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Week seven of the Bake Off, and I think, between us, | 0:00:02 | 0:00:04 | |
-we've committed all seven of the deadly sins. -Gluttony, natch. | 0:00:04 | 0:00:07 | |
Lust, I mean some of those buns are...very attractive. | 0:00:07 | 0:00:10 | |
-Sloth. -Pies, pies. Wrath, yeah, Paul's got that covered. | 0:00:10 | 0:00:12 | |
Envy. Ooh, now, did Deborah steal Howard's custard? | 0:00:12 | 0:00:16 | |
And pride! | 0:00:16 | 0:00:17 | |
And goodness only knows we've got precious little of that left. | 0:00:17 | 0:00:20 | |
Welcome to the Great British Bake Off. | 0:00:20 | 0:00:23 | |
Last time... | 0:00:23 | 0:00:24 | |
Ooh, no, no, it's terribly wrong. | 0:00:24 | 0:00:26 | |
Sweet dough proved bitter for some. | 0:00:26 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:29 | |
I can't taste the peach. | 0:00:29 | 0:00:31 | |
And Howard's time in the tent was up. | 0:00:31 | 0:00:33 | |
Oh, bless! | 0:00:33 | 0:00:35 | |
It should have been me. | 0:00:35 | 0:00:37 | |
But Ruby's sweet buns... | 0:00:37 | 0:00:39 | |
They're delicious. | 0:00:39 | 0:00:40 | |
..saw her crowned Star Baker for the second time. | 0:00:40 | 0:00:44 | |
Now the remaining six bakers face a pastry marathon. | 0:00:44 | 0:00:48 | |
It's going to be very tight. | 0:00:48 | 0:00:49 | |
A suet signature... | 0:00:49 | 0:00:51 | |
That's perfecto! | 0:00:51 | 0:00:52 | |
..that brings back the horrors of school dinners. | 0:00:52 | 0:00:54 | |
No, don't burn that bit! Grrr! | 0:00:54 | 0:00:57 | |
I've never known my hand to shake! | 0:00:57 | 0:00:59 | |
One hell of a technical challenge... | 0:00:59 | 0:01:01 | |
What an ugly bunch of nuns! | 0:01:01 | 0:01:03 | |
And a Showstopper... | 0:01:05 | 0:01:06 | |
Oh, God! | 0:01:06 | 0:01:07 | |
..that leaves them out of puff. | 0:01:07 | 0:01:09 | |
This is so stressful! | 0:01:09 | 0:01:11 | |
And with a place in the quarterfinals up for grabs, | 0:01:11 | 0:01:13 | |
the bakers are at breaking point. | 0:01:13 | 0:01:16 | |
-Get a grip. -Thanks. | 0:01:16 | 0:01:17 | |
-Just get a grip. -Thank you. | 0:01:17 | 0:01:18 | |
Get a ruddy grip! | 0:01:18 | 0:01:20 | |
Now there are six main types of pastry. | 0:01:44 | 0:01:47 | |
I bet you can't name them all. | 0:01:47 | 0:01:48 | |
Oh, um, sweet crust, shortcrust, suet, puff, hot water crust... | 0:01:48 | 0:01:53 | |
Choux? Yes? | 0:01:53 | 0:01:56 | |
-Look, I'm working here, I'm busy! -(It's pastry week.) | 0:01:56 | 0:01:58 | |
The fact that I'm in the final six tells me | 0:02:01 | 0:02:03 | |
that I'm actually OK at doing this baking malarkey. | 0:02:03 | 0:02:06 | |
Obviously, I got Star Baker last week, which was great. | 0:02:06 | 0:02:09 | |
I think I feel more confident, I'm getting a bit more confident. | 0:02:09 | 0:02:12 | |
The last man standing. | 0:02:12 | 0:02:14 | |
Last week, I was very lucky to stay. | 0:02:14 | 0:02:17 | |
My approach is just to get back to enjoying it. | 0:02:17 | 0:02:20 | |
Good morning. Welcome to this Signature Challenge, bakers. | 0:02:23 | 0:02:27 | |
This morning, Paul and Mary are asking for a heart-warming classic. | 0:02:27 | 0:02:32 | |
It's a suet pudding, please. | 0:02:32 | 0:02:34 | |
It can be sweet or savoury, should be family-sized, should be delicious. | 0:02:34 | 0:02:38 | |
Now, your puds can be steamed, boiled, baked, | 0:02:38 | 0:02:41 | |
but you've got three hours to make it. | 0:02:41 | 0:02:43 | |
The sun is shining, all is well. | 0:02:43 | 0:02:45 | |
-On your marks. -Get set. -Bake! | 0:02:45 | 0:02:47 | |
This is not something I usually do. | 0:02:50 | 0:02:53 | |
Practising this was the first time I'd ever done a suet pudding, | 0:02:53 | 0:02:55 | |
and I think it might be, like, the second time | 0:02:55 | 0:02:57 | |
I'd ever eaten a suet pudding, so it's all a bit new. | 0:02:57 | 0:03:00 | |
It's not terribly difficult, making a pudding like this, | 0:03:01 | 0:03:05 | |
but what you have got to do is keep it light, | 0:03:05 | 0:03:08 | |
and it must be well cooked, | 0:03:08 | 0:03:09 | |
because a slightly raw, heavy, suet pudding is no joy. | 0:03:09 | 0:03:15 | |
Suet is the hard white fat that surrounds the kidneys | 0:03:15 | 0:03:18 | |
and loins of sheep and cattle. | 0:03:18 | 0:03:20 | |
Grated, it's combined with flour, salt and liquid to make | 0:03:20 | 0:03:23 | |
a pastry that's both light in texture and rich in flavour. | 0:03:23 | 0:03:27 | |
If they've done it well, that is. | 0:03:27 | 0:03:29 | |
Suet pastry is old-fashioned, really. | 0:03:29 | 0:03:32 | |
People don't make it very often. | 0:03:32 | 0:03:34 | |
The mistakes will be when it comes to adding the liquid. | 0:03:34 | 0:03:37 | |
Too much, they won't be able to handle it. | 0:03:37 | 0:03:39 | |
If they don't add enough, it'll be too dry and crumbly. | 0:03:39 | 0:03:44 | |
What I'm looking for is a lovely, crispy exterior. | 0:03:44 | 0:03:47 | |
Inside must be nice and soft. The last thing I want is stodgy suet. | 0:03:47 | 0:03:51 | |
It's revolting. | 0:03:51 | 0:03:52 | |
I am making a big roly-poly pudding, | 0:03:54 | 0:03:58 | |
and my pudding is baked. | 0:03:58 | 0:04:00 | |
So it is a bit more fig roll than jam roly-poly. | 0:04:00 | 0:04:05 | |
Criticised in the past for focusing too much on the look of her bakes, | 0:04:05 | 0:04:09 | |
this week Frances is concentrating on flavour. | 0:04:09 | 0:04:11 | |
Her fig roly-poly pudding has a swirl of fig and thyme honey, | 0:04:11 | 0:04:15 | |
and comes with caramelised walnut and honey ice cream. | 0:04:15 | 0:04:18 | |
So can you tell us about the pastry itself? | 0:04:18 | 0:04:20 | |
It's actually got ground almonds in. Because I'm baking it, | 0:04:20 | 0:04:23 | |
it adds an extra moistness and an even nuttier taste, | 0:04:23 | 0:04:27 | |
and then I'm serving it with a honey lemon ice cream | 0:04:27 | 0:04:30 | |
with caramelised walnuts with a hint of goat's cheese. | 0:04:30 | 0:04:33 | |
Hint of goat? In your ice cream?! How's that going to work? | 0:04:33 | 0:04:37 | |
I know, seemed quite controversial. | 0:04:37 | 0:04:39 | |
I've lowered the level of goat as the week's gone on. | 0:04:39 | 0:04:42 | |
He was out the paddock initially, | 0:04:42 | 0:04:44 | |
so he should just be a little subtle hint. | 0:04:44 | 0:04:47 | |
-A kid. -A little kid. -A whiff of kid. | 0:04:47 | 0:04:51 | |
-OK, good luck. -Baa! | 0:04:51 | 0:04:53 | |
Thank you. | 0:04:53 | 0:04:55 | |
As well as traditional suet, there's also a vegetarian option, | 0:04:55 | 0:04:59 | |
made synthetically from palm oil and rice flour. | 0:04:59 | 0:05:02 | |
I've only eaten pastry and suet pudding all week | 0:05:02 | 0:05:04 | |
so I'm not feeling very sprightly now. | 0:05:04 | 0:05:07 | |
I'm using vegetable suet. It seems to work fine, | 0:05:07 | 0:05:09 | |
it doesn't taste any different or anything like that. | 0:05:09 | 0:05:12 | |
Ruby's vegetarian offering is a plum jam roly-poly with ginger ice cream. | 0:05:12 | 0:05:16 | |
But this week her suet practice bakes have had to compete | 0:05:16 | 0:05:19 | |
with a new addition to her life. | 0:05:19 | 0:05:21 | |
This is really, really sad but actually, we got a new cat | 0:05:21 | 0:05:24 | |
so I've just been playing with the cat all the time, | 0:05:24 | 0:05:27 | |
so I don't want to bake - I've just been having fun with Rupert. | 0:05:27 | 0:05:30 | |
So I always knew I'd end up a crazy cat lady, and it's finally happened. | 0:05:30 | 0:05:33 | |
I am experienced with suet pastry | 0:05:33 | 0:05:37 | |
because this is my husband's most favourite dessert in the universe. | 0:05:37 | 0:05:40 | |
Spotted dick suet pudding. | 0:05:40 | 0:05:43 | |
I'm putting a little chopped ginger into my fruit. | 0:05:43 | 0:05:46 | |
We like it, so I hope Paul and Mary will like it. | 0:05:48 | 0:05:52 | |
Christine's playing it safe with her tried and tested classic, | 0:05:52 | 0:05:56 | |
spotted dick with a vanilla custard ice cream. | 0:05:56 | 0:05:59 | |
I'm going to do it in the traditional way | 0:05:59 | 0:06:01 | |
my grandma used to do it. | 0:06:01 | 0:06:03 | |
Rolled in the muslin and steamed. | 0:06:03 | 0:06:05 | |
And you've incorporated the fruit actually in the suet crust itself? | 0:06:05 | 0:06:09 | |
Now what I did, Mary, was, I rolled out my suet crust | 0:06:09 | 0:06:12 | |
and put half the fruit on, rolled it again, | 0:06:12 | 0:06:14 | |
put the other half of the fruit on, because I found when you cut | 0:06:14 | 0:06:17 | |
