Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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This programme contains adult humour | 0:00:02 | 0:00:10 | |
Would you mind stepping down off your horse, please, sir? | 0:00:32 | 0:00:35 | |
Every time. | 0:00:36 | 0:00:38 | |
This your horse, is it, sir? | 0:00:43 | 0:00:45 | |
Yeah, it is. | 0:00:45 | 0:00:46 | |
A bit early to be galloping, isn't it, sir? | 0:00:46 | 0:00:49 | |
I didn't know there was a law against galloping, bruv. | 0:00:49 | 0:00:52 | |
There isn't...yet. | 0:00:52 | 0:00:55 | |
Mind if I check your saddlebags? | 0:00:55 | 0:00:57 | |
Go ahead. | 0:00:57 | 0:00:58 | |
Oh, ho, ho, ho! | 0:01:01 | 0:01:04 | |
Would you care to tell me what this is? | 0:01:05 | 0:01:09 | |
It's oats, innit? | 0:01:09 | 0:01:11 | |
Is it? Really? | 0:01:11 | 0:01:13 | |
Can I go now, officer? | 0:01:20 | 0:01:22 | |
Oi! Yo! My man. | 0:01:22 | 0:01:24 | |
Why don't you leave the brother alone, innit! | 0:01:24 | 0:01:26 | |
Just leave the brother alone. He done well for himself. | 0:01:26 | 0:01:29 | |
-He's got nice whip. -Yeah, man. | 0:01:29 | 0:01:31 | |
Just let the man pass. | 0:01:31 | 0:01:32 | |
Babylon wickedness! | 0:01:32 | 0:01:34 | |
Babylon wickedness! | 0:01:34 | 0:01:36 | |
Would you excuse me for a minute, sir? | 0:01:36 | 0:01:38 | |
Babylon what? | 0:01:43 | 0:01:45 | |
What? I never said nothing, bruv. Weren't me. | 0:01:45 | 0:01:49 | |
I can't even speak, you know, bruv. | 0:01:52 | 0:01:56 | |
Would you like to step down off the horse, please, sir? | 0:01:56 | 0:01:59 | |
Ah, every time! | 0:01:59 | 0:02:01 | |
And now, ladies and gentlemen, | 0:02:07 | 0:02:09 | |
brethren, lady brethren and the pickney dem, | 0:02:09 | 0:02:13 | |
will you please welcome your host for this evening's bare madnesses! | 0:02:13 | 0:02:18 | |
He's the face of probiotic contraceptive yoghurt drink | 0:02:18 | 0:02:21 | |
in three quarters of Southeast Asia and now Anglesey. | 0:02:21 | 0:02:26 | |
It's Javone Prince! | 0:02:26 | 0:02:29 | |
Yep, whoo! Get ready for this! | 0:02:32 | 0:02:35 | |
You sit down! | 0:02:56 | 0:02:57 | |
What? | 0:03:12 | 0:03:14 | |
Please, please, please, please... | 0:03:14 | 0:03:17 | |
keep on clapping, innit. | 0:03:17 | 0:03:19 | |
Keep on clapping. | 0:03:19 | 0:03:21 | |
Enjoy this! | 0:03:21 | 0:03:23 | |
Celebrate this! | 0:03:23 | 0:03:25 | |
Enjoy me! | 0:03:25 | 0:03:28 | |
Enjoy yourself enjoying me! | 0:03:28 | 0:03:30 | |
Damn, I'm fine, innit? | 0:03:30 | 0:03:32 | |
I wish I was you watching me right now cos fine I am. Mmm. | 0:03:32 | 0:03:36 | |
This guy's a joke, you know. | 0:03:36 | 0:03:38 | |
I've had funnier shits than this guy. | 0:03:38 | 0:03:42 | |
Why's his head so big? | 0:03:42 | 0:03:44 | |
Is that your man? | 0:03:44 | 0:03:46 | |
Wow. | 0:03:46 | 0:03:47 | |
He looks like a embryo. | 0:03:47 | 0:03:50 | |
I feel sorry for his mum. | 0:03:50 | 0:03:53 | |
Must have been one awkward delivery. | 0:03:53 | 0:03:55 | |
Mmm, hashtag embryo. | 0:03:55 | 0:04:00 | |
BOTH: Waste man. | 0:04:00 | 0:04:03 | |
That's getting tweeted right now. | 0:04:03 | 0:04:05 | |
Do it. | 0:04:05 | 0:04:07 | |
We got a nice show for you this evening, ladies and gentlemen. | 0:04:09 | 0:04:12 | |
We've got sketches! | 0:04:12 | 0:04:14 | |
