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The Magicians is back with more daring, dangerous and mind-blowing | :00:12. | :00:20. | |
tricks than ever before. Three of the world's best magic acts, Barry | :00:20. | :00:25. | |
and Stuart, Latimer and Pete Firman will be joined each week by three | :00:25. | :00:30. | |
new celebrity guests. They will be putting their reputations on the | :00:30. | :00:33. | |
line as they compete to impress you with the most awe-inspiring | :00:33. | :00:42. | |
illusions. How did he do that? year it is live. I'm pretty much | :00:42. | :00:46. | |
worried about the whole thing. is doing something I don't know how | :00:46. | :00:51. | |
to do. It's going to be tough. phone votes will decide the winner. | :00:52. | :00:56. | |
But the act with the fewest votes will have to face the dreaded | :00:56. | :00:59. | |
forfeit, the most dangerous event of the night and the trek that | :01:00. | :01:07. | |
nobody wants to tackle. Prepare for mentalism, jaw-dropping illusions | :01:07. | :01:13. | |
and death-defying stunts. Prepare to be mesmerised. It's The | :01:13. | :01:23. | |
:01:23. | :01:43. | ||
Live from Shepperton Studios, please welcome your house -- host | :01:43. | :01:51. | |
Darren McMullen and the magicians. Marianne Stuart. World Magic | :01:51. | :02:01. | |
:02:01. | :02:05. | ||
Champion Latimer. And the amazing, Hello, Britain. How are you? | :02:05. | :02:09. | |
Welcome to The Magicians. Tonight we have an absolutely amazing show | :02:09. | :02:12. | |
for you. Get ready to have your eyes boggled and your mind baffled | :02:12. | :02:16. | |
by some of the most incredible magic you will ever see performed | :02:16. | :02:21. | |
by some of the finest professional magicians in the world. But these | :02:21. | :02:26. | |
fine lads behind me are not doing it by themselves. Each magician | :02:26. | :02:30. | |
will have the help of a complete amateur. But do not worry, they are | :02:30. | :02:33. | |
celebrities. As we know, celebrities can do anything they | :02:33. | :02:38. | |
want. They will be performing four tricks, with one aim, to impress | :02:38. | :02:44. | |
you. So, let's bring out tonight celebrities. With Barry and Stuart, | :02:44. | :02:54. | |
:02:54. | :02:55. | ||
from smash-hit comedy Outnumbered, Tyger Drew-Honey and Daniel Roche. | :02:55. | :03:03. | |
Joining Latimer, Strictly Latin lovely Flavio. With Pete Firman, | :03:03. | :03:13. | |
:03:13. | :03:13. | ||
Coronation Street and Boyzone's Keith Duffy. This is the magician's, | :03:13. | :03:21. | |
The acts want to impress you tonight and they have four tricks | :03:21. | :03:26. | |
to do that. Two of them will be performed right here, live in the | :03:26. | :03:32. | |
studio. A live grand illusion and some high pressure, close-up magic. | :03:32. | :03:36. | |
They will also be tackling the streets, doing sensational stunts | :03:36. | :03:39. | |
on location and performing amazing street magic. Anything could happen | :03:39. | :03:46. | |
and it probably will. The team with the lowest number of votes will | :03:46. | :03:52. | |
take on the death-defying fall for it. -- a forfeit. Nobody wants that, | :03:52. | :03:58. | |
trust me. Here is the moment before we went on air when they found out | :03:58. | :04:08. | |
:04:08. | :04:11. | ||
For tonight's terrifying for fit, the loser has to swallow a flaming | :04:11. | :04:15. | |
torch of blistering hot fire, which burns at an intensity of 300 | :04:15. | :04:21. | |
degrees centigrade. With the fire extinguished, they must ports | :04:21. | :04:24. | |
coaching molten metal into their mouths and spit it out as a solid | :04:24. | :04:29. | |
block. It is hot and horrifying. But who are will have to endure the | :04:29. | :04:39. | |
:04:39. | :04:44. | ||
A serious risk of heartburn, not to mention death! Your votes will | :04:44. | :04:48. | |
decide who faces that at the end of the show. The lines will open up | :04:48. | :04:53. | |
all three acts perform their first trick. It is up to you to vote for | :04:53. | :04:57. | |
your favourite. The one with the fewest votes will face the death | :04:57. | :05:07. | |
:05:07. | :05:12. | ||
defying forfeit at the end of the First, trying to win your vote, she | :05:12. | :05:17. | |
swapped the merengue for the magic. It is Strictly Come Dancing's | :05:17. | :05:27. | |
:05:27. | :05:28. | ||
I am a professional dancer. I have competed for many years. I love | :05:28. | :05:31. | |
learning new skills. It's a perfect opportunity for me to try something | :05:31. | :05:35. | |
totally out there. I am Jason Latimer. Becoming world champion | :05:35. | :05:38. | |
was just the beginning. This is much easier than what you are going | :05:38. | :05:43. | |
to be doing. He has a background in three different sciences. Never my | :05:43. | :05:48. | |
strong point at school. Impossible is merely an opinion. We have a | :05:48. | :05:52. | |
high pressure close to perfect, lasers, high-speed escape. How do | :05:52. | :06:00. | |
you feel about tattoos? Interesting! You need timing at | :06:00. | :06:03. | |
the speed of light. I am the only person in the world that has built | :06:03. | :06:09. | |
it, there are no more like it. is doing something I don't know how | :06:09. | :06:12. | |
to do. I'm just going to keep my fingers crossed that I'm not going | :06:12. | :06:22. | |
:06:22. | :06:30. | ||
Let's hope the practice has paid off. With them live grand illusion, | :06:30. | :06:40. | |
:06:40. | :06:40. | ||
Apology for the loss of subtitles for 171 seconds | :06:40. | :09:32. | |
Wow! Absolutely amazing, wasn't it? Do you think that Latimer was a big | :09:32. | :09:39. | |
fan of Star Wars? What do you think, how would you beat that? I nearly | :09:39. | :09:47. | |
got blinded at one point! That was absolutely spectacular. Stunning | :09:47. | :09:54. | |
and spectacular? But we have got a pretty good trick as well. Just | :09:54. | :10:00. | |
pretty good! Well, let's see what is is all about. Here these guys | :10:00. | :10:05. | |
are, on location, for their grand illusion. Let's see what Barry and | :10:05. | :10:15. | |
:10:15. | :10:20. | ||
Stuart had been teaching their I am Tyger. You probably know as as | :10:20. | :10:25. | |
on-screen brothers from Outnumbered. They like things that are immature, | :10:25. | :10:29. | |
gross and pretty. So they are perfect for working mothers. What | :10:29. | :10:35. | |
attracts me is the idea of doing something that seems impossible. At | :10:35. | :10:39. | |
the back of my mind I am thinking, what if it goes wrong? I'm just | :10:39. | :10:44. | |
