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My guests are going to come out from there | 0:00:02 | 0:00:04 | |
and I have to come out from this area. This is my area, OK? | 0:00:04 | 0:00:08 | |
Because I'm the host of the show. | 0:00:08 | 0:00:10 | |
So this is... this is something called gauze, I believe, | 0:00:10 | 0:00:14 | |
and it lifts up. | 0:00:14 | 0:00:16 | |
And I assumed that was going to be, you know, technology. | 0:00:16 | 0:00:18 | |
Like a garage, like a clicker. You know, a clicker? | 0:00:18 | 0:00:21 | |
And it turns out that there is no clicker. | 0:00:21 | 0:00:24 | |
-There is this man. -CHEERING AND APPLAUSE | 0:00:26 | 0:00:28 | |
This programme contains some strong language | 0:00:30 | 0:00:34 | |
-What's your name? -Paul. -Unbelievably, it sounds like I'm making this up. | 0:00:34 | 0:00:37 | |
His name is Paul. | 0:00:37 | 0:00:39 | |
OK, so we're going to do a rehearsal, OK? | 0:00:40 | 0:00:42 | |
So what would happen is... we might as well look at Paul. | 0:00:42 | 0:00:45 | |
So you can reveal Paul here, so you can show... | 0:00:45 | 0:00:48 | |
I just want you to see the inner workings of television. | 0:00:48 | 0:00:51 | |
So I go around here... | 0:00:51 | 0:00:53 | |
and then... | 0:00:53 | 0:00:54 | |
So what happens? | 0:00:54 | 0:00:56 | |
What do you do, Paul? You pull, Paul. Pull? | 0:00:56 | 0:00:59 | |
Are you ready for pull, Paul? | 0:00:59 | 0:01:01 | |
-Are you going to pull? -Ready. -Paul. | 0:01:01 | 0:01:02 | |
No, I was saying Paul! | 0:01:02 | 0:01:04 | |
OK... | 0:01:04 | 0:01:06 | |
All right, OK, go. | 0:01:07 | 0:01:09 | |
So it's going to be like that and then you go nuts. | 0:01:09 | 0:01:12 | |
CHEERING AND APPLAUSE | 0:01:12 | 0:01:14 | |
Although, I think it would be more exciting if it was the opposite, | 0:01:14 | 0:01:17 | |
like an action movie, don't you think? | 0:01:17 | 0:01:19 | |
So if you try and lower it, that's probably more fun. | 0:01:19 | 0:01:22 | |
So if you... if you lower it. | 0:01:22 | 0:01:24 | |
Ladies and gentleman, Michael McIntyre! | 0:01:24 | 0:01:27 | |
Ladies and gentleman, I'll see you in a few minutes' time. Until then, bravo. | 0:01:36 | 0:01:40 | |
On the show tonight, Sir Terry Wogan... | 0:01:50 | 0:01:54 | |
Lily Allen... | 0:01:54 | 0:01:56 | |
Lord Sugar. | 0:01:56 | 0:01:57 | |
But now, please welcome Michael McIntyre! | 0:01:59 | 0:02:03 | |
CHEERING AND APPLAUSE | 0:02:03 | 0:02:06 | |
What? No way! | 0:02:06 | 0:02:08 | |
You've got to be kidding. | 0:02:12 | 0:02:14 | |
You've got to be kidding me. | 0:02:14 | 0:02:16 | |
Welcome. I don't... I don't get this. | 0:02:19 | 0:02:22 | |
Come on! This is insanity. | 0:02:22 | 0:02:26 | |
What's going on here? | 0:02:26 | 0:02:28 | |
What's happening? | 0:02:28 | 0:02:30 | |
We can do this! We can do this. | 0:02:30 | 0:02:34 | |
Let's have this. | 0:02:34 | 0:02:36 | |
All right. I say. | 0:02:42 | 0:02:44 | |
-Oh. -LAUGHTER | 0:02:44 | 0:02:48 | |
It's really extraordinary how the atmosphere goes to... | 0:02:48 | 0:02:51 | |
just ecstasy to, like, the end of a school assembly. | 0:02:51 | 0:02:54 | |
LAUGHTER | 0:02:54 | 0:02:57 | |
Good morning, class. | 0:02:59 | 0:03:00 | |
Ladies and gentleman, welcome to The Michael McIntyre Chat Show! | 0:03:02 | 0:03:06 | |
I'm a chat show person now. | 0:03:10 | 0:03:11 | |
I have a tie. It's a new me! | 0:03:11 | 0:03:13 | |
Terribly uncomfortable. Ties are uncomfortable, aren't they? | 0:03:13 | 0:03:16 | |
I don't know who invented the tie. It's like someone looked at a shirt and thought, | 0:03:16 | 0:03:20 | |
"I think this person needs to be strangled. That would... | 0:03:20 | 0:03:22 | |
"I think that would look nicer." | 0:03:22 | 0:03:24 | |
And I haven't been on TV for ages as well, so it's good to be back on the television. | 0:03:24 | 0:03:27 | |
It's been, I don't know how... a couple of years. | 0:03:27 | 0:03:30 | |
Anyway, I have been spotted, people say, "What have you been up to?" | 0:03:30 | 0:03:33 | |
If you're not on TV, they think you're doing nothing with your life | 0:03:33 | 0:03:35 | |
and people have spotted me out and about. | 0:03:35 | 0:03:37 | |
I've been sent this in, | 0:03:37 | 0:03:39 | |
playing the trumpet on the Jools Holland television show. | 0:03:39 | 0:03:41 | |
LAUGHTER | 0:03:41 | 0:03:44 | |
The camera adds some pounds. | 0:03:45 | 0:03:48 | |
As does the trumpet when you're blowing out. | 0:03:48 | 0:03:51 | |
Also, I've been spotted reading business news on the BBC. | 0:03:51 | 0:03:55 | |
Here I am. | 0:03:55 | 0:03:56 | |
Erm, as the Daily Mail have helpfully pointed out also | 0:04:00 | 0:04:03 | |
that, erm... | 0:04:03 | 0:04:04 | |
I've been running North Korea. | 0:04:04 | 0:04:06 | |
LAUGHTER | 0:04:07 | 0:04:10 | |
This is my favourite one. This is on, you know Skype? | 0:04:16 | 0:04:19 | |
Skype is this thing where you talk to people over your computer. | 0:04:19 | 0:04:22 | |
So you phone them, you phone their computer with your computer. | 0:04:22 | 0:04:26 | |
And then they come up and you see them | 0:04:26 | 0:04:28 | |
and you have you in the corner. | 0:04:28 | 0:04:31 | |
It's the same with face time, it's very distracting seeing yourself | 0:04:31 | 0:04:34 | |
in the corner because you actually | 0:04:34 | 0:04:36 | |
only look at your own face. | 0:04:36 | 0:04:37 | |
Even though you're there - aren't you? - | 0:04:39 | 0:04:41 | |
to talk to the person in the screen, you spend the whole time going... | 0:04:41 | 0:04:45 | |
Trying to... "How many chins have I got?" | 0:04:49 | 0:04:53 | |
You try and angle it | 0:04:53 | 0:04:54 | |
so the chins look at their best or you... | 0:04:54 | 0:04:56 | |
you start changing the lighting. | 0:04:56 | 0:04:59 | |
You might as well just telephone someone and hold up a mirror as you do it. | 0:04:59 | 0:05:03 | |
Anyway, if you go into App Store | 0:05:04 | 0:05:06 | |
and you look up the actual app for Skype, this is what comes up. | 0:05:06 | 0:05:10 | |
This is the actual app, you can do this. | 0:05:10 | 0:05:12 | |
This is the actually app where there is a little boy | 0:05:12 | 0:05:14 | |
and he is talking, I presume, to his father or uncle. | 0:05:14 | 0:05:18 | |
And he's over here in his dressing gown, having just woken up | 0:05:18 | 0:05:21 | |
and I have to say this genuinely gave me a bit of a shock, | 0:05:21 | 0:05:24 | |
cos if you look at this person he's talking to closer up... | 0:05:24 | 0:05:26 | |
LAUGHTER | 0:05:26 | 0:05:29 | |
APPLAUSE | 0:05:29 | 0:05:31 | |
This... This is the actual app. You can look at it on your phone. | 0:05:31 | 0:05:35 | |
I'm not lying! When I went on it, I thought I was already on it. | 0:05:35 | 0:05:39 | |
Because I wear glasses, I'm wearing contact lenses now | 0:05:40 | 0:05:42 | |