We've got Omar and the band. | 0:04:15 | 0:04:17 | |
Are you going to do the ting for us? | 0:04:21 | 0:04:23 | |
HE SCATS | 0:04:23 | 0:04:27 | |
# There's nothing like this | 0:04:27 | 0:04:30 | |
# Not even remotely. # | 0:04:30 | 0:04:32 | |
Are you going to...? | 0:04:32 | 0:04:34 | |
Are you going to do that for them? | 0:04:34 | 0:04:36 | |
No. | 0:04:39 | 0:04:40 | |
Omar! Omar, ladies and gentlemen. | 0:04:41 | 0:04:45 | |
Erm, we've got a funny show for you this evening. | 0:04:47 | 0:04:49 | |
We've got music from the sensational Mica Paris! | 0:04:49 | 0:04:54 | |
Yeah, I said it. Mica Paris! Right here with them. | 0:04:54 | 0:04:57 | |
Mica Paris, ladies and gentlemen, | 0:04:57 | 0:05:00 | |
in the his-house! | 0:05:00 | 0:05:02 | |
She is going to be so irie! | 0:05:02 | 0:05:05 | |
I can't believe I have to work with this guy. | 0:05:07 | 0:05:09 | |
-Selektah! -OK, what are you doing? | 0:05:09 | 0:05:12 | |
Hold tight for the mash up! | 0:05:12 | 0:05:13 | |
OK, why are you saying these things? | 0:05:13 | 0:05:16 | |
Er, I'm just... I'm just chatting on the mic. | 0:05:16 | 0:05:18 | |
Er, I believe they call it, er, "maccing". | 0:05:18 | 0:05:20 | |
-You mean mc-ing? -Yes, rudeboy! | 0:05:20 | 0:05:23 | |
Erm, just a few things about this evening. | 0:05:23 | 0:05:26 | |
I thought that I would try a little bit of jive talk. | 0:05:26 | 0:05:29 | |
Nothing to worry about, just a soupcon of jive. | 0:05:29 | 0:05:32 | |
Don't worry, the audience at home are going to love this. | 0:05:32 | 0:05:35 | |
-I beg you don't, bruv. -I beg you don't, bruv. | 0:05:35 | 0:05:37 | |
-What? -What? -What? -What? | 0:05:37 | 0:05:40 | |
-What, bruv? -What, bruv? -What? | 0:05:40 | 0:05:42 | |
What? I'm sorry, are we...? Is this jive talk? | 0:05:42 | 0:05:44 | |
Are we jive talking right now? Are we in deep jive? | 0:05:44 | 0:05:48 | |
Because I've got to say, if we are, this is some of the deepest jive | 0:05:48 | 0:05:51 | |
I've ever been in, and quite frankly, er, me like it, bruv. | 0:05:51 | 0:05:55 | |
APPLAUSE | 0:05:55 | 0:05:58 | |
Don't clap him! | 0:06:00 | 0:06:02 | |
Sit down and shut up! | 0:06:03 | 0:06:05 | |
# Honey, I'm still free | 0:06:08 | 0:06:11 | |
# Take a chance on me | 0:06:11 | 0:06:13 | |
-# If you need me -Let me know! | 0:06:13 | 0:06:15 | |
# Going to be around | 0:06:15 | 0:06:17 | |
-# If you've got no -Place to go | 0:06:17 | 0:06:20 | |
# When you're feeling down | 0:06:20 | 0:06:22 | |
# When you're all alone | 0:06:23 | 0:06:25 | |
# And the pretty birds have flown | 0:06:25 | 0:06:28 | |
# Honey, I'm still free. # | 0:06:28 | 0:06:30 | |
Yo, yo, yo! Yo, yo, yo, yo, yo! | 0:06:30 | 0:06:32 | |
RAP MUSIC PLAYS | 0:06:34 | 0:06:39 | |
THEY GRUNT | 0:06:39 | 0:06:44 | |
Yo, yo, they gone, they gone, they gone. | 0:06:46 | 0:06:50 | |
# If you change your mind | 0:06:50 | 0:06:52 | |
# I'm the first in line | 0:06:52 | 0:06:54 | |
# Honey, I'm still free | 0:06:54 | 0:06:56 | |
# Take a chance on me. # | 0:06:56 | 0:06:58 | |
You've gotta get used to it | 0:06:58 | 0:06:59 | |
-if you're going to sign up with this guy, I guess. -Shut up. | 0:06:59 | 0:07:03 | |
Good manners are standard though and I like it. | 0:07:03 | 0:07:06 | |
OK, well, find me a comic where Peter Parker uses a skateboard, | 0:07:06 | 0:07:09 | |
