Episode 5 The Magicians


Episode 5

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Tonight on The Magicians Phil Tufnell, Arlene Phillips and

:00:17.:00:20.

Masterchef's John and Gregg will be competing for your votes to avoid

:00:20.:00:26.

tonight's death defying forfeit. The audience has arrived. We're

:00:26.:00:33.

about to reveal the horrific forfeit that lies in store for our

:00:33.:00:35.

celebrites. So far we've seen Keith Duffy swallow fire, The Hoff walk

:00:35.:00:38.

on swords, Mel Giedroyc sandwiched in a bed of nails. Last week

:00:38.:00:41.

Myleene Klass had a concrete block smashed on her head. Are you ready

:00:41.:00:44.

to see what it's in store for you? Have a look at this. There you go.

:00:44.:00:51.

Yes. You will become target practice for this guy. He will be

:00:51.:00:57.

attempting to shoot this apple off your head. No. Did I mention, he's

:00:57.:01:07.
:01:07.:01:07.

going to do it Wyles spinning. Yeah No, no. Don't lose your head,

:01:07.:01:17.
:01:17.:01:39.

guys. It's The Magicians, live! Live from Shepperton Studios,

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please welcome your host, Darren McMullen and The Magicians. The

:01:44.:01:50.

sinister Scottish duo, Barry and Staurt. The LA master of magic,

:01:50.:02:00.
:02:00.:02:04.

Latimer. The hocus-pocus hero, Pete How are you Shepperton? Welcome to

:02:05.:02:08.

The Magicians. We have deception, danger and drama here tonight as we

:02:08.:02:12.

take you on a magical mystery tour that Houdini himself would have

:02:12.:02:17.

been impressed by. Each week our magician are joined by a celebrity

:02:17.:02:21.

apprentice am they will perform four tricks in an attempt to win

:02:21.:02:28.

your votes and avoid tonight's down right Dane rouse forfeit. Let's

:02:28.:02:34.

meet tonight's brave celebrites. Joining Barry and Staurt it's

:02:34.:02:41.

MasterChef maestros, John Torode and Gregg Wallace. With Latimer,

:02:41.:02:50.

it's cricketer, TV host and all round nice guy, Phil Tufnell.

:02:50.:02:57.

Partnering Pete Firman, it's dance diva, Arlene Phillips.

:02:57.:03:07.

CHEERING AND APPLAUSE This is The Magicians, live! Gets

:03:07.:03:11.

louder every week. Celebrity and magician alike will be giving it

:03:11.:03:14.

everything we have tonight in order to impress you at home. They have

:03:14.:03:18.

four tricks to do that. Two of which will be performed live, right

:03:18.:03:22.

here in the studio. The team with the lowest number of votes at the

:03:22.:03:26.

end of the show will have to face their fierce, and take on the death

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defying forfeit. I thought you might say that. Pretty sure you are

:03:33.:03:37.

over the moon at the thought of an arrow being fired at your head

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tonight, aren't you? No. Not at all? I don't don't blame you. Are

:03:44.:03:51.

you ready for it? Probably not. Are you ready to watch it? YES! Let the

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competition begin. Up first, hoping to waltz their way to victory, last

:03:58.:04:08.
:04:08.:04:10.

week's winner, Pete, with Arlene Phillips. We got one. We got one.

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Congrat laitions to Pete, she dressing like a man again. I'm

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proud of him. I tasted it on Saturday. It was sweet! I'm Arlene

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Phillips a choreographer of West End shows and sometimes TV judge.

:04:29.:04:36.

think we will be good. I'm looking for a second week. I prefer to wore

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the frock. Barry and Staurt should do a forfeit. It's only fair. We

:04:43.:04:48.

will have all the fun of fair and pin a tail on a donkey. Sounds

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fabulous. I want to learn how to do card tricks and make people

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disappear. Keep your eye on my banana. I will cover it with the

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cloth. I say the words, just like that, it disappears. If twun is

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ready to take me on as a trainee, I'll be there. It's very simple...

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He got his first win last week, can Arlene make it two on the trot?

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With their live grand illusion, please give a big round of applause,

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everybody, for Pete and Arlene. APPLAUSE

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That's very nice. That's very nice. Thank you. I don't know if you saw

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the show last week, you are working with the reigning champion tonight.

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Pete, I'm honoured to be working with such a star. I don't like to

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go on about these things, have I shown you my trophy? It's a darts

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trophy. Darts? Yes. The fellow in the shop said they were magic wands.

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I've been had. I'm demanding excellence tonight. I'm glad you

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put your faith in me, I want to get it right. One problem. I have never

:06:12.:06:17.

been a magician's assistant before. It doesn't matter. You need to be

:06:17.:06:27.

swift and fast. I'm talking fast like lightning. You have to a pa

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zaz. Like this? Like this that, but good. I will put you through your

:06:33.:06:43.
:06:43.:06:44.

paces. I have with me this evening a magical do-jo. Let me tell you

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there is always room for improvement. That is the spirit,

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get in the box. Come on Arlene, get up on there. Swing your leg in

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there. That's it. Don't peak too soon. Down into the box, Arlene.

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Every corner. I'm trying. I need to get my leg around my neck. She's

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game. To be honest, I didn't know that was possible. That's

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impressive. I will close the top doors. It may get dark. Put your

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hands out the top. So everyone can see. Very good. Ordinarily, ladies

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and gentlemen, I would thrust, I'm saying, it a number of razor

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stainless steel swords into the box. Because it's your first day on the

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job I will cut you some slack, I will shove a broom handle in your

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face. Can I have a broom, please? No, save it. The ending of this is

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very weak. Now, look, Arlene I'm coming at you from the side. Your

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job is to get out of the way. Pete, let me know when you're going

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to. Ahhh. You handled the first one, I think you can handle the second.

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Can I have another broom, please? Hilarious. This one is coming in

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from an an adjacent angle. Do be careful. The last thing you want is

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a broom handle in your... Can I come out of the box now? We've only

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just started. This is the beginning. We will test to see if you can get

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into a really small space. Brace your self Arlene, 3, 2, 1. How

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about that ladies and gentlemen? Stop, stop, I think she can go all

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the way now. Breathe in, Arlene. Just like that. Ladies and

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gentlemen, faster than a speeding bullet, my student, Arlene Phillips.

:09:02.:09:12.
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That was amazing. Amazing. You're messing with my mind. How did that

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happen? MacMagic. That was pretty good, wasn't it? John and Gregg and

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Barry and Stuart everybody. APPLAUSE

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You had some of the best fun you had in your life shooting this

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show? For me, really what is excite being magic what you are seeing

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next is one of the most exciting things I've done in my life. What

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is even better, I still don't know how it worked. I've no idea how it

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worked. For me, thrilling, but extraordinary. The magic is still

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alive. You guys are currently on the leaderboard with two wins. If

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you win tonight you have wrapped up the series, no-one can beat you.

