Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:02 | 0:00:05 | |
-There's something else in this, isn't there? -Yes. -I put a bit of fennel in this. | 0:00:05 | 0:00:08 | |
-ALL: -Ah. -That is clever. | 0:00:08 | 0:00:10 | |
-Interesting. -It is clever. | 0:00:10 | 0:00:12 | |
Bit different, yeah. | 0:00:12 | 0:00:13 | |
-It's a lovely herb. -Thank you. | 0:00:13 | 0:00:15 | |
I read something interesting about, er, fennel the other day. | 0:00:15 | 0:00:18 | |
Oh? | 0:00:18 | 0:00:20 | |
Oh, no, that was, er, coriander. | 0:00:20 | 0:00:22 | |
-Getting them mixed up. -Mmm. | 0:00:24 | 0:00:26 | |
-Easily done. -We all do it. | 0:00:26 | 0:00:28 | |
-Getting old. -DOORBELL RINGS | 0:00:28 | 0:00:30 | |
Just go and get that. | 0:00:31 | 0:00:33 | |
We're not expecting anybody else, are we? | 0:00:33 | 0:00:35 | |
-There's not another chair, is there? -Is he up to his tricks again? | 0:00:35 | 0:00:37 | |
THEY LAUGH | 0:00:37 | 0:00:39 | |
-# You see... -STUCK IN LOOP | 0:00:39 | 0:00:40 | |
# You see, you see, you see... | 0:00:40 | 0:00:41 | |
# You see, you see... | 0:00:41 | 0:00:43 | |
# One for the trouble Two for the time | 0:00:43 | 0:00:45 | |
# Come on girls, let's rock that | 0:00:45 | 0:00:46 | |
WHISTLE | 0:00:46 | 0:00:47 | |
# Fab Five Freddy Told me everybody's fly | 0:00:47 | 0:00:49 | |
# DJ spinning, I said, my, my | 0:00:49 | 0:00:51 | |
# Flash is fast, flash is fast... STUCK IN LOOP | 0:00:51 | 0:00:54 | |
# Flash is fast, flash is cool | 0:00:54 | 0:00:56 | |
# Francois c'est pas, flashe non due | 0:00:56 | 0:00:58 | |
# You say one for the trouble Two for the time | 0:00:58 | 0:01:00 | |
# Come on, girls, let's rock that... | 0:01:00 | 0:01:02 | |
# Good times! | 0:01:02 | 0:01:04 | |
# Hey, bro, I got something that'll blow your mind, man | 0:01:04 | 0:01:07 | |
# Ha, ha, ha, ha, ha, ha! # | 0:01:07 | 0:01:09 | |
RECORD MIXING | 0:01:09 | 0:01:11 | |
# Good times! | 0:01:11 | 0:01:13 | |
CHEERING | 0:01:13 | 0:01:15 | |
-# Ha, ha, ha, ha, ha, ha! -Good times! | 0:01:19 | 0:01:21 | |
# Creole, creole, creole! | 0:01:21 | 0:01:24 | |
# Get your hands off that girl! | 0:01:24 | 0:01:26 | |
# Creole, creole! | 0:01:26 | 0:01:28 | |
# Grand master! Cut, cut, cut faster! | 0:01:28 | 0:01:31 | |
# Grand master! | 0:01:32 | 0:01:34 | |
# Grand Master! Cut faster! | 0:01:34 | 0:01:37 | |
RECORD STUCK IN LOOP | 0:01:37 | 0:01:42 | |
# It's like candy | 0:01:42 | 0:01:44 | |
# I can feel it when you walk | 0:01:44 | 0:01:46 | |
# Even when you talk | 0:01:46 | 0:01:48 | |
# It takes over me | 0:01:48 | 0:01:51 | |
# You're so dandy | 0:01:51 | 0:01:53 | |
# I want to know | 0:01:53 | 0:01:55 | |
# Can you feel it too | 0:01:55 | 0:01:57 | |
# Just like I do? # | 0:01:57 | 0:01:59 | |
VOICE OVER: Black people, | 0:01:59 | 0:02:01 | |
helping white people to relax since 1948. | 0:02:01 | 0:02:04 | |
# It's the same feeling, | 0:02:04 | 0:02:06 | |
# I always seem to get around you | 0:02:06 | 0:02:09 | |
CHEERING | 0:02:09 | 0:02:11 | |
And now, ladies and gentlemen, | 0:02:16 | 0:02:18 | |
brethren, lady brethren and the Picknee Dem, | 0:02:18 | 0:02:22 | |
will you please welcome your host for this evening's bare madness-es! | 0:02:22 | 0:02:28 | |
He's the brand ambassador for ladies facial shaving cream | 0:02:28 | 0:02:31 | |
in three quarters of Equatorial Guinea | 0:02:31 | 0:02:34 | |
and now Stoke-on-Trent. | 0:02:34 | 0:02:36 | |
It's Javone Prince! | 0:02:36 | 0:02:40 | |
Oh, my God! | 0:02:40 | 0:02:41 | |
You need this in your life! | 0:02:41 | 0:02:43 | |
You're fine, fine. | 0:02:43 | 0:02:45 | |
Beautiful. | 0:02:45 | 0:02:47 | |
CHEERING | 0:02:47 | 0:02:49 | |
Use that. Use that. | 0:02:51 | 0:02:54 | |
APPLAUSE | 0:02:57 | 0:02:59 | |
Come! Come, woman! | 0:03:04 | 0:03:06 | |
Ah! Yeah! | 0:03:06 | 0:03:09 | |
BABY CRIES | 0:03:09 | 0:03:10 | |
-CHEERING -Mwah! | 0:03:10 | 0:03:11 | |
Ah! | 0:03:20 | 0:03:22 | |
-What?! -CHEERING AND APPLAUSE | 0:03:23 | 0:03:25 | |
What?! | 0:03:25 | 0:03:27 | |
Oh! Oh! | 0:03:27 | 0:03:30 | |
Oh, oh! | 0:03:30 | 0:03:32 | |