-cos I don't buy it. -Touche. | 0:07:09 | 0:07:11 | |
Well, it sounds crazy, but I kind of really believe in karma, you know. | 0:07:11 | 0:07:14 | |
-No, I actually do. -Do you? -Yeah, yeah, yeah. | 0:07:14 | 0:07:16 | |
A lot of people, you know, think that's stupid, | 0:07:16 | 0:07:18 | |
but I...you know, there's a lot in it for me. Hmm. Yeah. | 0:07:18 | 0:07:22 | |
-Excuse me? -Oh, God. Just keep walking. -Excuse me. | 0:07:22 | 0:07:24 | |
Just keep walking. We haven't got any cash, mate. | 0:07:24 | 0:07:27 | |
-We haven't got any phones. -Your wallet. -Mmm. | 0:07:27 | 0:07:29 | |
-We actually don't, erm, own wallets. -No money here. -No. | 0:07:29 | 0:07:31 | |
-Look, you dropped your wallet. -Your wallet, mate. | 0:07:31 | 0:07:34 | |
Right. Yeah. Wallet, OK. | 0:07:40 | 0:07:42 | |
Well. | 0:07:44 | 0:07:46 | |
Oh, my days doh. Bros. | 0:07:51 | 0:07:55 | |
What's going on here? I'm always doin' this! | 0:07:55 | 0:07:58 | |
Oh, I am not even going to check in dis cos I know | 0:07:58 | 0:08:01 | |
all of da money, yeah, all the dollars is in here. | 0:08:01 | 0:08:05 | |
Erm, I mean, there's probably more in there actually now. | 0:08:05 | 0:08:07 | |
-I bet. I bet there is! -No doubt. | 0:08:07 | 0:08:11 | |
Ah, man's always dropping his wallet, you know, | 0:08:11 | 0:08:13 | |
-I'm just like, done it again. -Oh, silly. | 0:08:13 | 0:08:16 | |
Every day there's, "Ah, better pick that up now," yeah? | 0:08:16 | 0:08:20 | |
Mmm. Taking da lift down. All right. | 0:08:20 | 0:08:23 | |
Having a little twerk. No problem. | 0:08:23 | 0:08:25 | |
Ah! Me want to apologise for me boyfriend. | 0:08:25 | 0:08:28 | |
He's a very clumsy boy. | 0:08:28 | 0:08:31 | |
Not actually me boyfriend, we been... | 0:08:31 | 0:08:34 | |
We been on a couple of dates. Been going really we... | 0:08:34 | 0:08:36 | |
Shut your mouth, woman! | 0:08:36 | 0:08:38 | |
Bitch's always been trippin' for. | 0:08:38 | 0:08:40 | |
BOTH: Wow. | 0:08:42 | 0:08:43 | |
'Black people. Making white people anxious since 1948.' | 0:08:45 | 0:08:49 | |
-Yah. -Yah? | 0:08:53 | 0:08:55 | |
-Yah. -Yah? | 0:08:55 | 0:08:56 | |
-Yah. -Yah. | 0:08:56 | 0:08:58 | |
..batteries in the refrigerator. That's how you get power. | 0:08:58 | 0:09:00 | |
Put the batteries in the refrigerator. | 0:09:00 | 0:09:02 | |
That's what charges them. | 0:09:02 | 0:09:04 | |
No...way. | 0:09:06 | 0:09:08 | |
No...way. | 0:09:10 | 0:09:13 | |
What are you doing back here? | 0:09:27 | 0:09:29 | |
I mean, why are you here? | 0:09:29 | 0:09:31 | |
I mean, isn't it obvious? | 0:09:31 | 0:09:33 | |
I'm here for you. | 0:09:33 | 0:09:35 | |
I came back...for you. | 0:09:35 | 0:09:37 | |
Hi. | 0:09:39 | 0:09:41 | |
Like, what's going on? | 0:09:41 | 0:09:43 | |
How are you doing? How are you doing? | 0:09:43 | 0:09:45 | |
-Giles, I... -Look, look. No, Cookie. No! | 0:09:45 | 0:09:48 | |
And you, bro, you knew me and Cookie were together, bro. | 0:09:48 | 0:09:52 | |
I'm sorry, I, I didn't know, bro. I didn't know. | 0:09:52 | 0:09:54 | |
Er, actually, Dante, you did know, because I told you. | 0:09:54 | 0:09:57 | |
So, you're lying. | 0:09:57 | 0:10:00 | |
Bro, bro, like, no-one even wants you here, bro. | 0:10:00 | 0:10:03 | |
You're actually pissing me off, bro! Bro, bro, I'm this close, bro. | 0:10:03 | 0:10:07 | |
He's very close. | 0:10:07 | 0:10:08 | |