the slices, you've got more dough, fruit, rather than all fruit. | 0:06:17 | 0:06:22 | |
That's very simple, very classic, and it's got to be very good. | 0:06:22 | 0:06:27 | |
Mary, I sincerely hope it is. | 0:06:27 | 0:06:28 | |
Kimberley is bravely attempting a modern twist on the same classic. | 0:06:30 | 0:06:33 | |
It's a spotted dick by any other name, but there aren't any currants | 0:06:33 | 0:06:36 | |
in it, I've replaced those with Persian berries. | 0:06:36 | 0:06:40 | |
These are barberries. Flavour-wise they are kind of a cross between | 0:06:43 | 0:06:46 | |
a sharp cranberry and a raisin. | 0:06:46 | 0:06:50 | |
I think I have issues with authority, | 0:06:50 | 0:06:52 | |
I don't like being told what to do, so even when I get a recipe | 0:06:52 | 0:06:56 | |
I kind of decide I'm going to do something else instead. | 0:06:56 | 0:07:00 | |
In addition to her barberries, Kimberley is adding dried apple | 0:07:00 | 0:07:03 | |
to her spotted dick, and they're not just there for flavour. | 0:07:03 | 0:07:05 | |
That'll absorb some of the liquid as it steams and swells up. | 0:07:05 | 0:07:09 | |
It'll help to dry the pudding out a little bit, | 0:07:09 | 0:07:11 | |
and help to keep it kind of light and airy. Hopefully. | 0:07:11 | 0:07:15 | |
While she's taking care to reduce moisture, Glenn is piling it in. | 0:07:17 | 0:07:22 | |
Agen prunes, and Armagnac. | 0:07:22 | 0:07:25 | |
If the bake doesn't go well, I'll just drown my sorrows. | 0:07:26 | 0:07:30 | |
HE BREATHES IN DEEPLY | 0:07:30 | 0:07:31 | |
While most bakers are making sweet puddings, | 0:07:32 | 0:07:35 | |
Beca is attempting a savoury take on the suet pud. | 0:07:35 | 0:07:39 | |
I'm just getting a little bit of colour on the meat | 0:07:39 | 0:07:43 | |
just so it seals, | 0:07:43 | 0:07:44 | |
and I just need the vegetables to be parboiled as well. | 0:07:44 | 0:07:49 | |
Beca usually tries to incorporate some traditional Welsh flavour | 0:07:49 | 0:07:52 | |
to her baking, and today she's making a spring lamb | 0:07:52 | 0:07:55 | |
and vegetable suet pudding with redcurrant gravy. | 0:07:55 | 0:07:58 | |
The traditional dish in Wales is cawl, | 0:07:58 | 0:08:00 | |
and it's based on that originally, so I've got the leek | 0:08:00 | 0:08:02 | |
and the carrot and swede, with lamb inside the pudding. | 0:08:02 | 0:08:05 | |
So the actual pastry itself goes round the outside. | 0:08:05 | 0:08:08 | |
How do you combat all the juice coming out of the mixture, | 0:08:08 | 0:08:11 | |
the vegetables and the meat? | 0:08:11 | 0:08:12 | |
That's why I've parboiled things and browned things off. | 0:08:12 | 0:08:15 | |
First time I did it I put things in raw. | 0:08:15 | 0:08:17 | |
That didn't work - as soon as I cut it, there was juice everywhere. | 0:08:17 | 0:08:20 | |
But this way of doing it, I know things are going to be cooked | 0:08:20 | 0:08:23 | |
and there's not liquid coming out and it's holding its shape. | 0:08:23 | 0:08:27 | |
OK, thanks, Beca. | 0:08:27 | 0:08:28 | |
The bakers can shape their suet puddings any way they like. | 0:08:31 | 0:08:34 | |
As a pie, | 0:08:34 | 0:08:36 | |
a cake, | 0:08:36 | 0:08:39 | |
or Chelsea bun roll. | 0:08:39 | 0:08:41 | |
I've wrapped it in a buttered grease-proof paper | 0:08:47 | 0:08:50 | |
and I've put a pleat in the top so that as the pudding expands | 0:08:50 | 0:08:55 | |
it doesn't compress because it can't go anywhere. | 0:08:55 | 0:08:58 | |
This is the pan, it's actually a milk loaf pan | 0:09:00 | 0:09:02 | |
but I wanted to use something that would give it a nice shape, | 0:09:02 | 0:09:05 | |
so I'm going to butter and sugar the inside of it, | 0:09:05 | 0:09:07 | |
which helps give it a nice crust. | 0:09:07 | 0:09:10 | |
I'm surprised to be here after last week, but happy to be here. | 0:09:10 | 0:09:15 | |
Like all knocks in life, pick yourself up and get on with it. | 0:09:15 | 0:09:19 | |
Glenn has often struggled with his timings, but is hoping | 0:09:19 | 0:09:22 | |
his prune and Armagnac suet pudding will run like clockwork. | 0:09:22 | 0:09:26 | |
This particular pudding. How much did you expect that to rise, | 0:09:26 | 0:09:29 | |
right up to the top and be pushing against the top? | 0:09:29 | 0:09:32 | |
Yes, I've actually got a little bit, but I hope not too much, mixture | 0:09:32 | 0:09:35 | |
left over, because I do want it to come up to the top | 0:09:35 | 0:09:37 | |
but also I don't want to have made a tin to keep it stodgy and stop it | 0:09:37 | 0:09:41 | |
having the right rise, so I've had to experiment a bit with that. | 0:09:41 | 0:09:45 | |
You're also bang on trend. | 0:09:45 | 0:09:46 | |
That is very summer into autumn clutch bag, 2013. | 0:09:46 | 0:09:50 | |
Well, obviously I was thinking about that! | 0:09:50 | 0:09:52 | |
Rock the clutch, Glenn. Rock the clutch! | 0:09:52 | 0:09:53 | |
-Amazing. -Good luck. -Thank you. | 0:09:53 | 0:09:56 | |
Right, I'm going to pop this now in my steamer. | 0:09:59 | 0:10:02 | |
Suet puddings can be boiled, steamed, or baked. | 0:10:02 | 0:10:06 | |
This is just some vanilla sugar, | 0:10:06 | 0:10:07 | |
that gives it a bit of crispy crunch like you'd find on a fig roll. | 0:10:07 | 0:10:11 | |
And each method presents its own challenges, | 0:10:11 | 0:10:14 | |
affecting the taste and texture of the pudding. | 0:10:14 | 0:10:17 | |
Seal the pudding off. I'm just doing a little handle, | 0:10:25 | 0:10:29 | |
so it's easier to get out later, because it'll be hot. | 0:10:29 | 0:10:32 | |
That's going to steam/boil for an hour and a half. | 0:10:34 | 0:10:39 | |
Many of our favourite puds traditionally used suet | 0:10:40 | 0:10:43 | |
to bind the ingredients together, but on the Isle of Mull, | 0:10:43 | 0:10:45 | |
suet binds the entire community. | 0:10:45 | 0:10:48 | |
Sticky! | 0:10:48 | 0:10:49 | |
The island of Mull is one of the best examples | 0:10:51 | 0:10:54 | |
of the tradition of Scottish crofting. | 0:10:54 | 0:10:57 | |
Since the early 1700s, | 0:10:57 | 0:10:58 | |
families rented small areas of land called crofts, | 0:10:58 | 0:11:01 | |
where they reared animals and grew produce to feed their family. | 0:11:01 | 0:11:04 | |
The crofter on Mull | 0:11:06 | 0:11:08 | |
mainly produced vegetables, potatoes and grain. | 0:11:08 | 0:11:11 | |
Other than that, there's nothing for them to produce | 0:11:11 | 0:11:14 | |
because the land is so bare, so hard, that they had to take | 0:11:14 | 0:11:19 | |
a small area of land and make the most of it. | 0:11:19 | 0:11:22 | |
As well as their own smallholding, the crofters shared communal land | 0:11:22 | 0:11:26 | |
that was harder to farm, so was used for grazing and foraging. | 0:11:26 | 0:11:29 | |
This shared responsibility resulted in a strong sense of community. | 0:11:29 | 0:11:33 | |
The crofter would never be isolated, and whatever job had to be done, | 0:11:33 | 0:11:37 | |
they would all turn their hand to it. | 0:11:37 | 0:11:39 | |
Taking in driftwood, taking home fish from the catch, | 0:11:39 | 0:11:42 | |
taking the boat ashore, whatever was necessary, | 0:11:42 | 0:11:45 | |
they would all band together and the job was done. | 0:11:45 | 0:11:48 | |
The community spirit affording to them was unique. | 0:11:48 | 0:11:52 | |
Community celebrations were typically marked | 0:11:52 | 0:11:55 | |
with a suet pudding known as the clootie dumpling. | 0:11:55 | 0:11:57 | |
The main ingredients are | 0:12:01 | 0:12:02 | |
flour, raisins, sugar and suet. | 0:12:02 | 0:12:05 | |
The suet was readily available | 0:12:05 | 0:12:07 | |
because it's the fatty membrane surrounding the kidney | 0:12:07 | 0:12:11 | |
of the animal. In most cases it would have been a sheep. | 0:12:11 | 0:12:14 | |
The suet prevents the ingredients seeping out into the pan. | 0:12:14 | 0:12:18 | |
Over the years, as transportation of goods from the mainland improved, | 0:12:18 | 0:12:22 | |
the recipe evolved and imported spices and treacle were added | 0:12:22 | 0:12:24 | |
to enhance the flavour of the dumpling, | 0:12:24 | 0:12:27 | |
but the cooking method has remained the same for centuries. | 0:12:27 | 0:12:30 | |
Clootie is an old Scottish word for cloth. | 0:12:30 | 0:12:32 | |
It's a very tight cotton cloth. | 0:12:32 | 0:12:35 | |
The mixture is put in the middle of the clootie | 0:12:35 | 0:12:38 | |
and then it's tied with string. | 0:12:38 | 0:12:41 | |
And everybody's cloth is special and you look after it | 0:12:41 | 0:12:44 | |
because you have it for your lifetime. | 0:12:44 | 0:12:47 | |
Traditionally, the dumpling is boiled for three hours before | 0:12:47 | 0:12:50 | |
