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It's the quarterfinal of the bake off and the tension is palpable. | 0:00:02 | 0:00:04 | |
-Bunting? -Check. -Sugar? -Check. | 0:00:04 | 0:00:05 | |
-Eggs? -Check. -Flour? -Check. | 0:00:05 | 0:00:06 | |
-Butter? -Check. -Nostril trimmer? -Check. | 0:00:06 | 0:00:09 | |
-Gingham? -Check. | 0:00:09 | 0:00:10 | |
-Yes, it is, five bakers desperate to make it to the semifinal? -Check. | 0:00:10 | 0:00:13 | |
Can only be the Great British Bake Off. | 0:00:13 | 0:00:15 | |
-Tartan? -Check. -Yes, isn't it?! | 0:00:16 | 0:00:18 | |
Vaclav Havel? BOTH: Czech! | 0:00:18 | 0:00:20 | |
'Last time...' | 0:00:22 | 0:00:23 | |
Oh, no, my hand's shaking! | 0:00:23 | 0:00:25 | |
'Our six bakers put their twist on a signature suet pudding...' | 0:00:25 | 0:00:28 | |
That's perfecto. | 0:00:28 | 0:00:29 | |
'Survived one hell of a technical challenge...' | 0:00:29 | 0:00:31 | |
What an ugly bunch of nuns. | 0:00:31 | 0:00:33 | |
'And made 252 show-stopping puff pastries which put them in a spin.' | 0:00:33 | 0:00:38 | |
-Get a grip. -Thank you. -Just get a grip. | 0:00:38 | 0:00:40 | |
'Frances excelled...' | 0:00:40 | 0:00:41 | |
The flavour combinations inside are delicious. | 0:00:41 | 0:00:43 | |
'Finally being awarded Star Baker.' | 0:00:43 | 0:00:45 | |
APPLAUSE | 0:00:45 | 0:00:47 | |
'The bakers raced against time... | 0:00:47 | 0:00:49 | |
HE SIGHS | 0:00:49 | 0:00:50 | |
'..and Glenn became the eighth baker to leave. | 0:00:50 | 0:00:54 | |
'Now for the all-female quarter finalists, it's make or break.' | 0:00:54 | 0:00:57 | |
GLASS SHATTERS | 0:00:57 | 0:00:58 | |
It's like the Incredible Hulk! | 0:00:58 | 0:01:00 | |
'As they battle it out for a place in the semifinal.' | 0:01:00 | 0:01:03 | |
I've just got to concentrate on each task | 0:01:03 | 0:01:05 | |
and not think about what could go wrong. | 0:01:05 | 0:01:07 | |
'As the judges seek perfection.' | 0:01:07 | 0:01:09 | |
At this stage, I'm not afraid of being critical. | 0:01:09 | 0:01:12 | |
The disappointment is when you get into the cake, which is rather sad. | 0:01:12 | 0:01:15 | |
Too bland. | 0:01:15 | 0:01:16 | |
That was just brutal. | 0:01:16 | 0:01:18 | |
'Who will stay?' | 0:01:18 | 0:01:20 | |
I do feel that this is quite an important bake for me. | 0:01:20 | 0:01:22 | |
-I'm not convinced you weighed everything up properly. -Really? | 0:01:22 | 0:01:26 | |
'And who will leave the Bake Off tent?' | 0:01:26 | 0:01:29 | |
# I'm coming out, woo! | 0:01:29 | 0:01:31 | |
# I want the world to know... # | 0:01:31 | 0:01:33 | |
THEY HUM | 0:01:33 | 0:01:35 | |
This week the bakers have been challenged with | 0:02:04 | 0:02:06 | |
the task of making everything free. | 0:02:06 | 0:02:08 | |
Not in a financial sense, but more gluten-free, wheat-free, dairy-free sort of a thing. | 0:02:08 | 0:02:12 | |
Yeah, we're not free, though. We're about £5 an hour to hire for parties. | 0:02:12 | 0:02:15 | |
I'm undercutting her, I'm four. | 0:02:15 | 0:02:17 | |
I'm starting to feel the pressure, | 0:02:19 | 0:02:22 | |
my parents have both aged ten years they keep on telling me. | 0:02:22 | 0:02:25 | |
They're more stressed than I am. | 0:02:25 | 0:02:26 | |
I still need to get that blinkin' elusive Star Baker, the only one | 0:02:26 | 0:02:30 | |
of the five who hasn't had it now, so it's really eating at me slightly. | 0:02:30 | 0:02:35 | |
I think this week, I'm not going to slag off my bakes to Mary | 0:02:35 | 0:02:37 | |
and Paul because if they've got a problem with it, they'll tell me, | 0:02:37 | 0:02:40 | |
there's no point in me putting ideas in their mind. | 0:02:40 | 0:02:42 | |
Nobody's really used the word "finals", actually, which is interesting, | 0:02:42 | 0:02:46 | |
no-one's actually said it. | 0:02:46 | 0:02:47 | |
We've just been talking quite normally, as we usually do | 0:02:47 | 0:02:50 | |
about which recipes you're doing this week. | 0:02:50 | 0:02:52 | |
Bakers, welcome to the quarterfinal. | 0:03:04 | 0:03:06 | |
Not even a sniff of a Y-chromosome in the tent. | 0:03:06 | 0:03:09 | |
That includes you, Paul. | 0:03:09 | 0:03:11 | |
Right, so today we'd like you to make a loaf. | 0:03:11 | 0:03:13 | |
Not just any loaf, | 0:03:13 | 0:03:15 | |
we'd like you to make a loaf using unusual flours, such as chestnut | 0:03:15 | 0:03:19 | |
or rye or rice, or you can use a grandfather grain which is | 0:03:19 | 0:03:24 | |
the same as a normal grain but it talks about the war and falls asleep | 0:03:24 | 0:03:27 | |
in front of a bar fire. Those are things like spelt, things like that. | 0:03:27 | 0:03:30 | |
Well done. You can use any flavours you want, of course, | 0:03:30 | 0:03:32 | |
they're up to you. | 0:03:32 | 0:03:34 | |
You should bake it freeform or in a tin, again the choice is yours. | 0:03:34 | 0:03:38 | |
You've got three hours on your Signature Bake, so on your marks... | 0:03:38 | 0:03:41 | |
-Get set... -Bake! | 0:03:41 | 0:03:43 | |
'The bakers have already been tested on their conventional | 0:03:44 | 0:03:47 | |
'bread-making skills, now they face the even trickier task | 0:03:47 | 0:03:50 | |
'of mastering unconventional flours to create the perfect loaf.' | 0:03:50 | 0:03:54 | |
Each flour has a different gluten level. | 0:03:54 | 0:03:57 | |
This is the binding agent in all bread. | 0:03:57 | 0:03:59 | |
And so therefore the bread reacts in a totally different way - | 0:03:59 | 0:04:02 | |
is it going to affect the bake or is it going to affect the proving | 0:04:02 | 0:04:05 | |
or is it going to affect both of them? | 0:04:05 | 0:04:07 | |
It's got to hold its shape, it's got to cut well, | 0:04:07 | 0:04:10 | |
we're looking for a good texture, | 0:04:10 | 0:04:12 | |
a good rise and, above all, a good flavour. | 0:04:12 | 0:04:15 | |
My friend Elle, she's got a slight wheat intolerance, so we often | 0:04:15 | 0:04:19 | |
used to make spelt hot cross buns or spelt soda breads and stuff. | 0:04:19 | 0:04:24 | |
'Spelt flour has a wheat gluten structure | 0:04:24 | 0:04:27 | |
'and is being used by Frances, Kimberley, Beca and Ruby.' | 0:04:27 | 0:04:31 | |
Spelt flour's like a really old type of flour, | 0:04:31 | 0:04:34 | |
like an ancestor of conventional wheat flour. | 0:04:34 | 0:04:37 | |
'Because of its different gluten structure, | 0:04:37 | 0:04:39 | |
'spelt can be more unpredictable to work with than regular wheat flour.' | 0:04:39 | 0:04:44 | |
One thing spelt does, it tends to fall out more than rise up. | 0:04:44 | 0:04:47 | |
And my dough's quite a wet dough | 0:04:47 | 0:04:49 | |
which also means that the shape itself, | 0:04:49 | 0:04:52 | |
slightly sort of, I like to say blossoms. | 0:04:52 | 0:04:55 | |
'Frances is making a tear and share loaf in the style of a Chelsea bun. | 0:04:55 | 0:05:00 | |
'Her spelt Chelsea Flour Show loaf is flavoured with orange zest | 0:05:00 | 0:05:04 | |
'and decorated with honeycomb and bees.' | 0:05:04 | 0:05:07 | |
Is it going in a tin or are you doing it on a flat plate? | 0:05:07 | 0:05:10 | |
I'm going to prove it in one of these tins to begin with. | 0:05:10 | 0:05:13 | |
Is that a good idea to do that? | 0:05:13 | 0:05:14 | |
When you're dealing with spelt, it can flow, | 0:05:14 | 0:05:17 | |
that's the term that we use in the industry. | 0:05:17 | 0:05:19 | |
-I've found it's flowed, yes. -And because of that, if you contain it, | 0:05:19 | 0:05:22 | |
the fact that you're doing a Chelsea bun will give it | 0:05:22 | 0:05:25 | |
rigidity as well. You've got to get the texture right. | 0:05:25 | 0:05:28 | |
It's going to be difficult. | 0:05:28 | 0:05:30 | |
So I'm just measuring this water quite precisely. | 0:05:30 | 0:05:33 | |
I'm making a spelt loaf, it's mango and nigella seeds, | 0:05:33 | 0:05:39 | |
so the idea is kind of like a mango chutney in a bread. | 0:05:39 | 0:05:43 | |
'Ruby claimed Star Baker using conventional flour in bread week, | 0:05:43 | 0:05:47 | |
'so is hoping to do the same with her freeform spelt cob.' | 0:05:47 | 0:05:50 | |
I don't feel as emotional a baker as I maybe was at the start, | 0:05:50 | 0:05:54 | |
but I've really built up my stress tolerance over the last few weeks, | 0:05:54 | 0:05:57 | |
I'm less easily panicked. | 0:05:57 | 0:05:59 | |
Because when I was doing my exams as well, I just went in | 0:05:59 | 0:06:02 | |
and did what I needed to do, | 0:06:02 | 0:06:03 | |
whereas before I would have been stressing out like crazy, so I think | 0:06:03 | 0:06:06 | |
it's actually been good for me being this stressed out for this long. | 0:06:06 | 0:06:09 | |
I think it's done a good thing. | 0:06:09 | 0:06:11 | |
'To help reinforce the structure of her loaf, Beca has a secret weapon.' | 0:06:11 | 0:06:16 | |
So my potatoes are ready, my rosemary's ready, the potatoes | 0:06:16 | 0:06:20 | |