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What will you do to see that happens? Everybody at home can take

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part. Grab a camera or camera phone, you will be asked to take a photo

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graph of your TV screens. Get your phones out at home. Let's see how

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John and Gregg got on performing the location grand illusion with

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Barry and Staurt. Hello, guys. Welcome to the secret warehouse.

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I'm John. I'm Gregg. We are best- known for putting people through

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the mincer on MasterChef. Make sure we win. I don't want to do the

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forfeit. Really. We haven't done magic before, this is scary.

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will drop in unsuspecting members of the public. Proving when it

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comes to food it's the thought that counts and doing a stinker on the

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closup shot. You have one two and then this one goes. We talk about

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pressure on MasterChef, today I think we will feel the pressure.

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don't do live stuff. We do cooking live, nothing like this live. Barry

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and Staurt are used to winning. If we mess this up we will be angry.

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We are told if we win the next show we have won the series. If that

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happens we will do the whole show wearing nothing but our pants.

:11:19.:11:29.
:11:29.:11:39.

Beautiful views over London. Great. John, you seem to have the best

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view of all. Yeah, beautiful. you will be there for a while. We

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have given you a bag as your lunch, a sandwich. Is that for me. Is it

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my favourite type? Tuna, cucumber. Is there butter on it. We forgot

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the butter. Plenty of butter. We will go down stairs and do the

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trick. Can you hang there for a while? This is not what I thought

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you meant by hanging around. Let's go. Why am I hanging around? No,

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We have left John up there. It is nothing to do with the trick. We

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don't want him down here. He is rubbish at magic. This is my trick.

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Trick Gregg this is. Most mobile phones out nowadays have a secret

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app that does something very weird. We will show you that in a moment.

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Get out your mobile phones. Take them out. Good. I want you to keep

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your eyes on this box. It's very, very important. This is integral to

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the whole magic trick. We need to borrow one person's phone. What is

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your name? Gemma. Is this your friend? My sister. The app can do a

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weird thing. That is it can make you look like your phone is in a

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different place. We will use that app to make it look like Gemma's

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phone is inside Gregg's box. volume button turns it down. You

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hold that for three second. What happens is that the phone just

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disappears. Oh, my God. It doesn't disappear. It transports all the

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way inside here. Listen. Can you hear it rattling? Inside the box,

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that Gregg has been holding the entire time... No. Is none other

:13:43.:13:53.
:13:53.:13:57.

than... A sandwich. What? What? What's inside it? Between the

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layers of bread will you actually find it's... Tumna. That's John's

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sandwich, that's John's lunch. John, have you got my sandwich? We have

:14:12.:14:20.

it here. What have you got? I've got a phone. It's a phone. That

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could be anyone's phones. The only way to find out it's your phone is

:14:23.:14:29.

to call it. Do you know how to work that phone? Can you put it on

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speaker phone? Yes, loud speaker. Listen for it. Oh, it's ringing.

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John, answer it. Hello. Can you hear him? Is this your phone?

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Hold on for a second and I'll bring it down to you. There is only one

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:15:00.:15:08.

way to get it to you. One second. Hello. Hi I'm Gemma. Tha your phone.

:15:08.:15:18.
:15:18.:15:18.

That's my nephew. Pressed the volume button down three times and

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he just did it. It was amazing. He had it and then it was suddenly

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gone. My phone started calling from the sky. It's so strairching

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because it was all the way upstairs there. It was really good. I think.

:15:35.:15:45.
:15:45.:15:46.

Ridiculous. I've never seen Jumping off buildings, stealing

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iPhones, a nice sandwich at the end. How will you top that? We asked the

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UK to help us with our grand illusion. How were they? Awesome.

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Tonight we're going to do something special for one person in this

:15:59.:16:03.

audience. Giving back to the UK. Getting everyone involved. I look

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forward to seeing it. You've seen the two acts go, what do you feel

:16:07.:16:12.

of the competition? Arlene was squished in a box, very good. John

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thrown off a building, bit hairy. You should see what we have in line

:16:16.:16:20.

tonight. It's good. You're not worried at all? A little bit

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nervous. Let's see if practise makes perfect, it's Latimer and

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Phil. It's not a race. Last weekend's

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episode Myleene was extremely brave. Not many people would attempt that.

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Of course I'm not happy doing the forefits. Next week, I'm coming

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back bigger. What up Phil. I don't like the look at that. I am Phil

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Tufnell. I used to play cricket. I was a spin bowler. They didn't know

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which way it was going. One of my big worries is that it's live.

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You'll be sending me a card. Next manipulating metals, other people's

:17:09.:17:11.

metals. We'll have fun going through the looking glass and then

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I hear you like art. I've seen some of the forefits, they look tricky.

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I think it's time Barry and Stuart do a forfeit. It's a lot to take it.

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But we're getting there. Risking life and limb isn't my idea of fun.

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I just hope I don't mess it up on the night.

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Latimer faced the forfeit for the second time last week. I'm sure

:17:35.:17:39.

he's had enough of them now. With the first trick of the night, up

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close and personal, here are Latimer and Phil!

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APPLAUSE Tonight we're going to do a card

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trick under impossible conditions, impossible test conditions to. Make

:17:53.:17:57.

it even more fair we need a random person from the audience. We're

:17:57.:18:00.

going to throw a ball into the aud why topbs find them. I have a

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cricket ball here. Whoever catches this can come down and give me a

:18:05.:18:10.

hand with the trick. Ready? OK, ready catch! They all want it. You

:18:10.:18:14.

know we wouldn't do, that it's a bit hard. Crikey, I've been hit on

:18:14.:18:19.

the head with them a couple of times. This is softer. This is

:18:19.:18:22.

where I will be, completely sealed from everybody at all times and in

:18:23.:18:27.

view at all times. Now we need a volunteer. Can someone hold this?

:18:27.:18:32.

Can you catch that for me, love? There you go. Brilliant. Throw that

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into the middle section of the audience as hard as you can.

:18:37.:18:45.

Might need a little hand there. Big throw, Big throw. There you go.

:18:45.:18:49.

There you go. Someone else catch it. Throw it to someone else, someone

:18:49.:18:54.

else catch it. OK. Stop. Now, come down, well done. Round of applause.

:18:54.:19:04.
:19:04.:19:10.

He's got a long way to come. Keep clapping.

:19:10.:19:20.
:19:20.:19:23.

Here he comes. Over here, mate. I'm over here G man. -- good man. Put

:19:23.:19:28.

the ball down, fantastic. What's your name? Jake. Are you having a

:19:28.:19:32.

good time? Yes. Fantastic. This is a very, very good card trick. OK

:19:32.:19:35.

what I want you to do is put your what I want you to do is put your

:19:35.:19:39.

finger up like that. Pull the cards towards you and stop wherever you

:19:39.:19:46.

want. There, OK. Memorise your card. Got it? Everyone at home memorise

:19:46.:19:51.

the card. Got it? Fantastic. Hold those cards, Latimer's world record

:19:51.:19:55.

for this is 24 seconds. Hopefully, he's going to beat it for you

:19:55.:19:59.

tonight. Keep the hands like that, put your hand on top there,

:19:59.:20:02.

fantastic. I'm going transport that card over to Latimer over there.

