Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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Last week, on The Magicians, Barry and Stuart secured their second | 0:00:15 | 0:00:21 | |
victory. It would be fantastic to win again this week. Pete came in | 0:00:21 | 0:00:26 | |
second. I have been lost, I have been second, tonight it is number | 0:00:26 | 0:00:36 | |
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one. Of course I am upset, nobody likes losing. How many have the won | 0:00:36 | 0:00:42 | |
so far? Is it zero? This week, the magicians are joined by three new | 0:00:42 | 0:00:45 | |
celebrities to compete with four amazing new tricks, to win your | 0:00:46 | 0:00:50 | |
vote and avoid the forfeit. We are doing something that has literally | 0:00:50 | 0:00:55 | |
never been seen before, it is live, there is a lot at stake. Just 40 | 0:00:55 | 0:01:01 | |
minutes ago, the celebrities found out what the forfeit his. Oh, my | 0:01:01 | 0:01:10 | |
God. Does it hurt? Like hell! will triumph and who will face the | 0:01:11 | 0:01:20 | |
0:01:21 | 0:01:44 | ||
bed of nails sandwich? You decide. Live from Shepperton Studios... | 0:01:44 | 0:01:52 | |
Please welcome your host, Karen McMullan and The Magicians. -- | 0:01:52 | 0:01:58 | |
Darren McMullen. The spectacularly so Mr Barry and Stuart. La | 0:01:58 | 0:02:08 | |
0:02:08 | 0:02:13 | ||
illusionist Latimer, and the crafty, Hallow, Shepperton. Welcome to the | 0:02:13 | 0:02:19 | |
magicians, prepared to be blown away by these guys and their | 0:02:19 | 0:02:24 | |
incredible mystical magic. Each week, are magicians will be joined | 0:02:24 | 0:02:30 | |
by a celebrity who will be performing an unbelievable trick to | 0:02:30 | 0:02:37 | |
win your vote and avoid the death the find for food. But first, let's | 0:02:37 | 0:02:47 | |
0:02:47 | 0:02:51 | ||
meet the celebrities. -- death Joining Latimer, Pussycat Doll | 0:02:51 | 0:03:01 | |
0:03:01 | 0:03:03 | ||
Kimberly Wyatt. And accompanying Pete Firman, the Queen of the bake- | 0:03:03 | 0:03:13 | |
0:03:13 | 0:03:24 | ||
Mrs The Magicians alive. -- This is The Magicians live. All of macs | 0:03:24 | 0:03:29 | |
have just got four trick to try to impress you lot are -- all of our | 0:03:29 | 0:03:33 | |
acts. The team with the lowest number of votes at the end of the | 0:03:33 | 0:03:39 | |
show will have to take on the death-defying forfeit. We are so | 0:03:39 | 0:03:44 | |
naughty, aren't we? It is pretty bad, this week. Check out the | 0:03:44 | 0:03:48 | |
moment before we went live, when this lot found out what lies in | 0:03:48 | 0:03:56 | |
store. Tonight's deadly forfeit will see the losing act having to | 0:03:56 | 0:04:02 | |
lie on a bed of a 1,000 terrifyingly sharp six-inch steel | 0:04:02 | 0:04:06 | |
nails. A second bed of nails will be forced down on top of them, | 0:04:06 | 0:04:11 | |
whilst members of our audience walk across it. It is the bed where | 0:04:11 | 0:04:20 | |
nightmares come true. Oh, God, that looks even worse than last week! | 0:04:20 | 0:04:26 | |
Even David Haye looks a bit scared. I bet you are sorry you came on now. | 0:04:26 | 0:04:33 | |
Are you ready? Yes! Are you ready, guys? Yes! Led the competition | 0:04:33 | 0:04:39 | |
begin. Up first, trying to win your vote and avoid the 4th at, Latimer | 0:04:39 | 0:04:49 | |
0:04:49 | 0:04:52 | ||
and Kimberly. Faith -- avoid the I am Kimberly Wyatt, the former | 0:04:52 | 0:04:59 | |
Pussycat Doll, you may have seen me as a dance judge. I had a lot of | 0:04:59 | 0:05:04 | |
fun last big but I ended up doing before Fred. Fay -- last week. I | 0:05:04 | 0:05:10 | |
haven't dressed up like a woman and I haven't done a pirate shovel, so | 0:05:11 | 0:05:16 | |
are kind of thinking I am winning. We are going to be bending the laws | 0:05:16 | 0:05:22 | |
of physics, and last but not least, I am going to take you for his bin. | 0:05:22 | 0:05:28 | |
Pete, Barry and Stewart are good with tricks, my job is to take | 0:05:28 | 0:05:33 | |
magic to a whole new level. I don't know what the forfeit his but I | 0:05:33 | 0:05:43 | |
0:05:43 | 0:05:47 | ||
Hoping to avoid the bed of nails tonight, I can guarantee. Give it | 0:05:47 | 0:05:57 | |
0:05:57 | 0:06:00 | ||
Thank you. When I was nine, I saw my very first magic show. I saw a | 0:06:00 | 0:06:03 | |
beautiful, romantic scene of a man levitating a woman. It was pure | 0:06:03 | 0:06:08 | |
magic. Of course, it didn't take so long before somebody tried to ruin | 0:06:08 | 0:06:12 | |
it for me. They said, you can't see it from a different angle, you can | 0:06:12 | 0:06:16 | |
only see it from one point of view. In fact, you cannot see it from | 0:06:16 | 0:06:26 | |
0:06:26 | 0:06:26 | ||
behind. It is not magic. It is just I have spent the rest of my life | 0:06:26 | 0:06:31 | |
trying to recreate wonder. I don't know what you have seen before, but | 0:06:31 | 0:06:41 | |
0:06:41 | 0:06:41 | ||
Apology for the loss of subtitles for 193 seconds | 0:06:41 | 0:09:55 | |
Tonight, no more tricks. Just magic. What?! What's next? Just a regular | 0:09:55 | 0:10:00 | |
date with Latimer. He brings a smoke machine to all his dates. | 0:10:00 | 0:10:06 | |
found that quite emotional, I am slightly Branning. It was amazing. | 0:10:06 | 0:10:16 | |
0:10:16 | 0:10:16 | ||
Her lovely hands, it was beautiful. Tell me, Pete Firman, you have two | 0:10:16 | 0:10:20 | |
mind-reading tricks tonight. You know what I'm thinking? You are | 0:10:20 | 0:10:26 | |
nuts. It is live television, anything can go wrong. This is | 0:10:26 | 0:10:33 | |
about taking a chance. Are you confident you will not be doing the | 0:10:33 | 0:10:38 | |
forfeit tonight? It is weird, I feel like I am at the best pair tea | 0:10:38 | 0:10:42 | |
in the world, but there is an executioner standing with a large | 0:10:43 | 0:10:47 | |
axe saying, I am going to get you - - the best party. If you don't | 0:10:47 | 0:10:53 | |
vote... Next up, the Posh and Becks of magic. The show at -- to show | 0:10:53 | 0:11:01 | |
the locals a trick or two, put your hands together for Pete and Mel. | 0:11:02 | 0:11:07 | |