trying not to think about it. very own Barry and Stuart suits. | :10:44. | :10:51. | |
You have the suits, can you do a Scottish accent? I can, actually! | :10:51. | :10:55. | |
If the tricks go wrong, we will just go back and film them again... | :10:55. | :11:05. | |
:11:05. | :11:19. | ||
It is live! It's not actually live, Today is all about art. I think we | :11:19. | :11:25. | |
should split up into teams. I will be with Barry. Stuart and Danny, | :11:25. | :11:35. | |
:11:35. | :11:41. | ||
you can go together. We will go off Got it? Good! Move the medal back a | :11:42. | :11:51. | |
:11:52. | :11:53. | ||
little bit. Can you see me in it? Is it working? We finished! What | :11:54. | :12:01. | |
have you made? It is really special, if you could just stand over there. | :12:01. | :12:10. | |
What is it? What is it? You look brilliant. I'm not sure about the | :12:10. | :12:18. | |
title, but it's a very clever. have you made? Will show you. | :12:18. | :12:23. | |
is it? It looks weird. It is an abstract piece of art. We are going | :12:23. | :12:27. | |
to use this for a grand illusion. It is subliminal. All of the | :12:27. | :12:30. | |
shoppers are going to walk past this and they will forget they have | :12:30. | :12:37. | |
seen it. But it will cause whoever has seen it to going to a record | :12:37. | :12:42. | |
shop and buy this CD. People are going to buy this, but hopefully | :12:42. | :12:52. | |
:12:52. | :13:02. | ||
they will not even realise why. Thanks for taking part. We are | :13:02. | :13:09. | |
going to show you something with Tyger's production. Rochelle, take | :13:09. | :13:15. | |
hold of that and don't let anybody touch it. Guard it with your life. | :13:15. | :13:22. | |
What is your name? Maddie. We want you to go to any music shop and buy | :13:22. | :13:29. | |
any CD that you like. OK? Anyone at all. Here is 20 quid. Thank you | :13:29. | :13:34. | |
very much. Don't waste it, it is four week's pocket money. We will | :13:34. | :13:44. | |
:13:44. | :13:49. | ||
This would have been much cheaper if we had bought this online. It | :13:49. | :13:59. | |
:13:59. | :14:05. | ||
would have taken a bit longer, Hello. Excellent. We waited. Was it | :14:05. | :14:11. | |
a successful trip? Rochelle, you have been holding on to that the | :14:11. | :14:15. | |
entire time. Give it to Tyger. We think that he went to the shop and | :14:15. | :14:25. | |
:14:25. | :14:29. | ||
you bought what we predicted here. None other than... Old Mercy. | :14:29. | :14:39. | |
:14:39. | :14:45. | ||
Are you kidding? I wish I was. I got Joe McElderry. This is a bit | :14:45. | :14:52. | |
embarrassing. We spend ages. can't believe you've got it wrong! | :14:52. | :14:56. | |
The thing about magic is that sometimes things differentiate | :14:56. | :14:59. | |
between right and wrong depending on your perspective. If we look at | :14:59. | :15:04. | |
this in a different way, maybe we'll be right. I'm confused. | :15:04. | :15:13. | |
is only one way to fix it. Bring out fat Barry! Please stop calling | :15:13. | :15:18. | |
it that. They are going to bend it in a different way. As you will see, | :15:19. | :15:23. | |
the abstract image is going to reveal itself as the face of... Joe | :15:23. | :15:33. | |
:15:33. | :15:37. | ||
McElderry!? No way! It is quite realistic. Not quite as realistic | :15:37. | :15:47. | |
:15:47. | :15:59. | ||
I bought one of your CDs. You got it right. I cannot believe what | :15:59. | :16:03. | |
just happened. They put the mirror up, turned it, and then Joe | :16:03. | :16:08. | |
McElderry was there. It was like, "No, I can't believe it. All of my | :16:08. | :16:18. | |
:16:18. | :16:18. | ||
Christmases have come at once!" APPLAUSE | :16:18. | :16:25. | |
Just when you think they stuffed it up, they do the old switch-er-ooh | :16:25. | :16:31. | |
on you. Later they'll be performing a trick and need your help at home, | :16:31. | :16:35. | |
folks. Think of a card, any card, in your head. Once you think you | :16:35. | :16:45. | |
:16:45. | :16:46. | ||
Send us your choice now, and we'll use it live in the show later on. A | :16:46. | :16:50. | |
bit of a word of warning - we will be sending your messages on the | :16:50. | :16:55. | |
screen, so if you don't want your details on telly, don't post them. | :16:55. | :16:59. | |
Brilliant. Joe McElderry. That's where he has been hiding... | :16:59. | :17:04. | |
Bringing out the big guns. Seem You have your own big guns here. It's a | :17:04. | :17:09. | |
gimmick - they pull out the popstar at the last minute. We have a | :17:09. | :17:14. | |
popstar here in the studio. A few years ago. Forget it. You're a | :17:14. | :17:19. | |
giant, a giant. Smoke and mirrors. Do you think you have what it takes | :17:19. | :17:25. | |
to beat that? There is no smoke and mirrors about it. I agree with you. | :17:25. | :17:27. | |
We need people to vote because I don't want to do the forfeit. I | :17:27. | :17:31. | |
don't want to do the forfeit! So pick up the phone and vote, please. | :17:31. | :17:37. | |
All right. It's time to prove your worth, please. This is going to be | :17:37. | :17:45. | |
their first trick of the night. This is Peith and Keet! Keith and | :17:45. | :17:51. | |
Pete! APPLAUSE | :17:51. | :17:57. | |
Save the jokes for tonight. I am Keith Duffy. Sometimes it has been | :17:57. | :18:02. | |
known for people to say my act is magic - but not very often. I have | :18:02. | :18:08. | |
been doing magic for 20 plus years. Look at them. I have a keen | :18:08. | :18:12. | |
interest in magic because my son isn't a bad little magician. Very | :18:12. | :18:19. | |
good. It's such a night we have dangerous trick with fire. I am the | :18:19. | :18:24. | |
firestarter. We're going to do a dangerous trick with sausage. | :18:24. | :18:31. | |
wait. I have to entertain the crowd. How can I be in the forfeit? If we | :18:31. | :18:35. | |
get in the forfeit, he's not letting me down, not letting the | :18:35. | :18:38. | |
great British public down. He's letting his son down. What sort of | :18:38. | :18:40. | |
a father is that? APPLAUSE | :18:40. | :18:44. | |
So here they are with their first trick of the night. It's their | :18:44. | :18:49. | |
close-up live magic, something that can really get their teeth into. | :18:49. | :18:52. | |
Here is Pete and Keith. APPLAUSE | :18:52. | :18:55. | |
Hey! Thank you very much. Thank you very much. That's very nice. We're | :18:55. | :18:59. | |
going to need somebody from the audience to help out - the lady | :18:59. | :19:02. | |
there in the white. Can we get a microphone on her, please? While | :19:03. | :19:07. | |