-Yeah! -APPLAUSE CONTINUES | 0:03:32 | 0:03:34 | |
I like that. I like that. | 0:03:36 | 0:03:40 | |
-WHISTLING AND APPLAUSE -Oh! | 0:03:40 | 0:03:41 | |
It's the last show of the series. | 0:03:41 | 0:03:43 | |
Your last chance you're going to get to see this. | 0:03:43 | 0:03:45 | |
-AUDIENCE: Aw! -Just take this all in, innit? | 0:03:45 | 0:03:48 | |
Ladies... | 0:03:48 | 0:03:49 | |
look at me. | 0:03:49 | 0:03:51 | |
Want me! | 0:03:51 | 0:03:53 | |
Desire me! | 0:03:53 | 0:03:55 | |
-FROM AUDIENCE: Whoo! -Men... | 0:03:55 | 0:03:57 | |
be jealous! | 0:03:57 | 0:03:58 | |
Yeah? I'll be honest with you, all of this is a curse. | 0:03:58 | 0:04:02 | |
-Why?! -LAUGHTER | 0:04:02 | 0:04:05 | |
So... | 0:04:06 | 0:04:08 | |
-last show in the series. -AUDIENCE: Aw! | 0:04:08 | 0:04:11 | |
But no, I don't want your pity. Don't do that! | 0:04:11 | 0:04:13 | |
You know? Get on with your lives, innit? | 0:04:13 | 0:04:16 | |
Grow as individuals. | 0:04:16 | 0:04:19 | |
Achieve your potential. | 0:04:19 | 0:04:20 | |
Realise your dreams. | 0:04:20 | 0:04:22 | |
Er, can I just say, | 0:04:22 | 0:04:23 | |
I've realised quite a lot of my dreams on this show. | 0:04:23 | 0:04:26 | |
I've had a bloody great time! | 0:04:26 | 0:04:28 | |
Language. Apologies to our younger viewers. | 0:04:28 | 0:04:31 | |
LAUGHTER I've made some great new pals. | 0:04:31 | 0:04:33 | |
Er, Omar and the gang. | 0:04:33 | 0:04:35 | |
Hey, guys. Wag-wan? | 0:04:35 | 0:04:37 | |
Easy, brother. | 0:04:38 | 0:04:40 | |
-You like the ting? -Oh, yes, me like the ting. | 0:04:40 | 0:04:43 | |
Me like it all right! HE LAUGHS | 0:04:43 | 0:04:46 | |
Me like the ting too, Omar. | 0:04:46 | 0:04:48 | |
Me like it. | 0:04:48 | 0:04:50 | |
-The ting. -What ting is that, bruv? | 0:04:51 | 0:04:53 | |
Um, I, I don't know. | 0:04:55 | 0:04:57 | |
-Can we get on with the show? -Yeah, yeah, yeah. Yeah. | 0:04:59 | 0:05:02 | |
Just be professional, yeah? | 0:05:02 | 0:05:03 | |
That's right. | 0:05:03 | 0:05:05 | |
Do your job. | 0:05:05 | 0:05:06 | |
LAUGHTER | 0:05:06 | 0:05:07 | |
Good advice, good advice. | 0:05:07 | 0:05:09 | |
Go on, then. | 0:05:10 | 0:05:11 | |
Omar, everyone! | 0:05:12 | 0:05:14 | |
-APPLAUSE -Yeah! | 0:05:14 | 0:05:16 | |
I love that guy. | 0:05:16 | 0:05:17 | |
-Listen to Uncle Omar. Be professional. -Yeah. | 0:05:19 | 0:05:24 | |
Hashtag... | 0:05:24 | 0:05:25 | |
"You will never... | 0:05:25 | 0:05:27 | |
"be Lenny Henry." | 0:05:27 | 0:05:30 | |
Katanga, my friend. | 0:05:30 | 0:05:32 | |
That's getting tweeted. | 0:05:32 | 0:05:34 | |
Ooo-kay. | 0:05:34 | 0:05:37 | |
Er, Mr Jenkins? | 0:05:42 | 0:05:45 | |
The doctor will see you now if you'd like to go through. | 0:05:45 | 0:05:49 | |
HE CLEARS HIS THROAT | 0:05:49 | 0:05:50 | |
Why are you looking at me for? | 0:06:06 | 0:06:08 | |
-Sorry? -Do I know you? | 0:06:08 | 0:06:10 | |
Oh, God, no, no, no, no. I'm a new patient, this is my first visit. MOBILE RINGS | 0:06:10 | 0:06:15 | |
I've got this cough, erm... | 0:06:15 | 0:06:17 | |
It's sort of recurring | 0:06:17 | 0:06:19 | |
and erm, it's getting quite annoying, actually. | 0:06:19 | 0:06:21 | |
I've tried lots of things to get rid of it, I've tried honey and... | 0:06:21 | 0:06:24 | |
Mmm, yeah. | 0:06:24 | 0:06:25 | |
I've got some waste man in my office, you know. | 0:06:25 | 0:06:28 | |
Man looks like a proper dickhead! | 0:06:28 | 0:06:30 | |
Yeah. | 0:06:30 | 0:06:32 | |
Yeah, he is one dickhead, you know. | 0:06:32 | 0:06:35 | |
Why is he in here? Don't even look sick. | 0:06:35 | 0:06:37 | |
-I know. -Excuse me, what is your problem? | 0:06:37 | 0:06:40 | |
Me? | 0:06:40 | 0:06:42 | |
-Nothing, no. -Why you come doctors for, then, innit? | 0:06:42 | 0:06:45 | |
Yeah, this is a busy place of medical-ity, you know? | 0:06:45 | 0:06:47 | |
Yeah, why are you wasting doctor's time for? | 0:06:47 | 0:06:50 | |
Yeah, why are you wasting doctor's time? | 0:06:50 | 0:06:52 | |
The NHS is in crisis cos of waste men like you. | 0:06:52 | 0:06:55 | |
I've just got... | 0:06:55 | 0:06:56 | |
I'm not a waste man. | 0:06:56 | 0:06:58 | |
