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We are about to go live with the final of The Magicians. They will | :00:15. | :00:21. | |
be competing for your votes to avoid tonight's forfeit. So far | :00:21. | :00:31. | |
:00:31. | :00:32. | ||
Keith Duffy swallowed fire. The Hoff has taken on the Samurai. My | :00:32. | :00:37. | |
Myleene Klass faced the stone grounder. Are you guys ready for | :00:37. | :00:43. | |
this? All right turn around and feast your eyes on that! | :00:43. | :00:49. | |
Tonight, the losing act could be cut throat. First of all, you are | :00:49. | :00:53. | |
going to have to place this metal rod in your mouth and bend it like | :00:53. | :00:59. | |
thus. Ah, see. | :00:59. | :01:03. | |
Once you have done that, you are going to have to face each other on | :01:03. | :01:13. | |
:01:13. | :01:16. | ||
either side of this per this glass. Place it next to your jugular and | :01:16. | :01:23. | |
snap it. Someone is definitely leaving | :01:23. | :01:33. | |
:01:33. | :01:54. | ||
tonight with a pain in the neck! It Live from Shepperton Studios, | :01:54. | :02:02. | |
please welcome your host, Darren McMullen and The Magicians. | :02:03. | :02:11. | |
CHEERING AND APPLAUSE Barry and Stuart. And Latimer and | :02:11. | :02:20. | |
sensational stand-up trickster, Pete Firman. | :02:20. | :02:25. | |
How are you Shepperton? Welcome to The Magicians. It is the Grand | :02:26. | :02:31. | |
Final. It is time to dive head- first into this world of magic that | :02:31. | :02:35. | |
that these handsome young men behind me have created. Look at | :02:35. | :02:39. | |
them, aren't they gorgeous? Yeah. Every week these magicians are | :02:39. | :02:44. | |
joined by a celebrity apprentice who perform tricks in an attempt to | :02:44. | :02:49. | |
win your votes at home and to avoid the horrifying forfeit. So let's | :02:49. | :02:55. | |
meet our brave celebrities. Joining Barry and Stuart, he is | :02:55. | :03:00. | |
standing up for magic, it is comedian, Ed Byrne. | :03:00. | :03:10. | |
:03:10. | :03:17. | ||
CHEERING AND APPLAUSE Street dancer, it is George Sampson. | :03:17. | :03:21. | |
And actor and professional cockney, it is Joe Swash. | :03:21. | :03:30. | |
CHEERING AND APPLAUSE Welcome to The Magicians live. | :03:30. | :03:36. | |
In this spectacular finale, our celebrities and magicians have four | :03:36. | :03:39. | |
tricks to try and knock your socks off and win your votes and they | :03:39. | :03:43. | |
have saved the best until last. Trust me, to make it more difficult, | :03:43. | :03:50. | |
two of the tricks will be performed live in front of a very suspicious | :03:50. | :03:53. | |
studio audience. There is everything to play for tonight as | :03:53. | :03:57. | |
we will find out which magician will be crowned the series champion, | :03:57. | :04:02. | |
we have Barry and Stuart and Latimer with a win under their belt. | :04:03. | :04:07. | |
A win tonight would make them the outright champions. Pete only has | :04:07. | :04:13. | |
one so far, so victory for him would mean... A victory for him | :04:13. | :04:17. | |
would mean all three magicians will share the title. Trust me, these | :04:17. | :04:22. | |
guys are very competitive. They want to win not just for the title, | :04:22. | :04:32. | |
:04:32. | :04:38. | ||
but to avoid the forfeit. AUDIENCE: | :04:38. | :04:44. | |
They said, "Oh" indeed. Now, first, and hoping to be crowned series | :04:44. | :04:54. | |
:04:54. | :04:55. | ||
champion The Magicians, it is It is Latimer and Phil. | :04:55. | :05:00. | |
I'm happy, thank you so much. Bring on the final! | :05:00. | :05:04. | |
George. I'm George Sampson and you probably | :05:04. | :05:11. | |
know me best as an actor and dancer. It is the finale, we're going big. | :05:12. | :05:16. | |
We're going to be travelling through time and space and after | :05:16. | :05:19. | |
that, I'm going to teach you how to control water. | :05:19. | :05:23. | |
I am going to take things seriously. That works for me. | :05:23. | :05:30. | |
It is nuts! This Week is really massive for me, | :05:30. | :05:34. | |
so I'm going to bring it in like none other. | :05:35. | :05:38. | |
Right now, it is a tie for first place so we have to win. | :05:38. | :05:42. | |
I am very nervous. Our grand illusion for stage hasn't | :05:42. | :05:52. | |
:05:52. | :06:02. | ||
been considered before. Here is to something new! | :06:02. | :06:03. | |
APPLAUSE Having won over the public with his | :06:03. | :06:07. | |
dancing, he is going to be looking to do it with his magic too. It is | :06:07. | :06:08. | |
George Sampson and Latimer, everybody. | :06:08. | :06:14. | |
Thank you. This is so special, I want to do it starting off in the | :06:14. | :06:21. | |
audience, right here with this ball and will you help me on this one? | :06:21. | :06:26. | |
Yes. What's your name? Thomas. Yes. What's your name? Thomas. | :06:26. | :06:28. | |
Yes. What's your name? Thomas. Let's put a microphone on you. | :06:28. | :06:33. | |
Thomas, I'm going to get your hands wet, if that's OK. George is going | :06:33. | :06:37. | |
to pour the water through your hands. Your yob is to make sure -- | :06:37. | :06:42. | |
job is to make sure nothing comes out of the pitcher apart from water. | :06:43. | :06:48. | |
How old are you? 12. When I was your age, I was nine. When I was | :06:48. | :06:52. | |
nine - I want you to reach around in the water. Make sure there is | :06:52. | :06:55. | |
nothing in the water, just water, right? Yes. | :06:55. | :06:59. | |
Feel around the bowl. Make sure the bowl is solid? Yes. | :06:59. | :07:03. | |
There you go. When I was younger I used to dream | :07:03. | :07:09. | |
about how magical it could be if you could control water. If you | :07:09. | :07:19. | |
:07:19. | :07:34. | ||
could actually shape it an object. drop it or we're all getting wet. | :07:34. | :07:40. | |
How imagine magical does that feel? You see, that's magic, but this | :07:40. | :07:49. | |
idea, it is just a dream come true. APPLAUSE | :07:49. | :07:53. | |
Let's give him a big round of applause. | :07:53. | :07:59. | |
You're awesome. Now, we took the idea from a bowl and we figured if | :07:59. | :08:04. | |
that's what we could do with a bowl, could you imagine what we could do | :08:04. | :08:14. | |
:08:14. | :08:34. | ||
could you imagine what we could do CHEERING AND APPLAUSE | :08:34. | :08:44. | |
:08:44. | :08:44. | ||
Apology for the loss of subtitles for 66 seconds | :08:44. | :09:51. | |
Would you like to see more? AUDIENCE: Yes. They want to see | :09:51. | :10:01. | |
