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This programme contains some strong language | 0:00:02 | 0:00:06 | |
We have a person behind here. I haven't checked on him for a while. | 0:00:06 | 0:00:09 | |
Oh, he's blocked it off! | 0:00:09 | 0:00:11 | |
LAUGHTER | 0:00:11 | 0:00:12 | |
Yes, here is! | 0:00:14 | 0:00:15 | |
CHEERING | 0:00:15 | 0:00:16 | |
Ladies and gentlemen, Paul's here! | 0:00:16 | 0:00:18 | |
APPLAUSE AND CHEERING | 0:00:18 | 0:00:20 | |
Paul, I've missed you! | 0:00:20 | 0:00:22 | |
-You haven't seen me for... -I know, I'm sorry. But you're back, | 0:00:22 | 0:00:26 | |
-and I need your help tonight. Because Dynamo is on. -OK, yeah. | 0:00:26 | 0:00:29 | |
I want to try and do a trick on him. | 0:00:29 | 0:00:32 | |
LAUGHTER | 0:00:32 | 0:00:34 | |
-So I want you to do... You know what you do, with the up and down? -Yes. | 0:00:34 | 0:00:38 | |
But I want to make it look like I'm in control of it, like, | 0:00:38 | 0:00:41 | |
with my brain. | 0:00:41 | 0:00:43 | |
LAUGHTER | 0:00:43 | 0:00:44 | |
-Using the force. -Oh, OK, yeah. | 0:00:44 | 0:00:46 | |
-I've got it. -You've got it? I don't know quite how to do this. | 0:00:46 | 0:00:49 | |
-We'll practise. -OK. -OK, you stay there. | 0:00:49 | 0:00:52 | |
Sorry. | 0:00:52 | 0:00:53 | |
So he won't know you're there. | 0:00:53 | 0:00:55 | |
I don't think he watches the show. | 0:00:55 | 0:00:56 | |
LAUGHTER | 0:00:56 | 0:00:58 | |
He says he's been away. Hold on. | 0:00:59 | 0:01:01 | |
Bring it up. | 0:01:01 | 0:01:02 | |
But I don't want Dynamo to see you. That's really going to be shit. | 0:01:03 | 0:01:06 | |
LAUGHTER | 0:01:06 | 0:01:08 | |
You've got to wrap it round, Paul! Wrap it right round. | 0:01:10 | 0:01:13 | |
Like The Wizard Of Oz, Paul! | 0:01:14 | 0:01:16 | |
LAUGHTER | 0:01:16 | 0:01:17 | |
Paul, wrap it round! | 0:01:18 | 0:01:20 | |
I can see you! You're standing there with a rope! | 0:01:20 | 0:01:22 | |
LAUGHTER | 0:01:22 | 0:01:24 | |
I'm going to say, "Dynamo, I'm going to try something. | 0:01:26 | 0:01:29 | |
"It might not work." And then, "Down!" | 0:01:29 | 0:01:33 | |
"Dooowwwn..." | 0:01:33 | 0:01:35 | |
LAUGHTER | 0:01:35 | 0:01:36 | |
What happened? | 0:01:36 | 0:01:38 | |
What happened?! | 0:01:39 | 0:01:41 | |
What happened? It dropped. | 0:01:41 | 0:01:43 | |
Paul, what are you doing? Paul? | 0:01:43 | 0:01:45 | |
Paul. We've got to do this on TV! | 0:01:45 | 0:01:48 | |
LAUGHTER | 0:01:48 | 0:01:50 | |
-Good luck on the night! -LAUGHTER | 0:01:50 | 0:01:52 | |
APPLAUSE | 0:01:52 | 0:01:54 | |
On the show tonight... | 0:02:04 | 0:02:05 | |
..Holly Willoughby! APPLAUSE AND CHEERING | 0:02:06 | 0:02:08 | |
Dynamo! APPLAUSE AND CHEERING | 0:02:08 | 0:02:11 | |
Ray Winstone! APPLAUSE AND CHEERING | 0:02:11 | 0:02:13 | |
But now, please welcome your host, Michael McIntyre! | 0:02:15 | 0:02:18 | |
APPLAUSE AND CHEERING | 0:02:18 | 0:02:20 | |
Come on! | 0:02:21 | 0:02:22 | |
Come on! | 0:02:23 | 0:02:24 | |
Thanks! | 0:02:27 | 0:02:28 | |
I love high-fiving! | 0:02:33 | 0:02:35 | |
Welcome. | 0:02:35 | 0:02:37 | |
Good evening. | 0:02:37 | 0:02:39 | |
Thank you. | 0:02:39 | 0:02:40 | |
Welcome to my show, the Michael McIntyre Chat Show! | 0:02:40 | 0:02:43 | |
APPLAUSE AND CHEERING | 0:02:43 | 0:02:44 | |
We have an amazing show for you tonight, | 0:02:47 | 0:02:49 | |
which I very much hope you enjoy, with three incredible guests. | 0:02:49 | 0:02:52 | |
-Are you excited about tonight's show, ladies and gentlemen? -CHEERING | 0:02:52 | 0:02:56 | |
I'm not at the right height. | 0:02:59 | 0:03:01 | |
LAUGHTER | 0:03:01 | 0:03:02 | |
Something's happened to my chair. | 0:03:05 | 0:03:06 | |
I don't... I don't know what... | 0:03:10 | 0:03:12 | |
There's a... | 0:03:12 | 0:03:14 | |
Why am I down here? | 0:03:16 | 0:03:17 | |
Is there a button? | 0:03:17 | 0:03:19 | |
LAUGHTER | 0:03:28 | 0:03:29 | |
APPLAUSE | 0:03:33 | 0:03:35 | |
Am I too high? | 0:03:35 | 0:03:36 | |
OK. | 0:03:39 | 0:03:41 | |
It is my great pleasure to introduce the dreamy queen of daytime TV. | 0:03:42 | 0:03:46 | |
She's a model, a children's author, a fashion designer | 0:03:46 | 0:03:49 | |
and a yummy mummy. | 0:03:49 | 0:03:50 | |
She's got her finger in every pie and a bun in the oven. | 0:03:50 | 0:03:53 | |
Surprise, surprise, it's Holly Willoughby! | 0:03:53 | 0:03:56 | |
APPLAUSE AND CHEERING | 0:03:56 | 0:03:59 | |
Holly Willoughby! | 0:04:11 | 0:04:14 | |
Welcome. Thank you so much for coming on my show. | 0:04:14 | 0:04:16 | |
-Thanks for having me. -Congratulations! | 0:04:16 | 0:04:18 | |
-Thank you very much. -A pregnant woman is with us! | 0:04:18 | 0:04:20 | |
APPLAUSE AND CHEERING | 0:04:20 | 0:04:22 | |
Thank you. Thank you. | 0:04:22 | 0:04:25 | |
-This was a surprise pregnancy. -It was a bit of a surprise, yes. | 0:04:25 | 0:04:29 | |
I always wanted to have three children. | 0:04:29 | 0:04:31 | |
Dan and I always said we'd love to have three. | 0:04:31 | 0:04:34 | |
And you hope you're lucky enough, but, yes, it was a bit of a shock. | 0:04:34 | 0:04:38 | |
-Why three? I've got two. I worry about having three. -I know. | 0:04:38 | 0:04:42 | |
My fear is that I'm now outnumbered. | 0:04:42 | 0:04:45 | |
Dan and I can wrangle one each, but now it's, like... | 0:04:45 | 0:04:48 | |
-one is always going to get away. -What happens? -I don't know. | 0:04:48 | 0:04:51 | |
I imagine you have to have some sort of lead thing. LAUGHTER | 0:04:51 | 0:04:54 | |
-I don't know. -It is difficult. | 0:04:54 | 0:04:56 | |
When I go out with my two kids, sometimes | 0:04:56 | 0:04:59 | |
-they go in opposite directions and you have no idea... -I know, don't! | 0:04:59 | 0:05:03 | |
You sort of have to pick your favourite, in a way. | 0:05:03 | 0:05:05 | |
LAUGHTER | 0:05:05 | 0:05:07 | |
Have you had scans and things? | 0:05:07 | 0:05:09 | |
Yes, had a scan, but not one to tell... | 0:05:09 | 0:05:11 | |
I could have found out by now, but I didn't want to know. | 0:05:11 | 0:05:14 | |
Do you have weird old women walk up to you and go, "It's a boy." | 0:05:14 | 0:05:18 | |
LAUGHTER Not yet, because I don't think I've got... | 0:05:18 | 0:05:20 | |
As soon as you get a slight hint of a bump, everyone goes, "Oh, yeah..." | 0:05:20 | 0:05:24 | |
-You don't have any bump. -Not yet. A bit. | 0:05:24 | 0:05:27 | |
It's sort of thick, slightly... | 0:05:27 | 0:05:29 | |
There's a stage where you don't look obviously pregnant. | 0:05:29 | 0:05:33 | |