Just take your trolley and get the hell out of here, man. | 0:10:08 | 0:10:12 | |
Look, tell him, bro! | 0:10:12 | 0:10:14 | |
Dante, I think you should leave. | 0:10:14 | 0:10:17 | |
What do you want me to do, Cookie? | 0:10:17 | 0:10:19 | |
What do you want me to do, Cooks? | 0:10:20 | 0:10:22 | |
MUSIC: Gunshot by Lykke Li | 0:10:22 | 0:10:27 | |
Yes, brother. Um, can I get a stew chicken with rice? | 0:10:43 | 0:10:49 | |
And can I have a punch, please, me brother? | 0:10:49 | 0:10:52 | |
Do you know what, make that a Guinness punch, please. | 0:10:52 | 0:10:55 | |
HE MUMBLES | 0:10:55 | 0:10:59 | |
Seen. Yeah, yeah, yeah, yeah, seen. | 0:11:06 | 0:11:09 | |
HE MUMBLES | 0:11:09 | 0:11:14 | |
Erm, yeah, man. Um, just, er... | 0:11:18 | 0:11:22 | |
What are you talk 'bout? | 0:11:22 | 0:11:24 | |
HE MUMBLES | 0:11:24 | 0:11:26 | |
Me ask you a simple question. | 0:11:26 | 0:11:27 | |
HE MUMBLES | 0:11:27 | 0:11:32 | |
Fam. | 0:11:32 | 0:11:34 | |
HE MUMBLES | 0:11:44 | 0:11:50 | |
'The Rastaman would like to know if you'd like a spoon or a fork | 0:11:52 | 0:11:55 | |
'with your takeaway.' | 0:11:55 | 0:11:57 | |
Yeah, erm, a spoon, obviously. | 0:11:59 | 0:12:01 | |
It's a... I'll have a spoon, please? A spoon. | 0:12:01 | 0:12:05 | |
'The Rasta translator app. | 0:12:08 | 0:12:09 | |
'For those moments when you're not quite black enough.' | 0:12:09 | 0:12:13 | |
So, why don't you want to sign up for charity for? | 0:12:13 | 0:12:15 | |
-No, thank you. -Excuse me. -Why won't you sign up for charity for? | 0:12:15 | 0:12:18 | |
-I'm fine, thanks. -Excuse me. -Why won't you sign up for charity for? -Not today. -Excuse me. | 0:12:18 | 0:12:22 | |
-Hello?! I am talking to you. -I'm a little bit busy. -Why won't you sign up for charity for? | 0:12:22 | 0:12:26 | |
-Excuse me? -No, thank you. -Why won't you sign up for charity for? -Excuse me. | 0:12:26 | 0:12:29 | |
-Does charity hurt you? -Why won't you sign up for charity? -Just £2 a month. | 0:12:29 | 0:12:32 | |
-I've got to get... -Just £4 a month. -Just £12 a month. | 0:12:32 | 0:12:34 | |
-Just £40 a month. -Just £80 a month. -No. | 0:12:34 | 0:12:36 | |
-Think of the children. Why you hatin' on sick children? -Why would you do that for? | 0:12:36 | 0:12:39 | |
-Why are you without compassion? -Why are you not empathetical? -No. | 0:12:39 | 0:12:42 | |
What has happened in your life that you're hating on charity so much? | 0:12:42 | 0:12:45 | |
Why don't you want the sick children that ain't got no legs | 0:12:45 | 0:12:48 | |
to get some new legs? | 0:12:48 | 0:12:50 | |
Why don't you want the village that ain't got no clean water | 0:12:50 | 0:12:52 | |
to get a special machine so that they can get clean water | 0:12:52 | 0:12:55 | |
so their old women don't get things in their eyes which means | 0:12:55 | 0:12:57 | |
they can't see and trip over the legs that the children ain't got? | 0:12:57 | 0:13:00 | |
Actually, what I object to is people like you harassing me, | 0:13:00 | 0:13:02 | |
bullying me and using every guilt trip in the book to get me | 0:13:02 | 0:13:06 | |
-to try and get me to sign up for your charity! -Excuse me?! | 0:13:06 | 0:13:09 | |
Why are you makin' it personal for? | 0:13:09 | 0:13:11 | |
There's no need to make it personal though, is there? | 0:13:11 | 0:13:13 | |
