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Tonight, a two-time Oscar winner. | 0:00:02 | 0:00:03 | |
Star of many brilliant films, including my favourite comedy, Big. | 0:00:03 | 0:00:06 | |
I wish I was big. I wish I was big. I wish I was... | 0:00:06 | 0:00:09 | |
Ow! Oh, hello! Hiya! | 0:00:09 | 0:00:14 | |
Let's start the show! | 0:00:14 | 0:00:16 | |
Hello. Hello! Hello! Hello! | 0:00:32 | 0:00:38 | |
Oh! Here we are. | 0:00:39 | 0:00:42 | |
Ladies and gentlemen, what a great show we've got for you tonight. | 0:00:44 | 0:00:47 | |
Acting legend, two times Oscar winner, Tom Hanks, is here! | 0:00:47 | 0:00:51 | |
CHEERING AND APPLAUSE | 0:00:51 | 0:00:53 | |
Yes, he is. British comic turned Hollywood star, Simon Pegg, is here. | 0:00:53 | 0:00:58 | |
-CHEERING AND APPLAUSE -Yes! | 0:00:58 | 0:01:02 | |
And American X Factor beauty Nicole Scherzinger is here. | 0:01:02 | 0:01:07 | |
-CHEERING AND APPLAUSE -Yes. | 0:01:07 | 0:01:11 | |
And, of course, Nicole is one of the judges | 0:01:11 | 0:01:13 | |
on the new series of American X Factor. | 0:01:13 | 0:01:15 | |
Well, she was when we recorded this show. | 0:01:15 | 0:01:18 | |
By now she could be fired, rehired, | 0:01:18 | 0:01:19 | |
entered as a contestant, we really don't know. | 0:01:19 | 0:01:22 | |
We know she's going out with Formula One driver, | 0:01:22 | 0:01:25 | |
Lewis Hamilton though, don't we? | 0:01:25 | 0:01:28 | |
Yes. Oh, there's Lewis. | 0:01:28 | 0:01:30 | |
A man whose sole purpose in life is to come first. | 0:01:30 | 0:01:33 | |
LAUGHTER AND APPLAUSE | 0:01:33 | 0:01:36 | |
And really quickly. | 0:01:38 | 0:01:40 | |
LAUGHTER | 0:01:40 | 0:01:42 | |
Simon Pegg is here. | 0:01:42 | 0:01:44 | |
Simon, of course, recently starred as Scotty | 0:01:44 | 0:01:47 | |
in the new Star Trek movie. | 0:01:47 | 0:01:49 | |
That's where the crew of the Enterprise | 0:01:49 | 0:01:51 | |
travel where no man has gone before. | 0:01:51 | 0:01:53 | |
It is life, but not as we know it. | 0:01:58 | 0:02:01 | |
So looking forward to meeting Tom Hanks. | 0:02:03 | 0:02:07 | |
-CHEERING AND APPLAUSE -Been in so many amazing films, | 0:02:07 | 0:02:10 | |
like Castaway, he played a man stranded on a desert island. | 0:02:10 | 0:02:15 | |
Oh, there he is, collecting some wood | 0:02:15 | 0:02:17 | |
and putting the finishing touches to his shelter. | 0:02:17 | 0:02:20 | |
He's good. I'll give him that. | 0:02:23 | 0:02:26 | |
In the film, Tom makes a friend for himself out of a volleyball. | 0:02:26 | 0:02:29 | |
Now, it's not very lifelike, is it? | 0:02:29 | 0:02:32 | |
Who has hair like that on an empty head? | 0:02:32 | 0:02:35 | |
They're real! | 0:02:40 | 0:02:42 | |
But, of course, Tom also starred in the epic World War II movie | 0:02:42 | 0:02:46 | |
Saving Private Ryan. | 0:02:46 | 0:02:49 | |
A Private Ryan. | 0:02:49 | 0:02:51 | |
LAUGHTER AND GROANING | 0:02:51 | 0:02:54 | |
Not any more! | 0:02:54 | 0:02:55 | |
APPLAUSE | 0:02:55 | 0:02:57 | |
Let's get some guests on. What's new pussycat? | 0:02:59 | 0:03:03 | |
I'll find out from Nicole Scherzinger! | 0:03:03 | 0:03:05 | |
Whoa! Let me greet you! Wow. You look amazing. | 0:03:08 | 0:03:12 | |
-Oh, beautiful. -Thank you! Hello! | 0:03:14 | 0:03:16 | |
Sit yourself down. | 0:03:16 | 0:03:18 | |
It's Shaun Of The Dead funny, Simon Pegg. | 0:03:21 | 0:03:23 | |
Hello, sir, how are you doing? It is really lovely to see you. | 0:03:26 | 0:03:29 | |
Oh, Simon. | 0:03:29 | 0:03:31 | |
And Houston, we have no problem with this guest. | 0:03:31 | 0:03:33 | |
It is Mr Tom Hanks. | 0:03:33 | 0:03:35 | |
That is a cool couch. That is a very cool couch. | 0:03:55 | 0:03:58 | |
In honour of Nicole, | 0:03:58 | 0:04:00 | |
we're all going to sit up on the edge of it with her, | 0:04:00 | 0:04:02 | |
with our legs crossed. | 0:04:02 | 0:04:05 | |
I'll keep an eye. At the moment, nothing. I can see nothing. | 0:04:05 | 0:04:09 | |
It's all good. | 0:04:09 | 0:04:10 | |
You're being very gentlemanly. | 0:04:10 | 0:04:12 | |
Indeed, sir. I'm an American. | 0:04:12 | 0:04:16 | |
And you've just come from your premiere? | 0:04:16 | 0:04:18 | |
-Yes, at the Westfield Shopping Centre. -The glamour! | 0:04:18 | 0:04:20 | |
Have you been to the place? | 0:04:20 | 0:04:22 | |
The biggest shopping centre I've ever seen. | 0:04:22 | 0:04:24 | |
Not only did we see the movie, but I popped into Boots. | 0:04:24 | 0:04:28 | |
LAUGHTER | 0:04:28 | 0:04:30 | |
Listen, it's lovely you're all here. | 0:04:30 | 0:04:32 | |
Tom, Simon, but before we do another thing, | 0:04:32 | 0:04:35 | |
-I've got to ask you, Nicole, as of now... -I'm shaking. What? | 0:04:35 | 0:04:40 | |
What's going on? What is happening in world of X Factor? | 0:04:40 | 0:04:44 | |
I haven't said this, but I believe it's been made official | 0:04:44 | 0:04:48 | |
that I'm actually a judge on the US X Factor. | 0:04:48 | 0:04:51 | |
CHEERING AND APPLAUSE | 0:04:51 | 0:04:53 | |
Did they keep you in the loop, | 0:04:55 | 0:04:57 | |
or are you finding out along with the rest of us? | 0:04:57 | 0:04:59 | |
I'm kind of finding out along with the rest of us as well. | 0:04:59 | 0:05:01 | |
It's kind of crazy when you get a phone call | 0:05:01 | 0:05:04 | |
and you read it in the paper first. | 0:05:04 | 0:05:06 | |
I was the host of the US X Factor | 0:05:06 | 0:05:09 | |
and now I'm having this amazing opportunity to be the judge now. | 0:05:09 | 0:05:13 | |
If you eat a bad salad from Germany, | 0:05:13 | 0:05:15 | |
you'll be the most famous person in the world. | 0:05:15 | 0:05:17 | |
And sleep with Ryan Giggs. | 0:05:17 | 0:05:19 | |
Yes! | 0:05:19 | 0:05:21 | |
Now, listen. Tom Hanks, sir. | 0:05:25 | 0:05:28 | |
You seem to be spending a lot of time here. | 0:05:28 | 0:05:30 | |
Do you kind of live here now? | 0:05:30 | 0:05:31 | |
I have been here enough, working with Band of Brothers, | 0:05:31 | 0:05:34 | |
which featured Mr Simon Pegg, ladies and gentlemen. | 0:05:34 | 0:05:37 | |
So I've got enough haunts to go, I know where to avoid the fist fights. | 0:05:37 | 0:05:41 | |
And where to go have some fist fights. | 0:05:41 | 0:05:43 | |
Well, we saw you, you went to the dinner with the Queen? | 0:05:43 | 0:05:48 | |
I was with the Queen and the President just last week, yes. | 0:05:48 | 0:05:50 | |
For an American I kept trying to figure out, "Why am I here? | 0:05:50 | 0:05:53 | |
"Why did this...? Did I win a ticket? | 0:05:53 | 0:05:56 | |
"Is this Charlie And The Chocolate Factory? | 0:05:56 | 0:05:59 | |
"Excuse me, lady, lady, do you run this place?" | 0:05:59 | 0:06:02 | |
There we are. | 0:06:02 | 0:06:04 | |
There's my white tie and tails. | 0:06:04 | 0:06:05 | |
-You look very smart. -That is not a rental, by the way. | 0:06:05 | 0:06:08 | |
They had a powder blue and I said, "Let me go with the traditional black." | 0:06:08 | 0:06:13 | |
But we got there and it turned out it's a surprisingly informal... | 0:06:13 | 0:06:19 | |
