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This programme contains some strong language | 0:00:02 | 0:00:08 | |
On the show tonight, James Corden... | 0:00:09 | 0:00:11 | |
APPLAUSE | 0:00:11 | 0:00:13 | |
Alex Jones... | 0:00:13 | 0:00:16 | |
APPLAUSE | 0:00:16 | 0:00:17 | |
Sir Bruce Forsyth... | 0:00:17 | 0:00:18 | |
APPLAUSE | 0:00:18 | 0:00:20 | |
But for now, please welcome Michael McIntyre! | 0:00:20 | 0:00:24 | |
You have got to be kidding. | 0:00:26 | 0:00:29 | |
You have got to be kidding. | 0:00:36 | 0:00:38 | |
Yes, baby! Whoo! I'm loving this. | 0:00:38 | 0:00:41 | |
CHEERING AND APPLAUSE | 0:00:41 | 0:00:42 | |
Oh, what love in the room tonight! | 0:00:45 | 0:00:47 | |
Ladies and gentlemen, welcome to the Michael McIntyre Chat Show. | 0:00:49 | 0:00:53 | |
What an extraordinary show we have for you tonight, | 0:00:56 | 0:01:00 | |
the last of the series. Let's get going! | 0:01:00 | 0:01:02 | |
CHEERING AND APPLAUSE | 0:01:02 | 0:01:03 | |
My first guest went from High Wycombe to Hollywood. | 0:01:06 | 0:01:09 | |
He is a sitcom star, Broadway darling, Brit-hosting and Comic Relief legend. | 0:01:09 | 0:01:13 | |
He's even had a number one hit single. | 0:01:13 | 0:01:15 | |
He is one man, two BAFTAs, he is in a league of his own. | 0:01:15 | 0:01:18 | |
It's James Corden! | 0:01:18 | 0:01:20 | |
CHEERING AND APPLAUSE | 0:01:20 | 0:01:23 | |
-How are you? You look really good all the time. -Oh, come on. | 0:01:41 | 0:01:45 | |
-You do! -No, that's not true. -It is so nice to be sitting here in ties and suits. | 0:01:45 | 0:01:48 | |
Any time I normally see you, we're in sweat pants. | 0:01:48 | 0:01:52 | |
We need sweat pants in our life! Is that for comfort or for working out? | 0:01:52 | 0:01:57 | |
Well, I have seen you working out. | 0:01:57 | 0:02:00 | |
-Yeah. It's true. It's true. -I have. | 0:02:00 | 0:02:04 | |
Michael and I share a personal trainer. | 0:02:04 | 0:02:09 | |
-I mean, it's... -Don't you want to put that in the past tense? | 0:02:09 | 0:02:12 | |
It is a bad advert for him! | 0:02:12 | 0:02:13 | |
LAUGHTER | 0:02:13 | 0:02:14 | |
Seriously! | 0:02:17 | 0:02:18 | |
-Me and James went to Matt Roberts Gym. -Changed our lives. | 0:02:28 | 0:02:32 | |
LAUGHTER | 0:02:32 | 0:02:33 | |
If I ever go to the gym or anything, I feel when I have a day, | 0:02:41 | 0:02:45 | |
I don't have enough hours in the day, they just fly by. | 0:02:45 | 0:02:48 | |
Except for the hour I'm in the gym! | 0:02:48 | 0:02:51 | |
Where it takes a lifetime. | 0:02:52 | 0:02:55 | |
I will be in the mirror and I will think I'm nearly done, | 0:02:55 | 0:02:58 | |
and I look and I've been there four minutes. | 0:02:58 | 0:03:00 | |
I always, always go to the toilet when I'm at the gym | 0:03:00 | 0:03:05 | |
even when I don't need to go to the toilet | 0:03:05 | 0:03:07 | |
and sometimes I just sit in there. | 0:03:07 | 0:03:10 | |
He'll go, "Right, let's get into some planking." | 0:03:10 | 0:03:16 | |
You know what planking is? You have to like, you go like this. You go, | 0:03:16 | 0:03:20 | |
you're on your arms and you have to go like this | 0:03:20 | 0:03:23 | |
-and on your legs and that's it. -Ow! | 0:03:23 | 0:03:25 | |
That's it. By the end your whole body is like that. | 0:03:25 | 0:03:29 | |
-The burn. -You're quite good at this. When he says, | 0:03:30 | 0:03:34 | |
"Let's do some planking," I say, "I've got to go to the toilet," | 0:03:34 | 0:03:37 | |
and I'm just sitting there like this. | 0:03:37 | 0:03:40 | |
Go through your texts and stuff. I cheat on the runner, | 0:03:44 | 0:03:48 | |
the treadmill. | 0:03:48 | 0:03:50 | |
You go on the middle. If you distract him and say, | 0:03:50 | 0:03:53 | |
"Oh, look, I think it is James Corden over there." You can go on the side. | 0:03:53 | 0:03:56 | |
LAUGHTER | 0:03:56 | 0:03:58 | |
-Have you done Send To All yet? -After this. | 0:04:04 | 0:04:07 | |
-This is the prize. -That's the Send To All phone? | 0:04:07 | 0:04:11 | |
-You haven't done it? No-one's given you their phone? -No. -I have an idea. | 0:04:11 | 0:04:17 | |
I think we should play Send To All on YOUR phone. | 0:04:17 | 0:04:20 | |
-No. -Yes. -No. No. No. | 0:04:20 | 0:04:23 | |
CHEERING | 0:04:23 | 0:04:24 | |
-Come on. -Not on MY phone! | 0:04:26 | 0:04:29 | |
Every week you pick someone out of the audience | 0:04:29 | 0:04:32 | |
and you embarrass them for an hour. | 0:04:32 | 0:04:35 | |
-Now, I think we should do it on your phone. -No, I don't. -No, I don't. | 0:04:35 | 0:04:38 | |
CHEERING | 0:04:38 | 0:04:41 | |
-Have you got your phone on you? -This is my actual mobile. -Bullshit. | 0:04:41 | 0:04:46 | |
This is my mobile. | 0:04:46 | 0:04:48 | |
We should play Send To All on your phone. It will be amazing. | 0:04:48 | 0:04:51 | |
-Do you really want me to do that? -Don't you think it'll be hilarious? | 0:04:51 | 0:04:55 | |
ALL: Yes! | 0:04:55 | 0:04:56 | |
Come on, it will be so funny. | 0:04:56 | 0:04:58 | |
What about all the people I'm texting? | 0:04:58 | 0:05:01 | |
You don't think about that when it is Tom from Slough | 0:05:01 | 0:05:05 | |
who has to go back to his friends and say, "I didn't mean that." | 0:05:05 | 0:05:09 | |
-Is your phone here? -I have my phone in my desk. | 0:05:09 | 0:05:12 | |
-Not to everyone. -Give me your phone. | 0:05:12 | 0:05:16 | |
OK. | 0:05:16 | 0:05:18 | |
Hang on. Right, so... | 0:05:18 | 0:05:21 | |
You've already got some texts. | 0:05:22 | 0:05:25 | |
You can't go through my texts on the TV. That's not the show. | 0:05:25 | 0:05:28 | |
I've got questions about your career. | 0:05:29 | 0:05:32 | |
I'm going through your... Look, you've got some... | 0:05:32 | 0:05:35 | |
You have got "Ant not Dec." | 0:05:35 | 0:05:37 | |
LAUGHTER | 0:05:37 | 0:05:38 | |
I didn't want to just put Ant. | 0:05:50 | 0:05:53 | |
Anton Du Beke. | 0:05:53 | 0:05:55 | |
How often are you speaking to Anton Du Beke? | 0:05:55 | 0:05:59 | |
David Hasselhoff. | 0:06:01 | 0:06:02 | |
APPLAUSE | 0:06:02 | 0:06:04 | |
That's above David Haye. When does that ever happen? | 0:06:06 | 0:06:10 | |
This is a show in itself! | 0:06:10 | 0:06:13 | |
LAUGHTER | 0:06:13 | 0:06:14 | |
-This is a show in itself. -I need to say that I don't know most of these people! | 0:06:14 | 0:06:19 | |
I just put... It's quite fun to have famous people in your phone. | 0:06:19 | 0:06:24 | |
I did have a mistake the other day. | 0:06:24 | 0:06:26 | |
I met Matt Smith, Doctor Who. | 0:06:26 | 0:06:28 | |
He gave me his number and I put it in the phone as Doctor Who | 0:06:28 | 0:06:31 | |
LAUGHTER | 0:06:31 | 0:06:32 | |
And my son had a bad reaction to his injections | 0:06:32 | 0:06:36 | |
-and I... -LAUGHTER | 0:06:36 | 0:06:38 | |
I was supposed to send it to Dr Dan who is my doctor, | 0:06:39 | 0:06:42 | |
who is a doctor of medicine, | 0:06:42 | 0:06:45 | |
and I sent a photo of my son's arm to Matt Smith, Doctor Who! | 0:06:45 | 0:06:51 | |
