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Tonight on The Magicians Phil Tufnell, Arlene Phillips and | :00:17. | :00:20. | |
Masterchef's John and Gregg will be competing for your votes to avoid | :00:20. | :00:26. | |
tonight's death defying forfeit. The audience has arrived. We're | :00:26. | :00:33. | |
about to reveal the horrific forfeit that lies in store for our | :00:33. | :00:35. | |
celebrites. So far we've seen Keith Duffy swallow fire, The Hoff walk | :00:35. | :00:38. | |
on swords, Mel Giedroyc sandwiched in a bed of nails. Last week | :00:38. | :00:41. | |
Myleene Klass had a concrete block smashed on her head. Are you ready | :00:41. | :00:44. | |
to see what it's in store for you? Have a look at this. There you go. | :00:44. | :00:51. | |
Yes. You will become target practice for this guy. He will be | :00:51. | :00:57. | |
attempting to shoot this apple off your head. No. Did I mention, he's | :00:57. | :01:07. | |
:01:07. | :01:07. | ||
going to do it Wyles spinning. Yeah No, no. Don't lose your head, | :01:07. | :01:17. | |
:01:17. | :01:39. | ||
guys. It's The Magicians, live! Live from Shepperton Studios, | :01:39. | :01:44. | |
please welcome your host, Darren McMullen and The Magicians. The | :01:44. | :01:50. | |
sinister Scottish duo, Barry and Staurt. The LA master of magic, | :01:50. | :02:00. | |
:02:00. | :02:04. | ||
Latimer. The hocus-pocus hero, Pete How are you Shepperton? Welcome to | :02:05. | :02:08. | |
The Magicians. We have deception, danger and drama here tonight as we | :02:08. | :02:12. | |
take you on a magical mystery tour that Houdini himself would have | :02:12. | :02:17. | |
been impressed by. Each week our magician are joined by a celebrity | :02:17. | :02:21. | |
apprentice am they will perform four tricks in an attempt to win | :02:21. | :02:28. | |
your votes and avoid tonight's down right Dane rouse forfeit. Let's | :02:28. | :02:34. | |
meet tonight's brave celebrites. Joining Barry and Staurt it's | :02:34. | :02:41. | |
MasterChef maestros, John Torode and Gregg Wallace. With Latimer, | :02:41. | :02:50. | |
it's cricketer, TV host and all round nice guy, Phil Tufnell. | :02:50. | :02:57. | |
Partnering Pete Firman, it's dance diva, Arlene Phillips. | :02:57. | :03:07. | |
CHEERING AND APPLAUSE This is The Magicians, live! Gets | :03:07. | :03:11. | |
louder every week. Celebrity and magician alike will be giving it | :03:11. | :03:14. | |
everything we have tonight in order to impress you at home. They have | :03:14. | :03:18. | |
four tricks to do that. Two of which will be performed live, right | :03:18. | :03:22. | |
here in the studio. The team with the lowest number of votes at the | :03:22. | :03:26. | |
end of the show will have to face their fierce, and take on the death | :03:27. | :03:33. | |
defying forfeit. I thought you might say that. Pretty sure you are | :03:33. | :03:37. | |
over the moon at the thought of an arrow being fired at your head | :03:37. | :03:44. | |
tonight, aren't you? No. Not at all? I don't don't blame you. Are | :03:44. | :03:51. | |
you ready for it? Probably not. Are you ready to watch it? YES! Let the | :03:51. | :03:58. | |
competition begin. Up first, hoping to waltz their way to victory, last | :03:58. | :04:08. | |
:04:08. | :04:10. | ||
week's winner, Pete, with Arlene Phillips. We got one. We got one. | :04:10. | :04:13. | |
Congrat laitions to Pete, she dressing like a man again. I'm | :04:13. | :04:22. | |
proud of him. I tasted it on Saturday. It was sweet! I'm Arlene | :04:22. | :04:29. | |
Phillips a choreographer of West End shows and sometimes TV judge. | :04:29. | :04:36. | |
think we will be good. I'm looking for a second week. I prefer to wore | :04:36. | :04:43. | |
the frock. Barry and Staurt should do a forfeit. It's only fair. We | :04:43. | :04:48. | |
will have all the fun of fair and pin a tail on a donkey. Sounds | :04:49. | :04:54. | |
fabulous. I want to learn how to do card tricks and make people | :04:54. | :04:58. | |
disappear. Keep your eye on my banana. I will cover it with the | :04:58. | :05:03. | |
cloth. I say the words, just like that, it disappears. If twun is | :05:03. | :05:12. | |
ready to take me on as a trainee, I'll be there. It's very simple... | :05:12. | :05:16. | |
He got his first win last week, can Arlene make it two on the trot? | :05:16. | :05:19. | |
With their live grand illusion, please give a big round of applause, | :05:19. | :05:26. | |
everybody, for Pete and Arlene. APPLAUSE | :05:26. | :05:33. | |
That's very nice. That's very nice. Thank you. I don't know if you saw | :05:33. | :05:38. | |
the show last week, you are working with the reigning champion tonight. | :05:38. | :05:42. | |
Pete, I'm honoured to be working with such a star. I don't like to | :05:42. | :05:47. | |
go on about these things, have I shown you my trophy? It's a darts | :05:47. | :05:53. | |
trophy. Darts? Yes. The fellow in the shop said they were magic wands. | :05:53. | :06:03. | |
:06:03. | :06:05. | ||
I've been had. I'm demanding excellence tonight. I'm glad you | :06:05. | :06:12. | |
put your faith in me, I want to get it right. One problem. I have never | :06:12. | :06:17. | |
been a magician's assistant before. It doesn't matter. You need to be | :06:17. | :06:27. | |
swift and fast. I'm talking fast like lightning. You have to a pa | :06:27. | :06:33. | |
zaz. Like this? Like this that, but good. I will put you through your | :06:33. | :06:43. | |
:06:43. | :06:44. | ||
paces. I have with me this evening a magical do-jo. Let me tell you | :06:44. | :06:48. | |
there is always room for improvement. That is the spirit, | :06:48. | :06:54. | |
get in the box. Come on Arlene, get up on there. Swing your leg in | :06:54. | :07:04. | |
there. That's it. Don't peak too soon. Down into the box, Arlene. | :07:04. | :07:10. | |
Every corner. I'm trying. I need to get my leg around my neck. She's | :07:10. | :07:14. | |
game. To be honest, I didn't know that was possible. That's | :07:14. | :07:18. | |
impressive. I will close the top doors. It may get dark. Put your | :07:18. | :07:23. | |
hands out the top. So everyone can see. Very good. Ordinarily, ladies | :07:23. | :07:33. | |
and gentlemen, I would thrust, I'm saying, it a number of razor | :07:33. | :07:38. | |
stainless steel swords into the box. Because it's your first day on the | :07:38. | :07:44. | |
job I will cut you some slack, I will shove a broom handle in your | :07:44. | :07:51. | |
face. Can I have a broom, please? No, save it. The ending of this is | :07:51. | :07:55. | |
very weak. Now, look, Arlene I'm coming at you from the side. Your | :07:55. | :08:01. | |
job is to get out of the way. Pete, let me know when you're going | :08:01. | :08:07. | |
to. Ahhh. You handled the first one, I think you can handle the second. | :08:07. | :08:14. | |
Can I have another broom, please? Hilarious. This one is coming in | :08:14. | :08:18. | |
from an an adjacent angle. Do be careful. The last thing you want is | :08:18. | :08:24. | |
a broom handle in your... Can I come out of the box now? We've only | :08:24. | :08:29. | |
just started. This is the beginning. We will test to see if you can get | :08:30. | :08:38. | |
into a really small space. Brace your self Arlene, 3, 2, 1. How | :08:38. | :08:42. | |
about that ladies and gentlemen? Stop, stop, I think she can go all | :08:42. | :08:48. | |
the way now. Breathe in, Arlene. Just like that. Ladies and | :08:48. | :08:58. | |
:08:58. | :09:02. | ||