I've just got this cough and it's recurring. | 0:06:59 | 0:07:02 | |
Thank you. | 0:07:05 | 0:07:06 | |
What does it say? | 0:07:10 | 0:07:11 | |
"Fuck off." | 0:07:11 | 0:07:13 | |
It's fuck off medicine. | 0:07:14 | 0:07:16 | |
You came in with a cough, yeah? | 0:07:16 | 0:07:18 | |
-Yeah. -So, fuck off. | 0:07:18 | 0:07:20 | |
And take your medicine. | 0:07:20 | 0:07:23 | |
Dickhead! | 0:07:30 | 0:07:31 | |
-# Mmm, mm, mm, mm... -# Ah... | 0:07:35 | 0:07:37 | |
-# Mmm, mm, mm, mm... -# Ah... # | 0:07:37 | 0:07:39 | |
And now it's time | 0:07:48 | 0:07:50 | |
for another dirty truth bomb | 0:07:50 | 0:07:55 | |
from the front line of the war on ignorance. | 0:07:55 | 0:08:01 | |
All the way from Atlanta, Georgia, | 0:08:01 | 0:08:05 | |
the original speaker of... | 0:08:05 | 0:08:08 | |
..unpalatable truths. | 0:08:09 | 0:08:10 | |
Ladies and gentlemen, I give you... | 0:08:12 | 0:08:15 | |
Consciousness X! | 0:08:15 | 0:08:17 | |
WEAK APPLAUSE | 0:08:17 | 0:08:19 | |
-DRUMBEAT -The white man has taken | 0:08:24 | 0:08:27 | |
and mistaken, | 0:08:27 | 0:08:30 | |
and miss... | 0:08:30 | 0:08:32 | |
shapen | 0:08:32 | 0:08:33 | |
the Mustapha | 0:08:33 | 0:08:35 | |
and must have a moustache for rest of a... | 0:08:35 | 0:08:40 | |
This was the endeavour, | 0:08:40 | 0:08:43 | |
end of an enema, | 0:08:43 | 0:08:46 | |
the cinema, the sin of maaa...? | 0:08:46 | 0:08:50 | |
The sin of mother! | 0:08:50 | 0:08:54 | |
The sin of brother! | 0:08:54 | 0:08:57 | |
The sin of my colour? | 0:08:57 | 0:09:01 | |
No, I will not get to the back of your bus, boss! | 0:09:01 | 0:09:07 | |
Ya dig? | 0:09:07 | 0:09:09 | |
DRUMMING STOPS | 0:09:09 | 0:09:11 | |
Could somebody call me an ambulance? | 0:09:20 | 0:09:22 | |
Cos I've just been run over by the truth. | 0:09:24 | 0:09:26 | |
Ladies and gentleman, | 0:09:29 | 0:09:31 | |
what I'm saying is that what you just said there... | 0:09:31 | 0:09:34 | |
..was so... | 0:09:36 | 0:09:38 | |
fucking true! | 0:09:38 | 0:09:40 | |
It was so true! | 0:09:43 | 0:09:45 | |
-# Mmm, mm, mm, mm... -# Ah | 0:09:45 | 0:09:47 | |
-# Mmm, mm, mm, mm... -# Ah | 0:09:47 | 0:09:49 | |
# Mmm, mm, mm, mm... # | 0:09:49 | 0:09:51 | |
APPLAUSE | 0:09:51 | 0:09:53 | |
So, here's the thing. | 0:09:54 | 0:09:56 | |
My old school's having a reunion, party or whatever. | 0:09:57 | 0:10:01 | |
-And they are just, um, they are... -You haven't got the practice. | 0:10:01 | 0:10:04 | |
Yeah, well, you know, what about that? | 0:10:04 | 0:10:06 | |
-Very good. -Thank you. | 0:10:06 | 0:10:08 | |
It's not the first time I've been complimented on my fingering, really. | 0:10:08 | 0:10:12 | |
-Hey! -Hey, what's going on here, then? | 0:10:12 | 0:10:14 | |
Oh, just chatting breeze with the guys, you know. | 0:10:14 | 0:10:16 | |
I think you'll find that's perfectly in tune now. | 0:10:16 | 0:10:19 | |
Hey, have you heard the jingle that Omar's written for me? | 0:10:19 | 0:10:22 | |
What? Sorry, Omar's done you a jingle? | 0:10:22 | 0:10:24 | |
One, two, three, four. | 0:10:24 | 0:10:26 | |
FUNKY MUSIC | 0:10:26 | 0:10:28 | |
# Very nice | 0:10:30 | 0:10:32 | |
# He's so precise | 0:10:32 | 0:10:34 | |
# He don't go on and on | 0:10:34 | 0:10:36 | |
# Like Javone | 0:10:36 | 0:10:38 | |
# No, no, no | 0:10:38 | 0:10:39 | |
# Very nice | 0:10:39 | 0:10:41 | |
# He gets the words right | 0:10:41 | 0:10:44 | |
# He don't go on and on like Javone | 0:10:44 | 0:10:47 | |
# Yeah, yeah, yeah! # | 0:10:47 | 0:10:49 | |
CHEERING AND APPLAUSE | 0:10:58 | 0:11:00 | |
Erm, so he's the announcer. | 0:11:06 | 0:11:08 | |
You've got your own play-on music. Er, it's my show. | 0:11:08 | 0:11:11 | |
No, no, he's, he's written one for you as well. | 0:11:11 | 0:11:13 | |
Really? I don't need one cos I've got my own show, innit, so it's fine. I don't want it. | 0:11:13 | 0:11:17 | |
-Listen to this. -OK, fine. | 0:11:17 | 0:11:18 | |
Ladies and gentlemen, it's your host, | 0:11:18 | 0:11:21 | |
Javone Prince! | 0:11:21 | 0:11:24 | |
WEAK CHEERING | 0:11:24 | 0:11:25 | |
LAUGHTER | 0:11:25 | 0:11:27 | |
GENTLE APPLAUSE | 0:11:31 | 0:11:32 | |