but this is me every morning and to prove the point, | 0:05:42 | 0:05:45 | |
I have photographed myself this morning. | 0:05:45 | 0:05:48 | |
Here we are. | 0:05:48 | 0:05:49 | |
-That's me! -LAUGHTER AND APPLAUSE | 0:05:49 | 0:05:52 | |
It's me! | 0:05:54 | 0:05:55 | |
Everything... The weird thing is that this is my bedroom | 0:05:55 | 0:05:58 | |
and it's in my room. | 0:05:58 | 0:06:00 | |
Who is this man? | 0:06:00 | 0:06:01 | |
So that's what I've been up to and before I bring my guest out, | 0:06:03 | 0:06:06 | |
which is very exciting, we're going to have a little bit of fun - | 0:06:06 | 0:06:08 | |
if that's OK by you - with somebody in the audience. | 0:06:08 | 0:06:11 | |
All I need from you is a volunteer. | 0:06:11 | 0:06:13 | |
I can feel the tension. People trying to avoid my gaze. | 0:06:13 | 0:06:17 | |
Anyone who's prepared to lend me - for the duration of the show - | 0:06:17 | 0:06:20 | |
their mobile telephone. | 0:06:20 | 0:06:23 | |
There's a bit more tension as somebody sort of... | 0:06:25 | 0:06:28 | |
So just raise your hand as I sort of scan the audience here. | 0:06:28 | 0:06:31 | |
-Oh, there's a person over here. What's your name, sir? -Oliver! | 0:06:31 | 0:06:35 | |
OLIVER. | 0:06:35 | 0:06:36 | |
LAUGHTER | 0:06:36 | 0:06:38 | |
Your diction is magnificent. | 0:06:38 | 0:06:40 | |
OL-IV-ER. | 0:06:41 | 0:06:44 | |
-What do you do for a living? -Well, I recruit, I'm a recruitment manager. | 0:06:44 | 0:06:48 | |
-You're a manager of recruitment, you find other people work. -Yes. | 0:06:48 | 0:06:51 | |
When did you realise you didn't want a job, | 0:06:51 | 0:06:54 | |
you just wanted to get other people jobs? | 0:06:54 | 0:06:56 | |
I got very lazy. | 0:06:56 | 0:06:57 | |
Because, you know, sometimes they call that human resources, don't they? HR. | 0:06:57 | 0:07:01 | |
I've always find that hilarious | 0:07:01 | 0:07:03 | |
that they have to specify that it's a human. | 0:07:03 | 0:07:05 | |
"I work in human resources." | 0:07:06 | 0:07:09 | |
Like there are people going, "I think I'd like my next PA to be a llama." | 0:07:09 | 0:07:12 | |
-Oliver, you have a mobile telephone, is that right? -I do, yes. | 0:07:13 | 0:07:16 | |
Is it on your person? | 0:07:16 | 0:07:17 | |
Thank you, Oliver. | 0:07:19 | 0:07:20 | |
Ladies and gentlemen, a big round of applause for Oliver! | 0:07:20 | 0:07:23 | |
Right. | 0:07:25 | 0:07:27 | |
Oliver's gone for a tiger as his screen saver. | 0:07:28 | 0:07:31 | |
Why have you got a tiger and you're in HUMAN resources? | 0:07:31 | 0:07:35 | |
Because, erm, I like cats. | 0:07:35 | 0:07:37 | |
Are you, erm... I don't think I need to ask this - | 0:07:41 | 0:07:43 | |
in a relationship, Oliver? | 0:07:43 | 0:07:46 | |
You seeing any humans? | 0:07:46 | 0:07:47 | |
-No, not at the moment. -You don't have a girlfriend? -I don't, no. | 0:07:49 | 0:07:53 | |
OK, well, let me fill you in on the game we're playing for our entertainment. | 0:07:53 | 0:07:56 | |
But Oliver, there is a prize and I want you to know that | 0:07:56 | 0:07:59 | |
whatever happens to you, you will be rewarded and everything will be OK. | 0:07:59 | 0:08:03 | |
You will be on TV and people will go, | 0:08:03 | 0:08:06 | |
"Oh, my God, I saw you on that TV show! | 0:08:06 | 0:08:07 | |
"I so want to be your girlfriend." | 0:08:07 | 0:08:10 | |
You will have a girl on your phone within a fortnight. Women all over. | 0:08:11 | 0:08:15 | |
Get his best side, look how good-looking... | 0:08:15 | 0:08:18 | |
Oliver deserves love, OK? | 0:08:18 | 0:08:20 | |
So you're going to... | 0:08:20 | 0:08:22 | |
That thing, that's not going to help. Don't do that. | 0:08:22 | 0:08:24 | |
No, that and the tiger, | 0:08:26 | 0:08:27 | |
it's all got a bit Michael Jackson, Thriller, OK? | 0:08:27 | 0:08:30 | |
OK, so we're going to play a little game called Send To All. | 0:08:32 | 0:08:35 | |
Now... | 0:08:35 | 0:08:37 | |
LAUGHTER | 0:08:37 | 0:08:39 | |
I'm just going to send a little text to everyone in your phone book and | 0:08:41 | 0:08:44 | |
then we'll see throughout the show | 0:08:44 | 0:08:46 | |
who gets back and how... | 0:08:46 | 0:08:48 | |
how things develop. | 0:08:48 | 0:08:50 | |
Erm, OK. | 0:08:52 | 0:08:54 | |
So, the text I'm going to send is, | 0:08:54 | 0:08:56 | |
"Be honest... | 0:08:56 | 0:08:59 | |
"Have I... | 0:09:01 | 0:09:03 | |
"been... | 0:09:03 | 0:09:05 | |
"annoying lately?" | 0:09:05 | 0:09:07 | |
Erm, I don't know, do we go with kiss? | 0:09:18 | 0:09:20 | |
-I don't know, is that a kiss...? -AUDIENCE: Yeah! | 0:09:20 | 0:09:23 | |
No kiss, no, I think... I'm getting "no kiss" in my ear. | 0:09:23 | 0:09:25 | |
Shall we go with C, which is an accidental kiss? | 0:09:25 | 0:09:28 | |
OK, and I'm just going to send that, you see? | 0:09:33 | 0:09:35 | |
"Be honest, have I been annoying lately?" | 0:09:35 | 0:09:37 | |
Erm, and I will send that to... Have you got a few people in your phone, Oliver? | 0:09:37 | 0:09:41 | |
-Just a few. -Brilliant. OK, so I'm going to send that. | 0:09:41 | 0:09:44 | |
Ladies and gentlemen, huge hand for the very generous and sporting Oliver! | 0:09:44 | 0:09:47 | |
CHEERING AND APPLAUSE | 0:09:47 | 0:09:50 | |
Right, shall we have a chat show?! | 0:09:50 | 0:09:52 | |
AUDIENCE: Yeah! | 0:09:52 | 0:09:55 | |
All right. | 0:09:55 | 0:09:56 | |
My first guest. | 0:09:58 | 0:09:59 | |
My first guest on any of my chat shows, | 0:09:59 | 0:10:02 | |
my first chat show guest ever, is a broadcasting legend. | 0:10:02 | 0:10:05 | |
He's the star of Lunchtime With Wogan, Weekend Wogan, | 0:10:05 | 0:10:09 | |
Wake up to Wogan, Wogan Now and Then and Wogan's Web. | 0:10:09 | 0:10:12 | |
He is also the author of Wogan on Wogan, Wogan's Island | 0:10:12 | 0:10:15 | |
and the World According to Wogan. | 0:10:15 | 0:10:17 | |
But he's best known for his long-running TV show... | 0:10:17 | 0:10:21 | |
Who is it again? | 0:10:21 | 0:10:22 | |
It's Wogan! | 0:10:22 | 0:10:23 | |
Sir Terry! | 0:10:23 | 0:10:26 | |
WOGAN CHAT SHOW MUSIC PLAYS | 0:10:26 | 0:10:30 | |
Up! Everybody up! Up! | 0:10:30 | 0:10:34 | |
Up! | 0:10:34 | 0:10:35 | |
I've never.. | 0:10:47 | 0:10:48 | |
Nobody's ever stood for me in my life before. | 0:10:48 | 0:10:51 | |
Terry, I would stand the whole interview but I know it's not the right thing. | 0:10:51 | 0:10:54 | |
That's what an honour it is to have you here. | 0:10:54 | 0:10:56 | |
No, don't you stand. | 0:10:56 | 0:10:59 | |
Sir Terry, thank you | 0:10:59 | 0:11:00 | |
so much for being my first ever guest on my show. | 0:11:00 | 0:11:03 | |
-I mean, it's such an absolute treat... -Well... -..to have you here. | 0:11:03 | 0:11:06 | |
I wasn't doing much. | 0:11:06 | 0:11:09 | |
It's a great honour for me as well. | 0:11:09 | 0:11:11 | |
You're a legend, Terry, that's why you're here. | 0:11:11 | 0:11:13 | |