They get it, you know. Everybody who works there | 0:06:19 | 0:06:22 | |
smiles and points you in the direction. | 0:06:22 | 0:06:24 | |
And everybody says, | 0:06:24 | 0:06:25 | |
"Hello, I'm Julie, I'm Simon. Nice to see you. What do you do? | 0:06:25 | 0:06:28 | |
"I'm the Duchess of Westmoreland. And what do you do?" | 0:06:28 | 0:06:30 | |
"Well, I run British Intelligence, how are you?" | 0:06:30 | 0:06:33 | |
It's like on a first-name basis. | 0:06:34 | 0:06:37 | |
-Did you meet HER? -Yes. Oh, yes, indeed. -And chitty chat? | 0:06:37 | 0:06:40 | |
I talked about doing Shakespeare, that's how I got my start | 0:06:40 | 0:06:44 | |
in the United States, doing Shakespeare. | 0:06:44 | 0:06:47 | |
And we compared notes on that. She did say this, | 0:06:47 | 0:06:49 | |
"We love to go to the theatre." | 0:06:49 | 0:06:52 | |
I'm not going to do an imitation of the Queen. | 0:06:52 | 0:06:54 | |
If I fall into that, you cut it! | 0:06:54 | 0:06:56 | |
-I will. -You take it out of the show. | 0:06:56 | 0:06:59 | |
She said, | 0:07:00 | 0:07:03 | |
"We love going to the theatre, and my sister..." | 0:07:03 | 0:07:05 | |
MOCK ACCENT: "Oh, love to go to the theatre!" | 0:07:05 | 0:07:08 | |
"..and my sister could go to the theatre | 0:07:08 | 0:07:10 | |
"and hear a song once and then come home." | 0:07:10 | 0:07:13 | |
And I said, "Play it on the piano?" | 0:07:13 | 0:07:16 | |
And she said, "Yes." | 0:07:16 | 0:07:18 | |
That was my moment with Her Majesty. | 0:07:18 | 0:07:20 | |
Who you call Her Majesty first, and then you call Ma'am. | 0:07:20 | 0:07:24 | |
Weirdly, there's been a lot of that. | 0:07:24 | 0:07:26 | |
-You've met the Queen, Simon, haven't you? -I did, recently. | 0:07:26 | 0:07:28 | |
I met her at the Narnia premiere. | 0:07:28 | 0:07:31 | |
I thought I broke her, to be honest. | 0:07:31 | 0:07:33 | |
The Queen has never had to worry about the awkwardness | 0:07:33 | 0:07:36 | |
of starting a conversation. | 0:07:36 | 0:07:37 | |
She's never had an embarrassing pause, | 0:07:37 | 0:07:40 | |
because she always must speak first. | 0:07:40 | 0:07:41 | |
So she takes as much time as she wants to do that. | 0:07:41 | 0:07:43 | |
So she came up to me, | 0:07:43 | 0:07:46 | |
I was standing next to young Joe McElderry, the X Factor winner. | 0:07:46 | 0:07:49 | |
And she said, "And you're a musician?" | 0:07:49 | 0:07:51 | |
Someone whispered he was in her ear. | 0:07:51 | 0:07:53 | |
And she came up to me and she went... | 0:07:53 | 0:07:55 | |
I was just waiting for her to speak. I swear it was like 30 seconds. | 0:07:59 | 0:08:03 | |
I started to bead sweat | 0:08:03 | 0:08:05 | |
and she went, "And what do you do?" Like that. | 0:08:05 | 0:08:08 | |
I almost hugged her. I thought, "Thank God, you're still with us." | 0:08:08 | 0:08:12 | |
But then the brilliant one was, Philip came by. | 0:08:16 | 0:08:19 | |
I played a mouse in Narnia, did the voice of a mouse. | 0:08:19 | 0:08:22 | |
And someone told him what I was doing and he said, | 0:08:22 | 0:08:25 | |
"When did you realise you had the voice of a mouse?" | 0:08:25 | 0:08:27 | |
I thought, "You think I was cast | 0:08:27 | 0:08:30 | |
"because I have a naturally mousy voice." | 0:08:30 | 0:08:33 | |
I think he thought I have some sort of disability | 0:08:33 | 0:08:36 | |
that had given me an accent for it. | 0:08:36 | 0:08:38 | |
I made her cry. I have it on good authority that at the end of Narnia | 0:08:38 | 0:08:41 | |
there's a really sweet moment with Reepicheep, the mouse. | 0:08:41 | 0:08:44 | |
He does this very moving thing. | 0:08:44 | 0:08:45 | |
And the Queen was, I swear to God, | 0:08:45 | 0:08:47 | |
sitting five seats down from me, wearing 3D glasses. | 0:08:47 | 0:08:51 | |
Which is a sight to behold, to see the monarch, in 3D glasses. | 0:08:51 | 0:08:55 | |
And they weren't even gold, on a stick. | 0:08:55 | 0:08:57 | |
They were just plastic, Buddy-Holly-style 3D glasses. | 0:08:57 | 0:09:01 | |
And she dabbed her eye with a tissue. | 0:09:01 | 0:09:03 | |
You actually thought the Queen was going to have gold 3D glasses? | 0:09:03 | 0:09:08 | |
"It is so lifelike." | 0:09:10 | 0:09:11 | |
I don't think that's going to happen. | 0:09:11 | 0:09:14 | |
Bespoke by Savile Row! | 0:09:14 | 0:09:16 | |
Nicole, you haven't met the Queen but you and the Pussycat Dolls | 0:09:16 | 0:09:20 | |
performed for Prince Philip and Camilla. | 0:09:20 | 0:09:23 | |
You were shocked by that picture. | 0:09:23 | 0:09:25 | |
-Prince Charles and Camilla? -Yes. | 0:09:25 | 0:09:28 | |
What song did you choose to perform in front of them? | 0:09:28 | 0:09:30 | |
Ooh, that's a good question. | 0:09:30 | 0:09:32 | |
I think we performed I Hate This Part. | 0:09:32 | 0:09:35 | |
-No. -Really? -We didn't? -No. | 0:09:35 | 0:09:38 | |
You got up in front of Prince Charles and Camilla | 0:09:38 | 0:09:42 | |
and sang Don't You Wish Your Girlfriend Was Hot Like Me? | 0:09:42 | 0:09:46 | |
-I could have told you that! -Wow! | 0:09:46 | 0:09:49 | |
We were backstage, laughing so much. | 0:09:52 | 0:09:58 | |
It's an empowering song. It is very empowering. | 0:09:58 | 0:10:00 | |
They allowed you back in to the United Kingdom. | 0:10:00 | 0:10:03 | |
We were just giving, that day. | 0:10:03 | 0:10:05 | |
Now, Tom Hanks, sir. | 0:10:07 | 0:10:08 | |
You've got a new movie out, that you just went to the premiere of. | 0:10:08 | 0:10:11 | |
-Yes, indeed. -Which I know is very close to your heart. | 0:10:11 | 0:10:13 | |
But before we do, we just have to spend... | 0:10:13 | 0:10:16 | |
We're just going to spend a few minutes, because you're here, | 0:10:16 | 0:10:18 | |
and you haven't been on the show before, | 0:10:18 | 0:10:20 | |
-just to marvel at your career. -Oh, for sure(!) | 0:10:20 | 0:10:24 | |
Most successful actors, their box office is in millions. | 0:10:24 | 0:10:29 | |
-Over 8 billion, your movies have made. -Wow, really? | 0:10:29 | 0:10:33 | |
CHEERING AND APPLAUSE That's news to me! | 0:10:33 | 0:10:37 | |
All right then. All right. | 0:10:37 | 0:10:39 | |
Then why did I have to pay for this suit? | 0:10:39 | 0:10:43 | |
-That's like a country. -That's extraordinary. | 0:10:45 | 0:10:48 | |
-That's like a successful country. -I could secede. | 0:10:48 | 0:10:51 | |
-Yeah, You could be king of somewhere. -Then I could ask you | 0:10:51 | 0:10:54 | |
to come and sing My Girlfriend Is Hot Like You. | 0:10:54 | 0:10:57 | |
Sleepless in Seattle, Philadelphia, Forrest Gump, | 0:10:57 | 0:11:00 | |
Apollo 13, all three Toy Stories. | 0:11:00 | 0:11:02 | |
-Yes, yes. -Castaway. | 0:11:02 | 0:11:05 | |
-It's amazing. -Yeah, it's been fun. | 0:11:05 | 0:11:08 | |
When you look back, is there one that you think, | 0:11:08 | 0:11:10 | |
"That's the one I'm really happy I said yes to?" | 0:11:10 | 0:11:13 | |
Well, I got to tell you, when we did Apollo 13 it was the first time | 0:11:13 | 0:11:17 | |
I was only with two other guys for, like, most of the movie. | 0:11:17 | 0:11:21 | |