THEY LAUGH | 0:11:32 | 0:11:36 | |
My man just got shamed by a triangle. | 0:11:36 | 0:11:39 | |
-Ugh! -Oh, boy! | 0:11:39 | 0:11:42 | |
-That is shame, innit? -Mmm. | 0:11:42 | 0:11:44 | |
You just got shamed by a triangle. | 0:11:44 | 0:11:49 | |
Hashtag... | 0:11:49 | 0:11:50 | |
BOTH: This would never happen to Lenny Henry. | 0:11:50 | 0:11:55 | |
I'm going to tweet that now. | 0:11:55 | 0:11:58 | |
Do it. HE LAUGHS | 0:11:58 | 0:12:00 | |
It reinforces the crudest of stereotypes. | 0:12:00 | 0:12:03 | |
-Exactly. -It simply cannot go on. | 0:12:03 | 0:12:05 | |
Are we going to stand around and let this ugly | 0:12:05 | 0:12:08 | |
and brutal narrative play itself out yet again? | 0:12:08 | 0:12:11 | |
I'm actually very angry about this. | 0:12:11 | 0:12:13 | |
I feel your anger and I embrace it. | 0:12:13 | 0:12:16 | |
I've decided I'm also very angry about this. | 0:12:16 | 0:12:18 | |
Yeah, I'm with her. Angry. | 0:12:18 | 0:12:21 | |
Mmm, I'm livid. | 0:12:21 | 0:12:22 | |
-Yeah, I'm really, really angry about that as well, actually. -Yeah, yeah, disgusted! | 0:12:22 | 0:12:26 | |
Once again we're seeing the proud black man being subjugated | 0:12:26 | 0:12:29 | |
and used by the colonial oppressors for their own ends. | 0:12:29 | 0:12:32 | |
Is this going to happen every time I get a round of drinks in? | 0:12:32 | 0:12:37 | |
VOICE OVER: Liberal white people, | 0:12:37 | 0:12:38 | |
feeling terribly guilty about everything since 1948. | 0:12:38 | 0:12:42 | |
Out now, the Black Pack. | 0:12:47 | 0:12:49 | |
Featuring Frank Sirnasty... | 0:12:49 | 0:12:51 | |
# If you got a gun up in your waist | 0:12:51 | 0:12:54 | |
# Please don't shoot up the place | 0:12:54 | 0:12:55 | |
# Why? Cos I see some ladies tonight That should be having my babies | 0:12:55 | 0:13:02 | |
# My babies... # | 0:13:02 | 0:13:04 | |
..the inimitable Dean Manaman... | 0:13:04 | 0:13:06 | |
# Rolling down the street Smoking indo! | 0:13:06 | 0:13:09 | |
# Sipping on gin and juice | 0:13:09 | 0:13:12 | |
# With my mind on my money And my money on my mind... # | 0:13:12 | 0:13:16 | |
He-he. | 0:13:16 | 0:13:17 | |
For schizzle my nizzle. | 0:13:17 | 0:13:19 | |
..the dulcet tones of Sammy Blazes Jr... | 0:13:19 | 0:13:22 | |
# To the window, to the wall | 0:13:22 | 0:13:25 | |
# Till the sweat drips down my balls... | 0:13:25 | 0:13:29 | |
# Boo, boo, boo... # | 0:13:31 | 0:13:33 | |
..the velvet voice box of Bang Crosby... | 0:13:33 | 0:13:36 | |
# I like big butts and I cannot lie | 0:13:36 | 0:13:40 | |
# You other brothers can't deny | 0:13:40 | 0:13:43 | |
# That when a girl walks in With an itty bitty waist | 0:13:43 | 0:13:47 | |
# And a round thing in your face | 0:13:47 | 0:13:50 | |
# You get sprung! | 0:13:50 | 0:13:51 | |
# Oh, yeah | 0:13:51 | 0:13:53 | |
# Oh, God... # | 0:13:53 | 0:13:54 | |
..and, of course, Tony Benjamins. | 0:13:54 | 0:13:57 | |
# Shoo be do whop! | 0:13:57 | 0:13:58 | |
# I ain't got no mother f.. | 0:13:58 | 0:14:00 | |
-BLEEP -..friends. | 0:14:00 | 0:14:02 | |
# Ha, ha! That's why I f.. | 0:14:04 | 0:14:06 | |
-BLEEP -# Your f.. You fat mother f.. | 0:14:06 | 0:14:09 | |
-BLEEP -# It's true, fat mother f.. | 0:14:09 | 0:14:12 | |
-BLEEP -# I'm talking to you, fat mother f.. | 0:14:12 | 0:14:16 | |
BLEEP And for the first time, | 0:14:16 | 0:14:18 | |
five of the greatest voices in history together on the same record. | 0:14:18 | 0:14:24 | |
# How old am I? | 0:14:24 | 0:14:26 | |
# 21 | 0:14:26 | 0:14:27 | |
# I got 21 seconds Till my vocal's done | 0:14:27 | 0:14:31 | |
# Two multiplied by ten plus one | 0:14:31 | 0:14:35 | |
# Romeo done | 0:14:35 | 0:14:37 | |
# I got 21 seconds to go | 0:14:37 | 0:14:39 | |
-# What time you got? -I got 21 seconds to go | 0:14:39 | 0:14:43 | |
-# 21 -I got 21 seconds to go | 0:14:43 | 0:14:46 | |
-# Time's a ticking -I got 21 seconds to go | 0:14:46 | 0:14:49 | |
# Ta, ta, 21 seconds to go | 0:14:49 | 0:14:52 | |
# Ta, ta, 21 seconds to go! # | 0:14:52 | 0:14:55 | |
CHEERING AND APPLAUSE | 0:14:55 | 0:14:58 | |
So, remember, breast is best. | 0:15:02 | 0:15:06 | |
