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Acts last week, Barry & Stuart, Latimer and Pete ferment teamed up | :00:22. | :00:28. | |
with celebrity apprentices to bring the drama, comedy and mind blowing | :00:28. | :00:34. | |
illusions. Pete and Keith lost the view it vote and had to India the | :00:34. | :00:40. | |
fiery forfeit. That might have been my first fiery forfeit but it will | :00:40. | :00:47. | |
definitely be my last. Tonight, three new celebrities have one aim, | :00:47. | :00:51. | |
to win your vote. My life is on the line. Everyone is feeling the | :00:51. | :00:58. | |
pressure. I always win, I am not here to finish second. Prepare for | :00:58. | :01:02. | |
mind-bending acts of madness and high-pressure lives are illusions. | :01:02. | :01:06. | |
Who will triumph and he will have to face this week's dreaded four | :01:06. | :01:16. | |
:01:16. | :01:39. | ||
fit? Prepare to be mesmerised. This Live from Shepperton Studios, | :01:39. | :01:46. | |
please welcome your host, Darren McMullen and The Magicians! Twisted | :01:46. | :01:51. | |
twisters Barry & Stuart, all the way from LA, world champion of | :01:51. | :02:01. | |
:02:01. | :02:04. | ||
magic, Latimer. And all away from Middlesbrough, it is Pete Firman! | :02:04. | :02:10. | |
Hello, everybody, are you ready to have some fun?! Welcome to The | :02:10. | :02:15. | |
Magicians. Prepare to be bamboozled as we take you into this wonderful | :02:15. | :02:20. | |
world of magic. Each week, The Magicians will be joined by a | :02:20. | :02:23. | |
different celebrity apprentice and have to perform four eye-popping | :02:23. | :02:29. | |
magic tricks and attempt to win your vote and avoid tonight's death | :02:29. | :02:34. | |
defying forfeit. All that in a minute. But first, let's meet | :02:34. | :02:40. | |
tonight's celebrities. Joined in last week's winners, Barry & Stuart, | :02:40. | :02:49. | |
it is TV's Mr Nasty, it is Craig Revel Horwood! | :02:49. | :02:58. | |
Pairing up with Latimer it is the one, the only, Mr David Hasselhoff! | :02:58. | :03:03. | |
And with last week's loser, Pete Firman, she is out standing in her | :03:03. | :03:12. | |
field, it is Countryfile's Julia Bradbury. This is The Magicians | :03:12. | :03:22. | |
:03:22. | :03:25. | ||
Good luck to everybody tonight. You are going to need it. They have | :03:25. | :03:28. | |
just four tricks in order to woo you guys at home and if that was | :03:28. | :03:33. | |
not hard enough, two of them are performed right here in the studio | :03:33. | :03:36. | |
live. The team with the lowest number of votes at the end of the | :03:36. | :03:40. | |
show will have to take on tonight's death defying forfeit and trust me, | :03:40. | :03:44. | |
it is not for the faint-hearted. Here is the moment just before we | :03:44. | :03:52. | |
went live when the celebrities found out what the forfeit is. | :03:52. | :03:57. | |
samurai sword is renowned for having the sharpest blade in the | :03:57. | :04:03. | |
world. In tonight's forfeit, the losing Act must walk barefooted up | :04:03. | :04:08. | |
a samurai sword ladder. Once at the top they will lie on a bed of | :04:08. | :04:13. | |
razor-sharp swords. A melon will be placed on their stomach and a | :04:13. | :04:17. | |
swordsman will attempt to slice it. Who will have to face the forfeit? | :04:17. | :04:26. | |
Who is for the job? -- who is for the chop? | :04:26. | :04:31. | |
That actually looks genuinely dangerous tonight. Good luck! | :04:31. | :04:37. | |
Rather them than me. Audience, are you ready? Yes! Are you ready? All | :04:38. | :04:45. | |
right, let the competition begin. They have got four tricks to try | :04:45. | :04:49. | |
and schmooze their way into your good books. Here is Latimer and | :04:49. | :04:59. | |
:04:59. | :05:04. | ||
How is it going? Sorry I am late, just came in from the beach. My | :05:05. | :05:09. | |
name is David Hasselhoff. Some people know me as the Hoff. Need I | :05:09. | :05:15. | |
say more? It is incredibly exciting to be accepted into the secret | :05:15. | :05:19. | |
world of the magician. Working with David is literally like working | :05:19. | :05:24. | |
with a legend. We can take a card like this, bend it and change it | :05:24. | :05:30. | |
just like that. Jason is the best magician I have ever seen. We will | :05:30. | :05:34. | |
reunite you with your old friend. We could be doing the world's | :05:34. | :05:39. | |
biggest card trick. I will teach you how to read minds and how do | :05:39. | :05:42. | |
you feel about dressing up? If the hot cannot handle the pressure, who | :05:42. | :05:52. | |
:05:52. | :05:54. | ||
can? Forfeits? No. Of does not do forfeits. You are crazy. | :05:54. | :05:59. | |
Guys, is it just me or are you a bit star-struck? That guy is a | :05:59. | :06:06. | |
living legend. David Hasselhoff! I grew up watching that show, | :06:06. | :06:11. | |
Baywatch. For his performance only. Amazing. And the show obviously | :06:11. | :06:16. | |
with the car, Knight Rider. The over-thirties probably remember | :06:16. | :06:23. | |
that. Are you ready to seek Dave do his thing? Yes! Picking off tonight, | :06:23. | :06:33. | |
:06:33. | :06:44. | ||
totally live, put your hands You really know how to arrive at. | :06:45. | :06:54. | |
:06:55. | :07:01. | ||
Nice outfit. I am been injure. I am We need a volunteer. How about you? | :07:01. | :07:11. | |
From the third rose. Over here. You, sir. Don't be scared. What is your | :07:11. | :07:21. | |
:07:21. | :07:22. | ||
name? Paul. Let's give it up for Paul. Nice to meet you, Paul. | :07:22. | :07:29. | |
you. I'm going to be doing an illusion for one person, that is | :07:29. | :07:36. | |
you. How would you like my crate? Why have you got your initials. | :07:36. | :07:46. | |
:07:46. | :07:48. | ||
Where am I? It is on the inside of This works a lot better with you | :07:48. | :07:58. | |
inside the box. You were doing well. -- you are doing well. You're doing | :07:58. | :08:04. | |
OK. We are trying to contain the powers of the Hoff. Paul, if you | :08:04. | :08:10. | |
stand on the step, that would be great. Just come right up. We will | :08:10. | :08:20. | |
use the one ring, two hands and one I'm going to show you how magic can | :08:20. | :08:24. | |
be if you remove one of your senses. When I ask you to close your eyes, | :08:24. | :08:29. | |
I want you to close your eyes but do not open them until I tell you. | :08:29. | :08:35. | |
If you cheat, the entire effect will be ruined. De think he should | :08:35. | :08:45. | |
:08:45. | :08:51. | ||
play a long? Yes! He is a ring, Close your eyes. I want you to | :08:51. | :08:56. | |
imagine everything. I want you to match and this ring floating around, | :08:56. | :09:02. | |
shoot up in the air and land right back on to my head. Paul, a few | :09:02. | :09:12. | |
:09:12. | :09:31. | ||
reach for it and touch you, if I crossed my arms over you would feel | :09:31. | :09:37. | |
it. Open Your eyes. I want you to do one thing, I am going to lock my | :09:37. | :09:41. | |
arms in this position. I want you to keep your eyes closed and make | :09:41. | :09:47. | |
sure my arms did not move. I want you to imagine one more time, have | :09:47. | :09:51. | |
the ring floater up in the air and in your imagination, I want you to | :09:51. | :09:57. | |
watch that ring float around the room 17 times. I will count them. | :09:57. | :10:07. | |
:10:07. | :10:10. | ||
Just kidding, I will not do all of them! Paul, focus, focus. Grabbed | :10:10. | :10:16. | |
my wrist here. This is where it gets really tricky. Using a hand to | :10:16. | :10:25. | |
grab that ring, just pull on it. Tell them it is solid. It is solid. | :10:25. | :10:32. | |
Now, I want you to close your eyes. I want you to grab that ring. Is a | :10:32. | :10:38. | |
solid? With your eyes closed, grabbed my wrist again. I am going | :10:38. | :10:42. | |
to reach over and then grab this rain and lift it over your head. I | :10:42. | :10:47. | |
will waive it over my arm and wave it over your arm. I will tappets | :10:47. | :10:53. | |