I'm glad you didn't call me a treasure | 0:11:13 | 0:11:15 | |
because a treasure is something that you dig up. | 0:11:15 | 0:11:19 | |
It's true, it's true. Can we lose the treasure montage? | 0:11:19 | 0:11:22 | |
-Terry, this is what I love about you. Can I call you Terry? -No. | 0:11:24 | 0:11:27 | |
-Or Sir Terry, or...? -LAUGHTER | 0:11:27 | 0:11:29 | |
..Wogan? | 0:11:29 | 0:11:30 | |
-No, call me Terry, please. -I'll call you Terry. -Yeah. | 0:11:30 | 0:11:33 | |
Terry, what I'm going to show you now is some | 0:11:33 | 0:11:35 | |
highlights from your chat show, because... | 0:11:35 | 0:11:38 | |
It's not going to take long, then. | 0:11:38 | 0:11:40 | |
LAUGHTER | 0:11:40 | 0:11:42 | |
Erm, ladies and gentlemen, this is the legendary Terry Wogan, | 0:11:42 | 0:11:45 | |
who had a chat show for 10 years and you interviewed, I think, | 0:11:45 | 0:11:47 | |
literally thousands of people. | 0:11:47 | 0:11:49 | |
And I can't remember a single one of them! | 0:11:49 | 0:11:51 | |
Let's remind you and us. Terry Wogan, ladies and gentlemen. | 0:11:51 | 0:11:54 | |
Welcome Robert De Niro. | 0:11:57 | 0:11:59 | |
Mariah Carey. | 0:11:59 | 0:12:00 | |
Prince Philip. Harrison Ford. | 0:12:00 | 0:12:01 | |
Margaret Thatcher. Michael Caine. | 0:12:01 | 0:12:03 | |
I never know what I'm going to say next, | 0:12:03 | 0:12:05 | |
as you can tell from this interview. | 0:12:05 | 0:12:06 | |
Yeah. According to some reviewers, neither do I. | 0:12:06 | 0:12:09 | |
It's a big night for me, I can tell you. | 0:12:15 | 0:12:18 | |
You go like this. | 0:12:18 | 0:12:19 | |
We got the new champ. | 0:12:21 | 0:12:23 | |
CHEERING AND APPLAUSE | 0:12:24 | 0:12:26 | |
Incredible. | 0:12:29 | 0:12:31 | |
It's very depressing for a... | 0:12:32 | 0:12:35 | |
for a decaying old geezer like myself to be looking | 0:12:35 | 0:12:38 | |
back at something that happened just after the peninsular war. | 0:12:38 | 0:12:42 | |
But it's extraordinary, it was a huge chunk of your life. | 0:12:42 | 0:12:44 | |
-Tell me what you remember. -Yeah, three times a week... | 0:12:44 | 0:12:47 | |
-Live. -Live?! -Yeah, live, it was. Three times a week. | 0:12:47 | 0:12:50 | |
How could you prepare for three guests? | 0:12:50 | 0:12:52 | |
I had no capacity for preparation or rehearsal, or anything else, | 0:12:52 | 0:12:55 | |
-I never have. -But you did it so well, I mean... -Oh, steady. -..unflappable, | 0:12:55 | 0:12:59 | |
I'm glad I came now. | 0:12:59 | 0:13:01 | |
-LAUGHTER -What I love the most is that you've got this very wry, | 0:13:01 | 0:13:05 | |
unbelievable sense of humour, Terry. | 0:13:05 | 0:13:07 | |
LAUGHTER | 0:13:07 | 0:13:10 | |
But it's always hilarious, it's classic Wogan | 0:13:10 | 0:13:12 | |
-and you don't seem to know that you're doing it. -You never... | 0:13:12 | 0:13:15 | |
When you do it, I'll let you know. | 0:13:15 | 0:13:17 | |
-You'll do it in a minute. -You... You... | 0:13:17 | 0:13:20 | |
You never thought of a degree in psychiatry, did you? | 0:13:20 | 0:13:23 | |
Classic Wogan. | 0:13:23 | 0:13:25 | |
WOGAN CHAT SHOW MUSIC PLAYS | 0:13:25 | 0:13:28 | |
You see, you can't help yourself. | 0:13:31 | 0:13:34 | |
-Well, I mean, it's extraordinary to look at all that. -Yeah. | 0:13:34 | 0:13:37 | |
And remember it. Because, as you will find out the hard way, | 0:13:37 | 0:13:41 | |
the only thing you're remembered for as a chat show host | 0:13:41 | 0:13:44 | |
-are the disasters. -Right. | 0:13:44 | 0:13:46 | |
You're never remembered for an outstanding interview like this one. | 0:13:46 | 0:13:51 | |
You're... | 0:13:51 | 0:13:53 | |
You'll be remembered, as I am remembered, like, Anne Bancroft. | 0:13:53 | 0:13:57 | |
-Great actress walks on in a catatonic trance, won't speak. -Yeah. | 0:13:57 | 0:14:01 | |
Or George Best, great footballer, lovely fellow, | 0:14:01 | 0:14:05 | |
comes on the worse for drink. | 0:14:05 | 0:14:06 | |
-Yeah. -And has to be carried out. | 0:14:06 | 0:14:09 | |
All you can do is soldier on. | 0:14:09 | 0:14:12 | |
-Cos obviously, I'm new to this televised thing. -Never, are you? | 0:14:12 | 0:14:15 | |
You look like a veteran to me. | 0:14:15 | 0:14:17 | |
WOGAN CHAT SHOW MUSIC PLAYS | 0:14:17 | 0:14:20 | |
So what would be your advice, then? | 0:14:23 | 0:14:25 | |
Advice, really, Terry, is what I'm desperate for. | 0:14:25 | 0:14:28 | |
-I wish I could give you some advice in this rather taxing... -Me too. | 0:14:28 | 0:14:33 | |
But...but frankly, | 0:14:33 | 0:14:35 | |
why should I? LAUGHTER | 0:14:35 | 0:14:37 | |
WOGAN CHAT SHOW MUSIC PLAYS | 0:14:37 | 0:14:40 | |
APPLAUSE | 0:14:40 | 0:14:43 | |
I just wanted to break down the elements. | 0:14:43 | 0:14:45 | |
-You didn't have a desk, I've gone for a desk. -No. | 0:14:45 | 0:14:47 | |
What are your thoughts on the desk? | 0:14:47 | 0:14:48 | |
I think somewhere to hit, somewhere to sit by, | 0:14:48 | 0:14:50 | |
somewhere to lean on in case people turn against you. | 0:14:50 | 0:14:54 | |
-It's a defence. -Quite. -Yes, you're right, you're right. | 0:14:56 | 0:15:00 | |
Because as you saw on that earlier, somebody like Nicolas Cage | 0:15:00 | 0:15:03 | |
comes on and he obviously has the advantage of you because... | 0:15:03 | 0:15:06 | |
For those people who want to be reminded of the actor Nicolas Cage, | 0:15:06 | 0:15:10 | |
can we show it? | 0:15:10 | 0:15:11 | |
Welcome Nicolas Cage! | 0:15:11 | 0:15:13 | |
-Oh. Lord. -Yeah. | 0:15:31 | 0:15:33 | |
So he did a somersault and then threw money into the audience. | 0:15:34 | 0:15:39 | |
What's the betting Lord Sugar does that later? | 0:15:39 | 0:15:41 | |
LAUGHTER | 0:15:41 | 0:15:43 | |
I wouldn't depend on him for a somersault. | 0:15:48 | 0:15:50 | |
LAUGHTER | 0:15:50 | 0:15:53 | |
So entrances, erm, you know, you've got to make people | 0:15:53 | 0:15:56 | |
-feel at ease right off the bat, don't you, Terry? -Yeah. | 0:15:56 | 0:15:59 | |
Just warm, engaging. | 0:15:59 | 0:16:01 | |
Try and create the illusion that they're not on the television. | 0:16:01 | 0:16:04 | |
OK, well, can we get rid of all the cameras, please? | 0:16:04 | 0:16:07 | |
-They're in your lounge... -Yes. -..with about 400 people looking on. | 0:16:09 | 0:16:13 | |
No, this is fine, except in my lounge, we face the TV. | 0:16:13 | 0:16:16 | |
Do you watch a lot of TV, Terry? | 0:16:17 | 0:16:19 | |
I watch a lot of TV, because - | 0:16:19 | 0:16:22 | |
and you'll need to as well - because you need to be able to relate | 0:16:22 | 0:16:26 | |
to whatever subject your guests wish to bring up. | 0:16:26 | 0:16:30 | |
That's absolutely right. | 0:16:30 | 0:16:31 | |
Bring up any subject and I'll relate to it. | 0:16:31 | 0:16:34 | |
Very well, the early Chinese renaissance. | 0:16:34 | 0:16:37 | |
I was there. | 0:16:37 | 0:16:38 | |
LAUGHTER AND APPLAUSE | 0:16:38 | 0:16:41 | |