:10:01. | :10:01. | ||
Apology for the loss of subtitles for 66 seconds | :10:01. | :11:13. | |
more. All right, here we go. This Amazing. That was amazing. Guys, | :11:13. | :11:19. | |
what do you think? He is fantastic, isn't he? | :11:19. | :11:24. | |
really is. That's dangerous over there. We can't beat that. He is | :11:24. | :11:28. | |
all wet and sexy and dancing, I've got Pete. | :11:28. | :11:38. | |
:11:38. | :11:39. | ||
Pete... They are heckling you from the audience. You have down three | :11:39. | :11:43. | |
forfeits so far. You don't want do a fourth, do you? There is a hole | :11:43. | :11:48. | |
in the roof or something like that! No, I don't want to do a fourth. It | :11:48. | :11:54. | |
would be great to finish the series with a win. It would be two for us | :11:54. | :11:57. | |
each. I worked with Joe Swash before so | :11:57. | :12:01. | |
good luck on that. Here is what Joe Swash gets up to when he is not | :12:01. | :12:11. | |
:12:11. | :12:14. | ||
The actor with the fewest votes, Pete and Arlene. | :12:14. | :12:18. | |
Arlene was fantastic, but after the win the week before, coming third | :12:18. | :12:24. | |
was just awful. Nice to see you, Pete. | :12:24. | :12:32. | |
My name is Joe Swash. I am an actor and I went into the jungle and I | :12:32. | :12:38. | |
ate a crocodile willie. Are you a fish fan? | :12:39. | :12:44. | |
So Joe, Barry and Stuart won two. Latimer has won two. I won one. I | :12:44. | :12:48. | |
need to get this one. No one likes to see him being the | :12:48. | :12:52. | |
whipping boy. The forfeits are getting worse and | :12:52. | :12:56. | |
worse. I am a little bit nervous. Barry and Stuart, I know you are | :12:56. | :13:02. | |
watching this. Isn't it about time you dit a forfeit -- did a forfeit? | :13:02. | :13:12. | |
:13:12. | :13:25. | ||
As far as I am concerned, I am the How are you? As you can see, we are | :13:25. | :13:31. | |
at the London Aquarium, waiting for Pete. He hasn't turned up. I'm here, | :13:31. | :13:35. | |
fella. Why are you dressed like that and you are wet and you smell | :13:35. | :13:40. | |
of fish. I have been inside the tank, ask | :13:40. | :13:43. | |
these ladies, calm down. I understand this maybe a little bit | :13:43. | :13:48. | |
too much for you. We need somebody to help with - would you mind | :13:48. | :13:53. | |
helping? You can stay where you are, that's fine. Let's look inside this | :13:53. | :14:00. | |
tank. I put this prediction inside this tank. This is isolated inside | :14:00. | :14:06. | |
the tank. The glass is about a foot thick. What's your name? Steph. | :14:06. | :14:10. | |
It is difficult to hear with this on. Steph. | :14:10. | :14:20. | |
:14:20. | :14:21. | ||
Steph, I want you to stare into the tank. There is many a seafarer | :14:21. | :14:25. | |
hypnotised by a haddock for a mackerel. Joe, hold that. I'm going | :14:25. | :14:30. | |
to talk to you on the walkie-talkie so be alert! | :14:30. | :14:36. | |
. So, I suppose we do what Pete said, have a look at the tank. Look | :14:36. | :14:41. | |
at the creatures. As you can see, we have got a clown-nosed ray, we | :14:41. | :14:49. | |
have a stingray, all sorts. Come in red herring, come in red | :14:49. | :14:54. | |
herring, are you there? Yes, I am here. How are you, Pete? I'm good. | :14:54. | :14:57. | |
Is Steph thinking of a creature? Yes. | :14:57. | :15:00. | |
Steph is thinking of her creature, yes. | :15:00. | :15:04. | |
Fantastic. Tell her not to tell anybody what it is, just keep it in | :15:04. | :15:08. | |
mind. Don't tell anybody what it is. | :15:08. | :15:12. | |
Cool. She said, "Cool." | :15:12. | :15:22. | |
:15:22. | :15:33. | ||
There he is. He is very graceful in the water if you haven't noticed. | :15:33. | :15:38. | |
Steph, we asked you to think about one of the sea creatures in the | :15:38. | :15:41. | |
tank behind us. Have you been thinking of that sea creature? | :15:42. | :15:46. | |
You haven't told anybody about that sea creature. Are you ready? | :15:46. | :15:53. | |
you reveal the sea creature you was thinking of? Stingray. Pete, are | :15:53. | :15:57. | |
you ready? He is ready. Let's reveal your | :15:57. | :16:07. | |
:16:07. | :16:10. | ||
prediction. Stingray. | :16:10. | :16:10. | |
APPLAUSE That's | :16:10. | :16:10. | |
That's amazing. | :16:10. | :16:11. | |
That's amazing. How | :16:11. | :16:12. | |
That's amazing. How do | :16:12. | :16:14. | |
That's amazing. How do you think he did that? | :16:14. | :16:22. | |
I think he is just trying to tell me something. Well, he is going to | :16:22. | :16:29. | |
take off his tank. Guys, would you like to help us with this curtain? | :16:29. | :16:35. | |
Perfect. So Pete, winning the easy easy way, and he is going to come | :16:35. | :16:40. | |
out the hard way. Are you ready, Pete? He is ready. Are you ready? | :16:40. | :16:50. | |
:16:50. | :17:11. | ||
Let's do this. I'm out! He is there. | :17:11. | :17:13. | |
APPLAUSE I can't believe how he knew what I | :17:13. | :17:16. | |
was thinking. It was so weird. I was thinking stingray the whole | :17:16. | :17:22. | |
time and it was in the tank. I knew she was thinking of a fish, but I | :17:22. | :17:26. | |
didn't know what fish it was. And then he came through the window. | :17:26. | :17:33. | |
When he came through the tank, I was like, "Oh my God." I couldn't | :17:33. | :17:38. | |
come through with the tank. I had to leave the tank inside. I need to | :17:38. | :17:48. | |
lie down. Do you need the kiss of life? | :17:48. | :17:49. | |
APPLAUSE That's why they call Pete the | :17:49. | :17:52. | |
Little Mermaid. Hello, Ed Byrne. How are you Barry and Stuart? | :17:52. | :17:55. | |
good. Still yet to do a forfeit. Have you | :17:55. | :18:01. | |
got your grannies, uncles and cousins calling up voting from | :18:01. | :18:05. | |
Scotland? I think they are voting for Pete. | :18:05. | :18:09. | |
Whatever you are doing, it is working. Ed, you do some crazy | :18:09. | :18:13. | |
stuff tonight. With that being said, are you scared of of doing the | :18:13. | :18:18. | |
forfeit? I don't want to do the forfeit. I have gone above and | :18:18. | :18:23. | |
beyond the call of duty. I have done hairy stuff already. | :18:23. | :18:27. | |
That's your campaign pitch. He doesn't need to do anymore. He | :18:27. | :18:33. | |
has done enough? I have done myself to secure myself on an arrow. | :18:33. | :18:38. | |
Let's look at what happened when Ed teamed up with our dark duo, Barry | :18:38. | :18:48. | |
:18:48. | :18:51. | ||
Do you dress like this all the time? I'm Ed Byrne. I am known best | :18:51. | :19:00. | |
