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Right now we are making the last minute preparations for the | :00:09. | :00:14. | |
Magicians - Live! Our audience have arrived. Hello! APPLAUSE Now time | :00:14. | :00:18. | |
for our celebrities to find out what this week's forfeit is. So far, | :00:18. | :00:23. | |
we have seen Keith Duffy with a mouthful of molten metal, the Hoff | :00:23. | :00:30. | |
take on the Samurai sword and Mel Giedroyc squashed on a bed of nails. | :00:30. | :00:37. | |
Tonight, Tina hobby, Myleene Klass and Adam Woodyatt -- Tina Hobley, | :00:37. | :00:43. | |
Myleene Klass and Adam Woodyatt join me. You guys ready to find | :00:43. | :00:50. | |
out? Turn around. Unleash the beast! It is the glass walk and | :00:50. | :00:56. | |
stone smash. Yes! You will have to walk barefoot across a razor-sharp | :00:56. | :01:00. | |
sea of broken glass. That is not all. Once you reach the middle here, | :01:00. | :01:06. | |
you will have this concrete block placed on your head and smashed | :01:06. | :01:13. | |
with a sledgehammer. Literally a head-to-toe nightmare! Who will win | :01:13. | :01:18. | |
and who will take on that at the end of this show? You decide, folks. | :01:18. | :01:28. | |
:01:28. | :01:49. | ||
Welcome to the Magicians. We are Live from Shepperton Studios, | :01:49. | :01:54. | |
please welcome your host, Darren McMullen and the Magicians. | :01:54. | :02:00. | |
APPLAUSE They have the shock factor - it is Barry and Stuart. America's | :02:00. | :02:08. | |
best-kept secret, until now, it is the awesome Latimer. He's hypnotic, | :02:08. | :02:16. | |
he's hilarious, he's Pete Firman. APPLAUSE How are you, Shepperton? | :02:16. | :02:22. | |
CHEERING Brilliant. Welcome to the Magicians. Prepared to be dazzled | :02:22. | :02:29. | |
by these gents behind me as they take you on a magical masterclass. | :02:29. | :02:36. | |
As always, our magicians will be joined by a Celebrity Apprentice in | :02:36. | :02:40. | |
an attempt to win your vote and avoid tonight's death-defying | :02:40. | :02:47. | |
forfeit. First, let's meet tonight's brave celebrities. | :02:47. | :02:53. | |
Joining Barry and Stuart all the way from Holby City, it is the | :02:53. | :03:03. | |
:03:03. | :03:04. | ||
wonderful Tina Hobley. APPLAUSE With Latimer, she is a Klassy lady, | :03:04. | :03:12. | |
the lovely Myleene Klass. APPLAUSE And pairing up with Pete Firman, it | :03:12. | :03:19. | |
is EastEnders legend, Adam Woodyatt. APPLAUSE This is the Magicians - | :03:19. | :03:28. | |
Live! All these folks on stage are here to impress the pants off you. | :03:28. | :03:31. | |
They will have four tricks to do it. Two of those trick also be | :03:31. | :03:36. | |
performed here in the studio. The team with the lowest number of | :03:36. | :03:40. | |
votes will have to take on tonight's death-defying forfeit. | :03:40. | :03:46. | |
AUDIENCE: Wooh! It is pretty bad. It is the ultimate walk of pain | :03:46. | :03:50. | |
followed by horrendous hammerhead stunt. I wouldn't suggest losing | :03:50. | :03:58. | |
tonight, guys, it could go pear- shaped. Are you ready? Yes. Yes. | :03:58. | :04:02. | |
Yes. You ready out there? AUDIENCE: Yes! Great. Let the | :04:02. | :04:07. | |
competition begin. Up first, doing their thing and trying to win your | :04:07. | :04:17. | |
:04:17. | :04:18. | ||
vote, it is Barry and Stuart with Sorry, ladies and gentlemen, what's | :04:19. | :04:22. | |
happened here is death. Last week we didn't win... We almost killed | :04:22. | :04:28. | |
somebody as well. It is live TV and anything can happen. Hello. This | :04:28. | :04:32. | |
week we have some more dangerous props, but Tina is medically | :04:32. | :04:36. | |
trained? Right? You probably know me best from walking the wards on | :04:37. | :04:44. | |
Holby. How does that feel? Good. Tina is one of our most glamorous | :04:45. | :04:49. | |
assistants. You would expect us to be doing some nice things with her. | :04:49. | :04:53. | |
That is what we are not going to do. We will be playing a cold-blooded | :04:53. | :04:58. | |
guessing game. They are light on details, these boys. We have had | :04:58. | :05:02. | |
first, seconds. We need to halt the decline. They have let me into | :05:02. | :05:06. | |
their world. I don't want to let them down. The forfeit? It is not | :05:06. | :05:13. | |
going to happen. I don't do losing! APPLAUSE Barry and Stuart have yet | :05:13. | :05:17. | |
to face a forfeit. Tina is hoping they will keep their lucky streak | :05:17. | :05:20. | |
alive. Please put your hands together for Barry and Stuart with | :05:20. | :05:30. | |
:05:30. | :05:32. | ||
Thank you. Tonight, we are going to attempt to do something amazing. | :05:32. | :05:36. | |
will get into the red box. We are going to transport Tina into this | :05:36. | :05:41. | |
blue box over here under totally impossible conditions. To make the | :05:41. | :05:44. | |
conditions impossible, we will need the help of some people from the | :05:44. | :05:50. | |
audience. What about you, you, you and you? These guys. Come up the | :05:50. | :05:57. | |
steps. The audience will give you a warm hand as you make your way up. | :05:57. | :06:02. | |
APPLAUSE Thank you. You were sat at the front, it was inevitable! We | :06:02. | :06:05. | |
have to ask a very important question. Are any of you recording | :06:05. | :06:12. | |
this to watch it later? A couple. Turn to camera two, give it a way. | :06:12. | :06:19. | |
You are waving at your future self! If you are not, don't worry. This | :06:19. | :06:23. | |
show will be available for the next seven days on the BBC iPlayer. We | :06:23. | :06:29. | |
gave you all blindfolds when you came up. Put them over your head. | :06:29. | :06:33. | |
You will be the guardians of the red box. We do need two people. If | :06:33. | :06:36. | |
you and you could follow me, we want you to guard the back and the | :06:36. | :06:42. | |
side of the box. There are black footprints. Step on to those and | :06:42. | :06:48. | |
put your hands on the red handprints. Perfect. Your job will | :06:48. | :06:52. | |
be different. There are footprints on the ledge. Can you stand up | :06:52. | :06:56. | |
there? You will be the guardian of the top of the box. Many people | :06:57. | :07:01. | |
think that we use trapdoors. That is not the case. The next guardian, | :07:01. | :07:06. | |
if you could get underneath the box, there are two red handprints | :07:06. | :07:12. | |
