Episode 2 The Magicians


Episode 2

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Acts last week, Barry & Stuart, Latimer and Pete ferment teamed up

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with celebrity apprentices to bring the drama, comedy and mind blowing

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illusions. Pete and Keith lost the view it vote and had to India the

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fiery forfeit. That might have been my first fiery forfeit but it will

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definitely be my last. Tonight, three new celebrities have one aim,

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to win your vote. My life is on the line. Everyone is feeling the

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pressure. I always win, I am not here to finish second. Prepare for

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mind-bending acts of madness and high-pressure lives are illusions.

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Who will triumph and he will have to face this week's dreaded four

:01:06.:01:16.
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fit? Prepare to be mesmerised. This Live from Shepperton Studios,

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please welcome your host, Darren McMullen and The Magicians! Twisted

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twisters Barry & Stuart, all the way from LA, world champion of

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magic, Latimer. And all away from Middlesbrough, it is Pete Firman!

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Hello, everybody, are you ready to have some fun?! Welcome to The

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Magicians. Prepare to be bamboozled as we take you into this wonderful

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world of magic. Each week, The Magicians will be joined by a

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different celebrity apprentice and have to perform four eye-popping

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magic tricks and attempt to win your vote and avoid tonight's death

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defying forfeit. All that in a minute. But first, let's meet

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tonight's celebrities. Joined in last week's winners, Barry & Stuart,

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it is TV's Mr Nasty, it is Craig Revel Horwood!

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Pairing up with Latimer it is the one, the only, Mr David Hasselhoff!

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And with last week's loser, Pete Firman, she is out standing in her

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field, it is Countryfile's Julia Bradbury. This is The Magicians

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Good luck to everybody tonight. You are going to need it. They have

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just four tricks in order to woo you guys at home and if that was

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not hard enough, two of them are performed right here in the studio

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live. The team with the lowest number of votes at the end of the

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show will have to take on tonight's death defying forfeit and trust me,

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it is not for the faint-hearted. Here is the moment just before we

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went live when the celebrities found out what the forfeit is.

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samurai sword is renowned for having the sharpest blade in the

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world. In tonight's forfeit, the losing Act must walk barefooted up

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a samurai sword ladder. Once at the top they will lie on a bed of

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razor-sharp swords. A melon will be placed on their stomach and a

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swordsman will attempt to slice it. Who will have to face the forfeit?

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Who is for the job? -- who is for the chop?

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That actually looks genuinely dangerous tonight. Good luck!

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Rather them than me. Audience, are you ready? Yes! Are you ready? All

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right, let the competition begin. They have got four tricks to try

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and schmooze their way into your good books. Here is Latimer and

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:04:59.:05:04.

How is it going? Sorry I am late, just came in from the beach. My

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name is David Hasselhoff. Some people know me as the Hoff. Need I

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say more? It is incredibly exciting to be accepted into the secret

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world of the magician. Working with David is literally like working

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with a legend. We can take a card like this, bend it and change it

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just like that. Jason is the best magician I have ever seen. We will

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reunite you with your old friend. We could be doing the world's

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biggest card trick. I will teach you how to read minds and how do

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you feel about dressing up? If the hot cannot handle the pressure, who

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can? Forfeits? No. Of does not do forfeits. You are crazy.

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Guys, is it just me or are you a bit star-struck? That guy is a

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living legend. David Hasselhoff! I grew up watching that show,

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Baywatch. For his performance only. Amazing. And the show obviously

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with the car, Knight Rider. The over-thirties probably remember

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that. Are you ready to seek Dave do his thing? Yes! Picking off tonight,

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totally live, put your hands You really know how to arrive at.

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Nice outfit. I am been injure. I am We need a volunteer. How about you?

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From the third rose. Over here. You, sir. Don't be scared. What is your

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name? Paul. Let's give it up for Paul. Nice to meet you, Paul.

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you. I'm going to be doing an illusion for one person, that is

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you. How would you like my crate? Why have you got your initials.

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Where am I? It is on the inside of This works a lot better with you

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inside the box. You were doing well. -- you are doing well. You're doing

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OK. We are trying to contain the powers of the Hoff. Paul, if you

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stand on the step, that would be great. Just come right up. We will

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use the one ring, two hands and one I'm going to show you how magic can

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be if you remove one of your senses. When I ask you to close your eyes,

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I want you to close your eyes but do not open them until I tell you.

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If you cheat, the entire effect will be ruined. De think he should

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play a long? Yes! He is a ring, Close your eyes. I want you to

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imagine everything. I want you to match and this ring floating around,

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shoot up in the air and land right back on to my head. Paul, a few

:09:02.:09:12.
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reach for it and touch you, if I crossed my arms over you would feel

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it. Open Your eyes. I want you to do one thing, I am going to lock my

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arms in this position. I want you to keep your eyes closed and make

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sure my arms did not move. I want you to imagine one more time, have

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the ring floater up in the air and in your imagination, I want you to

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watch that ring float around the room 17 times. I will count them.

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Just kidding, I will not do all of them! Paul, focus, focus. Grabbed

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my wrist here. This is where it gets really tricky. Using a hand to

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grab that ring, just pull on it. Tell them it is solid. It is solid.

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Now, I want you to close your eyes. I want you to grab that ring. Is a

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solid? With your eyes closed, grabbed my wrist again. I am going

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to reach over and then grab this rain and lift it over your head. I

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will waive it over my arm and wave it over your arm. I will tappets

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once on the top, once on the bottom and link on your arm. You open your

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better. I am going to gave flesh and bone three on. Are you ready?

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Close your eyes. Here we go. You will feel it, you will feel a

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What is going on?! What have you been doing in there? I am

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How are you going to beat that, the halved in a box? He will be

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difficult. I am a Bic -- I am a bit nervous. The reigning champions,

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Barry & Stuart took the title last week. We are going to try and give

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it our best. We have got a few nasty surprises planned for Craig.

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That is what you want us to see. look forward to it. The tables have

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turned. You are looking for other people's vote is now. Here they are,

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Barry, Stuart and Craig. Barry! Stuart!

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My name is Craig Revel Horwood. You may have seen me on Strictly Come

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Dancing being rather judgmental. Last week was good. We won the

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episode. But it is only the first show, anything can happen.

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grandfather was an amazing magician and I am hoping I will help this

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legacy continue, darling. You will be placed in a small container and

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you will defy death. We are going to be in our favourite trick. We

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will turn the laws of physics on its head and make sure you keep

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yours. And a bit concerned for my health and safety. That represents

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a new. Lovely. Will Craig be saved, of course. You can trust us.

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chances of Craig surviving. We give him... One way round -- and wrong

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We thought, had it gone wrong? thought it was the end. We thought,

:14:06.:14:16.
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So Craig, the grand illusion - we have been practising the trick we

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call the swimming pool box escape. We tied you up, put you in a box.

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You had half a minute to escape before the box fell into the

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swimming pool. I loved that. practised and did really well. You

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were so confident in your ability to do it, we decided to up the ante.