No, you just look a bit fatter. That's kind of where I'm at now. | 0:05:33 | 0:05:36 | |
I'm more pregnant in my backside than I am in front! | 0:05:36 | 0:05:41 | |
I'm like, "Bump, come round here and not just out there! | 0:05:41 | 0:05:45 | |
-"Please help me!" -Maybe they're just moving around. | 0:05:45 | 0:05:48 | |
Maybe you'll wake up one day and there's this huge arm thing... | 0:05:48 | 0:05:52 | |
"You're supposed to be here!" | 0:05:52 | 0:05:53 | |
-Exactly. -So your husband is at home looking after the children. | 0:05:53 | 0:05:57 | |
Yes, he is. | 0:05:57 | 0:05:59 | |
How did you meet your husband? | 0:05:59 | 0:06:01 | |
Dan and I met each other when I was doing Saturday morning kids' telly. | 0:06:01 | 0:06:04 | |
The Ministry Of Mayhem. A very long time ago. And he was my... | 0:06:04 | 0:06:08 | |
There he is. Looks like he's the one with the baby there. LAUGHTER | 0:06:08 | 0:06:12 | |
Yeah, so we were doing Ministry Of Mayhem together | 0:06:12 | 0:06:15 | |
and he was my producer. | 0:06:15 | 0:06:17 | |
I didn't even fancy him to begin with at all. | 0:06:17 | 0:06:19 | |
-It's true! He knows it. -Why do all women say that? | 0:06:19 | 0:06:22 | |
I actually thought he didn't like me very much. | 0:06:22 | 0:06:24 | |
-Women don't fancy men to begin with. -Some people do, but I didn't... | 0:06:24 | 0:06:28 | |
-My wife didn't fancy me. -Oh, really? | 0:06:28 | 0:06:31 | |
-She fancied men, I just wasn't one of them. -LAUGHTER | 0:06:31 | 0:06:34 | |
But it's not a bad thing, because suddenly there was this moment, | 0:06:34 | 0:06:37 | |
and I remember the exact moment. We were... | 0:06:37 | 0:06:39 | |
We were all in the bar afterwards and we were going, "Cheers!" | 0:06:39 | 0:06:42 | |
And you know when your glasses clink and then you just...? | 0:06:42 | 0:06:45 | |
I looked at him for a moment too long and I went, | 0:06:45 | 0:06:48 | |
"Oh, my God, I fancy Dan Baldwin. What am I going to do? | 0:06:48 | 0:06:51 | |
"I really fancy him, he's my producer and it's a nightmare!" | 0:06:51 | 0:06:53 | |
And then, you know... | 0:06:53 | 0:06:55 | |
Hats off to Dan with the clink! | 0:06:55 | 0:06:57 | |
I know! LAUGHTER | 0:06:57 | 0:06:59 | |
What move did he pull? | 0:06:59 | 0:07:00 | |
Just... Just a bog-standard clink. | 0:07:00 | 0:07:03 | |
Did you see his face through the glass? | 0:07:03 | 0:07:05 | |
-Yeah. -Because that can distort his face. | 0:07:05 | 0:07:08 | |
Did you fancy him just for that one "Hello"? | 0:07:08 | 0:07:11 | |
"I'm Dan Baldwin. Do you fancy me? Still?" | 0:07:11 | 0:07:14 | |
Oh, that's a nice moment. Your heart just leapt. | 0:07:14 | 0:07:16 | |
-And that was how long ago now? -We've been married seven years. | 0:07:16 | 0:07:19 | |
Seven, eight, nine, nine years ago. | 0:07:19 | 0:07:22 | |
Speaking of family life, you've written a book with your sister. | 0:07:22 | 0:07:25 | |
-Yeah. -I think I've got it. | 0:07:25 | 0:07:26 | |
-You've written three books with your sister. -Yes. -This is it. | 0:07:26 | 0:07:29 | |
-School For Stars. -School For Stars, yeah. Third term at L'Etoile. | 0:07:29 | 0:07:32 | |
What age range is it aimed at? | 0:07:32 | 0:07:34 | |
I would say anything between five up to 13, 14,15. | 0:07:34 | 0:07:41 | |
-I didn't know you were doing this. -No? They're really cute little books | 0:07:41 | 0:07:44 | |
and my sister is an incredible writer and always has been. | 0:07:44 | 0:07:46 | |
And one of the bonds of our sisterly relationship | 0:07:46 | 0:07:50 | |
was down to books, really. | 0:07:50 | 0:07:52 | |
She used to read to me all the time and make up stories. | 0:07:52 | 0:07:54 | |
And I think it was just a case of she became | 0:07:54 | 0:07:57 | |
a mum for the first time last year and the timing was just | 0:07:57 | 0:08:00 | |
right for us to sit down and do something like this. | 0:08:00 | 0:08:03 | |
Tell me about your working and being so happy all the time. | 0:08:03 | 0:08:06 | |
-You're the happiest person I've ever known. -Am I? -You are, I think. | 0:08:06 | 0:08:09 | |
I do nice jobs, I think. This Morning is a great job to work on. | 0:08:09 | 0:08:13 | |
And I go to work with one of my best friends, which I'm very lucky. | 0:08:13 | 0:08:17 | |
AUDIENCE: Awwww! | 0:08:17 | 0:08:18 | |
-He's a lovely man. -Did you know Phillip before you started? | 0:08:18 | 0:08:21 | |
We knew each other because we did Dancing On Ice. | 0:08:21 | 0:08:23 | |
-And you go out with him, don't you? -We do. | 0:08:23 | 0:08:25 | |
We've been on holiday together. Not just the two of us! | 0:08:25 | 0:08:28 | |
LAUGHTER | 0:08:28 | 0:08:29 | |
With our respective husbands and wives. | 0:08:29 | 0:08:31 | |
-Where have you holidayed with Schofield? -Portugal. -Lovely. -Yeah. | 0:08:31 | 0:08:36 | |
Nice bottle of wine. | 0:08:36 | 0:08:37 | |
-OK, so you got pissed in Portugal! -Yeah. | 0:08:37 | 0:08:40 | |
-That's pretty much what happened, yeah. -You've got lots of ITV friends. | 0:08:40 | 0:08:43 | |
I always see that. | 0:08:43 | 0:08:44 | |
Well, you always have friends you work with, don't you? | 0:08:44 | 0:08:47 | |
You're a big ITV person, aren't you? | 0:08:47 | 0:08:49 | |
You go on holiday with Schofield. You're always with ITV... | 0:08:49 | 0:08:53 | |
-Ant and Dec, they are big friends. -They are good friends. | 0:08:53 | 0:08:57 | |
Dermot O'Leary. They are all ITV people. | 0:08:57 | 0:08:59 | |
I've got other friends. | 0:08:59 | 0:09:02 | |
-LAUGHTER -I'm on the BBC. I'm not... | 0:09:02 | 0:09:04 | |
You invited me in the dressing room to something... | 0:09:04 | 0:09:06 | |
-Yeah, I realise that sounded really flippant. -You invited me very badly. | 0:09:06 | 0:09:09 | |
You said, "I'm having a party on Sunday. | 0:09:09 | 0:09:12 | |
"Everybody's already coming, so you can come too." | 0:09:12 | 0:09:14 | |
LAUGHTER | 0:09:14 | 0:09:15 | |
I did say that! I did say that. But I'd love... | 0:09:15 | 0:09:19 | |
That was a really bad way to do it. But I'd love you to come. | 0:09:19 | 0:09:23 | |
I'd love you to come. | 0:09:23 | 0:09:25 | |
Well, because this is pre-recorded, I didn't come. | 0:09:25 | 0:09:28 | |
LAUGHTER | 0:09:28 | 0:09:30 | |
-Oh, God, you should have come! -Yes, I did! I did! I was there. | 0:09:30 | 0:09:34 | |
I rang the doorbell, I was there with a glass of champagne. | 0:09:34 | 0:09:37 | |
LAUGHTER | 0:09:37 | 0:09:38 | |
Cheers, Holly! | 0:09:38 | 0:09:40 | |
-Is this your dream job, then, do you think? -Yeah, I think... | 0:09:42 | 0:09:46 | |