underneath. We have swept under there! You will be the guardian of | :07:12. | :07:18. | |
the front. But Tina needs to get inside. In you get there. I knew | :07:18. | :07:28. | |
you would get me into a big black box. Those are your footprints, | :07:28. | :07:31. | |
those are your handprints. You are the guardian of the front of the | :07:32. | :07:38. | |
red box. It is now completely impossible to get Tina... That's | :07:38. | :07:44. | |
me! From this red box into that blue box over there. If Tina does | :07:44. | :07:53. | |
arrive, she will blow on this special whistle we call the thistle | :07:53. | :07:57. | |
whistle! We want you not to see it just yet so pull your blindfolds | :07:57. | :08:04. | |
over your eyes and put your hands back on the box. Do that now. | :08:04. | :08:08. | |
is going to be a trick for you, guys. We would never ever lie to | :08:08. | :08:15. | |
you. Tina, how is it? Dark. The guy on the side, you have that | :08:15. | :08:19. | |
blindfold on and you have your hands on the side of the box. You | :08:19. | :08:22. | |
are protecting that side of the box right there. Everything fine? You | :08:22. | :08:31. | |
are the King of the guardians. There is no way Tina would be able | :08:31. | :08:36. | |
to get out of the box. The person at the front, we want you to shake | :08:36. | :08:40. | |
Tina's hand. You will reach through and take Tina's hand. Shake her | :08:40. | :08:44. | |
hand. Feel her soft, smooth, feminine skin and place your hand | :08:44. | :08:50. | |
back on the front. The guy at the side, the King of the Guardians. | :08:50. | :08:55. | |
Your hands are on the side of the box. Nothing fishy going on at all. | :08:55. | :09:02. | |
We trust you with the crown jewels! In a minute, if you hear that | :09:02. | :09:07. | |
thistle whistle we need you to pull your blindfolds off. WHISTLE What | :09:07. | :09:11. | |
you are about to see will make no sense. When you watch this back | :09:11. | :09:16. | |
later, it will amaze you. This has not just been a trick for five | :09:16. | :09:22. | |
people, this has been a trick for everybody watching at home. | :09:22. | :09:31. | |
APPLAUSE She is there! There's Tina. Have a seat. Tina! APPLAUSE Thank | :09:31. | :09:41. | |
you. Please have a seat. Wow! Did you like that? | :09:41. | :09:46. | |
AUDIENCE: Yes! That was special. Myleene, how nervous are you | :09:46. | :09:49. | |
tonight about going live with these tricks? Very nervous. I know that | :09:49. | :09:55. | |
Jason won last year. He did. don't want to ruin his run. I have | :09:55. | :09:59. | |
been trying really hard. I have a magical injury. A magical injury? | :09:59. | :10:04. | |
Have you been putting her through her paces? Yes. We went for it this | :10:04. | :10:11. | |
week. It took a lot of trust, on both parts, to make this happen. I | :10:11. | :10:17. | |
am excited. Guys, she has a magical injury. Let's see if Myleene has | :10:17. | :10:27. | |
:10:27. | :10:27. | ||
the magical touch. Here they are. How you doing? This is my shop of | :10:27. | :10:31. | |
magic. I'm Myleene Klass. You probably know me best as a TV | :10:31. | :10:34. | |
presenter. I'm doing the show because I want to find out how the | :10:34. | :10:40. | |
magic works behind the magic. week was great. The act with the | :10:40. | :10:44. | |
most vote is Latimer... It might only be a winning streak of one, | :10:44. | :10:49. | |
but it is still a winning streak. We will re-live some musical | :10:49. | :10:52. | |
memories. Close-up magic. We will be doing a magic trick with one | :10:52. | :10:57. | |
card. How long can you hold your breath? Jason has told me he | :10:57. | :11:05. | |
doesn't like losing. He wants to win. How did I do? You drowned! I | :11:05. | :11:09. | |
want Barry and Stuart and Pete to bring it! I will not make it easy. | :11:09. | :11:19. | |
:11:19. | :11:32. | ||
APPLAUSE Thank you, ladies and gentlemen, | :11:32. | :11:36. | |
for joining us. Today we will do one of the most amazing escapes in | :11:36. | :11:40. | |
the history of magic. We will be handcuffed together, placed in a | :11:40. | :11:45. | |
sack, locked in a cage and then lowered into that freezing-cold | :11:45. | :11:52. | |
water from which we somehow have to try and escape. Houdini tried | :11:52. | :11:56. | |
almost the same effect. He still managed to get out in four minutes. | :11:56. | :12:00. | |
Today, we will try to beat that record because we can't hold our | :12:00. | :12:05. | |
breath for four minutes. We have a clock that will countdown from two | :12:05. | :12:09. | |
minutes. We have emergency divers, an emergency boat and a rescue | :12:09. | :12:14. | |
ambulance, but nobody came here to get rescued. You ready? Ready. | :12:14. | :12:22. | |
everybody else ready? AUDIENCE: Yes! Let's do this. This | :12:22. | :12:28. | |
is a set of handcuffs that will restrain the wrist movement. This | :12:28. | :12:35. | |
restrains arm movement. This is my favourite part of the show. | :12:35. | :12:45. | |
:12:45. | :12:45. | ||
Apology for the loss of subtitles for 141 seconds | :12:45. | :15:07. | |
Surprise, everybody! Thank you so APPLAUSE | :15:07. | :15:12. | |
That was an amazing trick. Please never try that at home. Latimer has | :15:12. | :15:16. | |
another amazing location trick next week with Phil Tufnell. It will be | :15:16. | :15:22. | |
taking place in an art gallery. It starts tomorrow at 2.00pm. So go to | :15:22. | :15:25. | |
bbc.co.uk/magicians and all the details are there. Ladies and | :15:25. | :15:31. | |
gentlemen, Pete and Adam. APPLAUSE How are you? Very well. Thanks for | :15:31. | :15:36. | |
popping on. Pleasure. Pete is still yet to get a win. Could you be his | :15:36. | :15:41. | |
lucky charm? I hope so. He really hopes so. He's not been enjoying | :15:41. | :15:46. | |
these forfeits. Looking at what they showed us earlier, I have been | :15:46. | :15:54. | |
a bit blase... You are nervous now? Yes! Sledgehammer, no. What have | :15:54. | :15:58. | |
you got for us? You remember Barry and Stuart did that water to wine | :15:58. | :16:01. | |
thing, which was awesome. I thought I would keep it on the drinking | :16:01. | :16:05. | |
theme. We will use more than one drink this week. That is the plan. | :16:05. | :16:11. | |
OK. Let's have a look with their first trick of the evening shortly. | :16:11. | :16:19. | |