once on the top, once on the bottom and link on your arm. You open your | :10:53. | :11:03. | |
:11:03. | :11:13. | ||
better. I am going to gave flesh and bone three on. Are you ready? | :11:13. | :11:18. | |
Close your eyes. Here we go. You will feel it, you will feel a | :11:18. | :11:28. | |
:11:28. | :11:47. | ||
What is going on?! What have you been doing in there? I am | :11:47. | :11:57. | |
:11:57. | :12:23. | ||
How are you going to beat that, the halved in a box? He will be | :12:23. | :12:28. | |
difficult. I am a Bic -- I am a bit nervous. The reigning champions, | :12:28. | :12:33. | |
Barry & Stuart took the title last week. We are going to try and give | :12:33. | :12:40. | |
it our best. We have got a few nasty surprises planned for Craig. | :12:40. | :12:45. | |
That is what you want us to see. look forward to it. The tables have | :12:45. | :12:50. | |
turned. You are looking for other people's vote is now. Here they are, | :12:50. | :13:00. | |
:13:00. | :13:01. | ||
Barry, Stuart and Craig. Barry! Stuart! | :13:01. | :13:05. | |
My name is Craig Revel Horwood. You may have seen me on Strictly Come | :13:05. | :13:12. | |
Dancing being rather judgmental. Last week was good. We won the | :13:12. | :13:18. | |
episode. But it is only the first show, anything can happen. | :13:18. | :13:22. | |
grandfather was an amazing magician and I am hoping I will help this | :13:22. | :13:27. | |
legacy continue, darling. You will be placed in a small container and | :13:27. | :13:32. | |
you will defy death. We are going to be in our favourite trick. We | :13:32. | :13:35. | |
will turn the laws of physics on its head and make sure you keep | :13:35. | :13:41. | |
yours. And a bit concerned for my health and safety. That represents | :13:41. | :13:49. | |
a new. Lovely. Will Craig be saved, of course. You can trust us. | :13:49. | :13:54. | |
chances of Craig surviving. We give him... One way round -- and wrong | :13:54. | :14:04. | |
:14:04. | :14:06. | ||
We thought, had it gone wrong? thought it was the end. We thought, | :14:06. | :14:16. | |
:14:16. | :14:30. | ||
So Craig, the grand illusion - we have been practising the trick we | :14:30. | :14:36. | |
call the swimming pool box escape. We tied you up, put you in a box. | :14:36. | :14:40. | |
You had half a minute to escape before the box fell into the | :14:40. | :14:44. | |
swimming pool. I loved that. practised and did really well. You | :14:44. | :14:50. | |
were so confident in your ability to do it, we decided to up the ante. | :14:50. | :14:55. | |
You're going to love it. The first thing we changed was the box. We're | :14:55. | :15:00. | |
going to use this car and lock you inside the boot. We have replaced | :15:00. | :15:06. | |
the swimming pool with this quarry. You are joking. Here's exactly | :15:06. | :15:10. | |
what's going to happen we're going to tie you up and bundle you into | :15:10. | :15:16. | |
the boot of the car just like this. The car will start rolling towards | :15:16. | :15:22. | |
the cliff's edge where it will tumble 100 foot into the water | :15:22. | :15:28. | |
below. The audience standing at the cliff right here - more adoring | :15:28. | :15:33. | |
fans will be down on below on to the pontoon. They'll see as you get | :15:33. | :15:38. | |
out of the boot and leap on to this Queen-sized mattress. We're going | :15:38. | :15:42. | |
to have a helicopter filming at all times. This is the best part - once | :15:42. | :15:49. | |
you have made your escape, the car which we have needlessly filled | :15:49. | :15:52. | |
with explosives will race down and career off the cliff edge. | :15:52. | :16:02. | |
:16:02. | :16:10. | ||
From this moment on, this shot will not cut away. | :16:10. | :16:17. | |
Except this cut right here. This, show, however, will remain | :16:17. | :16:22. | |
continuous allowing you to see Craig make his escape in realtime. | :16:22. | :16:28. | |
Put your hands out. Know we practisinged with the ropes but | :16:28. | :16:31. | |
these are more impressive. sorry, too many changes, the | :16:31. | :16:37. | |
swimming pool becomes a quarry, the box becomes a car riddled with | :16:37. | :16:40. | |
explosive... We're going to change your blind fold into this bag. | :16:40. | :16:44. | |
We're going to take this gaffe that tape and tape together your legs, | :16:44. | :16:47. | |
Craig. This is important for two reasons - first, it's going to be | :16:47. | :16:52. | |
much more impressive than the ropes, and secondly, it will ensure Craig | :16:52. | :16:56. | |
doesn't try to dance while he's in there. We're taped up. Let's go get | :16:56. | :17:02. | |
you into this car boot - this way. Hop with us. That's it. Let's get | :17:02. | :17:05. | |
you in here. Get your feet inside there. We have been pretty mean to | :17:06. | :17:09. | |
Craig so far, so we're going to make your life a little bit easier, | :17:09. | :17:14. | |
Craig, by helping you out with something to get your gaffe that | :17:14. | :17:19. | |
tape off around your feet. We'll give you this plastic knife. | :17:19. | :17:24. | |
Stuart's going to put a brick on to the accelerator of the car he has a | :17:24. | :17:29. | |
rope attached to the gear stick. The moment pulls that rope, the car | :17:29. | :17:34. | |
will start moving to the cliff edge. It will move at a speed of around | :17:34. | :17:38. | |
about 15mph, giving Craig ten seconds to exit the car and leap on | :17:38. | :17:43. | |
to the mattress. If he doesn't make his escape, we have arranged party | :17:43. | :17:51. | |
in his honour. Ann Widdecombe has sent out the invites. Is he ready? | :17:51. | :18:01. | |
:18:01. | :18:01. | ||
BANGING Left hand, right hand. On your toes, | :18:01. | :18:07. | |
Craig. Here comes the mattress. Here is the mattress. Jump. Jump! | :18:07. | :18:17. | |
:18:17. | :18:57. | ||
EXPLOSION APPLAUSE | :18:57. | :19:01. | |
Of course, this is one shot - you know it's not like a trick of | :19:01. | :19:05. | |
camera or something, but when the car went over, your heart was | :19:05. | :19:09. | |
racing. You thought, what's going to happen, is he going to be OK? | :19:09. | :19:13. | |
You know he's supposed to be on that mattress. The car comes into | :19:13. | :19:16. | |
shot. There is no Craig. You're praying he's going to come out. | :19:16. | :19:21. | |
Then the car is going to be over the cliff. Before you know it, | :19:21. | :19:26. | |
explosion. Oh, my God. It's all gone horribly wrong! And then he's | :19:26. | :19:31. | |
up in the helicopter. You think, how did he get there? It was | :19:31. | :19:34. | |
fantastic. It was absolutely brilliant, enthralling. Speechless. | :19:34. | :19:44. | |
APPLAUSE That was absolutely amazing. Yeah. | :19:44. | :19:46. | |
Good that, wasn't it? Craig Revel- Horwood has fans. | :19:46. | :19:51. | |
LAUGHTER I had no idea. About four? Yeah, | :19:51. | :19:55. | |
there is about four there, to be fair, but fans, nonetheless. I | :19:55. | :20:00. | |
didn't want to bring this up - actually, I did. You lost last week. | :20:00. | :20:05. | |
Let's not use that word. It sounds so negative. Can we think of | :20:05. | :20:11. | |
something else? Losing the vote? Least popular. No. Maxine... This | :20:11. | :20:16. | |
week we're going to change it. You were the least popular. Confident | :20:17. | :20:20. | |
for this week? Yeah, confident. Watching that, they had cars, | :20:20. | :20:25. | |
cliffs, explosions. We've got a box of biscuits, so enjoy that. Let's | :20:25. | :20:28. | |
have a look and see what these guys have been conjuring up. | :20:29. | :20:38. | |
:20:39. | :20:40. | ||
APPLAUSE I am Julia Bradbury, TV presenter, | :20:40. | :20:43. | |
explorer and tonight, wannabe magician. I don't know what | :20:43. | :20:47. | |
happened. We ended up doing the forfeit. Maybe the phone number was | :20:47. | :20:51. | |
wrong. So this week we have a little bit of Levitation, then we | :20:51. | :20:57. | |
have a little bit of animal magic - Countryfile, animals, I thought it | :20:57. | :21:04. | |
would be perfect. To top it all off, slicing and dicing. When I was a | :21:04. | :21:09. | |