And that applies to feeding as well. | 0:15:06 | 0:15:08 | |
LAUGHTER | 0:15:08 | 0:15:09 | |
You're watching the Javone Prince Show. | 0:15:11 | 0:15:14 | |
I ain't going to lie... | 0:15:14 | 0:15:15 | |
I'm Javone Prince. | 0:15:15 | 0:15:17 | |
Coming up! | 0:15:17 | 0:15:19 | |
Sketches, music, live dancing. | 0:15:19 | 0:15:22 | |
But first, sketches. | 0:15:22 | 0:15:24 | |
DRAMATIC MUSIC | 0:15:24 | 0:15:27 | |
Real Talk. | 0:15:31 | 0:15:33 | |
We're all familiar with the ludicrositiness | 0:15:34 | 0:15:37 | |
of gang warfare on our streets. | 0:15:37 | 0:15:39 | |
But there's a new kind of gang | 0:15:39 | 0:15:41 | |
that's been brought to our attention. | 0:15:41 | 0:15:43 | |
I'm here on the notorious Man-o-Man Estate in North West, South East London | 0:15:43 | 0:15:47 | |
to meet members of the infamous Young Gentlemen Crew. | 0:15:47 | 0:15:51 | |
You must have seen some pretty heavy skang going down on the street. | 0:15:51 | 0:15:56 | |
Brother, brother, brother, brother, | 0:15:56 | 0:15:58 | |
I seen tings no man should see, you know. | 0:15:58 | 0:16:01 | |
You get me? There are actually men out there, yeah, | 0:16:01 | 0:16:04 | |
that would think nothing | 0:16:04 | 0:16:05 | |
of pouring red wine... | 0:16:05 | 0:16:07 | |
..in a white wine glass. | 0:16:08 | 0:16:10 | |
What? Are you mad? | 0:16:10 | 0:16:12 | |
Rule two! | 0:16:12 | 0:16:13 | |
Like, I seen it too many times, bruv, | 0:16:15 | 0:16:17 | |
these men don't even heat up their plates before they eat! | 0:16:17 | 0:16:21 | |
And then when their food's cold, they want to start moaning. Ah-tah! | 0:16:21 | 0:16:25 | |
It's incredible. | 0:16:25 | 0:16:27 | |
Bruv, these man call lunch their dinner, yeah? | 0:16:27 | 0:16:30 | |
And then at six o'clock they go home and have their tea. Tea! | 0:16:30 | 0:16:34 | |
Now, as for supper, that's non-existent. | 0:16:34 | 0:16:36 | |
And let's not talk about pre or post-theatre supper. | 0:16:36 | 0:16:39 | |
This is barbaric, | 0:16:39 | 0:16:41 | |
but it's happening right now on London's streets. | 0:16:41 | 0:16:43 | |
You see them youths there, see them brothers there, yeah? | 0:16:43 | 0:16:46 | |
Them men there, when they make their soups, yeah, | 0:16:46 | 0:16:48 | |
they're using stock cubes, bruv. | 0:16:48 | 0:16:51 | |
-Wow. -Like, stock cubes? | 0:16:51 | 0:16:53 | |
Fucking stock cubes?! | 0:16:53 | 0:16:55 | |
Yo, sorry for my language, but make a stock! | 0:16:55 | 0:16:57 | |
Be a man! Make a stock, bruv! | 0:16:57 | 0:17:00 | |
You hear me, bones, celery, bay leaf, carrots, onions, peppercorn. | 0:17:00 | 0:17:05 | |
Cover with water. Skim, simmer. You're done though, already. You get me? | 0:17:05 | 0:17:09 | |
Where's your stock pot, bruv? Oi! Where's your stock pot? | 0:17:09 | 0:17:12 | |
Go home and make a stock pot, you side man. | 0:17:12 | 0:17:15 | |
If I see them brothers again, them are going to catch fire, you know. | 0:17:15 | 0:17:19 | |
Once I'd gained the trust of Roger | 0:17:19 | 0:17:21 | |
and we'd had a lovely cup of Earl Grey tea, without milk, | 0:17:21 | 0:17:24 | |
he agreed to introduce me | 0:17:24 | 0:17:25 | |
to another member of the Young Gentleman Crew, Jamaal. | 0:17:25 | 0:17:29 | |
Who didn't want to me named. | 0:17:29 | 0:17:31 | |
I'm hearing that knife crime is a big part of this culture. | 0:17:31 | 0:17:35 | |
It's a lifestyle out here, you feel me? | 0:17:35 | 0:17:37 | |
-Man, you found a knife over there. -Trust me, bruv, | 0:17:37 | 0:17:40 | |
there's youths on this block, yeah, | 0:17:40 | 0:17:41 | |
that wouldn't pep to use a fish knife to butter bread, fam. | 0:17:41 | 0:17:44 | |
Just the other day, yeah, man had a little dinner party, yeah? | 0:17:44 | 0:17:48 | |
-Just a simple kitchen supper, innit? -Yeah, light ting... -Yeah, man. | 0:17:48 | 0:17:51 | |
Anyways, I just set out the starters, cos I go hard with the bruschetta. | 0:17:51 | 0:17:54 | |
-You wouldn't believe it. -Trust me. | 0:17:54 | 0:17:56 | |
And then, yeah, this one youth decided to draw for a machete | 0:17:56 | 0:17:59 | |