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You're going to love it. The first thing we changed was the box. We're

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going to use this car and lock you inside the boot. We have replaced

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the swimming pool with this quarry. You are joking. Here's exactly

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what's going to happen we're going to tie you up and bundle you into

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the boot of the car just like this. The car will start rolling towards

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the cliff's edge where it will tumble 100 foot into the water

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below. The audience standing at the cliff right here - more adoring

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fans will be down on below on to the pontoon. They'll see as you get

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out of the boot and leap on to this Queen-sized mattress. We're going

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to have a helicopter filming at all times. This is the best part - once

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you have made your escape, the car which we have needlessly filled

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with explosives will race down and career off the cliff edge.

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From this moment on, this shot will not cut away.

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Except this cut right here. This, show, however, will remain

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continuous allowing you to see Craig make his escape in realtime.

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Put your hands out. Know we practisinged with the ropes but

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these are more impressive. sorry, too many changes, the

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swimming pool becomes a quarry, the box becomes a car riddled with

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explosive... We're going to change your blind fold into this bag.

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We're going to take this gaffe that tape and tape together your legs,

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Craig. This is important for two reasons - first, it's going to be

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much more impressive than the ropes, and secondly, it will ensure Craig

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doesn't try to dance while he's in there. We're taped up. Let's go get

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you into this car boot - this way. Hop with us. That's it. Let's get

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you in here. Get your feet inside there. We have been pretty mean to

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Craig so far, so we're going to make your life a little bit easier,

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Craig, by helping you out with something to get your gaffe that

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tape off around your feet. We'll give you this plastic knife.

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Stuart's going to put a brick on to the accelerator of the car he has a

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rope attached to the gear stick. The moment pulls that rope, the car

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will start moving to the cliff edge. It will move at a speed of around

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about 15mph, giving Craig ten seconds to exit the car and leap on

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to the mattress. If he doesn't make his escape, we have arranged party

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in his honour. Ann Widdecombe has sent out the invites. Is he ready?

:17:51.:18:01.
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BANGING Left hand, right hand. On your toes,

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Craig. Here comes the mattress. Here is the mattress. Jump. Jump!

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EXPLOSION APPLAUSE

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Of course, this is one shot - you know it's not like a trick of

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camera or something, but when the car went over, your heart was

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racing. You thought, what's going to happen, is he going to be OK?

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You know he's supposed to be on that mattress. The car comes into

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shot. There is no Craig. You're praying he's going to come out.

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Then the car is going to be over the cliff. Before you know it,

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explosion. Oh, my God. It's all gone horribly wrong! And then he's

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up in the helicopter. You think, how did he get there? It was

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fantastic. It was absolutely brilliant, enthralling. Speechless.

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APPLAUSE That was absolutely amazing. Yeah.

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Good that, wasn't it? Craig Revel- Horwood has fans.

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LAUGHTER I had no idea. About four? Yeah,

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there is about four there, to be fair, but fans, nonetheless. I

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didn't want to bring this up - actually, I did. You lost last week.

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Let's not use that word. It sounds so negative. Can we think of

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something else? Losing the vote? Least popular. No. Maxine... This

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week we're going to change it. You were the least popular. Confident

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for this week? Yeah, confident. Watching that, they had cars,

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cliffs, explosions. We've got a box of biscuits, so enjoy that. Let's

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have a look and see what these guys have been conjuring up.

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APPLAUSE I am Julia Bradbury, TV presenter,

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explorer and tonight, wannabe magician. I don't know what

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happened. We ended up doing the forfeit. Maybe the phone number was

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wrong. So this week we have a little bit of Levitation, then we

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have a little bit of animal magic - Countryfile, animals, I thought it

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would be perfect. To top it all off, slicing and dicing. When I was a

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little girl I always wanted to be the girl chopped in half by the

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magician. The pressure is really on. Hassel Hoff, Craig Revel-Horwood,

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big personalities, but I think Julia is going to be able to hold

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her own. Loser. Here they are with their first trick of the evening,

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playing with some live, close-up magic, Pete and Julia. Thank you.

:21:30.:21:34.

Oh, oh that's nice. Thank you very much. Julia and I are going to need

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some help from the audience, and I think she's over there -

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Countryfile's very own Julia Bradbury. Thank you. The great

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thing about being part of a magician show is you could get

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picked to be a part of it - you look vulnerable - I mean lovely.

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What's your name? Hannah. Give Hannah a round of applause. Get her

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a mic. You stay there. You're going to do a bit of mind reading for us

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now? Yes, yes. You see, you're a deceptive man. Yeah, that's my game.

:22:08.:22:13.

You are. What I like about you, Pete. Don't push it. But powerful.

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You have a strong mind. Let's just go with powerful. I would rather

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that. Hiya, Hannah. This is for you, Julia. You can take those and

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explain what we're doing here. have some lovely imagine biscuits

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here. Pete Firman is going to do something very unusual, combine

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mind reading with animals and a bit of drawing as well. Yes, yes, but I

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am not very gifted in this department. I am not an artist,

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have a GCSE. You're going to pick a biscuit, concentrate on it, and

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I'll draw the animal. You do that I'll avert my pretty little eyes.

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Pick a biscuit. Keep it to yourself. Keep it. Done that Hannah? Uh-huh.

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To do this, I'm going to have to go into that trance. Hang on. Oh, I'm

:23:05.:23:10.

in a trance! A deep, deep trance! LAUGHTER

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Two minutes. I am going to draw it, please concentrate. That's great

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you just keep concentrating on that animal. I am going to pick up on

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your vibrations. Good vibrations. What I am going to do is show the

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audience the animal first so I can't change my mind. This is the

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animal I was receiving - please, please. It was done in haste - the

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animal I was receiving. What's the animal? A camel. You know what?

:23:41.:23:45.

That really is remarkable because I got a camel - I mean, look at that

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- wow! Well done. I'm just going to pinch myself - no, that is really

:23:50.:23:55.

happening. It could just be beginner's luck, Hannah. So dig in

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there, select another animal. Concentrate. Keep it to yourself.

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I'm going to draw a completely different drawing. Going into a

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trance! A deep, deep - further and further this time! A thousand

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fathoms, I am all the way at the bottom. I am there!

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LAUGHTER In a trance, going the draw the

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animal in pants! Keep concentrating. I am going to show the audience

:24:17.:24:23.

before I show you. So don't give anything away. This is the animal

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that I - LAUGHTER

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Please! This is the imagine I was receiving. Let's get confirmation.

:24:28.:24:35.

The animal, please. A rhino. Really? That's - it's a rhino.

:24:35.:24:42.

is a rhino. Wow! Wow! Hey, I tell you what, it's a gift, but I have

:24:42.:24:47.

kept the receipt, so it's all right. Third time is a charm. I am going

:24:47.:24:51.

to keep doing this until you like it. I really am. Could you please

:24:51.:24:54.

concentrate this time. One more animal. Take your pick. Take your

:24:54.:25:00.

pick. Really, it's going to work this time. Concentrate on the

:25:00.:25:04.

animal. Yeah. I don't need to do the trance thing. I am already

:25:04.:25:05.

there. LAUGHTER

:25:05.:25:11.