And I have to tell you, | 0:11:21 | 0:11:23 | |
you might have noticed this on Band Of Brothers, | 0:11:23 | 0:11:25 | |
when three guys are making the movie, the jokes become so filthy, | 0:11:25 | 0:11:29 | |
as of lunch time of the first day of shooting. | 0:11:29 | 0:11:33 | |
I got to tell you, Kevin Bacon and Bill Paxton, who were in | 0:11:33 | 0:11:37 | |
the capsule with me, know the foulest jokes imaginable. | 0:11:37 | 0:11:41 | |
And we were trying to, like, | 0:11:41 | 0:11:43 | |
out-foul and out-gross each other, you know? | 0:11:43 | 0:11:46 | |
That's how we spent most of our trip to the moon. | 0:11:46 | 0:11:49 | |
Saying, "All right, a guy is hunting and a bear comes into his tent." | 0:11:49 | 0:11:53 | |
And they just go from there | 0:11:53 | 0:11:54 | |
and you know you're going to be in big, big trouble. | 0:11:54 | 0:11:57 | |
In your first big movie, Splash, that must have been | 0:11:57 | 0:12:00 | |
a really horrible job, all the underwater scenes? | 0:12:00 | 0:12:04 | |
Well, that was kind of... | 0:12:04 | 0:12:06 | |
Everybody said, "How did you shoot those underwater scenes?" | 0:12:06 | 0:12:10 | |
Well we jumped in the water and held our breath and we shot it. | 0:12:10 | 0:12:14 | |
It's amazing how they did that, no special effects. | 0:12:14 | 0:12:17 | |
We had to learn how to scuba dive and, because I'm in clothes, | 0:12:17 | 0:12:20 | |
there was always an air tank somewhere off there. | 0:12:20 | 0:12:22 | |
Because we're in about 30 feet of water. | 0:12:22 | 0:12:24 | |
But they had this underwater phone booth that was weighted down | 0:12:24 | 0:12:28 | |
with a dome on the bottom of the ocean in the Bahamas. | 0:12:28 | 0:12:32 | |
And the dome was filled with water. | 0:12:32 | 0:12:34 | |
So if Ron Howard, the director, | 0:12:34 | 0:12:37 | |
had to give us instructions, he swam over and I would get towed | 0:12:37 | 0:12:40 | |
by a safety diver, because I couldn't swim | 0:12:40 | 0:12:42 | |
because I had iron weights in my pants to keep me down. | 0:12:42 | 0:12:45 | |
So he would tow me over there and stick my head up | 0:12:45 | 0:12:47 | |
in this dome of water, which is about that big. | 0:12:47 | 0:12:50 | |
And I'd wait, and then Ron's head would come up | 0:12:50 | 0:12:54 | |
with a regulator in his mouth. | 0:12:54 | 0:12:57 | |
"All right! That's good, that's good! | 0:12:57 | 0:12:59 | |
"If you could just have more wonder! I need to have the eyes open | 0:12:59 | 0:13:03 | |
"a little bit more, don't look like you're out of breath, all right?" | 0:13:03 | 0:13:07 | |
And that's literally...! APPLAUSE | 0:13:10 | 0:13:14 | |
And then I would get towed back to wherever we were shooting, | 0:13:14 | 0:13:18 | |
and I would try to remember what he said. | 0:13:18 | 0:13:20 | |
But essentially, that is an exercise in not dying. | 0:13:20 | 0:13:25 | |
-When we did not get killed, that's what they put in. -It went well. | 0:13:25 | 0:13:27 | |
It went good enough, yes. | 0:13:27 | 0:13:29 | |
Nicole, if you had to pick a Tom Hanks film, what would you pick? | 0:13:29 | 0:13:32 | |
I'm not going to lie. | 0:13:32 | 0:13:34 | |
-I'm kind of in love with Big. -All right. | 0:13:34 | 0:13:36 | |
-I always wanted to do the... -Careful. -Oh, sorry. I'm sorry! | 0:13:36 | 0:13:41 | |
-Whoa. -I'm sorry. -Whoa! -I have shorts on underneath. | 0:13:41 | 0:13:47 | |
-I'm a lady. -Camera five went red real quick there. | 0:13:47 | 0:13:50 | |
-That's what I was trying to do, guys. -Oh, yeah. -Yeah. | 0:13:52 | 0:13:55 | |
Don't do that. One of my favourite films was Philadelphia. | 0:13:55 | 0:14:01 | |
Luckily, I'm sober now. | 0:14:01 | 0:14:02 | |
I met Denzel Washington when I was drunk, | 0:14:02 | 0:14:05 | |
and I started to cry telling him how much I liked it. | 0:14:05 | 0:14:09 | |
And he just looked really embarrassed. | 0:14:09 | 0:14:12 | |
As was I. | 0:14:12 | 0:14:14 | |
Anyway, what's interesting now is that you've written and directed | 0:14:14 | 0:14:19 | |
this new movie, Larry Crowne, which I've seen. | 0:14:19 | 0:14:21 | |
It's a really lovely film. It's funny, it's sweet. | 0:14:21 | 0:14:23 | |
And it's got you and Julia Roberts. | 0:14:23 | 0:14:27 | |
-Yeah, not bad. -Not bad at all. | 0:14:27 | 0:14:30 | |
Here's our tag line. | 0:14:30 | 0:14:32 | |
Larry Crowne loses his job and goes back to college. | 0:14:32 | 0:14:36 | |
Julia Roberts is one of his professors, and guess what happens? | 0:14:36 | 0:14:40 | |
Can you figure it out, maybe just a little bit? | 0:14:42 | 0:14:45 | |
And you wrote it and directed it. | 0:14:45 | 0:14:47 | |
Yeah, yeah. | 0:14:47 | 0:14:49 | |
That was an interesting phone call. | 0:14:49 | 0:14:51 | |
"Hey, Julia, listen... believe it or not, | 0:14:51 | 0:14:54 | |
"this is a business call." | 0:14:54 | 0:14:57 | |
We've got a clip of you and Julia in action. | 0:14:59 | 0:15:02 | |
It's Larry Crowne! | 0:15:02 | 0:15:06 | |
Right, hi. | 0:15:06 | 0:15:08 | |
-I have you teaching me in just a couple of minutes. -Yes, you do. | 0:15:08 | 0:15:11 | |
-I saw you singing. -I'm just drowning out the GPS. | 0:15:11 | 0:15:15 | |
-'Please enter...' -See? It never stops. | 0:15:15 | 0:15:17 | |
No wonder, that's a Map Genie. | 0:15:17 | 0:15:18 | |
Back when I sold those, I would have steered you towards a Vortex, | 0:15:18 | 0:15:22 | |
because the Map Genie, it's very complicated. | 0:15:22 | 0:15:24 | |
Well, no wonder. The auto on feature is engaged. | 0:15:24 | 0:15:27 | |
So, menu, select, features, | 0:15:27 | 0:15:30 | |
auto voice select, change, yes. | 0:15:30 | 0:15:35 | |
On, off. On, off. | 0:15:35 | 0:15:38 | |
Change, yes, save and back, | 0:15:38 | 0:15:41 | |
back, back and exit. | 0:15:41 | 0:15:44 | |
How long was that broken? | 0:15:44 | 0:15:46 | |
Since my husband installed it himself. | 0:15:46 | 0:15:49 | |
-It's all fixed now. -Thank you. | 0:15:49 | 0:15:51 | |
What are you going to make us do today in class? | 0:15:51 | 0:15:53 | |
You'll just have to find out. | 0:15:53 | 0:15:55 | |
-Follow me. -Interesting. | 0:15:55 | 0:15:59 | |
CHEERING AND APPLAUSE | 0:15:59 | 0:16:03 | |
I predict every man in the UK | 0:16:05 | 0:16:09 | |
will want to start wearing one of those helmets. | 0:16:09 | 0:16:11 | |
Because if you can land Julia Roberts | 0:16:11 | 0:16:14 | |
wearing a helmet as stupid as that, you must be one charming... | 0:16:14 | 0:16:18 | |
-S.O.B. -I was going to say that. | 0:16:18 | 0:16:22 | |
Even in the poster, you're not wearing that helmet. | 0:16:22 | 0:16:26 | |
No, no, no. We ran into problems | 0:16:26 | 0:16:27 | |
"Hey, where's the safety helmet on the scooter?" | 0:16:27 | 0:16:30 | |
I said "Come on, I'm trying to be like Steve McQueen." | 0:16:30 | 0:16:33 | |
In the last film you directed, | 0:16:33 | 0:16:35 | |
That Thing You Do, it was a cast of mostly unknown actors. | 0:16:35 | 0:16:39 | |
Yeah, about a band in 1964. | 0:16:39 | 0:16:41 | |