:20:02.:20:11.

You ready? Yeah. Three, two, one... I felt it right there. One card.

:20:11.:20:15.

Nothing else in the pocket. I'm going to hold the card right here.

:20:15.:20:20.

Sir, keep an eye on this, make sure I don't switch it at any time. I

:20:20.:20:26.

thing I -- think I have your card. Did you feel the card go? Noi,. Now

:20:26.:20:29.

turn the cards over and fan through them and look for your card, young

:20:29.:20:34.

man. What was your card? Seven of diamonds. Fan through, seven of

:20:34.:20:39.

diamonds. Due bring your glasses? How long have we got? We're here

:20:39.:20:45.

for a good time not a long time. It's not there. Not there. Latimer,

:20:45.:20:49.

the seven of diamonds has gone. It's not there? It's not there.

:20:49.:20:55.

Because it's here! And that's magic! Thank you very much, mate.

:20:55.:21:05.
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I am standing within ten metres of these guise, I was watching

:21:09.:21:13.

carefully. I have no idea how that was done. Very good trick. With

:21:13.:21:17.

that all our acts have performed their first trick. Now the phone

:21:17.:21:21.

lines are opener now -- for you at home. To save your favourite from

:21:21.:21:31.
:21:31.:21:53.

There's plenty of tricks on there for you to learn, on the website F

:21:53.:21:56.

you've been impressed with the magic so far, check out what's

:21:56.:22:03.

still to come: Coming up, magic doesn't get much tougher than that

:22:03.:22:12.

for Barry and Stuart and John and Gregg. Will Latimer and Phil's work

:22:12.:22:17.

at art win your vote. And Pete and Arlene do donkey work to avoid the

:22:17.:22:22.

forfeit. All that and we have an amazing

:22:22.:22:26.

surprise for an unsuspecting member of our audience. One of you in here

:22:26.:22:30.

is going to get the surprise of a lifetime, folks, I promise you that.

:22:30.:22:34.

Next up we have hypnotic street magic. Welcome back Barry and

:22:34.:22:44.
:22:44.:22:53.

For me and Gregg our passion is all about food and for Barry and Stuart

:22:53.:22:59.

it's all about magic. We've got something that combines both.

:22:59.:23:06.

and magic - fagic - it's a taste sensation. We need somebody from

:23:06.:23:11.

the audience. Put your hands up if you think we could never hypnotise

:23:11.:23:17.

you. I think you'd be perfect. What's your name? Kat. Sit here,

:23:17.:23:24.

please and look up at Gregg. hypnotism act of 1952 states we

:23:24.:23:27.

cannot show you the process of somebody being hypnotised, so we

:23:27.:23:32.

will have to wait for a bit. That will do. Deep breath in, three, two,

:23:32.:23:38.

one... That's it. Staying in that centre, just go. Do you miefpbd

:23:38.:23:46.

getting prepared. Stuart has a blind fold to place over Kat's eyes.

:23:46.:23:53.

Gregg has a blind fold as well. a moment Gregg and Kat will make a

:23:53.:24:01.

sensery connection. We are using chewing gum, Barry and chewart! I'm

:24:01.:24:05.

going to place in your hand a place of gum. Put it in your mouth and

:24:05.:24:09.

chew on the gum. I need help as well. You look like a nice person

:24:09.:24:14.

to help. What's your name? David. Behind us here, we have three

:24:14.:24:20.

courses and you are going to help me get my bald friend over there to

:24:20.:24:26.

taste the food and tell Kat what it tastes like. I want to point to one

:24:26.:24:35.

of these dishes for Gregg to taste. You can't say it outloud. There's a

:24:35.:24:39.

bald man with his mouth open there. Feed him some of that food. He's

:24:39.:24:49.

going to taste it. As Gregg concentrates on those

:24:49.:24:54.

flavours. Keep chewing the gum and tell us what flavours you have got.

:24:54.:24:59.

Just chewing gum As soon as you sense a flavour, say it outloud.

:24:59.:25:09.
:25:09.:25:09.

Crispy. Crispy. Very good. Anything else. Vegetable. Maybe fried. Yes.

:25:09.:25:15.

Fried Crispy vegetables. You were eating vegetable tempura. That was

:25:15.:25:21.

excellent. Keep chewing on the gum. Now twice as many main courses.

:25:21.:25:31.

Which dish would you like Gregg to taste? OK. Concentrate on the

:25:31.:25:34.

flavours Gregg. Do you sense any new changes in flavour in your

:25:34.:25:44.

mouth? Tomatoes? Yes there was tomato there. Fish... Salmon.

:25:44.:25:52.

Excellent. Ti, was the salmon fillet with tomato. Keep chewing on

:25:52.:25:55.

that gum. We're going to do something different for the dessert.

:25:55.:25:59.

So this is the dessert. I only have one. I'm not going to taste it. I

:25:59.:26:09.
:26:09.:26:10.

want you to imagine a mouthful of this. Keep chewing on the gum. What

:26:10.:26:20.
:26:20.:26:21.

are you tasting now. Yes. Meat. that's disgusting. It tastes like

:26:21.:26:31.
:26:31.:26:34.

APPLAUSE I never thought I could be

:26:34.:26:38.

hypnotised at all. She tasted the ingredients, but I don't know how.

:26:38.:26:45.

It was amazing. APPLAUSE

:26:45.:26:50.

Now I can taste dog food. I quite like the taste. Is that weird? It

:26:50.:26:54.

probably is. Next up live and close up, it's the dame of dance Arlene

:26:55.:26:58.

and her mystical magic man Mr Pete Firman.

:26:58.:27:04.

APPLAUSE That's very nice. Lovely, thank you.

:27:04.:27:08.

I must admit, we're five weeks in and I'm get being a bit sick of

:27:08.:27:13.

this magic malarkey. Do you think we could get someone else to do the

:27:13.:27:17.

tricks? Latimer. We want to win. You're right. I'll see what I can

:27:17.:27:21.

do. I'm going to get you some help. Round up someone. I'm going to get

:27:21.:27:27.

somebody from the audience to come and help Pete with his tricks. Now

:27:27.:27:37.
:27:37.:27:39.

let me see... Yes, what's your name? Angelie. Would you like to

:27:39.:27:45.

help Pete? He really needs help. Step up here and pop the mic on you.

:27:45.:27:51.

Up on stage and join sweet Pete. That's right sweet Pete. Come here,

:27:51.:27:54.

I want you to have a sit down. Sit yourself down there, very good.