gentlemen, faster than a speeding bullet, my student, Arlene Phillips. | :09:02. | :09:12. | |
:09:12. | :09:13. | ||
That was amazing. Amazing. You're messing with my mind. How did that | :09:13. | :09:17. | |
happen? MacMagic. That was pretty good, wasn't it? John and Gregg and | :09:18. | :09:22. | |
Barry and Stuart everybody. APPLAUSE | :09:22. | :09:26. | |
You had some of the best fun you had in your life shooting this | :09:26. | :09:31. | |
show? For me, really what is excite being magic what you are seeing | :09:31. | :09:35. | |
next is one of the most exciting things I've done in my life. What | :09:35. | :09:40. | |
is even better, I still don't know how it worked. I've no idea how it | :09:40. | :09:46. | |
worked. For me, thrilling, but extraordinary. The magic is still | :09:46. | :09:51. | |
alive. You guys are currently on the leaderboard with two wins. If | :09:51. | :09:54. | |
you win tonight you have wrapped up the series, no-one can beat you. | :09:54. | :10:00. | |
What will you do to see that happens? Everybody at home can take | :10:00. | :10:05. | |
part. Grab a camera or camera phone, you will be asked to take a photo | :10:05. | :10:11. | |
graph of your TV screens. Get your phones out at home. Let's see how | :10:11. | :10:15. | |
John and Gregg got on performing the location grand illusion with | :10:15. | :10:23. | |
Barry and Staurt. Hello, guys. Welcome to the secret warehouse. | :10:23. | :10:29. | |
I'm John. I'm Gregg. We are best- known for putting people through | :10:29. | :10:33. | |
the mincer on MasterChef. Make sure we win. I don't want to do the | :10:33. | :10:38. | |
forfeit. Really. We haven't done magic before, this is scary. | :10:38. | :10:43. | |
will drop in unsuspecting members of the public. Proving when it | :10:43. | :10:51. | |
comes to food it's the thought that counts and doing a stinker on the | :10:51. | :10:56. | |
closup shot. You have one two and then this one goes. We talk about | :10:56. | :10:59. | |
pressure on MasterChef, today I think we will feel the pressure. | :10:59. | :11:05. | |
don't do live stuff. We do cooking live, nothing like this live. Barry | :11:05. | :11:09. | |
and Staurt are used to winning. If we mess this up we will be angry. | :11:09. | :11:14. | |
We are told if we win the next show we have won the series. If that | :11:14. | :11:19. | |
happens we will do the whole show wearing nothing but our pants. | :11:19. | :11:29. | |
:11:29. | :11:39. | ||
Beautiful views over London. Great. John, you seem to have the best | :11:39. | :11:47. | |
view of all. Yeah, beautiful. you will be there for a while. We | :11:47. | :11:54. | |
have given you a bag as your lunch, a sandwich. Is that for me. Is it | :11:54. | :12:02. | |
my favourite type? Tuna, cucumber. Is there butter on it. We forgot | :12:02. | :12:07. | |
the butter. Plenty of butter. We will go down stairs and do the | :12:07. | :12:12. | |
trick. Can you hang there for a while? This is not what I thought | :12:12. | :12:18. | |
you meant by hanging around. Let's go. Why am I hanging around? No, | :12:18. | :12:28. | |
:12:28. | :12:30. | ||
We have left John up there. It is nothing to do with the trick. We | :12:30. | :12:35. | |
don't want him down here. He is rubbish at magic. This is my trick. | :12:35. | :12:40. | |
Trick Gregg this is. Most mobile phones out nowadays have a secret | :12:40. | :12:45. | |
app that does something very weird. We will show you that in a moment. | :12:45. | :12:49. | |
Get out your mobile phones. Take them out. Good. I want you to keep | :12:49. | :12:54. | |
your eyes on this box. It's very, very important. This is integral to | :12:54. | :13:01. | |
the whole magic trick. We need to borrow one person's phone. What is | :13:01. | :13:06. | |
your name? Gemma. Is this your friend? My sister. The app can do a | :13:06. | :13:11. | |
weird thing. That is it can make you look like your phone is in a | :13:11. | :13:15. | |
different place. We will use that app to make it look like Gemma's | :13:15. | :13:20. | |
phone is inside Gregg's box. volume button turns it down. You | :13:20. | :13:25. | |
hold that for three second. What happens is that the phone just | :13:25. | :13:33. | |
disappears. Oh, my God. It doesn't disappear. It transports all the | :13:33. | :13:39. | |
way inside here. Listen. Can you hear it rattling? Inside the box, | :13:39. | :13:43. | |
that Gregg has been holding the entire time... No. Is none other | :13:43. | :13:53. | |
:13:53. | :13:57. | ||
than... A sandwich. What? What? What's inside it? Between the | :13:57. | :14:05. | |
layers of bread will you actually find it's... Tumna. That's John's | :14:05. | :14:12. | |
sandwich, that's John's lunch. John, have you got my sandwich? We have | :14:12. | :14:20. | |
it here. What have you got? I've got a phone. It's a phone. That | :14:20. | :14:23. | |
could be anyone's phones. The only way to find out it's your phone is | :14:23. | :14:29. | |
to call it. Do you know how to work that phone? Can you put it on | :14:29. | :14:36. | |
speaker phone? Yes, loud speaker. Listen for it. Oh, it's ringing. | :14:36. | :14:45. | |
John, answer it. Hello. Can you hear him? Is this your phone? | :14:45. | :14:50. | |
Hold on for a second and I'll bring it down to you. There is only one | :14:50. | :15:00. | |
:15:00. | :15:08. | ||
way to get it to you. One second. Hello. Hi I'm Gemma. Tha your phone. | :15:08. | :15:18. | |
:15:18. | :15:18. | ||
That's my nephew. Pressed the volume button down three times and | :15:18. | :15:22. | |
he just did it. It was amazing. He had it and then it was suddenly | :15:22. | :15:26. | |
gone. My phone started calling from the sky. It's so strairching | :15:26. | :15:35. | |
because it was all the way upstairs there. It was really good. I think. | :15:35. | :15:45. | |
:15:45. | :15:46. | ||
Ridiculous. I've never seen Jumping off buildings, stealing | :15:46. | :15:51. | |
iPhones, a nice sandwich at the end. How will you top that? We asked the | :15:51. | :15:56. | |
UK to help us with our grand illusion. How were they? Awesome. | :15:56. | :15:59. | |
Tonight we're going to do something special for one person in this | :15:59. | :16:03. | |
audience. Giving back to the UK. Getting everyone involved. I look | :16:03. | :16:07. | |
forward to seeing it. You've seen the two acts go, what do you feel | :16:07. | :16:12. | |
of the competition? Arlene was squished in a box, very good. John | :16:12. | :16:16. | |
thrown off a building, bit hairy. You should see what we have in line | :16:16. | :16:20. | |
tonight. It's good. You're not worried at all? A little bit | :16:20. | :16:29. | |
nervous. Let's see if practise makes perfect, it's Latimer and | :16:29. | :16:35. | |
Phil. It's not a race. Last weekend's | :16:35. | :16:40. | |
episode Myleene was extremely brave. Not many people would attempt that. | :16:40. | :16:45. | |
Of course I'm not happy doing the forefits. Next week, I'm coming | :16:45. | :16:52. | |
back bigger. What up Phil. I don't like the look at that. I am Phil | :16:52. | :16:58. | |
Tufnell. I used to play cricket. I was a spin bowler. They didn't know | :16:59. | :17:03. | |
which way it was going. One of my big worries is that it's live. | :17:03. | :17:09. | |
You'll be sending me a card. Next manipulating metals, other people's | :17:09. | :17:11. | |
metals. We'll have fun going through the looking glass and then | :17:11. | :17:16. | |
I hear you like art. I've seen some of the forefits, they look tricky. | :17:16. | :17:21. | |