That is not bad. I am Mel Giedroyc, and a presenter, actor, and I look | 0:11:07 | 0:11:12 | |
after people's dogs a lot. Tonight we are going to be doing fruity | 0:11:12 | 0:11:16 | |
prediction. We have an English breakfast take on a Harry Houdini | 0:11:16 | 0:11:21 | |
classic. We are going to round things off with a crafty card trick. | 0:11:21 | 0:11:25 | |
My older brother had a magic trick when he was 14 called fingers does. | 0:11:25 | 0:11:29 | |
He needed an assistant but might elder sister got the job, she | 0:11:29 | 0:11:36 | |
became Zaza the beautiful. Tonight, you are Zaza. I don't have to wear | 0:11:36 | 0:11:42 | |
a leotard? Or flesh-coloured tights? Mel might be doing this to | 0:11:42 | 0:11:46 | |
fulfil a childhood dream but I am here to write the smiles of Barry, | 0:11:46 | 0:11:53 | |
Stuart and Latimer's faces -- wipe Up I am here to say, look who is | 0:11:53 | 0:12:03 | |
0:12:03 | 0:12:09 | ||
Hello. Have you got a moment? Can we show you a trip? Take a spot | 0:12:09 | 0:12:19 | |
over here. Have you got a mobile phone? In my hand. Ready to take | 0:12:19 | 0:12:24 | |
any calls at any time? Can I take it? I will look after it. Keep | 0:12:24 | 0:12:29 | |
track of the phone. I am going to try to confuse you a bit. I am | 0:12:29 | 0:12:36 | |
going to put it inside the envelope. Where is it now? In the envelope. | 0:12:36 | 0:12:44 | |
am going to take... Still in the number of? She is good. -- still in | 0:12:44 | 0:12:48 | |
the envelope. I have also got three identical sealed envelopes. Into | 0:12:49 | 0:12:57 | |
each one, I have put a chocolate bar. I am going to mix up all of | 0:12:57 | 0:13:00 | |
the envelopes. You might think I know which one has got your mobile | 0:13:00 | 0:13:04 | |
phone inside. I want you to take the envelopes and makes them behind | 0:13:04 | 0:13:14 | |
0:13:14 | 0:13:17 | ||
your back. I think I am shovelled. Bring them around the front. Please | 0:13:17 | 0:13:25 | |
give one of them to Pete. It has gone all the way down there. I | 0:13:25 | 0:13:29 | |
wanted to hand an envelope to Mel. One that contains the bar of | 0:13:29 | 0:13:39 | |
0:13:39 | 0:13:45 | ||
chocolate. We are going to post it for you. I want you to hand the Ian | 0:13:45 | 0:13:49 | |
Blair be believed does not contain your phone to me. Are you sure | 0:13:49 | 0:13:54 | |
about this? -- I wanted to hand the envelope that you believe does not | 0:13:54 | 0:14:04 | |
0:14:04 | 0:14:04 | ||
contain your phone. If you can open the envelope, take it out. Your | 0:14:05 | 0:14:14 | |
0:14:15 | 0:14:18 | ||
pink mobile phone... It's not No! Its floating, has anyone got a | 0:14:18 | 0:14:28 | |
0:14:28 | 0:14:35 | ||
We will make it up to you, Mel is a whizz on the amusement arcade | 0:14:35 | 0:14:45 | |
0:14:45 | 0:14:49 | ||
I can't eat, I feel sick. We are going to win you a prize. You can | 0:14:49 | 0:14:59 | |
0:14:59 | 0:15:17 | ||
have a turtle... Or... My fine! -- LAUGHTER | 0:15:17 | 0:15:26 | |
A lollipop, wow! APPLAUSE | 0:15:26 | 0:15:29 | |
She won't be voting for him, will she? Not a great trick to play on | 0:15:29 | 0:15:35 | |
somebody when you want phone votes. Hide their phone. You are with a | 0:15:35 | 0:15:41 | |
champ of champs here. These guys are looking for the hat trick. How | 0:15:41 | 0:15:45 | |
are you going to do that? This week, we are going to change tactics, we | 0:15:45 | 0:15:51 | |
have been nasty. This week, David has brought a nice side to us. | 0:15:51 | 0:15:57 | |
The nice nice guy of boxing! Battling to make it three wins on a | 0:15:57 | 0:16:07 | |
0:16:07 | 0:16:12 | ||
row tonight, Barry and Stuart with I'm David Haye aka the Hay Maker. | 0:16:12 | 0:16:17 | |
Barry and Stuart are going fob the hat trick. I always wanted to know | 0:16:17 | 0:16:24 | |
how they they do these crazy illusions. | 0:16:24 | 0:16:32 | |
And making us happy is very difficult. In boxing you have got | 0:16:32 | 0:16:36 | |
to go out there and make it happen. You can't make mistakes. I have got | 0:16:36 | 0:16:46 | |
a treat for you guys, Latimer and Pete! I hope there is a forefit for | 0:16:46 | 0:16:56 | |
0:16:56 | 0:17:01 | ||
the loser. The Haymaker doesn't do forefits! | 0:17:01 | 0:17:03 | |
APPLAUSE Live in the studio with a close-up | 0:17:03 | 0:17:13 | |
0:17:13 | 0:17:13 | ||
magic, put your hands together, it It is a nil known fact, but David | 0:17:13 | 0:17:19 | |
Haye here is a wine expert. What do you drink red and futy. | 0:17:19 | 0:17:22 | |
-- fruity. Not when you are training. What is | 0:17:23 | 0:17:26 | |
the strongest thing you have when you are training? A glass of milk. | 0:17:26 | 0:17:33 | |
We are going to a trick that some of awe may think it is miraculous. | 0:17:33 | 0:17:39 | |
We want someone's help who likes wine. Put up your hand if you like | 0:17:39 | 0:17:49 | |
0:17:49 | 0:17:49 | ||
wine a bit. A lot of hands going up. Let's see. How about that little | 0:17:49 | 0:17:53 | |
kid with the checked shirt? have to be over 18. | 0:17:53 | 0:18:00 | |
The girl with the green scarf. She looks like she drinks wine. | 0:18:01 | 0:18:10 | |
0:18:11 | 0:18:11 | ||
Give her a round of applause. APPLAUSE | 0:18:11 | 0:18:14 | |
You have got a a bottle of mineral water. We need you to be the taste | 0:18:14 | 0:18:19 | |
buds for everyone in the room. Take a taste of it. Confirm it is just | 0:18:19 | 0:18:24 | |
mineral water? Yes, just water. Pure water, no traces of alcohol in | 0:18:24 | 0:18:27 | |
that. We are going to attempt to do a | 0:18:27 | 0:18:33 | |
trick which hasn't been done for 2,000 years, give or take. | 0:18:33 | 0:18:39 | |
I am going to break the seal next to my microphone. David, are you | 0:18:39 | 0:18:43 | |
ready? Yes, I am. This is water, you have tasted and | 0:18:43 | 0:18:46 | |
verified with your own lips. If this works, it will be a miracle. | 0:18:46 | 0:18:56 | |
0:18:56 | 0:19:05 | ||
Watch as it changes in mid-air. APPLAUSE | 0:19:05 | 0:19:08 | |
I know what some of you are thinking, but no, it is not a | 0:19:08 | 0:19:10 | |
simple trick where the water has changed colour. The moll molecules | 0:19:10 | 0:19:15 | |