add the extra stickiness from the starch that they obviously let out. | 0:06:20 | 0:06:24 | |
'Beca's using mashed potato, rosemary and spelt flour, | 0:06:24 | 0:06:27 | |
'mixed to make her version of an Italian focaccia.' | 0:06:27 | 0:06:31 | |
What sort of rise are you looking at and what sort of texture | 0:06:31 | 0:06:33 | |
are you going to get at the end? Cake-like? | 0:06:33 | 0:06:35 | |
When I was experimenting in the week, it had a nice uneven texture | 0:06:35 | 0:06:38 | |
with nice air holes and it's quite a wet dough. | 0:06:38 | 0:06:41 | |
It'll be nice to have something savoury. | 0:06:41 | 0:06:43 | |
Thank you. Thank you very much. | 0:06:43 | 0:06:44 | |
I'm using a completely gluten-free flour, | 0:06:44 | 0:06:49 | |
it's a mixture of tapioca, rice and potato. | 0:06:49 | 0:06:52 | |
'Christine's wheat-free loaf is the only one that's also gluten free. | 0:06:53 | 0:06:57 | |
'It will be topped and filled with pumpkin, sesame and sunflower seeds.' | 0:06:57 | 0:07:02 | |
When I made this loaf in the week, | 0:07:02 | 0:07:03 | |
I wasn't quite sure, because I hadn't made one before, | 0:07:03 | 0:07:06 | |
what it was supposed to look like, | 0:07:06 | 0:07:07 | |
or how tall it was supposed to be, so I went up to see my baker | 0:07:07 | 0:07:11 | |
at the local mill and took a chunk of it up there to show him | 0:07:11 | 0:07:16 | |
and he did tell me that it was just as a gluten-free loaf should be. | 0:07:16 | 0:07:21 | |
'While those using spelt gently knead their dough...' | 0:07:24 | 0:07:27 | |
You need to build up the gluten a little bit, so that's why | 0:07:27 | 0:07:31 | |
I'm working it a little bit more than I normally would. | 0:07:31 | 0:07:34 | |
'..Christine's completely gluten-free mixture needs a different approach.' | 0:07:34 | 0:07:38 | |
With a balloon whisk, you can see you couldn't possibly knead that. | 0:07:38 | 0:07:43 | |
Well, you could, but you'd get into an awful mess. | 0:07:43 | 0:07:46 | |
Right, now that's going to go in to prove | 0:07:46 | 0:07:49 | |
for about an hour and a quarter. | 0:07:49 | 0:07:52 | |
Shower cap and then in there. | 0:07:52 | 0:07:54 | |
I'll look at it in half an hour and then see if it needs more. | 0:07:55 | 0:07:58 | |
So I'm not going to put it in the proving drawer just yet, | 0:07:58 | 0:08:01 | |
I'm going to see how it goes because it's had raw mashed potato | 0:08:01 | 0:08:04 | |
and warm water in, it's already starting to... | 0:08:04 | 0:08:07 | |
And I don't want to over-prove. | 0:08:07 | 0:08:10 | |
I like a loaf that looks good on the inside. | 0:08:10 | 0:08:13 | |
'Kimberley's taking a risk | 0:08:13 | 0:08:14 | |
'as the only baker filling her dough before proving.' | 0:08:14 | 0:08:18 | |
I'm just wanting to make it so that | 0:08:18 | 0:08:20 | |
when you roll it up, there's an unbroken line of the ham. | 0:08:20 | 0:08:22 | |
'Her loaf is made with plain and wholemeal spelt | 0:08:22 | 0:08:26 | |
'and filled with Parma ham and freshly made wild garlic pesto.' | 0:08:26 | 0:08:30 | |
My boyfriend and my sister are my most reliable testers, | 0:08:30 | 0:08:33 | |
and my sister is now over several times a week. | 0:08:33 | 0:08:36 | |
She just comes in, she literally walks past me | 0:08:36 | 0:08:39 | |
into the kitchen to see what's there. | 0:08:39 | 0:08:42 | |
It does look exciting. | 0:08:57 | 0:08:59 | |
I held my breath all the way through! | 0:08:59 | 0:09:01 | |
Bakers, in latest grandfather grain news, you have one hour. | 0:09:14 | 0:09:19 | |
It's alive. Yeah, lots of bubbles, it's quite a wet and soft dough. | 0:09:19 | 0:09:26 | |
Yep, happy with that. | 0:09:26 | 0:09:28 | |
Doesn't look as big as it usually would, but I think it's proved | 0:09:28 | 0:09:32 | |
as much as I needed it to, so I feel happy about that. | 0:09:32 | 0:09:34 | |
If you press it and it holds the indent then it's proved enough. | 0:09:34 | 0:09:38 | |
Yep, if it springs back then it needs a bit more time. | 0:09:38 | 0:09:41 | |
Buongiorno. | 0:09:43 | 0:09:44 | |
Everything you do is aesthetically so pleasing. Colour coordinated. | 0:09:44 | 0:09:49 | |
I love working with colour | 0:09:49 | 0:09:51 | |
and I think food, as well, it's all about texture. | 0:09:51 | 0:09:53 | |
-Are your family being good? -They've been incredibly supportive. | 0:09:53 | 0:09:56 | |
In fact, my sister, she lives over in Vancouver and she sent a photo | 0:09:56 | 0:09:59 | |
the other day of me when I was about five with one of my birthday cakes | 0:09:59 | 0:10:02 | |
and she said, "Look, you've always been happiest surrounded by cake." | 0:10:02 | 0:10:05 | |
You didn't make a birthday cake at five, did you? No. | 0:10:05 | 0:10:07 | |
I've just got this bit of dough which doesn't have any mango in, | 0:10:07 | 0:10:12 | |
for just tucking over like a protective cover. | 0:10:12 | 0:10:16 | |
Because the gluten is not as strong as in a normal flour, | 0:10:16 | 0:10:20 | |
if the mango's on the surface it can rupture | 0:10:20 | 0:10:22 | |
and mango burns on the surface anyway, so I'm hiding mango | 0:10:22 | 0:10:26 | |
and getting it all covered up. So it should make it rise more evenly. | 0:10:26 | 0:10:30 | |
It's hard to imagine, with our obsession with diverse and artisanal loaves, | 0:10:54 | 0:10:57 | |
that just 70 years ago, the Ministry of Food could have forced us | 0:10:57 | 0:11:01 | |
to eat just one - the national loaf - | 0:11:01 | 0:11:03 | |
which helped ensure health for the wartime nation. | 0:11:03 | 0:11:05 | |
'Before World War II, Britain imported over 20 million tonnes of | 0:11:05 | 0:11:09 | |
'food, but a key strategy of the enemy was to starve | 0:11:09 | 0:11:13 | |
'the nation into submission, so the Ministry of Food | 0:11:13 | 0:11:16 | |
'needed to come up with ways of keeping the nation fed.' | 0:11:16 | 0:11:18 | |
Wheat was in very short supply because 70% of our imports | 0:11:18 | 0:11:21 | |
were coming in from Canada, across the Atlantic. | 0:11:21 | 0:11:24 | |
And this route was very vulnerable to attack from German U-boats. | 0:11:24 | 0:11:27 | |
Hitler's intention was to very much destroy the docks, | 0:11:27 | 0:11:30 | |
stop the imports and to starve the country out. | 0:11:30 | 0:11:33 | |
'The Ministry of Food had to come up with a plan | 0:11:33 | 0:11:36 | |
'to make the grain we had go further.' | 0:11:36 | 0:11:38 | |
The white bread that people enjoyed eating was made using | 0:11:38 | 0:11:41 | |
only 70% of the milled wheat grains, | 0:11:41 | 0:11:43 | |
and this was seen as very wasteful in wartime. | 0:11:43 | 0:11:45 | |
The Ministry of Food figured out that by including the bran | 0:11:45 | 0:11:48 | |
and the germ of the wheat, they could reduce the amount of wheat | 0:11:48 | 0:11:51 | |
that Britain required by a whole 10% and even make the bread | 0:11:51 | 0:11:54 | |
more nutritious. This was then used to create the national loaf. | 0:11:54 | 0:11:57 | |
'But, for a nation raised on soft white bread, | 0:11:57 | 0:12:00 | |
'the government standard loaf proved hard to stomach.' | 0:12:00 | 0:12:03 | |
The national loaf was rough and coarse and hard, | 0:12:03 | 0:12:06 | |
and people were not used to it. | 0:12:06 | 0:12:08 | |
An added problem was the national loaf was often stale. | 0:12:08 | 0:12:10 | |
Bakers were not allowed to sell the loaf until a day after baking, | 0:12:10 | 0:12:14 | |
so that it would slice more thinly and so the loaf would go further. | 0:12:14 | 0:12:17 | |
'The public found it so grey and unappealing | 0:12:17 | 0:12:20 | |
'they even nicknamed it Hitler's secret weapon.' | 0:12:20 | 0:12:23 | |
The Ministry of Food tried very hard to persuade people to love | 0:12:23 | 0:12:27 | |
the national loaf and they put a lot of effort into publicity campaigns. | 0:12:27 | 0:12:31 | |
Lord Wolston is rumoured to have started a rumour that | 0:12:31 | 0:12:35 | |
because the national loaf had increased amounts of vitamin E, | 0:12:35 | 0:12:39 | |
which helps aid fertility, it was an aphrodisiac. | 0:12:39 | 0:12:43 | |
All of this government propaganda does seem ultimately to have worked. | 0:12:43 | 0:12:46 | |
By the end of the war, people were eating 20% more bread. | 0:12:46 | 0:12:49 | |
It seems that they had finally learned to love the national loaf. | 0:12:49 | 0:12:53 | |
OK, bakers, that's five minutes, or if you want a spelt version - | 0:12:55 | 0:12:59 | |
F-I-V-E M-I-N-U-T-E-S. | 0:12:59 | 0:13:03 | |
I'm just going to turn it around. | 0:13:04 | 0:13:07 | |
Nearly done. I'm just putting an egg wash on the top. | 0:13:09 | 0:13:14 | |
It looks like a beautiful cabbage. | 0:13:22 | 0:13:25 | |
Yeah, it's supposed to look like a rose. | 0:13:25 | 0:13:27 | |
Oh, sorry, was it a rose? I said cabbage. | 0:13:27 | 0:13:29 | |