I think it's time Barry and Stuart do a forfeit. It's a lot to take it. | :17:21. | :17:25. | |
But we're getting there. Risking life and limb isn't my idea of fun. | :17:25. | :17:33. | |
I just hope I don't mess it up on the night. | :17:33. | :17:35. | |
Latimer faced the forfeit for the second time last week. I'm sure | :17:35. | :17:39. | |
he's had enough of them now. With the first trick of the night, up | :17:39. | :17:41. | |
close and personal, here are Latimer and Phil! | :17:41. | :17:49. | |
APPLAUSE Tonight we're going to do a card | :17:49. | :17:53. | |
trick under impossible conditions, impossible test conditions to. Make | :17:53. | :17:57. | |
it even more fair we need a random person from the audience. We're | :17:57. | :18:00. | |
going to throw a ball into the aud why topbs find them. I have a | :18:01. | :18:05. | |
cricket ball here. Whoever catches this can come down and give me a | :18:05. | :18:10. | |
hand with the trick. Ready? OK, ready catch! They all want it. You | :18:10. | :18:14. | |
know we wouldn't do, that it's a bit hard. Crikey, I've been hit on | :18:14. | :18:19. | |
the head with them a couple of times. This is softer. This is | :18:19. | :18:22. | |
where I will be, completely sealed from everybody at all times and in | :18:23. | :18:27. | |
view at all times. Now we need a volunteer. Can someone hold this? | :18:27. | :18:32. | |
Can you catch that for me, love? There you go. Brilliant. Throw that | :18:32. | :18:37. | |
into the middle section of the audience as hard as you can. | :18:37. | :18:45. | |
Might need a little hand there. Big throw, Big throw. There you go. | :18:45. | :18:49. | |
There you go. Someone else catch it. Throw it to someone else, someone | :18:49. | :18:54. | |
else catch it. OK. Stop. Now, come down, well done. Round of applause. | :18:54. | :19:04. | |
:19:04. | :19:10. | ||
He's got a long way to come. Keep clapping. | :19:10. | :19:20. | |
:19:20. | :19:23. | ||
Here he comes. Over here, mate. I'm over here G man. -- good man. Put | :19:23. | :19:28. | |
the ball down, fantastic. What's your name? Jake. Are you having a | :19:28. | :19:32. | |
good time? Yes. Fantastic. This is a very, very good card trick. OK | :19:32. | :19:35. | |
what I want you to do is put your what I want you to do is put your | :19:35. | :19:39. | |
finger up like that. Pull the cards towards you and stop wherever you | :19:39. | :19:46. | |
want. There, OK. Memorise your card. Got it? Everyone at home memorise | :19:46. | :19:51. | |
the card. Got it? Fantastic. Hold those cards, Latimer's world record | :19:51. | :19:55. | |
for this is 24 seconds. Hopefully, he's going to beat it for you | :19:55. | :19:59. | |
tonight. Keep the hands like that, put your hand on top there, | :19:59. | :20:02. | |
fantastic. I'm going transport that card over to Latimer over there. | :20:02. | :20:11. | |
You ready? Yeah. Three, two, one... I felt it right there. One card. | :20:11. | :20:15. | |
Nothing else in the pocket. I'm going to hold the card right here. | :20:15. | :20:20. | |
Sir, keep an eye on this, make sure I don't switch it at any time. I | :20:20. | :20:26. | |
thing I -- think I have your card. Did you feel the card go? Noi,. Now | :20:26. | :20:29. | |
turn the cards over and fan through them and look for your card, young | :20:29. | :20:34. | |
man. What was your card? Seven of diamonds. Fan through, seven of | :20:34. | :20:39. | |
diamonds. Due bring your glasses? How long have we got? We're here | :20:39. | :20:45. | |
for a good time not a long time. It's not there. Not there. Latimer, | :20:45. | :20:49. | |
the seven of diamonds has gone. It's not there? It's not there. | :20:49. | :20:55. | |
Because it's here! And that's magic! Thank you very much, mate. | :20:55. | :21:05. | |
:21:05. | :21:09. | ||
I am standing within ten metres of these guise, I was watching | :21:09. | :21:13. | |
carefully. I have no idea how that was done. Very good trick. With | :21:13. | :21:17. | |
that all our acts have performed their first trick. Now the phone | :21:17. | :21:21. | |
lines are opener now -- for you at home. To save your favourite from | :21:21. | :21:31. | |
:21:31. | :21:53. | ||
There's plenty of tricks on there for you to learn, on the website F | :21:53. | :21:56. | |
you've been impressed with the magic so far, check out what's | :21:56. | :22:03. | |
still to come: Coming up, magic doesn't get much tougher than that | :22:03. | :22:12. | |
for Barry and Stuart and John and Gregg. Will Latimer and Phil's work | :22:12. | :22:17. | |
at art win your vote. And Pete and Arlene do donkey work to avoid the | :22:17. | :22:22. | |
forfeit. All that and we have an amazing | :22:22. | :22:26. | |
surprise for an unsuspecting member of our audience. One of you in here | :22:26. | :22:30. | |
is going to get the surprise of a lifetime, folks, I promise you that. | :22:30. | :22:34. | |
Next up we have hypnotic street magic. Welcome back Barry and | :22:34. | :22:44. | |
:22:44. | :22:53. | ||
For me and Gregg our passion is all about food and for Barry and Stuart | :22:53. | :22:59. | |
it's all about magic. We've got something that combines both. | :22:59. | :23:06. | |
and magic - fagic - it's a taste sensation. We need somebody from | :23:06. | :23:11. | |
the audience. Put your hands up if you think we could never hypnotise | :23:11. | :23:17. | |
you. I think you'd be perfect. What's your name? Kat. Sit here, | :23:17. | :23:24. | |
please and look up at Gregg. hypnotism act of 1952 states we | :23:24. | :23:27. | |
cannot show you the process of somebody being hypnotised, so we | :23:27. | :23:32. | |
will have to wait for a bit. That will do. Deep breath in, three, two, | :23:32. | :23:38. | |
one... That's it. Staying in that centre, just go. Do you miefpbd | :23:38. | :23:46. | |
getting prepared. Stuart has a blind fold to place over Kat's eyes. | :23:46. | :23:53. | |
Gregg has a blind fold as well. a moment Gregg and Kat will make a | :23:53. | :24:01. | |
sensery connection. We are using chewing gum, Barry and chewart! I'm | :24:01. | :24:05. | |
going to place in your hand a place of gum. Put it in your mouth and | :24:05. | :24:09. | |
chew on the gum. I need help as well. You look like a nice person | :24:09. | :24:14. | |
to help. What's your name? David. Behind us here, we have three | :24:14. | :24:20. | |
courses and you are going to help me get my bald friend over there to | :24:20. | :24:26. | |
taste the food and tell Kat what it tastes like. I want to point to one | :24:26. | :24:35. | |
of these dishes for Gregg to taste. You can't say it outloud. There's a | :24:35. | :24:39. | |
bald man with his mouth open there. Feed him some of that food. He's | :24:39. | :24:49. | |
going to taste it. As Gregg concentrates on those | :24:49. | :24:54. | |
flavours. Keep chewing the gum and tell us what flavours you have got. | :24:54. | :24:59. | |
Just chewing gum As soon as you sense a flavour, say it outloud. | :24:59. | :25:09. | |
:25:09. | :25:09. | ||
Crispy. Crispy. Very good. Anything else. Vegetable. Maybe fried. Yes. | :25:09. | :25:15. | |
Fried Crispy vegetables. You were eating vegetable tempura. That was | :25:15. | :25:21. | |
excellent. Keep chewing on the gum. Now twice as many main courses. | :25:21. | :25:31. | |
Which dish would you like Gregg to taste? OK. Concentrate on the | :25:31. | :25:34. | |
flavours Gregg. Do you sense any new changes in flavour in your | :25:34. | :25:44. | |