Drawing the animal, right, gallery styley - going to show the audience

:25:11.:25:14.

first. Please! This is serious. LAUGHTER

:25:14.:25:19.

In a loud voice, Hanna, what was the animal you were thinking of?

:25:19.:25:29.
:25:29.:25:29.

Aer.After. A what? What?Er.After. Really? Do they do those in that?

:25:29.:25:35.

Ooh awkward. Missed a few details because I forgot the spots. Got to

:25:35.:25:42.

put the spots on like that this is aer.After with a rare affliction.

:25:42.:25:47.

We don't laugh at afflictions here. I think I can fix it with magic,

:25:47.:25:48.

though. APPLAUSE

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This is just a drawing. There are no moving parts.

:25:54.:26:03.

APPLAUSE Well done. Well done. You did it.

:26:03.:26:09.

APPLAUSE Have a little hug there. He should

:26:09.:26:13.

have a little box to stand on. With all that done and dusted all of our

:26:13.:26:16.

magicians have done their first trick, which could only mean one

:26:16.:26:22.

thing - the phone lines are now open, so if you want to save your

:26:22.:26:25.

favourite celebrity and magician from the forfeit, pick up the phone.

:26:25.:26:31.

It's only going face to face with a Samurai warrior, no biggie. The

:26:31.:26:41.
:26:41.:26:56.

Full terms and conditions can be found at bbc.co.uk/magicians. Now,

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remember, they've got three more tricks to perform before we reveal

:27:00.:27:05.

who is safe and who will take on the death-defying forfeit. Yes. It

:27:05.:27:11.

is ooh! Next up with their street magic in Bristol, we have the

:27:11.:27:21.
:27:21.:27:33.

lovely Barry and Stuart and Craig. Stand by. Head first. As quickly as

:27:33.:27:38.

you can, no air out. That's it. That's excellent. Get in. Oh,

:27:38.:27:48.
:27:48.:27:51.

darling! New York arms. That's the one, yes. All the way down. Doing

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it with style now, Craig. Samba, pointy toes - that's it.

:27:57.:28:00.

APPLAUSE There we go, Craig Revel-Horwood

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sealed in a balloon for your viewing pleasure. We're going to do

:28:04.:28:08.

a trick now. We need someone heeps. Could you take out your purse -

:28:08.:28:13.

what is your name? Sophie. Take out your licence or a bank card. It has

:28:13.:28:18.

to be a quick trick, otherwise, he will suffocate. We have a driver's

:28:18.:28:23.

licence. A driver's licence. would know it if you saw it again.

:28:23.:28:27.

Yes. Looks nothing like you, but this should work nonetheless. We're

:28:28.:28:31.

going to take it and place it against the wall of the balloon

:28:32.:28:41.
:28:42.:28:43.

right here. I am going to place my Here we go, Craig, are you ready?

:28:43.:28:53.
:28:53.:28:53.

am ready. I am through. Craig, can you reach up? This is the hardest

:28:53.:29:00.

bit. Get that corner without tearing the balloon. My hands are

:29:00.:29:10.
:29:10.:29:10.

shaking. Get it through. Sophie, come forward. Have a look. Is that

:29:10.:29:17.

your driver's licence in there? Yeah. That's your picture? Yeah.

:29:17.:29:21.

That's a lovely picture. We got it in there the hard way. Let's get it

:29:21.:29:24.

out the easy way. A big round of applause for Craig Revel-Horwood.

:29:24.:29:30.

APPLAUSE I don't know how it happened.

:29:30.:29:33.

was amazing. It just literally went through. You couldn't see how it

:29:33.:29:37.

went through, but it just did. Unbelievable. Mind-blowing.

:29:38.:29:47.

little turn. Down you go. Oh, That was brilliant, did you like

:29:48.:29:55.

that? Amazing stuff. Next up, more live magic in the studio. With

:29:55.:30:00.

their Live Grand Illusion, it is Pete and Gillian! Tired of cuts and

:30:00.:30:08.

bruises at work? Using plaster as Willie nearly? The new needed this.

:30:08.:30:15.

How does it work? It is very simple. You spray on part of your body that

:30:15.:30:24.

he needs to protect. It is a squirt that prevents her at. It even

:30:24.:30:33.

smells like me. Yes, burnt hair. Let's see how this stainless-steel

:30:33.:30:38.

fork works. We recommend a full- body treatment to maximise its

:30:38.:30:44.

effectiveness. Why do I need it? For protection. Protection against

:30:44.:30:52.

what? An accident in a TV studio with a maximum -- massive

:30:52.:30:58.

industrial fan. This fan blade is made of solid steel. It slices, it

:30:58.:31:02.

dices, it turns at 3,000 revolutions per second. Anything

:31:02.:31:06.

that gets in its wake will be chopped off. Just ask my brother,

:31:06.:31:13.

Geraldine! Julia, you look a bit afraid. This is not what you

:31:13.:31:23.
:31:23.:31:25.

There is something for you to perch on. Perch? Yes, you can sit down.

:31:25.:31:32.

Just give it a whack, Geraldine. There you go, slick. I know we

:31:32.:31:37.

didn't do this in rehearsals but I didn't want to alarm you. You look

:31:37.:31:42.

so scared! I will show you how it works. You might have to kick off

:31:42.:31:51.

your shoes. I need you to set up here. These are real? Yes, sit on

:31:51.:31:56.

there. Because of the spray, Julia will be completely protected from

:31:56.:32:01.

the fan. But should she need some extra protection, we have this

:32:01.:32:11.

shield. That is kind. Note, that is to protect me. This soup cost a

:32:11.:32:20.

fortune. 3, 2, 1, go through, Julia. Yes! Out! She has passed the first

:32:20.:32:27.

test. Do you think you can go all the way through? No way! Seriously.

:32:27.:32:37.
:32:37.:32:42.

3, 2, one. Arm through, first. Put Did you use spray my legs? I cannot

:32:42.:32:51.

remember. I will give you another blast. Ladies and gentlemen, Julia

:32:51.:33:01.
:33:01.:33:06.

Bradbury! A little squirt really Pete Firman and Julia Bradbury,

:33:06.:33:16.
:33:16.:33:16.

everybody! If you do happen to have an over sized industrial fan at

:33:16.:33:19.

home, don't do that. It is dangerous. David, alters the

:33:19.:33:23.

weirdest thing you have got at home? I have something in my home

:33:23.:33:29.

which no one else in the world has. One of my co-stars from my shows.

:33:29.:33:36.

Is that where Pamela has been? Pamela! She has not been on TV.

:33:36.:33:42.

Pamela. You are with the world champion of magic who came second

:33:42.:33:45.

last week. What happened? I think the magic last week was really

:33:45.:33:48.

strong but I felt that we needed to make a connection with the

:33:49.:33:54.

audiences at home so in a little bit, I want you to grab four cards

:33:54.:34:00.

and give them to each person in the room. We will be doing some magic

:34:00.:34:05.

for millions of people at the exact same time. We will look forward to

:34:05.:34:10.

it. Before that, this is the Location Grand Illusion, give it up

:34:10.:34:20.
:34:20.:34:49.