of the water has changed. It smells of wine. | 0:19:15 | 0:19:25 | |
0:19:25 | 0:19:34 | ||
Taste and confirm for us that that is real red wine. Water into wine! | 0:19:34 | 0:19:35 | |
APPLAUSE David, give that back. | 0:19:36 | 0:19:43 | |
David, we have got something else. Just for you, we have got a special | 0:19:43 | 0:19:46 | |
surprise. We say normally that we have nothing up our sleeves, but | 0:19:46 | 0:19:52 | |
David, just for you, just for tonne tonight, we have inside Barry's | 0:19:52 | 0:20:02 | |
sleeve, a glass of milk! APPLAUSE | 0:20:02 | 0:20:11 | |
It's milk! APPLAUSE | 0:20:11 | 0:20:13 | |
Water into wine, very brave, guys. The last guy that tried that had a | 0:20:14 | 0:20:17 | |
run in with a bed of nails, let's hope you don't suffer the same | 0:20:17 | 0:20:20 | |
tonight. All our acts have performed their first trick which | 0:20:20 | 0:20:23 | |
means the phonelines are open. To save your favourite celebrity and | 0:20:23 | 0:20:29 | |
the magician from a horrendous forefit, you need to pick up the | 0:20:29 | 0:20:31 | |
phone. Remember the act with the fewest votes will have to endure a | 0:20:31 | 0:20:36 | |
bed of nails sandwich. Nasty stuff. The magicians agree, this is the | 0:20:36 | 0:20:46 | |
0:20:46 | 0:20:55 | ||
worst one we have done yet. The Calls will cost you 15 pence. And | 0:20:55 | 0:21:00 | |
calls from mobiles will be more. If you want full terms and conditions, | 0:21:00 | 0:21:04 | |
you can find them on the website. Stick around, folks, there is more | 0:21:04 | 0:21:10 | |
coming your way. Here is a little Still to come: | 0:21:10 | 0:21:20 | |
Will Mel and Pete's classic win your vote? Latimer and Kimberley | 0:21:20 | 0:21:25 | |
attempt the impossible. And Barry and Stuart use the powers | 0:21:25 | 0:21:35 | |
0:21:35 | 0:21:42 | ||
APPLAUSE OK, Barry and Stuart will have a | 0:21:42 | 0:21:44 | |
special treat. Next up with their location, grand illusion, it is | 0:21:44 | 0:21:54 | |
0:21:54 | 0:22:22 | ||
In 1914, Houdini, arguably the world's most famous magician walked | 0:22:22 | 0:22:27 | |
through a solid brick wall. Houdini, he walked through a simple | 0:22:27 | 0:22:31 | |
brick wall, you Pete, are going to walk through a solid wall of baked | 0:22:31 | 0:22:36 | |
beans. We have over 2040 cans here. | 0:22:36 | 0:22:42 | |
That's 17 gallons of salt, Pete. The equivalent of an atom bomb. Not | 0:22:42 | 0:22:46 | |
that ladies ever do a trouser cuff, Mel, I know that. | 0:22:46 | 0:22:50 | |
Moving on... Pete, you will be working on solid concrete floor. | 0:22:50 | 0:22:56 | |
There are no trap doors. Easy. Easy. The structure is delicate. | 0:22:56 | 0:23:00 | |
Yes, it took over three hours to build. If it came down, it would | 0:23:00 | 0:23:03 | |
really hurt. Look, we have got loads of people to watch. | 0:23:03 | 0:23:12 | |
Thank you very much for coming down. Hello. | 0:23:12 | 0:23:13 | |
APPLAUSE Pete, I hope we get triple loyalty | 0:23:13 | 0:23:16 | |
points for these. Of course. Mel, as the wall was | 0:23:16 | 0:23:20 | |
being built, we have treated a set of handcuffs with a long chain | 0:23:20 | 0:23:24 | |
through and in between the cans and we are going to be handcuffed. | 0:23:24 | 0:23:30 | |
Cuffed together in magic forever. It is a dream come true. Could we | 0:23:30 | 0:23:35 | |
have help. Viv, I have got the key to the cuffs and I would like to | 0:23:35 | 0:23:40 | |
you come around this way, Viv, probably in your line of work, | 0:23:40 | 0:23:44 | |
people don't ask you to do this, but can you cuff me, cuff me good | 0:23:44 | 0:23:48 | |
and proper? Oh, she is good. Thank you very much. Oh and don't | 0:23:48 | 0:23:54 | |
lose the key. If you can dot same on this side. | 0:23:54 | 0:23:59 | |
Handcuff me through the wall. If you can take my jacket. Fantastic, | 0:23:59 | 0:24:09 | |
0:24:09 | 0:24:09 | ||
that's great. Let's hope passing through a load of beans doesn't | 0:24:10 | 0:24:19 | |
0:24:20 | 0:24:20 | ||
have the same effect as a load of beans passing through Pete Firman. | 0:24:20 | 0:24:26 | |
Lovely work, bring her around here. Mind the tower of beans. | 0:24:26 | 0:24:31 | |
Careful as you come up to the stack of beans. We don't want to knock | 0:24:31 | 0:24:34 | |
those down. Are you ready, Mel, are you all | 0:24:34 | 0:24:38 | |
right? Oh, you are a saucy devil, Pete. | 0:24:38 | 0:24:43 | |
Let's do it, Mel! OK. Start pulling gently, not too | 0:24:43 | 0:24:47 | |
hard. I'm starting to move. | 0:24:47 | 0:24:52 | |
Are you all right? Oh, it is wet, Mel. It is very wet. | 0:24:52 | 0:24:58 | |
Oh Pete. Careful. Are you all right there, Pete? Are you all right? | 0:24:59 | 0:25:03 | |
almost there. You're doing well, Pete. | 0:25:03 | 0:25:10 | |
I can feel the weight. I can see the head. | 0:25:10 | 0:25:16 | |
It feels great. Actually don't do that. Viv, will | 0:25:16 | 0:25:26 | |
0:25:26 | 0:25:36 | ||
you do the honours. That is amazing. When he came through the beans, I | 0:25:37 | 0:25:39 | |
assumed the wall was going to collapse. It was amazing, you had | 0:25:40 | 0:25:44 | |
the beans dripping from his head, but the wall was in place. I don't | 0:25:44 | 0:25:47 | |
see how it happened. I haven't got a clue how he got | 0:25:47 | 0:25:52 | |
there. He came through the beans. I was | 0:25:52 | 0:25:56 | |
really impressed. You should do the honours. You | 0:25:56 | 0:26:06 | |
0:26:06 | 0:26:15 | ||
APPLAUSE Pretty useful, it is not a useful | 0:26:15 | 0:26:17 | |
trick, but entertaining, wasn't it? AUDIENCE: Yes. | 0:26:17 | 0:26:20 | |
If you thought so too, make sure you pick up the phone and save | 0:26:20 | 0:26:26 | |
these guy frs doing tonight's forefit. Barry and Stuart, with | 0:26:26 | 0:26:36 | |
0:26:36 | 0:26:42 | ||
That illusion was really romantic, but David Haye here is working with | 0:26:42 | 0:26:45 | |
Team Barry and Stuart, and we don't want to do anything romantic. We | 0:26:45 | 0:26:50 | |
want to up our game. We want to an illusion and we will make it sexy. | 0:26:50 | 0:26:56 | |