being dried in front of an open fire. | 0:12:50 | 0:12:52 | |
Clootie dumpling was received by many people, and still is, | 0:12:52 | 0:12:56 | |
at celebrations, births, weddings and ceilidhs. | 0:12:56 | 0:13:01 | |
It would be a way that a community could almost come together | 0:13:01 | 0:13:04 | |
with a good, big clootie dumpling. | 0:13:04 | 0:13:07 | |
45 minutes remain in the Suet Signature Challenge. | 0:13:15 | 0:13:19 | |
That's had about an hour-and-a-half, and it only needs two hours | 0:13:24 | 0:13:27 | |
so, hopefully, it should be good to go in a little bit, | 0:13:27 | 0:13:31 | |
so I'm just preparing my custard. | 0:13:31 | 0:13:33 | |
I'm really chilled out. | 0:13:34 | 0:13:36 | |
It's mysterious, you know, week seven, | 0:13:37 | 0:13:40 | |
I should be much more anxious than this | 0:13:40 | 0:13:42 | |
but, so far, everything is going to plan and I've got plenty of time. | 0:13:42 | 0:13:45 | |
As this goes on, I don't feel any less stressed, | 0:13:45 | 0:13:49 | |
just as the standard is getting higher, as well, | 0:13:49 | 0:13:51 | |
so you just can't be making any mistakes. | 0:13:51 | 0:13:54 | |
That's a worry. | 0:13:54 | 0:13:56 | |
I'm just mixing condensed milk | 0:13:59 | 0:14:01 | |
with goat's cheese for my ice cream. | 0:14:01 | 0:14:03 | |
I don't want someone getting a whole chunk of goat. | 0:14:03 | 0:14:06 | |
There's a bit of goat, but he's not kicking too much. | 0:14:09 | 0:14:12 | |
Butterscotch sauce, I don't mind a little bit | 0:14:15 | 0:14:18 | |
of the raw alcohol flavour, so you get a sense of what it is, | 0:14:18 | 0:14:22 | |
but I try and get it so that they'll both be happy. | 0:14:22 | 0:14:24 | |
Enough booze to keep Mary happy | 0:14:24 | 0:14:25 | |
but not the raw alcohol flavour that will offend Paul. | 0:14:25 | 0:14:28 | |
Ho, ho! How good does that smell?! | 0:14:28 | 0:14:31 | |
Hello, Christine, you're lost in custard. | 0:14:31 | 0:14:34 | |
-Good morning, I am lost in custard. -What's your earliest memory of suet? | 0:14:34 | 0:14:37 | |
My grandma doing one of these. | 0:14:37 | 0:14:39 | |
That's my earliest memory of suet. | 0:14:39 | 0:14:40 | |
When you're doing something like a spotted dick, which is a classic, | 0:14:40 | 0:14:44 | |
-I've added a little bit of ginger to give it a kick. -Yeah. | 0:14:44 | 0:14:47 | |
-You can't change it too much. -No! | 0:14:47 | 0:14:48 | |
Otherwise it's not a spotted dick any more, it's something else. | 0:14:48 | 0:14:52 | |
It's just a ginger dick otherwise. | 0:14:52 | 0:14:54 | |
I mean, which is good. | 0:14:55 | 0:14:57 | |
I'm just, basically, trying to get all this goodness | 0:14:58 | 0:15:01 | |
off the bottom of the pan to go into the gravy. | 0:15:01 | 0:15:04 | |
Our gravy is never this thin and normally there's a vat load, | 0:15:04 | 0:15:07 | |
because in our family once you've had your Sunday roast | 0:15:07 | 0:15:10 | |
you mop up the gravy with your bread, | 0:15:10 | 0:15:12 | |
so this is posh gravy. | 0:15:12 | 0:15:15 | |
Half an hour left, bakers. Half an hour on your signature suet. | 0:15:15 | 0:15:19 | |
I'm just going to take the pudding out now. | 0:15:21 | 0:15:24 | |
Whoops, we're breaking, which is good because it means it's light. | 0:15:24 | 0:15:28 | |
There's quite a lot of butter running out | 0:15:28 | 0:15:31 | |
which isn't very attractive. | 0:15:31 | 0:15:32 | |
It looks like how it's supposed to look, I don't know what | 0:15:34 | 0:15:37 | |
it's like inside, obviously, but... | 0:15:37 | 0:15:39 | |
hopefully, it's all right. | 0:15:39 | 0:15:41 | |
Oh, my God that smells amazing. | 0:15:41 | 0:15:42 | |
Crusty... | 0:15:42 | 0:15:44 | |
That's perfecto. | 0:15:45 | 0:15:47 | |
That's quite nice, isn't it? | 0:15:47 | 0:15:48 | |
Some of it's stuck, which isn't ideal. | 0:15:52 | 0:15:54 | |
To give an extra bit of texture, I'm going to sift some sugar on the top | 0:15:54 | 0:15:58 | |
which will crisp up. | 0:15:58 | 0:16:00 | |
Also hopefully hiding the bit where the mixture clearly stuck. | 0:16:00 | 0:16:04 | |
I don't know how to make the grill hotter. | 0:16:05 | 0:16:07 | |
It doesn't seem to be doing much. We'll try that. | 0:16:07 | 0:16:09 | |
The last thing I want to do is burn it. | 0:16:09 | 0:16:12 | |
Do you like goat? | 0:16:15 | 0:16:17 | |
Are you getting goat? | 0:16:19 | 0:16:22 | |
Too much goat? | 0:16:25 | 0:16:27 | |
That's just not looking good. | 0:16:30 | 0:16:32 | |
That's really good custard. | 0:16:36 | 0:16:38 | |
I'm really happy with that. | 0:16:39 | 0:16:41 | |
The bit I was hoping to hide, | 0:16:41 | 0:16:43 | |
the sugar is drawing attention to it in a big white flash. | 0:16:43 | 0:16:47 | |
I think what we might do... | 0:16:47 | 0:16:48 | |
blow torch. | 0:16:48 | 0:16:50 | |
Amazing! | 0:16:52 | 0:16:54 | |
No, don't burn that bit! | 0:16:57 | 0:16:58 | |
Grrrr! | 0:16:58 | 0:17:00 | |
Bakers, the suet crisis is nearly over, one minute please. | 0:17:00 | 0:17:03 | |
That's very good if I say so myself. | 0:17:11 | 0:17:13 | |
You clever, clever boy. | 0:17:16 | 0:17:18 | |
It's a pity that's broken | 0:17:29 | 0:17:31 | |
but I don't think it will detract from the taste. | 0:17:31 | 0:17:33 | |
That is an amazing piece of work, | 0:17:36 | 0:17:38 | |
let's have a little sniffingtons. | 0:17:38 | 0:17:40 | |
-Happy... -Hello, sailor. -Cheers. | 0:17:40 | 0:17:43 | |
Bakers, your Signature Challenge is over. | 0:17:52 | 0:17:55 | |
How boozy is this sauce? Is it...? | 0:18:20 | 0:18:22 | |
There's a fair bit of Armagnac in it | 0:18:22 | 0:18:24 | |
-but I'm hoping I've cooked it off a bit. -Very standard. | 0:18:24 | 0:18:26 | |
Even for me, there's too much alcohol in there. | 0:18:31 | 0:18:34 | |
I love it! | 0:18:34 | 0:18:35 | |
What's happened? What's happened? | 0:18:35 | 0:18:39 | |
-That's weird. -That is weird, isn't it? | 0:18:39 | 0:18:41 | |
Have you been palate swapping this weekend? | 0:18:41 | 0:18:44 | |
That's delicious, the textures, the prunes are baked really well. | 0:18:44 | 0:18:47 | |
I was really worried how much mixture you'd put into the tin | 0:18:47 | 0:18:52 | |
because I thought you'd put too much in and it would give a very | 0:18:52 | 0:18:55 | |
close texture. You hadn't put too much in and the texture is fine. | 0:18:55 | 0:18:59 | |
Oh... | 0:19:09 | 0:19:10 | |
It's absolutely beautifully flavoured. | 0:19:11 | 0:19:14 | |
It's lovely, it's quite close textured | 0:19:14 | 0:19:18 | |
-but it tastes beautiful, doesn't it? -I love that ice cream. | 0:19:18 | 0:19:21 | |
-Thank you. -That's really good as well. | 0:19:21 | 0:19:23 | |
-I love the plums that are going through it. -Yeah. | 0:19:23 | 0:19:26 | |
If that was on a menu, I'd choose that, yeah. | 0:19:26 | 0:19:28 | |
-Oh, hello. -Doesn't that look attractive! | 0:19:36 | 0:19:39 | |
I was a bit concerned you adding ground almonds | 0:19:39 | 0:19:43 | |
but I can see there's a lovely texture. | 0:19:43 | 0:19:45 | |
There is a hint of the cheese. | 0:19:45 | 0:19:46 | |
I don't really like goat's cheese, | 0:19:46 | 0:19:48 | |
but the hint actually goes with the sweetness of the fig, | 0:19:48 | 0:19:51 | |
and the fig roly-poly is fantastic. | 0:19:51 | 0:19:53 | |
Very, very good flavours. | 0:19:53 | 0:19:56 | |
Well thought through and you haven't concentrated too much on the style, | 0:19:56 | 0:19:59 | |
-you concentrated on substance, well done. -Thank you. | 0:19:59 | 0:20:02 | |
Well, it's holding together, Beca, isn't it? | 0:20:08 | 0:20:11 | |
You've actually got a tender meat, but your vegetables | 0:20:12 | 0:20:15 | |
are just about cooked as well, and that gravy is beautiful. | 0:20:15 | 0:20:18 | |
-But I think you could have got away with a little less suet crust. -OK. | 0:20:18 | 0:20:23 | |
It's quite a lot, would you say that would serve six or eight? | 0:20:23 | 0:20:27 | |
My family, maybe four! | 0:20:27 | 0:20:29 | |
It's an awful lot of suet crust. | 0:20:29 | 0:20:31 | |
I was looking at it as an intimate meal for two, to be honest! | 0:20:31 | 0:20:34 | |
But you've got your flavours right. It's good, isn't it? | 0:20:34 | 0:20:37 | |
-Yeah, I think it works. -Thank you. -Cracking Welsh pud, well done. | 0:20:37 | 0:20:40 | |
Very good flavours. | 0:20:52 | 0:20:54 | |
The barberries are quite sharp, aren't they? | 0:20:54 | 0:20:56 | |
I think what you've got is you've got this huge sort of sourness, which I love by the way, | 0:20:56 | 0:21:00 | |