This time, Julia Roberts. | 0:16:41 | 0:16:44 | |
Can you direct someone like her, or is it collaborative? | 0:16:44 | 0:16:48 | |
It's very collaborative, | 0:16:48 | 0:16:50 | |
because Julia's incredibly smart and forceful. | 0:16:50 | 0:16:53 | |
You know? | 0:16:53 | 0:16:54 | |
When we started talking about it, she said "OK, I read it. | 0:16:54 | 0:16:57 | |
"Here's some things". And she talked | 0:16:57 | 0:16:59 | |
and I said "I agree, let's go to it". | 0:16:59 | 0:17:01 | |
You don't want to waste anybody's time, but specifically, | 0:17:01 | 0:17:05 | |
you don't want to waste Julia's. | 0:17:05 | 0:17:06 | |
Not someone who's going to suffer fools, nor should she. | 0:17:06 | 0:17:09 | |
So we were on our toes the days that she worked. | 0:17:09 | 0:17:13 | |
And I specifically wanted to make sure | 0:17:13 | 0:17:15 | |
everything we did together would be fun. | 0:17:15 | 0:17:17 | |
And it was better than it would have been | 0:17:17 | 0:17:20 | |
if she'd just done it as originally written. | 0:17:20 | 0:17:22 | |
You know what always happens when guys write screenplays? | 0:17:22 | 0:17:25 | |
The women in their lives all say | 0:17:25 | 0:17:27 | |
things like, "When are you coming home? | 0:17:27 | 0:17:31 | |
"Don't worry, honey, you can do it if you try hard enough. | 0:17:31 | 0:17:35 | |
"I'm worried about Bobby." That's all they get to say. | 0:17:35 | 0:17:38 | |
So I wanted to make sure we had a forceful woman | 0:17:38 | 0:17:40 | |
who was really going through something. | 0:17:40 | 0:17:43 | |
-It's out on July 1st. -Right around the corner, almost. | 0:17:43 | 0:17:47 | |
And in theatres everywhere. | 0:17:47 | 0:17:49 | |
Talking of working with people you admire, Simon Pegg, in Paul, | 0:17:49 | 0:17:52 | |
-you got Sigourney Weaver on board. -Yeah. | 0:17:52 | 0:17:56 | |
And you were a genuine Sigourney Weaver fan. | 0:17:56 | 0:18:00 | |
I was, yeah. I used to do a bit of stand-up, | 0:18:00 | 0:18:02 | |
and I had a routine about Sigourney. | 0:18:02 | 0:18:07 | |
It's very odd to be... | 0:18:07 | 0:18:09 | |
as much as it is to be sitting next to you now! | 0:18:09 | 0:18:12 | |
-She's... -She's awesome. | 0:18:12 | 0:18:14 | |
I mean, she's...still an incredible beauty. | 0:18:14 | 0:18:18 | |
Nick Frost and I were just like, | 0:18:18 | 0:18:20 | |
when she came on set, it was like the Queen coming on set. | 0:18:20 | 0:18:23 | |
-How did you get her? -We just sent her the script, and she liked it. | 0:18:23 | 0:18:27 | |
She was our dream casting. | 0:18:27 | 0:18:29 | |
We went, "Why not? Let's send it to her and see what she says." | 0:18:29 | 0:18:31 | |
And two weeks later, "Yeah, she's going to do it." | 0:18:31 | 0:18:34 | |
So she came on set and Nick and I were like, "Hi, how are you?" | 0:18:34 | 0:18:38 | |
And she was sat on her own on set in the evening, and Nick and I | 0:18:38 | 0:18:41 | |
went over and went, "Do you want to come over and hang out with us?" | 0:18:41 | 0:18:44 | |
-She was so lovely. -Haven't you written a poem about her? | 0:18:44 | 0:18:48 | |
I did write a poem about her. In my stand-up, I wrote a poem about her. | 0:18:48 | 0:18:53 | |
What rhymes with Sigourney? | 0:18:53 | 0:18:55 | |
-Horny, of course. -Oh! Oh. | 0:18:55 | 0:18:57 | |
LAUGHTER AND APPLAUSE | 0:18:57 | 0:18:59 | |
It's not a massive link. | 0:18:59 | 0:19:02 | |
"I know what you make me think of... My penis." | 0:19:02 | 0:19:07 | |
Talking about Paul, we must mention it further, | 0:19:07 | 0:19:11 | |
because it is now available in Blu ray, DVD and digital copy. | 0:19:11 | 0:19:18 | |
Ya! There it is. | 0:19:18 | 0:19:19 | |
It's in shops on 13th June. | 0:19:19 | 0:19:21 | |
It comes out on 13th June. Seems so quick. It came out in February. | 0:19:21 | 0:19:26 | |
It's so quick nowadays, the turnaround to DVD is so fast. | 0:19:26 | 0:19:30 | |
It used to be five years or something, now it's three months. | 0:19:30 | 0:19:34 | |
It's getting shorter and shorter. | 0:19:34 | 0:19:36 | |
Growing up in Ireland, | 0:19:36 | 0:19:37 | |
it'd be so long before it even got to the cinema. | 0:19:37 | 0:19:41 | |
People were dead, and we were going to see their films. | 0:19:41 | 0:19:44 | |
You thought the soundtrack to every movie was this... WHIRRING SOUND | 0:19:44 | 0:19:48 | |
You, Nick Frost and an alien, on a road trip across America. | 0:19:51 | 0:19:55 | |
-Have I left anything out? -No. That's what it is, with Seth Rogen as the alien. | 0:19:55 | 0:19:58 | |
It's a really funny movie. It's a very funny movie. | 0:19:58 | 0:20:01 | |
Here's a clip to remind ourselves. | 0:20:01 | 0:20:03 | |
What's the matter, Clive? | 0:20:03 | 0:20:06 | |
There is an alien in the kitchenette, | 0:20:06 | 0:20:08 | |
making bagels and coffee. | 0:20:08 | 0:20:09 | |
-Did you want tea? -No, I don't want tea. | 0:20:09 | 0:20:13 | |
Right, because tea is weird in America. They leave the bag in. | 0:20:13 | 0:20:16 | |
What's weird, Graham, is the fact that we have picked up | 0:20:16 | 0:20:18 | |
an extra-terrestrial hitch hiker, | 0:20:18 | 0:20:20 | |
and you seem completely fine with it. | 0:20:20 | 0:20:22 | |
# Bagels and coffee. # Ooh, Marmite. | 0:20:22 | 0:20:24 | |
Well, he said his life's in danger. | 0:20:26 | 0:20:27 | |
He needs our help, you know? I mean, | 0:20:27 | 0:20:30 | |
sometimes you've just got to roll the dice. | 0:20:30 | 0:20:32 | |
What if we wake up and find him inserting a probe into our anus? | 0:20:32 | 0:20:38 | |
Apparently, they don't do that. | 0:20:38 | 0:20:41 | |
Anyone want one of these? Huh, anyone? | 0:20:41 | 0:20:45 | |
That was a green screen. | 0:20:50 | 0:20:53 | |
But you really did do a road trip, you and Nick. | 0:20:53 | 0:20:57 | |
Yeah, we did. We drove from LA | 0:20:57 | 0:21:00 | |
down to Vegas, then across through Nevada, Utah, Wyoming. | 0:21:00 | 0:21:04 | |
Realised just how huge that place is. | 0:21:04 | 0:21:07 | |
It's just such a massive country. | 0:21:07 | 0:21:09 | |
You don't know until you get out just how vast it is. | 0:21:09 | 0:21:12 | |
We nearly died a couple of times. We met some hicks. | 0:21:12 | 0:21:15 | |
A lot of it went into the script. | 0:21:15 | 0:21:17 | |
There's a couple of guys we meet in the film, played by Dave Koechner | 0:21:17 | 0:21:21 | |
and Jesse Plemons in the Little A'Le'Inn, | 0:21:21 | 0:21:23 | |
which is the diner on the edge of Area 51. | 0:21:23 | 0:21:25 | |
And Nick and I arrived there, | 0:21:25 | 0:21:26 | |
and it's full of UFO paraphernalia. We were like "This is great!" | 0:21:26 | 0:21:30 | |
We were the only guys there, and we were putting on alien masks | 0:21:30 | 0:21:32 | |
and talking about spaceships and stuff. | 0:21:32 | 0:21:36 | |
And then these two guys came in | 0:21:36 | 0:21:37 | |
in hunting suits with rifles on their backs, and we went... Prrp! | 0:21:37 | 0:21:41 | |
And everything went really quiet, and we just left really frightened. | 0:21:41 | 0:21:44 | |