they're doing that, let me show you something - some sleight of hand | :19:07. | :19:13. | |
skills. Very cool, well done. years of my life! Misspent youth. | :19:13. | :19:21. | |
Think of a card, any card. What is it? Want me to tell you? Yeah. | :19:22. | :19:27. | |
eight of hearts. He's absolutely right. Is that good? This is a | :19:27. | :19:32. | |
little bit run-of-the-mill sleight of hand stuff. I thought it would | :19:32. | :19:39. | |
be more interesting to spice things up with the sleight of hand - and | :19:40. | :19:47. | |
some pork. Sausages! Can you come up on stage? Give this lady a round | :19:47. | :19:54. | |
of applause. What's your name? This is Keith. It's Kerstin. How are you, | :19:54. | :20:00. | |
Kerstin? A I am going to run through the cards. You say stop. | :20:00. | :20:05. | |
Whenever you say, I'll stop. Stop. Have a look at the card. Move down | :20:05. | :20:09. | |
here. If you could take it all the way out - that's cram number three | :20:09. | :20:15. | |
down there. Show it to the people at home. I don't want to see it. | :20:15. | :20:21. | |
don't want to cheat. We wouldn't want to do a thing like that. | :20:21. | :20:25. | |
would if it meant we wouldn't have to forfeit. It's a shame because it | :20:25. | :20:28. | |
would rhyme with your name. Don't improvise! | :20:28. | :20:30. | |
LAUGHTER At the moment, that card is going | :20:30. | :20:36. | |
to disappear. It's going to end up somewhere unbelievable. I hope that | :20:36. | :20:43. | |
somewhere unbelievable isn't going to end up somewhere uncomfortable. | :20:43. | :20:47. | |
Tear that in half, tear it in half again. Nobody said show business | :20:48. | :20:52. | |
was going to be easy. Tear it in half a third time. I am making a | :20:52. | :20:57. | |
bag with this handkerchief. How many pieces would you say are in | :20:57. | :21:01. | |
there? A thousand. A thousand pieces? Absolutely. You can feel | :21:01. | :21:06. | |
all the piece in the handkerchief, agreed? Yep. On the count of three | :21:06. | :21:11. | |
they're all going to disappear. One, two, three, all of those pieces | :21:11. | :21:16. | |
disappear... Keith, I don't think they've noticed. They have gone | :21:16. | :21:21. | |
forever. (They have noticed!" 999 isn't bad. | :21:21. | :21:25. | |
Move on to the pork. That's a good idea. In a moment you're going to | :21:25. | :21:31. | |
pick a sausage, any sausage. Before you do that, pick up the three of | :21:31. | :21:36. | |
hearts. Hold on to that. You're going to need it in a moment. | :21:36. | :21:41. | |
Shuffle those sausages. Hope these are fresh. Happy? Yep. Very good. | :21:41. | :21:44. | |
We're going to eliminate some sausages. Come over here. Pick up | :21:44. | :21:49. | |
any two you want. The two you choose we're going to get rid of. | :21:49. | :21:54. | |
You don't want to touch them, do you? Pick them up. I'll take them. | :21:54. | :21:59. | |
Eliminated. They're gone. You can't have those back. A round of | :21:59. | :22:01. | |
applause for the sausages. I like that. That's good stuff! | :22:01. | :22:06. | |
APPLAUSE I love when you ham it up like that, | :22:06. | :22:12. | |
Pete! Choose another sausage to be eliminated. Just one? That one. | :22:12. | :22:16. | |
Eliminated. That one's gone - gone forever, no more. Don't clap them | :22:17. | :22:20. | |
every time. It's a little bit weird. Now we're 50-50. You're going to | :22:20. | :22:24. | |
eliminate one more sausage. You'll save one and keep one on the tray. | :22:24. | :22:31. | |
Get rid of the one you don't want. A little gift for you - don't ever | :22:31. | :22:34. | |
say I never give you anything. Salmonella. We're down to one | :22:35. | :22:39. | |
sausage. I want you to know we're not doing any funny moves here. In | :22:39. | :22:42. | |
my pocket I have a knife. We're going to go around the | :22:43. | :22:47. | |
circumference of the sausage. try this at home, kids. No, don't | :22:47. | :22:50. | |
do that. Inside the sausage - surprise, surprise, sausage meat - | :22:50. | :22:53. | |
but as well as that, folded up, there is a playing card. You picked | :22:53. | :22:58. | |
one a moment ago. You remember that far back, right? Yeah. What was | :22:58. | :23:01. | |
that card you picked? The three of hearts. Ladies and gentlemen, there | :23:01. | :23:06. | |
it is, the three of hearts - a sausagey - there is a piece missing. | :23:06. | :23:11. | |
You're holding a piece. If I take that piece - tell me the truth, | :23:11. | :23:18. | |
does it fit perfectly? It does. It's the same card, ladies and | :23:18. | :23:19. | |
gentlemen. Thank you very much. what about Keith? | :23:19. | :23:29. | |
:23:29. | :23:32. | ||
I'm impressed - they pulled it out. There you go. All our acts have now | :23:32. | :23:36. | |
performed their first trick, which means the phone lines are now open, | :23:36. | :23:40. | |
folks, to vote and save your favourite celebrity and magician | :23:40. | :23:48. | |
from the death-defying forfeit. These are the numbers you need - to | :23:48. | :23:58. | |
:23:58. | :24:12. | ||
save Barry and Stuart from permission. For full terms and | :24:12. | :24:14. | |
conditions, visit bbc.co.uk/magicians. | :24:14. | :24:19. | |
Remember, they've each got three more tricks to perform before we'll | :24:19. | :24:28. | |
reveal who will swallow fire and Still to come: Pete and Keith get | :24:28. | :24:33. | |
out their crystal ball. Barry and Stuart and the Outnumbered boys get | :24:33. | :24:37. | |
up to no good, and Latimer and Flavia attempt a sensational escape. | :24:37. | :24:44. | |
APPLAUSE Now hoping to wow you with their | :24:44. | :24:47. | |
second magic trick of the evening, it's their live grand illusion, | :24:47. | :24:49. | |
Barry and Stuart and the boys from Outnumbered. | :24:49. | :24:59. | |
:24:59. | :25:01. | ||
time in the show to perform our very own magic trick without the | :25:01. | :25:05. | |
help of Barry and Stuart. They have left us this rather strange | :25:05. | :25:09. | |
contraption, which they have labelled "Barry and Stuart kit". If | :25:09. | :25:15. | |
you follow me, you can see it's just a big, sturdy box, and when we | :25:15. | :25:21. | |
open it... We have some sort of stereo and a note saying, "put | :25:21. | :25:28. | |
these jackets on." Oh, yeah, this is cool. I look just like him. | :25:28. | :25:32. | |
reckon I look like a more handsome version of Barry, yeah? | :25:32. | :25:40. | |
APPLAUSE What do I look like? You look like | :25:40. | :25:45. | |
Stuart would look if his DNA had been merged with a mop. Wait. | :25:45. | :25:49. | |