I mean, why would you do that? Are you heartless? | 0:13:13 | 0:13:17 | |
Do you not have a heart? Do you enjoy suffering? | 0:13:17 | 0:13:19 | |
-Do you enjoy seeing people suffer? -Yes, I do. And, no, I don't. | 0:13:19 | 0:13:24 | |
OK, which is it? Cos you need to make up your mind. | 0:13:24 | 0:13:27 | |
Cos while you're standing there, being indecisive, people are dying. | 0:13:27 | 0:13:30 | |
Yes, I do have a heart. And, no, I don't like seeing people suffer! | 0:13:30 | 0:13:33 | |
-Well, then sign up. -Just sign up, innit! | 0:13:33 | 0:13:35 | |
And with Direct Debit, nothing could be easier. | 0:13:35 | 0:13:37 | |
-You won't even notice it going out of your account. -Whoosh! | 0:13:37 | 0:13:41 | |
All right, I'll sign up. Have you got a pen? | 0:13:41 | 0:13:45 | |
Oh! There we go! Up yours! | 0:13:46 | 0:13:50 | |
-OK. -OK. | 0:13:53 | 0:13:54 | |
Why is he dressed as a woman for? | 0:13:54 | 0:13:56 | |
My man's on a Grayson Perry ting, you know? | 0:13:56 | 0:13:59 | |
Come like Eddie Izzard. If you're going to dress like girl, fine. | 0:13:59 | 0:14:04 | |
-But dress like... -BOTH: Decent girl. -Innit? | 0:14:04 | 0:14:08 | |
Like Lily Savage. | 0:14:08 | 0:14:10 | |
Mmm, I like Lily Savage, still. | 0:14:10 | 0:14:14 | |
But he went back to man. | 0:14:14 | 0:14:15 | |
That's where he went wrong, innit? | 0:14:15 | 0:14:18 | |
Paul O'Grady, you was fitter as woman. | 0:14:19 | 0:14:25 | |
That's getting tweeted right now. | 0:14:26 | 0:14:28 | |
Do it. | 0:14:28 | 0:14:29 | |
Ah! | 0:15:09 | 0:15:11 | |
Ah! Ah! | 0:15:11 | 0:15:15 | |
Ah! | 0:15:15 | 0:15:17 | |
You know those children who ain't got no legs? | 0:15:23 | 0:15:26 | |
They'd love to be able to run like you. | 0:15:26 | 0:15:29 | |
-Thank you! -Ah, thank you so much! | 0:15:37 | 0:15:40 | |
BOTH: Dickhead! | 0:15:40 | 0:15:42 | |
So, here's the thing, you know, when we were writing this show, | 0:15:49 | 0:15:53 | |
we were sitting around talking about experiences we had | 0:15:53 | 0:15:55 | |
as young black men growing up and the things we went through. | 0:15:55 | 0:15:58 | |
And believe me when I tell you, | 0:15:58 | 0:16:00 | |
everyone in the room had the next thing happen to them. | 0:16:00 | 0:16:03 | |
Man ain't lying. No lie. | 0:16:03 | 0:16:05 | |
Bruv, when the fartin' starts, you know what time it is... | 0:16:11 | 0:16:16 | |
It's Chico time. | 0:16:16 | 0:16:18 | |
Bruv, I was outta there like Bolt, like... | 0:16:18 | 0:16:21 | |
Bruv, I just remember you face like this... | 0:16:21 | 0:16:24 | |
I remember my face looked like... | 0:16:25 | 0:16:27 | |
Hey, bros. Erm, sorry to interrupt all the fantastic banter. | 0:16:39 | 0:16:43 | |
-Yeah, some really great stuff. -Yeah. | 0:16:43 | 0:16:46 | |
Yeah, but I was wondering if you could, erm, maybe sort us out | 0:16:46 | 0:16:50 | |
-with a bit of, uh, you know... -HE WHISTLES | 0:16:50 | 0:16:53 | |
-Could you? -A bit of what? | 0:16:53 | 0:16:55 | |
-Yeah, yeah, yeah. -Oh, a bit of whatever you've got. | 0:16:55 | 0:16:59 | |
And what have we got? | 0:16:59 | 0:17:01 | |
Oh, I don't know. I don't... | 0:17:01 | 0:17:03 | |
I imagine you've got the lot. | 0:17:03 | 0:17:06 | |
-We would just be really appreciative. -Mmm. | 0:17:06 | 0:17:08 | |
We just want to get... | 0:17:08 | 0:17:09 | |