Let's look at what they have been getting up to behind-the-scenes. | :16:19. | :16:28. | |
Welcome to my magical lair. probably know me best as the lovely | :16:28. | :16:34. | |
Ian Beale in EastEnders. Mel last week, fantastic. Didn't moan once. | :16:34. | :16:44. | |
:16:44. | :16:49. | ||
I squealed like a girl! Argh! I am sore. Barry and Stuart and Latimer, | :16:49. | :16:55. | |
step aside. There is a new gun in town. This is the outfit. Whose? | :16:55. | :17:00. | |
Yours! I haven't done all this work with Pete to end up doing the | :17:00. | :17:09. | |
forfeit. I would rather do the forfeit! APPLAUSE Try to avoid that | :17:09. | :17:14. | |
horrendous forfeit tonight, please clap your hands and stamp your feet | :17:14. | :17:19. | |
for Pete and Adam, everybody. APPLAUSE That is very nice. Thank | :17:19. | :17:23. | |
you very much. Wow! That is great. Adam, you will really like this | :17:24. | :17:29. | |
next one. Hopefully. With you being the landlord on EastEnders, I | :17:29. | :17:35. | |
thought we could re-create the Queen Vic. I'm - my character is | :17:35. | :17:40. | |
not the landlord. I've got the chippy. Can't do magic with fried | :17:40. | :17:46. | |
food. I have prepared a drinks trick. You know what this is? | :17:46. | :17:53. | |
That is an orange juice carton. This is my pension right here! This | :17:53. | :17:55. | |
will revolutionise the drinks industry. Doesn't matter what you | :17:55. | :18:02. | |
put in it, you can get anything you like out of it. What you doing? | :18:02. | :18:11. | |
Says concentrate! LAUGHTER No, no! No. Save it! Exactly. If you are | :18:11. | :18:15. | |
not together, it looks like sympathy! I will fill it up with | :18:15. | :18:19. | |
this. I love orange juice. Every morning, when I get up after I | :18:19. | :18:25. | |
Google myself I pour a large glass of freshly-squeezed orange juice. | :18:25. | :18:31. | |
The lady down there, with the cardigan, grab that glass. He won't | :18:31. | :18:41. | |
:18:41. | :18:41. | ||
bite. This is delicious. Have a sip of that. Freeshly-squeezed between | :18:41. | :18:47. | |
-- freshly-squeezed between Pete's thighs this morning! That is why | :18:47. | :18:53. | |
there's bits in it! After my orange juice, I had my cereal. You can't | :18:53. | :18:57. | |
put orange juice on to that. You need another drink - milk. Ladies | :18:57. | :19:07. | |
:19:07. | :19:08. | ||
and gentlemen, that is milk. Look, Adam, look, it's passed your eyes! | :19:08. | :19:13. | |
I can turn it into any drink I want? Whatever you want. What is | :19:13. | :19:19. | |
your favourite thing? I like chocolate milk. Think it and it | :19:19. | :19:24. | |
will come. Chocolate milk, chocolate... Got a sweet tooth? | :19:24. | :19:32. | |
Show them. Look at that. APPLAUSE That is clever, mate. What do you | :19:32. | :19:38. | |
want to do now? Something refreshing. We don't have to have | :19:38. | :19:43. | |
that cold shower again, do we? In the park, what I like to have is | :19:43. | :19:53. | |
:19:53. | :19:56. | ||
this, a cloudy lemonade. APPLAUSE What's next? We have milk, milk, | :19:56. | :20:05. | |
lemonade, round the corner... Cranberry juice! APPLAUSE I am | :20:05. | :20:10. | |
taking requests. Any drink you like I will pour? I'm getting worried | :20:10. | :20:16. | |
about that glass and sledgehammer, so I would like a nice glass of | :20:16. | :20:26. | |
:20:26. | :20:27. | ||
wine? There you go. Pete, I meant it. I am getting worried about that | :20:27. | :20:36. | |
forfeit, so I really do want a glass of wine. That's not bad. | :20:36. | :20:44. | |
that. Let's distribute them. Would you like to try one of the drinks? | :20:44. | :20:51. | |
Grab whatever you fancy. Want the coke, the milk? You can have the | :20:51. | :20:59. | |
wine. Any ID? Want the chocolate milk? Are they what they say they | :20:59. | :21:05. | |
are? That is cranberry juice. Taste it. Is that a decent wine? | :21:06. | :21:11. | |
Fantastic. The best thing about these cartons is they cost nothing | :21:11. | :21:15. | |
because friends, there is nothing to find. If I tear it up, there are | :21:15. | :21:20. | |
no gadgets, no moving parts, there is nothing at all, it is just | :21:20. | :21:24. | |
cardboard. You can have that! APPLAUSE A souvenir. I have one | :21:24. | :21:34. | |
:21:34. | :21:40. | ||
more thing to say - get out of my pub! APPLAUSE Brilliant. I loved | :21:40. | :21:47. | |
that. Pete and Adam are coming to my 30th! The acts have performed | :21:47. | :21:50. | |
their first trick each which means the phone lines are now open for | :21:50. | :21:54. | |
you at home to stop your favourite celebrity and magician walking on | :21:54. | :21:59. | |
broken glass. You need to pick up the phone and save them. The | :21:59. | :22:09. | |
:22:09. | :22:14. | ||
The calls will cost 15p from a BT landline. Calls will be much more | :22:14. | :22:20. | |
from mobiles. For full terms and conditions, please go to | :22:20. | :22:29. | |
bbc.co.uk/magicians. Plenty more coming your way. Here is a quick | :22:29. | :22:32. | |
look. Will Barry and Stuart and Tina's House of Horrors get your | :22:32. | :22:36. | |
vote? To try and escape the forfeit, Latimer and Myleene perform a | :22:37. | :22:43. | |
miracle on ice. Pete and Adam employ some shock tactics of their | :22:43. | :22:53. | |
:22:53. | :22:54. | ||
own as they go out to impress. APPLAUSE It's the lovely Tina | :22:54. | :22:58. | |
Hobley and Barry and Stuart, everybody. APPLAUSE Welcome. How | :22:58. | :23:03. | |
are you? All right. You went for the nice approach last week. Nice | :23:03. | :23:11. | |
guys finish second. Kids, listen up, be nasty! So you going to flip | :23:11. | :23:15. | |
things again tonight? We will mix it up. We will be nasty this week. | :23:15. | :23:20. | |
We have some devious things. have. Dark and sinister things. | :23:20. | :23:25. | |
can't lose. No! Have you had a concrete block on your head before? | :23:25. | :23:29. | |
No. It is not great. The pressure of doing live magic - and I don't | :23:30. | :23:35. | |
want to let these guys down. They have two wins under their belt. We | :23:35. | :23:39. | |
will see what happens later on. Now taking their blend of magic to the | :23:39. | :23:49. | |
:23:49. | :23:58. | ||
street, it is Barry and Stuart with I don't think anyone can be our | :23:58. | :24:04. | |
frog. Only the person who can predict the future can be a frog. | :24:04. | :24:12. | |
