
Very exciting. | 0:35:01 | 0:35:03 | |
Now... | 0:35:06 | 0:35:08 | |
Action heroes, action heroes, ladies and gentlemen, | 0:35:08 | 0:35:10 | |
not just one on the couch. | 0:35:10 | 0:35:12 | |
Well, not two, because you've been an action hero. | 0:35:12 | 0:35:14 | |
But Jack Whitehall, you are now in a show called Bounty Hunters. | 0:35:14 | 0:35:19 | |
It starts on Sky One on 25 October. | 0:35:19 | 0:35:22 | |
I mean, this is big. | 0:35:22 | 0:35:24 | |
It's you and an Oscar nominee, Rosie Perez. | 0:35:24 | 0:35:27 | |
Oscar nominee Rosie Perez and TV Choice Award nominee... | 0:35:27 | 0:35:30 | |
..me. | 0:35:32 | 0:35:34 | |
And, yeah, it's an action comedy thriller. | 0:35:34 | 0:35:37 | |
I wrote it with my collaborator, Freddy Syborn, | 0:35:37 | 0:35:41 | |
and it's inspired by all those '80s films that I loved | 0:35:41 | 0:35:44 | |
like Midnight Run and Lethal Weapon and things like that. | 0:35:44 | 0:35:47 | |
So it's my homage to those types of films. | 0:35:47 | 0:35:48 | |
We've got a very exciting look. | 0:35:48 | 0:35:50 | |
This is a sort of action clip, so tell us about... | 0:35:50 | 0:35:52 | |
Before we see the clip, having seen the other two clips... | 0:35:52 | 0:35:56 | |
You're going to watch this | 0:35:57 | 0:35:58 | |
and you're going to see that we had a slightly smaller budget. | 0:35:58 | 0:36:01 | |
-Just ever so slightly. -Oh, excuses, excuses. | 0:36:01 | 0:36:05 | |
-LAUGHTER -This... -This is a car chase. | 0:36:05 | 0:36:08 | |
It's a car chase, but in a gee-whiz electric car. | 0:36:08 | 0:36:11 | |
LAUGHTER | 0:36:11 | 0:36:12 | |
-Cos that's all we could afford. -Let's take a look. -Brilliant. | 0:36:12 | 0:36:15 | |
HE TOOTS HORN | 0:36:15 | 0:36:17 | |
Out the way, out the way. | 0:36:17 | 0:36:19 | |
-Stop indicating! -I'm sorry, it's a force of habit. | 0:36:19 | 0:36:22 | |
-Van! Van! -THEY SCREAM | 0:36:22 | 0:36:24 | |
CAR SKIDS | 0:36:24 | 0:36:25 | |
-I'm going to be sick. -Don't you dare! | 0:36:27 | 0:36:28 | |
-WARNING TONE -Bugger, we're running out of battery. | 0:36:28 | 0:36:31 | |
Come on! | 0:36:31 | 0:36:33 | |
-Sidewalk! -What? -Sidewalk! | 0:36:33 | 0:36:35 | |
Pavement. If you're going to give me directions, | 0:36:37 | 0:36:39 | |
-you will have to do so in the Queen's English. -Shut up. Move! | 0:36:39 | 0:36:42 | |
Excuse me! Sorry! | 0:36:42 | 0:36:44 | |
-CAR HORN -Sorry! | 0:36:44 | 0:36:46 | |
-Can you go faster? -It doesn't go any faster. | 0:36:46 | 0:36:49 | |
-Go, go, go! -We're not going to fit. | 0:36:52 | 0:36:54 | |
HE YELPS | 0:36:55 | 0:36:56 | |
LAUGHTER AND APPLAUSE | 0:36:56 | 0:36:59 | |
Oh, my God. | 0:36:59 | 0:37:01 | |
-Nerve-racking! -I know! -I was terrified. | 0:37:03 | 0:37:06 | |
THEY LAUGH | 0:37:06 | 0:37:08 | |
-Ow! -LAUGHTER | 0:37:09 | 0:37:11 | |
-Sorry, I have a lot of force. -That's very funny. | 0:37:11 | 0:37:14 | |