-to slice the camembert. -No, but bruv! | 0:17:59 | 0:18:01 | |
Why would you do that to cheese? | 0:18:01 | 0:18:03 | |
Why would you batter cheese like that? | 0:18:03 | 0:18:05 | |
-Where did the machete even come from? -Trust me, bruv. Have you got beef with the cheese or something? | 0:18:05 | 0:18:09 | |
It seems like there's been a complete breakdown | 0:18:09 | 0:18:13 | |
in social etiquette. | 0:18:13 | 0:18:14 | |
Tell him about the language that these youths here... | 0:18:14 | 0:18:17 | |
Language, bruv, basic English language. | 0:18:17 | 0:18:19 | |
It's gone. It's finished. It's out of here, man. | 0:18:19 | 0:18:22 | |
I can't surround myself with these people. | 0:18:22 | 0:18:24 | |
Trust me man, can't sleep at night, yeah, knowing like, | 0:18:24 | 0:18:27 | |
man in the next block, yeah, | 0:18:27 | 0:18:28 | |
-is using the word "arks" instead of "ask", fam. -Yeah! | 0:18:28 | 0:18:31 | |
-What's that Jim character? The Mask, innit? -The Mask. | 0:18:31 | 0:18:33 | |
Bruv, they have to go to their mum, to "arks" | 0:18:33 | 0:18:37 | |
-if they can watch "The Marks." -Marks. | 0:18:37 | 0:18:39 | |
Like, really, it's in front of you, it's in front of you. | 0:18:39 | 0:18:42 | |
-It's on the DVD, bruv. -It's blatantly written out, bruv. | 0:18:42 | 0:18:46 | |
Shit me. | 0:18:46 | 0:18:48 | |
How did we get to this stage? | 0:18:48 | 0:18:50 | |
How did we get to this situation where our language is being mangled | 0:18:52 | 0:18:56 | |
like the serrated edge of a bread knife | 0:18:56 | 0:18:59 | |
tearing through a delicate Victoria sponge? | 0:18:59 | 0:19:04 | |
It seems that on our streets | 0:19:04 | 0:19:07 | |
there's jam and cream everywhere. | 0:19:07 | 0:19:09 | |
I met with two ex gang members | 0:19:11 | 0:19:14 | |
who are now mentors. | 0:19:14 | 0:19:15 | |
Hey, uncle, let me tell you something, | 0:19:17 | 0:19:18 | |
we're in decadent times right now, yeah? | 0:19:18 | 0:19:21 | |
Not so long ago, that old cheese of this block | 0:19:21 | 0:19:23 | |
would have duffed the yout' out | 0:19:23 | 0:19:25 | |
for using a subjunctive instead of a past participle | 0:19:25 | 0:19:27 | |
when in conversation. | 0:19:27 | 0:19:29 | |
-But that's the kind of times we're in right now. -Pfft. | 0:19:29 | 0:19:31 | |
Them kind of rigours have gone! | 0:19:31 | 0:19:33 | |
Bruv, this is basic stuff | 0:19:33 | 0:19:35 | |
that yout' should be learning when they're home. You get me? | 0:19:35 | 0:19:38 | |
Subjunctive, past participles, conditionals. | 0:19:38 | 0:19:41 | |
There's youts out there that don't even know what an oxymoron is. | 0:19:41 | 0:19:44 | |
Can you believe that? | 0:19:44 | 0:19:46 | |
These London Picknee Dem, they're not able to discern | 0:19:46 | 0:19:49 | |
between the Shakespearian stress or the Marlowe stress, like. | 0:19:49 | 0:19:52 | |
The iambic pentameter. | 0:19:52 | 0:19:55 | |
Feminine ending, male ending. | 0:19:55 | 0:19:57 | |
There's at least five different endings | 0:19:57 | 0:19:59 | |
that these youts don't even know about. | 0:19:59 | 0:20:01 | |
Don't get me started, cuz. | 0:20:01 | 0:20:03 | |
-Don't get him started on iambic feet, cuzzy. -Pfft. | 0:20:03 | 0:20:06 | |
But now these youts want to talk in 140 characters or less. | 0:20:06 | 0:20:09 | |
These youts are talking in text, | 0:20:09 | 0:20:11 | |
-that what we've become, we become lols. -Lols! | 0:20:11 | 0:20:14 | |
-What's lols, fam? -What's lols, fam? | 0:20:14 | 0:20:16 | |
You want to talk in text? You want to convey how you feel in a text? | 0:20:16 | 0:20:21 | |
Try speaking in Shakespearian text, cuz. | 0:20:22 | 0:20:24 | |
"Shall I compare thee to a summer's day?" | 0:20:24 | 0:20:26 | |
-"Thou art more lovely and more temperate." -Done, though. | 0:20:26 | 0:20:29 | |
But now these youts want to say, "Yo, come let me dig you out." | 0:20:29 | 0:20:32 | |
"Rough wings do shake the darling buds of May." Let's do a ting. | 0:20:32 | 0:20:36 | |
"Thy eternal summer shall not fade." But are we going to bang, though?' | 0:20:36 | 0:20:39 | |
"So long as men can breathe or eyes can see." | 0:20:39 | 0:20:42 | |