No, no, cabbage is fine. | 0:13:29 | 0:13:30 | |
# I'm coming out, woo! | 0:13:30 | 0:13:33 | |
# I want the world to know... # | 0:13:33 | 0:13:35 | |
THEY HUM | 0:13:35 | 0:13:36 | |
It looks bronzed and cooked underneath. Oh, I don't know. | 0:13:46 | 0:13:50 | |
Oh, hello, cheeky! That'll do. | 0:13:53 | 0:13:56 | |
Bakers, that's one minute left. | 0:13:56 | 0:13:58 | |
It's not playing ball. I can't believe this. | 0:14:11 | 0:14:14 | |
It's got baking parchment underneath it, it should not have stuck. | 0:14:15 | 0:14:19 | |
Let's try and get it out in one piece | 0:14:19 | 0:14:21 | |
and just gently, gently put it on the top like a crown. | 0:14:21 | 0:14:24 | |
There we go, OK. Jigsaw. | 0:14:24 | 0:14:28 | |
It's cooked. Thank God it's the bottom. | 0:14:28 | 0:14:31 | |
Bakers, this bake is officially closed. | 0:14:34 | 0:14:36 | |
Well done, you. | 0:14:36 | 0:14:38 | |
Loaves on boards, please. | 0:14:38 | 0:14:40 | |
I mean, Lord, look at Frances', | 0:14:40 | 0:14:42 | |
a broken loaf will not compete with that. | 0:14:42 | 0:14:45 | |
'Each unconventional loaf will now be judged by Paul and Mary.' | 0:14:46 | 0:14:51 | |
I think the style is amazing, what you've done, | 0:14:54 | 0:14:56 | |
but it's got to taste good, so let's take a chunk out of here. | 0:14:56 | 0:15:01 | |
It's got a good bake on it all the way down. | 0:15:01 | 0:15:04 | |
It's full of flavour, I can taste everything from oranges to | 0:15:06 | 0:15:09 | |
apricots, I think it would be great to tear and share. | 0:15:09 | 0:15:13 | |
I think it could have done with more proving. | 0:15:13 | 0:15:15 | |
I think it's a little bit too dense, I probably wouldn't have put | 0:15:15 | 0:15:18 | |
any hindrance inside the dough because you added the orange zest. | 0:15:18 | 0:15:22 | |
Yeah. | 0:15:22 | 0:15:23 | |
OK, it's got a nice colour. | 0:15:27 | 0:15:30 | |
I'll leave that on there. That's pretty good! | 0:15:30 | 0:15:34 | |
When he says pretty good, I reckon that's really good. | 0:15:34 | 0:15:38 | |
Amazing! | 0:15:38 | 0:15:39 | |
I think it's absolutely scrummy, I think it's really lovely. | 0:15:39 | 0:15:43 | |
The potato has broken up the gluten slightly | 0:15:43 | 0:15:45 | |
so it's made it easy to chew. It melts in your mouth. | 0:15:45 | 0:15:48 | |
You've ended up with a good, uneven, irregular crumb | 0:15:48 | 0:15:51 | |
which is what you expect from a focaccia | 0:15:51 | 0:15:53 | |
and actually, that's a very good focaccia. | 0:15:53 | 0:15:56 | |
Thank you. High praise indeed. Gosh, thanks. | 0:15:56 | 0:15:59 | |
Nice crust on the top, that's the part I like. | 0:16:03 | 0:16:05 | |
Let's have a look inside. | 0:16:05 | 0:16:07 | |
-Oh, it's going to be so bad, oh, no. -Ready? | 0:16:07 | 0:16:10 | |
-Oh, no. -What's wrong with it? | 0:16:12 | 0:16:14 | |
It's under-proved, it's under-baked, it's horrible. | 0:16:14 | 0:16:18 | |
It's a winner for flavour, you've got a nice lot of mango in there. | 0:16:20 | 0:16:24 | |
The technique was good, it was freeform, | 0:16:24 | 0:16:26 | |
tricky to do with a flour like this. | 0:16:26 | 0:16:28 | |
However, it is under-proved, and it's under-baked. | 0:16:28 | 0:16:32 | |
-Beautiful pattern in there. Look at that! -Isn't it just! | 0:16:37 | 0:16:40 | |
And of course, so often when you put Parma ham in a bread | 0:16:40 | 0:16:44 | |
it becomes crispy and hard. | 0:16:44 | 0:16:46 | |
This will have softened and, I hope, added some really good flavour. | 0:16:46 | 0:16:49 | |
SHE GIGGLES | 0:16:52 | 0:16:54 | |
I actually love the flavours. | 0:16:54 | 0:16:56 | |
The problem is, there's so much filling in there | 0:16:56 | 0:16:59 | |
and the fact it's a wholemeal and the fact that you've cut it | 0:16:59 | 0:17:01 | |
and the fact that you've twisted it, it's got nowhere to go. | 0:17:01 | 0:17:04 | |
The texture is all wrong because it's too dry inside. | 0:17:04 | 0:17:07 | |
-Dry? -Yeah. -Oh, OK. | 0:17:07 | 0:17:09 | |
-It's a mess round the side. -I know. | 0:17:13 | 0:17:15 | |
The bake looks pretty good, I do like the look of it actually, | 0:17:15 | 0:17:18 | |
I like the seeds on the top. | 0:17:18 | 0:17:19 | |
Nice structure. | 0:17:21 | 0:17:23 | |
The seeds look evenly distributed in the middle. | 0:17:23 | 0:17:26 | |
I think the flavour's good. | 0:17:26 | 0:17:28 | |
I think the flavour and the texture are good and I do like that crust | 0:17:28 | 0:17:33 | |
round the outside, it's a lovely colour and I like a crusty loaf. | 0:17:33 | 0:17:36 | |
Well done, it's a tricky thing to do, but you've done well. | 0:17:36 | 0:17:39 | |
-Thank you very much. -Well done, Christine. -Thank you. | 0:17:39 | 0:17:42 | |
I'm pleased with that and I shall make some more because | 0:17:43 | 0:17:46 | |
I do have a couple of friends who are gluten intolerant, | 0:17:46 | 0:17:48 | |
and it would be lovely to give them a home-made loaf instead of a bought one. | 0:17:48 | 0:17:52 | |
And save me touring the supermarket looking for it. | 0:17:52 | 0:17:54 | |
That was a brilliant start for me. | 0:17:54 | 0:17:57 | |
What is wrong with me? | 0:17:57 | 0:17:59 | |
I was sitting in there like, this might be under-proved. | 0:17:59 | 0:18:01 | |
Why did I just take it out of the drawer and put it...? I'm just an idiot. | 0:18:01 | 0:18:04 | |
You're at the stage where you want everything to be perfect | 0:18:04 | 0:18:07 | |
so to get valid criticisms is just a bit disappointing. | 0:18:07 | 0:18:09 | |
I hope I've still got a chance to get through to the semis because | 0:18:09 | 0:18:12 | |
I don't even want to anticipate not being there next week, so yeah. | 0:18:12 | 0:18:17 | |
Prove. Prove, prove. | 0:18:18 | 0:18:20 | |
'For their second challenge, | 0:18:26 | 0:18:28 | |
'the quarterfinalists now face the unknown.' | 0:18:28 | 0:18:33 | |
So, bakers, welcome to the Technical Challenge. | 0:18:34 | 0:18:37 | |
Now, this particular challenge is one of Mary's recipes. | 0:18:37 | 0:18:40 | |
Seeing as this morning we've had some gluten-free | 0:18:40 | 0:18:43 | |
and some wheat-free, I'm suggesting this should be judge free. | 0:18:43 | 0:18:46 | |
So, with the best will in the world, please, jog on. | 0:18:46 | 0:18:50 | |
So what is it? | 0:18:50 | 0:18:52 | |
Well, Mary has left you with a decadent little recipe | 0:18:52 | 0:18:55 | |
which she likes to knock up for people who are on a gluten-free diet. | 0:18:55 | 0:18:59 | |
It's a French classic, it's a hazelnut dacquoise. | 0:18:59 | 0:19:03 | |
You've got two hours and 45 minutes to concoct | 0:19:03 | 0:19:06 | |
-this delicious little bake, so on your marks... -Get set... | 0:19:06 | 0:19:10 | |
BOTH: Bake! | 0:19:10 | 0:19:11 | |
The instructions, I wouldn't say they were crystal clear. | 0:19:13 | 0:19:16 | |
I know what it is, I've never made it though. A dacquoise! | 0:19:16 | 0:19:21 | |
'The dacquoise is a dessert cake originating from the spa town | 0:19:21 | 0:19:24 | |
'of Dax in southwest France. | 0:19:24 | 0:19:27 | |
'And it comprises several layers of nut meringue and rich cream.' | 0:19:27 | 0:19:31 | |
It feels like the most complex technical so far. | 0:19:31 | 0:19:33 | |
I think it's just going to be a timing thing. | 0:19:33 | 0:19:35 | |
I at least know what one is, so that's the kind of terror, | 0:19:35 | 0:19:38 | |
like, what if I don't know what this is? At all? | 0:19:38 | 0:19:42 | |
Hazelnut dacquoise, this French classic of | 0:19:43 | 0:19:46 | |
three layers of meringue with hazelnuts in the meringue mixture. | 0:19:46 | 0:19:51 | |
If they roast them and they're too dark, they'll be bitter. | 0:19:51 | 0:19:54 | |
If they chop them too finely, this releases too much oil | 0:19:54 | 0:19:58 | |
and then the meringue will go runny. | 0:19:58 | 0:19:59 | |
So there's several things that could really go wrong here. | 0:19:59 | 0:20:02 | |
One would be on the meringue itself, | 0:20:02 | 0:20:04 | |
and I actually think in the construction of it, | 0:20:04 | 0:20:07 | |
to keep it nice and level. And finally, to put those | 0:20:07 | 0:20:10 | |
12 ganache piped swirls on the top, and then topped with the praline. | 0:20:10 | 0:20:13 | |
Absolutely gorgeous, | 0:20:13 | 0:20:14 | |
one of my favourite ones you've done there, Mary. | 0:20:14 | 0:20:19 | |
I've never done nuts in a meringue before, but I know you can. | 0:20:19 | 0:20:23 | |
'If the hazelnuts are chopped too finely... | 0:20:23 | 0:20:27 | |
'the excess oil released can deflate the meringue.' | 0:20:27 | 0:20:30 | |
The key thing is just to get these in the oven | 0:20:30 | 0:20:33 | |
to roast as quickly as possible. | 0:20:33 | 0:20:35 | |
Make the meringue. | 0:20:35 | 0:20:38 | |
'Meringue is the perfect foundation for a baked gluten-free dessert.' | 0:20:38 | 0:20:42 | |