We thought, "What if they catch up with us? It'll be like Deliverance. | 0:21:44 | 0:21:48 | |
"They'll do things to us". | 0:21:48 | 0:21:50 | |
You've got to get to America a little more often. | 0:21:50 | 0:21:53 | |
First time since Deliverance. I know. | 0:21:53 | 0:21:55 | |
Nicole, you grew up in the middle of nowhere, didn't you? | 0:21:55 | 0:21:59 | |
I was born in Hawaii, and then I grew up in Louisville, Kentucky. | 0:21:59 | 0:22:03 | |
Is that the middle of nowhere? It sounds like it. | 0:22:03 | 0:22:05 | |
Mm-hmm, Mid West. | 0:22:05 | 0:22:07 | |
Were your parents insane? | 0:22:07 | 0:22:09 | |
That they would leave Hawaii | 0:22:09 | 0:22:10 | |
for Louisville, Kentucky and not vice versa? I'm making a joke. | 0:22:10 | 0:22:14 | |
I don't want to offend your parents. | 0:22:14 | 0:22:16 | |
I love it. No, I love it in both places, | 0:22:19 | 0:22:21 | |
because they're still homey and grounded. | 0:22:21 | 0:22:23 | |
I'm close to my family. | 0:22:23 | 0:22:25 | |
Did you have jobs and things growing up? You seem too pretty to be there. | 0:22:25 | 0:22:27 | |
You're kind of like, "No, she's not one of us. We're sending her to LA." | 0:22:27 | 0:22:32 | |
It was awkward in Kentucky. | 0:22:32 | 0:22:34 | |
I didn't have many people that looked like me. I did have one... | 0:22:34 | 0:22:38 | |
-Or indeed anywhere. -I had one fun job. | 0:22:38 | 0:22:40 | |
I worked at the Kentucky Kingdom amusement park. | 0:22:40 | 0:22:43 | |
I was part of the entertainment department, | 0:22:43 | 0:22:46 | |
and when you're in the entertainment department, | 0:22:46 | 0:22:48 | |
everyone has to take turns playing King Louis, | 0:22:48 | 0:22:51 | |
Kentucky Kingdom's mascot, which is a big, ginormous king lion. | 0:22:51 | 0:22:55 | |
So I played King Louis. | 0:22:55 | 0:22:59 | |
-So they put you in a full lion suit? -Yeah. | 0:22:59 | 0:23:01 | |
I've still got a picture of it. | 0:23:01 | 0:23:02 | |
It's funny, because you took turns and some guys were six foot three and I was really short, | 0:23:02 | 0:23:07 | |
so my King Louis had a lot of cankles, like ankle... | 0:23:07 | 0:23:13 | |
We had to do a full-on performance. | 0:23:13 | 0:23:16 | |
So you'd have to be King Louis, this huge lion with this crown, and you'd have to perform. | 0:23:16 | 0:23:20 | |
And it was really hot, and you're inside... | 0:23:20 | 0:23:23 | |
-It must have stank! -It was disgusting, really rank, I'm not going to lie. | 0:23:23 | 0:23:27 | |
There was a thing that came out at that time called Febreze, you know? | 0:23:27 | 0:23:33 | |
-Febreze is amazing. -No, it does NOT work! | 0:23:33 | 0:23:36 | |
It's disgusting. | 0:23:36 | 0:23:37 | |
How long would you have to be in the suit at a time? | 0:23:37 | 0:23:41 | |
-A couple of hours at a time. -Would the suit dry out before you had to get back in it? | 0:23:41 | 0:23:46 | |
It wouldn't. That's why you keep squirting the Febreze on there. | 0:23:46 | 0:23:50 | |
-What was the name of this, King Louis? -King Louis the Lion at Kentucky Kingdom. | 0:23:50 | 0:23:55 | |
They're probably still using the same suit. | 0:23:55 | 0:23:58 | |
They probably are. | 0:23:58 | 0:23:59 | |
It probably just walks around on its own now, | 0:23:59 | 0:24:03 | |
infused with the DNA... | 0:24:03 | 0:24:06 | |
The bacteria's taken over. | 0:24:06 | 0:24:08 | |
Got a life of its own. | 0:24:08 | 0:24:11 | |
Science-fiction. You've been in fantasy and obviously you were in Apollo 13, | 0:24:11 | 0:24:15 | |
but you've never been in a kind of science-fiction film, per se. | 0:24:15 | 0:24:19 | |
Not per se, no. Not something with ray guns or... | 0:24:19 | 0:24:22 | |
I mean, my entire family went and worshipped at the feet of Star Trek. | 0:24:22 | 0:24:27 | |
All I could see was, "Those guys are having so much fun. | 0:24:27 | 0:24:31 | |
"Look at those phasers, man. | 0:24:31 | 0:24:33 | |
"Oh, he gets to sit in that chair? He gets to run the Enterprise? Oh, man! | 0:24:33 | 0:24:39 | |
"How come I can't do that?" | 0:24:39 | 0:24:42 | |
-LAUGHTER I never get to. What a... -We're doing more, you know. | 0:24:42 | 0:24:45 | |
Well, I'm going to... When the Romulans make friends, | 0:24:45 | 0:24:49 | |
when they have, you know... let me play a peaceful Romulan. I think that'd be fun. | 0:24:49 | 0:24:55 | |
-Because you are a genuine, big science-fiction fan, aren't you, Simon? -Yeah. | 0:24:55 | 0:24:59 | |
When you got the call from Star Trek, you were genuinely excited. | 0:24:59 | 0:25:02 | |
We've got a picture that you took of yourself... | 0:25:02 | 0:25:05 | |
-LAUGHTER -Oh, no! -..trying the costume on. | 0:25:05 | 0:25:08 | |
-You can see the phone hands there, like that... -Totally! -..taking my own picture. | 0:25:08 | 0:25:13 | |
-Do you like Star Trek? -Yeah. -Do you? -Mm-hmm. -You don't have to say that. | 0:25:13 | 0:25:17 | |
I like the ears dudes and stuff, yeah. | 0:25:17 | 0:25:20 | |
Yeah, "ear dude" suggests not a huge fan. | 0:25:20 | 0:25:23 | |
-LAUGHTER -Even I can stretch to "Spock"! | 0:25:23 | 0:25:27 | |
-LAUGHTER -"I love the ear dude." | 0:25:27 | 0:25:29 | |
You were doing so well! | 0:25:29 | 0:25:32 | |
The "ear dude" and the rocket ship and the Martians, you really dig that stuff(!) | 0:25:32 | 0:25:37 | |
-But you love Star Trek. -I grew up watching it. | 0:25:37 | 0:25:39 | |
It was on every night at 6 o'clock. We'd have competitions. | 0:25:39 | 0:25:42 | |
I'd be on the phone with my buddy at his house, and we'd both have it on Channel 2 at 6 o'clock. | 0:25:42 | 0:25:47 | |
We had a competition to see who could scream out the episode the soonest. | 0:25:47 | 0:25:52 | |
Listen, we alerted each of you to the fact that you are both Star Trek fans. | 0:25:52 | 0:25:58 | |
I believe you've both prepared some Trekkie trivia questions. | 0:25:58 | 0:26:03 | |
Nicole, if you want to pop the kettle on, I'll be tidying my desk. | 0:26:03 | 0:26:07 | |
-Simon, have you got your questions? -I have. -Tom? | 0:26:09 | 0:26:11 | |
Oh. I'm sorry, | 0:26:11 | 0:26:14 | |
-I left them in my dressing room. -Very good, Oscar-winning. | 0:26:14 | 0:26:18 | |
If only there were some way to TRANSPORT YOU there quickly. | 0:26:18 | 0:26:23 | |
Wait a minute. The guy who plays Scotty might know how to get my body broken down into molecules, | 0:26:23 | 0:26:28 | |
transport me to the dressing room and back, and I could get the questions that way, perhaps. | 0:26:28 | 0:26:34 | |
I do have some experience of matter transfer. In fact... | 0:26:34 | 0:26:37 | |
I've taken the liberty of bringing with me my own personal transporter. | 0:26:37 | 0:26:41 | |
-Oh, my... -Wow. | 0:26:41 | 0:26:43 | |
-That's amazing. -So let's just...energise. | 0:26:43 | 0:26:47 | |
WHIRRING | 0:26:47 | 0:26:49 | |
Oh! | 0:26:49 | 0:26:51 | |
-Oh! -Where's he gone?! -CHEERING AND APPLAUSE | 0:26:51 | 0:26:56 | |
Nicole Scherzinger, excellent work. | 0:26:56 | 0:26:59 | |
Where...? | 0:26:59 | 0:27:00 | |