-THEY SING IN HIGH NOTE: High! -Oh, so high! | 0:17:09 | 0:17:12 | |
-This guy! -You guy! | 0:17:13 | 0:17:16 | |
'White people. | 0:17:18 | 0:17:20 | |
'Consistently mistaking black people for drug dealers since 1948.' | 0:17:20 | 0:17:24 | |
Crazy! Crazy! | 0:17:26 | 0:17:28 | |
Hands up if that's ever happened to you. Like, a show of hands. | 0:17:30 | 0:17:35 | |
Almost all the men in the room. | 0:17:35 | 0:17:36 | |
What's he going on about? That ain't never happened to me. | 0:17:36 | 0:17:39 | |
That ain't ever 'appened to me either. | 0:17:39 | 0:17:42 | |
Do you think it's cos we never get invited to parties? | 0:17:44 | 0:17:46 | |
I like that it's just you and me together. | 0:17:46 | 0:17:50 | |
Forever. | 0:17:51 | 0:17:53 | |
Don't tweet that. | 0:17:55 | 0:17:57 | |
Hey, Omar. Omar. You ever been at a party and that happened to you? | 0:17:57 | 0:18:00 | |
Some guy comes up to you and they're like, | 0:18:00 | 0:18:02 | |
"Excuse me, can you sort me out a bit of a..." | 0:18:02 | 0:18:04 | |
And you're like... And they're like, | 0:18:04 | 0:18:06 | |
"Excuse me, can you sort me out with a little bit of a..." | 0:18:06 | 0:18:09 | |
And you're like... | 0:18:09 | 0:18:10 | |
"Please, dude, just sort me out with a little bit of a thing." | 0:18:10 | 0:18:13 | |
And you're like, "What?" | 0:18:13 | 0:18:15 | |
Yeah, has that happened to you? | 0:18:15 | 0:18:16 | |
Just get on with the show, bruv. | 0:18:19 | 0:18:22 | |
-Yeah, yeah. -Be professional. -Yeah, yeah. | 0:18:22 | 0:18:25 | |
Haven't got time. | 0:18:25 | 0:18:27 | |
Omar, ladies and gentlemen! | 0:18:28 | 0:18:30 | |
I love that guy. | 0:18:31 | 0:18:33 | |
Darling, darling, darling. | 0:18:45 | 0:18:46 | |
Change of scenery needed. | 0:18:46 | 0:18:48 | |
Look at all this concrete. | 0:18:48 | 0:18:50 | |
It's so brutal. | 0:18:50 | 0:18:52 | |
One needs to get away from all of this. | 0:18:52 | 0:18:53 | |
Yeah, bro, like the vibes in London are like so bad, bro. | 0:18:53 | 0:18:57 | |
Yeah, I don't know about you guys, | 0:18:57 | 0:18:59 | |
but I could actually do with a little chill. | 0:18:59 | 0:19:02 | |
Oh, my gosh! | 0:19:02 | 0:19:04 | |
-Are you sure? Cos I spoke to... -Hey, babe! | 0:19:04 | 0:19:06 | |
No! No, Giles! | 0:19:06 | 0:19:08 | |
I've heard everything! | 0:19:09 | 0:19:11 | |
MUSIC: Gunshot by Lykke Li | 0:19:12 | 0:19:15 | |
She knows about you and big Shirley, bro. | 0:19:17 | 0:19:19 | |
You might as well come clean. | 0:19:19 | 0:19:21 | |
But, but, but, but, but, but... Look, babe... | 0:19:21 | 0:19:25 | |
I can't believe you! You make me sick! | 0:19:25 | 0:19:28 | |
Uh! | 0:19:28 | 0:19:29 | |
-What are you doing, bro? -Sorry. | 0:19:36 | 0:19:39 | |
What are you talking about? Chris! | 0:19:57 | 0:20:01 | |
-THEY CHANT: -Go Chris! | 0:20:01 | 0:20:05 | |
# She take my money... # | 0:20:05 | 0:20:06 | |
ALL: Oh! | 0:20:06 | 0:20:08 | |
# When I'm in need | 0:20:08 | 0:20:10 | |
# She's a trifling friend indeed | 0:20:10 | 0:20:14 | |
# Oh, she's a gold-digger, way over town | 0:20:14 | 0:20:18 | |
# That digs on me | 0:20:18 | 0:20:20 | |
# Do, do, do, do, do, do, do, do | 0:20:20 | 0:20:23 | |
# Now, I ain't saying she a gold-digger | 0:20:23 | 0:20:25 | |
# But she ain't messing with no broke nig... # | 0:20:25 | 0:20:28 | |
'White people. Being unsure about saying the "N" word in songs | 0:20:39 | 0:20:43 | |