Yeah, of course. | 0:09:46 | 0:09:48 | |
The one thing that I try and do in life is just to | 0:09:48 | 0:09:50 | |
be very happy with where I'm at right now, and not try to... | 0:09:50 | 0:09:53 | |
People go, "What's next? What's round the corner? | 0:09:53 | 0:09:57 | |
"What do you dream to do next?" | 0:09:57 | 0:09:58 | |
I'm sort of like, "I'm just quite happy being where I am now." | 0:09:58 | 0:10:01 | |
What about preparation on This Morning? Do you just take it as it comes? | 0:10:01 | 0:10:04 | |
You've interviewed so many people. | 0:10:04 | 0:10:06 | |
Well, we get our script in the car when I go to work in the morning, | 0:10:06 | 0:10:10 | |
so it's there and I write all my interviews on the way in. | 0:10:10 | 0:10:13 | |
You don't get car sick? | 0:10:13 | 0:10:14 | |
No. That's been the brilliant thing. | 0:10:14 | 0:10:18 | |
I've never had morning sickness cos I always panic about that | 0:10:18 | 0:10:21 | |
when I'm pregnant, just in the back of the car going... | 0:10:21 | 0:10:23 | |
-SHE RETCHES -Especially given your job. -Exactly. | 0:10:23 | 0:10:25 | |
Welcome to This Morning Sickness. | 0:10:25 | 0:10:27 | |
Exactly. | 0:10:28 | 0:10:30 | |
I suppose having someone there with you helps. | 0:10:30 | 0:10:32 | |
-Having Phil? -Yeah. -Oh, God, yeah. | 0:10:32 | 0:10:35 | |
He's just the best person. | 0:10:35 | 0:10:36 | |
Nothing goes wrong when you stand next to him. | 0:10:36 | 0:10:38 | |
The thing with This Morning is that it doesn't matter when things go wrong anyway. | 0:10:38 | 0:10:41 | |
Cos it always does. | 0:10:41 | 0:10:43 | |
-I mean, sometimes you laugh for no reason. -I know. | 0:10:43 | 0:10:45 | |
We've got a clip of you laughing for no reason. | 0:10:45 | 0:10:47 | |
-There's always a reason. -No, there's no reason. | 0:10:47 | 0:10:49 | |
-I bet I'll be able to tell you what the reason is. -OK. | 0:10:49 | 0:10:52 | |
We're going to show you the clip now | 0:10:52 | 0:10:53 | |
and you're claiming there's a reason why you're laughing? | 0:10:53 | 0:10:56 | |
Well, there must be. | 0:10:56 | 0:10:57 | |
For all the world, it looks like you're a teenager at university | 0:10:57 | 0:11:01 | |
who's got totally stoned | 0:11:01 | 0:11:02 | |
cos you are literally laughing for no reason at all. | 0:11:02 | 0:11:05 | |
-Tell me you're not stoned in this clip. -OK. | 0:11:05 | 0:11:08 | |
Over the past few weeks, Phil Vickery's cooked on | 0:11:08 | 0:11:10 | |
the banks of the River Kwai. | 0:11:10 | 0:11:12 | |
-What's happened to you? -Actually nothing. I've just got the giggles. | 0:11:14 | 0:11:18 | |
I was giggling before you started and I thought, "Don't giggle now," | 0:11:18 | 0:11:22 | |
and it just bubbled up and came out. | 0:11:22 | 0:11:24 | |
I'm fine now. Carry on. | 0:11:24 | 0:11:26 | |
There's something quite funny about the word kwai. | 0:11:26 | 0:11:28 | |
I don't know why. | 0:11:28 | 0:11:30 | |
I don't know what to say. | 0:11:32 | 0:11:33 | |
It's the word kwai that's made you laugh? | 0:11:35 | 0:11:37 | |
It's just quite a funny word. | 0:11:37 | 0:11:39 | |
-That's it! -The word kwai? -Yes. | 0:11:39 | 0:11:42 | |
It's because it sounds like somebody's trying to say cry | 0:11:47 | 0:11:50 | |
and can't say it properly. | 0:11:50 | 0:11:52 | |
-It's like Jonathan Ross trying to say cry. -Yes. | 0:11:53 | 0:11:57 | |
And I knew it was coming and I thought, | 0:11:57 | 0:11:59 | |
-"I'll probably giggle at that later." -Just the word kwai? | 0:11:59 | 0:12:02 | |
It's like your brain does, like, | 0:12:02 | 0:12:03 | |
it sort of throws in these naughty thoughts to trip you up. | 0:12:03 | 0:12:06 | |
Don't you get it? | 0:12:06 | 0:12:08 | |
It's like when you're in school assembly | 0:12:08 | 0:12:10 | |
and everything is far funnier when you're not allowed to speak, laugh or do anything. | 0:12:10 | 0:12:13 | |
-But that's the spirit of fun. -That's what happens to me on a daily basis. | 0:12:13 | 0:12:18 | |
Yes, because you know you're not allowed to. | 0:12:18 | 0:12:20 | |
Does that not fill you with a little bit of fear, | 0:12:20 | 0:12:22 | |
because if you say the wrong thing...? | 0:12:22 | 0:12:24 | |
I always say the... The thing is, you can't help it. | 0:12:24 | 0:12:27 | |
I said... | 0:12:27 | 0:12:28 | |
I was trying to say shiitake mushroom and just paused in slightly | 0:12:28 | 0:12:32 | |
the wrong place and then panicked cos I just said shit. | 0:12:32 | 0:12:38 | |
I was thinking, "I just said shit." | 0:12:39 | 0:12:42 | |
I did it with country casuals as well. | 0:12:42 | 0:12:45 | |
That was really, really bad. | 0:12:49 | 0:12:50 | |
There's some very funny personalities on your show. | 0:12:50 | 0:12:53 | |
I'm going to show you some pictures of people | 0:12:53 | 0:12:56 | |
and just see if you remember. | 0:12:56 | 0:12:58 | |
From last week, this one. | 0:12:58 | 0:13:00 | |
This is a lady who organises sex parties. | 0:13:00 | 0:13:03 | |
And she's just branched out into the silver dollar, | 0:13:03 | 0:13:08 | |
or pound as she put it, which is sex parties for over-45-year-olds. | 0:13:08 | 0:13:11 | |
-Oh. -Apparently there's quite a demand. | 0:13:11 | 0:13:14 | |
There is. | 0:13:14 | 0:13:16 | |
But I'm always the last to get invited. | 0:13:17 | 0:13:19 | |
Let's see if you remember some more. Who else have we got? | 0:13:22 | 0:13:24 | |
Oh, they drank their own piss. | 0:13:24 | 0:13:26 | |
It was awful because they did it in front of us as well. | 0:13:28 | 0:13:32 | |
They came on with their two glasses and they put them down and I remember | 0:13:32 | 0:13:36 | |
saying to Phil, "I can't give them a kiss hello when they come in." | 0:13:36 | 0:13:40 | |
And after they drunk it I said, "I'm definitely not kissing them | 0:13:40 | 0:13:43 | |
"goodbye because I just might catch piss breath." | 0:13:43 | 0:13:47 | |
As he did the shot of piss, he flicked it, | 0:13:48 | 0:13:53 | |
it dribbled down his face and he pushed it into his mouth | 0:13:53 | 0:13:56 | |
and I thought, "Oh, my God, now I can't even shake your hand | 0:13:56 | 0:13:59 | |
"when you walk out the door. | 0:13:59 | 0:14:01 | |
"How do I say goodbye to you?" | 0:14:01 | 0:14:03 | |
"Get out!" | 0:14:03 | 0:14:04 | |
-"Get out and keep walking." -Yeah. | 0:14:04 | 0:14:08 | |
I think we've got a picture of them drinking the piss. | 0:14:08 | 0:14:12 | |
In champagne glasses. | 0:14:12 | 0:14:13 | |
That reminds me of how you met your husband. | 0:14:13 | 0:14:15 | |