:27:55.:27:58.

Basically, you're going to play the part of the magician. I'm going to

:27:58.:28:04.

be the unsuspecting puntser. That's the idea. Oh, are you all right.

:28:04.:28:10.

Pete, all you have to do is read these cue cards. I will tell you

:28:10.:28:15.

when, I'll guide you, so here we go. First card... Real when you're

:28:15.:28:23.

ready. Read them outloud. Sorry. That's fine. It's our fault, we

:28:23.:28:27.

picked you. It's not a secret. you look great this week. That's

:28:27.:28:31.

nice of you to say. I think everyone at home should pick up the

:28:31.:28:35.

phone and vote for you Arlene. agree. I tell you what, I

:28:35.:28:38.

appreciate the compliments, just read the cards, that would be nice.

:28:38.:28:44.

Would you like to see a card trick? Not really. Pete! Be nice. OK. I'm

:28:44.:28:49.

here any way, why not, yes. Do you have a pack of cards? Do I have a

:28:49.:28:54.

pack of cards? It is quite fortunate I do have a pack of cards.

:28:54.:28:59.

Anyone watching in high definition, don't be alarmed. I don't have the

:28:59.:29:07.

hands of an elf. This is a jumbo deck. Do you have a pack... Next

:29:07.:29:12.

one Arlene. Shuffle the cards. You do that very well. I find you very

:29:12.:29:20.

attractive. You just put this in here! I didn't, I didn't. I might

:29:20.:29:25.

have. Sorry. Just hand the cards to her and behave. Read on when you're

:29:25.:29:32.

ready. Pick a card, any card. like a pro. I'm going for one at

:29:32.:29:36.

like a pro. I'm going for one at the bottom. Reach into your pocket

:29:36.:29:45.

and remove a pen. I don't have a pen in my pocket. Yes, you do.

:29:45.:29:49.

I tots do! That's amazing. Sign your name on the card and show it

:29:50.:29:59.
:30:00.:30:03.

Don't let her see it. Thank you. That is the card ladies and

:30:03.:30:08.

gentlemen. Shuffle the card into the deck. Shall I take that. I

:30:08.:30:15.

shuffle the card into the deck. To save time I will cut the pack like

:30:15.:30:21.

that. Say the magic words, "vote for Pete and Arlene" and the card

:30:21.:30:25.

has vanished. I don't believe it. Is the card in here? I'm looking

:30:25.:30:29.

for my card. Let's see if it's... You know what, I don't see the card.

:30:29.:30:33.

It really has disappeared. That's incredible.

:30:33.:30:42.

APPLAUSE Wow! Oh! What was your card?

:30:42.:30:48.

card was the five of hearts. are not going to believe this, and

:30:48.:30:53.

neither am I because... I am Because I am... She is building the

:30:53.:31:01.

drama. You can't knock her for it Sitting on it. You can't be. You

:31:01.:31:08.

are sitting on the card. Have a look at it. Show it to the audience.

:31:08.:31:13.

It's still warm! APPLAUSE

:31:13.:31:19.

That was amazing. I didn't know where he was going with that. Funny

:31:19.:31:22.

and talented. Wh a catch ladies. If you thought so too pick up the

:31:22.:31:27.

phone and vote for them so they avoid tonight's forfeit. Last week

:31:27.:31:31.

we invited you to take part in Latimer and Phil's location grand

:31:31.:31:41.
:31:41.:31:48.

I'm in the heart of London. Here we are making a giant work of art with

:31:48.:31:53.

this 40 foot by 8 foot canvas. We provided paintbrushs in various

:31:53.:31:57.

colours to let you paint any shape and any colour your heart desires.

:31:57.:32:02.

Phil and I have made a prediction. It's right here. It's locked and

:32:02.:32:06.

bolted. It will not come down until this work of art is finished. All

:32:06.:32:16.
:32:16.:32:49.

we need now is you and your Thank you so much for coming down

:32:49.:32:53.

here. We invited pretty much the entire city to help us out with

:32:53.:32:58.

what we've created. Now, we need one last element of randomness to

:32:58.:33:05.

make it fair. Young lady, can you take that ball for me. What is your

:33:05.:33:09.

nameAnce Stays ya. Come forward. want you to throw that ball over

:33:09.:33:17.

your head and behind. So after three. Wow! Throw it that way.

:33:17.:33:23.

Someone catch it. Throw it again. One more time. Miss, could you help

:33:23.:33:31.

us out? You're coming up now. is your name? Hannah. You will be

:33:31.:33:35.

involved. We have a picture frame here. I'm presenting it to you.

:33:35.:33:40.

Think of somewhere where you would like to place that randomly on that

:33:40.:33:45.

wall. Somewhere nice. Somewhere that you really like the look of.

:33:45.:33:55.
:33:55.:33:55.

OK. Anywhere in the wall? Any or orientation. Anywhere. Fantastic.

:33:55.:34:02.

Brilliant. There you go. That's good. OK. I'm going to cut the

:34:02.:34:11.

painting out. I will burrow my way through the wall. All right. This

:34:12.:34:17.

is for you to hold on to, but no- one is going home empty-handed.

:34:17.:34:27.
:34:27.:34:30.

Miss, what part do you want? Big piece, small piece? We are

:34:30.:34:34.

spreading art around the world. remember, our prediction has been

:34:34.:34:40.

locked up for three days and no-one has touched it. It's time now to

:34:40.:34:50.
:34:50.:34:50.

bring down the prediction. Don't drop it. Otherwise they will have

:34:50.:35:00.
:35:00.:35:20.

OK. This is our prediction. It's been signed from the very beginning.

:35:20.:35:24.

Listen, you were randomly picked by that lovely little girl over there.

:35:24.:35:29.

You had every chance to place that frame on that massive wall of art,

:35:29.:35:35.

anywhere you liked, didn't you? Are you happy that was completely

:35:35.:35:40.

ad hoc? Yes. Fantastic. Thank you very much for your time. No problem.

:35:41.:35:46.

A round of plaus. APPLAUSE

:35:46.:35:47.

-- applause. APPLAUSE

:35:47.:35:54.

Ready? Yes. Ladies and gentlemen, let's see how we did.

:35:54.:36:04.
:36:04.:36:09.

You know what? What. I liked it so much, I got the phone cover? Wow!.

:36:09.:36:19.
:36:19.:36:19.

No, no. I liked it so much... I got the cell phone covers and mugs

:36:20.:36:29.

printed of them. I had the T-shirt made!

:36:29.:36:33.

APPLAUSE Fantastic. Amazing. My daughter

:36:33.:36:36.

threw the ball. There was no control over where it went. She was

:36:37.:36:41.

a random girl in the audience. I could have caught the ball. I saw

:36:41.:36:44.

the butterfly in the corner of the wall I thought it might be more

:36:44.:36:49.

difficult to predict. I wanted it to be a challenge for him. When he

:36:49.:36:53.

revealed the painting I thought, that is fantastic. Down to the

:36:53.:36:58.

detail. When he brought out the T- shirt and phone cases and the mugs.