I said, "What do you think is wrong with this?" | 0:06:51 | 0:06:53 | |
He said, "I'm not an actual doctor." | 0:06:53 | 0:06:56 | |
LAUGHTER | 0:06:56 | 0:06:57 | |
All right, so let's do Send To All on your phone! | 0:07:00 | 0:07:04 | |
-Are you all right about this? -No. | 0:07:04 | 0:07:06 | |
LAUGHTER | 0:07:06 | 0:07:08 | |
Will you do it if I do it? | 0:07:08 | 0:07:10 | |
-APPLAUSE -Have you got a phone? Oh, yes! | 0:07:10 | 0:07:13 | |
I think we should just call it a day! | 0:07:22 | 0:07:24 | |
I don't know your code. It has come off. The code has come off. | 0:07:30 | 0:07:34 | |
LAUGHTER | 0:07:34 | 0:07:35 | |
Meryl Streep? | 0:07:38 | 0:07:39 | |
LAUGHTER | 0:07:39 | 0:07:40 | |
You have taken my Hasselhoff and you've raised it! | 0:07:43 | 0:07:46 | |
I'm going to write, "I've just finished my chat show | 0:07:47 | 0:07:52 | |
"and I need to cut loose." | 0:07:52 | 0:07:55 | |
LAUGHTER | 0:07:55 | 0:07:57 | |
"Me and you lap dancing..." | 0:07:59 | 0:08:03 | |
No. | 0:08:03 | 0:08:04 | |
-I would never cut loose and I would never lap dance. -"Are you in or out? | 0:08:06 | 0:08:10 | |
"Come on! Let's do this." | 0:08:12 | 0:08:15 | |
It's gone! | 0:08:18 | 0:08:19 | |
LAUGHTER | 0:08:19 | 0:08:21 | |
This isn't fair. Why did I ever do this to anybody else? | 0:08:25 | 0:08:29 | |
I will send the same thing except I will have to change it. | 0:08:31 | 0:08:34 | |
You haven't just finished your series. You have had a big week. | 0:08:34 | 0:08:38 | |
-You have been nominated... -Yes. | 0:08:38 | 0:08:40 | |
-..for a BAFTA. -That's true. APPLAUSE | 0:08:40 | 0:08:42 | |
-OK. I'm going to go a bit cocky on yours. -Fuck off! | 0:08:54 | 0:08:57 | |
"Guess who has been nominated for a BAFTA?" | 0:08:57 | 0:09:00 | |
-No, you can't do that. You can't do that. -I won't put that. | 0:09:00 | 0:09:05 | |
I'm going to put "Guess who has been nominated for ANOTHER BAFTA." | 0:09:05 | 0:09:09 | |
Oh, no! | 0:09:09 | 0:09:10 | |
Come on, there are some people that won't even believe me if I write back. | 0:09:10 | 0:09:16 | |
-"Guess who has been nominated for another BAFTA?" -Oh, God. | 0:09:16 | 0:09:20 | |
"I know, it's me!" | 0:09:22 | 0:09:24 | |
-I wish I hadn't pressed send on yours. -"The big dog." | 0:09:27 | 0:09:31 | |
LAUGHTER | 0:09:31 | 0:09:33 | |
I was behind that curtain thinking this is such a fun idea. | 0:09:37 | 0:09:41 | |
"Let's just celebrate the win now." | 0:09:41 | 0:09:45 | |
Because it will go to the person that I'm nominated with. | 0:09:50 | 0:09:53 | |
You can't send that! You can't send that! You can't send that! | 0:09:53 | 0:09:59 | |
You can't send that! You can't! It will go to Matt. | 0:09:59 | 0:10:04 | |
Just to fill people in, James has been nominated in the same category | 0:10:06 | 0:10:10 | |
-as his co-writer and co-star. -Me and Matt have been nominated for the | 0:10:10 | 0:10:15 | |
same award and you can't put that | 0:10:15 | 0:10:17 | |
because he might never talk to me again. | 0:10:17 | 0:10:19 | |
I will put in brackets, "Don't bother with Matt's party." | 0:10:19 | 0:10:23 | |
Fuck off! | 0:10:23 | 0:10:25 | |
LAUGHTER | 0:10:25 | 0:10:26 | |
Don't put that. | 0:10:27 | 0:10:29 | |
-There's no way. -All right. | 0:10:29 | 0:10:32 | |
"OK, let's celebrate the win lap dancing." | 0:10:32 | 0:10:34 | |
I'm going to send that. Ladies and gentlemen, that message is sending. | 0:10:35 | 0:10:40 | |
OK. So, many congratulations, James, | 0:10:44 | 0:10:47 | |
on being nominated for this award with your friend. | 0:10:47 | 0:10:50 | |
Is that a bit mean of them to pit you against each other? | 0:10:50 | 0:10:53 | |
Better that than just pick neither of us or one of us. | 0:10:53 | 0:10:56 | |
You are in movies now. You are a movie star. James is a movie star. | 0:10:56 | 0:11:00 | |
APPLAUSE This isn't true. | 0:11:00 | 0:11:03 | |
You have got a very big movie coming out with Meryl Streep, | 0:11:03 | 0:11:07 | |
who I saw in your phone. You've befriended her. | 0:11:07 | 0:11:09 | |
-And that's Into The Woods and that comes out...? -At Christmas. | 0:11:09 | 0:11:13 | |
And we have another movie here called Begin Again. | 0:11:13 | 0:11:15 | |
I didn't even know you did this... We've got a picture of Begin Again. | 0:11:15 | 0:11:19 | |
-Yes... There. -Is this product placement? | 0:11:19 | 0:11:21 | |
I have never seen so many Apple products and an actual apple? | 0:11:21 | 0:11:25 | |
LAUGHTER | 0:11:25 | 0:11:26 | |
I don't think it was product placement. | 0:11:27 | 0:11:31 | |
-What's Begin Again about? -It is two stories that overlap | 0:11:31 | 0:11:35 | |
and cross in the middle and Mark Ruffalo plays a sort of | 0:11:35 | 0:11:39 | |
down on his luck, ex-record executive | 0:11:39 | 0:11:42 | |
and Keira Knightley plays a girl dumped by her now rock star boyfriend | 0:11:42 | 0:11:46 | |
and the stories meet in the middle | 0:11:46 | 0:11:48 | |
when he hears a song that Keira's character has written | 0:11:48 | 0:11:52 | |
and it is about music and love and loveliness in New York. | 0:11:52 | 0:11:57 | |
-When is it out? -It is out in the summer. July. | 0:11:57 | 0:12:01 | |
I'm excited about America. I want to know what it is like | 0:12:01 | 0:12:04 | |
when you get involved in that Hollywood stuff. | 0:12:04 | 0:12:06 | |
Do they treat you like a god? Like, "Hey, James, you are awesome." | 0:12:06 | 0:12:11 | |
No, it's... Essentially, you just die of encouragement. | 0:12:11 | 0:12:14 | |
It's lots and lots of people telling that you are amazing | 0:12:14 | 0:12:18 | |
and you don't ever see them again. | 0:12:18 | 0:12:21 | |
"We should work together, it'd be amazing." | 0:12:21 | 0:12:23 | |
And then they just sort of... | 0:12:23 | 0:12:26 | |
Although, I am in LA and my American agent said, | 0:12:26 | 0:12:28 | |
"I want you to have a meeting with Spike Jonze." | 0:12:28 | 0:12:32 | |
I'm like, wow. This is amazing. This is huge. | 0:12:32 | 0:12:36 | |
I meet... I am in this office, a meeting room at CAA, | 0:12:36 | 0:12:42 | |
which is a really corporate environment | 0:12:42 | 0:12:44 | |
and I'm waiting to meet Spike Jonze who is a hero of mine | 0:12:44 | 0:12:47 | |
and Spike Jonze comes in and we're chatting | 0:12:47 | 0:12:51 | |
and it's clear that Spike Jonze doesn't know why he is meeting me. | 0:12:51 | 0:12:54 | |
And I've no idea why I'm meeting Spike Jonze. | 0:12:54 | 0:12:57 | |
We are just chatting | 0:12:57 | 0:12:59 | |
and then from nowhere Spike Jonze goes, "Do you want to wrestle?" | 0:12:59 | 0:13:05 | |
I went, "Sorry, what?" | 0:13:05 | 0:13:09 | |
He went, "Do you like to wrestle?" | 0:13:09 | 0:13:11 | |
I went, "What, like, arm...?" | 0:13:11 | 0:13:14 | |
He went, "No, no. Do you want to wrestle right now?" | 0:13:14 | 0:13:18 | |
I went, "I'll destroy you." | 0:13:18 | 0:13:21 | |
And he went, "Well, let's find out." | 0:13:21 | 0:13:24 | |
Stands up. Takes off his jacket and empties his pockets | 0:13:24 | 0:13:27 | |