I'm surprised you didn't fall for him. | 0:14:17 | 0:14:19 | |
Now we've got... | 0:14:21 | 0:14:23 | |
Who's this man? Do you remember him? | 0:14:23 | 0:14:25 | |
Oh, I know who he is. | 0:14:28 | 0:14:29 | |
Those are dolls in the background, aren't they? | 0:14:29 | 0:14:32 | |
-I think they are. -He buys very lifelike dolls. | 0:14:32 | 0:14:35 | |
There you go. | 0:14:35 | 0:14:37 | |
That one's a real person, though? | 0:14:37 | 0:14:39 | |
Oh, yes! | 0:14:41 | 0:14:42 | |
Yes. | 0:14:46 | 0:14:48 | |
This doll's bored shitless, she's falling asleep. | 0:14:48 | 0:14:51 | |
"Ah, not This Morning again." | 0:14:51 | 0:14:53 | |
You don't get the giggles at these items. How are you able to do that? | 0:14:54 | 0:14:58 | |
Cos you just can't. | 0:14:58 | 0:15:00 | |
You get factual about it. It's the only way to do it. | 0:15:00 | 0:15:04 | |
-It's amazingly performed. -Yeah. | 0:15:04 | 0:15:06 | |
And then you just piss yourself laughing and that's fine | 0:15:06 | 0:15:09 | |
because there are people there to drink the piss. | 0:15:09 | 0:15:12 | |
You worked that one well. | 0:15:12 | 0:15:14 | |
Holly, thank you so much for coming on the show. | 0:15:14 | 0:15:16 | |
It's been such a pleasure. It's been wonderful to see Holly. | 0:15:16 | 0:15:19 | |
APPLAUSE | 0:15:19 | 0:15:20 | |
Congratulations. Good luck with everything. | 0:15:20 | 0:15:22 | |
Holly Willoughby, ladies and gentlemen. | 0:15:22 | 0:15:25 | |
Thank you so much. See you Sunday. Holly Willoughby! | 0:15:27 | 0:15:31 | |
Of course, we must play a little game called Send To All... | 0:15:36 | 0:15:39 | |
..which does depend on somebody having a mobile phone | 0:15:43 | 0:15:45 | |
that they are prepared to lend me. | 0:15:45 | 0:15:47 | |
Right, so we've got one person up there. You're up for it? | 0:15:47 | 0:15:51 | |
-Yeah. -What's your name? | 0:15:51 | 0:15:52 | |
-Johnny. -Let me get the phone first and then we'll chat. | 0:15:52 | 0:15:56 | |
Thank you. And that's that, then. | 0:15:56 | 0:15:58 | |
Big round of applause for Johnny. | 0:15:59 | 0:16:01 | |
Johnny's gone for the iPhone. | 0:16:05 | 0:16:07 | |
I've seen your screensaver and it looks like you're in a relationship. | 0:16:07 | 0:16:12 | |
No. I'm not. | 0:16:12 | 0:16:14 | |
Who is it? | 0:16:17 | 0:16:19 | |
It's not a bad photo, it's a great photo. | 0:16:19 | 0:16:21 | |
It's a picture of Jodie Marsh. | 0:16:21 | 0:16:22 | |
-Do you know Jodie? -No, not yet. | 0:16:29 | 0:16:32 | |
I like that. That is confidence. | 0:16:34 | 0:16:37 | |
I'm just going to send a little text to everyone in your phonebook | 0:16:37 | 0:16:40 | |
and we'll see how that goes throughout the night. | 0:16:40 | 0:16:43 | |
I'm not going through your texts, | 0:16:47 | 0:16:49 | |
I just noticed the one you've got from Sistaaaaa, | 0:16:49 | 0:16:52 | |
with five A's at the end of her name. | 0:16:52 | 0:16:55 | |
-Is that your actual sister? -Yeah. | 0:16:55 | 0:16:58 | |
Sistaaaaa. | 0:16:58 | 0:17:00 | |
Shannnnece with four N's. This is awesome! | 0:17:00 | 0:17:04 | |
Shannnnece! | 0:17:04 | 0:17:06 | |
Sistaaaaa! | 0:17:06 | 0:17:08 | |
What have we got? | 0:17:08 | 0:17:10 | |
Let's be honest... | 0:17:10 | 0:17:12 | |
..are we just friends? | 0:17:13 | 0:17:16 | |
Or is something else... | 0:17:20 | 0:17:22 | |
..going on? | 0:17:24 | 0:17:25 | |
I think that calls for a double or a triple kiss? | 0:17:28 | 0:17:31 | |
Triple! | 0:17:32 | 0:17:33 | |
The audience is like, "Triple kiss! This is awesome!" | 0:17:35 | 0:17:39 | |
"Take that, Sistaaaaa." | 0:17:39 | 0:17:41 | |
Thank you, Johnny. Huge hand for Johnny. | 0:17:44 | 0:17:46 | |
APPLAUSE AND CHEERING | 0:17:46 | 0:17:47 | |
That message is sending. | 0:17:49 | 0:17:52 | |
Thank you very much. | 0:17:53 | 0:17:55 | |
I am so excited about this. | 0:17:58 | 0:18:00 | |
It's time to meet the most mind-blowing magician since Merlin. | 0:18:00 | 0:18:03 | |
His spellbinding street magic has wowed crowds all over the world | 0:18:03 | 0:18:07 | |
and his TV shows are loved by millions. | 0:18:07 | 0:18:10 | |
He's the Houdini in a hoodie, please welcome Dynamo! | 0:18:10 | 0:18:14 | |
MUSIC: "Abracadabra" by Steve Miller Band | 0:18:14 | 0:18:18 | |
Dynamo is here! | 0:18:23 | 0:18:24 | |
Magician! | 0:18:25 | 0:18:27 | |
-Keep it going. -You've got some fans in. | 0:18:33 | 0:18:36 | |
-How are you? -I'm all right, thanks. | 0:18:36 | 0:18:38 | |
So your show Dynamo: Magician Impossible is... | 0:18:38 | 0:18:42 | |
Tell me some numbers, do you know numbers of reach | 0:18:42 | 0:18:45 | |
and people who've seen your show and YouTube and stuff? | 0:18:45 | 0:18:47 | |
I heard you talk on the radio once and it was mind-blowing. | 0:18:47 | 0:18:50 | |
I'm on series three at the minute and we're actually filming series four. | 0:18:50 | 0:18:54 | |
The first series has been seen by over 250 million people. | 0:18:54 | 0:18:57 | |
This is amazing. How did it start for you? | 0:18:57 | 0:19:00 | |
The Prince's Trust gave me my first business start-up loan. | 0:19:00 | 0:19:03 | |
I went in a room... | 0:19:03 | 0:19:05 | |
impressed them with some magic and said, | 0:19:05 | 0:19:07 | |
"I want to make a career out of this." | 0:19:07 | 0:19:09 | |
They looked at me like I was crazy and then came out and said, | 0:19:09 | 0:19:11 | |
"All right, we'll give you the two grand." | 0:19:11 | 0:19:13 | |
And I bought a camcorder and a laptop | 0:19:13 | 0:19:15 | |
and just started filming my stuff and putting it on YouTube | 0:19:15 | 0:19:18 | |
and then the next thing you know I've got a TV show and here we are. | 0:19:18 | 0:19:21 | |
That's fantastic. | 0:19:21 | 0:19:23 | |
Good on the Prince's Trust. | 0:19:24 | 0:19:26 | |
Tell me about The Magic Circle. What is it? | 0:19:26 | 0:19:29 | |
When I hear the words Magic Circle, | 0:19:29 | 0:19:31 | |
I just assume it's just you in a circle with magicians going, | 0:19:31 | 0:19:34 | |
"How did you do that?" "I'm not telling." | 0:19:34 | 0:19:37 | |
A little bit. | 0:19:37 | 0:19:39 | |
Essentially, it's a private members club for the elite magicians. | 0:19:39 | 0:19:43 | |
It is true that Prince Charles is a member? | 0:19:43 | 0:19:45 | |
Yes, he is. | 0:19:45 | 0:19:47 | |
He auditioned properly, he did the famous cups and balls trick. | 0:19:47 | 0:19:52 | |
He cupped his balls? | 0:19:52 | 0:19:53 | |
-IMPERSONATES PRINCE CHARLES: -I'm ready for my audition. | 0:19:56 | 0:19:59 | |