That is funny, but you had more than one of the... What is it? | 0:37:14 | 0:37:18 | |
-A gee-whiz? -The gee-whiz! | 0:37:18 | 0:37:20 | |
We had to have two, cos it only had enough battery | 0:37:20 | 0:37:23 | |
-to drive for 15 minutes! -LAUGHTER | 0:37:23 | 0:37:26 | |
So we kept having to swap in the cars! | 0:37:26 | 0:37:28 | |
And it genuinely only does 40mph. | 0:37:28 | 0:37:31 | |
But I want to be an action star. Like, that is... | 0:37:31 | 0:37:33 | |
I loved action films... I would love... | 0:37:33 | 0:37:36 | |
Like, I love London Has Fallen and Olympus Has Fallen | 0:37:36 | 0:37:39 | |
and I'd love to do one of them. | 0:37:39 | 0:37:41 | |
-You're in, we're about to make another one. -Are we? | 0:37:41 | 0:37:44 | |
-Is it Angels? -Yeah, but you have to drive at more than 3mph. | 0:37:44 | 0:37:47 | |
LAUGHTER | 0:37:47 | 0:37:48 | |
I write, like, post-Brexit disaster film... | 0:37:48 | 0:37:51 | |
LAUGHTER | 0:37:51 | 0:37:52 | |
No... | 0:37:52 | 0:37:54 | |
It's called The Pound Has Fallen.... | 0:37:54 | 0:37:56 | |
LAUGHTER | 0:37:56 | 0:37:58 | |
-It's me and Gerard... -CHEERING AND WHISTLING | 0:37:58 | 0:38:01 | |
They didn't clap when I rehearsed this in front of the mirror! | 0:38:04 | 0:38:06 | |
It's me and you and we play two data analysts going around | 0:38:06 | 0:38:09 | |
the city, trying to re-instill confidence in British industry. | 0:38:09 | 0:38:12 | |
One of us is the kind of nerdy, bookish former accountant. | 0:38:12 | 0:38:15 | |
-That's me. -You, yeah. -LAUGHTER | 0:38:15 | 0:38:17 | |
And I'm the kind of kick down doors, ask questions later tough cop. | 0:38:19 | 0:38:23 | |
-Yeah. -With a slightly dodgy Scottish accent. That's me. | 0:38:23 | 0:38:27 | |
-And then we just go around... -That would be me, too! -Good pitch. | 0:38:27 | 0:38:31 | |
Yeah, that's how films get made. | 0:38:31 | 0:38:34 | |
-Yeah. -Either that or, erm, 301. -LAUGHTER | 0:38:34 | 0:38:37 | |
Just 300, but I'm there to lighten the mood. | 0:38:37 | 0:38:40 | |
LAUGHTER | 0:38:40 | 0:38:42 | |
You heard it here first, ladies and gentlemen. | 0:38:42 | 0:38:45 | |
It's happening. | 0:38:45 | 0:38:47 | |
Now, Jack Whitehall hasn't given up stand-up. | 0:38:47 | 0:38:49 | |
You've got a new stand-up special on... Netflix. | 0:38:49 | 0:38:52 | |
It starts streaming from next Tuesday. | 0:38:52 | 0:38:55 | |
That sounds like an illness. "It starts streaming next Tuesday". | 0:38:55 | 0:38:58 | |
Like, it'll never stop screaming. Has it stopped streaming? | 0:38:58 | 0:39:01 | |
-No, it's still streaming. -Still streaming. | 0:39:01 | 0:39:05 | |
No, it's called At Large and it's At Large, because this is, | 0:39:05 | 0:39:08 | |
cos you think stand-up shows, it's just a man | 0:39:08 | 0:39:10 | |
and a microphone, but... You've got big production values. | 0:39:10 | 0:39:14 | |
Yeah, I like putting on a show. I like bells and whistles. | 0:39:14 | 0:39:16 | |