There's something in the pocket - instructions? What is this? It's | :25:49. | :25:53. | |
all old and clanky. It's a tape! Give it here. | :25:53. | :26:01. | |
LAUGHTER Hi, Tyger and Daniel. These are | :26:01. | :26:05. | |
your instructions for you to learn our ghost illusion so you can | :26:05. | :26:09. | |
actually be Barry and Stuart. These are secret instructions, remember, | :26:09. | :26:16. | |
so please, whatever you do, do not play them in front of the audience. | :26:16. | :26:18. | |
LAUGHTER Daniel? Yeah. No need to answer. | :26:18. | :26:22. | |
This is just a recording, remember. First get the bigs, red cloth. It | :26:22. | :26:27. | |
has two dots printed on it. As Daniel does that, perform a little | :26:27. | :26:30. | |
dance. This is absolutely nothing to do with the trick. We just | :26:30. | :26:40. | |
wanted to give the audience a laugh at your expense. Step into the box. | :26:40. | :26:45. | |
Pass him the cloth. When the dots are exactly in the dead centre, a | :26:45. | :26:54. | |
ghost will magically manifest itself. Ooo! And the audience | :26:54. | :26:58. | |
should clap. Whatever you do, Daniel, do not touch that. Tyger, | :26:58. | :27:02. | |
hold up the second cloth, the blue one. Once again, hold it so the | :27:02. | :27:08. | |
dots are in the centre. If you have done this correctly, a second ghost | :27:08. | :27:13. | |
will appear. Wooo! APPLAUSE | :27:13. | :27:21. | |
Daniel, please remember, do not fiddle with those ghosts. Boo! | :27:21. | :27:28. | |
take the third and final cloth, the green one. Hold it so the I's are | :27:28. | :27:36. | |
centralised. When it's done, the final ghost should appear. Wooo! | :27:36. | :27:41. | |
make the illusion complete, Tyger, stand in the box and close yourself | :27:41. | :27:49. | |
in there. Cover yourself up completely. Daniel, this is your | :27:49. | :27:53. | |
moment. Make a magical gesture - and pull the cover from the box. | :27:53. | :27:57. | |
Tyger has vanished! APPLAUSE | :27:57. | :28:07. | |
:28:07. | :28:11. | ||
But where is he? Yeah! And that is how you become... Barry. And Stuart. | :28:11. | :28:21. | |
:28:21. | :28:24. | ||
Brilliant. Well done and fantastic. We actually have one of the co- | :28:24. | :28:27. | |
stars from Outnumbered - Ramona is in the audience. How are you doing? | :28:27. | :28:31. | |
The boys doing well, do you think? Yeah, they're doing really well. | :28:31. | :28:35. | |
Were you scared there - not at the ghosts - at Barry and Stuart? | :28:35. | :28:40. | |
They're doing well, though, yeah? Yeah, really well. Brilliant. Next | :28:40. | :28:46. | |
up, with their street magic, is Latimer and Flavia - or as they're | :28:46. | :28:56. | |
:28:56. | :29:01. | ||
known, "Latvia"! Everyone, this is Flavia. Flavia, | :29:01. | :29:07. | |
this is everyone. Hi, everyone. You're everyone! We're here to | :29:07. | :29:12. | |
demonstrate her new ability to read minds. OK. I need a little bit of | :29:12. | :29:16. | |
help from one of you. I'm going to pick - going to pick you, if that's | :29:16. | :29:20. | |
OK. And I basically need you to think of a card, any card that you | :29:21. | :29:27. | |
like at all. OK. So do you have a card in mind? Yeah. So what I need | :29:27. | :29:31. | |
you to do now is really concentrate on that card, focus on that card as | :29:31. | :29:38. | |
much as you can, OK? OK. OK. I think I'm getting a picture. OK. | :29:38. | :29:43. | |
Right. OK. I need to draw it. Where should I draw it? I'll tell you | :29:43. | :29:53. | |
:29:53. | :29:56. | ||
I'm a good artist. It's going to be amazing. She is so close! Keep | :29:56. | :30:05. | |
thinking. She's doing this suit and everything. She is committing. | :30:05. | :30:15. | |
:30:15. | :30:28. | ||
done. Do you have it in your mind? No. It's not? Give me a second. | :30:28. | :30:35. | |
see what you're doing. OK, that is the top card of a deck of cards. | :30:35. | :30:42. | |
Your card is in there. What is it? Seven of diamonds. A well, it is in | :30:42. | :30:47. | |
the deck. If you take it, you can actually shake it and caused it to | :30:47. | :30:57. | |
:30:57. | :31:16. | ||
You've got to make sure. It is there, right? It's a good tattoo, | :31:16. | :31:21. | |
it looks good on you. It really is permanent mark there. I've never | :31:21. | :31:27. | |
seen magic like that before. Lost for words! It just came out of his | :31:27. | :31:37. | |
:31:37. | :31:39. | ||
Remind me not to play poker with Latimer. Next, with their location | :31:39. | :31:48. | |
Grande illusion, give it up for Pete and Keith in Bonnie Scotland. | :31:48. | :31:58. | |
Welcome to Scotland! Stop that. It's kind of annoying. It's nice to | :31:58. | :32:03. | |
be here in Edinburgh. It's lovely, but it is freezing. We need an | :32:03. | :32:09. | |
assistant. Would you help? Would that be all right? Give us a hand. | :32:09. | :32:17. | |
Nice and easy, guys. You must be a ballet dancer? That was graceful. | :32:17. | :32:22. | |
What is your name? Sandra Boss stopped I'm Pete, this is Keith. | :32:22. | :32:29. | |
You will not know this, but he is actually a psychic Troicki Li Na -- | :32:29. | :32:34. | |
psychic dry-cleaner. He's unique, because he does it wet. We have a | :32:34. | :32:37. | |
line of clothing, T-shirts, underpants and one thing and | :32:37. | :32:42. | |
another. Without saying it out loud, pick an item of clothing from the | :32:42. | :32:46. | |
line and remember the exact item of clothing you are thinking about. | :32:46. | :32:52. | |
Don't tell anybody. Have you got one in mind? You are not going to | :32:52. | :32:57. | |
tell anyone? OK. Keith, get yourself ready up there. Come this | :32:57. | :33:02. | |
way. We are on the Royal Mile. It has a gradient of about... Well, it | :33:02. | :33:05. | |
is very steep. That is really important for what he is about to | :33:05. | :33:10. | |
do. Psychics use crystal balls. It's a little-known fact that the | :33:10. | :33:16. | |
better the psychic, the bigger the balls. That is impressive. Let me | :33:16. | :33:21. | |
show you what we are going to do. Come round this side. Keith, if you | :33:21. | :33:29. | |
would not mind entering the crystal ball. Excuse me, this is not easy. | :33:29. | :33:35. | |
Fantastic! All right? Now, Sandra, this laundry is identical to do | :33:35. | :33:39. | |
things that you have just looked at on the washing line. We have | :33:39. | :33:43. | |
duplicates. Let's get back inside the crystal ball. Look at that, | :33:43. | :33:53. | |
that is one of Latimer's! If you could just put those inside. | :33:53. | :34:00. | |