as a comedian. We are going to go on a mini moat mini motto. I am | :19:01. | :19:04. | |
going to push a rubber band to its limit. | :19:04. | :19:10. | |
Ed is a comedian. He is used to being funny. Fortunately for us, he | :19:10. | :19:17. | |
has started to take things more seriously. I did maths at school. | :19:17. | :19:23. | |
Clever, but deadly. This series, we have avoided the | :19:23. | :19:28. | |
forfeit completely so we are hoping we avoid the last one. The grim | :19:28. | :19:35. | |
reaper of forfeits. If we win, we are the series | :19:35. | :19:39. | |
winners. If they win, I will never let them | :19:39. | :19:47. | |
forget the fact that I got them there! | :19:47. | :19:53. | |
Hoping and praying it is enough for the championship, make them feel | :19:53. | :20:03. | |
:20:03. | :20:04. | ||
welcome, everybody, it is Barry and Thanks very much, the piranha fish, | :20:04. | :20:08. | |
famous because they are carnivores and they can eat flesh. Inside this | :20:08. | :20:17. | |
tank of murky water we have hungry pir piranha fish. | :20:17. | :20:22. | |
You know that treatment where you have dead skin eaten off the sole | :20:22. | :20:27. | |
of your feet. We have educated piranha fish. | :20:27. | :20:33. | |
They have degrees in chemistry and physics and one has an NVQ in who | :20:33. | :20:40. | |
is pa tilt. Clever, but deadly. I have got this | :20:40. | :20:44. | |
book and it is a book of animals with the name of the animal printed | :20:45. | :20:50. | |
beside T we have an animal selected at random, I am going to ask the | :20:50. | :20:54. | |
lady there, I am going to ask you to say stop. | :20:54. | :20:58. | |
Stop. Look at the animal, you stopped me | :20:58. | :21:03. | |
at. Everybody look at the animal, but nobody say the name of the | :21:03. | :21:05. | |
animal out loud. These fish can read and write and | :21:05. | :21:10. | |
we will prove it now by getting a piece of stick out of the cooler | :21:10. | :21:16. | |
box. We will feed it to the fish. We will show them the book. They | :21:16. | :21:20. | |
like their meat rare. Are piranha fish intelligent enough | :21:20. | :21:29. | |
to read the words printed on the page of this book? | :21:29. | :21:35. | |
A beautiful cat that is too! But that was good, but top them, | :21:35. | :21:39. | |
that's easy. That's kids stuff. That was the baby fish doing that. | :21:39. | :21:46. | |
The big fish are cleverer. You can ask the big ones any any question | :21:46. | :21:51. | |
from a Trivial Pursuit. They would have a chance of winning | :21:51. | :21:57. | |
if they could roll the dice, but they don't have any fish fingers! | :21:57. | :22:02. | |
Madam, will you pick a category, please? Entertainment. | :22:02. | :22:08. | |
The one that the intellectuals never go for. Entertainment which | :22:08. | :22:14. | |
is pink and take a card and select any one at ran do. Take a look at - | :22:14. | :22:19. | |
- randomment take a look at it. The questions and answers are random. | :22:19. | :22:27. | |
We are going to feed our piranha fish a pork chop. No need for the | :22:27. | :22:36. | |
tongs. They know me. What is the pink question? How many Oscars did | :22:36. | :22:42. | |
Ingrid Birdman win in her career? Let's see if the fish know? I will | :22:42. | :22:51. | |
try and get it, Stuart. Keep your hand in. What's the | :22:51. | :23:01. | |
:23:01. | :23:04. | ||
answer? Three. They have gnawed my hand! | :23:04. | :23:11. | |
The educated piranha. There is something fishy going on. | :23:11. | :23:14. | |
All our acts have performed their first trick which means the | :23:14. | :23:19. | |
phonelines are open. To save your favourite celebrity and magic, you | :23:19. | :23:29. | |
:23:29. | :23:34. | ||
need to pick up the phone. You have to snap an arrow on the throat. To | :23:34. | :23:44. | |
:23:44. | :23:45. | ||
The calls will cost 15 pence from a BT land line. If you want full | :23:45. | :23:49. | |
terms and conditions visit bbc.co.uk/magicians which is where | :23:49. | :23:53. | |
you can learn to do some tricks all by yourselves. Check it out. There | :23:53. | :24:01. | |
is all to play for and there is Coming up, Latimer and George step | :24:01. | :24:05. | |
on the gas in a bid to be crowned champs. | :24:05. | :24:11. | |
It is full speed ahead as Barry and Stuart and Ed aim for victory. | :24:11. | :24:21. | |
:24:21. | :24:27. | ||
Pete and Joe pull out all the stops All that and we will have the | :24:27. | :24:31. | |
fastest illusion in the world. Don't miss it, it is amazing. | :24:31. | :24:36. | |
Very exciting. We have got the world champion of | :24:36. | :24:40. | |
magic here, Mr Latimer, do you think you might make that the world | :24:40. | :24:45. | |
champion of the magicians? I have had so much fun. I had a blast | :24:45. | :24:49. | |
being here. I think we have won already because it has been so much | :24:49. | :24:52. | |
fun here. Oh, that's such a diplomatic answer. | :24:52. | :24:58. | |
Are you going to win tonne? tonight? You are a favourite with | :24:58. | :25:04. | |
Britain. They voted you a winner of Britain's Got Talent. Do you think | :25:04. | :25:09. | |
they will enjoy your magic? I have had the master to help me. | :25:09. | :25:14. | |
Hopefully they will pick upon it. He is good this guy. | :25:14. | :25:24. | |
:25:24. | :25:43. | ||
With the grand illusion, it is Today we are going to move five | :25:43. | :25:47. | |
people through time and space. Transportation? Exactly. We are | :25:47. | :25:51. | |
going to move them from one truck to another truck while the audience | :25:51. | :25:55. | |
is following on a military transport truck. As we move down a | :25:55. | :26:01. | |
runway. I want each individual to reach | :26:01. | :26:08. | |
into the bag and take a poker chip. Most of them are blue. Only five | :26:08. | :26:13. | |
are white. The people that pick these five are | :26:14. | :26:20. | |
going for the ride of their life. They are deciding the people who | :26:20. | :26:26. | |
are going to travel on their hands. I can't get more fairer than that. | :26:26. | :26:36. | |
:26:36. | :27:12. | ||
Close your eyes and do not open them until you are told otherwise. | :27:12. | :27:22. | |
:27:22. | :27:22. | ||
Apology for the loss of subtitles for 66 seconds | :27:22. | :28:07. | |
You can't run behind the curtain. There is no curtain. It is not like | :28:07. | :28:11. | |
you can run underneath the stage because there is no stage. It is a | :28:11. | :28:21. | |
:28:21. | :28:38. | ||