Thank you! Thank you so much. I am Jason Latimer. First of all, I want

:34:49.:34:54.

to say thank you so much for coming today. We will be doing something

:34:54.:34:58.

which involves the entire group, a demonstration of pure randomness.

:34:58.:35:04.

We will try to spell a word. I did bring a friend to help me. I think

:35:04.:35:08.

you may know him. Ladies and gentlemen, are a big round of

:35:08.:35:18.
:35:18.:35:21.

applause for Mr David Hasselhoff! I just found these girls on the

:35:21.:35:31.

beach. Hello, folks. We are going to take two sets her of alphabets

:35:31.:35:35.

so we have 52 shirts of different letters. I'm going to throw them

:35:35.:35:40.

into the audience. Try and catch them with your hands and not your

:35:40.:35:46.

face. It never works. These will all come together in an amazing

:35:46.:35:51.

trick. The chances of finding the letter you are looking for would be

:35:51.:35:57.

two out of 52. The chances of finding Multiple letters would be

:35:57.:36:03.

two out of 52 times 51 and so forth. The chances of spelling of words is

:36:03.:36:07.

literally in the millions but we are adding another level. We have

:36:07.:36:12.

got a box of ping-pong balls here. David will be marking four of the

:36:12.:36:16.

ping-pong balls with a number. We will mix them up and throw them

:36:16.:36:22.

into the audience. If you have a T- shirt, make sure you get a ping-

:36:22.:36:32.
:36:32.:36:38.

52 letters. Four % chance of catching a ping-pong ball. The

:36:38.:36:44.

chance of spelling anything is literally in the billions. And you

:36:44.:36:47.

are saying what you can predict what the word is going to be.

:36:47.:36:54.

thought I could give it a shot. you have a ping-pong ball with a

:36:54.:37:01.

number one, step forward. Great, perfect. Perfect. Person with a

:37:01.:37:08.

number two. No. 3. It is all blondes, I love this show. How do

:37:08.:37:14.

you do this? A billion to one. than that. It is a huge number. In

:37:14.:37:20.

fact, I have an idea of what the word will be, Hoff. You are saying

:37:20.:37:25.

that this word will be Hoff. Everybody else, put your T-shirts

:37:25.:37:31.

on. Make sure you have a random at the. The different T-shirts are

:37:31.:37:38.

different letters. We have all the different letters of the alphabet.

:37:38.:37:43.

Are you ready, Hoff? Yes, you are saying the word is going to be Hoff

:37:43.:37:47.

and I am going to go with the billion that is wrong because I

:37:47.:37:57.
:37:57.:37:58.

have a different word. First letter, if you would. What is it? It is OK.

:37:58.:38:08.
:38:08.:38:08.

You are wrong. Nice and big. I was right. I can see that. Both of you

:38:08.:38:18.
:38:18.:38:27.

You have got to give him a hand, he did get a word. That is not a word.

:38:27.:38:36.

It is a name. I predicted that. You want to see my prediction? Yes.

:38:36.:38:46.
:38:46.:38:53.

want to see my prediction? Ladies, I but he beat! Let me show you my

:38:53.:39:03.
:39:03.:39:13.

Check it out, Michael! It was absolutely unbelievable. No idea,

:39:13.:39:23.
:39:23.:39:31.

Great trick, great car. That brings us to the halfway mark. Plenty more

:39:31.:39:36.

to come. If you want to save your favourite from the chopping block,

:39:36.:39:46.
:39:46.:39:53.

Calls cost 15 p from a BT landline. Mobiles will cost considerably more.

:39:53.:39:58.

Is get the bill pair's permission. It is time for their spectacular

:39:58.:40:03.

live close-up magic trick. Please welcome the delightful Barry &

:40:03.:40:13.
:40:13.:40:14.

Stuart and Craig. Thank you. We are also used to seeing Craig Revel

:40:14.:40:16.

Horwood in the light entertainment show Strictly Come Dancing but he

:40:16.:40:19.

is working with us this week. We thought it would be fitting if he

:40:19.:40:24.

did something dark and twisted. we are going to do something really

:40:24.:40:29.

weird which we call Satan's eyeballs. Please welcome, dressed

:40:29.:40:39.
:40:39.:40:44.

as the devil himself, Craig Revel Stop, that is wrong. That is not

:40:44.:40:49.

say to him, that is a pirate. Everything you two do his dark,

:40:49.:40:54.

twisted and dangerous and I thought it would be really good to do that

:40:54.:41:02.

wonderful trick, the pirate card trick. Note, we haven't rehearsed

:41:02.:41:06.

and we do not have the eye patches. That is where you are wrong,

:41:07.:41:15.

darling. I found some backstage. I have a lovely little one for myself.

:41:15.:41:21.

We have not got the Paraic deck of cards the there. That is where you

:41:21.:41:29.

are wrong again. -- the pirate's deck of cards.

:41:29.:41:36.

I have got a sore leg. Perfect for a pirate. Get on with it. I hate

:41:36.:41:41.

doing this. The first thing we have to do is find ourself a shipmate.

:41:41.:41:47.

You there, my hearty. I have a pirate's deck of cards and they all

:41:47.:41:53.

different. I'm going to shuffle the cards and I will get you to stop me

:41:53.:41:58.

shuffling. Is that way you want me to stop? Excellent. It is important

:41:58.:42:07.

that you see what this card is but What happens next is the cards are

:42:07.:42:12.

thrown into the air. You forgot the shuffling. You cannot miss the

:42:12.:42:17.

shuffle, that is the best thing. The pirate shuffle is my favourite

:42:17.:42:27.
:42:27.:42:55.

and the music is brilliant. Look at Barry & Stuart, they are

:42:55.:42:59.

really enjoying themselves at smacked this is the lowest point of

:42:59.:43:07.

my career. He is loving it. I am dying inside. Oh, no, here comes

:43:07.:43:17.
:43:17.:43:36.

Wright, the cards have now been Paraic shuffled. Stuart! Go and get

:43:37.:43:43.

the cards close I am going to keep half of the cards and I will get

:43:43.:43:47.

the other half. You could say it is all hands on deck. I have the

:43:47.:43:54.

pirate sword. Stuart will see your chosen card and he will stab it

:43:54.:44:03.

with his sword. Are we ready? Drum roll! 3, 2, one. Babbitt, Stuart!

:44:03.:44:10.

have a card! Wait the. What was the card you selected? The four of

:44:10.:44:20.
:44:20.:44:36.

APPLAUSE Fabulous, darling. Now, Craig has

:44:36.:44:41.

inspired you like he has me to try your hand at magic as well, you can

:44:41.:44:45.

head to our website. They even let me have a go, so it must be easy.

:44:45.:44:49.

It's now time to get into some more street magic, here is Latimer and

:44:49.:44:59.
:44:59.:45:05.

Hey, how you doing? How is it going? Hi! Would you like to see a

:45:05.:45:09.

demonstration of the art of mind reading? Absolutely. All right. Out

:45:09.:45:12.

of this deck of cards, we have a lot of different values to go for.