can have this one back, I think it is yours. The last lot. Very good. | :34:00. | :34:04. | |
Excellent. Fantastic. The idea is that you are thinking of an item of | :34:04. | :34:08. | |
clothing. Keith is going to try to define your thoughts and find the | :34:08. | :34:13. | |
duplicate item. To do this, you are going to have to create a psychic | :34:13. | :34:17. | |
connection. Just put your head out for the psychic connection. Just a | :34:17. | :34:22. | |
little bit lower. Look into his eyes. Concentrate. It's scary, | :34:22. | :34:29. | |
isn't it? Not only is he going to find your piece of laundry, it is | :34:29. | :34:39. | |
getting cleaned. So, let's get this in. It's freezing! Why don't you | :34:39. | :34:43. | |
put a bucket of water in there? were supposed to heat the water | :34:43. | :34:52. | |
run! It's a 40 degree, don't worry We are going to need to be | :34:52. | :35:02. | |
:35:02. | :35:06. | ||
detergent. One squirt and the dirt Getting there! Fantastic. If you | :35:06. | :35:14. | |
could seal it up, we will get that sealed up. Fantastic. Now, so he | :35:14. | :35:20. | |
can hear us, we have this loud hailer. All right in there? Yes! | :35:20. | :35:24. | |
don't need that. Keep concentrating on your item of clothing. Have you | :35:24. | :35:34. | |
:35:34. | :35:38. | ||
got it in mind? OK, help me count He's going! He is part hamster. | :35:38. | :35:48. | |
:35:48. | :36:06. | ||
Here is what happened. You looked at an item of clothing on the | :36:06. | :36:09. | |
washing line, you thought about it, nobody told you what to pick. You | :36:09. | :36:15. | |
have not told anybody what it was. Fantastic, here he is. The boy | :36:15. | :36:25. | |
:36:25. | :36:28. | ||
wonder. What have you got? The blue vest? No. It's not. Maybe you will | :36:28. | :36:34. | |
have to do... What was it? Grab the item of clothing that you were | :36:34. | :36:40. | |
thinking of. Was it far-off? Not even close. Let's have a look. He | :36:40. | :36:46. | |
went even in the right ball park. The underpants. You were miles away. | :36:46. | :36:56. | |
:36:56. | :37:23. | ||
A lot of very excited ladies across Britain right now. We actually have | :37:23. | :37:27. | |
his son in the audience. Your dad in his underpants on national | :37:27. | :37:31. | |
television, you must be proud? Did he do a good job? Yes, I'm very | :37:31. | :37:36. | |
impressed with what I've seen so far. Good stuff coming up? I was | :37:36. | :37:40. | |
talking to Pete, apparently it is quite dangerous so I'm looking | :37:40. | :37:46. | |
forward to seeing it. We are at halfway mark. The Act have | :37:46. | :37:51. | |
performed two tricks each. But they still have two left to perform. | :37:51. | :37:58. | |
Nobody isn't be safe from the death-defying forfeit. But he who | :37:58. | :38:08. | |
:38:08. | :38:24. | ||
Please get the bill payer's permission. Anyway, let's get | :38:24. | :38:28. | |
straight back into the magic. Next, with their live closer up trick, | :38:28. | :38:38. | |
:38:38. | :38:40. | ||
Barry and Stuart and the boys from We have been asking everybody to | :38:40. | :38:44. | |
send the name of a playing card through social media. You can | :38:44. | :38:48. | |
please stop sending nose right now. Before the show began, Daniel and | :38:48. | :38:53. | |
Tyger took a card from this brand new DEC. They signed their initials | :38:53. | :38:57. | |
on the back. To make this as fair as we can, they will be shown in | :38:57. | :39:02. | |
the bottom of your screen at all times. Thousands of you have been | :39:02. | :39:06. | |
sending in random playing cards. These are now being displayed on | :39:06. | :39:09. | |
the two screens behind us. If you look carefully enough, you might | :39:09. | :39:16. | |
see your name on television. Indeed you will. Now, we do need somebody | :39:16. | :39:21. | |
in the crowd to help. Daniel is going to choose, at random, who | :39:21. | :39:28. | |
that is going to be by throwing into the audience this Brecko. -- | :39:28. | :39:32. | |
house brick. Don't worry, it is made of sponge. He has no idea | :39:32. | :39:38. | |
where it is going to go. Try to catch it. If it lands near you, | :39:38. | :39:44. | |
grab it. Stand-up. He's very small! We need you to make the most | :39:44. | :39:50. | |
important decision, the first decision, do you want us to use the | :39:50. | :39:54. | |
social network Facebook or do you want to use Twitter? One or the | :39:54. | :40:03. | |
other. One! I think that means Facebook. Facebook or Twitter? | :40:03. | :40:13. | |
:40:13. | :40:20. | ||
Now Daniel is going to throw another object. It's a hammer. | :40:20. | :40:24. | |
Unlike the last one, this one actually is real. If it comes near | :40:24. | :40:31. | |
you, or catch it. Some of you might be thinking that Daniel has been | :40:31. | :40:34. | |
practising for the 2012 Olympics hammer throw. The person that has | :40:34. | :40:39. | |
got it, can you throw it somewhere else. Anyway you like. She is | :40:39. | :40:49. | |
:40:49. | :40:52. | ||
Stand-up. A very tall person! Excellent. A man with the beard? | :40:52. | :40:57. | |
would like you to look at these two feeds that we have and call out | :40:57. | :41:03. | |
stop at any point you like. Stop! Right there. There are loads of | :41:03. | :41:08. | |
cards on the screen. This is the most important decision. We want | :41:08. | :41:12. | |
you to just choose one of them at random and call it out as loud as | :41:12. | :41:21. | |
you can. Eight of spades! That was sent by Ethan Bagshaw. He is about | :41:21. | :41:24. | |
to be inundated with friend requests. Do you remember which | :41:24. | :41:30. | |
playing-card you signed? The eight of spades! They don't lie. Thank | :41:30. | :41:34. | |
you very much. A lot of you are buying that! Are very trusting | :41:34. | :41:38. | |
crowd. I think the people at home might want to see that. The eight | :41:39. | :41:42. | |
of spades. This shot has been on your screen the entire time as we | :41:43. | :41:48. | |
have done this. It is right there. On the back is actually the | :41:48. | :41:55. | |
initials. Even better than that,... You are probably thinking that they | :41:55. | :42:05. | |
:42:05. | :42:07. | ||
have signed all of them. That's not possible, we had two very tall | :42:07. | :42:12. | |
people check. But actually, the only one without a blue plaque is | :42:12. | :42:22. | |
:42:22. | :42:26. | ||
that one there, the eight of I'm glad you didn't use the real | :42:26. | :42:31. | |
hammer, like in rehearsals. That didn't go too well. It is time for | :42:31. | :42:37. | |