I'm not that good at meringues, mainly because until recently | 0:20:42 | 0:20:46 | |
I didn't have any sort of electric whisk at home and I'm not going | 0:20:46 | 0:20:50 | |
to spend half an hour whisking up a meringue so I never really bothered. | 0:20:50 | 0:20:53 | |
Clearly I need to bother now. | 0:20:53 | 0:20:55 | |
'It's up to the bakers to decide | 0:20:58 | 0:21:00 | |
'when to add the meringue's additional ingredients.' | 0:21:00 | 0:21:03 | |
I'm just adding in the sugar now. | 0:21:03 | 0:21:06 | |
Glossy, stiff peaks should form. | 0:21:06 | 0:21:08 | |
I've never put cornflour into a meringue before. | 0:21:13 | 0:21:15 | |
I would imagine it gives it a bit of substance. | 0:21:15 | 0:21:18 | |
And once the meringue's all made, then I'll stir through | 0:21:18 | 0:21:20 | |
the hazelnuts. I might sieve them to get rid of the bigger bits. | 0:21:20 | 0:21:24 | |
I might stick these in the fridge for a little while. | 0:21:24 | 0:21:26 | |
I don't think it'll do them any harm. | 0:21:26 | 0:21:29 | |
I think I'm just folding these in, just fold. | 0:21:29 | 0:21:32 | |
So you've got to make sure that you don't let the air out. | 0:21:32 | 0:21:34 | |
Flake the mixture. | 0:21:34 | 0:21:35 | |
That looks blooming good! | 0:21:35 | 0:21:37 | |
There isn't much time to mess about with these ones. | 0:21:37 | 0:21:40 | |
If you make a mistake you'd have to work really quickly | 0:21:40 | 0:21:43 | |
because the oil in the nuts is starting already | 0:21:43 | 0:21:45 | |
to break down the egg whites. | 0:21:45 | 0:21:47 | |
Oh, I think that looks good. You've got no worries. | 0:21:47 | 0:21:50 | |
Slightly flatulent piping bag, got lots of air pockets. | 0:21:50 | 0:21:53 | |
It's quite rude, isn't it? | 0:21:53 | 0:21:54 | |
'Mary's recipe does not specify a baking time.' | 0:21:58 | 0:22:01 | |
I've no idea how long these need to go in the oven for | 0:22:01 | 0:22:04 | |
so I'll have to keep an eye on them. | 0:22:04 | 0:22:07 | |
'The meringue should be baked until just light and crisp. | 0:22:07 | 0:22:10 | |
'Any further and the hazelnut will become bitter.' | 0:22:10 | 0:22:12 | |
I just switched the meringues round because I am finding that | 0:22:12 | 0:22:15 | |
the ones at the bottom actually are browning a little bit quicker | 0:22:15 | 0:22:18 | |
than the other ones, just to get an even distribution of colour. | 0:22:18 | 0:22:21 | |
It says the next step on this is to make the ganache. | 0:22:23 | 0:22:26 | |
But I'd rather get the custard done and cooling, because then | 0:22:26 | 0:22:30 | |
that needs to have whipped cream folded in, and ganache won't take | 0:22:30 | 0:22:34 | |
as long to cool so I'm switching round the order a little bit. | 0:22:34 | 0:22:38 | |
I'm seeing how thick it needs to be, because it's a custard, | 0:22:38 | 0:22:42 | |
that's what I need to remind myself. | 0:22:42 | 0:22:44 | |
It's done. | 0:22:47 | 0:22:49 | |
'A coffee custard forms the base of the creme mousseline.' | 0:22:51 | 0:22:54 | |
So what's different about this custard? | 0:22:54 | 0:22:56 | |
Well, it's got the cream going through it | 0:22:56 | 0:22:58 | |
so it's almost like a slightly more mousse-y custard. | 0:22:58 | 0:23:02 | |
-It's mousse. -Mousseline, ah! Got you. | 0:23:02 | 0:23:06 | |
'The bakers need to leave enough time for it to cool completely | 0:23:06 | 0:23:09 | |
'before adding the whipped cream.' | 0:23:09 | 0:23:12 | |
It just keeps on going on, so many steps to this. | 0:23:14 | 0:23:17 | |
OK, bakers, that's one hour before there's a mousseline | 0:23:17 | 0:23:20 | |
loosenine aboot this hooseline... | 0:23:20 | 0:23:23 | |
It didn't work but you can't fault me trying. | 0:23:23 | 0:23:26 | |
I don't think it's far off, to be honest with you. | 0:23:26 | 0:23:28 | |
I'm guessing. | 0:23:30 | 0:23:31 | |
My meringues are not looking good. They're not crisping up at all. | 0:23:31 | 0:23:35 | |
Oh, dear, I'm giving up. | 0:23:35 | 0:23:38 | |
'Whipped cream should be carefully folded into | 0:23:43 | 0:23:47 | |
'the cooled coffee custard.' | 0:23:47 | 0:23:49 | |
I don't really know. It looks quite thick, it looks like it's holding. | 0:23:49 | 0:23:52 | |
'If any air is lost from the mixture, | 0:23:52 | 0:23:55 | |
'it may not be able to support the layers of meringue.' | 0:23:55 | 0:23:57 | |
It might not be thick enough but we just have to hope. | 0:23:57 | 0:24:02 | |
'The meringues need to be out of the oven and given enough time | 0:24:02 | 0:24:06 | |
'to cool completely before the dacquoise is assembled.' | 0:24:06 | 0:24:09 | |
Yeah, I'm really happy with those. | 0:24:09 | 0:24:11 | |
The temperature of the oven's right, it might crisp up. | 0:24:11 | 0:24:16 | |
I'm going to make some praline now. | 0:24:19 | 0:24:21 | |
'Sugar needs to be melted until it just caramelises...' | 0:24:21 | 0:24:25 | |
I just want to make sure I don't miss anything. | 0:24:26 | 0:24:29 | |
'..Before stirring in hazelnuts and lemon juice.' | 0:24:29 | 0:24:32 | |
The way it says to do the thing on the spoon, | 0:24:32 | 0:24:35 | |
that's slightly flummoxing me. | 0:24:35 | 0:24:38 | |
'Each praline cluster should have three perfectly caramelised nuts.' | 0:24:38 | 0:24:42 | |
It's just fiddly because it's hot | 0:24:42 | 0:24:44 | |
and the caramel obviously hardens really quickly. | 0:24:44 | 0:24:48 | |
'And each dacquoise should have 12 clusters.' | 0:24:48 | 0:24:51 | |
I'm being really silly and using my fingers. | 0:24:51 | 0:24:53 | |
Bakers, you've got ten minutes left. | 0:24:55 | 0:24:56 | |
'Once assembled, each layer of the dacquoise should be distinct.' | 0:24:56 | 0:25:00 | |
You've got double piping action going on here, what's going on? | 0:25:00 | 0:25:03 | |
I think I'm going to pipe the coffee one in | 0:25:03 | 0:25:05 | |
just because otherwise I know I'll just splodge it on. | 0:25:05 | 0:25:07 | |
If I pipe it, it will be an even layer. | 0:25:07 | 0:25:09 | |
But then I don't want to squeeze all the air out. | 0:25:09 | 0:25:12 | |
So maybe we'll just splodge it on. | 0:25:12 | 0:25:13 | |
Will it take the air out if you pipe? | 0:25:14 | 0:25:17 | |
I think it might. | 0:25:17 | 0:25:18 | |
-Splodge then, mate, splodge. -Yeah, I might do a splodge. -Splodge. | 0:25:18 | 0:25:22 | |
It's just a little bit thin. I should have thickened it | 0:25:24 | 0:25:27 | |
a little bit more before I took it off the heat. | 0:25:27 | 0:25:30 | |
So I'm just going to try and neaten it up as much as I can. | 0:25:30 | 0:25:34 | |
Bakers, you've got five minutes on your nut clustering, | 0:25:34 | 0:25:37 | |
five minutes to go. | 0:25:37 | 0:25:39 | |
So, quite large nibbed nuts you've gone for. | 0:25:41 | 0:25:43 | |
Well, I've sort of done them by hand, yeah. | 0:25:43 | 0:25:45 | |
We're getting there. | 0:25:50 | 0:25:51 | |
That's got carpet tile written all over it. | 0:25:53 | 0:25:55 | |
-Asking for disaster. -Oh! Beautifully done. | 0:25:55 | 0:25:58 | |
It just says, "Pipe swirls of ganache on top | 0:25:58 | 0:26:00 | |
"and then decorate with the praline." | 0:26:00 | 0:26:03 | |
That's good, that's good. Yeah, nice and generous. | 0:26:09 | 0:26:12 | |
Nice and generous. | 0:26:12 | 0:26:14 | |
Famous Five, your eighth technical challenge is now over, | 0:26:20 | 0:26:24 | |
please step away from your dacquoises. | 0:26:24 | 0:26:27 | |
If you'd like to bring them up, | 0:26:27 | 0:26:29 | |
pop them behind the photo of yourself, I'll start eating them. | 0:26:29 | 0:26:33 | |
'Mary and Paul will be looking for a delicate and elegant dacquoise, | 0:26:38 | 0:26:41 | |
'with even layers and firm mousseline, | 0:26:41 | 0:26:44 | |
'and light, crispy nut meringue.' | 0:26:44 | 0:26:47 | |
Well, we have five and they look good, don't they? | 0:26:47 | 0:26:51 | |
Right, we'll start with this one. | 0:26:51 | 0:26:53 | |
This one's got a decent meringue, it's quite tough, it's got a bit | 0:26:57 | 0:27:00 | |
of bite to it. You can tell, because it cracked all the way through. | 0:27:00 | 0:27:03 | |
The filling, it's holding quite well, the praline looks nice. | 0:27:03 | 0:27:06 | |
We've good definition between the meringue and the filling | 0:27:06 | 0:27:09 | |
all the way through, you can see the layers quite clearly. | 0:27:09 | 0:27:12 | |
I think the meringue's crispy enough | 0:27:14 | 0:27:16 | |
and the flavour's excellent all the way down. | 0:27:16 | 0:27:19 | |
Let's try the next one. | 0:27:19 | 0:27:20 | |
This meringue looks pretty poor, actually, | 0:27:20 | 0:27:23 | |
it's not crispy at all, although the filling's holding quite well. | 0:27:23 | 0:27:26 | |
The nuts are a little coarser, which gives a better texture. | 0:27:26 | 0:27:30 | |
The ganache is good. | 0:27:30 | 0:27:32 | |
-But the custard is not thick enough. -No. | 0:27:32 | 0:27:35 | |