on to the desk and starts going like this around the table. | 0:13:27 | 0:13:31 | |
I'm going, "Spike I don't know if this is just a thing you do. | 0:13:33 | 0:13:37 | |
"This is really weird for me." | 0:13:37 | 0:13:40 | |
And he is going, "Come on, what are you going to do? | 0:13:40 | 0:13:43 | |
"What are you going to do?" | 0:13:43 | 0:13:44 | |
I'm going, "I don't know what to do." | 0:13:44 | 0:13:47 | |
I stand up and take off my coat | 0:13:47 | 0:13:49 | |
and I'm laughing and I said, "You're going to have to make the first move here, Spike, | 0:13:49 | 0:13:55 | |
"cos I don't know if I'm being punked or something." | 0:13:55 | 0:13:58 | |
From nowhere he just jumped on me and slammed me into this wall and for the | 0:14:00 | 0:14:06 | |
next ten minutes, we just wrestled around this room! | 0:14:06 | 0:14:10 | |
He is grabbing my face and I had him in a headlock | 0:14:10 | 0:14:14 | |
and at one point he had a finger in my eye | 0:14:14 | 0:14:18 | |
and he just went, "What do you want to do next in your career?" | 0:14:18 | 0:14:21 | |
He pinned me to the... He pinned me on the floor and he was going, | 0:14:21 | 0:14:24 | |
"You are going to have to submit." I went, "I will never submit. | 0:14:24 | 0:14:28 | |
I was trying to wriggle and every time I wriggled I got deeper into a hole. | 0:14:28 | 0:14:32 | |
I went, "OK, I submit." And we both lay on the floor going... HE PANTS | 0:14:32 | 0:14:37 | |
Poured a glass of water and we drank them really quickly... | 0:14:39 | 0:14:42 | |
Put them down and we sat down and carried on talking and that was it. | 0:14:44 | 0:14:47 | |
-Barking mad! -I have not heard from him since. | 0:14:47 | 0:14:51 | |
I don't think I will ever see him again. | 0:14:51 | 0:14:54 | |
-It was so weird. -Forget Hollywood. | 0:14:54 | 0:15:00 | |
-It was so strange. -That does not happen in this country! | 0:15:00 | 0:15:03 | |
Well, I know that obviously you've got big representation in LA | 0:15:03 | 0:15:07 | |
and you're having amazing meetings/fighting. | 0:15:07 | 0:15:11 | |
But what I'm very keen for everyone to know about... | 0:15:11 | 0:15:13 | |
-First of all, I'm going to play this bit - there's a documentary coming out on the BBC... -Mm. | 0:15:13 | 0:15:17 | |
-..which is When Corden Met Barlow... -Yeah. -..who is a hero of yours. | 0:15:17 | 0:15:21 | |
-Absolute hero of mine. -An excellent clip. | 0:15:21 | 0:15:23 | |
# We both know love was lost... # | 0:15:23 | 0:15:26 | |
-Why this one? -It's a whole mix. It's a mix of the whole back catalogue. | 0:15:26 | 0:15:32 | |
# Love ain't here any more... # | 0:15:33 | 0:15:37 | |
-Do you like this one? -Yes! | 0:15:37 | 0:15:39 | |
# No, no, love ain't here any more... # | 0:15:39 | 0:15:45 | |
Take it big, Gary, go. | 0:15:45 | 0:15:48 | |
-# It's one away -Ooh... # | 0:15:48 | 0:15:50 | |
LAUGHTER AND APPLAUSE | 0:15:50 | 0:15:53 | |
-# Love -Love | 0:15:54 | 0:15:57 | |
# Ain't here any more. # | 0:15:57 | 0:16:00 | |
-Let's see what else we've got. -Hang on. LAUGHTER AND APPLAUSE | 0:16:00 | 0:16:04 | |
That is so fun. It is so much fun. It was so great. | 0:16:04 | 0:16:08 | |
We just spent two days just travelling | 0:16:08 | 0:16:11 | |
round like places of his past, talking to his mum | 0:16:11 | 0:16:13 | |
and we went to the working men's club that he first ever performed in | 0:16:13 | 0:16:17 | |
and Nigel Martin-Smith, who put Take That together, and... It was great. | 0:16:17 | 0:16:21 | |
We got interviews with Robbie Williams and Elton John | 0:16:21 | 0:16:25 | |
and it was, for me, a real dream come true. | 0:16:25 | 0:16:27 | |
-And he's such a charming, lovely man. -It was great, yeah. | 0:16:27 | 0:16:30 | |
I was a Take That fan when it wasn't cool to be a Take That fan when you were a boy. | 0:16:30 | 0:16:35 | |
I went with like nine girls from my school... | 0:16:35 | 0:16:38 | |
-LAUGHTER Just nine girls and me. -What was it about Take That? | 0:16:38 | 0:16:41 | |
I just loved the routines and the songs and everything. I love it! I love the shows! Seriously! | 0:16:41 | 0:16:47 | |
-How old were -you then? 12. 12 to 16. Right through school, I was fully... | 0:16:47 | 0:16:53 | |
-Did you get picked on for this a little bit? -Um... I guess so, yeah. | 0:16:53 | 0:16:57 | |
People used to go... Yeah, people used to say things all the time. | 0:16:57 | 0:17:01 | |
They were into things like Nirvana and they're writing things... | 0:17:01 | 0:17:04 | |
-Red Hot Chili Peppers... -Buy another trench coat. | 0:17:04 | 0:17:07 | |
o, yeah, I was very much with the girls. | 0:17:07 | 0:17:10 | |
BOTH: # Could it be magic, now! # | 0:17:10 | 0:17:11 | |
Yeah! I knew all the routines. I knew everything. I loved it so much. | 0:17:11 | 0:17:15 | |
I'm going to play one more clip. When I saw this... I just felt like more people need to see it. | 0:17:15 | 0:17:19 | |
I don't know how many people saw it when you were singing together with Barlow, but it's brilliant! | 0:17:19 | 0:17:23 | |
-Absolutely brilliant! This was what you did for ITV, I think. -Oh, his Christmas show. -Yeah. | 0:17:23 | 0:17:28 | |
If I could have told my 12-year-old self that I would have got to | 0:17:28 | 0:17:31 | |
do this, like, his head would have exploded, it was so much fun. | 0:17:31 | 0:17:34 | |
I think watching this, you need to think of that 12-year-old boy, | 0:17:34 | 0:17:38 | |
being slightly picked on by the Red Hot Chili Pepper, Nirvana-loving, crazy-haired kids, | 0:17:38 | 0:17:42 | |
-and you're just with the routines, you're hanging round mainly with girls at this stage. -Yeah. | 0:17:42 | 0:17:48 | |
And then all those years later, this. | 0:17:48 | 0:17:51 | |
# Surely, we must be inside | 0:17:51 | 0:17:54 | |
# Of the dream we love to live | 0:17:57 | 0:18:01 | |
# If you stop and close your eyes | 0:18:03 | 0:18:08 | |
# You'll picture me inside | 0:18:08 | 0:18:12 | |
# I'm so cold and all alone. # | 0:18:12 | 0:18:20 | |
CHEERING | 0:18:20 | 0:18:23 | |
CHEERS AND APPLAUSE | 0:18:26 | 0:18:31 | |
-Sensational! -CHEERS AND APPLAUSE | 0:18:42 | 0:18:45 | |
Really brilliant! | 0:18:45 | 0:18:46 | |
When we... | 0:18:46 | 0:18:49 | |
When we... | 0:18:49 | 0:18:52 | |
When Gary asked if I'd come and do that, he said, "Don't worry. | 0:18:52 | 0:18:55 | |
"We'll get someone to teach you the routine." And I went, "No, Gary. It's cool." | 0:18:55 | 0:19:00 | |
-LAUGHTER -I'm doing it right now! -I've got it down. Yeah! | 0:19:00 | 0:19:04 | |
-No, it was great. -Ladies and gentlemen, if you've just tuned in, | 0:19:04 | 0:19:09 | |
we've reluctantly swapped phones and we should see how that's getting on. | 0:19:09 | 0:19:14 | |
I'm so nervous about this! Shall we do that? | 0:19:14 | 0:19:17 | |
CHEERS AND APPLAUSE | 0:19:17 | 0:19:20 | |
OK. | 0:19:25 | 0:19:27 | |
-JAMES LAUGHS -Oh, shit! | 0:19:27 | 0:19:31 | |