I'm fully covered. | 0:16:42 | 0:16:44 | |
Excellent. | 0:16:44 | 0:16:46 | |
Excellent. | 0:16:46 | 0:16:47 | |
Terry, I've got a photo of you. We found it online and I love it. | 0:16:47 | 0:16:51 | |
-Before I show the photo, can I just ask you what's your favourite colour? -Green. -Green? | 0:16:51 | 0:16:55 | |
OK, well, we found this photo and I don't know | 0:16:55 | 0:16:59 | |
if maybe at this time it might have been beige. | 0:16:59 | 0:17:02 | |
If you think that's beige, you know absolutely nothing. | 0:17:07 | 0:17:11 | |
Oh. It's not green, Terry. | 0:17:11 | 0:17:14 | |
-It's taupe. -It's taupe. | 0:17:14 | 0:17:17 | |
It IS taupe. | 0:17:17 | 0:17:18 | |
I can't imagine you were ever defeated in hide and seek in your house. | 0:17:18 | 0:17:22 | |
-That's another thing that is valuable for a chat show host. -Yes. | 0:17:24 | 0:17:28 | |
Blend into the background. | 0:17:28 | 0:17:30 | |
-Exactly. You've certainly done that. -Yeah. | 0:17:30 | 0:17:32 | |
You must have been frightening your children... | 0:17:32 | 0:17:34 | |
"Jesus, Dad! I didn't see you there." | 0:17:34 | 0:17:37 | |
All you have to do is lie on the sofa. "I've completely disappeared." | 0:17:37 | 0:17:41 | |
Yeah, yeah. | 0:17:41 | 0:17:42 | |
"Jesus Christ! What are you doing?!" "I was just changing this light bulb." | 0:17:42 | 0:17:46 | |
Excuse me, you've portrayed me as a beige eejit. | 0:17:49 | 0:17:52 | |
LAUGHTER | 0:17:52 | 0:17:54 | |
I've portrayed you as a chat show legend who happens to enjoy... | 0:17:54 | 0:17:58 | |
-Beige. -Taupe. | 0:17:58 | 0:18:00 | |
Now, my audience... This is my audience, Terry. | 0:18:05 | 0:18:08 | |
What do you think of this lot? | 0:18:08 | 0:18:10 | |
They're a mixed crowd. | 0:18:10 | 0:18:12 | |
Yes, they are. | 0:18:12 | 0:18:13 | |
What were the audiences like back in the 1980s, Terry? | 0:18:13 | 0:18:16 | |
I never had anything to do with them. | 0:18:16 | 0:18:18 | |
I wanted to see what your audience was like, | 0:18:18 | 0:18:21 | |
so we've got a shot of your audience, actually. | 0:18:21 | 0:18:23 | |
This is an interview with Michael Caine, which was a splendid interview. | 0:18:23 | 0:18:26 | |
-It's funny, the audience is round behind you. -Yeah. | 0:18:26 | 0:18:28 | |
I didn't realise that. | 0:18:28 | 0:18:30 | |
-Where did you expect them to be? -I expected them to be out the front. | 0:18:30 | 0:18:34 | |
They're sideways on. No, they're not round there, they're over there. | 0:18:34 | 0:18:37 | |
-Where are they? -Look. | 0:18:37 | 0:18:39 | |
See, there's your audience, which, | 0:18:39 | 0:18:41 | |
it's an incredible audience for, erm... | 0:18:41 | 0:18:43 | |
What you're trying to say is | 0:18:43 | 0:18:45 | |
that it's an audience of Terry's old geezers. | 0:18:45 | 0:18:48 | |
CHEERING | 0:18:50 | 0:18:52 | |
Ladies and gentlemen, we've got Terry's audience in our audience. | 0:18:54 | 0:18:57 | |
That's actually live, that's a live shot. | 0:18:57 | 0:19:00 | |
CHEERING AND APPLAUSE | 0:19:00 | 0:19:04 | |
Go to... | 0:19:04 | 0:19:06 | |
This is 1987 | 0:19:06 | 0:19:09 | |
and if we can now go to live. | 0:19:09 | 0:19:12 | |
Ladies and gentlemen, we have the Togs. | 0:19:13 | 0:19:15 | |
Don't go, we're going to talk to the Togs. | 0:19:15 | 0:19:18 | |
Talk to the Togs. | 0:19:18 | 0:19:19 | |
Who would you say of all the Togs here - and please, get | 0:19:23 | 0:19:26 | |
involved further down the line - who feels they're Terry's biggest fan? | 0:19:26 | 0:19:30 | |
So you're Terry's biggest fan, there's Terry. | 0:19:35 | 0:19:37 | |
Is there anything you've always wanted to ask Terry? | 0:19:37 | 0:19:39 | |
-Because, erm, he's right here. -Erm... | 0:19:39 | 0:19:41 | |
And I love the way you're looking at him. | 0:19:41 | 0:19:43 | |
-You are really genuinely his biggest fan. -Oh, absolutely, yes. | 0:19:43 | 0:19:46 | |
We've met a few times, and erm, | 0:19:46 | 0:19:48 | |
we just want him to carry on. | 0:19:48 | 0:19:50 | |
So I'd like to say, can you carry on as long as you can? | 0:19:50 | 0:19:53 | |
CHEERING AND APPLAUSE | 0:19:53 | 0:19:55 | |
Ladies and gentlemen, the Togs! | 0:19:59 | 0:20:01 | |
Oh, Terry. | 0:20:04 | 0:20:06 | |
Oh, goodness. | 0:20:06 | 0:20:08 | |
Erm, Terry, you know, this has been just such an immense pleasure | 0:20:08 | 0:20:13 | |
but I hopefully... | 0:20:13 | 0:20:14 | |
Thank you for asking me, it's been fantastic fun. | 0:20:14 | 0:20:17 | |
Thank you for making it such a good evening. | 0:20:17 | 0:20:20 | |
AUDIENCE: Awww. | 0:20:20 | 0:20:22 | |
Terry Wogan, ladies and gentlemen, an absolute pleasure. | 0:20:22 | 0:20:25 | |
Thank you so much, Terry. | 0:20:25 | 0:20:27 | |
Terry Wogan! | 0:20:27 | 0:20:29 | |
SIR Terry Wogan! | 0:20:30 | 0:20:33 | |
WOGAN CHAT SHOW MUSIC PLAYS | 0:20:44 | 0:20:47 | |
It's so fun, by the way, to have this. | 0:20:48 | 0:20:51 | |
This roving chair. | 0:20:51 | 0:20:53 | |
Especially when I'm on this surface. | 0:20:54 | 0:20:56 | |
It's almost balletic, isn't it? | 0:21:02 | 0:21:04 | |
Give us a push, Roycey. | 0:21:04 | 0:21:06 | |
AUDIENCE: Woo! | 0:21:10 | 0:21:13 | |
That was very good. | 0:21:17 | 0:21:18 | |
The funny thing is... | 0:21:20 | 0:21:22 | |
Although I was... | 0:21:24 | 0:21:26 | |
I was all ready to introduce my next guest | 0:21:26 | 0:21:29 | |
but the autocue just says, "check Oliver's phone", | 0:21:29 | 0:21:31 | |
which I think we should do. | 0:21:31 | 0:21:33 | |
And I bet you're just dying to know... | 0:21:36 | 0:21:39 | |
whether you have been... | 0:21:39 | 0:21:41 | |
annoying lately. | 0:21:41 | 0:21:43 | |
I can reveal - and this must be a record for your life, Oliver. | 0:21:43 | 0:21:47 | |
You have 81 texts. | 0:21:47 | 0:21:49 | |
I love it when a plan comes together. | 0:21:56 | 0:21:58 | |
And just off the top I can tell you that Benji Levi, a friend of yours? | 0:22:00 | 0:22:04 | |
He says, "No, you haven't." | 0:22:04 | 0:22:05 | |
Oh, dear. | 0:22:08 | 0:22:10 | |
Who's David Shapira? | 0:22:10 | 0:22:12 | |
-Who's David Shapira? -He's one of my best, best friends. | 0:22:13 | 0:22:18 | |
I'm not so sure. | 0:22:18 | 0:22:19 | |
LAUGHTER | 0:22:19 | 0:22:21 | |
He says, "Yeah, actually, the last few days | 0:22:21 | 0:22:24 | |
"while Mel was here, | 0:22:24 | 0:22:26 | |
"you were a bit strange. | 0:22:26 | 0:22:29 | |
"I was going to ask you about it." | 0:22:29 | 0:22:31 | |
OK. | 0:22:34 | 0:22:36 | |
Your mother... | 0:22:36 | 0:22:39 | |
has felt the need to respond. | 0:22:39 | 0:22:41 | |
"What have you done?" | 0:22:41 | 0:22:43 | |
-Do you know what, Oliver? I'm sensing a Jewishness here. -Yes. | 0:22:47 | 0:22:52 | |
I'm sensing that even more because Rabbi Meir has texted. | 0:22:52 | 0:22:57 | |
And I think it perfectly sums up your dedication to your faith | 0:23:05 | 0:23:10 | |