This is interesting. The layers are so thin in that meringue. | 0:27:35 | 0:27:39 | |
Look at it, it's lost all its definition. | 0:27:39 | 0:27:41 | |
-It's too chewy. -It's been baked too quick. | 0:27:45 | 0:27:48 | |
It should have taken about an hour in the oven, | 0:27:48 | 0:27:51 | |
and I think that that would have had considerably less. | 0:27:51 | 0:27:54 | |
And that means that the meringue hasn't dried out. | 0:27:54 | 0:27:57 | |
It just looks untidy around the edge, you know. | 0:27:57 | 0:28:01 | |
We can still see the layers, which is lucky, | 0:28:01 | 0:28:04 | |
and on top the ganache needed to be left longer | 0:28:04 | 0:28:08 | |
to become cool to keep the definition of the piping. | 0:28:08 | 0:28:12 | |
The cream's quite wet, it needs to be stiffer. | 0:28:12 | 0:28:14 | |
It's still got some crunch there, though. | 0:28:14 | 0:28:16 | |
It has got some, yeah. | 0:28:16 | 0:28:17 | |
They're not very thick, are they, the layers of meringue? | 0:28:17 | 0:28:20 | |
It's quite neat at the sides, this one. | 0:28:20 | 0:28:23 | |
You can definitely see the three layers of meringue | 0:28:23 | 0:28:26 | |
and the two layers of filling. | 0:28:26 | 0:28:28 | |
-Good crunch. -It looks good. | 0:28:31 | 0:28:33 | |
It's neat, it's neat. Yeah. | 0:28:33 | 0:28:36 | |
'Mary and Paul will now rank the dacquoises.' | 0:28:36 | 0:28:40 | |
In fifth place - this one. | 0:28:40 | 0:28:42 | |
Rather an uneven finish and the filling was rather runny. | 0:28:43 | 0:28:47 | |
Number four is this one. | 0:28:47 | 0:28:50 | |
Your praline's not very good, your ganache has probably been put on... | 0:28:51 | 0:28:55 | |
It was just not cool enough. | 0:28:55 | 0:28:59 | |
And in third place. | 0:28:59 | 0:29:00 | |
Good even piping, but the meringue itself, a little too runny. | 0:29:00 | 0:29:05 | |
And number two is this one. | 0:29:05 | 0:29:08 | |
It came down to the volume in the meringue between one and two. | 0:29:08 | 0:29:11 | |
And in first place, Ruby! | 0:29:11 | 0:29:15 | |
Well done, Ruby. | 0:29:15 | 0:29:16 | |
APPLAUSE | 0:29:16 | 0:29:18 | |
Good height, good definition of the meringue | 0:29:18 | 0:29:21 | |
and the filling held together very well. Well done. | 0:29:21 | 0:29:25 | |
One would have been better, but two's all right. | 0:29:28 | 0:29:30 | |
I'm astounded. I did not think I was going to win. | 0:29:30 | 0:29:34 | |
Could have been better, could have been not last. | 0:29:34 | 0:29:37 | |
Things haven't gone totally to plan, but tomorrow's a new day. | 0:29:37 | 0:29:42 | |
'One challenge remaining in the quarterfinal.' | 0:29:50 | 0:29:54 | |
All five bakers fighting it out for a place in the semis. | 0:29:54 | 0:29:57 | |
Let's start with Ruby. | 0:29:57 | 0:29:59 | |
Ruby always has a blip, and then instantly rectifies it. | 0:29:59 | 0:30:02 | |
Is she safe, though, do you think she's in the semis? | 0:30:02 | 0:30:04 | |
Coming first in the technical, | 0:30:04 | 0:30:05 | |
if she has a really bad day today it might not be enough. | 0:30:05 | 0:30:08 | |
Kimberley was second in the technical, | 0:30:08 | 0:30:10 | |
and she had similar problems with her signature loaf, didn't she? | 0:30:10 | 0:30:12 | |
The texture was a bit wrong. | 0:30:12 | 0:30:14 | |
And Frances, who was mid-way in the technical? | 0:30:14 | 0:30:16 | |
Her Chelsea buns looked so good, it looked so inviting, | 0:30:16 | 0:30:19 | |
you wanted to tear off a chunk. | 0:30:19 | 0:30:21 | |
And I think in the Showstopper today, | 0:30:21 | 0:30:23 | |
I hope she doesn't over decorate it. | 0:30:23 | 0:30:26 | |
Christine, she had a mix of sort of rice flour and potato flour | 0:30:26 | 0:30:29 | |
and possibly some tapioca in there, quite well baked, you thought? | 0:30:29 | 0:30:32 | |
I thought it was OK, I thought she was last, | 0:30:32 | 0:30:34 | |
she's got to come up today. | 0:30:34 | 0:30:36 | |
Finally Beca, who came fourth in the technical | 0:30:36 | 0:30:39 | |
but did very well in her focaccia. | 0:30:39 | 0:30:41 | |
The flavours that she got, it did look like a focaccia, the structure was all right. | 0:30:41 | 0:30:45 | |
Does that save her? | 0:30:45 | 0:30:46 | |
It depends on what she does today, this is the problem. | 0:30:46 | 0:30:48 | |
It's almost in reverse from signature to technical. | 0:30:48 | 0:30:51 | |
It could go any way. | 0:30:51 | 0:30:53 | |
-Well, now I'm on tenterhooks. -So am I. -I can't cope. | 0:30:53 | 0:30:57 | |
Good morning, bakers, and welcome to the Showstopper Challenge. | 0:31:03 | 0:31:06 | |
And what you bake today could secure your place in the semifinals, | 0:31:06 | 0:31:10 | |
so no biggy. | 0:31:10 | 0:31:11 | |
What we'd like you to bake is a 3-D novelty cake. | 0:31:11 | 0:31:15 | |
Now this could be in any shape you like - a shoe, a cat, | 0:31:15 | 0:31:19 | |
a pair of Paul Hollywood's budgie smugglers - we don't mind. | 0:31:19 | 0:31:22 | |
But it's got to be dairy-free - no butter, no cheese, | 0:31:22 | 0:31:26 | |
no milk inside or out, none of that. | 0:31:26 | 0:31:28 | |
Now, bakers, we'd like it to be a vegetable cake, please. | 0:31:28 | 0:31:31 | |
You can use any vegetables you choose, | 0:31:31 | 0:31:34 | |
you've got four hours on the clock. So, on your marks... | 0:31:34 | 0:31:38 | |
-Get set... -BOTH: Bake! | 0:31:38 | 0:31:39 | |
'Nearly all recipes for vegetable cake are dairy-free, | 0:31:41 | 0:31:44 | |
'as they traditionally feature oil rather than butter.' | 0:31:44 | 0:31:48 | |
Most cakes will have butter in, they'll have eggs, | 0:31:48 | 0:31:51 | |
they'll have milk in there | 0:31:51 | 0:31:53 | |
but by taking out the dairy, they've got to think outside the box. | 0:31:53 | 0:31:56 | |
Then they've got to think of the vegetables. | 0:31:56 | 0:31:58 | |
The vegetables release oil, they release a natural flavouring, | 0:31:58 | 0:32:00 | |
and it's about the quantity you put in there, | 0:32:00 | 0:32:03 | |
because it will restrict and retard whatever flour you're going to use. | 0:32:03 | 0:32:06 | |
So it's very tricky when you bring all those components together | 0:32:06 | 0:32:09 | |
to actually bake something that looks good and tastes good. | 0:32:09 | 0:32:12 | |
Most of them will have made a carrot cake, | 0:32:12 | 0:32:15 | |
they may even have made a courgette cake | 0:32:15 | 0:32:17 | |
but they've got to think beyond that. | 0:32:17 | 0:32:19 | |
It's difficult when you're using vegetables, | 0:32:19 | 0:32:21 | |
they're often a very close texture, very moist. | 0:32:21 | 0:32:25 | |
We are looking for a cake with a good base | 0:32:25 | 0:32:28 | |
and then they've got to be all out for a good decoration. | 0:32:28 | 0:32:32 | |
I am making a 3-D sweet potato cake | 0:32:33 | 0:32:40 | |
in the shape of a guitar. | 0:32:40 | 0:32:42 | |
I've made it twice, this cake. | 0:32:42 | 0:32:45 | |
And both times it's come out really good | 0:32:45 | 0:32:47 | |
so I don't foresee any problems. | 0:32:47 | 0:32:49 | |
'Christine is flavouring her sweet potato electric guitar with | 0:32:49 | 0:32:53 | |
'fresh pineapple, spices, and fresh passion fruit icing.' | 0:32:53 | 0:32:57 | |
It's quite a dense cake, it's a bit like a bread pudding texture. | 0:32:57 | 0:33:02 | |
It's got lots of spices, it is delicious. | 0:33:02 | 0:33:05 | |
So what are you using to cover the cake with? | 0:33:05 | 0:33:08 | |
I'm making a marshmallow fondant, which is quite quick to make. | 0:33:08 | 0:33:15 | |
And what are you thinking? | 0:33:15 | 0:33:16 | |
Jimmy Page, Jeff Beck, Brian May, Jimi Hendrix? | 0:33:16 | 0:33:19 | |
-Brian May. Every time. -May, all the time. | 0:33:19 | 0:33:21 | |
-Jimmy Page. -Page? -Jimmy Page. | 0:33:21 | 0:33:23 | |
My 3-D novelty cake is going to be made into the shape | 0:33:27 | 0:33:31 | |
of a wooden board with a massive chunk of cheese sat on top. | 0:33:31 | 0:33:36 | |
'Beca's using butternut squash as the basis for her cheeseboard cake, | 0:33:37 | 0:33:41 | |
'flavouring it with peach jam and infesting it with fondant mice.' | 0:33:41 | 0:33:45 | |
I haven't practised this cake, so I don't know how it's going to go. | 0:33:45 | 0:33:51 | |
Winging it slightly, but, yeah, should all be fine hopefully. | 0:33:51 | 0:33:56 | |
'Kimberley's also using butternut squash in her cake, | 0:33:56 | 0:34:00 | |
'inspired by childhood memories.' | 0:34:00 | 0:34:02 | |
This toadstool cake is the cake my mum made for my brother when he was little, | 0:34:02 | 0:34:07 | |
so I remember being quite small and fascinated by it. | 0:34:07 | 0:34:10 | |
I thought it would be quite a nice little kind of tribute | 0:34:10 | 0:34:13 | |
to those memories. | 0:34:13 | 0:34:15 | |
'Her squash toadstool house is flavoured with spices, | 0:34:15 | 0:34:18 | |
'maple syrup and non-dairy buttercream, | 0:34:18 | 0:34:20 | |