:45:12.:45:17.

If you would, pull out any one card you like. OK. And if you would pull

:45:17.:45:23.

out any one card you like. Sure you want that one? Yeah. Great. Hold it

:45:23.:45:28.

close to you so we don't see what it is. Read their minds. See if you

:45:28.:45:33.

can guess her card. OK. Let's see - close your eyes. Can you see the

:45:33.:45:36.

card, because I am going to write your card on this piece of paper.

:45:37.:45:41.

All right. Now, would you be amazed if your card was written on this

:45:41.:45:46.

piece of paper? Indeed, yeah. right. Your card is written on this

:45:46.:45:53.

piece of paper. I have written "your card"... Genius. I can't do

:45:53.:45:58.

it. I couldn't... What are you doing? What are you doing? I'll add

:45:58.:46:04.

a little magic to that. Hold on a second. Ooh, that's hot. What was

:46:04.:46:14.
:46:14.:46:18.

your card? King of clubs. King of It says... The King of clubs!

:46:18.:46:23.

did it! Woo! She's got another card. I want to get this one right. OK.

:46:23.:46:29.

Just think of the card. Think of the card. Come on, man. Think. Just

:46:29.:46:39.
:46:39.:46:40.

can't do it. I can't do it! I can't figure... You have been working

:46:40.:46:44.

hard on this all week. I can't figure it out, man. I can't. I

:46:44.:46:48.

can't do it. I am not taking anymore chances. I have no more

:46:48.:46:53.

fingers. Sorry, man. That didn't work out. It's OK. Just really

:46:53.:46:59.

quick, what was your club? Two of hearts. Two of hearts? I got it

:46:59.:47:03.

right. I wrote two of hearts on there. It's in there - the two of

:47:03.:47:07.

hearts - it's in there. You know, I'm telling you - I swear to you,

:47:07.:47:12.

this two of hearts is in there. There is probably no way I can show

:47:12.:47:17.

you here. Put the pieces back together. Put the pieces back

:47:17.:47:23.

together? OK. I'll put them back together. Oh, wait a second - oh!

:47:23.:47:28.

Well, there it is. Two of hearts. You got it!

:47:28.:47:38.

APPLAUSE Two of hearts, baby. Yeah! It's

:47:38.:47:48.
:47:48.:47:50.

Next up, it's the man who gargled molten metal as last week's loser.

:47:50.:47:56.

He'll be cut up if he looses again, probably quite literally. With

:47:56.:48:00.

their Grand Illusion, it's Pete and Julia. I'll tell you what, Julia,

:48:00.:48:07.

it wasn't fun last week. I had to do the forfeit. They had me eating

:48:07.:48:13.

fire of I was gargling molten metal. It was awful. I saw it. Were you

:48:13.:48:19.

hurt? I burnt my hands. It's murder shaking my maracas. Are you a

:48:19.:48:22.

musician? What do you think I am wearing this for? This is the

:48:22.:48:31.

outfit. Hi, everyone. Hello, hello, hello.

:48:31.:48:36.

I am Julia. This is Pete. He's our magical musician. That's right.

:48:36.:48:40.

Apparently, he's the 18th one-man band in Middlebrough. Seriously.

:48:40.:48:45.

What we've got here, Pete, this is a book of your favourite tunes. You

:48:45.:48:50.

can play every tune in here? one you like. More than 300 I can

:48:50.:48:55.

see. Yeah. Right. I need a little bit of help. I have a feminine

:48:55.:49:01.

intuition a woman might be good at this challenge. You like women?

:49:02.:49:07.

Yeah. You heard. This woman, please come forward. What's your name?

:49:08.:49:14.

Nice to meet you, Jo. Grab hold of this book. You can see all the

:49:14.:49:18.

songs are different. The contents have every song. If you could

:49:19.:49:23.

choose one of those... Keep one in your mind. Choose one. Don't say it

:49:23.:49:26.

out loud. Here's the idea. Concentrate on the song, and I'm

:49:26.:49:36.
:49:36.:49:46.

going to try and play it for you. Hey? Yes! Was that it? No, I don't

:49:46.:49:50.

think so. What song were you thinking of? I was thinking of When

:49:50.:49:56.

the Saints Go Marching in. I was playing that. Couldn't you hear?

:49:56.:49:59.

That's my favourite song - so much so, I have had it printed on my

:49:59.:50:08.

drum. Hey! Taking it a step further - but not with you - you're clearly

:50:08.:50:12.

tone deaf. Get yourself back there. You can have the book. Oh, thank

:50:12.:50:16.

you. Give her a hand. Give her a hand. Would you - the lady with the

:50:16.:50:20.

red hair - would you come and help us with this second thing, would

:50:20.:50:24.

that be all right? What's your name? Holly. Hi. We're not going to

:50:24.:50:31.

use the book for this. We'll use the thing - the doo-dah. The thing.

:50:31.:50:35.

Not the book, something more impressive. I think you're going to

:50:35.:50:41.

like this. We have a magic trumpet. Coronet. No thanks. I don't like

:50:41.:50:47.

ice cream. This is something for you to hold on to. Let's move up to

:50:47.:50:54.

the band stand. While we're doing that, could everybody move around

:50:54.:50:57.

the bandstand. You're going to hold hands. Make sure you can all link

:50:57.:51:01.

up - some around the front and the back. Lovely. We're going to move

:51:01.:51:06.

to the middle. Very good. Get yourselves into position. Holly,

:51:06.:51:11.

what we need you to do is think of a song. This can be any song at all.

:51:11.:51:18.

What I want you to do is put the trumpet to your lips - the corn it

:51:18.:51:22.

to your lips. Imagine you're playing the song you have in mind.

:51:22.:51:28.

Playing it - beautiful, gorgeous. Have you done that? Yeah. Fantastic.

:51:28.:51:34.

I'll put this on to the floor of the bandstand. You want me to do

:51:34.:51:40.

it? I can't bend down. Let's come out of the band stand, OK? Mind

:51:40.:51:46.

that, Holly. He's a lethal weapon. Lethal! We have some curtains.

:51:46.:51:51.

Could we drop the your tains, please, all the way. You just keep

:51:51.:51:56.

concentrating on the piece of music you imagined playing with the

:51:56.:52:03.

trumpet. Coronet. Yeah. Everybody, listen. Listen out for some sounds.

:52:03.:52:07.

TRUM, te, Hear that? It's all gone a bit quiet.

:52:07.:52:10.

MUSIC Did that sound like the song? Not

:52:10.:52:16.

very - anything? Yeah, it sounds like it, yes. That's my song.

:52:16.:52:26.
:52:26.:52:26.

That's your song? Are you sure? What was it? Lady Gaga, Romance.

:52:26.:52:36.
:52:36.:52:41.

MUSIC When the band appeared, I was

:52:41.:52:46.

amazed. No idea how they got in this It was all the way around no,

:52:46.:52:50.

idea how they got in. I didn't think it would happen. When they

:52:50.:52:54.

started playing my tune, I was like, what, really? I have no idea how

:52:54.:52:56.

the band got there. It was amazing. MUSIC

:52:56.:53:06.
:53:06.:53:13.