OK, I'm just going to remind everybody of the text, which was... | 0:19:31 | 0:19:35 | |
It was... I sent, "I've just finished my chat show and I need to cut loose. | 0:19:35 | 0:19:40 | |
"Me and you, lap dancing. Are you in or out? | 0:19:40 | 0:19:43 | |
-"Come on, let's do this." Right? -Yeah. | 0:19:43 | 0:19:47 | |
-And the first one that comes up is Judy Murray. -No way! | 0:19:47 | 0:19:51 | |
Andy Murray's mum! | 0:19:51 | 0:19:53 | |
-Judy Murray?! -And it says, "Who are you?" | 0:19:53 | 0:19:56 | |
LAUGHTER AND APPLAUSE | 0:19:56 | 0:19:59 | |
Judy Murray! | 0:20:03 | 0:20:05 | |
-Judy Murray! -OK, hang on. | 0:20:05 | 0:20:09 | |
-OK. Anton Du Beke. -No! -"At last, some real dancing. I'm in!" | 0:20:09 | 0:20:15 | |
LAUGHTER AND APPLAUSE | 0:20:15 | 0:20:18 | |
"I'm so ready!" | 0:20:20 | 0:20:21 | |
-"I love the idea of you and Anton Du Beke... -I can't believe Du Beke's in! | 0:20:21 | 0:20:26 | |
What have you got? | 0:20:26 | 0:20:28 | |
OK. So the text I sent out on James's phone... I can't speak. | 0:20:28 | 0:20:34 | |
-I'm so embarrassed about Judy Murray and Anton Du Beke. -Judy... | 0:20:34 | 0:20:38 | |
What kind of a night out is that going to be? | 0:20:38 | 0:20:42 | |
-SCOTTISH ACCENT: -Michael, do you want another lappy? | 0:20:42 | 0:20:45 | |
LAUGHTER | 0:20:45 | 0:20:46 | |
I'll lend you a 20! She's got a fine pair, that one! | 0:20:46 | 0:20:49 | |
LAUGHTER | 0:20:49 | 0:20:51 | |
-She's suddenly Taggart! -"Guess who's been nominated for another BAFTA. | 0:20:51 | 0:20:57 | |
-"Yes, that's right. It's me, the big dog." -Oh, God! | 0:20:57 | 0:21:01 | |
"Let's celebrate the win now. You and me going lap dancing. Let's do this." | 0:21:01 | 0:21:07 | |
-OK, we've got an absolutely wonderful one from Jack Whitehall. -OK. | 0:21:07 | 0:21:11 | |
"Have to be Spearmint Rhino. I'm banned from Stringfellows." | 0:21:11 | 0:21:14 | |
LAUGHTER AND APPLAUSE | 0:21:14 | 0:21:18 | |
I can't believe... You're going to have such a good night. | 0:21:22 | 0:21:26 | |
I've just got a maybe from Judy Murray and Anton Du Beke, | 0:21:26 | 0:21:29 | |
-who is already there with a bottle of Champagne. -Not true. You've got a great one just come in. | 0:21:29 | 0:21:34 | |
From Clarkson. LAUGHTER | 0:21:34 | 0:21:36 | |
"Yes! Yes! Yes!" | 0:21:36 | 0:21:38 | |
LAUGHTER | 0:21:38 | 0:21:40 | |
Luke Coxwald has said, "Mm, very kind, Michael, | 0:21:40 | 0:21:43 | |
"but I'm not about this week. Tuesday I can do." | 0:21:43 | 0:21:46 | |
LAUGHTER "Secrets, Hammersmith, super venue." | 0:21:46 | 0:21:51 | |
LAUGHTER AND APPLAUSE | 0:21:51 | 0:21:55 | |
-He's an estate agent. A country estate agent. -Sure. | 0:21:55 | 0:21:58 | |
"Tuesday, I can do. Can you work around my schedule? | 0:21:58 | 0:22:02 | |
"I'm showing a house on Monday." | 0:22:02 | 0:22:04 | |
Alan Carr says, "Well, someone's full of beans!" | 0:22:04 | 0:22:07 | |
LAUGHTER | 0:22:07 | 0:22:08 | |
"You have a short memory. | 0:22:08 | 0:22:10 | |
"Last time we went lap dancing, you pulled something." | 0:22:10 | 0:22:13 | |
LAUGHTER AND APPLAUSE | 0:22:13 | 0:22:15 | |
I... | 0:22:18 | 0:22:20 | |
Is Alan Carr getting the biggest laugh on my chat show? | 0:22:20 | 0:22:24 | |
LAUGHTER Hang on! Hold up! Hold up! | 0:22:24 | 0:22:28 | |
Roy Hodgson... | 0:22:29 | 0:22:31 | |
LAUGHTER | 0:22:31 | 0:22:33 | |
-No way! -"I'm sure you don't mean ME, Michael. | 0:22:33 | 0:22:37 | |
"My dancing days are long gone, but have a good night. Best, Roy." | 0:22:37 | 0:22:42 | |
LAUGHTER AND APPLAUSE | 0:22:42 | 0:22:46 | |
Oh, it's too much. OK. Shall we go with Harry Styles? | 0:22:48 | 0:22:52 | |
OK. | 0:22:52 | 0:22:53 | |
"Great! But what is it with you and lap dancing?" | 0:22:55 | 0:22:59 | |
LAUGHTER | 0:22:59 | 0:23:01 | |
"You know what happened last time we did that. Wasn't pretty. | 0:23:01 | 0:23:04 | |
-"Maybe we shouldn't bring Max this time." That's your child. -My son. | 0:23:04 | 0:23:08 | |
And then he's put in brackets, which I quite like, | 0:23:08 | 0:23:11 | |
"Are you playing Send To All with Michael McIntyre?" Harry Styles! | 0:23:11 | 0:23:14 | |
-CHEERS AND APPLAUSE -Harry Styles! | 0:23:14 | 0:23:18 | |
APPLAUSE | 0:23:18 | 0:23:19 | |
-Oh, dear! -Well, this, let's be honest, couldn't have gone better. | 0:23:19 | 0:23:23 | |
-We're going to have to check in on this later on. Are you OK to do that? -Yeah, sure. Give me my phone. | 0:23:23 | 0:23:28 | |
LAUGHTER | 0:23:28 | 0:23:30 | |
All right. Ladies and gentlemen, please join me in thanking the absolutely wonderful James Corden. | 0:23:30 | 0:23:35 | |
CHEERS AND APPLAUSE | 0:23:35 | 0:23:37 | |
Fantastic! | 0:23:37 | 0:23:40 | |
That was really bad! I'm going to keep this. | 0:23:40 | 0:23:43 | |
James Corden, ladies and gentlemen. | 0:23:44 | 0:23:46 | |
CHEERS AND APPLAUSE | 0:23:46 | 0:23:51 | |
How amazing was James Corden, ladies and gentlemen? | 0:23:51 | 0:23:54 | |
-CHEERS AND APPLAUSE -What a night we're having! | 0:23:54 | 0:23:57 | |
OK. | 0:23:57 | 0:23:59 | |
My next guest is a wondrous ray of Welsh sunshine. | 0:23:59 | 0:24:02 | |
Five days a week at seven o'clock sharp, she steals our hearts. | 0:24:02 | 0:24:06 | |
Please welcome the delightfully dishy TV queen of The One Show. | 0:24:06 | 0:24:10 | |
She's the one, the only... Alex Jones is here! | 0:24:10 | 0:24:13 | |
CHEERS AND APPLAUSE | 0:24:13 | 0:24:16 | |
How are you? | 0:24:22 | 0:24:25 | |
APPLAUSE DROWNS OUT SPEECH | 0:24:25 | 0:24:27 | |
-Alex Jones, ladies and gentlemen. -CHEERS AND APPLAUSE | 0:24:27 | 0:24:31 | |
-Alex Jones, you're looking very, very, very good. -Oh! | 0:24:31 | 0:24:35 | |
Thank you very much, Michael McIntyre. | 0:24:35 | 0:24:38 | |
-Can't beat a black dress, can you? -It's actually a really long T-shirt. -Even better! | 0:24:38 | 0:24:43 | |
Do you have somebody advising you on...? Cos it's very difficult, | 0:24:43 | 0:24:47 | |
you're on that show five days a week, to come up with a new outfit every day. | 0:24:47 | 0:24:50 | |
It's very difficult and especially on a budget of (£18 a day). | 0:24:50 | 0:24:55 | |
-£18 a day?! -I mean, that's really... That's quite hard, girls, right? | 0:24:55 | 0:25:01 | |
-£18... -A day. So when people go, "It's lovely because you always wear | 0:25:01 | 0:25:05 | |
"stuff from the high street," I don't have a choice! | 0:25:05 | 0:25:08 | |
-LAUGHTER -Now, listen, I'm very proud of you, Alex Jones, | 0:25:08 | 0:25:12 | |
-and what you did for Sport Relief. -Right. -Oh, my God! | 0:25:12 | 0:25:16 | |
Will you inform us what you went through and how much you raised? | 0:25:16 | 0:25:19 | |
So I climbed a 1,200 foot rock in Utah, in the National Park, | 0:25:19 | 0:25:25 | |
in Zion National Park. | 0:25:25 | 0:25:27 | |
And it was a rock called Moonlight Buttress | 0:25:27 | 0:25:31 | |
and I crack-climbed Moonlight Buttress... | 0:25:31 | 0:25:33 | |
-What does that mean? -LAUGHTER | 0:25:33 | 0:25:36 | |