They say you can't glitter a turd, I proved them wrong. | 0:39:16 | 0:39:20 | |
It has a big musical number at the end. I try to... | 0:39:20 | 0:39:23 | |
I spoke about, on this show, how I auditioned for... | 0:39:23 | 0:39:26 | |
Well, I didn't audition. I was in Frozen and then got cut. | 0:39:26 | 0:39:28 | |
-Yeah. -Yeah, it really hurts. | 0:39:28 | 0:39:31 | |
-Let it go, I won't. -LAUGHTER | 0:39:31 | 0:39:34 | |
So, in this show, I put some of those wrongs right | 0:39:34 | 0:39:37 | |
and the end of the show is me trying to recreate | 0:39:37 | 0:39:39 | |
a one-man version of Frozen on the stage. | 0:39:39 | 0:39:41 | |
-That sounds good! -Yeah. -Yeah. | 0:39:41 | 0:39:44 | |
-So stick around till the end! -LAUGHTER | 0:39:44 | 0:39:47 | |
And... Because, you know, you're very successful stand-up | 0:39:47 | 0:39:49 | |
and you're working at a certain level, | 0:39:49 | 0:39:51 | |
you think every gig will work, but you still have... | 0:39:51 | 0:39:55 | |
more difficult gigs. | 0:39:55 | 0:39:56 | |
Where was the Charles and Camilla one? Was that at Buckingham Palace? | 0:39:56 | 0:40:00 | |
Er, it was at Kensington Palace, and it was this weird gig | 0:40:00 | 0:40:03 | |
that they do once a year for all the staff of Kensington Palace, | 0:40:03 | 0:40:06 | |
and I know some other people that have done this show | 0:40:06 | 0:40:08 | |
and they have a magician one year and a musician, | 0:40:08 | 0:40:10 | |
a comedian, and I went and I did this show at Kensington Palace. | 0:40:10 | 0:40:14 | |
And it was the staff and then Charles | 0:40:14 | 0:40:16 | |
and Camilla in the front row literally sat in thrones. | 0:40:16 | 0:40:21 | |
I mean, it was like the closest it could be | 0:40:21 | 0:40:24 | |
-to being the court jester... -LAUGHTER | 0:40:24 | 0:40:26 | |
..and I went on stage and it was... | 0:40:26 | 0:40:29 | |
It was horrendous. I died. | 0:40:29 | 0:40:31 | |
And I was trying to, like, | 0:40:31 | 0:40:32 | |
I remember Prince Harry was out in Afghanistan at the time, | 0:40:32 | 0:40:35 | |
so I was like, I was like, | 0:40:35 | 0:40:37 | |
I just want to say, Prince Harry out in Afghanistan, | 0:40:37 | 0:40:40 | |
that's so brave of him. | 0:40:40 | 0:40:42 | |
-A ginger in that heat! -LAUGHTER | 0:40:42 | 0:40:44 | |
I'm glad you laughed, cos on the night | 0:40:46 | 0:40:48 | |
that went down like a dead corgi! | 0:40:48 | 0:40:50 | |
LAUGHTER | 0:40:50 | 0:40:51 | |
It was the worst death I've ever had. And then afterwards, | 0:40:51 | 0:40:54 | |
the one little bone that he threw me as I met Charles afterwards | 0:40:54 | 0:40:57 | |
and he just said, | 0:40:57 | 0:40:59 | |
"You were a lot better than the contortionist | 0:40:59 | 0:41:01 | |
-"that we had last year." -LAUGHTER | 0:41:01 | 0:41:04 | |
And then, amazing, to think of the year before | 0:41:04 | 0:41:08 | |
where Charles and Camilla were sat there in their thrones | 0:41:08 | 0:41:10 | |