Are we going to bang, though? | 0:20:42 | 0:20:44 | |
"So long live this and this gives life to thee." | 0:20:44 | 0:20:46 | |
But are we going to bang, though? | 0:20:46 | 0:20:48 | |
-Don't make me low. -Don't make him low. | 0:20:48 | 0:20:50 | |
Bruv, the next yout' that says DPMO, SMH or L, | 0:20:50 | 0:20:53 | |
I'm going to dup him, blud. | 0:20:53 | 0:20:55 | |
-It's peak for them, dupping on sight, knock 'em long. -You get me? | 0:20:55 | 0:20:59 | |
Yes. | 0:20:59 | 0:21:01 | |
But are we going to bang, though? | 0:21:01 | 0:21:02 | |
So many questions. | 0:21:03 | 0:21:06 | |
What hope? | 0:21:06 | 0:21:08 | |
What future? | 0:21:08 | 0:21:09 | |
What's for dinner? | 0:21:10 | 0:21:12 | |
This looks amazing, guys. | 0:21:12 | 0:21:14 | |
Hey, hey! Have you washed your hands? | 0:21:18 | 0:21:20 | |
Why is my man leaning over the food, though? Dirty pig. | 0:21:20 | 0:21:23 | |
Are you using a fish knife to butter ciabatta? | 0:21:23 | 0:21:25 | |
Bruv, why are you putting butter in the ciabatta? | 0:21:25 | 0:21:27 | |
We haven't even said grace! Bruv, get up! | 0:21:27 | 0:21:30 | |
Seriously, get up, brother! Come off the table, innit, man. | 0:21:30 | 0:21:33 | |
-Man want to touch up the food when it ain't blessed. -What is it with this guy? | 0:21:33 | 0:21:36 | |
What? Are you going to go without pushing your chair in? | 0:21:36 | 0:21:39 | |
-Brother, I'm going to say grace. -Yeah. | 0:21:41 | 0:21:44 | |
JAMAICAN ACCENT: Lord Jesus, we must forgive this brother, | 0:21:44 | 0:21:46 | |
for him not know what a man do. | 0:21:46 | 0:21:48 | |
Him don't have no manners and him just dash bread everywhere | 0:21:48 | 0:21:51 | |
like him born in a barn! | 0:21:51 | 0:21:53 | |
We pray, Lord, when he get on the bus, nobody bust him head. | 0:21:53 | 0:21:55 | |
-And we thank him Jesus for this mighty food. Amen. -Amen. | 0:21:55 | 0:21:58 | |
APPLAUSE | 0:21:58 | 0:21:59 | |
Me like it. | 0:22:02 | 0:22:03 | |
So... | 0:22:05 | 0:22:06 | |
..it's that time in the show where I get to play you | 0:22:08 | 0:22:11 | |
some of my favourite music. | 0:22:11 | 0:22:13 | |
MUSIC There's Nothing Like This by Omar | 0:22:13 | 0:22:15 | |
You like that, innit. | 0:22:18 | 0:22:20 | |
-Don't play with me, Omar. -MUSIC RESUMES | 0:22:20 | 0:22:22 | |
You know that's my song, innit? Are you going to do it? Do it for... | 0:22:26 | 0:22:29 | |
Are you going to do it for me and them? | 0:22:29 | 0:22:31 | |
-Since it's the last show of the series... -Yeah. | 0:22:31 | 0:22:33 | |
..and he asked me, and I like him... | 0:22:33 | 0:22:35 | |
What can I say? I make shit happen. | 0:22:36 | 0:22:39 | |
LAUGHTER | 0:22:39 | 0:22:40 | |
Repeated apologies to our younger viewers for the coarse language. | 0:22:40 | 0:22:44 | |
Ladies and gentlemen, please, | 0:22:44 | 0:22:46 | |
please put your hands together | 0:22:46 | 0:22:48 | |
for the Godfather of British neo soul, | 0:22:48 | 0:22:50 | |
finally, finally doing There's Nothing Like This. | 0:22:50 | 0:22:53 | |
It's Omar! | 0:22:53 | 0:22:55 | |
CHEERING AND APPLAUSE | 0:22:55 | 0:22:57 | |
Yes! | 0:22:57 | 0:22:58 | |
Yes! | 0:22:59 | 0:23:00 | |
Omar! Omar! | 0:23:00 | 0:23:03 | |
-Have a seat. -Oh, yeah, yeah, yeah. | 0:23:03 | 0:23:05 | |
APPLAUSE CONTINUES | 0:23:05 | 0:23:07 | |
INSTRUMENTAL STARTS | 0:23:09 | 0:23:11 | |
# La, la, la, la, la | 0:23:11 | 0:23:14 | |
# La, la... | 0:23:14 | 0:23:17 | |
# Yeah, my baby | 0:23:17 | 0:23:19 | |
# Ooh... | 0:23:19 | 0:23:21 | |
# Sip a glass of cold champagne wine | 0:23:21 | 0:23:25 | |
# The rug that we lie on Feels divine | 0:23:27 | 0:23:31 | |
# And there's no... | 0:23:32 | 0:23:35 | |
# No, no, no, no... | 0:23:35 | 0:23:38 | |
# Parallel | 0:23:38 | 0:23:40 | |
# Yeah | 0:23:40 | 0:23:41 | |
# Doo, doo | 0:23:41 | 0:23:43 | |
# For we two | 0:23:44 | 0:23:48 | |
# Oh | 0:23:50 | 0:23:52 | |
# All right | 0:23:52 | 0:23:54 | |
# Ecstasy the word of the night | 0:23:54 | 0:23:57 | |
# Ringing in our ears | 0:23:59 | 0:24:02 | |
# We're in flight | 0:24:02 | 0:24:04 | |
# There's no... | 0:24:05 | 0:24:07 | |
# No, no, no... | 0:24:07 | 0:24:11 | |
# Substitution | 0:24:11 | 0:24:14 | |
# No, no, ooh... | 0:24:14 | 0:24:16 | |
# Ha, for what | 0:24:16 | 0:24:19 | |
# We have | 0:24:19 | 0:24:22 | |
# No others can have | 0:24:23 | 0:24:27 | |
# Wa! | 0:24:27 | 0:24:29 | |
-# There's nothing -Like this | 0:24:29 | 0:24:32 | |