OK. Nicole, | 0:27:00 | 0:27:02 | |
gather yourself and prepare to be amazed once more as we bring Tom back. | 0:27:02 | 0:27:08 | |
You're very good. | 0:27:08 | 0:27:10 | |
Just going to lock on to the co-ordinates and...energise. | 0:27:10 | 0:27:13 | |
WHIRRING | 0:27:13 | 0:27:15 | |
APPLAUSE | 0:27:15 | 0:27:17 | |
Got him. | 0:27:17 | 0:27:18 | |
Got him! | 0:27:18 | 0:27:19 | |
APPLAUSE CONTINUES | 0:27:19 | 0:27:22 | |
That was amazing. | 0:27:22 | 0:27:24 | |
It sort of diminishes the film, doesn't it? | 0:27:24 | 0:27:28 | |
You English talk shows are way advanced from American talk shows. | 0:27:28 | 0:27:33 | |
They can't even do that on Leno. | 0:27:33 | 0:27:35 | |
All right, so you've got the questions. Tom, you start. | 0:27:35 | 0:27:38 | |
-One to him... -And one back. -All right. | 0:27:38 | 0:27:42 | |
-You're going to kick my butt. -I don't think I am. | 0:27:42 | 0:27:44 | |
-Nicole, if they don't know the answers, I'll throw to you. -LAUGHTER | 0:27:44 | 0:27:48 | |
Don't ask me anything. | 0:27:48 | 0:27:51 | |
Question number one. | 0:27:51 | 0:27:52 | |
What did Captain Kirk call Mr Spock in the spores infection episode | 0:27:52 | 0:27:59 | |
that forced him to blow his top | 0:27:59 | 0:28:02 | |
and put his fist through the Enterprise console | 0:28:02 | 0:28:06 | |
as he was trying to beat his captain to a pulp? | 0:28:06 | 0:28:09 | |
Oh...was it something like you... | 0:28:09 | 0:28:14 | |
-It's something half-breed, right? -GRAHAM GASPS | 0:28:14 | 0:28:17 | |
So close. So close. | 0:28:17 | 0:28:20 | |
-So close. -Worthless half-breed? | 0:28:20 | 0:28:22 | |
That was the first part. | 0:28:22 | 0:28:24 | |
LAUGHTER | 0:28:24 | 0:28:26 | |
-Then he called him "Jo Jo the dog-faced boy". -No! | 0:28:26 | 0:28:31 | |
"I'll be in a cage right next to... Jo Jo, the dog-faced boy." | 0:28:31 | 0:28:37 | |
Raaargh! | 0:28:37 | 0:28:39 | |
He left this perfect little indentation of his fist. | 0:28:39 | 0:28:41 | |
They do that in the film when they get Spock so riled up. When he gets like... | 0:28:41 | 0:28:48 | |
Right, Nicole? | 0:28:48 | 0:28:49 | |
-Absolutely. -You knew that. | 0:28:49 | 0:28:51 | |
You knew that. | 0:28:51 | 0:28:52 | |
By the way, Spock was the ear guy. | 0:28:52 | 0:28:55 | |
Here we go, next question. | 0:28:55 | 0:28:57 | |
OK. Harry Mudd returned | 0:28:57 | 0:29:01 | |
in a sequel to his first-season episode, Mudd's Women. What was that episode called? | 0:29:01 | 0:29:05 | |
I Am Harry Mudd. | 0:29:05 | 0:29:07 | |
Thinking about it, that was season three, so he probably came back again. | 0:29:07 | 0:29:13 | |
I Am Mudd would have been his second appearance, so technically... | 0:29:13 | 0:29:16 | |
-Are we giving Tom a point? -Yeah. -We have a point! | 0:29:16 | 0:29:19 | |
-CHEERING AND APPLAUSE -My bad. | 0:29:19 | 0:29:23 | |
Bravo, great question. | 0:29:23 | 0:29:24 | |
I should have gone on the Internet and picked them up. | 0:29:24 | 0:29:27 | |
-What are you doing afterwards? -LAUGHTER | 0:29:27 | 0:29:29 | |
For the rest of their lives. | 0:29:29 | 0:29:31 | |
Nicole, would you go get us a couple of gin and tonics? | 0:29:31 | 0:29:34 | |
Oh, dear. Weirdly, given how interested we've seen you are, | 0:29:40 | 0:29:43 | |
Nicole is now in a huge science-fiction film. | 0:29:43 | 0:29:45 | |
You are. Men In Black 3. | 0:29:45 | 0:29:49 | |
-Men In Black 3? -Yes. -Fabulous! | 0:29:49 | 0:29:51 | |
-I know! -Are you a monster? Are you an agent? What are you? | 0:29:51 | 0:29:54 | |
-She plays a lion. -LAUGHTER | 0:29:54 | 0:29:56 | |
That'd be so cruel! | 0:29:58 | 0:30:00 | |
-Oh, you play the stinky lion! -From the planet Febreze. | 0:30:00 | 0:30:05 | |
-It's pretty cool. -Have you got a cool outfit that you're wearing? | 0:30:07 | 0:30:11 | |
It's a pretty badass outfit. | 0:30:11 | 0:30:13 | |
It's a lot of leather, and I do get to rock a rocket launcher. | 0:30:13 | 0:30:16 | |
Sorry, what are you doing afterwards? | 0:30:16 | 0:30:19 | |
I just lost the cool competition. | 0:30:21 | 0:30:25 | |
That's the coolest thing I've ever heard. | 0:30:25 | 0:30:27 | |
-I ride a scooter in a goofy helmet. That's as close as I can get. -Men In Black 3 was my first movie, | 0:30:27 | 0:30:33 | |
so it was the first time... I don't think you all realise this. | 0:30:33 | 0:30:38 | |
I never realised this, but when the camera's in front of you and you're acting, you're in the moment, | 0:30:38 | 0:30:43 | |
-it was the first time I had to act to three pieces of tape. -Yeah. | 0:30:43 | 0:30:48 | |
And I got very confused who I was talking to. | 0:30:48 | 0:30:51 | |
The tape is literally, they're like, "This is guard one, this is guard two, that's the villain," | 0:30:51 | 0:30:56 | |
and they're all literally this far apart and you're trying to not get cross-sighted, right? | 0:30:56 | 0:31:01 | |
It was really confusing. And then trying to really be in the moment | 0:31:01 | 0:31:05 | |
-and you're like "I've got to give it my all right now. I'm living." -We have a really hard job. | 0:31:05 | 0:31:10 | |
I find that not everybody can do it. | 0:31:10 | 0:31:14 | |
LAUGHTER AND APPLAUSE | 0:31:14 | 0:31:16 | |
You know, it's not all autographs and sunglasses. | 0:31:16 | 0:31:19 | |
You keep it up, you'll be able to keep those tapes separate in your head. | 0:31:19 | 0:31:24 | |
Am I wrong? You'll figure it out. | 0:31:24 | 0:31:29 | |
You're a talented young lady, you're going far. | 0:31:29 | 0:31:31 | |
Simon, with zombie films like Shaun Of The Dead, is that in the horror genre or the science-fiction genre? | 0:31:31 | 0:31:39 | |
It's horror, yeah. It's very much a horror film. | 0:31:39 | 0:31:41 | |
In America, we were confused by this poster. You know why? | 0:31:41 | 0:31:45 | |
-Why? -Americans don't know what a cricket bat is. | 0:31:45 | 0:31:47 | |
-Oh, yes. -We were saying, | 0:31:47 | 0:31:50 | |
"Why is that guy attacking zombies with a pizza shovel?" | 0:31:50 | 0:31:53 | |
LAUGHTER | 0:31:53 | 0:31:55 | |
So many people call it a cricket paddle, which is always weird. | 0:31:55 | 0:32:00 | |
It was a low budget British film, and yet the excitement, | 0:32:00 | 0:32:03 | |
-because you did end up with your own action figure. -Oh, yeah! | 0:32:03 | 0:32:07 | |
It's a really cool one too. | 0:32:07 | 0:32:09 | |
-Is it on now? -That actually looks like you. | 0:32:09 | 0:32:13 | |
-DOLL: -'If you get cornered, bash 'em in the head. That seems to work.' | 0:32:13 | 0:32:16 | |
-Is that you? -Yes, it is. That's straight from the film. | 0:32:16 | 0:32:21 | |
-We were having some debate in the office, because we have a Woody doll. -Yay! | 0:32:21 | 0:32:26 | |
-Ah. -Now, is this...? You listen to this. | 0:32:26 | 0:32:31 | |
DOLL: 'Ha ha! Boy, am I glad to see you.' | 0:32:33 | 0:32:35 | |
-Is that you? -No, it's my brother Jim. | 0:32:35 | 0:32:38 | |
-LAUGHTER -Is it really? -Yeah. -That's so weird. | 0:32:38 | 0:32:41 | |