We know what you are thinking, yes. How could magic be sexy? Well, | 0:26:56 | 0:27:00 | |
there are ways that you can make anything sexy. You can start with | 0:27:00 | 0:27:05 | |
sexy music and David brought along his favourite CD with music to set | 0:27:05 | 0:27:14 | |
the mood. Can we play that now? Track two. | 0:27:14 | 0:27:21 | |
That's it. Now some sexy lighting and sexy | 0:27:21 | 0:27:31 | |
0:27:31 | 0:27:32 | ||
walking and pouting. Now a sexy girl who you lift into | 0:27:32 | 0:27:42 | |
0:27:42 | 0:27:42 | ||
Now a sexy girl who you lift into your box. | 0:27:42 | 0:27:44 | |
LAUGHTER You You shouldn't have had lunch. | 0:27:44 | 0:27:50 | |
Get in the box. Help her into the box and do up the | 0:27:50 | 0:27:55 | |
clasps. The sexyclasps. | 0:27:55 | 0:28:04 | |
Now you are going to lift your lady into horizontal position. | 0:28:04 | 0:28:13 | |
We have got razor sharp blades. So sharp you can shave your face with | 0:28:14 | 0:28:21 | |
them. Smooth and sexy. Ready, David? I am. | 0:28:21 | 0:28:26 | |
We have these two blades joined together. Two blades joined | 0:28:26 | 0:28:31 | |
together. Two have become one, that's double sexy! | 0:28:31 | 0:28:36 | |
Everybody knows that when you use water, things will become | 0:28:36 | 0:28:42 | |
automatically 10% sexier! LAUGHTER | 0:28:42 | 0:28:50 | |
Soaking sexy. At some point show the audience your walnut. | 0:28:50 | 0:28:53 | |
LAUGHTER Almost too sexy. | 0:28:53 | 0:29:01 | |
Four more blades and you will have have cut your assistant into nine | 0:29:01 | 0:29:05 | |
equallyised -- sized sexually little pieces. Do it, David, nine | 0:29:05 | 0:29:10 | |
pieces, all at once! Yes! | 0:29:10 | 0:29:20 | |
0:29:20 | 0:29:25 | ||
And... The square root of sexy. And now for the splits, not us, her. | 0:29:25 | 0:29:29 | |
APPLAUSE That's sexy. | 0:29:29 | 0:29:35 | |
How can it possibly get any sexier than this, David? There is only one | 0:29:35 | 0:29:45 | |
0:29:45 | 0:29:50 | ||
way to get sexier, move it team. Ladies and gentlemen, sexy from all | 0:29:50 | 0:29:54 | |
angles. We all know that breaking up is | 0:29:54 | 0:30:04 | |
0:30:04 | 0:30:06 | ||
hard, but getting back together again... Oh, that's sexy. | 0:30:06 | 0:30:10 | |
How are you feeling down there? Wiggle your fingers if you are all | 0:30:10 | 0:30:20 | |
0:30:20 | 0:30:23 | ||
right. Bashing people on the head, sexy. | 0:30:23 | 0:30:29 | |
Getting the blades out at the same time... Everyone knows that's real | 0:30:29 | 0:30:33 | |
sexy. Take it down a beam and back sexy. Take it down a beam and back | 0:30:33 | 0:30:39 | |
We can do this. We're here with the strongest man in the world, Barry. | 0:30:39 | 0:30:49 | |
0:30:49 | 0:30:54 | ||
Hang on, we can do this. Sorry, ladies and gentlemen. What has | 0:30:54 | 0:31:02 | |
happened here is death, and that is certainly not sexy. Is she alive? | 0:31:02 | 0:31:07 | |
Issue alive? These blades are clean, they have to be, otherwise this | 0:31:07 | 0:31:17 | |
0:31:17 | 0:31:22 | ||
It is at this point, everyone asks the same question, especially | 0:31:22 | 0:31:29 | |
ourselves. Is she still alive? don't think so, Barry. We have got | 0:31:29 | 0:31:35 | |
to ask ourselves, is she in one piece? Are you in one piece? I | 0:31:35 | 0:31:45 | |
0:31:45 | 0:31:54 | ||
Wait, there is one final way to make anything sexy. Posing and | 0:31:54 | 0:32:04 | |
0:32:04 | 0:32:19 | ||
Wow. We almost killed someone on live television, that was -- I was | 0:32:19 | 0:32:23 | |
very nervous, and we almost took his eyebrows off at the end. | 0:32:23 | 0:32:27 | |
Everyone is still alive, the show must go on. It is live television, | 0:32:27 | 0:32:32 | |
anything can happen. What do you think? They got sexy. Maybe too | 0:32:32 | 0:32:38 | |
sexy. I was worried. What have you got? I have got Kimberly, she is | 0:32:38 | 0:32:45 | |
very sexy. But she is a killer magician. Really? Have you been | 0:32:45 | 0:32:50 | |
practising your magic hands? I have magic hands and magic moves. Let's | 0:32:50 | 0:32:55 | |
see, here we go. Hoping for his first win, this is a world | 0:32:56 | 0:33:05 | |
0:33:06 | 0:33:17 | ||
exclusive, here they are with a Are you enjoying London? I love it. | 0:33:17 | 0:33:21 | |
Abbey ever been to this fountain? have driven by it but I have never | 0:33:21 | 0:33:31 | |
0:33:31 | 0:33:34 | ||
Would you like to see an illusion? I would love to. You have got to | 0:33:34 | 0:33:44 | |
0:33:44 | 0:33:44 | ||
Apology for the loss of subtitles for 193 seconds | 0:33:44 | 0:36:44 | |
trust me. OK. It has got to be every day. Not at all! Wow! Let's | 0:36:44 | 0:36:54 | |
0:36:54 | 0:37:01 | ||
go to the store, I need some more That was brilliant. It is a world | 0:37:01 | 0:37:05 | |
first. I normally would say, don't try that at home, but if you can | 0:37:05 | 0:37:10 | |
walk on water, who am I to tell you what to do? We are at the halfway | 0:37:10 | 0:37:14 | |
mark. If you want to save your favourite from the bed of nails, | 0:37:14 | 0:37:24 | |
0:37:24 | 0:37:42 | ||
you have got to get on the phone. It is getting very tense in here, | 0:37:42 | 0:37:49 | |
after that big trick. We can all feel it. OK, time for the location | 0:37:49 | 0:37:54 | |
grand illusion. I would like to welcome them back. It is the | 0:37:54 | 0:37:59 | |
undefeated featherweight champions of the show, please welcome Barry | 0:37:59 | 0:38:09 | |
0:38:09 | 0:38:20 | ||
All right, we are set up, we have a nice view. A very good view. We are | 0:38:20 | 0:38:25 | |
going to find someone, do you want to come with us? I will stay here. | 0:38:25 | 0:38:35 | |
0:38:35 | 0:38:40 | ||
Hi, how are you doing? We are looking for one person to come with | 0:38:41 | 0:38:47 | |
us to meet the boxer, David Haye, and take part in an experiment. | 0:38:47 | 0:38:51 | |
do only need one person. We are going to choose that person at | 0:38:51 | 0:38:57 | |
random, by spinning a bottle. It is going to be you. What is your name? | 0:38:57 | 0:39:04 | |
Naomi. Do you want to come upstairs? Yes, sure. We will bring | 0:39:04 | 0:39:14 | |
0:39:14 | 0:39:17 | ||