# Be, be, be, be, be, be dup | 0:24:32 | 0:24:35 | |
-# There's nothing -Like this | 0:24:35 | 0:24:38 | |
# No, no, no, no, no, | 0:24:38 | 0:24:41 | |
# No-one could ever have | 0:24:41 | 0:24:44 | |
# What we have | 0:24:44 | 0:24:46 | |
# There's nothing like this | 0:24:46 | 0:24:50 | |
# Boom, ba, ba, boom | 0:24:50 | 0:24:53 | |
-# There's nothing -Like this... | 0:24:53 | 0:24:56 | |
# No, no, no, no, no, no | 0:24:56 | 0:24:59 | |
-# There's nothing... -Like this | 0:24:59 | 0:25:01 | |
# Not even remotely | 0:25:04 | 0:25:06 | |
# Like this | 0:25:06 | 0:25:08 | |
# Yeah, babe, yeah | 0:25:08 | 0:25:09 | |
# Ooh, nothing like | 0:25:09 | 0:25:12 | |
-# Nothing like this -There's nothing like | 0:25:12 | 0:25:15 | |
-# Nothing like this -Nothing, nothing like | 0:25:15 | 0:25:18 | |
-# Nothing like this -No, no, no, no | 0:25:18 | 0:25:21 | |
-# Nothing like this -Ba, ba-ba, ba-ba, ba, ba | 0:25:21 | 0:25:25 | |
-# Nothing like this -Yeah, yeah, yeah | 0:25:25 | 0:25:27 | |
-# Nothing like this -There's nothing like this | 0:25:27 | 0:25:30 | |
-# Nothing like this -I said there's nothing like this | 0:25:30 | 0:25:33 | |
-# Nothing like this -Oh, nothing, nothing like | 0:25:33 | 0:25:35 | |
-# Nothing like this -Oh, oh, yeah | 0:25:35 | 0:25:38 | |
-# Nothing like this -Oh, oh, yeah | 0:25:38 | 0:25:41 | |
-# This -Nothing like this | 0:25:41 | 0:25:43 | |
-# Oh, ma, ma... -Nothing like this | 0:25:43 | 0:25:45 | |
-# Ba, ba, ba... -Nothing like this | 0:25:45 | 0:25:49 | |
# Yeah... # | 0:25:49 | 0:25:50 | |
There's nothing like... | 0:25:52 | 0:25:54 | |
# This. # | 0:25:54 | 0:26:00 | |
CHEERING AND APPLAUSE | 0:26:00 | 0:26:02 | |
Oh, my God! Oh, my God! | 0:26:02 | 0:26:05 | |
Oh! | 0:26:07 | 0:26:08 | |
Omar! | 0:26:08 | 0:26:10 | |
-WHOOPING -Yeah! | 0:26:10 | 0:26:13 | |
Omar! | 0:26:13 | 0:26:14 | |
-Wow! -APPLAUSE CONTINUES | 0:26:14 | 0:26:17 | |
So, it's that time of the show. | 0:26:23 | 0:26:26 | |
-Last show of the series. -AUDIENCE: Aw! | 0:26:26 | 0:26:28 | |
I know. | 0:26:30 | 0:26:31 | |
I hope you've had a great time, cos we've had an amazing time. | 0:26:31 | 0:26:34 | |
I've had an incredible time. | 0:26:34 | 0:26:36 | |
Omar, you had an incredible time? | 0:26:36 | 0:26:39 | |
Not really. | 0:26:39 | 0:26:40 | |
LAUGHTER | 0:26:40 | 0:26:42 | |
Omar, everybody! | 0:26:43 | 0:26:45 | |
CHEERING AND APPLAUSE | 0:26:45 | 0:26:47 | |
I love that guy. I love that guy. | 0:26:47 | 0:26:51 | |
But before we go, you know what time it is, innit? It's Candy time! | 0:26:51 | 0:26:54 | |
WHOOPING AND MUSIC | 0:26:54 | 0:26:56 | |
Come on, people. | 0:26:56 | 0:26:57 | |
It's the last time I'm going to get to see you do this. | 0:26:57 | 0:27:01 | |
You know what to do. | 0:27:01 | 0:27:03 | |
# Yeah, yeah | 0:27:05 | 0:27:07 | |
# Mmm | 0:27:07 | 0:27:09 | |
# It's like candy | 0:27:11 | 0:27:13 | |
# I can feel it when you walk | 0:27:13 | 0:27:16 | |
# Even when you talk | 0:27:16 | 0:27:18 | |
# It takes over me | 0:27:18 | 0:27:20 | |
# You're so dandy | 0:27:20 | 0:27:22 | |
# I want to know | 0:27:23 | 0:27:24 | |
# Can you feel it too? | 0:27:24 | 0:27:27 | |
# Just like I do? | 0:27:27 | 0:27:28 | |
# Ooh! | 0:27:28 | 0:27:31 | |
# This stuff is starting now | 0:27:31 | 0:27:33 | |
# It's the same feeling | 0:27:33 | 0:27:35 | |
# I always seem to get around you | 0:27:35 | 0:27:38 | |
-# There's no mistaking... # -Hashtag... | 0:27:40 | 0:27:42 | |
"Bring back the Javone Prince Show, | 0:27:42 | 0:27:45 | |
"starring Lenny Henry... | 0:27:45 | 0:27:48 | |
"as Javone Prince." | 0:27:48 | 0:27:50 | |
I would watch that. | 0:27:50 | 0:27:52 | |
That's getting tweeted right now. | 0:27:52 | 0:27:54 | |
Do it. | 0:27:54 | 0:27:56 |