little girl I always wanted to be the girl chopped in half by the | :21:09. | :21:16. | |
magician. The pressure is really on. Hassel Hoff, Craig Revel-Horwood, | :21:16. | :21:19. | |
big personalities, but I think Julia is going to be able to hold | :21:20. | :21:24. | |
her own. Loser. Here they are with their first trick of the evening, | :21:24. | :21:30. | |
playing with some live, close-up magic, Pete and Julia. Thank you. | :21:30. | :21:34. | |
Oh, oh that's nice. Thank you very much. Julia and I are going to need | :21:34. | :21:38. | |
some help from the audience, and I think she's over there - | :21:38. | :21:44. | |
Countryfile's very own Julia Bradbury. Thank you. The great | :21:44. | :21:47. | |
thing about being part of a magician show is you could get | :21:47. | :21:53. | |
picked to be a part of it - you look vulnerable - I mean lovely. | :21:53. | :21:58. | |
What's your name? Hannah. Give Hannah a round of applause. Get her | :21:58. | :22:02. | |
a mic. You stay there. You're going to do a bit of mind reading for us | :22:02. | :22:08. | |
now? Yes, yes. You see, you're a deceptive man. Yeah, that's my game. | :22:08. | :22:13. | |
You are. What I like about you, Pete. Don't push it. But powerful. | :22:13. | :22:18. | |
You have a strong mind. Let's just go with powerful. I would rather | :22:18. | :22:22. | |
that. Hiya, Hannah. This is for you, Julia. You can take those and | :22:22. | :22:26. | |
explain what we're doing here. have some lovely imagine biscuits | :22:26. | :22:30. | |
here. Pete Firman is going to do something very unusual, combine | :22:30. | :22:35. | |
mind reading with animals and a bit of drawing as well. Yes, yes, but I | :22:35. | :22:40. | |
am not very gifted in this department. I am not an artist, | :22:40. | :22:46. | |
have a GCSE. You're going to pick a biscuit, concentrate on it, and | :22:46. | :22:50. | |
I'll draw the animal. You do that I'll avert my pretty little eyes. | :22:50. | :22:57. | |
Pick a biscuit. Keep it to yourself. Keep it. Done that Hannah? Uh-huh. | :22:57. | :23:05. | |
To do this, I'm going to have to go into that trance. Hang on. Oh, I'm | :23:05. | :23:10. | |
in a trance! A deep, deep trance! LAUGHTER | :23:10. | :23:16. | |
Two minutes. I am going to draw it, please concentrate. That's great | :23:16. | :23:21. | |
you just keep concentrating on that animal. I am going to pick up on | :23:21. | :23:24. | |
your vibrations. Good vibrations. What I am going to do is show the | :23:25. | :23:28. | |
audience the animal first so I can't change my mind. This is the | :23:28. | :23:32. | |
animal I was receiving - please, please. It was done in haste - the | :23:32. | :23:41. | |
animal I was receiving. What's the animal? A camel. You know what? | :23:41. | :23:45. | |
That really is remarkable because I got a camel - I mean, look at that | :23:45. | :23:50. | |
- wow! Well done. I'm just going to pinch myself - no, that is really | :23:50. | :23:55. | |
happening. It could just be beginner's luck, Hannah. So dig in | :23:55. | :23:59. | |
there, select another animal. Concentrate. Keep it to yourself. | :23:59. | :24:02. | |
I'm going to draw a completely different drawing. Going into a | :24:02. | :24:07. | |
trance! A deep, deep - further and further this time! A thousand | :24:07. | :24:10. | |
fathoms, I am all the way at the bottom. I am there! | :24:10. | :24:14. | |
LAUGHTER In a trance, going the draw the | :24:14. | :24:17. | |
animal in pants! Keep concentrating. I am going to show the audience | :24:17. | :24:23. | |
before I show you. So don't give anything away. This is the animal | :24:23. | :24:24. | |
that I - LAUGHTER | :24:24. | :24:28. | |
Please! This is the imagine I was receiving. Let's get confirmation. | :24:28. | :24:35. | |
The animal, please. A rhino. Really? That's - it's a rhino. | :24:35. | :24:42. | |
is a rhino. Wow! Wow! Hey, I tell you what, it's a gift, but I have | :24:42. | :24:47. | |
kept the receipt, so it's all right. Third time is a charm. I am going | :24:47. | :24:51. | |
to keep doing this until you like it. I really am. Could you please | :24:51. | :24:54. | |
concentrate this time. One more animal. Take your pick. Take your | :24:54. | :25:00. | |
pick. Really, it's going to work this time. Concentrate on the | :25:00. | :25:04. | |
animal. Yeah. I don't need to do the trance thing. I am already | :25:04. | :25:05. | |
there. LAUGHTER | :25:05. | :25:11. | |
Drawing the animal, right, gallery styley - going to show the audience | :25:11. | :25:14. | |
first. Please! This is serious. LAUGHTER | :25:14. | :25:19. | |
In a loud voice, Hanna, what was the animal you were thinking of? | :25:19. | :25:29. | |
:25:29. | :25:29. | ||
Aer.After. A what? What?Er.After. Really? Do they do those in that? | :25:29. | :25:35. | |
Ooh awkward. Missed a few details because I forgot the spots. Got to | :25:35. | :25:42. | |
put the spots on like that this is aer.After with a rare affliction. | :25:42. | :25:47. | |
We don't laugh at afflictions here. I think I can fix it with magic, | :25:47. | :25:48. | |
though. APPLAUSE | :25:48. | :25:53. | |
This is just a drawing. There are no moving parts. | :25:54. | :26:03. | |
APPLAUSE Well done. Well done. You did it. | :26:03. | :26:09. | |
APPLAUSE Have a little hug there. He should | :26:09. | :26:13. | |
have a little box to stand on. With all that done and dusted all of our | :26:13. | :26:16. | |
magicians have done their first trick, which could only mean one | :26:16. | :26:22. | |
thing - the phone lines are now open, so if you want to save your | :26:22. | :26:25. | |
favourite celebrity and magician from the forfeit, pick up the phone. | :26:25. | :26:31. | |
It's only going face to face with a Samurai warrior, no biggie. The | :26:31. | :26:41. | |
:26:41. | :26:56. | ||
Full terms and conditions can be found at bbc.co.uk/magicians. Now, | :26:56. | :27:00. | |
remember, they've got three more tricks to perform before we reveal | :27:00. | :27:05. | |
who is safe and who will take on the death-defying forfeit. Yes. It | :27:05. | :27:11. | |
is ooh! Next up with their street magic in Bristol, we have the | :27:11. | :27:21. | |
:27:21. | :27:33. | ||
lovely Barry and Stuart and Craig. Stand by. Head first. As quickly as | :27:33. | :27:38. | |
you can, no air out. That's it. That's excellent. Get in. Oh, | :27:38. | :27:48. | |
:27:48. | :27:51. | ||
darling! New York arms. That's the one, yes. All the way down. Doing | :27:51. | :27:57. | |
it with style now, Craig. Samba, pointy toes - that's it. | :27:57. | :28:00. | |
APPLAUSE There we go, Craig Revel-Horwood | :28:00. | :28:04. | |
sealed in a balloon for your viewing pleasure. We're going to do | :28:04. | :28:08. | |
a trick now. We need someone heeps. Could you take out your purse - | :28:08. | :28:13. | |
what is your name? Sophie. Take out your licence or a bank card. It has | :28:13. | :28:18. | |
to be a quick trick, otherwise, he will suffocate. We have a driver's | :28:18. | :28:23. | |
licence. A driver's licence. would know it if you saw it again. | :28:23. | :28:27. | |
Yes. Looks nothing like you, but this should work nonetheless. We're | :28:28. | :28:31. | |
going to take it and place it against the wall of the balloon | :28:32. | :28:41. | |
:28:42. | :28:43. | ||
right here. I am going to place my Here we go, Craig, are you ready? | :28:43. | :28:53. | |
:28:53. | :28:53. | ||
am ready. I am through. Craig, can you reach up? This is the hardest | :28:53. | :29:00. | |
bit. Get that corner without tearing the balloon. My hands are | :29:00. | :29:10. | |
:29:10. | :29:10. | ||
shaking. Get it through. Sophie, come forward. Have a look. Is that | :29:10. | :29:17. | |
your driver's licence in there? Yeah. That's your picture? Yeah. | :29:17. | :29:21. | |
That's a lovely picture. We got it in there the hard way. Let's get it | :29:21. | :29:24. | |
out the easy way. A big round of applause for Craig Revel-Horwood. | :29:24. | :29:30. | |
APPLAUSE I don't know how it happened. | :29:30. | :29:33. | |