'since 1948.' | 0:20:43 | 0:20:45 | |
Sorry. | 0:20:50 | 0:20:52 | |
New! Out now! Professor Foglife presents... | 0:20:52 | 0:20:56 | |
With all your favourite wasteband MCs. | 0:20:59 | 0:21:01 | |
We've got the Hood Jogger, Man Like, Thuggy Weightloss! | 0:21:01 | 0:21:05 | |
# Hashtag weightloss Don't get me pissed cos | 0:21:05 | 0:21:07 | |
# Hashtag weightloss Don't get me pissed cos | 0:21:07 | 0:21:09 | |
# Hashtag waist, don't get me pissed | 0:21:09 | 0:21:11 | |
# Hashtag waist, don't get me pissed. # | 0:21:11 | 0:21:13 | |
Yes, yes. You're done now! | 0:21:13 | 0:21:15 | |
And we've exclusive dub play from the Boobyman! | 0:21:15 | 0:21:17 | |
# Are you stupid, fam got tits and ting | 0:21:17 | 0:21:19 | |
# Boobyman got tits and ting | 0:21:19 | 0:21:21 | |
Boobyman got tits and ting | 0:21:21 | 0:21:23 | |
# Boobyman Tits n ting | 0:21:23 | 0:21:25 | |
# Boobyman. # | 0:21:25 | 0:21:26 | |
He's still lactating. That's how hype it is. | 0:21:26 | 0:21:28 | |
And for you discerning gentlemen, we got Random White Girl MC. | 0:21:28 | 0:21:32 | |
# All day in my tracksuit, sneakers | 0:21:32 | 0:21:34 | |
# Listen to my words | 0:21:34 | 0:21:36 | |
# Yeah, I'm your teacher... # | 0:21:36 | 0:21:37 | |
SHE MUMBLES | 0:21:37 | 0:21:40 | |
What is she saying? | 0:21:40 | 0:21:42 | |
Nobody, nobody, nobody knows. | 0:21:42 | 0:21:44 | |
With a man like MC Whistler! | 0:21:44 | 0:21:48 | |
THEY WHISTLE | 0:21:48 | 0:21:55 | |
That's going to stay in your head for days. Trust me! | 0:21:55 | 0:21:58 | |
Ittsssss... Professor Foglife brings to you... | 0:21:58 | 0:22:03 | |
So, all you middle class white kids, go out and cop this now! | 0:22:06 | 0:22:08 | |
-Cheese on my toast, cheese on my toast! -Like that. | 0:22:08 | 0:22:10 | |
-Cheese on my toast, cheese on my toast! -Eat that. | 0:22:10 | 0:22:13 | |
-Cheese on my toast, cheese on my toast! -Eat that. | 0:22:13 | 0:22:15 | |
-Cheese on my toast, cheese on my toast! -Have that. | 0:22:15 | 0:22:17 | |
-Cheese on my toast, cheese on my toast! -Do that! | 0:22:17 | 0:22:19 | |
-Cheese on my toast, cheese on my toast! -Do that! | 0:22:19 | 0:22:21 | |
Me, me, me, me, ner ner ner. | 0:22:21 | 0:22:23 | |
Mmm. Oh. Cava. | 0:22:28 | 0:22:33 | |
That's French for champagne. | 0:22:34 | 0:22:36 | |
Speaking of which, it's that time in the show | 0:22:37 | 0:22:40 | |
where I get to listen to some of my favourite music. | 0:22:40 | 0:22:42 | |
Please, please show some love for an incredible lady. | 0:22:42 | 0:22:46 | |
Ha, it's the first lady of British soul, it's Mica Paris! Amazing! | 0:22:46 | 0:22:53 | |
# Love, love, love, love, love | 0:23:03 | 0:23:05 | |
# Love, love, love, love, love | 0:23:07 | 0:23:10 | |
# Ooh, ooh, love, love, love, love love | 0:23:11 | 0:23:16 | |
# Love, love, love, love, love | 0:23:16 | 0:23:20 | |
# I should've known better | 0:23:23 | 0:23:29 | |
# Oh, oh, I should've known better | 0:23:31 | 0:23:39 | |
# I think it's time | 0:23:40 | 0:23:43 | |
# You give some people some time | 0:23:44 | 0:23:48 | |
# Yes | 0:23:48 | 0:23:50 | |
# Show a little peace of mind | 0:23:50 | 0:23:54 | |
# So many lost people to be found | 0:23:54 | 0:23:59 | |
# All we need | 0:24:00 | 0:24:02 | |
# All we need, yeah | 0:24:02 | 0:24:06 | |
# Is a