Take your gloves off. Take your gloves off. Put your hands up! | :28:38. | :28:42. | |
They moved from one truck to another right in front of our eyes. | :28:43. | :28:46. | |
It is amazing. I don't know how he did it. | :28:46. | :28:51. | |
There was no camera trickry. It was something to do with sequence. I am | :28:52. | :28:55. | |
a Star Trek fan. You have to wonder now. | :28:55. | :28:59. | |
It was the most incredible thing that I have ever seen quite frankly | :28:59. | :29:03. | |
and I can't explain it. It was just a a wonderful illusion | :29:04. | :29:07. | |
and I would love to know how it is done. | :29:07. | :29:17. | |
:29:17. | :29:21. | ||
That really is magic. APPLAUSE | :29:21. | :29:23. | |
That was amazing, honestly, I have never seen anything like that | :29:23. | :29:26. | |
before. An amazing trick. Hoping to save face tonight and tie up the | :29:26. | :29:31. | |
series with a win, I want everyone to clap, scream and shout for Pete | :29:32. | :29:41. | |
:29:42. | :29:42. | ||
Thank you very much. I want the public to help me. | :29:42. | :29:48. | |
Would you like me to find someone? What wants to help me. Would you | :29:48. | :29:54. | |
like to come up and help with this trick? That's your name? Amy. | :29:54. | :29:59. | |
Come and stand here. Thank you very much for helping. Amy, in a minute, | :29:59. | :30:05. | |
we will ask you to pick one of these. Can you you shuffle? | :30:05. | :30:14. | |
little bit. I want you to pick a maggot, any maggot. | :30:14. | :30:17. | |
These are live maggots, you can probably tell from the smell of | :30:17. | :30:21. | |
death! There are 52 maggots. I want you to | :30:21. | :30:26. | |
choose one. I want you to look at one and remember it. We don't want | :30:26. | :30:29. | |
you to touch the maggots. You might have to follow them | :30:29. | :30:34. | |
around because they are a little bit wiggly. You point at a maggot. | :30:34. | :30:44. | |
:30:44. | :30:45. | ||
Leave your finger there. Now mix them up. | :30:45. | :30:47. | |
LAUGHTER Know Joe is going to try and -- now | :30:47. | :30:50. | |
Joe is going to try and find your maggot. No peeping. Is that your | :30:50. | :30:57. | |
mog your maggot? Is that your maggot? Say yes it is. | :30:57. | :31:00. | |
That's only the beginning. The next bit is more impressive, because I | :31:00. | :31:05. | |
am going to make that maggot disappear. We are going to ask to | :31:05. | :31:12. | |
put this in the the middle of your hand. Is he wig bli. You are very - | :31:13. | :31:18. | |
- wiggly. You are very cool about that. Do you fish? I want you to | :31:18. | :31:28. | |
put it on the tip of my tongue. LAUGHTER | :31:28. | :31:32. | |
Three second rule! I don't suppose it matters, it has | :31:32. | :31:36. | |
been on the floor, it is a maggot. It is still alive. It goes on my | :31:36. | :31:40. | |
tongue. Ah, Pete. | :31:40. | :31:44. | |
That's disgusting. It could be worse. It could be the | :31:44. | :31:53. | |
crocodile's little fella. He has has gone. He has disappeared. | :31:53. | :31:58. | |
He is in Pete's stomach. I am going to make the maggot | :31:58. | :32:05. | |
reappear. I am going to regurgitate I am pulling it up from my belly. | :32:05. | :32:10. | |
It is at the chest. It is coming up to the back of my throat. It is on | :32:10. | :32:14. | |
the back. Back of the throat, coming up to the nasal passage. All | :32:14. | :32:19. | |
the sinuses are connected. I am going to pull it up. I should | :32:19. | :32:25. | |
mention, ladies, I am single! It is going to go to my right eye. | :32:25. | :32:35. | |
:32:35. | :32:42. | ||
It is in my right eye just about now. | :32:42. | :32:44. | |
APPLAUSE Because you were so brilliant, you | :32:44. | :32:47. | |
can have these. Take them away. They will be a little momento of | :32:47. | :32:51. | |
the evening. I feel like the audience, they feel | :32:51. | :33:01. | |
:33:01. | :33:08. | ||
a little bit left out. Do you want some maggots? | :33:08. | :33:11. | |
LAUGHTER Well done. The most disgusting | :33:11. | :33:14. | |
trick I have ever seen. Thank you very much for that. Great work by | :33:14. | :33:24. | |
:33:24. | :33:28. | ||
the little worm. Next up, it is I am about to do a trick with Barry | :33:28. | :33:33. | |
and Stuart. It involves an air canon, a motorcycle and playing | :33:33. | :33:37. | |
cards. Three of my favourite things in the in the world. What could | :33:37. | :33:45. | |
possibly go wrong? We are here to show you something | :33:45. | :33:51. | |
very special, the world's most extreme card trick using this motor | :33:51. | :33:56. | |
and -- mortar and a really fast motorbike. I am going to stand in | :33:56. | :34:01. | |
front of you all. Ed, we are ready. They are all safe. Come on out, | :34:01. | :34:11. | |
:34:11. | :34:16. | ||
full speed. The streak of lightening. | :34:16. | :34:18. | |
APPLAUSE It is very cold today. | :34:18. | :34:21. | |
We need to get someone to select a playing card. | :34:21. | :34:25. | |
We want this trick to be extreme from all angles. We are not going | :34:25. | :34:31. | |
to get you to choose a card from one deck, but it will be from three | :34:31. | :34:37. | |
decks. We We want you to choose any one of these cards at all. Run your | :34:37. | :34:40. | |
finger across the cards and stop it on any one you like. | :34:40. | :34:45. | |
I will go for that one. Take it out. Don't let anyone see it. Don't let | :34:45. | :34:49. | |
Ed see it because Ed is going to be doing this. Ed, if you can go and | :34:49. | :34:55. | |
get into the starting position. Ed, is going to catch your card from | :34:55. | :34:59. | |
mid-air. We want you to sign your name on the face of the card that | :34:59. | :35:06. | |
you have right now. I will take the pen back. If you | :35:06. | :35:12. | |
can put the card back anywhere in the deck. I want to you take the | :35:12. | :35:20. | |
deck and shuffle it up yourself. Could you shuffle those two packs | :35:20. | :35:28. | |
together. Add that to the pile, I need you to shuffle that. Perfect. | :35:28. | :35:32. | |
Everyone stay here. I want to you come over here. Everyone else, stay | :35:32. | :35:35. | |
with me. You are going to load all these | :35:35. | :35:43. | |
cards into this air air bazooka. Take the cards and shove them in | :35:43. | :35:49. | |
there. Shove them inside there. That's perfect. Excellent. Now, go | :35:49. | :35:53. | |
back back and and join the others at finishing line. | :35:53. | :36:03. | |
:36:03. | :36:24. | ||
Ed, ready? It is in my helmet. | :36:24. | :36:26. | |
It has got my signature and everything. | :36:26. | :36:32. | |