with his text that simply reads, | 0:23:10 | 0:23:12 | |
"Who is this?" | 0:23:12 | 0:23:13 | |
Someone hasn't been going to synagogue, have they, Oliver? | 0:23:19 | 0:23:22 | |
OK. | 0:23:27 | 0:23:28 | |
My next guest went from MySpace to megastar. | 0:23:28 | 0:23:30 | |
She's a multi-award-winning singer-songwriter who has sold | 0:23:30 | 0:23:33 | |
millions and billions and trillions of albums around the world. | 0:23:33 | 0:23:36 | |
She is sensationally talented, I absolutely love her, | 0:23:36 | 0:23:39 | |
it's my absolute pleasure and treat to introduce her. | 0:23:39 | 0:23:41 | |
It's the wonderful, Lily Allen is here! | 0:23:41 | 0:23:44 | |
MUSIC: "LDN" by Lily Allen | 0:23:44 | 0:23:47 | |
-Lily Allen. -I don't know why you bothered. | 0:24:04 | 0:24:07 | |
-The phone thing, that's a show in itself. -I know. | 0:24:07 | 0:24:09 | |
Poor Oliver, what a sport. | 0:24:09 | 0:24:11 | |
How are you, Lily? How are you? Thank you for coming on my show. | 0:24:11 | 0:24:14 | |
-I'm really... I'm very well. -I've seen so much of you recently. -Yes. | 0:24:14 | 0:24:18 | |
-You been out? -Promoting an album. -Are you enjoying yourself, Lily? | 0:24:18 | 0:24:22 | |
Erm, no, I am, yeah. Massively. | 0:24:23 | 0:24:25 | |
-It's really nice being back. -How does it work, then? | 0:24:25 | 0:24:28 | |
-You write the album. -Yes. -Where do you do that? | 0:24:28 | 0:24:30 | |
Do you go away somewhere? | 0:24:30 | 0:24:32 | |
Mmm, sometimes and sometimes I do it at home cos I have children. So... | 0:24:32 | 0:24:36 | |
-You need to be with them. -I need to, yes. It's important. | 0:24:36 | 0:24:39 | |
-Well, they need feeding and stuff. -They have to be fed. | 0:24:39 | 0:24:42 | |
I know, cos they're really... Cos if you don't have children, | 0:24:42 | 0:24:45 | |
a lot of young people here, they don't. They have, like, phones. | 0:24:45 | 0:24:48 | |
You know, like, when you drop your phone? | 0:24:48 | 0:24:50 | |
You can't do that with a child. | 0:24:50 | 0:24:51 | |
LAUGHTER | 0:24:51 | 0:24:53 | |
By the way, this is a very American looking chat show. | 0:24:53 | 0:24:55 | |
I know, I didn't know what to do, Lily. | 0:24:55 | 0:24:57 | |
-I just went for the desk and... -You're doing well, this is... | 0:24:57 | 0:25:00 | |
I didn't want... These fake buildings, I've got. | 0:25:00 | 0:25:02 | |
-What are they made out of, cardboard? -I don't know, actually, I... | 0:25:02 | 0:25:06 | |
Oh, no, I've just heard in my ear, "Don't ruin it." So... | 0:25:06 | 0:25:10 | |
Have you ever had this thingy? Cos I've never done this. | 0:25:11 | 0:25:14 | |
-Yes, so annoying. -I've got a person. | 0:25:14 | 0:25:16 | |
It's like I keep wanting to say, "I'll call you back." | 0:25:16 | 0:25:18 | |
-They just keep... -LAUGHTER | 0:25:18 | 0:25:20 | |
It's so very annoying. It's like shut up. "Hello, I'm on TV." | 0:25:20 | 0:25:23 | |
-I did, erm... -We can talk about this later. | 0:25:23 | 0:25:26 | |
I did a French show the other day called Le Grand Journal and nobody... | 0:25:26 | 0:25:29 | |
-Le Grand Journal. -Le Grand Journal. -Oui. | 0:25:29 | 0:25:31 | |
And I had an earpiece like yours and the guy was talking to me | 0:25:31 | 0:25:35 | |
in French and a translator in my ear, it's like... | 0:25:35 | 0:25:37 | |
-Like the United Nations. -It was ridiculous. -Very difficult. -Yeah. | 0:25:37 | 0:25:41 | |
This is what happens for you because people aren't interested in me | 0:25:41 | 0:25:45 | |
where they don't speak English but you get hits all around the world | 0:25:45 | 0:25:49 | |
and then you have to go and promote. | 0:25:49 | 0:25:50 | |
Actually, I'm a lot more popular around the world than I am here. | 0:25:50 | 0:25:53 | |
That's not true at all! | 0:25:53 | 0:25:55 | |
I happen to know there's a few Togs in the corner. | 0:25:55 | 0:25:58 | |
Big fans of Lily, guys? | 0:26:00 | 0:26:02 | |
Yes! | 0:26:02 | 0:26:04 | |
Any questions for Lily? | 0:26:04 | 0:26:05 | |
"Just don't stop what you're doing." | 0:26:05 | 0:26:07 | |
-Let's talk about business. -OK. | 0:26:11 | 0:26:13 | |
Let's talk about business and your new album, is that right? | 0:26:13 | 0:26:17 | |
-There is an album, yes. -It's called... -Sheezus. -Sheezus. | 0:26:17 | 0:26:20 | |
Do you want to talk me through that one? | 0:26:20 | 0:26:23 | |
It's called Sheezus, tell me about Sheezus. | 0:26:23 | 0:26:25 | |
It's like the female version of Jesus. | 0:26:25 | 0:26:27 | |
OK, so that's... | 0:26:27 | 0:26:29 | |
-No, I'll be... OK. -What a coup. | 0:26:30 | 0:26:32 | |
Basically there's a guy called Kanye West | 0:26:32 | 0:26:35 | |
who you may be familiar with, | 0:26:35 | 0:26:37 | |
-he named it Yeezus. -Yeezus. | 0:26:37 | 0:26:39 | |
And, you know, in my songs, | 0:26:39 | 0:26:42 | |
I, you know, try and talk about pop culture and social... | 0:26:42 | 0:26:47 | |
You know, society in general and for me, he kind of epitomises that. | 0:26:47 | 0:26:51 | |
I think he's, you know, a big character. | 0:26:51 | 0:26:55 | |
-Yeezus is quite a LOL, isn't it? And so I thought, Sheezus. -It's a nod. | 0:26:55 | 0:26:59 | |
Yeah, it's a nod. I have a lot of respect for him, whether or... | 0:26:59 | 0:27:02 | |
I don't agree with everything that he says | 0:27:02 | 0:27:04 | |
but I really respect that he | 0:27:04 | 0:27:07 | |
believes what he says and says it. | 0:27:07 | 0:27:09 | |
-Do you know what I mean? -Yeah. -Cos most people, as you'll find out from being a chat show host now, | 0:27:09 | 0:27:14 | |
will come on here and just go, | 0:27:14 | 0:27:15 | |
"Uh-huh, yeah, I love everything and everyone | 0:27:15 | 0:27:17 | |
"and everything's amazing." Kanye doesn't do that and neither do I. | 0:27:17 | 0:27:21 | |
So that's why I'm Sheezus and he's Yeezus. | 0:27:21 | 0:27:23 | |
LAUGHTER | 0:27:23 | 0:27:26 | |
You're definitely the female Jesus. Congratulations. | 0:27:26 | 0:27:30 | |
-I wanted to talk about your song Air Balloon. -Yeah. | 0:27:30 | 0:27:33 | |
Because there's a great... | 0:27:33 | 0:27:34 | |
there's a great bit in that when you're just making sounds. | 0:27:34 | 0:27:37 | |
I'm very interested in sounds, like when you go... | 0:27:37 | 0:27:39 | |
BOTH: Na-na-na-na-na-na mmmm. | 0:27:39 | 0:27:42 | |
We've got it. Can we show it? | 0:27:42 | 0:27:45 | |
-So annoying! -Cos it's very... I like it. | 0:27:45 | 0:27:47 | |
# Sing, sing along, along any song you want to | 0:27:47 | 0:27:50 | |
# Now we're so high, it can't rain | 0:27:50 | 0:27:52 | |
# Up in my air balloon, air balloon, air balloon | 0:27:52 | 0:27:56 | |
# Ha! | 0:27:56 | 0:27:58 | |
# Na-na-na-na-na-na-na | 0:27:58 | 0:28:00 | |
# Na-na-na-na-na mmmm | 0:28:00 | 0:28:03 | |
# Na-na-na-na-na-na-na | 0:28:03 | 0:28:05 | |
# Na-na-na-na-na mmmm. # | 0:28:05 | 0:28:08 | |
CHEERING AND APPLAUSE | 0:28:08 | 0:28:11 | |