You crack-climbed? Is that something to do with the guy above you? | 0:25:36 | 0:25:39 | |
LAUGHTER Well, we'll talk about that in a minute. But crack-climbing is | 0:25:39 | 0:25:44 | |
when you have to wedge your hands into these tiny cracks, | 0:25:44 | 0:25:48 | |
until your hand is stuck, | 0:25:48 | 0:25:49 | |
and then you pull all your body weight onto your hand | 0:25:49 | 0:25:52 | |
and then you wedge your feet in and your other hand and so on. | 0:25:52 | 0:25:55 | |
It was unpleasant. | 0:25:55 | 0:25:57 | |
When you're lifting your body up | 0:25:57 | 0:25:59 | |
because your hand is wedged in a crack? | 0:25:59 | 0:26:02 | |
-Yeah. -But how do you un-wedge your hand? | 0:26:02 | 0:26:04 | |
Well, you pull yourself up, you make yourself safe with your other | 0:26:04 | 0:26:08 | |
hand, and then you remove this hand and replace and repeat. | 0:26:08 | 0:26:12 | |
I think we've got a picture of the rock. | 0:26:12 | 0:26:14 | |
That is absolutely terrifying! That's you! It's you, isn't it? | 0:26:14 | 0:26:18 | |
-It's me! -You've got your hand in a crack and you're going up there. | 0:26:18 | 0:26:21 | |
-LAUGHTER -So what about when the cracks ran out? | 0:26:21 | 0:26:24 | |
Well, there's cracks all the way up because it's made of sandstone. | 0:26:24 | 0:26:27 | |
-Doesn't that worry you? -I was petrified, the entire time. | 0:26:27 | 0:26:30 | |
It took two-and-a-half days to climb, which is physically really demanding. | 0:26:30 | 0:26:35 | |
-You have to stay the night. -You have to stay the night. -On the rock! | 0:26:35 | 0:26:39 | |
-And they haven't got a B&B. -So you had to make yourself a bed. I think we've got footage of that. | 0:26:39 | 0:26:44 | |
This is truly remarkable. | 0:26:44 | 0:26:47 | |
It's such a faff, isn't it? Argh! | 0:26:47 | 0:26:51 | |
Just need to pull it, so it's... | 0:26:51 | 0:26:54 | |
-Well, it's quite unstable, isn't it, really? -Yeah. | 0:26:54 | 0:26:57 | |
OK. | 0:26:59 | 0:27:01 | |
-OK? -I'm not sure about this! | 0:27:13 | 0:27:15 | |
-LAUGHTER AND APPLAUSE -That is truly remarkable. | 0:27:15 | 0:27:19 | |
What's holding you up? | 0:27:21 | 0:27:23 | |
-What would you call that? -Well, that is called a portaledge. | 0:27:23 | 0:27:28 | |
OK. | 0:27:28 | 0:27:30 | |
But basically, you're sharing a double bed with somebody | 0:27:30 | 0:27:34 | |
-you've never met. Awkward. -Not for him! | 0:27:34 | 0:27:37 | |
LAUGHTER Well... | 0:27:37 | 0:27:39 | |
But it's not just the sleeping. The sleeping's the easy bit. | 0:27:39 | 0:27:43 | |
Well, not that easy when you're at 1,000 feet. | 0:27:43 | 0:27:45 | |
But it's just the whole thing of, you know, having your evening meal | 0:27:45 | 0:27:48 | |
and having a chat with somebody you don't know, which is | 0:27:48 | 0:27:52 | |
absolutely fine, but then obviously you have to have a little wee | 0:27:52 | 0:27:56 | |
each before you start eating. | 0:27:56 | 0:27:58 | |
-How do you do that? -Otherwise you can't relax. | 0:27:58 | 0:28:00 | |
-How do you...? -LAUGHTER | 0:28:00 | 0:28:03 | |
-How do you have a little wee each? -LAUGHTER | 0:28:03 | 0:28:06 | |
Um... Well, it goes like this. | 0:28:06 | 0:28:08 | |
He said, "This is what we're going to do. | 0:28:08 | 0:28:12 | |
"I'm going to put my iPod on," | 0:28:12 | 0:28:13 | |
so he played a nice bit of Elbow and we took it in turns | 0:28:13 | 0:28:17 | |
-to have the sleeping bag over our head while he went to the loo... -So you weren't looking. | 0:28:17 | 0:28:23 | |
And then he had the sleeping bag over his head | 0:28:23 | 0:28:25 | |
while I knelt and...tried to use a she-wee. | 0:28:25 | 0:28:29 | |
LAUGHTER | 0:28:29 | 0:28:32 | |
Whoa! Wait a minute! What's a she-wee? | 0:28:32 | 0:28:36 | |
I've never heard of a she-wee. What's a she-wee? | 0:28:36 | 0:28:39 | |
It's a contraption... Girls, you know what a she-wee is. | 0:28:39 | 0:28:42 | |
-AUDIENCE: Yes! -What kind of an audience is this? | 0:28:42 | 0:28:46 | |
I've got an audience full of she-wees! | 0:28:46 | 0:28:48 | |
Is this how you get through the recording without going to the loo? | 0:28:48 | 0:28:51 | |
LAUGHTER | 0:28:51 | 0:28:54 | |
Well, a she-wee is a funnel device and it's made in such a way that it | 0:28:54 | 0:28:59 | |
allows girls to pee without pulling down their trousers. | 0:28:59 | 0:29:03 | |
LAUGHTER | 0:29:04 | 0:29:09 | |
You're tethered to the rock, like a small dog. Or a big dog, even. | 0:29:09 | 0:29:13 | |
He's got a sleeping bag over his head, listening to Elbow... | 0:29:13 | 0:29:17 | |
# One day like this a year... # | 0:29:17 | 0:29:19 | |
I don't think so! You've got Alex Jones outside, she-weeing! | 0:29:19 | 0:29:23 | |
LAUGHTER | 0:29:23 | 0:29:25 | |
-So I have my back to him... -Right, you've got your back to him, he's... | 0:29:25 | 0:29:28 | |
On my knees. He's there, singing along to Elbow. | 0:29:28 | 0:29:33 | |
And then you get your she-wee and then you unzip your trousers | 0:29:33 | 0:29:37 | |
and then you pop the she-wee in the right position... | 0:29:37 | 0:29:41 | |
Excellent. | 0:29:41 | 0:29:43 | |
And then, you point the she-wee into a bag of sand. | 0:29:43 | 0:29:49 | |
-Oh! It disperses into the sand. -No. | 0:29:49 | 0:29:53 | |
LAUGHTER | 0:29:53 | 0:29:55 | |
Into a bag of sand that then crystallises, | 0:29:55 | 0:29:58 | |
so then you can carry your urine with you up the cliff. | 0:29:58 | 0:30:04 | |
-Do you mind if I chip in? -Go on. | 0:30:04 | 0:30:06 | |
Why don't you just piss off the mountain? | 0:30:06 | 0:30:09 | |
LAUGHTER | 0:30:09 | 0:30:11 | |
My only frame of reference is on the motorway. | 0:30:11 | 0:30:15 | |
-Oh. Well, it's good for that. -Yeah. The children, when they need a pee and I can't stop, | 0:30:15 | 0:30:20 | |
I'll throw an Evian bottle back there. | 0:30:20 | 0:30:22 | |
And then it gets to the point where it's like, "Daddy, it's full!" | 0:30:22 | 0:30:25 | |
And then it's just all over the leather. | 0:30:25 | 0:30:29 | |
I've looked round. "Oh, for God's sake, darling! | 0:30:29 | 0:30:31 | |
"Why are you peeing so much?" | 0:30:31 | 0:30:33 | |
And then my wife's having to finish her Evian to throw back the Evian. | 0:30:33 | 0:30:37 | |
And then we forget it's there and six weeks later, I'm thirsty... | 0:30:37 | 0:30:40 | |
-"Put that down!" It's a nightmare. You don't have children yet. -No. | 0:30:40 | 0:30:45 | |
-That's my life. Now, Alex, you're Welsh... -Right. -You speak Welsh, don't you? -Oh, yes. | 0:30:45 | 0:30:50 | |
-Could you speak Welsh, just a little bit, cos it's the finest language? -Be' ti moyn gwbod, Michael? | 0:30:50 | 0:30:54 | |
-What? -LAUGHTER | 0:30:54 | 0:30:56 | |
Wel, alla i weud unrhywbeth wrthot ti yn Gymraeg. Ti moyn dysgu peth? | 0:30:56 | 0:31:01 | |
-Is that what they speak in Pingu? -LAUGHTER AND APPLAUSE | 0:31:01 | 0:31:06 | |
Cos we could have a conversation. Let's have a conversation in Welsh. | 0:31:06 | 0:31:11 | |
OK. | 0:31:11 | 0:31:12 | |