as a guy climbed through a tennis racket. | 0:41:10 | 0:41:13 | |
-Hey, don't diss contortionists. -I don't. -Cos your, your wife, | 0:41:13 | 0:41:17 | |
-is she a contortionist? -My dear wife is. Yes, she was in the Olympics... | 0:41:17 | 0:41:21 | |
APPLAUSE AND CHEERING | 0:41:21 | 0:41:23 | |
Have you guys met? | 0:41:23 | 0:41:25 | |
About my wife? You're excited about my wife? | 0:41:25 | 0:41:28 | |
No, that's... It's... | 0:41:28 | 0:41:30 | |
Yeah, she's a contortionist. | 0:41:30 | 0:41:31 | |
-Does anybody want a lozenge? -Yeah... -I'm good, thank you. | 0:41:31 | 0:41:35 | |
She was in the Olympics... | 0:41:37 | 0:41:39 | |
You're not getting one now, after the contortionist dig! | 0:41:39 | 0:41:42 | |
She was a rhythmic gymnast, | 0:41:42 | 0:41:44 | |
and she was in the Olympics in Sydney in 2000 for Canada. | 0:41:44 | 0:41:48 | |
-There she is. -I remember this. | 0:41:48 | 0:41:50 | |
There she is, that's my darling Emily. | 0:41:50 | 0:41:53 | |
And then she expanded her training to include Cirque du Soleil, | 0:41:53 | 0:41:57 | |
kind of aerial things, and she does... In fact, | 0:41:57 | 0:42:00 | |
last year she doubled Emma Stone in La La Land. | 0:42:00 | 0:42:03 | |
All that aerial dancing outside the scene in the planetarium, | 0:42:03 | 0:42:06 | |
-you know, that's her, you know, dancing and twisting. -Oh, wow. | 0:42:06 | 0:42:09 | |
-Yeah. -But can she do a contortionist? | 0:42:09 | 0:42:11 | |
If you go on holidays, can she get in a suitcase, that kind of thing? | 0:42:11 | 0:42:14 | |
LAUGHTER | 0:42:14 | 0:42:15 | |
Well... | 0:42:15 | 0:42:17 | |
Er... | 0:42:19 | 0:42:20 | |
She was a magician's assistant. | 0:42:20 | 0:42:22 | |
-Oh! -Yes, and so she packed with herself away in a box. | 0:42:22 | 0:42:26 | |
That's right, she did that. | 0:42:26 | 0:42:27 | |
And she's quite bendy, and our first, we met at the gymnasium, | 0:42:27 | 0:42:31 | |
and I started a conversation. | 0:42:31 | 0:42:34 | |
I saw her doing wonderful things, and I invited her... | 0:42:34 | 0:42:37 | |
LAUGHTER | 0:42:37 | 0:42:39 | |
And I invited her to this gig, I play jazz piano, | 0:42:39 | 0:42:42 | |
and, erm, there we were. | 0:42:42 | 0:42:44 | |
Oh, her name is Emily. I think, if you're watching, | 0:42:44 | 0:42:47 | |
Gregory Porter, I bet you know this old standard called Emily. | 0:42:47 | 0:42:50 | |
I sang to her, | 0:42:50 | 0:42:51 | |
# Emily, Emily, | 0:42:51 | 0:42:53 | |
# As the murmuring sound of me... # | 0:42:53 | 0:42:55 | |
And then I said, "Hey, Emily, do you want to come up | 0:42:55 | 0:42:57 | |
"and do contortion on our piano?" We had a grand piano. | 0:42:57 | 0:43:00 | |
She said, "Yeah". She came up, | 0:43:00 | 0:43:01 | |
I said, "What do we play, guys, what do we play?" | 0:43:01 | 0:43:04 | |
They said "Oh, from Fabulous Baker Boys", | 0:43:04 | 0:43:07 | |
remember when Michelle Pfeiffer does to Makin' Whoopee? | 0:43:07 | 0:43:09 | |