:36:58.:37:07.

I don't know how they did it. CHEERING AND APPLAUSE

:37:07.:37:13.

That was amazing. We are at the half way mark now. Two distribution

:37:13.:37:18.

down, two to go for each act. Have you picked your favourite yet?

:37:18.:37:24.

If you have at home, make sure you pick up the phone. To save Barry

:37:24.:37:31.

pick up the phone. To save Barry and Staurt and John and Gregg call:.

:37:31.:37:41.
:37:41.:37:45.

To save Latimer and Phil you add02 For full terms and conditions visit

:37:45.:37:50.

bbc.co.uk/magicians. Lots more still to come including a very

:37:50.:37:54.

special surprise for someone right special surprise for someone right

:37:54.:37:58.

here in the audience We are back bringing magic to the studio. Grab

:37:58.:38:03.

your mobile phones at home everybody, this is live interactive

:38:03.:38:13.
:38:13.:38:14.

closup magic with Barry and Staurt Thank you. Tonight we will do

:38:14.:38:18.

something right now. Something that everybody can take part in. If you

:38:18.:38:21.

want to take part, get out your mobile phone or a camera. We want

:38:21.:38:26.

you to take a photograph of your TV screen. The other thing is I have

:38:26.:38:33.

an item of food in this bag. canvas bag. John's bag for life,

:38:33.:38:38.

doing his bit. Think of an item of food. We will do that using this,

:38:38.:38:42.

our supermarket selection app. It will generate a football for --

:38:42.:38:49.

food for everybody. Choose any item of food at random. Gregg, choose

:38:49.:38:54.

one? Anyone. Yes. Cheese. From the cheese make two moves. You move

:38:54.:39:01.

around the chart in a clock wise direction starting with the next

:39:01.:39:07.

object you spell the name of the food you are thinking of. It's on

:39:07.:39:13.

the ham. From the object you end up on, spell the name of the newly

:39:13.:39:17.

landed object. Moving around the clock wise direction one move for

:39:17.:39:25.

each later. So HAM. Is it Biscuits. I like biscuits. I like the biscuit

:39:25.:39:35.

base. I like the buttery biscuit base! Yes Gregg likes biscuits. If

:39:35.:39:39.

we were doing this trick for real there would be lovely biscuits

:39:39.:39:44.

inside this bag. Biscuits are now completely sold out. Let's shuffle

:39:44.:39:49.

up our remaining products and everybody can get rid to do it on

:39:49.:39:54.

home. Can you touch your TV screens if you want to follow along. Select

:39:54.:39:58.

a food at random. Point to it. Make your first move. Starting with the

:39:58.:40:03.

next one spell your choosen food. Move around the board. One move for

:40:03.:40:09.

each letter. You are now all on a new object. So you make your second

:40:09.:40:12.

move. Spell the name of the new object, one move for each letter.

:40:12.:40:19.

All of you should have landed up on a completely random item of food.

:40:19.:40:23.

If this has worked properly, what you are thinking of, the product

:40:23.:40:27.

you are thinking of will be in John's bag. You will never believe

:40:27.:40:32.

this. You all have a food in mind. Concentrate on it. Inside here we

:40:32.:40:36.

actually have the bar code for whatever you are thinking of.

:40:36.:40:41.

you go! APPLAUSE

:40:41.:40:45.

Thank you very much. I can see there is a look ever disbelief on

:40:46.:40:51.

your face. Here is the part you need to get out your cameras or

:40:51.:40:57.

mobile phones and take a picture. Take a photograph of this bar code.

:40:57.:41:02.

Everybody do that right now. Even though this looks like a normal bar

:41:02.:41:08.

code, it's not. Look at the picture you have taken on your mobile

:41:08.:41:13.

phones. Close one eye and tilt your phones away from you like. This

:41:13.:41:17.

even though you made your own moves and you are thinking of whatever

:41:17.:41:22.

food you could think of you will see this "you are thinking of

:41:22.:41:31.

cheese". Brilliant. What cheese would you

:41:31.:41:41.
:41:41.:41:42.

use to get a bear out of the woods? Come-on-bear!

:41:42.:41:48.

CHEERING AND APPLAUSE That was great. I was thinking of

:41:48.:41:54.

cheese. It could be because I'm standing next to Pete Firman.

:41:54.:42:03.

lactose intolerant. And the lovely Arlene Phillips. You are the

:42:03.:42:07.

reigning champ. Have I mentioned that already? Yes. I mentioned it

:42:07.:42:12.

once or twice. You don't want to lose tonight? We can't lose. We are

:42:12.:42:18.

a winning team, the A-Team. have two live tricks out of the way.

:42:18.:42:21.

Now you remember, someone will shoot an arrow at my knead I lose

:42:21.:42:28.

and the pressure is on again? I have been Googleing trick that is

:42:28.:42:33.

have failed and The Telegraph tell trick has failed. I don't want to

:42:33.:42:38.

die. Let's hope you don't. It's not happened yet. Thank you. Fingers

:42:39.:42:42.

crossed. First time for everything. Let's see how they go the on with

:42:42.:42:52.
:42:52.:43:01.

their location grand illusion in Nice ass Arlene. Thanks, Pete. This

:43:01.:43:06.

is Trigger. We are here in Weymouth. We will fulfill a life-long

:43:07.:43:11.

ambition, it's all about the rumble beach donkey. I want to say thank

:43:11.:43:15.

you to the people of Weymouth for joining us here and indeed the lord

:43:15.:43:21.

and lady mare es. Yes. Stpwh What will you do? We will make something

:43:22.:43:31.
:43:32.:43:33.

disappear. Watch. Watch it. It's gone. Now, it's back. That is not

:43:33.:43:38.

good enough. Let us show you what we will do. Arlene, walk this way,

:43:38.:43:43.

please. Come on Trigger, you walk this way. Come on. Now, look at

:43:43.:43:48.

this construction. You can see through it, around it and above it.

:43:48.:43:54.

In just a moment, it will become a tent. Why don't you put up the

:43:54.:44:01.

sides. Very good. Come on, Trigger. All of Weymouth's finest fishermen

:44:01.:44:10.

here. Arlene why don't you walk in Trigger. 5, 6, 7, 8. Step touch,

:44:10.:44:14.

step touch. Fantastic hoof work, wonderful. In a moment, you are

:44:14.:44:21.

going to see while Trigger is one of Weymouth's fastest donkeys. Get

:44:21.:44:27.

him in, Arlene. Get him all the way in. Fantastic. Let's get this side

:44:27.:44:30.

in. Fantastic. Let's get this side up. Let me come out first.