was amazing. It just literally went through. You couldn't see how it | :29:33. | :29:37. | |
went through, but it just did. Unbelievable. Mind-blowing. | :29:38. | :29:47. | |
little turn. Down you go. Oh, That was brilliant, did you like | :29:48. | :29:55. | |
that? Amazing stuff. Next up, more live magic in the studio. With | :29:55. | :30:00. | |
their Live Grand Illusion, it is Pete and Gillian! Tired of cuts and | :30:00. | :30:08. | |
bruises at work? Using plaster as Willie nearly? The new needed this. | :30:08. | :30:15. | |
How does it work? It is very simple. You spray on part of your body that | :30:15. | :30:24. | |
he needs to protect. It is a squirt that prevents her at. It even | :30:24. | :30:33. | |
smells like me. Yes, burnt hair. Let's see how this stainless-steel | :30:33. | :30:38. | |
fork works. We recommend a full- body treatment to maximise its | :30:38. | :30:44. | |
effectiveness. Why do I need it? For protection. Protection against | :30:44. | :30:52. | |
what? An accident in a TV studio with a maximum -- massive | :30:52. | :30:58. | |
industrial fan. This fan blade is made of solid steel. It slices, it | :30:58. | :31:02. | |
dices, it turns at 3,000 revolutions per second. Anything | :31:02. | :31:06. | |
that gets in its wake will be chopped off. Just ask my brother, | :31:06. | :31:13. | |
Geraldine! Julia, you look a bit afraid. This is not what you | :31:13. | :31:23. | |
:31:23. | :31:25. | ||
There is something for you to perch on. Perch? Yes, you can sit down. | :31:25. | :31:32. | |
Just give it a whack, Geraldine. There you go, slick. I know we | :31:32. | :31:37. | |
didn't do this in rehearsals but I didn't want to alarm you. You look | :31:37. | :31:42. | |
so scared! I will show you how it works. You might have to kick off | :31:42. | :31:51. | |
your shoes. I need you to set up here. These are real? Yes, sit on | :31:51. | :31:56. | |
there. Because of the spray, Julia will be completely protected from | :31:56. | :32:01. | |
the fan. But should she need some extra protection, we have this | :32:01. | :32:11. | |
shield. That is kind. Note, that is to protect me. This soup cost a | :32:11. | :32:20. | |
fortune. 3, 2, 1, go through, Julia. Yes! Out! She has passed the first | :32:20. | :32:27. | |
test. Do you think you can go all the way through? No way! Seriously. | :32:27. | :32:37. | |
:32:37. | :32:42. | ||
3, 2, one. Arm through, first. Put Did you use spray my legs? I cannot | :32:42. | :32:51. | |
remember. I will give you another blast. Ladies and gentlemen, Julia | :32:51. | :33:01. | |
:33:01. | :33:06. | ||
Bradbury! A little squirt really Pete Firman and Julia Bradbury, | :33:06. | :33:16. | |
:33:16. | :33:16. | ||
everybody! If you do happen to have an over sized industrial fan at | :33:16. | :33:19. | |
home, don't do that. It is dangerous. David, alters the | :33:19. | :33:23. | |
weirdest thing you have got at home? I have something in my home | :33:23. | :33:29. | |
which no one else in the world has. One of my co-stars from my shows. | :33:29. | :33:36. | |
Is that where Pamela has been? Pamela! She has not been on TV. | :33:36. | :33:42. | |
Pamela. You are with the world champion of magic who came second | :33:42. | :33:45. | |
last week. What happened? I think the magic last week was really | :33:45. | :33:48. | |
strong but I felt that we needed to make a connection with the | :33:49. | :33:54. | |
audiences at home so in a little bit, I want you to grab four cards | :33:54. | :34:00. | |
and give them to each person in the room. We will be doing some magic | :34:00. | :34:05. | |
for millions of people at the exact same time. We will look forward to | :34:05. | :34:10. | |
it. Before that, this is the Location Grand Illusion, give it up | :34:10. | :34:20. | |
:34:20. | :34:49. | ||
Thank you! Thank you so much. I am Jason Latimer. First of all, I want | :34:49. | :34:54. | |
to say thank you so much for coming today. We will be doing something | :34:54. | :34:58. | |
which involves the entire group, a demonstration of pure randomness. | :34:58. | :35:04. | |
We will try to spell a word. I did bring a friend to help me. I think | :35:04. | :35:08. | |
you may know him. Ladies and gentlemen, are a big round of | :35:08. | :35:18. | |
:35:18. | :35:21. | ||
applause for Mr David Hasselhoff! I just found these girls on the | :35:21. | :35:31. | |
beach. Hello, folks. We are going to take two sets her of alphabets | :35:31. | :35:35. | |
so we have 52 shirts of different letters. I'm going to throw them | :35:35. | :35:40. | |
into the audience. Try and catch them with your hands and not your | :35:40. | :35:46. | |
face. It never works. These will all come together in an amazing | :35:46. | :35:51. | |
trick. The chances of finding the letter you are looking for would be | :35:51. | :35:57. | |
two out of 52. The chances of finding Multiple letters would be | :35:57. | :36:03. | |
two out of 52 times 51 and so forth. The chances of spelling of words is | :36:03. | :36:07. | |
literally in the millions but we are adding another level. We have | :36:07. | :36:12. | |
got a box of ping-pong balls here. David will be marking four of the | :36:12. | :36:16. | |
ping-pong balls with a number. We will mix them up and throw them | :36:16. | :36:22. | |
into the audience. If you have a T- shirt, make sure you get a ping- | :36:22. | :36:32. | |
:36:32. | :36:38. | ||
52 letters. Four % chance of catching a ping-pong ball. The | :36:38. | :36:44. | |
chance of spelling anything is literally in the billions. And you | :36:44. | :36:47. | |
are saying what you can predict what the word is going to be. | :36:47. | :36:54. | |
thought I could give it a shot. you have a ping-pong ball with a | :36:54. | :37:01. | |
number one, step forward. Great, perfect. Perfect. Person with a | :37:01. | :37:08. | |
number two. No. 3. It is all blondes, I love this show. How do | :37:08. | :37:14. | |
you do this? A billion to one. than that. It is a huge number. In | :37:14. | :37:20. | |
fact, I have an idea of what the word will be, Hoff. You are saying | :37:20. | :37:25. | |
that this word will be Hoff. Everybody else, put your T-shirts | :37:25. | :37:31. | |
on. Make sure you have a random at the. The different T-shirts are | :37:31. | :37:38. | |
different letters. We have all the different letters of the alphabet. | :37:38. | :37:43. | |
Are you ready, Hoff? Yes, you are saying the word is going to be Hoff | :37:43. | :37:47. | |
and I am going to go with the billion that is wrong because I | :37:47. | :37:57. | |
:37:57. | :37:58. | ||
have a different word. First letter, if you would. What is it? It is OK. | :37:58. | :38:08. | |
:38:08. | :38:08. | ||
You are wrong. Nice and big. I was right. I can see that. Both of you | :38:08. | :38:18. | |
:38:18. | :38:27. | ||
You have got to give him a hand, he did get a word. That is not a word. | :38:27. | :38:36. | |
It is a name. I predicted that. You want to see my prediction? Yes. | :38:36. | :38:46. | |
:38:46. | :38:53. | ||
want to see my prediction? Ladies, I but he beat! Let me show you my | :38:53. | :39:03. | |
:39:03. | :39:13. | ||
Check it out, Michael! It was absolutely unbelievable. No idea, | :39:13. | :39:23. | |
:39:23. | :39:31. | ||
Great trick, great car. That brings us to the halfway mark. Plenty more | :39:31. | :39:36. | |
to come. If you want to save your favourite from the chopping block, | :39:36. | :39:46. | |
:39:46. | :39:53. | ||
Calls cost 15 p from a BT landline. Mobiles will cost considerably more. | :39:53. | :39:58. | |
Is get the bill pair's permission. It is time for their spectacular | :39:58. | :40:03. | |
live close-up magic trick. Please welcome the delightful Barry & | :40:03. | :40:13. | |
:40:13. | :40:14. | ||
Stuart and Craig. Thank you. We are also used to seeing Craig Revel | :40:14. | :40:16. | |
Horwood in the light entertainment show Strictly Come Dancing but he | :40:16. | :40:19. | |
is working with us this week. We thought it would be fitting if he | :40:19. | :40:24. | |
did something dark and twisted. we are going to do something really | :40:24. | :40:29. | |