HE HUMS THE RHYTHM | 0:43:09 | 0:43:11 | |
And she got up and she did this amazing routine. | 0:43:12 | 0:43:15 | |
That was two days after we met. | 0:43:15 | 0:43:18 | |
-Wow. -We're still very much in love. Six years. | 0:43:18 | 0:43:20 | |
Now we have two children, one two-and-a-half | 0:43:20 | 0:43:22 | |
and one six-month old. | 0:43:22 | 0:43:24 | |
-Wow. -Two boys, yeah. -How long ago was this? | 0:43:24 | 0:43:26 | |
-APPLAUSE -Six years, we met. | 0:43:26 | 0:43:28 | |
Six years ago? Oh, that's beautiful. | 0:43:28 | 0:43:30 | |
Well, Jeff, excitingly, you are playing the piano for us tonight. | 0:43:30 | 0:43:35 | |
I'm so excited about that. Gregory Porter... | 0:43:35 | 0:43:37 | |
CHEERING | 0:43:37 | 0:43:40 | |
Just to accompany the great Gregory Porter. | 0:43:40 | 0:43:42 | |
-Has he been on before? -Yes, his voice is amazing. | 0:43:42 | 0:43:45 | |
-I love his voice. -Oh, no, he's... I worship him. | 0:43:45 | 0:43:47 | |
He's a fantastic, fantastic human being and musician... | 0:43:47 | 0:43:51 | |
So, if you would like to approach that piano. | 0:43:51 | 0:43:54 | |
I'd like very much. | 0:43:54 | 0:43:55 | |
And, Jack, if you could warm up for the contortionist act. | 0:43:55 | 0:43:58 | |
LAUGHTER | 0:43:58 | 0:44:00 | |
-This is fake fruit. This is wooden fruit. -Yeah, it is. Don't... | 0:44:02 | 0:44:05 | |
I hope that's on camera. | 0:44:07 | 0:44:09 | |
Right! This double Grammy-winning jazz artist is back | 0:44:12 | 0:44:15 | |
with a new album entitled Nat King Cole & Me. | 0:44:15 | 0:44:18 | |
Here, performing Mona Lisa, it's Gregory Porter! | 0:44:18 | 0:44:21 | |
CHEERING AND APPLAUSE | 0:44:21 | 0:44:23 | |
# Mona Lisa | 0:44:36 | 0:44:39 | |
# Mona Lisa, men have named you | 0:44:40 | 0:44:43 | |
# You're so like the lady with the mystic smile | 0:44:45 | 0:44:52 | |
# Is it only cos you're lonely, they have blamed you | 0:44:54 | 0:45:01 | |
# For that Mona Lisa strangeness in your smile? | 0:45:04 | 0:45:11 | |
# Do you smile to tempt a lover, Mona Lisa? | 0:45:13 | 0:45:20 | |
# Or is this your way to hide | 0:45:23 | 0:45:27 | |
# A broken heart? | 0:45:28 | 0:45:31 | |
# Many dreams have been brought to your doorstep | 0:45:33 | 0:45:39 | |
# They just lie there | 0:45:41 | 0:45:45 | |
# And they die there | 0:45:46 | 0:45:50 | |
# Are you warm, are you real, Mona Lisa? | 0:45:51 | 0:45:59 | |
# Or just a cold and lonely | 0:46:03 | 0:46:08 | |
# Lovely work of art? | 0:46:09 | 0:46:13 | |
# Do you smile to tempt a lover, Mona Lisa? | 0:46:30 | 0:46:38 | |
# Or is this your way to hide a broken heart? | 0:46:40 | 0:46:47 | |
# Many dreams have been brought to your doorstep | 0:46:50 | 0:46:57 | |
# They just lie there | 0:46:59 | 0:47:03 | |
# And they die there | 0:47:03 | 0:47:07 | |
# Are you warm? | 0:47:08 | 0:47:13 | |
# Are you real, Mona Lisa? | 0:47:13 | 0:47:20 | |
# Or just a cold and lonely | 0:47:25 | 0:47:30 | |
# Lovely work of art? | 0:47:32 | 0:47:38 | |
# Mona Lisa | 0:47:41 | 0:47:46 | |
# Mona Lisa. # | 0:47:49 | 0:47:55 | |
Jeff Goldblum! | 0:48:11 | 0:48:12 | |