mouth? Tomatoes? Yes there was tomato there. Fish... Salmon. | :25:44. | :25:52. | |
Excellent. Ti, was the salmon fillet with tomato. Keep chewing on | :25:52. | :25:55. | |
that gum. We're going to do something different for the dessert. | :25:55. | :25:59. | |
So this is the dessert. I only have one. I'm not going to taste it. I | :25:59. | :26:09. | |
:26:09. | :26:10. | ||
want you to imagine a mouthful of this. Keep chewing on the gum. What | :26:10. | :26:20. | |
:26:20. | :26:21. | ||
are you tasting now. Yes. Meat. that's disgusting. It tastes like | :26:21. | :26:31. | |
:26:31. | :26:34. | ||
APPLAUSE I never thought I could be | :26:34. | :26:38. | |
hypnotised at all. She tasted the ingredients, but I don't know how. | :26:38. | :26:45. | |
It was amazing. APPLAUSE | :26:45. | :26:50. | |
Now I can taste dog food. I quite like the taste. Is that weird? It | :26:50. | :26:54. | |
probably is. Next up live and close up, it's the dame of dance Arlene | :26:55. | :26:58. | |
and her mystical magic man Mr Pete Firman. | :26:58. | :27:04. | |
APPLAUSE That's very nice. Lovely, thank you. | :27:04. | :27:08. | |
I must admit, we're five weeks in and I'm get being a bit sick of | :27:08. | :27:13. | |
this magic malarkey. Do you think we could get someone else to do the | :27:13. | :27:17. | |
tricks? Latimer. We want to win. You're right. I'll see what I can | :27:17. | :27:21. | |
do. I'm going to get you some help. Round up someone. I'm going to get | :27:21. | :27:27. | |
somebody from the audience to come and help Pete with his tricks. Now | :27:27. | :27:37. | |
:27:37. | :27:39. | ||
let me see... Yes, what's your name? Angelie. Would you like to | :27:39. | :27:45. | |
help Pete? He really needs help. Step up here and pop the mic on you. | :27:45. | :27:51. | |
Up on stage and join sweet Pete. That's right sweet Pete. Come here, | :27:51. | :27:54. | |
I want you to have a sit down. Sit yourself down there, very good. | :27:55. | :27:58. | |
Basically, you're going to play the part of the magician. I'm going to | :27:58. | :28:04. | |
be the unsuspecting puntser. That's the idea. Oh, are you all right. | :28:04. | :28:10. | |
Pete, all you have to do is read these cue cards. I will tell you | :28:10. | :28:15. | |
when, I'll guide you, so here we go. First card... Real when you're | :28:15. | :28:23. | |
ready. Read them outloud. Sorry. That's fine. It's our fault, we | :28:23. | :28:27. | |
picked you. It's not a secret. you look great this week. That's | :28:27. | :28:31. | |
nice of you to say. I think everyone at home should pick up the | :28:31. | :28:35. | |
phone and vote for you Arlene. agree. I tell you what, I | :28:35. | :28:38. | |
appreciate the compliments, just read the cards, that would be nice. | :28:38. | :28:44. | |
Would you like to see a card trick? Not really. Pete! Be nice. OK. I'm | :28:44. | :28:49. | |
here any way, why not, yes. Do you have a pack of cards? Do I have a | :28:49. | :28:54. | |
pack of cards? It is quite fortunate I do have a pack of cards. | :28:54. | :28:59. | |
Anyone watching in high definition, don't be alarmed. I don't have the | :28:59. | :29:07. | |
hands of an elf. This is a jumbo deck. Do you have a pack... Next | :29:07. | :29:12. | |
one Arlene. Shuffle the cards. You do that very well. I find you very | :29:12. | :29:20. | |
attractive. You just put this in here! I didn't, I didn't. I might | :29:20. | :29:25. | |
have. Sorry. Just hand the cards to her and behave. Read on when you're | :29:25. | :29:32. | |
ready. Pick a card, any card. like a pro. I'm going for one at | :29:32. | :29:36. | |
like a pro. I'm going for one at the bottom. Reach into your pocket | :29:36. | :29:45. | |
and remove a pen. I don't have a pen in my pocket. Yes, you do. | :29:45. | :29:49. | |
I tots do! That's amazing. Sign your name on the card and show it | :29:50. | :29:59. | |
:30:00. | :30:03. | ||
Don't let her see it. Thank you. That is the card ladies and | :30:03. | :30:08. | |
gentlemen. Shuffle the card into the deck. Shall I take that. I | :30:08. | :30:15. | |
shuffle the card into the deck. To save time I will cut the pack like | :30:15. | :30:21. | |
that. Say the magic words, "vote for Pete and Arlene" and the card | :30:21. | :30:25. | |
has vanished. I don't believe it. Is the card in here? I'm looking | :30:25. | :30:29. | |
for my card. Let's see if it's... You know what, I don't see the card. | :30:29. | :30:33. | |
It really has disappeared. That's incredible. | :30:33. | :30:42. | |
APPLAUSE Wow! Oh! What was your card? | :30:42. | :30:48. | |
card was the five of hearts. are not going to believe this, and | :30:48. | :30:53. | |
neither am I because... I am Because I am... She is building the | :30:53. | :31:01. | |
drama. You can't knock her for it Sitting on it. You can't be. You | :31:01. | :31:08. | |
are sitting on the card. Have a look at it. Show it to the audience. | :31:08. | :31:13. | |
It's still warm! APPLAUSE | :31:13. | :31:19. | |
That was amazing. I didn't know where he was going with that. Funny | :31:19. | :31:22. | |
and talented. Wh a catch ladies. If you thought so too pick up the | :31:22. | :31:27. | |
phone and vote for them so they avoid tonight's forfeit. Last week | :31:27. | :31:31. | |
we invited you to take part in Latimer and Phil's location grand | :31:31. | :31:41. | |
:31:41. | :31:48. | ||
I'm in the heart of London. Here we are making a giant work of art with | :31:48. | :31:53. | |
this 40 foot by 8 foot canvas. We provided paintbrushs in various | :31:53. | :31:57. | |
colours to let you paint any shape and any colour your heart desires. | :31:57. | :32:02. | |
Phil and I have made a prediction. It's right here. It's locked and | :32:02. | :32:06. | |
bolted. It will not come down until this work of art is finished. All | :32:06. | :32:16. | |
:32:16. | :32:49. | ||
we need now is you and your Thank you so much for coming down | :32:49. | :32:53. | |
here. We invited pretty much the entire city to help us out with | :32:53. | :32:58. | |
what we've created. Now, we need one last element of randomness to | :32:58. | :33:05. | |
make it fair. Young lady, can you take that ball for me. What is your | :33:05. | :33:09. | |
nameAnce Stays ya. Come forward. want you to throw that ball over | :33:09. | :33:17. | |
your head and behind. So after three. Wow! Throw it that way. | :33:17. | :33:23. | |
Someone catch it. Throw it again. One more time. Miss, could you help | :33:23. | :33:31. | |
us out? You're coming up now. is your name? Hannah. You will be | :33:31. | :33:35. | |
involved. We have a picture frame here. I'm presenting it to you. | :33:35. | :33:40. | |
Think of somewhere where you would like to place that randomly on that | :33:40. | :33:45. | |
wall. Somewhere nice. Somewhere that you really like the look of. | :33:45. | :33:55. | |
:33:55. | :33:55. | ||
OK. Anywhere in the wall? Any or orientation. Anywhere. Fantastic. | :33:55. | :34:02. | |
Brilliant. There you go. That's good. OK. I'm going to cut the | :34:02. | :34:11. | |
painting out. I will burrow my way through the wall. All right. This | :34:12. | :34:17. | |
is for you to hold on to, but no- one is going home empty-handed. | :34:17. | :34:27. | |
:34:27. | :34:30. | ||
Miss, what part do you want? Big piece, small piece? We are | :34:30. | :34:34. | |
spreading art around the world. remember, our prediction has been | :34:34. | :34:40. | |
locked up for three days and no-one has touched it. It's time now to | :34:40. | :34:50. | |