They've only got one trick each left before their fate is decided,

:53:13.:53:17.

so please pick up the phone and vote for your favourite. This is

:53:17.:53:20.

the last time you'll see these numbers on your screen. Make a note

:53:20.:53:25.

of them. The votes will close in approximately ten minutes after

:53:25.:53:35.
:53:35.:53:42.

everybody has performed. Here come Three, two, one, stab it. I have a

:53:42.:53:52.
:53:52.:54:05.

I am not taking anymore chances. I have no more fingers. Rrr! Whoa!

:54:05.:54:10.

Strike up the band! I have no idea how the band got

:54:10.:54:20.
:54:20.:54:20.

Calls cost 15p from a BT landline. Other networks may vary. Calls from

:54:20.:54:23.

mobiles may be considerably more. Please get the bill payer's

:54:23.:54:24.

permission. For full terms and conditions visit

:54:24.:54:29.

bbc.co.uk/magicians. Everyone looking very nervous backstage. We

:54:29.:54:33.

all know why. The celebrities could be sushi very soon if they lose.

:54:33.:54:37.

Next up, get ready to play along at home. We're ready here in the

:54:37.:54:44.

studio. It's live, close-up magic and their last chance to impress

:54:44.:54:48.

you with magic. It's Latimer and the Hoff. Thank you. Everyone in

:54:48.:54:52.

the audience, this is your time to pull out those four cards we

:54:52.:54:56.

provided you with. Everybody at home, make sure everybody has four

:54:56.:55:01.

cards - it doesn't matter what type of cards or what faces they are, as

:55:01.:55:05.

long as they're playing cards and face down in your hand. Place your

:55:05.:55:08.

other hand on top of them. I am going to go over a few moves to

:55:08.:55:12.

make sure everybody is clear on what we need to do. This is a

:55:12.:55:15.

mathematical trick with an element of chance no-one can predict unless

:55:15.:55:21.

you're David Hasselhoff. Hoff! that in mind, the first one is to

:55:21.:55:27.

take the top card and to turn - no. Keep your hands together. Take the

:55:27.:55:30.

first one, turn it over, place it back on top. That's the first move

:55:30.:55:34.

I would ask you to do. The second would be to take the top two cards

:55:34.:55:39.

together, turn them over and place them back on top. They're going to

:55:39.:55:43.

be different cards that are face up and down after we make a bunch of

:55:43.:55:45.

choice, but as long as you grab them together, turn them over and

:55:45.:55:49.

place them back on top, everything would be great. The last move is to

:55:49.:55:53.

cut the cards. That means take as many cards as you want from the top

:55:53.:55:57.

and put them back on the bottom. You can take as many cards as you

:55:57.:56:00.

like as long as you take them from the top and move them to the bottom.

:56:00.:56:05.

Don't push them together or flip the cards over as you do that.

:56:05.:56:10.

Everybody clear? Great. With the cards all face down - make sure

:56:10.:56:13.

they're face down at the beginning. Shuffle all the cards face down,

:56:13.:56:18.

OK? Square them together, place them in your hand, ready to go.

:56:18.:56:22.

You have them in your hand. Take them with your other hand, turn

:56:22.:56:29.

them around and look at the bottom card. Now, remember that card. That

:56:29.:56:34.

is your card at home and in the audience. Got it in your heads? Now

:56:34.:56:39.

turn the cards over and place them back in your hand. OK. Here we go.

:56:39.:56:43.

Take the top card, place it directly to the bottom of the

:56:43.:56:47.

packet. Take the next top card. Turn it over and place it back on

:56:47.:56:53.

top. Now cut as many cards as you like from the top and put them

:56:53.:56:57.

directly to the bottom. Now, take the top two cards together, turn

:56:57.:57:03.

them over together and place them back on top. And cut the cards as

:57:03.:57:10.

deep as you like. Now take the top two cards together, turn them over,

:57:11.:57:17.

place them back on top and cut the cards as deep as you'd like. Now

:57:17.:57:27.

take your index finger and place it choices. You have different choices.

:57:27.:57:32.

You could have cut everywhere. Now using the powers of the Hoff, we'll

:57:32.:57:39.

find that card. "hoff, Hoff, Hoff!" Take the top card, turn it over and

:57:39.:57:44.

put it underneath the other cards. Take the next top card. Do not turn

:57:44.:57:49.

it over and put it on the bottom of the other cards (Mystical voice)

:57:49.:57:54.

Take the next top card, turn it over and put it on the top. Hoff is

:57:54.:57:57.

done. LAUGHTER

:57:58.:58:02.

Spread out those cards. There will be one card facing the opposite

:58:02.:58:06.

direction than the other cards. Pull out that card. If that's your

:58:06.:58:08.

card at home or in the audience, stand up.

:58:08.:58:16.

APPLAUSE Whoa, yeah, baby! Thank you. That's

:58:16.:58:23.

a world record, and you're all a part of it. Woo-hoo! I did it! I'm

:58:23.:58:28.

magic! I'm magic. That was amazing. That is well done. Very well done,

:58:28.:58:32.

and this one better be pretty special too if they want to avoid

:58:32.:58:36.

the chop. It's street magic time with Pete and Julia.

:58:36.:58:46.
:58:46.:58:55.

It's busy. Yeah. Hello. Sorry. I'm going to be really rude. Can I

:58:55.:59:00.

steal one of you? Come on. Promise you, it will be fine.

:59:00.:59:06.

What's your name? Robin. You're happy to be our victim - I mean

:59:06.:59:12.

volunteer? Yeah. Do a bit of furniture removal. He taught me

:59:12.:59:17.

this magic. What I want you to do is push against my hands, push,

:59:17.:59:21.

push, really, really do that. can try this yourself at home. All

:59:21.:59:27.

you need is a wall or door frame to push against. If you don't, where

:59:28.:59:33.

are you watching this? Relax. Let your arm go down. Let your arm go

:59:33.:59:36.

down, and I think you'll feel quite naturally it's just going to start

:59:36.:59:40.

to rise. You should try that. It's brilliant. You didn't just put your

:59:40.:59:46.

arm back up, did you? No, it's really light. It feels like it's

:59:46.:59:53.

floating like a balloon? Yeah. Magic fingers! I taught you well.

:59:53.:59:57.

You did, ObiWan Kenobi. I'll use a few more people to help. Can you

:59:57.:00:01.

come around the back? Would that be all right? You're close. Just come

:00:01.:00:05.

around the back here. Fantastic. Just get yourself around here -

:00:05.:00:09.

absolutely fantastic. That's great. I am going to pick you up, Robin.

:00:09.:00:15.

Is that all right? Good thing she's petite. Guys, if you could help me

:00:15.:00:19.

- Julia, you support her head. Excellent. You just grab below her

:00:19.:00:23.

knees. Got you, Robin. It's OK. don't have to hold on to me. We

:00:23.:00:28.

have you. Put your hands on your chest. OK. Imagine all your muscles

:00:28.:00:32.

in your body tensing up. Do that now and relax. Imagine yourself

:00:32.:00:35.

getting lighter and lighter. That's excellent, really good. If you

:00:35.:00:40.

could just sort of peel away slowly - that's great, excellent. And if

:00:40.:00:45.

you could do the same thing, I've got you. I won't let you go.