weird which we call Satan's eyeballs. Please welcome, dressed | :40:29. | :40:39. | |
:40:39. | :40:44. | ||
as the devil himself, Craig Revel Stop, that is wrong. That is not | :40:44. | :40:49. | |
say to him, that is a pirate. Everything you two do his dark, | :40:49. | :40:54. | |
twisted and dangerous and I thought it would be really good to do that | :40:54. | :41:02. | |
wonderful trick, the pirate card trick. Note, we haven't rehearsed | :41:02. | :41:06. | |
and we do not have the eye patches. That is where you are wrong, | :41:07. | :41:15. | |
darling. I found some backstage. I have a lovely little one for myself. | :41:15. | :41:21. | |
We have not got the Paraic deck of cards the there. That is where you | :41:21. | :41:29. | |
are wrong again. -- the pirate's deck of cards. | :41:29. | :41:36. | |
I have got a sore leg. Perfect for a pirate. Get on with it. I hate | :41:36. | :41:41. | |
doing this. The first thing we have to do is find ourself a shipmate. | :41:41. | :41:47. | |
You there, my hearty. I have a pirate's deck of cards and they all | :41:47. | :41:53. | |
different. I'm going to shuffle the cards and I will get you to stop me | :41:53. | :41:58. | |
shuffling. Is that way you want me to stop? Excellent. It is important | :41:58. | :42:07. | |
that you see what this card is but What happens next is the cards are | :42:07. | :42:12. | |
thrown into the air. You forgot the shuffling. You cannot miss the | :42:12. | :42:17. | |
shuffle, that is the best thing. The pirate shuffle is my favourite | :42:17. | :42:27. | |
:42:27. | :42:55. | ||
and the music is brilliant. Look at Barry & Stuart, they are | :42:55. | :42:59. | |
really enjoying themselves at smacked this is the lowest point of | :42:59. | :43:07. | |
my career. He is loving it. I am dying inside. Oh, no, here comes | :43:07. | :43:17. | |
:43:17. | :43:36. | ||
Wright, the cards have now been Paraic shuffled. Stuart! Go and get | :43:37. | :43:43. | |
the cards close I am going to keep half of the cards and I will get | :43:43. | :43:47. | |
the other half. You could say it is all hands on deck. I have the | :43:47. | :43:54. | |
pirate sword. Stuart will see your chosen card and he will stab it | :43:54. | :44:03. | |
with his sword. Are we ready? Drum roll! 3, 2, one. Babbitt, Stuart! | :44:03. | :44:10. | |
have a card! Wait the. What was the card you selected? The four of | :44:10. | :44:20. | |
:44:20. | :44:36. | ||
APPLAUSE Fabulous, darling. Now, Craig has | :44:36. | :44:41. | |
inspired you like he has me to try your hand at magic as well, you can | :44:41. | :44:45. | |
head to our website. They even let me have a go, so it must be easy. | :44:45. | :44:49. | |
It's now time to get into some more street magic, here is Latimer and | :44:49. | :44:59. | |
:44:59. | :45:05. | ||
Hey, how you doing? How is it going? Hi! Would you like to see a | :45:05. | :45:09. | |
demonstration of the art of mind reading? Absolutely. All right. Out | :45:09. | :45:12. | |
of this deck of cards, we have a lot of different values to go for. | :45:12. | :45:17. | |
If you would, pull out any one card you like. OK. And if you would pull | :45:17. | :45:23. | |
out any one card you like. Sure you want that one? Yeah. Great. Hold it | :45:23. | :45:28. | |
close to you so we don't see what it is. Read their minds. See if you | :45:28. | :45:33. | |
can guess her card. OK. Let's see - close your eyes. Can you see the | :45:33. | :45:36. | |
card, because I am going to write your card on this piece of paper. | :45:37. | :45:41. | |
All right. Now, would you be amazed if your card was written on this | :45:41. | :45:46. | |
piece of paper? Indeed, yeah. right. Your card is written on this | :45:46. | :45:53. | |
piece of paper. I have written "your card"... Genius. I can't do | :45:53. | :45:58. | |
it. I couldn't... What are you doing? What are you doing? I'll add | :45:58. | :46:04. | |
a little magic to that. Hold on a second. Ooh, that's hot. What was | :46:04. | :46:14. | |
:46:14. | :46:18. | ||
your card? King of clubs. King of It says... The King of clubs! | :46:18. | :46:23. | |
did it! Woo! She's got another card. I want to get this one right. OK. | :46:23. | :46:29. | |
Just think of the card. Think of the card. Come on, man. Think. Just | :46:29. | :46:39. | |
:46:39. | :46:40. | ||
can't do it. I can't do it! I can't figure... You have been working | :46:40. | :46:44. | |
hard on this all week. I can't figure it out, man. I can't. I | :46:44. | :46:48. | |
can't do it. I am not taking anymore chances. I have no more | :46:48. | :46:53. | |
fingers. Sorry, man. That didn't work out. It's OK. Just really | :46:53. | :46:59. | |
quick, what was your club? Two of hearts. Two of hearts? I got it | :46:59. | :47:03. | |
right. I wrote two of hearts on there. It's in there - the two of | :47:03. | :47:07. | |
hearts - it's in there. You know, I'm telling you - I swear to you, | :47:07. | :47:12. | |
this two of hearts is in there. There is probably no way I can show | :47:12. | :47:17. | |
you here. Put the pieces back together. Put the pieces back | :47:17. | :47:23. | |
together? OK. I'll put them back together. Oh, wait a second - oh! | :47:23. | :47:28. | |
Well, there it is. Two of hearts. You got it! | :47:28. | :47:38. | |
APPLAUSE Two of hearts, baby. Yeah! It's | :47:38. | :47:48. | |
:47:48. | :47:50. | ||
Next up, it's the man who gargled molten metal as last week's loser. | :47:50. | :47:56. | |
He'll be cut up if he looses again, probably quite literally. With | :47:56. | :48:00. | |
their Grand Illusion, it's Pete and Julia. I'll tell you what, Julia, | :48:00. | :48:07. | |
it wasn't fun last week. I had to do the forfeit. They had me eating | :48:07. | :48:13. | |
fire of I was gargling molten metal. It was awful. I saw it. Were you | :48:13. | :48:19. | |
hurt? I burnt my hands. It's murder shaking my maracas. Are you a | :48:19. | :48:22. | |
musician? What do you think I am wearing this for? This is the | :48:22. | :48:31. | |
outfit. Hi, everyone. Hello, hello, hello. | :48:31. | :48:36. | |
I am Julia. This is Pete. He's our magical musician. That's right. | :48:36. | :48:40. | |
Apparently, he's the 18th one-man band in Middlebrough. Seriously. | :48:40. | :48:45. | |
What we've got here, Pete, this is a book of your favourite tunes. You | :48:45. | :48:50. | |
can play every tune in here? one you like. More than 300 I can | :48:50. | :48:55. | |
see. Yeah. Right. I need a little bit of help. I have a feminine | :48:55. | :49:01. | |
intuition a woman might be good at this challenge. You like women? | :49:02. | :49:07. | |
Yeah. You heard. This woman, please come forward. What's your name? | :49:08. | :49:14. | |
Nice to meet you, Jo. Grab hold of this book. You can see all the | :49:14. | :49:18. | |
songs are different. The contents have every song. If you could | :49:19. | :49:23. | |
choose one of those... Keep one in your mind. Choose one. Don't say it | :49:23. | :49:26. | |
out loud. Here's the idea. Concentrate on the song, and I'm | :49:26. | :49:36. | |
:49:36. | :49:46. | ||
going to try and play it for you. Hey? Yes! Was that it? No, I don't | :49:46. | :49:50. | |
think so. What song were you thinking of? I was thinking of When | :49:50. | :49:56. | |
the Saints Go Marching in. I was playing that. Couldn't you hear? | :49:56. | :49:59. | |
That's my favourite song - so much so, I have had it printed on my | :49:59. | :50:08. | |
drum. Hey! Taking it a step further - but not with you - you're clearly | :50:08. | :50:12. | |
tone deaf. Get yourself back there. You can have the book. Oh, thank | :50:12. | :50:16. | |
you. Give her a hand. Give her a hand. Would you - the lady with the | :50:16. | :50:20. | |
red hair - would you come and help us with this second thing, would | :50:20. | :50:24. | |
that be all right? What's your name? Holly. Hi. We're not going to | :50:24. | :50:31. | |
use the book for this. We'll use the thing - the doo-dah. The thing. | :50:31. | :50:35. | |
Not the book, something more impressive. I think you're going to | :50:35. | :50:41. | |