Pete and Keith's turn. It is St magic in Dublin. I say Street Magic | :42:37. | :42:47. | |
:42:47. | :42:54. | ||
loosely, being a good Irishman he Hello, ladies. How are you? I'm | :42:54. | :42:59. | |
very well, how are you? You are looking lovely today. How why you? | :42:59. | :43:05. | |
I need your help. He is a fantastic magician, this guy. But I think I | :43:05. | :43:10. | |
am better. I'm going to show you this magic trick. There is the | :43:10. | :43:15. | |
bottle. A bottle of cola. I want you to hold it there. You have seen | :43:15. | :43:19. | |
opera singers singing, and when they hit a high note, a wine glass | :43:19. | :43:28. | |
smashes. That is what we want to recreate, my way. Will that it? We | :43:28. | :43:33. | |
are going to put the coin in there. I need you to shake it about. Think | :43:33. | :43:43. | |
:43:43. | :43:49. | ||
I told you! Impressed? I'm very I think I've got something similar. | :43:49. | :43:54. | |
Whatever I do, he has to do better. Let's try something else. This | :43:54. | :44:01. | |
would be tough. Could you hold that? Just check it and hit the | :44:01. | :44:09. | |
sides. Make sure it is solid. Cupid outstretched and concentrate. I | :44:09. | :44:17. | |
just need some of your energy. energy? Just put your hand on my | :44:17. | :44:22. | |
shoulder. Just think, break. It's not going to work, don't worry. | :44:22. | :44:27. | |
He's not going to be able to do it. I'll try my best. It might not work. | :44:27. | :44:37. | |
:44:37. | :44:43. | ||
LAUGHTER Ooh! That was amazing. That was | :44:43. | :44:50. | |
amazing. Could you do me another favour? Here you go. Would you | :44:50. | :44:56. | |
clean up that glass? Mwah! LAUGHTER | :44:56. | :45:06. | |
Ooh! Very shocked. I don't know how he did it. I haven't a clue how he | :45:06. | :45:08. | |
done it. That was great. I wish I could do it. | :45:08. | :45:18. | |
:45:18. | :45:19. | ||
Don't attempt that trick at home, folks or down the pub, for that | :45:19. | :45:23. | |
matter. They won't be very happy. We have the lovely Flavia and | :45:23. | :45:29. | |
Latimer here, everybody. How are you feeling? Good, excited. How are | :45:29. | :45:34. | |
you going - what are you going to do? We have a trick that involves | :45:34. | :45:44. | |
the two of us, a bus and some handcuffs. Handcuffs? Yes. Say no | :45:44. | :45:54. | |
:45:54. | :46:01. | ||
more. Flavia and Latimer on MUSIC | :46:01. | :46:05. | |
Ladies and gentlemen, thank you so much for joining us here at the | :46:05. | :46:10. | |
Essex Arena Raceway. As you can see, we have two wooden crates on | :46:10. | :46:14. | |
opposite sides of the track. Those will be locked tight with shackles | :46:14. | :46:19. | |
and padlocks. I am going to have one pair of handcuffs on. He'll | :46:19. | :46:23. | |
have two. Each of us is in a separate box. The only difference | :46:23. | :46:27. | |
between her crate and mine is Flavia has access to the padlock on | :46:27. | :46:30. | |
the outside of the crate. I don't. She has to escape from the padlocks | :46:30. | :46:35. | |
to put her hands on the outside of the holes to unlock the padlock, | :46:35. | :46:39. | |
then grab my keys from this flag post and unlock my crate. If it all | :46:39. | :46:43. | |
goes to plan, it will all go very smoothly. There is one problem - | :46:43. | :46:51. | |
that bus. The bus driver has been instructed to make one lap, then | :46:52. | :46:58. | |
crash through both crates and to stop for no reason - at all. | :46:58. | :47:01. | |
guys are actually going to be passengers on the bus, so you're | :47:01. | :47:04. | |
going to be living the whole experience live. So hold on tight. | :47:04. | :47:08. | |
Ladies and gentlemen, I do want to make a point to say this is | :47:08. | :47:11. | |
probably the most dangerous escape I have ever done - frankly because | :47:11. | :47:16. | |
it's no longer an individual sport. It's a relay race. Are you ready? | :47:16. | :47:20. | |
Yeah, I think we should go for it. All right. Let's do this. OK. Good | :47:20. | :47:30. | |
:47:30. | :47:57. | ||
Ready to go? Good luck. OK. If you'd like to put your helmets on | :47:58. | :48:07. | |
:48:08. | :48:08. | ||
Apology for the loss of subtitles for 171 seconds | :48:08. | :50:02. | |
Is everyone OK? Amazing! CHEERING AND APPLAUSE | :50:02. | :50:06. | |
Latimer, you cheeky monkey! If you liked that, there is plenty more to | :50:06. | :50:12. | |
come, and if you want to learn a few tricks yourself and impress all | :50:12. | :50:18. | |
your mates, you can go to our website, and they're all on there. | :50:18. | :50:22. | |
You have seen all the acts perform three times tonight. They've got | :50:22. | :50:27. | |
one more trick left up their sleeve before we close the phone lines. | :50:27. | :50:32. | |
Things are really hotting up, quite literally, for one of our acts, so | :50:32. | :50:36. | |
pick up the phone and vote for your favourite to save from forfeit. | :50:36. | :50:42. | |
This is your last chance to see the phone number, so if you haven't got | :50:42. | :50:52. | |
:50:52. | :51:12. | ||
Calls cost 15p from a BT landline. Other networks may vary. Calls from | :51:12. | :51:15. | |
mobiles will cost considerably more. Please get the bill payer's | :51:15. | :51:20. | |
permission. Now time for our last live close-up magic for the night - | :51:20. | :51:22. | |
it's Latimer and Flavia. Here they are. | :51:22. | :51:32. | |
Thank you. Thank you. Today beer going to be doing a little bit of | :51:32. | :51:36. | |
close-up magic right here in the audience, but we need calm of | :51:36. | :51:40. | |
volunteers. Let's go and find them. We're going to go deep into the | :51:41. | :51:45. | |
audience. Thought you were safe up here, didn't you? Can I have you if | :51:45. | :51:55. | |
:51:55. | :51:57. | ||
that's OK. And your name is? Priu. Alex. Lovely to meet you. Stand | :51:57. | :52:00. | |
right here. I'd like you to stand right there. | :52:00. | :52:06. | |
APPLAUSE And your names? Alex. This uses | :52:06. | :52:13. | |
coins from back home, but it's a neat little effect I think you'll | :52:13. | :52:18. | |
enjoy. We have a handkerchief. If you could hold each coin in each | :52:18. | :52:23. | |
hand tight, a little bit lower. That's perfect. I would like you to | :52:24. | :52:29. | |
imagine a hole right here - when you can't see and when you can't | :52:29. | :52:34. | |
you can't see and when you can't feel. I'll place those coins On the | :52:34. | :52:44. | |
:52:44. | :52:44. | ||