helping hand | 0:24:06 | 0:24:09 | |
# Show love | 0:24:09 | 0:24:12 | |
# Give me time, ooh | 0:24:12 | 0:24:15 | |
# Show me how you feel, yeah | 0:24:15 | 0:24:20 | |
# Should have known better | 0:24:24 | 0:24:27 | |
# Oh, I | 0:24:29 | 0:24:31 | |
# Doo, boo, boo, boo, boo, yeah | 0:24:31 | 0:24:35 | |
# Should've known | 0:24:35 | 0:24:37 | |
# Take it away | 0:24:39 | 0:24:41 | |
# Hey | 0:24:41 | 0:24:44 | |
# Ooh, ooh, whoo | 0:24:45 | 0:24:49 | |
# You, I need you | 0:24:49 | 0:24:52 | |
# Ah | 0:24:52 | 0:24:55 | |
# I said, baby | 0:24:55 | 0:24:57 | |
# Don't you know? | 0:24:59 | 0:25:01 | |
# I should've known better | 0:25:01 | 0:25:04 | |
# To fall in love with you | 0:25:04 | 0:25:08 | |
# Baby, you look so good | 0:25:08 | 0:25:10 | |
# You look so good | 0:25:10 | 0:25:11 | |
# You taste so nice | 0:25:12 | 0:25:15 | |
# Oh, got to get together, don't you know that | 0:25:15 | 0:25:20 | |
# So, boo, boo, boo, bee | 0:25:20 | 0:25:21 | |
# Baby, don't you know? | 0:25:23 | 0:25:24 | |
-# Should have known better -Hey | 0:25:24 | 0:25:27 | |
# Doo, boo, boo, boo, boo, boo, boo | 0:25:27 | 0:25:31 | |
# Yeah | 0:25:31 | 0:25:34 | |
# Should have known better | 0:25:34 | 0:25:37 | |
# Got to get together with you | 0:25:37 | 0:25:40 | |
-# I should have known better -Just don't know where | 0:25:40 | 0:25:43 | |
# Give a little love | 0:25:43 | 0:25:45 | |
# Give a little time | 0:25:45 | 0:25:46 | |
# Show your feelings to one another | 0:25:46 | 0:25:49 | |
# Give a little love | 0:25:49 | 0:25:51 | |
-# I should have known better -Give a little peace | 0:25:53 | 0:25:56 | |
# Show your feeling to one another | 0:25:56 | 0:25:58 | |
# Ow Baby! # | 0:25:58 | 0:26:01 | |
Mica Paris, everybody! | 0:26:06 | 0:26:09 | |
Give it up! Amazing! | 0:26:09 | 0:26:12 | |
What an amazing voice! Thank you. | 0:26:12 | 0:26:14 | |
-Mica! -As a thank you, | 0:26:17 | 0:26:18 | |
please accept this probiotic contraceptive yoghurt drink. | 0:26:18 | 0:26:21 | |
Oh... | 0:26:21 | 0:26:22 | |
And if I could just have a picture for the sponsors. | 0:26:22 | 0:26:25 | |
Thank you every so much. | 0:26:25 | 0:26:27 | |
Yes. Oh, that's beautiful. Put her leg a bit higher. | 0:26:27 | 0:26:30 | |
Lovely. Thank you, Mica. | 0:26:30 | 0:26:33 | |
Would you...? I can give you some more time if you'd like? | 0:26:33 | 0:26:38 | |
Erm, would you like to sit down? I'm practising my jive talk. | 0:26:38 | 0:26:41 | |
So, that's it. We're out of time. | 0:26:41 | 0:26:43 | |
I know. If you've had a good time, my name's Javone Prince. | 0:26:43 | 0:26:48 | |
If you haven't, it's his fault. | 0:26:48 | 0:26:50 | |
And I don't know what I've done to upset this guy? | 0:26:50 | 0:26:53 | |
Are we cool? | 0:26:53 | 0:26:55 | |
My mum's here, bruv. | 0:26:58 | 0:26:59 | |
She's been watching this show. Don't be like that, bruv. | 0:26:59 | 0:27:03 | |
OK, Omar, ladies and gentlemen. | 0:27:04 | 0:27:07 | |
CHEERING | 0:27:07 | 0:27:10 | |
-I love that guy. -Whoo! -Love that. | 0:27:11 | 0:27:14 | |
So, you know what time it is? Before we go, it's Candy time. | 0:27:14 | 0:27:18 | |
MUSIC: Candy by Cameo | 0:27:18 | 0:27:21 | |
See. Come on, people, don't be scared. | 0:27:21 | 0:27:24 | |
There we go! Yeah! | 0:27:28 | 0:27:30 | |
Yeah, see you next week. Peace. | 0:28:11 | 0:28:14 |