Who wants to get involved? Would you like to be the frog? Do you | :24:12. | :24:22. | |
:24:22. | :24:24. | ||
like frogs? Beat the frog! Don't be shy. Here he is. He is an evil | :24:24. | :24:29. | |
genius. He is a master of hiding. He can hide anywhere. The idea is | :24:29. | :24:36. | |
this. You have to guess which hand the frog is in, left or the right? | :24:36. | :24:46. | |
:24:46. | :24:50. | ||
This hand. He is not there or over here. Because... Oh! That is a | :24:50. | :24:55. | |
victory to the frog. Frog 6 people 0. The rules are simple. All you | :24:55. | :25:01. | |
have to do is guess which hand the frog is in. That one. It's not in | :25:01. | :25:10. | |
that one. It's not in that one. That is because the frog is | :25:10. | :25:20. | |
:25:20. | :25:22. | ||
actually... That is vile! It is not in this hand. It is in my... Is he | :25:22. | :25:32. | |
:25:32. | :25:35. | ||
real? Urgh! You have to decide which hand the frog is in? Right or | :25:35. | :25:40. | |
left? Which one? He is not there. He is not even here. That is | :25:40. | :25:50. | |
:25:50. | :25:52. | ||
because the frog is... Urgh! lose, guys. He's won every time! | :25:52. | :26:01. | |
my God! 32 to the frog, people 0. We have done our job. Let's go. | :26:01. | :26:09. | |
APPLAUSE Yeah, I would say Barry and Stuart are back to their ole' | :26:09. | :26:15. | |
self. Please do not try that at home. Frogs were not harmed during | :26:15. | :26:18. | |
the making of that. You know what time it is? | :26:18. | :26:21. | |
AUDIENCE: No. Do you know what time it is? | :26:21. | :26:26. | |
AUDIENCE: No! It is magic time. Now, with their first live trick of the | :26:26. | :26:35. | |
evening, put your hands together for Latimer and Myleene. APPLAUSE | :26:35. | :26:41. | |
Thank you. Thank you. Tonight, we are going to do a card trick under | :26:41. | :26:47. | |
impossible conditions. We will use the entire audience to find one | :26:47. | :26:51. | |
card. That's right. Here we have made a prediction. No-one is going | :26:51. | :26:55. | |
to touch that prediction. However, we will find a card, in fact we | :26:55. | :27:00. | |
will make a card together but I will need somebody's help. Who is | :27:00. | :27:04. | |
feeling particularly helpful? You look very helpful. The girl in the | :27:05. | :27:12. | |
pink. You have a friendly face. What is your name? Amy. Up you come. | :27:12. | :27:18. | |
Give her a round of applause. APPLAUSE You are looking very | :27:18. | :27:24. | |
helpful. I will give you some bits to hold. Put your arms out. Perfect. | :27:24. | :27:28. | |
There you go. Excellent. Step forward a little bit. I will use | :27:28. | :27:35. | |
one of these, this is a T-shirt. I am putting this in my randomiser. | :27:35. | :27:38. | |
This allows me to find random people in the audience. I need a | :27:38. | :27:44. | |
direction. I need you to go that way, that way or THAT way! Your | :27:44. | :27:51. | |
choice. That way? All right. Somebody catch it. Well done. Stand | :27:51. | :28:01. | |
:28:01. | :28:07. | ||
up. Up you get. That T-shirt says colour? What colour? Red. Thank you. | :28:07. | :28:14. | |
Now, next one is suit. That way, that way or that way? Over there. | :28:15. | :28:21. | |
Here we go. Well caught. Stand up, please. Up you stand. Thank you. | :28:21. | :28:25. | |
You have to choose a suit, so bearing in mind we have gone with | :28:25. | :28:35. | |
:28:35. | :28:35. | ||
red, diamonds or hearts? Diamonds. We need a value. One more direction. | :28:35. | :28:45. | |
That way, that way or that way? Which way? Straight ahead. Over | :28:45. | :28:53. | |
there? OK. There we go. Stand up, please. We need you to | :28:53. | :29:02. | |
choose a value. Anything from ace through to King. Eight. Thank you | :29:02. | :29:08. | |
very much. Lovely. Amy, thank you very much. Give her a round of | :29:08. | :29:18. | |
:29:18. | :29:20. | ||
applause. APPLAUSE Well done. Thank you, Amy. Thank you. Thank you. Now, | :29:20. | :29:26. | |
we made a prediction before the show. Let's review what you guys | :29:26. | :29:32. | |
have put together. So we went for red, then we chose diamonds for the | :29:32. | :29:37. | |
suit and the value is eight. So we are looking for the eight of | :29:37. | :29:44. | |
diamonds. OK. So the question is have we got it right? Inside this | :29:44. | :29:54. | |
:29:54. | :30:14. | ||
box is one card. Can you see that? That is how you do it. Amy. That's | :30:14. | :30:24. | |
for you. Well done. APPLAUSE A great trick and he didn't manage to | :30:24. | :30:28. | |
take anyone's eye out! Looking for his first win of the series, with | :30:28. | :30:37. | |
their location grand illusion, it is Pete and Adam. I am quite | :30:37. | :30:42. | |
excited. Today I get to do one of my famous card tricks. You all | :30:42. | :30:49. | |
right? What you doing? What's the deal? I got the car. The car trick! | :30:49. | :30:58. | |
No, it is a card trick! Card trick, playing cards. Card trick. Oh. What | :30:58. | :31:03. | |
about these? Crikey! You have brought the whole deck then? Yes. I | :31:03. | :31:09. | |
got 52 cars and put a playing card on the roof of every car. We have a | :31:09. | :31:16. | |
different card on every car. Let me show you. Now, grab that corner, | :31:16. | :31:24. | |
pull very carefully. I see. We have the joker. Each of those has a | :31:25. | :31:28. | |
different value? So we have 52 different cards. I have some people | :31:28. | :31:32. | |
over there. Let's do something. Don't fancy getting that off later. | :31:32. | :31:39. | |
Hello, there. Can you help out with something? Yes. What is your name? | :31:39. | :31:43. | |
Anne. Charlie. I have a pack of cards here. I want you to have a | :31:43. | :31:48. | |
look at these. They are all different. That is the way these | :31:48. | :31:56. | |
things are made. I will shuffle the cards. Adam, shuffle the cars! | :31:56. | :32:03. | |
Watch this! Ladies and gentlemen, start your engines and shuffle. | :32:03. | :32:13. | |
:32:13. | :32:15. | ||
Carefully! No, very carefully! HORNS SOUND Park yourselves up. | :32:15. | :32:20. | |
Without hitting each other. Lovely. Just like the M25 on a Friday | :32:20. | :32:28. | |
night! Well done. Right, there you go, Pete. I'm only here! Anne, | :32:28. | :32:32. | |
select one of these cards. Touch the back of any one. Touch the back | :32:33. | :32:38. | |