like this. We have a magic trumpet. Coronet. No thanks. I don't like | :50:41. | :50:47. | |
ice cream. This is something for you to hold on to. Let's move up to | :50:47. | :50:54. | |
the band stand. While we're doing that, could everybody move around | :50:54. | :50:57. | |
the bandstand. You're going to hold hands. Make sure you can all link | :50:57. | :51:01. | |
up - some around the front and the back. Lovely. We're going to move | :51:01. | :51:06. | |
to the middle. Very good. Get yourselves into position. Holly, | :51:06. | :51:11. | |
what we need you to do is think of a song. This can be any song at all. | :51:11. | :51:18. | |
What I want you to do is put the trumpet to your lips - the corn it | :51:18. | :51:22. | |
to your lips. Imagine you're playing the song you have in mind. | :51:22. | :51:28. | |
Playing it - beautiful, gorgeous. Have you done that? Yeah. Fantastic. | :51:28. | :51:34. | |
I'll put this on to the floor of the bandstand. You want me to do | :51:34. | :51:40. | |
it? I can't bend down. Let's come out of the band stand, OK? Mind | :51:40. | :51:46. | |
that, Holly. He's a lethal weapon. Lethal! We have some curtains. | :51:46. | :51:51. | |
Could we drop the your tains, please, all the way. You just keep | :51:51. | :51:56. | |
concentrating on the piece of music you imagined playing with the | :51:56. | :52:03. | |
trumpet. Coronet. Yeah. Everybody, listen. Listen out for some sounds. | :52:03. | :52:07. | |
TRUM, te, Hear that? It's all gone a bit quiet. | :52:07. | :52:10. | |
MUSIC Did that sound like the song? Not | :52:10. | :52:16. | |
very - anything? Yeah, it sounds like it, yes. That's my song. | :52:16. | :52:26. | |
:52:26. | :52:26. | ||
That's your song? Are you sure? What was it? Lady Gaga, Romance. | :52:26. | :52:36. | |
:52:36. | :52:41. | ||
MUSIC When the band appeared, I was | :52:41. | :52:46. | |
amazed. No idea how they got in this It was all the way around no, | :52:46. | :52:50. | |
idea how they got in. I didn't think it would happen. When they | :52:50. | :52:54. | |
started playing my tune, I was like, what, really? I have no idea how | :52:54. | :52:56. | |
the band got there. It was amazing. MUSIC | :52:56. | :53:06. | |
:53:06. | :53:13. | ||
They've only got one trick each left before their fate is decided, | :53:13. | :53:17. | |
so please pick up the phone and vote for your favourite. This is | :53:17. | :53:20. | |
the last time you'll see these numbers on your screen. Make a note | :53:20. | :53:25. | |
of them. The votes will close in approximately ten minutes after | :53:25. | :53:35. | |
:53:35. | :53:42. | ||
everybody has performed. Here come Three, two, one, stab it. I have a | :53:42. | :53:52. | |
:53:52. | :54:05. | ||
I am not taking anymore chances. I have no more fingers. Rrr! Whoa! | :54:05. | :54:10. | |
Strike up the band! I have no idea how the band got | :54:10. | :54:20. | |
:54:20. | :54:20. | ||
Calls cost 15p from a BT landline. Other networks may vary. Calls from | :54:20. | :54:23. | |
mobiles may be considerably more. Please get the bill payer's | :54:23. | :54:24. | |
permission. For full terms and conditions visit | :54:24. | :54:29. | |
bbc.co.uk/magicians. Everyone looking very nervous backstage. We | :54:29. | :54:33. | |
all know why. The celebrities could be sushi very soon if they lose. | :54:33. | :54:37. | |
Next up, get ready to play along at home. We're ready here in the | :54:37. | :54:44. | |
studio. It's live, close-up magic and their last chance to impress | :54:44. | :54:48. | |
you with magic. It's Latimer and the Hoff. Thank you. Everyone in | :54:48. | :54:52. | |
the audience, this is your time to pull out those four cards we | :54:52. | :54:56. | |
provided you with. Everybody at home, make sure everybody has four | :54:56. | :55:01. | |
cards - it doesn't matter what type of cards or what faces they are, as | :55:01. | :55:05. | |
long as they're playing cards and face down in your hand. Place your | :55:05. | :55:08. | |
other hand on top of them. I am going to go over a few moves to | :55:08. | :55:12. | |
make sure everybody is clear on what we need to do. This is a | :55:12. | :55:15. | |
mathematical trick with an element of chance no-one can predict unless | :55:15. | :55:21. | |
you're David Hasselhoff. Hoff! that in mind, the first one is to | :55:21. | :55:27. | |
take the top card and to turn - no. Keep your hands together. Take the | :55:27. | :55:30. | |
first one, turn it over, place it back on top. That's the first move | :55:30. | :55:34. | |
I would ask you to do. The second would be to take the top two cards | :55:34. | :55:39. | |
together, turn them over and place them back on top. They're going to | :55:39. | :55:43. | |
be different cards that are face up and down after we make a bunch of | :55:43. | :55:45. | |
choice, but as long as you grab them together, turn them over and | :55:45. | :55:49. | |
place them back on top, everything would be great. The last move is to | :55:49. | :55:53. | |
cut the cards. That means take as many cards as you want from the top | :55:53. | :55:57. | |
and put them back on the bottom. You can take as many cards as you | :55:57. | :56:00. | |
like as long as you take them from the top and move them to the bottom. | :56:00. | :56:05. | |
Don't push them together or flip the cards over as you do that. | :56:05. | :56:10. | |
Everybody clear? Great. With the cards all face down - make sure | :56:10. | :56:13. | |
they're face down at the beginning. Shuffle all the cards face down, | :56:13. | :56:18. | |
OK? Square them together, place them in your hand, ready to go. | :56:18. | :56:22. | |
You have them in your hand. Take them with your other hand, turn | :56:22. | :56:29. | |
them around and look at the bottom card. Now, remember that card. That | :56:29. | :56:34. | |
is your card at home and in the audience. Got it in your heads? Now | :56:34. | :56:39. | |
turn the cards over and place them back in your hand. OK. Here we go. | :56:39. | :56:43. | |
Take the top card, place it directly to the bottom of the | :56:43. | :56:47. | |
packet. Take the next top card. Turn it over and place it back on | :56:47. | :56:53. | |
top. Now cut as many cards as you like from the top and put them | :56:53. | :56:57. | |
directly to the bottom. Now, take the top two cards together, turn | :56:57. | :57:03. | |
them over together and place them back on top. And cut the cards as | :57:03. | :57:10. | |
deep as you like. Now take the top two cards together, turn them over, | :57:11. | :57:17. | |
place them back on top and cut the cards as deep as you'd like. Now | :57:17. | :57:27. | |
take your index finger and place it choices. You have different choices. | :57:27. | :57:32. | |
You could have cut everywhere. Now using the powers of the Hoff, we'll | :57:32. | :57:39. | |
find that card. "hoff, Hoff, Hoff!" Take the top card, turn it over and | :57:39. | :57:44. | |
put it underneath the other cards. Take the next top card. Do not turn | :57:44. | :57:49. | |
it over and put it on the bottom of the other cards (Mystical voice) | :57:49. | :57:54. | |
Take the next top card, turn it over and put it on the top. Hoff is | :57:54. | :57:57. | |
done. LAUGHTER | :57:58. | :58:02. | |
Spread out those cards. There will be one card facing the opposite | :58:02. | :58:06. | |
direction than the other cards. Pull out that card. If that's your | :58:06. | :58:08. | |
card at home or in the audience, stand up. | :58:08. | :58:16. | |
APPLAUSE Whoa, yeah, baby! Thank you. That's | :58:16. | :58:23. | |
a world record, and you're all a part of it. Woo-hoo! I did it! I'm | :58:23. | :58:28. | |
magic! I'm magic. That was amazing. That is well done. Very well done, | :58:28. | :58:32. | |
and this one better be pretty special too if they want to avoid | :58:32. | :58:36. | |
the chop. It's street magic time with Pete and Julia. | :58:36. | :58:46. | |
:58:46. | :58:55. | ||
It's busy. Yeah. Hello. Sorry. I'm going to be really rude. Can I | :58:55. | :59:00. | |
steal one of you? Come on. Promise you, it will be fine. | :59:00. | :59:06. | |