:00:45.:00:51.

I'm just going to let this arm leave and this as well. If you

:00:51.:00:54.

could slowly let go... No, no, no, no. It's all right. It's OK.

:00:54.:01:01.

Remember the feeling of your arm. Hold on. There we go. There we go.

:01:01.:01:05.

I can actually push down on your body. Do you feel all right?

:01:05.:01:10.

feels a bit weird. I'll just put your upright. You were absolutely

:01:10.:01:15.

sensational. Feel all right? A bit lightheaded? No, I am OK. Giveler a

:01:15.:01:25.
:01:25.:01:29.

I'm having a light ale! Suddenly she was able to float in the air

:01:29.:01:35.

and there was no support whatsoever. I don't know how he did it. I don't

:01:35.:01:39.

have to explain it. I have never seen that before in my life.

:01:39.:01:47.

APPLAUSE So, we have come to the final performance of the night.

:01:47.:01:52.

The phone lines will close in five minutes, just after the Live Grand

:01:52.:01:57.

Illusion. Please give it up for the amazing Barry, the wonderful Stuart

:01:57.:02:07.

and Craig. Thank you. The last -- for the last

:02:07.:02:11.

illusion of the evening, we thought we were do something dangerous,

:02:11.:02:15.

something which has killed 12 men. Your magic is dangerous so I

:02:15.:02:21.

decided to make it more fun. I thought if the trip went well we

:02:21.:02:25.

could blow on these wonderful party Blair was. Like a celebration at

:02:25.:02:35.
:02:35.:02:35.

the end? Yes. I can live with that. Ladies and Gentlemen, marvel at the

:02:35.:02:44.

colossal which is the French That killed 12 men? How my supposed

:02:44.:02:50.

to get my head inside that? He is not your head that is going in

:02:50.:02:54.

there. It is the small version of the full-size one which we will get

:02:54.:03:00.

to in a minute. Let's explain what is going to happen. Imagine my

:03:00.:03:04.

finger is Craig Revel Horwood. Let me make a couple of adjustments

:03:04.:03:12.

first. Strike a pose. A perfect likeness! Now it is perfect.

:03:12.:03:20.

Fabulous, darling! So I place my head in the guillotine. The short

:03:20.:03:24.

blade should penetrate through the finger, hopefully without harm. I

:03:25.:03:31.

will release it after three. Three, two, one. There we go. Completely

:03:31.:03:39.

unharmed! The Blades goes through my neck, I take an enormous bow,

:03:39.:03:47.

darling and we have to celebrate on -- by blowing on our part to blows.

:03:47.:03:54.

I am ready to go. Ladies and gentlemen, I give you Madame

:03:54.:04:03.

guillotine! This is the one that killed 12 men. Let me get you into

:04:03.:04:11.

the stocks. I am concerned about a safety device. Craig, but we are

:04:11.:04:16.

live. Remember the secret safety button. Press at once, it is safe,

:04:16.:04:22.

press it again, dangerous. I will say Barry, are you ready? He will

:04:22.:04:29.

say... Yes, all set. The new press the button and make it safe.

:04:29.:04:35.

would rather it was safe from the start. This razor-sharp but Blade

:04:35.:04:40.

is very sharp and very dangerous. Despite that, it should pass

:04:40.:04:45.

straight through Craig's neck without harm. Let me ready the

:04:45.:04:53.

Blades. Are you set? Ready. Let's count down from three. 3, 2,...

:04:53.:05:03.
:05:03.:05:04.

stop, stop, stop! I forgot my party... Party blower! How could

:05:04.:05:11.

you forget the party blower? Let me place that in between your lips

:05:11.:05:21.
:05:21.:05:43.

there. Are you ready? All set, Barry & Stuart with Craig,

:05:43.:05:52.

everybody! What has it been like working with Craig this week?

:05:52.:05:59.

has done all right. How was the neck? I swallowed a party blower,

:05:59.:06:04.

darling. A stitch in time, they say. How did you find everything

:06:04.:06:09.

tonight? I found it absolutely amazing. So nerve-racking. I think

:06:09.:06:15.

the audience at home must have seen me shaking. You survived death

:06:15.:06:18.

multiple times. You were the one being dredged and not doing the

:06:18.:06:24.

dredging this week. Yes, I don't like that -- being judged and not

:06:24.:06:30.

doing the dredging. David Hasselhoff, singer, actor, judge,

:06:30.:06:35.

can we had magician now? Working with Latimer has been great and all

:06:35.:06:39.

you guys. Being behind the scenes I have been welcomed into a secret

:06:39.:06:49.
:06:49.:06:49.

world of magic. He has been great. Has Julia done enough? I hope so.

:06:49.:06:54.

We tried our best, that is all we can give. We are about to find out.

:06:54.:06:59.

We have now seen all our acts performed their tricks. The phone

:06:59.:07:03.

lines are now closed. Please stop calling because your vote will not

:07:03.:07:07.

count and you may be charged. While we are tallying up the votes, we

:07:07.:07:14.

have a special guest for you. He is one of the stars of Cirque de los -

:07:14.:07:17.

- Cirque du Soleil and The Magicians in Sweden. Please put

:07:17.:07:20.

your hands together for Michael Halvarson and his glamourous

:07:20.:07:30.
:07:30.:07:38.

I have not done this before. I like that lady, the blonde. Put your

:07:38.:07:45.

hand up. Can you please stand up. That is perfect. Get a microphone

:07:45.:07:52.

on you. And you need one other person. What is your name? Helen.

:07:52.:07:59.

Please stand up, Helen. We will get a microphone on Helen. Thank you.

:07:59.:08:09.
:08:09.:08:10.

My name is Michael. You are Helen and this is Debbie. Please stand

:08:10.:08:18.

over here. Just relax. We have not met before, have we? Know. No.

:08:18.:08:23.

here to check your attention. To do that, you do not need to be

:08:23.:08:28.

frightened. It is very easy. I have a yellow ball. This is very easy

:08:28.:08:33.

because if we take this yellow ball, put it into my hand, I blow and it

:08:33.:08:43.
:08:43.:08:44.

disappears. Hold your horses. It reappears over here. It will be

:08:44.:08:51.

better. I will show you. I want you to hold out your hands like this.

:08:51.:08:59.

Super-duper. I want you to hold this ball in this hand. I want you

:08:59.:09:06.

to hold it up like that, even better. No, not bad. If you hold it

:09:06.:09:12.

like this, you can feel the ball. can. If you hold it tight like that,

:09:12.:09:17.

you know here is the ball. Hold it tight and neck sure you have the

:09:17.:09:24.

ball. I have the ball. Hold it tight. I want you to do the same

:09:24.:09:31.

thing. Did you see what she did? Hold out your hands. Great. Because,

:09:31.:09:37.

also, I have a second ball. And this one, I want you to hold a be

:09:37.:09:47.
:09:47.:09:49.

here. Hold at high and can you see she holds that? Hold it exactly

:09:49.:09:57.

like that. That is perfect. I will show you something which you will

:09:57.:10:05.