That is your signature. I am staggered, I don't know how he | :36:32. | :36:35. | |
did that. I don't know how it could have happened. | :36:35. | :36:42. | |
I am impressed to say the least. I'm speechless. Speechless. | :36:42. | :36:45. | |
APPLAUSE Very cool. Very cool, indeed, I | :36:45. | :36:55. | |
thought. I hope they gave little Latimer his bike back. All our acts | :36:55. | :36:59. | |
performed two tricksment here are the -- tricksment here are the | :36:59. | :37:09. | |
:37:09. | :37:14. | ||
The calls will cost 15 pence from a BT land line. Calls from mobiles | :37:14. | :37:19. | |
will cost more. Please get the bill payers permission before you call. | :37:19. | :37:23. | |
Next up, with their street magic in Manchester, it is Latimer and | :37:23. | :37:33. | |
:37:33. | :37:38. | ||
We are here to do a little bit of magic for people travelling around | :37:38. | :37:41. | |
the world and we have come to the conclusion that exchanging money in | :37:41. | :37:46. | |
the airport is the most expensive thing you could do. Have you | :37:46. | :37:52. | |
changed your money? Not yet. I have collected numerous bits of | :37:52. | :37:55. | |
cash and I find every time I come back to Manchester, it gets more | :37:55. | :37:59. | |
and more expensive to change my notes back to pounds. Do you know | :37:59. | :38:09. | |
:38:09. | :38:18. | ||
how much this is worth? How much is that? About that much! | :38:18. | :38:28. | |
The cheapest way is to... I don't even bring a wallet anymore. I stop | :38:28. | :38:35. | |
at the visitors centre and grab these leaflets. Fold it up.And you | :38:35. | :38:40. | |
take it and fold it one more time. Take that, you fold it again and | :38:40. | :38:46. | |
across and one more time, down like that. You can actually see it | :38:46. | :38:56. | |
:38:56. | :38:57. | ||
change, once, twice, �20. Do you guys use pounds here? Great. You | :38:57. | :39:02. | |
take this, you fold it like that. You take this, and you fold it down | :39:02. | :39:09. | |
like that. Unfold it once. Unfold it twice. And then And unfold an | :39:09. | :39:12. | |
original �20 note. Fantastic. | :39:12. | :39:22. | |
:39:22. | :39:26. | ||
No. It is still card. Rubbish. I have I have got no idea how they do | :39:26. | :39:30. | |
it. You can watch the shows on the iplayer. Coming back live in the | :39:30. | :39:34. | |
studio now, it is time for their live, grand illusion, see if you | :39:34. | :39:42. | |
can work out this in the audience and at home. The pressure is on for | :39:42. | :39:48. | |
Joe, I will tell you something, mate, I like you a lot. | :39:48. | :39:51. | |
Thank you. You are looking a little bit pale. | :39:51. | :40:01. | |
:40:01. | :40:02. | ||
Sorry. You are looking healthy. Joe, you | :40:02. | :40:08. | |
you look ill. I have been working on a form of self-tanning. | :40:08. | :40:18. | |
:40:18. | :40:20. | ||
I do not fake tan. Self-tan. Look at this there, is the Tanamatic | :40:20. | :40:27. | |
2000. It works with this bird. I don't | :40:27. | :40:31. | |
know how you are going to fit her in that box | :40:31. | :40:35. | |
Not better, this bird -- not her, this bird. | :40:35. | :40:42. | |
It is going to go to work and give the bird a beautiful all over tan. | :40:42. | :40:45. | |
Let's look at this. You are sure this is going to be safe. | :40:45. | :40:53. | |
Of course, it is. Dial in the correct co-ordinates | :40:53. | :40:58. | |
and look at that, a beautiful golden brown colour. | :40:58. | :41:04. | |
That's amazing. With a tan like that you could go | :41:04. | :41:14. | |
:41:14. | :41:16. | ||
on an ITV reality TV show. This is the envy of the world. This is the | :41:16. | :41:20. | |
Tanamatic 3000. You are sure, this is safe? Yes. | :41:20. | :41:22. | |
That looks like where they put dead people. | :41:22. | :41:28. | |
That's a good point. Would you mind trying that. Lie yourself down | :41:28. | :41:36. | |
there. It is fine. As an an extra safety precaution, we have these | :41:36. | :41:40. | |
goggles. I will run you through the settings. We have a few different | :41:40. | :41:50. | |
:41:50. | :41:54. | ||
settings. We have got the Winton. We have got Charlmers and the | :41:54. | :41:59. | |
Dickinson and then this one, the Danger Zone. Don't go there unless | :41:59. | :42:06. | |
you want to look like a mahogany sideboard. Let's do it. | :42:06. | :42:15. | |
Are you sure, it is going to be safe? Yes. I have got nothing to | :42:15. | :42:21. | |
worry. Peter, Peter... Get in there. All | :42:21. | :42:25. | |
right, let's crank this bad boy up. First things first. Turn it on. | :42:25. | :42:30. | |
That's great. OK, here we go. The Winton. | :42:30. | :42:40. | |
:42:40. | :42:41. | ||
No, I'm not getting nothing. The Charlmer is. Still not working. | :42:41. | :42:44. | |
The Dickinson. It's broken. | :42:44. | :42:52. | |
You should be more tanned. In the Danger Zone. Let's go nuclear. | :42:52. | :43:02. | |
:43:02. | :43:10. | ||
get me out. I feel a bit funny. Get him out. Open it up. Open it up. | :43:11. | :43:20. | |
:43:21. | :43:25. | ||
Joe. APPLAUSE | :43:25. | :43:27. | |
I'm sorry, but I think that is a significant improvement. Does | :43:27. | :43:31. | |
anyone else? Very handsome. Next up, doing all they can to win your vote | :43:31. | :43:35. | |
and finish this series without having to do a forfeit on location | :43:35. | :43:39. | |
with their grand illusion in Sheffield, it is Barry and Stuart | :43:39. | :43:49. | |
:43:49. | :43:57. | ||
Tonight we are going to perform a classic of magic. It is the cut and | :43:57. | :43:59. | |
restored rope trick. We want to do a really dangerous | :44:00. | :44:06. | |
version. Ed, you have got a balloon version of yourself. | :44:06. | :44:11. | |
I never travel anywhere without this. | :44:11. | :44:15. | |
The shears of death. I have the nail scissors of of doom | :44:15. | :44:21. | |
which could double as the the shears of death. Pvrp. The idea is | :44:21. | :44:25. | |
we we do this with the string. It is going to cut it into several | :44:25. | :44:27. | |
bits. Keep going. | :44:27. | :44:33. | |
I have been asked many times, how long is a piece of string? Normally | :44:33. | :44:38. | |
when I ask a question, like how long do we have to keep filming | :44:39. | :44:42. | |
for? That's how long a piece of string is. | :44:42. | :44:50. | |
We need one other thing and that's the application of is a of saliva. | :44:50. | :44:55. | |
Mine. It is wet enough to make it stick | :44:55. | :45:02. | |
on this string right there. And if this has worked then Ed | :45:02. | :45:12. | |