What's your name? Robin. You're happy to be our victim - I mean | :59:06. | :59:12. | |
volunteer? Yeah. Do a bit of furniture removal. He taught me | :59:12. | :59:17. | |
this magic. What I want you to do is push against my hands, push, | :59:17. | :59:21. | |
push, really, really do that. can try this yourself at home. All | :59:21. | :59:27. | |
you need is a wall or door frame to push against. If you don't, where | :59:28. | :59:33. | |
are you watching this? Relax. Let your arm go down. Let your arm go | :59:33. | :59:36. | |
down, and I think you'll feel quite naturally it's just going to start | :59:36. | :59:40. | |
to rise. You should try that. It's brilliant. You didn't just put your | :59:40. | :59:46. | |
arm back up, did you? No, it's really light. It feels like it's | :59:46. | :59:53. | |
floating like a balloon? Yeah. Magic fingers! I taught you well. | :59:53. | :59:57. | |
You did, ObiWan Kenobi. I'll use a few more people to help. Can you | :59:57. | :00:01. | |
come around the back? Would that be all right? You're close. Just come | :00:01. | :00:05. | |
around the back here. Fantastic. Just get yourself around here - | :00:05. | :00:09. | |
absolutely fantastic. That's great. I am going to pick you up, Robin. | :00:09. | :00:15. | |
Is that all right? Good thing she's petite. Guys, if you could help me | :00:15. | :00:19. | |
- Julia, you support her head. Excellent. You just grab below her | :00:19. | :00:23. | |
knees. Got you, Robin. It's OK. don't have to hold on to me. We | :00:23. | :00:28. | |
have you. Put your hands on your chest. OK. Imagine all your muscles | :00:28. | :00:32. | |
in your body tensing up. Do that now and relax. Imagine yourself | :00:32. | :00:35. | |
getting lighter and lighter. That's excellent, really good. If you | :00:35. | :00:40. | |
could just sort of peel away slowly - that's great, excellent. And if | :00:40. | :00:45. | |
you could do the same thing, I've got you. I won't let you go. | :00:45. | :00:51. | |
I'm just going to let this arm leave and this as well. If you | :00:51. | :00:54. | |
could slowly let go... No, no, no, no. It's all right. It's OK. | :00:54. | :01:01. | |
Remember the feeling of your arm. Hold on. There we go. There we go. | :01:01. | :01:05. | |
I can actually push down on your body. Do you feel all right? | :01:05. | :01:10. | |
feels a bit weird. I'll just put your upright. You were absolutely | :01:10. | :01:15. | |
sensational. Feel all right? A bit lightheaded? No, I am OK. Giveler a | :01:15. | :01:25. | |
:01:25. | :01:29. | ||
I'm having a light ale! Suddenly she was able to float in the air | :01:29. | :01:35. | |
and there was no support whatsoever. I don't know how he did it. I don't | :01:35. | :01:39. | |
have to explain it. I have never seen that before in my life. | :01:39. | :01:47. | |
APPLAUSE So, we have come to the final performance of the night. | :01:47. | :01:52. | |
The phone lines will close in five minutes, just after the Live Grand | :01:52. | :01:57. | |
Illusion. Please give it up for the amazing Barry, the wonderful Stuart | :01:57. | :02:07. | |
and Craig. Thank you. The last -- for the last | :02:07. | :02:11. | |
illusion of the evening, we thought we were do something dangerous, | :02:11. | :02:15. | |
something which has killed 12 men. Your magic is dangerous so I | :02:15. | :02:21. | |
decided to make it more fun. I thought if the trip went well we | :02:21. | :02:25. | |
could blow on these wonderful party Blair was. Like a celebration at | :02:25. | :02:35. | |
:02:35. | :02:35. | ||
the end? Yes. I can live with that. Ladies and Gentlemen, marvel at the | :02:35. | :02:44. | |
colossal which is the French That killed 12 men? How my supposed | :02:44. | :02:50. | |
to get my head inside that? He is not your head that is going in | :02:50. | :02:54. | |
there. It is the small version of the full-size one which we will get | :02:54. | :03:00. | |
to in a minute. Let's explain what is going to happen. Imagine my | :03:00. | :03:04. | |
finger is Craig Revel Horwood. Let me make a couple of adjustments | :03:04. | :03:12. | |
first. Strike a pose. A perfect likeness! Now it is perfect. | :03:12. | :03:20. | |
Fabulous, darling! So I place my head in the guillotine. The short | :03:20. | :03:24. | |
blade should penetrate through the finger, hopefully without harm. I | :03:25. | :03:31. | |
will release it after three. Three, two, one. There we go. Completely | :03:31. | :03:39. | |
unharmed! The Blades goes through my neck, I take an enormous bow, | :03:39. | :03:47. | |
darling and we have to celebrate on -- by blowing on our part to blows. | :03:47. | :03:54. | |
I am ready to go. Ladies and gentlemen, I give you Madame | :03:54. | :04:03. | |
guillotine! This is the one that killed 12 men. Let me get you into | :04:03. | :04:11. | |
the stocks. I am concerned about a safety device. Craig, but we are | :04:11. | :04:16. | |
live. Remember the secret safety button. Press at once, it is safe, | :04:16. | :04:22. | |
press it again, dangerous. I will say Barry, are you ready? He will | :04:22. | :04:29. | |
say... Yes, all set. The new press the button and make it safe. | :04:29. | :04:35. | |
would rather it was safe from the start. This razor-sharp but Blade | :04:35. | :04:40. | |
is very sharp and very dangerous. Despite that, it should pass | :04:40. | :04:45. | |
straight through Craig's neck without harm. Let me ready the | :04:45. | :04:53. | |
Blades. Are you set? Ready. Let's count down from three. 3, 2,... | :04:53. | :05:03. | |
:05:03. | :05:04. | ||
stop, stop, stop! I forgot my party... Party blower! How could | :05:04. | :05:11. | |
you forget the party blower? Let me place that in between your lips | :05:11. | :05:21. | |
:05:21. | :05:43. | ||
there. Are you ready? All set, Barry & Stuart with Craig, | :05:43. | :05:52. | |
everybody! What has it been like working with Craig this week? | :05:52. | :05:59. | |
has done all right. How was the neck? I swallowed a party blower, | :05:59. | :06:04. | |
darling. A stitch in time, they say. How did you find everything | :06:04. | :06:09. | |
tonight? I found it absolutely amazing. So nerve-racking. I think | :06:09. | :06:15. | |
the audience at home must have seen me shaking. You survived death | :06:15. | :06:18. | |
multiple times. You were the one being dredged and not doing the | :06:18. | :06:24. | |
dredging this week. Yes, I don't like that -- being judged and not | :06:24. | :06:30. | |
doing the dredging. David Hasselhoff, singer, actor, judge, | :06:30. | :06:35. | |
can we had magician now? Working with Latimer has been great and all | :06:35. | :06:39. | |
you guys. Being behind the scenes I have been welcomed into a secret | :06:39. | :06:49. | |
:06:49. | :06:49. | ||
world of magic. He has been great. Has Julia done enough? I hope so. | :06:49. | :06:54. | |
We tried our best, that is all we can give. We are about to find out. | :06:54. | :06:59. | |
We have now seen all our acts performed their tricks. The phone | :06:59. | :07:03. | |
lines are now closed. Please stop calling because your vote will not | :07:03. | :07:07. | |
count and you may be charged. While we are tallying up the votes, we | :07:07. | :07:14. | |
have a special guest for you. He is one of the stars of Cirque de los - | :07:14. | :07:17. | |
- Cirque du Soleil and The Magicians in Sweden. Please put | :07:17. | :07:20. | |
your hands together for Michael Halvarson and his glamourous | :07:20. | :07:30. | |
:07:30. | :07:38. | ||
I have not done this before. I like that lady, the blonde. Put your | :07:38. | :07:45. | |
hand up. Can you please stand up. That is perfect. Get a microphone | :07:45. | :07:52. | |
on you. And you need one other person. What is your name? Helen. | :07:52. | :07:59. | |
Please stand up, Helen. We will get a microphone on Helen. Thank you. | :07:59. | :08:09. | |
:08:09. | :08:10. | ||
My name is Michael. You are Helen and this is Debbie. Please stand | :08:10. | :08:18. | |
over here. Just relax. We have not met before, have we? Know. No. | :08:18. | :08:23. | |
here to check your attention. To do that, you do not need to be | :08:23. | :08:28. | |