imaginary hole. I'll take one hand - see it grip? Just pull that coin | :52:44. | :52:49. | |
through the hole. Pretty cool, huh? Here. Why don't you hold on to one | :52:49. | :52:55. | |
coin. Let's do it again. Can I have a go? Of course. Let's go for it. | :52:55. | :53:00. | |
As we said, we have an imaginary hole you can't see on top. It's | :53:00. | :53:04. | |
here. Trust me. You can't see it, and of course, you can't feel it. | :53:04. | :53:11. | |
Here we go. OK. So I am going to give this a go. A little bit lower. | :53:11. | :53:15. | |
Perfect. OK. Here we go. Voila. Right through. | :53:15. | :53:23. | |
APPLAUSE That's one, and that's two, but - | :53:23. | :53:26. | |
APPLAUSE It gets better. We're going to take | :53:26. | :53:32. | |
one, and we're going to go the opposite direction. | :53:32. | :53:34. | |
APPLAUSE Thank you. Watch. I'll place it | :53:34. | :53:37. | |
through the bottom. Go ahead and let go of everything. Go ahead and | :53:37. | :53:42. | |
let go of all the corners. We'll take one last peek to make sure the | :53:42. | :53:47. | |
coin is underneath the silk, right? I'll give it one twist. I'll hold | :53:47. | :53:53. | |
that. I'm going to take off my ring. I'm going to place all four corners | :53:53. | :53:57. | |
through this solid metal ring. That will make sure nothing happens from | :53:57. | :54:00. | |
below. LAUGHTER | :54:00. | :54:04. | |
So we're almost there. So as you can see, that coin is completely | :54:04. | :54:10. | |
trapped by the ring, OK? If I could ask you to take the two corners as | :54:10. | :54:15. | |
you did before - and if you could do the same - and if you gently | :54:15. | :54:22. | |
pull, we're going to rub the material gently, and here we go - I | :54:22. | :54:25. | |
can see it - there you go. APPLAUSE | :54:26. | :54:30. | |
Imagine that. APPLAUSE | :54:30. | :54:36. | |
Thank you so much - Pria, thank you. Everyone in that bottom row, I | :54:36. | :54:39. | |
highly suggest you check your wallets as well. Do not trust that | :54:39. | :54:45. | |
guy! Next up, with their last chance to avoid the dreaded forfeit, | :54:45. | :54:52. | |
it's with their street magic, here is Barry, Stuart and the boys from | :54:52. | :55:00. | |
Outnumbered. Today we're going to try to cure | :55:00. | :55:05. | |
people of their deepest, darkest phobias using something everybody | :55:05. | :55:12. | |
loves, coffee. What do you think, guys? We're helping people out. | :55:12. | :55:18. | |
don't like coffee. Coffee is not everyone's cup of tea. I like that. | :55:18. | :55:24. | |
I thought I was going to get a bigger reaction. We're going to | :55:24. | :55:27. | |
need a few volunteers. I think you should go out and get them because | :55:27. | :55:29. | |
you're the youngest. That's how it works. | :55:29. | :55:36. | |
That guy - hello. Why not. Got some people - good job. You did good. | :55:36. | :55:40. | |
Let's try some group therapy. What's your name? Hannah. All we | :55:40. | :55:48. | |
need to do is get in mind an insect you really don't like? Maggots. | :55:48. | :55:53. | |
Hate maggots? What we're going to try to do now is cure your phobia. | :55:53. | :55:59. | |
We're going to borrow your coffee. What you got there? It looks like | :55:59. | :56:03. | |
black coffee to me - good. What we want you to do is concentrate on | :56:03. | :56:07. | |
your phobia, think about your fear of maggots. Give me your hands and | :56:07. | :56:10. | |
cup them like that. That's perfect. Concentrate on it. We're going to | :56:11. | :56:20. | |
:56:21. | :56:29. | ||
Absolutely horrified. They're just creepy, wet and disgusting. What | :56:29. | :56:39. | |
:56:39. | :56:49. | ||
Tell me what your fear is. Locusts. Oh, my God. Oh, my God. Concentrate | :56:49. | :56:57. | |
on your phobia of cockroaches right now. Very good job today, guys. | :56:57. | :57:01. | |
Shall we go celebrate? Yeah, let's go get a coffee. Let's get a | :57:01. | :57:06. | |
coffee! APPLAUSE | :57:06. | :57:10. | |
Disgusting, but quite brilliant. Anyway, folks, we're going to close | :57:10. | :57:14. | |
our phone lines very, very soon. We have about five minutes left - five | :57:14. | :57:19. | |
minutes to pick up the phone and vote for your favourite. As soon as | :57:19. | :57:24. | |
we finish our final performance for the night, they will be closed, and | :57:24. | :57:30. | |
speaking of which, here is our live grand illusion - give it up for | :57:30. | :57:32. | |
Pete and Keith. APPLAUSE | :57:32. | :57:36. | |
They love us. It's going great, isn't it, really well. It's going | :57:36. | :57:42. | |
fantastic. We have done our best, worked hard. Edinburgh went great. | :57:42. | :57:50. | |
Sensational. We had great fun in the pub in Dublin. Smashing time! | :57:50. | :57:54. | |
Altogether. We have saved the best for last, and you have been so good | :57:54. | :57:59. | |
through the whole process that I am going to give you the part of the | :57:59. | :58:03. | |
magician. Going to let me do the illusion? Yeah, absolutely. I want | :58:03. | :58:06. | |
to play the part of the assistant, so tonight you're going to be the | :58:06. | :58:09. | |
magician and you're going to be the assistant. | :58:09. | :58:16. | |
So I get to put you in the box and stick swords in you? Yeah. This | :58:17. | :58:19. | |
trick is fantastic. It's got everything - it's got danger. It's | :58:19. | :58:24. | |
got fire. It's got me. What more could you want? It's funny you say | :58:24. | :58:28. | |
that, Pete, because I really feel like I went all out tonight to look | :58:28. | :58:33. | |
like a magician. I feel like I look the part. Oh, yes. | :58:33. | :58:35. | |
APPLAUSE They agree with me. But I'm sorry | :58:35. | :58:40. | |
to say, pal, you don't look much like the glamorous assistant I was | :58:40. | :58:43. | |
hoping for. No, Keith, this isn't the outfit, fella. This is! | :58:43. | :58:53. | |
:58:53. | :59:14. | ||
Keith, come here. Come here. Get off! | :59:14. | :59:24. | |
:59:24. | :59:24. | ||
Apology for the loss of subtitles for 171 seconds | :59:24. | :01:03. | |
Pete and Keith, everybody! Come on over. That was brilliant. Baffling, | :01:03. | :01:08. | |
I don't know what baffled me more, the trick or how I felt when I saw | :01:08. | :01:13. | |
you in that outfit. It is rather dashing. I am putting Flavia to | :01:13. | :01:20. | |
shame! Custom-made, no doubt. Wax for the occasion? There were | :01:20. | :01:25. | |
already, but we won't go into that. Very good with your magician hands | :01:25. | :01:30. | |
as well. I was practising all day. Even though I did that for the | :01:30. | :01:34. | |