So what are you saying, you letting me in or not? | 0:20:00 | 0:20:03 | |
-He did the thing where you do that? -Yes. -And that's enough to get in? | 0:20:05 | 0:20:10 | |
Seriously, if he wasn't Prince Charles, they'd go, | 0:20:10 | 0:20:13 | |
"Cup and ball? On you go." | 0:20:13 | 0:20:15 | |
He's got some connections, I think he'll be all right to get in. | 0:20:15 | 0:20:19 | |
So, you've got a style - you have to think about your showmanship? | 0:20:19 | 0:20:22 | |
A little bit. | 0:20:22 | 0:20:24 | |
There's been so many magicians where they've had a stage persona. | 0:20:24 | 0:20:27 | |
Yes. | 0:20:27 | 0:20:28 | |
And I just decided that rather than have this fake persona on stage, | 0:20:28 | 0:20:33 | |
I'll just feel comfortable being me. | 0:20:33 | 0:20:35 | |
It's easier to be yourself, I suppose, | 0:20:35 | 0:20:37 | |
but then you leave, is that the plan? | 0:20:37 | 0:20:39 | |
Cos I like that, when you do that. | 0:20:39 | 0:20:41 | |
When you do a trick and you've got everyone going, | 0:20:41 | 0:20:43 | |
"I can't believe that! Oh, my God! You're evil! | 0:20:43 | 0:20:46 | |
"How did he do that?" | 0:20:46 | 0:20:48 | |
People go nuts, don't they? | 0:20:48 | 0:20:50 | |
And then you just walk off. It's like, "Where did he go?" | 0:20:50 | 0:20:53 | |
When did you start walking off? | 0:20:53 | 0:20:54 | |
I've been doing it from the beginning, to be honest. | 0:20:54 | 0:20:57 | |
Ever since I was a little kid, | 0:20:57 | 0:20:58 | |
I was actually getting picked on at school, | 0:20:58 | 0:21:00 | |
back then I was doing magic to the bullies and I was running off. | 0:21:00 | 0:21:03 | |
I just got more and more confident and like a slow... | 0:21:03 | 0:21:07 | |
It adds to the mystique of the whole thing when you just scamper. | 0:21:07 | 0:21:10 | |
You've done so many enormous tricks with walking on water and levitating. | 0:21:10 | 0:21:15 | |
This is you on a side of a bus which is absolutely mind-blowing. | 0:21:15 | 0:21:18 | |
Love this one. | 0:21:18 | 0:21:19 | |
APPLAUSE | 0:21:44 | 0:21:46 | |
But I think this is a trick you should definitely tell us | 0:21:51 | 0:21:54 | |
how you're doing that because, I mean, it's so useful. | 0:21:54 | 0:21:57 | |
I forgot my Oyster card. | 0:22:01 | 0:22:03 | |
That would help. | 0:22:03 | 0:22:05 | |
Absolutely extraordinary. | 0:22:05 | 0:22:07 | |
I've got some cards. | 0:22:07 | 0:22:08 | |
Are you going to show me some magic? | 0:22:08 | 0:22:10 | |
No, I don't know what I'm doing. | 0:22:10 | 0:22:12 | |
Pick a card. | 0:22:15 | 0:22:16 | |
Don't tell me what it is. | 0:22:19 | 0:22:20 | |
-Shall I show these guys? -Yeah, show them. | 0:22:20 | 0:22:23 | |
-How are we doing? -Don't tell me the card. | 0:22:46 | 0:22:48 | |
You think you're so good, don't you? | 0:22:54 | 0:22:56 | |
LAUGHTER | 0:23:03 | 0:23:05 | |
You know this is a chat show, right? | 0:23:07 | 0:23:09 | |
APPLAUSE AND CHEERING | 0:23:12 | 0:23:14 | |
-Ten of diamonds? -Yay! | 0:23:20 | 0:23:21 | |
APPLAUSE | 0:23:21 | 0:23:23 | |
Sorry, it took me a bit longer than I anticipated. | 0:23:32 | 0:23:34 | |
But I was using a little trick called process of elimination. | 0:23:36 | 0:23:40 | |
You got there in the end. | 0:23:41 | 0:23:42 | |
There you go, there's some playing cards. | 0:23:42 | 0:23:44 | |
Oh, loving that already, Dynamo! | 0:23:48 | 0:23:49 | |
Let's see. They're already pretty well shuffled. | 0:23:49 | 0:23:53 | |
I'll give them a mix up. | 0:23:53 | 0:23:55 | |
You did that with no table. | 0:23:55 | 0:23:57 | |
In fact, I want to try something a little bit special. | 0:23:58 | 0:24:02 | |
Do you have any receipts on you? | 0:24:02 | 0:24:05 | |
From your lunch, the shop, anything like that? | 0:24:05 | 0:24:09 | |
Can you get any receipts? | 0:24:09 | 0:24:11 | |
-You accusing me of theft? -No! | 0:24:11 | 0:24:15 | |
-A receipt? -Yes. -I don't have any receipts on me. | 0:24:15 | 0:24:19 | |
I could ask Paul. Paul, got a receipt? | 0:24:19 | 0:24:22 | |
Oh, no, I don't want them to... | 0:24:22 | 0:24:24 | |
I'm just getting one of my receipts. | 0:24:34 | 0:24:35 | |
Yeah, I've got some receipts, mate. | 0:24:38 | 0:24:40 | |
What have you got there? | 0:24:42 | 0:24:44 | |
Perfect. One of these will do. | 0:24:44 | 0:24:47 | |
-Yeah, cool. -They're not mine. | 0:24:49 | 0:24:52 | |
We'll use this one. Get rid of those. | 0:24:52 | 0:24:55 | |
Give them one of those. In fact, I'll give them a Dynamo shuffle. | 0:24:57 | 0:25:00 | |
-Do you want to see a Dynamo shuffle? -Yes, please. | 0:25:00 | 0:25:02 | |
AUDIENCE: Yeah! | 0:25:02 | 0:25:03 | |
APPLAUSE | 0:25:10 | 0:25:12 | |
So now I'm just going to place cards down. Just say stop. | 0:25:16 | 0:25:20 | |
Stop. | 0:25:20 | 0:25:22 | |
Look at the card you stopped at. Show it to everybody | 0:25:22 | 0:25:24 | |
Don't let me see it. | 0:25:24 | 0:25:25 | |
Has everyone got it? AUDIENCE: Yeah. | 0:25:27 | 0:25:29 | |
I just want you to take the lighter. | 0:25:29 | 0:25:31 | |
Light it. | 0:25:32 | 0:25:34 | |
-And bring it a little bit lower. -Yeah. | 0:25:34 | 0:25:36 | |
-So this is the receipt you wanted to use, right? -Yes. | 0:25:37 | 0:25:40 | |
That is not real! | 0:26:02 | 0:26:03 | |
APPLAUSE | 0:26:05 | 0:26:07 | |
No, don't go, Dynamo! | 0:26:11 | 0:26:13 | |
That is absolutely amazing. | 0:26:13 | 0:26:15 | |
How did you do that? Why are you doing that? | 0:26:15 | 0:26:16 | |
-I'm Dynamo. -I love your work, Dynamo. | 0:26:18 | 0:26:20 | |
Do you think that I...? | 0:26:28 | 0:26:30 | |
I'm going to have to ask you, if you don't mind, | 0:26:30 | 0:26:32 | |
I might try and convince you to do some more tricks, if that's OK. | 0:26:32 | 0:26:35 | |
-Yeah, we can do some. -But I'm going to try another one myself. | 0:26:35 | 0:26:39 | |
-You've been doing pretty good so far. -Yeah, I know. | 0:26:39 | 0:26:42 | |
What's the worst that could happen? | 0:26:42 | 0:26:44 | |
So I don't know, Dynamo, if you, erm... | 0:26:51 | 0:26:53 | |
-Can I just ask you... -Shall I stand up? | 0:27:00 | 0:27:03 | |
No, it's fine, you can stay seated. | 0:27:03 | 0:27:05 | |
If I can just ask you, Dynamo, to pick any, in this whole room, | 0:27:06 | 0:27:11 | |
any gauze. | 0:27:11 | 0:27:13 | |
Gauze as in like a curtain? | 0:27:16 | 0:27:17 | |
Yes, like a gauze. | 0:27:17 | 0:27:19 | |
-How about this one right here. -Good idea. | 0:27:20 | 0:27:23 | |
So just to fill you in, Dynamo has picked that gauze. | 0:27:25 | 0:27:28 | |