CHEERING AND APPLAUSE | 0:48:12 | 0:48:14 | |
Gregory Porter and Jeff Goldblum! | 0:48:20 | 0:48:23 | |
How very special! | 0:48:23 | 0:48:24 | |
Great job, Jeff. Well done, you, that was beautiful. | 0:48:26 | 0:48:30 | |
Gregory Porter! | 0:48:30 | 0:48:31 | |
Have a seat. Sit, sit, sit. Sit, sit, sit. | 0:48:31 | 0:48:34 | |
Sit, sit, sit, sit. | 0:48:34 | 0:48:36 | |
Very good! | 0:48:37 | 0:48:38 | |
-Before... -You made the right decision, that was the collaboration | 0:48:44 | 0:48:47 | |
to have, cos I know we spoke about me and Hillary Clinton | 0:48:47 | 0:48:49 | |
doing Gangnam Style. | 0:48:49 | 0:48:50 | |
That was the one, that was the one. | 0:48:52 | 0:48:53 | |
That was really special. | 0:48:53 | 0:48:54 | |
There's a whole album, Nat King Cole & Me, | 0:48:54 | 0:48:58 | |
and it is out next Friday. | 0:48:58 | 0:49:01 | |
-Yes. -Yeah. -Yeah. | 0:49:01 | 0:49:03 | |
There's a lot of this album, I notice. Look, it's all... | 0:49:03 | 0:49:05 | |
-It's proper... Yeah, is it a two...album? -Yeah, yeah. | 0:49:05 | 0:49:09 | |
This is the first time I'm seeing that, so... | 0:49:09 | 0:49:11 | |
Oh, yeah, there's two records in there, I think, yeah. | 0:49:11 | 0:49:14 | |
Yeah. LAUGHTER | 0:49:14 | 0:49:16 | |
And yeah. You got the two. | 0:49:16 | 0:49:18 | |
You know, normally this is fake, but that is real. Do you want...? | 0:49:18 | 0:49:22 | |
You look like you want it, Jeff. | 0:49:22 | 0:49:24 | |
Well, I can't take the only copy, but, you know, I would cherish that. | 0:49:24 | 0:49:27 | |
He already gave me, backstage, a CD. | 0:49:27 | 0:49:30 | |
Yeah, but I will give you... That's yours. | 0:49:30 | 0:49:33 | |
Well, my gosh. Emily got me a record player. | 0:49:33 | 0:49:35 | |
-I can play it on a record player. -LAUGHTER | 0:49:35 | 0:49:39 | |
That's the way I first heard Nat's music, | 0:49:39 | 0:49:42 | |
so, for me, on the record player is how it should be heard. | 0:49:42 | 0:49:45 | |
No, because, you know, it's interesting cos everybody, | 0:49:45 | 0:49:48 | |
you know, everybody loves Nat King Cole's voice. | 0:49:48 | 0:49:50 | |
This is a very personal thing. | 0:49:50 | 0:49:52 | |
That when you were a kid, he was really important to you. | 0:49:52 | 0:49:54 | |
Yeah, I have to have a personal connection to the | 0:49:54 | 0:49:56 | |
music in order to get into it. | 0:49:56 | 0:49:58 | |
Yeah, my mother said I recorded a little song on a tape recorder | 0:49:58 | 0:50:04 | |
at about six and played it for my mother when she came home from work. | 0:50:04 | 0:50:08 | |
She said, "Boy, you sound like Nat King Cole." | 0:50:08 | 0:50:10 | |
And I didn't know what that was, what condition that was. | 0:50:10 | 0:50:14 | |
LAUGHTER | 0:50:14 | 0:50:16 | |