Na-na-na-na-na mmmm! | 0:28:15 | 0:28:18 | |
Can you do the "Mmmm", Togs? Na-na-na-na-na-na... | 0:28:19 | 0:28:22 | |
TOGS: Mmmm. | 0:28:22 | 0:28:24 | |
Anyway, there's a new song, by the way and it's called Our Time | 0:28:26 | 0:28:29 | |
and I'm in a video dressed as five different mes. | 0:28:29 | 0:28:32 | |
-And one of me is a hot dog. -There it is, look. -Ah, yes, there you go. | 0:28:32 | 0:28:36 | |
My goodness. | 0:28:36 | 0:28:37 | |
-Na-na-na-na-na-na mmmm. -Mmmm! | 0:28:37 | 0:28:40 | |
Anyway, you can now pre-order Sheezus, | 0:28:40 | 0:28:42 | |
the album that's got that video, | 0:28:42 | 0:28:44 | |
-the other video, you know, it's all there. It's coming. -When does... | 0:28:44 | 0:28:47 | |
-May the 5th. -May the 5th. So tell me about you around the world, then, | 0:28:47 | 0:28:50 | |
-global Lily. -Global Lily. -Tell me about global Lily. -My biggest... | 0:28:50 | 0:28:54 | |
-My biggest territ... Shall we...? -Yes, I love the word territory. | 0:28:54 | 0:28:57 | |
My territories are France and Australia. | 0:28:57 | 0:28:59 | |
-AUDIENCE MEMBER: -Woo! -Quite big. -But you don't... Hang on. Something happened. | 0:28:59 | 0:29:03 | |
-Was it France or Australia? -AUDIENCE MEMBER: -Australia! | 0:29:03 | 0:29:06 | |
-HE MIMICS HER -"Australia!" | 0:29:06 | 0:29:07 | |
-IN AUSTRALIAN ACCENT -You all right? How you going? | 0:29:07 | 0:29:10 | |
-Good, thanks. -Yeah? -Yeah. -You from Australia? -I am from Australia. | 0:29:10 | 0:29:13 | |
Yeah, but that's what happens, Lily, is when people hear where | 0:29:13 | 0:29:16 | |
they're from when they're not there, they go, "Woo!" | 0:29:16 | 0:29:18 | |
But strangely, when they're in the place they're from | 0:29:18 | 0:29:21 | |
and they meet someone from where they're from, | 0:29:21 | 0:29:23 | |
which happens every day, they don't go, "Woo!" | 0:29:23 | 0:29:26 | |
They're not in the supermarket going, "Where you from?" "Australia." | 0:29:26 | 0:29:29 | |
"Me too, woo!" | 0:29:29 | 0:29:31 | |
-IN AUSTRALIAN ACCENT -You do a good Australian accent, I've heard it. | 0:29:33 | 0:29:36 | |
-I do an all right Australian accent. -They say, "How you going?" over there. | 0:29:36 | 0:29:40 | |
-"How you going, Lily? So nice to have you on the show today." -Yeah. | 0:29:40 | 0:29:43 | |
-Yeah, so... -"Hewyou gaing." It's amazing. You've got that down. | 0:29:43 | 0:29:48 | |
-Seriously, though. -But it's very hard to change... -Yeah. | 0:29:48 | 0:29:52 | |
-..to New Zealand, cos New Zealand? -New Zailand? -You can shift! | 0:29:52 | 0:29:55 | |
IN NEW ZEALAND ACCENT New Zailand has, like, a slightly different infliction. | 0:29:55 | 0:29:58 | |
It's strange, I don't... | 0:29:58 | 0:30:00 | |
It's very difficult to do one followed by the other. | 0:30:00 | 0:30:02 | |
-I would have thought impossible. -Well, I did it. | 0:30:02 | 0:30:04 | |
That was amazing, Lily Allen, she can shift! | 0:30:04 | 0:30:07 | |
And thank you, goodbye! | 0:30:07 | 0:30:08 | |
"How you going?" I didn't know about this "How you going?" thing | 0:30:10 | 0:30:13 | |
and I did some gigs in Australia a couple of months ago | 0:30:13 | 0:30:16 | |
and I was in the airport... | 0:30:16 | 0:30:17 | |
-So you're a global star, too. -Just a bit of Australia(!) | 0:30:17 | 0:30:20 | |
And New Zealand. | 0:30:20 | 0:30:21 | |
I was at the airport getting on an internal flight, checking in, | 0:30:21 | 0:30:25 | |
going to Melbourne and I was in Perth. | 0:30:25 | 0:30:28 | |
They just went, "How you going?" And I was like... | 0:30:28 | 0:30:31 | |
"I thought the aeroplane". | 0:30:31 | 0:30:32 | |
LAUGHTER | 0:30:32 | 0:30:35 | |
I mean, how many clues do you need, darling? | 0:30:35 | 0:30:37 | |
I've just given you my passport in an airport. | 0:30:37 | 0:30:40 | |
-So, 'Stralia's huge for you. -'Stralia's big. -So you've played... | 0:30:42 | 0:30:46 | |
The first time you went there, it must have been just crazy | 0:30:46 | 0:30:49 | |
because you've gone all the way, cos it takes forever. | 0:30:49 | 0:30:52 | |
You know what, I was a bit hesitant about Australia | 0:30:52 | 0:30:55 | |
cos let's be honest, Australians, apart from you... | 0:30:55 | 0:30:58 | |
(in London, quite annoying.) But... | 0:30:58 | 0:31:00 | |
LAUGHTER | 0:31:00 | 0:31:02 | |
You know, I kind of think Walkabout ends... | 0:31:03 | 0:31:06 | |
The thought that they had their own country made you tense. | 0:31:06 | 0:31:09 | |
I was like, "Oh, God, Australia". | 0:31:09 | 0:31:10 | |
Then I got there and they're actually really nice IN Australia! | 0:31:10 | 0:31:14 | |
Are you suggesting all the annoying ones came here? | 0:31:16 | 0:31:19 | |
I don't know, I think maybe because it's so far away, | 0:31:19 | 0:31:22 | |
maybe they feel like when they're here, | 0:31:22 | 0:31:24 | |
they've just got to be REALLY AUSTRALIAN, you know? | 0:31:24 | 0:31:28 | |
"I'VE COME ALL THIS WAY! LET'S HAVE A BARBIE!" | 0:31:28 | 0:31:31 | |
APPLAUSE | 0:31:31 | 0:31:33 | |
But they're lovely people, we need to establish that. | 0:31:35 | 0:31:37 | |
-It's a beautiful country. -Lily, thank you again for coming on. | 0:31:37 | 0:31:40 | |
Absolute pleasure. Thank you for having me. | 0:31:40 | 0:31:43 | |
Ladies and gentlemen, please give all your love for the wonderful Lily Allen. | 0:31:43 | 0:31:46 | |
What an absolute pleasure and treat. Lily Allen. | 0:31:46 | 0:31:49 | |
Lily was here! Thank you, darling. | 0:31:49 | 0:31:51 | |
Lily Allen, we love Lily! | 0:31:53 | 0:31:55 | |
APPLAUSE | 0:31:55 | 0:31:57 | |
So let's just have a check of how Oliver has been getting on | 0:31:59 | 0:32:05 | |
and, oh... | 0:32:05 | 0:32:06 | |
We've had some more interest. | 0:32:06 | 0:32:08 | |
Danielle sister... | 0:32:08 | 0:32:10 | |
-Is that your sister? -Yes. -Classic from your sister - | 0:32:10 | 0:32:12 | |
"Why just lately? You're always annoying." | 0:32:12 | 0:32:15 | |
LAUGHTER | 0:32:15 | 0:32:17 | |
Er, um... | 0:32:19 | 0:32:21 | |
Who's Shamuly? Schmuly? | 0:32:21 | 0:32:23 | |
He's a good friend of, actually, this girl, Sarah. | 0:32:23 | 0:32:26 | |
And you what, just steal numbers from other people's phones? | 0:32:26 | 0:32:30 | |
No, he says, "No, what are you, a nine-year-old girl? | 0:32:30 | 0:32:32 | |
"Why the sudden insecurity?" | 0:32:32 | 0:32:34 | |
LAUGHTER | 0:32:34 | 0:32:36 | |
Avi Korman is the most perceptive person here - who's Avi? | 0:32:36 | 0:32:40 | |
He's a good friend of mine. | 0:32:40 | 0:32:42 | |
Avi Korman says, "Has someone jacked your phone?" | 0:32:42 | 0:32:45 | |
LAUGHTER | 0:32:45 | 0:32:46 | |
And there's ANOTHER rabbi. | 0:32:49 | 0:32:51 | |
-Rabbi Hulbertstad. -Oh! | 0:32:51 | 0:32:54 | |
How many rabbis are you not seeing? | 0:32:54 | 0:32:57 | |
He says the same thing. | 0:32:58 | 0:33:00 | |