:34:50. | :34:50. | ||
bring down the prediction. Don't drop it. Otherwise they will have | :34:50. | :35:00. | |
:35:00. | :35:20. | ||
OK. This is our prediction. It's been signed from the very beginning. | :35:20. | :35:24. | |
Listen, you were randomly picked by that lovely little girl over there. | :35:24. | :35:29. | |
You had every chance to place that frame on that massive wall of art, | :35:29. | :35:35. | |
anywhere you liked, didn't you? Are you happy that was completely | :35:35. | :35:40. | |
ad hoc? Yes. Fantastic. Thank you very much for your time. No problem. | :35:41. | :35:46. | |
A round of plaus. APPLAUSE | :35:46. | :35:47. | |
-- applause. APPLAUSE | :35:47. | :35:54. | |
Ready? Yes. Ladies and gentlemen, let's see how we did. | :35:54. | :36:04. | |
:36:04. | :36:09. | ||
You know what? What. I liked it so much, I got the phone cover? Wow!. | :36:09. | :36:19. | |
:36:19. | :36:19. | ||
No, no. I liked it so much... I got the cell phone covers and mugs | :36:20. | :36:29. | |
printed of them. I had the T-shirt made! | :36:29. | :36:33. | |
APPLAUSE Fantastic. Amazing. My daughter | :36:33. | :36:36. | |
threw the ball. There was no control over where it went. She was | :36:37. | :36:41. | |
a random girl in the audience. I could have caught the ball. I saw | :36:41. | :36:44. | |
the butterfly in the corner of the wall I thought it might be more | :36:44. | :36:49. | |
difficult to predict. I wanted it to be a challenge for him. When he | :36:49. | :36:53. | |
revealed the painting I thought, that is fantastic. Down to the | :36:53. | :36:58. | |
detail. When he brought out the T- shirt and phone cases and the mugs. | :36:58. | :37:07. | |
I don't know how they did it. CHEERING AND APPLAUSE | :37:07. | :37:13. | |
That was amazing. We are at the half way mark now. Two distribution | :37:13. | :37:18. | |
down, two to go for each act. Have you picked your favourite yet? | :37:18. | :37:24. | |
If you have at home, make sure you pick up the phone. To save Barry | :37:24. | :37:31. | |
pick up the phone. To save Barry and Staurt and John and Gregg call:. | :37:31. | :37:41. | |
:37:41. | :37:45. | ||
To save Latimer and Phil you add02 For full terms and conditions visit | :37:45. | :37:50. | |
bbc.co.uk/magicians. Lots more still to come including a very | :37:50. | :37:54. | |
special surprise for someone right special surprise for someone right | :37:54. | :37:58. | |
here in the audience We are back bringing magic to the studio. Grab | :37:58. | :38:03. | |
your mobile phones at home everybody, this is live interactive | :38:03. | :38:13. | |
:38:13. | :38:14. | ||
closup magic with Barry and Staurt Thank you. Tonight we will do | :38:14. | :38:18. | |
something right now. Something that everybody can take part in. If you | :38:18. | :38:21. | |
want to take part, get out your mobile phone or a camera. We want | :38:21. | :38:26. | |
you to take a photograph of your TV screen. The other thing is I have | :38:26. | :38:33. | |
an item of food in this bag. canvas bag. John's bag for life, | :38:33. | :38:38. | |
doing his bit. Think of an item of food. We will do that using this, | :38:38. | :38:42. | |
our supermarket selection app. It will generate a football for -- | :38:42. | :38:49. | |
food for everybody. Choose any item of food at random. Gregg, choose | :38:49. | :38:54. | |
one? Anyone. Yes. Cheese. From the cheese make two moves. You move | :38:54. | :39:01. | |
around the chart in a clock wise direction starting with the next | :39:01. | :39:07. | |
object you spell the name of the food you are thinking of. It's on | :39:07. | :39:13. | |
the ham. From the object you end up on, spell the name of the newly | :39:13. | :39:17. | |
landed object. Moving around the clock wise direction one move for | :39:17. | :39:25. | |
each later. So HAM. Is it Biscuits. I like biscuits. I like the biscuit | :39:25. | :39:35. | |
base. I like the buttery biscuit base! Yes Gregg likes biscuits. If | :39:35. | :39:39. | |
we were doing this trick for real there would be lovely biscuits | :39:39. | :39:44. | |
inside this bag. Biscuits are now completely sold out. Let's shuffle | :39:44. | :39:49. | |
up our remaining products and everybody can get rid to do it on | :39:49. | :39:54. | |
home. Can you touch your TV screens if you want to follow along. Select | :39:54. | :39:58. | |
a food at random. Point to it. Make your first move. Starting with the | :39:58. | :40:03. | |
next one spell your choosen food. Move around the board. One move for | :40:03. | :40:09. | |
each letter. You are now all on a new object. So you make your second | :40:09. | :40:12. | |
move. Spell the name of the new object, one move for each letter. | :40:12. | :40:19. | |
All of you should have landed up on a completely random item of food. | :40:19. | :40:23. | |
If this has worked properly, what you are thinking of, the product | :40:23. | :40:27. | |
you are thinking of will be in John's bag. You will never believe | :40:27. | :40:32. | |
this. You all have a food in mind. Concentrate on it. Inside here we | :40:32. | :40:36. | |
actually have the bar code for whatever you are thinking of. | :40:36. | :40:41. | |
you go! APPLAUSE | :40:41. | :40:45. | |
Thank you very much. I can see there is a look ever disbelief on | :40:46. | :40:51. | |
your face. Here is the part you need to get out your cameras or | :40:51. | :40:57. | |
mobile phones and take a picture. Take a photograph of this bar code. | :40:57. | :41:02. | |
Everybody do that right now. Even though this looks like a normal bar | :41:02. | :41:08. | |
code, it's not. Look at the picture you have taken on your mobile | :41:08. | :41:13. | |
phones. Close one eye and tilt your phones away from you like. This | :41:13. | :41:17. | |
even though you made your own moves and you are thinking of whatever | :41:17. | :41:22. | |
food you could think of you will see this "you are thinking of | :41:22. | :41:31. | |
cheese". Brilliant. What cheese would you | :41:31. | :41:41. | |
:41:41. | :41:42. | ||
use to get a bear out of the woods? Come-on-bear! | :41:42. | :41:48. | |
CHEERING AND APPLAUSE That was great. I was thinking of | :41:48. | :41:54. | |
cheese. It could be because I'm standing next to Pete Firman. | :41:54. | :42:03. | |
lactose intolerant. And the lovely Arlene Phillips. You are the | :42:03. | :42:07. | |
reigning champ. Have I mentioned that already? Yes. I mentioned it | :42:07. | :42:12. | |
once or twice. You don't want to lose tonight? We can't lose. We are | :42:12. | :42:18. | |
a winning team, the A-Team. have two live tricks out of the way. | :42:18. | :42:21. | |
Now you remember, someone will shoot an arrow at my knead I lose | :42:21. | :42:28. | |
and the pressure is on again? I have been Googleing trick that is | :42:28. | :42:33. | |
have failed and The Telegraph tell trick has failed. I don't want to | :42:33. | :42:38. | |
die. Let's hope you don't. It's not happened yet. Thank you. Fingers | :42:39. | :42:42. | |
crossed. First time for everything. Let's see how they go the on with | :42:42. | :42:52. | |
:42:52. | :43:01. | ||
their location grand illusion in Nice ass Arlene. Thanks, Pete. This | :43:01. | :43:06. | |
is Trigger. We are here in Weymouth. We will fulfill a life-long | :43:07. | :43:11. | |
ambition, it's all about the rumble beach donkey. I want to say thank | :43:11. | :43:15. | |
you to the people of Weymouth for joining us here and indeed the lord | :43:15. | :43:21. | |