So I found out it was a singer and went into her records | 0:50:16 | 0:50:20 | |
and put on that music and that warm, rich sound was coming to me. | 0:50:20 | 0:50:25 | |
These beautiful lyrics... "Pick yourself up, dust yourself off. | 0:50:25 | 0:50:28 | |
"Start all over again. | 0:50:28 | 0:50:29 | |
"Smile tho' your heart is aching. | 0:50:29 | 0:50:31 | |
"The greatest thing you'll ever learn is just to love | 0:50:31 | 0:50:34 | |
"and to be loved in return." That's... | 0:50:34 | 0:50:37 | |
..lessons to live by, life lessons, fatherly advice. | 0:50:37 | 0:50:41 | |
I came to Nat's music in the absence of my father. | 0:50:41 | 0:50:44 | |
And so that's what drew me really, really tight into that music. | 0:50:45 | 0:50:49 | |
That's a beautiful, beautiful story. | 0:50:49 | 0:50:51 | |
And I mean, to my untrained ear, Jeff Goldblum sounded very good. | 0:50:51 | 0:50:56 | |
-Was he all right? -Yeah, he's cool. | 0:50:56 | 0:50:58 | |
Jeff has his own style. And you know... | 0:50:58 | 0:51:01 | |
LAUGHTER | 0:51:01 | 0:51:03 | |
APPLAUSE | 0:51:05 | 0:51:08 | |
Listen, when you look at this hat... | 0:51:10 | 0:51:12 | |
..when you look at this hat, I have my own style. | 0:51:12 | 0:51:15 | |
-You know? -Yes, you do. | 0:51:15 | 0:51:17 | |
That is almost a requirement of jazz, | 0:51:17 | 0:51:19 | |
so that was beautifully played. That was... | 0:51:19 | 0:51:22 | |
Jeff Goldblum style, you know? | 0:51:22 | 0:51:24 | |
This is my second time meeting Jeff. Can we change the subject? | 0:51:24 | 0:51:28 | |
We met in the airport and, you know, Jeff is a... | 0:51:28 | 0:51:33 | |
..gregarious guy, you know? | 0:51:33 | 0:51:35 | |
He kind of bomb-rushes me. | 0:51:35 | 0:51:38 | |
-Like boom and gets this close. -I did? I'm sorry. -Yeah. -I apologise. | 0:51:38 | 0:51:42 | |
-He was like... -AS JEFF: -"Gregory, uh... | 0:51:42 | 0:51:44 | |
"..Be Good. Yes. | 0:51:44 | 0:51:47 | |
"Oh, the lyrics, the intimacy, the way that you make people feel, | 0:51:47 | 0:51:50 | |
"the...the... ah, the conversations that you are having. | 0:51:50 | 0:51:54 | |
"the emotions, it's extraordinary. I... | 0:51:54 | 0:51:57 | |
"..I think...I think I want to work with you." | 0:51:59 | 0:52:01 | |
LAUGHTER | 0:52:01 | 0:52:05 | |
You're so good. | 0:52:06 | 0:52:07 | |
And listen, that is it for tonight. | 0:52:09 | 0:52:11 | |
Please give a huge thank you to my guests. Gregory Porter! | 0:52:11 | 0:52:14 | |
Jeff Goldblum. | 0:52:14 | 0:52:17 | |
Jack Whitehall. | 0:52:17 | 0:52:19 | |
Gerard Butler. | 0:52:19 | 0:52:20 | |
And of course, Hillary Rodham Clinton. | 0:52:20 | 0:52:24 | |
Join me next week with music icon Morrissey, | 0:52:24 | 0:52:27 | |
top model Cara Delevingne, actress Claire Foy, | 0:52:27 | 0:52:30 | |
comic genius Adam Sandler and double Oscar winner, Emma Thompson. | 0:52:30 | 0:52:33 | |
I'll see you then. Good night, everybody, bye-bye. | 0:52:33 | 0:52:36 |