What I am going to show you is the best trick I know. I will make a

:10:05.:10:13.

bad ball travel from here to here by magic. At the same time, I will

:10:13.:10:19.

let that ball travel in the opposite direction. Hold your

:10:19.:10:29.
:10:29.:10:33.

horses. Open your hands. And they have changed places! I love this

:10:33.:10:40.

trip myself. But, this time, I want you once more to do exactly as they

:10:40.:10:46.

do. Hold out your hands like this and do like I did. Bend your left

:10:46.:10:52.

arm, bend your right arm. Look down on your hands and say it after me:

:10:52.:10:59.

I cannot believe it's true. I will remember this for the rest of my

:10:59.:11:08.

life. Because I can't believe he took my watch. Oh, my God! He took

:11:08.:11:18.
:11:18.:11:26.

my watch. Is it right? I am so amazed. That was amazing. This is

:11:27.:11:36.
:11:37.:11:40.

great, Darren. Bring in there were. -- bring it lower. I get it. This

:11:40.:11:48.

bag, actually, I will not touch this. If you open the bag, can you

:11:48.:11:55.

find something, reach inside. What is it that you can find?

:11:55.:12:05.
:12:05.:12:06.

watches. Yes. This one is yours and this one is yours. Oh, my God, yes.

:12:06.:12:15.

That is amazing. Thank you very much. Thank you very much. Michael

:12:15.:12:25.
:12:25.:12:31.

OK, it is forfeit time, folks. Can I have the results, please? Here

:12:31.:12:38.

they come. Thank you, gorgeous. OK. I can now reveal the act with the

:12:38.:12:45.

most votes tonight and definitely safe from performing the forfeit,

:12:45.:12:55.
:12:55.:12:56.

it is making me nervous just talking about it is... Barry &

:12:56.:13:03.

Stuart and Craig again! Of yes! your hands together for the

:13:03.:13:11.

winners! CHEERING AND APPLAUSE The act with

:13:11.:13:16.

the fewest votes who will now be walking barefoot over razor-sharp

:13:16.:13:24.

swords and have to face the terrifying samurai slice is...

:13:24.:13:34.
:13:34.:13:43.

It is anathema and the Hoff! -- What happened? I don't know! Maybe

:13:43.:13:48.

they just want to see more of year. These guys will say goodbye to

:13:48.:13:53.

their loved ones. We will remind you at home what they will attempt.

:13:53.:14:00.

Here it is. The samurai sword is renowned for

:14:00.:14:05.

having the sharpest blade in the world. In tonight's forfeit, the

:14:05.:14:13.

losing act must walk barefooted up eight Samurai sword for ladder.

:14:13.:14:18.

They will lie on a bed of swords. A melon will be placed on their

:14:18.:14:25.

stomach and a source -- swordsman will attempt to slice it. That does

:14:25.:14:30.

not look fun at all. In no circumstances should you attempt

:14:30.:14:34.

these at home. They are very dangerous. I will show you how

:14:34.:14:38.

sharp these things are here. Is what they will be walking up with

:14:38.:14:48.
:14:48.:14:49.

Then they will have to live over here. They will be lying on them.

:14:50.:14:55.

Finally, they will be sliced and diced with this guy and this sort

:14:55.:15:05.
:15:05.:15:07.

here. Very, very, very sharp indeed. I need you in your position. I want

:15:07.:15:17.
:15:17.:15:24.

to see you did this. We are doing Guys, you have to pay attention.

:15:24.:15:28.

Whatever you do, just listen to everything Latimer says here. If

:15:28.:15:32.

you don't, it could be very, very dangerous. You have seen they're

:15:32.:15:36.

incredibly sharp. I am going to throw over to you, Latimer. Take it

:15:36.:15:44.

away. David, for this one - this one is very simple -

:15:44.:15:47.

SHOUTING Hold on one second. I want to make

:15:47.:15:52.

sure your foot is evenly spaced across the blades. One, that would

:15:52.:15:56.

be bad. Three, that's better. I guarantee you, it will not be

:15:56.:16:00.

comfortable, but make sure it's spread across all blades. It will

:16:00.:16:05.

not be comfortable. I know. Make sure your foot goes flat across all

:16:05.:16:08.

the blades. Ready? Oh, yeah. foot at a time, all right?

:16:08.:16:18.
:16:18.:16:26.

the blade. Wow! Got it? On three - one - are you guys excited?

:16:26.:16:33.

AUDIENCE: YEAH! It hurts already. Hoff, off.

:16:33.:16:43.
:16:43.:17:02.

on, Hoff. Come on, Hoff! AUDIENCE: Hoff, Hoff, Hoff!

:17:02.:17:11.

I can't do it. Give me a hand. Ahhh! Whoa! Last one. Come on. And

:17:11.:17:17.

the other one. Just go straight to the end. Wow. Go all the way to the

:17:17.:17:27.
:17:27.:17:36.

end. Ahh! Whoa! Whoa! I'm never going to do that again. Never again.

:17:36.:17:39.

Woo! Same thing as before, just a little

:17:39.:17:47.

bit bigger. All right? Same thing. Spread out your body... Yeah.

:17:47.:17:54.

means basically from your knees to your elbow across the blades. Keep

:17:54.:17:59.

your body stiff until laid down, then gentle when you're on the

:17:59.:18:06.

blades, OK? Stiff and then be gentle?! And relax when they're

:18:06.:18:12.

there. How do your feet feel? very good. Wait until your back is

:18:12.:18:18.

done with this one. Stiff, then relaxed. OK. Ahh! Ahh! Ahh! All

:18:19.:18:28.
:18:29.:18:37.

right. All right. Thank you. sliced Hoff! Ahh! Wow. I'm going to

:18:37.:18:41.

go. Ready. Well, he's not that big - that's

:18:41.:18:47.

easy for you, dude. Come on. Man, sliced Hoff. All right. Now,

:18:47.:18:51.

there's a couple more instructions, but I am going to wait until you're

:18:51.:18:56.

perfectly on the blades. there's more. When do you guys stop

:18:56.:19:01.

working out? Just kidding! So what do I - I come here, lay back? Just

:19:01.:19:08.

fall in your arms? APPLAUSE

:19:08.:19:15.

AUDIENCE: Hoff, Hoff, Hoff!

:19:15.:19:24.

Ow! Where are my hands? Right down here? Whoa! Oh, joy! Hoff? Hoff?

:19:24.:19:28.

thought I liked working with you, dude. It has been a pleasure, first

:19:28.:19:35.

of all. OK, guys, guys, just what I need you to do - don't block that

:19:35.:19:41.

blade... Oh, my God! The blade they're going to... Three, two -

:19:41.:19:47.

one. Oh! Come on, man. I'm trying to bring Knight Rider back. Whoa!

:19:47.:19:54.

Keep your hands still, David. hi, how are you? Good, man. Do me a

:19:54.:20:04.
:20:04.:20:08.

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