of a card. That one there? Yes. Would you take that and don't look | :32:38. | :32:43. | |
at it. Hold it between your palms. Very good. You could have had any | :32:43. | :32:49. | |
one of these cards. We need to... You are coming with me. What you | :32:49. | :32:54. | |
have to do is choose a car! On top of all these is a different playing | :32:54. | :32:59. | |
card. It is your choice. Which ever one you want. We are a bit short, | :32:59. | :33:05. | |
we might struggle with that one! This one. This one here? Yes. | :33:05. | :33:11. | |
want this one here? Yes. In you get. Stay with that. If you could | :33:12. | :33:15. | |
negotiate your way over there? I will try and shove them out of the | :33:15. | :33:23. | |
way. Got one, Pete! Back a bit. You come in here. You go in there. Come | :33:23. | :33:32. | |
on, then. Mind that Jag. That is nice, that. Where you going? | :33:32. | :33:37. | |
LAUGHTER Don't let anyone tamper with that car. They have picked a | :33:37. | :33:46. | |
car and you have been holding on to that playing card. Would you turn | :33:46. | :33:52. | |
it face-up? That is a three of clubs. Charlie could have picked | :33:52. | :34:02. | |
:34:02. | :34:14. | ||
any car. So, if you could peel the Anne, you can see all of the cards | :34:14. | :34:19. | |
are different. Let's see what Charlie got. You all sorted? Yes. | :34:19. | :34:28. | |
We are looking for the three of clubs here. Here it comes. Did it | :34:28. | :34:38. | |
:34:38. | :34:40. | ||
work? Keep pulling. Have a good look! APPLAUSE It's a perfect | :34:40. | :34:50. | |
:34:50. | :34:58. | ||
match! Unbelievable. I don't know how he did it! Pete, that was | :34:58. | :35:05. | |
impressive. Thank you. You want to impress them? Get that lot back in | :35:05. | :35:15. | |
:35:15. | :35:15. | ||
the box! APPLAUSE We are at the half-way mark now. All our acts | :35:15. | :35:22. | |
have performed two tricks each. They have two tricks left to | :35:22. | :35:26. | |
impress you, guys. Only you at home can save them. Here come the | :35:26. | :35:36. | |
:35:36. | :35:43. | ||
Calls will cost 15p from a BT landline. Calls from mobiles will | :35:43. | :35:50. | |
cost much more. Now, it is time for some more live close-up magic. Keep | :35:50. | :35:54. | |
your eyes peeled in the studio and put your hands together for Barry | :35:54. | :36:04. | |
:36:04. | :36:05. | ||
and Stuart with Tina. APPLAUSE Thank you. Now, people often ask us | :36:05. | :36:10. | |
is it possible for you to use your magical skills to attract the | :36:10. | :36:16. | |
ladies? I can say honestly that I would never ever do such a thing. | :36:16. | :36:26. | |
:36:26. | :36:26. | ||
But Barry here, he does. Lonely, mysterious male, magician, late 20s, | :36:26. | :36:30. | |
early 20s, seeks lady for magical fun. Here comes a lady now, a | :36:30. | :36:37. | |
beautiful and famous lady. APPLAUSE This is seduction using magic 101 | :36:37. | :36:44. | |
or how to get chicks using tricks! Picture the scene, you are in a bar, | :36:44. | :36:50. | |
intro deuce yourself -- introduce yourself in a sophisticated | :36:50. | :36:56. | |
manner... Hello? I have already ordered. Tell her something | :36:56. | :37:01. | |
interesting about yourself? I like to draw balls. Golf balls, tennis | :37:01. | :37:08. | |
balls, footballs. You are an oddball! It is going great. She is | :37:08. | :37:12. | |
interested. Time to bring out the big guns. Get your drawing pads and | :37:12. | :37:16. | |
show her your trick. You know, I can draw a perfectly geometric | :37:17. | :37:24. | |
circle without the aid of a compass. Watch. That is rubbish! It's a | :37:24. | :37:29. | |
meatball. She is not impressed. Women love a man with a sense of | :37:29. | :37:35. | |
humour. Zoe Ball! What a kick in the... Bowling ball. It looks like | :37:35. | :37:42. | |
a bowling ball. No matter what your date says, she is h always right. | :37:42. | :37:49. | |
That is my favourite type of ball. Really is. I'm not into sketches, I | :37:49. | :37:56. | |
prefer sculptures. OK. Maybe you would like something more 3D. | :37:56. | :38:06. | |
:38:06. | :38:29. | ||
Strike! APPLAUSE Brilliant. Great stuff. Maybe it | :38:29. | :38:33. | |
saved them from the forfeit tonight. Let's see if they can be outdone | :38:33. | :38:43. | |
:38:43. | :38:56. | ||
now with some street magic from Your name was? Sam. We will do a | :38:56. | :39:02. | |
card trick that is going to blow your mind. You thinking of a card? | :39:02. | :39:09. | |
Yes. OK. What card are you thinking of? Two of diamonds. There it is. | :39:09. | :39:13. | |
Go ahead and pull that card out. will make it unique to you with the | :39:13. | :39:19. | |
help of this wand. We will get you to sign your name across the card. | :39:19. | :39:28. | |
Sign your name across the card. I hold your hand? Yes. Now I will | :39:28. | :39:33. | |
take this card, I will give it one cut into the pack of cards, all | :39:33. | :39:39. | |
right? One cut. Myleene, take off the gloves. My turn now! This is | :39:39. | :39:46. | |
what I have been training for. will not touch any... There we go. | :39:46. | :39:50. | |
Jason has trained me to be able to snap my fingers and bring your card | :39:50. | :39:59. | |
to the top of the pile. OK? Here we go. Apprentice in action. That is | :39:59. | :40:09. | |
your card. No. They are laughing. Don't worry. Check the top section. | :40:09. | :40:18. | |
Any of those? No. OK. Top half? Shout if you see your card. Shout | :40:18. | :40:28. | |
loud! No. You haven't seen the card at all? Not there. She has made the | :40:28. | :40:32. | |
card vanish! Wow! We should bring the card back. Shall we bring the | :40:32. | :40:36. | |
card back? Yes. Place your hands like this. Snap on the count of | :40:36. | :40:42. | |
three. One, two, three. Did you feel that? You know, I think the | :40:42. | :40:52. | |
:40:52. | :40:54. | ||
card is back. Let's have a look. my God! What did you see? Is it | :40:54. | :40:59. | |
underneath the ice? Is that your card? That is my card. That is my | :40:59. | :41:09. | |
name and two of diamonds. Go ahead. Knock it out. There you go. Oh my | :41:09. | :41:19. | |
:41:19. | :41:24. | ||
God. That is my card. That is my card. Wow! That is insane. APPLAUSE | :41:24. | :41:28. | |
Well done to Latimer there. Sorry to everyone that tripped over that | :41:28. | :41:32. | |
big hole in the ice! Next up we are coming back live with a grand | :41:33. | :41:36. | |