"I have a new phone, don't have all the contacts - who is this?" | 0:33:00 | 0:33:03 | |
OK, all right. I feel like... | 0:33:06 | 0:33:09 | |
Oh, my goodness, this one can't go out on the BBC. | 0:33:09 | 0:33:12 | |
-Who's Joseph Makata? -Me. | 0:33:12 | 0:33:14 | |
LAUGHTER | 0:33:14 | 0:33:16 | |
Joseph, who is Oliver's friend who's sitting next to him | 0:33:24 | 0:33:27 | |
has actually texted me, | 0:33:27 | 0:33:28 | |
-"You -BLEEP!" | 0:33:28 | 0:33:30 | |
LAUGHTER | 0:33:30 | 0:33:32 | |
Is there a prize, because we need to give this person... We... | 0:33:37 | 0:33:41 | |
Oh, that's so nice. We're going to give you a lift to synagogue. | 0:33:41 | 0:33:44 | |
My next guest has had an incredible journey from barrow boy to | 0:33:49 | 0:33:53 | |
business tycoon to TV treasure. | 0:33:53 | 0:33:56 | |
He is the founder of Amscreen, Amshold, Amsprop, | 0:33:56 | 0:33:59 | |
Amsair, Amserve, Amstrad | 0:33:59 | 0:34:01 | |
and his number plate is AMS 1. | 0:34:01 | 0:34:03 | |
Please welcome the magnate formerly known as Alan, | 0:34:05 | 0:34:08 | |
then briefly as Sir Alan, | 0:34:08 | 0:34:10 | |
it's Lord Sugar! | 0:34:10 | 0:34:12 | |
"THE APPRENTICE" THEME TUNE | 0:34:12 | 0:34:17 | |
Lord Sugar one more time, ladies and gentlemen, how exciting is this? | 0:34:31 | 0:34:34 | |
How exciting is this? | 0:34:34 | 0:34:36 | |
-How does this feel to you, having all this acclaim? -Quite nice. | 0:34:38 | 0:34:43 | |
No, it's very nice. | 0:34:43 | 0:34:44 | |
It's better than being the chairman of a football club. | 0:34:44 | 0:34:48 | |
I used to get a little bit of abuse when I walked in the street then. | 0:34:48 | 0:34:52 | |
Since I did this Apprentice programme, now it's... | 0:34:52 | 0:34:56 | |
It's much nicer. | 0:34:56 | 0:34:57 | |
I suppose you could have not foreseen any of this. | 0:34:59 | 0:35:02 | |
When you turn on the television and see Nick Hewer co-hosting Countdown... | 0:35:02 | 0:35:06 | |
How does that make you feel? It must be bizarre. | 0:35:06 | 0:35:10 | |
-I mean, what is Nick Hewer to you? -Well, he's a mate. | 0:35:10 | 0:35:13 | |
Nick was my PR consultant for... | 0:35:13 | 0:35:16 | |
I can't remember how many years, I don't know, 30-odd years. | 0:35:16 | 0:35:20 | |
Anyway, when I got asked to do this Apprentice thing, they said, | 0:35:20 | 0:35:23 | |
"You need a sidekick, someone over here and someone over there". | 0:35:23 | 0:35:26 | |
And I said, "Well, let's have Nick". | 0:35:26 | 0:35:29 | |
And he said, "No, no, no, I couldn't possibly. | 0:35:29 | 0:35:33 | |
"Oh, I couldn't possibly do this. It's not for me." | 0:35:33 | 0:35:38 | |
Now, he's a bleeding diva! | 0:35:38 | 0:35:40 | |
I mean... He will go to an opening of an envelope. | 0:35:41 | 0:35:44 | |
He's a lovely bloke and he'll do anything for me | 0:35:47 | 0:35:49 | |
and I will do... quite a lot for him... | 0:35:49 | 0:35:53 | |
We've been together for quite... | 0:35:54 | 0:35:55 | |
So now he's on Countdown and they go P... R... | 0:35:55 | 0:35:58 | |
And you're thinking, "Yeah, you should do some." | 0:35:58 | 0:36:00 | |
Your life has been absolutely remarkable and what fascinates me | 0:36:02 | 0:36:05 | |
a lot is how many different elements there have been to your life. | 0:36:05 | 0:36:10 | |
You've had to deal and relate to so many different types of people, | 0:36:10 | 0:36:13 | |
-how do you manage to do that? -Well, it's an interesting point. | 0:36:13 | 0:36:17 | |
Some of my friends say to me that they admire the manner in which | 0:36:17 | 0:36:20 | |
I can adapt with the different company that I'm in. | 0:36:20 | 0:36:22 | |
Notice how I'm doing so well now. | 0:36:22 | 0:36:24 | |
LAUGHTER | 0:36:24 | 0:36:26 | |
Despite your demeanour! | 0:36:27 | 0:36:29 | |
LAUGHTER | 0:36:29 | 0:36:30 | |
WOGAN THEME TUNE PLAYS | 0:36:33 | 0:36:35 | |
APPLAUSE | 0:36:35 | 0:36:37 | |
MUSIC STOPS | 0:36:37 | 0:36:38 | |
But you're right, I used to deal in the markets in the early days, | 0:36:39 | 0:36:43 | |
then I started dealing with the banks | 0:36:43 | 0:36:47 | |
and you had to speak to bank people in a different way. | 0:36:47 | 0:36:50 | |
Suddenly I bought a football club | 0:36:50 | 0:36:52 | |
and you're down in the dressing room talking to the manager | 0:36:52 | 0:36:55 | |
and you're effing and blinding and talking all the usual kind of stuff. | 0:36:55 | 0:36:58 | |
Then you're out of there and you're suddenly... | 0:36:58 | 0:37:01 | |
One day I got invited for lunch with the Queen. | 0:37:01 | 0:37:04 | |
Yeah. | 0:37:05 | 0:37:06 | |
-That deserves a sound effect. -ALL: Oooh! | 0:37:06 | 0:37:10 | |
No. Erm... | 0:37:10 | 0:37:12 | |
Anyway, I get there | 0:37:15 | 0:37:16 | |
and there is only me, Wendy Craig the actress, | 0:37:16 | 0:37:21 | |
lovely actress, and some other bloke who I've forgotten about. | 0:37:21 | 0:37:25 | |
-There's the Queen... -Prince Philip. No! | 0:37:25 | 0:37:27 | |
No, Prince Philip, he's sat next to me and he was chatting to me. | 0:37:29 | 0:37:33 | |
He's a bundle of fun, isn't he? | 0:37:33 | 0:37:34 | |
LAUGHTER | 0:37:34 | 0:37:36 | |
Anyway...erm... He said, "And what business are you in, Mr Sugar?" | 0:37:38 | 0:37:43 | |
I said, "I'm in the computer business". He said, "Right". | 0:37:43 | 0:37:46 | |
"I'm trying to buy a computer printer, they don't make them in England". | 0:37:46 | 0:37:49 | |
I said, "They do. I do." | 0:37:49 | 0:37:51 | |
He says, "No, you don't." I said, "Oh, fucking hell". | 0:37:51 | 0:37:55 | |
-"OK, we don't. Fair enough." -Have you been invited back? | 0:37:55 | 0:37:58 | |
Er, no. | 0:37:58 | 0:38:00 | |
Well, I did. | 0:38:00 | 0:38:01 | |
She knighted me and when I got knighted, | 0:38:01 | 0:38:04 | |
England had lost to Portugal in a football match. | 0:38:04 | 0:38:09 | |
And she said to me, | 0:38:09 | 0:38:11 | |
"I understand that you're involved in the football business". | 0:38:11 | 0:38:15 | |
I was at the time chairman of Spurs. | 0:38:15 | 0:38:18 | |
I said, "Your Majesty, we shouldn't really talk about that | 0:38:18 | 0:38:22 | |
"considering last night's disgusting result with Portugal". | 0:38:22 | 0:38:26 | |
To which she said, "You're quite right. | 0:38:26 | 0:38:28 | |
"They should have played Beckham behind the front two..." | 0:38:28 | 0:38:32 | |
LAUGHTER DROWNS ANECDOTE | 0:38:32 | 0:38:34 | |
OK. | 0:38:36 | 0:38:37 | |
We've got a photo of you as a baby which I wanted to show | 0:38:37 | 0:38:40 | |
so that we can disarm you slightly. | 0:38:40 | 0:38:42 | |
Isn't that sweet? Doesn't that help? | 0:38:42 | 0:38:45 | |
When I got nervous about interviewing you, they sent me that. | 0:38:45 | 0:38:49 | |
That's you actually smiling. Was that the last...? | 0:38:49 | 0:38:52 | |
-First and last time. -Maybe it was wind. | 0:38:54 | 0:38:56 | |