'surrounded by fondant decorations.' | 0:34:20 | 0:34:23 | |
The plan is just to get the cake in as soon as possible. | 0:34:23 | 0:34:26 | |
I want to speed through this part, so I've got as much time as possible | 0:34:26 | 0:34:31 | |
to do the decorations properly | 0:34:31 | 0:34:33 | |
without having to feel like I'm rushing them. | 0:34:33 | 0:34:35 | |
I'm making a carrot cake in the shape of an allotment plot. | 0:34:38 | 0:34:42 | |
So there's going to be a shed and vegetable beds and stuff like that. | 0:34:44 | 0:34:48 | |
'Ruby's allotment will have poppy seed soil and pistachio grass, | 0:34:48 | 0:34:53 | |
'and a shed built with dark chocolate planks | 0:34:53 | 0:34:55 | |
'and a praline roof.' | 0:34:55 | 0:34:57 | |
So this is your basic cake mixture for the big cake? | 0:34:57 | 0:35:00 | |
I don't know if this is a big enough bowl for all of that. | 0:35:00 | 0:35:03 | |
-It's a big mix. -It's a huge mix. | 0:35:03 | 0:35:04 | |
Is this the biggest mix you've ever worked with, Ruby? | 0:35:04 | 0:35:07 | |
I've never made a cake this big, this is really weird for me. | 0:35:07 | 0:35:10 | |
I can't wait to see how you get on with it. | 0:35:10 | 0:35:12 | |
Very exciting to do it, quite different | 0:35:12 | 0:35:14 | |
and I'm looking forward to it. | 0:35:14 | 0:35:17 | |
'Frances's 3-D novelty cake | 0:35:17 | 0:35:18 | |
'would look at home on Ruby's vegetable allotment.' | 0:35:18 | 0:35:22 | |
I'm making my hidden carrot cake. | 0:35:22 | 0:35:24 | |
It's going to be a sort of pot and then I'm having three carrots | 0:35:24 | 0:35:30 | |
hidden in there and then I'll have dill acting as the carrot top. | 0:35:30 | 0:35:34 | |
Then I'm going to make some edible bulbs and mini little edible plants | 0:35:34 | 0:35:38 | |
and then a little plant label topper and some sesame seeds. | 0:35:38 | 0:35:42 | |
It should look like a little horticultural garden, I suppose. | 0:35:42 | 0:35:47 | |
'Frances is making a beetroot and walnut cake for the earth part | 0:35:47 | 0:35:50 | |
'of her design, flavouring it with dark chocolate | 0:35:50 | 0:35:53 | |
'and orange zest and topped with a ground praline chocolate soil.' | 0:35:53 | 0:35:57 | |
Well, beetroot and walnuts are so good. And also, I find beetroot is | 0:35:57 | 0:36:00 | |
quite an earthy, soily taste anyway. It's not overpowering and also | 0:36:00 | 0:36:05 | |
it adds a real nice moistness to the cake because I can't use butter. | 0:36:05 | 0:36:09 | |
'Because they are high in moisture, vegetable cakes need longer to bake | 0:36:12 | 0:36:15 | |
'than usual cakes, so it's important to get them in the oven early.' | 0:36:15 | 0:36:19 | |
There's some good ideas there, I think. | 0:36:19 | 0:36:21 | |
We've got some really good ideas, | 0:36:21 | 0:36:22 | |
and they're using techniques they haven't used before. | 0:36:22 | 0:36:25 | |
When you're looking at Ruby, | 0:36:25 | 0:36:26 | |
it's the first time you're going to see her out of her comfort zone | 0:36:26 | 0:36:29 | |
and she's actually making something look very pretty and very different. | 0:36:29 | 0:36:32 | |
Frances, as usual, is doing lots of intricate things | 0:36:32 | 0:36:36 | |
in her vegetable garden. | 0:36:36 | 0:36:39 | |
And I just hope she doesn't spend too much time | 0:36:39 | 0:36:43 | |
on all things round rather than the actual cake. | 0:36:43 | 0:36:46 | |
Christine's will be finished impeccably, | 0:36:46 | 0:36:49 | |
but I don't like the idea when she said it's a bit like bread pudding. | 0:36:49 | 0:36:52 | |
The bake itself, the all-important part, well, it's got to be good. | 0:36:52 | 0:36:56 | |
Not quite, you can see a little bit of wet on the skewer. | 0:37:19 | 0:37:24 | |
I might give it another five minutes just to be safe. | 0:37:29 | 0:37:32 | |
Yep, very happy with my cakes. | 0:37:36 | 0:37:39 | |
OK, cakes...done. | 0:37:39 | 0:37:42 | |
'Vegetable cakes are heavy, so building them | 0:37:46 | 0:37:50 | |
'into 3-D novelty shapes requires a fair bit of precision.' | 0:37:50 | 0:37:55 | |
OK, this looks good. There's a lot of construction work on the shed. | 0:37:55 | 0:37:58 | |
There's quite a lot of construction work going on. | 0:37:58 | 0:38:00 | |
And can you remember all your measurements? | 0:38:00 | 0:38:02 | |
I can remember some of my measurements. | 0:38:02 | 0:38:04 | |
I just need to get them cooled in time, is the only thing now. | 0:38:18 | 0:38:21 | |
So I can ice them without the buttercream melting off | 0:38:21 | 0:38:25 | |
or anything like that. | 0:38:25 | 0:38:26 | |
It's one of those things where it looks really, really rubbish | 0:38:29 | 0:38:32 | |
until the last few moments when you put the final touches on. | 0:38:32 | 0:38:34 | |
So let's just hope I have time to do those final touches. | 0:38:34 | 0:38:37 | |
'Buttercream is often used to decorate and fill cakes, | 0:38:37 | 0:38:41 | |
'so to make a non-dairy alternative, Christine, Kimberley, Ruby | 0:38:41 | 0:38:46 | |
'and Beca are using sunflower or soya-based spreads.' | 0:38:46 | 0:38:50 | |
The problem with using the margarine is, | 0:38:50 | 0:38:52 | |
it's got quite a high water content | 0:38:52 | 0:38:54 | |
so it takes loads of sugar to get a decent consistency, | 0:38:54 | 0:38:57 | |
and what the cider vinegar does is just adds that real... | 0:38:57 | 0:39:00 | |
You only use a tiny bit | 0:39:00 | 0:39:01 | |
but it just adds that slight tang to make it more like a cream cheese. | 0:39:01 | 0:39:04 | |
'Frances is going one step further, | 0:39:04 | 0:39:06 | |
'by making a non-dairy dark chocolate fudge sauce.' | 0:39:06 | 0:39:10 | |
I use coconut cream with chocolate and golden syrup and orange rind. | 0:39:10 | 0:39:16 | |
It quite tastes like that famous lovely chocolate orange bar | 0:39:16 | 0:39:19 | |
at the end of it all. | 0:39:19 | 0:39:20 | |
I thought I was tidy before I came on here | 0:39:25 | 0:39:29 | |
and then it became very clear to me that I was anything but. | 0:39:29 | 0:39:32 | |
I guess I am just messy, I'm just messy. | 0:39:32 | 0:39:35 | |
GLASS BREAKS | 0:39:35 | 0:39:37 | |
I'm so sorry. | 0:39:37 | 0:39:39 | |
I'm so sorry! | 0:39:39 | 0:39:40 | |
I'm so sorry! It's like the Incredible Hulk! | 0:39:43 | 0:39:48 | |
Oh, no, I'm too embarrassed to bake any more! I can't do it. | 0:39:48 | 0:39:52 | |
I'm just about to make my front door. | 0:40:01 | 0:40:03 | |
It's quite outside my comfort zone, this kind of baking. I don't do | 0:40:03 | 0:40:09 | |
cake decorating, I've never actually done any real cake decorating. | 0:40:09 | 0:40:14 | |
So it's a real step outside for me, | 0:40:14 | 0:40:20 | |
but hopefully I can do a good job of it. | 0:40:20 | 0:40:23 | |
'Like Kimberley, Beca is crafting her decorations out of | 0:40:23 | 0:40:27 | |
'ready-made fondant icing and modelling paste.' | 0:40:27 | 0:40:30 | |
It is quite a fun bit, this, it's quite fiddly, | 0:40:30 | 0:40:34 | |
it's quite therapeutic, I find. | 0:40:34 | 0:40:36 | |
I like little details and I've got an image of what this cake looks like | 0:40:36 | 0:40:41 | |
in my head and I'm just trying to replicate it as best I can. | 0:40:41 | 0:40:44 | |
'Christine, however, is creating her own fondant icing from scratch | 0:40:44 | 0:40:48 | |
'by melting down marshmallows.' | 0:40:48 | 0:40:50 | |
It's still sort of hot, it's lovely. | 0:40:52 | 0:40:54 | |
Yeah, but the more I knead it, it'll get cold, | 0:40:54 | 0:40:58 | |
then I can use it straightaway. | 0:40:58 | 0:41:00 | |
It is a messy procedure but it makes lovely fondant. | 0:41:00 | 0:41:03 | |
It is, I feel like I'm in a Kate Bush video in the late '70s. | 0:41:03 | 0:41:06 | |
'Ruby and Frances are channelling their inner chocolatier | 0:41:08 | 0:41:12 | |
'with varying degrees of success.' | 0:41:12 | 0:41:15 | |
I didn't know it was possible to burn chocolate. | 0:41:19 | 0:41:21 | |
I've achieved it, I've achieved it. | 0:41:21 | 0:41:24 | |
Look at this Vesuvian marvel. Gosh, that is quite a dense crust on that. | 0:41:24 | 0:41:30 | |
-That's not going to go in the soil. -No, I think probably not. | 0:41:30 | 0:41:34 | |
I'm making the wooden planks from the shed and for the vegetable beds | 0:41:34 | 0:41:40 | |
and so I'm just moving the chocolate over the templates. | 0:41:40 | 0:41:43 | |
The chocolate that I may or may not have tempered successfully. | 0:41:45 | 0:41:49 | |
Bakers, you've got 18 minutes of novelty cakery 3-D-ness to go, 18. | 0:41:50 | 0:41:57 | |
So I'm just filling the cake with the carrots at the moment. | 0:42:03 | 0:42:10 | |
This whole thing is very pressurised but I've just got to | 0:42:10 | 0:42:13 | |
concentrate on each task and not think about what could go wrong. | 0:42:13 | 0:42:18 | |
I'm just making the roof for the shed, so it's basically | 0:42:21 | 0:42:24 | |