PRETENDS TO SPEAK WELSH | 0:31:12 | 0:31:17 | |
O, Michael! Ti'n siarad trwy dy het. | 0:31:17 | 0:31:21 | |
PRETENDS TO SPEAK WELSH | 0:31:21 | 0:31:25 | |
Dwyt ti ddim yn neud dim synnwyr cyffredin. | 0:31:27 | 0:31:30 | |
PRETENDS TO SPEAK WELSH LOUDLY | 0:31:30 | 0:31:32 | |
Ti'n deall? CONTINUES TO PRETEND | 0:31:32 | 0:31:36 | |
O! Paid a bod yn gas! | 0:31:36 | 0:31:39 | |
CONTINUES PRETENDING | 0:31:39 | 0:31:41 | |
Na welliant. Da iawn, Michael. | 0:31:41 | 0:31:43 | |
-APPLAUSE -How the hell do you...? Cos no-one else speaks it in Wales. | 0:31:43 | 0:31:46 | |
-How did you learn that? -Course they do. -Not really. -600,000, 700,000. -Speak Welsh? -Yeah. | 0:31:46 | 0:31:52 | |
And how many people are in Wales? | 0:31:52 | 0:31:54 | |
LAUGHTER About...three to four million. | 0:31:54 | 0:31:58 | |
Oh, so the others have just gone, "Oh, we'll go with | 0:31:58 | 0:32:01 | |
"the English." Cos they write it up on every sign, don't they? | 0:32:01 | 0:32:05 | |
-The thing is... It is quite trendy now. -There's not a lot of vowels in it. | 0:32:05 | 0:32:09 | |
Cos you have consonants back-to-back. | 0:32:09 | 0:32:12 | |
I see words, entire words, and it's just like... Ds and Gs and... | 0:32:12 | 0:32:16 | |
Is there a Welsh version of Countdown? | 0:32:16 | 0:32:18 | |
-LAUGHTER -No, there isn't. Do they just always go, "Nine"? | 0:32:18 | 0:32:21 | |
LAUGHTER | 0:32:21 | 0:32:23 | |
"What does it mean?" "I don't bloody know, but I'm sure I've seen it." | 0:32:23 | 0:32:26 | |
LAUGHTER | 0:32:26 | 0:32:28 | |
"I've got nine also." | 0:32:28 | 0:32:29 | |
The Conundrum, they just go, "Yeah, as you are." | 0:32:29 | 0:32:33 | |
Yeah. | 0:32:33 | 0:32:34 | |
LAUGHTER | 0:32:34 | 0:32:38 | |
Alex Jones, this wonderful expedition that you | 0:32:38 | 0:32:41 | |
did for Sport Relief, risking your mind, body and soul, | 0:32:41 | 0:32:45 | |
and peeing into a she-wee, how much did you manage to raise? | 0:32:45 | 0:32:48 | |
I'm not sure what the latest total is, | 0:32:48 | 0:32:51 | |
but it was over £1.5 million last time we checked. | 0:32:51 | 0:32:54 | |
CHEERS AND APPLAUSE | 0:32:54 | 0:32:58 | |
Alex Jones, thank you so much for coming. | 0:32:58 | 0:33:01 | |
You were absolutely brilliant. The wonderful, the gorgeous, | 0:33:01 | 0:33:04 | |
the charitable, the divine, the she-wee using Alex Jones! | 0:33:04 | 0:33:09 | |
CHEERS AND APPLAUSE | 0:33:09 | 0:33:11 | |
Thank you so much. That was brilliant. Amazing. | 0:33:11 | 0:33:15 | |
-You're amazing. Thank you so much. -Thank you so much. | 0:33:15 | 0:33:18 | |
-Have a safe journey. -Thank you. | 0:33:18 | 0:33:21 | |
-Alex Jones, ladies and gentlemen. Absolutely fantastic. -CHEERS AND APPLAUSE | 0:33:21 | 0:33:25 | |
Oh! Fabulous! | 0:33:25 | 0:33:27 | |
OK, right. I can see a lurking James Corden. | 0:33:29 | 0:33:33 | |
Ladies and gentlemen, James Corden is lurking! | 0:33:33 | 0:33:35 | |
CHEERS AND APPLAUSE | 0:33:35 | 0:33:38 | |
That's mine. | 0:33:42 | 0:33:45 | |
OK. We've had some nice ones come back in. | 0:33:45 | 0:33:50 | |
My favourite on yours so far is Liam from One Direction says, | 0:33:50 | 0:33:56 | |
"Time and place, I'm there, giving it big ones." | 0:33:56 | 0:34:00 | |
LAUGHTER | 0:34:00 | 0:34:01 | |
We're getting dangerously close to having to have this night out. | 0:34:01 | 0:34:05 | |
Yeah. | 0:34:05 | 0:34:07 | |
-Bertie Carvel. -Yes, wonderful actor. | 0:34:07 | 0:34:10 | |
Right. "James? Is that you? Must be. The only big dog I know." | 0:34:10 | 0:34:16 | |
LAUGHTER | 0:34:16 | 0:34:18 | |
"Congratulations! Amazing! And richly deserved." | 0:34:18 | 0:34:22 | |
-Classic actor. -Yeah. | 0:34:22 | 0:34:24 | |
"Congratulations! Amazing! Richly deserved! | 0:34:24 | 0:34:26 | |
"My only experience of receiving a lap dance was possibly | 0:34:26 | 0:34:29 | |
"the most awkward and self-conscious moment of my life. | 0:34:29 | 0:34:32 | |
"But I'll happily dance for you in celebration. | 0:34:32 | 0:34:35 | |
"Can't come out to play tonight, but let's make a date. | 0:34:35 | 0:34:38 | |
"See you at the Olivier's on Sunday." | 0:34:38 | 0:34:41 | |
LAUGHTER | 0:34:41 | 0:34:42 | |
APPLAUSE | 0:34:42 | 0:34:46 | |
-You've got a friend in here called Award. -That's my mother-in-law. | 0:34:46 | 0:34:51 | |
OK. | 0:34:51 | 0:34:53 | |
-Oh, shit! -LAUGHTER | 0:34:53 | 0:34:57 | |
Oh, no, no, no, no! | 0:34:57 | 0:35:01 | |
The mother-in-law has put, | 0:35:01 | 0:35:02 | |
"Hey, M, are you sure this was for me? | 0:35:02 | 0:35:05 | |
"If so, maybe we should talk." | 0:35:05 | 0:35:07 | |
LAUGHTER AND APPLAUSE | 0:35:07 | 0:35:11 | |
-Then you've got someone called Dude. -That's my brother. -OK. | 0:35:13 | 0:35:17 | |
He's put, "Are you kidding? Of course I am in! | 0:35:17 | 0:35:20 | |
"Do you want to do this right now? I think it is happy hour until 10." | 0:35:20 | 0:35:25 | |
-Who is Rudy? -Rudy is my sister. | 0:35:31 | 0:35:35 | |
"Classic, Jabrone." Who is Jabrone? | 0:35:35 | 0:35:38 | |
-It is just what we call each other. Jabrone. -What's that about? | 0:35:38 | 0:35:42 | |
I don't know. It just happened one day. | 0:35:42 | 0:35:44 | |
We just started calling each other Jabrone. | 0:35:44 | 0:35:47 | |
"Although I think a brother-sister lapdance combo | 0:35:47 | 0:35:50 | |
"would be hashtag 'awks'. | 0:35:50 | 0:35:52 | |
-"Well done, mate, so proud, love you." -Aaaw! -That's very sweet. | 0:35:57 | 0:36:03 | |
-David Walliams has come in here. -OK. | 0:36:03 | 0:36:07 | |
"Congratulations, and so lovely you haven't lost your humility." | 0:36:07 | 0:36:10 | |
-Classic Walliams. -Who is Will Kitchen? | 0:36:14 | 0:36:18 | |
He is the guy doing the kitchen. | 0:36:20 | 0:36:22 | |
"You know what I like but I can't do tonight, | 0:36:27 | 0:36:29 | |
"I have got work tomorrow morning, | 0:36:29 | 0:36:31 | |
"but I am liking where your head is at." | 0:36:31 | 0:36:32 | |
That is not from Will? The guy from the kitchen company? | 0:36:32 | 0:36:35 | |
-"When are you filming next, and when can we go out?" -Will?! | 0:36:35 | 0:36:38 | |
He came round once to measure the kitchen! | 0:36:38 | 0:36:41 | |
-Who is Baco? -"Bay-co." Richard Bacon. | 0:36:43 | 0:36:48 | |
-Oh, Richard Bacon? -Yeah. -He has put "100 per cent in." | 0:36:48 | 0:36:52 | |
-No surprise. -"I have a strict policy of never saying no to an invite. | 0:36:52 | 0:36:57 | |
"Do you mean tonight or next few days?" | 0:36:57 | 0:36:59 | |
He is ready to go immediately! | 0:37:01 | 0:37:03 | |
I had no idea this would be so funny. | 0:37:03 | 0:37:06 | |
He literally got the text and went, "Right, I am out!" | 0:37:06 | 0:37:09 | |
-Who is Gino D? Is that Gino D'Acampo? -Yes. | 0:37:09 | 0:37:13 | |
He's put, "WTF?!!" Double exclamation mark! | 0:37:14 | 0:37:18 | |
"I just asked my son to read me the text as I was busy cooking." | 0:37:18 | 0:37:21 | |
LAUGHTER AND APPLAUSE | 0:37:21 | 0:37:25 | |