illusion in the studio. I have seen them backstage, they are very | :41:36. | :41:40. | |
nervous about this, folks. Make sure you give them a big round of | :41:40. | :41:46. | |
applause here. Don't adjust your sets, it is not Seigfried and Roy, | :41:46. | :41:56. | |
:41:56. | :41:56. | ||
Apology for the loss of subtitles for 141 seconds | :41:56. | :44:27. | |
it is Firman and Woodyatt, everyone. # Where have all the good men gone | :44:27. | :44:34. | |
# Where's the street-wise Hercules # To fight the rising odds | :44:34. | :44:44. | |
# Isn't there a white knight... # # Late at night I toss and I turn | :44:44. | :44:48. | |
# And I dream of what I need # I need a hero | :44:48. | :44:53. | |
# I'm holding out for a hero # Till the end of the night | :44:53. | :44:58. | |
#''s got to be strong # He's got to be fast | :44:58. | :45:03. | |
# He's got to be fresh from the fight. # | :45:03. | :45:12. | |
APPLAUSE # He's got to be larger-than-life | :45:12. | :45:22. | |
:45:22. | :45:36. | ||
# Somewhere after midnight # In my wildest fantasy... # | :45:36. | :45:46. | |
:45:46. | :45:49. | ||
# I need a hero! # APPLAUSE | :45:49. | :45:55. | |
Oh, Pete and Adam. Would you look at that? Amazing. That is just the | :45:55. | :46:05. | |
:46:05. | :46:06. | ||
suits! Wow! You are a bit out of breath? Yes. I couldn't contain the | :46:06. | :46:13. | |
belt! Shouldn't have had that extra sandwich before! Wasn't he great? | :46:13. | :46:20. | |
APPLAUSE You have pulled out all the stops this week. I have been | :46:20. | :46:29. | |
practising my lunge all week. acts have one trick left to save | :46:29. | :46:32. | |
themselves from walking on broken glass and having a concrete block | :46:32. | :46:36. | |
smashed on their head. The vote lines will close in ten minutes. | :46:36. | :46:46. | |
:46:46. | :46:58. | ||
If you don't like sketches, maybe you would like something more 3D? | :46:58. | :47:03. | |
you would like something more 3D? You ready? To save Latimer and | :47:03. | :47:11. | |
Myleene, add 02. That way, that way or that way? Over there. Here we go. | :47:11. | :47:21. | |
:47:21. | :47:22. | ||
Oh my God! And to save Pete and Adam, add 03. Unbelievable. Milk, | :47:22. | :47:32. | |
:47:32. | :47:39. | ||
milk, round the corner... Cranberry Calls cost 15p from a BT landline. | :47:39. | :47:44. | |
Other networks may vary. Please get the bill payer's permission. Full | :47:44. | :47:49. | |
terms and conditions are at bbc.co.uk/magicians. OK, there you | :47:49. | :47:52. | |
go. Get it done. It is time to get back into the magic. This trick | :47:52. | :47:56. | |
happened in the dark so we will be using night-vision cameras to | :47:56. | :48:01. | |
capture the action. It is the spooky Barry and Stuart with Tina | :48:01. | :48:11. | |
:48:11. | :48:19. | ||
Tonight, we will do a very different grand illusion. We have | :48:19. | :48:24. | |
arranged for people who believe in ghosts to come and meet us at this | :48:24. | :48:27. | |
disused hospital. They don't know we are magicians. They think they | :48:27. | :48:31. | |
are taking part in a ghost hunting show where Tina is our celebrity | :48:31. | :48:36. | |
guest. There is one twist - we don't believe in ghosts. We will | :48:36. | :48:41. | |
use our magic to make it look like we have made contact but not with a | :48:41. | :48:51. | |
:48:51. | :48:57. | ||
spirit, with Santa Claus. Ho, ho, Thanks for coming along today. | :48:57. | :49:03. | |
are joined by Tina Hobley from Holby City. The reason we are in | :49:03. | :49:07. | |
this hospital is that the patients claim there was a man that would | :49:07. | :49:12. | |
visit them every winter at the same time. They said he would bring a | :49:13. | :49:17. | |
delivery. The man had a big beard and... I'm getting something. I am | :49:17. | :49:22. | |
seeing this man. He's got long fingernails. They gave him the | :49:22. | :49:32. | |
:49:32. | :49:34. | ||
nickname Nails. No, it is not Nails. It is Claws! We are trying to find | :49:34. | :49:38. | |
Claws. We will move deeper into the building. We will do something | :49:38. | :49:44. | |
which might seem unorthodox. You might have had they would use | :49:44. | :49:49. | |
garlic to ward off vampires. I have here a root vegetable, we will use | :49:49. | :49:53. | |
this carrot. What I would like you to do - I would like you to place | :49:53. | :49:59. | |
it inside your pocket. Let's move deep into the building. If you | :49:59. | :50:09. | |
:50:09. | :50:10. | ||
could follow us? To bring Claws to us they would leave him an offering, | :50:10. | :50:20. | |
a glass of milk. We have a bell. am going to give you this bell. Try | :50:20. | :50:24. | |
and keep it as still as you can. Chris, I will give you this glass | :50:24. | :50:29. | |
of milk. I want you - you can keep your glove on. Tina, call out to | :50:29. | :50:35. | |
any spirits and ask them to touch somebody in the room. If there are | :50:35. | :50:42. | |
any spirits, please could you make yourself present. I felt something | :50:42. | :50:50. | |
on my neck. What was it like? A touch? Like a sharp sort of feeling. | :50:50. | :50:56. | |
Like a nail? Possibly. You were holding on to the carrot. Could you | :50:56. | :51:06. | |
:51:06. | :51:08. | ||
take it out of your pocket? It has not gone bad? It has. Itz's gone | :51:08. | :51:18. | |
all -- It's gone all... The milk... It is going down here. Don't move. | :51:18. | :51:24. | |
Claws wants to talk to one of us. The patient watched them while he | :51:24. | :51:27. | |
was sleeping. He could tell who was naughty and nice. We will see if he | :51:28. | :51:35. | |
wants to talk to anyone who has been naughty right now. Argh! | :51:35. | :51:44. | |
God! Did you move your hand? didn't do anything! I felt my arm | :51:44. | :51:53. | |
being grabbed away. I swear on my life. Where's Barry? I don't know. | :51:53. | :52:00. | |
Barry?! Where's Barry gone? Barry! Barry! Claws must have taken him. | :52:00. | :52:07. | |
Let's go down this way. I feel that we should. Tina, if you could go | :52:07. | :52:13. | |
ahead of us? This is the last place where Claws was seen. Claws, if you | :52:13. | :52:22. | |
are here, please make yourself known to us now. Argh! Tina! Guys, | :52:22. | :52:32. | |
run! Run! Ho, ho, ho. # You better watch out | :52:32. | :52:42. | |
:52:42. | :52:43. | ||