and then you've got the sweetness coming through in the custard. | 0:21:00 | 0:21:04 | |
That is steamed perfectly. | 0:21:04 | 0:21:05 | |
Extremely good. | 0:21:05 | 0:21:08 | |
-You've got a split there, what happened? -I'm not quite sure, | 0:21:12 | 0:21:15 | |
just when I unwrapped the buttered grease-proof, it was like that. | 0:21:15 | 0:21:19 | |
It's got a beautiful texture, | 0:21:19 | 0:21:22 | |
you've cleverly got the fruit all the way through. | 0:21:22 | 0:21:25 | |
Everything about that is right. | 0:21:25 | 0:21:28 | |
It's moist, it's got good colour, the ginger even helps it, | 0:21:28 | 0:21:31 | |
and the ice cream is perfect. | 0:21:31 | 0:21:32 | |
That's a really nice dish. | 0:21:32 | 0:21:34 | |
That's delicious. | 0:21:35 | 0:21:37 | |
I don't know where they're going because I'm not leaving. | 0:21:37 | 0:21:40 | |
I'm over the moon, I knew that the pudding would be good. | 0:21:46 | 0:21:49 | |
I'm just hoping it's what Paul and Mary like, | 0:21:49 | 0:21:52 | |
and they obviously did. | 0:21:52 | 0:21:54 | |
I've done it a few times to practise, | 0:21:54 | 0:21:56 | |
that's the best it's ever turned out, so brilliant. | 0:21:56 | 0:21:59 | |
They liked the pudding, they liked the taste, yeah, really pleased with everything. | 0:21:59 | 0:22:02 | |
That is exactly what I wanted to hear, | 0:22:02 | 0:22:04 | |
that I'd got sophisticated style, with good substance, | 0:22:04 | 0:22:08 | |
with a goat in there for good measure. | 0:22:08 | 0:22:11 | |
With suet success all round, spirits in the tent are high. | 0:22:19 | 0:22:22 | |
So, it's time to bring them back down to Earth, with a bump. | 0:22:24 | 0:22:27 | |
Bakers, time for the Technical Challenge. | 0:22:27 | 0:22:31 | |
Now this recipe today is one of old laser eyes herself, Mary Berry's. | 0:22:33 | 0:22:37 | |
-Look at them, just boring in. -Terrified. | 0:22:37 | 0:22:41 | |
Terrified, I can't look at her. | 0:22:41 | 0:22:43 | |
So Mary, Paul, I'm going to have to ask you to leave, | 0:22:43 | 0:22:45 | |
off they go, to the love dungeon there. | 0:22:45 | 0:22:47 | |
-Off they go. -Should tip him upside down and check he's not got a soggy bottom? | 0:22:47 | 0:22:50 | |
Paul and Mary would like you please to make | 0:22:52 | 0:22:55 | |
eight religieuses which means "nun" in French. | 0:22:55 | 0:22:59 | |
Eight little nuns, a French classic, made from choux pastry. | 0:22:59 | 0:23:02 | |
They should be filled with creme patissiere, | 0:23:02 | 0:23:05 | |
smothered in chocolate ganache | 0:23:05 | 0:23:08 | |
and piped with whipped cream. | 0:23:08 | 0:23:09 | |
You've got two hours to bake and present your religieuses. | 0:23:09 | 0:23:13 | |
I've never eaten a nun before. | 0:23:13 | 0:23:15 | |
On your marks. | 0:23:15 | 0:23:16 | |
Get set. | 0:23:16 | 0:23:18 | |
# Bake! # | 0:23:18 | 0:23:19 | |
I have never made these. | 0:23:23 | 0:23:24 | |
I don't even know quite how to pronounce it. | 0:23:24 | 0:23:27 | |
I've eaten plenty of these, I've never made one. | 0:23:28 | 0:23:31 | |
I know what one of these is meant to look like, | 0:23:33 | 0:23:36 | |
so that's a start. | 0:23:36 | 0:23:37 | |
Even though I've made choux pastry quite often, | 0:23:39 | 0:23:41 | |
I feel physically sick. | 0:23:41 | 0:23:44 | |
It's not very complicated. | 0:23:44 | 0:23:45 | |
I think people are scared of it much more than they need to be | 0:23:45 | 0:23:48 | |
because it's actually very simple. | 0:23:48 | 0:23:50 | |
-Oh, wow. -This'll take careful baking. | 0:23:52 | 0:23:55 | |
Firstly they must make choux pastry. | 0:23:55 | 0:23:57 | |
They've got to get it to the right consistency, | 0:23:57 | 0:24:00 | |
it's got to be stiff enough to pipe. | 0:24:00 | 0:24:02 | |
They must make creme patissiere, if it's too runny it'll ooze out, | 0:24:02 | 0:24:06 | |
if it's too stiff they won't get it out of the end of the piping tube. | 0:24:06 | 0:24:09 | |
The ganache has to be done carefully, hasn't it? | 0:24:09 | 0:24:11 | |
It's quite tricky to get that wonderful shine. | 0:24:11 | 0:24:14 | |
This is without doubt a difficult Technical Challenge. | 0:24:14 | 0:24:17 | |
They had it easy with the suet crust, I think, | 0:24:17 | 0:24:21 | |
this is going to sort them out. | 0:24:21 | 0:24:24 | |
Choux is different to all other pastries | 0:24:27 | 0:24:30 | |
as it's first cooked in a pan. | 0:24:30 | 0:24:32 | |
I've got my water and butter in here. | 0:24:33 | 0:24:36 | |
Once the butter's melted, | 0:24:36 | 0:24:38 | |
then I need to get my flour in all in one go and give it a beat. | 0:24:38 | 0:24:41 | |
Beginning to cook off now, and it'll go a bit stiffer | 0:24:44 | 0:24:48 | |
as the flour cooks a bit. | 0:24:48 | 0:24:50 | |
Then you whisk in eggs | 0:24:50 | 0:24:53 | |
and that's the part you've got to get right. | 0:24:53 | 0:24:56 | |
Mary's recipe doesn't specify how thick... | 0:24:56 | 0:24:59 | |
It's a good work-out. | 0:24:59 | 0:25:00 | |
..the choux paste should be. | 0:25:00 | 0:25:02 | |
I would have expected it to be a bit thicker. | 0:25:02 | 0:25:05 | |
I think I just have to use my intuition a bit, | 0:25:05 | 0:25:07 | |
and just get to the stage where I recognise it as choux pastry. | 0:25:07 | 0:25:12 | |
What have I done. Calm down, Glenn, get it together. | 0:25:15 | 0:25:17 | |
I'm starting again, I've done choux like a million times, | 0:25:17 | 0:25:20 | |
and there's a stage after you've added the flour in | 0:25:20 | 0:25:23 | |
then you need to dry the mixture off a bit with plenty of heat, | 0:25:23 | 0:25:26 | |
and give it a sound beating before you add the eggs | 0:25:26 | 0:25:29 | |
and I've just shoved the eggs in. | 0:25:29 | 0:25:31 | |
Well, if I beat that over a high heat I'm going to end up | 0:25:31 | 0:25:33 | |
with a scrambled, floury mess, so scratch that | 0:25:33 | 0:25:36 | |
and start again. | 0:25:36 | 0:25:39 | |
Now normally when I make choux buns, I kind of do it into a ball, | 0:25:39 | 0:25:42 | |
but this says to pipe round discs. | 0:25:42 | 0:25:45 | |
Round discs, I'm terrible at piping, | 0:25:52 | 0:25:56 | |
absolutely abysmal at piping. | 0:25:56 | 0:25:59 | |
The shaping is important on this one because the whole of the bake | 0:26:03 | 0:26:06 | |
is about the shape, it's supposed to look like a little pastry nun. | 0:26:06 | 0:26:09 | |
It's about making sure you've got the right consistency | 0:26:09 | 0:26:11 | |
of your batter that's not too loose. | 0:26:11 | 0:26:15 | |
Batch number two, happy bunny. | 0:26:15 | 0:26:18 | |
I can feel the texture's right so I know it's going to pipe nicely | 0:26:18 | 0:26:21 | |
and then puff up nicely. | 0:26:21 | 0:26:23 | |
I'm just smoothing it out to fill the circle. | 0:26:24 | 0:26:28 | |
Once it's in the oven, it does tend to do its own thing. | 0:26:29 | 0:26:33 | |
Hopefully the right thing, which is puff up nicely, nice and brown. | 0:26:34 | 0:26:37 | |
A hot oven is crucial. | 0:26:40 | 0:26:42 | |
To get that all-important rise, | 0:26:42 | 0:26:44 | |
choux buns must be baked at a high temperature. | 0:26:44 | 0:26:47 | |
Come on babies, rise! | 0:26:50 | 0:26:52 | |
The moisture in the paste quickly turns to steam, | 0:26:53 | 0:26:56 | |
puffing the pastry into hollow shells. | 0:26:56 | 0:26:59 | |
Well, my little ones are puffing up well. | 0:26:59 | 0:27:02 | |
Yeah, they've puffed up nicely, I'm happy with that. | 0:27:09 | 0:27:12 | |
Quite flat... | 0:27:14 | 0:27:17 | |
They haven't risen up like a choux bun should. | 0:27:17 | 0:27:20 | |
Rubbish! | 0:27:22 | 0:27:24 | |
This has never happened before at home, ever. | 0:27:24 | 0:27:27 | |
Ever. | 0:27:27 | 0:27:28 | |
How are your hot nuns? | 0:27:29 | 0:27:31 | |
Ooo... | 0:27:31 | 0:27:33 | |
Amen, Beca. | 0:27:33 | 0:27:35 | |
So that is so you can get the filling in? | 0:27:35 | 0:27:38 | |
But also to let any additional steam out so that the inside dries out. | 0:27:38 | 0:27:43 | |
Bakers, you've got half an hour left of nun bun fun. | 0:27:43 | 0:27:47 | |
Half an hour left. | 0:27:48 | 0:27:49 | |
OK, make the creme pat, make the chocolate ganache. | 0:27:49 | 0:27:53 | |
Just make stuff, just make it! | 0:27:56 | 0:27:57 | |
So you want like a nice, thick, glossy consistency. | 0:28:00 | 0:28:03 | |
I just want to make it extra smooth and silky, it is for nuns after all! | 0:28:04 | 0:28:08 | |
That is some darn good looking creme pat you've got there, Christine. | 0:28:08 | 0:28:11 | |
It's not bad, is it? | 0:28:11 | 0:28:13 | |
If it's too runny, it'll ooze out of every little crevice, | 0:28:14 | 0:28:17 | |