He said, "Daddy, I think the funnyman wants to see you naked." | 0:37:32 | 0:37:37 | |
"What am I going to say now?" | 0:37:37 | 0:37:39 | |
Then he has put, "Anyway, tell me when and where and I will be there!" | 0:37:39 | 0:37:43 | |
-I've got no idea! -And an emoticon wink. One of those. | 0:37:43 | 0:37:45 | |
APPLAUSE | 0:37:45 | 0:37:47 | |
-Right, are we swapping back? -Thank you so much. | 0:37:47 | 0:37:50 | |
Ladies and gentlemen, what a laugh, James Corden. | 0:37:50 | 0:37:53 | |
CHEERING AND APPLAUSE | 0:37:53 | 0:37:56 | |
What a sport! | 0:37:56 | 0:37:58 | |
My final guest is a true national treasure, | 0:38:01 | 0:38:03 | |
a television titan, and entertainment legend. | 0:38:03 | 0:38:06 | |
He has lit up our screens in a record-breaking broadcasting career | 0:38:06 | 0:38:09 | |
lasting an incredible 74 years. | 0:38:09 | 0:38:11 | |
He is the King of the Swingers, the Lord of the Dance, | 0:38:11 | 0:38:14 | |
and a knight of the realm. Didn't he do well? | 0:38:14 | 0:38:17 | |
Please, ladies and gentlemen, be upstanding, | 0:38:17 | 0:38:20 | |
for Sir Bruce Forsyth. | 0:38:20 | 0:38:21 | |
CHEERING AND APPLAUSE | 0:38:21 | 0:38:25 | |
-Wonderful. -Amazing. | 0:38:43 | 0:38:46 | |
Don't stop. Stay like that. | 0:38:46 | 0:38:50 | |
-Sir Bruce, I can't believe you're not doing Strictly any more. -No. | 0:38:52 | 0:38:55 | |
This was big news. Did you expect it to be such big news? | 0:38:55 | 0:39:00 | |
No. I didn't expect it to make all the fuss it did. | 0:39:00 | 0:39:03 | |
Very flattered by all that, it has been marvellous, | 0:39:03 | 0:39:07 | |
but I'm doing the Christmas show, and I'm doing Children In Need, | 0:39:07 | 0:39:10 | |
because that's a charity show. | 0:39:10 | 0:39:12 | |
And the BBC have got a couple of other little things for me to do, | 0:39:12 | 0:39:17 | |
some specials, that I will love doing as well. | 0:39:17 | 0:39:20 | |
So why are you stopping now? | 0:39:20 | 0:39:22 | |
Well, you know, there comes a time when you say, this is... | 0:39:22 | 0:39:25 | |
You know, you will feel the same in about two years' time. | 0:39:25 | 0:39:29 | |
You do get to this stage where you think, this is enough. | 0:39:31 | 0:39:34 | |
And I do get tired. | 0:39:34 | 0:39:36 | |
Doing live television is very, very strenuous. | 0:39:36 | 0:39:40 | |
Especially when some of the shows are an hour and 40 minutes long. | 0:39:40 | 0:39:44 | |
Apart from the strenuous physical activity of hosting the show, | 0:39:44 | 0:39:47 | |
-you have enjoyed it? -I loved it. It is beautiful... | 0:39:47 | 0:39:50 | |
-Biggest show on television. -A lovely, lovely show. | 0:39:50 | 0:39:52 | |
The biggest show on television, yes. | 0:39:52 | 0:39:54 | |
And I had to think very seriously about giving it up. | 0:39:54 | 0:39:59 | |
But I know it is better for me, physically, | 0:39:59 | 0:40:03 | |
I will spend more time with my wife and my family, | 0:40:03 | 0:40:06 | |
I will be able to have little breaks, which are good. | 0:40:06 | 0:40:10 | |
And as I say, the live, live, every week, you see, | 0:40:10 | 0:40:13 | |
and if I made a mistake with the autocue, it is big news. | 0:40:13 | 0:40:17 | |
"Well, he is 86 years old, he is past it..." And I was getting all that. | 0:40:17 | 0:40:22 | |
And you don't need that, you know? Who needs it? | 0:40:22 | 0:40:26 | |
Well, Sir Bruce, I think I speak for everybody | 0:40:26 | 0:40:28 | |
when I say you will be very badly missed. | 0:40:28 | 0:40:31 | |
APPLAUSE | 0:40:31 | 0:40:34 | |
-And I will. -It is a long time. -It is a long time, yes. And I will miss it. | 0:40:34 | 0:40:39 | |
I will miss it like mad, I really will. | 0:40:39 | 0:40:42 | |
It was a decision, I would rather do it this year | 0:40:42 | 0:40:46 | |
rather than wait another year, because you never know. | 0:40:46 | 0:40:48 | |
Then I was getting the flu. I always got the flu in studios, | 0:40:48 | 0:40:52 | |
they are so full of germs. | 0:40:52 | 0:40:54 | |
Be careful! | 0:40:54 | 0:40:56 | |
So many dancers, so many contestants. | 0:40:56 | 0:40:58 | |
Did you always know who they were? | 0:40:58 | 0:41:00 | |
No. Especially... I have got to admit this! | 0:41:00 | 0:41:04 | |
Especially the soap stars. | 0:41:04 | 0:41:06 | |
But they were, I think the celebrities we have had, | 0:41:08 | 0:41:11 | |
I mean, it takes, it really does take a lot of guts, to go out there, | 0:41:11 | 0:41:17 | |
onto a dance floor, and you have never done anything like that, | 0:41:17 | 0:41:21 | |
and I am indebted to all the celebrities | 0:41:21 | 0:41:25 | |
that have taken part in Strictly. | 0:41:25 | 0:41:27 | |
Because it has taken such courage to do that. | 0:41:27 | 0:41:32 | |
And they have all been wonderful. They really have. | 0:41:32 | 0:41:35 | |
You will be watching Strictly, I suppose, in the autumn, | 0:41:35 | 0:41:38 | |
-like the rest of us? -I certainly will. I won't miss one single show. | 0:41:38 | 0:41:42 | |
We've got a little montage of you hosting Strictly. | 0:41:42 | 0:41:45 | |
Oh, really? Have you really? | 0:41:45 | 0:41:47 | |
It is nice to see you, to see you... | 0:41:47 | 0:41:50 | |
ALL: Nice! | 0:41:50 | 0:41:52 | |
MUSIC: "Let Me Entertain You" by Robbie Williams | 0:41:52 | 0:41:56 | |
Michael Torbay took his wife to see the West Indies play once. | 0:41:57 | 0:42:01 | |
I said, "Jamaica?" He said, "If..." | 0:42:01 | 0:42:03 | |
AUDIENCE GROAN No, just a minute! | 0:42:03 | 0:42:05 | |
Your thumb, darling. Get it down. | 0:42:09 | 0:42:12 | |
He was looking at you, asking, "Is it all right?" | 0:42:12 | 0:42:15 | |
Tell me, Tom, have I still got it? | 0:42:17 | 0:42:20 | |
Well, yes, Bruce, but it looks a little worn out. | 0:42:20 | 0:42:23 | |
You're working with a legend, don't you understand that, son?! | 0:42:26 | 0:42:29 | |
Gangnam style. | 0:42:32 | 0:42:34 | |
I do apologise. My behaviour was tote inapprops. | 0:42:36 | 0:42:39 | |
Keep dancing! | 0:42:39 | 0:42:42 | |
CHEERING AND APPLAUSE | 0:42:44 | 0:42:46 | |
I will miss it. I will miss it. | 0:42:46 | 0:42:48 | |
-Now, Bruce, do you know what is so exciting for me to see? -What? | 0:42:50 | 0:42:53 | |
Just you with an audience. | 0:42:53 | 0:42:55 | |
-You've spent so much of your life in front of an audience. -Yes, yes. | 0:42:55 | 0:42:58 | |
And you have got a young crowd, which is wonderful. They really are. | 0:42:58 | 0:43:02 | |
But you are really entertaining the young crowds now. Glastonbury. | 0:43:02 | 0:43:05 | |
That's what amazed me about Glastonbury. | 0:43:05 | 0:43:09 | |
You know, I thought, these young people, | 0:43:09 | 0:43:11 | |
they will want one of these edgy comedians, | 0:43:11 | 0:43:14 | |
that get those kind of laughs, maybe swear a bit, and all that. | 0:43:14 | 0:43:18 | |
You know, I don't do that. | 0:43:18 | 0:43:20 | |
How did it come about that you performed at Glastonbury? | 0:43:20 | 0:43:22 | |
I don't know, I don't know how they let me in, but they did! | 0:43:22 | 0:43:25 | |