# Santa Claus is coming to town. # It's going down here. I felt | :52:43. | :52:53. | |
something on my arm. I felt the bell move. Argh! It made me jump. | :52:53. | :53:02. | |
It was all going off. I'm glad I'm going home soon! APPLAUSE Just when | :53:02. | :53:06. | |
you thought those guys couldn't get any darker, they managed to make | :53:06. | :53:10. | |
Christmas creepy as well. This next pair have been roaming around | :53:10. | :53:16. | |
Leamington Spa, this is their last trick for the night. With their | :53:16. | :53:26. | |
:53:26. | :53:31. | ||
street magic, it is Pete and Adam. You will get your shoes wet! Get | :53:31. | :53:36. | |
them. Hello. Can I stop you? Can I show you a quick trick? Come in a | :53:36. | :53:43. | |
bit closer. What is your name? Fiona. Sophie. Would you do me a | :53:43. | :53:47. | |
favour? We haven't got a table - I want this to be seen. Would you | :53:47. | :53:52. | |
hold on to this box? I have a few things inside. I have a pack of | :53:52. | :53:58. | |
cards, Adam. Sorry. And I have a pad and a pen and I will write down | :53:58. | :54:04. | |
a prediction. You can't see this. Can I see it? Yes. We are the dream | :54:04. | :54:11. | |
team! Am I your assistant? course! I am going to fold up this | :54:11. | :54:17. | |
prediction. Don't peep at it, drop it in the empty box. It is empty? | :54:17. | :54:23. | |
Yes. There is a catch there. Do it up. Lovely. That is great. Adam has | :54:23. | :54:28. | |
a pack of cards. On this pack of cards, Pete has written the names | :54:28. | :54:34. | |
of 52 different animals. There's different animals every card. You | :54:34. | :54:40. | |
hold them. Can you shuffle? Give us your best shuffle. We won't | :54:40. | :54:44. | |
laugh. That's fine. Hold them face- down and I want you to cut half of | :54:44. | :54:47. | |
the cards off with the other hand. You will have to make a decision in | :54:47. | :54:51. | |
a moment of half of those cards that you want to eliminate. It is a | :54:51. | :55:01. | |
big choice. What are you going to do? He's off EastEnders! I like it! | :55:01. | :55:10. | |
You like it? It was a winner. Which one? This one. Keep that. It is the | :55:10. | :55:14. | |
BBC! These are the cards that you wanted to use. I will spread | :55:14. | :55:17. | |
through. I don't want you to take a card. Just touch the back of any | :55:17. | :55:23. | |
card that you like. Touch one. one. OK. Could you hold your hand | :55:23. | :55:27. | |
out like a table? I want you to take this card. You could have had | :55:27. | :55:32. | |
a pig, or a shark, or a goat. Those would have been the cards you | :55:32. | :55:36. | |
picked. You chose this card. Turn it over so the camera can see what | :55:36. | :55:42. | |
animal you have selected. You have chosen rat. If you hold on to that, | :55:42. | :55:47. | |
Adam? Yes. Could you open the box, take out the piece of paper, unfold | :55:47. | :55:57. | |
:55:57. | :55:59. | ||
it and show the paper to the camera. Argh! I don't like rats. It was | :55:59. | :56:04. | |
alive. I don't know where it came from. It was empty. It was empty. | :56:04. | :56:08. | |
Then there was a rat in it. She has a huge phobia of rats. Horrible. I | :56:08. | :56:18. | |
:56:18. | :56:26. | ||
don't know how he did that! Magic! We have only one more trick left in | :56:26. | :56:30. | |
tonight's competition, folks. The phone lines will be closing in five | :56:30. | :56:35. | |
minutes. You guys think you have done all you can? Think so. Tina | :56:35. | :56:44. | |
has been great. Latimer and Myleene have one last chance to work their | :56:44. | :56:49. | |
magic. Closing out our competition with their grand illusion, please | :56:50. | :56:59. | |
:57:00. | :57:06. | ||
give them a round of applause, This one is for the memories of the | :57:06. | :57:11. | |
one that got away. For whatever reason, you couldn't stay. And it | :57:11. | :57:17. | |
doesn't matter how much magic I do, it's not the same without you. | :57:17. | :57:27. | |
:57:27. | :57:27. | ||
Apology for the loss of subtitles for 141 seconds | :57:27. | :59:55. | |
MUSIC: Without You Come on over. One more time for | :59:55. | :00:03. | |
Latimer and Myleene, everyone! APPLAUSE You guys didn't want to | :00:03. | :00:05. | |
come over. You looked quite comfortable over there. How was | :00:06. | :00:10. | |
that? Was that a dream come true learning some magic? Everybody | :00:10. | :00:18. | |
wants to know how to make people disappear. Now I know how to do it, | :00:18. | :00:25. | |
my husband better watch out! was it done? Magicians never tell | :00:25. | :00:30. | |
secret. You are in the Circle now! You always do the lovely romantic | :00:31. | :00:37. | |
stuff. He is a softie. No, working with Myleene is a dream come true. | :00:37. | :00:41. | |
Magic! Any minute now, Tina, you could be doing that forfeit. How | :00:41. | :00:47. | |
are you feeling? Nervous. How do you feel about walking on glass? | :00:47. | :00:53. | |
I'm not doing it! You sure? Hope not. Do you think you have done | :00:53. | :01:03. | |
:01:03. | :01:03. | ||
enough? I hope so. I had mouth-to- mouth. Frogs... In your mouth. | :01:03. | :01:09. | |
know. Pete, did the big old school of Vegas... One more for the road. | :01:09. | :01:16. | |
We pulled out all the stops. I hope we have done enough. Garageling | :01:16. | :01:22. | |
molten metal, you have been -- Gargling by melten metal, you have | :01:22. | :01:26. | |
been squashed. This must be your night? He is getting worried. | :01:26. | :01:31. | |
one is safe. You have a bit of sweat coming up? I was running | :01:31. | :01:36. | |
around. Cut him some slack! That was exercise for me! That was a | :01:36. | :01:41. | |
quick costume change. OK, that is it. That is all. The phone lines | :01:41. | :01:46. | |
have closed. If you do call, your vote won't count and you may be | :01:46. | :01:49. | |
charged. We will be finding out shortly who will be facing | :01:49. | :01:53. | |
tonight's forfeit. While the votes are counted, it is time to enjoy | :01:53. | :01:56. | |
some show-stopping magic with a difference. They have come from | :01:56. | :01:59. | |
Vegas especially to be here tonight. It is some old school magic | :01:59. | :02:04. | |
performed by the best in the world. Put your hands together for David | :02:04. | :02:14. | |
:02:14. | :02:14. | ||
Apology for the loss of subtitles for 141 seconds | :02:14. | :05:15. | |
I wish I could have done that tonight! Well done. Great trick. | :05:15. | :05:20. | |