every little hole. | 0:28:17 | 0:28:18 | |
Ugh! | 0:28:18 | 0:28:19 | |
Production line, inject those nuns. | 0:28:21 | 0:28:24 | |
My technique is to go right down to the top | 0:28:24 | 0:28:28 | |
and just keep going until it spills out, really. | 0:28:28 | 0:28:31 | |
My days... | 0:28:36 | 0:28:39 | |
That's like filling the car up with petrol, isn't it? | 0:28:39 | 0:28:42 | |
Oh! | 0:28:48 | 0:28:49 | |
The texture is all wrong, too thin, | 0:28:49 | 0:28:53 | |
creme pat, big mistake. | 0:28:53 | 0:28:55 | |
Messy, messy. | 0:28:55 | 0:28:57 | |
Five minutes, bakers, before those nuns meet their maker. | 0:28:57 | 0:29:00 | |
Five minutes. | 0:29:00 | 0:29:02 | |
Just dipping the big ones, | 0:29:08 | 0:29:11 | |
that's all quite successful. | 0:29:11 | 0:29:13 | |
So all the cream is just going to stream out the bottom. | 0:29:13 | 0:29:17 | |
I think when Mary comes to taste them, she'll know. | 0:29:34 | 0:29:37 | |
I don't think I'd be able to cover it up with ganache, | 0:29:37 | 0:29:40 | |
or filling, to be honest. | 0:29:40 | 0:29:42 | |
Mary's too canny for that. | 0:29:42 | 0:29:45 | |
This is where a judicious shove might just.. | 0:29:48 | 0:29:52 | |
-Oh, that's very precarious! -Oh, that's brilliant. -That's scary. | 0:29:52 | 0:29:55 | |
It's looking good. | 0:29:55 | 0:29:57 | |
Oh, we've got a decapitated nun! She's down! | 0:30:05 | 0:30:09 | |
Oh... | 0:30:10 | 0:30:12 | |
This is just a fiddly nightmare, | 0:30:19 | 0:30:22 | |
this is just the kind of stuff I hate. | 0:30:22 | 0:30:25 | |
Would you stop falling over? | 0:30:25 | 0:30:28 | |
Bakers, in one minute, the abbey bell will toll | 0:30:28 | 0:30:31 | |
and all the little nuns need to come scurrying up to the table. | 0:30:31 | 0:30:35 | |
I've never known my hand to shake! | 0:30:40 | 0:30:42 | |
What an ugly bunch of nuns! | 0:30:42 | 0:30:45 | |
-OK, bakers, time's up. -SHE SIGHS | 0:30:53 | 0:30:56 | |
Let's eat. | 0:30:56 | 0:30:57 | |
As the bakers bring their religieuses up to be judged, | 0:31:00 | 0:31:04 | |
there's nothing more they can do. | 0:31:04 | 0:31:06 | |
Fortunately, Mary and Paul have no idea whose bakes are whose. | 0:31:10 | 0:31:14 | |
I think we've got good batches here, don't you? | 0:31:16 | 0:31:19 | |
Most of them do look all similar sizes. | 0:31:19 | 0:31:21 | |
There's one that doesn't, | 0:31:21 | 0:31:23 | |
but shall we start from this one? | 0:31:23 | 0:31:26 | |
These are very tall nuns, aren't they? | 0:31:26 | 0:31:28 | |
There's a bit of an issue there with the creme patissiere, | 0:31:28 | 0:31:32 | |
it's just runny. | 0:31:32 | 0:31:34 | |
It's a good flavour and the choux pastry itself is crisp. | 0:31:34 | 0:31:38 | |
These are pretty good. | 0:31:38 | 0:31:40 | |
The creme patissiere is just the right consistency | 0:31:41 | 0:31:44 | |
and it holds the whole thing together. | 0:31:44 | 0:31:46 | |
The chocolate looks good, all look pretty even, | 0:31:46 | 0:31:48 | |
nice pipe work round the outside as well. I like that. | 0:31:48 | 0:31:51 | |
And this one... | 0:31:51 | 0:31:53 | |
It's a nice bake. The texture on the choux bun is good. | 0:31:53 | 0:31:57 | |
But the creme pat is positively runny. | 0:31:57 | 0:32:01 | |
These baby fellas, this has had a few issues | 0:32:01 | 0:32:03 | |
with the choux pastry itself, it's too small and it's also burnt. | 0:32:03 | 0:32:06 | |
Tastes a little burnt. | 0:32:06 | 0:32:09 | |
-A lot of chocolate on this, isn't there, crispy though. -Mm-hm. | 0:32:09 | 0:32:14 | |
-Lovely shine on the icing, good piping. -A bit irregular though. | 0:32:14 | 0:32:17 | |
Not quite perfect. | 0:32:17 | 0:32:19 | |
-And the last one... -The piping is poor round the outside. | 0:32:19 | 0:32:22 | |
-If you see it's sort of dot and carry one there. -Tastes good. | 0:32:22 | 0:32:25 | |
-Creme patissiere's a good consistency. -OK. | 0:32:25 | 0:32:28 | |
It's decision time. | 0:32:31 | 0:32:33 | |
Paul and Mary will now rank the bakers in reverse order. | 0:32:34 | 0:32:38 | |
Right, in sixth place is this one, obviously. | 0:32:38 | 0:32:41 | |
Christine, it was burnt and there was not enough rise in the choux. | 0:32:41 | 0:32:45 | |
And so number five here, the creme patissiere was a bit runny. | 0:32:45 | 0:32:50 | |
And number four is this one. | 0:32:50 | 0:32:52 | |
Good pipe work around the outside, | 0:32:52 | 0:32:55 | |
creme pat is very good inside, it's nice and stiff, | 0:32:55 | 0:32:57 | |
the only issue I had was inconsistency in size. | 0:32:57 | 0:33:00 | |
And who's number three here? | 0:33:00 | 0:33:02 | |
It would have even gone higher if it hadn't been such a runny creme pat. | 0:33:02 | 0:33:07 | |
And number two is this one. | 0:33:07 | 0:33:09 | |
Good layer of chocolate, the profiterole was nice and crispy | 0:33:09 | 0:33:11 | |
and the creme pat was good. | 0:33:11 | 0:33:14 | |
And who is number one? | 0:33:14 | 0:33:17 | |
Yay, well done, Beca! | 0:33:17 | 0:33:18 | |
APPLAUSE | 0:33:18 | 0:33:20 | |
Evenly baked, lovely creme patissiere, | 0:33:22 | 0:33:25 | |
neat piping, well done. | 0:33:25 | 0:33:28 | |
Thank you. Thank you. | 0:33:28 | 0:33:29 | |
I'm so chuffed, I've just been wanting to be top | 0:33:29 | 0:33:32 | |
in the technical ever since week one. It's amazing to have it now. | 0:33:32 | 0:33:36 | |
I came third, what I like is that even when you're in the middle | 0:33:36 | 0:33:39 | |
of the pack, when it's a small number | 0:33:39 | 0:33:41 | |
that's still a bronze medal, Hurray! | 0:33:41 | 0:33:43 | |
What can I say? They were rubbish. | 0:33:43 | 0:33:46 | |
But I knew they were. I've done one good bake. | 0:33:48 | 0:33:52 | |
That was obviously poor, tomorrow's just got to be good. | 0:33:52 | 0:33:56 | |
A brand-new day in the bake off tent. | 0:34:10 | 0:34:12 | |
And the bakers have reached the final leg of their pastry marathon. | 0:34:14 | 0:34:18 | |
Morning, bakers, and welcome to the Showstopper Challenge. | 0:34:21 | 0:34:25 | |
Now today, we're looking for three types of puff pastry. | 0:34:25 | 0:34:29 | |
Now think palmier, think lattice, | 0:34:29 | 0:34:32 | |
think pinwheel, mainly think massive horn. | 0:34:32 | 0:34:35 | |
We'd like one type filled, one type iced, | 0:34:35 | 0:34:38 | |
you can do whatever you want with the final type | 0:34:38 | 0:34:40 | |
but we need 12 of each. | 0:34:40 | 0:34:41 | |
Now no presh, but you are baking for a place in the quarterfinal, OK? | 0:34:41 | 0:34:47 | |
You've got four hours, bakers. On your marks... | 0:34:47 | 0:34:49 | |
-Get set. -Bake! | 0:34:49 | 0:34:51 | |
Of all the pastries the bakers have tackled so far, | 0:34:52 | 0:34:55 | |
puff is the most technically challenging | 0:34:55 | 0:34:57 | |
and time consuming to make. | 0:34:57 | 0:35:00 | |
I've made flaky pastry and rough puff pastry | 0:35:00 | 0:35:03 | |
but never full-on puff pastry. There's a lot of processes. | 0:35:03 | 0:35:06 | |
It just takes for ever, | 0:35:06 | 0:35:08 | |
and we don't have for ever, so that's what is worrying. | 0:35:08 | 0:35:11 | |
To make a full-blooded puff pastry you need time, | 0:35:11 | 0:35:15 | |
you need patience and you need precision. | 0:35:15 | 0:35:17 | |
It's all about the lamination, building up the layers | 0:35:17 | 0:35:20 | |
of butter dough, butter dough. As the dough melts, | 0:35:20 | 0:35:22 | |
it creates steam and that brings up the layers of the two doughs | 0:35:22 | 0:35:25 | |
apart from each other, that's what gives it the rise. | 0:35:25 | 0:35:29 | |
We're looking for a very professional finish. | 0:35:29 | 0:35:31 | |
Every single one has got to be even, | 0:35:31 | 0:35:34 | |
good flavours, good textures, | 0:35:34 | 0:35:36 | |
and I think we should get a great variety. | 0:35:36 | 0:35:39 | |
Frankly, anybody who has a life, or a job, or a family, or friends | 0:35:39 | 0:35:43 | |
doesn't do this often. | 0:35:43 | 0:35:45 | |
The pastry itself I quite like making. | 0:35:45 | 0:35:48 | |
I think it's the whole process, I've really quite got into it, actually. | 0:35:48 | 0:35:53 | |
Puff pastry has a much higher fat content than short pastries, | 0:35:55 | 0:35:58 | |
often having the same quantity of flour and butter. | 0:35:58 | 0:36:01 | |
The remaining chilled butter is flattened | 0:36:06 | 0:36:09 | |
so that it can be encased in the dough. | 0:36:09 | 0:36:11 | |
Although I had a good day yesterday, I'm not sitting back. | 0:36:14 | 0:36:17 | |
I am going full speed ahead to get all the elements done | 0:36:17 | 0:36:20 | |