:45:12. | :45:15. | ||
should be able to do that. It seems like it is not dangerous. | :45:16. | :45:18. | |
That wasn't the rope we were talking about. | :45:18. | :45:24. | |
, no, the actual rope we were talking about is that one up there! | :45:24. | :45:30. | |
The bungee rope. Ed's feet are going to be strapped to the end of | :45:30. | :45:34. | |
the rope and we are going to sever it in half. It would be dangerous | :45:34. | :45:44. | |
:45:44. | :45:49. | ||
if this was a concrete floor. We are going to try and restore the | :45:49. | :45:59. | |
:45:59. | :46:22. | ||
Right now, we are 150 feet above the ground. 150 feet. When Ed jumps | :46:22. | :46:32. | |
he will reach a speed of 50mph. 50mph. And experience the force of | :46:32. | :46:41. | |
about 1.8 G. This is if we are successful. If we are successful. | :46:41. | :46:46. | |
I need to grab your bungee chord. When we were down there, we did | :46:46. | :46:53. | |
that trick with the chord. The bungee chord is made up of 1,200 | :46:53. | :46:57. | |
individual strands. It is like doing this trick 1,200 times at | :46:57. | :47:02. | |
once. The the shears of of death are | :47:02. | :47:12. | |
never going to be powerful enough to get through this. We need the | :47:12. | :47:17. | |
knife of bread. Ed, you might want to look away. | :47:17. | :47:20. | |
need to get rid of the knife. Yeah, that could be dangerous | :47:20. | :47:23. | |
otherwise. Ed, get yourself in position. | :47:23. | :47:33. | |
:47:33. | :47:33. | ||
Apology for the loss of subtitles for 66 seconds | :47:33. | :48:25. | |
Ed Byrne. I was there. | :48:25. | :48:29. | |
When he jumped, I thought he was going to hit the floor and that | :48:29. | :48:33. | |
would be the last we would see of him. And we saw the rope get kupt. | :48:33. | :48:42. | |
I didn't -- cut. I didn't think he would make it. Madness. He is a | :48:42. | :48:49. | |
legend. He did very well. | :48:49. | :48:51. | |
APPLAUSE I am sweating looking at that. I | :48:51. | :48:55. | |
don't know how much they are paying him, but that's not worth that. | :48:55. | :49:01. | |
With Barry and Stuart, would you trust them. Exactly. They have only | :49:01. | :49:07. | |
one more trick left each. That's one more trick left each for this | :49:07. | :49:12. | |
series of The Magicians. It is more important now than ever to vote. | :49:12. | :49:17. | |
We will find out which magician is crowned the champion of the series. | :49:17. | :49:23. | |
This is the last time you will see the numbers on the screen so please | :49:23. | :49:30. | |
make a a note of them and get behind your favourite. Here come | :49:30. | :49:40. | |
:49:40. | :49:58. | ||
Just a wonderful illusion and I would love to know how it is done. | :49:58. | :50:02. | |
Unfold it twice. Unfold an original �20 note. | :50:02. | :50:12. | |
:50:12. | :50:14. | ||
I I was thinking stingray the whole time and it was in the tank and | :50:14. | :50:24. | |
:50:24. | :50:25. | ||
Calls cost 15 pence from a BT land line and other networks may vary | :50:25. | :50:30. | |
and and calls from mobile phones cost more. If you want terms and | :50:30. | :50:38. | |
Now it is time for some more live, close-up magic in the studio. It is | :50:38. | :50:43. | |
the last chance to win your votes, a big round of applause, everybody. | :50:43. | :50:49. | |
It is Latimer and George. It is Latimer and George. | :50:49. | :50:52. | |
Thank you. Thank you. Thank you. In this box we have a | :50:52. | :50:55. | |
surprise. For this trick to work we are going | :50:55. | :50:59. | |
to need volunteers. Well, I am going to pick some especially | :50:59. | :51:02. | |
actually. I'm going to pick you. What's your | :51:02. | :51:06. | |
name? Sammy. Come with me. | :51:06. | :51:16. | |
I am going to find somebody else. I think we always pick - I can see it | :51:16. | :51:23. | |
from here. Would you mind if that borrow that, your ring. And your | :51:23. | :51:28. | |
name is? Jason. A great name. Let's give him a big | :51:28. | :51:33. | |
round of applause, ladies and gentlemen. No actually, I just need | :51:33. | :51:38. | |
the ring. Thank you so much for the enthusiasm, I appreciate it. | :51:38. | :51:46. | |
Take a look at that. I want you to make sure -- I just want to make | :51:46. | :51:52. | |
sure you know what it looks like. Got the ring? And your name was? | :51:52. | :51:55. | |
Sammy. Would you be able to recognise that | :51:55. | :51:59. | |
if you saw it again. Yes. | :51:59. | :52:07. | |
If you lose that, you have to explain that to him. You want you | :52:07. | :52:17. | |
:52:17. | :52:21. | ||
place that in the handkerchief. It has gone. | :52:21. | :52:27. | |
We have a surprise in this box. Would you like to see the surprise? | :52:27. | :52:31. | |
Yes. Would all of you like to see the | :52:31. | :52:37. | |
surprise? If you can grab the box. I will give you some some slack. | :52:37. | :52:45. | |
Hold on to the box. Got that? Pull it out. Today! | :52:45. | :52:52. | |
Sammy, would you be amazed if the ring was inside the box? Yes. | :52:52. | :52:59. | |
Would you be astounded? Yes. Would you be be flabbergasted? | :52:59. | :53:06. | |
Can you spell flabbergasted? What's in the box? Scissors. | :53:06. | :53:13. | |
Surprise! Scissors. Nothing else? | :53:13. | :53:21. | |
Well, I said that the surprise was in the box and I meant in the box, | :53:21. | :53:31. | |
:53:31. | :53:37. | ||
right here, holding everything up. Right here, holding up the case. | :53:37. | :53:47. | |
:53:47. | :53:48. | ||
APPLAUSE Is that the ring? Yes. | :53:48. | :53:53. | |
APPLAUSE Thank you so much. | :53:53. | :53:57. | |
Is that your ring? Does it still fit Yes. | :53:57. | :54:05. | |
We're good. APPLAUSE | :54:05. | :54:09. | |
I was sure I knew where that was going. I got no clue. Anyway, it is | :54:09. | :54:13. | |
the final chance to impress with their street magic in Reading. This | :54:14. | :54:23. | |
:54:24. | :54:30. | ||
would tie the series if they won Hello ladies. | :54:30. | :54:34. | |
Hello. Nice to see you. Nice to see you. | :54:34. | :54:43. | |
Do you like magic? I love it. Good. Do you like card tricks? | :54:43. | :54:50. | |
Thank Goodness for that. We have a deck of cards. What's your name? | :54:50. | :54:55. | |
Amelia. I want to you say stop. Stop. | :54:55. | :55:00. | |
Take that card. Have a little look at it. What did you get? Six of of | :55:00. | :55:04. | |
clubs. It doesn't matter if I see it. | :55:04. | :55:09. | |
Amelia, watch closely, I am going to lose the card in the pack. | :55:09. | :55:12. | |