and lady mare es. Yes. Stpwh What will you do? We will make something | :43:22. | :43:31. | |
:43:32. | :43:33. | ||
disappear. Watch. Watch it. It's gone. Now, it's back. That is not | :43:33. | :43:38. | |
good enough. Let us show you what we will do. Arlene, walk this way, | :43:38. | :43:43. | |
please. Come on Trigger, you walk this way. Come on. Now, look at | :43:43. | :43:48. | |
this construction. You can see through it, around it and above it. | :43:48. | :43:54. | |
In just a moment, it will become a tent. Why don't you put up the | :43:54. | :44:01. | |
sides. Very good. Come on, Trigger. All of Weymouth's finest fishermen | :44:01. | :44:10. | |
here. Arlene why don't you walk in Trigger. 5, 6, 7, 8. Step touch, | :44:10. | :44:14. | |
step touch. Fantastic hoof work, wonderful. In a moment, you are | :44:14. | :44:21. | |
going to see while Trigger is one of Weymouth's fastest donkeys. Get | :44:21. | :44:27. | |
him in, Arlene. Get him all the way in. Fantastic. Let's get this side | :44:27. | :44:30. | |
in. Fantastic. Let's get this side up. Let me come out first. | :44:31. | :44:36. | |
getting ahead of myself. Trigger. And around the front. OK. Remember, | :44:37. | :44:40. | |
as Arlene said, you can see above it, you can see around. It you are | :44:40. | :44:50. | |
:44:50. | :44:58. | ||
not going to believe this. Are you He's gone! Lord Mayor, lady | :44:58. | :45:04. | |
mayoress, come in. Have a look here. Have a look above us. Nothing there. | :45:04. | :45:08. | |
Have a look around us. Check on the floor, it's just sand, not even a | :45:08. | :45:13. | |
whiff of mule. It's incredible. wonder where he's gone. Absolutely. | :45:13. | :45:18. | |
Have a look over there. There he is, Weymouth's fastest and finest, it's | :45:18. | :45:28. | |
:45:28. | :45:32. | ||
Trigger! The donkey disappeared from a box. | :45:32. | :45:38. | |
It's crazy. I don't know how it happened. That was just amazing. | :45:38. | :45:48. | |
:45:48. | :45:52. | ||
How can a donkey get from there to That was amazing. I love how she | :45:52. | :45:57. | |
could even make a donkey do the two step. I hear the next trick you're | :45:57. | :46:02. | |
about to see will knock you for six. They will have to to avoid the | :46:02. | :46:05. | |
forfeit with their live grand illusion. Give them roar ago plauz | :46:05. | :46:13. | |
everybody, it's Latimer and Phil. APPLAUSE | :46:13. | :46:17. | |
Tonight, we're going to go through the looking glass. That is a big | :46:17. | :46:22. | |
piece of glass. This is a massive illusion. For someone in this | :46:22. | :46:26. | |
audience, it will be a miracle. Right we need to find someone very | :46:26. | :46:31. | |
special. Very special down here somewhere. Anyone fancy joining us | :46:31. | :46:37. | |
on stage? Hello, hello Sir, what's your name? Andy. Who are you with | :46:37. | :46:44. | |
tonight? My mum. What's your name. Vera. Hello Vera! You must get that | :46:44. | :46:49. | |
all the time. Would you like to join us on the stage. Come on. | :46:49. | :46:56. | |
Round of applause everyone - Andy and Vera! There we go. Up you come. | :46:56. | :47:04. | |
Thank you for joining us. There you go. Now, you guys are going to be | :47:04. | :47:08. | |
the eyes of the audience. I want you to take a lock at this mirror, | :47:08. | :47:14. | |
from all angles. No elephants in there, no hidden, sort of like | :47:15. | :47:19. | |
little animals doing anything? very good. Come round here. Vera, | :47:19. | :47:26. | |
you stand there my love. OK. Now if you could, go ahead and make sure | :47:26. | :47:35. | |
it's a solid, plate-glass mirror. Give it a good knock. Yes. Solid? | :47:35. | :47:39. | |
Yes. Everyone in the audience is counting on you. That's the front. | :47:39. | :47:43. | |
Now let's look at the other side. mirror has two sides, just like a | :47:43. | :47:51. | |
few people I know! If you would, Vera check out the back. Give it | :47:51. | :47:55. | |
another knock Vera. Solid? Yes. right. This square represents where | :47:55. | :48:00. | |
the magic is going to be taking place. It's a solid object. We've | :48:00. | :48:04. | |
checked the front and back. Now I need something solid from you. | :48:04. | :48:08. | |
you got a mobile phone or wallet, keys or something that's | :48:08. | :48:11. | |
recognisable to you? So you will recognise that as your phone. | :48:11. | :48:19. | |
Ladies and gentleman, the phone. Now we're going to pass a solid | :48:19. | :48:26. | |
object through a solid object, ready? Yeah! There's only one of | :48:26. | :48:29. | |
your phones in the world. It's your phone. It's going to come through | :48:29. | :48:39. | |
:48:39. | :48:40. | ||
right here. APPLAUSE | :48:40. | :48:48. | |
Is that your phone? Yes. Do you want to go bigger? Something | :48:49. | :48:50. | |
bigger? APPLAUSE | :48:50. | :48:56. | |
You go bigger. Ladies and gentleman, Latimer will now pass himself | :48:56. | :49:06. | |
:49:06. | :49:10. | ||
through the mirror. Are you ready? Yes! Hold on, though. Hold on. We | :49:10. | :49:15. | |
have one more trick up our sleeve. That's right. Vera you're not up | :49:15. | :49:19. | |
here by random. You're here for a reason. In fact you're very special | :49:19. | :49:25. | |
to Phil and I. Really? Yes. You have seven children. I have. | :49:25. | :49:30. | |
have two boys living in America, one called Paul. Yeah. Idaho. | :49:30. | :49:38. | |
Haven't seen him for a couple of years. 18 months ago. My husband's | :49:38. | :49:42. | |
funeral. What if I told you this mirror could go all the way to | :49:42. | :49:52. | |
:49:52. | :50:08. | ||
Idaho? Is this your son Paul? Yeah! Fantastic. Well done. | :50:08. | :50:15. | |
thank you. Ladies and gentleman, this is fantastic. Thank you. It's | :50:15. | :50:18. | |
our pleasure. No worries. Well done. Thank you, ladies and gentleman. | :50:18. | :50:20. | |
Thank you. Well done. | :50:20. | :50:28. | |
Lovely. That was real magic, bringing | :50:28. | :50:30. | |
family together. Latimer pulling at the heart strings. Each act has | :50:30. | :50:35. | |
only one trick left to win your vote, otherwise they could end up | :50:35. | :50:38. | |
as target practice at the end of the show. This is the last time you | :50:38. | :50:42. | |
will see the numbers on the screen. Make note of them and get behind | :50:42. | :50:46. | |
your favourites or they will face that. The phone lines close in | :50:46. | :50:56. | |
It tastes like dog food. To save Barry and Stuart and John and Gregg | :50:56. | :51:06. | |
:51:06. | :51:14. | ||
You are thinking of cheese! It's not there. First he revealed the | :51:14. | :51:19. | |
painting, I thought that's fantastic. I don't know how they | :51:19. | :51:29. | |
:51:29. | :51:32. | ||
did it. Is this your son Paul? You're sitting on it. You can't be. | :51:32. | :51:42. | |
:51:42. | :51:52. | ||
Get the bill payer's Persian before you call. For full terms and -- | :51:52. | :51:55. | |
bill payer's permission before you call. For full terms and conditions | :51:55. | :52:02. | |
go to the website. We are 100% live tonight and that arrow could go | :52:02. | :52:06. | |
horribly wrong. These guys had a donkey the last time. Now it's | :52:06. | :52:16. | |
:52:16. | :52:28. | ||
street magic time with Pete and You are in luck, today we are test | :52:28. | :52:32. | |
driving a brand new product to have your jewellery looking like new | :52:32. | :52:38. | |