This way, to meet our special guest. This is David Haye. Nice to meet | 0:39:17 | 0:39:23 | |
you. Nice to meet you. You found a victim! The reason why we have | 0:39:23 | 0:39:26 | |
brought into the top of this building is to show you an | 0:39:26 | 0:39:30 | |
experiment that uses light. We are going to use this light bulb. David | 0:39:30 | 0:39:33 | |
going to use this light bulb. David has been working on something. | 0:39:33 | 0:39:37 | |
have to stare at the light bulb, think about it, focus on it, really, | 0:39:37 | 0:39:45 | |
deep down, feel it, see it. He is good, isn't he? That is how you do | 0:39:45 | 0:39:51 | |
it. If you could hold on to this right there, that is perfect. It is | 0:39:51 | 0:39:56 | |
away from human skin, it is isolated. Imagine a happy memory | 0:39:56 | 0:40:04 | |
and see it in the light bulb. Keep concentrating on the memory, don't | 0:40:04 | 0:40:13 | |
let it fade away. Oh! Naomi, you are very good at this. So good that | 0:40:13 | 0:40:18 | |
we think we should do this on a grander scale. We have taken you up | 0:40:18 | 0:40:21 | |
on to this roof terrace because we are surrounded by the City of | 0:40:21 | 0:40:25 | |
London. There are buildings and skyscrapers everywhere. We want you | 0:40:25 | 0:40:30 | |
to pick a building, or any building. And I look around, have a good look | 0:40:30 | 0:40:35 | |
around. Don't worry, we will not ask you to shuffle the buildings, | 0:40:35 | 0:40:42 | |
just to pick one. I have picked one. Which one would you like? That one. | 0:40:42 | 0:40:48 | |
The one with the pyramid on top. The smoking one. Canary Wharf, with | 0:40:48 | 0:40:52 | |
the flashing lights. To make this work, you need to think about | 0:40:52 | 0:40:56 | |
someone who is very special to you, someone you have not seen in a long | 0:40:56 | 0:41:03 | |
time. Don't say their name but have you got someone? Yes. Keep that | 0:41:03 | 0:41:07 | |
person in mind, continued to look at the building. Concentrate, on | 0:41:07 | 0:41:13 | |
the name of that person, really think about them right now. Like | 0:41:13 | 0:41:19 | |
you focused on the light bulb earlier, really look at it. It will | 0:41:19 | 0:41:29 | |
0:41:29 | 0:41:38 | ||
have to be a powerful memory for were thinking of? Yes! Who is that? | 0:41:38 | 0:41:42 | |
She is my best friend, I was a bridesmaid a few months ago, we | 0:41:42 | 0:41:48 | |
went to New Zealand together. was the last time you saw her? | 0:41:48 | 0:41:55 | |
few months ago. You're thinking of their just then? Since we are on | 0:41:55 | 0:41:59 | |
the roof terrace, we would like to do one more thing. Come and check | 0:41:59 | 0:42:09 | |
0:42:09 | 0:42:12 | ||
Keep on concentrating on your friend, Beth. Imagine you can see | 0:42:12 | 0:42:22 | |
0:42:22 | 0:42:22 | ||
her. Oh, my God! When her name popped up on the building, that was | 0:42:22 | 0:42:27 | |
really amazing. I don't even know how they managed to know what I was | 0:42:27 | 0:42:31 | |
thinking, to know that I picked that front. I have never met them | 0:42:31 | 0:42:37 | |
before. To make her appear as well, that was even weirder. When the | 0:42:37 | 0:42:40 | |
Clough dropped, it was so bizarre seeing her, I did not think that | 0:42:40 | 0:42:45 | |
was even possible. She doesn't live in London, she lives really far | 0:42:45 | 0:42:55 | |
0:42:55 | 0:42:57 | ||
away, I don't know how they did These guys are going out with their | 0:42:57 | 0:43:01 | |
nice guy routine, it is grippingly out a bit, I think I prefer the | 0:43:01 | 0:43:11 | |
0:43:11 | 0:43:12 | ||
dark and twisted -- gripping me out. Here to win your vote, Pete and Mel. | 0:43:12 | 0:43:16 | |
Mel and I are going to continue with a card trick. I am going to | 0:43:16 | 0:43:20 | |
get someone to check those out. Have a look at those, make sure it | 0:43:20 | 0:43:25 | |
is a perfectly normal pack of cards. Take your time, we are going to be | 0:43:25 | 0:43:29 | |
doing the trick with this DEC. Just a joke. Keep them face down so you | 0:43:29 | 0:43:36 | |
do not know the order of the cards. And then faced down to me. Over my | 0:43:36 | 0:43:41 | |
left shoulder is Mel. She has a poll. I am the poll with a pole. | 0:43:41 | 0:43:47 | |
That went down better in rehearsal. At the end of the poll I have | 0:43:47 | 0:43:53 | |
attached a sanitary bucket, which is going to come in very useful for | 0:43:53 | 0:43:56 | |
is going to come in very useful for keeping a deck of cards in. I am | 0:43:56 | 0:43:59 | |
going to take the deck of cards, going to take the deck of cards, | 0:43:59 | 0:44:05 | |
then circlet with a rubber band. Of these cards may come to you in a | 0:44:05 | 0:44:12 | |
moment. Don't do the ace of spades, that would be obvious. Hold the | 0:44:12 | 0:44:20 | |
pack face down, pull it up and see a card and remember it. I am going | 0:44:20 | 0:44:25 | |
to pass the pack of cards inside this empty bucket. You are a little | 0:44:25 | 0:44:35 | |
0:44:35 | 0:44:38 | ||
pale. Nothing at all! The ball is coming into you, sir. Please take | 0:44:38 | 0:44:48 | |
the deck. Drop the cards back in the bucket. Let's go further afield. | 0:44:48 | 0:44:53 | |
You never told me you had an extending poll. I am a man of many | 0:44:53 | 0:44:58 | |
talents. Reach inside their, pull the pack of cards. The sound man is | 0:44:58 | 0:45:06 | |
green with envy! Do you reckon a bit further still? I think I can | 0:45:06 | 0:45:11 | |
take it a little bit further... Sorry. Really be careful. I am | 0:45:11 | 0:45:19 | |
going to go for Lady... Look how I am anchoring with my thighs. Lady | 0:45:19 | 0:45:24 | |
with a lovely top, make it quick... I am having a bit of a problem, | 0:45:24 | 0:45:34 | |
0:45:34 | 0:45:37 | ||
Surrey. I don't want to bang your of that! I am going to go to the | 0:45:37 | 0:45:43 | |
back. Sorry, I don't mean to walk you up. I can go all the way to BBC | 0:45:43 | 0:45:49 | |
Two on this, I really can! You sir, if the blazer if you can reach in | 0:45:50 | 0:45:54 | |
the bucket. It is all right, we have got public liability. Today | 0:45:54 | 0:45:59 | |
would be good fella. Just inside there. Hold the deck face down. I | 0:45:59 | 0:46:09 | |