I'm just going to try this. | 0:27:31 | 0:27:34 | |
I'm just going to try and lower the gauze using my... | 0:27:34 | 0:27:39 | |
It's a mental thing, using my brain. | 0:27:39 | 0:27:42 | |
It's definitely mental. | 0:27:44 | 0:27:45 | |
I'm just going to start like this. | 0:27:49 | 0:27:51 | |
I once knew a guy called Paul who could do that. | 0:28:17 | 0:28:19 | |
There's no-one there. No. There's no-one there. | 0:28:22 | 0:28:25 | |
-HE MUMBLES: -Get the fuck out. | 0:28:25 | 0:28:27 | |
There's no-one there. There's no-one there. | 0:28:27 | 0:28:30 | |
-HE MUMBLES: -Move. | 0:28:30 | 0:28:31 | |
If you don't believe me, Dynamo... | 0:28:31 | 0:28:33 | |
CHEERING AND APPLAUSE | 0:28:37 | 0:28:38 | |
Is there anyway I can convince you to do any more tricks for us? | 0:28:47 | 0:28:50 | |
-Shall we do one more? -CHEERING | 0:28:50 | 0:28:51 | |
I would love that. Thank you. Oh, what's that? | 0:28:54 | 0:28:57 | |
I've got some needles. Just hold your hand up. | 0:28:57 | 0:29:00 | |
Oh, don't hurt me. | 0:29:00 | 0:29:01 | |
Just take one of those. | 0:29:03 | 0:29:05 | |
-Is that a real needle? -Yes, it is a real needle. | 0:29:06 | 0:29:09 | |
-Is it sharp? -Yes, it is. | 0:29:09 | 0:29:12 | |
What I want you to do is stick it... | 0:29:12 | 0:29:15 | |
in your tongue and swallow it. No, I'm joking. | 0:29:15 | 0:29:18 | |
-Actually, what I'd like you to do is stick it on my tongue. -What? | 0:29:23 | 0:29:28 | |
-AUDIENCE GASP -I love these audience reactions. | 0:29:28 | 0:29:31 | |
-Stick it on your tongue? -Yeah. | 0:29:31 | 0:29:32 | |
I'm just going to drop that on your tongue there. | 0:29:34 | 0:29:36 | |
Yeah. | 0:29:54 | 0:29:56 | |
Oh, my God. | 0:29:56 | 0:29:57 | |
Just hold your finger out like this. | 0:29:59 | 0:30:00 | |
-Dynamo, are you all right? You just swallowed a needle. -I'm fine. | 0:30:05 | 0:30:08 | |
I thought it was going to be a trick. | 0:30:08 | 0:30:10 | |
-What you've done is very dangerous. -Yes, I know. | 0:30:10 | 0:30:13 | |
-Are you all right? -I'm pretty good. I'm all right. I'm good, right? -OK. | 0:30:13 | 0:30:16 | |
CHEERING | 0:30:16 | 0:30:19 | |
Just take your thumb and clip that there. Perfect! Look! | 0:30:19 | 0:30:24 | |
Oh, good Lord! | 0:30:47 | 0:30:49 | |
INTAKE OF BREATH | 0:30:49 | 0:30:50 | |
APPLAUSE | 0:30:50 | 0:30:51 | |
WHISTLING AND CHEERING | 0:30:57 | 0:30:59 | |
I don't think I've got anything to better that. | 0:31:03 | 0:31:06 | |
I can do levi...de...delevi... | 0:31:06 | 0:31:08 | |
-Delevitation. -Delevitation? -Yeah. | 0:31:08 | 0:31:11 | |
I haven't seen that one. Let's see it. | 0:31:11 | 0:31:14 | |
I've got some... | 0:31:14 | 0:31:16 | |
HISSING | 0:31:16 | 0:31:18 | |
LAUGHTER | 0:31:19 | 0:31:20 | |
LAUGHTER AND APPLAUSE | 0:31:35 | 0:31:37 | |
Thank you. Ladies and gentlemen, that was absolutely mind-blowing. | 0:31:42 | 0:31:47 | |
The magician impossible himself, Dynamo! | 0:31:48 | 0:31:52 | |
CHEERING AND APPLAUSE | 0:31:52 | 0:31:53 | |
Thank you so much. That was brilliant. Amazing. | 0:31:56 | 0:31:58 | |
One more time, please. | 0:31:58 | 0:32:01 | |
CHEERING AND APPLAUSE | 0:32:01 | 0:32:03 | |
Incredible! | 0:32:03 | 0:32:05 | |
Yes, I know what we're all thinking. | 0:32:08 | 0:32:11 | |
What's going on with Johnny's phone? OK. I have Johnny's phone here. | 0:32:12 | 0:32:17 | |
What was the text that we sent out again? | 0:32:17 | 0:32:19 | |
"Let's be honest, | 0:32:21 | 0:32:22 | |
are we just friends or is something else going on?" | 0:32:22 | 0:32:26 | |
All I can say at this point, Johnny, | 0:32:28 | 0:32:30 | |
people have been texting back in their numbers. | 0:32:30 | 0:32:33 | |
-OK. Boycey. Who's Boycey? -Erm, I used to work with her last year. | 0:32:34 | 0:32:39 | |
-Oh, it's a "her"? That's good. -Yeah, it's a girl. | 0:32:39 | 0:32:42 | |
Well, that's very good news for you. | 0:32:42 | 0:32:44 | |
Boycey, who is a female, says, "Yeah, defo something more, Johnny." | 0:32:44 | 0:32:50 | |
Triple kiss back. | 0:32:52 | 0:32:53 | |
She's raised your double! | 0:32:53 | 0:32:55 | |
Let's just counter that with one from your father... | 0:32:57 | 0:33:01 | |
-..who I assume is in your phone as "dad"? -Yeah. | 0:33:03 | 0:33:05 | |
All right, that is your dad. He's got quite serious. | 0:33:05 | 0:33:09 | |
He's just gone, "Son..." | 0:33:09 | 0:33:10 | |
LAUGHTER | 0:33:12 | 0:33:14 | |
"Son - was that meant for me... | 0:33:17 | 0:33:19 | |
"..or for one of your many girlfriends?" | 0:33:22 | 0:33:24 | |
You've got someone called Chelsea here. Who's Chelsea? | 0:33:25 | 0:33:29 | |
I work with her and we're just friends. | 0:33:29 | 0:33:31 | |
I have to say, this one is juicy. | 0:33:33 | 0:33:37 | |
Chelsea has said, "We're just friends. I'm in a relationship now. | 0:33:41 | 0:33:45 | |
"I did tell you we were just friends." | 0:33:46 | 0:33:48 | |
AUDIENCE: OH! | 0:33:48 | 0:33:51 | |
I think it's time to reply to that one! | 0:34:01 | 0:34:05 | |
"Chels. | 0:34:05 | 0:34:06 | |
LAUGHTER | 0:34:06 | 0:34:07 | |
"You can't deny... | 0:34:07 | 0:34:09 | |
"..what is between us... | 0:34:15 | 0:34:17 | |
"..is electric." | 0:34:19 | 0:34:21 | |
No kisses. I'm just playing quite hard. | 0:34:23 | 0:34:25 | |
Let's see if there's anything... | 0:34:25 | 0:34:27 | |
Oh, my God! Everyone's coming back in. Mag is in. Oh, this is... | 0:34:27 | 0:34:30 | |
I think I'm going to get you laid tonight. | 0:34:30 | 0:34:32 | |
A huge hand for Johnny. | 0:34:34 | 0:34:36 | |
CHEERING AND APPLAUSE | 0:34:36 | 0:34:38 | |
I'm delighted to introduce one of the very best British actors in the business. | 0:34:38 | 0:34:42 | |
He's the true hard man who went from Hackney to Hollywood | 0:34:42 | 0:34:45 | |
and he's now starring in the biblical blockbuster, Noah. | 0:34:45 | 0:34:48 | |
Would you Adam and Eve it? It's Ray Winstone! | 0:34:48 | 0:34:50 | |
CHEERING AND APPLAUSE | 0:34:50 | 0:34:52 | |
Thank you. | 0:34:57 | 0:34:58 | |
Thank you. | 0:35:04 | 0:35:06 | |
Raymondo, I'm absolutely loving your shirt and tie situation. | 0:35:06 | 0:35:09 | |
-You like that? -Yeah. -Do you know what? I have been away a lot. | 0:35:09 | 0:35:13 | |
I didn't have any clean, white shirts. | 0:35:13 | 0:35:15 | |
I've had this shirt about 10 years, and this tie. I've never worn it. | 0:35:15 | 0:35:19 | |
I thought, that's a bit tricky, coming on a comedy show. Yeah. | 0:35:19 | 0:35:23 | |
You look good. You look tricky and I'm so glad you came on. | 0:35:23 | 0:35:26 | |