On the Internet, somebody said that and we thought it was a load of rubbish. | 0:32:41 | 0:32:44 | |
No, it's my brother. They have so many... | 0:32:44 | 0:32:46 | |
- 'There's a snake in my boots.' - There's a snake in my boots. | 0:32:46 | 0:32:50 | |
There are so many computer games and video things, | 0:32:50 | 0:32:53 | |
and Jim just works on those all year long. | 0:32:53 | 0:32:56 | |
They said, "You don't want to do this." I said "Get my brother Jim." | 0:32:56 | 0:32:59 | |
-So that's my brother Jim. -I genuinely thought that was an urban myth. | 0:32:59 | 0:33:03 | |
-It's true, absolutely true. -Animation films, I would think that sounds easy. | 0:33:03 | 0:33:08 | |
But then I read that it's really hard work. For you, anyway. | 0:33:08 | 0:33:12 | |
It's fun work, because the people are great, but it is very, very hard. | 0:33:12 | 0:33:18 | |
Particularly Woody, because Woody is always yelling. | 0:33:18 | 0:33:21 | |
He's always... He's always doing that. | 0:33:21 | 0:33:24 | |
The way it works, they start working on it, and it takes about four years | 0:33:24 | 0:33:29 | |
for them to start animating it and get to the final product. | 0:33:29 | 0:33:32 | |
So about every six months, you go into a recording studio and you face the booth. | 0:33:32 | 0:33:40 | |
The screen is behind you, cos it's on the lots, and you face the booth. | 0:33:40 | 0:33:44 | |
And in the booth are these heads that look like judges at the Olympics. | 0:33:44 | 0:33:48 | |
They're just... And it's soundproof. You can't hear them, but they can hear every word you say. | 0:33:48 | 0:33:54 | |
So you've got a scene where you have to say something like... | 0:33:54 | 0:33:58 | |
You're standing and you have to do 18 variations of something like this. | 0:33:58 | 0:34:03 | |
"Buzz, if we don't get back there, I'm going to go absolutely berserk!" | 0:34:03 | 0:34:07 | |
That's what you have to do, and you do it every kind of way you possibly can | 0:34:07 | 0:34:13 | |
until your diaphragm is busted, your throat is raw, | 0:34:13 | 0:34:16 | |
you've spit all over the copy and it's your fourth hour of doing this. | 0:34:16 | 0:34:20 | |
You go, "I'm going to go berserk!" | 0:34:20 | 0:34:22 | |
You look at the people in the booth, and they're all going... | 0:34:22 | 0:34:25 | |
TOM MOUTHS | 0:34:25 | 0:34:30 | |
And they almost press the talkback, and they go... | 0:34:30 | 0:34:33 | |
TOM MOUTHS, LAUGHTER | 0:34:33 | 0:34:37 | |
"Hey, Tom, that was great." LAUGHTER | 0:34:42 | 0:34:44 | |
APPLAUSE | 0:34:44 | 0:34:47 | |
We did try, by the way, Nicole... | 0:34:47 | 0:34:50 | |
There were some dolls of the Pussycat Dolls, and we thought we'd get them in. | 0:34:50 | 0:34:54 | |
-But they were withdrawn because they were unsuitable for children. -LAUGHTER | 0:34:54 | 0:34:59 | |
-I don't know why. -Why didn't they just sell them somewhere else? | 0:34:59 | 0:35:03 | |
-LAUGHTER -They would have gone like hot cakes. Come on! | 0:35:03 | 0:35:08 | |
Now, you will shortly be performing your new single, Right There, from your first solo album. | 0:35:08 | 0:35:14 | |
-Yes. -Killer Love. | 0:35:14 | 0:35:17 | |
-Is it lovely being solo now? -I miss the girls, obviously, because we were this girl gang, | 0:35:17 | 0:35:22 | |
this force to be reckoned with when we were on stage together. | 0:35:22 | 0:35:25 | |
But I grew up on the stage and I love it, so I'm having a great time. | 0:35:25 | 0:35:31 | |
I say solo, but actually on this track... 50 Cent isn't here tonight, is he? He'd have told us. | 0:35:31 | 0:35:36 | |
-But he's on the track. -No, but Tom Hanks... -Oh, yeah. | 0:35:36 | 0:35:40 | |
LAUGHTER | 0:35:40 | 0:35:42 | |
And you call him 50 or Fiddy? | 0:35:42 | 0:35:44 | |
I call him 50, but everyone over here calls him Fiddy? With two Ds? | 0:35:44 | 0:35:48 | |
Yeah. Most of us who know him call him Fiddy. | 0:35:48 | 0:35:51 | |
Certain Americanisms sound really weird in a British accent. | 0:35:53 | 0:35:57 | |
-BRITISH ACCENT: -50. -Yeah, "50. Hello, 50". -So they say "Fiddy". | 0:35:57 | 0:36:01 | |
Yeah, because you feel more American, more street. | 0:36:01 | 0:36:04 | |
-Wouldn't they call him 50p over here? -50p! | 0:36:04 | 0:36:07 | |
LAUGHTER AND APPLAUSE | 0:36:07 | 0:36:09 | |
Yo, yo, yo. | 0:36:10 | 0:36:11 | |
-50p. -"I'm 50p." -Doesn't quite have the same gangster cool, does it? | 0:36:11 | 0:36:15 | |
I don't think you're going to be afraid of a rapper named 50p. LAUGHTER | 0:36:15 | 0:36:20 | |
Before you sing, I've got to ask you, what we want to know is, you and Lewis... | 0:36:20 | 0:36:25 | |
-Yes? -Wedding bells? | 0:36:25 | 0:36:27 | |
Well, I'm really proud of us that we've made it for three years. | 0:36:27 | 0:36:31 | |
-Just last week was our anniversary. -Well done. | 0:36:31 | 0:36:34 | |
-CHEERING AND APPLAUSE -Not too bad. | 0:36:34 | 0:36:36 | |
We live on opposite sides of the universe, so we've made it work. | 0:36:36 | 0:36:39 | |
There's a picture of us. A couple of weeks ago, we went to this movie awards. | 0:36:39 | 0:36:44 | |
He has a voiceover part in Cars 2, speaking of animation. | 0:36:44 | 0:36:47 | |
So he's worked for Pixar. | 0:36:47 | 0:36:48 | |
He knows what I'm talking about. | 0:36:48 | 0:36:51 | |
"Hey, Lewis, that was great." | 0:36:51 | 0:36:53 | |
LAUGHTER AND APPLAUSE | 0:36:53 | 0:36:56 | |
Nicole, it's time for you to sing, so if you'd like to go over and get ready and join your band. | 0:36:58 | 0:37:04 | |
-OK. All righty. -Off she... | 0:37:04 | 0:37:05 | |
Careful. | 0:37:05 | 0:37:07 | |
CHEERING | 0:37:07 | 0:37:08 | |
Excellent. Very good. | 0:37:08 | 0:37:12 | |
Very shortly we'll be hearing this week's stories in the famous red chair. | 0:37:12 | 0:37:16 | |
But first, singing Right There, it's Nicole Scherzinger! | 0:37:16 | 0:37:20 | |
CHEERING AND APPLAUSE | 0:37:20 | 0:37:22 | |
# Come here, baby Eh, be my baby | 0:37:32 | 0:37:35 | |
# Eh, be my baby Oh, oh, oh | 0:37:35 | 0:37:37 | |
# Come here, baby Put your hands on my body | 0:37:37 | 0:37:39 | |
# Hands on my body Oh, oh, oh | 0:37:39 | 0:37:42 | |
# Right there, keep it right there | 0:37:42 | 0:37:44 | |
# I love it when you put it right there, eh, eh | 0:37:44 | 0:37:47 | |
# Oh, oh, oh | 0:37:47 | 0:37:49 | |
# Yeah, yeah Oh, oh, oh | 0:37:49 | 0:37:51 | |
# Yeah | 0:37:51 | 0:37:52 | |
# Me like the way that you hold my body | 0:37:52 | 0:37:55 | |
# Me like the way that you touch my body | 0:37:55 | 0:37:58 | |
# Me like the way that you kiss my | 0:37:58 | 0:38:00 | |
# Yeah, yeah, yeah, yeah Me like it | 0:38:00 | 0:38:03 | |
# Me like the way that he put it on me | 0:38:03 | 0:38:05 | |
# Me like the way that he push up on me | 0:38:05 | 0:38:08 | |
# Me like the way that he go | 0:38:08 | 0:38:10 | |
# Down, down, way down, down Way down, down, down, down | 0:38:10 | 0:38:12 | |
# I ain't ever gonna let no girl take him from me | 0:38:12 | 0:38:15 | |
# Never gonna let no girl steal him from me | 