because I know that if I can pull it off like I have at home, | 0:36:20 | 0:36:22 | |
they're beautiful and I'm really happy with them. | 0:36:22 | 0:36:25 | |
Beca is making nectarine and frangipane squares, | 0:36:25 | 0:36:28 | |
sweet vol-au-vents filled with chocolate and hazelnut, | 0:36:28 | 0:36:30 | |
and strawberries and cream mille-feuilles. | 0:36:30 | 0:36:32 | |
That's the one that takes the most time towards the end. | 0:36:32 | 0:36:35 | |
The vol-au-vents and the filled squares, it's filling them and ensuring they're glazed and equal. | 0:36:35 | 0:36:40 | |
So how are you doing for time | 0:36:40 | 0:36:42 | |
because you haven't got your pastry in? | 0:36:42 | 0:36:43 | |
I'm OK, I've allocated the first two hours to pretty much | 0:36:43 | 0:36:47 | |
doing everything individually and I've got the middle hour | 0:36:47 | 0:36:49 | |
to bake and the last hour to assemble, | 0:36:49 | 0:36:51 | |
so really tight but it's worked. | 0:36:51 | 0:36:54 | |
We'll leave you in peace. | 0:36:54 | 0:36:55 | |
-I was going to say, would it help if we left? -Probably, yes. | 0:36:55 | 0:36:59 | |
So you just seal the butter inside a kind of envelope of the pastry. | 0:37:04 | 0:37:07 | |
If you enclose it first, you get another additional set of layers, | 0:37:07 | 0:37:10 | |
you've already started with the layers, | 0:37:10 | 0:37:12 | |
I've got pastry, butter, pastry already | 0:37:12 | 0:37:15 | |
before I get round to even doing my first fold. | 0:37:15 | 0:37:17 | |
While most of the bakers | 0:37:17 | 0:37:19 | |
are sticking to the traditional method, | 0:37:19 | 0:37:22 | |
Glenn is ripping up the rule book. | 0:37:22 | 0:37:25 | |
I'm using the inverted | 0:37:25 | 0:37:27 | |
or inside-out puff method. | 0:37:27 | 0:37:29 | |
So rather than folding the butter inside the dough, | 0:37:29 | 0:37:34 | |
I'm rolling the dough inside the butter. | 0:37:34 | 0:37:36 | |
I've tried both ways and, for me, this works to give | 0:37:36 | 0:37:39 | |
a nice, light, flaky result. | 0:37:39 | 0:37:42 | |
Glenn is making caramelised apple and marzipan tartlets, | 0:37:42 | 0:37:46 | |
chocolate elephant ears, | 0:37:46 | 0:37:48 | |
and passion fruit mille-feuilles from his inside-out pastry. | 0:37:48 | 0:37:51 | |
-Yours is going to have butter on the outside? -It's very hard to tell | 0:37:51 | 0:37:55 | |
but after the first few turns, the outside doesn't feel | 0:37:55 | 0:37:57 | |
like butter, it sort of feels like dough. | 0:37:57 | 0:38:00 | |
I'm not convinced... I think the traditional way, | 0:38:00 | 0:38:03 | |
-you can get extremely good results. -Oh, no doubt. Yeah. | 0:38:03 | 0:38:06 | |
Your flavours are fairly straightforward, | 0:38:06 | 0:38:09 | |
I'm curious to see what the finished result is with this new pastry. | 0:38:09 | 0:38:13 | |
-We'll see. -Good luck, Glenn. | 0:38:13 | 0:38:15 | |
This is the way the French do it. | 0:38:15 | 0:38:18 | |
I know there are other methods, | 0:38:18 | 0:38:20 | |
there's probably loads of different methods going on around the room, | 0:38:20 | 0:38:23 | |
this just works for me. So if it's not broke, don't fix it. | 0:38:23 | 0:38:27 | |
Frances is making French cream horns, sheet music mille-feuilles, | 0:38:27 | 0:38:31 | |
and bass clef palmiers, inspired by French singer, Edith Piaf. | 0:38:31 | 0:38:36 | |
-Is this your first turn? -This is first, I'm going to do six in total | 0:38:36 | 0:38:39 | |
and then 20 minutes rest in the fridge. | 0:38:39 | 0:38:41 | |
You're handling that very well and it's not oozing out, | 0:38:41 | 0:38:44 | |
it looks fairly even all the way along. | 0:38:44 | 0:38:47 | |
-I always find, near the end, it gets easier to handle. -This is my worst nightmare, this. | 0:38:47 | 0:38:51 | |
-It involves concentration and patience - two things I don't have. -I enjoy doing it at home. | 0:38:51 | 0:38:55 | |
Initially I hadn't done a lot of pastry but I've quite got into it. | 0:38:55 | 0:38:59 | |
At the moment I'm using the book turns | 0:39:00 | 0:39:02 | |
because it gets you an extra layer, every layer helps. | 0:39:02 | 0:39:05 | |
It's a really funny dough to work with | 0:39:05 | 0:39:08 | |
because it looks really, really ugly for a while | 0:39:08 | 0:39:10 | |
and then after a few rolls, it's beautiful, | 0:39:10 | 0:39:13 | |
it's like an ugly duckling. | 0:39:13 | 0:39:15 | |
I'm about to embark on the first fold of the inverted puff pastry, | 0:39:19 | 0:39:23 | |
so this is the beurrage which is the cold butter... | 0:39:23 | 0:39:28 | |
then I shall enfold the pastry in the butter. | 0:39:28 | 0:39:32 | |
It seems crazy, but it works. | 0:39:32 | 0:39:35 | |
Although I have a point to prove now, because there was a certain | 0:39:35 | 0:39:39 | |
amount of scepticism and I can feel them watching me even as we speak. | 0:39:39 | 0:39:42 | |
I hope I prove them wrong! | 0:39:42 | 0:39:44 | |
I hope they eat their words | 0:39:44 | 0:39:46 | |
and say these are the best puff pastries we've ever had. | 0:39:46 | 0:39:49 | |
They won't go that far, let's not get carried away, Glenn. | 0:39:49 | 0:39:51 | |
I hope they say it works. | 0:39:51 | 0:39:54 | |
The pastry is put in the freezer between turns, | 0:39:54 | 0:39:58 | |
to allow the butter to chill and the dough to rest. | 0:39:58 | 0:40:01 | |
But there is no such luck for the bakers. | 0:40:01 | 0:40:03 | |
So I'm making the frangipane now whilst that's having a rest | 0:40:03 | 0:40:07 | |
and then... | 0:40:07 | 0:40:09 | |
fold, turn, fold, turn, rest. | 0:40:09 | 0:40:12 | |
Make more stuff. | 0:40:12 | 0:40:14 | |
Right... | 0:40:16 | 0:40:18 | |
it's knackering. | 0:40:18 | 0:40:19 | |
I'm just making my white chocolate ganache at the moment. | 0:40:19 | 0:40:22 | |
This is for the mille-feuilles, | 0:40:22 | 0:40:25 | |
so this is going to go in the lower layer and then... | 0:40:25 | 0:40:29 | |
And, then, other stuff in the upper layer. | 0:40:29 | 0:40:33 | |
More specifically, Ruby's mille-feuilles will be filled | 0:40:33 | 0:40:36 | |
with raspberry and passion fruit. | 0:40:36 | 0:40:38 | |
She's also making caramelised apple lattice | 0:40:38 | 0:40:40 | |
and Portuguese custard tarts. | 0:40:40 | 0:40:43 | |
The whole idea of doing the mille-feuilles | 0:40:43 | 0:40:45 | |
with the passion fruit, the raspberry and the chocolate, | 0:40:45 | 0:40:47 | |
are you going to portion each one once you've baked it as a log | 0:40:47 | 0:40:50 | |
or are you going to do them individually? | 0:40:50 | 0:40:52 | |
Um, I'm baking sheets and, then... | 0:40:52 | 0:40:55 | |
I'm not 100% sure whether I'm going to assemble and then cut | 0:40:56 | 0:40:59 | |
or cut and then assemble, | 0:40:59 | 0:41:01 | |
but it really does depend on how set my creme pat is and stuff like that. | 0:41:01 | 0:41:05 | |
I think you're winging it. | 0:41:05 | 0:41:06 | |
I'm trying not to wing it, I've done a lot of practising | 0:41:06 | 0:41:09 | |
but there's always things that need to be ironed out, there are always bits. | 0:41:09 | 0:41:13 | |
Good luck. Are you going to be all right for time, do you think? | 0:41:13 | 0:41:16 | |
I'm going to be really pushed for time. | 0:41:16 | 0:41:19 | |
At the moment, everything's going to plan and everything's to time, | 0:41:19 | 0:41:22 | |
maybe even... I wish I did have a time chart | 0:41:22 | 0:41:24 | |
because, maybe, I might be ahead of time. | 0:41:24 | 0:41:26 | |
The major part of today's bake will be the foundation, | 0:41:26 | 0:41:29 | |
which is getting a good puff, that's going to be the skill | 0:41:29 | 0:41:32 | |
and the technique that's really going be under scrutiny today. | 0:41:32 | 0:41:36 | |
Kimberley's puff pastries are pear, malt and butterscotch | 0:41:36 | 0:41:40 | |
mille-feuilles, blackberry and lemon creme brulee custard tarts, | 0:41:40 | 0:41:44 | |
and fig, orange and thyme galettes. | 0:41:44 | 0:41:47 | |
I was just checking to see how the butter was doing | 0:41:47 | 0:41:50 | |
and the butter is spread between the layers, which is good. | 0:41:50 | 0:41:54 | |
This goes back into the freezer for another ten minutes, | 0:41:54 | 0:41:58 | |
and then I'll give it its final turn. | 0:41:58 | 0:42:01 | |
Bakers, you're halfway through your showstopper, two hours gone, | 0:42:03 | 0:42:08 | |
two hours still to go. | 0:42:08 | 0:42:09 | |
The layers look OK in the puff, so I'm pleased about that. | 0:42:12 | 0:42:14 | |
I've divided my puff pastry for the mille-feuilles. | 0:42:18 | 0:42:22 | |
I'm rolling out three sheets that'll be baked | 0:42:23 | 0:42:27 | |