:44:31.:44:36.

getting ahead of myself. Trigger. And around the front. OK. Remember,

:44:37.:44:40.

as Arlene said, you can see above it, you can see around. It you are

:44:40.:44:50.
:44:50.:44:58.

not going to believe this. Are you He's gone! Lord Mayor, lady

:44:58.:45:04.

mayoress, come in. Have a look here. Have a look above us. Nothing there.

:45:04.:45:08.

Have a look around us. Check on the floor, it's just sand, not even a

:45:08.:45:13.

whiff of mule. It's incredible. wonder where he's gone. Absolutely.

:45:13.:45:18.

Have a look over there. There he is, Weymouth's fastest and finest, it's

:45:18.:45:28.
:45:28.:45:32.

Trigger! The donkey disappeared from a box.

:45:32.:45:38.

It's crazy. I don't know how it happened. That was just amazing.

:45:38.:45:48.
:45:48.:45:52.

How can a donkey get from there to That was amazing. I love how she

:45:52.:45:57.

could even make a donkey do the two step. I hear the next trick you're

:45:57.:46:02.

about to see will knock you for six. They will have to to avoid the

:46:02.:46:05.

forfeit with their live grand illusion. Give them roar ago plauz

:46:05.:46:13.

everybody, it's Latimer and Phil. APPLAUSE

:46:13.:46:17.

Tonight, we're going to go through the looking glass. That is a big

:46:17.:46:22.

piece of glass. This is a massive illusion. For someone in this

:46:22.:46:26.

audience, it will be a miracle. Right we need to find someone very

:46:26.:46:31.

special. Very special down here somewhere. Anyone fancy joining us

:46:31.:46:37.

on stage? Hello, hello Sir, what's your name? Andy. Who are you with

:46:37.:46:44.

tonight? My mum. What's your name. Vera. Hello Vera! You must get that

:46:44.:46:49.

all the time. Would you like to join us on the stage. Come on.

:46:49.:46:56.

Round of applause everyone - Andy and Vera! There we go. Up you come.

:46:56.:47:04.

Thank you for joining us. There you go. Now, you guys are going to be

:47:04.:47:08.

the eyes of the audience. I want you to take a lock at this mirror,

:47:08.:47:14.

from all angles. No elephants in there, no hidden, sort of like

:47:15.:47:19.

little animals doing anything? very good. Come round here. Vera,

:47:19.:47:26.

you stand there my love. OK. Now if you could, go ahead and make sure

:47:26.:47:35.

it's a solid, plate-glass mirror. Give it a good knock. Yes. Solid?

:47:35.:47:39.

Yes. Everyone in the audience is counting on you. That's the front.

:47:39.:47:43.

Now let's look at the other side. mirror has two sides, just like a

:47:43.:47:51.

few people I know! If you would, Vera check out the back. Give it

:47:51.:47:55.

another knock Vera. Solid? Yes. right. This square represents where

:47:55.:48:00.

the magic is going to be taking place. It's a solid object. We've

:48:00.:48:04.

checked the front and back. Now I need something solid from you.

:48:04.:48:08.

you got a mobile phone or wallet, keys or something that's

:48:08.:48:11.

recognisable to you? So you will recognise that as your phone.

:48:11.:48:19.

Ladies and gentleman, the phone. Now we're going to pass a solid

:48:19.:48:26.

object through a solid object, ready? Yeah! There's only one of

:48:26.:48:29.

your phones in the world. It's your phone. It's going to come through

:48:29.:48:39.
:48:39.:48:40.

right here. APPLAUSE

:48:40.:48:48.

Is that your phone? Yes. Do you want to go bigger? Something

:48:49.:48:50.

bigger? APPLAUSE

:48:50.:48:56.

You go bigger. Ladies and gentleman, Latimer will now pass himself

:48:56.:49:06.
:49:06.:49:10.

through the mirror. Are you ready? Yes! Hold on, though. Hold on. We

:49:10.:49:15.

have one more trick up our sleeve. That's right. Vera you're not up

:49:15.:49:19.

here by random. You're here for a reason. In fact you're very special

:49:19.:49:25.

to Phil and I. Really? Yes. You have seven children. I have.

:49:25.:49:30.

have two boys living in America, one called Paul. Yeah. Idaho.

:49:30.:49:38.

Haven't seen him for a couple of years. 18 months ago. My husband's

:49:38.:49:42.

funeral. What if I told you this mirror could go all the way to

:49:42.:49:52.
:49:52.:50:08.

Idaho? Is this your son Paul? Yeah! Fantastic. Well done.

:50:08.:50:15.

thank you. Ladies and gentleman, this is fantastic. Thank you. It's

:50:15.:50:18.

our pleasure. No worries. Well done. Thank you, ladies and gentleman.

:50:18.:50:20.

Thank you. Well done.

:50:20.:50:28.

Lovely. That was real magic, bringing

:50:28.:50:30.

family together. Latimer pulling at the heart strings. Each act has

:50:30.:50:35.

only one trick left to win your vote, otherwise they could end up

:50:35.:50:38.

as target practice at the end of the show. This is the last time you

:50:38.:50:42.

will see the numbers on the screen. Make note of them and get behind

:50:42.:50:46.

your favourites or they will face that. The phone lines close in

:50:46.:50:56.

It tastes like dog food. To save Barry and Stuart and John and Gregg

:50:56.:51:06.
:51:06.:51:14.

You are thinking of cheese! It's not there. First he revealed the

:51:14.:51:19.

painting, I thought that's fantastic. I don't know how they

:51:19.:51:29.
:51:29.:51:32.

did it. Is this your son Paul? You're sitting on it. You can't be.

:51:32.:51:42.
:51:42.:51:52.

Get the bill payer's Persian before you call. For full terms and --

:51:52.:51:55.

bill payer's permission before you call. For full terms and conditions

:51:55.:52:02.

go to the website. We are 100% live tonight and that arrow could go

:52:02.:52:06.

horribly wrong. These guys had a donkey the last time. Now it's

:52:06.:52:16.
:52:16.:52:28.

street magic time with Pete and You are in luck, today we are test

:52:28.:52:32.

driving a brand new product to have your jewellery looking like new

:52:32.:52:38.

again. Has anyone got a ring? Thank you. What a beautiful ring. That is

:52:38.:52:44.

lovely. Sort of a swirl on one side, that's really nice. Lovely. That's

:52:44.:52:49.

going to look perfect when it's puffed up with Pete's polish.

:52:49.:52:53.

Pete's polish for that shine every time. That's right Arlene, every

:52:53.:52:56.

single time. We have got some of the specially treated cotton balls.

:52:56.:53:02.

I'm going to buff up your ring like this. There we go. You might not

:53:02.:53:06.

notice the difference straight away. The chemical only fully reacts when

:53:06.:53:10.

you apply a bit of heat. I've got a lighter here. I'm going to bring

:53:10.:53:18.

this close to the ring. Crikey! I must have used a bit too much there

:53:18.:53:24.