0:38:15 | 0:38:17 | |
# Never gonna let a girl get that close now | 0:38:17 | 0:38:20 | |
# I tell 'em Baby, you're too close now | 0:38:20 | 0:38:23 | |
# Come here, baby Eh, be my baby | 0:38:23 | 0:38:25 | |
# Eh, be my baby Oh, oh, oh | 0:38:25 | 0:38:28 | |
# Come here, baby Put your hands on my body | 0:38:28 | 0:38:30 | |
# Hands on my body Oh, oh, oh | 0:38:30 | 0:38:33 | |
# Right there, keep it right there | 0:38:33 | 0:38:35 | |
# I love it when you put it right there, eh, eh | 0:38:35 | 0:38:38 | |
# Oh, oh, oh | 0:38:38 | 0:38:39 | |
# Yeah, yeah Oh, oh, oh | 0:38:39 | 0:38:42 | |
# Yeah | 0:38:42 | 0:38:43 | |
# Me like the way that you talk dirty | 0:38:43 | 0:38:46 | |
# Don't wash your mouth out I like it dirty | 0:38:46 | 0:38:48 | |
# I like to see that you like it | 0:38:48 | 0:38:50 | |
# Yeah, yeah, yeah, yeah Me like it | 0:38:50 | 0:38:53 | |
# Me like the way that you keep me comin' | 0:38:53 | 0:38:56 | |
# Feels so good he had me runnin' | 0:38:56 | 0:38:59 | |
# Me like the way that he go | 0:38:59 | 0:39:00 | |
# Down, down, way down, down Way down, down, down, down | 0:39:00 | 0:39:03 | |
# I ain't ever gonna let no girl take him from me | 0:39:03 | 0:39:06 | |
# Never gonna let no girl steal him from me | 0:39:06 | 0:39:08 | |
# Never gonna let a girl get that close now | 0:39:08 | 0:39:11 | |
# I tell 'em Baby, you're too close now | 0:39:11 | 0:39:13 | |
# Come here, baby Eh, be my baby | 0:39:13 | 0:39:16 | |
# Eh, be my baby Oh, oh, oh | 0:39:16 | 0:39:19 | |
# Come here, baby Put your hands on my body | 0:39:19 | 0:39:20 | |
# Hands on my body Oh, oh, oh | 0:39:20 | 0:39:23 | |
# Right there, keep it right there | 0:39:23 | 0:39:26 | |
# I love it when you put it right there, eh, eh | 0:39:26 | 0:39:28 | |
# Oh, oh, oh | 0:39:28 | 0:39:30 | |
# Yeah, yeah Oh, oh, oh... # | 0:39:30 | 0:39:32 | |
Here we go! | 0:39:32 | 0:39:34 | |
# ..Do he know how to work it? He got that, got that | 0:39:34 | 0:39:36 | |
# Put it on you, work it You got that, got that | 0:39:36 | 0:39:39 | |
# Do it real good for you Lay it down good for you | 0:39:39 | 0:39:41 | |
# Yeah, he got that, got that | 0:39:41 | 0:39:43 | |
# All my girls if you mad Put it down, let me hear you say | 0:39:43 | 0:39:46 | |
# Yeah-eah | 0:39:46 | 0:39:48 | |
# All my ladies if you mad Put it down, let me hear you say | 0:39:48 | 0:39:52 | |
# Yeah-eah | 0:39:52 | 0:39:53 | |
# Do we work that like you like that? | 0:39:53 | 0:39:56 | |
# When he throw the bone at you do you bite back? | 0:39:56 | 0:39:58 | |
# Say yeah-eah | 0:39:58 | 0:40:00 | |
-# All my girls say yeah-eah... # -Graham Norton, baby! | 0:40:00 | 0:40:03 | |
# If it make you feel good | 0:40:03 | 0:40:05 | |
# Come here, baby Eh, be my baby | 0:40:05 | 0:40:07 | |
# Eh, be my baby Oh, oh, oh | 0:40:07 | 0:40:09 | |
# Come here, baby Put your hands on my body | 0:40:09 | 0:40:11 | |
# Hands on my body Oh, oh, oh | 0:40:11 | 0:40:13 | |
# Right there, keep it right there | 0:40:13 | 0:40:16 | |
# I love it when you put it right there, eh, eh | 0:40:16 | 0:40:19 | |
# Oh, oh, oh | 0:40:19 | 0:40:20 | |
# Yeah, yeah Oh, oh, oh | 0:40:20 | 0:40:23 | |
# Yeah. # | 0:40:23 | 0:40:24 | |
CHEERING AND APPLAUSE | 0:40:24 | 0:40:27 | |
Nicole Scherzinger, everybody! | 0:40:27 | 0:40:30 | |
Whoo! Come on back here. | 0:40:30 | 0:40:33 | |
That was gorgeous! | 0:40:33 | 0:40:34 | |
Absolutely gorgeous. | 0:40:34 | 0:40:36 | |
-Come and join the boys one more time. -Thank you! -That was gorgeous. | 0:40:36 | 0:40:41 | |
NICOLE LAUGHS | 0:40:41 | 0:40:44 | |
-Beautiful. -That was a dedication to you and Wilson. | 0:40:44 | 0:40:47 | |
Oh, man. I loved that. | 0:40:47 | 0:40:49 | |
That was steamy. | 0:40:49 | 0:40:51 | |
It's a beautiful love song, Graham. | 0:40:51 | 0:40:55 | |
LAUGHTER | 0:40:55 | 0:40:58 | |
"Don't wash your mouth out." That's a great lyric, isn't it? | 0:40:58 | 0:41:02 | |
"Don't wash your mouth out, I like it dirty." | 0:41:02 | 0:41:05 | |
LAUGHTER | 0:41:05 | 0:41:08 | |
Before we go tonight, just time for some more stories in the red chair. | 0:41:08 | 0:41:12 | |
Who's up first? Hello, nice lady. | 0:41:12 | 0:41:14 | |
-Hello! -What's your name? | 0:41:14 | 0:41:17 | |
Teleri. | 0:41:17 | 0:41:18 | |
LAUGHTER | 0:41:20 | 0:41:21 | |
-No, no, that's a Vulcan name. -Is it a Vulcan name? | 0:41:21 | 0:41:25 | |
-Really? -It is a Vulcan name. | 0:41:25 | 0:41:26 | |
-I look to you. -I say yes. | 0:41:26 | 0:41:28 | |
-Is it a Vulcan name? -It's Welsh. | 0:41:28 | 0:41:32 | |
-APPLAUSE Oh, my lord! -I should have trusted my first instinct. | 0:41:34 | 0:41:39 | |
Did you just flip that lady off that chair? | 0:41:39 | 0:41:41 | |
-I give up, man. -The three of you have done very well tonight. | 0:41:43 | 0:41:47 | |
LAUGHTER | 0:41:47 | 0:41:51 | |
-OK, one more. What's your name? -My name's Andy. -It's Andy! -Andy! | 0:41:52 | 0:41:57 | |
It's Andy! What do you do, Andy? | 0:41:57 | 0:42:00 | |
I'm a student nurse. | 0:42:00 | 0:42:01 | |
He's a student nurse! Yay! | 0:42:01 | 0:42:05 | |
All right, off you go with your story. | 0:42:05 | 0:42:08 | |
OK, so I was on a night out with some friends, | 0:42:08 | 0:42:11 | |
and I went to this nightclub and I was a bit tipsy, | 0:42:11 | 0:42:13 | |
saw a podium, thought, "I'll have a bit of that." | 0:42:13 | 0:42:16 | |
So I gets up on this podium and I'm dancing around, | 0:42:16 | 0:42:19 | |
and then I notice this wire hanging down from the ceiling. | 0:42:19 | 0:42:23 | |
I thought "Aye, aye, I'll incorporate this into my little dance routine." | 0:42:23 | 0:42:27 | |
So not realising that it was actually a live wire, | 0:42:27 | 0:42:30 | |
at one point the wire comes into contact with my tongue stud. | 0:42:30 | 0:42:35 | |
I electrocute myself... LAUGHTER | 0:42:35 | 0:42:38 | |
..blue sparks come out of my mouth, blow a fuse. | 0:42:38 | 0:42:42 | |
The whole lights go out in the club and all the music just goes mmmwow... | 0:42:42 | 0:42:47 | |
-CHEERING AND APPLAUSE -Well done! Fantastic story. | 0:42:47 | 0:42:50 | |
You may walk, sir. You may walk. | 0:42:50 | 0:42:53 | |
Well done, everybody! If you'd like to join us on the show and have a go at the red chair, you can. | 0:42:53 | 0:42:58 | |
Just contact us via our website at this address. | 0:42:58 | 0:43:00 | |
Thank you so much to my guests tonight. | 0:43:00 | 0:43:03 | |
-Nicole Scherzinger! -CHEERING AND APPLAUSE | 0:43:03 | 0:43:07 | |
-Simon Pegg! -CHEERING AND APPLAUSE | 0:43:07 | 0:43:09 | |
-And Mr Tom Hanks! -CHEERING AND APPLAUSE | 0:43:09 | 0:43:12 | |
-I know that! -Join me next week | 0:43:12 | 0:43:15 | |
with comedian Kathy Griffin, wild man Bear Grylls | 0:43:15 | 0:43:17 | |
and Hollywood star Cameron Diaz! See you then. Good night, everybody, bye-bye! | 0:43:17 | 0:43:21 | |
CHEERING AND APPLAUSE | 0:43:21 | 0:43:24 | |
Subtitles by Red Bee Media Ltd | 0:43:43 | 0:43:46 | |
E-mail [email protected] | 0:43:46 | 0:43:49 |