first time just now. Danger, fire, sexy, what else do you want? The | :01:34. | :01:44. | |
:01:44. | :01:48. | ||
How do you feel after seeing that? Fabulous. Everybody has been | :01:48. | :01:52. | |
amazing, but we have given our best. You think you have done everything | :01:52. | :02:01. | |
you can do? Absolutely, we have put everything into it. How about that | :02:01. | :02:07. | |
amazing dance you do, as one last attempt to get more votes? Do you | :02:07. | :02:11. | |
think you are going to take up the magical stick to the day job? | :02:11. | :02:16. | |
Probably stick to my day job. But I think it did go well. I think they | :02:16. | :02:26. | |
:02:26. | :02:28. | ||
You have now seen four tricks from all four acts. That means that the | :02:28. | :02:33. | |
lines are now close! Please do not vote any more. It will not count | :02:33. | :02:38. | |
and you may be charged. Nail-biting stuff, we are about to find out he | :02:38. | :02:42. | |
was facing the deadly forfeit shortly. Whilst the votes are being | :02:42. | :02:46. | |
counted we have a special performance. If you did get a magic | :02:46. | :02:52. | |
set for Christmas, kids, pay close attention. We are about to see the | :02:52. | :02:59. | |
team magic champions and stars of the film's Make Believe. It is East | :02:59. | :03:08. | |
meets West. All the way from Nagoya, Japan, and Anchorage, Alaska, it is | :03:08. | :03:18. | |
:03:18. | :03:18. | ||
Apology for the loss of subtitles for 171 seconds | :03:18. | :07:52. | |
Brilliant command teenagers as well. What a great way to finish. That is | :07:52. | :07:57. | |
the last bit of magic you will see. It is time to get serious and | :07:57. | :08:02. | |
revealed the results of the votes. Which actor impressed to the most? | :08:02. | :08:12. | |
:08:12. | :08:15. | ||
Who has escaped the forfeit? May I I can now reveal the act with the | :08:15. | :08:20. | |
most of votes, who is definitely saved from performing the forfeit | :08:20. | :08:30. | |
:08:30. | :08:51. | ||
It is Barry and Stuart and the boys We now have Latimer and Fabio and | :08:51. | :08:57. | |
Pete and Keith. The person who has the least amount of votes tonight | :08:57. | :09:07. | |
:09:07. | :09:15. | ||
and will have to swallow fire and It is Pete and Keith! | :09:15. | :09:24. | |
Congratulations to Latimer and Fabio. -- Fabio. I'm sorry. It's | :09:24. | :09:34. | |
:09:34. | :09:36. | ||
all right. Unlucky. Unlucky?! That is a fix! Are they sending out the | :09:36. | :09:41. | |
same show from the broadcast truck? My grandmother has been on the | :09:41. | :09:45. | |
phone, there is no way I lost that. It's time to compose yourself and | :09:45. | :09:49. | |
get into the zone. While you do that, let's remind everybody at | :09:49. | :09:59. | |
:09:59. | :10:01. | ||
home of the horror that is just For tonight's terrifying forfeit, | :10:01. | :10:05. | |
the loser must swallow a flaming torch of blistering hot fire, which | :10:05. | :10:10. | |
burns at an intensity of 300 degrees centigrade. With the flame | :10:10. | :10:17. | |
extinguished, they must pour molten metal into their mouth and spit it | :10:17. | :10:26. | |
Nasty stuff. I will need an audience member to verify | :10:26. | :10:30. | |
everything. Hands up if you would like to volunteer. You, at the | :10:30. | :10:38. | |
front. A round of applause! What is your name? J? I just want you to | :10:38. | :10:42. | |
confirm that the fire is very hot. You don't have to touch it. As | :10:42. | :10:50. | |
close as possible. We'll fire? Yes? Step back, this is dangerous stuff. | :10:50. | :10:55. | |
I do need to point out to everybody watching this that Keith has not | :10:55. | :11:00. | |
rehearsed this before. Under no circumstances should you attempt to | :11:00. | :11:04. | |
do this forfeit at home. They are incredibly dangerous. I'm going | :11:04. | :11:11. | |
home! You don't have that option. To complete his final challenge... | :11:11. | :11:16. | |
In is it real fire? Of course, I am right next to it. All right, Kung | :11:16. | :11:26. | |
:11:26. | :11:28. | ||
I will do this down on one knee. I don't have to do this like this, it | :11:28. | :11:33. | |
is just more dramatic. Aiming for your tongue, bring it to the back | :11:33. | :11:39. | |
of your mouth and breathe out. That is very important. Don't breed in! | :11:39. | :11:49. | |
:11:49. | :12:05. | ||
It's as easy as that. I don't want to burn my beard! Don't try this at | :12:06. | :12:15. | |
:12:16. | :12:16. | ||
It was nice working with you. is the end of the singing career. | :12:16. | :12:26. | |
:12:26. | :12:27. | ||
It can only improve my singing, I need some water. Do you want to | :12:27. | :12:35. | |
do it on your knees, or stand up? I'll do it sideways. Seriously, | :12:35. | :12:45. | |
:12:45. | :13:01. | ||
focused. Remember, the town and the You are only halfway through. You | :13:01. | :13:11. | |
:13:11. | :13:22. | ||
now have to gargle with hot, molten Hot lips. Keith, this is molten | :13:22. | :13:27. | |
metal. It is obviously very hot. He's got it in... What do you call | :13:27. | :13:37. | |
:13:37. | :13:45. | ||
that? A furnace. He is going to put Now, this one is a little trickier. | :13:45. | :13:54. | |
My lips are on fire! Do I have to do this? You could run. Into the | :13:54. | :13:58. | |
mouth, throw your head back. Pennine not just do some vodka or | :13:58. | :14:08. | |
:14:08. | :14:08. | ||
Apology for the loss of subtitles for 171 seconds | :14:08. | :14:59. | |
one! Time to play dress up. into your tongue, tilt your head | :15:00. | :15:07. | |
back. I'm not going to do what you did, you got it or love yourself! | :15:07. | :15:11. | |
Hurry up, or we will have to cut to the lottery and everybody will | :15:11. | :15:21. | |
:15:21. | :16:01. | ||
shaking your head. Spit it out. Is that real mettle? Yes. Real | :16:01. | :16:11. | |
:16:11. | :16:13. | ||
Well done, you have ruined a perfectly nice suit. | :16:13. | :16:18. | |
Congratulations. What an incredible evening it has been. The first ever | :16:18. | :16:22. | |
live edition of The Magicians. I want to say thank you to all the | :16:22. | :16:26. | |
celebrities, all of the magicians have been fantastic. | :16:26. | :16:31. | |
Next time: Three more celebrity apprentices perform mind-boggling | :16:31. | :16:36. | |
magic to win your vote and avoid the dreaded forfeit. Don't miss it, | :16:36. | :16:45. | |
next Saturday, 6.35, BBC One. Thanks for joining us, everybody. | :16:45. | :16:52. | |
Have you had fun? Have you had fun? Let's hear it one last time for the | :16:52. | :16:58. |