-It's a pleasure, mate. My family love you as well. -No? -Yeah. | 0:35:26 | 0:35:30 | |
AUDIENCE: Aw! | 0:35:30 | 0:35:31 | |
-Yeah, they do. They really like you. -Do you agree with them or...? | 0:35:31 | 0:35:35 | |
LAUGHTER | 0:35:35 | 0:35:37 | |
I think you're all right, yeah. | 0:35:37 | 0:35:39 | |
-So, how are you, Raymondo? -I'm good. | 0:35:39 | 0:35:41 | |
I'm great. We've got a good film out and... Well, it's a blinding film. | 0:35:41 | 0:35:46 | |
-It's Noah. -Yeah. -It's huge. It's an epic. -It certainly is. | 0:35:46 | 0:35:50 | |
-It doesn't get more epic than Noah. -No, I don't think... | 0:35:50 | 0:35:53 | |
Maybe The Ten Commandments or something like that. Or Spartacus. | 0:35:53 | 0:35:56 | |
-As far as disaster movies go. -There's the Titanic, I suppose. | 0:35:56 | 0:35:59 | |
But the Titanic is just the people on a boat. | 0:35:59 | 0:36:02 | |
-This is the whole of civilisation. -I guess that's true, really. | 0:36:02 | 0:36:05 | |
Everybody dies. I mean, I don't want to give away the ending! | 0:36:05 | 0:36:09 | |
-Yeah, but Noah doesn't. -No, you're right. Not everybody. | 0:36:09 | 0:36:12 | |
You were pretty, er, frightening, your character, Tubal-Cain. | 0:36:12 | 0:36:17 | |
-Is he a real person in the Bible? -Yeah, he's mentioned in the Bible. | 0:36:17 | 0:36:21 | |
-Not necessarily in the story of Noah. -Oh, OK. | 0:36:21 | 0:36:24 | |
Tubal-Cain kind of actually represented mankind in a way. | 0:36:24 | 0:36:28 | |
And I guess at the end of the film you kind of sit back | 0:36:28 | 0:36:32 | |
and you have a think about it. | 0:36:32 | 0:36:33 | |
I kind of agreed with a lot of things he was saying in the movie. | 0:36:33 | 0:36:37 | |
-He's the baddie? -Well, yeah, but I agreed with him. -OK. Like what? | 0:36:37 | 0:36:42 | |
The stuff about saving us and not the animals. | 0:36:42 | 0:36:45 | |
Don't worry about the animals, they'll take care of themselves. | 0:36:45 | 0:36:48 | |
-Oh, so you're not a vegetarian? -No. | 0:36:48 | 0:36:51 | |
For me, in a way, when you watch the film and understand it, | 0:36:51 | 0:36:54 | |
maybe that's the problem with us all. | 0:36:54 | 0:36:57 | |
We do kind of agree with what Tubal-Cain has to say in the movie. | 0:36:57 | 0:37:02 | |
Maybe that's the trouble with mankind. That was very deep for me! | 0:37:02 | 0:37:06 | |
That's unbelievable. | 0:37:06 | 0:37:08 | |
There you go. That's the trouble with mankind. | 0:37:08 | 0:37:11 | |
APPLAUSE | 0:37:11 | 0:37:13 | |
Apparently, a hurricane hit when you were making the film? | 0:37:13 | 0:37:16 | |
Yeah, it did. It was kind of weird. | 0:37:16 | 0:37:18 | |
I was filming in New York and Long Island and I was staying | 0:37:18 | 0:37:22 | |
in the Soho part of New York. | 0:37:22 | 0:37:25 | |
Hurricane Sandy hit. It was desperate what happened. | 0:37:25 | 0:37:29 | |
I was about 30 floors up and the building was shaking | 0:37:29 | 0:37:32 | |
and rocking and rolling. | 0:37:32 | 0:37:34 | |
-So, I do what all good Brits do, I hit the minibar. -Yeah. | 0:37:34 | 0:37:38 | |
And I just watched it, I watched what was going on outside. | 0:37:38 | 0:37:42 | |
The power station blew up and then all the lights went out. | 0:37:42 | 0:37:46 | |
You know, the next morning, the most surreal thing was that everyone was | 0:37:46 | 0:37:50 | |
walking from the South of Manhattan very slowly to the North | 0:37:50 | 0:37:53 | |
where there was power. It was like a scene out of the film in the way. | 0:37:53 | 0:37:57 | |
Like an exodus. | 0:37:57 | 0:37:58 | |
-Someone was telling us not to make the movie. -Did anyone suggest that? | 0:37:58 | 0:38:02 | |
-Did you feel quite spooked by it? -I did a bit. It's a scary thing. | 0:38:02 | 0:38:05 | |
Did you look at the Ark and think, "We might be needing this"? | 0:38:05 | 0:38:08 | |
It was still there the next morning so we were all right. | 0:38:08 | 0:38:12 | |
-You had the Ark? -Yeah. It kind of makes you think, doesn't it? | 0:38:12 | 0:38:15 | |
You know, a load of men built this Ark which is the real size | 0:38:15 | 0:38:18 | |
so it's not impossible it could have happened. | 0:38:18 | 0:38:22 | |
There's a lot of animals to get on it, though. | 0:38:22 | 0:38:24 | |
-Some didn't make it. That's why they're extinct. -Yeah. | 0:38:24 | 0:38:27 | |
Do you think they had a meeting and picked and chose who would go? | 0:38:31 | 0:38:34 | |
No, I think whoever turned up got on it, basically. | 0:38:34 | 0:38:37 | |
I suppose if they lived the other side of the world they had | 0:38:37 | 0:38:40 | |
a bit of a hard job getting there. | 0:38:40 | 0:38:42 | |
There were ambiguous animals like ducks. | 0:38:42 | 0:38:45 | |
-Yeah, but ducks can float and fly. -So, they're fine? | 0:38:45 | 0:38:48 | |
-Yeah, like fish. -The fish didn't even know it happened. | 0:38:48 | 0:38:51 | |
No, they didn't care. They were laughing. | 0:38:51 | 0:38:54 | |
They were, "Is it my imagination or has my room got bigger?" | 0:38:55 | 0:38:58 | |
LAUGHTER | 0:38:58 | 0:38:59 | |
We've got a clip from this movie. | 0:38:59 | 0:39:01 | |
It's rated 12A which surprised me | 0:39:01 | 0:39:03 | |
-seeing as everyone dies apart from five people. -Yeah. | 0:39:03 | 0:39:06 | |
I don't know what you need to do to get an 18 certificate. | 0:39:06 | 0:39:09 | |
There's no sex in it, that's why. | 0:39:09 | 0:39:11 | |
But there will be a lot of sex afterwards. | 0:39:11 | 0:39:13 | |
After, there has to be otherwise we wouldn't be here now. | 0:39:13 | 0:39:16 | |
In the sequel, it's all sex. Sex and dredging. | 0:39:16 | 0:39:20 | |
Anyway, we've got it clip from this amazing film. | 0:39:20 | 0:39:24 | |
There isn't anything for you here. | 0:39:24 | 0:39:27 | |
No, it all belongs to me. | 0:39:27 | 0:39:29 | |
This land, this forest, that stronghold of yours. | 0:39:29 | 0:39:34 | |
Did you really think you could protect yourself from me in that? | 0:39:34 | 0:39:37 | |
It's not protection from you. | 0:39:37 | 0:39:40 | |
Then what is it? | 0:39:40 | 0:39:42 | |
An ark to hold the innocent when the creator sends his deluge to wipe out | 0:39:42 | 0:39:47 | |
the wicked from this world. | 0:39:47 | 0:39:49 | |
Return to your cities of Cain. | 0:39:49 | 0:39:51 | |
No, we have all been judged. | 0:39:51 | 0:39:54 | |
-I have men at my back and you stand alone and defy me? -I'm not alone. | 0:39:54 | 0:40:01 | |
-A good one. It's a goodness one. -It's a great film actually. | 0:40:09 | 0:40:13 | |