a caramel that gets poured over these almonds, and then basically | 0:42:24 | 0:42:28 | |
I cut that into two halves, so two rectangles for the roof. | 0:42:28 | 0:42:31 | |
Are those pebbles edible as well? | 0:42:35 | 0:42:37 | |
Yep, everything's edible because I know Mary's | 0:42:37 | 0:42:39 | |
-quite a stickler for everything on there being edible. -Totally. | 0:42:39 | 0:42:42 | |
Is the board edible? | 0:42:42 | 0:42:45 | |
THEY LAUGH | 0:42:45 | 0:42:46 | |
Not far off. I've just got to string it, as yet it's not playable. | 0:42:51 | 0:42:58 | |
-Do you want to stay until next week? How much? -So much. | 0:43:01 | 0:43:05 | |
This much? | 0:43:05 | 0:43:07 | |
No. The size of this tent and 20 million times more. | 0:43:07 | 0:43:11 | |
You're enjoying this, Beca, I can tell. | 0:43:13 | 0:43:15 | |
Love it. Absolutely love it. | 0:43:15 | 0:43:17 | |
-You thrive in a competitive atmosphere, don't you? -Massively. | 0:43:17 | 0:43:21 | |
OK, bakers, five minutes left on your | 0:43:25 | 0:43:27 | |
three-dimensional vegetable challenge. | 0:43:27 | 0:43:30 | |
At the moment, it's obviously still got a way to go, but it's not | 0:43:38 | 0:43:42 | |
the mess I thought it would be halfway through this challenge, | 0:43:42 | 0:43:46 | |
because I was doing really badly and now I'm just doing quite badly. | 0:43:46 | 0:43:50 | |
I don't want to look. | 0:43:53 | 0:43:55 | |
I've just put the roof on, put the butterflies on | 0:43:58 | 0:44:01 | |
and see if I can make a bird's nest. | 0:44:01 | 0:44:05 | |
I do feel that this is quite an important bake for me. | 0:44:11 | 0:44:14 | |
Oh, there's more to do, there's always more. | 0:44:22 | 0:44:26 | |
What can I do, love? Tidy. I need to tidy. | 0:44:26 | 0:44:29 | |
It's OK because any of these bits might actually be vegetables. | 0:44:29 | 0:44:32 | |
OK. OK. | 0:44:32 | 0:44:34 | |
Ooh, my little knob's fallen out. | 0:44:34 | 0:44:36 | |
Bakers, your showstoppers have almost showstopped. | 0:44:36 | 0:44:40 | |
One minute to go. | 0:44:40 | 0:44:42 | |
OK, those turnip towers, those swede sponges are over, | 0:45:16 | 0:45:19 | |
baking has finished, so please, put your vegetables to the end of the bench. | 0:45:19 | 0:45:24 | |
Oh, Frances, what have you done? | 0:45:25 | 0:45:27 | |
I've gone crazy. | 0:45:27 | 0:45:29 | |
It looks amazing. | 0:45:29 | 0:45:30 | |
Yours does as well, Ruby. | 0:45:30 | 0:45:32 | |
Oh, it's a mess. | 0:45:32 | 0:45:34 | |
I've got a lopsided shed. Ridiculous, it's going to fall over. | 0:45:34 | 0:45:37 | |
If I haven't earned a place in the semifinal, | 0:45:55 | 0:45:58 | |
with that final bake, then I don't deserve to be there | 0:45:58 | 0:46:02 | |
because that's probably, at this stage, the best that I can do. | 0:46:02 | 0:46:06 | |
I think it looks great, great detail which I like anyway. | 0:46:06 | 0:46:10 | |
And very precise. I will go straight through the middle. | 0:46:10 | 0:46:13 | |
It is the texture that you expect from butternut squash, | 0:46:14 | 0:46:18 | |
pumpkin, they're always very moist | 0:46:18 | 0:46:22 | |
and this one's quite close textured, but it's a good flavour. | 0:46:22 | 0:46:25 | |
It's a good thing you've got that icing on it | 0:46:25 | 0:46:28 | |
because the actual cake itself is not sweet. | 0:46:28 | 0:46:31 | |
No, the filling's good, it's the filling that balances it all out. | 0:46:31 | 0:46:34 | |
It is baked, it's full of flavour, | 0:46:34 | 0:46:37 | |
the spices blend really well with it as well. | 0:46:37 | 0:46:39 | |
I think it's been executed perfectly. | 0:46:39 | 0:46:41 | |
I mean, you've managed to come up with something that looks | 0:46:41 | 0:46:44 | |
very good and the bake inside is excellent. | 0:46:44 | 0:46:48 | |
I feel pleased with what I've presented in there | 0:46:56 | 0:46:58 | |
and I hope it is enough to get me through to the semis. | 0:46:58 | 0:47:01 | |
I hope the taste comes across as much as the final look of it all. | 0:47:01 | 0:47:06 | |
Just looking at it, there's an element | 0:47:10 | 0:47:13 | |
that I'm not too happy about and that is that you've spent | 0:47:13 | 0:47:17 | |
an awful lot of time doing things | 0:47:17 | 0:47:19 | |
but you haven't made your pots. | 0:47:19 | 0:47:21 | |
Oh, right. | 0:47:24 | 0:47:26 | |
MEL: Oh, that's clever. | 0:47:26 | 0:47:27 | |
There's no icing in it. | 0:47:31 | 0:47:33 | |
The middle of that cake, the carrot is dry. | 0:47:33 | 0:47:36 | |
The outside of the cake is quite dense. | 0:47:36 | 0:47:38 | |
It's moist, but you couldn't have more than a thimble full | 0:47:38 | 0:47:42 | |
because your mouth would just seize up. | 0:47:42 | 0:47:46 | |
It's too bitter. | 0:47:46 | 0:47:48 | |
It's like sometimes when you eat a rich, expensive dark chocolate, | 0:47:48 | 0:47:51 | |
you can't eat a lot of it. | 0:47:51 | 0:47:53 | |
You can eat a little piece and then you're finished. | 0:47:53 | 0:47:55 | |
And I think on this occasion, | 0:47:55 | 0:47:58 | |
style and substance may come into play again. | 0:47:58 | 0:48:01 | |
To be honest, that is | 0:48:08 | 0:48:11 | |
the most highly finished thing I've ever made. | 0:48:11 | 0:48:14 | |
I've never done anything anywhere near that level of decoration before | 0:48:14 | 0:48:18 | |
so for me it's good, for me it's like a personal best. | 0:48:18 | 0:48:21 | |
I think you've done some very clever things here. | 0:48:22 | 0:48:25 | |
I think the caramel roof, I've never seen that before. | 0:48:25 | 0:48:29 | |
And that's what we're always looking for, something original. | 0:48:29 | 0:48:32 | |
I love the idea of the poppy seed. | 0:48:32 | 0:48:34 | |
I like what you've done to the top of the cake, | 0:48:34 | 0:48:36 | |
your chocolate work's good as well. | 0:48:36 | 0:48:38 | |
I do like the excess of pistachio nuts, | 0:48:45 | 0:48:50 | |
that really comes through. | 0:48:50 | 0:48:52 | |
The bake's great on the cake, it's got a great flavour. | 0:48:52 | 0:48:54 | |
Good amount of ingredients in there and textures. | 0:48:54 | 0:48:57 | |
Are you pleased with it? | 0:48:57 | 0:48:58 | |
It's probably the best-looking thing I've ever made. | 0:48:58 | 0:49:01 | |
Yay, you said something positive! | 0:49:01 | 0:49:04 | |
I know I was taking a bit of a risk making a cake | 0:49:07 | 0:49:10 | |
that I'd never made or practised before | 0:49:10 | 0:49:13 | |
but it looked exactly how I wanted it to, | 0:49:13 | 0:49:16 | |
if not actually better than | 0:49:16 | 0:49:17 | |
I had anticipated in my head. So really, really chuffed. | 0:49:17 | 0:49:21 | |
It's very simple, but effective. | 0:49:22 | 0:49:26 | |
I like...it's sharp, you know exactly what it is. | 0:49:26 | 0:49:31 | |
But for me that cake has to taste fantastic. | 0:49:31 | 0:49:33 | |
-Can I take that off? -Yeah. Absolutely. | 0:49:33 | 0:49:35 | |
I'm afraid the cake for me doesn't have a great deal of flavour. | 0:49:36 | 0:49:41 | |
No flavour. The only flavour I'm getting is sweetness from the icing. | 0:49:41 | 0:49:44 | |
I'm not convinced you weighed everything up properly. | 0:49:44 | 0:49:47 | |
-Really? -Mmm. | 0:49:47 | 0:49:50 | |
There's just no flavour, it's like an after-taste, | 0:49:50 | 0:49:53 | |
sometimes of ginger, but it's just bland all the way through. | 0:49:53 | 0:49:58 | |
I think it's such a wonderful looking cake, it looks such fun | 0:49:58 | 0:50:01 | |
but the disappointment is when you get into the cake | 0:50:01 | 0:50:05 | |
which is rather sad. | 0:50:05 | 0:50:07 | |
I'm really disappointed that it's not tasting as it should, | 0:50:07 | 0:50:10 | |
-and I can only apologise for that. -Thank you very much. | 0:50:10 | 0:50:13 | |
I really, really enjoyed that bake. | 0:50:17 | 0:50:19 | |
The cakes came out superbly, | 0:50:19 | 0:50:22 | |
better even than I've made them at home, | 0:50:22 | 0:50:24 | |
so I'm pretty confident that Paul and Mary will like the cake. | 0:50:24 | 0:50:27 | |
I like the simplicity, I like the way you've shaped it yourself, | 0:50:29 | 0:50:33 | |
it's very effective. | 0:50:33 | 0:50:36 | |
The one thing I want to know is what it's like inside. | 0:50:36 | 0:50:39 | |
It's got to taste good. | 0:50:39 | 0:50:40 | |
Too bland. | 0:50:49 | 0:50:51 | |
Now the problem is, the outside is beautiful, that chewiness, | 0:50:52 | 0:50:58 | |
it's got sweetness to it, it's not too much, I think it's perfect. | 0:50:58 | 0:51:02 | |
I've never seen that before and it really does work. | 0:51:02 | 0:51:04 | |
The inside is quite... | 0:51:04 | 0:51:08 | |
It doesn't hit you between the teeth. | 0:51:08 | 0:51:10 | |
It's got quite a lot of spice in it. | 0:51:10 | 0:51:12 | |
Yeah, I'm getting some of that, it just doesn't overwhelm me. | 0:51:12 | 0:51:16 | |
It needed a point, one thing that ran through it to make it stand out. | 0:51:16 | 0:51:21 | |