0:46:09 | 0:46:09 | ||
apologise. Have you got a card? Amazing. | 0:46:10 | 0:46:14 | |
Right. We have got four different people thinking of four cards. | 0:46:14 | 0:46:19 | |
Would all four of you stand up for for me, please? If you have a free | 0:46:19 | 0:46:24 | |
choice of 52, we couldn't manipulate the cards, you were | 0:46:24 | 0:46:29 | |
holding them all the time. Mel and I are going to tune into your | 0:46:29 | 0:46:31 | |
thoughts. We are going to name four thoughts. We are going to name four | 0:46:31 | 0:46:36 | |
cards. If we name the card that you are thinking of, we need you to sit | 0:46:36 | 0:46:39 | |
down. Be careful because your chairs will have flipped up behind | 0:46:39 | 0:46:44 | |
you. They are very cheap. Is that all clear now? If one out | 0:46:44 | 0:46:47 | |
of four people sat down, I would be impressed. | 0:46:47 | 0:46:52 | |
I would be over the moon. That would be awesome. If all four | 0:46:52 | 0:46:57 | |
people to sit down, I expect this audience to go wild and for | 0:46:57 | 0:47:00 | |
everybody at home to vote for Team Pete. | 0:47:00 | 0:47:03 | |
I don't want to do the bed of nails! | 0:47:03 | 0:47:09 | |
Are you there, Mel? I have got Tony Blackburn. | 0:47:09 | 0:47:13 | |
Wrong wave length. If we name your card, sit down. | 0:47:13 | 0:47:23 | |
0:47:23 | 0:47:24 | ||
Ten of spades, five of clubs. Seven of diamonds. Did we do it? | 0:47:24 | 0:47:28 | |
APPLAUSE I am amazed. | 0:47:28 | 0:47:38 | |
0:47:38 | 0:47:40 | ||
I am glad. APPLAUSE | 0:47:40 | 0:47:43 | |
Pete, very good mind reading and handling the bucket. Was it good | 0:47:43 | 0:47:45 | |
enough to save them from the the sandwich of nails, do you think? | 0:47:45 | 0:47:48 | |
AUDIENCE: Yes. If you thought so at home, get on | 0:47:48 | 0:47:53 | |
the phone. Next up hoping to avoid the sandwich of terror, it is | 0:47:53 | 0:48:03 | |
0:48:03 | 0:48:11 | ||
To do magic, I study different art forms. This is Kimberley. | 0:48:11 | 0:48:20 | |
Hi. I do have one trick. Watch closely. No nails. No nails. No | 0:48:20 | 0:48:30 | |
0:48:30 | 0:48:30 | ||
nails. Nails. LAUGHTER | 0:48:30 | 0:48:34 | |
I study balance. What I'm going to try and do for you now is make this | 0:48:34 | 0:48:44 | |
0:48:44 | 0:48:46 | ||
No. No. Maybe it needs more friction or something like that. | 0:48:46 | 0:48:56 | |
0:48:56 | 0:49:01 | ||
Maybe it needs a bit of friction. Oh, that's a lot of friction! | 0:49:02 | 0:49:07 | |
Maybe it was a bit too much friction. | 0:49:07 | 0:49:17 | |
I can feel it heating up as it is coming back through. Feel the heat | 0:49:17 | 0:49:25 | |
on there. LAUGHTER | 0:49:25 | 0:49:29 | |
We'll do something else. A magic coaster and this here. We will use | 0:49:29 | 0:49:36 | |
this. Can I use your drink, sir? Watch carefully. I will get it to | 0:49:36 | 0:49:46 | |
0:49:46 | 0:50:18 | ||
that. How did you do that? I spent the | 0:50:18 | 0:50:23 | |
hole time thinking how they did it, whether it was mirrors, but no. | 0:50:23 | 0:50:33 | |
0:50:33 | 0:50:36 | ||
OK, our acts have one more trick left before someone gets nailed! | 0:50:36 | 0:50:39 | |
This is the last time you will see the numbers. The vote lines will | 0:50:39 | 0:50:42 | |
close in approximately ten minutes, after everyone has performed their | 0:50:42 | 0:50:48 | |
final trick. This is your last chance to save your favourite. Here | 0:50:48 | 0:50:58 | |
0:50:58 | 0:51:11 | ||
To save Barry and Stuart and David To save Latimer and Kimberley, add | 0:51:11 | 0:51:21 | |
0:51:21 | 0:51:34 | ||
Ten of spades, five of clubs. Queen of hearts, seven of diamonds. | 0:51:34 | 0:51:42 | |
Did we do it? Yes! | 0:51:42 | 0:51:49 | |
Calls cost 15 pence from a BT land line. Calls from mobiles could cost | 0:51:49 | 0:51:55 | |
more. If you want the full details, head to the website. It is all up | 0:51:55 | 0:51:58 | |
to you folks, Latimer doesn't want to do the forfeit this week and | 0:51:59 | 0:52:03 | |
this is his last chance to win you overment here they are with their | 0:52:03 | 0:52:11 | |
live, close-up magic, Latimer and Thank you. Thank you. For close-up | 0:52:11 | 0:52:14 | |
magic, we are going to be using this deck of cards and it will | 0:52:14 | 0:52:17 | |
this deck of cards and it will represent our audience. We have a | 0:52:17 | 0:52:20 | |
lot of different cards. A lot of different faces and a couple of | 0:52:20 | 0:52:25 | |
jokers! I want you to imagine with all these different faces from the | 0:52:25 | 0:52:29 | |
front, that's a deck of cards, but from the back they look the same. | 0:52:29 | 0:52:34 | |
They are kind of like people. Very true. In this envelope, I have | 0:52:34 | 0:52:39 | |
eight powerful cards, but first I need a unique volunteer. Do I have | 0:52:39 | 0:52:45 | |
anyone that's willing to come up and help us from the audience? | 0:52:46 | 0:52:53 | |
You look very unique. Do you mind coming up? What's your your name? | 0:52:53 | 0:52:57 | |
Sara. Yes, give her a round of applause. | 0:52:57 | 0:53:05 | |
Thank you so much. Now, all we need you to do is pick a card. | 0:53:05 | 0:53:10 | |
Pick a card, any card. Are you sure you want that card? It has to be a | 0:53:10 | 0:53:17 | |
card that defines you. Pull it up, place it over there. Inside this | 0:53:17 | 0:53:23 | |
envelope, are eight very powerful cards. They look like your card, | 0:53:23 | 0:53:28 | |
except they are blue on the back. They are blank on the face, but all | 0:53:28 | 0:53:33 | |
these cards want to do is just be like you, whether you want them to | 0:53:33 | 0:53:41 | |
or not, whether your eyes are open or closed. These cards want to be | 0:53:41 | 0:53:46 | |
just like you. Now what card did you get? | 0:53:46 | 0:53:56 | |
0:53:56 | 0:54:14 | ||
They just need to be next to you. These cards, want to do everything | 0:54:14 | 0:54:18 | |
that you can do. I can feel it changing in my my | 0:54:18 | 0:54:27 | |
hands. APPLAUSE | 0:54:27 | 0:54:32 | |
Whatever you do, don't turn your back. Whatever you want to think, | 0:54:32 | 0:54:42 | |
0:54:42 | 0:54:45 | ||