There's quite a lot of hostility in this movie. | 0:40:13 | 0:40:16 | |
-You actually fight it out. -Yeah, it's dark. It goes to dark places. | 0:40:16 | 0:40:20 | |
That's what's good about it. It's not just pussyfooting around. | 0:40:20 | 0:40:24 | |
But you and Russell... How did fight scenes go? | 0:40:24 | 0:40:28 | |
Well, you kind of work one or two things out | 0:40:28 | 0:40:31 | |
and then you kind of lock horns, you know, and you've got to. | 0:40:31 | 0:40:35 | |
This is not like stand up and throw this punch and that punch. | 0:40:35 | 0:40:38 | |
-It's like tearing at one another. -You actually fight each other? | 0:40:38 | 0:40:42 | |
No, you don't actually chin one another or head-butt one another | 0:40:42 | 0:40:45 | |
or bite one another really, but you give the impression you are. | 0:40:45 | 0:40:48 | |
You know, you're grappling with one another. | 0:40:48 | 0:40:51 | |
I'm 57 years of age and Russell is not that far behind me, | 0:40:51 | 0:40:57 | |
so...it's like two old warriors having a war. | 0:40:57 | 0:40:59 | |
Do you get a sense when you're tussling, | 0:40:59 | 0:41:02 | |
if this was a real fight, you'd be like... I mean, is he very strong? | 0:41:02 | 0:41:05 | |
-He's a strong boy, yeah. -Cos, you're strong too, Ray. | 0:41:05 | 0:41:10 | |
Well, I'm not the strongest, to be honest with you. | 0:41:10 | 0:41:13 | |
I'm not physically strong, but I'm slippery. | 0:41:13 | 0:41:16 | |
LAUGHTER | 0:41:16 | 0:41:19 | |
And I'm dirty. | 0:41:19 | 0:41:20 | |
You did a bit of boxing back in the day, didn't you? | 0:41:20 | 0:41:23 | |
-Yeah, I did. Many years ago. -I've heard your record was outstanding. | 0:41:23 | 0:41:27 | |
Oh, this is with the boys, yeah. | 0:41:27 | 0:41:30 | |
So, when you fought other men, it's a very raw thing. How... | 0:41:30 | 0:41:36 | |
-Does that help you in life? -Absolutely. I think it does. | 0:41:36 | 0:41:41 | |
You get another instinct. | 0:41:41 | 0:41:42 | |
When you walk in a room, you know whether there's trouble or not. | 0:41:42 | 0:41:46 | |
You know to avoid it if you want to. | 0:41:46 | 0:41:48 | |
But the other thing is also, working in the business I'm in, | 0:41:48 | 0:41:52 | |
when you stand on a set and look into an actor's eyes, you connect | 0:41:52 | 0:41:55 | |
with them right away because boxing is all about looking in the eyes. | 0:41:55 | 0:41:59 | |
It's confidence, isn't it? | 0:41:59 | 0:42:01 | |
Yeah, it's a false confidence as well, in a way, | 0:42:01 | 0:42:04 | |
because you have a fear when you walk into a room, you can have | 0:42:04 | 0:42:08 | |
a fear, when you don't know people. | 0:42:08 | 0:42:09 | |
I'm pretty shy, believe it or not, so you have to take a deep breath and | 0:42:09 | 0:42:15 | |
stick your chest out and walk in a place like you're meant to be there. | 0:42:15 | 0:42:19 | |
Sometimes that causes problems. | 0:42:19 | 0:42:21 | |
My wife says, "What's the matter with you?" | 0:42:21 | 0:42:25 | |
I say, "Babe, no-one really wants to talk to me anyway." | 0:42:25 | 0:42:29 | |
She says, "Because you walk into a room | 0:42:29 | 0:42:31 | |
"like you're going to kill someone." | 0:42:31 | 0:42:33 | |
LAUGHTER | 0:42:33 | 0:42:34 | |
You actually... | 0:42:34 | 0:42:35 | |
When I see you walk on stage when you're working, | 0:42:35 | 0:42:39 | |
you walk like a fighter, like a boxer. You walk on your toes. | 0:42:39 | 0:42:43 | |
-A boxer with a very poor record. -Maybe. | 0:42:43 | 0:42:47 | |
-Maybe. -I am on my toes. You're right. | 0:42:47 | 0:42:52 | |
This is a problem for me because I literally walk on my toes. | 0:42:52 | 0:42:56 | |
-On the balls of your feet. -Yeah. Is that the front bit? -Yeah. | 0:42:56 | 0:43:00 | |
That's been a problem for me because I run... | 0:43:01 | 0:43:04 | |
People used to laugh at me because I run on my toes like that. | 0:43:04 | 0:43:08 | |
Most people run like that. | 0:43:08 | 0:43:11 | |
When a fighter runs, he runs just like you're running. | 0:43:11 | 0:43:14 | |
The problem is I've ended up with calves bigger than my thighs. | 0:43:14 | 0:43:17 | |
-Seriously, I wouldn't lie. -Show me. Jesus! | 0:43:19 | 0:43:24 | |
That's absurd, isn't it? That comes from walking on your toes. | 0:43:25 | 0:43:28 | |
No, that doesn't come from walking on your toes. I walk on my toes. | 0:43:28 | 0:43:32 | |
Feel that. | 0:43:32 | 0:43:33 | |
-That's a normal calf. -No, no, no. That's not normal. | 0:43:33 | 0:43:36 | |
No, it isn't, is it? | 0:43:36 | 0:43:38 | |
-That's like someone has put a rugby ball down your sock. -I know. | 0:43:38 | 0:43:43 | |
It's unbelievable. Show everyone your leg. | 0:43:43 | 0:43:46 | |
CHEERING | 0:43:47 | 0:43:50 | |
-It's not nice. It's creepy. -Pull your strides up. | 0:43:50 | 0:43:55 | |
AUDIENCE: Oh! | 0:43:55 | 0:43:57 | |
Look at that! | 0:43:57 | 0:43:58 | |
I've never seen anything like that. | 0:44:01 | 0:44:03 | |
There are people with their mouths open! | 0:44:03 | 0:44:06 | |
Even Dynamo is like, how did he do that? | 0:44:06 | 0:44:08 | |
LAUGHTER | 0:44:08 | 0:44:09 | |
-I can't get my trousers down. -I'm surprised you got them on! | 0:44:13 | 0:44:16 | |
Ladies and gentlemen, the wonderful Mr Ray Winstone. | 0:44:19 | 0:44:22 | |
APPLAUSE AND CHEERING | 0:44:23 | 0:44:26 | |
-I've got to go. -Thank you so much. -Thank you. You're great. | 0:44:26 | 0:44:30 | |
Ray Winstone. Fantastic! Go on, Ray! | 0:44:30 | 0:44:37 | |
Right, Johnny. OK. Johnny, we're going to end this now. | 0:44:40 | 0:44:44 | |
I can tell you that Chelsea hasn't got back. | 0:44:44 | 0:44:47 | |
Ah, wicked! Sistaaaaa! | 0:44:47 | 0:44:49 | |
Sistaaaaa. She's like, "What? Shut up, weirdo!" | 0:44:52 | 0:44:55 | |
Johnny, you've got a lot of love in your life. You'll be absolutely fine. | 0:45:03 | 0:45:07 | |
You won't be single for long. Ladies and gentlemen, wonderful Johnny. | 0:45:07 | 0:45:11 | |
He will be rewarded. Johnny! | 0:45:11 | 0:45:13 | |
CHEERING AND APPLAUSE | 0:45:13 | 0:45:16 | |
All I need to do is thank all my guests. | 0:45:16 | 0:45:18 | |
Ladies and gentlemen, a big hand for the wonderful Holly Willoughby, | 0:45:18 | 0:45:22 | |
Dynamo... | 0:45:22 | 0:45:24 | |
..and, of course, the fantastic Ray Winstone. | 0:45:25 | 0:45:29 | |
Join me next week when I'll have on my show | 0:45:29 | 0:45:33 | |
James Corden, Tracey Emin, and Sir Bruce Forsyth. | 0:45:33 | 0:45:36 | |
Thank you. Good night. Bravo! | 0:45:36 | 0:45:37 | |
CHEERING AND APPLAUSE | 0:45:37 | 0:45:42 |