Time to get serious and find out who is facing the walk of pain and | :05:20. | :05:24. | |
the stone smash. Your votes have been counted and verified. Legs, | :05:24. | :05:34. | |
can I have the results, please? Wooh! OK. I can now reveal to | :05:34. | :05:39. | |
everyone at home and in here the act with the most votes and | :05:39. | :05:49. | |
:05:49. | :05:57. | ||
definitely safe from performing the forfeit this week is... Pete and | :05:57. | :06:05. | |
Adam! Yes! Congratulations, guys. Thank you! Some great tricks from | :06:05. | :06:11. | |
them. OK. Between Myleene and Latimer and Barry and Stuart and | :06:11. | :06:16. | |
Tina. I will now reveal the act with the fewest votes tonight who | :06:17. | :06:21. | |
will have to endure walking on broken glass and the horrendous | :06:21. | :06:31. | |
:06:31. | :06:38. | ||
stone smash is... Latimer and Myleene. Sorry, guys. Oh, man! | :06:38. | :06:47. | |
poor thing. Unlucky, my man. I wore the wrong frock! How you feeling? | :06:47. | :06:54. | |
Made up(!) Oh my God! Brilliant. While you grab yourself together, I | :06:54. | :06:57. | |
need a volunteer from the audience. I will remind everyone at home | :06:57. | :07:06. | |
about the horror that is moments away for these two. Tonight's | :07:06. | :07:13. | |
deadly forfeit will see the losing act walk barefoot across a pit | :07:13. | :07:18. | |
filled with razor-sharp shards of glass. Once across the glass, a | :07:18. | :07:22. | |
stone block will be placed on their head and smashed with a | :07:22. | :07:26. | |
sledgehammer. Will they be able to control mind over matter? Or will | :07:26. | :07:36. | |
:07:36. | :07:38. | ||
they bottle it? APPLAUSE Under no circumstances, should you attempt | :07:38. | :07:46. | |
any of these forfeits at home. What is your name? Michael. I want you | :07:46. | :07:49. | |
to verify for everyone this is in fact a real bottle and that is real | :07:49. | :07:58. | |
glass? Real glass. If you want to grab this bottle here, OK, hold it | :07:58. | :08:02. | |
with the top of one hand and hold it against there and take the | :08:02. | :08:09. | |
hammer and give it a smash. Very good. If you want to take that | :08:09. | :08:18. | |
glass and throw it in there. You happy? Real glass. Thank you for | :08:18. | :08:26. | |
your help. Take your seat. Thanks for that(!) APPLAUSE There's no | :08:26. | :08:35. | |
shoes, no gloves, Latimer, watch that glass behind you. Watch that | :08:35. | :08:45. | |
:08:45. | :08:50. | ||
aside, concentrate on everything Latimer says. One slip, it could be | :08:50. | :08:56. | |
fatal. Latimer, it is up to you. You will take her across the broken | :08:56. | :09:02. | |
glass and then you will place concrete block on your head and the | :09:02. | :09:06. | |
sledgehammer will smash the block on your head. Take it away. OK. I | :09:06. | :09:12. | |
wish I could say there is a trick to this one. There is not. It has | :09:12. | :09:20. | |
to do with you staying as relaxed as possible. You really have to | :09:20. | :09:23. | |
gently go down. I know my mum is freaking out watching this right | :09:23. | :09:28. | |
now! The last thing you want to do is panic. Just like the cage, just | :09:28. | :09:35. | |
relax, cold and controlled steps. We will put one foot down, but keep | :09:35. | :09:44. | |
the weight on the back foot. Feel free to adjust. Just... Now? | :09:44. | :09:54. | |
:09:54. | :09:57. | ||
ahead. Slowly. Come on. Come on, Come on. Keep the weight on the | :09:57. | :10:07. | |
:10:07. | :10:08. | ||
back foot. All right. APPLAUSE we are going to slowly increase the | :10:08. | :10:18. | |
:10:18. | :10:26. | ||
weight on the foot. All right? It is not a race. You are doing great, | :10:26. | :10:36. | |
:10:36. | :10:43. | ||
Myleene. Stay focused. AUDIENCE: Come on, Myleene! You can | :10:43. | :10:53. | |
:10:53. | :10:58. | ||
CHEERING AND APPLAUSE Come on, Myleene! You did great. | :10:58. | :11:05. | |
That was horrible. It's a walk in the park! Oh God! I can't believe I | :11:05. | :11:13. | |
did that. For this one, we are going to go -ly go first. OK(!) | :11:13. | :11:18. | |
LAUGHTER It is very important. It is about staying in control. It is | :11:18. | :11:24. | |
a sledgehammer. HE is in control! What I want you to do is not move. | :11:24. | :11:29. | |
OK? He is going to be swinging a sledgehammer, you do not move. I | :11:29. | :11:39. | |
:11:39. | :11:39. | ||
want you to stand upright. Are we ready? Got that balanced on there? | :11:39. | :11:49. | |
:11:49. | :12:16. | ||
Here we go. Here we go. Oh my God! Oh my God! Trust me. OK. Here we go. | :12:16. | :12:26. | |
:12:26. | :12:41. | ||
Down or up? Hang on, do I go down? Balance it on your head. Got it? | :12:41. | :12:51. | |
:12:51. | :13:02. | ||
Stay relaxed. Don't move. Stay still. Oh my God! Argh! OK. Argh! | :13:02. | :13:09. | |
APPLAUSE Give her a round of applause. That | :13:09. | :13:19. | |
:13:19. | :13:25. | ||
Come on down. Oh my God! Well done. Big round of applause! How was | :13:25. | :13:28. | |
that? APPLAUSE That was the most horrible forfeit I have seen so far. | :13:28. | :13:34. | |
What was going through your head? sledgehammer! LAUGHTER Take two | :13:34. | :13:39. | |
seconds before that happened, how were you feeling? If he misses, or | :13:39. | :13:46. | |
what if I'm not listening, am I up, am I down? It was quite heavy, too? | :13:46. | :13:52. | |
Yes. That is the first time you have done it? Yes. You are right. | :13:53. | :13:58. | |
Oh my God! I need to ring my mum! LAUGHTER I am sure she was watching. | :13:58. | :14:02. | |
Great end to the show. There is plenty more next week. Have a look | :14:02. | :14:11. | |
at this. Next time on the Magicians, more mind-bending magic as Arlene | :14:11. | :14:18. | |
Phillips, Phil Tufnell and John and Greg from MasterChef compete for | :14:18. | :14:24. | |
your votes liech. Who will im-- live. Who will impress? Who will | :14:24. | :14:29. | |
face the forfeit? Don't miss it. 7.15pm next Saturday. That is all | :14:29. | :14:35. | |
next week. If you want to be part of Latimer's grand illusion with | :14:35. | :14:39. | |
Phil Tufnell, go to bbc.co.uk/magicians. It is kicking | :14:39. | :14:45. | |
off tomorrow at 2.00pm. Big thank you to all our celebrities and the | :14:46. | :14:50. | |
magicians. Massive thank you to you guys, guys n the studio. Next week | :14:50. | :14:56. |