and then I'll trim them later. | 0:42:27 | 0:42:29 | |
You can cut them to size beforehand, some others are doing that. | 0:42:29 | 0:42:33 | |
I've worked hard to get as many layers as I can in the pastry | 0:42:35 | 0:42:39 | |
so I want it to come through once it's baked. | 0:42:39 | 0:42:42 | |
The colder the butter and the hotter the oven, | 0:42:42 | 0:42:45 | |
the better the rise in the puff pastry. | 0:42:45 | 0:42:47 | |
Weighing the sheets down helps control the rise, | 0:42:49 | 0:42:53 | |
resulting in thinner, crispier pastry. | 0:42:53 | 0:42:56 | |
I am on time, but you literally have no rest. | 0:43:00 | 0:43:04 | |
I just need to crack on. | 0:43:05 | 0:43:07 | |
I've got butter and I've just put some brown sugar in there. | 0:43:09 | 0:43:13 | |
I'm going to weigh off some currants, 14oz, | 0:43:13 | 0:43:18 | |
this is the mix for my Eccles cakes. | 0:43:18 | 0:43:20 | |
When I was a child, I called them fly pie. | 0:43:20 | 0:43:22 | |
I think a lot of people call them fly pie, which sounds horrible. | 0:43:22 | 0:43:26 | |
As well as her fly pies, Christine is making fresh fruit baskets | 0:43:26 | 0:43:30 | |
and lemon cream Eton Mess mille-feuilles. | 0:43:30 | 0:43:33 | |
I think you start feeling that you've got to do well and the | 0:43:34 | 0:43:38 | |
pressure's really on and I think you can probably not perform so well. | 0:43:38 | 0:43:42 | |
So I'm just going to do every stage as best I can | 0:43:42 | 0:43:45 | |
and produce the best I can. | 0:43:45 | 0:43:48 | |
If I've done that, then I'll be happy. | 0:43:48 | 0:43:50 | |
OK, pastry puffers, you've got one hour. | 0:43:52 | 0:43:54 | |
One hour left, thank you. | 0:43:54 | 0:43:56 | |
The base for the galette is in the oven now, | 0:43:58 | 0:44:01 | |
that just needs to puff up. | 0:44:01 | 0:44:04 | |
I might just give that a few more minutes. | 0:44:04 | 0:44:06 | |
There's so much to do, | 0:44:07 | 0:44:08 | |
I wanted nearly everything to be baked by now. | 0:44:08 | 0:44:11 | |
The mille-feuilles are in so that's good, | 0:44:11 | 0:44:14 | |
but other things need to be further ahead. | 0:44:14 | 0:44:17 | |
-(Quite a different atmosphere in here, isn't it?) -Yeah, it is. | 0:44:20 | 0:44:23 | |
No-one's really talking to each other, are they? | 0:44:23 | 0:44:25 | |
-No, focusing on what needs to be done. -Does that feel odd? | 0:44:25 | 0:44:29 | |
I'm quite glad actually to be here at the front, | 0:44:29 | 0:44:31 | |
just so I can't see behind me. | 0:44:31 | 0:44:34 | |
-Shall I tell you what's going on? -No. | 0:44:34 | 0:44:36 | |
I'm just lining muffin tins for my custard tarts. | 0:44:36 | 0:44:40 | |
I hate being stressed out and this, for me, | 0:44:40 | 0:44:43 | |
is four hours of solid stress, heart pounding, | 0:44:43 | 0:44:47 | |
can't even function. | 0:44:47 | 0:44:48 | |
I thought I'd get used to the stress but it doesn't get better. | 0:44:48 | 0:44:53 | |
I'm just going to fill my Eccles cakes. | 0:44:53 | 0:44:55 | |
The secret is not to over-fill them | 0:44:55 | 0:44:57 | |
so that all the filling splurges out. | 0:44:57 | 0:45:00 | |
At this level and with the other bakers, | 0:45:00 | 0:45:02 | |
who are absolutely brilliant, | 0:45:02 | 0:45:04 | |
as well as it being great puff pastry and really nice fillings, | 0:45:04 | 0:45:07 | |
they've got to be finished off beautifully | 0:45:07 | 0:45:10 | |
and presented beautifully. | 0:45:10 | 0:45:12 | |
This is the palmier, so it has cinnamon sugar rolled in it, | 0:45:12 | 0:45:16 | |
so it ends up being flaky and crunchy. | 0:45:16 | 0:45:21 | |
I have seen them as big as a small child's head. | 0:45:21 | 0:45:24 | |
These might be big as a small adult's head. | 0:45:24 | 0:45:27 | |
I'm not putting too much of the frangipane in because the pastry | 0:45:35 | 0:45:38 | |
will puff up, the frangipane will spread out a bit, I'm just going to | 0:45:38 | 0:45:42 | |
put a little teaspoon of nectarine goodness that I made earlier. | 0:45:42 | 0:45:46 | |
It's going to be tight, it's going to be very tight, | 0:45:55 | 0:45:58 | |
but I can't think of what can go wrong, | 0:45:58 | 0:46:01 | |
I've just got to focus on each task in hand. | 0:46:01 | 0:46:03 | |
This is caramel to go on my tarts, | 0:46:06 | 0:46:08 | |
and I'm going to try to fix a verbena leaf inside, | 0:46:08 | 0:46:11 | |
so it looks like a stained glass window. | 0:46:11 | 0:46:14 | |
My Eccles cakes, they are in the oven. | 0:46:17 | 0:46:22 | |
And rising. Ohh, thank you. | 0:46:22 | 0:46:26 | |
Wowsers, what's that? | 0:46:26 | 0:46:28 | |
That is passion-fruit caramel. | 0:46:28 | 0:46:30 | |
MEL CHUCKLES | 0:46:30 | 0:46:32 | |
Smells absolutely phenomenal. Are you enjoying this, Ruby? | 0:46:32 | 0:46:36 | |
I'm seriously stressed out. | 0:46:36 | 0:46:38 | |
OK, now, do I need to slap you? | 0:46:38 | 0:46:41 | |
Well, save it for when I'm in a real... | 0:46:41 | 0:46:43 | |
Save it for the last five minutes, | 0:46:43 | 0:46:44 | |
-because that's when it's all going to go really wrong. -OK. | 0:46:44 | 0:46:48 | |
Assemble and cut mille-feuilles. | 0:46:52 | 0:46:54 | |
'Meaning a thousand leaves, | 0:46:55 | 0:46:57 | |
'mille-feuille should be cut into thin, elegant pieces.' | 0:46:57 | 0:47:02 | |
Look at the rise on that. | 0:47:03 | 0:47:06 | |
It's like a pillow, Beca! | 0:47:06 | 0:47:07 | |
Pipe for Britain, Frances! | 0:47:15 | 0:47:17 | |
Gentle...gentle. It is quite tense, yes. | 0:47:28 | 0:47:35 | |
Agh! | 0:47:50 | 0:47:52 | |
Ugh, what a mess! I'm not having any fun. | 0:47:56 | 0:47:59 | |
This is not fun. This is not fun. | 0:47:59 | 0:48:01 | |
OK, bakers, five minutes left, five minutes left. | 0:48:01 | 0:48:04 | |
The pressure's getting to me. | 0:48:04 | 0:48:06 | |
I am pleased with them, I just... want to get finished! | 0:48:09 | 0:48:12 | |
Just cut, cut, just keep cutting, mate. | 0:48:18 | 0:48:21 | |
Oh, for the love of Pete! | 0:48:21 | 0:48:22 | |
-Mel? -Yes, lovey? | 0:48:32 | 0:48:34 | |
I need a talking-to. | 0:48:34 | 0:48:36 | |
Right, sorry, give me one second. | 0:48:36 | 0:48:39 | |
-Get a grip. -Thank you. | 0:48:39 | 0:48:40 | |
-Just get a grip, OK? -Thank you. -Get a ruddy grip. | 0:48:40 | 0:48:43 | |
I promised her I'd do that. | 0:48:45 | 0:48:47 | |
OK, bakers, ten seconds remaining. | 0:48:52 | 0:48:54 | |
Oh, God. | 0:48:54 | 0:48:56 | |
Nine... | 0:48:56 | 0:48:57 | |
This is so stressful. | 0:48:57 | 0:48:58 | |
..eight, seven... | 0:48:58 | 0:49:02 | |
Whatever state they're in, they're coming out. | 0:49:02 | 0:49:04 | |
..six... Ooh, nice. Five, four... | 0:49:04 | 0:49:09 | |
three, two, one. | 0:49:09 | 0:49:14 | |
Out of time! | 0:49:14 | 0:49:15 | |
It's nice. | 0:49:16 | 0:49:17 | |
HE SIGHS | 0:49:21 | 0:49:22 | |
I never want to go through four hours like that again. | 0:49:38 | 0:49:41 | |
They look shocking, but there are 12 portions, | 0:49:41 | 0:49:43 | |
and some of them aren't too bad. | 0:49:43 | 0:49:46 | |
They should be enough to keep me in. | 0:49:47 | 0:49:49 | |
Yeah. This is that magic pastry, isn't it? | 0:49:52 | 0:49:55 | |
I'm not convinced, it's more like a sweet pastry than a rough puff. | 0:50:00 | 0:50:04 | |
It's a buttery, rich pastry, but we haven't got the layers, have we? | 0:50:04 | 0:50:08 | |
You haven't got the layers, haven't got the flake. | 0:50:08 | 0:50:10 | |
They don't look appetising, do they? | 0:50:10 | 0:50:12 | |
They look awful, I mean, you look at that. | 0:50:12 | 0:50:15 | |
You don't need me to tell you, | 0:50:16 | 0:50:17 | |
the cinnamon in there as well is very strong. | 0:50:17 | 0:50:20 | |
Let's move on to the mille-feuilles. | 0:50:20 | 0:50:23 | |
-The flavour's all right. -Mmm. | 0:50:26 | 0:50:27 | |
It's cream with icing, with pastry in-between. What's not to like? | 0:50:27 | 0:50:31 | |
-But they look hideous altogether, they're a mess. -Agreed. | 0:50:31 | 0:50:34 | |
It looks like they've been dropped. Let's have a look at the tarts. | 0:50:34 | 0:50:39 | |
These look, I think, really pretty. | 0:50:39 | 0:50:42 | |
-Oh, dear. -They do look borderline raw as well. | 0:50:42 | 0:50:44 | |
The flavour of the apple and marzipan is lovely | 0:50:44 | 0:50:48 | |
but the actual pastry itself underneath isn't quite cooked. | 0:50:48 | 0:50:51 | |
Hugely disappointed. | 0:50:51 | 0:50:53 | |
I have absolutely no idea where those four hours have gone, | 0:51:02 | 0:51:05 | |
or what I did, but I managed to come out the other side, | 0:51:05 | 0:51:08 | |