be different. Whatever defines you. | 0:54:45 | 0:54:46 | |
APPLAUSE Because in the end, they are all | 0:54:46 | 0:54:56 | |
0:54:56 | 0:54:59 | ||
Amazing. Barry and Stuart have won two from two, but they have decided | 0:54:59 | 0:55:02 | |
to change their tactics and be nice this week. Maybe it will work, | 0:55:03 | 0:55:07 | |
maybe it won't. This is their last chance to impress you at home. Here | 0:55:07 | 0:55:10 | |
they are with their street magic, it is Barry and Stuart with David | 0:55:10 | 0:55:20 | |
0:55:20 | 0:55:25 | ||
Shall we annoy people with that tattoo trick? You haven't got any | 0:55:25 | 0:55:30 | |
tattoos, have you? My mum said I wasn't allowed to. | 0:55:30 | 0:55:36 | |
You are not scared of needles? If you are going to get a tattoo, | 0:55:37 | 0:55:45 | |
it has to be something you want. Like a boxing glove. Boxing shorts. | 0:55:45 | 0:55:51 | |
Box of chocolates. Or 26th December. Boxing Day. | 0:55:51 | 0:56:01 | |
0:56:01 | 0:56:06 | ||
How are you guys? Can I stop you for a second. Stephen. Have you got | 0:56:06 | 0:56:12 | |
any tattoos? No. You might be getting one today. Roll up your | 0:56:12 | 0:56:18 | |
sleeve. He wasn't lying. Before they put a design of a tattoo, they | 0:56:18 | 0:56:22 | |
draw it first and then on top of that, they use one of these | 0:56:22 | 0:56:26 | |
machines, a tattoo machine and put the ink down on there permanently. | 0:56:26 | 0:56:29 | |
If you were going to have a tattoo, you want something that's really | 0:56:29 | 0:56:37 | |
special. Something thaw love. Think Think about something that's | 0:56:37 | 0:56:43 | |
that's really special. It could be someone special. | 0:56:43 | 0:56:51 | |
What's your name? Eleanor. Someone you really love. Think | 0:56:51 | 0:57:01 | |
0:57:01 | 0:57:13 | ||
about that thing right now. Who is jasmine? That's his ex! | 0:57:13 | 0:57:21 | |
It is permanent pen,ing it wash wash off -- it will wash off in a | 0:57:21 | 0:57:31 | |
0:57:31 | 0:57:37 | ||
week. I can't believe that. | 0:57:37 | 0:57:39 | |
APPLAUSE I knew these guys couldn't keep it | 0:57:39 | 0:57:42 | |
clean, they had to ruin it and bring back Mr Nasty. We come to the | 0:57:42 | 0:57:44 | |
last act of the night. The phonelines will close in five | 0:57:44 | 0:57:47 | |
minutes. These guys have done all they can to impress you. If you | 0:57:47 | 0:57:50 | |
liked them, vote for them. Pete and Mel have one last trick up their | 0:57:50 | 0:57:55 | |
sleeve for you. Please welcome to the stage, one last time with their | 0:57:55 | 0:58:02 | |
live grand illusion, Pete and Mel. CHEERING AND APPLAUSE | 0:58:02 | 0:58:05 | |
Oh, thank you, that's lovely. Oh, that's very, very nice. Now you | 0:58:05 | 0:58:08 | |
might have noticed that Mel and I have returned to the stage in a | 0:58:08 | 0:58:12 | |
little bit of an orthodox fashion. We have made a prediction and we | 0:58:12 | 0:58:18 | |
don't want to influence you guys in anyway shape or form. | 0:58:18 | 0:58:22 | |
Before our studio audience arrived, I place add whiteboard beneath | 0:58:22 | 0:58:26 | |
someone's chair. If you can feel beneath your chair. If you have got | 0:58:26 | 0:58:30 | |
the whiteboard, hold it up so our sound guy can see you. Once that's | 0:58:30 | 0:58:34 | |
done, if you could say nice and loud, "Pete, I have the | 0:58:34 | 0:58:37 | |
whiteboard." Pete, I have the whiteboard. | 0:58:37 | 0:58:42 | |
Thank you very much, madam, lovely. LAUGHTER | 0:58:42 | 0:58:45 | |
Do you want to make your way to the stage? There is a stool on stage, | 0:58:45 | 0:58:51 | |
could you make your way up there? The audience will give give you a | 0:58:51 | 0:58:56 | |
nice round of applause. APPLAUSE | 0:58:56 | 0:59:00 | |
Now, what is your name, my love? name is Maynard. | 0:59:00 | 0:59:07 | |
You have the smooth, velvety voice of a young John Nettles. How is it | 0:59:07 | 0:59:12 | |
going? Are you on the stool? I am. If you face the audience and then | 0:59:12 | 0:59:18 | |
tell them what you are singing tonight. | 0:59:18 | 0:59:21 | |
LAUGHTER Just joking, Maynard. | 0:59:21 | 0:59:25 | |
Sorry about that. I want to imagine there is a huge | 0:59:25 | 0:59:30 | |
bowl of fruit, a massive bowl of fruit. I need to you concentrate on | 0:59:30 | 0:59:34 | |
just one piece of fruit. Have you got one? Don't say it out loud, but | 0:59:34 | 0:59:40 | |
do you have one? Yes. I want you to write that piece of | 0:59:40 | 0:59:45 | |
fruit on the whiteboard, is there a pen there? Joo yes. | 0:59:45 | 0:59:52 | |
Don't let the audience see and when you have done that, hold it to the | 0:59:52 | 1:00:02 | |
1:00:02 | 1:00:04 | ||
audience. He is quite a slow writer! I am | 1:00:04 | 1:00:12 | |
done. He had a free choice of fruit and unbelievably, we knew he would | 1:00:12 | 1:00:22 | |
1:00:22 | 1:00:38 | ||
We have got a house band! Turn it around, show banana to the | 1:00:38 | 1:00:48 | |
1:00:48 | 1:01:17 | ||
Stop the Music. Stop playing, stop playing, get that banner down. | 1:01:17 | 1:01:22 | |
said this would not happen. Hit the showers, you are done. The band, | 1:01:22 | 1:01:28 | |
you can go. They made those hats themselves, they are ruined. | 1:01:28 | 1:01:34 | |
Maynard, I trusted you. King Kong, you are done. Don't take the head | 1:01:34 | 1:01:43 | |
of, you have ruined it for the kids. You have spoilt the illusion. Now... | 1:01:43 | 1:01:46 | |
Look at his little face. Unbelievable. We had something | 1:01:47 | 1:01:56 | |
1:01:57 | 1:02:02 | ||
That is hilarious! P45 for you. They usually pick banana. We can | 1:02:02 | 1:02:07 | |
rectify this. There is a back-up plan. Just stand up, and get out. | 1:02:07 | 1:02:15 | |
Seriously, leave the room. Maynard, the exit is that were, on your way. | 1:02:15 | 1:02:23 | |
You sat on this deal which has a flip the lead. I know it is all | 1:02:23 | 1:02:24 | |
flip the lead. I know it is all weird taking orders from a banana, | 1:02:25 | 1:02:31 | |
but could you please lift the lid. Inside is a scroll, a prediction | 1:02:31 | 1:02:34 | |
Inside is a scroll, a prediction Inside is a scroll, a prediction | 1:02:35 | 1:02:44 | |