you can see, Pete stuck one of the cards on the outside of the glass. | :55:12. | :55:17. | |
That couldn't be the six of clubs, yours is inside the deck. Watch | :55:17. | :55:25. | |
closely. One, two, three. Six of clubs. | :55:25. | :55:30. | |
Touch it. Try and get it down. It is on the other side of the | :55:30. | :55:35. | |
glass. Part two, part two, the remix. | :55:35. | :55:40. | |
If that blew your mind, wait until you see that. | :55:40. | :55:45. | |
What's your name? Anna. Amelia, hold on to the deck. Get | :55:45. | :55:50. | |
the jack of diamonds. Hold it next to the six which is on the inside. | :55:50. | :55:58. | |
Go for it. This is your magic moment. | :55:58. | :56:06. | |
It is on the inside and the six is on the outside. | :56:06. | :56:15. | |
It is behind the glass, yeah? It was amazing. | :56:15. | :56:20. | |
It was a card and it was on the inside and then he had it in his | :56:20. | :56:25. | |
hand and my card was on the inside. I didn't know what was going on. | :56:25. | :56:34. | |
It was amazing. I don't know how he did it. It was crazy. | :56:34. | :56:44. | |
:56:44. | :56:49. | ||
Who are you voting for Saturday A cheeky little trick there. | :56:49. | :56:53. | |
That's all you can do. If you win tonight, you have tied up the | :56:53. | :56:56. | |
series. How are you feeling about that? That would be awesome. That | :56:56. | :57:03. | |
would be great. He is used to losing! | :57:03. | :57:08. | |
You have him shouting at him. How do you feel about things, Latimer, | :57:08. | :57:12. | |
you win tonight and you are crowned champ? That would be very, very | :57:12. | :57:17. | |
cool, but I'm having a blast. The voting is very, very close | :57:17. | :57:21. | |
tonight, guys. If you haven't phoned in for your favourite, make | :57:21. | :57:26. | |
sure you do T these guys have done all they can. There is one duo left | :57:26. | :57:30. | |
that can stop them. If they win tonight, the title belongs to them. | :57:30. | :57:34. | |
They have yet to do a forfeit the whole series. Maybe it is their | :57:34. | :57:38. | |
lucky night tonight. The phonelines are closing in five minutes so call | :57:38. | :57:42. | |
if you haven't done so yet. The last performance of the night and | :57:42. | :57:49. | |
the series coming up. Hoping to go out with a massive bang. Shepperton, | :57:49. | :57:59. | |
:57:59. | :57:59. | ||
I want as much noise as possible You are going to love this mystery | :57:59. | :58:06. | |
right here. The floating ball. The orbe of mystery. The thing about | :58:06. | :58:09. | |
magic, it is all about how you look at it. | :58:09. | :58:14. | |
The floating orbe of mystery is a ladle. | :58:14. | :58:17. | |
You will be doing that in the kitchen. | :58:17. | :58:22. | |
Giving away the gift of magic and soup! The illusion we are about to | :58:22. | :58:25. | |
perform is about how you look at it. In a minute, you are going to make | :58:25. | :58:28. | |
a choice about whether or not you want to find out how this illusion | :58:28. | :58:33. | |
works. But you have to ask yourself is it better to know or not to | :58:33. | :58:37. | |
know? There are some things in life that are best kept as mysteries. | :58:37. | :58:41. | |
Would you really want to know what the first person you kissed looks | :58:41. | :58:45. | |
like today? Would you want to have the twist to a film ruined before | :58:45. | :58:53. | |
you had seen it? Would you want to know the end to the film before it | :58:53. | :58:57. | |
has begun. Would you want to know the end to a football match before | :58:57. | :59:07. | |
:59:07. | :59:08. | ||
you had seen the game? You have seen this cabinet empty. | :59:08. | :59:17. | |
And I have even walked through it. Out of nowhere, it is Mr Ed Byrne. | :59:17. | :59:22. | |
How was it in there? I'm fine. Thank you for bringing me into the | :59:22. | :59:26. | |
material world. I have enjoyed my time on the show. I am disappointed | :59:26. | :59:34. | |
by the lack of glamorous assistants. Glamorous assistants. This trick is | :59:34. | :59:41. | |
about letting the audience in on the secret behind it. So no no | :59:41. | :59:45. | |
glamorous assistant. I'm glad I got paired with you guys. | :59:45. | :59:49. | |
Get back in the box, Ed. We are going to give you the chance | :59:49. | :59:53. | |
to find out how this illusion is done. We are going do this trick | :59:53. | :59:57. | |
again and you can choose whether or not you want to find out how it | :59:57. | :00:01. | |
works. We are going to split the screen in half. One half half of | :00:01. | :00:06. | |
your screen will show the illusion how it is many to be seen. | :00:06. | :00:10. | |
other half will show you everything that's going on at the back. Your | :00:10. | :00:14. | |
decision is this, if you don't want to see how this is done, get a | :00:14. | :00:18. | |
newspaper or magazine and cover up this half of your TV screen. | :00:18. | :00:22. | |
That way the secret behind the illusion will remain a mystery. | :00:22. | :00:25. | |
Make your decision now. Let's imagine none of this happened | :00:25. | :00:31. | |
and we are going to rewind and start the trick from the beginning. | :00:31. | :00:35. | |
Is it better to know or not to know? There are some things in life | :00:35. | :00:38. | |
that are best kept as mysteries. Would you want to know what the | :00:38. | :00:43. | |
first person you kissed looks like today? | :00:43. | :00:47. | |
Would you want to have the twist to a film ruined before you had even | :00:47. | :00:52. | |
seen it? Would you want to know the ending to the Sixth Sense before | :00:52. | :00:57. | |
the film has begun? Would you want to know the score to a football | :00:57. | :01:03. | |
match before you had seen the game? LAUGHTER | :01:03. | :01:06. | |
Would you? You have seen this cabinet completely empty. | :01:06. | :01:10. | |
I have walked all the way through the Cabinet. And if you have been | :01:10. | :01:15. | |
watching from the back, you know how this trick works. You know how | :01:15. | :01:21. | |
Ed manages to be hidden and sneaks inside the box. This Is a finale, | :01:21. | :01:27. | |
we can't end by giving away our secrets. Please welcome from | :01:27. | :01:37. | |
:01:37. | :01:50. | ||
Barry and Stuart and Ed Byrne. was not bad, was it? That was | :01:50. | :01:54. | |
impressive. How come I didn't get locked in the | :01:55. | :02:02. | |
box with two two girls? Did you enjoy yourself? I really enjoyed | :02:02. | :02:06. | |
myself. Seeing you guys and being around professionals, it is amazing. | :02:06. | :02:14. | |