and I can hand on my heart say that running a marathon | 0:51:08 | 0:51:12 | |
is ten times easier than doing that. | 0:51:12 | 0:51:14 | |
You've got a hell of a rise from your puff pastry, | 0:51:17 | 0:51:19 | |
it's a very good pastry. | 0:51:19 | 0:51:21 | |
My issue is the finishing on them. There's no shine, | 0:51:21 | 0:51:25 | |
there's no elegance to it, it's sort of, | 0:51:25 | 0:51:27 | |
a bit of fruit inside that and baked off and that's it. | 0:51:27 | 0:51:29 | |
The mille-feuilles does look as though the pastry was | 0:51:29 | 0:51:32 | |
a little bit thick. | 0:51:32 | 0:51:33 | |
-Inside it looks quite raw, and quite wet inside the middle. -OK. | 0:51:33 | 0:51:37 | |
OK, let's look at the vol-au-vents. | 0:51:37 | 0:51:40 | |
Good bake, good rise out of the puff as well. | 0:51:40 | 0:51:42 | |
Very flaky, very buttery. | 0:51:45 | 0:51:47 | |
-Good flavours, just a little more polish on the finish. -OK. | 0:51:47 | 0:51:50 | |
-They certainly look impressive. -Thank you. | 0:51:59 | 0:52:01 | |
You always have a theme, and this is a great theme. | 0:52:01 | 0:52:06 | |
It's got a good flake on that, | 0:52:08 | 0:52:10 | |
you can see that the colour's good all the way through. | 0:52:10 | 0:52:12 | |
Very good flavours, I'll go for that. | 0:52:12 | 0:52:15 | |
Right, the horn. | 0:52:15 | 0:52:17 | |
The pastry is in good layers, well cooked through. | 0:52:17 | 0:52:20 | |
I would have liked to have seen more of a deeper colour on it, | 0:52:20 | 0:52:23 | |
to be honest, but the flavour combinations | 0:52:23 | 0:52:24 | |
inside are delicious, the raspberry and the ripple is superb. | 0:52:24 | 0:52:29 | |
I think you've done really well. | 0:52:29 | 0:52:30 | |
Great flake on there, it's good. | 0:52:41 | 0:52:44 | |
It's a lovely flavour, little bit difficult to eat that | 0:52:46 | 0:52:49 | |
circle of caramel, | 0:52:49 | 0:52:51 | |
maybe it could have been crushed on the top. | 0:52:51 | 0:52:54 | |
Yeah, this is the tricky one. The base has fallen apart already. | 0:52:54 | 0:52:58 | |
The jelly on the top tastes fantastic, nice and zingy, | 0:52:58 | 0:53:00 | |
but the issue really is the puff pastry on the bottom, | 0:53:00 | 0:53:03 | |
it's just not bonded. | 0:53:03 | 0:53:05 | |
Um, they're a bit untidy, they are a bit untidy. | 0:53:14 | 0:53:18 | |
Portuguese tarts, technically they're burnt. | 0:53:18 | 0:53:21 | |
Well, the custard isn't overcooked, looking at it from the side, | 0:53:23 | 0:53:26 | |
there are no bubbles in there. | 0:53:26 | 0:53:28 | |
It actually tastes really nice. | 0:53:28 | 0:53:29 | |
It's just a pity that they're a little bit messy. | 0:53:29 | 0:53:32 | |
Quite a lot messy. But they don't half taste good. | 0:53:32 | 0:53:34 | |
-Thank you, Ruby. MEL AND SUE: -Well done, Ruby. | 0:53:34 | 0:53:37 | |
If I get through, I'll be thrilled. | 0:53:49 | 0:53:52 | |
If I don't, I couldn't have done any better than I've just done. | 0:53:52 | 0:53:57 | |
And that's all I wanted to do. | 0:53:57 | 0:53:59 | |
Do you want to start with the Eccles cake, Mary? | 0:54:01 | 0:54:03 | |
A lovely traditional recipe, | 0:54:03 | 0:54:05 | |
just like you gave us before with your suet pudding. | 0:54:05 | 0:54:08 | |
They're well baked, masses of currants in there, | 0:54:08 | 0:54:11 | |
nice glaze on top. | 0:54:11 | 0:54:13 | |
It does taste good, the flake's good, I think it works. | 0:54:13 | 0:54:16 | |
Then we come to your mille-feuilles. | 0:54:16 | 0:54:18 | |
I don't know how well raw fruit goes with the mille-feuilles really. | 0:54:21 | 0:54:27 | |
The pastry is very, very good. | 0:54:27 | 0:54:30 | |
Now these look beautiful. | 0:54:30 | 0:54:31 | |
That's very delicious. | 0:54:33 | 0:54:35 | |
The baskets are unique, they look very uniform, great colour, | 0:54:35 | 0:54:38 | |
great puff, great flavour. | 0:54:38 | 0:54:40 | |
-Good, thank you. -Thank you. | 0:54:40 | 0:54:41 | |
So, generally this weekend, a very high standard. | 0:54:50 | 0:54:52 | |
When you look at all three challenges, | 0:54:52 | 0:54:54 | |
Frances has done extremely well, I think, | 0:54:54 | 0:54:56 | |
Frances has been very consistent throughout. | 0:54:56 | 0:54:58 | |
What about Beca? Came first in the technical. | 0:54:58 | 0:55:01 | |
Yes, Beca did do well, but she's usually made use of her time | 0:55:01 | 0:55:05 | |
properly and she didn't do her glazing of the pastry. | 0:55:05 | 0:55:08 | |
I was expecting a little more from her, because she's got it within her. | 0:55:08 | 0:55:12 | |
Who's had problems? | 0:55:12 | 0:55:13 | |
Glenn has had problems. | 0:55:13 | 0:55:15 | |
He wanted to do his pastry in a different way from anybody else, | 0:55:15 | 0:55:19 | |
and it didn't really work. | 0:55:19 | 0:55:21 | |
-It just wasn't executed well today. -What about Christine? | 0:55:21 | 0:55:23 | |
She had a tough day yesterday, she came out last in the technical. | 0:55:23 | 0:55:27 | |
She came back today. | 0:55:27 | 0:55:29 | |
She's very sensible the way she chooses her bakes. | 0:55:29 | 0:55:32 | |
To choose Eccles cakes, they were really absolutely delicious. | 0:55:32 | 0:55:36 | |
This is a tough decision for you two, only six left. | 0:55:36 | 0:55:39 | |
Going through to the quarterfinals, you don't take that lightly, | 0:55:39 | 0:55:42 | |
and if someone does fall off a cliff | 0:55:42 | 0:55:43 | |
then unfortunately they've got to go. | 0:55:43 | 0:55:45 | |
Bakers, all six of you, that was a heroic weekend. | 0:55:58 | 0:56:03 | |
Now I have the joy of announcing who Paul and Mary | 0:56:03 | 0:56:07 | |
have decided will be this week's Star Baker. | 0:56:07 | 0:56:10 | |
I think it's fair to say that this person really shouldn't | 0:56:11 | 0:56:14 | |
regrette rien, | 0:56:14 | 0:56:16 | |
and that she should literally go | 0:56:16 | 0:56:18 | |
and blow on her French horn of victory. | 0:56:18 | 0:56:21 | |
Frances, you're our Star Baker. Well done. | 0:56:21 | 0:56:24 | |
Finally! > | 0:56:24 | 0:56:25 | |
This week I get the sadder job of saying | 0:56:28 | 0:56:32 | |
who won't be joining us next week. | 0:56:32 | 0:56:34 | |
And the person leaving us is... | 0:56:40 | 0:56:42 | |
..Glenn. | 0:56:52 | 0:56:54 | |
You beautiful big bear, come on, let's turn him. | 0:56:54 | 0:56:57 | |
SHE GROANS | 0:56:57 | 0:56:58 | |
-MUFFLED: -We'll miss you! | 0:56:58 | 0:57:00 | |
'I'm obviously very sad it's over. I don't know quite' | 0:57:00 | 0:57:05 | |
what's going to fill the huge gap that Bake Off will leave in my life. | 0:57:05 | 0:57:09 | |
And these guys, how class, they did a fantastic job. | 0:57:09 | 0:57:12 | |
I've done well, I've got a long way through | 0:57:12 | 0:57:15 | |
and I've absolutely loved it. | 0:57:15 | 0:57:17 | |
'I feel a great measure of relief' | 0:57:19 | 0:57:21 | |
and a great measure of sadness, | 0:57:21 | 0:57:23 | |
because of Glenn. | 0:57:23 | 0:57:25 | |
We shall so miss him. | 0:57:26 | 0:57:28 | |
I feel ecstatic, that whole style over substance, | 0:57:32 | 0:57:35 | |
I think the substance has shone through this weekend. | 0:57:35 | 0:57:38 | |
Quarterfinalist, amazing! Yay! | 0:57:38 | 0:57:41 | |
No, I did not, you nailed it. | 0:57:44 | 0:57:47 | |
I know everybody's supportive and we all get on, | 0:57:47 | 0:57:49 | |
but it's still a competition | 0:57:49 | 0:57:51 | |
and everybody wants to get as far as they physically can. | 0:57:51 | 0:57:54 | |
I think you will see a definite change in the atmosphere | 0:57:54 | 0:57:56 | |
in the tent next week. Watch this space I think. | 0:57:56 | 0:57:59 | |
Next time... | 0:58:05 | 0:58:06 | |
Oh, hello, cheeky! | 0:58:06 | 0:58:08 | |
..it's the quarterfinal. | 0:58:08 | 0:58:09 | |
I've just got to concentrate on each task | 0:58:09 | 0:58:11 | |
and not think about what could go wrong. | 0:58:11 | 0:58:13 | |
And the stress... | 0:58:13 | 0:58:13 | |
I can't believe this. | 0:58:13 | 0:58:15 | |
..is getting to the bakers. | 0:58:15 | 0:58:16 | |
It's not playing ball. | 0:58:16 | 0:58:17 | |
The judging gets harsher... | 0:58:17 | 0:58:19 | |
-Too bland. -That was just brutal. | 0:58:19 | 0:58:21 | |
..the challenges get harder... | 0:58:21 | 0:58:23 | |
It feels like the most complex technical so far. | 0:58:23 | 0:58:26 | |
..the tension in the tent rises. | 0:58:26 | 0:58:28 | |
This is quite an important bake for me. | 0:58:28 | 0:58:31 | |
But who will survive to tell the tale? | 0:58:31 | 0:58:34 | |
Like the Incredible Hulk! | 0:58:36 | 0:58:38 | |
Subtitles by Red Bee Media Ltd | 0:58:50 | 0:58:53 |