Probably wind. | 0:38:56 | 0:38:58 | |
Even that was wind, as you say! | 0:38:58 | 0:39:01 | |
First and last time. From then on, it was, "Right, Mum, you're fired!" | 0:39:01 | 0:39:05 | |
That's another thing I wanted to ask you. | 0:39:06 | 0:39:08 | |
Why are you firing people who are interviewing for a job? | 0:39:08 | 0:39:11 | |
Isn't that jumping the gun slightly? | 0:39:11 | 0:39:13 | |
Sorry? | 0:39:13 | 0:39:15 | |
You're firing people on the show, but you haven't employed them yet. | 0:39:15 | 0:39:18 | |
-Yes... -You don't go for a job interview, | 0:39:18 | 0:39:21 | |
say, "I'd like to work here as a waiter". "You're fired", "Well..." | 0:39:21 | 0:39:24 | |
"Pack up your things." "What things? I've just walked in here." | 0:39:24 | 0:39:27 | |
This is something that an experienced executive that | 0:39:27 | 0:39:31 | |
-works for the BBC, like you should know, it's called a format. -Ah! | 0:39:31 | 0:39:35 | |
-I am an executive at the BBC, you're right. -This is thrust upon me. | 0:39:35 | 0:39:39 | |
-Ah, yes, OK. -I would normally say to them, "Piss off." | 0:39:39 | 0:39:43 | |
In fact, we are contractually obliged to say, "You're fired". | 0:39:43 | 0:39:46 | |
Because it wouldn't sound as dramatic if you went, | 0:39:46 | 0:39:49 | |
"We'll let you know". | 0:39:49 | 0:39:51 | |
You're absolutely right. | 0:39:52 | 0:39:54 | |
We watch this incredibly well produced show. | 0:39:54 | 0:39:57 | |
The way that London looks and the glamour. | 0:39:57 | 0:40:00 | |
We've got a picture of your old office here. | 0:40:00 | 0:40:02 | |
I've... I've sold that now, to a hotel chain. | 0:40:02 | 0:40:05 | |
-You can probably see in the corner, this is now a Premier Inn! -Yeah. | 0:40:05 | 0:40:10 | |
-So where was your office here? -Right on the top floor. | 0:40:10 | 0:40:12 | |
This was your actual boardroom? | 0:40:12 | 0:40:15 | |
Now Lenny Henry is in here... | 0:40:15 | 0:40:16 | |
LAUGHTER | 0:40:16 | 0:40:18 | |
-Yeah, yeah, yeah. -I think the window is open, Lenny needs some air. | 0:40:18 | 0:40:22 | |
We converted it into a hotel and we sold it or let it to these people. | 0:40:24 | 0:40:29 | |
-These Premier Inn people. -So you still own the building? -Oh, yes. | 0:40:29 | 0:40:34 | |
It's the reality of the workplace. | 0:40:34 | 0:40:36 | |
We had a lot of people in that building. | 0:40:36 | 0:40:38 | |
A lot of people made a load of money in that building. | 0:40:38 | 0:40:41 | |
-It was a bit like the Wolf of Wall Street in there. -Er, well... | 0:40:41 | 0:40:46 | |
Come on! You had some parties in there! | 0:40:46 | 0:40:50 | |
I remember one night you were hanging out, completely naked, | 0:40:50 | 0:40:53 | |
champagne, "Hey! | 0:40:53 | 0:40:54 | |
"Another hundred million!" | 0:40:54 | 0:40:56 | |
Not quite. | 0:40:56 | 0:40:58 | |
Maybe not. I was just suggesting that. | 0:40:58 | 0:41:00 | |
LAUGHTER | 0:41:00 | 0:41:02 | |
-No, no. -I just wanted to show a clip. | 0:41:02 | 0:41:05 | |
I'm a huge fan of The Apprentice, as so many people are. | 0:41:05 | 0:41:08 | |
I wanted to show this simply because it's hilarious | 0:41:08 | 0:41:10 | |
and we all get the giggles. | 0:41:10 | 0:41:12 | |
Have you ever got the giggles, actually? | 0:41:12 | 0:41:14 | |
In your life? | 0:41:14 | 0:41:16 | |
Sometimes. | 0:41:16 | 0:41:18 | |
Once I thought I was amused, but I was mistaken. | 0:41:18 | 0:41:22 | |
LAUGHTER | 0:41:22 | 0:41:24 | |
Show it. Show it. | 0:41:26 | 0:41:27 | |
You once thought you were amused... | 0:41:27 | 0:41:29 | |
This, genuinely, I was crying with laughter on my own. | 0:41:29 | 0:41:33 | |
My wife had already fallen asleep... Not because of the show! | 0:41:33 | 0:41:36 | |
Because of the children. She was up with the baby. | 0:41:36 | 0:41:39 | |
Oh, that sounded terrible. | 0:41:39 | 0:41:41 | |
Anyway, you'll enjoy this, it's absolutely hysterical. | 0:41:41 | 0:41:44 | |
If I do the second one here, | 0:41:44 | 0:41:46 | |
you'll see how easy that is. | 0:41:46 | 0:41:49 | |
Look where you've got the bloody thing resting on. | 0:41:49 | 0:41:53 | |
It's possible if you move house, you can just put it in the car | 0:41:53 | 0:41:55 | |
or just put it under your bed... | 0:41:55 | 0:41:58 | |
Behind the sofa... Anywhere. | 0:41:58 | 0:42:01 | |
There we go. Have a look at that. | 0:42:01 | 0:42:02 | |
LAUGHTER | 0:42:02 | 0:42:04 | |
You can really enjoy yourself, just jump on it and start jumping away. | 0:42:04 | 0:42:09 | |
If you're a young child, you can do this. | 0:42:09 | 0:42:12 | |
If you're an adult, you can have fun. | 0:42:12 | 0:42:14 | |
It really is very easy just to unscrew the legs. | 0:42:14 | 0:42:16 | |
You can see how quickly it took me to take that off. | 0:42:16 | 0:42:19 | |
What are you bloody doing? | 0:42:19 | 0:42:21 | |
APPLAUSE | 0:42:21 | 0:42:23 | |
So good. So funny. | 0:42:23 | 0:42:26 | |
Ladies and gentlemen, | 0:42:28 | 0:42:30 | |
please join me in thanking the wonderful Lord Alan Sugar! | 0:42:30 | 0:42:34 | |
Thank you so much. | 0:42:34 | 0:42:36 | |
Thank you, Lord Sugar. An absolute pleasure. | 0:42:36 | 0:42:40 | |
OK, now we have to end all this. Please, ladies and gentlemen, | 0:42:41 | 0:42:44 | |
welcome down an absolutely amazing sport tonight, the fantastic Oliver, | 0:42:44 | 0:42:47 | |
without whom none of this would have been possible. | 0:42:47 | 0:42:50 | |
Oliver, thank you so much. | 0:42:50 | 0:42:52 | |
Oliver, ladies and gentlemen. | 0:42:52 | 0:42:54 | |
Seriously, you are an absolute legend, thank you very much. | 0:42:54 | 0:42:57 | |
What I thought we'd do was take a little photo of ourselves to | 0:42:58 | 0:43:03 | |
explain that this has been a joke. | 0:43:03 | 0:43:05 | |
We are looking cool! | 0:43:07 | 0:43:08 | |
That's good, OK. | 0:43:10 | 0:43:12 | |
APPLAUSE | 0:43:12 | 0:43:14 | |
I'm going to... OK, we'll send this. | 0:43:14 | 0:43:16 | |
"This has all been a joke, by the comedian Michael McIntyre. | 0:43:16 | 0:43:20 | |
"Pictured." | 0:43:20 | 0:43:22 | |
Send to all. Ladies and gentleman... | 0:43:24 | 0:43:26 | |
And I have a prize for you! | 0:43:26 | 0:43:28 | |
Everybody who comes on our show, of course, is given | 0:43:28 | 0:43:30 | |
their Send To All telephone! | 0:43:30 | 0:43:32 | |
WHOOPING | 0:43:32 | 0:43:35 | |
-Very many congratulations. -Thank you. -Oliver, thank you very much! | 0:43:35 | 0:43:39 | |
Please, let's thank Sir Terry Wogan... | 0:43:41 | 0:43:44 | |
Lily Allen... | 0:43:44 | 0:43:47 | |
And the wonderful Lord Sugar was here! | 0:43:47 | 0:43:50 | |
CHEERING | 0:43:50 | 0:43:51 | |
Join me next week when I'll be joined by Sir David Jason, | 0:43:51 | 0:43:55 | |
Abbey Clancy and Jeremy Clarkson. | 0:43:55 | 0:43:56 | |
Until then, thank you for watching, goodnight. | 0:43:56 | 0:43:59 | |
CHEERING AND APPLAUSE | 0:43:59 | 0:44:02 |