again. Has anyone got a ring? Thank you. What a beautiful ring. That is | :52:38. | :52:44. | |
lovely. Sort of a swirl on one side, that's really nice. Lovely. That's | :52:44. | :52:49. | |
going to look perfect when it's puffed up with Pete's polish. | :52:49. | :52:53. | |
Pete's polish for that shine every time. That's right Arlene, every | :52:53. | :52:56. | |
single time. We have got some of the specially treated cotton balls. | :52:56. | :53:02. | |
I'm going to buff up your ring like this. There we go. You might not | :53:02. | :53:06. | |
notice the difference straight away. The chemical only fully reacts when | :53:06. | :53:10. | |
you apply a bit of heat. I've got a lighter here. I'm going to bring | :53:10. | :53:18. | |
this close to the ring. Crikey! I must have used a bit too much there | :53:18. | :53:24. | |
Arlene. This is... A bit awkward. I don't know how we'll make it up to | :53:24. | :53:29. | |
you. What do you think? The grand prize at the hook a duck stall? | :53:29. | :53:35. | |
That's the only way. Come on. Used to be hook a swan, but you know, | :53:35. | :53:39. | |
cut backs. Come on. I want to make sure you can see this. We're going | :53:39. | :53:43. | |
to give you a chance to win a fabulous prize, equal to the value | :53:43. | :53:48. | |
of your ring. We have lots of ducks here. Choose a duck. Take the stick, | :53:49. | :53:54. | |
have you got one that takes your fancy. Hook the duck you like. I | :53:54. | :53:59. | |
don't want to touch it. You bring the duck back towards yourself. | :53:59. | :54:03. | |
I'll take the stick. You take the duck off the end. Look at the | :54:03. | :54:08. | |
bottom and tell me what it says. It's a winner. Oh, wow. If you come | :54:08. | :54:14. | |
down with me, if you look on the underside of the... Come and see | :54:14. | :54:20. | |
this, all of the ducks in the tank are all losers. You have got the | :54:21. | :54:25. | |
only winning duck, which means you have won the grand prize. This is | :54:25. | :54:28. | |
very important, look, there's nothing in my hands, nothing | :54:28. | :54:32. | |
between my fingers. I'm going to take your winning duck, listen to | :54:32. | :54:38. | |
this... That's not gal stones. It's something very special. Arlene you | :54:38. | :54:48. | |
:54:48. | :54:52. | ||
have scissors. Yes. I'm going to cut this duck Thank you. Have a | :54:52. | :55:02. | |
:55:02. | :55:03. | ||
good look at that. Is that your ring? Amazing. Fantastic. Arlene, I | :55:03. | :55:13. | |
think you've got time for more. When I saw the ring disappear, I | :55:13. | :55:17. | |
didn't think I'd see it again. When it came out of the duck, it was | :55:18. | :55:27. | |
just, it was unbelievable. APPLAUSE | :55:27. | :55:33. | |
Great trick there. Latimer is hoping to win tonight. With some | :55:33. | :55:43. | |
:55:43. | :55:48. | ||
ring magic of his own, it's Latimer Phil, are you ready to do magic? | :55:48. | :55:55. | |
Yes, I have my glass and spoon. need a crowd. We do. Roll up, roll | :55:55. | :56:00. | |
up! Ladies and gentleman, today me and my good friend Jason are going | :56:00. | :56:06. | |
to perform a miracle you may never forget. It's an amazing feat of | :56:06. | :56:13. | |
magic that uses no boxes and no -- and no glamorous assistants. Or h. | :56:13. | :56:18. | |
It uses a wine glass, a spoon and an audience. Come a bit closer. | :56:18. | :56:22. | |
Everybody needs to place their hands in the air. We need three | :56:22. | :56:25. | |
pieces of jewellery. My love, can I borrow that ring. That's a lovely | :56:25. | :56:31. | |
one. Pop it in there. Fantastic. Quite a few quid. Lovely. Can I | :56:31. | :56:34. | |
borrow your ring, my dear? Thank you very much. Let's have that | :56:34. | :56:39. | |
gentleman at the back. There you go, Sir. Thank you very much indeed. | :56:39. | :56:43. | |
Three rings in a wine glass. Now please, ladies and gentleman, watch | :56:43. | :56:49. | |
very carefully. I said to you earlier that you'll be seeing a | :56:49. | :56:59. | |
:56:59. | :57:00. | ||
miracle and I tell you something how about that?. That's not bad. | :57:00. | :57:05. | |
That is a miracle. Thank you very much. Give them a tug my love, to | :57:05. | :57:10. | |
make sure they're on. Yes, they're firm. You know what that means? | :57:10. | :57:17. | |
Those three people are going home together! This first ring, whose is | :57:17. | :57:27. | |
:57:27. | :57:30. | ||
this one? Yours? Watch carefully. With a bit of magic... Is this your | :57:30. | :57:35. | |
ring? You can see it passes through the other ring. I won't do anything | :57:35. | :57:42. | |
tricky. I'm going to use one finger like this. Fantastic. That one's | :57:42. | :57:52. | |
:57:52. | :58:07. | ||
yours. Sir, watch this. This is APPLAUSE | :58:07. | :58:12. | |
You are the world champion for a reason Sir, aren't you? Yep. Have | :58:12. | :58:16. | |
they done all they can to stop Barry and Stuart winning the series | :58:16. | :58:21. | |
or to save themselves from becoming a human dartboard? We'll see very | :58:21. | :58:24. | |
shortly. We're going to close the phone lines in approximately five | :58:25. | :58:28. | |
minutes. It's down to you at home minutes. It's down to you at home | :58:28. | :58:31. | |
to decide which act wins tonight. And who faces the forfeit. Before | :58:31. | :58:35. | |
that, we have one more trick up our sleeves. They've yet to face the | :58:35. | :58:38. | |
forfeit this series. It could be their night tonight or maybe | :58:38. | :58:42. | |
they'll take out the championship. Waiting nervously now to perform | :58:42. | :58:44. | |
their live grand illusion it's Barry and Stuart with John and | :58:44. | :58:51. | |
Gregg. We are shaking in our red | :58:51. | :58:58. | |
monogramed pants. Tonight, we are going to let you in behind the | :58:58. | :59:02. | |
secret behind a street con game called find the pea. We need | :59:02. | :59:07. | |
someone to play this. The girl in the beige top there. You look like | :59:07. | :59:11. | |
a perfect sucker for this game. If you don't mind coming up the stairs | :59:11. | :59:15. | |
on stage. Give her a nice hand as she makes her way up here. Come | :59:15. | :59:21. | |
over here. Hi. What's your name? Sarah. We're going to play this | :59:21. | :59:27. | |
game using this giant sponge pea, game using this giant sponge pea, | :59:27. | :59:31. | |
this crate and these three tins. Three empty tins. The pea goes | :59:31. | :59:34. | |
under one tin, in this case the middle one. Barry will mix them up | :59:35. | :59:39. | |
and you have to tell us where you think it is. In the middle. Most | :59:39. | :59:42. | |
people would say that. They'd be wrong. The pea is actually over | :59:42. | :59:49. | |
here! This is a congame. Thanks very much. We have something to | :59:49. | :59:54. | |
admit to you now. We were cheating. Because we have another pea here | :59:54. | :00:00. | |
and another one over here. You can win this game. But I know that a | :00:00. | :00:06. | |
few people at the back couldn't see this properly. We will play it on a | :00:06. | :00:11. | |
grander scale. Take a seat on the crate. It's great on the crate. We | :00:11. | :00:15. | |
will supersize this and you can watch from nice and dlos make sure | :00:15. | :00:21. | |
it's fair and above board. We will play with three giant tins here and | :00:21. | :00:31. | |
:00:31. | :00:34. | ||
CHEERING AND APPLAUSE I'm not very happy. Grumpy. We were | :00:35. | :00:40. | |