He has done a great job, ladies and gentlemen. Give him a hand. | :02:14. | :02:18. | |
How have you thought everything went tonight? He has been so great. | :02:18. | :02:24. | |
He is a great personality and he he brought that to the table. Fingers | :02:24. | :02:28. | |
crossed, we have done enough. Can anyone else get a word in? | :02:28. | :02:33. | |
George, how have things been today? I have had a great teacher and I | :02:33. | :02:36. | |
have learned things I can take back and use for the rest of of my | :02:37. | :02:41. | |
lifepm. Are you feeling confident that you might take out the title? | :02:41. | :02:46. | |
I feel confident that I had George Sampson. We did grand illusion. We | :02:47. | :02:56. | |
:02:57. | :02:59. | ||
have had a great time. Did you guys have a great time tonight? | :02:59. | :03:01. | |
APPLAUSE Ed, you went above and beyond, you | :03:01. | :03:03. | |
bungee jumped with half a rope? Sheffield. | :03:03. | :03:07. | |
Riding around with Latimer's little bike. | :03:07. | :03:13. | |
Some dangerous stunts there. I did fall off that bike. Barry and | :03:13. | :03:19. | |
Stuart, is this your night? Will you be doing the forfeit? | :03:19. | :03:22. | |
haven't done the forfeit. It is tough to call. | :03:22. | :03:28. | |
Look at them gloating. "we haven't done the forfeit once." The vote | :03:28. | :03:33. | |
lines have closed for the last time this series. If you do call, your | :03:33. | :03:36. | |
vote won't count and you maybe charged. Please don't. The results | :03:36. | :03:39. | |
will be with us in a matter of minutes and we will be crowning our | :03:39. | :03:43. | |
series champ. We have a very special guest with us, he is the | :03:43. | :03:51. | |
fastest magician in the world and tonight he has prepared something | :03:51. | :03:56. | |
special. He will complete 12 illusions in just five minutes. | :03:56. | :04:01. | |
Please put your hands together for one of the best. This is amazing, | :04:01. | :04:11. | |
:04:11. | :04:12. | ||
Apology for the loss of subtitles for 66 seconds | :04:12. | :09:30. | |
CHEERING AND APPLAUSE Wow. Well deserved standing ovation. | :09:30. | :09:36. | |
That was amazing stuff from Hans there. If you did enjoy that, Hans | :09:36. | :09:40. | |
will be performing in London from the end of the month. Check it out. | :09:40. | :09:45. | |
It is time to get serious. It is the moment of truth. Can I have the | :09:45. | :09:54. | |
results, please? I am going to miss you! | :09:54. | :09:59. | |
Here we go. Here we go. I can now reveal the act with the | :09:59. | :10:09. | |
:10:09. | :10:18. | ||
most votes tonight and definitely safe from the forfeit is... We have | :10:18. | :10:28. | |
:10:28. | :10:35. | ||
Well done, guys. Well done. Well done. | :10:35. | :10:42. | |
Well done, buddy. Thank you. Thank you very much, | :10:42. | :10:45. | |
Latimer. Someone has taken my envelope so | :10:45. | :10:50. | |
you have to tell me in my ear. OK, it is between Barry and Stuart | :10:50. | :10:59. | |
and Ed Byrne and Pete and Joe Swash. The act with the fewest votes who | :10:59. | :11:04. | |
will now have to face bending an iron bar in their mouth and | :11:04. | :11:13. | |
splitting an arrow using just their throat is... | :11:13. | :11:23. | |
:11:23. | :11:30. | ||
It is a first. It is Barry and Ed Byrne. Well done. Unlucky. Hey, it | :11:30. | :11:35. | |
had to happen. It had to happen. They knew it would. Let's have a | :11:35. | :11:45. | |
:11:45. | :11:46. | ||
look at home just what is in store Tonight's deadly forfeit will see | :11:46. | :11:52. | |
the losing act having to snap an arrow in half using the fleshy part | :11:52. | :12:02. | |
:12:02. | :12:03. | ||
of their throat. One split could spell disaster. | :12:03. | :12:06. | |
APPLAUSE OK. We are not only doing the arrow | :12:06. | :12:11. | |
break, they are doing the dreaded bar bend in their mouth. Under no | :12:11. | :12:14. | |
circumstances should you attempt anything you are about to see on | :12:14. | :12:23. | |
the show at home. We shouldn't even attempt it here. | :12:23. | :12:30. | |
People shouldn't attempt it at home, we shouldn't set them a bad example. | :12:30. | :12:37. | |
Are you talking a lot because you are nervous? Let's go. Let's go in | :12:37. | :12:42. | |
the bar. Oh, did you have to throw it down like that? | :12:42. | :12:46. | |
That's definitely real. He is showing off now. I am going | :12:46. | :12:52. | |
to step away here. You look a bit keen there, Ed. | :12:52. | :13:02. | |
want to get this over and done with, Ed? Yes. So do I. Is that clean? | :13:02. | :13:07. | |
don't want to get tetanus. You haven't blown your nose on that, | :13:07. | :13:17. | |
:13:17. | :13:19. | ||
have you? I wish I was Jaws from James Bond | :13:19. | :13:28. | |
right now. That's the best bit about being a | :13:28. | :13:38. | |
:13:38. | :13:42. | ||
double act. Go on, Barry. Oh very well done, Barry. You are | :13:42. | :13:52. | |
:13:52. | :13:56. | ||
half-way through. Your turn. A man goes into a bar. A | :13:56. | :14:02. | |
bar goes into a man! I prefer a man goes into a bar personally. | :14:02. | :14:09. | |
George, can we get you either side of the pole. George, I want you to | :14:09. | :14:19. | |
:14:19. | :14:30. | ||
bend this around Ed's teeth. Ready? Ready Ed? | :14:31. | :14:38. | |
Three, two, one - go. OK, guys, come on over. We're half- | :14:38. | :14:43. | |
way through. Next, you have to place this arrow against your | :14:43. | :14:49. | |
jugular and snap T just to confirm -- snap it. Just to confirm these | :14:49. | :14:53. | |
are real arrows. See if he can split his own arrow here. | :14:54. | :15:03. | |
:15:04. | :15:04. | ||
That's black Double top. | :15:04. | :15:10. | |
Good shot. Stuart, would you like to grab the arrows. Stuart will | :15:10. | :15:16. | |
guide you through it. Good luck. We are going to do it together. The | :15:16. | :15:22. | |
pointy end in your throat. Ed, there is just one secret to | :15:22. | :15:31. | |
this. The secret to this is - LAUGHTER | :15:31. | :15:40. | |
Got it. You rest this at throat height | :15:40. | :15:49. | |
against the Perspex. Check. Put the pointy end... My throat is | :15:49. | :15:57. | |
a little higher than yours. Not on-the-bone, but on the the | :15:57. | :16:07. | |
:16:07. | :16:25. | ||
soft tissue above the bone right On the top of the arrow, Ed. | :16:25. | :16:35. | |
:16:35. | :16:54. | ||
Happy? I'm going to go first. OK, you go first. And second! | :16:54. | :16:56. | |
APPLAUSE Well done. What a brilliant night, | :16:56. | :17:05. |