1:02:45 | 1:02:54 | ||
scroll. Prepare yourselves, ladies What can't speak can't live. Let's | 1:02:54 | 1:03:04 | |
1:03:04 | 1:03:41 | ||
Before the show, you told me things were going to get fruity, I did not | 1:03:41 | 1:03:48 | |
expect that. You are a smoothie yourself! How do you feel? Hot! | 1:03:48 | 1:03:53 | |
Kimberly, how are you feeling? little nervous. Have you ever had | 1:03:53 | 1:04:00 | |
acupuncture? Yes. A bed of nails is nothing like that, it is horrendous. | 1:04:00 | 1:04:06 | |
We have Amanda from total wipe-out in the audience! You have done | 1:04:06 | 1:04:11 | |
before fit. How was the bed of nails last year -- done the forfeit. | 1:04:11 | 1:04:15 | |
I only had one last year and I still have the puncture wounds in | 1:04:15 | 1:04:23 | |
my back to prove it, so good luck with that! No pressure! Feeling | 1:04:23 | 1:04:26 | |
confident going into the last round? It is good to be dressed | 1:04:26 | 1:04:31 | |
again. A lot of women across the country would disagree with that. | 1:04:31 | 1:04:37 | |
Ladies and gentlemen, the phone lines have now closed. Please stop | 1:04:37 | 1:04:43 | |
calling, your vote will not be counted, you may be charged for it. | 1:04:43 | 1:04:47 | |
While we tally up the votes and get them counted and verified, we have | 1:04:47 | 1:04:51 | |
a very special guest for you. She was the first female ever to win | 1:04:51 | 1:04:55 | |
the World Championship of magic, she is about to embark on her own | 1:04:55 | 1:05:00 | |
Vegas show, put your hand together for the first lady of magic, | 1:05:00 | 1:05:10 | |
1:05:10 | 1:05:10 | ||
Apology for the loss of subtitles for 193 seconds | 1:05:10 | 1:09:25 | |
Juliana Chen, everybody. Time to get serious, time to find out who | 1:09:25 | 1:09:30 | |
is facing the horrendous, horrific, horrible, death-defying forfeit. | 1:09:30 | 1:09:36 | |
All of your boats have been voted and verified, can I have the | 1:09:36 | 1:09:46 | |
1:09:46 | 1:09:49 | ||
results, please? Legs, everybody! Thank you very much. OK, here we go. | 1:09:49 | 1:09:55 | |
I can now reveal, the act with the most votes tonight and who is | 1:09:55 | 1:10:05 | |
1:10:05 | 1:10:29 | ||
definitely safe from performing the The act with the fewest votes, who | 1:10:29 | 1:10:39 | |
1:10:39 | 1:10:47 | ||
will have to endure the bed of It is Pete and Mel. We can do it. | 1:10:47 | 1:10:57 | |
1:10:57 | 1:10:59 | ||
Well done, Barry and Stewart and While these guys get themselves | 1:11:00 | 1:11:04 | |
together, I am going to remind everyone at home and you in the | 1:11:04 | 1:11:14 | |
1:11:14 | 1:11:18 | ||
audience, what a horrendous thing Next time on The Magicians, more | 1:11:19 | 1:11:23 | |
mind-blowing magic, as Adam Woodyatt, Myleene Klass and Tina | 1:11:23 | 1:11:28 | |
Hobley joint our magicians to compete for your votes, live. Who | 1:11:28 | 1:11:38 | |
1:11:38 | 1:11:46 | ||
will impress and who will face the I have just remembered, I have got | 1:11:46 | 1:11:52 | |
a plane to catch... OK, here we go. You're not going to get away with | 1:11:52 | 1:11:57 | |
that. That was a look at next week. We are back in the moment. This | 1:11:57 | 1:12:01 | |
stunt should not be tried at home. Why it would you? Do I have to say | 1:12:02 | 1:12:06 | |
that? We are going to have to completely trust in the magician. | 1:12:06 | 1:12:11 | |
Can I have six volunteers who would like to help me torture these | 1:12:11 | 1:12:18 | |
lovely people? Can you grabbed six? While we are doing that, I want to | 1:12:18 | 1:12:24 | |
While we are doing that, I want to show you guys how sharp this is. I | 1:12:24 | 1:12:27 | |
think that one is going to be your bed. That is way your spine is | 1:12:27 | 1:12:34 | |
going. -- that is where your spine is going. This one is going to be | 1:12:34 | 1:12:44 | |
1:12:44 | 1:12:45 | ||
crushed on top of you. Stick to the juggling. Hold on a minute. Come | 1:12:45 | 1:12:55 | |
1:12:55 | 1:12:56 | ||
on! Are you feeling confident? I will hold bad for you. I have | 1:12:56 | 1:13:03 | |
worn very supportive underwear. is important that you follow Pete's | 1:13:03 | 1:13:06 | |
instructions, he will guide you through it. One move in the wrong | 1:13:06 | 1:13:12 | |
direction could be fatal. Over here on this bed. Can I check how heavy | 1:13:12 | 1:13:22 | |
1:13:22 | 1:13:32 | ||
will do it first. Just ease down. Tight slacks, not easy. That way, | 1:13:32 | 1:13:42 | |
1:13:42 | 1:13:43 | ||
OK. Oh, goodness, that hurts. A little bit further. Surrey, Pete, | 1:13:43 | 1:13:50 | |
for clutching your thigh. I have to. Hello, hello, that is uncomfortable | 1:13:50 | 1:13:55 | |
on the buttock area. Here we go. That's terrible, that is very | 1:13:55 | 1:14:00 | |
painful. Lovely, thanks for the pillow, that is no help at all. You | 1:14:00 | 1:14:05 | |
have got to move me up the bed, I am stuck, I can't move. Hello, | 1:14:05 | 1:14:15 | |
1:14:15 | 1:14:21 | ||
really don't do this, that is all I Hello, stay with me. Don't go. | 1:14:21 | 1:14:28 | |
where are you? Why are you putting your arms up? They are moving the | 1:14:28 | 1:14:37 | |
bed. Can we move the apple? When the second bed comes down on top of | 1:14:37 | 1:14:45 | |
us, braise it on the back edge. Stop, stop! Mel, are you OK? I feel | 1:14:45 | 1:14:53 | |
slightly weird. The full weight of the bed is coming down. Just give | 1:14:53 | 1:15:03 | |
1:15:03 | 1:15:17 | ||
us the halfway to! Mel, a couple of all right? Yes, I think so. Are you | 1:15:17 | 1:15:27 | |
1:15:27 | 1:15:32 | ||
ready for the first? Yes, go quite quickly. Speedily, please. Oh! | 1:15:32 | 1:15:42 | |
1:15:42 | 1:15:57 | ||
yeah. That stings, it is on the move it this way slight little but | 1:15:57 | 1:16:03 | |
it is digging right into my... are nearly there. I know but it is | 1:16:03 | 1:16:13 | |
1:16:13 | 1:16:13 | ||
Apology for the loss of subtitles for 193 seconds | 1:16:13 | 1:17:02 | |
No, no no! Oh, yeah! Let's have a We are bonded forever, Now. They | 1:17:02 | 1:17:09 | |
will live. Always a good sign. -- still alive. Put your hands | 1:17:09 | 1:17:15 |