going to punch him in the eye and call him a Black eyed pea. The BBC | :00:40. | :00:48. | |
said that wouldn't be a good idea so you go got the other joke | :00:48. | :00:53. | |
instead. Gregg are you happy? would be if I had a nice bit of | :00:53. | :00:58. | |
cake. Keep your eye on the human pea. Tell us where do you think he. | :00:58. | :01:05. | |
Is Is he under neath, number one, number two or number three? Number | :01:05. | :01:10. | |
one. You would be absolutely right. He is under number one. For saying | :01:10. | :01:16. | |
number one you also win money. weren't betting. What would you | :01:16. | :01:23. | |
like to bet, your house. Very sensible. Let's do it. The stakes | :01:23. | :01:29. | |
are high. Keep your eye on the pea. Where do you think he is? Under | :01:29. | :01:35. | |
number one, two or three? Three. You are wrong. He is still | :01:35. | :01:39. | |
underneath number one. You lost your house. What happened if you | :01:39. | :01:44. | |
had bet number one, you would have been absolutely wrong. P you said | :01:44. | :01:49. | |
number one he would have been under number three. No matter what you | :01:49. | :01:53. | |
bet, you are always wrong. With he have Gregg underneath number three. | :01:53. | :02:03. | |
:02:03. | :02:09. | ||
We have Gregg underneath... Underneath number one. | :02:09. | :02:13. | |
APPLAUSE Let's suppose you got wise to our | :02:13. | :02:17. | |
con and you put your bet across all three tins. Even then you would | :02:17. | :02:23. | |
still lose. Even then he would not be underneath number one. He would | :02:23. | :02:27. | |
not be underneath new two. He would not be Newcastle United neath | :02:28. | :02:33. | |
number three. You think he is inside here. You would lose even | :02:33. | :02:38. | |
then because inside here is John! CHEERING AND APPLAUSE | :02:38. | :02:46. | |
So where's Gregg? Where's Gregg? Where's Gregg? Good question. Get | :02:46. | :02:50. | |
off the crate you have been sitting on. You in never believe this | :02:50. | :02:59. | |
because inside here is... It's Gregg! I got my cake. Thank you | :03:00. | :03:03. | |
very much. Take a seat. Thank you for playing. | :03:03. | :03:13. | |
:03:13. | :03:18. | ||
Everybody Barry and Stuart and John and Gregg. Gregg, you got your cake | :03:18. | :03:28. | |
and you can eat it too, didn't you? Did you enjoy yourself? I thought | :03:28. | :03:34. | |
that was brilliant fun. You have two of the titles will this be a | :03:34. | :03:39. | |
Championship winning third tonight? I hope. So we have four minds | :03:39. | :03:45. | |
working on it tonight. 25% each. Tufnell you have had a ball, | :03:45. | :03:49. | |
haven't snu Fantastic it. I love. It I will take that card trick down | :03:49. | :03:56. | |
the pub and show all the boys. few free drinks. Definitely. Is he | :03:56. | :04:01. | |
a great teacher? Been a blast. are not keen to do the forfeit, are | :04:01. | :04:06. | |
you? No. Do you think have you done everything you can? I made a donkey | :04:06. | :04:10. | |
disappear. Pete made me disappear. Could anyone get better than that? | :04:10. | :04:16. | |
I don't think so. I really don't. We are about to find out. The lines | :04:16. | :04:21. | |
have now closed everybody. Please don't call, your vote won't count | :04:21. | :04:24. | |
and you may be charged. In a few minutes we will find out who has | :04:24. | :04:29. | |
failed to secure your votes and who will be facing tonight's nasty | :04:29. | :04:31. | |
nightmare. Whilst your votes are being counted we have a very | :04:31. | :04:35. | |
special treat for you. I hope you guys aren't afraid of the dark. We | :04:35. | :04:42. | |
have one of France's finest magical exports here, prepare to have your | :04:42. | :04:50. | |
mind mystified. Put your hands together for Les Chapeaux Blancs. | :04:50. | :05:00. | |
:05:00. | :05:00. | ||
Apology for the loss of subtitles for 244 seconds | :05:00. | :09:05. | |
CHEERING AND APPLAUSE That's Les Chapeaux Blancs | :09:05. | :09:09. | |
everybody. OK, all the votes are now in. It's the moment of truth. | :09:09. | :09:19. | |
:09:19. | :09:20. | ||
Legs, May I have the results, please? Very graceful. Thank you | :09:20. | :09:27. | |
very much. I would love to see her Moon Walk next week. OK. I can now | :09:27. | :09:31. | |
reveal the act with the most votes tonight. The people definitely safe | :09:31. | :09:41. | |
:09:41. | :09:53. | ||
It's Latimer and Phil. It's us! Very well done. Thank you. It's two | :09:54. | :09:59. | |
appease between Latimer and Barry and Stuart. It's bean Barry and | :09:59. | :10:04. | |
Stuart John and Gregg and Pete and Arlene. The act with the fewest | :10:04. | :10:08. | |
votes and will have to tackle the deadly task of having an arrow | :10:08. | :10:18. | |
:10:18. | :10:20. | ||
fired at them by a rotating archer is... It's Pete and Arlene. | :10:20. | :10:25. | |
Congratulations John and Gregg and Barry and Stuart. Fantastic stuff. | :10:25. | :10:31. | |
You really didn't want that, did you? No. You were having so much | :10:31. | :10:37. | |
fun. I loved the show up until now. Compose yourself and say your last | :10:37. | :10:42. | |
goodbyes. I will show the folks at home what nastly little trick we | :10:42. | :10:49. | |
have in store in just a minute. -- nasty. The losing act will have to | :10:49. | :10:54. | |
put their trust in a master archer as reenact the tale of William Tell. | :10:54. | :11:00. | |
This time, it's for real. Our archer will be standing on a | :11:00. | :11:10. | |
:11:10. | :11:11. | ||
revolving platform. Let's hope they And under no circumstances should | :11:11. | :11:15. | |
you attempt any of the forfeits at home, they are very, very dangerous, | :11:15. | :11:19. | |
folks. To complete the final stunt, Pete has been briefed. I need you | :11:19. | :11:26. | |
to pay very close attention to what he's saying. OK. Especially on this | :11:26. | :11:32. | |
one. One inch either way could be deadly. If you trust in Pete I'm | :11:32. | :11:36. | |
sure he will get you through it. Don't look at me Arlene, seriously, | :11:36. | :11:41. | |
I have no idea. I will hand it over to you now. I will stay out of the | :11:41. | :11:47. | |
way, I hope you don't mind. Let's meet the scary fella over here. | :11:47. | :11:50. | |
Good luck, give them a round of applause. | :11:50. | :12:00. | |
:12:00. | :12:00. | ||
Apology for the loss of subtitles for 244 seconds | :12:00. | :14:41. | |
You want me to hold it, yeah? OK. Is that all right? Yes. Yes. Looks | :14:41. | :14:47. | |
like I'm home and free, Arlene. He doesn't say much, does he? No. My | :14:47. | :14:53. | |
heart says a lot right now. Are you all right? Maybe he's not coming | :14:53. | :14:59. | |
back. He's gone. That's all right. Fruit salad anyone? Oh, no, he's | :14:59. | :15:09. | |
:15:09. | :15:13. | ||
back. He's go the a very large bow, Are you all right? Yes. Deep | :15:13. | :15:18. | |
breathes. My heart is going like I can't believe. Yeah, I'm with you | :15:18. | :15:28. | |
all the way. It could go through my temple. You probably can't see, | :15:28. | :15:38. | |
:15:38. | :16:15. | ||
Ahh! Oh, my goodness. Are you all We made it. She's still alive. | :16:15. | :16:21. | |
She's still alive. That was amazing. He's got my ring. | :16:21. | :16:30. | |
CHEERING AND APPLAUSE We have great magic coming up next | :16:30. | :16:35. | |
week on the show. Thank you to all the celebrites, to all the | :16:35. | :16:40. |