Arlene. This is... A bit awkward. I don't know how we'll make it up to

:53:24.:53:29.

you. What do you think? The grand prize at the hook a duck stall?

:53:29.:53:35.

That's the only way. Come on. Used to be hook a swan, but you know,

:53:35.:53:39.

cut backs. Come on. I want to make sure you can see this. We're going

:53:39.:53:43.

to give you a chance to win a fabulous prize, equal to the value

:53:43.:53:48.

of your ring. We have lots of ducks here. Choose a duck. Take the stick,

:53:49.:53:54.

have you got one that takes your fancy. Hook the duck you like. I

:53:54.:53:59.

don't want to touch it. You bring the duck back towards yourself.

:53:59.:54:03.

I'll take the stick. You take the duck off the end. Look at the

:54:03.:54:08.

bottom and tell me what it says. It's a winner. Oh, wow. If you come

:54:08.:54:14.

down with me, if you look on the underside of the... Come and see

:54:14.:54:20.

this, all of the ducks in the tank are all losers. You have got the

:54:21.:54:25.

only winning duck, which means you have won the grand prize. This is

:54:25.:54:28.

very important, look, there's nothing in my hands, nothing

:54:28.:54:32.

between my fingers. I'm going to take your winning duck, listen to

:54:32.:54:38.

this... That's not gal stones. It's something very special. Arlene you

:54:38.:54:48.
:54:48.:54:52.

have scissors. Yes. I'm going to cut this duck Thank you. Have a

:54:52.:55:02.
:55:02.:55:03.

good look at that. Is that your ring? Amazing. Fantastic. Arlene, I

:55:03.:55:13.

think you've got time for more. When I saw the ring disappear, I

:55:13.:55:17.

didn't think I'd see it again. When it came out of the duck, it was

:55:18.:55:27.

just, it was unbelievable. APPLAUSE

:55:27.:55:33.

Great trick there. Latimer is hoping to win tonight. With some

:55:33.:55:43.
:55:43.:55:48.

ring magic of his own, it's Latimer Phil, are you ready to do magic?

:55:48.:55:55.

Yes, I have my glass and spoon. need a crowd. We do. Roll up, roll

:55:55.:56:00.

up! Ladies and gentleman, today me and my good friend Jason are going

:56:00.:56:06.

to perform a miracle you may never forget. It's an amazing feat of

:56:06.:56:13.

magic that uses no boxes and no -- and no glamorous assistants. Or h.

:56:13.:56:18.

It uses a wine glass, a spoon and an audience. Come a bit closer.

:56:18.:56:22.

Everybody needs to place their hands in the air. We need three

:56:22.:56:25.

pieces of jewellery. My love, can I borrow that ring. That's a lovely

:56:25.:56:31.

one. Pop it in there. Fantastic. Quite a few quid. Lovely. Can I

:56:31.:56:34.

borrow your ring, my dear? Thank you very much. Let's have that

:56:34.:56:39.

gentleman at the back. There you go, Sir. Thank you very much indeed.

:56:39.:56:43.

Three rings in a wine glass. Now please, ladies and gentleman, watch

:56:43.:56:49.

very carefully. I said to you earlier that you'll be seeing a

:56:49.:56:59.
:56:59.:57:00.

miracle and I tell you something how about that?. That's not bad.

:57:00.:57:05.

That is a miracle. Thank you very much. Give them a tug my love, to

:57:05.:57:10.

make sure they're on. Yes, they're firm. You know what that means?

:57:10.:57:17.

Those three people are going home together! This first ring, whose is

:57:17.:57:27.
:57:27.:57:30.

this one? Yours? Watch carefully. With a bit of magic... Is this your

:57:30.:57:35.

ring? You can see it passes through the other ring. I won't do anything

:57:35.:57:42.

tricky. I'm going to use one finger like this. Fantastic. That one's

:57:42.:57:52.
:57:52.:58:07.

yours. Sir, watch this. This is APPLAUSE

:58:07.:58:12.

You are the world champion for a reason Sir, aren't you? Yep. Have

:58:12.:58:16.

they done all they can to stop Barry and Stuart winning the series

:58:16.:58:21.

or to save themselves from becoming a human dartboard? We'll see very

:58:21.:58:24.

shortly. We're going to close the phone lines in approximately five

:58:25.:58:28.

minutes. It's down to you at home minutes. It's down to you at home

:58:28.:58:31.

to decide which act wins tonight. And who faces the forfeit. Before

:58:31.:58:35.

that, we have one more trick up our sleeves. They've yet to face the

:58:35.:58:38.

forfeit this series. It could be their night tonight or maybe

:58:38.:58:42.

they'll take out the championship. Waiting nervously now to perform

:58:42.:58:44.

their live grand illusion it's Barry and Stuart with John and

:58:44.:58:51.

Gregg. We are shaking in our red

:58:51.:58:58.

monogramed pants. Tonight, we are going to let you in behind the

:58:58.:59:02.

secret behind a street con game called find the pea. We need

:59:02.:59:07.

someone to play this. The girl in the beige top there. You look like

:59:07.:59:11.

a perfect sucker for this game. If you don't mind coming up the stairs

:59:11.:59:15.

on stage. Give her a nice hand as she makes her way up here. Come

:59:15.:59:21.

over here. Hi. What's your name? Sarah. We're going to play this

:59:21.:59:27.

game using this giant sponge pea, game using this giant sponge pea,

:59:27.:59:31.

this crate and these three tins. Three empty tins. The pea goes

:59:31.:59:34.

under one tin, in this case the middle one. Barry will mix them up

:59:35.:59:39.

and you have to tell us where you think it is. In the middle. Most

:59:39.:59:42.

people would say that. They'd be wrong. The pea is actually over

:59:42.:59:49.

here! This is a congame. Thanks very much. We have something to

:59:49.:59:54.

admit to you now. We were cheating. Because we have another pea here

:59:54.:00:00.

and another one over here. You can win this game. But I know that a

:00:00.:00:06.

few people at the back couldn't see this properly. We will play it on a

:00:06.:00:11.

grander scale. Take a seat on the crate. It's great on the crate. We

:00:11.:00:15.

will supersize this and you can watch from nice and dlos make sure

:00:15.:00:21.

it's fair and above board. We will play with three giant tins here and

:00:21.:00:31.
:00:31.:00:34.

CHEERING AND APPLAUSE I'm not very happy. Grumpy. We were

:00:35.:00:40.

going to punch him in the eye and call him a Black eyed pea. The BBC

:00:40.:00:48.

said that wouldn't be a good idea so you go got the other joke

:00:48.:00:53.

instead. Gregg are you happy? would be if I had a nice bit of

:00:53.:00:58.

cake. Keep your eye on the human pea. Tell us where do you think he.

:00:58.:01:05.