frightened. It is very easy. I have a yellow ball. This is very easy | :08:28. | :08:33. | |
because if we take this yellow ball, put it into my hand, I blow and it | :08:33. | :08:43. | |
:08:43. | :08:44. | ||
disappears. Hold your horses. It reappears over here. It will be | :08:44. | :08:51. | |
better. I will show you. I want you to hold out your hands like this. | :08:51. | :08:59. | |
Super-duper. I want you to hold this ball in this hand. I want you | :08:59. | :09:06. | |
to hold it up like that, even better. No, not bad. If you hold it | :09:06. | :09:12. | |
like this, you can feel the ball. can. If you hold it tight like that, | :09:12. | :09:17. | |
you know here is the ball. Hold it tight and neck sure you have the | :09:17. | :09:24. | |
ball. I have the ball. Hold it tight. I want you to do the same | :09:24. | :09:31. | |
thing. Did you see what she did? Hold out your hands. Great. Because, | :09:31. | :09:37. | |
also, I have a second ball. And this one, I want you to hold a be | :09:37. | :09:47. | |
:09:47. | :09:49. | ||
here. Hold at high and can you see she holds that? Hold it exactly | :09:49. | :09:57. | |
like that. That is perfect. I will show you something which you will | :09:57. | :10:05. | |
What I am going to show you is the best trick I know. I will make a | :10:05. | :10:13. | |
bad ball travel from here to here by magic. At the same time, I will | :10:13. | :10:19. | |
let that ball travel in the opposite direction. Hold your | :10:19. | :10:29. | |
:10:29. | :10:33. | ||
horses. Open your hands. And they have changed places! I love this | :10:33. | :10:40. | |
trip myself. But, this time, I want you once more to do exactly as they | :10:40. | :10:46. | |
do. Hold out your hands like this and do like I did. Bend your left | :10:46. | :10:52. | |
arm, bend your right arm. Look down on your hands and say it after me: | :10:52. | :10:59. | |
I cannot believe it's true. I will remember this for the rest of my | :10:59. | :11:08. | |
life. Because I can't believe he took my watch. Oh, my God! He took | :11:08. | :11:18. | |
:11:18. | :11:26. | ||
my watch. Is it right? I am so amazed. That was amazing. This is | :11:27. | :11:36. | |
:11:37. | :11:40. | ||
great, Darren. Bring in there were. -- bring it lower. I get it. This | :11:40. | :11:48. | |
bag, actually, I will not touch this. If you open the bag, can you | :11:48. | :11:55. | |
find something, reach inside. What is it that you can find? | :11:55. | :12:05. | |
:12:05. | :12:06. | ||
watches. Yes. This one is yours and this one is yours. Oh, my God, yes. | :12:06. | :12:15. | |
That is amazing. Thank you very much. Thank you very much. Michael | :12:15. | :12:25. | |
:12:25. | :12:31. | ||
OK, it is forfeit time, folks. Can I have the results, please? Here | :12:31. | :12:38. | |
they come. Thank you, gorgeous. OK. I can now reveal the act with the | :12:38. | :12:45. | |
most votes tonight and definitely safe from performing the forfeit, | :12:45. | :12:55. | |
:12:55. | :12:56. | ||
it is making me nervous just talking about it is... Barry & | :12:56. | :13:03. | |
Stuart and Craig again! Of yes! your hands together for the | :13:03. | :13:11. | |
winners! CHEERING AND APPLAUSE The act with | :13:11. | :13:16. | |
the fewest votes who will now be walking barefoot over razor-sharp | :13:16. | :13:24. | |
swords and have to face the terrifying samurai slice is... | :13:24. | :13:34. | |
:13:34. | :13:43. | ||
It is anathema and the Hoff! -- What happened? I don't know! Maybe | :13:43. | :13:48. | |
they just want to see more of year. These guys will say goodbye to | :13:48. | :13:53. | |
their loved ones. We will remind you at home what they will attempt. | :13:53. | :14:00. | |
Here it is. The samurai sword is renowned for | :14:00. | :14:05. | |
having the sharpest blade in the world. In tonight's forfeit, the | :14:05. | :14:13. | |
losing act must walk barefooted up eight Samurai sword for ladder. | :14:13. | :14:18. | |
They will lie on a bed of swords. A melon will be placed on their | :14:18. | :14:25. | |
stomach and a source -- swordsman will attempt to slice it. That does | :14:25. | :14:30. | |
not look fun at all. In no circumstances should you attempt | :14:30. | :14:34. | |
these at home. They are very dangerous. I will show you how | :14:34. | :14:38. | |
sharp these things are here. Is what they will be walking up with | :14:38. | :14:48. | |
:14:48. | :14:49. | ||
Then they will have to live over here. They will be lying on them. | :14:50. | :14:55. | |
Finally, they will be sliced and diced with this guy and this sort | :14:55. | :15:05. | |
:15:05. | :15:07. | ||
here. Very, very, very sharp indeed. I need you in your position. I want | :15:07. | :15:17. | |
:15:17. | :15:24. | ||
to see you did this. We are doing Guys, you have to pay attention. | :15:24. | :15:28. | |
Whatever you do, just listen to everything Latimer says here. If | :15:28. | :15:32. | |
you don't, it could be very, very dangerous. You have seen they're | :15:32. | :15:36. | |
incredibly sharp. I am going to throw over to you, Latimer. Take it | :15:36. | :15:44. | |
away. David, for this one - this one is very simple - | :15:44. | :15:47. | |
SHOUTING Hold on one second. I want to make | :15:47. | :15:52. | |
sure your foot is evenly spaced across the blades. One, that would | :15:52. | :15:56. | |
be bad. Three, that's better. I guarantee you, it will not be | :15:56. | :16:00. | |
comfortable, but make sure it's spread across all blades. It will | :16:00. | :16:05. | |
not be comfortable. I know. Make sure your foot goes flat across all | :16:05. | :16:08. | |
the blades. Ready? Oh, yeah. foot at a time, all right? | :16:08. | :16:18. | |
:16:18. | :16:26. | ||
the blade. Wow! Got it? On three - one - are you guys excited? | :16:26. | :16:33. | |
AUDIENCE: YEAH! It hurts already. Hoff, off. | :16:33. | :16:43. | |
:16:43. | :17:02. | ||
on, Hoff. Come on, Hoff! AUDIENCE: Hoff, Hoff, Hoff! | :17:02. | :17:11. | |
I can't do it. Give me a hand. Ahhh! Whoa! Last one. Come on. And | :17:11. | :17:17. | |
the other one. Just go straight to the end. Wow. Go all the way to the | :17:17. | :17:27. | |
:17:27. | :17:36. | ||
end. Ahh! Whoa! Whoa! I'm never going to do that again. Never again. | :17:36. | :17:39. | |
Woo! Same thing as before, just a little | :17:39. | :17:47. | |
bit bigger. All right? Same thing. Spread out your body... Yeah. | :17:47. | :17:54. | |
means basically from your knees to your elbow across the blades. Keep | :17:54. | :17:59. | |
your body stiff until laid down, then gentle when you're on the | :17:59. | :18:06. | |
blades, OK? Stiff and then be gentle?! And relax when they're | :18:06. | :18:12. | |
there. How do your feet feel? very good. Wait until your back is | :18:12. | :18:18. | |
done with this one. Stiff, then relaxed. OK. Ahh! Ahh! Ahh! All | :18:19. | :18:28. | |
:18:29. | :18:37. | ||
right. All right. Thank you. sliced Hoff! Ahh! Wow. I'm going to | :18:37. | :18:41. | |
go. Ready. Well, he's not that big - that's | :18:41. | :18:47. | |
easy for you, dude. Come on. Man, sliced Hoff. All right. Now, | :18:47. | :18:51. | |
there's a couple more instructions, but I am going to wait until you're | :18:51. | :18:56. | |
perfectly on the blades. there's more. When do you guys stop | :18:56. | :19:01. | |
working out? Just kidding! So what do I - I come here, lay back? Just | :19:01. | :19:08. | |
fall in your arms? APPLAUSE | :19:08. | :19:15. | |
AUDIENCE: Hoff, Hoff, Hoff! | :19:15. | :19:24. | |
Ow! Where are my hands? Right down here? Whoa! Oh, joy! Hoff? Hoff? | :19:24. | :19:28. | |
thought I liked working with you, dude. It has been a pleasure, first | :19:28. | :19:35. | |
of all. OK, guys, guys, just what I need you to do - don't block that | :19:35. | :19:41. | |
blade... Oh, my God! The blade they're going to... Three, two - | :19:41. | :19:47. | |
one. Oh! Come on, man. I'm trying to bring Knight Rider back. Whoa! | :19:47. | :19:54. | |
Keep your hands still, David. hi, how are you? Good, man. Do me a | :19:54. | :20:04. | |
:20:04. | :20:08. |