If there had been a little more of the passion icing, | 0:51:21 | 0:51:26 | |
that would have helped. | 0:51:26 | 0:51:28 | |
I would have liked a bit more spice in the cake itself. | 0:51:28 | 0:51:31 | |
You don't get the passion fruit, it doesn't come through. | 0:51:31 | 0:51:33 | |
I had a couple of bites and it just didn't come through. | 0:51:33 | 0:51:36 | |
That line round the outside, | 0:51:36 | 0:51:37 | |
if you had more of that, then perhaps that was the answer as well. | 0:51:37 | 0:51:41 | |
I thought this was good. | 0:51:47 | 0:51:51 | |
And I put everything into it, so if it is me going today, | 0:51:51 | 0:51:55 | |
I feel I've done my best. | 0:51:55 | 0:51:58 | |
This just means so much and I would hate to go out on a cake that | 0:51:58 | 0:52:01 | |
actually means so much to me that I felt really fitted the brief. | 0:52:01 | 0:52:05 | |
You know, this whole style over substance thing. | 0:52:06 | 0:52:09 | |
I felt the substance was there and I can pack so much more substance in. | 0:52:09 | 0:52:14 | |
I'm really annoyed that I'm so upset about it | 0:52:14 | 0:52:16 | |
but that was just brutal, just really horrible. | 0:52:16 | 0:52:19 | |
It's just a waiting game now to see what's happening, | 0:52:19 | 0:52:23 | |
and it's horrible, it really is. | 0:52:23 | 0:52:25 | |
Some fairly harsh, uncompromising judging there. | 0:52:27 | 0:52:30 | |
You didn't pull your punches, judges. | 0:52:30 | 0:52:33 | |
It's the quarterfinals going into the semifinals, | 0:52:33 | 0:52:35 | |
you have to be honest with them. We praised where praise was needed | 0:52:35 | 0:52:39 | |
and we were critical, I think, where criticism had to be placed. | 0:52:39 | 0:52:42 | |
I tell you when Mel and I found it a little harsh, correct me | 0:52:42 | 0:52:45 | |
if I'm wrong, but particularly with Frances. | 0:52:45 | 0:52:47 | |
There's a lot of process there. | 0:52:47 | 0:52:48 | |
She is brilliant really, | 0:52:48 | 0:52:50 | |
but she will not concentrate on the main thing, the cake. | 0:52:50 | 0:52:54 | |
She often goes off on the fringe things, | 0:52:54 | 0:52:57 | |
the little additions that she puts on. | 0:52:57 | 0:53:00 | |
Again, you're looking at style/substance again | 0:53:00 | 0:53:03 | |
and how many times have we said that to her? | 0:53:03 | 0:53:05 | |
-About 11,000. -She'd mid-way ranking on the technical bake. | 0:53:05 | 0:53:09 | |
Do you think because of your feelings about this cake | 0:53:09 | 0:53:12 | |
that's put her in trouble? | 0:53:12 | 0:53:14 | |
It's put her in trouble, but I'm going back to those wonderful | 0:53:14 | 0:53:18 | |
Chelsea buns, and gosh those were good. | 0:53:18 | 0:53:20 | |
Let's move onto boogie sponge-a-land, Christine's amazing orange guitar. | 0:53:20 | 0:53:26 | |
It needed one flavour to come through, | 0:53:26 | 0:53:28 | |
or something to lift it up and lighten it. | 0:53:28 | 0:53:31 | |
I didn't get any passion fruit at all. All I was interested in | 0:53:31 | 0:53:34 | |
was the icing around the outside because that is delicious. | 0:53:34 | 0:53:37 | |
She did come last in Technical | 0:53:37 | 0:53:40 | |
and her gluten-free bread actually was all right. | 0:53:40 | 0:53:42 | |
So where does that leave Christine then? | 0:53:42 | 0:53:45 | |
I think, for me, in the danger zone. | 0:53:45 | 0:53:47 | |
Now Beca's, you thought, was possibly a bit on the simple side. | 0:53:47 | 0:53:51 | |
Well, look at it, it is simple. | 0:53:51 | 0:53:53 | |
From your comments, you found that the blandest of all the cakes. | 0:53:53 | 0:53:56 | |
Yes, I did, you're right. | 0:53:56 | 0:53:58 | |
And she did come fourth in the Technical Challenge. | 0:53:58 | 0:54:01 | |
This has brought her right down from focaccia glory. | 0:54:01 | 0:54:04 | |
OK, let's turn our view to Ruby who, I think it's fair to say, | 0:54:04 | 0:54:09 | |
has had a pretty good weekend. | 0:54:09 | 0:54:11 | |
She was top of the Technical, and her loaf tasted good. | 0:54:11 | 0:54:15 | |
But this has taken Ruby into a new direction, | 0:54:15 | 0:54:18 | |
this allotment and shed cake, hasn't it? | 0:54:18 | 0:54:20 | |
There's a lot of techniques in there and overall, artistic at the end. | 0:54:20 | 0:54:23 | |
And she just got there, there was a huge mess on her table | 0:54:23 | 0:54:27 | |
and in the middle there was this delightful allotment. | 0:54:27 | 0:54:31 | |
Which leaves us with the magic mushroom. | 0:54:31 | 0:54:33 | |
Now, you thought the texture and taste was pretty good. | 0:54:33 | 0:54:36 | |
When you look at what Kimberley did, the textures, the structure, | 0:54:36 | 0:54:40 | |
the stability, the attention to detail, | 0:54:40 | 0:54:42 | |
the flavour of that, the cream running through it, all good. | 0:54:42 | 0:54:46 | |
So where does that leave Kimberley? | 0:54:46 | 0:54:48 | |
I think Kimberley's up there, you know, in line with... | 0:54:48 | 0:54:51 | |
she's up there, possibly Star Baker. | 0:54:51 | 0:54:54 | |
-OK. -But having said that... | 0:54:54 | 0:54:56 | |
-Ruby? -Ruby's up there for Star Baker as well. | 0:54:56 | 0:54:59 | |
OK, well, two at the top and three at the bottom, | 0:54:59 | 0:55:01 | |
a lot of decisions and discussions to have. | 0:55:01 | 0:55:03 | |
That's between Mary and I. | 0:55:03 | 0:55:05 | |
Bakers, very tough judging today and equally tough deliberations. | 0:55:19 | 0:55:24 | |
You are all so very good, it gets harder and harder. | 0:55:24 | 0:55:28 | |
Thankfully, this week I have the pleasant side of the deal | 0:55:28 | 0:55:33 | |
in that I get to award Star Baker. | 0:55:33 | 0:55:36 | |
And this week it goes to a woman. | 0:55:36 | 0:55:38 | |
THEY LAUGH | 0:55:39 | 0:55:41 | |
Do you need more clues? | 0:55:41 | 0:55:42 | |
OK, this is a woman who's mastered the dacquoise, | 0:55:42 | 0:55:45 | |
this is a woman who serves everything with a side order | 0:55:45 | 0:55:47 | |
of size, this is a woman who makes the best tasting roof I've ever had. | 0:55:47 | 0:55:52 | |
Ruby, congratulations, you're our Star Baker. | 0:55:52 | 0:55:54 | |
And I've got the miserable job. | 0:55:58 | 0:56:01 | |
Paul and Mary have said that this is the closest quarterfinal | 0:56:01 | 0:56:03 | |
we've ever had. One of you will have to go, and the person that | 0:56:03 | 0:56:08 | |
we have great sadness in saying goodbye to... | 0:56:08 | 0:56:11 | |
is... | 0:56:17 | 0:56:19 | |
..Christine. | 0:56:29 | 0:56:32 | |
Oh, Christine, my love. Have a big sandwich, come on. | 0:56:32 | 0:56:36 | |
You'll be so terribly missed. | 0:56:36 | 0:56:40 | |
I have learnt so much over these eight weeks, | 0:56:40 | 0:56:44 | |
it's been the best thing I've ever done in my life by a mile. | 0:56:44 | 0:56:51 | |
And I haven't had a boring life. | 0:56:51 | 0:56:54 | |
You are brilliant, you are brilliant. | 0:56:54 | 0:56:57 | |
It was very, very difficult to choose. | 0:56:57 | 0:56:59 | |
Ultimately it came down to taste, texture and appearance. | 0:56:59 | 0:57:04 | |
Ruby showed all the skills, she tempered her chocolate, | 0:57:04 | 0:57:08 | |
every item was made by her. | 0:57:08 | 0:57:12 | |
The whole finish was enchanting, she deserved to be Star Baker. | 0:57:12 | 0:57:17 | |
I think this weekend's really helped to build my confidence. | 0:57:17 | 0:57:22 | |
Up until now, I've focused only on the current week | 0:57:22 | 0:57:25 | |
but I guess I would like to get to the final. | 0:57:25 | 0:57:28 | |
All along I had week nine in my sights and I've got it now | 0:57:29 | 0:57:32 | |
so I need to really prove my worth. | 0:57:32 | 0:57:35 | |
I don't want to change the way I think, | 0:57:35 | 0:57:38 | |
the way I design in the kitchen. | 0:57:38 | 0:57:40 | |
It's been tough but hopefully it'll make me stronger. | 0:57:40 | 0:57:44 | |
Now the margin of error is, I don't think there is one actually. | 0:57:46 | 0:57:50 | |
The pressure now is about bringing perfection to every bake. | 0:57:50 | 0:57:53 | |
'Next time, the semifinalists take on the French.' | 0:58:01 | 0:58:04 | |
Bienvenue a la demi-finale de Great British Bake Off. | 0:58:04 | 0:58:06 | |
'The four remaining bakers bake savoury signature canape.' | 0:58:06 | 0:58:10 | |
Have you just gone freestyle? | 0:58:10 | 0:58:11 | |
-I haven't got time, really. -You daredevil. | 0:58:11 | 0:58:14 | |
'A Technical Challenge that's enough to make their heads hurt.' | 0:58:14 | 0:58:16 | |
This is going to be a mess, it really will look like a brain. | 0:58:16 | 0:58:19 | |
'And a Showstopper that has to hit the right note.' | 0:58:19 | 0:58:22 | |
SING-SONG: Ground up something or other, I don't know what that is. | 0:58:22 | 0:58:26 | |
SING-SONG: It's grounded banana chips. | 0:58:26 | 0:58:28 | |
Subtitles by Red Bee Media Ltd | 0:58:37 | 0:58:40 |