Is Is he under neath, number one, number two or number three? Number

:01:05.:01:10.

one. You would be absolutely right. He is under number one. For saying

:01:10.:01:16.

number one you also win money. weren't betting. What would you

:01:16.:01:23.

like to bet, your house. Very sensible. Let's do it. The stakes

:01:23.:01:29.

are high. Keep your eye on the pea. Where do you think he is? Under

:01:29.:01:35.

number one, two or three? Three. You are wrong. He is still

:01:35.:01:39.

underneath number one. You lost your house. What happened if you

:01:39.:01:44.

had bet number one, you would have been absolutely wrong. P you said

:01:44.:01:49.

number one he would have been under number three. No matter what you

:01:49.:01:53.

bet, you are always wrong. With he have Gregg underneath number three.

:01:53.:02:03.
:02:03.:02:09.

We have Gregg underneath... Underneath number one.

:02:09.:02:13.

APPLAUSE Let's suppose you got wise to our

:02:13.:02:17.

con and you put your bet across all three tins. Even then you would

:02:17.:02:23.

still lose. Even then he would not be underneath number one. He would

:02:23.:02:27.

not be underneath new two. He would not be Newcastle United neath

:02:28.:02:33.

number three. You think he is inside here. You would lose even

:02:33.:02:38.

then because inside here is John! CHEERING AND APPLAUSE

:02:38.:02:46.

So where's Gregg? Where's Gregg? Where's Gregg? Good question. Get

:02:46.:02:50.

off the crate you have been sitting on. You in never believe this

:02:50.:02:59.

because inside here is... It's Gregg! I got my cake. Thank you

:03:00.:03:03.

very much. Take a seat. Thank you for playing.

:03:03.:03:13.
:03:13.:03:18.

Everybody Barry and Stuart and John and Gregg. Gregg, you got your cake

:03:18.:03:28.

and you can eat it too, didn't you? Did you enjoy yourself? I thought

:03:28.:03:34.

that was brilliant fun. You have two of the titles will this be a

:03:34.:03:39.

Championship winning third tonight? I hope. So we have four minds

:03:39.:03:45.

working on it tonight. 25% each. Tufnell you have had a ball,

:03:45.:03:49.

haven't snu Fantastic it. I love. It I will take that card trick down

:03:49.:03:56.

the pub and show all the boys. few free drinks. Definitely. Is he

:03:56.:04:01.

a great teacher? Been a blast. are not keen to do the forfeit, are

:04:01.:04:06.

you? No. Do you think have you done everything you can? I made a donkey

:04:06.:04:10.

disappear. Pete made me disappear. Could anyone get better than that?

:04:10.:04:16.

I don't think so. I really don't. We are about to find out. The lines

:04:16.:04:21.

have now closed everybody. Please don't call, your vote won't count

:04:21.:04:24.

and you may be charged. In a few minutes we will find out who has

:04:24.:04:29.

failed to secure your votes and who will be facing tonight's nasty

:04:29.:04:31.

nightmare. Whilst your votes are being counted we have a very

:04:31.:04:35.

special treat for you. I hope you guys aren't afraid of the dark. We

:04:35.:04:42.

have one of France's finest magical exports here, prepare to have your

:04:42.:04:50.

mind mystified. Put your hands together for Les Chapeaux Blancs.

:04:50.:05:00.
:05:00.:05:00.

Apology for the loss of subtitles for 244 seconds

:05:00.:09:05.

CHEERING AND APPLAUSE That's Les Chapeaux Blancs

:09:05.:09:09.

everybody. OK, all the votes are now in. It's the moment of truth.

:09:09.:09:19.
:09:19.:09:20.

Legs, May I have the results, please? Very graceful. Thank you

:09:20.:09:27.

very much. I would love to see her Moon Walk next week. OK. I can now

:09:27.:09:31.

reveal the act with the most votes tonight. The people definitely safe

:09:31.:09:41.
:09:41.:09:53.

It's Latimer and Phil. It's us! Very well done. Thank you. It's two

:09:54.:09:59.

appease between Latimer and Barry and Stuart. It's bean Barry and

:09:59.:10:04.

Stuart John and Gregg and Pete and Arlene. The act with the fewest

:10:04.:10:08.

votes and will have to tackle the deadly task of having an arrow

:10:08.:10:18.
:10:18.:10:20.

fired at them by a rotating archer is... It's Pete and Arlene.

:10:20.:10:25.

Congratulations John and Gregg and Barry and Stuart. Fantastic stuff.

:10:25.:10:31.

You really didn't want that, did you? No. You were having so much

:10:31.:10:37.

fun. I loved the show up until now. Compose yourself and say your last

:10:37.:10:42.

goodbyes. I will show the folks at home what nastly little trick we

:10:42.:10:49.

have in store in just a minute. -- nasty. The losing act will have to

:10:49.:10:54.

put their trust in a master archer as reenact the tale of William Tell.

:10:54.:11:00.

This time, it's for real. Our archer will be standing on a

:11:00.:11:10.
:11:10.:11:11.

revolving platform. Let's hope they And under no circumstances should

:11:11.:11:15.

you attempt any of the forfeits at home, they are very, very dangerous,

:11:15.:11:19.

folks. To complete the final stunt, Pete has been briefed. I need you

:11:19.:11:26.

to pay very close attention to what he's saying. OK. Especially on this

:11:26.:11:32.

one. One inch either way could be deadly. If you trust in Pete I'm

:11:32.:11:36.

sure he will get you through it. Don't look at me Arlene, seriously,

:11:36.:11:41.

I have no idea. I will hand it over to you now. I will stay out of the

:11:41.:11:47.

way, I hope you don't mind. Let's meet the scary fella over here.

:11:47.:11:50.

Good luck, give them a round of applause.

:11:50.:12:00.
:12:00.:12:00.

Apology for the loss of subtitles for 244 seconds

:12:00.:14:41.

You want me to hold it, yeah? OK. Is that all right? Yes. Yes. Looks

:14:41.:14:47.

like I'm home and free, Arlene. He doesn't say much, does he? No. My

:14:47.:14:53.

heart says a lot right now. Are you all right? Maybe he's not coming

:14:53.:14:59.

back. He's gone. That's all right. Fruit salad anyone? Oh, no, he's

:14:59.:15:09.
:15:09.:15:13.

back. He's go the a very large bow, Are you all right? Yes. Deep

:15:13.:15:18.

breathes. My heart is going like I can't believe. Yeah, I'm with you

:15:18.:15:28.

all the way. It could go through my temple. You probably can't see,

:15:28.:15:38.
:15:38.:16:15.

Ahh! Oh, my goodness. Are you all We made it. She's still alive.

:16:15.:16:21.

She's still alive. That was amazing. He's got my ring.

:16:21.:16:30.

CHEERING AND APPLAUSE We have great magic coming up next

:16:30.:16:35.

week on the show. Thank you to all the celebrites, to all the

:16:35.:16:40.

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