-So did they ask you? -Of course they did. For goodness' sake! | 0:43:25 | 0:43:29 | |
I know you couldn't just walk on! | 0:43:29 | 0:43:32 | |
-If this is going to be the tone of the interview... -Sorry, Bruce... | 0:43:34 | 0:43:40 | |
-So, watch it! -What I meant is... This is you in the tent at Glastonbury. | 0:43:40 | 0:43:43 | |
Oh, yes, that's me. But it was marvellous. | 0:43:43 | 0:43:47 | |
I was on the Avalon stage. | 0:43:47 | 0:43:49 | |
It was going on BBC News, Sky News, they had to put the barriers up, | 0:43:49 | 0:43:55 | |
because people couldn't get in. I was stunned. | 0:43:55 | 0:44:00 | |
I think it is the most incredible reception, apart from tonight... | 0:44:00 | 0:44:05 | |
CHEERING | 0:44:05 | 0:44:08 | |
-..that I have ever had. -Really? -It was quite amazing, quite amazing. | 0:44:08 | 0:44:12 | |
-And what kind of stuff did you do? -What I always do. | 0:44:12 | 0:44:15 | |
I sing, I dance, I get involved with the audience, I play the piano. | 0:44:15 | 0:44:21 | |
Was it scripted? | 0:44:21 | 0:44:23 | |
My one-man show I have been doing off and on for years and years. | 0:44:23 | 0:44:28 | |
-I alter little bits of it now and again. -You are also going on tour. | 0:44:28 | 0:44:33 | |
So, Bruce Forsyth Entertains. | 0:44:33 | 0:44:36 | |
That's it. I'm doing three dates. Just to keep my hand in. | 0:44:36 | 0:44:40 | |
Southampton, Bristol and Nottingham. You can see Sir Bruce Forsyth Entertains. | 0:44:40 | 0:44:43 | |
-APPLAUSE -It will be wonderful. | 0:44:43 | 0:44:48 | |
When you started on Sunday Night At The Palladium, | 0:44:49 | 0:44:52 | |
that was the pinnacle. | 0:44:52 | 0:44:53 | |
A wonderful atmosphere. | 0:44:53 | 0:44:55 | |
And still probably the greatest theatre | 0:44:55 | 0:44:58 | |
that we've got in England. | 0:44:58 | 0:44:59 | |
It is a beautiful theatre. | 0:44:59 | 0:45:01 | |
I went there the other day, doing this thing, life stories, Sammy Davis Jr. | 0:45:01 | 0:45:06 | |
-Oh, yes. -And of course, we worked together. -Perspectives. | 0:45:06 | 0:45:09 | |
-Perspectives, yes. 25th May. -25th of May on ITV. | 0:45:09 | 0:45:13 | |
You can always tell when a theatre is really special, | 0:45:13 | 0:45:17 | |
when you go there when it is empty, | 0:45:17 | 0:45:19 | |
because it still has an atmosphere. | 0:45:19 | 0:45:22 | |
You can still feel. Like the Albert Hall. | 0:45:22 | 0:45:25 | |
It comes right around. I thought, "That will be so difficult to work." | 0:45:25 | 0:45:28 | |
It comes right around so you have got the audience very close. | 0:45:28 | 0:45:31 | |
You think it is remote, but it isn't. | 0:45:31 | 0:45:34 | |
Tell me about Sammy Davis Jr. | 0:45:34 | 0:45:37 | |
Believe me, this man was incredible. | 0:45:37 | 0:45:40 | |
He was the ultimate entertainer. | 0:45:40 | 0:45:43 | |
I have just been watching some of his archive material and it is stunning. | 0:45:43 | 0:45:48 | |
It is amazing how beautifully worked... He does a gun routine. | 0:45:48 | 0:45:54 | |
-Have you ever seen...? -Yes. -Eh? You are lying! | 0:45:54 | 0:45:59 | |
No, I haven't seen his gun routine. I'm familiar with his work. | 0:46:01 | 0:46:04 | |
Sammy Davis Jr. | 0:46:04 | 0:46:07 | |
He's Sammy Davis's son! | 0:46:08 | 0:46:10 | |
Do you remember Sammy Davis Sr? | 0:46:10 | 0:46:13 | |
-Of course I do, I know all the Sammy Davises! -Now you are lying! | 0:46:13 | 0:46:16 | |
-I know all the Sammy Davises! -Because I've never seen him myself! | 0:46:16 | 0:46:21 | |
Another of your heroes was Fred Astaire, | 0:46:21 | 0:46:23 | |
who was also an incredible mover. | 0:46:23 | 0:46:24 | |
He was incredible. | 0:46:24 | 0:46:26 | |
I suppose, as a dancer, you're interested in how people move, | 0:46:26 | 0:46:29 | |
-you spot that. -Spot it straightaway. And you can tell... | 0:46:29 | 0:46:32 | |
How do you move then, Bruce? As a dancer. | 0:46:32 | 0:46:35 | |
You want to see me walk? You can tell by the walk. | 0:46:35 | 0:46:38 | |
How does a dancer walk, compared to a normal person? | 0:46:38 | 0:46:41 | |
Well, a dancer, normally a dancer will walk, usually a bit more, | 0:46:41 | 0:46:44 | |
-shall we say, turned out? -OK. | 0:46:44 | 0:46:47 | |
If they are ballet dancers, they walk like this. | 0:46:47 | 0:46:51 | |
Fred Astaire had a great walk. He sort of, really... | 0:46:51 | 0:46:55 | |
-That's a great walk. -Was that like Fred? | 0:46:59 | 0:47:01 | |
APPLAUSE | 0:47:01 | 0:47:04 | |
So, tap dancing, Bruce. I was wondering if... | 0:47:04 | 0:47:07 | |
Tap dancing, I'll teach you a little bit of tap dancing. | 0:47:07 | 0:47:10 | |
Would you like a little bit of tap dancing? | 0:47:10 | 0:47:12 | |
CHEERING | 0:47:12 | 0:47:14 | |
Before we sit down, brief little start. | 0:47:17 | 0:47:20 | |
Here we are. | 0:47:20 | 0:47:22 | |
-Just do, toe, toe... -Yeah. -Toe, heel, and everything I do, you do. OK? | 0:47:22 | 0:47:26 | |
-All right. -And then you'll do... | 0:47:26 | 0:47:28 | |
OK? | 0:47:35 | 0:47:37 | |
CHEERING AND APPLAUSE | 0:47:37 | 0:47:40 | |
-So... -So we are sitting? Tap dance sitting? | 0:47:42 | 0:47:47 | |
We hear a bit of music, then I do a little step, | 0:47:47 | 0:47:49 | |
and then the next time you hear the music, you do the same step. | 0:47:49 | 0:47:52 | |
-OK. -Follow me, and everything will be all right. -I will do that. | 0:47:52 | 0:47:55 | |
Good. Cue music. | 0:47:55 | 0:47:57 | |
PIANO PLAYS | 0:47:57 | 0:47:59 | |
Go! | 0:48:03 | 0:48:05 | |
No, not yet! | 0:48:22 | 0:48:24 | |
Now you do it! | 0:48:25 | 0:48:26 | |
Good. Left foot, right. | 0:48:28 | 0:48:30 | |
Twirl! | 0:48:32 | 0:48:34 | |
One, two, three. | 0:48:36 | 0:48:39 | |
CHEERING AND APPLAUSE | 0:48:39 | 0:48:42 | |
-You're a dancer! -It has happened! | 0:48:42 | 0:48:44 | |
Thank you so much. Thank you, Bruce. | 0:48:44 | 0:48:47 | |
-Thank you very much. -Ladies and gentlemen, Sir Bruce Forsyth! | 0:48:47 | 0:48:52 | |
Legend! | 0:48:52 | 0:48:54 | |
-Thank you. That was such fun. -Thank you so much. | 0:48:54 | 0:48:57 | |
Sir Bruce Forsyth! | 0:48:57 | 0:48:59 | |
CHEERING AND APPLAUSE | 0:48:59 | 0:49:03 | |
Tremendous. OK, thank you so much, ladies and gentlemen. | 0:49:07 | 0:49:11 | |
All that remains is for me to thank all my guests, | 0:49:11 | 0:49:13 | |
the wonderful James Corden! | 0:49:13 | 0:49:15 | |
What a wonderful guest. A wonderful sport. | 0:49:15 | 0:49:17 | |
How dare he do that to me? | 0:49:17 | 0:49:19 | |
The beautiful and gorgeous, Alex Jones! | 0:49:19 | 0:49:22 | |
CHEERING AND APPLAUSE | 0:49:22 | 0:49:25 | |
And the legend himself, Sir Bruce Forsyth! | 0:49:25 | 0:49:27 | |
CHEERING AND APPLAUSE | 0:49:27 | 0:49:30 | |
Thank you so much for watching at home. | 0:49:30 | 0:49:32 | |
We will be back later in the year with more | 0:49:32 | 0:49:34 | |
of Michael McIntyre's Chat Show. | 0:49:34 | 0:49:35 | |
Until then, thank you, bravo! | 0:49:35 | 0:49:37 |